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Top 10 Movies based on a city: New York City · The Bald Brothers Podcast

• 0:00
  Speaker 1: What have y'allsh boy kemeo stage, Tony Baker, Welcome to
• 0:03
  Speaker 1: the Bob Brothers Podcast for me and my good friend
• 0:05
  Speaker 1: Tony Baker, like to wax poetic on movies, TV shows, sports, movies,
• 0:10
  Speaker 1: TV show, sports serial.
• 0:14
  Speaker 2: Whatever we feel like talking about, and what we feel like.
• 0:17
  Speaker 3: Talking about today is top ten movies based on a city,
• 0:21
  Speaker 3: and the city is New York, ton give him the
• 0:25
  Speaker 3: criteria out.
• 0:26
  Speaker 1: The city has to be an integral part of the
• 0:29
  Speaker 1: plot and the storyline. It has to be like another
• 0:31
  Speaker 1: character within the movie. Right, it has to be important.
• 0:35
  Speaker 1: Think of Home alone too, Lost in New York. New
• 0:38
  Speaker 1: York was a major key to that whole storyline, that
• 0:41
  Speaker 1: whole plot. So those are the qualifiers for the New
• 0:45
  Speaker 1: York City. Even though there's been thousands of movies made
• 0:48
  Speaker 1: in New York, we're coming with some of the best
• 0:51
  Speaker 1: when New York City.
• 0:52
  Speaker 3: This is also very tough. New York might come on
• 0:56
  Speaker 3: have the most. Where New York is a city, I
• 1:00
  Speaker 3: mean New York is a character. I think it's my
• 1:02
  Speaker 3: trying to kick it off. I'm gonna kick it off
• 1:05
  Speaker 3: with a recent one. I don't care how you feel
• 1:06
  Speaker 3: about it. I'm going recent for me, it's not actually
• 1:09
  Speaker 3: a recent movie, a Bronx tale. Yes, now, Tony Baker
• 1:13
  Speaker 3: put me onto this because of the Ball Brothers. He
• 1:15
  Speaker 3: was like, calv trust me, go home and watch this.
• 1:18
  Speaker 3: I was like, all right, Chazz Chazz Promonaryn Cottage, Josh,
• 1:24
  Speaker 3: anybody got time of that?
• 1:26
  Speaker 2: Chazz parulmonary Robert de Niro.
• 1:31
  Speaker 3: Jazz jazz promentary, Robert de Niro basically fighting over for
• 1:37
  Speaker 3: custody of Robert de Niro's son. Basically, Robert de Niro
• 1:40
  Speaker 3: plays a bus driver who is just like a straight lace,
• 1:44
  Speaker 3: no mob tize, I drive the city bus. I want
• 1:46
  Speaker 3: my son to do good. And Chis Pomonary plays basically
• 1:51
  Speaker 3: a mob boss in The Bronx.
• 1:55
  Speaker 2: Such a good movie. The Black Girl what's her name?
• 2:01
  Speaker 3: Yes, the Italian kid falls in love with her, but
• 2:05
  Speaker 3: you know he can't be with the colors, the niggas.
• 2:09
  Speaker 2: Uh. It's just a great movie.
• 2:12
  Speaker 4: Man.
• 2:12
  Speaker 1: He didn't care though, No, he didn't care, but he
• 2:15
  Speaker 1: knew how the people were. But he was like that, Yeah,
• 2:19
  Speaker 1: he was like, I'm forget what y'all talking about. I
• 2:22
  Speaker 1: love about it. Like he was never ashamed. No, I'm
• 2:25
  Speaker 1: feeling this girl for sure.
• 2:26
  Speaker 2: He was all in. Uh. It was so good man.
• 2:29
  Speaker 3: I just really like, I mean, flawless movie and the
• 2:33
  Speaker 3: way it's set up, you feel like it ain't gonna
• 2:36
  Speaker 3: be brought back around at the end.
• 2:38
  Speaker 2: It is. Yeah, sure, everything matters. Everything matters.
• 2:42
  Speaker 3: Apparently Chas mommentary had a one man show and that's
• 2:46
  Speaker 3: what the movie is based off of.
• 2:47
  Speaker 2: I wish I could have saw that one man show.
• 2:48
  Speaker 1: I saw an interview with Chaz and he was saying
• 2:51
  Speaker 1: that the mob wanted a piece of the action of
• 2:55
  Speaker 1: the movie.
• 2:56
  Speaker 2: You know, gonna They're gonna get the piece, and so
• 3:00
  Speaker 2: he knew that.
• 3:02
  Speaker 1: He knew once once they got their hooks into him,
• 3:06
  Speaker 1: he could never do nothing without them getting the piece again.
• 3:09
  Speaker 1: So it was it was a moment where he went
• 3:11
  Speaker 1: to whatever bar that they frequented.
• 3:14
  Speaker 2: Yeah, man, come on back, and he was.
• 3:17
  Speaker 1: Like, man, he knew when they when they called me
• 3:19
  Speaker 1: back there, I just knew. And so he was like, hey, man,
• 3:22
  Speaker 1: do you think of Hollywood?
• 3:23
  Speaker 2: We know we know a guy. And then that's when
• 3:25
  Speaker 2: he was like he was like you know what, Hey,
• 3:28
  Speaker 2: well thanks y'all. I appreciate it. He got the hell
• 3:30
  Speaker 2: up out of.
• 3:30
  Speaker 1: There before they could before they could go Yes, sit down. No,
• 3:36
  Speaker 1: I don't have, he said. They let him out and
• 3:40
  Speaker 1: he never went back to that that bar. He never
• 3:43
  Speaker 1: went back to that bar again because he knew once
• 3:45
  Speaker 1: they had. Yeah, and I love how the Bronze Tail
• 3:50
  Speaker 1: for me was the first time we really got a
• 3:53
  Speaker 1: hard look at the racism within the Italians and the
• 3:57
  Speaker 1: black for sure, because they always disrespect us in the
• 4:00
  Speaker 1: Godfather and the Good Fellow movies, they just you know,
• 4:03
  Speaker 1: right a soft real the niggas dig plans, but they
• 4:05
  Speaker 1: never But Bronxtaid was the first time we're looking at
• 4:09
  Speaker 1: it for real and like you know, now the black
• 4:12
  Speaker 1: folks getting a chance to bark back and yeah, fuck
• 4:15
  Speaker 1: y'all man.
• 4:15
  Speaker 2: And it wasn't the way that movie ended with the fire.
• 4:21
  Speaker 2: I said, now what what I was like, that's what
• 4:25
  Speaker 2: y'all get. That's what y'all get. That's what y'all get.
• 4:28
  Speaker 3: And he didn't get in that let me out though movement.
• 4:32
  Speaker 3: That was the same thing as all trade let me out,
• 4:37
  Speaker 3: Let me out, and look Ice cubas a watch let
• 4:41
  Speaker 3: me have say.
• 4:42
  Speaker 2: Let me out. They blew themselves up. That's what you did.
• 4:47
  Speaker 1: That's what you get for being biggoted. You're gonna burn
• 4:50
  Speaker 1: to a Chris.
• 4:52
  Speaker 2: By the way.
• 4:52
  Speaker 1: Speaking of that, Marcus Tanksley today he sent me fire
• 4:58
  Speaker 1: some Amazon links to fireproof boots, pants and shirts, and
• 5:02
  Speaker 1: I was like, this is a hilarious joke.
• 5:05
  Speaker 2: He was like, this ain't no joke. This is what
• 5:06
  Speaker 2: you're gonna need for them. Hell for the hell you're
• 5:08
  Speaker 2: going to with some games racking out. It's so funny.
• 5:19
  Speaker 2: That's what you're gonna need. It's what you're gonna need.
• 5:20
  Speaker 1: You can keep them supporting them games, all right, You're
• 5:23
  Speaker 1: I'm town so many choices, though, so many choices.
• 5:26
  Speaker 2: Pick your own. I'm picking a piece of people.
• 5:29
  Speaker 1: I'm picking one of my own's. Bronxtail was something I
• 5:32
  Speaker 1: would have picked.
• 5:33
  Speaker 2: I know you would have, but it means a lot
• 5:35
  Speaker 2: to me. Now I can't. I can't do this list
• 5:37
  Speaker 2: without Spike Lee. You better now, even though you're part.
• 5:41
  Speaker 1: German, Spike Lee could be all up and through this.
• 5:43
  Speaker 1: You really could and figure, I'm coming with you the
• 5:47
  Speaker 1: right what you thought I would, mister Bronxtail, do.
• 5:52
  Speaker 2: The right thing. It is so New York. It's big
• 5:55
  Speaker 2: New York. That was like.
• 5:58
  Speaker 3: Before I went to New York. I was like, I
• 6:00
  Speaker 3: got it. I want the pizza. I want to I
• 6:03
  Speaker 3: want the hydrant he did that in Crook to see
• 6:07
  Speaker 3: the Brownstones. I want to see the steps. I want
• 6:09
  Speaker 3: to see the stoops. I want to see people walking around.
• 6:12
  Speaker 3: I want to see the piece of real. I want
• 6:13
  Speaker 3: to see the Italians. I want to see the friction.
• 6:15
  Speaker 3: I want to see all of them.
• 6:17
  Speaker 2: I want to be wearing Jordan's. I want to be
• 6:18
  Speaker 2: wearing Nikes.
• 6:19
  Speaker 1: I want to be out there, sweaty and human talking
• 6:22
  Speaker 1: New York talk radio, right, hegg boombox, you know what
• 6:27
  Speaker 1: I'm saying. It was like New York. I felt like
• 6:29
  Speaker 1: I was in New York. Absolutely, like I could in
• 6:32
  Speaker 1: New York City. I was in.
• 6:36
  Speaker 2: We was in Chicago and New York City watching it
• 6:38
  Speaker 2: do the right thing.
• 6:40
  Speaker 1: He was just like, yo, man, and it still resonates,
• 6:43
  Speaker 1: It's still and it ain't lost a step.
• 6:46
  Speaker 2: It should have got an oscar. Do the right thing
• 6:49
  Speaker 2: is amazing. It ain't get nothing on the Oscar.
• 6:51
  Speaker 1: No, man, I think it got nominated. It might have
• 6:53
  Speaker 1: got nominated for something. I remember Ken Basinger called it
• 6:56
  Speaker 1: out at the Oscars that year. She was just like
• 6:59
  Speaker 1: Spike Lee and not getting the nomination is crazy.
• 7:02
  Speaker 2: That's crazy.
• 7:03
  Speaker 3: All right, I'm gonna go Good Fellas just I go
• 7:09
  Speaker 3: back and forth. But I do believe that's my favorite
• 7:12
  Speaker 3: my movie to Raleioda, one of the greatest lines ever.
• 7:18
  Speaker 3: For as long as I want to, as long as
• 7:19
  Speaker 3: I can remember, I wanted to be a gangster Henry here,
• 7:22
  Speaker 3: I mean just Joe Peshi de Niro, Joe Pesci when
• 7:27
  Speaker 3: he walked in, thought he was gonna be made man.
• 7:32
  Speaker 2: His face what it was when he stepped there with
• 7:35
  Speaker 2: nothing in there. He was in the Fresh Prince House.
• 7:38
  Speaker 1: Ah, that scene with him and Rayleiota, do you think
• 7:45
  Speaker 1: I'm ana clwn?
• 7:45
  Speaker 2: Do? I amuse you?
• 7:46
  Speaker 3: The first time because of how his character was, I
• 7:49
  Speaker 3: didn't know he was joking. He was like, come on, man,
• 7:52
  Speaker 3: like like, don't look over there, stay right here.
• 7:57
  Speaker 2: So good. I can't hang around people like that. Oh no,
• 7:59
  Speaker 2: it's my nerves would be fried.
• 8:01
  Speaker 1: You got you got one time to play that shit
• 8:03
  Speaker 1: with men they ain't been around. I ain't gonna tell
• 8:06
  Speaker 1: me you weird bullshit. You ain't about to shoot me
• 8:08
  Speaker 1: in the toe because we're cracking jokes just because I said,
• 8:13
  Speaker 1: you like raising broad.
• 8:16
  Speaker 2: Nah that but that Good Villas is just perfect all right,
• 8:20
  Speaker 2: you up.
• 8:20
  Speaker 1: Ton, Okay, I'm gonna go with and so many goods,
• 8:27
  Speaker 1: so many just New York is just I'm gonna go.
• 8:34
  Speaker 1: I'm gonna go Ghostbusters. Oh Ghostbusters how so because man,
• 8:40
  Speaker 1: for one, they made the statue of Liberty walk through
• 8:43
  Speaker 1: the city, and I was just like, you can only
• 8:46
  Speaker 1: do that in New York City, you.
• 8:49
  Speaker 2: Know what I'm saying, No, no, no no. That was
• 8:50
  Speaker 2: the second one.
• 8:51
  Speaker 1: The first one that state puff marshmallow Man was walking
• 8:54
  Speaker 1: through the city. The second one they had the statue
• 8:56
  Speaker 1: of Liberty walking. But New York was such a an
• 9:00
  Speaker 1: important piece to that movie because the ghosts were taking
• 9:02
  Speaker 1: over New York City and so they bringing in the mayor.
• 9:06
  Speaker 1: This ship was big, you know, and and it was
• 9:08
  Speaker 1: the buildings, it was the vibe, and I was just
• 9:10
  Speaker 1: like they was at the big library with the lion
• 9:14
  Speaker 1: in the front, and I was just like, man, I
• 9:15
  Speaker 1: want to go to New York. And Ghostbusters had such
• 9:19
  Speaker 1: a profound effect on me.
• 9:20
  Speaker 3: Me too, and so I was just I wanted that trap,
• 9:23
  Speaker 3: that toy and everything.
• 9:25
  Speaker 2: Man.
• 9:25
  Speaker 3: My mom was like, man, holy ghost, I'm gonna bust
• 9:28
  Speaker 3: that button.
• 9:29
  Speaker 1: What I wanted the full time that wasn't even Gold
• 9:31
  Speaker 1: don't even match.
• 9:33
  Speaker 2: I want that toy.
• 9:34
  Speaker 3: I want to suit Plasma. Remember Acto Cooler they had
• 9:39
  Speaker 3: the high Seed. I remember that, the Acto Cooler. That
• 9:42
  Speaker 3: was as close as I got. Man, Slimer, slimer, Man,
• 9:46
  Speaker 3: you know.
• 9:46
  Speaker 2: What I'm saying.
• 9:46
  Speaker 1: It was just Ghostbusters was a perfect movie to me.
• 9:49
  Speaker 1: It was creepy, it was fun, it was funny. D
• 9:52
  Speaker 1: New York was a very important piece.
• 9:55
  Speaker 2: I met the guy who did that thing song.
• 9:58
  Speaker 3: Yeah rape, Yeah, he did Friday, did an episode of
• 10:02
  Speaker 3: Friday that vines, Oh wow, yeah cool black dude.
• 10:05
  Speaker 2: Yeah, makes me feel good.
• 10:10
  Speaker 1: We asked him about that. We was like, yo, what
• 10:13
  Speaker 1: what was you on? He was like, man, come on,
• 10:15
  Speaker 1: the language wasn't the language at the time. They cut
• 10:18
  Speaker 1: it out of the show, but he was. He had
• 10:20
  Speaker 1: a whole run. He was like, Buster made me.
• 10:24
  Speaker 2: Make me feel good. He's not wrong. It's not.
• 10:27
  Speaker 1: A bad.
• 10:32
  Speaker 2: M QB.
• 10:33
  Speaker 1: That's our bad m QB. M QB you know you're right.
• 10:37
  Speaker 1: You know you're right and we wrong. You know you're
• 10:40
  Speaker 1: right and we wrong. M QB.
• 10:42
  Speaker 2: You know you're right and we wrong.
• 10:44
  Speaker 1: But he's not wrong and not manat we got m
• 10:47
  Speaker 1: QB in here. Man Josh Finna get married. All right,
• 10:51
  Speaker 1: I'm gonna go Spike Lee as well. Okay, I'm gonna
• 10:54
  Speaker 1: go Crookedly Spike was when Spike is in New York,
• 10:58
  Speaker 1: it's about New York.
• 11:00
  Speaker 2: He's you wouldn't Red Hook redok Summer? I said, Summer.
• 11:07
  Speaker 1: God damn it, Spike. I hated that movie. And let
• 11:13
  Speaker 1: me tell you what made it worse. I wanted to
• 11:15
  Speaker 1: see Red Hook Summer. I rented another movie at red
• 11:19
  Speaker 1: Box and I got Red Hook Summer and I was like,
• 11:21
  Speaker 1: oh man, when I read it, I remember what I
• 11:23
  Speaker 1: was in it. But I was like, Okay, I don't
• 11:25
  Speaker 1: want to I don't mind. And I was like, how
• 11:26
  Speaker 1: did you even do that? Because on the machine you
• 11:28
  Speaker 1: can't it. Don't take the wrong movie anyway, watch Red
• 11:31
  Speaker 1: Hook Summer. I was like, Spike, you you come into
• 11:35
  Speaker 1: my office.
• 11:36
  Speaker 2: Spike Lee had a bad error. He did a bad movie,
• 11:39
  Speaker 2: but he didn't have a bad air. When he was
• 11:40
  Speaker 2: talking about Crookling. No, no, no, that was alfre Woodard again.
• 11:47
  Speaker 2: I want to go. I felt like I was immersed
• 11:52
  Speaker 2: in the world.
• 11:55
  Speaker 3: He's such a good he's such a good storyteller, and
• 11:57
  Speaker 3: it's I guess immersive is just the best word I
• 11:59
  Speaker 3: can think of. With those movies, I just feel like
• 12:03
  Speaker 3: I'm like right there, and New York is such a
• 12:07
  Speaker 3: You're growing up in Alpaso, New York might be as
• 12:10
  Speaker 3: different as as you could be. Actually from everywhere I live, Alpasso, Faytville, Alexandria, Virginia, Tacoma,
• 12:18
  Speaker 3: New York is New York is unlike anything. But if
• 12:20
  Speaker 3: you grew up in Chicago, even downtown Chicago, but at
• 12:24
  Speaker 3: least you have the biggest you got the building, you
• 12:25
  Speaker 3: got skyscrapers, you got trained.
• 12:28
  Speaker 2: I ain't none of that subway Scott. I never lived where.
• 12:32
  Speaker 2: None of that stuff was real.
• 12:34
  Speaker 3: But New York is like, yeah, you know, so I'm
• 12:37
  Speaker 3: gonna go Crookling, Okay, I'm gonna go the.
• 12:41
  Speaker 1: Warriors, Worrisig, big New York energy man come.
• 12:45
  Speaker 2: Out to play.
• 12:47
  Speaker 1: The premise of that movie is perfection. The gang war started.
• 12:52
  Speaker 1: This particular gang is blamed for killing this one gang
• 12:56
  Speaker 1: leader that was monumental, and they gotta survive all he's
• 13:00
  Speaker 1: opposing game members trying to take him out as they
• 13:02
  Speaker 1: go from Manhattan to Coney Island or wherever they wherever
• 13:06
  Speaker 1: they started. That they're gonna get to Coney Island to survive.
• 13:09
  Speaker 1: That premise has got them amazing. It's very specific to
• 13:12
  Speaker 1: New York. Yes, they gotta figure out how we gonna
• 13:15
  Speaker 1: get all the way to Coney Island and this ship is.
• 13:17
  Speaker 3: Fall and I don't even know that like reference point.
• 13:21
  Speaker 3: But in the movie, I'm like, I'm probably gonna die,
• 13:24
  Speaker 3: you know, I want to island before me too. It
• 13:27
  Speaker 3: takes a while now, that part. I do know when
• 13:30
  Speaker 3: you look at the subway, man way, the games is
• 13:37
  Speaker 3: gonna get it.
• 13:38
  Speaker 2: It's gonna be the baseball game stops all kind of
• 13:43
  Speaker 2: stops there.
• 13:44
  Speaker 1: And that That's one of the few movies I would
• 13:47
  Speaker 1: love to see remade.
• 13:48
  Speaker 2: I'm not I'm not a remake guy. I can't remember
• 13:51
  Speaker 2: you saying another movie.
• 13:53
  Speaker 1: But The Warriors, the premise is just so fired that
• 13:56
  Speaker 1: they updated to fight choreography to now premise. You can
• 14:01
  Speaker 1: set it back in the seventies. You can have it
• 14:03
  Speaker 1: set back then. Yeah, yeah, yeah, just up the fight choreography. Yeah, okay, yeah,
• 14:07
  Speaker 1: The Warrior is all right, I'm gonna go Harlem Knights,
• 14:10
  Speaker 1: Oh yeah, Harlem Knights.
• 14:12
  Speaker 3: Oh yeah, quick, Black Community. I am sorry I was
• 14:16
  Speaker 3: late on I saw it late, but when I tell you, Tony.
• 14:20
  Speaker 3: Tony used to give me so much crap about it.
• 14:22
  Speaker 3: But when I finally watched it, deposit when the scene
• 14:26
  Speaker 3: where our Sineo Hall is trying to shoot Addy Murphy
• 14:29
  Speaker 3: and the dude next to him keeps doing the one
• 14:31
  Speaker 3: shot man, our Sineo being so don't shoot it no more,
• 14:36
  Speaker 3: he took his hat off and hit him with that
• 14:39
  Speaker 3: because the dude was drawn slow. Queck bro I Man,
• 14:47
  Speaker 3: I had me and Melissa, I remember, we watched that
• 14:48
  Speaker 3: at our old house of Procida. We had to oppose
• 14:51
  Speaker 3: it because I was laughing so hard at that because
• 14:56
  Speaker 3: I had seen so many of the clips. That's why
• 14:58
  Speaker 3: I felt like I saw it. The Dela sting I remember,
• 15:00
  Speaker 3: I've seen I've seen so many clips where she walked
• 15:03
  Speaker 3: her lip and all that stuff, But that scene I
• 15:05
  Speaker 3: had not heard of.
• 15:06
  Speaker 1: Man our city was just don't you shoot that little
• 15:12
  Speaker 1: He was throwing tangent because he was like But the
• 15:17
  Speaker 1: other scene I love.
• 15:20
  Speaker 3: When the spell that Leila Rashan put on the white dude,
• 15:23
  Speaker 3: the police officer, he sat down and call his family,
• 15:27
  Speaker 3: I'm not coming, I'm coming.
• 15:30
  Speaker 2: Tell your mother I ain't coming home. Click and then
• 15:33
  Speaker 2: he said he was like, he just knew.
• 15:36
  Speaker 1: He was like man, Sunshine Man, Sunshine me and Sunshine Man.
• 15:40
  Speaker 2: He talked to his kids.
• 15:42
  Speaker 1: Imagine his life Like I was thinking about that. I
• 15:46
  Speaker 1: was like, imagine what his life was looking like compared
• 15:48
  Speaker 1: to Sunshine. We all know what Leila Rashan look man
• 15:51
  Speaker 1: in her prime.
• 15:53
  Speaker 2: Imagine being close to a woman like that in Harlem
• 15:57
  Speaker 2: back then. That way. Dude, he did have it. He
• 16:04
  Speaker 2: didn't stand a chance. No, he didn't stand the chance.
• 16:08
  Speaker 2: We don't even know how.
• 16:09
  Speaker 3: Many kids he had. We just know a kid answered
• 16:12
  Speaker 3: the phone. I don't he even addressed him by name.
• 16:16
  Speaker 2: He was out of here in his mind. He was gone.
• 16:19
  Speaker 2: He was like, I'm not coming the phone ranging I'm
• 16:23
  Speaker 2: not coming on.
• 16:25
  Speaker 1: Girl with the Blacks ship ain't no coming back. So, yeah,
• 16:33
  Speaker 1: Harlem is a big part of it. Absolutely, run the
• 16:35
  Speaker 1: club in Harlem.
• 16:36
  Speaker 2: They got the cops. They work in the cops.
• 16:38
  Speaker 4: Uh.
• 16:39
  Speaker 2: And that was also a good little trick.
• 16:41
  Speaker 1: They did fun fact too. If I'm not mistaken, the
• 16:44
  Speaker 1: dude with the pistols that were shooting the one shot,
• 16:48
  Speaker 1: I think, if I'm not mistaken, that's A J. Johnson's brother.
• 16:51
  Speaker 2: He looks like him.
• 16:52
  Speaker 1: Yeah, the Atzel and Friday. He was in I got
• 16:59
  Speaker 1: the hook up, he was house party, he was in
• 17:02
  Speaker 1: just all kind of he was killings for a while.
• 17:04
  Speaker 3: That makes sense. He does look like him. Okay, all right,
• 17:07
  Speaker 3: you up, Tom.
• 17:08
  Speaker 1: Okay, You've got so many bangers, man, I'm gonna switch
• 17:15
  Speaker 1: it up on him.
• 17:15
  Speaker 2: Shut it out. I know y'all be like pinning down
• 17:20
  Speaker 2: like romantic.
• 17:21
  Speaker 1: Comedies, and I don't for the most part, but when
• 17:24
  Speaker 1: I do, I do. When Harry met Sally is a
• 17:28
  Speaker 1: good God damn, that is a good romantic comedy time
• 17:33
  Speaker 1: right there, because it feels real, it feels grounded. It's
• 17:38
  Speaker 1: not no romantic ridiculous expectations fluff and New York City
• 17:45
  Speaker 1: is very much a part of that movie, and I
• 17:47
  Speaker 1: feel like that's one of the best romantic comedy movies
• 17:51
  Speaker 1: for me. Like the comedy Fell Organic. You got some
• 17:54
  Speaker 1: iconic moments in there, like when Meg Ryan fakes the orgasm.
• 17:58
  Speaker 2: I have what she's having, have what she's having.
• 18:01
  Speaker 1: But when he spit the grave sound to a closed window,
• 18:03
  Speaker 1: that was just funny to me. But I think When
• 18:07
  Speaker 1: Harry Met Sally is romantic comedy done right for sure.
• 18:10
  Speaker 2: Directed by the late great Rob Reiner. Man, why Rob
• 18:15
  Speaker 2: Broaner's son do that? Man, that's crazy.
• 18:17
  Speaker 1: Rob Brianer was on a terror that's crazy around that
• 18:20
  Speaker 1: time to my kids, don't kill me when that happened.
• 18:24
  Speaker 2: Don't kill me? Why would you? I was like, man,
• 18:26
  Speaker 2: just don't kill me. Don't kill me, especially lived in
• 18:28
  Speaker 2: the guest house. Yeah, don't kill me. Kids.
• 18:31
  Speaker 3: Yeah, all right, we're here, miss out. How many I
• 18:33
  Speaker 3: got left? My quitter Bradley last one day?
• 18:36
  Speaker 2: We breathe, we breathe.
• 18:38
  Speaker 4: Dang.
• 18:41
  Speaker 3: Oh man, I'm stuck. I was going if I had to,
• 18:45
  Speaker 3: I was gonna go too. You don't have to.
• 18:48
  Speaker 2: I don't have one. That was funny yesterday with the
• 18:50
  Speaker 2: kid was like, ain't nobody ask you? Okay? Is this okay? Go?
• 18:59
  Speaker 2: Better movie or more New York. I'm gonna go American Gangster.
• 19:04
  Speaker 3: I was thinking about Wolf of Wall Street because it's
• 19:07
  Speaker 3: a different part of New York finance district?
• 19:09
  Speaker 2: Low key.
• 19:11
  Speaker 1: What's the old finance movie with Michael Douglass Wall Street
• 19:17
  Speaker 1: Original Wall Street?
• 19:18
  Speaker 2: That was so good? Greed? Yeah, greed is good. That
• 19:22
  Speaker 2: was the tag line Wall Street too.
• 19:25
  Speaker 1: Ah, man, you're gonna go with that Scorsese energy or
• 19:31
  Speaker 1: you're gonna go with Oliver Stone.
• 19:36
  Speaker 2: I'm still with an American gangster. American gangster is fine.
• 19:40
  Speaker 3: I love it when when Russell Crowe and Denzel finally
• 19:46
  Speaker 3: got to face off for real.
• 19:48
  Speaker 2: It was great. Denzel smack and stuff continues.
• 19:54
  Speaker 3: When I remember watching that movie when when Frank Lucas
• 19:57
  Speaker 3: shot interest Elvis character, I was like, like, man, you
• 20:01
  Speaker 3: probably couldn't get away with that.
• 20:04
  Speaker 2: What you're gonna do? Frank shoot me? And then went
• 20:08
  Speaker 2: that No, Rush just walked. I'm not running.
• 20:13
  Speaker 3: He continued on like he put mail in a mailbox.
• 20:17
  Speaker 3: And that's just the thing I had to do today,
• 20:19
  Speaker 3: I said, Man, when Dinzel was slamming that piano on
• 20:22
  Speaker 3: that dude's.
• 20:22
  Speaker 2: Head, My god, you talked to you. Don't talk to
• 20:25
  Speaker 2: me no more.
• 20:26
  Speaker 1: She would tell, She would tell, was great, and they
• 20:31
  Speaker 1: try to kill my wife just just.
• 20:33
  Speaker 2: Great, yeah, just great.
• 20:34
  Speaker 3: Quitting while your head is not the same as quitting.
• 20:37
  Speaker 3: He didn't listen to that. But then Frank Lucan sang
• 20:40
  Speaker 3: like a like a bird.
• 20:41
  Speaker 1: He did like a boy, Russell Crow drinking, Come.
• 20:49
  Speaker 2: You snitch it? Point that stuff. Yeah, I have a
• 20:53
  Speaker 2: good old war to get the drugs over with the bodies.
• 20:57
  Speaker 1: Man, he was was cold as ice with the black
• 21:01
  Speaker 1: Oh my god, is just smiling and the snitching, drinking coffee.
• 21:05
  Speaker 2: All right, you up. Final one. I'm gonna go with Boomerang.
• 21:13
  Speaker 1: I don't feel like New York was really a part
• 21:14
  Speaker 1: of the city. It was just good for the blacks.
• 21:17
  Speaker 1: But I'm gonna go with something with New York and
• 21:20
  Speaker 1: the title. I'm gonna go with King of New York
• 21:22
  Speaker 1: with Christopher Walkin. I don't know that I'm been telling
• 21:26
  Speaker 1: you to watch what you Never Do, but it's King
• 21:30
  Speaker 1: of New York is super new York. It shows you
• 21:34
  Speaker 1: the dark, gritty underbelly of New York. It just made
• 21:39
  Speaker 1: it seem like dark and like seedy and dangerous, and
• 21:43
  Speaker 1: everybody was just, you know, ultra, just like gritty. And
• 21:48
  Speaker 1: Christopher walking is Frank White coming out of jail. Lawrence
• 21:53
  Speaker 1: Fishburne is this crazy lieutenant that was just down for whatever.
• 21:58
  Speaker 1: Gian Carlo Esposito is in seen him last week, seen.
• 22:02
  Speaker 2: Him for real?
• 22:03
  Speaker 3: Yeah, he was standing to the hotel. I was staying
• 22:04
  Speaker 3: there really yeah, smile that me and everything. Wow, black
• 22:08
  Speaker 3: Man had no older black Man Atlanta four seasons doing
• 22:13
  Speaker 3: it in Atlanta because he gonna be in the four seasons.
• 22:15
  Speaker 3: That's why I got to meet That's why I got
• 22:17
  Speaker 3: to meet day La soul Gean Carlo.
• 22:19
  Speaker 1: I saw Penny Hardaware at the hotel I was staying
• 22:22
  Speaker 1: in and it wasn't the four season.
• 22:25
  Speaker 2: How about that? How about that Penny Hardware? Yeah and
• 22:32
  Speaker 2: for me?
• 22:33
  Speaker 1: But yes, King of New York, Man, if you haven't
• 22:35
  Speaker 1: seen the Wesley Snipers in there, David Caruso is in there.
• 22:39
  Speaker 2: Uh yeah, watch King of New York.
• 22:43
  Speaker 1: Watched Salina, Okay, watch Great with the Flyerflies. You ain't
• 22:47
  Speaker 1: watched it last night?
• 22:49
  Speaker 2: I forgot.
• 22:50
  Speaker 1: I forgot about it, but uh, New York. I love
• 22:54
  Speaker 1: crime dramas and thrillers and King of New York. Is
• 22:57
  Speaker 1: that ship all right? Yeah?
• 22:58
  Speaker 2: We're done?
• 22:59
  Speaker 1: Hold on, no do another one? Nah, we gotta do
• 23:03
  Speaker 1: another one. Yes, No, We're not no more, ain't no one.
• 23:09
  Speaker 1: I'm gonna Jackson no man.
• 23:10
  Speaker 2: Watch y'all.
• 23:11
  Speaker 3: I only didn't take New jack City because I just
• 23:12
  Speaker 3: named it like three times in three episodes.
• 23:15
  Speaker 2: I was like, I've been saying that.
• 23:19
  Speaker 3: Ten most unbelievable things that happened in the Fast and Furious.
• 23:26
  Speaker 2: In the entire universe.
• 23:28
  Speaker 1: Okay, I got my number one on I'm kicking this over,
• 23:31
  Speaker 1: kick it off, kicking off man, Ludacris and Tyree Space.
• 23:38
  Speaker 2: Ludacris and ty.
• 23:40
  Speaker 1: Rees and goddamn space Artimus niggas.
• 23:45
  Speaker 2: No, we're not doing this. We're not doing this.
• 23:51
  Speaker 1: They put them in space, y'all, Chris to be in
• 23:58
  Speaker 1: space with Tyree a turtleneck.
• 24:01
  Speaker 3: They pressed the gas gas works because the car is
• 24:06
  Speaker 3: on the ground.
• 24:07
  Speaker 2: It moves the tires that are on a fixed surface.
• 24:11
  Speaker 1: How gas press is gonna make your car go if
• 24:13
  Speaker 1: it's in space?
• 24:15
  Speaker 2: Who cares?
• 24:16
  Speaker 3: They drove an actual regular car into space space?
• 24:21
  Speaker 2: How they come back? The reintrigue dead would have destroyed them.
• 24:28
  Speaker 2: They would be ashes right now orbiting the planet. That's
• 24:32
  Speaker 2: not flag.
• 24:33
  Speaker 1: Oh yeah, that was the most ridiculous carrying on. All right,
• 24:39
  Speaker 1: I'm jumping in hobs and shawl. The Rock holding a
• 24:44
  Speaker 1: helicopter with his bare head.
• 24:51
  Speaker 2: Just because you do that doesn't mean your arm wouldn't
• 24:54
  Speaker 2: be ripped off. What are you talking about? Rip arms
• 25:04
  Speaker 2: are gone? You're off? What you mean? You did this?
• 25:13
  Speaker 2: That's all you need. I know the Rock strong, that's
• 25:16
  Speaker 2: all you need. I know he's strong.
• 25:18
  Speaker 3: Toe he's not pulling the helicops, absolutely not all right,
• 25:21
  Speaker 3: you're out.
• 25:22
  Speaker 2: Man. It's so many ridiculous there's so many tall Okay,
• 25:26
  Speaker 2: I'm gonna go with this.
• 25:32
  Speaker 1: This is a smaller one. But it just pissed me
• 25:34
  Speaker 1: off so bad. Dom when he stomped the ground and
• 25:38
  Speaker 1: cracked the concrete the street time.
• 25:43
  Speaker 2: He stomped, what's kind of saying? I was just like, what,
• 25:49
  Speaker 2: come on, man, you break the crowd his regular working boots.
• 25:54
  Speaker 1: He gonna stomp the ground and crack it and then
• 25:57
  Speaker 1: oh he falling down. Stop, Oh my god, Oh okay,
• 26:05
  Speaker 1: mine is when.
• 26:08
  Speaker 2: Her name is Letty Dumb.
• 26:16
  Speaker 4: Is flying across, he jumps out, catches her, crashes.
• 26:27
  Speaker 2: Into a car and is uninjured. You are lying to me.
• 26:34
  Speaker 1: Everybody is dead lund forced Trump had gone back broken.
• 26:41
  Speaker 2: He was just like Clu's.
• 26:44
  Speaker 1: I caught you the heads.
• 26:50
  Speaker 2: And they would have fell down in the middle us
• 26:56
  Speaker 2: both dead, blood forced trauma. Me and my wife kids
• 27:00
  Speaker 2: saw that.
• 27:00
  Speaker 1: We was like, come on, y'all, this is so unbelievable,
• 27:05
  Speaker 1: but it is so fun ton.
• 27:07
  Speaker 2: They just like the rules of space.
• 27:10
  Speaker 1: Physics, gravity, mews, inertia, magnetic energy.
• 27:15
  Speaker 2: Shut up.
• 27:16
  Speaker 3: He caught her. I said, why though, because family, y'all.
• 27:21
  Speaker 2: Family is everything.
• 27:24
  Speaker 1: Okay, all right, the rock guiding a missile my hand.
• 27:32
  Speaker 2: To an intended target. What are we doing?
• 27:38
  Speaker 1: How they don't even do this in Marvel movies. Don't
• 27:43
  Speaker 1: even do this ship the rock said, let me guide
• 27:47
  Speaker 1: that over, so get hit something else, men, men thistle travel,
• 27:53
  Speaker 1: don't guy it.
• 27:54
  Speaker 2: Let me just ease it on. Then stop it. Y'all
• 27:57
  Speaker 2: so good, so brilliant. All right, I'm gonna go.
• 28:04
  Speaker 3: The cars dragging a giant bake vault through the city
• 28:09
  Speaker 3: and fast five.
• 28:12
  Speaker 2: We're not doing that tall, the car is not.
• 28:17
  Speaker 1: Doing that damage they was doing.
• 28:23
  Speaker 2: You can't do that. It was just good. It's not going.
• 28:28
  Speaker 2: You would have pulled the back of that car off.
• 28:31
  Speaker 2: The cars.
• 28:33
  Speaker 1: Loose as soon as they tried to drive all the
• 28:36
  Speaker 1: same same movie, talking about the safe as big as
• 28:40
  Speaker 1: this building, and they're just.
• 28:44
  Speaker 3: They think, if you make that sound, you can do anything.
• 28:51
  Speaker 3: They didn't have trucks, they didn't have semis. They just
• 28:54
  Speaker 3: had racing cars.
• 28:56
  Speaker 1: And chain had a Missobisi lancer because I used to
• 28:59
  Speaker 1: drive souped up.
• 29:01
  Speaker 2: In the back.
• 29:02
  Speaker 1: All right, I remember this one. This was this was
• 29:08
  Speaker 1: this was wild. The cars jumping in between the skyscrapers
• 29:13
  Speaker 1: and they were just like there's no way. Man, Like, bro,
• 29:22
  Speaker 1: what are we doing? What are we talking about? What
• 29:25
  Speaker 1: type of driving is going on? They would have drove
• 29:27
  Speaker 1: out that first window, dick right on down to their death.
• 29:34
  Speaker 2: And they get in so many times. Do you know, like.
• 29:40
  Speaker 3: Just scientifically, you're not gonna be the amount of force
• 29:44
  Speaker 3: you would lose just by it.
• 29:45
  Speaker 2: It would be you gotta be coming in from space.
• 29:50
  Speaker 1: Sixty four thousand miles per hour to blast those buildings,
• 29:54
  Speaker 1: and then once you hit the ground at that speed,
• 29:57
  Speaker 1: you're gonna cause a nuclear exploder.
• 29:59
  Speaker 2: Yes, Comedia would absolutely. This is just ridiculous. I don't
• 30:04
  Speaker 2: remember what movie this, which one this was? But Paul Walker.
• 30:07
  Speaker 3: First of all, Paul Walker was saying, I said, forget
• 30:11
  Speaker 3: about a care. Oh yeah, that alone, Okay, no explosions
• 30:15
  Speaker 3: and stuff, forget about it. I forget about a care
• 30:18
  Speaker 3: that alone should be yeah one, But I'm just throwing
• 30:21
  Speaker 3: that h to Tyree's by the way, I forget about
• 30:24
  Speaker 3: a care. But Paul Walker running up a eighteen wheeler
• 30:29
  Speaker 3: that is falling down and making it there's no way.
• 30:36
  Speaker 3: And I know you're white, even your whiteness will not
• 30:40
  Speaker 3: allow you to run up something that's going down and
• 30:45
  Speaker 3: make it just because you went.
• 30:47
  Speaker 1: All you gotta do is screaming yard y'all gonna get you, y'ard,
• 30:52
  Speaker 1: gonna get you where you gotta go. Oh my god.
• 30:57
  Speaker 1: All right, so that's one. Okay, let me go with
• 31:05
  Speaker 1: teds becoming a tech genius overnight? What the hell was that?
• 31:10
  Speaker 1: That's Ludicris's character. If you don't know why he became
• 31:14
  Speaker 1: a tech genius overnight, he was just the regular nigga
• 31:18
  Speaker 1: orchestrating the races in the beginning. He was like, all right, y'all,
• 31:23
  Speaker 1: we got races going in every movie and smarter that
• 31:27
  Speaker 1: can hack into the main frame at the White House.
• 31:30
  Speaker 2: When'd you get hacking to the main frame ability? When
• 31:32
  Speaker 2: did this happen?
• 31:34
  Speaker 3: When did you learn to hack it to the main frame?
• 31:37
  Speaker 3: You were not able to do that. He just downloaded
• 31:40
  Speaker 3: the package like the matrix, like okay software.
• 31:42
  Speaker 2: Yep, I got it. We're in. That's Ludicris once again.
• 31:48
  Speaker 2: I see what you did? Nice y'all? All right? Is
• 31:51
  Speaker 2: that I got one more?
• 31:54
  Speaker 1: Yeah?
• 31:55
  Speaker 5: Give us another? Ridiculous uh.
• 32:11
  Speaker 3: The fact that Dom has never bled, He's never bled?
• 32:17
  Speaker 2: Has he bled? I don't know? He might have bled.
• 32:20
  Speaker 2: Dom just should be dead. Oh absolutely, I'll go this.
• 32:26
  Speaker 3: Don was pulling engines out of cars with his hands
• 32:32
  Speaker 3: in the garage.
• 32:34
  Speaker 2: At the end. You don't remember this.
• 32:37
  Speaker 3: Okay, I'm gonna switch it up when Dom Okay, when
• 32:53
  Speaker 3: Dom had to say, I don't remember who you say it?
• 32:55
  Speaker 2: Where he was going when he was driving.
• 32:57
  Speaker 3: But he drove his car into a cable.
• 33:04
  Speaker 2: Oh yeah, hooked the car first of all.
• 33:07
  Speaker 1: When he looked at it, he was like, I said, nigga,
• 33:12
  Speaker 1: stop Vin Diesel. Also, his name is not Vin Diesel,
• 33:16
  Speaker 1: it's marked something. Of course I was believing it was.
• 33:22
  Speaker 2: I was like, what a great name. Man. Cool. Cool.
• 33:28
  Speaker 3: Anyway, he drove the car, catches the chain, catches the
• 33:33
  Speaker 3: chain on the back of his car, perfectly swings it around.
• 33:39
  Speaker 3: I said, man, watch ow, you can't do that just
• 33:44
  Speaker 3: because you.
• 33:48
  Speaker 2: You can't catch a thing. You're dad, man, You're dad already.
• 33:54
  Speaker 1: It goes because he should have died eighteen times before
• 33:56
  Speaker 1: this particular stunt.
• 33:57
  Speaker 2: But but that was just the perfection.
• 34:01
  Speaker 3: You would have, the precision you would have to have
• 34:04
  Speaker 3: for any of those moments, and the chance that you
• 34:07
  Speaker 3: get all them together is like, man, come on, so yeah, we're.
• 34:11
  Speaker 1: Doing that all right? All right, I'm gonna get used
• 34:15
  Speaker 1: to this or that, right, Yeah, okay, knock it out.
• 34:18
  Speaker 2: Food time. Oh I'm hungry right now. You know what
• 34:22
  Speaker 2: I'm saying? Ice cream flavors, this or that?
• 34:26
  Speaker 3: I thought about. I stream sandwiches all last night. We
• 34:29
  Speaker 3: talked about that from scratch. I was like, I just
• 34:33
  Speaker 3: I want something. When we were talking about She's like, no,
• 34:36
  Speaker 3: mine would be better.
• 34:37
  Speaker 2: What she making them? She didn't make them. I fell asleep.
• 34:40
  Speaker 2: She was gonna make them last night? No, no, she
• 34:42
  Speaker 2: was just like, I can make them. You got to.
• 34:45
  Speaker 2: You got to cash in on that. I do. But
• 34:47
  Speaker 2: that's not what I wanted. I wanted the one we
• 34:48
  Speaker 2: were talking about. But let me know what she do.
• 34:51
  Speaker 2: I'm I'm trying to tell you, I'm gonna tell her
• 34:54
  Speaker 2: to make them man cream.
• 34:56
  Speaker 1: I've never had that in life me neither. What was
• 35:00
  Speaker 1: I wonder what she would use for the cookies anyway?
• 35:05
  Speaker 1: Ice cream flavors?
• 35:06
  Speaker 2: All right? Cookies and cream or cookie dough? Mmm? What's
• 35:19
  Speaker 2: that tough?
• 35:21
  Speaker 3: I'm gonna go cookies and cream that I like actual
• 35:24
  Speaker 3: cookie dough. I don't tend to like cookie dough flavored.
• 35:27
  Speaker 2: I don't like the cookie dough. Yeah on the song, Yeah, yeah, yeah,
• 35:32
  Speaker 2: all right. Butter Pecan. Oh god, I'm not an old
• 35:36
  Speaker 2: black rocky road rocky road. I thought that made you
• 35:41
  Speaker 2: butt bleed.
• 35:43
  Speaker 3: No, that was just one time. I didn't bleeve, I
• 35:45
  Speaker 3: just do that. I don't like butter pecan. I don't
• 35:48
  Speaker 3: like pecansky. I don't like pecans anyway, and that I
• 35:52
  Speaker 3: can just taste old. That's like your grandmother's ice cream.
• 35:55
  Speaker 3: I don't like neither one of these. Yeah, no, there's
• 35:58
  Speaker 3: too much going on in there.
• 36:00
  Speaker 2: We put everything in there. Put actual rocks in there,
• 36:02
  Speaker 2: and the road, put the road that Vin Diesel was
• 36:05
  Speaker 2: stomped on.
• 36:05
  Speaker 3: And VI Jerry's has more than even regular rocket roll.
• 36:09
  Speaker 3: It has caramel and little fish. I mean, uh, actually
• 36:13
  Speaker 3: this is called fish food. Their Rocky roll is called
• 36:14
  Speaker 3: fish food. Marshmallow cream, Oh god, it's so good.
• 36:20
  Speaker 2: Okay, salted caramel or mint chocolate chip, salted caramel. I'm
• 36:27
  Speaker 2: not a big fan of mint chocolate chip. I eat it.
• 36:31
  Speaker 1: I like it best as the Andes. That's the best
• 36:34
  Speaker 1: mint chocolate chip could be to me. I like it
• 36:36
  Speaker 1: best as a girl scale cookie or that's that's the
• 36:39
  Speaker 1: only way to fin I.
• 36:40
  Speaker 2: Don't love it as ice cream. I don't love it
• 36:42
  Speaker 2: as ice cream, salted caramel board.
• 36:45
  Speaker 1: All right, we're gonna strip it down to the basics,
• 36:49
  Speaker 1: chocolate vanilla versus chocolate chocolate.
• 36:52
  Speaker 2: I didn't even know what you was gonna say that interesting.
• 36:55
  Speaker 3: Vanilla is a great base for a Sunday, but straight
• 36:58
  Speaker 3: up on its own, I'm out.
• 37:00
  Speaker 2: I disagree violently. Really, you go straight vanilla? Know nothing?
• 37:05
  Speaker 2: Vanilla was everything to me. Y'all.
• 37:08
  Speaker 3: Just eat vanilla ice cream one thousand percent now with
• 37:11
  Speaker 3: other dessert yes, now we're.
• 37:15
  Speaker 2: Cooking, Josh, absolutely, yes, wait for real, Yes, I loving them. No, no, no,
• 37:24
  Speaker 2: no cold.
• 37:25
  Speaker 1: No.
• 37:27
  Speaker 2: You would just get at one scoop of vanilla ice cream? Yes?
• 37:33
  Speaker 1: Hardcool? That's crazy chacolate ice cream growing up? Yeah, I
• 37:37
  Speaker 1: didn't like it.
• 37:40
  Speaker 2: Wow. Yeah, I never eat vanilla ice cream straight up.
• 37:46
  Speaker 1: That's neapolitan when the chocolate is rubbed up against the vanilla.
• 37:50
  Speaker 1: Now get the chocolate out of here. Yeah yeah, I
• 37:53
  Speaker 1: don't eat the vanilla in there.
• 37:57
  Speaker 2: How do you like ice cream sandwich because you got
• 38:00
  Speaker 2: the chocolate going the vanilla. I do, but I know
• 38:06
  Speaker 2: I got something else coming. Wow.
• 38:09
  Speaker 3: I didn't know y'all was just getting like one scoop
• 38:11
  Speaker 3: of vanilla.
• 38:13
  Speaker 2: But I will say this.
• 38:14
  Speaker 1: I love the Windy's Frosty, the chocolate that's my favorite.
• 38:17
  Speaker 2: I love that one. Yeah, I like it better than
• 38:19
  Speaker 2: the vanilla frost me too. I don't think you should
• 38:21
  Speaker 2: have alaa frosty, but like a like a.
• 38:23
  Speaker 1: Like a regular chocolate ice cream. Watch out, Wow wow.
• 38:28
  Speaker 1: And I love chocolate but not the ice cream.
• 38:30
  Speaker 2: All right.
• 38:32
  Speaker 3: Chunky monkey versus pre Leans and cream ain't nothing but pecan.
• 38:38
  Speaker 3: That went to an hbc U. Damn, my mama loved
• 38:42
  Speaker 3: pre leads. I don't like pre Leans North Pecans.
• 38:46
  Speaker 2: What's chunky? What's chunky monkey? What's this that Ben and
• 38:48
  Speaker 2: Jery Slavery ice cream? You sold me on bananas, y'all? Yeah?
• 38:57
  Speaker 1: Oh damn, that's a lot going on. I don't like
• 39:00
  Speaker 1: a lot going on to my ice cream. You don't
• 39:04
  Speaker 1: like a lot going on in life.
• 39:05
  Speaker 2: I don't like a lot going on in my ice cream. Man,
• 39:08
  Speaker 2: a lot.
• 39:08
  Speaker 1: You got too many things going to sound like a
• 39:10
  Speaker 1: Michael Jackson beat from Dadrick's album can't too much?
• 39:15
  Speaker 2: Damn, you're like, man, turn this stuff off. Just give
• 39:20
  Speaker 2: me the regular vanilla. My crashes in there, shue stop.
• 39:26
  Speaker 3: I was talking about this before we went live. Uh,
• 39:29
  Speaker 3: my Queta, we talked about our favorite Michael Jackson song.
• 39:32
  Speaker 3: Tony made us pick one and my Queta said scream,
• 39:35
  Speaker 3: and Tony was like, man, you don't listen to scream,
• 39:38
  Speaker 3: just straight up on the music, like you turned that
• 39:41
  Speaker 3: on her ear.
• 39:44
  Speaker 2: She cutting it right back off. She's skipping to the
• 39:47
  Speaker 2: next trip. Creame only works in the music video bar.
• 39:50
  Speaker 1: If you not watching that video, you're cutting it off.
• 39:59
  Speaker 1: Put some cra ashes in there, may break the glass.
• 40:02
  Speaker 1: He was in the studio, break the showing up.
• 40:04
  Speaker 2: Okay.
• 40:05
  Speaker 3: JANETTEA Cone says she loves scream. You queuing up scream
• 40:08
  Speaker 3: to just listen to it musically believe it. We need
• 40:12
  Speaker 3: to put this to social media.
• 40:13
  Speaker 2: Show me a video of you listening to scream raw.
• 40:16
  Speaker 1: I have never played, I have never searched, Like man,
• 40:19
  Speaker 1: I'm just gonna listen to scream.
• 40:21
  Speaker 2: Nobody listening to screen on.
• 40:23
  Speaker 3: So many Michael Jackson song Human Nature, Rock with You
• 40:26
  Speaker 3: full album, but Scream Stop.
• 40:30
  Speaker 2: Stop Me fall the scream.
• 40:37
  Speaker 1: So when it's the breakdown and there's no singing, they
• 40:40
  Speaker 1: just playing music, y'all like this, y'all lying you're listening
• 40:45
  Speaker 1: to a scream, My quitter, you getting in your car
• 40:47
  Speaker 1: after this life?
• 40:48
  Speaker 2: You know what I need on the drive home down
• 40:50
  Speaker 2: to four or five. Yeah, they're lying in this chat.
• 40:57
  Speaker 2: I could hear you listen. Scream is top five? You
• 41:00
  Speaker 2: liing lion.
• 41:02
  Speaker 1: Tasha d nineteen ten, Full of nineteen and ten lies.
• 41:08
  Speaker 3: Ain't no way screamings in your top five. I don't
• 41:10
  Speaker 3: think that is in nobody Top five Songs.
• 41:14
  Speaker 2: Songs Hop five Michael Jackson song you got scream in
• 41:18
  Speaker 2: your top five? You ain't killing that up on the
• 41:24
  Speaker 2: red light? Hey mom, what you want to listen to?
• 41:27
  Speaker 2: You know what time it is?
• 41:31
  Speaker 1: Scotch stop me said like Michael made it with his
• 41:35
  Speaker 1: mouth gossip.
• 41:38
  Speaker 2: Hey Teddy, what's up? Put morena? He was definitely doing
• 41:42
  Speaker 2: that because he's big on that boom boom. Scream is
• 41:50
  Speaker 2: not it. I don't believe you.
• 41:53
  Speaker 1: I don't believe that's in your top five.
• 41:56
  Speaker 3: Is crazy to say that's wild as Mini was Michael
• 42:00
  Speaker 3: Joseph Jackson, Guy, you.
• 42:02
  Speaker 2: Agree in your top five? Bliss your Joe, we go
• 42:08
  Speaker 2: before you go