Latest / Arroe Collins Like It's Live / The Indie Film Lost With You From Mike Southerly Shakes Up Indifference And Connection

Transcript

The Indie Film Lost With You From Mike Southerly Shakes Up Indifference And Connection · Arroe Collins Like It's Live

• 0:00
  Speaker 1: Have you been to the podcast network at aro dot net,
• 0:03
  Speaker 1: A r r oe dot net. Not just one podcast,
• 0:06
  Speaker 1: it's twenty different podcasts that puts you in a state
• 0:09
  Speaker 1: of what's the power of choice? One of the top
• 0:13
  Speaker 1: podcasts That Voice. I've spent over ten years with those
• 0:16
  Speaker 1: who have performed on NBC's The Voice. Now, let's go
• 0:20
  Speaker 1: back and listen to the conversations as they were making
• 0:22
  Speaker 1: their way through that giant musical mountain. That Voice only
• 0:26
  Speaker 1: on aro dot net, A r r oe dot net.
• 0:30
  Speaker 1: Enjoy your exploration.
• 0:32
  Speaker 2: Good morning, Hey, good morning Mike.
• 0:33
  Speaker 1: How are you doing today?
• 0:35
  Speaker 2: Good? You can hear me? Okay, I can hear you?
• 0:38
  Speaker 1: Just fine? This is like, what what was that commercial
• 0:39
  Speaker 1: that used to do? They say? Can you hear me now? Yeah?
• 0:41
  Speaker 1: Can you hear me now? Was it Verizon?
• 0:43
  Speaker 3: It? I think so because they made fun of it
• 0:46
  Speaker 3: all and scary movie?
• 0:47
  Speaker 1: Right, Yes they do, Yes, they sure did it. Hey,
• 0:50
  Speaker 1: speaking of movies, I have experienced lost with you, and
• 0:54
  Speaker 1: my god, I have done so much post writing afterwards,
• 0:57
  Speaker 1: because that's what kind of a movie this is. I
• 1:00
  Speaker 1: really want to see it with other people because I
• 1:02
  Speaker 1: want to know how it's going to affect them as well.
• 1:04
  Speaker 1: And what I found out is that I looked up
• 1:06
  Speaker 1: the actual phrase itself lost with you romantic, psychological poetic.
• 1:13
  Speaker 1: That's what comes up when it comes to the definition
• 1:15
  Speaker 1: of that phrase.
• 1:16
  Speaker 3: Really, I didn't know that, but that's that's great because
• 1:19
  Speaker 3: that really describes the movie.
• 1:21
  Speaker 1: It sure does, It sure does, and it really opens
• 1:23
  Speaker 1: up a lot of people's imaginations during this day when
• 1:26
  Speaker 1: sure we have some indifferences, but that doesn't mean that
• 1:29
  Speaker 1: we can't take a walk and have a conversation. And
• 1:32
  Speaker 1: you know what if it's if it's indifferent, who cares?
• 1:35
  Speaker 1: You still got to be together.
• 1:38
  Speaker 2: Exactly exactly, it's the movie.
• 1:42
  Speaker 1: Were you on that path when you came up with
• 1:44
  Speaker 1: the idea? Because I've been there on that path. I identified everything.
• 1:49
  Speaker 1: And my wife and I are currently in an argument.
• 1:52
  Speaker 1: I said, it was the old zoo that you went into?
• 1:55
  Speaker 1: Was it the old zoo or where did you end
• 1:57
  Speaker 1: up with all the different and you know, the chain
• 1:59
  Speaker 1: link fans and things.
• 2:01
  Speaker 2: Yes, absolutely we went to the old Zoo. Yeah, I
• 2:04
  Speaker 2: knew it. I knew you win. You win the argument.
• 2:07
  Speaker 1: Well, I mean it's such a place for conversations, and
• 2:10
  Speaker 1: especially a conversation like this one, Mike, because I mean,
• 2:13
  Speaker 1: it really does open up the imagination and and you
• 2:16
  Speaker 1: get so tied into both characters. I don't know if
• 2:19
  Speaker 1: that's because we're all binge watchers now, but I really
• 2:23
  Speaker 1: got into everybody.
• 2:26
  Speaker 2: I'm so glad you connected with it.
• 2:28
  Speaker 3: I'm I'm I'm, I'm really happy that you went on
• 2:31
  Speaker 3: the journey with the two main characters.
• 2:34
  Speaker 1: Well, you know, part of those characters that are in
• 2:36
  Speaker 1: the background are kind of in their own moment when
• 2:38
  Speaker 1: they come onto that screen, like the couple that's fighting.
• 2:41
  Speaker 1: And I don't want to spoil it for the person
• 2:43
  Speaker 1: that's gonna watch the movie, but but we've all seen
• 2:46
  Speaker 1: that on a path like that one where someone's not
• 2:49
  Speaker 1: getting along today, and it's like, oh, that's gonna be
• 2:52
  Speaker 1: a sight for our sore eyes.
• 2:55
  Speaker 3: Yeah, that you know, along their journey they do you know,
• 2:58
  Speaker 3: they meet a different individuals throughout the day, some of
• 3:01
  Speaker 3: them couple, some of them not. But each each group
• 3:05
  Speaker 3: of people that they meet throughout their journey gives them
• 3:08
  Speaker 3: a different perspective on what they're discussing, and it's almost
• 3:12
  Speaker 3: an allegory for what's for what they're talking about.
• 3:17
  Speaker 1: One of the cool things that you did here, Mike
• 3:19
  Speaker 1: is the fact that you did something that my photographer
• 3:22
  Speaker 1: at Channel three used to do. He used to tell me,
• 3:24
  Speaker 1: all the time, you concentrate on your words. I'm going
• 3:27
  Speaker 1: to concentrate on the background, he says. Both of them
• 3:29
  Speaker 1: need this story, and you do that in this movie,
• 3:33
  Speaker 1: because I find myself looking at that background and I
• 3:36
  Speaker 1: get back in the story. Then I go to the background,
• 3:38
  Speaker 1: and you gave me that full, full concept of what
• 3:41
  Speaker 1: I should be experiencing if I were really there.
• 3:45
  Speaker 3: You know what nature is the best production value, Yes,
• 3:48
  Speaker 3: and you know we didn't.
• 3:50
  Speaker 2: Have to use any lights.
• 3:51
  Speaker 3: We didn't have to do I didn't even have a
• 3:53
  Speaker 3: production designer because my production designer was nature.
• 3:57
  Speaker 2: And you know, wherever we went we had. We had
• 4:00
  Speaker 2: a great backdrop for the movie.
• 4:02
  Speaker 3: And the movie takes place over one day in the
• 4:05
  Speaker 3: Los Angeles hiking trails, so they're you know, they're constantly there,
• 4:10
  Speaker 3: so you're constantly getting beauty throughout the day.
• 4:13
  Speaker 2: And yeah, it's it was great to be there.
• 4:16
  Speaker 1: Well, there was even beauty in the conversations like the
• 4:18
  Speaker 1: first one where they kind of don't get along with
• 4:21
  Speaker 1: each other, or maybe I should put they're introducing how
• 4:24
  Speaker 1: they feel on the innercore of their thinking and it
• 4:27
  Speaker 1: doesn't sit so well with them, but they didn't stop.
• 4:30
  Speaker 1: They just kept going, Okay, well, tell me more about that.
• 4:32
  Speaker 1: That's the thing that I like about this movie is
• 4:35
  Speaker 1: that it introduces people to say, Hey, I got a
• 4:37
  Speaker 1: question for you. You believe that, I believe this. What's your
• 4:41
  Speaker 1: point of view?
• 4:43
  Speaker 3: I think that's something to be said for both characters
• 4:46
  Speaker 3: in the movie that we don't get in real life
• 4:48
  Speaker 3: a lot, which is they both listen.
• 4:50
  Speaker 2: They listen without.
• 4:52
  Speaker 3: Waiting for the other person to finish, so they can
• 4:55
  Speaker 3: say what they're going to say.
• 4:56
  Speaker 2: And I think in.
• 4:58
  Speaker 3: That way, the movie a little bit of a fantasy.
• 5:03
  Speaker 2: It's a little bit of a fairy tale because that's.
• 5:06
  Speaker 3: Just not how reality works, but sometimes that's how we
• 5:09
  Speaker 3: wish it would work. So it's kind of a neat
• 5:12
  Speaker 3: thing to see two people that are doing something that's
• 5:15
  Speaker 3: not normal in human nature.
• 5:18
  Speaker 2: But I think that's what makes the movie magic.
• 5:21
  Speaker 1: Well part of that magic is and we all kind
• 5:23
  Speaker 1: of giggle, and I would love to see other people
• 5:25
  Speaker 1: do this. Is that when the older couple just wants
• 5:28
  Speaker 1: a selfie that they can send to their grandkids. We've
• 5:30
  Speaker 1: all been in that situation. Doesn't have to be the grandkids.
• 5:32
  Speaker 1: It could be your own kids. But we've all been
• 5:34
  Speaker 1: there and we happen to come across these people who
• 5:37
  Speaker 1: we don't know, but we trust them to hold our phone.
• 5:41
  Speaker 2: Yeah.
• 5:42
  Speaker 3: You know, it's funny that when I've hiked the La
• 5:45
  Speaker 3: Trails a lot over the years, and you come across
• 5:49
  Speaker 3: all kinds of different people and have all kinds of
• 5:52
  Speaker 3: different conversations, and no matter what walk of life people
• 5:55
  Speaker 3: are from, they're a lot more vulnerable when they're on
• 6:00
  Speaker 3: out in nature, they're on a hike, they're away from
• 6:02
  Speaker 3: their normal lives, so you know, they tend to be
• 6:06
  Speaker 3: more friendly, more open, they share things with you that
• 6:08
  Speaker 3: they wouldn't normally share.
• 6:10
  Speaker 2: And so I thought that was.
• 6:11
  Speaker 3: The perfect you know, so this hike, this situation was
• 6:15
  Speaker 3: the perfect opportunity to showcase that, you know, showcase different
• 6:19
  Speaker 3: people that are vulnerable, not the way that they would
• 6:22
  Speaker 3: be in real life, but how they are on a
• 6:25
  Speaker 3: hiking trail.
• 6:26
  Speaker 1: I've been a daily writer since July of nineteen ninety four,
• 6:29
  Speaker 1: which happened to start right there in California, in Santa Barbara.
• 6:33
  Speaker 1: And the thing is is that one of the things
• 6:35
  Speaker 1: that really caught my attention right off the bat, what
• 6:38
  Speaker 1: is she writing in a journal? And I would if
• 6:41
  Speaker 1: that does not inspire somebody to start telling and sharing
• 6:44
  Speaker 1: their story, because I mean, it was it put in
• 6:47
  Speaker 1: there for basically a hey, people, wake up, get your
• 6:50
  Speaker 1: story down.
• 6:53
  Speaker 2: I love that. I mean, no, I hadn't.
• 6:55
  Speaker 3: I hadn't thought about that, but but you know, it
• 6:59
  Speaker 3: just it give.
• 7:00
  Speaker 2: It frames the movie.
• 7:01
  Speaker 3: I guess it gives a little bit of structure for
• 7:04
  Speaker 3: how she feels at the beginning of the movie, and
• 7:07
  Speaker 3: then you get a little bit of how she feels
• 7:08
  Speaker 3: at the end of the movie because she's she's writing
• 7:11
  Speaker 3: it down and you're also hearing her thoughts, you know,
• 7:13
  Speaker 3: in the narration. So I guess it gave it a
• 7:16
  Speaker 3: little bit of structure. But certainly if it inspires someone
• 7:19
  Speaker 3: to journal and to write down in their thoughts, that's
• 7:23
  Speaker 3: a great thing to do.
• 7:24
  Speaker 1: And of course parents and grandparents are going who in
• 7:26
  Speaker 1: their right mind would drop off their kid it's such
• 7:29
  Speaker 1: a path in Los Angeles, and and not know who
• 7:31
  Speaker 1: they're going to be hanging out with. And I mean,
• 7:33
  Speaker 1: my protective guards were up so high for her, but
• 7:37
  Speaker 1: then all of a sudden, I started going, all right,
• 7:39
  Speaker 1: I'm getting into this. There's something going on here. Okay,
• 7:41
  Speaker 1: I'm gonna relax. No more judgment.
• 7:46
  Speaker 2: Love.
• 7:46
  Speaker 3: I love to hear people's you know, different reactions to
• 7:50
  Speaker 3: the movie, things that I didn't think of. I guess
• 7:52
  Speaker 3: when I was writing it, only because maybe I know
• 7:56
  Speaker 3: the characters better than the you know, than the audience would.
• 7:59
  Speaker 3: So I knew that she already was this kind of
• 8:03
  Speaker 3: feisty young girl who just really wanted to actually her
• 8:09
  Speaker 3: In my mind, her goal was to get away from
• 8:11
  Speaker 3: her aunt for a few hours.
• 8:13
  Speaker 2: She just wanted to get out of the house. She
• 8:15
  Speaker 2: wanted to get.
• 8:15
  Speaker 3: Away, and she wanted to escape, and this was her
• 8:18
  Speaker 3: escape from her aunt. So in my mind, Naomi really
• 8:22
  Speaker 3: demanded that her aunt take her and drop her off
• 8:26
  Speaker 3: at this hiking trail so that she could escape her house,
• 8:29
  Speaker 3: you know, get away from.
• 8:31
  Speaker 2: Her, because you saw how the aunt acts.
• 8:34
  Speaker 3: You know, she's not very she's a little bit abrasive,
• 8:37
  Speaker 3: so nobody wants to spend a lot of time, you know,
• 8:40
  Speaker 3: she doesn't want to spend a lot of time with her.
• 8:41
  Speaker 3: So in my mind, she just she demanded that she
• 8:44
  Speaker 3: would go on a hike because she doesn't want to
• 8:46
  Speaker 3: be at home.
• 8:46
  Speaker 2: But you know, I love the perspectives.
• 8:49
  Speaker 1: Well, I cringed when she got back in that car
• 8:51
  Speaker 1: at the end, because I mean it was like, oh God,
• 8:53
  Speaker 1: I've been here before. Oh God, please stop, stop, please
• 8:59
  Speaker 1: don't move. Mike Southerly, the film director and writer, is
• 9:02
  Speaker 1: coming right back. The name of the movie lost with you.
• 9:09
  Speaker 1: You will be blown away, And it comes from the
• 9:12
  Speaker 1: very creative Mike Southerly. Now, something happens in the movie,
• 9:16
  Speaker 1: and it right away took me to a place, and
• 9:18
  Speaker 1: that is falling on the trail, and listeners need to
• 9:21
  Speaker 1: understand this trail is not exactly the perfect paved trail.
• 9:24
  Speaker 1: It is an honest to god living California trail. Well,
• 9:27
  Speaker 1: when I saw that happen, instantly I went to Mark Marin,
• 9:30
  Speaker 1: who took a tumble on that very trail, and it's like,
• 9:33
  Speaker 1: oh my god, I mean, this must happen all the
• 9:36
  Speaker 1: dang time on this trail.
• 9:39
  Speaker 3: Are you talking about the hiker who they find unconscious?
• 9:43
  Speaker 1: Yep, yep, yep, yep.
• 9:44
  Speaker 2: Yeah, yeah, you.
• 9:46
  Speaker 3: Know it does You know they they're not They're not
• 9:50
  Speaker 3: totally safe everywhere, and you have to be careful with
• 9:53
  Speaker 3: what you're with, what you're doing, and also you hope
• 9:56
  Speaker 3: that other hikers, you know, would help someone if they
• 10:00
  Speaker 3: got hurt or were in trouble. And I think that
• 10:03
  Speaker 3: was that was part of it, even though that particular
• 10:05
  Speaker 3: situation has never happened to me. I kind of was
• 10:08
  Speaker 3: writing it for a little bit of you know, a
• 10:10
  Speaker 3: little bit of drama and danger.
• 10:13
  Speaker 1: Another Arrow Collins research moment. All because of you, All
• 10:17
  Speaker 1: because of you. Who are you when no one is watching?
• 10:22
  Speaker 1: Oh my god. I love doing the research on that
• 10:25
  Speaker 1: because it went in every single direction because we all
• 10:29
  Speaker 1: assume and is your life based on assumption? That's gonna
• 10:33
  Speaker 1: be the game changer. I want that T shirt.
• 10:37
  Speaker 2: I love that.
• 10:37
  Speaker 3: I love that you pick that you picked that out,
• 10:40
  Speaker 3: and that you picked up on that, and that's something
• 10:43
  Speaker 3: that you know that you thought about and research afterwards.
• 10:49
  Speaker 3: I mean, you know that that was the assignment that
• 10:52
  Speaker 3: she got from her teacher, and it kind of frames
• 10:55
  Speaker 3: her day and and what she's writing in her journal
• 10:59
  Speaker 3: because it was supposed to be it's the subject of
• 11:02
  Speaker 3: the paper that she's supposed to write, which kind of again,
• 11:06
  Speaker 3: it structures the day where she's supposed to be writing
• 11:08
  Speaker 3: this paper and never quite gets to it. But this
• 11:11
  Speaker 3: experience with this other person changes or gives her the
• 11:16
  Speaker 3: gives her what she's going to write down at the
• 11:20
  Speaker 3: end of the day. So yeah, I love that's that's
• 11:24
  Speaker 3: something that inspired you.
• 11:26
  Speaker 2: Well.
• 11:26
  Speaker 1: I love the fact that the teacher gave her that
• 11:28
  Speaker 1: writing assignment because to this day, I still have my
• 11:31
  Speaker 1: journal that my teacher, Missus Cox, gave me at Riverside
• 11:33
  Speaker 1: Junior High School ninth grade. And you know, in these pages,
• 11:37
  Speaker 1: I literally say, why in God's name would Elton John
• 11:40
  Speaker 1: team up with somebody like Kiki d who I do
• 11:43
  Speaker 1: not know, to do a song called Don't Go Break
• 11:45
  Speaker 1: in My Heart? And I'm going, oh my God, don't
• 11:47
  Speaker 1: ever throw this book away because this is that era
• 11:51
  Speaker 1: and it's like, I'll never find anything like this again.
• 11:53
  Speaker 1: So look at what you're doing. You're getting us to
• 11:56
  Speaker 1: think about our own journals that we kept together while
• 11:59
  Speaker 1: we were in high school and they're in a box
• 12:01
  Speaker 1: in your attic.
• 12:03
  Speaker 2: That's incredible.
• 12:04
  Speaker 3: I mean, thanks so much for your for sharing that,
• 12:08
  Speaker 3: and and I I love that that that that part
• 12:11
  Speaker 3: of the movie was inspiring, uh for you. And yeah,
• 12:15
  Speaker 3: I mean I keep a journal too, and I love
• 12:17
  Speaker 3: going back and reading my old entries. And you know,
• 12:22
  Speaker 3: you your life passes by so quickly that you forget, uh,
• 12:25
  Speaker 3: you forget how you felt at certain times.
• 12:28
  Speaker 2: So yeah, I think that's wonderful.
• 12:30
  Speaker 1: And we can't leave out the opera singer. I mean,
• 12:32
  Speaker 1: I my god, you know, you Ti, there are two
• 12:35
  Speaker 1: different breaks in this movie that I thought were just
• 12:37
  Speaker 1: absolutely priceless. The one right here is is the opera singer.
• 12:41
  Speaker 1: And then I've got another one for you.
• 12:45
  Speaker 2: I'm I'm so happy that you loved that part.
• 12:47
  Speaker 3: It kind of you know, for I saw it with
• 12:50
  Speaker 3: I got to see you with an audience, which was
• 12:52
  Speaker 3: so great because.
• 12:52
  Speaker 1: I spoiled you.
• 12:55
  Speaker 2: Well you will. You never know how people are going
• 12:57
  Speaker 2: to react to things, you know, you never know.
• 12:59
  Speaker 3: They they laugh at things they're not supposed to laugh at,
• 13:02
  Speaker 3: and then they don't laugh at the at the things
• 13:05
  Speaker 3: that you wrote that were supposed to be funny. And
• 13:07
  Speaker 3: that's okay because that's what audiences are for, you know.
• 13:10
  Speaker 2: You find out what your movie really.
• 13:12
  Speaker 3: Is when it gets in front of a of an
• 13:14
  Speaker 3: audience in a theater. And that was a great experience
• 13:18
  Speaker 3: for me. But when when the when the opera singer
• 13:23
  Speaker 3: jumps on a rock and starts singing, the audience initially laughed,
• 13:28
  Speaker 3: and I expected them to. You know, I kind of
• 13:31
  Speaker 3: had a thought in my mind, people might laugh at
• 13:33
  Speaker 3: this because they just don't know what is going on.
• 13:36
  Speaker 3: And I think that in a in a in a crowd,
• 13:40
  Speaker 3: in a in a theater setting, they did kind of chuckle.
• 13:43
  Speaker 2: I was hearing it. I'm like, yep, okay, they laughed.
• 13:46
  Speaker 3: But as soon as he started singing and they heard
• 13:50
  Speaker 3: what it was, they you know, quick quickly stopped laughing
• 13:53
  Speaker 3: and realized just what the moment was about.
• 13:56
  Speaker 1: So California. So because you're going to get that kind
• 13:59
  Speaker 1: of an experien ancient California another area. And I looked
• 14:02
  Speaker 1: at it as being the bridge of a song or
• 14:04
  Speaker 1: the creation of one when they end up at the beach.
• 14:07
  Speaker 1: And I don't want to spoil it, but when they
• 14:09
  Speaker 1: end up at the beach.
• 14:12
  Speaker 3: Yeah, you know that that was just a I guess
• 14:16
  Speaker 3: filmmaking technique, filmmaking uh, liberty that I took that I
• 14:22
  Speaker 3: took and uh and and you know, I wanted I
• 14:25
  Speaker 3: wanted to get some different locations and I wanted to
• 14:27
  Speaker 3: showcase some of the different locations in Los Angeles, and
• 14:32
  Speaker 3: you know, that was just my.
• 14:34
  Speaker 2: Way of doing it.
• 14:35
  Speaker 3: And and these are you can get away with with things?
• 14:39
  Speaker 3: People watch the trailer and they go, oh, how you know,
• 14:42
  Speaker 3: they go, this is supposed to take place over one
• 14:44
  Speaker 3: day and and they somehow end up at the beach.
• 14:49
  Speaker 3: You know.
• 14:49
  Speaker 2: How do they get to the beach and come all
• 14:51
  Speaker 2: the way? You know? And I'm like, well, you got to.
• 14:53
  Speaker 3: See the movie to understand how they go to the
• 14:55
  Speaker 3: beach and how they transport there and then come back
• 14:58
  Speaker 3: to the hiking trails. So I hope that that, you know,
• 15:02
  Speaker 3: made sense and people went along for the ride.
• 15:05
  Speaker 1: Well, I hope the sequel to this movie is you
• 15:07
  Speaker 1: with two new characters, but you're at the Getty Museum
• 15:11
  Speaker 1: with all that art.
• 15:14
  Speaker 3: I love that idea, and you know, this movie was
• 15:17
  Speaker 3: really the structure at least of the movie was really
• 15:21
  Speaker 3: inspired by a movie called Before Sunrise with Ethan Hawke.
• 15:27
  Speaker 3: It was made about twenty twenty five years ago, but
• 15:31
  Speaker 3: it's the same idea where two people meet on a
• 15:33
  Speaker 3: train and then they decide to spend the day together
• 15:36
  Speaker 3: in Vienna and just talk and they talk about relationships
• 15:40
  Speaker 3: and all kinds of other things, and it spawned two
• 15:43
  Speaker 3: sequels to it. So it was with the same characters,
• 15:49
  Speaker 3: and I think people just loved the characters so much
• 15:52
  Speaker 3: they wanted to see what was going to happen with them,
• 15:55
  Speaker 3: And a lot of people say it's one of the
• 15:57
  Speaker 3: best trilogies ever made.
• 16:00
  Speaker 2: So if you get a chance, check that out. But they.
• 16:06
  Speaker 3: I think if there was a sequel, I think probably
• 16:08
  Speaker 3: I would stick with these two characters because since you
• 16:11
  Speaker 3: saw them, since you saw the movie, you know that
• 16:14
  Speaker 3: the ending.
• 16:15
  Speaker 2: You know, the ending is a bit of a cliffhanger.
• 16:18
  Speaker 1: Yeah it is, Yeah, it is. Except instead of having
• 16:21
  Speaker 1: a beach scene if they're at the Getty Museum, the
• 16:23
  Speaker 1: scene that they jump into, they're at In and Out Burgers.
• 16:26
  Speaker 1: Come on, come on.
• 16:30
  Speaker 3: That's at La Classic and you can't leave In and
• 16:33
  Speaker 3: Out Out.
• 16:33
  Speaker 2: That's great.
• 16:35
  Speaker 1: Where can people go to to find out more about
• 16:38
  Speaker 1: the movie and to support it because we live in
• 16:40
  Speaker 1: this age where supporting a movie means becoming a part
• 16:43
  Speaker 1: of financially getting it involved.
• 16:47
  Speaker 3: Well, I'm so happy you said that because it is
• 16:49
  Speaker 3: an indie film and it was you know, it wasn't
• 16:52
  Speaker 3: made by a big studio or a big company, so
• 16:55
  Speaker 3: you know, so there there's there's a part of this
• 16:57
  Speaker 3: where you know, you hope to get at your investors,
• 17:01
  Speaker 3: you know, you pay your investors back a little bit.
• 17:03
  Speaker 2: But we're we're using a strategy that allows people more
• 17:09
  Speaker 2: access to the movie sooner.
• 17:11
  Speaker 3: So we're actually featuring it on our website, Lost with
• 17:16
  Speaker 3: You dot com and you can go there and watch
• 17:18
  Speaker 3: it right now, and it'll eventually make its way to
• 17:23
  Speaker 3: Apple and Amazon and all those things. But if anybody
• 17:26
  Speaker 3: wants to go and check it out right now, it's
• 17:28
  Speaker 3: at Lost with You dot com.
• 17:30
  Speaker 1: Hello, you got to come back to this show anytime
• 17:31
  Speaker 1: in the future. I love where your creative heart is
• 17:33
  Speaker 1: and it needs to grow forward.
• 17:37
  Speaker 2: Oh thanks, man, that was really nice.
• 17:39
  Speaker 1: Will you be brilliant today?
• 17:40
  Speaker 3: Okay, sir, Hey, thanks a lot for watching the movie.
• 17:44
  Speaker 3: And I'm so glad we got to talk about it,
• 17:46
  Speaker 3: and
• 17:48
  Speaker 2: I'm so glad you enjoyed it.