Latest / Movie Meltdown / 154: Hot Damn, it's a Black Christmas

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154: Hot Damn, it's a Black Christmas · Movie Meltdown

• 0:01
  Speaker 1: Why can't I stop eating candy? I have a candy problem.
• 0:06
  Speaker 2: Because it's candy?
• 0:08
  Speaker 3: I have a candy problem.
• 0:10
  Speaker 2: The following program is a special presentation.
• 0:16
  Speaker 4: The following program is a proud member of the Palover
• 0:18
  Speaker 4: family of podcasts.
• 0:20
  Speaker 2: Check out all the shows over at palover.com. That's P-A-L-A-V-R
• 0:24
  Speaker 2: dot com. Merry Christmas!
• 0:27
  Speaker 5: Dinner was full!
• 0:29
  Speaker 6: The following feature has been rated R by the Motion
• 0:32
  Speaker 6: Picture Association of America. It is intended for mature audiences
• 0:37
  Speaker 6: and parental discretion is advised.
• 0:39
  Speaker 1: Our nuclear reactor pumping out one million kilowatts of power.
• 1:00
  Speaker 7: You use up all the glue on purpose! We're having
• 1:27
  Speaker 7: a party, a soul Christmas party. We've got good music,
• 1:32
  Speaker 7: soul-popping music. There is no Christmas like a soul Christmas, no, no, no.
• 1:55
  Speaker 7: We're shing-a-lingin' Soul dancin' three All round the Christmas tree
• 2:03
  Speaker 7: There is no Christmas Like us old Christmas, no, no, no.
• 2:07
  Speaker 8: You know Santa Claus, yeah, yeah, yeah Got.
• 2:10
  Speaker 2: To have a soul, na, na, yeah.
• 2:31
  Speaker 7: There is no Christmas like a soul Christmas, no, no.
• 2:39
  Speaker 3: Happy Holidays and welcome to Moving Out Down.
• 2:41
  Speaker 2: Once again, I am Brian.
• 2:43
  Speaker 1: I'm Marlena.
• 2:45
  Speaker 2: I'm Jay.
• 2:46
  Speaker 9: A little slow.
• 2:48
  Speaker 8: I am Mr.
• 2:48
  Speaker 9: Ford.
• 2:50
  Speaker 2: I'm Greg.
• 2:52
  Speaker 3: We are back once again to continue our holiday festivities.
• 2:56
  Speaker 2: The holiday... Marathon, marathon.
• 2:58
  Speaker 10: The 10-hour podcast.
• 3:00
  Speaker 3: Holiday special, in quotes, as usual.
• 3:02
  Speaker 9: I'll be recording this until Christmas.
• 3:05
  Speaker 3: That's the plan. Gotta wait till Santa gets here. So, um, yeah.
• 3:11
  Speaker 3: I guess we didn't officially rename it that, but if
• 3:13
  Speaker 3: you want, we can still play the theme from last
• 3:16
  Speaker 3: year for you, Greg. Your favorite part.
• 3:24
  Speaker 2: Your favorite part. Yeah, kind of.
• 3:28
  Speaker 3: All right, so we're back, and this time we have
• 3:30
  Speaker 3: busted out the hot chocolate. We're going full on, but
• 3:34
  Speaker 3: as usual, we have to have other special activities and additives.
• 3:38
  Speaker 2: You have to have more sugar than you can handle more.
• 3:40
  Speaker 9: It's getting late. I'm going to need it.
• 3:42
  Speaker 1: I already really feel like I'm going to puke. But
• 3:44
  Speaker 1: I just, I'm already like.
• 3:46
  Speaker 2: So you've had pizza, jerky, candy.
• 3:49
  Speaker 11: Soda.
• 3:50
  Speaker 2: Hot soda. Soda.
• 3:52
  Speaker 3: Here was the really special one to go with the
• 3:54
  Speaker 3: hot cocoa. I was going to just get marshmallows. And
• 3:57
  Speaker 3: then I found these. They're cocoa goldfish that swim in
• 4:01
  Speaker 3: your hot chocolate. And they come with marshmallows.
• 4:04
  Speaker 2: Holy crap.
• 4:05
  Speaker 1: Wow.
• 4:06
  Speaker 9: I'm not sure how I.
• 4:07
  Speaker 2: Feel about this.
• 4:08
  Speaker 3: They're chocolate graham crackers, marshmallow flavored fishes.
• 4:12
  Speaker 2: Do they melt?
• 4:14
  Speaker 10: Who cares?
• 4:14
  Speaker 3: They're fishes swimming in your hot chocolate.
• 4:17
  Speaker 9: I'm disturbed.
• 4:18
  Speaker 2: It's the best idea ever.
• 4:19
  Speaker 3: Come on.
• 4:20
  Speaker 9: I'm not sure yet. We'll have to let you do it.
• 4:22
  Speaker 1: I'll do anything once.
• 4:31
  Speaker 9: My ghost marshmallow is almost completely melted, so I'm almost.
• 4:33
  Speaker 3: Yeah, you've got ghost marshmallows.
• 4:34
  Speaker 9: I've got leftover Halloween spooktacular marshmallows.
• 4:38
  Speaker 2: You can listen to the package opening on the podcast.
• 4:40
  Speaker 3: There's fish swimming in my hot chocolate.
• 4:43
  Speaker 11: I leave.
• 4:44
  Speaker 3: I'm a little too amused by that.
• 4:45
  Speaker 2: On the way home, though. Well, no, it doesn't matter.
• 4:49
  Speaker 2: It seems like either way, it gets you.
• 4:51
  Speaker 9: It took me an hour and a half the other
• 4:53
  Speaker 9: day to get home.
• 4:55
  Speaker 6: Oh, no.
• 4:56
  Speaker 3: That one's diving.
• 4:57
  Speaker 2: The day that four people wrecked... That was funny.
• 4:59
  Speaker 6: Skye!
• 5:00
  Speaker 10: You don't.
• 5:05
  Speaker 2: Want them?
• 5:06
  Speaker 10: Oh, look at that.
• 5:07
  Speaker 2: They're swimming.
• 5:08
  Speaker 9: That's what I'm saying.
• 5:09
  Speaker 2: You can't go wrong with swimming fishes in your shop.
• 5:12
  Speaker 2: Swimming with the fishes. So do they have like a
• 5:16
  Speaker 2: layer of something keeping out the extra layer of sugar?
• 5:21
  Speaker 2: I'm sure there's plenty of sugar.
• 5:22
  Speaker 3: Don't you worry.
• 5:23
  Speaker 10: Oh no, they're soggy.
• 5:25
  Speaker 3: Yeah, they're supposed to.
• 5:26
  Speaker 2: So they're just going to turn into mush.
• 5:28
  Speaker 3: Yeah.
• 5:28
  Speaker 2: Here's some marshmallows.
• 5:30
  Speaker 3: You're still not finding them.
• 5:33
  Speaker 2: I have like eight cookies and no marshmallows. Oh, I
• 5:36
  Speaker 2: got them all.
• 5:36
  Speaker 3: Wow, they're like.
• 5:39
  Speaker 9: You can even like, they're like, they're like, really? Mm-hmm.
• 5:43
  Speaker 2: Okay, I'm giving up. Whoa. It's fine then.
• 5:45
  Speaker 5: I think Marlena got all the marshmallows.
• 5:49
  Speaker 1: It totally just disappears.
• 5:52
  Speaker 2: Mushy man graham crackers.
• 5:53
  Speaker 1: I'll check it.
• 5:55
  Speaker 9: They do, they melt in your mouth.
• 5:57
  Speaker 2: We'll balance it out with cookies. Of course, they have
• 5:59
  Speaker 2: to be Christmas themed.
• 6:02
  Speaker 3: Peppermint cookies.
• 6:03
  Speaker 1: What?
• 6:03
  Speaker 12: Peppermint.
• 6:04
  Speaker 13: Fuck.
• 6:05
  Speaker 9: Oh, yeah.
• 6:06
  Speaker 1: Oh, wow.
• 6:06
  Speaker 2: Pepperidge.
• 6:07
  Speaker 11: Oh, never mind.
• 6:08
  Speaker 2: Some sort of farm that makes cookies. Cookie farm. Cookie farm.
• 6:13
  Speaker 2: Cookie farm. It comes in the special bag.
• 6:16
  Speaker 3: We're not plugging anything, are we?
• 6:17
  Speaker 2: What are you talking about?
• 6:19
  Speaker 10: We have two cookies because Zach and I.
• 6:23
  Speaker 9: Cookie?
• 6:24
  Speaker 1: Yep.
• 6:25
  Speaker 9: Yeah, cookies.
• 6:27
  Speaker 2: Cookies that come with their own coffee filters.
• 6:30
  Speaker 9: I'm in for you. You get the leftover.
• 6:32
  Speaker 2: No, I'm going to put that in my coffee. There
• 6:35
  Speaker 2: you go. Man, fuck it. There's no way to describe
• 6:37
  Speaker 2: these without plugging them.
• 6:39
  Speaker 3: Special holiday peppermint Oreo.
• 6:42
  Speaker 9: Yeah, we are going to eat those.
• 6:44
  Speaker 2: I'm going to bark.
• 6:45
  Speaker 1: I feel like I'm going to puke for the last
• 6:47
  Speaker 1: several days.
• 6:48
  Speaker 2: Well, you came to the right place. Then you just
• 6:52
  Speaker 2: go ahead and puke.
• 6:53
  Speaker 1: I know.
• 6:54
  Speaker 14: No, not anymore.
• 6:55
  Speaker 10: We need to clean the floor, too.
• 6:56
  Speaker 9: Yeah, we used the Swiffer. The bathroom floor is so clean, too.
• 7:00
  Speaker 2: All right, I'm taking a seat. I'm going to the floor.
• 7:02
  Speaker 1: Cookie party.
• 7:04
  Speaker 9: I'm not entirely sure how I feel, but I love Oreos,
• 7:06
  Speaker 9: but these are just... I like Oreos.
• 7:08
  Speaker 1: I did persimmon cookies the other day.
• 7:10
  Speaker 15: They were really good.
• 7:11
  Speaker 2: Are these double-stuffed quantity cream? I don't think so.
• 7:14
  Speaker 16: I don't know.
• 7:15
  Speaker 9: They seem like it.
• 7:15
  Speaker 3: Well, they made the holiday-colored version, but they were still normal.
• 7:19
  Speaker 3: But I was like, eh.
• 7:20
  Speaker 9: They were still thick, though. Yeah.
• 7:22
  Speaker 3: But I was like, if we're going to get them,
• 7:24
  Speaker 3: because these are less. You've got to pay more for
• 7:26
  Speaker 3: this high-end, super-deluxe version. But I was like, if we're
• 7:29
  Speaker 3: going to get them for the special holiday festivities, we're
• 7:32
  Speaker 3: going to get the limited edition, they-only-make-these-at-Christmas kind of thing.
• 7:37
  Speaker 3: It's our usual specialty candy thing.
• 7:40
  Speaker 2: I've had as much sweets tonight as I had pork
• 7:43
  Speaker 2: at the Oscar party. That's how we roll. That's just
• 7:47
  Speaker 2: kind of how we operate.
• 7:49
  Speaker 9: Everything to excess.
• 7:51
  Speaker 2: Next year I'm bringing Braunschweiger to the party.
• 7:55
  Speaker 3: So are we ready to roll in the geek weeks?
• 7:59
  Speaker 3: Do you want to arm wrestle over who goes first?
• 8:02
  Speaker 3: We're continuing on, so... Marlena, are you ready for your
• 8:06
  Speaker 3: fun-filled Marlena moment?
• 8:08
  Speaker 1: My Marlena moment?
• 8:10
  Speaker 3: Is this a special holiday edition? Is it not holiday themed?
• 8:13
  Speaker 3: We can do it regular style.
• 8:17
  Speaker 1: It is really funny, though. It might not be funny.
• 8:20
  Speaker 3: It's funny the way your stories are funny.
• 8:22
  Speaker 1: I mean, it was really funny when I was telling
• 8:24
  Speaker 1: Bobby about it the other day, but I don't know
• 8:26
  Speaker 1: how funny it is now. It was like a week
• 8:27
  Speaker 1: ago now.
• 8:28
  Speaker 3: Alright, well, I'll introduce it either way. And now it's
• 8:31
  Speaker 3: time for a Marlena moment.
• 8:34
  Speaker 1: The other day I was walking my dogs and my
• 8:37
  Speaker 1: drunk gay neighbor stumbled upon me and he loves my
• 8:42
  Speaker 1: dogs and he loves me and he's like, oh my
• 8:44
  Speaker 1: god Marlena, I would love to walk your dogs with you.
• 8:49
  Speaker 1: Let me walk your dogs with you. And I was like, okay.
• 8:53
  Speaker 1: So we were walking around the block and my dogs
• 8:55
  Speaker 1: love him. They like take off and go towards him
• 8:58
  Speaker 1: when they see him in the yard. So of course
• 9:00
  Speaker 1: like It's opposite of productive if I'm just taking my
• 9:03
  Speaker 1: dog out to poop. She's not going to poop because she's, like,
• 9:07
  Speaker 1: so excited. So that's what happened. So we're walking through
• 9:11
  Speaker 1: the alley, and she sees, like, a cat turd or something.
• 9:16
  Speaker 1: She loves to eat cat poop. She's sophisticated. She's gross.
• 9:20
  Speaker 1: I have two dogs. One dog loves to eat poop.
• 9:23
  Speaker 1: The other one will eat poop if it's there, but,
• 9:27
  Speaker 1: you know, he's not as into it.
• 9:28
  Speaker 2: Has a little more sense.
• 9:29
  Speaker 1: He's not as ambitious.
• 9:31
  Speaker 9: At least she has a sense to be afraid of me.
• 9:33
  Speaker 12: Yeah.
• 9:34
  Speaker 1: So, we're walking through the alley, and Gogo finds, like,
• 9:37
  Speaker 1: this gigantic cat or dog or human turned. I don't know.
• 9:41
  Speaker 2: It was dark.
• 9:42
  Speaker 3: You were in Jeffersonville. Yeah, you were in Jeffersonville.
• 9:44
  Speaker 15: Yeah.
• 9:44
  Speaker 1: Could have been the hot damn hobo's poop.
• 9:48
  Speaker 3: That sounds like a different story.
• 9:50
  Speaker 2: A hobo that likes hot damn.
• 9:55
  Speaker 1: Yeah, there's hot damn bottles all over. the alley behind
• 10:00
  Speaker 1: that house every day. I'm like, this has been going
• 10:04
  Speaker 1: on for four years.
• 10:05
  Speaker 2: You're hot damn.
• 10:08
  Speaker 1: Hot damn.
• 10:09
  Speaker 3: It's Marlena's house.
• 10:10
  Speaker 7: Yes.
• 10:14
  Speaker 2: I would love for a hobo to just slam down
• 10:16
  Speaker 2: the bottle out there, finish, and.
• 10:17
  Speaker 10: Go, hot damn!
• 10:18
  Speaker 1: I would love to see that. Actually, I want to
• 10:22
  Speaker 1: fucking know who's drinking all this hot damn. I want
• 10:24
  Speaker 1: to know who's drinking at least two bottles of hot
• 10:27
  Speaker 1: damn every night for at least four years and not
• 10:30
  Speaker 1: fucking died.
• 10:31
  Speaker 3: Basically, based on this week, it's Margot Kidder.
• 10:35
  Speaker 9: It's not the Jeffersonville Sasquatch.
• 10:37
  Speaker 1: Margot Kidder living in my alley? Maybe.
• 10:41
  Speaker 3: I just saw her a few weeks ago.
• 10:42
  Speaker 9: Maybe you can get an interview with her. Give her
• 10:46
  Speaker 9: some hot damn.
• 10:47
  Speaker 3: Hot damn.
• 10:48
  Speaker 11: Let's talk about Superman.
• 10:53
  Speaker 1: Anyway. So, Gogo stumbles upon this turd and she puts
• 11:00
  Speaker 1: it in her mouth and I didn't realize what she
• 11:03
  Speaker 1: had at first. I'm like, What do you have? And
• 11:06
  Speaker 1: Michael was like, oh, my God, go, go. Get that
• 11:09
  Speaker 1: out of your mouth. And tries to grab it out
• 11:11
  Speaker 1: of her mouth. And it's just like this turn. So
• 11:15
  Speaker 1: he gets it all over his hands.
• 11:17
  Speaker 3: This sounds like a scene from a John Waters movie.
• 11:20
  Speaker 1: It does. It gets so much better. It gets so
• 11:24
  Speaker 1: much better. He's really drunk, as usual.
• 11:28
  Speaker 2: Has he been the one drinking the hot day?
• 11:30
  Speaker 1: Maybe, but he's more of a peach schnapps man.
• 11:33
  Speaker 3: I don't know.
• 11:33
  Speaker 9: Maybe it's all our rules.
• 11:35
  Speaker 1: I don't know.
• 11:37
  Speaker 3: Hot damn, I like peach house.
• 11:38
  Speaker 2: Maybe it was his turn. Maybe.
• 11:42
  Speaker 1: Maybe.
• 11:43
  Speaker 3: That would be like going to the house.
• 11:45
  Speaker 9: You're making me laugh so hard.
• 11:47
  Speaker 10: I can't breathe.
• 11:48
  Speaker 9: I got to shit. I'm drinking my hot chocolate if you.
• 11:51
  Speaker 3: Make me laugh.
• 11:52
  Speaker 9: I love it.
• 11:53
  Speaker 1: So, yeah, he gets poop all over his hand, and
• 11:56
  Speaker 1: then he's like, oh, you know, he's really drunk. Ten
• 12:00
  Speaker 1: seconds later, he forgets he has poop all over his hand.
• 12:04
  Speaker 1: He keeps trying to high-five me, which is so inconvenient.
• 12:10
  Speaker 1: He's like, because he's moving from the apartment that's behind
• 12:15
  Speaker 1: mine to the apartment directly above.
• 12:17
  Speaker 3: That's all you guys do is shift apartments. You've been
• 12:21
  Speaker 3: in tune, he's been in tune.
• 12:23
  Speaker 1: Yeah, yeah. And he was talking about redoing the garden.
• 12:28
  Speaker 1: He's moved his garden. And, you know, he just keeps
• 12:32
  Speaker 1: trying to high-five me, and he keeps scratching his nose
• 12:35
  Speaker 1: and his face. And I'm just like, ugh.
• 12:42
  Speaker 9: Could you at least at some point say, dude?
• 12:43
  Speaker 1: No, I couldn't do it.
• 12:45
  Speaker 9: I couldn't do it.
• 12:47
  Speaker 1: It would have just been more awkward.
• 12:48
  Speaker 3: God damn, you got shit on your face.
• 12:54
  Speaker 9: I would like to think that you would, like, call
• 12:55
  Speaker 9: me if that ever happened.
• 12:57
  Speaker 1: You would understand if you knew Michael.
• 12:59
  Speaker 9: If he deserved to have shit on his face.
• 13:02
  Speaker 8: No, no, no.
• 13:02
  Speaker 1: He doesn't deserve to have shit on his face. There's
• 13:04
  Speaker 1: just no stopping him. He's like a.
• 13:06
  Speaker 3: A shitstorm.
• 13:07
  Speaker 1: That doesn't even begin to describe it.
• 13:11
  Speaker 3: A force of nature.
• 13:12
  Speaker 13: He's a.
• 13:13
  Speaker 1: I mean, after, like, I don't know how many drinks
• 13:15
  Speaker 1: it takes, but after 5 o'clock, Like, you see him
• 13:19
  Speaker 1: come and you have to hide.
• 13:20
  Speaker 12: I mean.
• 13:20
  Speaker 1: That's gross. He'll try to rape your boyfriend.
• 13:23
  Speaker 2: Wow.
• 13:24
  Speaker 9: You have shit in your hot tub like this.
• 13:26
  Speaker 3: I know.
• 13:27
  Speaker 2: Mine's like a layer. I think Michael washed his hands
• 13:30
  Speaker 2: and like cut it.
• 13:33
  Speaker 1: God, it was so awkward. I didn't know what to do.
• 13:36
  Speaker 1: I didn't know what to tell him. Because I knew
• 13:38
  Speaker 1: even if I told him, he would have forgotten 10
• 13:40
  Speaker 1: seconds after.
• 13:41
  Speaker 3: It would have just.
• 13:42
  Speaker 1: It would have been like I would have had to
• 13:43
  Speaker 1: tattoo it on his hand.
• 13:45
  Speaker 9: You wouldn't see him do the shit.
• 13:48
  Speaker 1: That's true.
• 13:49
  Speaker 2: You guys want some more of these chocolatey cookies?
• 13:52
  Speaker 3: No.
• 13:52
  Speaker 2: I'm never putting that in, like, cocoa again. Damn it.
• 13:57
  Speaker 3: Yeah.
• 13:58
  Speaker 2: Goldfish, you suck.
• 14:00
  Speaker 11: Yeah.
• 14:00
  Speaker 2: I got no marshmallows.
• 14:02
  Speaker 9: I offered you a ghost marshmallow.
• 14:04
  Speaker 2: Chocolate pudding at the bottom.
• 14:05
  Speaker 17: Yeah, really.
• 14:06
  Speaker 10: It turned into chocolate mush.
• 14:08
  Speaker 3: That's the bonus.
• 14:10
  Speaker 10: Well, they, like, hid.
• 14:11
  Speaker 5: They hid at the bottom of my chocolate mug until
• 14:14
  Speaker 5: I got down.
• 14:15
  Speaker 10: I was like, I thought I got them all.
• 14:16
  Speaker 5: Well, yeah, I thought I got them all, and I
• 14:18
  Speaker 5: got down, and then they were down at the bottom
• 14:20
  Speaker 5: waiting for me.
• 14:20
  Speaker 2: The murky depths.
• 14:21
  Speaker 3: They're sneaky fishes.
• 14:22
  Speaker 10: That's why I only put one fish in there. They
• 14:24
  Speaker 10: jumped my taste buds.
• 14:25
  Speaker 2: Right.
• 14:26
  Speaker 9: Only one fish for me. And I ate it right off.
• 14:30
  Speaker 1: I'm sure I have about ten more Marlena moments, but
• 14:32
  Speaker 1: that's the funniest one I can think of.
• 14:35
  Speaker 9: Holiday related?
• 14:37
  Speaker 2: She'll say no within five minutes from now.
• 14:41
  Speaker 8: I know.
• 14:41
  Speaker 1: I gotta carry a fucking notepad with me.
• 14:44
  Speaker 10: You should.
• 14:45
  Speaker 2: Don't you have an iPhone?
• 14:48
  Speaker 10: It doesn't have a notepad on it. It doesn't come
• 14:51
  Speaker 10: with a recorder built into it.
• 14:52
  Speaker 1: It does have a notepad, but... I don't have a pencil.
• 14:55
  Speaker 1: That's true.
• 14:56
  Speaker 10: I don't have that.
• 14:56
  Speaker 3: You're just talking to her.
• 14:58
  Speaker 11: Yeah.
• 14:59
  Speaker 1: That's true.
• 15:01
  Speaker 9: Okay.
• 15:01
  Speaker 3: That's it for you?
• 15:02
  Speaker 9: I think so.
• 15:03
  Speaker 3: Until something springs to your mind.
• 15:04
  Speaker 1: Until something else really funny I remember.
• 15:07
  Speaker 9: Great.
• 15:08
  Speaker 2: Oh, that's for me.
• 15:09
  Speaker 11: I guess.
• 15:10
  Speaker 3: I don't know.
• 15:11
  Speaker 11: Okay.
• 15:12
  Speaker 3: Well, whichever you want to do next.
• 15:15
  Speaker 1: Do you want to go and then I'll go?
• 15:16
  Speaker 3: Alternate out again.
• 15:17
  Speaker 2: Sure. Give people something to look forward to.
• 15:19
  Speaker 9: Give them time to think something else crazy.
• 15:21
  Speaker 8: Right.
• 15:22
  Speaker 2: So I actually have to talk about movies now. Or not.
• 15:25
  Speaker 2: Or poop. I don't have any good poop stories. Other
• 15:29
  Speaker 2: than the new neighbors that moved in. Their five-year-old slipped
• 15:33
  Speaker 2: and dog pooped in our backyard. It was hilarious. Playing
• 15:37
  Speaker 2: on the swing set with our kids.
• 15:39
  Speaker 3: Where you put all the landmines up. Right.
• 15:42
  Speaker 2: But they have dogs, so I'm not too worried about it.
• 15:46
  Speaker 2: Let's see. I watched movies. Not anything great, but.
• 15:54
  Speaker 2: I watched Jackass 3.
• 15:57
  Speaker 9: On purpose?
• 15:58
  Speaker 7: 3D?
• 15:58
  Speaker 14: Yeah.
• 15:59
  Speaker 3: But not so deep?
• 16:00
  Speaker 12: Right.
• 16:00
  Speaker 2: I honestly got about halfway through and I said, why
• 16:03
  Speaker 2: did I even start it?
• 16:05
  Speaker 11: You know.
• 16:06
  Speaker 1: My boyfriend said he saw that in a theater for
• 16:08
  Speaker 1: some strange reason. He said it was the best 3D
• 16:10
  Speaker 1: movie he's ever seen.
• 16:11
  Speaker 2: That's what I've heard, actually. I didn't have 3D.
• 16:15
  Speaker 3: I've heard the 3D technology they used was pretty impressive.
• 16:18
  Speaker 10: It's on my hard drive, and then Misty was like,
• 16:21
  Speaker 10: why is this on your hard drive?
• 16:22
  Speaker 11: And I was like, I don't know.
• 16:23
  Speaker 10: I might watch it sometime, but I'm not sure why.
• 16:27
  Speaker 2: Well, the best parts about it to me is they've got...
• 16:31
  Speaker 2: access to a really good super slow-mo camera. And so
• 16:36
  Speaker 2: when they hit each other in the face and you
• 16:38
  Speaker 2: see the ripples through their face, their nose move, that's
• 16:43
  Speaker 2: kind of fun. They're getting old, and it's kind of
• 16:48
  Speaker 2: getting a little pitiful, I think. And you can tell
• 16:51
  Speaker 2: that they just don't want to do it anymore. It's
• 16:53
  Speaker 2: just for a paycheck. and they don't really even like
• 16:57
  Speaker 2: each other, I.
• 16:57
  Speaker 3: Think, most of it anymore, so. That's what I heard,
• 17:00
  Speaker 3: and it's almost funny, because something like that, you would
• 17:02
  Speaker 3: think there's nothing to it except them being stupid, but
• 17:05
  Speaker 3: they were like, if you watch the trilogy of Jackass,
• 17:08
  Speaker 3: you really do see the arc of them, you know,
• 17:11
  Speaker 3: in the beginning, being young, stupid kids, and wanting to
• 17:13
  Speaker 3: do whatever the hell they wanted, and now they're old men,
• 17:15
  Speaker 3: and they're just like, oh, I broke 17 things off this,
• 17:18
  Speaker 3: and my back hurts, and I don't really even like
• 17:20
  Speaker 3: you motherfuckers, and There is almost like a story arc, too,
• 17:23
  Speaker 3: as you watch all three of them.
• 17:25
  Speaker 2: Like, Steve-O is sober, and he hates it. You can
• 17:29
  Speaker 2: tell he hates every second of it. He's disgusted by
• 17:33
  Speaker 2: what they're doing. He's afraid of pain. He just doesn't
• 17:35
  Speaker 2: want to be there. It's, you know.
• 17:38
  Speaker 10: Well, yeah, being sober makes you afraid of pain.
• 17:40
  Speaker 3: Yeah, that's why they made him do all the stupid
• 17:42
  Speaker 3: stuff in the beginning.
• 17:43
  Speaker 2: He didn't know what was going on. Sure, okay, good. So,
• 17:48
  Speaker 2: you know... Beavis and Butthead were in the beginning of it.
• 17:51
  Speaker 2: That was pretty funny.
• 17:53
  Speaker 9: Is it funnier than what the show has become?
• 17:56
  Speaker 2: See, I don't have MTV, so I don't know.
• 17:57
  Speaker 3: Oh, you're not missing much.
• 17:58
  Speaker 9: Yeah, it's ridiculous.
• 18:00
  Speaker 2: The reboot's horrible. Butthead convinces Beavis that his fist is
• 18:05
  Speaker 2: in 3D. It's not a real fist, and he keeps
• 18:08
  Speaker 2: punching him with it. That's probably the funniest part of
• 18:10
  Speaker 2: the movie to me.
• 18:12
  Speaker 3: That says a lot.
• 18:14
  Speaker 2: Yeah, so I kind of questioned why I watched it.
• 18:17
  Speaker 2: Other than if you want to see it, you know,
• 18:20
  Speaker 2: falling apart, I think that's what it looks like to me.
• 18:23
  Speaker 2: It's kind of like the Swan Song film.
• 18:26
  Speaker 3: Yeah. I mean, it made a decent amount of money,
• 18:29
  Speaker 3: so they might be able to afford to do a
• 18:30
  Speaker 3: fourth one, but I don't know if they get convinced.
• 18:33
  Speaker 11: Right.
• 18:33
  Speaker 3: I guess enough money will make them come back, but
• 18:36
  Speaker 3: they're going to kill somebody. That will be like the
• 18:37
  Speaker 3: ultimate way to really the grand finale.
• 18:40
  Speaker 1: Four.
• 18:42
  Speaker 7: What?
• 18:43
  Speaker 9: You drink too many damn soft drinks.
• 18:45
  Speaker 10: Yeah.
• 18:46
  Speaker 6: What?
• 18:46
  Speaker 10: I don't care. I drink hardly zero. I drink zero
• 18:50
  Speaker 10: soft drinks.
• 18:51
  Speaker 11: Okay.
• 18:52
  Speaker 2: My grandma won here.
• 18:53
  Speaker 3: I can do what I want.
• 18:55
  Speaker 11: All right.
• 18:56
  Speaker 10: I rarely ever drink soft drinks.
• 18:58
  Speaker 1: Okay.
• 18:59
  Speaker 9: You're going to make up.
• 19:00
  Speaker 10: For it all in one night.
• 19:01
  Speaker 3: It's party.
• 19:02
  Speaker 2: It's the holiday party.
• 19:03
  Speaker 10: Would you rather me have like.
• 19:05
  Speaker 9: Four old Milwaukee's?
• 19:05
  Speaker 2: No, I guess I don't want to hear you complain
• 19:06
  Speaker 2: about it tomorrow.
• 19:07
  Speaker 9: Oh, I shouldn't drink a little soft drink.
• 19:09
  Speaker 2: I'll be okay. I don't want to hear you.
• 19:11
  Speaker 9: Complain about it.
• 19:11
  Speaker 3: I don't want to hear anything.
• 19:13
  Speaker 14: All right.
• 19:14
  Speaker 3: But, yeah, that will be the grand finale is when they, like,
• 19:16
  Speaker 3: end up killing Steve-O or Johnny finally, like, loses.
• 19:19
  Speaker 2: An arm or something. And Ryan Dunn's already dead, so.
• 19:23
  Speaker 11: Yeah.
• 19:23
  Speaker 1: Who's dead?
• 19:25
  Speaker 2: Ryan Dunn with his beard.
• 19:27
  Speaker 6: Oh, yeah.
• 19:27
  Speaker 11: Yeah.
• 19:28
  Speaker 2: He car crashed, I think.
• 19:30
  Speaker 1: Yeah.
• 19:30
  Speaker 7: No.
• 19:31
  Speaker 9: It was a jacket. No, he was drunk and not driving.
• 19:34
  Speaker 9: He didn't fail. I can't feel sorry for him.
• 19:38
  Speaker 11: I'm sorry.
• 19:39
  Speaker 7: Yeah.
• 19:40
  Speaker 9: I'm not sorry. I can't feel sorry. I apologize for
• 19:43
  Speaker 9: my life.
• 19:43
  Speaker 2: I'm sorry.
• 19:44
  Speaker 3: Don't be a drunk is the moral of that story.
• 19:46
  Speaker 9: I can't feel sorry for anybody that drinks and goes
• 19:49
  Speaker 9: out and gets themselves killed.
• 19:53
  Speaker 2: I watched Limitless.
• 19:55
  Speaker 3: I saw it on there.
• 19:56
  Speaker 2: I just haven't One and two. I've heard a lot
• 19:59
  Speaker 2: of people, because when I first saw the previews, I thought,
• 20:01
  Speaker 2: this is going to be horrible.
• 20:02
  Speaker 9: Yeah.
• 20:03
  Speaker 2: And I heard a lot of people say that it
• 20:04
  Speaker 2: was a lot better than they thought. That's what I've heard,
• 20:06
  Speaker 2: but I still couldn't make myself do it. Yeah, he
• 20:09
  Speaker 2: annoys the crap out of me, Bradley Cooper.
• 20:10
  Speaker 10: Yeah.
• 20:11
  Speaker 9: Oh, yeah.
• 20:12
  Speaker 2: And the beginning of it was good. You know, it's about,
• 20:17
  Speaker 2: he takes a drug and it makes him, you know,
• 20:21
  Speaker 2: 20 times smarter than, you know, he uses the full
• 20:24
  Speaker 2: potential of his brain.
• 20:25
  Speaker 1: Yeah.
• 20:26
  Speaker 2: And can learn any language, can trade stocks. Whatever he
• 20:30
  Speaker 2: wants to do, he can learn how to do. It's
• 20:35
  Speaker 2: almost like a superhero movie there at the beginning. It
• 20:38
  Speaker 2: has him off the drug and him on the drug.
• 20:43
  Speaker 2: Then it turns into your thriller-type movie of who's got
• 20:48
  Speaker 2: control and who's really.
• 20:49
  Speaker 10: The bad guy.
• 20:50
  Speaker 2: Is there a conspiracy?
• 20:52
  Speaker 3: Is there a grand conspiracy? corporation that's running everything.
• 20:57
  Speaker 9: With Umbrella doing it. Right.
• 21:00
  Speaker 3: It's the government slash the corporation.
• 21:01
  Speaker 2: And it does that stuff. And then it has this big,
• 21:05
  Speaker 2: you know, it's got kind of a, you know, you
• 21:09
  Speaker 2: feel it coming. It's going to have a twist. It's
• 21:11
  Speaker 2: going to have the cold reveal, or the, you know,
• 21:15
  Speaker 2: the big reveal of what, and instead of actually coming
• 21:19
  Speaker 2: out and saying what it is, it jumps to a
• 21:23
  Speaker 2: year in the future.
• 21:24
  Speaker 1: Yeah.
• 21:25
  Speaker 2: And then kind of through the conversation lets you soft
• 21:30
  Speaker 2: your way and to learn your way into what the
• 21:32
  Speaker 2: twist is. And it just kind of falls flat, I thought. Visually,
• 21:38
  Speaker 2: there was some neat stuff, like when they're transforming from,
• 21:41
  Speaker 2: I guess, showing what maybe the feel of him going
• 21:47
  Speaker 2: into this drug state is. But it just.
• 21:52
  Speaker 2: It was a lot weaker than I thought it was
• 21:53
  Speaker 2: going to be. Robert De Niro's in it. It didn't matter.
• 21:59
  Speaker 3: He'll kind of show up for anything if you throw
• 22:01
  Speaker 3: a check. And no offense to him, I would too.
• 22:03
  Speaker 3: I mean, they're giving him probably a huge check to
• 22:06
  Speaker 3: do these little half-assed parts that all he has to
• 22:08
  Speaker 3: do is show up for a couple days and learn
• 22:10
  Speaker 3: some lines. And, I mean, he's in New Year's Eve
• 22:12
  Speaker 3: for fuck's sakes.
• 22:14
  Speaker 2: Everybody is. Yeah, I saw it.
• 22:16
  Speaker 3: But, I mean, everybody else, I'm just like, yeah, yeah, yeah.
• 22:18
  Speaker 3: I mean, all of it was like a checklist. Like,
• 22:20
  Speaker 3: I had no surprise on anything. And got to that one,
• 22:22
  Speaker 3: I was just like, oh, God. It was like they
• 22:24
  Speaker 3: wrote a good-sized check for that. So more power to him.
• 22:28
  Speaker 3: Cash in while you can. Check.
• 22:30
  Speaker 6: I don't understand.
• 22:31
  Speaker 1: Valentine's Day was so horrible.
• 22:33
  Speaker 2: That's why they made another one.
• 22:35
  Speaker 3: Because it made money.
• 22:36
  Speaker 9: I guess.
• 22:38
  Speaker 3: That's all it takes. Stupid or not, as long as
• 22:41
  Speaker 3: you make money.
• 22:42
  Speaker 2: But, yeah, it's not worth watching. I mean, I watched
• 22:46
  Speaker 2: it for free. It's not worth it. So I don't
• 22:50
  Speaker 2: think I watched anything else.
• 22:52
  Speaker 3: My wife is now.
• 22:53
  Speaker 2: We started watching Breaking Bad. I think I might have
• 22:56
  Speaker 2: mentioned that last time. We started watching that, and about
• 23:00
  Speaker 2: a week ago, we were sitting there, we were watching
• 23:03
  Speaker 2: a movie, and she goes, let's just start Firefly over again. Oh, yeah.
• 23:07
  Speaker 2: And she is not a sci-fi geek at all, and
• 23:10
  Speaker 2: that show... Because I kept saying, you have to watch it,
• 23:13
  Speaker 2: you have to watch it. Finally, about a year ago, she...
• 23:18
  Speaker 2: We watched the entire thing. Now she wanted to watch
• 23:21
  Speaker 2: it again. Now she's like, well, we could watch Battlestar Galactica.
• 23:26
  Speaker 3: You suckers.
• 23:27
  Speaker 2: She's converted.
• 23:29
  Speaker 10: The old one or the new one?
• 23:31
  Speaker 2: I haven't seen any of the new ones.
• 23:32
  Speaker 3: Everybody likes the new one.
• 23:33
  Speaker 2: I've heard that it's one of the best sci-fi shows.
• 23:36
  Speaker 3: I'm going to be a geek, though.
• 23:37
  Speaker 9: I'm going to be an old school geek. I've heard it's...
• 23:41
  Speaker 9: I'm not saying.
• 23:44
  Speaker 3: They're not both worth watching, but I think Again, I
• 23:47
  Speaker 3: haven't watched it yet, but it's one of those I
• 23:49
  Speaker 3: do kind of want to, just from what I've heard
• 23:51
  Speaker 3: story-wise and character-wise. They really put a lot of time
• 23:54
  Speaker 3: into it.
• 23:55
  Speaker 9: Are you confused?
• 23:57
  Speaker 2: Noah Hathaway was a kid on that?
• 23:58
  Speaker 3: He was bossy.
• 23:59
  Speaker 2: Oh, hell, man.
• 24:00
  Speaker 10: I totally forgot about that.
• 24:02
  Speaker 9: Why am I not surprised?
• 24:03
  Speaker 3: I would have said something to him at the other
• 24:06
  Speaker 3: convention when I was talking to him.
• 24:09
  Speaker 10: I used to watch that show all the.
• 24:10
  Speaker 3: Time when I was a kid.
• 24:12
  Speaker 2: It was just cheesy. Cheesy.
• 24:15
  Speaker 3: It was the only sci-fi we had on TV at
• 24:18
  Speaker 3: the time, really.
• 24:18
  Speaker 12: I'm not expecting grand scale.
• 24:22
  Speaker 10: I loved the Cylons back then.
• 24:25
  Speaker 2: I had the little... The ship?
• 24:28
  Speaker 10: It shot missiles.
• 24:29
  Speaker 2: The wings would open up and each one had a
• 24:31
  Speaker 2: missile under it.
• 24:31
  Speaker 5: I had that and I had the... What was the
• 24:34
  Speaker 5: fighter called? The Viper?
• 24:36
  Speaker 3: What were they called? I just had the little action
• 24:40
  Speaker 3: figure guy. That was awesome, too, because he was shiny.
• 24:42
  Speaker 2: The only thing the Cylon did is it bent in half.
• 24:46
  Speaker 2: Its legs kicked up just so that it could sit
• 24:48
  Speaker 2: in the seat.
• 24:48
  Speaker 5: Well, that was the same thing with the fighter. The
• 24:51
  Speaker 5: fighter guys, the good guys, they were the same thing.
• 24:53
  Speaker 5: Their legs just went like that. You set them in
• 24:55
  Speaker 5: there and it had a rocket.
• 24:56
  Speaker 2: In the front. That shot out the... Yeah.
• 24:58
  Speaker 10: That was back when toys were cool.
• 25:00
  Speaker 2: They shot rockets and shit.
• 25:02
  Speaker 3: You can't do that now. You're getting choked.
• 25:06
  Speaker 2: Choked on it.
• 25:07
  Speaker 12: Died.
• 25:07
  Speaker 3: I'm going to make.
• 25:09
  Speaker 9: A shit up or are you telling the truth?
• 25:10
  Speaker 10: No, that's why they quit.
• 25:11
  Speaker 11: Okay.
• 25:12
  Speaker 10: Producing toys like that. I don't remember if it was a.
• 25:14
  Speaker 2: Maybe.
• 25:16
  Speaker 5: I'm sure somebody knows out there. I heard different things.
• 25:18
  Speaker 5: I heard it was the Boba Fett rocket pack.
• 25:21
  Speaker 3: I don't think that ever got made.
• 25:23
  Speaker 10: I don't think that ever got.
• 25:23
  Speaker 2: Made, yeah.
• 25:24
  Speaker 10: The thing that I think it was was I think
• 25:26
  Speaker 10: it was a.
• 25:28
  Speaker 10: Shogun Warrior, maybe?
• 25:29
  Speaker 2: Probably, because I've got.
• 25:31
  Speaker 11: One of those.
• 25:31
  Speaker 5: Aphrodite A or something like that with the tits missiles?
• 25:35
  Speaker 10: I think one of them shot down a kid's throat.
• 25:38
  Speaker 3: The main leader, Shogun, had the fists that shot the rocket.
• 25:41
  Speaker 9: Never mind.
• 25:41
  Speaker 11: What?
• 25:42
  Speaker 9: Did it shoot into the kid's mouth or wasn't there one?
• 25:45
  Speaker 10: He had his mouth on the nipple.
• 25:47
  Speaker 2: A kid dying from Aphrodite A's tit missile shooting down
• 25:50
  Speaker 2: his throat would be awesome. That kid's a legend now.
• 25:55
  Speaker 2: Of course every kid wanted to do that. That's living.
• 25:59
  Speaker 3: That's the way to go.
• 26:00
  Speaker 2: For that instant he was alive. He was dead. Truly dead.
• 26:06
  Speaker 5: I don't remember exactly what it was but anyways a
• 26:09
  Speaker 5: kid choked on one of the missiles like that which
• 26:12
  Speaker 5: is why they quit producing toys that shot little missiles.
• 26:15
  Speaker 5: because i remember getting the transformers i remember the transformers
• 26:20
  Speaker 5: they still had shooting missiles but they.
• 26:21
  Speaker 2: Were weak yeah they didn't shoot so.
• 26:24
  Speaker 5: What i used to do my dad was my dad
• 26:27
  Speaker 5: always had tons of like uh hardware and shit in
• 26:30
  Speaker 5: the garage i would take them apart and upgrade the
• 26:33
  Speaker 5: springs on them before the fuckers would shoot Because they
• 26:36
  Speaker 5: used to put these little weak-ass.
• 26:37
  Speaker 2: Springs in it.
• 26:38
  Speaker 10: Not mine.
• 26:39
  Speaker 2: Mine would put out.
• 26:40
  Speaker 10: A fucking eye.
• 26:40
  Speaker 9: I'm wondering you're alive.
• 26:43
  Speaker 10: I fixed that shit.
• 26:44
  Speaker 5: I know, with all the fucking shit that I caught
• 26:46
  Speaker 5: on fire and blew up.
• 26:48
  Speaker 9: All the trips to the hospital.
• 26:49
  Speaker 2: All the trips to the hospital.
• 26:50
  Speaker 11: Stitches.
• 26:53
  Speaker 2: All the broken bones.
• 26:56
  Speaker 10: Now they hurt every morning.
• 26:59
  Speaker 3: I get up and I'm like, oh. Why did I
• 27:01
  Speaker 3: do all that shit?
• 27:03
  Speaker 11: Oh, shit.
• 27:06
  Speaker 2: Yeah.
• 27:08
  Speaker 9: A hijacker story.
• 27:09
  Speaker 11: Yeah.
• 27:10
  Speaker 2: Yeah, well, I mean, it was limitless. I don't know where, why.
• 27:13
  Speaker 9: Battlestar Galactica.
• 27:13
  Speaker 2: Battlestar Galactica. Oh, yeah, we'd like to start watching it.
• 27:16
  Speaker 2: I just haven't yet, so.
• 27:17
  Speaker 9: You were talking about how awesome Firefly was, and then
• 27:19
  Speaker 9: you said she liked watching Firefly.
• 27:20
  Speaker 11: It is awesome. I know.
• 27:21
  Speaker 2: That's the thing. It's more fun the third time. I
• 27:25
  Speaker 2: do like Firefly.
• 27:26
  Speaker 9: I've only watched it once. Maybe after we finish Supernatural.
• 27:29
  Speaker 2: We'll go back and watch it again.
• 27:30
  Speaker 9: No, then we need to finish watching Dexter, and then
• 27:32
  Speaker 9: work our way through Firefly.
• 27:33
  Speaker 14: Okay.
• 27:33
  Speaker 2: You've got a lot of work to do.
• 27:35
  Speaker 9: Dude seriously that's a lot of work yeah got three
• 27:38
  Speaker 9: seasons of Dexter to get through oh jeez.
• 27:43
  Speaker 2: And uh that yeah that's that's my life alright I'm
• 27:47
  Speaker 2: usually too tired to watch anymore so.
• 27:50
  Speaker 3: I only get through a couple things a week at
• 27:52
  Speaker 3: this point.
• 27:52
  Speaker 18: So I know what you're talking about kids shows see
• 27:57
  Speaker 18: enough of that shit your favorites yeah oh I did
• 28:00
  Speaker 18: go see the Muppet movie how was that Yeah, Marlene
• 28:03
  Speaker 18: has mentioned it.
• 28:04
  Speaker 2: I loved the Muppet movie as.
• 28:06
  Speaker 11: A kid, so.
• 28:08
  Speaker 2: This was good for me. I'm sorry? The almost pointless
• 28:12
  Speaker 2: cameos that are in it, that's always fun. I thought
• 28:15
  Speaker 2: the humor was nice, and maybe too much forced nostalgia,
• 28:20
  Speaker 2: I think.
• 28:20
  Speaker 3: Yeah.
• 28:21
  Speaker 2: I mean, when it's about nostalgia, but.
• 28:26
  Speaker 2: Yeah, it was fun, and you know, I had the thought, well,
• 28:30
  Speaker 2: my kids are going to hate this because they don't
• 28:32
  Speaker 2: know anything about the Muppets. And they really enjoyed it.
• 28:36
  Speaker 3: It's kind of good to see that, again, because there
• 28:40
  Speaker 3: aren't that many puppet-based shows anymore, are there?
• 28:43
  Speaker 2: The great thing is, too, is.
• 28:44
  Speaker 10: You get to go back and rent all the old, well,
• 28:46
  Speaker 10: rent or download all.
• 28:48
  Speaker 5: The old Muppet movies and go back and watch them.
• 28:52
  Speaker 10: Izzy's watched a lot of the old Muppet movies. Muppets
• 28:55
  Speaker 10: in Space and Stuff like that.
• 28:58
  Speaker 9: Was that one guy any less annoying than he is
• 29:01
  Speaker 9: on How I Met Your Mother?
• 29:02
  Speaker 2: I really don't like that.
• 29:04
  Speaker 9: He's like the weakest part of the How I Met
• 29:06
  Speaker 9: Your Mother.
• 29:07
  Speaker 3: That's Kobe. Oh, really?
• 29:11
  Speaker 2: I don't think she's carried... Well, what's his face?
• 29:13
  Speaker 3: The architect guy. He's definitely the weakest link.
• 29:18
  Speaker 2: Oh, oh, oh. The one married to Lily.
• 29:22
  Speaker 10: Oh, that guy.
• 29:23
  Speaker 2: Oh, yeah, yeah, okay.
• 29:24
  Speaker 3: I don't like him.
• 29:25
  Speaker 2: Marshall.
• 29:25
  Speaker 9: Yeah. I like It's All About Barney.
• 29:27
  Speaker 2: It is all about Barney.
• 29:29
  Speaker 3: Yeah.
• 29:29
  Speaker 2: Barney's carrying a show on his back. Barney is the,
• 29:32
  Speaker 2: you know, the... Should be how I met Barney.
• 29:34
  Speaker 11: Right.
• 29:35
  Speaker 2: Well, it's like what they've done with Big Bang Theory.
• 29:38
  Speaker 12: Yeah.
• 29:38
  Speaker 9: But it's different because at least Barney's awesome. Right.
• 29:42
  Speaker 3: Usually somebody hijacks the show. Barney's the Michael J. Fox
• 29:46
  Speaker 3: of this family dies. He just took over.
• 29:48
  Speaker 2: Yep, my show.
• 29:49
  Speaker 11: Whatever.
• 29:50
  Speaker 9: But it's awesome.
• 29:51
  Speaker 3: You guys are lame.
• 29:51
  Speaker 9: Yeah, everybody has on their little... Allison Hannigan's okay.
• 29:56
  Speaker 3: Yeah, see, I like her. I'm okay with Marshall, but again,
• 29:59
  Speaker 3: in small doses. It's the Barney show.
• 30:02
  Speaker 1: I love the one for Nick Tarrant Marshall.
• 30:03
  Speaker 9: I haven't seen that one yet, even though it has
• 30:05
  Speaker 9: adorable Veronica Morrison.
• 30:07
  Speaker 1: It's so funny.
• 30:08
  Speaker 2: She's not very adorable in that movie.
• 30:10
  Speaker 9: That's probably part of why I haven't seen it yet.
• 30:12
  Speaker 9: And I really don't like Russell Brand.
• 30:14
  Speaker 14: Oh, yeah.
• 30:14
  Speaker 2: He's in small doses, though.
• 30:16
  Speaker 1: He's hilarious. He's supposed to be an asshole douche that
• 30:18
  Speaker 1: you hate. So it's still funny.
• 30:22
  Speaker 2: What acting?
• 30:24
  Speaker 1: Like, my favorite part, he's like, and I didn't think
• 30:27
  Speaker 1: I had to tell you herpes because I haven't had
• 30:29
  Speaker 1: an outbreak.
• 30:31
  Speaker 3: Perfect.
• 30:33
  Speaker 2: Yeah, if you want to see Jason Segel's wiener, you
• 30:36
  Speaker 2: can watch that.
• 30:37
  Speaker 1: Yeah, it was kind of an awkward moment.
• 30:43
  Speaker 9: Yeah. Yeah, you're not showing me.
• 30:46
  Speaker 1: It's so funny. It's a great movie. Hmm.
• 30:50
  Speaker 2: Yeah, go, because I'm done.
• 30:52
  Speaker 1: I also saw the Muppet movie. I liked that they
• 30:56
  Speaker 1: changed their clothes, like, every five seconds. Like, they were
• 30:59
  Speaker 1: constantly wearing different outfits, and for some reason that was
• 31:03
  Speaker 1: really exciting for me.
• 31:04
  Speaker 3: Yeah, that's weird. Normally they never, other than Piggy, they
• 31:07
  Speaker 3: never had another.
• 31:08
  Speaker 10: Outfit, really.
• 31:09
  Speaker 1: Well, like Amy Adams and Jason Segel.
• 31:12
  Speaker 3: Those are people, they don't count.
• 31:14
  Speaker 1: Like, every scene they had a different outfit on.
• 31:17
  Speaker 2: Humans are lame.
• 31:17
  Speaker 3: And her dresses were.
• 31:18
  Speaker 1: Really cute, so it was.
• 31:20
  Speaker 3: Did they focus on her ass a lot?
• 31:22
  Speaker 1: No, a lot.
• 31:23
  Speaker 2: That's pretty much what's carrying her career.
• 31:25
  Speaker 1: Her ass?
• 31:26
  Speaker 3: That's what carried her through those stupid Night in the
• 31:28
  Speaker 3: Museum movies.
• 31:32
  Speaker 2: She does a single number, a singing.
• 31:35
  Speaker 1: The Me Party song.
• 31:36
  Speaker 2: Right, the Me Party. And it is such a I'm
• 31:39
  Speaker 2: gonna go masturbate song. She's basically talking about it's a
• 31:44
  Speaker 2: party about me and I'm gonna pleasure myself kind of thing.
• 31:48
  Speaker 2: It's not supposed to be like that.
• 31:49
  Speaker 1: That's kind of awkward, yeah. If you weren't watching it
• 31:51
  Speaker 1: and you were listening to that song, you'd be like Hmm.
• 31:54
  Speaker 2: This is the divinals?
• 31:56
  Speaker 1: Yeah.
• 31:56
  Speaker 2: Hey, those are awesome.
• 31:58
  Speaker 1: But that song made me really happy. It was hilarious.
• 32:01
  Speaker 1: It was my favorite song in the whole movie. I
• 32:04
  Speaker 1: don't really remember much about it. I saw it on Thanksgiving,
• 32:06
  Speaker 1: so I was, like, stuffed full of, like, turkey and stuff.
• 32:09
  Speaker 3: Turkey coma.
• 32:11
  Speaker 1: Yeah, it was a turkey coma. Um, yeah.
• 32:14
  Speaker 19: Yeah.
• 32:15
  Speaker 1: I've been watching a lot of Party Down. I finally
• 32:17
  Speaker 1: finished both seasons. It's always sad for me to finish
• 32:20
  Speaker 1: a season of anything because then it's just like I
• 32:22
  Speaker 1: have to run something else to watch.
• 32:23
  Speaker 3: Because most shows don't come back.
• 32:26
  Speaker 9: I've never heard of this show.
• 32:27
  Speaker 3: Yeah, I've told you. You need to watch it because
• 32:30
  Speaker 3: it's basically a reunion for Veronica Mars. At some point
• 32:36
  Speaker 3: she comes... Who's the... What's Beaver's brother? The surfer douche?
• 32:40
  Speaker 1: Dick.
• 32:41
  Speaker 3: He is actually really good on this. I mean, he's
• 32:44
  Speaker 3: still kind of a surfer.
• 32:45
  Speaker 2: Douche, but.
• 32:48
  Speaker 3: They give him a little more to do, and he's
• 32:50
  Speaker 3: pretty damn entertaining, I have to say. I did not
• 32:53
  Speaker 3: expect to like him, and he carries more than I expected.
• 32:56
  Speaker 3: Jane Lynch is on it.
• 32:58
  Speaker 1: I don't like her. I guess she left and went
• 33:01
  Speaker 1: and did Glee or one of the other million things
• 33:03
  Speaker 1: that she does. It's got Ken.
• 33:08
  Speaker 3: Yeah, the other investigator guy. What is his last name?
• 33:13
  Speaker 9: Yeah.
• 33:14
  Speaker 2: Oh, from the state? From the state.
• 33:15
  Speaker 3: He's it. But Veronica's dad's in an episode. Steve Guttenberg's
• 33:21
  Speaker 3: in an episode. Is that his name?
• 33:23
  Speaker 14: I don't remember.
• 33:24
  Speaker 9: I love Veronica.
• 33:26
  Speaker 3: So yeah, seriously, like every episode, I'm like, oh, look,
• 33:28
  Speaker 3: it's somebody else from Veronica.
• 33:29
  Speaker 9: On this episode.
• 33:31
  Speaker 3: There's only two.
• 33:32
  Speaker 9: Is it still on?
• 33:34
  Speaker 3: No, it was going to come back for a third,
• 33:36
  Speaker 3: and Adam Scott got hired to be on Parks and Rec,
• 33:39
  Speaker 3: which is a massively bigger show.
• 33:41
  Speaker 9: I would be so sad if I watched it then.
• 33:44
  Speaker 9: I would get attached.
• 33:45
  Speaker 3: No, it's worth it. I mean, I'm midway into the
• 33:48
  Speaker 3: first season still, and I'm just like, this is possibly
• 33:50
  Speaker 3: the best.
• 33:50
  Speaker 2: Show that's ever been made.
• 33:51
  Speaker 1: Lizzie Kaplan, who's so pretty, I love her.
• 33:53
  Speaker 3: Oh, God, I love Lizzie Kaplan.
• 33:54
  Speaker 1: See, there's this episode where the main guy is dating
• 33:58
  Speaker 1: Veronica Mars. Her name's Uta on the show, and she's
• 34:01
  Speaker 1: like a horrible bitch. Veronica Mars is a horrible bitch?
• 34:08
  Speaker 3: But Lizzie Kaplan's Janissian.
• 34:11
  Speaker 2: Remember Janissian?
• 34:12
  Speaker 3: Like from the movie Genesee?
• 34:14
  Speaker 9: No.
• 34:14
  Speaker 1: I don't know what you're talking about.
• 34:17
  Speaker 3: Mean Girls.
• 34:19
  Speaker 10: Oh, yeah.
• 34:20
  Speaker 9: Yeah.
• 34:20
  Speaker 1: You remember in Mean Girls, she was like her, like.
• 34:23
  Speaker 3: The not preppy friend, the semi-gop. I don't remember.
• 34:28
  Speaker 1: And she was also, you remember that show, the.
• 34:30
  Speaker 9: I've only seen it once.
• 34:32
  Speaker 3: She's on the freaking vampire show, yeah.
• 34:36
  Speaker 1: She was Jason's girlfriend that he was in love with.
• 34:39
  Speaker 11: Dark Hair.
• 34:40
  Speaker 2: Oh, I hated her. No, she's awesome.
• 34:43
  Speaker 9: I hated her on True Blood.
• 34:44
  Speaker 3: Well, I haven't seen her on True Blood, but she's awesome.
• 34:46
  Speaker 1: That's true. But, um, what else was she... She was
• 34:48
  Speaker 1: in that show, The Pits.
• 34:50
  Speaker 3: God, I love it. The, like, five episodes of that show.
• 34:54
  Speaker 2: I thought that was awesome.
• 34:55
  Speaker 1: Or she was, like, dating the car.
• 34:56
  Speaker 2: That show was so ridiculous. I love Fox. They'll put
• 35:01
  Speaker 2: anything on.
• 35:02
  Speaker 3: Especially Fox in, like, the 90s.
• 35:05
  Speaker 2: They're like, you got a show?
• 35:07
  Speaker 11: Good enough.
• 35:08
  Speaker 2: Green light.
• 35:08
  Speaker 3: Go for it.
• 35:09
  Speaker 6: But, um.
• 35:10
  Speaker 1: Yeah, but he had to choose between, like, basically he
• 35:13
  Speaker 1: had to choose between Lizzie Kaplan and Kristen Bell. I'm like,
• 35:15
  Speaker 1: how do you decide? And why are you so fucking lucky,
• 35:20
  Speaker 1: you weird-looking dude?
• 35:21
  Speaker 15: Like, really?
• 35:22
  Speaker 3: He's so damn funny, though.
• 35:23
  Speaker 11: He is awesome.
• 35:24
  Speaker 3: Because I've seen enough.
• 35:25
  Speaker 1: He's endearingly cute, too.
• 35:27
  Speaker 3: I ignored Parks and Rec for, like, years, or however
• 35:30
  Speaker 3: long it's been on, a year or two years, maybe.
• 35:32
  Speaker 3: And I was just like, eh, whatever. It looks like
• 35:34
  Speaker 3: they're just trying to rip off The Office. So I
• 35:37
  Speaker 3: finally started watching a few episodes. It's so much funnier
• 35:40
  Speaker 3: than The Office ever was.
• 35:41
  Speaker 2: I'm sorry.
• 35:42
  Speaker 3: I'm not a big Office fan, I know. I mean,
• 35:44
  Speaker 3: there's a few people I like on there, but I
• 35:46
  Speaker 3: just have never been on board for The Office. Parks
• 35:49
  Speaker 3: and Rec is so damn funny, and it's got that, like,
• 35:52
  Speaker 3: Party Down vibe to it, and a lot of it
• 35:55
  Speaker 3: is that Adam Scott delivery. He's really good.
• 35:58
  Speaker 2: Who's Adam Scott?
• 35:59
  Speaker 9: That sounds familiar.
• 36:02
  Speaker 3: Oh, he's in Piranha, but he didn't. He's in a
• 36:05
  Speaker 3: bunch of stuff now.
• 36:06
  Speaker 1: Is that what the guy's name is? Adam Scott?
• 36:09
  Speaker 3: That's like his actual name.
• 36:10
  Speaker 1: I didn't know what his real name was. He's in...
• 36:13
  Speaker 1: He always plays a dick on whatever he's doing.
• 36:15
  Speaker 9: Wasn't he on an episode of Veronica Mars?
• 36:17
  Speaker 6: Probably.
• 36:18
  Speaker 2: I'm again.
• 36:19
  Speaker 3: I mean, the producer of Veronica Mars is the guy
• 36:22
  Speaker 3: who made Party Down.
• 36:22
  Speaker 9: He was the teacher, wasn't he?
• 36:25
  Speaker 2: The cool guy.
• 36:25
  Speaker 3: Wasn't he a cool teacher that got accused of having
• 36:29
  Speaker 3: sex with the girls? I'm pretty sure that's him.
• 36:31
  Speaker 1: He was like the asshole brother in like Step Brothers.
• 36:34
  Speaker 1: I think, right? Or is it somebody else?
• 36:37
  Speaker 20: I don't know.
• 36:39
  Speaker 1: Whatever, he's just this dude. He's funny.
• 36:42
  Speaker 3: Okay, move on.
• 36:44
  Speaker 1: Yeah, so I ran out of episodes of that, so
• 36:46
  Speaker 1: I've had to settle for the Sarah Silverman program, which
• 36:50
  Speaker 1: is not that funny, but it puts me to sleep.
• 36:52
  Speaker 1: I don't know.
• 36:54
  Speaker 9: I would probably just start watching them over. I get
• 36:55
  Speaker 9: attached to shows. Again, I'm watching Supernatural from the beginning again.
• 37:00
  Speaker 9: I can't stop watching it now. I can't. I would
• 37:04
  Speaker 9: get sad.
• 37:05
  Speaker 2: I love Brian Posehn on that show, on the Sarah
• 37:10
  Speaker 2: Silverman program.
• 37:12
  Speaker 11: He's so not.
• 37:12
  Speaker 2: Do you know when Klaus is kind of funny?
• 37:13
  Speaker 15: The bearded guy?
• 37:14
  Speaker 2: Yeah, he's so not gay and plays a king.
• 37:17
  Speaker 6: Yeah, I know.
• 37:17
  Speaker 2: That's awesome.
• 37:18
  Speaker 3: That's kind of why it's awesome.
• 37:20
  Speaker 11: Right?
• 37:20
  Speaker 1: I mean, there's definitely good parts about the show, but,
• 37:23
  Speaker 1: I mean, for the most part, it's kind of annoying.
• 37:26
  Speaker 2: I don't know. That's Sarah Silverman's thing. For the most part,
• 37:29
  Speaker 2: she's annoying.
• 37:30
  Speaker 3: I'm kind of annoying, but I'm funny and I'm kind
• 37:32
  Speaker 3: of cute, so what are.
• 37:33
  Speaker 11: You going to do? Yeah.
• 37:35
  Speaker 1: God, I've totally watched way more stuff. I'll watch the
• 37:38
  Speaker 1: movie Insidious.
• 37:40
  Speaker 9: I heard it was awesome.
• 37:41
  Speaker 1: I really liked it.
• 37:42
  Speaker 3: I've had a couple people tell me it was good.
• 37:45
  Speaker 1: At certain points, but I thought it was really good.
• 37:47
  Speaker 1: It was pretty scary. I watched it during the day.
• 37:49
  Speaker 1: I can only watch horror movies during the day.
• 37:51
  Speaker 3: I watch them at night.
• 37:53
  Speaker 1: You have someone to sleep in your room with you.
• 37:56
  Speaker 9: I don't. You have your dogs. Good luck with that.
• 38:02
  Speaker 9: You'll wake up in the middle of the night and
• 38:04
  Speaker 9: your dog's eating your food or something.
• 38:06
  Speaker 1: I lock him in the kitchen.
• 38:07
  Speaker 9: And that sound wakes you up after watching a scary movie.
• 38:11
  Speaker 10: Yeah.
• 38:13
  Speaker 1: No, I live alone. I can't watch a scary movie
• 38:15
  Speaker 1: by myself. My boyfriend doesn't like scary movies and I
• 38:17
  Speaker 1: don't really get to watch them very much. It kind
• 38:21
  Speaker 1: of sucks.
• 38:23
  Speaker 9: You're not much of a horror fan, are you? I mean,
• 38:24
  Speaker 9: you like them every once in a while, but usually
• 38:25
  Speaker 9: if I'm like, what do you want to watch? You
• 38:27
  Speaker 9: usually pick like a comedy or an action movie.
• 38:30
  Speaker 10: It depends on what kind of mood I'm in. I'm
• 38:32
  Speaker 10: always like, horror movies.
• 38:36
  Speaker 2: Yeah, horror movies are okay. They're my favorite.
• 38:40
  Speaker 14: I know.
• 38:40
  Speaker 2: I like a movie. I don't prefer gore movies. I
• 38:44
  Speaker 2: like something that's truly scary. It's just creepy.
• 38:47
  Speaker 10: See, that's what I like.
• 38:49
  Speaker 6: I like.
• 38:52
  Speaker 10: I don't know, like psychological thrillers.
• 38:54
  Speaker 2: I like horror movies.
• 38:56
  Speaker 9: I don't like torture porn or anything.
• 38:58
  Speaker 10: Yeah, I don't like that. I don't like torture porn.
• 39:01
  Speaker 9: What do you know.
• 39:02
  Speaker 2: Like Saw? You didn't care about that?
• 39:04
  Speaker 1: No, I don't care about that.
• 39:06
  Speaker 2: I like old, old horror movies.
• 39:09
  Speaker 9: I like horror movies. I like old ones, too.
• 39:12
  Speaker 1: And I don't have cable, so I kind of try
• 39:14
  Speaker 1: to catch this. And this is not really a work-appropriate show,
• 39:17
  Speaker 1: so I can't just watch the show at work, even
• 39:19
  Speaker 1: though it's on FX. But I really want to watch
• 39:22
  Speaker 1: American Horror Story.
• 39:23
  Speaker 9: I've heard really good things about it.
• 39:24
  Speaker 1: Yeah, it's pretty convoluted from what I can tell.
• 39:27
  Speaker 9: I'm okay with that.
• 39:29
  Speaker 1: Yeah but I mean it's pretty good like it's got
• 39:32
  Speaker 1: a lot of scary stuff to it like I think
• 39:35
  Speaker 1: everybody knows I'm really afraid of pigs. And there's this
• 39:38
  Speaker 1: episode called Piggy Man.
• 39:40
  Speaker 9: I was going to post this video on your Facebook page.
• 39:43
  Speaker 9: It was a pig that apparently had lost its back leg,
• 39:46
  Speaker 9: so it was running on its front leg, so it
• 39:47
  Speaker 9: had its ass up in the air.
• 39:48
  Speaker 10: And I was trying to get her to post it,
• 39:53
  Speaker 10: and she wouldn't do it. And I was like, I'll
• 39:56
  Speaker 10: post it.
• 39:57
  Speaker 2: But then I felt really bad, and I didn't post it.
• 40:00
  Speaker 1: No, but there's this episode of... Like, a couple weeks ago,
• 40:03
  Speaker 1: my dog peed on my pillow because he was mad
• 40:06
  Speaker 1: at me. He's really bad. But, um, he's so cute, though.
• 40:10
  Speaker 6: But, uh.
• 40:11
  Speaker 9: I don't care how cute something is. I put the
• 40:13
  Speaker 9: pee on my pillow. His ass is gone.
• 40:14
  Speaker 13: Yeah.
• 40:14
  Speaker 1: Um, yeah, he peed on my... You better not pee
• 40:17
  Speaker 1: on my pillows.
• 40:18
  Speaker 2: What? Don't pee on the pillows.
• 40:22
  Speaker 1: But, uh, so I had to sleep at a friend's house, and, um.
• 40:25
  Speaker 9: Do you have any more pillows?
• 40:27
  Speaker 1: Well, he peed on my pillow, my mattress pad, and
• 40:29
  Speaker 1: my comforter. Mainly he peed on my pillow and it
• 40:31
  Speaker 1: soaked through. And it was, like, 1030 at night, so
• 40:34
  Speaker 1: it's not like I could just, like, wash it right
• 40:36
  Speaker 1: then and there. But, um, so I had to stay
• 40:38
  Speaker 1: at a friend's house and I watched a couple episodes
• 40:41
  Speaker 1: of American Horror. And one of them was one about,
• 40:44
  Speaker 1: it was called Piggy Man. And every time the guy,
• 40:47
  Speaker 1: he was, like, it was, like, Bloody Mary, but this
• 40:49
  Speaker 1: guy was, like, standing in front of a mirror and
• 40:51
  Speaker 1: say something about Piggy Man. And I had to, like,
• 40:53
  Speaker 1: plug my ears and bury my face in the pillow.
• 40:56
  Speaker 9: Like, I can't.
• 40:56
  Speaker 3: What's this?
• 40:57
  Speaker 9: Yeah, I do eventually want to see that show. I've
• 40:59
  Speaker 9: heard it's really interesting. I heard they just did one
• 41:01
  Speaker 9: with it involved, like, Black Dahlia or something.
• 41:03
  Speaker 3: Yeah, yeah.
• 41:03
  Speaker 1: That's what I've heard. It's really weird. There's, like, a
• 41:06
  Speaker 1: lot of different ghosts and things like that. And people
• 41:08
  Speaker 1: at work talk about it, and I can't even follow
• 41:11
  Speaker 1: what they're talking about. It's so confusing.
• 41:13
  Speaker 2: I'm like, what?
• 41:14
  Speaker 1: And that person's a ghost, and then... this other person
• 41:17
  Speaker 1: is killed and buried under the gazebo and what?
• 41:20
  Speaker 2: I don't know.
• 41:20
  Speaker 9: Again, it's one of those that I'll have to wait
• 41:22
  Speaker 9: until it's done and over and I can get the
• 41:24
  Speaker 9: entire series and sit down and watch it all at once.
• 41:27
  Speaker 1: Yeah, I mean, I definitely feel like I totally have
• 41:30
  Speaker 1: had to watch more things in, like, the last month,
• 41:32
  Speaker 1: but I'll be damned.
• 41:34
  Speaker 9: If I can remember any of it.
• 41:37
  Speaker 2: Too much sugar.
• 41:38
  Speaker 6: Yeah.
• 41:39
  Speaker 1: You know, like, my boyfriend keeps trying to get me
• 41:42
  Speaker 1: to watch stuff that I really don't want to watch
• 41:44
  Speaker 1: at all.
• 41:44
  Speaker 2: Like, I don't know.
• 41:46
  Speaker 1: I fell asleep watching Apocalypse Now. He's like obsessed with
• 41:49
  Speaker 1: making me watch that.
• 41:50
  Speaker 9: I like how Jay's obsessed with making me watch that
• 41:53
  Speaker 9: fucking movie with Alan Rickman and Tim Allen.
• 41:57
  Speaker 2: I'm not obsessed with it anymore.
• 41:58
  Speaker 10: You sat and watched.
• 42:00
  Speaker 5: We sat and you watched like five minutes of it
• 42:03
  Speaker 5: and you didn't care so I turned it off.
• 42:06
  Speaker 2: Galaxy Quest.
• 42:07
  Speaker 9: Oh, Galaxy Quest.
• 42:07
  Speaker 2: That's a good movie.
• 42:08
  Speaker 9: I hate that.
• 42:09
  Speaker 5: She couldn't make it through the first five minutes and
• 42:11
  Speaker 5: I was like, you know what? Nah, it wasn't even
• 42:13
  Speaker 5: ten minutes.
• 42:14
  Speaker 1: Isn't Professor Snape in that?
• 42:16
  Speaker 9: Yes I'm sorry I totally have to tear a thing
• 42:19
  Speaker 9: about it I haven't watched it either I have no.
• 42:22
  Speaker 5: Desire to see it can't get her to watch Conan
• 42:24
  Speaker 5: either I have no.
• 42:25
  Speaker 12: Desire to watch Conan or most things that involve fucking
• 42:31
  Speaker 12: Sylvester Stallone or Arnold Schwarzenegger I'm okay.
• 42:35
  Speaker 9: With some good movies if it had like Dolph Lundgren
• 42:37
  Speaker 9: I'd probably watch it I love Dolph Lundgren if it
• 42:39
  Speaker 9: had Jean-Claude Van Damme I love Jean-Claude Van Damme except
• 42:43
  Speaker 9: for in JCVD I could not get into that one
• 42:45
  Speaker 9: I just don't like.
• 42:47
  Speaker 10: We will watch Cyborg then.
• 42:49
  Speaker 9: Okay.
• 42:49
  Speaker 10: That's got Jean-Claude Van Damme and Dolph.
• 42:53
  Speaker 11: Lundgren in it.
• 42:53
  Speaker 10: Oh, fuck yeah.
• 42:54
  Speaker 9: I'll watch the hell out of that movie.
• 42:55
  Speaker 10: There we go.
• 42:55
  Speaker 9: I don't know what I just got myself into.
• 42:58
  Speaker 2: Yeah.
• 43:00
  Speaker 11: Yeah.
• 43:00
  Speaker 2: You heard it. On air.
• 43:02
  Speaker 13: Okay.
• 43:02
  Speaker 3: That's Albert Pune. We talked to him.
• 43:04
  Speaker 12: Yeah.
• 43:05
  Speaker 2: I think next time you're on the show you have
• 43:07
  Speaker 2: to have a review.
• 43:08
  Speaker 10: Or not Cyborg.
• 43:08
  Speaker 2: Did I say Cyborg? I'm sorry.
• 43:10
  Speaker 9: You said Cyborg.
• 43:11
  Speaker 10: Universal Soldier.
• 43:12
  Speaker 2: Oh.
• 43:12
  Speaker 1: Okay.
• 43:13
  Speaker 10: Sorry.
• 43:13
  Speaker 3: That is a two-for-one special, though.
• 43:15
  Speaker 10: Sorry about that.
• 43:16
  Speaker 6: Yeah.
• 43:17
  Speaker 2: I don't care.
• 43:17
  Speaker 5: Because right now at home, somebody's going, no, that's Universal Soldier,
• 43:20
  Speaker 5: you dumbass.
• 43:21
  Speaker 9: Yeah. Who's in Cyborg?
• 43:23
  Speaker 10: Jean-Claude Van Damme. Nobody else?
• 43:25
  Speaker 3: Dolph Lundgren.
• 43:26
  Speaker 9: Oh.
• 43:26
  Speaker 10: Is Dolph Lundgren in Cyborg?
• 43:29
  Speaker 2: No, Universal Soldier. Universal Soldier.
• 43:30
  Speaker 9: Who else is in Cyborg, though?
• 43:32
  Speaker 2: No, she has Cyborg. Nobody. It's just of Jean-Claude Van
• 43:35
  Speaker 2: Damme vehicle.
• 43:37
  Speaker 9: Okay.
• 43:37
  Speaker 1: Yeah.
• 43:38
  Speaker 14: No.
• 43:39
  Speaker 2: Don't worry about getting those confused. I said Hame was
• 43:42
  Speaker 2: in Can't Buy Me Love, and that was Patrick Dempsey.
• 43:46
  Speaker 2: It's the same fucking movie, though. I don't know. It
• 43:49
  Speaker 2: just seems like Hame was in it.
• 43:52
  Speaker 9: He was in a lot of things. I've never seen
• 43:56
  Speaker 9: that movie. Maybe he had a small role.
• 43:57
  Speaker 2: That I saw. No, that was Patrick Dempsey.
• 44:00
  Speaker 9: Maybe he had a small role.
• 44:01
  Speaker 2: Seth Green was in it, too.
• 44:04
  Speaker 10: He was the little brother.
• 44:05
  Speaker 1: Oh, shit. I love that movie.
• 44:08
  Speaker 13: Wow.
• 44:09
  Speaker 10: Had Allison Hannigan in it, too.
• 44:10
  Speaker 2: I'm not going to watch it again to confirm it,
• 44:12
  Speaker 2: but okay.
• 44:12
  Speaker 10: Yeah.
• 44:12
  Speaker 14: Yeah, wow.
• 44:13
  Speaker 1: I always thought Allison Hannigan was Seth Green. Yeah, we're
• 44:16
  Speaker 1: going to hate you, Rachel. I know. Is Seth Green gay?
• 44:19
  Speaker 4: I don't know.
• 44:20
  Speaker 1: Huh?
• 44:21
  Speaker 3: I don't know.
• 44:22
  Speaker 9: Allison Hannigan married that one guy, though, so I think
• 44:24
  Speaker 9: she's already taken. What one guy? Alexis Benesoff, who was
• 44:27
  Speaker 9: Wesley on Angel.
• 44:28
  Speaker 3: They have a kid now.
• 44:29
  Speaker 2: At least one.
• 44:30
  Speaker 9: I thought they had two.
• 44:30
  Speaker 10: I don't know.
• 44:31
  Speaker 2: I saw her carrying one the other day.
• 44:32
  Speaker 9: What's your name?
• 44:33
  Speaker 1: Ira?
• 44:34
  Speaker 10: Yeah.
• 44:36
  Speaker 9: Is that a Korean one?
• 44:38
  Speaker 1: In real life? Like, Sarah the Kroger?
• 44:40
  Speaker 12: Yeah.
• 44:40
  Speaker 2: She lives down in Trader Joe's.
• 44:43
  Speaker 10: Seth Green's just a free man.
• 44:44
  Speaker 21: He just, you know.
• 44:46
  Speaker 9: No, he got married. He married some girl.
• 44:47
  Speaker 10: Oh, he did?
• 44:48
  Speaker 9: Yeah.
• 44:48
  Speaker 2: Okay, well, Seth Green's not a free man.
• 44:51
  Speaker 1: I don't know why I think all these, like, random child...
• 44:53
  Speaker 1: I think if you were a child actor, you're probably gay.
• 44:56
  Speaker 3: I don't know why that's... You have issues.
• 44:58
  Speaker 2: Like, a big box is gay.
• 45:00
  Speaker 10: Gary Coleman wasn't gay.
• 45:02
  Speaker 3: He was short.
• 45:05
  Speaker 2: Maybe he should have been gay.
• 45:08
  Speaker 3: Everybody on that show had issues of some sort, so
• 45:10
  Speaker 3: I don't know.
• 45:11
  Speaker 1: I mean, if they want to be gay, that's fine.
• 45:16
  Speaker 3: Yeah, that would have been a good thing on the
• 45:19
  Speaker 3: side of everybody on that show. Everybody on that show
• 45:22
  Speaker 3: had so many real issues, like, that doesn't even count.
• 45:25
  Speaker 3: That's just your life. But they had real problems. Yeah,
• 45:29
  Speaker 3: there was no good on that.
• 45:30
  Speaker 2: It would have turned out better if you were gay.
• 45:33
  Speaker 3: I don't know about that.
• 45:34
  Speaker 2: Well, I'm just kidding. If that was your only problem... I.
• 45:37
  Speaker 3: Don't know if that's a problem.
• 45:39
  Speaker 6: Well, I.
• 45:39
  Speaker 3: I think it's... Yeah, I think, yeah, they had way
• 45:44
  Speaker 3: bigger things to deal with.
• 45:45
  Speaker 1: I think it's just because I'm pretty sure... What's his
• 45:49
  Speaker 1: face that I was talking about earlier? Elijah Wood is gay.
• 45:52
  Speaker 1: Macaulay Culkin, like Missy said, he might not be gay.
• 45:55
  Speaker 1: He's just kind of pale. He's really effeminate, and it
• 45:58
  Speaker 1: might just be because of Party Monster.
• 46:00
  Speaker 9: I don't know.
• 46:01
  Speaker 1: I don't follow his life.
• 46:02
  Speaker 2: I don't know that I ever saw him as being effeminate, even.
• 46:06
  Speaker 9: Really?
• 46:08
  Speaker 3: Once he got older, as a kid, he was just
• 46:10
  Speaker 3: a goofy kid. By the time he hit those weird
• 46:13
  Speaker 3: indie movies, I was like, yeah, kind of, but I
• 46:16
  Speaker 3: don't really know what's.
• 46:17
  Speaker 10: Going on with him.
• 46:19
  Speaker 1: I don't know if he's gay or not.
• 46:20
  Speaker 9: But it's important. It's not going to change my view
• 46:22
  Speaker 9: of him as an actor.
• 46:23
  Speaker 2: No, it's not.
• 46:24
  Speaker 9: Right.
• 46:24
  Speaker 10: I like being praised.
• 46:26
  Speaker 2: Was it praised?
• 46:27
  Speaker 9: Saved.
• 46:27
  Speaker 2: Saved.
• 46:28
  Speaker 10: Sorry.
• 46:29
  Speaker 3: Wow. He's pretty damn entertaining and saved.
• 46:32
  Speaker 11: Yeah, whatever.
• 46:33
  Speaker 1: No, I was just thinking like... weird how many gay
• 46:38
  Speaker 1: guys i've loved in my day like without even realizing
• 46:41
  Speaker 1: they were gay like all the all the boys are
• 46:44
  Speaker 1: you just making it up that's what i'm trying to
• 46:47
  Speaker 1: figure out because like my i think the first boy
• 46:50
  Speaker 1: i ever had a crush on in like preschool he
• 46:53
  Speaker 1: was like my gay best friend and i'm just like
• 46:56
  Speaker 1: did i always.
• 46:57
  Speaker 2: Like gay dudes is cocaine abdicay yes he is sort
• 47:01
  Speaker 2: of oh sort of.
• 47:06
  Speaker 1: Which cocaine Abe?
• 47:07
  Speaker 3: The dead one or the one on the wall?
• 47:09
  Speaker 2: Which cocaine Abe is dead?
• 47:10
  Speaker 9: This is a legitimate question.
• 47:12
  Speaker 3: You have a complicated life.
• 47:13
  Speaker 11: I do.
• 47:14
  Speaker 10: Wow.
• 47:15
  Speaker 2: Hey, everybody.
• 47:16
  Speaker 3: Cocaine Abe.
• 47:17
  Speaker 2: Which cocaine?
• 47:18
  Speaker 3: Which one?
• 47:19
  Speaker 2: The gay one.
• 47:20
  Speaker 11: Which one?
• 47:21
  Speaker 2: The one that works at the bar.
• 47:23
  Speaker 9: I'm going to go tell him you said it.
• 47:26
  Speaker 2: Black cocaine Abe or white cocaine Abe?
• 47:28
  Speaker 3: When you're done with your questions for me, I've got
• 47:31
  Speaker 3: one for you. Are you gay?
• 47:33
  Speaker 9: My friend Marlena wants to know because she made out
• 47:35
  Speaker 9: with you once.
• 47:36
  Speaker 11: Right.
• 47:37
  Speaker 9: She's making a list.
• 47:38
  Speaker 1: I mean, to clarify things, I usually refer to dead
• 47:41
  Speaker 1: Abe as Glampaw. Okay.
• 47:44
  Speaker 9: Okay.
• 47:46
  Speaker 1: I mean, if this conversation ever comes up again.
• 47:49
  Speaker 9: I don't think that it will.
• 47:53
  Speaker 1: Anytime I see a hobo riding a bike, I think
• 47:55
  Speaker 1: about grandpa.
• 47:56
  Speaker 9: How often do you see hobos riding bikes? I think hobos,
• 48:01
  Speaker 9: I think too poor to own a bike.
• 48:04
  Speaker 2: Or I think stick with a handkerchief.
• 48:07
  Speaker 9: On a train.
• 48:07
  Speaker 1: Hobos really did that. Like hot damn bottles. Maybe he
• 48:13
  Speaker 1: was the hot damn hobo, but no, he's dead.
• 48:16
  Speaker 9: He's got a hot damn hobo ghost.
• 48:21
  Speaker 5: He's leaving those hot damn bottles to show that he cares.
• 48:25
  Speaker 10: He's hot damn it.
• 48:29
  Speaker 3: I need my bike.
• 48:30
  Speaker 1: It's the only way I have to get to work.
• 48:33
  Speaker 9: Yeah, that's what he did.
• 48:35
  Speaker 2: Pupils don't have jobs.
• 48:37
  Speaker 6: He did.
• 48:38
  Speaker 3: This is full of holes.
• 48:41
  Speaker 1: Sorry, it's a long story and I'm real tired. Oh,
• 48:45
  Speaker 1: that's another show.
• 48:48
  Speaker 9: We haven't even started on the movie part.
• 48:49
  Speaker 3: I didn't even know we were having a story still.
• 48:53
  Speaker 1: I forgot about that. Let's get that.
• 48:55
  Speaker 3: We spiraled off into areas I don't even understand.
• 48:58
  Speaker 9: We're going to make this as long as the first one.
• 49:01
  Speaker 1: It's gonna be dawn by.
• 49:02
  Speaker 3: The time we're done. Did you finish your kiwi?
• 49:05
  Speaker 1: I'm just gonna stop talking. I'm tired. My dog's probably
• 49:10
  Speaker 1: really mad at me.
• 49:11
  Speaker 10: Probably pooped all over the place.
• 49:13
  Speaker 2: Have Milo come over and clean it up.
• 49:14
  Speaker 3: Oh my god.
• 49:16
  Speaker 9: Oh my god.
• 49:20
  Speaker 2: And clean it up.
• 49:21
  Speaker 14: Oh my God.
• 49:22
  Speaker 1: Please edit the show so I don't sound like I
• 49:24
  Speaker 1: hate gay people.
• 49:26
  Speaker 9: Good luck with that.
• 49:26
  Speaker 3: What kind of magical tool do you think I have?
• 49:32
  Speaker 2: What was that? It was on YouTube.
• 49:34
  Speaker 10: It had that guy and he's.
• 49:35
  Speaker 2: Like, oh my god, I got poop on my hand.
• 49:37
  Speaker 3: Oh, it's in my mouth.
• 49:39
  Speaker 12: I don't know.
• 49:40
  Speaker 2: It sounds like YouTube to me. I don't remember.
• 49:43
  Speaker 10: I don't remember what it was.
• 49:45
  Speaker 9: I vaguely remember that moment.
• 49:47
  Speaker 2: I think I blocked it.
• 49:47
  Speaker 10: The guy's like, oh my god, it's shit.
• 49:49
  Speaker 2: He's like, oh, it's on my hand.
• 49:52
  Speaker 10: Oh, it's all over my face.
• 49:54
  Speaker 3: I don't remember.
• 49:56
  Speaker 2: You'd have to be on drugs to do that.
• 49:58
  Speaker 10: It was fucking hilarious though.
• 50:03
  Speaker 2: The stripes.
• 50:04
  Speaker 9: Alright.
• 50:05
  Speaker 12: Alright.
• 50:06
  Speaker 3: Geek week rounded out there.
• 50:08
  Speaker 1: I said I'm just going to stop talking.
• 50:10
  Speaker 14: Alright.
• 50:12
  Speaker 3: We'll take a break and be back with this week's movie.
• 50:15
  Speaker 3: Not all the air would give me.
• 50:16
  Speaker 1: This much sugar. My teeth feel like sandpaper.
• 50:41
  Speaker 3: Does nobody see Santa on Christmas when he steals down
• 50:48
  Speaker 3: the chimney with care?
• 50:51
  Speaker 2: Wouldn't it be so.
• 50:52
  Speaker 8: Revealing if Santa had black kinky hair?
• 50:57
  Speaker 1: I know his cheeks would be rosy.
• 51:02
  Speaker 4: But still you could tell the man was cold.
• 51:05
  Speaker 2: When you saw his red underwear peeking.
• 51:09
  Speaker 10: From under his soulful jelly roll.
• 51:12
  Speaker 3: Yeah, yeah, yeah, yeah.
• 51:15
  Speaker 8: Come into your town. Gonna party it down. Got the kiss.
• 51:39
  Speaker 11: Oh, cartons of camels are sure to please. Besides, they
• 51:43
  Speaker 11: look so handsome under Christmas trees. So easy to give,
• 51:48
  Speaker 11: so good to get. Give camels the nation's favorite cigarette. Ho, ho, ho.
• 51:54
  Speaker 11: It's gift-packed, ready to give, with a space for your greeting.
• 52:08
  Speaker 6: Greetings to Father, who works all year for the family
• 52:12
  Speaker 6: and outdoes himself at this joyous season with lots of
• 52:15
  Speaker 6: surprises for everyone. Greetings to Mother, that miracle worker of
• 52:20
  Speaker 6: the home whose loving efforts seem sometimes like magic. And
• 52:24
  Speaker 6: greetings to little brother, usually a terror, but somehow since
• 52:28
  Speaker 6: he visited Santa at the department store, he's not been
• 52:31
  Speaker 6: himself at all. Greetings to sister, who was so busy
• 52:34
  Speaker 6: decorating the house with mistletoe and then seemed to forget.
• 52:38
  Speaker 11: It was there.
• 52:39
  Speaker 6: Greetings to grandma, grandpa, and all your uncles and aunts.
• 52:43
  Speaker 6: May you gather around the table for your Christmas feast
• 52:46
  Speaker 6: in the joyous tradition. What we want to say is
• 52:49
  Speaker 6: that the management and staff of this theater... All of
• 52:52
  Speaker 6: us wish all of you good luck, good health, good times,
• 52:57
  Speaker 6: and a very merry.
• 53:03
  Speaker 22: Christmas.
• 53:16
  Speaker 13: I'm listening to Movie Meltdown because I'm John Saxon and
• 53:20
  Speaker 13: I like to do that.
• 53:35
  Speaker 11: It's time for sofa theater.
• 53:39
  Speaker 10: Hi what's up have you seen claire today no she
• 53:43
  Speaker 10: went home no she didn't no one knows where she is.
• 53:47
  Speaker 19: Are you serious I thought maybe she was with you,
• 53:50
  Speaker 19: or at least you might have heard from her.
• 53:51
  Speaker 20: No, not since last night.
• 53:55
  Speaker 1: Well, her father came to pick her up at one
• 53:57
  Speaker 1: o'clock today, and she didn't show.
• 54:00
  Speaker 3: So he went down to.
• 54:00
  Speaker 16: The police station with Phil and Bob.
• 54:03
  Speaker 6: What happened?
• 54:05
  Speaker 1: They didn't take it seriously.
• 54:07
  Speaker 10: Why?
• 54:08
  Speaker 1: I don't know.
• 54:11
  Speaker 22: I think they figured she was shot up somewhere.
• 54:14
  Speaker 2: I don't know.
• 54:18
  Speaker 8: Thank you.
• 54:28
  Speaker 4: I'm dreaming of a black, black Christmas Black smoke glows
• 54:32
  Speaker 4: against the midnight sky I'm dreaming of a black, black
• 54:37
  Speaker 4: Christmas Black smoke glows against the midnight sky All alone,
• 54:43
  Speaker 4: drowning in my sorrows Christmas time always brings my sadness
• 54:49
  Speaker 4: home A child is born on Christmas Day What movie
• 54:54
  Speaker 4: did you watch?
• 54:58
  Speaker 2: Black Santa.
• 55:07
  Speaker 8: Black Santa.
• 55:11
  Speaker 2: Jesus.
• 55:11
  Speaker 10: Fuck me, Black Santa.
• 55:23
  Speaker 3: Welcome back to Movie Meltdown's Sofa Theater.
• 55:25
  Speaker 2: Are you okay?
• 55:29
  Speaker 9: Yeah, I'm fine. Way too much sugar.
• 55:34
  Speaker 1: Go ahead.
• 55:35
  Speaker 2: This week's Sofa Theater feature is Black Christmas.
• 55:38
  Speaker 3: The year is 1974.
• 55:39
  Speaker 2: Director Bob Clark.
• 55:41
  Speaker 3: The plot, according to IMDb, a sorority house is terrorized
• 55:45
  Speaker 3: by a stranger who makes frightening phone calls and then
• 55:47
  Speaker 3: murders the sorority sisters during Christmas break. So with that
• 55:52
  Speaker 3: Although that kind of tells you a lot of it.
• 55:54
  Speaker 3: Spoiler alert, so go watch this, the original Black Christmas,
• 55:58
  Speaker 3: before you get all up into this.
• 56:00
  Speaker 2: Calls, murders.
• 56:02
  Speaker 3: Before we get all up into this, we do have
• 56:04
  Speaker 3: a One from the Vaults memory from Mr. John Saxon himself.
• 56:09
  Speaker 2: You were there for it, Jay.
• 56:10
  Speaker 3: I'm excited.
• 56:10
  Speaker 2: Yes, I was. You actually remember this?
• 56:13
  Speaker 11: No, no.
• 56:13
  Speaker 2: Yes, I do.
• 56:13
  Speaker 3: It was John Saxon, he said.
• 56:15
  Speaker 2: No, I remember this.
• 56:16
  Speaker 3: All right, so let's hear from John himself.
• 56:23
  Speaker 2: What was that like?
• 56:24
  Speaker 13: Well, I got a call from my agent to tell
• 56:27
  Speaker 13: me about this script that had come. I read it,
• 56:30
  Speaker 13: and I thought it was very interesting.
• 56:32
  Speaker 2: They made a deal. I thought they had made a deal.
• 56:38
  Speaker 13: Then all of a sudden I got a call and
• 56:42
  Speaker 13: I found out that some of the people involved with
• 56:46
  Speaker 13: that picture had already planned to use Edmund O'Brien. So
• 56:54
  Speaker 13: I was out with the picture for about a week.
• 56:59
  Speaker 13: What had happened was I got the call back saying,
• 57:02
  Speaker 13: can you come up in a couple of hours to Toronto?
• 57:07
  Speaker 13: Edmund O'Brien was no longer feeling well. And so I
• 57:12
  Speaker 13: went up and flew up to Toronto, arrived about midnight,
• 57:16
  Speaker 13: and went to work about 3 in the morning in
• 57:19
  Speaker 13: a park, a frozen park, and started to work on
• 57:24
  Speaker 13: that film. And I thought it was a very good film.
• 57:28
  Speaker 14: I enjoyed it.
• 57:29
  Speaker 13: The director was terrific.
• 57:31
  Speaker 2: The script was great.
• 57:33
  Speaker 16: Well, that's what I was going to ask. Working with
• 57:34
  Speaker 16: Bob Clark, what was he like as a director?
• 57:37
  Speaker 2: Well, we headed off very well.
• 57:39
  Speaker 13: I remember he thought I was kind of, I don't know,
• 57:43
  Speaker 13: wanting to be patting myself on the back. He had
• 57:46
  Speaker 13: managed to look at the sheets of times of takes
• 57:50
  Speaker 13: and so on, and that I had always made one
• 57:53
  Speaker 13: or two takes, not four, five, ten, sometimes they would happen.
• 57:58
  Speaker 13: He said, you've got an extraordinary kind of thing going.
• 58:00
  Speaker 13: I said, oh, that's great. And we were friends. What
• 58:03
  Speaker 13: happened afterwards, he came, the film was finished, I was
• 58:06
  Speaker 13: back living in Los Angeles where I lived. We became
• 58:12
  Speaker 13: friendly and he came over and he told me that,
• 58:15
  Speaker 13: oh God, what's happening is Warner Brothers has taken the
• 58:19
  Speaker 13: rights to the picture for the United States and they've
• 58:22
  Speaker 13: changed the title from Black Christmas to, the title has
• 58:29
  Speaker 13: changed three times. I don't remember what the hell it
• 58:31
  Speaker 13: was called.
• 58:33
  Speaker 2: And why?
• 58:34
  Speaker 13: Because they thought that the title Black Christmas meant that
• 58:40
  Speaker 13: it was going to be about black people at Christmas time.
• 58:43
  Speaker 13: So they were changing the title, which screwed up the
• 58:47
  Speaker 13: pictures deal in America because they already had sent the
• 58:51
  Speaker 13: picture out with another title. Another company took it and
• 58:55
  Speaker 13: took it, a European, and it was doing very well there. Otherwise,
• 59:00
  Speaker 13: the film would have been much better, made much more money.
• 59:04
  Speaker 13: Warner Brothers screwed it. Then, as a result, what happened
• 59:09
  Speaker 13: other people were making the same kind of a film
• 59:12
  Speaker 13: with a different title.
• 59:13
  Speaker 16: That's what it was massively influential, yeah. So many after
• 59:17
  Speaker 16: that tried to copy it.
• 59:19
  Speaker 13: Meanwhile, I still think it's a very, very interesting story,
• 59:22
  Speaker 13: the way it was directed. And now that there was
• 59:25
  Speaker 13: another version of it being made... I watched it, and
• 59:28
  Speaker 13: I didn't think it was as good as the one, honestly,
• 59:31
  Speaker 13: the one that we had done.
• 59:32
  Speaker 10: Because it didn't have John Saxon in it.
• 59:38
  Speaker 3: Damn straight, didn't have John Saxon in it. All right,
• 59:42
  Speaker 3: so thank you once again to John for sitting there
• 59:45
  Speaker 3: and putting up with us. Even though it was cold.
• 59:47
  Speaker 2: It was very cold.
• 59:48
  Speaker 11: It was.
• 59:49
  Speaker 2: The man was shivering.
• 59:50
  Speaker 1: Where were you?
• 59:53
  Speaker 2: Cincinnati. You know how cold it is in Cincinnati.
• 59:56
  Speaker 10: Well, no, he was sitting underneath an AC vent.
• 59:59
  Speaker 2: You just said it like, in the Arctic. You know, Cincinnati.
• 1:00:03
  Speaker 3: You know, when we went to that Arctic festival where
• 1:00:07
  Speaker 3: they show the movies.
• 1:00:09
  Speaker 2: All right, so now it's our turn.
• 1:00:11
  Speaker 3: Where would you like to begin with Black Christmas?
• 1:00:15
  Speaker 9: How awesome Bob Clark is.
• 1:00:17
  Speaker 2: Yeah, do you want to start with the Bob Clark thing?
• 1:00:20
  Speaker 9: I don't know. That's all I got.
• 1:00:22
  Speaker 3: Bob Clark's awesome. He is awesome.
• 1:00:24
  Speaker 2: I mean, he made.
• 1:00:25
  Speaker 9: There's two awesome Christmas movies that he's done that are
• 1:00:27
  Speaker 9: so drastically polar ends opposite.
• 1:00:30
  Speaker 10: Yeah.
• 1:00:30
  Speaker 2: What was the other one he did?
• 1:00:32
  Speaker 9: Christmas Story.
• 1:00:32
  Speaker 2: He's the director of Christmas Story.
• 1:00:35
  Speaker 7: Oh, yeah.
• 1:00:35
  Speaker 12: Geez, really?
• 1:00:36
  Speaker 14: Yes.
• 1:00:36
  Speaker 10: Oh, man. I love Christmas Story.
• 1:00:41
  Speaker 1: It's the most perfect Christmas movie.
• 1:00:42
  Speaker 12: It is.
• 1:00:43
  Speaker 3: And this kind of, in its own way, is, I mean, it's,
• 1:00:46
  Speaker 3: for what it's trying to do, it's amazing how well
• 1:00:49
  Speaker 3: put together this is. Well, when did this come out?
• 1:00:52
  Speaker 13: 74.
• 1:00:52
  Speaker 9: 74.
• 1:00:52
  Speaker 3: So that was before.
• 1:00:54
  Speaker 10: Yeah, it's pretty good for 74.
• 1:00:58
  Speaker 1: I couldn't even fall asleep when I wanted to.
• 1:01:02
  Speaker 9: That's saying something when even you can't fall asleep.
• 1:01:04
  Speaker 21: Right.
• 1:01:04
  Speaker 9: Because you fall asleep during almost every movie.
• 1:01:06
  Speaker 1: I know.
• 1:01:06
  Speaker 2: You just fall asleep in stuff you want to watch.
• 1:01:08
  Speaker 1: I know. And I've seen this movie, like, lots.
• 1:01:11
  Speaker 3: Well, Bob Clark is, like, I think one of the
• 1:01:13
  Speaker 3: most overlooked directors. Like, I mean, nobody really talks about him.
• 1:01:17
  Speaker 3: If they do, it's usually, like, in reference at this
• 1:01:19
  Speaker 3: point to Christmas Story. But, like, he made a good
• 1:01:22
  Speaker 3: amount of movies. But, I mean, even if he only
• 1:01:24
  Speaker 3: made three movies, let's look at the legacy that he
• 1:01:28
  Speaker 3: left us. I mean, he made two films that are
• 1:01:30
  Speaker 3: massively influential and spawned countless, like, other films that were
• 1:01:34
  Speaker 3: trying to do what he did. He made Black Christmas, which,
• 1:01:38
  Speaker 3: in my mind, totally, like, revolutionize the horror industry like
• 1:01:42
  Speaker 3: it was pre as much credit as everybody wants to
• 1:01:45
  Speaker 3: give to John Carpenter and Halloween it was well before
• 1:01:49
  Speaker 3: Halloween came out and was doing the same POV shots
• 1:01:52
  Speaker 3: the same creepy guy lurking around your house I mean
• 1:01:54
  Speaker 3: granted there were other ones before that but the way
• 1:01:57
  Speaker 3: that this one's done is really kind of that mold
• 1:02:00
  Speaker 3: that so many other slashers ended up taking from and
• 1:02:03
  Speaker 3: all the creepy guy in the house movies and the
• 1:02:05
  Speaker 3: babysitter movies and everything started stealing from this as time
• 1:02:09
  Speaker 3: went on So I think just from that horror angle,
• 1:02:12
  Speaker 3: he totally sort of changed the way that horror movies
• 1:02:14
  Speaker 3: were made after that. The second one, I'm not as
• 1:02:19
  Speaker 3: huge a fan of, but I will say it's massively influential. Also,
• 1:02:25
  Speaker 3: oddly enough, the director of Porky's arguably invented the teen
• 1:02:30
  Speaker 3: sex genre.
• 1:02:31
  Speaker 2: And if not, it certainly did for the 80s.
• 1:02:34
  Speaker 3: And launched the thousand of knockoff teen sex comedies. Oh, yeah,
• 1:02:38
  Speaker 3: I know.
• 1:02:39
  Speaker 2: They're still making rip-offs.
• 1:02:40
  Speaker 16: Yeah.
• 1:02:41
  Speaker 3: And the thing is, I mean, his weren't that bad. Like,
• 1:02:44
  Speaker 3: if you look at that versus all the other knock-offs,
• 1:02:47
  Speaker 3: I mean, he got roped in with the knock-offs. But
• 1:02:50
  Speaker 3: if you watch that, like, that's the thing. I was
• 1:02:51
  Speaker 3: thinking Black Christmas is way more different stylized than Christmas Story.
• 1:02:56
  Speaker 3: But if you look at Porky's versus Christmas Story, you
• 1:02:59
  Speaker 3: kind of see elements there. Like, it's still this, like, really, like,
• 1:03:03
  Speaker 3: sort of wholesomeness to it. And, you know, they're just
• 1:03:06
  Speaker 3: trying to get laid. But at the same time, the characters...
• 1:03:09
  Speaker 3: are kind of good kids and they kind of want,
• 1:03:10
  Speaker 3: you know, it's still got that like, what was it,
• 1:03:13
  Speaker 3: like early 60s or something it was set in. So
• 1:03:15
  Speaker 3: it's kind of got that Americana feel to it that's
• 1:03:17
  Speaker 3: still the same thing at the core of Christmas Story.
• 1:03:20
  Speaker 3: So you can at least see that's the same director.
• 1:03:22
  Speaker 3: It's a weird, raunchier version, obviously. But you can at
• 1:03:27
  Speaker 3: least see there's parallels there. So, I mean, yeah, just
• 1:03:30
  Speaker 3: those two ended up sort of changing both genres that
• 1:03:34
  Speaker 3: he made it in. And that's not even including the
• 1:03:37
  Speaker 3: legendary at this point. I mean, the fact that A
• 1:03:40
  Speaker 3: Christmas Story has been so far woven into pop culture,
• 1:03:46
  Speaker 3: you couldn't remove it at this point. I mean, its
• 1:03:48
  Speaker 3: influence is, like, huge.
• 1:03:50
  Speaker 2: A huge part of A Christmas Story is the Gene
• 1:03:53
  Speaker 2: Shepard writing. Yeah. And even narration. But, yeah, oh, yeah,
• 1:04:00
  Speaker 2: the direction of it. Because the book is just a
• 1:04:02
  Speaker 2: collection of stories that... And because most of those stories
• 1:04:07
  Speaker 2: don't happen around Christmas, but they lump them all together
• 1:04:10
  Speaker 2: to make, you know.
• 1:04:11
  Speaker 9: Yeah.
• 1:04:11
  Speaker 2: So, yeah, it's a good, it's a great movie.
• 1:04:14
  Speaker 3: But you can see his influence and how much of
• 1:04:17
  Speaker 3: a difference it made because they made that other, like,
• 1:04:20
  Speaker 3: summer story or whatever it was that's still Gene Shepard.
• 1:04:24
  Speaker 11: Yeah.
• 1:04:24
  Speaker 2: And it's still, you know, him.
• 1:04:25
  Speaker 9: It's got a Culkin in it.
• 1:04:27
  Speaker 3: Yeah, it's him doing those same stories, but it's not
• 1:04:30
  Speaker 3: the same. I mean, it's just not even close to
• 1:04:32
  Speaker 3: what happened. can't and again it was sort of that
• 1:04:35
  Speaker 3: perfect storm of you know those those stories darren mcgavin
• 1:04:39
  Speaker 3: like a great cast all around but darren mcgavin more
• 1:04:41
  Speaker 3: than any and and bob clark coming in and kind
• 1:04:44
  Speaker 3: of putting his his spin on it and i don't
• 1:04:47
  Speaker 3: know it's just i think for those three movies alone
• 1:04:50
  Speaker 3: he does not get enough credit because i mean that.
• 1:04:53
  Speaker 2: They're massively influential.
• 1:04:56
  Speaker 3: In in you know our lifetime and and unfortunately he
• 1:04:59
  Speaker 3: can't make any more now but I don't know. I
• 1:05:02
  Speaker 3: kind of, it's, it's amazing how much he gets overlooked
• 1:05:06
  Speaker 3: as a, as a competent director.
• 1:05:08
  Speaker 2: You know, looking back, cause I had not seen this one, um,
• 1:05:11
  Speaker 2: till today. And, um, you know, when you watch it
• 1:05:16
  Speaker 2: out of time, out of real timeline sequence with the
• 1:05:21
  Speaker 2: world and history of film, you think, Oh, this is
• 1:05:25
  Speaker 2: just a rip off or this is just not a
• 1:05:27
  Speaker 2: rip off, but it's just, um, almost cookie-cutter scenarios. Yeah.
• 1:05:33
  Speaker 20: And.
• 1:05:34
  Speaker 3: But there's a reason it is.
• 1:05:35
  Speaker 2: There's a reason it is. It's because, yeah, it's... It
• 1:05:37
  Speaker 2: was the first one to do.
• 1:05:39
  Speaker 3: What they made them all from.
• 1:05:40
  Speaker 2: Exactly. So.
• 1:05:44
  Speaker 2: That's hard to put yourself in that line of thinking
• 1:05:47
  Speaker 2: as a first view without.
• 1:05:49
  Speaker 3: And maybe that's why they had to do their cheesy remake,
• 1:05:51
  Speaker 3: which I haven't watched, I will say. So I'm going
• 1:05:54
  Speaker 3: to watch it in the near future just because I'm
• 1:05:56
  Speaker 3: a geek and I watch most movies if I can.
• 1:05:58
  Speaker 1: So.
• 1:05:59
  Speaker 3: But, I mean, maybe that's why they felt like kids
• 1:06:01
  Speaker 3: couldn't relate to that. It was too cliche at this point.
• 1:06:04
  Speaker 3: They need to update it or something. It's coming from
• 1:06:06
  Speaker 3: inside them. Again, I mean, even that gets credited to
• 1:06:10
  Speaker 3: another movie that kind of ripped it off. I mean,
• 1:06:13
  Speaker 3: that usually gets credited to that one of Stranger Calls.
• 1:06:17
  Speaker 3: The one that's, I think, Carol Kane's in it, and
• 1:06:20
  Speaker 3: it's the babysitter. That one's more the babysitter in the house,
• 1:06:23
  Speaker 3: and it's, you know, we traced the call, you know.
• 1:06:25
  Speaker 1: What year was that?
• 1:06:26
  Speaker 3: That was 1979. And that's the one everybody goes to
• 1:06:33
  Speaker 3: for that, it's coming from inside the house.
• 1:06:35
  Speaker 2: But, you know, really?
• 1:06:36
  Speaker 3: It's straight up out of this. And yeah, that's the
• 1:06:42
  Speaker 3: one that sort of got more attention. And even that,
• 1:06:43
  Speaker 3: people are kind of like, oh yeah, what movie was that? So,
• 1:06:46
  Speaker 3: I mean, it's like.
• 1:06:47
  Speaker 2: I don't know. Even this one doesn't get.
• 1:06:49
  Speaker 3: The credit, especially, I think, for the Halloween thing. I mean,
• 1:06:53
  Speaker 3: don't get me wrong, Halloween is genius and definitely was
• 1:06:57
  Speaker 3: massively influential.
• 1:06:58
  Speaker 9: But it's not original.
• 1:06:59
  Speaker 3: But it's, yeah, that's the thing. Well, I mean, it's
• 1:07:02
  Speaker 3: not like he totally invented it. I mean, was it P.B.
• 1:07:06
  Speaker 3: Tom kind of used POV that was, and it's sort of,
• 1:07:09
  Speaker 3: I think, the very first time that they sort of
• 1:07:12
  Speaker 3: referenced that, but. still, the way that this is done,
• 1:07:15
  Speaker 3: and the way that, you know, they kind of work
• 1:07:17
  Speaker 3: in that whole same, you know, in the house, killing girls,
• 1:07:21
  Speaker 3: you know, it's still, it's definitely very similar to what
• 1:07:25
  Speaker 3: he ended up doing, and here's the weird part, I
• 1:07:28
  Speaker 3: don't know if you've ever heard this, I just heard
• 1:07:30
  Speaker 3: this when I was checking on it today, that they
• 1:07:34
  Speaker 3: asked Bob Clark, I mean, they kind of have this opening,
• 1:07:37
  Speaker 3: and one of the guys was like, hey, you know,
• 1:07:38
  Speaker 3: are you going to do a sequel, a In general,
• 1:07:40
  Speaker 3: he was like, are you ever going to do a sequel?
• 1:07:42
  Speaker 3: And he's like, I don't really want to do sequels,
• 1:07:43
  Speaker 3: and I just want to get away from horror. I
• 1:07:47
  Speaker 3: set out to be a director, not a horror director,
• 1:07:49
  Speaker 3: so I want to start doing other things, which obviously
• 1:07:52
  Speaker 3: he did a lot of other things in different genres.
• 1:07:55
  Speaker 3: But he said, if I was going to do a sequel,
• 1:07:58
  Speaker 3: what I was going to do was have the guy
• 1:08:01
  Speaker 3: sort of get caught and get thrown in an asylum,
• 1:08:05
  Speaker 3: have it be the next fall, and he breaks out
• 1:08:08
  Speaker 3: that night, and he goes out, and he's out in
• 1:08:10
  Speaker 3: the town sort of terrorizing the town, and goes back
• 1:08:13
  Speaker 3: to find, you know, her or the, you know, whoever,
• 1:08:15
  Speaker 3: and sort of get in the house and terrorize them again,
• 1:08:18
  Speaker 3: and it was going to be on Halloween, and he
• 1:08:20
  Speaker 3: was going to call it Halloween.
• 1:08:23
  Speaker 11: Wow.
• 1:08:23
  Speaker 3: So it was supposed to be that Christmas to Halloween. Like,
• 1:08:26
  Speaker 3: he was going to wrap both of them up into
• 1:08:28
  Speaker 3: one thing, and he said he was going to call
• 1:08:30
  Speaker 3: it that before Halloween.
• 1:08:32
  Speaker 2: Ever came about.
• 1:08:34
  Speaker 3: And even he was like, I can't believe somebody hadn't
• 1:08:36
  Speaker 3: already done a movie called Halloween. When he thought of it,
• 1:08:39
  Speaker 3: he was like, I can't believe somebody hadn't already done that.
• 1:08:41
  Speaker 3: So again, no offense to Carpenter, he does a phenomenal movie.
• 1:08:45
  Speaker 3: He winked at me and it was creepy.
• 1:08:49
  Speaker 2: It was creepy. I had nightmares.
• 1:08:52
  Speaker 9: I still wake up in a cold sweat. And not
• 1:08:56
  Speaker 9: in a good way.
• 1:08:57
  Speaker 1: Yikes.
• 1:08:58
  Speaker 2: That is almost... you know, yeah.
• 1:09:01
  Speaker 3: I mean, yeah, so much of that, like even the
• 1:09:05
  Speaker 3: breaking out of the asylum thing, I mean, so much
• 1:09:08
  Speaker 3: of that sort of comes into play.
• 1:09:10
  Speaker 1: It might be the remake of this movie. I swear, like,
• 1:09:14
  Speaker 1: there's like a guy with like a skin disorder. I
• 1:09:17
  Speaker 1: think Or it's like a spin-off of this or something
• 1:09:21
  Speaker 1: like that. But there's a guy with a skin disorder
• 1:09:24
  Speaker 1: and he lives in the attic and he's like yellow
• 1:09:28
  Speaker 1: and he banged his mom at some point and he's
• 1:09:32
  Speaker 1: fucked up and he's killing people.
• 1:09:34
  Speaker 3: If this isn't a movie, start writing it.
• 1:09:37
  Speaker 1: No, it is a movie. I know it is. I
• 1:09:39
  Speaker 1: want to say it's the remake, but I can't remember.
• 1:09:41
  Speaker 2: I'd have to watch it.
• 1:09:44
  Speaker 1: He's yellow.
• 1:09:45
  Speaker 2: Yellow bastard in the attic?
• 1:09:50
  Speaker 12: Oh, man.
• 1:09:51
  Speaker 1: I just... Anybody you know named Billy, it's just hard
• 1:09:57
  Speaker 1: to not say Billy.
• 1:09:59
  Speaker 15: Oh, Billy.
• 1:10:00
  Speaker 3: Billy.
• 1:10:01
  Speaker 1: It's impossible.
• 1:10:02
  Speaker 9: Can we talk about.
• 1:10:04
  Speaker 1: Olivia Hussey now?
• 1:10:06
  Speaker 2: Your favorite person?
• 1:10:07
  Speaker 3: She was gorgeous. She was, and especially in that era,
• 1:10:12
  Speaker 3: I mean.
• 1:10:13
  Speaker 9: She was a horrible actress.
• 1:10:14
  Speaker 20: Hello?
• 1:10:16
  Speaker 10: Hello?
• 1:10:17
  Speaker 3: Hello?
• 1:10:18
  Speaker 9: Hello?
• 1:10:19
  Speaker 3: Yeah, I was thinking.
• 1:10:20
  Speaker 9: Where is she from? Have you looked it up yet?
• 1:10:22
  Speaker 2: Yeah, again, we were trying to figure out.
• 1:10:24
  Speaker 1: Wait, I'm going to guess she's Welsh. No.
• 1:10:28
  Speaker 2: Argentinian. Ah, that's what I was going to say. Argentina.
• 1:10:32
  Speaker 9: Horrible actress. Absolutely gorgeous.
• 1:10:34
  Speaker 2: I mean, she.
• 1:10:35
  Speaker 3: And that's the thing. I think it's almost the, like...
• 1:10:38
  Speaker 3: a cultural thing, maybe?
• 1:10:39
  Speaker 20: Bad acting?
• 1:10:40
  Speaker 3: Well, no, because that's the thing. I remember, like, it
• 1:10:43
  Speaker 3: was probably maybe high school when they had us watch
• 1:10:45
  Speaker 3: Romeo and Juliet, and I was like, that sort of
• 1:10:48
  Speaker 3: won me over. I was like, all right, this Shakespeare
• 1:10:49
  Speaker 3: ain't so bad, because goddamn she's hot in that movie.
• 1:10:52
  Speaker 2: She'd get naked in it. I think she was in that.
• 1:10:56
  Speaker 2: They had to cut that out in high school and
• 1:11:00
  Speaker 2: watched it.
• 1:11:00
  Speaker 17: Well, no, see, now, I'm thinking the one that we
• 1:11:04
  Speaker 17: saw when we were in high school was, Whoever it
• 1:11:07
  Speaker 17: was that played Juliet got out, and there was, like,
• 1:11:09
  Speaker 17: full frontal nudity.
• 1:11:11
  Speaker 3: It might be.
• 1:11:12
  Speaker 10: It's been a while since I've seen her.
• 1:11:12
  Speaker 5: And it was not cut out of our high school version,
• 1:11:14
  Speaker 5: because I know everybody was like, damn!
• 1:11:16
  Speaker 10: And my English teacher was like, oh, my God, oh,
• 1:11:18
  Speaker 10: my God! I think she rented the wrong version.
• 1:11:21
  Speaker 3: I was about to say, like, they've never seen Romeo
• 1:11:23
  Speaker 3: and Juliet.
• 1:11:23
  Speaker 5: Right.
• 1:11:24
  Speaker 3: Shouldn't they be in charge of it?
• 1:11:25
  Speaker 5: I think she got the wrong version. She got the
• 1:11:28
  Speaker 5: non-rated version, and everybody was like, yeah!
• 1:11:32
  Speaker 3: Good going.
• 1:11:34
  Speaker 14: So, yeah, I mean.
• 1:11:35
  Speaker 2: All the boys excused themselves.
• 1:11:39
  Speaker 3: I don't remember her being that bad. Granted, it's been
• 1:11:42
  Speaker 3: a long time since I've seen it, but I don't
• 1:11:43
  Speaker 3: remember being that bad in it. So maybe it's just,
• 1:11:47
  Speaker 3: I mean, something like that is very proper and stupid. And,
• 1:11:51
  Speaker 3: you know, it's like there's a way that you could
• 1:11:53
  Speaker 3: do that with the way she delivers stuff that I
• 1:11:56
  Speaker 3: think would work. And I was almost thinking even in
• 1:11:58
  Speaker 3: something like if she was in a Jane Austen or,
• 1:12:01
  Speaker 3: you know, it's like if she was doing that kind
• 1:12:03
  Speaker 3: of stuff, I think she could pull it off. I
• 1:12:05
  Speaker 3: think she just maybe, again, it's that cultural thing. She
• 1:12:08
  Speaker 3: does not seem American and she does not seem like
• 1:12:11
  Speaker 3: a young American college girl. I mean, she just does
• 1:12:14
  Speaker 3: not come off that way. So, I mean, she is
• 1:12:18
  Speaker 3: functional in this movie, but yeah, she's definitely the least
• 1:12:21
  Speaker 3: believable of any of them.
• 1:12:23
  Speaker 9: I didn't like that her hair didn't have a part
• 1:12:24
  Speaker 9: for most.
• 1:12:25
  Speaker 6: Of the movie.
• 1:12:25
  Speaker 9: That bugs the hell out of me.
• 1:12:27
  Speaker 10: She really.
• 1:12:28
  Speaker 1: Sorry.
• 1:12:29
  Speaker 2: No, go ahead. Keep going.
• 1:12:30
  Speaker 1: She really looks exactly like the girl in that episode
• 1:12:33
  Speaker 1: of It's Always Sunny in Philadelphia where, like, Mac is
• 1:12:38
  Speaker 1: banging the girl that works at the abortion clinic and
• 1:12:40
  Speaker 1: she tells him that she's pregnant but she's not just
• 1:12:43
  Speaker 1: because he's, like, convinced her that he's, like, strongly against
• 1:12:46
  Speaker 1: abortions and that he wants to fight abortion clinics and
• 1:12:49
  Speaker 1: stuff like that. So I think it's hilarious in this
• 1:12:52
  Speaker 1: movie her only goal is to have an abortion.
• 1:12:54
  Speaker 2: Yeah.
• 1:12:55
  Speaker 11: Yeah.
• 1:12:56
  Speaker 10: And how messed up is that?
• 1:12:57
  Speaker 5: Because usually in most movies, it's like, you know, she's pregnant,
• 1:13:00
  Speaker 5: she tells her boyfriend, and he's like, what's his reaction?
• 1:13:03
  Speaker 1: You gotta get rid of that shit.
• 1:13:05
  Speaker 2: He goes, fantastic! That's awesome!
• 1:13:07
  Speaker 10: You're pregnant?
• 1:13:08
  Speaker 2: That's great!
• 1:13:09
  Speaker 10: Yeah, no guy says that.
• 1:13:12
  Speaker 2: Not in college.
• 1:13:13
  Speaker 3: Yeah, I mean, it's weird that he's... But this is
• 1:13:15
  Speaker 3: coming out of a different era, too, when everybody was
• 1:13:18
  Speaker 3: about that family values thing, and you were supposed to.
• 1:13:21
  Speaker 5: No, even then, even in the 70s, and even in
• 1:13:24
  Speaker 5: the early 80s, these.
• 1:13:26
  Speaker 10: Now, guys were all the same.
• 1:13:27
  Speaker 2: They were.
• 1:13:28
  Speaker 3: He's got his piano career ahead of him.
• 1:13:31
  Speaker 2: Most of the time, the.
• 1:13:32
  Speaker 3: Guys are like... I don't have a shitty piano career.
• 1:13:33
  Speaker 2: But if he wanted to quit playing piano, and he
• 1:13:37
  Speaker 2: wanted to marry her and move off and give up
• 1:13:39
  Speaker 2: his life, a baby was the perfect.
• 1:13:42
  Speaker 11: Way to have it.
• 1:13:42
  Speaker 9: Oh, yeah.
• 1:13:42
  Speaker 2: I don't think it was giving up.
• 1:13:44
  Speaker 3: And that's the thing. I was like, okay, even if
• 1:13:46
  Speaker 3: you want to say it was weird for the time,
• 1:13:47
  Speaker 3: once you get into the story, I think... That becomes the, well,
• 1:13:51
  Speaker 3: first of all, okay, it's kind of a jackass move
• 1:13:53
  Speaker 3: on her part to tell him right before he has
• 1:13:55
  Speaker 3: to go perform for these guys who are going to
• 1:13:57
  Speaker 3: back him and keep his career going and whatever. So,
• 1:14:00
  Speaker 3: once again, nice move on your part, Olivia.
• 1:14:03
  Speaker 2: We're going to have a baby. Well, as bad as
• 1:14:05
  Speaker 2: he performed.
• 1:14:06
  Speaker 3: Well, that's what it was. I mean, she told him
• 1:14:09
  Speaker 3: right before that. And he was, you know, now my
• 1:14:12
  Speaker 3: life's screwed up. And this girl I love doesn't want
• 1:14:14
  Speaker 3: to marry me. And she wants to kill my baby.
• 1:14:16
  Speaker 3: And so, yeah, he's not really playing quite right anyway.
• 1:14:20
  Speaker 3: He's a jackass anyway. But on top of that, it's like, okay.
• 1:14:24
  Speaker 3: the way he starts telling that story later is, okay,
• 1:14:27
  Speaker 3: I just screwed up my career, so everything I've been
• 1:14:30
  Speaker 3: working for for most of my life is kind of
• 1:14:32
  Speaker 3: shot to hell now, so what a lot of people
• 1:14:34
  Speaker 3: seem to do in life is that, well, let's fill
• 1:14:36
  Speaker 3: that void. Obviously, I'm not going anywhere professionally with, I'll
• 1:14:40
  Speaker 3: have a.
• 1:14:40
  Speaker 2: Family, and that'll be where I'll go, and I'm going to.
• 1:14:42
  Speaker 3: Leave the conservatory, and I'm going to get married to you,
• 1:14:45
  Speaker 3: and we're going to have a baby, and have a
• 1:14:46
  Speaker 3: perfect little life, and isn't that the story that people
• 1:14:49
  Speaker 3: tell themselves? Isn't that that bullshit that you kind of
• 1:14:51
  Speaker 3: sell yourself when everything else isn't going right? No, I
• 1:14:54
  Speaker 3: never had that problem. Well, see, that's what I'm saying.
• 1:14:57
  Speaker 3: So I think that's, I don't know, I think that's,
• 1:14:59
  Speaker 3: to me, that part seemed believable, that he was sort
• 1:15:03
  Speaker 3: of using that as his crutch to be like, my
• 1:15:06
  Speaker 3: life sucks now.
• 1:15:07
  Speaker 5: In most movies, though, and usually in life, about 90%
• 1:15:11
  Speaker 5: of the time, the guy's going, what?
• 1:15:12
  Speaker 10: What do you mean you're pregnant?
• 1:15:14
  Speaker 3: You've got to be fucking kidding me. But it also
• 1:15:16
  Speaker 3: plays into that other half of this movie, which is
• 1:15:19
  Speaker 3: this very strong female sense of, I mean, the fact
• 1:15:23
  Speaker 3: that it's 74 and this girl's... I mean, it's very
• 1:15:26
  Speaker 3: topical when she's like, you're not going to tell me
• 1:15:28
  Speaker 3: what to do with my body, you know? It's almost
• 1:15:30
  Speaker 3: straight out of the headlines kind of lines for a
• 1:15:33
  Speaker 3: few minutes there. So I think, again, that was kind
• 1:15:35
  Speaker 3: of being progressive in that way, which you couldn't do
• 1:15:37
  Speaker 3: if he was like, well, okay, kill it, you know?
• 1:15:39
  Speaker 3: So you kind of needed him to be a little
• 1:15:41
  Speaker 3: more old-fashioned, let's get married instead, so she can be like,
• 1:15:45
  Speaker 3: I don't want to do that. I don't want to
• 1:15:46
  Speaker 3: throw my life away. So, I don't know. I thought
• 1:15:50
  Speaker 3: for that, it was also being kind of... progressive in
• 1:15:53
  Speaker 3: you know the way that it's you know let's let's
• 1:15:55
  Speaker 3: throw these issues out there but also just the way
• 1:15:58
  Speaker 3: that it treats the women i mean for what is
• 1:16:00
  Speaker 3: essentially a horror movie it puts them in like non
• 1:16:06
  Speaker 3: most of the time they're not victims in their own
• 1:16:08
  Speaker 3: not in the stupid way that they are in most
• 1:16:10
  Speaker 3: slashers that come later And they're also kind of like.
• 1:16:13
  Speaker 9: There was no boobies in this movie.
• 1:16:15
  Speaker 3: Yeah, they're not whores either.
• 1:16:17
  Speaker 16: Like, really?
• 1:16:17
  Speaker 3: I mean, the only one that's ill-behaved is Marco Kidder,
• 1:16:20
  Speaker 3: and she's just drunk all the time.
• 1:16:22
  Speaker 1: And she's like a sleeper.
• 1:16:24
  Speaker 2: And the house mom.
• 1:16:25
  Speaker 3: Yeah, well, the house mom, she's just there for comic relief.
• 1:16:28
  Speaker 9: Right.
• 1:16:28
  Speaker 3: And it's sad that the bio clerk based that on
• 1:16:31
  Speaker 3: his aunt.
• 1:16:33
  Speaker 2: She used to hide booze all over the house.
• 1:16:35
  Speaker 22: That's my aunt.
• 1:16:36
  Speaker 10: Do all aunts do that?
• 1:16:37
  Speaker 3: Do all aunts do that?
• 1:16:39
  Speaker 1: I'm an aunt. Do I have to do that?
• 1:16:41
  Speaker 2: You should start.
• 1:16:43
  Speaker 10: She's the one that drinks the hot booze.
• 1:16:45
  Speaker 2: You're hiding it from the dog. Dog, you don't see
• 1:16:49
  Speaker 2: where I'm putting this booze. You just keep going over there.
• 1:16:54
  Speaker 1: I do have bottles of whiskey on my window sill,
• 1:16:56
  Speaker 1: but it's just because I have a real small apartment
• 1:16:57
  Speaker 1: and not enough cannabis.
• 1:16:59
  Speaker 9: Try to lure the hobos in.
• 1:17:01
  Speaker 11: She is.
• 1:17:01
  Speaker 2: She's got bottles of hot damn on the window sill.
• 1:17:06
  Speaker 2: Two things that, speaking of windows, two things that almost
• 1:17:11
  Speaker 2: right away in this movie, because, you know, up until
• 1:17:14
  Speaker 2: this point, one of the biggest, you know, slasher or
• 1:17:17
  Speaker 2: murder movies, I guess, would be Psycho. You'd probably consider it.
• 1:17:20
  Speaker 2: And two things, the first, the killer behind the plastic
• 1:17:26
  Speaker 2: that's in the closet. And you see the person through that.
• 1:17:29
  Speaker 2: I was like, oh, this is kind of a psycho thing.
• 1:17:33
  Speaker 2: And then the next thing you see is a dead
• 1:17:37
  Speaker 2: person rocking in a rocking chair next to a window.
• 1:17:41
  Speaker 2: And they keep kind of going back to that look
• 1:17:42
  Speaker 2: and even seeing the body outside the window at the
• 1:17:46
  Speaker 2: end in the top floor looking down over things. It's almost... Well,
• 1:17:51
  Speaker 2: definitely the rocking chair body is an homage there.
• 1:17:54
  Speaker 1: Yeah.
• 1:17:55
  Speaker 2: But it's a nice visual.
• 1:17:56
  Speaker 3: And sitting up in the window, I mean, that was
• 1:17:58
  Speaker 3: the mother thing. So, yeah, I can see those touches. So, again,
• 1:18:04
  Speaker 3: even this guy that everybody rips off was kind of
• 1:18:07
  Speaker 3: stealing from another impressive director.
• 1:18:09
  Speaker 2: I wouldn't even call it a rip-off. It was more
• 1:18:11
  Speaker 2: an homage.
• 1:18:12
  Speaker 1: Yeah.
• 1:18:12
  Speaker 2: There was no reason for it to be in a
• 1:18:14
  Speaker 2: rocking chair. There was no, you know, so.
• 1:18:17
  Speaker 3: And, again, I mean, you can't go into... the way
• 1:18:21
  Speaker 3: that he directs this movie and call him packy in
• 1:18:24
  Speaker 3: any way, because that's what I think I noticed so
• 1:18:27
  Speaker 3: much watching it this time is how well put together
• 1:18:30
  Speaker 3: it is. I mean, how much movement there is to
• 1:18:33
  Speaker 3: stuff that like that, even like simple shots, like that
• 1:18:36
  Speaker 3: first time he calls and they're all standing there and
• 1:18:39
  Speaker 3: the camera like starts on the phone and moves to
• 1:18:42
  Speaker 3: each of their faces and like moves each time.
• 1:18:44
  Speaker 2: And focuses each time on.
• 1:18:46
  Speaker 3: Each one and continues this one continuous shot through the
• 1:18:49
  Speaker 3: entire room stopping like it's just it's amazing that shot
• 1:18:53
  Speaker 3: or how many times he just sort of weaves through
• 1:18:56
  Speaker 3: the house and just kind of takes his time to
• 1:18:59
  Speaker 3: set up The situation and the layout that you're in
• 1:19:02
  Speaker 3: and everything feels really real the way that he sort
• 1:19:06
  Speaker 3: of presents this world.
• 1:19:07
  Speaker 13: Yeah.
• 1:19:08
  Speaker 3: It's, I don't know, just the movement in it. I mean,
• 1:19:10
  Speaker 3: even at the end, John Saxon kind of kicks in
• 1:19:12
  Speaker 3: that door and you follow these guys all the way down.
• 1:19:14
  Speaker 3: You're in front of them, but you're sort of backing
• 1:19:16
  Speaker 3: down the hallway and watching him go through these different
• 1:19:18
  Speaker 3: little rooms and different, it's just well put together from
• 1:19:23
  Speaker 3: a directing standpoint.
• 1:19:24
  Speaker 1: Yeah.
• 1:19:25
  Speaker 2: Why didn't they run into the house? Why did they walk?
• 1:19:27
  Speaker 2: I mean, you'd think cops would be running through that
• 1:19:29
  Speaker 2: place trying to get to the girl. That'd be cautious.
• 1:19:32
  Speaker 11: I guess.
• 1:19:33
  Speaker 9: You go running, they're all willy-nilly and shit. You make
• 1:19:37
  Speaker 9: a bad cop. Well, they don't do what.
• 1:19:42
  Speaker 5: Normal cops do. You see them kick in the door,
• 1:19:44
  Speaker 5: and they're like, you know, and then the guy's like.
• 1:19:47
  Speaker 3: Clear, clear, clear.
• 1:19:50
  Speaker 9: He ain't got time for that shit.
• 1:19:52
  Speaker 3: Did you see Nashville? I mean, have you seen the
• 1:19:55
  Speaker 3: cops in this town?
• 1:19:56
  Speaker 11: Yeah.
• 1:19:56
  Speaker 2: With the exception of John Sachs, and that's all they've
• 1:19:59
  Speaker 2: got carrying them.
• 1:20:00
  Speaker 11: Yes.
• 1:20:01
  Speaker 2: That's sad.
• 1:20:02
  Speaker 11: Yeah.
• 1:20:03
  Speaker 3: Nash is a sorry excuse for a cop.
• 1:20:05
  Speaker 9: Yeah.
• 1:20:06
  Speaker 2: I don't know. I just, if I, the cop, maybe
• 1:20:09
  Speaker 2: I wouldn't have the training to be a cop, but
• 1:20:11
  Speaker 2: if I knew there was a young, you know, girl
• 1:20:13
  Speaker 2: in a house with a killer, I'd be running in
• 1:20:16
  Speaker 2: there like a mother.
• 1:20:18
  Speaker 3: Especially if she looked like Olivia do.
• 1:20:19
  Speaker 8: Well, yeah.
• 1:20:20
  Speaker 2: They'd be like, what's up, babe?
• 1:20:23
  Speaker 12: What's going on?
• 1:20:23
  Speaker 1: I just came here to save you.
• 1:20:25
  Speaker 3: To save your ass.
• 1:20:26
  Speaker 2: You know what that means. You're my slave now. I
• 1:20:27
  Speaker 2: can put that part in your hair.
• 1:20:30
  Speaker 3: Well, the cops don't even.
• 1:20:31
  Speaker 10: They don't even search the house for anything.
• 1:20:34
  Speaker 2: No.
• 1:20:34
  Speaker 11: You know?
• 1:20:35
  Speaker 2: There's more dead bodies in the house than they never
• 1:20:36
  Speaker 2: found them.
• 1:20:37
  Speaker 3: They don't search.
• 1:20:37
  Speaker 9: They're never going to handle that much.
• 1:20:39
  Speaker 3: They're getting back to it later.
• 1:20:40
  Speaker 2: Two people.
• 1:20:40
  Speaker 10: Yeah. Hustle can't handle that many dead people. What, all
• 1:20:44
  Speaker 10: two of them?
• 1:20:45
  Speaker 9: There was three.
• 1:20:46
  Speaker 3: There was four total.
• 1:20:46
  Speaker 10: The little girl.
• 1:20:48
  Speaker 2: Well, that's five total. There's like seven, I think, total.
• 1:20:51
  Speaker 2: But there's two upstairs.
• 1:20:52
  Speaker 1: Oh, yeah.
• 1:20:53
  Speaker 10: They never got the two in the attic.
• 1:20:54
  Speaker 3: There's two in the attic. There's the other two sorority girls.
• 1:20:57
  Speaker 3: Still involved. There's the boyfriend. There's the cop outside. And
• 1:21:00
  Speaker 3: there's the girl from earlier. So I think total they killed.
• 1:21:03
  Speaker 3: That's a lot.
• 1:21:03
  Speaker 11: Yeah.
• 1:21:04
  Speaker 9: Yeah.
• 1:21:05
  Speaker 2: There are a lot. But there's two more.
• 1:21:07
  Speaker 3: There's two more they don't even know about, yeah, because
• 1:21:09
  Speaker 3: they're kind of slacking. That's what I'm saying.
• 1:21:10
  Speaker 9: How are they going to handle that?
• 1:21:11
  Speaker 10: Yeah, they wouldn't search it. And there's a fucking ladder
• 1:21:15
  Speaker 10: right there. You know, you don't look upstairs. Maybe the
• 1:21:17
  Speaker 10: killer's still here.
• 1:21:18
  Speaker 2: No, they don't think about that. No, she got it.
• 1:21:21
  Speaker 9: I didn't think about that.
• 1:21:22
  Speaker 10: But they're still going to look through the house for stuff.
• 1:21:25
  Speaker 3: Again, it kind of lacks police work.
• 1:21:28
  Speaker 2: You've seen the small town they're in. Spoiler alert. They
• 1:21:31
  Speaker 2: kind of leave the lead actress hanging a little bit
• 1:21:34
  Speaker 2: there at the end.
• 1:21:35
  Speaker 3: Just a little.
• 1:21:37
  Speaker 2: And what, did they drug her to put her to sleep? Yeah.
• 1:21:41
  Speaker 2: That's pretty lame.
• 1:21:44
  Speaker 10: They don't take her to the hospital.
• 1:21:46
  Speaker 2: We're still looking for the killer. No, they're not.
• 1:21:48
  Speaker 10: No, they're not. they're convinced that the guy was the
• 1:21:51
  Speaker 10: killer but still they take him to the hospital they
• 1:21:54
  Speaker 10: don't leave her in the house where all the murders
• 1:21:57
  Speaker 10: happened with one cop outside that's a crime scene she's
• 1:22:02
  Speaker 10: not going to be in the house they're going to
• 1:22:04
  Speaker 10: pull her out of the house and put her in
• 1:22:06
  Speaker 10: the hospital until the investigation clears the house.
• 1:22:09
  Speaker 2: Even psychologically for a woman to wake up alone in
• 1:22:12
  Speaker 2: a dark house that she was almost killed in all
• 1:22:15
  Speaker 2: of her friends were dead in the next room get
• 1:22:17
  Speaker 2: the fuck.
• 1:22:17
  Speaker 1: Out of here Yeah, that's kind of silly.
• 1:22:21
  Speaker 2: That bugged me.
• 1:22:22
  Speaker 11: Yeah.
• 1:22:22
  Speaker 9: A lot of things bugged me, but I really like
• 1:22:24
  Speaker 9: this movie.
• 1:22:25
  Speaker 2: It did a good job of building suspense.
• 1:22:28
  Speaker 1: It's like, she's like, so traumatized that they have to
• 1:22:32
  Speaker 1: drug her but like the dad passes out a little
• 1:22:34
  Speaker 1: bit they're like we gotta take.
• 1:22:35
  Speaker 10: Her to the hospital yeah.
• 1:22:37
  Speaker 1: Fuck her you know like whatever she's pregnant and everything
• 1:22:39
  Speaker 1: yeah and they're they knew that at that point too
• 1:22:42
  Speaker 1: because she.
• 1:22:43
  Speaker 5: Had admitted yeah he faints and they take him to
• 1:22:47
  Speaker 5: the hospital.
• 1:22:48
  Speaker 2: Right yeah get the guy a stiff drink and what
• 1:22:51
  Speaker 2: slap him wake up.
• 1:22:54
  Speaker 1: We're going to drug this traumatized pregnant lady and just
• 1:22:57
  Speaker 1: kind of leave her here, but we're going to take
• 1:22:58
  Speaker 1: this guy who passed out.
• 1:23:00
  Speaker 2: To the hospital. Right. If the hospital can't handle the
• 1:23:06
  Speaker 2: bodies and her, then why are they going to handle
• 1:23:09
  Speaker 2: the guy with the.
• 1:23:11
  Speaker 1: Maybe she's indigent and they're just like, you probably don't
• 1:23:14
  Speaker 1: have health insurance, college girl.
• 1:23:17
  Speaker 2: Nobody from Argentina has health insurance.
• 1:23:20
  Speaker 10: They exited that house so damn fast. I thought somebody
• 1:23:22
  Speaker 10: was like hiding, waiting because they knew the killer.
• 1:23:25
  Speaker 5: I was like, okay, this is going to be a
• 1:23:26
  Speaker 5: twist because they know it's not the end and he's
• 1:23:28
  Speaker 5: going to be like hiding.
• 1:23:29
  Speaker 1: There's a police escort outside.
• 1:23:31
  Speaker 5: Well, no, I was hoping John Saxon was like in
• 1:23:33
  Speaker 5: the corner just waiting so the guy was going to
• 1:23:35
  Speaker 5: come get her and he'd jump out and he'd be like,
• 1:23:36
  Speaker 5: I got you, motherfucker.
• 1:23:37
  Speaker 2: And then that would have been the end of the movie.
• 1:23:40
  Speaker 10: Didn't happen.
• 1:23:43
  Speaker 2: I think they wanted to rewrite it.
• 1:23:44
  Speaker 3: I think it was the studio or one of them
• 1:23:47
  Speaker 3: that wanted to change the ending because I think that's
• 1:23:51
  Speaker 3: the way it was supposed to end and Bob Clark
• 1:23:53
  Speaker 3: fought for it and eventually got it. He wanted it
• 1:23:56
  Speaker 3: to end that sort of ambiguous way.
• 1:23:58
  Speaker 2: Did they get.
• 1:23:59
  Speaker 9: Into the spoiler alerts for the end?
• 1:24:01
  Speaker 3: Again, we threw the spoiler alert out. This isn't even
• 1:24:05
  Speaker 3: how it ended, but we'll get back to that, I guess.
• 1:24:08
  Speaker 2: They wanted it... I read that they wanted to.
• 1:24:12
  Speaker 10: The studio wanted to wrap it up.
• 1:24:13
  Speaker 3: Well, yeah, but I.
• 1:24:14
  Speaker 2: Think they also wanted to pin it on somebody else.
• 1:24:16
  Speaker 3: So I think they wanted to have all the cops
• 1:24:19
  Speaker 3: leave the room while she's laying there asleep and have
• 1:24:21
  Speaker 3: the fur coat boyfriend still in the room to stay
• 1:24:24
  Speaker 3: with her. And him to then say that line that
• 1:24:27
  Speaker 3: the killer kept saying, that don't tell him what we
• 1:24:29
  Speaker 3: did or whatever, and then kill her in the bed.
• 1:24:32
  Speaker 3: And then he, I guess he gets away with it then.
• 1:24:34
  Speaker 2: I don't know.
• 1:24:34
  Speaker 3: They wanted to at least pin it on somebody so
• 1:24:37
  Speaker 3: that you knew who it was. It was this guy
• 1:24:39
  Speaker 3: all along. And Bob Clark did not want that. He
• 1:24:42
  Speaker 3: was like, nope. I want, I mean, they already, it
• 1:24:44
  Speaker 3: is funny how much they totally red herring you with
• 1:24:47
  Speaker 3: that boyfriend. Like at every turn, it's like, it's the boyfriend,
• 1:24:50
  Speaker 3: it's the boyfriend. It's like, well, it's kind of uninteresting
• 1:24:53
  Speaker 3: if it's the boyfriend.
• 1:24:54
  Speaker 10: I mean, it looks like it's the boyfriend.
• 1:24:56
  Speaker 3: Yeah, it looks like it's the boyfriend.
• 1:24:57
  Speaker 2: I guess the.
• 1:24:58
  Speaker 10: Reason the ending like that, endings like that always, Drive
• 1:25:02
  Speaker 10: me nuts. I always want to see the bad guy killed.
• 1:25:04
  Speaker 6: Yeah.
• 1:25:05
  Speaker 10: You want closure.
• 1:25:06
  Speaker 2: I want closure.
• 1:25:08
  Speaker 10: I want closure. No, not so much closure, but I
• 1:25:10
  Speaker 10: want punishment, man. I want motherfuckers to die.
• 1:25:13
  Speaker 13: Retribution.
• 1:25:14
  Speaker 2: Retribution. Revenge. That's what I want. Well, you can't have
• 1:25:20
  Speaker 2: a sequel if you kill off the killer. There was
• 1:25:23
  Speaker 2: no sequel. And he didn't really want to do a sequel.
• 1:25:25
  Speaker 2: So it's weird that.
• 1:25:27
  Speaker 3: He just wanted to leave it open like that, I think.
• 1:25:29
  Speaker 3: So he just wanted the entire opposite to what you wanted.
• 1:25:32
  Speaker 3: Because I don't think he wanted to do a sequel.
• 1:25:33
  Speaker 2: I'm going to make a sequel.
• 1:25:35
  Speaker 10: And I'm going to find John Saxon.
• 1:25:37
  Speaker 2: It's like 15 minutes long.
• 1:25:39
  Speaker 10: He's going to help me make the sequel.
• 1:25:41
  Speaker 16: John, you hear that?
• 1:25:42
  Speaker 10: You're going to help me make the sequel, man.
• 1:25:43
  Speaker 2: All right, I guess.
• 1:25:44
  Speaker 1: Yeah.
• 1:25:44
  Speaker 2: As long as there's a heater. Yeah. It'll be warm.
• 1:25:48
  Speaker 2: And I'll have cookies.
• 1:25:50
  Speaker 9: We'll get you a fur coat like that one guy.
• 1:25:52
  Speaker 10: I want you to be hiding in the closet and
• 1:25:54
  Speaker 10: you're going to pop out and you're going to shoot
• 1:25:55
  Speaker 10: the guy.
• 1:25:56
  Speaker 2: Either that or punch him.
• 1:25:58
  Speaker 9: You can't like pop out that fast.
• 1:25:59
  Speaker 2: Well, we can do something.
• 1:26:02
  Speaker 3: CGI.
• 1:26:02
  Speaker 9: Yeah.
• 1:26:05
  Speaker 5: Actually, that'd be better if it was like more like, yeah,
• 1:26:09
  Speaker 5: he jumps out of the closet and kicks the guy.
• 1:26:11
  Speaker 11: Kind of like.
• 1:26:12
  Speaker 9: That'd break a hip.
• 1:26:13
  Speaker 11: I don't know.
• 1:26:14
  Speaker 2: He can kick as high as Seagal can.
• 1:26:15
  Speaker 10: He can probably kick higher than Seagal.
• 1:26:17
  Speaker 3: Yeah, at this point, yeah.
• 1:26:19
  Speaker 2: Watch out for your ankles around Seagal.
• 1:26:20
  Speaker 10: What are you going to do, eat him?
• 1:26:25
  Speaker 2: That jacket's going to explode on him.
• 1:26:28
  Speaker 14: Oh, no.
• 1:26:29
  Speaker 6: Yeah.
• 1:26:29
  Speaker 9: Let's talk about that jacket for a second, if we can.
• 1:26:32
  Speaker 9: The fabulous fur.
• 1:26:33
  Speaker 2: That sporty-ass fur coat.
• 1:26:35
  Speaker 9: I don't even know what the hell's going on there,
• 1:26:36
  Speaker 9: but it was like, I don't know how many... Was
• 1:26:39
  Speaker 9: it real fur or was it fake fur?
• 1:26:40
  Speaker 10: No, this had to be real fur.
• 1:26:42
  Speaker 2: I'm sure it was real.
• 1:26:43
  Speaker 11: It was 34.
• 1:26:43
  Speaker 3: Nobody bothered with fake fur in 74.
• 1:26:46
  Speaker 2: That was the college guy.
• 1:26:48
  Speaker 10: Yeah, I got money.
• 1:26:51
  Speaker 3: Yeah, old school.
• 1:26:51
  Speaker 1: Is that what college guys look like in San Diego?
• 1:26:53
  Speaker 3: That was kind of like their old... I'm an artist.
• 1:26:55
  Speaker 2: I got a fur coat.
• 1:26:56
  Speaker 11: Was he?
• 1:26:56
  Speaker 20: You wasn't an artist.
• 1:26:57
  Speaker 3: He was, too.
• 1:26:58
  Speaker 2: Yeah, he's a hockey player.
• 1:27:00
  Speaker 10: Oh, you're talking about the other guy. The fur coat
• 1:27:01
  Speaker 10: wearing guy. What was the boyfriend wearing?
• 1:27:04
  Speaker 2: A green sweater. A green turtleneck.
• 1:27:06
  Speaker 10: He had a jacket, too.
• 1:27:07
  Speaker 9: There was no fur coat.
• 1:27:08
  Speaker 2: Oh, there wasn't?
• 1:27:09
  Speaker 9: It was not that fabulous fur monstrosity that he was wearing.
• 1:27:12
  Speaker 10: I got the two guys mixed up. They both had
• 1:27:14
  Speaker 10: the same haircut.
• 1:27:16
  Speaker 9: I didn't.
• 1:27:16
  Speaker 2: It was the 70s.
• 1:27:19
  Speaker 10: All white people look the same.
• 1:27:22
  Speaker 2: Damn white people.
• 1:27:24
  Speaker 3: You want to hear the best part about the fur coat?
• 1:27:27
  Speaker 3: That was actually the actor's coat.
• 1:27:29
  Speaker 8: Right.
• 1:27:30
  Speaker 3: It still hangs in his closet is the story. Right.
• 1:27:33
  Speaker 3: That was actually his coat in 74, which is awesome.
• 1:27:35
  Speaker 1: I like that the coat is so epic to not
• 1:27:38
  Speaker 1: only us but to everyone that there's, like, Still information
• 1:27:42
  Speaker 1: to be found about this coat. Just in case you're
• 1:27:45
  Speaker 1: wondering what happened to this coat.
• 1:27:46
  Speaker 10: Which I was.
• 1:27:47
  Speaker 9: Behind the stories on that coat.
• 1:27:50
  Speaker 1: I'm going to need pictures of you wearing this coat
• 1:27:52
  Speaker 1: on vacation in all the places that you've been in
• 1:27:54
  Speaker 1: this coat over the years.
• 1:27:56
  Speaker 9: That's awesome.
• 1:27:57
  Speaker 8: Yeah.
• 1:27:59
  Speaker 9: Talk about Olivia Hussey's sweater for a second.
• 1:28:01
  Speaker 2: Oh, the one with the hands on her chest?
• 1:28:03
  Speaker 1: That was awesome.
• 1:28:04
  Speaker 3: I think we're all a little jealous of either having
• 1:28:07
  Speaker 3: that sweater or being that sweater.
• 1:28:08
  Speaker 11: Right.
• 1:28:10
  Speaker 2: Either way.
• 1:28:10
  Speaker 9: What about one chick dude that we were waiting to
• 1:28:12
  Speaker 9: try to make out with Olivia Hussey when she was
• 1:28:14
  Speaker 9: leaning against the door frame?
• 1:28:15
  Speaker 2: The one that looked like a.
• 1:28:17
  Speaker 3: Andrea Martin? The one that looked.
• 1:28:18
  Speaker 9: Like Cher and Mickey Avalon had a baby.
• 1:28:21
  Speaker 3: That's Andrea Martin, which it is funny that she... Yeah,
• 1:28:24
  Speaker 3: that's what... Yeah, midway in, that's what you were saying, Greg,
• 1:28:27
  Speaker 3: is it's weird seeing her be serious.
• 1:28:29
  Speaker 2: Because.
• 1:28:30
  Speaker 3: And even more weird on the casting, you know who that.
• 1:28:33
  Speaker 2: Role was supposed to go to?
• 1:28:35
  Speaker 11: Cher.
• 1:28:35
  Speaker 2: No, I'm just kidding.
• 1:28:38
  Speaker 3: I was supposed to go to Gilda Radner.
• 1:28:40
  Speaker 11: Wow.
• 1:28:41
  Speaker 3: Who then had to go, she was still contractually obligated
• 1:28:44
  Speaker 3: to go work on Saturday Night Live, and they gave
• 1:28:47
  Speaker 3: it to Andrea Martin, who is kind of like the
• 1:28:49
  Speaker 3: SCTV version of her. Yeah, so that's really weird that
• 1:28:55
  Speaker 3: they were picking sort of a comedic actress both times.
• 1:28:57
  Speaker 11: Yeah.
• 1:28:58
  Speaker 2: I wonder if they had an intention to maybe make
• 1:29:01
  Speaker 2: her more comedic.
• 1:29:03
  Speaker 3: I don't know, because she's not really that funny in
• 1:29:05
  Speaker 3: this one.
• 1:29:06
  Speaker 5: Part of his thing was to take comedic actress and
• 1:29:10
  Speaker 5: turn her into a very serious.
• 1:29:12
  Speaker 3: Put her.
• 1:29:13
  Speaker 10: In a serious role.
• 1:29:14
  Speaker 3: They were both so young at that point, though.
• 1:29:18
  Speaker 2: They wouldn't have been known as comedic.
• 1:29:20
  Speaker 3: I guess they came out of improv, maybe. I just
• 1:29:25
  Speaker 3: thought that was weird that there was almost a trade-out
• 1:29:27
  Speaker 3: for one type of actress to another that they didn't
• 1:29:30
  Speaker 3: know what that thought was going to pan out until
• 1:29:32
  Speaker 3: after the fact last night about 10 30 is the
• 1:29:33
  Speaker 3: way she left her room as far as you know
• 1:29:35
  Speaker 3: yes what's this.
• 1:29:57
  Speaker 1: We were having a party last night.
• 1:29:58
  Speaker 2: Did she drink a lot? No, hardly at all. Did
• 1:30:05
  Speaker 2: she have any emotional problems, anything like that?
• 1:30:08
  Speaker 9: No, not clear.
• 1:30:11
  Speaker 21: Who was she seeing besides Chris Hayden?
• 1:30:14
  Speaker 6: No one.
• 1:30:15
  Speaker 10: Sure then.
• 1:30:17
  Speaker 5: What you were saying earlier about this being like a
• 1:30:19
  Speaker 5: sorority slasher movie, yeah, this is totally different because they're
• 1:30:23
  Speaker 5: not all running around.
• 1:30:24
  Speaker 21: No boobies.
• 1:30:26
  Speaker 11: Yeah.
• 1:30:26
  Speaker 10: Oh, I've got to go take a shower.
• 1:30:28
  Speaker 2: Everybody's dead.
• 1:30:29
  Speaker 11: You know.
• 1:30:30
  Speaker 3: They're all in committed relationships.
• 1:30:32
  Speaker 2: They're not screwing around, really.
• 1:30:34
  Speaker 5: They're not all having naked house party pillow fights.
• 1:30:38
  Speaker 3: Nobody's doing drugs. Only one of them's a drunk, if
• 1:30:41
  Speaker 3: you don't count the old lady. So it's like, yeah,
• 1:30:44
  Speaker 3: they're all pretty well behaved and responsible.
• 1:30:47
  Speaker 10: And they all die and just like, you know, I'm
• 1:30:49
  Speaker 10: going to bed.
• 1:30:50
  Speaker 3: And usually it's like the first one that goes is
• 1:30:52
  Speaker 3: the bad girl. No, Margot lives like halfway into the
• 1:30:55
  Speaker 3: movie and it's the best, the nice one that's the
• 1:30:58
  Speaker 3: misunderstood good girl that Oh, it's a shame you're not
• 1:31:01
  Speaker 3: fitting in because you're just too damn nice.
• 1:31:03
  Speaker 2: She's the first one that gets it. Yeah, but she
• 1:31:05
  Speaker 2: had a creepy dad.
• 1:31:06
  Speaker 8: Yeah.
• 1:31:07
  Speaker 11: I don't know.
• 1:31:07
  Speaker 9: He had a weird-shaped noggin.
• 1:31:08
  Speaker 3: He was just a weird dad-looking dude. I mean, I
• 1:31:11
  Speaker 3: don't know that that guy could play much else, really.
• 1:31:13
  Speaker 10: He doesn't even look like he'd be her dad.
• 1:31:16
  Speaker 2: He could be a professor. Yeah, a professor.
• 1:31:18
  Speaker 10: Or a scientist. Yeah, a scientist. He would be the weird.
• 1:31:23
  Speaker 5: rocket scientist guy that, like, defected from Germany in the 30s.
• 1:31:27
  Speaker 2: I thought it was strange that the guy that meets
• 1:31:33
  Speaker 2: the dad in the street after the dad gets hit
• 1:31:36
  Speaker 2: with the snowball and the dad's like, oh, do you know,
• 1:31:38
  Speaker 2: and mentions the daughter's name and he's like, oh, he's
• 1:31:41
  Speaker 2: real foggy on the name.
• 1:31:43
  Speaker 3: Yeah.
• 1:31:43
  Speaker 2: And then he's like, I know right where she lives.
• 1:31:46
  Speaker 2: I know exactly where she lives. I can't remember her name.
• 1:31:49
  Speaker 10: Yeah.
• 1:31:51
  Speaker 2: No, he can't remember her name.
• 1:31:52
  Speaker 9: Well, because then the dad said what the fraternity or
• 1:31:55
  Speaker 9: sorority was.
• 1:31:56
  Speaker 2: Yeah, but it just... It was the 70s. There was
• 1:32:00
  Speaker 2: a lot going on.
• 1:32:01
  Speaker 3: Did you notice the dad just randomly, and this is
• 1:32:04
  Speaker 3: a weird shot, too, because it's getting closer and kind
• 1:32:06
  Speaker 3: of zooming in on him, and then just out of
• 1:32:07
  Speaker 3: nowhere he gets hit with a freaking snowball. Did you
• 1:32:10
  Speaker 3: see it also got stuck in his glasses just like Ralphie?
• 1:32:12
  Speaker 11: Yeah.
• 1:32:13
  Speaker 3: Like almost exactly. I was like, he really likes that shot.
• 1:32:16
  Speaker 2: Doesn't he? And then the other one I was going
• 1:32:19
  Speaker 2: to see if you noticed.
• 1:32:20
  Speaker 3: Well, we can get into what this guy does because
• 1:32:22
  Speaker 3: that we were all sort of fascinated by. But did
• 1:32:25
  Speaker 3: you notice the phone tech guy who he was? He's
• 1:32:28
  Speaker 3: the guy that sells them the Christmas tree in A
• 1:32:30
  Speaker 3: Christmas Story.
• 1:32:30
  Speaker 9: Oh, wow.
• 1:32:31
  Speaker 2: Didn't even pay attention to that. The needles fall off.
• 1:32:34
  Speaker 3: That guy. Yeah. That guy.
• 1:32:37
  Speaker 6: But, okay.
• 1:32:37
  Speaker 2: Let's put it in the corner.
• 1:32:38
  Speaker 3: Let's go to the phone tech world that exists in
• 1:32:42
  Speaker 3: this movie.
• 1:32:42
  Speaker 9: How baffled Marlena was.
• 1:32:44
  Speaker 2: Yeah.
• 1:32:44
  Speaker 6: Right.
• 1:32:45
  Speaker 1: Seriously.
• 1:32:47
  Speaker 3: What the hell is going on with all that craziness?
• 1:32:49
  Speaker 2: Every single connection was a physical connection.
• 1:32:52
  Speaker 10: There ain't no fancy iPhones back then.
• 1:32:54
  Speaker 9: No damn caller ID. That would have solved a lot
• 1:32:57
  Speaker 9: of fucking problems right there.
• 1:32:59
  Speaker 3: It's amazing. I mean, you know, in such a small
• 1:33:02
  Speaker 3: span of time, how much it has changed, really.
• 1:33:04
  Speaker 12: I mean.
• 1:33:05
  Speaker 3: It's been a long time for one lifetime, maybe, but
• 1:33:07
  Speaker 3: in the grand scheme of things, it is a very
• 1:33:10
  Speaker 3: small amount of time.
• 1:33:10
  Speaker 10: Yeah, you're talking about 30 years.
• 1:33:12
  Speaker 3: Yeah, I mean, to look at just, like, you know,
• 1:33:14
  Speaker 3: communications and the way the world works on a day-to-day
• 1:33:17
  Speaker 3: basis in this, you know, from 74 to now is, like,
• 1:33:21
  Speaker 3: worlds of difference. It's so amazing how quickly things change now.
• 1:33:26
  Speaker 1: Not to go into, like, a long thing on this,
• 1:33:29
  Speaker 1: but I think about this at least, like, daily, how
• 1:33:32
  Speaker 1: weird it is that, like, civilization went for thousands of
• 1:33:36
  Speaker 1: years with maybe like one or two technological advances and
• 1:33:40
  Speaker 1: then all of a sudden in the last decade there's
• 1:33:42
  Speaker 1: been like millions of things that have changed our lives.
• 1:33:47
  Speaker 10: Reverse engineering.
• 1:33:48
  Speaker 5: Everything was a big boom after Roswell.
• 1:33:51
  Speaker 3: I'm going to have.
• 1:33:52
  Speaker 2: To tell you about my alien encounter later. Don't encourage him.
• 1:33:55
  Speaker 9: I think it's once they make So once they start
• 1:34:00
  Speaker 9: making these breakthroughs, it kind of opens doors and it's
• 1:34:02
  Speaker 9: kind of like a chain reaction. Once they make one big.
• 1:34:06
  Speaker 1: Thing, it's easier to make. After the Industrial Revolution, it's
• 1:34:11
  Speaker 1: just kind of like, oh.
• 1:34:12
  Speaker 9: Yeah.
• 1:34:13
  Speaker 10: Well, I'm talking about within the last.
• 1:34:16
  Speaker 1: Okay, I said without getting sidetracked.
• 1:34:19
  Speaker 2: Okay, I won't get into it.
• 1:34:21
  Speaker 10: Don't get me started on stuff like that.
• 1:34:24
  Speaker 3: We'll just say that phone system is amazing.
• 1:34:26
  Speaker 2: Yeah, that phone system is rooms full. And the town
• 1:34:30
  Speaker 2: wasn't that big.
• 1:34:31
  Speaker 3: Yeah, well, I mean, yeah, I was like, basically, I
• 1:34:33
  Speaker 3: was trying to figure out what was, I was like, basically,
• 1:34:35
  Speaker 3: it's like you go back. 20 years to that woman
• 1:34:38
  Speaker 3: sitting there pushing you know one cord into the other
• 1:34:40
  Speaker 3: for those 50 people in town that had a phone
• 1:34:43
  Speaker 3: and now this is like the bigger version that each
• 1:34:45
  Speaker 3: of those machines is going to somebody's house you know
• 1:34:48
  Speaker 3: it's like.
• 1:34:48
  Speaker 1: People from like abu dhabi how do people from.
• 1:34:51
  Speaker 3: Abu dhabi relays it to somebody else and yeah well
• 1:34:55
  Speaker 3: in what other country has one that yeah there's some
• 1:34:57
  Speaker 3: guy in a room like that somewhere in that country
• 1:35:00
  Speaker 3: that it relays it on over there or Used to.
• 1:35:03
  Speaker 3: Now it just bounces off of that light.
• 1:35:05
  Speaker 2: My grandma was telling me that the year I was born,
• 1:35:10
  Speaker 2: she had a party line, which I remembered her having
• 1:35:13
  Speaker 2: a party line later in life because I picked it
• 1:35:14
  Speaker 2: up one time and there was somebody on the phone.
• 1:35:16
  Speaker 9: That's a party line.
• 1:35:18
  Speaker 2: You shared the same line with somebody else in town
• 1:35:22
  Speaker 2: just because they didn't have that many of them.
• 1:35:23
  Speaker 1: I kind of remember that on Mr.
• 1:35:25
  Speaker 9: Ed.
• 1:35:25
  Speaker 8: She had.
• 1:35:30
  Speaker 2: It was a four-way party line with four different people.
• 1:35:32
  Speaker 2: And so you'd pick up the phone, and you'd have
• 1:35:34
  Speaker 2: to wait for the other person to get off the phone.
• 1:35:36
  Speaker 2: And I said, so you could pick up the phone
• 1:35:38
  Speaker 2: and listen in on conversations? And she goes, yeah, people
• 1:35:41
  Speaker 2: did it all the time. And she goes, you really
• 1:35:44
  Speaker 2: had to watch what she said. And I said, did
• 1:35:45
  Speaker 2: you ever listen? And she's very proper. And she goes,
• 1:35:49
  Speaker 2: every once in a while, I listen a little bit.
• 1:35:53
  Speaker 1: Would people be able to hear you pick up the phone?
• 1:35:56
  Speaker 2: Probably. They could, just like you're picking one up in
• 1:35:58
  Speaker 2: your house.
• 1:35:58
  Speaker 1: Yeah.
• 1:35:59
  Speaker 10: I remember when I was a kid, we had a
• 1:36:00
  Speaker 10: four-digit phone number.
• 1:36:02
  Speaker 11: Yeah.
• 1:36:03
  Speaker 3: Did it start with Fallacia?
• 1:36:05
  Speaker 10: No.
• 1:36:07
  Speaker 2: It's a news change. You know, Effie. 9417 was our
• 1:36:10
  Speaker 2: phone number.
• 1:36:12
  Speaker 3: Now everybody's going to know they're going to call you.
• 1:36:14
  Speaker 1: Right.
• 1:36:14
  Speaker 3: Back in time. Yeah, really.
• 1:36:16
  Speaker 2: Go for it.
• 1:36:18
  Speaker 10: Let's think.
• 1:36:18
  Speaker 5: I can't remember anything, but I can still remember my
• 1:36:21
  Speaker 5: home phone number, 9417. My other friend's phone number, 6880.
• 1:36:26
  Speaker 5: And my other friend's phone number, 9416.
• 1:36:31
  Speaker 9: But you can't remember the waffles we had.
• 1:36:32
  Speaker 10: But I can remember the waffles we had.
• 1:36:36
  Speaker 5: And this is, you know, as far as technology is
• 1:36:38
  Speaker 5: concerned and stuff like that, I used to have every.
• 1:36:40
  Speaker 10: Phone number memorized in my head.
• 1:36:43
  Speaker 2: Of everyone you knew. Of everyone I knew.
• 1:36:45
  Speaker 5: And now I don't even know my own damn phone number.
• 1:36:48
  Speaker 5: If I didn't have my phone, I wouldn't be able
• 1:36:50
  Speaker 5: to hold it.
• 1:36:50
  Speaker 3: I don't even attempt to learn any numbers. I remember
• 1:36:53
  Speaker 3: my friend's.
• 1:36:53
  Speaker 2: Parents' numbers. I have none.
• 1:36:56
  Speaker 9: I know four phone numbers.
• 1:36:57
  Speaker 10: I know zero phone numbers.
• 1:36:59
  Speaker 9: I know my phone number. I know my mom's. I
• 1:37:01
  Speaker 9: know my grandma's. And I know Brian's. All because those
• 1:37:04
  Speaker 9: are ones that I had to know before I had
• 1:37:05
  Speaker 9: a cell phone.
• 1:37:06
  Speaker 2: And I could type them.
• 1:37:07
  Speaker 9: In there back when I had real phones. Those numbers
• 1:37:11
  Speaker 9: have been the same since before I had a cell phone.
• 1:37:13
  Speaker 10: See, I can't remember anything.
• 1:37:15
  Speaker 11: It's crazy.
• 1:37:15
  Speaker 10: There's no phone numbers that I type in.
• 1:37:18
  Speaker 9: I'm screwed if I need to call you and I
• 1:37:19
  Speaker 9: don't have my cell phone. I'll have to call Brian.
• 1:37:23
  Speaker 2: Can you look up his phone number?
• 1:37:25
  Speaker 10: I can't call anybody. I have nobody to call. I
• 1:37:27
  Speaker 10: don't even know my parents' number.
• 1:37:28
  Speaker 1: One day at school, I lost my keys on the
• 1:37:31
  Speaker 1: same day that I forgot my phone. It was like
• 1:37:33
  Speaker 1: the worst thing ever. It was like awful.
• 1:37:36
  Speaker 2: You were like instantly in the dark ages.
• 1:37:39
  Speaker 9: I can't imagine you without your phone.
• 1:37:44
  Speaker 6: I know.
• 1:37:44
  Speaker 1: It was really weird. I was like, I was driving
• 1:37:48
  Speaker 1: to school, and I was like, oh, shit, I forgot
• 1:37:50
  Speaker 1: my phone. I was like, this would be an awful
• 1:37:52
  Speaker 1: day to lose my keys. I literally thought that on
• 1:37:54
  Speaker 1: the way, and lo and behold, I lose my fucking keys.
• 1:37:57
  Speaker 10: You set yourself up.
• 1:37:59
  Speaker 1: Yes, but thankfully, with the help of the internet, I
• 1:38:02
  Speaker 1: was able to get on Facebook and send people messages
• 1:38:05
  Speaker 1: until they would send me messages back. And then I'm like, Jessica...
• 1:38:10
  Speaker 1: call this number, and then have them call this person,
• 1:38:13
  Speaker 1: and then let them know I'm at school, and they
• 1:38:15
  Speaker 1: can come pick me up. Yeah, that's how it happened. So, still,
• 1:38:18
  Speaker 1: technology aided me in that.
• 1:38:20
  Speaker 11: Awesome.
• 1:38:21
  Speaker 9: But, you know.
• 1:38:22
  Speaker 2: Because there aren't any more payphones.
• 1:38:24
  Speaker 9: There are.
• 1:38:25
  Speaker 2: Very rarely. There's one right down here.
• 1:38:27
  Speaker 10: Right next to the crawler.
• 1:38:29
  Speaker 1: Payphone is forever.
• 1:38:33
  Speaker 2: Department complex don't have phones.
• 1:38:35
  Speaker 5: I don't know, but I see people all the time
• 1:38:38
  Speaker 5: down there using that pay phone.
• 1:38:39
  Speaker 1: Really ghetto people.
• 1:38:40
  Speaker 2: Don't have phones.
• 1:38:41
  Speaker 9: I don't know if my aunt has a phone. You
• 1:38:44
  Speaker 9: can't get much more ghetto.
• 1:38:45
  Speaker 3: Do little kids know what that is when they walk
• 1:38:47
  Speaker 3: past it?
• 1:38:47
  Speaker 11: Yeah.
• 1:38:48
  Speaker 3: What is it, mommy?
• 1:38:50
  Speaker 2: Is this like a Wi-Fi hotspot or something?
• 1:38:53
  Speaker 1: Excuse me, is this hotel beeper friendly? Is there like
• 1:38:58
  Speaker 1: a pay phone bank?
• 1:39:01
  Speaker 11: Yeah.
• 1:39:01
  Speaker 1: Yeah. crazy technology huh and what about that guy wearing
• 1:39:08
  Speaker 1: if he wasn't the killer he picked the wrong day
• 1:39:09
  Speaker 1: to wear that damn green turtleneck.
• 1:39:13
  Speaker 3: Well he wasn't so much but what i want to
• 1:39:15
  Speaker 3: know and actually you brought this up again greg um
• 1:39:18
  Speaker 3: okay so assuming he wasn't the killer at this point
• 1:39:21
  Speaker 3: we don't know but as the movie turns out he's
• 1:39:24
  Speaker 3: not it's kind.
• 1:39:26
  Speaker 2: Of, once again, sort of a dick move to just
• 1:39:28
  Speaker 2: kick in their freaking window.
• 1:39:29
  Speaker 11: Right, right.
• 1:39:30
  Speaker 3: If he's just, I'm worried about my girlfriend because we're
• 1:39:34
  Speaker 3: having an argument, so your next move is to go
• 1:39:36
  Speaker 3: kick in the window of the sorority.
• 1:39:38
  Speaker 2: House she lives in.
• 1:39:39
  Speaker 9: He found out that girl got killed and that they,
• 1:39:41
  Speaker 9: he knew her roommates were missing.
• 1:39:43
  Speaker 3: Did he?
• 1:39:44
  Speaker 6: Yeah.
• 1:39:44
  Speaker 9: I think everybody knew the roommate's roommate.
• 1:39:46
  Speaker 2: And why was he sitting outside of the house?
• 1:39:48
  Speaker 3: Yeah, I mean, that was just, again, him being a
• 1:39:51
  Speaker 3: weird overbearing boyfriend, which he was.
• 1:39:54
  Speaker 2: She needed to die. That's what it comes down to.
• 1:39:56
  Speaker 3: But I was just like, so your overreacting move is
• 1:39:59
  Speaker 3: to go kick in their window and climb into the house.
• 1:40:01
  Speaker 12: Yeah.
• 1:40:01
  Speaker 11: Yeah.
• 1:40:02
  Speaker 2: Yeah.
• 1:40:22
  Speaker 3: Couldn't really.
• 1:40:23
  Speaker 2: She was sort of hiding.
• 1:40:24
  Speaker 3: He couldn't see her after he got in the room.
• 1:40:27
  Speaker 3: I was like, yeah, that whole part seemed kind of weird.
• 1:40:31
  Speaker 20: I don't know.
• 1:40:31
  Speaker 9: I guess they were just banking on, oh, he can
• 1:40:33
  Speaker 9: see her, so that's why he went in there with
• 1:40:34
  Speaker 9: a fork. I'm not buying him. Maybe that's what they
• 1:40:36
  Speaker 9: were doing.
• 1:40:36
  Speaker 2: I think it was just convenience. Unless he was walking
• 1:40:39
  Speaker 2: outside and heard, you know, her.
• 1:40:42
  Speaker 9: Maybe.
• 1:40:42
  Speaker 2: I mean, she was.
• 1:40:43
  Speaker 3: Screaming for the other girls and all that stuff.
• 1:40:46
  Speaker 2: That's right.
• 1:40:46
  Speaker 10: He was outside the house.
• 1:40:48
  Speaker 2: He was probably.
• 1:40:49
  Speaker 10: Looking for a way in because the door was locked.
• 1:40:51
  Speaker 2: That could be. She locked all the doors. Yeah, that
• 1:40:53
  Speaker 2: could be. If my girlfriend with baby in her belly
• 1:40:57
  Speaker 2: was running through the house screaming and people were dying
• 1:41:00
  Speaker 2: that night, I would be jumping through windows on the
• 1:41:02
  Speaker 2: first floor.
• 1:41:02
  Speaker 3: But he was going pretty slow about it. He was
• 1:41:05
  Speaker 3: kind of looking in and walking around.
• 1:41:07
  Speaker 1: Well, I guess he wanted to make sure it was
• 1:41:09
  Speaker 1: her and not like the killer, you know?
• 1:41:12
  Speaker 2: I guess.
• 1:41:12
  Speaker 3: I don't know.
• 1:41:13
  Speaker 9: I think he didn't want to worry about saving those
• 1:41:14
  Speaker 9: other girls. He wanted to make sure it was his girl.
• 1:41:16
  Speaker 3: Yeah, who cares about those?
• 1:41:18
  Speaker 2: Andrew Martin.
• 1:41:18
  Speaker 8: Nah.
• 1:41:19
  Speaker 2: He was kind of weird anyway. Who beats up a piano?
• 1:41:22
  Speaker 3: He was an artist, man.
• 1:41:23
  Speaker 2: You just don't understand. He was just frustrated. He's an asshole.
• 1:41:27
  Speaker 9: Wasn't that piano fault he sucked?
• 1:41:29
  Speaker 2: Well, he bought the lights on the Christmas tree. What
• 1:41:31
  Speaker 2: a jerk.
• 1:41:32
  Speaker 3: That was a creepy-looking Christmas tree, by the way. It
• 1:41:34
  Speaker 3: looked like it had a death shroud on it, which
• 1:41:37
  Speaker 3: fits the movie, but I was just like, who would
• 1:41:39
  Speaker 3: actually decorate their tree like that?
• 1:41:41
  Speaker 2: It looks creepy as hell.
• 1:41:43
  Speaker 1: Yeah, it was weird.
• 1:41:45
  Speaker 2: I don't know. I mean, I don't normally.
• 1:41:49
  Speaker 3: Narrow it down and pick super favorite kind of movies,
• 1:41:53
  Speaker 3: but I've come to realize how much this is, like,
• 1:41:55
  Speaker 3: one of my favorite horror movies. Like, it, I don't know,
• 1:41:58
  Speaker 3: there's just, again, I think it's something about the way
• 1:42:00
  Speaker 3: that it's put together. Like, I think just the way
• 1:42:03
  Speaker 3: that it's shot, it has a weird tone to it,
• 1:42:06
  Speaker 3: and I think that's the first time I watched it.
• 1:42:07
  Speaker 3: I think I watched it on VHS years ago, and
• 1:42:10
  Speaker 3: that's what I kind of connected with. It's this weird, creepy,
• 1:42:13
  Speaker 3: it is that 70s feel for a horror movie, but
• 1:42:16
  Speaker 3: on top of that, it's just, like, the way that
• 1:42:18
  Speaker 3: he puts it together, it's like a lot of those
• 1:42:20
  Speaker 3: shots with all this super gothic architecture in the background,
• 1:42:25
  Speaker 3: like that door frame where he's playing the piano that's
• 1:42:29
  Speaker 3: bigger than most people's houses, and the big archway in
• 1:42:32
  Speaker 3: the background while he's waiting for her out on the
• 1:42:34
  Speaker 3: street there. And yeah, it's like all of that. And
• 1:42:37
  Speaker 3: just the house they live in is this huge, awesome
• 1:42:41
  Speaker 3: house that I think all of that creates this really
• 1:42:45
  Speaker 3: cool atmosphere. And then Again, the fact that it's Christmas time,
• 1:42:49
  Speaker 3: there's so much coldness to it. Like, number one, just
• 1:42:52
  Speaker 3: the weird, like, relationships. Because Olivia Hussey seems very cold anyway.
• 1:42:57
  Speaker 2: Yeah. She answers the phone, hello? Yeah.
• 1:43:01
  Speaker 3: I would assign that needs to be our drinking game,
• 1:43:03
  Speaker 3: is every time she screams hello for no good reason,
• 1:43:05
  Speaker 3: you just say hello.
• 1:43:06
  Speaker 9: I have my answering machine on my cell phone.
• 1:43:09
  Speaker 1: Hello?
• 1:43:09
  Speaker 14: Hello?
• 1:43:10
  Speaker 2: Hello?
• 1:43:11
  Speaker 12: Hello?
• 1:43:11
  Speaker 22: Hello?
• 1:43:12
  Speaker 1: Hello?
• 1:43:14
  Speaker 3: Yeah.
• 1:43:15
  Speaker 9: And we didn't talk about the drunken mess that was...
• 1:43:17
  Speaker 9: What's her face?
• 1:43:18
  Speaker 3: Margot.
• 1:43:19
  Speaker 11: Yeah.
• 1:43:19
  Speaker 3: I don't think that was, like, an act.
• 1:43:21
  Speaker 9: I think it was just her showing up.
• 1:43:23
  Speaker 2: Margot around the house.
• 1:43:25
  Speaker 3: I don't know that she was that big a mess then.
• 1:43:28
  Speaker 3: She entered into some really rough times later.
• 1:43:31
  Speaker 9: How many classes did she fail to be that damn old?
• 1:43:35
  Speaker 2: Yeah, exactly.
• 1:43:36
  Speaker 1: I don't know how old she was at that point.
• 1:43:38
  Speaker 1: Did she look old?
• 1:43:40
  Speaker 9: Maybe she just looked rough. I don't know.
• 1:43:42
  Speaker 3: I thought she was cute at this point. She didn't
• 1:43:44
  Speaker 3: necessarily look young, but she looked cute.
• 1:43:46
  Speaker 2: I'm going to pull a Misty and say her mouth
• 1:43:48
  Speaker 2: bothers me. Something about her upper lip.
• 1:43:53
  Speaker 1: The way her teeth do.
• 1:43:55
  Speaker 9: I don't know.
• 1:43:56
  Speaker 2: I don't want to be a jerk, but it's always
• 1:43:59
  Speaker 2: bothered me about that.
• 1:44:00
  Speaker 3: I don't know. Even in Superman movies, I thought she
• 1:44:03
  Speaker 3: was pretty. It's funny now. She just looks like somebody's grandma.
• 1:44:07
  Speaker 3: I mean.
• 1:44:08
  Speaker 2: We just saw her a few weeks ago.
• 1:44:10
  Speaker 3: It's very strange now how, again, how much things change
• 1:44:14
  Speaker 3: in a few years.
• 1:44:15
  Speaker 1: Scary.
• 1:44:16
  Speaker 3: But yeah, I just, I don't know, I think that
• 1:44:18
  Speaker 3: coldness really comes into play. I realized, again, watching it
• 1:44:21
  Speaker 3: this time, how much there's like wind going in the background.
• 1:44:25
  Speaker 3: Like it really, like they work that in really subtly
• 1:44:28
  Speaker 3: that it always feels like it's like, 13 degrees outside,
• 1:44:32
  Speaker 3: you know? They've always got that.
• 1:44:33
  Speaker 9: And that fucker's just wearing that green sweater.
• 1:44:34
  Speaker 6: Yeah, I know.
• 1:44:34
  Speaker 3: He leaves his coat in there and never goes back.
• 1:44:36
  Speaker 3: Maybe that's why he was kicking it in the window.
• 1:44:38
  Speaker 3: He's like, damn, it's fucking cold. I want my coat.
• 1:44:40
  Speaker 11: Yeah.
• 1:44:40
  Speaker 1: I think angst keeps you warm in the bitter cold.
• 1:44:45
  Speaker 1: I'm angry.
• 1:44:46
  Speaker 10: I'm not cold.
• 1:44:47
  Speaker 3: Creepily lurking outside of your significant other's house keeps you warm.
• 1:44:51
  Speaker 2: You know, with every murder, is there music or something
• 1:44:57
  Speaker 2: going on that's Or something's happening that no one can hear.
• 1:45:03
  Speaker 2: I liked the way, especially the carolers, kind of drown
• 1:45:07
  Speaker 2: out the sound of the soulless, dead-eyed, robot carolers. That's creepy.
• 1:45:12
  Speaker 2: First we can go to the creepy carolers.
• 1:45:15
  Speaker 3: But then again, the way that that's put together, that
• 1:45:17
  Speaker 3: you've got it intercut with the creepy carolers, but this
• 1:45:21
  Speaker 3: little serene Christmas song going on, And then this, like,
• 1:45:25
  Speaker 3: lurking camera POV shot going through the hallway, finding her
• 1:45:29
  Speaker 3: in the bedroom, and then just the cuts back and
• 1:45:32
  Speaker 3: forth of Kirby stabbed.
• 1:45:34
  Speaker 2: To death in bed.
• 1:45:35
  Speaker 9: With a damn unicorn.
• 1:45:36
  Speaker 2: With a freaking unicorn.
• 1:45:37
  Speaker 9: A glass unicorn.
• 1:45:38
  Speaker 3: You gotta watch those unicorns. It was big enough just
• 1:45:42
  Speaker 3: waiting for somebody to just plunge it into themselves one
• 1:45:44
  Speaker 3: way or another.
• 1:45:45
  Speaker 9: Right.
• 1:45:46
  Speaker 3: Sooner or later, somebody was getting stabbed with that thing
• 1:45:48
  Speaker 3: and you called it as soon as he walked in
• 1:45:50
  Speaker 3: the room.
• 1:45:51
  Speaker 1: Yeah, but I've seen it before.
• 1:45:53
  Speaker 3: But either way, it's kind of like, oh, that's going
• 1:45:55
  Speaker 3: in somebody.
• 1:45:55
  Speaker 2: Anybody that has something like that is asking for trouble.
• 1:45:59
  Speaker 1: I mean, it was kind of like foreshadowed, you know?
• 1:46:01
  Speaker 11: Yeah.
• 1:46:02
  Speaker 3: But again, that shot, I mean, that scene, the way
• 1:46:06
  Speaker 3: that it's shot, that It leads to kind of how
• 1:46:09
  Speaker 3: the whole movie works. I mean, it seems massively brutal,
• 1:46:13
  Speaker 3: but you never see it penetrate her at all.
• 1:46:16
  Speaker 2: It's nothing but it's that psycho move again.
• 1:46:18
  Speaker 1: They kind of show a little bit of blood, but
• 1:46:19
  Speaker 1: there's hardly any blood.
• 1:46:21
  Speaker 3: Yeah, there's hardly any blood.
• 1:46:22
  Speaker 1: That's the only part.
• 1:46:23
  Speaker 3: It's not excessive. You never see her get stabbed. You
• 1:46:26
  Speaker 3: just see it coming down on her and back out
• 1:46:29
  Speaker 3: in her bloody hand. It's disturbing the way that it's
• 1:46:33
  Speaker 3: put together, but at the same time, it's that psycho
• 1:46:35
  Speaker 3: thing again. You never.
• 1:46:36
  Speaker 2: see anything.
• 1:46:37
  Speaker 3: Actually happen it's all the way that he puts it
• 1:46:39
  Speaker 3: together and i think that's another thing that is so
• 1:46:43
  Speaker 3: well done about this is the fact that the whole
• 1:46:45
  Speaker 3: killer angle you never see the killer like what other
• 1:46:49
  Speaker 3: movie do you never like i mean you barely even
• 1:46:52
  Speaker 3: see that he's there you get maybe what five shots
• 1:46:55
  Speaker 3: of any part of him like the rest of the
• 1:46:57
  Speaker 3: time he's just out of frame or There's always, yeah,
• 1:47:02
  Speaker 3: this time, there's always creepy shadows moving in the background.
• 1:47:05
  Speaker 3: So you really do see, like, okay, he really is
• 1:47:07
  Speaker 3: just sort of lurking around the house when they're not
• 1:47:09
  Speaker 3: paying attention all day long.
• 1:47:11
  Speaker 1: He's a little bit of a bad Ronald.
• 1:47:13
  Speaker 3: Yeah, he is.
• 1:47:14
  Speaker 2: He's totally bad Ronald.
• 1:47:16
  Speaker 1: Bad Ronald.
• 1:47:17
  Speaker 3: Apparently he went there for that one.
• 1:47:19
  Speaker 2: The whole other one.
• 1:47:20
  Speaker 1: Yeah, if you watch the movie and you notice, there's, like,
• 1:47:23
  Speaker 1: shadows even... At parts where it's not even a focus.
• 1:47:27
  Speaker 1: You kind of have to be paying attention.
• 1:47:28
  Speaker 3: And it is one of those that if you're paying attention,
• 1:47:30
  Speaker 3: clears the boyfriend. Because there's that time when he's sitting
• 1:47:33
  Speaker 3: there telling her about you can't get rid of the baby.
• 1:47:36
  Speaker 3: There's a shadow in the background. And it's like, so
• 1:47:39
  Speaker 3: as much as they were trying to pin it on him,
• 1:47:40
  Speaker 3: it's like you go back and watch it.
• 1:47:41
  Speaker 2: It's like, well, no.
• 1:47:43
  Speaker 1: And also, like, it poses the question, you know, there's
• 1:47:46
  Speaker 1: just so many, like, open ends in this movie. You know,
• 1:47:51
  Speaker 1: like the kid that gets murdered in the park. And
• 1:47:53
  Speaker 1: the fact that this guy knows the conversation that she
• 1:47:57
  Speaker 1: had with Peter, it's almost like he stalks everybody, you know?
• 1:48:01
  Speaker 1: It's like it's not specific just to the house.
• 1:48:04
  Speaker 9: Yeah.
• 1:48:05
  Speaker 1: You know?
• 1:48:05
  Speaker 3: So I think the way that it's shot is kind
• 1:48:08
  Speaker 3: of awesome because it keeps him really... It just keeps
• 1:48:11
  Speaker 3: that suspense going that you never really see him. And
• 1:48:15
  Speaker 3: then also, I guess it ties into that thing that
• 1:48:17
  Speaker 3: we bitch about in horror movies now is how much backlash...
• 1:48:20
  Speaker 3: they give everybody. We don't know what the hell's going
• 1:48:22
  Speaker 3: on with this killer.
• 1:48:23
  Speaker 9: And I kind of like it.
• 1:48:25
  Speaker 3: You know he's messed up. You get little bits and
• 1:48:28
  Speaker 3: pieces of this weird thing that screwed him up as
• 1:48:31
  Speaker 3: a kid and he's grown. He's obviously got female issues now.
• 1:48:35
  Speaker 3: And then you never really find out what the hell
• 1:48:37
  Speaker 3: was going on. You never figure out what sent them down.
• 1:48:40
  Speaker 3: And that's like, that's why this movie's awesome. And I
• 1:48:43
  Speaker 3: haven't seen the remake, but any other movie they make now,
• 1:48:46
  Speaker 3: it's like, oh, and we gotta figure out exactly what
• 1:48:48
  Speaker 3: happened to him, and why he did this, and this
• 1:48:50
  Speaker 3: is tied to this incident.
• 1:48:50
  Speaker 2: I'm pretty sure they over-explained this. I've seen this.
• 1:48:52
  Speaker 11: For a while.
• 1:48:54
  Speaker 1: But, you know, and it's kind of interesting, because you
• 1:48:56
  Speaker 1: don't see the person's face, and you don't know anything
• 1:48:59
  Speaker 1: about them. But you do kind of know that their
• 1:49:01
  Speaker 1: name is more than likely Billy.
• 1:49:02
  Speaker 11: Yeah.
• 1:49:03
  Speaker 1: Yeah, that's the only thing you know.
• 1:49:05
  Speaker 3: Well, they give a little backstory of what it is
• 1:49:09
  Speaker 3: as they go into it. And, like, he keeps talking about.
• 1:49:13
  Speaker 2: He says some other girl's name.
• 1:49:14
  Speaker 3: Agnes. But he's also talking about the baby. So they
• 1:49:18
  Speaker 3: sort of wrote this mini backstory of, you know, he was...
• 1:49:21
  Speaker 3: They think it's like his sister, and he was supposed
• 1:49:23
  Speaker 3: to be taking care of his sister, and something horrible happened,
• 1:49:25
  Speaker 3: and he's to blame, and he's mommy, he's got the whole... So, yeah,
• 1:49:29
  Speaker 3: I mean, there's a... You can piece together this, like.
• 1:49:31
  Speaker 9: Really basic story.
• 1:49:33
  Speaker 3: But again, and that's all up to you. It's like,
• 1:49:35
  Speaker 3: they never have a scene where they're like, well, here's
• 1:49:37
  Speaker 3: what happened to Billy.
• 1:49:38
  Speaker 10: There's a flashback.
• 1:49:40
  Speaker 9: Like how they do at the end of Psycho, where
• 1:49:42
  Speaker 9: they fucking break it down.
• 1:49:43
  Speaker 2: We gotta break it. And again, that was somebody at
• 1:49:45
  Speaker 2: the studio.
• 1:49:45
  Speaker 3: Going, well, people are stupid, you better explain it to them. So,
• 1:49:49
  Speaker 3: I'm sure they tacked that line. scene on if I
• 1:49:51
  Speaker 3: remember in Psycho which is what would be done now
• 1:49:54
  Speaker 3: when they do a horror movie but this that's kind
• 1:49:56
  Speaker 3: of why this is awesome you never are given anything
• 1:49:59
  Speaker 3: in this movie you piece it.
• 1:50:02
  Speaker 9: Together which usually makes me angry too but I think
• 1:50:04
  Speaker 9: it works for.
• 1:50:05
  Speaker 1: This it does it was well done you don't know the.
• 1:50:08
  Speaker 9: Entire movie and at the end you're still like what
• 1:50:11
  Speaker 9: the hell just happened You have that uncertainty that maybe
• 1:50:15
  Speaker 9: a lot of them and the characters in the movie
• 1:50:17
  Speaker 9: would have if something like that happened.
• 1:50:19
  Speaker 11: Who or what?
• 1:50:19
  Speaker 2: You know what I mean?
• 1:50:20
  Speaker 3: And it's just general creepiness. It also plays on that
• 1:50:24
  Speaker 3: same thing that a lot of the horror movies at
• 1:50:26
  Speaker 3: this point, and especially all those babysitter kind of movies
• 1:50:28
  Speaker 3: that came after it, like, This kind of stuff sort
• 1:50:31
  Speaker 3: of does.
• 1:50:32
  Speaker 2: Happen in the real world.
• 1:50:33
  Speaker 3: I mean, you do hear weird stories about, and the
• 1:50:35
  Speaker 3: killer was in the attic the whole time. You know,
• 1:50:37
  Speaker 3: it's those weird, like, urban legends that get built up
• 1:50:40
  Speaker 3: around it.
• 1:50:40
  Speaker 9: That happened.
• 1:50:41
  Speaker 3: Some of them are.
• 1:50:42
  Speaker 9: There was a woman who was living in some guy's, like,
• 1:50:44
  Speaker 9: cabinet or something. Like a cabinet?
• 1:50:46
  Speaker 2: In New York.
• 1:50:47
  Speaker 1: Yeah.
• 1:50:47
  Speaker 2: She was homeless.
• 1:50:48
  Speaker 3: It was the videos.
• 1:50:49
  Speaker 2: He caught her on video.
• 1:50:50
  Speaker 13: Yeah.
• 1:50:51
  Speaker 9: She was snuck in someday.
• 1:50:52
  Speaker 2: I wasn't sure if that.
• 1:50:53
  Speaker 3: I'd heard people say that was staged. But either way,
• 1:50:55
  Speaker 3: I mean, it's all based on real stories.
• 1:50:57
  Speaker 9: I think he had, like, a storage system, like, above his, like,
• 1:50:59
  Speaker 9: that he wasn't using or whatever. So she had got
• 1:51:02
  Speaker 9: in at some point, and he would, like, go in there, like,
• 1:51:05
  Speaker 9: in his kitchen, and, like, half his stuff would be missing, like,
• 1:51:06
  Speaker 9: his food or whatever. So he set up a camera.
• 1:51:09
  Speaker 9: or something and there's some girls actually living.
• 1:51:11
  Speaker 3: Whether it's real or not, that footage is creepy. I
• 1:51:14
  Speaker 3: watched it and I was just like, holy shit.
• 1:51:15
  Speaker 2: It's, yeah, it's creepy.
• 1:51:17
  Speaker 1: I don't want to watch it tonight.
• 1:51:19
  Speaker 3: No, not tonight.
• 1:51:19
  Speaker 1: Maybe tomorrow.
• 1:51:20
  Speaker 2: It's creepy. Turn off the lights and watch. It's creepy.
• 1:51:23
  Speaker 3: But again, that kind of stuff is based on the
• 1:51:25
  Speaker 3: real world and it's like, I think that's another element
• 1:51:27
  Speaker 3: that by the end of it you're like, holy shit,
• 1:51:28
  Speaker 3: what just happened? I don't want to go check that noise.
• 1:51:31
  Speaker 1: Right.
• 1:51:32
  Speaker 3: I'm glad I.
• 1:51:33
  Speaker 1: Can stand in one room and see every single thing
• 1:51:35
  Speaker 1: that's going on in my whole apartment.
• 1:51:37
  Speaker 9: I'm glad that we're heavily armed.
• 1:51:39
  Speaker 5: See, that's another thing that really pissed me off about
• 1:51:42
  Speaker 5: the movie was the cop told her to fucking go
• 1:51:45
  Speaker 5: out the front door and what does she do?
• 1:51:46
  Speaker 10: She drops the phone and screams out for her friends.
• 1:51:50
  Speaker 10: And starts upstairs.
• 1:51:52
  Speaker 9: Yeah.
• 1:51:52
  Speaker 2: It's like, okay... She.
• 1:51:53
  Speaker 1: At least has the forceps.
• 1:51:55
  Speaker 10: To arm herself.
• 1:51:56
  Speaker 2: It doesn't matter. She can't use it. But again, I mean,
• 1:52:00
  Speaker 2: it would have seemed.
• 1:52:01
  Speaker 3: out of character for her to just be wussy and
• 1:52:04
  Speaker 3: run away. Especially knowing she doesn't know her.
• 1:52:07
  Speaker 2: Friends are dead.
• 1:52:09
  Speaker 3: But the cop fucked up because Nash is an idiot.
• 1:52:13
  Speaker 10: He's an idiot.
• 1:52:14
  Speaker 2: Yeah, he shouldn't have told her.
• 1:52:16
  Speaker 5: And he should have just said instead of going, okay,
• 1:52:18
  Speaker 5: drop the phone, whatever you do, just walk out.
• 1:52:21
  Speaker 3: It should have been like, oh, John Saxton's out front.
• 1:52:23
  Speaker 3: Go meet him.
• 1:52:24
  Speaker 10: Yeah, John Saxton's out front.
• 1:52:25
  Speaker 2: Don't worry about that.
• 1:52:26
  Speaker 9: John Saxton's going to kick Nash's ass.
• 1:52:29
  Speaker 2: Oh, yeah, he is.
• 1:52:31
  Speaker 3: It is one of those, especially now, it's that cliche of, no, no,
• 1:52:34
  Speaker 3: don't go upstairs, go out the door.
• 1:52:36
  Speaker 10: What are you doing? Yeah, I'm screaming at the damn screen.
• 1:52:39
  Speaker 2: Fucking retard.
• 1:52:40
  Speaker 1: That's the most plausible situation I can think of that
• 1:52:43
  Speaker 1: that's ever happened in a movie, where it's just like, yeah,
• 1:52:46
  Speaker 1: maybe I would have done the same thing, too.
• 1:52:48
  Speaker 3: If they were my friends, I'd arm myself and fucking
• 1:52:50
  Speaker 3: go upstairs. Hell, I'd do that now.
• 1:52:53
  Speaker 2: And there's nobody there. I'm going out the door.
• 1:52:55
  Speaker 3: I did it the other night. That's why I was
• 1:52:57
  Speaker 3: telling you I was sitting there.
• 1:52:58
  Speaker 2: I heard a noise.
• 1:52:59
  Speaker 3: I armed myself with a sword and I went downstairs
• 1:53:01
  Speaker 3: to see what it was. I was like, that shit
• 1:53:03
  Speaker 3: happens and I'm the one who's going to be like,
• 1:53:05
  Speaker 3: fuck that.
• 1:53:06
  Speaker 2: I'm not going to worry about it.
• 1:53:07
  Speaker 3: I'm going to go down there and stab somebody if
• 1:53:09
  Speaker 3: need be. But I'm taking care of what I need
• 1:53:12
  Speaker 3: to take care of. So, yeah, I certainly would have
• 1:53:15
  Speaker 3: done the same thing. Be like, in the house, well,
• 1:53:18
  Speaker 3: let's go find this motherfucker.
• 1:53:19
  Speaker 6: Right.
• 1:53:20
  Speaker 3: So, it's been, I mean, then once you know, it's
• 1:53:22
  Speaker 3: like you know it's a killer, you know he's in
• 1:53:24
  Speaker 3: the house. If you have sense, it's, yeah, normally horror
• 1:53:26
  Speaker 3: movies are just stupid. Right.
• 1:53:28
  Speaker 2: And they go running.
• 1:53:28
  Speaker 3: Around and they, you know, get themselves killed. So if
• 1:53:31
  Speaker 3: they had sense and took out in a way to,
• 1:53:34
  Speaker 3: you know, wait and kill him before, I don't know.
• 1:53:37
  Speaker 3: It's just so stupid the way they go about it.
• 1:53:39
  Speaker 3: Not necessarily that they decide to arm themselves and fight back.
• 1:53:43
  Speaker 3: It's just, they do it dumb.
• 1:53:44
  Speaker 9: She just seems incompetent to do it.
• 1:53:45
  Speaker 6: Yeah.
• 1:53:46
  Speaker 11: Right.
• 1:53:46
  Speaker 3: It depends.
• 1:53:47
  Speaker 2: It depends on the situation.
• 1:53:48
  Speaker 10: It depends on the situation. It depends on the person.
• 1:53:50
  Speaker 2: Would I do it?
• 1:53:51
  Speaker 10: Yeah, I'd do it.
• 1:53:51
  Speaker 2: But I know how to fight.
• 1:53:52
  Speaker 9: It seems out of character for her.
• 1:53:53
  Speaker 10: It seems out of very, very out.
• 1:53:55
  Speaker 9: Of character for her. She's so damn willing to kill
• 1:53:57
  Speaker 9: her own baby, but she wants to make sure her
• 1:53:58
  Speaker 9: friends are around.
• 1:53:59
  Speaker 2: Kind of, but she's also hard-headed.
• 1:54:01
  Speaker 3: So, I mean, he's telling her not to do it,
• 1:54:02
  Speaker 3: and she's like, well, maybe I will.
• 1:54:05
  Speaker 2: How dare a man tell me what to do? Yeah,
• 1:54:07
  Speaker 2: in a way. He should have told her to go upstairs.
• 1:54:10
  Speaker 10: Oh, yeah, she did get killed, didn't she?
• 1:54:12
  Speaker 2: See, Serge, you're right.
• 1:54:13
  Speaker 10: Told you you were going to get killed.
• 1:54:14
  Speaker 9: What were you saying?
• 1:54:15
  Speaker 6: I'm sorry.
• 1:54:15
  Speaker 10: No, I don't know.
• 1:54:16
  Speaker 1: Whatever.
• 1:54:17
  Speaker 2: He forgot. He'll remember later.
• 1:54:20
  Speaker 3: Maybe.
• 1:54:21
  Speaker 11: I'm fine.
• 1:54:23
  Speaker 2: She still got killed.
• 1:54:24
  Speaker 13: Ha ha.
• 1:54:25
  Speaker 9: We're assuming.
• 1:54:26
  Speaker 3: Maybe.
• 1:54:27
  Speaker 2: She got killed.
• 1:54:28
  Speaker 11: She's dead.
• 1:54:29
  Speaker 2: If they made a sequel, then.
• 1:54:30
  Speaker 16: Yeah.
• 1:54:31
  Speaker 3: She would have lived, but since they didn't, we can
• 1:54:32
  Speaker 3: assume she's dead.
• 1:54:33
  Speaker 2: She's dead.
• 1:54:34
  Speaker 10: Well, because then it.
• 1:54:34
  Speaker 9: Said that every time he would kill somebody, he would
• 1:54:37
  Speaker 9: turn on a column.
• 1:54:38
  Speaker 1: Yeah.
• 1:54:38
  Speaker 9: And at the very end, which were a big old
• 1:54:40
  Speaker 9: major spoiler alert, they zoom out on the house and.
• 1:54:43
  Speaker 5: Cop's standing out there, phone's ringing, he's just looking around
• 1:54:46
  Speaker 5: like a dumb shit.
• 1:54:48
  Speaker 2: Hey, somebody's calling. You're going to be the killer because
• 1:54:51
  Speaker 2: we already got the killer.
• 1:54:53
  Speaker 9: Wake up, crazy drug department lady.
• 1:54:55
  Speaker 11: You know?
• 1:54:58
  Speaker 9: I like the way they did it. I said, usually
• 1:54:59
  Speaker 9: that pisses me off. Usually I like backstory, I want closure,
• 1:55:02
  Speaker 9: but this, it works so well together.
• 1:55:05
  Speaker 3: And really, again, I think it's all of that. It's
• 1:55:08
  Speaker 3: the way that they present the killer and don't show
• 1:55:10
  Speaker 3: you anything. It's that creepy, gothic, cold tone to everything
• 1:55:15
  Speaker 3: that especially worked for it being.
• 1:55:17
  Speaker 14: A 70s movie.
• 1:55:18
  Speaker 3: I don't know, it has become one of my favorite
• 1:55:21
  Speaker 3: horror movies.
• 1:55:22
  Speaker 9: Awesome. Yeah.
• 1:55:23
  Speaker 14: Cool.
• 1:55:24
  Speaker 2: Better than I expected it.
• 1:55:26
  Speaker 9: And her last name's Hussie.
• 1:55:27
  Speaker 2: That's right. And she chose that.
• 1:55:29
  Speaker 3: Really? That's, uh, it's her mom's maiden name. But she
• 1:55:33
  Speaker 3: was born, um, what is it, Olivia some other weird.
• 1:55:37
  Speaker 2: Newton John.
• 1:55:39
  Speaker 9: Yes.
• 1:55:40
  Speaker 2: Yes, it was.
• 1:55:40
  Speaker 3: Olivia Osuna? Not that that's much better, but would you
• 1:55:45
  Speaker 3: choose Hussie? If you had your shot?
• 1:55:48
  Speaker 1: Well, she probably doesn't know.
• 1:55:51
  Speaker 3: But still, I mean, if you're going into show business,
• 1:55:54
  Speaker 3: people are going to be talking.
• 1:55:55
  Speaker 2: About your name.
• 1:55:56
  Speaker 9: Olivia Horne.
• 1:55:59
  Speaker 2: Olivia Trollope.
• 1:56:00
  Speaker 3: Kind of.
• 1:56:01
  Speaker 2: Realistically, she kind of did.
• 1:56:08
  Speaker 3: Just saying, if you're going to change it, you might
• 1:56:10
  Speaker 3: pick something other than Hussie.
• 1:56:12
  Speaker 1: Sperm dumpster.
• 1:56:14
  Speaker 2: Olivia's sperm dumpster.
• 1:56:17
  Speaker 10: And I'm J-Man Orff.
• 1:56:21
  Speaker 2: Fred Garvin, male prostitute. That's right.
• 1:56:25
  Speaker 9: Awesome. So I love this movie. I hadn't seen it
• 1:56:28
  Speaker 9: since probably last year. I think I watched it last
• 1:56:30
  Speaker 9: year around Christmas.
• 1:56:30
  Speaker 1: I'm going to walk my dogs with a giant mace tonight.
• 1:56:34
  Speaker 2: As well you should.
• 1:56:36
  Speaker 1: Seems like a good idea.
• 1:56:37
  Speaker 2: Can you swing that thing?
• 1:56:39
  Speaker 1: No.
• 1:56:39
  Speaker 9: While walking your dogs?
• 1:56:40
  Speaker 1: Would you fuck with.
• 1:56:41
  Speaker 2: Me if I was carrying a mace? She's kind of crazy.
• 1:56:45
  Speaker 2: I think I'll leave her alone.
• 1:56:47
  Speaker 5: Yeah.
• 1:56:48
  Speaker 10: You just kind of have to drop it on somebody.
• 1:56:50
  Speaker 10: You don't even really have to hit. There's one of
• 1:56:51
  Speaker 10: the guys at work who said, that.
• 1:56:53
  Speaker 2: Thing's awfully heavy.
• 1:56:54
  Speaker 10: He goes, you're going to be able to swing that
• 1:56:56
  Speaker 10: thing with full force?
• 1:56:57
  Speaker 2: And I was like, well, it doesn't have to be
• 1:56:59
  Speaker 2: full force.
• 1:57:00
  Speaker 5: I was like, Jed, you don't even have to use
• 1:57:01
  Speaker 5: full force with it. I just took it and dropped
• 1:57:03
  Speaker 5: it on something and he was like, holy crap.
• 1:57:05
  Speaker 2: Just drop it on their foot and run away. Drop
• 1:57:07
  Speaker 2: it on their foot and run. They're not going to
• 1:57:08
  Speaker 2: catch it.
• 1:57:10
  Speaker 10: Kneecaps. Good for hitting kneecaps.
• 1:57:14
  Speaker 3: Alright, on that note, we'll round out Black Christmas and
• 1:57:17
  Speaker 3: we'll be back to wrap up the show. We'll be right.
• 1:57:23
  Speaker 6: Back.
• 1:57:24
  Speaker 2: We'll be right back.
• 1:57:53
  Speaker 23: Hey, Movie Meltdowners, this is Mags from the All Games Considered.
• 1:58:05
  Speaker 15: Podcast, a fellow Louisvillian here, just wanting to call and
• 1:58:13
  Speaker 15: wish you guys the happiest of holidays. I hope you
• 1:58:17
  Speaker 15: get lots of freaky movies to talk about.
• 1:58:19
  Speaker 18: You take care.
• 1:58:20
  Speaker 1: Bye-bye.
• 1:58:29
  Speaker 11: Thank you for listening.
• 1:58:29
  Speaker 10: I'd like to wish you a Merry Christmas and a
• 1:58:31
  Speaker 10: wonderful New Year.
• 1:58:32
  Speaker 20: Okay, Carol, now you take these notes, and we're about
• 1:58:35
  Speaker 20: ready to begin.
• 1:58:35
  Speaker 2: Okay, sure.
• 1:58:36
  Speaker 20: Well, what are you two doing here? We don't record
• 1:58:39
  Speaker 20: until tomorrow.
• 1:58:39
  Speaker 15: We're making a new promo for All Games Considered, since
• 1:58:42
  Speaker 15: you were dragging your feet getting one written.
• 1:58:44
  Speaker 16: Hey, she's right, though.
• 1:58:46
  Speaker 20: It's been too long, and a lot has happened since
• 1:58:48
  Speaker 20: the last promo.
• 1:58:49
  Speaker 11: Yeah, like winning the Gold N.E.
• 1:58:50
  Speaker 15: For Best Gaming Podcast for 2009.
• 1:58:52
  Speaker 20: You mean the one you try to work into the
• 1:58:54
  Speaker 20: conversation every other episode?
• 1:58:55
  Speaker 9: Hey!
• 1:58:56
  Speaker 7: Now, now, there's more than that.
• 1:58:57
  Speaker 15: There's the new format.
• 1:58:58
  Speaker 20: You mean the main show every two weeks and the
• 1:59:00
  Speaker 20: assortment of other features in the meantime?
• 1:59:02
  Speaker 9: Right, like games you may never have heard of, the
• 1:59:04
  Speaker 9: review in new shows.
• 1:59:05
  Speaker 20: Don't forget the RPG buffet. And on the main show,
• 1:59:08
  Speaker 20: we have more time to focus on gaming topics.
• 1:59:10
  Speaker 15: Like board and card games.
• 1:59:11
  Speaker 20: And RPGs. And the people who play them, from the
• 1:59:14
  Speaker 20: old school to the newest of the new.
• 1:59:16
  Speaker 11: But no changeling.
• 1:59:18
  Speaker 15: Hey!
• 1:59:19
  Speaker 20: Find out more at agcpodcast.info. All games considered, because there's
• 1:59:24
  Speaker 20: more than one true way to play.
• 1:59:29
  Speaker 21: Tweaked Audio, your source for high-performance, noise-reducing earbuds. Available in
• 1:59:34
  Speaker 21: three styles and seven colors, durable and designed to sound
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  Speaker 21: one you're listening to now. Tweaked Audio earbuds come with
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  Speaker 21: a one-year warranty, and now there's a special deal for
• 1:59:46
  Speaker 21: Movie Meltdown listeners. Just go to tweakedaudio.com, and when you
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  Speaker 21: check out, enter the discount code MELTDOWN. Then you'll get
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  Speaker 21: 33% off and free shipping. Tweaked Audio. Sounds better.
• 1:59:59
  Speaker 8: What's part of your problem?
• 2:00:01
  Speaker 10: You know, you haven't seen enough movies. All of life's
• 2:00:04
  Speaker 10: riddles are answered in the movies.
• 2:00:06
  Speaker 11: And now, on with the show.
• 2:00:09
  Speaker 8: We're going to have the hap-hap-happiest Christmas since Bing Crosby's
• 2:00:15
  Speaker 8: half-dance with Danny fucking Kane.
• 2:00:19
  Speaker 19: Sleigh bells ring, are you listening? In the lane, snow
• 2:00:25
  Speaker 19: is glistening. A beautiful sight, we're happy tonight. Walking in
• 2:00:32
  Speaker 19: winter wonderland. Gone away is the bluebird. Here to stay
• 2:00:40
  Speaker 19: is the new bird. He sings a love song as
• 2:00:44
  Speaker 19: we go along Walking in the winter wonderland.
• 2:00:49
  Speaker 9: Talk about Scott Weiland's Christmas album.
• 2:00:52
  Speaker 12: Oh, wow.
• 2:00:53
  Speaker 2: That's gotta be it. Do you know how many people
• 2:00:56
  Speaker 2: have traumatized with that work?
• 2:00:57
  Speaker 10: Yeah, I've showed a couple.
• 2:01:00
  Speaker 3: I kept showing people.
• 2:01:01
  Speaker 10: Randy's thing on that thing. Oh, wow.
• 2:01:04
  Speaker 9: That was.
• 2:01:05
  Speaker 10: It's horrible.
• 2:01:07
  Speaker 2: It's horrible.
• 2:01:08
  Speaker 3: It's frightening.
• 2:01:09
  Speaker 9: Trying to sing like Bing Crosby.
• 2:01:11
  Speaker 3: It's frightening.
• 2:01:13
  Speaker 2: Apple fritters.
• 2:01:15
  Speaker 11: And the other.
• 2:01:16
  Speaker 2: Okay, I already told you the.
• 2:01:18
  Speaker 3: My version of it was he's so drugged up now
• 2:01:20
  Speaker 3: he actually thinks he's Bing Crosby. And then I decided
• 2:01:23
  Speaker 3: he was being held at gunpoint because he looks like
• 2:01:26
  Speaker 3: he does not want to be doing what he's doing.
• 2:01:28
  Speaker 3: But the final one, it was funny, they were like, damn,
• 2:01:31
  Speaker 3: I think you're right. I was like, remember the Bodies
• 2:01:34
  Speaker 3: Alive tour that came through with those plasticine dead bodies?
• 2:01:38
  Speaker 2: That's kind of what his face looks like the whole time.
• 2:01:41
  Speaker 3: He's just got that creepy, not human, but sort of
• 2:01:45
  Speaker 3: used to be human.
• 2:01:46
  Speaker 10: Look to it, and He's got that look of pain.
• 2:01:49
  Speaker 3: It's pain, but it's also like I'm already dead. I'm
• 2:01:53
  Speaker 3: already dead, and I'm just doing this because they reanimated
• 2:01:56
  Speaker 3: my body just enough to sing and dance.
• 2:01:59
  Speaker 9: It just sounds horrible. It's terrible.
• 2:02:01
  Speaker 10: It's terrible.
• 2:02:06
  Speaker 3: All right, we're back, and I won't even give you
• 2:02:09
  Speaker 3: the full decoder pin this time, because we're still piecing together,
• 2:02:13
  Speaker 3: but we will be back, and we're working on another
• 2:02:16
  Speaker 3: special guest.
• 2:02:17
  Speaker 6: Uh-oh.
• 2:02:18
  Speaker 2: A very special.
• 2:02:19
  Speaker 3: Episode, so... Like, short, but special? All right, so that's
• 2:02:25
  Speaker 3: pretty much it. We will be back with that one
• 2:02:29
  Speaker 3: very soon. In the meantime, musically.
• 2:02:32
  Speaker 1: I would have gone out with Dreaming of a White Christmas,
• 2:02:34
  Speaker 1: except every time it says White Christmas, you just impose
• 2:02:38
  Speaker 1: your voice over it.
• 2:02:38
  Speaker 12: Black.
• 2:02:41
  Speaker 1: I'm dreaming of a black Christmas.
• 2:02:44
  Speaker 3: You get right on mixing that up for us, okay?
• 2:02:46
  Speaker 1: Yeah.
• 2:02:47
  Speaker 15: Nice.
• 2:02:47
  Speaker 2: Otherwise, that about does it. We will return next week.
• 2:02:50
  Speaker 2: Same geek time, same geek feed.
• 2:02:52
  Speaker 3: Thanks for listening. Bitter days.
• 2:02:56
  Speaker 9: December nights.
• 2:02:58
  Speaker 3: City haze. Apartment lights in the ghetto.
• 2:03:04
  Speaker 1: That Christmas.
• 2:03:11
  Speaker 8: In the night, siren wings.
• 2:03:17
  Speaker 4: They're still filling up the jams in the ghetto.
• 2:03:23
  Speaker 3: That Christmas.
• 2:03:30
  Speaker 2: People don't dream of a Christmas that's white.
• 2:03:35
  Speaker 9: Without a tree inside.
• 2:03:39
  Speaker 8: We have a dream, we dream every night.
• 2:03:43
  Speaker 3: Black is just as.
• 2:03:45
  Speaker 8: Beautiful as white Looking for that moment when There's peace
• 2:03:54
  Speaker 8: on earth, goodwill to men in the ghetto.
• 2:03:59
  Speaker 3: In the.
• 2:04:01
  Speaker 8: Ghetto, there come Christmas In the ghetto, in the ghetto
• 2:04:18
  Speaker 8: There come Christmas Ah, here for the dream Of a
• 2:04:27
  Speaker 8: Christmas that's bright.
• 2:04:30
  Speaker 3: That tree inside.
• 2:04:34
  Speaker 8: We have a dream We dream of a night That
• 2:04:39
  Speaker 8: is just as beautiful as white Looking for That moment
• 2:04:47
  Speaker 8: when There's peace on earth Good will to.
• 2:04:51
  Speaker 22: Men In the ghetto.
• 2:04:53
  Speaker 8: In the ghetto Hello?
• 2:04:57
  Speaker 6: Hello?
• 2:04:57
  Speaker 3: Hello?
• 2:05:21
  Speaker 2: Oh, hell not again.
• 2:05:22
  Speaker 14: This episode is a production of Movie Meltdown, produced and
• 2:05:25
  Speaker 14: edited by the Oddity Studios, with opening music performed by
• 2:05:28
  Speaker 14: the Empires. For more on how to sponsor or support
• 2:05:31
  Speaker 14: the show, email producer at moviemeltdown.com.
• 2:05:34
  Speaker 6: Talk hard!