Latest / Fake Doctors, Real Friends with Zach and Donald / 816: My Cuz

Transcript

816: My Cuz · Fake Doctors, Real Friends with Zach and Donald

• 0:00
  Speaker 1: Sound this is my level?
• 0:02
  Speaker 2: Is it your level?
• 0:04
  Speaker 1: This is why I'm looking at them at the dial
• 0:06
  Speaker 1: and the red is peaking at the right spot, So
• 0:09
  Speaker 1: sound this will be my level for today's podcast.
• 0:14
  Speaker 2: Is this really gonna be your level? Or are you
• 0:15
  Speaker 2: just saying this to mock me.
• 0:17
  Speaker 1: No, I'm just I'm getting my levels right. Let me
• 0:20
  Speaker 1: let me make sure that the sound pad is at
• 0:22
  Speaker 1: the right level.
• 0:23
  Speaker 2: Woo tank forever, wu tang forever. It is, it says,
• 0:26
  Speaker 2: it's always, it's infinite.
• 0:28
  Speaker 1: I think you've grown to like the sound pad, haven't you.
• 0:31
  Speaker 2: No, fuck your sound machine.
• 0:37
  Speaker 1: Your sound effects machine. By the way, Donald, I've never
• 0:41
  Speaker 1: been a guy who did legs at the gym, and
• 0:44
  Speaker 1: I've always been the guy who skipped legg day. I'm
• 0:47
  Speaker 1: walking around with sorera quads all the time.
• 0:50
  Speaker 3: Now.
• 0:51
  Speaker 2: Don't you like it?
• 0:52
  Speaker 3: But I like it.
• 0:52
  Speaker 1: I feel proud of myself.
• 0:54
  Speaker 2: It feels good.
• 0:54
  Speaker 1: But you know that point where you like, come on
• 0:56
  Speaker 1: from the gym, or you went on a giant hike
• 0:58
  Speaker 1: and then you walking up your stairs at home and
• 1:00
  Speaker 1: you're like, wow, look, but you're like kind of smiling.
• 1:04
  Speaker 2: Yeah, because you like it.
• 1:05
  Speaker 4: That's how I feel. That's that good feeling. Yeah, I'm proud,
• 1:09
  Speaker 4: but it should be as you should be good for
• 1:12
  Speaker 4: you are I'm well, how are you?
• 1:15
  Speaker 2: Man? This gloomy today? Man?
• 1:17
  Speaker 1: And it is like La gets a little crazy when
• 1:20
  Speaker 1: the sun's not out.
• 1:21
  Speaker 2: Yeah, man, people get sad and ship look outside. Yeah,
• 1:27
  Speaker 2: it's like a it's like a Josh Rayden song outside
• 1:30
  Speaker 2: right now.
• 1:31
  Speaker 1: He's living in my guest house right now. I should
• 1:34
  Speaker 1: have him come over and sing winter.
• 1:36
  Speaker 2: Yeah. I remember the.
• 1:40
  Speaker 1: Sound off You're November Downtown, down down, it's great. And
• 1:49
  Speaker 1: you know, a lot of people live where it's gray,
• 1:51
  Speaker 1: and we grew up where it gets gray in the Winner,
• 1:53
  Speaker 1: but we did a lot of people gravitate towards sunny
• 1:57
  Speaker 1: places because they feel better in their mental health where
• 2:02
  Speaker 1: the sun is out. And I'm one of those people.
• 2:05
  Speaker 1: So when it does get gray, it's a little bit
• 2:07
  Speaker 1: like what the hell's this?
• 2:09
  Speaker 2: It turned into like a melancholic emotional song.
• 2:14
  Speaker 1: I just want to get under a weighted blanket and
• 2:17
  Speaker 1: light a candle.
• 2:18
  Speaker 2: Maybe this is some shad day, have some.
• 2:20
  Speaker 1: Soup, cherish the day.
• 2:23
  Speaker 2: Well, catch me.
• 2:24
  Speaker 1: Run And by the way, there's a new doc on Netflix.
• 2:27
  Speaker 1: I know you don't watch things that aren't Star Wars.
• 2:30
  Speaker 1: But it's about the making of We Are the World,
• 2:33
  Speaker 1: and I think you'll really like it.
• 2:35
  Speaker 2: You hadden me up until you said we are the World.
• 2:38
  Speaker 2: It's about the making of I thought you were going
• 2:40
  Speaker 2: to say Star Wars, but then you said we are
• 2:43
  Speaker 2: the World.
• 2:45
  Speaker 1: It has it's all interviewed like Lionel Richie is like
• 2:48
  Speaker 1: the main interview. I didn't know that he wrote it
• 2:50
  Speaker 1: with Michael Jackson. I always thought.
• 2:51
  Speaker 2: Michael Jackson Quincy Jones, Rincy.
• 2:55
  Speaker 1: Jones did the orchestrations and the production, but it was
• 2:58
  Speaker 1: written the song was written by and Michael. I didn't
• 3:01
  Speaker 1: know that.
• 3:02
  Speaker 2: Mm hmm.
• 3:03
  Speaker 1: And Lionel does. There's lots of interviews, but Lionel is
• 3:06
  Speaker 1: the main interview, and he kind of tells you, walks
• 3:08
  Speaker 1: you through the whole story, how they did it overnight
• 3:11
  Speaker 1: after the American Music Awards, you know all this.
• 3:14
  Speaker 2: Yeah, of course, does he talk about does he talk
• 3:17
  Speaker 2: about how mad Michael Jackson was getting at somebody.
• 3:20
  Speaker 3: And they cut around that.
• 3:21
  Speaker 1: They cut around that because I know there's these really
• 3:23
  Speaker 1: funny gifts and memes of Michael Jackson giving people the
• 3:26
  Speaker 1: side when they're singing his song.
• 3:28
  Speaker 2: And they're fucking it up.
• 3:29
  Speaker 1: Yeah, but it's really amazing, man, I really audience watched this.
• 3:34
  Speaker 1: It's a new doc on Netflix. Joel, will you get
• 3:36
  Speaker 1: the title? I forgot what it's called, but it's it's
• 3:38
  Speaker 1: really worth your time and it's pretty amazing story about
• 3:41
  Speaker 1: how they did this and in one night made the song.
• 3:45
  Speaker 2: My favorite part about that whole thing is when Michael
• 3:48
  Speaker 2: Jackson is like, I got an idea for the hook,
• 3:51
  Speaker 2: so we gonna go we aut of World, Sharla, we
• 3:57
  Speaker 2: art at you Trent Sharing, and everybody's like, nah, nigga,
• 4:01
  Speaker 2: that's in there, but I know it's sitting there. But
• 4:06
  Speaker 2: that you know.
• 4:07
  Speaker 1: What happened was when you watch the doc Okay, Stevie
• 4:10
  Speaker 1: Wonder decided there should be I believe this is. It
• 4:13
  Speaker 1: was Swahili in the song because it was about raising
• 4:15
  Speaker 1: money for food in Africa, and they started, he started,
• 4:21
  Speaker 1: they started try and figure out some Swahili lyrics and
• 4:24
  Speaker 1: a lot of the artists were like, I'm not gonna
• 4:26
  Speaker 1: be able to sing in Swahili. And the problem was
• 4:30
  Speaker 1: that it's called the Greatest night in pop thank you.
• 4:32
  Speaker 1: And then but the problem was everyone's like, oh no,
• 4:36
  Speaker 1: you see Quincy Jones freaking out and Lon Richie, who
• 4:38
  Speaker 1: was kind of like loner. Richie's job on the night
• 4:40
  Speaker 1: of was to like keep all the stars happy and
• 4:43
  Speaker 1: like making jokes and like and when people start bugging
• 4:46
  Speaker 1: out because they're not gonna be able to sing Swahili,
• 4:48
  Speaker 1: and everyone respected Stevie so much. No one was gonna, like,
• 4:51
  Speaker 1: you know, say no to Stevie. But everyone's like, we
• 4:53
  Speaker 1: gotta get Stevie off this Swahili thing because people are
• 4:55
  Speaker 1: bugging out. And so then Michael Jackson will like, how
• 5:00
  Speaker 1: about if it's just something that's not necessarily Swahili, but
• 5:03
  Speaker 1: it's something that everyone can sing, that that that's that's that,
• 5:06
  Speaker 1: and he came up with that. First of all, one
• 5:10
  Speaker 1: of the most amazing things is Michael Jackson's voice is
• 5:12
  Speaker 1: so incredible, and when everyone else is singing, you're obviously
• 5:18
  Speaker 1: my experience in watching The Doctor is when everyone else
• 5:20
  Speaker 1: is singing, you're like, wow, everyone has said a unique thing.
• 5:22
  Speaker 1: Whether you're Huey Lewis or Cyndey Lauer or Bob Dylan
• 5:25
  Speaker 1: or Springsteen, everyone has their unique sound. They're all amazing.
• 5:29
  Speaker 1: But then you hear Michael Jackson singing, You're like, wow,
• 5:31
  Speaker 1: I kind of want to just hear him sing the
• 5:33
  Speaker 1: whole thing. His voice is so incredible.
• 5:37
  Speaker 2: He could sing his butt off. Man. When you listen
• 5:40
  Speaker 2: to it now now you appreciate it now that he's gone,
• 5:43
  Speaker 2: But you listen to him now, it's like, Wow, Man
• 5:46
  Speaker 2: in the Mirror, And there's that moment in Man in
• 5:49
  Speaker 2: the Mira where it's like, I gotta make that change today,
• 5:54
  Speaker 2: and he is so in the pocket for that, you know,
• 5:57
  Speaker 2: minute and a half of you know, him calling and
• 6:01
  Speaker 2: freaking the chorus calling back to him and everything. Make
• 6:07
  Speaker 2: that change. Man.
• 6:10
  Speaker 1: The man who Richie said he didn't do any instruments,
• 6:15
  Speaker 1: which I guess I knew in the back of my mind,
• 6:17
  Speaker 1: but not in the forefront. And so he said he
• 6:19
  Speaker 1: would have all these cassette tapes of just him humming, singing,
• 6:25
  Speaker 1: going like and like and doing all of the basically parts,
• 6:29
  Speaker 1: but just vocalizing it, and then musicians would then take
• 6:32
  Speaker 1: that and write the music. Isn't that crowd?
• 6:34
  Speaker 2: Yeah, he's fucking There's a doc that's out right now
• 6:38
  Speaker 2: on Michael Jackson as well that where it's like, you know,
• 6:42
  Speaker 2: it's there's a bunch of them out. We just got
• 6:44
  Speaker 2: into it recently because the kids somehow found it. Smooth criminal, man,
• 6:49
  Speaker 2: that that's all it takes, is smooth criminal, and then
• 6:54
  Speaker 2: you're hooked. And so now the kids are freaking although
• 6:57
  Speaker 2: this is hilarious. Okay, So because Mike's face changed so
• 7:00
  Speaker 2: much as he got older and stuff like that, wild
• 7:04
  Speaker 2: is like having nightmares about the motherfucking out right, She said, yeah,
• 7:08
  Speaker 2: like straight up nightmares, like straight up like Michael Jackson's
• 7:12
  Speaker 2: in my closet and me and Casey will laughing our
• 7:18
  Speaker 2: asses off, like because.
• 7:20
  Speaker 1: That was because of his plastic surgery.
• 7:23
  Speaker 2: Yeah, well yeah, man, and also Thriller and his face
• 7:26
  Speaker 2: changed and all that ship. But all I can think
• 7:29
  Speaker 2: of is Michael Jackson in the closet with the side
• 7:33
  Speaker 2: face look it up through shadow and while the running
• 7:42
  Speaker 2: out of her room like it scares her, dude, it
• 7:45
  Speaker 2: really really does.
• 7:46
  Speaker 1: Well, maybe don't shore it Thriller.
• 7:48
  Speaker 2: She's seen it all now because she wants to listen
• 7:51
  Speaker 2: to it. She just girl walks around her and Rocco,
• 7:54
  Speaker 2: you can hit bats. You've been struck bots a smooth
• 7:58
  Speaker 2: women dancing doing video game. They're not draggers either, By
• 8:02
  Speaker 2: the way, your.
• 8:03
  Speaker 1: Kids, there was a video game, right I play. I
• 8:07
  Speaker 1: feel like I played that mic I had.
• 8:09
  Speaker 2: That Yeah on Sega Genesis.
• 8:12
  Speaker 1: Wait Wilder can moonwalk?
• 8:14
  Speaker 2: Yeah? Wow, she's not a dragger either.
• 8:18
  Speaker 1: So audience, Donald is very good at moonwalking and I'm
• 8:24
  Speaker 1: I'm a bee and he makes fun of me for
• 8:28
  Speaker 1: not doing it as smoothly as he does it. That's
• 8:31
  Speaker 1: all I'll say for now, Shna. We are to children
• 8:37
  Speaker 1: charlinga watch that I just wish I could force you
• 8:41
  Speaker 1: to watch it sometimes. Well, audience, you'll you'll watch it
• 8:43
  Speaker 1: please because it's very entertaining and it's just a great story.
• 8:47
  Speaker 1: It's a great story how they pulled it all together,
• 8:49
  Speaker 1: and such a cool story about how long Richie and
• 8:52
  Speaker 1: Michael Jackson just wrote this song together. They had never
• 8:55
  Speaker 1: written together. And some of the funniest parts of the
• 8:58
  Speaker 1: documentary are Lownrichie talking about hanging out in Michael's house
• 9:01
  Speaker 1: and being like, what is going on in the kitchen?
• 9:03
  Speaker 1: Who's screaming at each other? And Michael's like, Oh, that's
• 9:07
  Speaker 1: that's my bird and my dog. They always argue. And
• 9:13
  Speaker 1: then he's like, hold bubbles and He's like, I don't
• 9:15
  Speaker 1: want to hold bubbles and uh, and then he says,
• 9:18
  Speaker 1: like Richie said, they're hanging out in this room and
• 9:22
  Speaker 1: he hears like and he's like, what the fuck is that?
• 9:26
  Speaker 1: Lionel tells it's so funny. And he turns to his
• 9:28
  Speaker 1: right and there's a giant fucking bowel constructor sneak and Michael's.
• 9:32
  Speaker 5: Like, there he is. We've been looking for him. He's
• 9:44
  Speaker 5: fucking zoo in his house.
• 9:54
  Speaker 1: There he is, lying. Oh, and he he called Lionel. Lionel.
• 9:57
  Speaker 1: I think we got here, Lie, Richie told the story.
• 10:01
  Speaker 1: He's well, Richie, yeah, he always called me Lionel to
• 10:04
  Speaker 1: be like, Lionel, don't be afraid of the snake. Just
• 10:07
  Speaker 1: holding Come on, Lionel, that's like freaking uh.
• 10:14
  Speaker 2: Dan Ackroyd and Eddie Murphy in trading places. Lionel.
• 10:20
  Speaker 1: Dan Akroyd's in the Weird of the World, as you recall, Yes,
• 10:23
  Speaker 1: he is, Oh my god. And Cindy, Cindy lauper Man.
• 10:26
  Speaker 1: She she really she was a belter. She could really
• 10:29
  Speaker 1: sing like she does. She was great too.
• 10:32
  Speaker 2: Lionel Joseph, Lionel Joseph's.
• 10:39
  Speaker 1: What does he say? Oh that's dan Aykroyd on the train.
• 10:45
  Speaker 2: Yes, oh my god.
• 10:48
  Speaker 1: Anyway, anyway, should we get on the show.
• 10:52
  Speaker 2: Oh, do we have to start this talk about well,
• 10:55
  Speaker 2: we're just so close to that.
• 10:56
  Speaker 1: You know how many we all loved you? Well in
• 10:59
  Speaker 1: season eight, there's two left. Oh my god, Donald, there's
• 11:03
  Speaker 1: two left. Charlie shallinga Cha le Inge Schalingay.
• 11:08
  Speaker 2: I think that's what he said, Charlinge shal Inge.
• 11:15
  Speaker 1: We've been looking for him, Lionel, Lionel hold him like
• 11:22
  Speaker 1: he's got a bull constructor just lost in his house,
• 11:24
  Speaker 1: Like there he is.
• 11:29
  Speaker 2: When you listen to listen. So we've been listening. Like
• 11:31
  Speaker 2: I said, we've been listening to Mike a lot lately,
• 11:34
  Speaker 2: and like I'm sorry to the Jackson's y'all was carried
• 11:42
  Speaker 2: straight up, like straight up that brother carried y'all because.
• 11:47
  Speaker 1: Well, weren't they very good musicians?
• 11:50
  Speaker 2: All I know is they sing and then Mike sings,
• 11:55
  Speaker 2: and you like, I just want to hear Mike sing.
• 11:57
  Speaker 1: I'm telling you, that's what That's why I'm watching We
• 11:59
  Speaker 1: Are the World, and I'm like, no disrespect. These are
• 12:02
  Speaker 1: some of the greatest voices in pop. But when they
• 12:04
  Speaker 1: cut to Michael Jackson's before while they're at the AMAS,
• 12:07
  Speaker 1: I think that's what it's called American Music Awards. Yeah,
• 12:11
  Speaker 1: Michael Jackson wasn't there. He was in the studio just
• 12:13
  Speaker 1: laying down tracks of the whole thing because because he
• 12:15
  Speaker 1: didn't he wasn't planning on the AMAS. Oh, it was
• 12:17
  Speaker 1: the whole thing about how Prince won't show up. And
• 12:19
  Speaker 1: they have Sheila e there because they're trying to lure
• 12:21
  Speaker 1: Prince to come, and she gets all pissed. She's like,
• 12:24
  Speaker 1: they said they were gonna give me a verse, but
• 12:26
  Speaker 1: I think it was bullshit because they were just trying
• 12:28
  Speaker 1: to get lure Prince here and Prince was like, I'll come,
• 12:31
  Speaker 1: but I'm only gonna play guitar, and they were like,
• 12:32
  Speaker 1: we don't need guitar, and so Prince didn't show up.
• 12:35
  Speaker 1: But anyway, I'm telling you, this thing's amazing. But anyway, Mike,
• 12:38
  Speaker 1: my point is Michael's there laying down tracks while they're
• 12:41
  Speaker 1: all at the AMAS in the empty studio. You and
• 12:44
  Speaker 1: I have been at this studio, by the way, it's
• 12:47
  Speaker 1: now the on the hen Jim Henson lot, and his
• 12:51
  Speaker 1: voice is just incredible, and they have interviews with like
• 12:53
  Speaker 1: the camera people, like you know, these guys were everyone's volunteering.
• 12:56
  Speaker 1: It was for charity, and this cameraman's like I just
• 12:59
  Speaker 1: couldn't believe it. I was alone in the studio just
• 13:03
  Speaker 1: filming Michael Jackson alone singing all of we Are the World.
• 13:06
  Speaker 1: It was so insane.
• 13:09
  Speaker 2: Anyway, And it's his part that they use when you're
• 13:12
  Speaker 2: dada out.
• 13:14
  Speaker 1: And it seems no hope at all. Oh, and then
• 13:18
  Speaker 1: it's Huey Lewis.
• 13:19
  Speaker 2: But if you just believe, and this is when the
• 13:21
  Speaker 2: sad eye comes in.
• 13:23
  Speaker 1: No, no, he he likes Hue.
• 13:26
  Speaker 2: This is where the sad act gets. That whole threesome
• 13:29
  Speaker 2: gets the side after.
• 13:31
  Speaker 1: Yeah, but you'll see in the dock that he's into
• 13:34
  Speaker 1: it at the end. And then when when Cindy Laufer
• 13:36
  Speaker 1: did that like riff and then let's realize who's that that's.
• 13:46
  Speaker 3: Oh no, I'm talking about a yea, yeah, yeah, she
• 13:49
  Speaker 3: riffed that.
• 13:50
  Speaker 1: And then they all see they were all like and
• 13:51
  Speaker 1: she was like, is that good? And they all they
• 13:53
  Speaker 1: were all super yea. They all liked it. Mike may
• 13:57
  Speaker 1: have given sideye at the beginning, but he ended up
• 13:59
  Speaker 1: liking it.
• 14:02
  Speaker 2: Oh.
• 14:02
  Speaker 1: The Prince spot that Sheli e was like a placeholder
• 14:05
  Speaker 1: and then she left because she was upset. That went
• 14:08
  Speaker 1: to that's the one that went to Huey Lewis I
• 14:12
  Speaker 1: think no, No, Kenny Longins, I don't remember anyway, it's
• 14:20
  Speaker 1: a great talk watch it.
• 14:21
  Speaker 2: All I know is he Prince and Mike should have
• 14:23
  Speaker 2: been the headliners of that ship.
• 14:25
  Speaker 1: And Prince trying to do it. They had like they
• 14:28
  Speaker 1: had a competition.
• 14:28
  Speaker 2: They got that competition ship.
• 14:30
  Speaker 1: Yeah, and then they were like they were begging Prince
• 14:32
  Speaker 1: to come up to come and he said he would
• 14:34
  Speaker 1: only come play guitar, and they were like, dude, we
• 14:36
  Speaker 1: don't need a guitar on the song. We need to say.
• 14:38
  Speaker 2: That would have worked for me too, if they would
• 14:39
  Speaker 2: have collapsed that way also, man, but now they both did,
• 14:43
  Speaker 2: and that shit can't ever happen. Man in heaven. Maybe
• 14:47
  Speaker 2: AI can do it, Dear Ai, can you make a
• 14:51
  Speaker 2: Prince Michael Jackson song? I'm sure you could ask Joe
• 14:55
  Speaker 2: Well's like, no, don't do that as well.
• 14:56
  Speaker 1: All right, Donald count of sid.
• 15:01
  Speaker 6: Stories show, we made about a bunch of said, he's
• 15:10
  Speaker 6: the Stories Natural.
• 15:15
  Speaker 2: So YadA YadA, sweet.
• 15:24
  Speaker 1: All right, very funny episode We're Back from the Bahamas,
• 15:28
  Speaker 1: directed by legendary TV director. Oh there's Daniel. Hello. Sorry
• 15:41
  Speaker 1: there was some scheduling misunderstanding Dan, but We're glad you're here.
• 15:44
  Speaker 3: Yeah, happy to happy to be here. I took my
• 15:47
  Speaker 3: first city bike adventure to get back here on time.
• 15:49
  Speaker 1: Well, how did your city bike go bad?
• 15:51
  Speaker 3: It has flat tires?
• 15:53
  Speaker 1: Oh, you gotta check. You're a New New Yorker and
• 15:57
  Speaker 1: it's a very very rookie mistake to check your city
• 16:00
  Speaker 1: bike tires. Most certainly you won't do that again.
• 16:05
  Speaker 3: Surely I will not.
• 16:07
  Speaker 1: Now, Dane, I suggest you get a helmet because I
• 16:10
  Speaker 1: have one. Oh good, Because I think even people that
• 16:13
  Speaker 1: ride city bikes who don't own a helmet and they
• 16:15
  Speaker 1: ride around, I'm always worried for their dome.
• 16:17
  Speaker 3: I know. I never ride a bike, any kind of
• 16:20
  Speaker 3: bike without a helmet, and mine was just at home
• 16:22
  Speaker 3: in Manhattan.
• 16:23
  Speaker 1: It's a pretty crazy the bicycling situation because the delivery
• 16:27
  Speaker 1: guys are now all on electric bikes and it's the
• 16:29
  Speaker 1: wild wild West because they don't care, they don't know.
• 16:32
  Speaker 1: The police don't have the bandwidth to ticket anyone, so
• 16:35
  Speaker 1: everyone's going every which way and it's really fucking dangerous.
• 16:40
  Speaker 1: I ride my bike on Manhattan, but I tried to
• 16:42
  Speaker 1: always rock my helmet because I think like there's some
• 16:46
  Speaker 1: crazy figure like one pedestrian dies a day.
• 16:50
  Speaker 2: I'm done. I'm done.
• 16:52
  Speaker 1: Do well look that up. I think like maybe it
• 16:54
  Speaker 1: maybe it works out in the Five Boroughs to like
• 16:56
  Speaker 1: three hundred and sixty five pedestrian deaths a year. So
• 17:01
  Speaker 1: that's why they say there's one pedestrian death of day
• 17:03
  Speaker 1: in the Five Boroughs. I'm not sure, but I remember
• 17:05
  Speaker 1: reading that and that's when I started rocking my helmet.
• 17:07
  Speaker 2: You know what sucks, there's been one of those deaths. Yeah, well,
• 17:12
  Speaker 2: if you can usually somebody hitting to you, Oh my god.
• 17:16
  Speaker 1: If you're getting out of a cab or an uber
• 17:18
  Speaker 1: in Manhattan. This is a public service announcement. You have
• 17:22
  Speaker 1: to look at the bike lane. People. These delivery guys
• 17:25
  Speaker 1: are going forty miles an hour or whatever. It is
• 17:28
  Speaker 1: so fast, and that's how people must die, because you
• 17:31
  Speaker 1: get just fucking mowed down by someone on an electric bike.
• 17:34
  Speaker 3: It's bad.
• 17:35
  Speaker 1: So Daniel, rock your helmet.
• 17:37
  Speaker 3: Oh, I trust me. I will. It's even a high
• 17:39
  Speaker 3: viz helmet. It's one of them like highlighter yellow ones too.
• 17:42
  Speaker 3: I go high viz, Joelle just wrote me in the chat.
• 17:45
  Speaker 3: Twenty twenty three is now the second deadliest year for
• 17:48
  Speaker 3: bike riders in New York City's recorded history audience. You're listening,
• 17:52
  Speaker 3: I'm giving you a more you know, public service announcement.
• 17:55
  Speaker 3: If you go to New York City or you live
• 17:56
  Speaker 3: in New York City, a be very careful getting out
• 18:00
  Speaker 3: of your ubers and cabs and always look to see
• 18:02
  Speaker 3: if a bicyclist is coming. And second, if you live there,
• 18:05
  Speaker 3: wear a helmet because people are dying and dun, dundun
• 18:11
  Speaker 3: all right, Donald Legendary TV director Linda Mendoza directed this episode,
• 18:16
  Speaker 3: written by Kevin Beegele. Elliott makes JD pull over for
• 18:20
  Speaker 3: car sex because she's jealous whenever Kim is touching JD.
• 18:25
  Speaker 2: Okay, So we should start off by saying JD and
• 18:29
  Speaker 2: Elliott and Kim have this relationship that's very similar to
• 18:35
  Speaker 2: an extended family. Oh where the three of them, you're good,
• 18:40
  Speaker 2: are raising a child together.
• 18:42
  Speaker 1: I wish there was a show on network TV about that,
• 18:45
  Speaker 1: maybe in front of a live studio audience. All right, So, yeah,
• 18:47
  Speaker 1: they have a situation where they go it's clear that
• 18:51
  Speaker 1: I forgot how far away.
• 18:53
  Speaker 2: She's like forty five minutes away on a car.
• 18:57
  Speaker 1: Okay, So JD goes over there he is child and
• 19:02
  Speaker 1: Elliott gets very very jealous whenever Kim even touches him,
• 19:08
  Speaker 1: even touches this collar.
• 19:10
  Speaker 2: Well, I mean, in a lot of ways, she can
• 19:14
  Speaker 2: get jealous of it. And you know, Kim and JD
• 19:18
  Speaker 2: didn't break up because they didn't like each other. They
• 19:22
  Speaker 2: broke up because it just didn't work. Like she tried,
• 19:27
  Speaker 2: he tried, you're great, You're great, it just doesn't work.
• 19:33
  Speaker 2: And if you're Elliott, and you know this because of
• 19:37
  Speaker 2: how close JD and her are, clearly they talk about
• 19:42
  Speaker 2: everything together. They talk about We'll talk about the the
• 19:46
  Speaker 2: sean of it all later, but they you know, they
• 19:48
  Speaker 2: talk about everything. She knows that if something doesn't happen
• 19:54
  Speaker 2: with this young lady at some point, she will be
• 19:56
  Speaker 2: she can be a threat because she does have something.
• 20:00
  Speaker 2: He's beautiful, yeah, but she also has his kid too.
• 20:04
  Speaker 1: She's beautiful and she has his kid, and so he
• 20:07
  Speaker 1: Elliott's nervous. Now, what JD we learned is JD uses
• 20:12
  Speaker 1: this to get car sex. Yes, I don't think car
• 20:16
  Speaker 1: sex is something to really be desired.
• 20:18
  Speaker 2: Do you you ever had car sex?
• 20:21
  Speaker 1: I'm gonna go no comment, but I don't think that
• 20:24
  Speaker 1: it's something to be longed.
• 20:25
  Speaker 2: Why are you going to go. Now, why would you
• 20:27
  Speaker 2: go to no common It's not like you're saying I
• 20:29
  Speaker 2: had car sex.
• 20:30
  Speaker 1: With I'm having car sex right now.
• 20:33
  Speaker 2: Is that why your camera's off? Yes, okay, but no sincerely, Yeah,
• 20:40
  Speaker 2: like I would use anything that I could to get
• 20:43
  Speaker 2: sex at this age, at JD's age.
• 20:47
  Speaker 1: Well, I don't know. He's into it. That's the point everyone.
• 20:50
  Speaker 1: Everyone should be into their own thing, whatever it is.
• 20:53
  Speaker 1: And JD clearly is a fan of car sex. He's
• 20:55
  Speaker 1: also a fan of one step more kinky, and that
• 20:58
  Speaker 1: is he sort of seems to have this arrange with
• 21:01
  Speaker 1: a biker played by Neil Goldman when.
• 21:04
  Speaker 2: It created a lot of selfies in this one.
• 21:05
  Speaker 1: Of our writers who's actually the co showrunner with Bill
• 21:10
  Speaker 1: Lawrence on the hit show Shrinking Nice.
• 21:13
  Speaker 2: I like how you did that.
• 21:14
  Speaker 1: Neil Goldman plays the cyclist who takes a selfie of
• 21:20
  Speaker 1: watching j D and Elliott bang in the front seat, which,
• 21:23
  Speaker 1: without Elliott's consent, pretty Sketch already knows. But then she
• 21:28
  Speaker 1: admits later that she does know. Yeah, and she's down
• 21:31
  Speaker 1: with it. Well, this kind of harkens back to Elliott's
• 21:34
  Speaker 1: you know, kinky sex desires. You know, she's she's falling
• 21:38
  Speaker 1: back on her old ways. Dun dun, duh. Reveal. Kim
• 21:42
  Speaker 1: is dating Sean.
• 21:45
  Speaker 2: Played by Scott Poley, who was hilarious in this episode.
• 21:48
  Speaker 1: Way it's obnoxious how handsome he is.
• 21:50
  Speaker 2: Yeah, you know what, I don't understand why Scott. I mean,
• 21:54
  Speaker 2: it worked out for him obviously, but Scott went directly
• 21:56
  Speaker 2: into drama and fucking action after Scrubs. He could have
• 22:02
  Speaker 2: had a really long career in comedy.
• 22:05
  Speaker 1: His career is not over.
• 22:06
  Speaker 2: He's very funny, no doubt, because he was hilarious.
• 22:11
  Speaker 1: He keeps doing drama. But I would love to see
• 22:14
  Speaker 1: Scott Foley in a comedy. He's so fun of this
• 22:17
  Speaker 1: and he's such a good foil for JD because he
• 22:20
  Speaker 1: looks like a mannequin. I mean, he's just so handsome
• 22:26
  Speaker 1: and like he's the exact guy you don't want to
• 22:29
  Speaker 1: not only be your baby mama's new boyfriend, but your
• 22:33
  Speaker 1: ex boyfriend.
• 22:34
  Speaker 2: Let's take a break.
• 22:35
  Speaker 1: We'll be right back after these fine words. No Instagram
• 22:45
  Speaker 1: really knows how to target me with ads, guys, it's
• 22:48
  Speaker 1: fucked up. It's rare that I don't want what they're
• 22:50
  Speaker 1: trying to sell me.
• 22:51
  Speaker 3: They always know it's just everybody's selling each other their data.
• 22:55
  Speaker 3: I look something up on one computer, my Instagram is saying, oh,
• 22:58
  Speaker 3: do you want an automan?
• 22:59
  Speaker 1: Like I was just saying, Donald, how Instagram is so
• 23:04
  Speaker 1: good with their ad targeting, like eighty five percent of
• 23:07
  Speaker 1: the time. I'm like, I do want that?
• 23:09
  Speaker 2: How do you know it's your AI? It's whatever it
• 23:13
  Speaker 2: is in the phone collect You're.
• 23:15
  Speaker 1: Well, no, it's instant's scrolling Instagram and it knows. Instagram
• 23:19
  Speaker 1: knows even when you slow down on something and it's
• 23:21
  Speaker 1: like okay, they just constantly collecting NonStop data on you.
• 23:25
  Speaker 1: So then and they also look if you've bought things before,
• 23:27
  Speaker 1: and they go, well, if he bought that at this
• 23:29
  Speaker 1: price point and he slowed down to look at that thing,
• 23:33
  Speaker 1: then this is the most I mean, it's just, I mean,
• 23:35
  Speaker 1: the most advanced AI learning whatever it is to to
• 23:40
  Speaker 1: figure out what.
• 23:41
  Speaker 2: I always thought that the phone was recording what you
• 23:43
  Speaker 2: were saying, and so if you said something like damn,
• 23:46
  Speaker 2: I really do need to schedule my colonoscopy, You'll get
• 23:50
  Speaker 2: flooded with emails and stuff like that.
• 23:52
  Speaker 1: People think that Dan, what I mean, that's that's always
• 23:55
  Speaker 1: been an old wives tale. But it hasn't been proven.
• 23:58
  Speaker 3: Well, I mean it's there is some to it, but
• 24:00
  Speaker 3: I think the bigger thing is that every single company
• 24:03
  Speaker 3: is selling each other their ads. So if you search
• 24:05
  Speaker 3: something on Google Chrome or on Safari, they're selling that
• 24:08
  Speaker 3: information to Facebook, who is selling it to Amazon, who
• 24:11
  Speaker 3: is blah blah blah blah blah. So it's like every
• 24:12
  Speaker 3: piece of data that you enter into the Internet is
• 24:15
  Speaker 3: then being served to every other social media and whatnot
• 24:18
  Speaker 3: such that like I'm searching something on Amazon, I'm getting
• 24:21
  Speaker 3: an ad for it on Instagram full out. So that's
• 24:24
  Speaker 3: what it is. It's just a giant web of your information.
• 24:27
  Speaker 1: When you click allowed cookies, does that does that contribute
• 24:31
  Speaker 1: to it?
• 24:32
  Speaker 3: Yes?
• 24:32
  Speaker 1: Yeah, they just every time you click allow cookies now
• 24:36
  Speaker 1: on any site, and they won't let you use the
• 24:37
  Speaker 1: site without it. It's like learning more and more and
• 24:39
  Speaker 1: more ABOUUEMM.
• 24:47
  Speaker 2: Don't you find it weird that Sean and Kim date even.
• 24:51
  Speaker 1: Though Elliott set them up? Yeah?
• 24:53
  Speaker 2: Yeah, but they date Like this opens up this whole
• 25:00
  Speaker 2: finger cut Wiener Cousins.
• 25:03
  Speaker 1: Well, yeah, we're going to get into that. Don't jump
• 25:04
  Speaker 1: ahead to Wiener cousins.
• 25:06
  Speaker 2: You and I are not waianner cousins.
• 25:08
  Speaker 1: Bro, we're not wier cousins. No, I mean, as far
• 25:10
  Speaker 1: as we know, as far as we know, that's true,
• 25:13
  Speaker 1: there could be.
• 25:14
  Speaker 2: I don't think there's any overlap.
• 25:17
  Speaker 1: As far as we know, as far as we know,
• 25:21
  Speaker 1: I don't think that we have the right to link fingers. No,
• 25:27
  Speaker 1: but and I'm proud of that for us so much.
• 25:30
  Speaker 1: I don't want to be your wiener cousin.
• 25:31
  Speaker 2: I don't want to be your wiener cousin either.
• 25:33
  Speaker 1: I feel like you'd be a hard act to follow
• 25:35
  Speaker 1: because you like long ease.
• 25:37
  Speaker 2: I feel like you like quickies. Do you really like quickies?
• 25:44
  Speaker 1: I like all kinds of ease. But I feel like
• 25:45
  Speaker 1: you you would be he would be a hard act
• 25:48
  Speaker 1: to follow.
• 25:51
  Speaker 3: All kinds of these. That's a good one.
• 25:53
  Speaker 1: I feel like we've heard so much about your sexual
• 25:56
  Speaker 1: prowess on this podcast. I just feel like I wouldn't
• 25:59
  Speaker 1: want to be after you.
• 26:00
  Speaker 2: Well, they talk about JD's what you're gonna call it
• 26:03
  Speaker 2: his foreplay and what it's called.
• 26:06
  Speaker 1: Well, you're jumping ahead, bro, No what.
• 26:08
  Speaker 2: You just called the old kindsies and the long.
• 26:11
  Speaker 1: But let's get to that. Don't stop jumping ahead. We
• 26:13
  Speaker 1: have to save her. We were running out of episode.
• 26:15
  Speaker 1: You better save me. I'm saving Sabe, all right, So
• 26:19
  Speaker 1: Zeb puts fuzz in his hair. Kim's dating Sean. Oh,
• 26:22
  Speaker 1: all right, here's your storyline. Chief of surgery job is
• 26:25
  Speaker 1: up and Turk wants it, and Cox says, hell no.
• 26:30
  Speaker 1: He's really really dismissive of the idea of Turkleton.
• 26:34
  Speaker 2: But you know, when you have a strong woman in
• 26:37
  Speaker 2: your life who knows how to build you up just
• 26:40
  Speaker 2: the right way. Yep, the way Carla does. She goes
• 26:43
  Speaker 2: out there and you make it happen.
• 26:45
  Speaker 3: Yes, she does.
• 26:46
  Speaker 2: Ye, she bigs him up. She goes, baby, because you
• 26:49
  Speaker 2: always make it happen. He's like, I do. She goes
• 26:52
  Speaker 2: When you first got to this hospital and you wanted
• 26:55
  Speaker 2: to date me, and there was no way that was
• 26:56
  Speaker 2: going to happen, would you do? I made it happen, right,
• 27:00
  Speaker 2: hmmm right.
• 27:02
  Speaker 1: But everyone needs a partner in their life that bigs
• 27:05
  Speaker 1: them up, like Carla biggs up Turk. That's goals.
• 27:08
  Speaker 2: I hope Turk is vice versa doing the same thing
• 27:10
  Speaker 2: for her.
• 27:11
  Speaker 1: I think he is.
• 27:13
  Speaker 2: I mean, in the last episode he was and he
• 27:15
  Speaker 2: was just trying to have sex. Turk is so Donald Faison,
• 27:18
  Speaker 2: Oh my god.
• 27:19
  Speaker 1: I know, I know what the hell I think? Eight
• 27:22
  Speaker 1: years in Bill was just writing you I wasn't even.
• 27:26
  Speaker 2: Married to Casey yet, what the heck is telling the future.
• 27:32
  Speaker 1: So Todd asked the jenitor, how's married life? And the
• 27:35
  Speaker 1: jenner says, you have to make compromises. My wife's allergic
• 27:39
  Speaker 1: to raccoons, so I had to throw away my comforter.
• 27:42
  Speaker 2: That raccoon comforter that he has. You know, it's interesting
• 27:47
  Speaker 2: that Kelso decided to stay in this story. Now, Kelso,
• 27:53
  Speaker 2: the janitor and lady spent the honeymoon together. That's who
• 27:57
  Speaker 2: their honeymoon was.
• 27:57
  Speaker 1: With, because Tulsa was just like on a down there.
• 28:00
  Speaker 1: But here's what's really crazy, bro Kelso. You know, look
• 28:05
  Speaker 1: who kicks Kelso out of the Bahamas. It's it's Randall.
• 28:10
  Speaker 1: But that's supposed to be Van Well, Van Lawrence. Bill's
• 28:14
  Speaker 1: dad is in the squad, Deontay Deonta. Here's what's confusing
• 28:20
  Speaker 1: in the Scrubs universe. I don't think many people play
• 28:23
  Speaker 1: multiple characters. This is Randall's third.
• 28:26
  Speaker 2: Character Bahamas guy. Well, same thing with Deontay Tho.
• 28:31
  Speaker 1: Yeah, I don't like I think Bill's starting to phone
• 28:34
  Speaker 1: it in because these were repeating characters. That was like
• 28:36
  Speaker 1: a Scrubs rule, like if you were somebody, you were
• 28:38
  Speaker 1: that person.
• 28:39
  Speaker 2: Not for Rando. But Randa was able to get away
• 28:42
  Speaker 2: with it at first because he had a mask on
• 28:43
  Speaker 2: his death.
• 28:44
  Speaker 1: He was death as you all know. And then he
• 28:47
  Speaker 1: was of course Leonard. Oh he is Mark the Orderly.
• 28:51
  Speaker 2: I think it was Big Sack and season four.
• 28:54
  Speaker 1: Oh Deontay's third role fig Sack, Mark the Orderly and
• 29:00
  Speaker 1: random Bahamas.
• 29:02
  Speaker 2: It means to be there from the beginning.
• 29:03
  Speaker 1: I guess he was there every single day. But I
• 29:07
  Speaker 1: really got thrown when I saw Leonard kicking kicking Kelso
• 29:11
  Speaker 1: off off the island, and then I realized, oh, he's
• 29:13
  Speaker 1: not Leonard. I was like, why is Leonard there? Because
• 29:15
  Speaker 1: he didn't have a hook hand and there was another
• 29:19
  Speaker 1: guy who was not recognizable but Kelso. What happened was
• 29:23
  Speaker 1: Kelso said, I thought it was a nude beach, and
• 29:28
  Speaker 1: they said it was a church. A church, So that's
• 29:31
  Speaker 1: how drunk he was. Yes, all right, So coffee box
• 29:36
  Speaker 1: has to close because their pastry chef has an intestinal virus.
• 29:41
  Speaker 2: Very a very contagious intestinal virus.
• 29:44
  Speaker 1: This doesn't make any sense because I don't think a
• 29:46
  Speaker 1: coffee chain has an in house pastry chef. But okay, sure, sure,
• 29:54
  Speaker 1: but Kelso has had so many muffins that he goes
• 29:56
  Speaker 1: down for the count.
• 29:58
  Speaker 2: He gets this virus, Yeah, and admits himself into the hospital.
• 30:03
  Speaker 1: Yes, because he knows he's very seasoned doctor and he
• 30:05
  Speaker 1: knows what's coming. So he decides it's best to just
• 30:08
  Speaker 1: check in, and he pukes.
• 30:09
  Speaker 2: And he's also in the hospital already.
• 30:12
  Speaker 1: Right, but he pukes at the check in desk admissions desk.
• 30:16
  Speaker 1: JAD puts on a cologne that Elliott hates in order
• 30:19
  Speaker 1: to punish her because he's what does he upset, Oh
• 30:22
  Speaker 1: for setting them up?
• 30:23
  Speaker 2: I forgot for hooking Sean and uh and Kim up.
• 30:28
  Speaker 1: Right and the cologne. I mean that's just okay, we
• 30:31
  Speaker 1: understand later why it's there, but it's weird plot point.
• 30:35
  Speaker 2: It's just but it's funny though, Like, how is this
• 30:38
  Speaker 2: relationship gonna work? Dude? This dude is always punishing her,
• 30:42
  Speaker 2: Like what the fuck, dude, you put a cologne on
• 30:44
  Speaker 2: because you know she hates it. She's talking about how
• 30:47
  Speaker 2: much better in bed Sean is, so yeah, Kelso's pranking.
• 30:54
  Speaker 2: The in turns also by pretending he's dead. Yeah, he's
• 30:59
  Speaker 2: also so he's also realized, look, I can get through
• 31:04
  Speaker 2: this a lot faster if I take care of this right.
• 31:07
  Speaker 2: Let me get rid of these fuckers and I'll handle
• 31:10
  Speaker 2: this all on my own, right, So he admits an IV.
• 31:13
  Speaker 2: He changes his chart to get the proper medication so
• 31:17
  Speaker 2: he can get out of the hospital and back to
• 31:19
  Speaker 2: the coffee box this quick.
• 31:21
  Speaker 1: Yeah. Well, he knows what he needs obviously, he's a
• 31:23
  Speaker 1: seasoned doctor and he doesn't have time for these interns
• 31:26
  Speaker 1: trying to start a line on his arm, and he's like,
• 31:28
  Speaker 1: just give it to me, I'll do it. And then
• 31:30
  Speaker 1: he's fucking with his chart and he just wants to
• 31:32
  Speaker 1: get it. He knows what he needs, but he's trying
• 31:34
  Speaker 1: to go around them.
• 31:35
  Speaker 2: Right the orange stitching, which is very important later on.
• 31:39
  Speaker 2: I thought at first, I was like, you know, that's interesting.
• 31:43
  Speaker 2: What is this something that surgeons do? I imagine it is.
• 31:47
  Speaker 1: It must be. I don't think we would have done
• 31:48
  Speaker 1: it if it wasn't something that's done. You got to
• 31:52
  Speaker 1: practice your stitches somewhere.
• 31:55
  Speaker 2: They did it on grades anatomy also, Oh so we
• 31:58
  Speaker 2: did it first too.
• 31:59
  Speaker 1: Well, you're watching other medical shows.
• 32:00
  Speaker 3: What the fuck.
• 32:02
  Speaker 2: We should totally do a rewatch of Gray's Anatomy.
• 32:05
  Speaker 1: Do you love Gray's Anatomye?
• 32:06
  Speaker 7: Uh yeah, I've been Grey's Anatomy since day one watching it.
• 32:12
  Speaker 2: Drama and hot interns and bombs. What's not to love? Yeah,
• 32:16
  Speaker 2: Like everything happens at that hospital. Dude, they had a
• 32:19
  Speaker 2: fucking they had a fucking hostage like that. Shit would
• 32:22
  Speaker 2: die hard on Gray's Anatomy. Like that's everything happens on
• 32:27
  Speaker 2: that ship. I think one of them got kidnapped and
• 32:30
  Speaker 2: molested by the dude behind the in the arcade.
• 32:33
  Speaker 1: Whudy just keeps going.
• 32:36
  Speaker 2: Just everything happens. I think one of them got their
• 32:38
  Speaker 2: hair turned green because of the rain. It's just like
• 32:41
  Speaker 2: different strokes everything these people, you.
• 32:44
  Speaker 1: Understand where you're going. All I heard was Dudley and
• 32:47
  Speaker 1: then the arcade. The molistation totally didn't get molested. He
• 32:52
  Speaker 1: was about to be wanted and it was at the
• 32:53
  Speaker 1: bike shop.
• 32:55
  Speaker 2: Where was that? The arcades don't.
• 32:56
  Speaker 1: Challenge my different strokes.
• 32:58
  Speaker 2: I love that you knew that, let's take a break.
• 33:00
  Speaker 1: We'll be right back after these fine words, and we're
• 33:11
  Speaker 1: back in. So there's a moment where they're going good, good, good,
• 33:15
  Speaker 1: and then Jad says, stop saying good, Sean, you sound
• 33:17
  Speaker 1: like an ass. Nobody cares Sean.
• 33:21
  Speaker 2: You said good, but he said good, He said good good.
• 33:25
  Speaker 1: You know they're having all these awkward moments that it
• 33:27
  Speaker 1: was a funny moment when we're all when we go
• 33:29
  Speaker 1: over their house, so we can't figure out how to
• 33:30
  Speaker 1: sit who's gonna sit on the couch and we're all
• 33:33
  Speaker 1: kind of standing up and then we keep sitting down
• 33:35
  Speaker 1: because like this is a cringe moment.
• 33:36
  Speaker 2: We don't know what you guys pass out on the couch? Actually, right?
• 33:41
  Speaker 2: Is that what happened? And they walk in what happens
• 33:44
  Speaker 2: in the beginning where he says, this is like something
• 33:47
  Speaker 2: from a boyfriend and girlfriend passed or something like that.
• 33:51
  Speaker 2: Did you guys fall asleep on the couch? Is that
• 33:53
  Speaker 2: what happened?
• 33:54
  Speaker 1: I don't think. I think we were just hanging on
• 33:55
  Speaker 1: the couch. But they make some comment like oh, it's
• 33:58
  Speaker 1: like a I don't know, like deja vu? What's the
• 34:01
  Speaker 1: expression or something a girlfriend's past.
• 34:03
  Speaker 2: Yeah, And then you guys switch up and then but.
• 34:06
  Speaker 1: Then there's a funny like awkward lover like you said, no,
• 34:08
  Speaker 1: that's weird. No, I thought that was pretty funny. Yeah,
• 34:11
  Speaker 1: so peer recommendations. Everyone's coming to rally for Turk to
• 34:17
  Speaker 1: get this position because.
• 34:19
  Speaker 2: T versus the Todd is in there, and what does
• 34:22
  Speaker 2: he say. He gives a bunch of reasons why.
• 34:25
  Speaker 1: What's the main one he will.
• 34:27
  Speaker 2: One is because he's a great surgeon. He has great hands,
• 34:31
  Speaker 2: he's very smart, he has a great dog. Awesome, he
• 34:36
  Speaker 2: has an awesome dog. He's the best surgeon in the hospital.
• 34:42
  Speaker 2: Could you go back two or three more? He has
• 34:45
  Speaker 2: great hands.
• 34:49
  Speaker 1: Todd is being interviewed for whether his friend should get
• 34:51
  Speaker 1: the chief of Surgery position, and he mentions that said
• 34:55
  Speaker 1: friend has an amazing dong.
• 34:57
  Speaker 2: Yeah, and then he goes, it's not just me, and
• 35:00
  Speaker 2: then everybody comes in, including the janitor.
• 35:05
  Speaker 3: Yeah.
• 35:05
  Speaker 1: The janitor wants to know if Turk will get like
• 35:09
  Speaker 1: a special hat. No, first he just mentions he wants
• 35:15
  Speaker 1: to know, because he's chief of surgery, if he's going
• 35:17
  Speaker 1: to have like a police chief style hat. And then
• 35:19
  Speaker 1: it goes down a wormhole of really being invested in
• 35:22
  Speaker 1: you having some sort of special hat.
• 35:24
  Speaker 2: And he because he thinks he's going to punish him
• 35:26
  Speaker 2: by making him wear a silly hat, and so he gives.
• 35:30
  Speaker 3: That I thought it was.
• 35:31
  Speaker 1: It was a punishment thing.
• 35:32
  Speaker 2: Yeah, he's trying to make Turk feel silly by giving
• 35:35
  Speaker 2: him this stupid hat to wear, and so that's why
• 35:38
  Speaker 2: it has all of these weird things in it.
• 35:40
  Speaker 1: Oh, I didn't know that. I thought he was just
• 35:42
  Speaker 1: trying to He never works, this fucking guy. I mean,
• 35:45
  Speaker 1: it's amazing that he The whole hospital isn't being cleaned,
• 35:49
  Speaker 1: at least by him, and he's spending his days trying
• 35:53
  Speaker 1: to make a special hat for Turk in case he
• 35:55
  Speaker 1: becomes chief of medicine surgery surgery. Okay, Elliot dreams about
• 36:01
  Speaker 1: Kim dying.
• 36:02
  Speaker 2: But it's all right because Kim admits that she dreams
• 36:04
  Speaker 2: about Elliott dying.
• 36:06
  Speaker 1: Right, and then she also admits that she knows about
• 36:09
  Speaker 1: the cyclists, and she's okay with it.
• 36:12
  Speaker 3: All right.
• 36:12
  Speaker 1: So here are some of the names for JD's for play.
• 36:15
  Speaker 1: Elliott and Kim share their experience hooking up with j
• 36:20
  Speaker 1: E and he takes the play part of four play
• 36:24
  Speaker 1: very seriously and makes sort of games. Here are some
• 36:28
  Speaker 1: of the titles I wrote them down, Nooks and Crannies,
• 36:33
  Speaker 1: Upsy Daisy, Who's in there? And what's in there? What's
• 36:39
  Speaker 1: in there, and then mister Peep tries on hats.
• 36:48
  Speaker 2: I want to know mister Peep tries on hats is.
• 36:51
  Speaker 1: I think he probably fashions as very as a hat
• 36:54
  Speaker 1: motive in this episode, but he probably fashions small hats
• 36:57
  Speaker 1: that will fit on the on the head of his people.
• 37:00
  Speaker 2: Peeps.
• 37:00
  Speaker 1: Yeah, the weirdo.
• 37:03
  Speaker 2: That's that's four fla.
• 37:05
  Speaker 1: Yeah. Well, I mean to each their own, Donald, I mean,
• 37:08
  Speaker 1: you know, it obviously works for some very beautiful, amazing
• 37:12
  Speaker 1: women like these two. I wonder what nooks and crannies is.
• 37:17
  Speaker 2: I know what nooks and cranny's. Everybody knows what nooks
• 37:20
  Speaker 2: and cranny's is.
• 37:21
  Speaker 1: That seis, what's who's in there?
• 37:25
  Speaker 2: Well? I thought that's what mister Peeps tries on hats
• 37:27
  Speaker 2: was too.
• 37:28
  Speaker 1: No, mister peep trion hats. I just assumed was that
• 37:31
  Speaker 1: he fashions like he grabs something that could be a
• 37:34
  Speaker 1: hat for his people.
• 37:43
  Speaker 2: Who's in there? Wait, what's in there? And who's in there?
• 37:46
  Speaker 1: Who's in there? Is first? Who's in there? And what's
• 37:48
  Speaker 1: in there?
• 37:54
  Speaker 2: That can be looked at us so many different ways.
• 37:58
  Speaker 2: Who's in there?
• 37:59
  Speaker 1: Who's in there? What's in there?
• 38:01
  Speaker 2: Let's sit there, all.
• 38:03
  Speaker 1: Right, so Sean and j D they say they're going
• 38:07
  Speaker 1: to say something nice about each other, and JD says,
• 38:09
  Speaker 1: you're a beautiful man, And now you.
• 38:12
  Speaker 2: Go and said, I never agreed to that beautiful son of.
• 38:19
  Speaker 1: A bitch, your beautiful seventh He is beautiful.
• 38:25
  Speaker 2: That's very handsome. My goodness, Scott Foley, Wow, I can
• 38:30
  Speaker 2: see why you were the heart throb on Felicity all
• 38:33
  Speaker 2: those years and Scandal?
• 38:34
  Speaker 1: Wasn't you a heart throb on Scandal?
• 38:36
  Speaker 2: Wish right? He had Olivia Pope's ear?
• 38:39
  Speaker 1: Was it a love triangle between him and Tony Goldwyn?
• 38:42
  Speaker 2: You got to be a handsome motherfucker to be in
• 38:44
  Speaker 2: a love triangle with Tony Goldwin and Carrie Washington.
• 38:47
  Speaker 1: Yeah, that is a prime time Shonda Rhymes love triangle
• 38:51
  Speaker 1: right there.
• 38:52
  Speaker 2: I love the way you rhyme that. That is a
• 38:53
  Speaker 2: prime rhyme. Yeah, I love love trying.
• 39:00
  Speaker 1: By the way, I know all three of them, and
• 39:04
  Speaker 1: I have to say all three of them are very
• 39:06
  Speaker 1: very very nice people and very beautiful and of course
• 39:10
  Speaker 1: very beautiful. Tony's just the best. He's the sweetest person
• 39:14
  Speaker 1: on earth.
• 39:14
  Speaker 2: Didn't he direct a movie you were in?
• 39:17
  Speaker 1: Yeah? Last Kiss. That's how I know him well, he
• 39:18
  Speaker 1: directed The Last Kiss, But I just love him as
• 39:20
  Speaker 1: a person. He's just he. I had an early he
• 39:23
  Speaker 1: came to my premiere in New York of a Good
• 39:27
  Speaker 1: Person and he was just so lovely. And I don't
• 39:30
  Speaker 1: know anyone who in the business who's ever worked or
• 39:32
  Speaker 1: met Tony Goldwin will tell you he's just the sweetest,
• 39:35
  Speaker 1: nicest man. And he's ripped by the way he rose.
• 39:38
  Speaker 1: That's his thing. He rose on a rowing machine.
• 39:42
  Speaker 2: There are a couple of spirits that I don't like
• 39:46
  Speaker 2: him when they pulled him into.
• 39:48
  Speaker 1: The oh a ghost reference, Yes it is.
• 39:52
  Speaker 2: For those of you who don't know, he's amazing.
• 39:54
  Speaker 1: He's the bad guy from Ghosts. Guys, he's the bad
• 39:56
  Speaker 1: when I worked with him. How you always joked that
• 40:00
  Speaker 1: people see you when they're like clue this, But people
• 40:01
  Speaker 1: see him they're like bad guy from ghost Yeah, guy
• 40:06
  Speaker 1: from Ghost back in the day, back in the day.
• 40:10
  Speaker 1: This is like two thousand and six from Ghosts.
• 40:13
  Speaker 2: Oh shit, yo, back guy from Ghosts up and bad
• 40:17
  Speaker 2: guy from ghost What's off? Oh shit? Yo? What other
• 40:21
  Speaker 2: movies you'd be in? Bad Guy from Ghosts?
• 40:23
  Speaker 1: So many movies? All right, Wiener, He's in Oppenheimer Actually,
• 40:26
  Speaker 1: you don't watch that Guy from ghosts in Bad Guy
• 40:28
  Speaker 1: from ghost is in Oppenheimer. I know you don't watch things.
• 40:32
  Speaker 2: Is Gone Girl in Oppenheimer? What is Gone Girl in Oppenheimer?
• 40:37
  Speaker 1: No, Gone Girl is not an Oppenheimer. Gone Girl is
• 40:40
  Speaker 1: in Sulburn.
• 40:42
  Speaker 2: Gongoes in Sulburn. Got it, got it? Got it?
• 40:47
  Speaker 1: Oh my god? Speaking of Gone Girl, the most insane
• 40:50
  Speaker 1: docu sriies that your wife told me to watch American Nightmare.
• 40:54
  Speaker 1: Have you seen that, guys, Joelle, you've seen it? Yeah,
• 40:57
  Speaker 1: Oh my gosh. It's an insane story that you have
• 41:01
  Speaker 1: to watch. It's on Netflix. It's called American Nightmare, twenty
• 41:04
  Speaker 1: three episodes. Casey told me to watch it. It's insane.
• 41:07
  Speaker 3: Can they get the elevator pitch?
• 41:09
  Speaker 1: The elevator pitch is a woman is kidnapped and I
• 41:13
  Speaker 1: don't want to ruin anything because it's an insane story.
• 41:16
  Speaker 1: But basically the police things she's she and her boyfriend
• 41:19
  Speaker 1: are lying that she's been kidnapped. And I won't say
• 41:22
  Speaker 1: anymore because the story is so insane. You have to
• 41:25
  Speaker 1: watch it unravel.
• 41:29
  Speaker 3: Okay.
• 41:29
  Speaker 1: It's so good. Someone's gonna make a movie out of
• 41:31
  Speaker 1: it because it's that good. It deserves to be made
• 41:33
  Speaker 1: into a feature true story. Yeah, yeah, it's a doc.
• 41:38
  Speaker 1: Oh sorry I missed the bark out and then sorry,
• 41:41
  Speaker 1: let me get Donald back. And then the storm trober
• 41:43
  Speaker 1: shoot and everyone dies and they come back and they
• 41:45
  Speaker 1: win and they and they save the Death Star. Is
• 41:47
  Speaker 1: that right?
• 41:48
  Speaker 3: Nice?
• 41:48
  Speaker 2: There's a documentary about Star Wars.
• 41:50
  Speaker 1: Yeah, yeah, we just wanted to bull you back.
• 41:53
  Speaker 2: Okay, when where can I find the said doc?
• 41:55
  Speaker 1: Said doc? All right, So then now we're finally into
• 41:59
  Speaker 1: the idea of Wien. You're cousins, and.
• 42:01
  Speaker 2: Uh, there are a lot of them in the hospital,
• 42:04
  Speaker 2: stronger than fat and and and Mark and Turker Wiener cousins.
• 42:09
  Speaker 1: Before you you're jumping ahead all episode today, you're skipping Beard,
• 42:14
  Speaker 1: Fussay and Snoop Dogg.
• 42:16
  Speaker 2: Resident that's right there, Wiener cousins too.
• 42:19
  Speaker 1: And then we learned that it was Nurse Roberts.
• 42:23
  Speaker 2: God bless the dead, and both of them on.
• 42:26
  Speaker 1: The same night. And then I say, may she rest
• 42:29
  Speaker 1: in peace? Yes, so beards. This this must have been
• 42:33
  Speaker 1: one of her above ground pool parties.
• 42:35
  Speaker 2: But but the is it mister Roberts at these parties too?
• 42:38
  Speaker 1: Maybe he's down, you know, we as we know from
• 42:41
  Speaker 1: the podcast some people are.
• 42:42
  Speaker 2: Just saying, mister Roberts is a cok Is that what
• 42:44
  Speaker 2: you're saying right now?
• 42:45
  Speaker 1: I think a cock is derogatory, right, I don't know,
• 42:48
  Speaker 1: is it, Daniel Joelle?
• 42:50
  Speaker 3: It's just a it's just a practice of watching your partner.
• 42:53
  Speaker 1: Be Okay, But I thought, okay, but if you're down
• 42:56
  Speaker 1: with it.
• 42:57
  Speaker 3: Yeah, I mean that's a technical word. But I think
• 43:00
  Speaker 3: think we have seen the word cuck be transformed by
• 43:04
  Speaker 3: a certain demographic of people.
• 43:05
  Speaker 1: Okay, I just didn't know. In the Let's say someone's
• 43:08
  Speaker 1: listening and they're super into this, I don't want them
• 43:10
  Speaker 1: to feel like we're dissing them if that's their seas.
• 43:13
  Speaker 3: Cuckold stuff is totally a It's a kink on its own.
• 43:16
  Speaker 1: Okay, Dann, you seem quite knowledgeable anyway, So.
• 43:22
  Speaker 3: I was once a teenager on the internet.
• 43:24
  Speaker 2: Anyway, Deontae, so, Mark and Turk guess what they are?
• 43:29
  Speaker 1: Yeah, they're wien your cousins. We never heard this story
• 43:32
  Speaker 1: about that.
• 43:33
  Speaker 2: Kelso and the janitor Guess what they are?
• 43:36
  Speaker 1: Weien your cousins. Yep, but wait, that's deep. We learned
• 43:40
  Speaker 1: that it was twenty years ago. But the janitor says,
• 43:44
  Speaker 1: I'll honor the code. That's how deep the Wien your
• 43:48
  Speaker 1: cousin code is.
• 43:49
  Speaker 2: Yeah, you're gonna honor it forever.
• 43:52
  Speaker 1: I'm worried that there's a bond that we don't have
• 43:55
  Speaker 1: in our life. We are so close on so many ways,
• 43:57
  Speaker 1: and this is this is an area where we're.
• 44:00
  Speaker 2: There's no way. Just don't even don't do it. Don't
• 44:04
  Speaker 2: do it.
• 44:05
  Speaker 7: I know it.
• 44:06
  Speaker 2: Don't you do it. Don't you fucking do it. You
• 44:10
  Speaker 2: knew I was reaching for the bokne I know the
• 44:13
  Speaker 2: reaching for.
• 44:18
  Speaker 1: All Right, let's get back. Oh Bejingo sisters, we learn
• 44:21
  Speaker 1: as the female term for weener cousins, good sisters.
• 44:26
  Speaker 2: I would love to be in a Bajingo's sister sandwich
• 44:31
  Speaker 2: when I was younger.
• 44:32
  Speaker 1: You may have been, you don't know.
• 44:33
  Speaker 2: So look here's the question. Now, do women like it
• 44:37
  Speaker 2: when men brag about being Wiener cousins? Because I would
• 44:43
  Speaker 2: imagine men wouldn't mind if women bragged about being Bajingo sisters.
• 44:49
  Speaker 3: You mean like in front of the said person.
• 44:53
  Speaker 2: If somebody, if somebody, I would feel a little awkward
• 44:56
  Speaker 2: me personally.
• 44:57
  Speaker 3: Yeah, Like if two women who had sex with you,
• 45:00
  Speaker 3: we're like, oh, you had it. I had it, you
• 45:01
  Speaker 3: had I had it, and so we both had you and.
• 45:04
  Speaker 2: They were like, we're Virginia, We're Virginia sisters. I think
• 45:08
  Speaker 2: i'd laugh, you wouldn't laugh, Okay, now vice versa.
• 45:12
  Speaker 1: I would imagine the women wouldn't like that. That's my guess.
• 45:15
  Speaker 1: I don't know Joelle, Joelle as our resident woman.
• 45:21
  Speaker 2: A little bit.
• 45:22
  Speaker 1: Yeah, I told you, yeah, yeah, you know, you may.
• 45:27
  Speaker 2: Be like, yo, yeah, I had that.
• 45:29
  Speaker 7: It was great one time you want done dope and
• 45:32
  Speaker 7: then you know, it's a fun story you share with
• 45:35
  Speaker 7: your friend, or to be a horrifying meltdown of a relationship, the.
• 45:40
  Speaker 2: Death of a relationship.
• 45:41
  Speaker 1: I think it depends on the context. For sure.
• 45:45
  Speaker 2: I don't want to know. I don't want to be
• 45:46
  Speaker 2: wiener cousins with any people.
• 45:48
  Speaker 1: Like, do you know anyone in your life that you
• 45:50
  Speaker 1: are for sure a wean your cousin with.
• 45:52
  Speaker 2: I'm sure there are several people that we grew up
• 45:55
  Speaker 2: in New York City. I grew up in Hollywood. This
• 45:58
  Speaker 2: is Hollywood, dude, Are you kidding me? Yeah, I'll tell
• 46:04
  Speaker 2: Let's take a break.
• 46:05
  Speaker 1: We'll be right back after these fine words. All right,
• 46:14
  Speaker 1: let's move on from wing your cousins. Kelso's doctoring is file.
• 46:18
  Speaker 1: We talked about that, then we talked about the flashback
• 46:20
  Speaker 1: to the Bahamas. Oh, this was really random. The JD
• 46:24
  Speaker 1: searches Sean's peach, so the baby's always crying when he's
• 46:28
  Speaker 1: around JD, and JD has the humiliating thing to deal
• 46:33
  Speaker 1: with that the second the baby is held by Sean,
• 46:36
  Speaker 1: his own baby stops crying. So this is understandably horrible
• 46:40
  Speaker 1: for JD. And he thinks that Sean has a remote
• 46:44
  Speaker 1: shocking device on baby and that the device might be
• 46:47
  Speaker 1: hidden at the bottom of Sean's peach yogurgert, so he
• 46:52
  Speaker 1: inspects with his fingers the peach yogurt for said device.
• 47:00
  Speaker 2: Okay, I want to give a shout out to all
• 47:02
  Speaker 2: of the background actors in this episode because I don't
• 47:06
  Speaker 2: know if you were particularly paying any attention to them,
• 47:09
  Speaker 2: but they all had a lot to do, not that
• 47:11
  Speaker 2: they always don't have a lot to do, but in
• 47:14
  Speaker 2: this one particular, that Wunner with Kelso and Cox where
• 47:18
  Speaker 2: Kelso's butt is out and everybody's admiring. If you watch
• 47:23
  Speaker 2: the background in the back, they all do such a
• 47:26
  Speaker 2: really good job. And this isn't the only thing that
• 47:28
  Speaker 2: they do this in. But this was a highlight for
• 47:32
  Speaker 2: the fun They were all very very funny.
• 47:35
  Speaker 1: Yeah, all the background actors were very funny in that moment.
• 47:37
  Speaker 1: And what about Mickhead taking a.
• 47:39
  Speaker 2: Picture taking the picture? Yeah, with his cell phone.
• 47:43
  Speaker 1: So Carla begins working Cox to get Turkeleton the job.
• 47:48
  Speaker 2: He's the only one for the child.
• 47:50
  Speaker 1: You know, it's weird that Cox has such a blind
• 47:53
  Speaker 1: spot to the genius of the who's the best surgeon
• 47:56
  Speaker 1: in the.
• 47:56
  Speaker 2: Hospital, especially after everyone's gone to bat for them too.
• 48:00
  Speaker 1: Yeah, even Todd.
• 48:02
  Speaker 2: Yeah, bring up that old feud a lot over Carlo.
• 48:07
  Speaker 1: Mm all right, here's a weird thing.
• 48:10
  Speaker 6: G D.
• 48:11
  Speaker 1: I guess tells Sam a lot of stories about unicorns.
• 48:14
  Speaker 2: There's so many of them.
• 48:16
  Speaker 1: He there's a lot of them, And he goes, they
• 48:17
  Speaker 1: just come to me, and I gotta get them out there.
• 48:20
  Speaker 1: They're magical.
• 48:22
  Speaker 2: They're not.
• 48:25
  Speaker 1: That's all his unicorns story is for Sam.
• 48:29
  Speaker 2: She goes, they're not, they're not.
• 48:31
  Speaker 1: That's when we learned that the cologne is the source
• 48:34
  Speaker 1: of what's annoying and irritating the baby. Eureka, And then
• 48:39
  Speaker 1: he gets the shower problems solved.
• 48:41
  Speaker 2: Yeah, he takes a shower and puts on new clothes.
• 48:46
  Speaker 1: Yes, and he borrows Sean's. And then towards the end,
• 48:50
  Speaker 1: we realize that Kelso really misses his job, missus being
• 48:54
  Speaker 1: in the hospital, and we learned that Cox relents and
• 48:58
  Speaker 1: awards the position.
• 49:01
  Speaker 2: And the janitor awards Turk with the hat.
• 49:06
  Speaker 1: Oh is that a tag?
• 49:07
  Speaker 2: Yeah?
• 49:08
  Speaker 1: Oh I missed the tag.
• 49:09
  Speaker 2: And Turk likes the hat, and the Janitor's pissed because
• 49:13
  Speaker 2: now the janitor the janitor was trying to make him
• 49:15
  Speaker 2: feel stupid.
• 49:16
  Speaker 1: Oh I missed the tag. I forgot. I always forget
• 49:18
  Speaker 1: that this season as those tags, I forgot to watch it.
• 49:23
  Speaker 2: Yeah, So he gives him the hat, he puts it on,
• 49:28
  Speaker 2: decides he likes it, and now the janitor regrets giving
• 49:32
  Speaker 2: him the hat because the janitor likes the hat too.
• 49:38
  Speaker 1: And then the big dug dundn that we know is
• 49:40
  Speaker 1: going to set up the finale of season eight, the
• 49:43
  Speaker 1: true finale of the TV show Scrubs is JD feeling
• 49:47
  Speaker 1: like he's only a part time father and that he's
• 49:50
  Speaker 1: going to miss too much of his son's life. And
• 49:52
  Speaker 1: he says, I think I'm gonna move here, meaning where
• 49:55
  Speaker 1: Kim lives.
• 49:56
  Speaker 7: Undone don question if the show does take place in
• 50:00
  Speaker 7: southern California, I think there's are the thirty seven minutes apart.
• 50:06
  Speaker 7: Does this require a giant move?
• 50:09
  Speaker 2: Well, it depends on your I would say thirty seven
• 50:13
  Speaker 2: minutes apart without traffic. So yeah, in the morning after work,
• 50:19
  Speaker 2: you don't want to necessarily travel thirty seven minutes to
• 50:21
  Speaker 2: get home from the hospital.
• 50:23
  Speaker 1: I just think of towns. Okay, just let's just talk
• 50:25
  Speaker 1: about the cities a right. Let's say let's say that
• 50:28
  Speaker 1: she lives in Santa Monica.
• 50:30
  Speaker 2: No, I would say she lives in like I would
• 50:32
  Speaker 2: say she lives in like Huntington.
• 50:34
  Speaker 1: Okay, let's say she lives in Huntington Beach and he
• 50:38
  Speaker 1: works in West Hollywood or the Valley, the Valley, the Valley.
• 50:44
  Speaker 1: That's far.
• 50:45
  Speaker 2: That's a good track.
• 50:46
  Speaker 1: That's to go get your kid. What, Dawn, You don't think?
• 50:48
  Speaker 3: So that's not that bad.
• 50:50
  Speaker 1: I mean, I know a lot of people have it worse.
• 50:52
  Speaker 3: Yeah, it's a trek, that's a trick, but it's not
• 50:54
  Speaker 3: you know, we're not talking La to San Diego.
• 50:57
  Speaker 1: No.
• 50:58
  Speaker 2: No, And I know a lot if he wants to
• 51:00
  Speaker 2: spend more time, for.
• 51:01
  Speaker 1: Sure, I know that a lot of people listening, have
• 51:03
  Speaker 1: it a whole lot worse than that. I'm just saying,
• 51:05
  Speaker 1: this is a guy who's going, who's going, don't. I
• 51:08
  Speaker 1: don't want this. I want to choose something different.
• 51:11
  Speaker 3: Totally.
• 51:12
  Speaker 1: Well anyway, funny episode.
• 51:14
  Speaker 2: Very funny. It's sad though, because it's coming to an end,
• 51:18
  Speaker 2: and it feels like it's coming to an end now too,
• 51:20
  Speaker 2: Like you can feel the the traps being laid for
• 51:24
  Speaker 2: all of us to cry in the final five minutes
• 51:28
  Speaker 2: of the show being they're being set now.
• 51:31
  Speaker 1: Absolutely what else?
• 51:33
  Speaker 7: Joelle thoughts, Uh, yeah, great episode. Really appreciate the way
• 51:40
  Speaker 7: they were trying to bring season eight two clothes. But
• 51:43
  Speaker 7: I gotta be honest, I know this is the spiritual
• 51:46
  Speaker 7: end of the show, but I'm really excited to like
• 51:47
  Speaker 7: explore like what didn't didn't work in season nine, and like, have.
• 51:52
  Speaker 1: You been getting a lot of submissions from people talking
• 51:54
  Speaker 1: about these in nine?
• 51:56
  Speaker 7: Yeah, they're rolling in you know you guys, please keep
• 51:58
  Speaker 7: submitting them. They're very funny. It's gotten excited to watch SOUN,
• 52:03
  Speaker 7: especially the first episode. I think that's probably what I've
• 52:06
  Speaker 7: gotten the most.
• 52:09
  Speaker 1: I'm very interested.
• 52:10
  Speaker 3: I'm excited to rewatch it. I haven't watched season nine
• 52:13
  Speaker 3: in a long time.
• 52:14
  Speaker 1: I've never watched it. I remember that. I remember the
• 52:18
  Speaker 1: big security guarden.
• 52:20
  Speaker 2: He was away like the metal of high life guy
• 52:23
  Speaker 2: as some shit.
• 52:24
  Speaker 1: He was a replacement for the janitor in sort of
• 52:27
  Speaker 1: like a you know, and he had his partner. Yeah,
• 52:30
  Speaker 1: I don't remember much of it at all.
• 52:32
  Speaker 2: Was the partner was actually a writer on the staff.
• 52:36
  Speaker 2: The guy who played his partner.
• 52:38
  Speaker 1: And I remember Carrie Basha. Of course, I remember all
• 52:42
  Speaker 1: the all the young folk, but any it'll be interesting
• 52:44
  Speaker 1: to watch, of course. I love you guys, love you,
• 52:49
  Speaker 1: you know.
• 52:49
  Speaker 2: I I'm very fond of you. Guys.
• 52:52
  Speaker 1: Oh you're just fond of us, or you love us.
• 52:54
  Speaker 2: I'm just bullshit and I love you guys. It's just
• 52:56
  Speaker 2: a line from the show that I'm on Extended Family,
• 52:58
  Speaker 2: which comes, Oh my god. Uh and Tuesday Nights, Yeah,
• 53:03
  Speaker 2: Tuesday Nights eight thirty. Yeah, all the plugs in today, guys.
• 53:07
  Speaker 2: I'm so proud of it.
• 53:08
  Speaker 1: All right, guys, thank you, audience. Until next time. Donald
• 53:12
  Speaker 1: count us out.
• 53:13
  Speaker 6: By six seven eight stories about show we made about
• 53:19
  Speaker 6: a bunch of talks and nurses in Canada. I said,
• 53:23
  Speaker 6: here's the stories next all s no so YadA round
• 53:29
  Speaker 6: you here, up yeada around you here, ups for me.
• 53:34
  Speaker 2: Watch show Wednesday, No