Latest / Spoil Me! One Piece / One Piece, 761-762

Transcript

One Piece, 761-762 · Spoil Me! One Piece

• 0:02
  Speaker 1: This is an Unspoiled Network podcast. This is spoil Me,
• 0:10
  Speaker 1: covering one piece episodes seven sixty one and seven sixty two.
• 0:17
  Speaker 1: Time limit closes in the bond between the Mink Tribe
• 0:20
  Speaker 1: and the crew and the delinquent comes home Emperor Big
• 0:26
  Speaker 1: Mom's assassins. In these episodes, we get some more of
• 0:34
  Speaker 1: the details about exactly what's going on with Sanji, and
• 0:37
  Speaker 1: it is not what I expected. Friends. I really had
• 0:41
  Speaker 1: a very specific idea of where he was what happened.
• 0:49
  Speaker 1: I was so far off and literally, guys, it just
• 0:53
  Speaker 1: never even occurred to me. There was another option, my surprise.
• 0:58
  Speaker 1: Welcome to spoil Me. Welcome to the show everyone. I
• 1:20
  Speaker 1: am Natasha. Thank you very much to Florian for commissioning
• 1:24
  Speaker 1: this episode. Florian is here in the chat along with
• 1:28
  Speaker 1: Sarah fem So, thank you very much to both of
• 1:31
  Speaker 1: you for being here. Yeah, these two episodes I actually
• 1:36
  Speaker 1: really really enjoyed. I was surprised at how I just
• 1:43
  Speaker 1: you know, it was very gripping because of the assumptions
• 1:48
  Speaker 1: that I had made and then finding out that I
• 1:50
  Speaker 1: was as dead wrong about all of it. So let's
• 1:54
  Speaker 1: jump in, shall we. The time limit closes in I
• 1:59
  Speaker 1: had mentioned you know already in the previous episode that
• 2:05
  Speaker 1: I found it a little bit what's the word I
• 2:08
  Speaker 1: want chilling, Perhaps when we find out that it's Caesar
• 2:15
  Speaker 1: who created the gas that's used on all of the
• 2:17
  Speaker 1: mink tribe, and the first half I would say of
• 2:25
  Speaker 1: this episode focuses a lot on Caesar figuring out how
• 2:31
  Speaker 1: to undo the damage that was done. I was the
• 2:42
  Speaker 1: scene where Caesar is really excited because it's the gas
• 2:47
  Speaker 1: that he invented. Happened in the previous episode, but I
• 2:52
  Speaker 1: didn't get like I had forgotten about this thing that
• 2:56
  Speaker 1: sort of caught my attention, and so I didn't mention it.
• 2:58
  Speaker 1: So I want to mention it here. There is a
• 3:02
  Speaker 1: face Caesar is making as he realizes that this is
• 3:07
  Speaker 1: his invention that is so off putting, and it's definitely
• 3:14
  Speaker 1: meant to be like him being overcome with excitement at
• 3:20
  Speaker 1: getting to see it in the like in the flesh,
• 3:24
  Speaker 1: see it working, and you know, he clearly like imagined
• 3:30
  Speaker 1: what the effect of the gas would be but never
• 3:33
  Speaker 1: actually got to see it. So there's that aspect of it.
• 3:38
  Speaker 1: But the face that he is making is his eyes
• 3:46
  Speaker 1: are doing something and I can't even really describe it.
• 3:50
  Speaker 1: But I never want to see this look on his
• 3:52
  Speaker 1: face ever again. That's all I'm gonna say on the
• 3:55
  Speaker 1: matter is just that it was a different Caesar Clown
• 3:58
  Speaker 1: than we normally get to see, and I hated it.
• 4:02
  Speaker 1: I'm gonna also just like quickly, guys a little peek
• 4:06
  Speaker 1: behind the curtain, as if there's any curtain really on
• 4:09
  Speaker 1: this show. But something is going on with Crunchy roll
• 4:13
  Speaker 1: right now, and I can't actually see any of the animation.
• 4:19
  Speaker 1: I am on the episode. It is playing the slider
• 4:24
  Speaker 1: to scrub to different parts of the episode. When I
• 4:26
  Speaker 1: am on that slider, I can see the animation in
• 4:29
  Speaker 1: a little thumbnail, but the larger screen is black and
• 4:34
  Speaker 1: the subtitles are working. That's the only thing that's popping up.
• 4:39
  Speaker 1: So I don't know what's going on. But forgive me
• 4:41
  Speaker 1: if there is something that I'm not really able to
• 4:43
  Speaker 1: see the detail of, because I'm kind of having to
• 4:46
  Speaker 1: just go along with the thumbnail right now. So anyway,
• 4:52
  Speaker 1: the whole like Caesar Clown, it's like ecstasy. It's in raptures,
• 4:56
  Speaker 1: you know. And I was so proud of Chopping for
• 5:00
  Speaker 1: beating the ever loving hell out of him. He is
• 5:04
  Speaker 1: so he has such a firm sense of right and wrong.
• 5:09
  Speaker 1: And when Caesar tries to be like, I didn't set
• 5:15
  Speaker 1: the gas off. I don't know why you're yelling at me.
• 5:18
  Speaker 1: I didn't do this. I was ready to hurl and
• 5:23
  Speaker 1: thankfully immediately Chopper is like, if you hadn't invented this
• 5:30
  Speaker 1: fucking garbage, we wouldn't be here in the first place,
• 5:34
  Speaker 1: which correct. Everybody applaud Chopper. Yes, thank you, I Caesar,
• 5:41
  Speaker 1: come now. He really does see it that way, though,
• 5:45
  Speaker 1: I suspect you know what I'm saying, Like, I this
• 5:53
  Speaker 1: is the thing I think with the state of the world,
• 6:01
  Speaker 1: there are a lot of people I think that are
• 6:04
  Speaker 1: really good at detaching their own actions from the consequences
• 6:11
  Speaker 1: of those actions and divorcing them in such a way
• 6:15
  Speaker 1: that they are able to tell themselves an entire story
• 6:19
  Speaker 1: about why the suffering or exploitation of other people isn't
• 6:25
  Speaker 1: that big a deal actually, And it's really like it's
• 6:31
  Speaker 1: something that I understand in that as a younger person,
• 6:38
  Speaker 1: when I would watch movies or TV shows or read
• 6:42
  Speaker 1: books where you know, somebody died because they did a
• 6:46
  Speaker 1: thing to save someone, the person who survived because they
• 6:51
  Speaker 1: were saved, being like they are dead because of me.
• 6:54
  Speaker 1: It's my fault. I would get really impatient with that
• 7:00
  Speaker 1: kind of sentiment because it always just felt for me,
• 7:04
  Speaker 1: how like that person made a choice, and yes they
• 7:10
  Speaker 1: wound up dead, but it is not your fault that
• 7:15
  Speaker 1: they're dead. You didn't shove them in front of the train,
• 7:18
  Speaker 1: you know that kind of thing. I really only understood
• 7:25
  Speaker 1: consequences in a super direct and yes, childish way. Now
• 7:33
  Speaker 1: that I have grown up, I understand the ripple effect
• 7:37
  Speaker 1: of actions taken, and I understand that while something may
• 7:43
  Speaker 1: technically be truly not somebody's fault, while something might yes,
• 7:49
  Speaker 1: a person made a choice in doing the thing they did,
• 7:54
  Speaker 1: you still can feel like it was your fault because
• 7:58
  Speaker 1: of a feeling of obligation in the moment, feeling like
• 8:02
  Speaker 1: maybe you owed somebody something or a manipulation that was
• 8:07
  Speaker 1: you know, put on you. This this sort of thing
• 8:11
  Speaker 1: is I think part of what is wrong with our
• 8:15
  Speaker 1: world in general is how many people are able to
• 8:20
  Speaker 1: just step aside from their fault in a thing and
• 8:26
  Speaker 1: then behave as if any other fallout is none of
• 8:31
  Speaker 1: their business. Basically, you know, Caesar made these horrible weapons
• 8:38
  Speaker 1: and genuinely feels like the fact that there are so
• 8:42
  Speaker 1: many casualties here has nothing to do with him, and
• 8:46
  Speaker 1: I really think that he actually believes that, And there
• 8:51
  Speaker 1: is a part of me I am not going to
• 8:54
  Speaker 1: lie at kids that sometimes is like, it must be
• 8:59
  Speaker 1: so nice to live like that. It must be so
• 9:04
  Speaker 1: lovely to feel no like responsibility or shame about a
• 9:14
  Speaker 1: thing I can't imagine, because like, I just don't live
• 9:20
  Speaker 1: like that ever, not since I was little. And it's
• 9:25
  Speaker 1: very infuriating to know that there are a lot of
• 9:28
  Speaker 1: fucking not just adults out there, but also adults with
• 9:33
  Speaker 1: real power, people who really have the ability to make
• 9:38
  Speaker 1: the world a better place, and they just don't. And
• 9:42
  Speaker 1: they don't see a single thing wrong with the fact
• 9:44
  Speaker 1: that they're choosing not to. And I can't understand that mindset,
• 9:51
  Speaker 1: you know. I just I don't think I ever will.
• 9:55
  Speaker 1: And in reality, as much as I say it must
• 9:57
  Speaker 1: be nice, I don't really want too because it would
• 10:02
  Speaker 1: turn me into a much worse person. But I envy
• 10:06
  Speaker 1: the simplicity and the free feeling that people like that
• 10:10
  Speaker 1: must have. So anyway, as usual, Sangi has to bully
• 10:20
  Speaker 1: Caesar into doing something about this gas by squeezing his heart,
• 10:25
  Speaker 1: and they get that whole thing with the water rushing
• 10:29
  Speaker 1: over them just as this is being cleared up, and
• 10:33
  Speaker 1: so we kind of pick up here in the part
• 10:36
  Speaker 1: of the story where are where the episode that first
• 10:43
  Speaker 1: rejoins this crew picks up. I don't know how many
• 10:48
  Speaker 1: episodes ago now, it was probably like ten or twelve,
• 10:52
  Speaker 1: but yeah, it was. It was this moment where they're
• 10:57
  Speaker 1: having the confrontation with Sheep's head and gin Rummy, and
• 11:04
  Speaker 1: I thought, because Jin Rummy, you know, remember, she says
• 11:08
  Speaker 1: something like, clearly, the Samurai isn't here if we haven't
• 11:14
  Speaker 1: found him after pushing them this far, so go back
• 11:18
  Speaker 1: and report that he isn't here. I uh. At the time,
• 11:26
  Speaker 1: I thought that she was talking just about our guys
• 11:31
  Speaker 1: and pushing the straw hats this far, and that we
• 11:35
  Speaker 1: had come in at the tail end of a pretty
• 11:37
  Speaker 1: big straw hats fight, and that she was saying, Okay,
• 11:41
  Speaker 1: so the Samurai isn't with the straw Hats. So I
• 11:46
  Speaker 1: was thinking that it was either Kinemon or Contred or
• 11:51
  Speaker 1: even potentially Zoro, even though that didn't really seem very likely.
• 11:59
  Speaker 1: So now find out it was not actually anything to
• 12:04
  Speaker 1: do with them. When she's talking about he's not here
• 12:07
  Speaker 1: after we pushed them this far. She's talking about the Minx,
• 12:10
  Speaker 1: So it just recontextualizes that whole thing. And also it
• 12:15
  Speaker 1: makes it so that my assumption that Sanji got grabbed
• 12:23
  Speaker 1: up by them, like I'm starting, I'm starting to see
• 12:27
  Speaker 1: at this point in the episode, I'm like, wait a second,
• 12:29
  Speaker 1: did they grab him? Is he the one? Because it
• 12:31
  Speaker 1: sounds like they wanted to pull out of this, and
• 12:35
  Speaker 1: eventually we see that that isn't it. But we have
• 12:41
  Speaker 1: then the sort of recovery section of the episode, which
• 12:47
  Speaker 1: this is as close as we get in this show
• 12:52
  Speaker 1: other than like the celebration parties that we always have
• 12:58
  Speaker 1: at the end of an arc. This is the closest
• 13:01
  Speaker 1: that we get to a moment of everybody getting to
• 13:08
  Speaker 1: just chill together and show off their skill sets in
• 13:13
  Speaker 1: a much lower stakes setting than we usually get to see.
• 13:19
  Speaker 1: And you guys know, I was super, super into this.
• 13:24
  Speaker 1: We get Chopper managing to basically heal everybody. You know,
• 13:31
  Speaker 1: he's managing. There's a nurse and I think there's another
• 13:35
  Speaker 1: doctor or maybe he's also a nurse or something, but
• 13:41
  Speaker 1: Chopper is in charge of the two of them. We
• 13:45
  Speaker 1: get Soanji making a huge bowl of food for everybody,
• 13:51
  Speaker 1: and you know just that bit where he gets to
• 13:55
  Speaker 1: roll in a giant pot that he has made for
• 13:59
  Speaker 1: every body to enjoy, and how excited he is, and
• 14:03
  Speaker 1: how all of the people like the the gas. They
• 14:09
  Speaker 1: had sort of thought at first that maybe everybody who
• 14:11
  Speaker 1: was down was actually dead. And eventually they begin to
• 14:17
  Speaker 1: come to when we realize they're going to be okay,
• 14:20
  Speaker 1: but they're still like weak and in tough shape. But here,
• 14:24
  Speaker 1: once we see them eating, they're beginning to regain their
• 14:27
  Speaker 1: strength and kind of come back to themselves. Then we
• 14:31
  Speaker 1: get Brooke, who is playing music for them. He's doing
• 14:38
  Speaker 1: the I can't remember the name of it, you guys,
• 14:43
  Speaker 1: but you know his song, and it's just everybody getting
• 14:47
  Speaker 1: to like relax and rest and it was really nice.
• 14:55
  Speaker 1: I just this is one of my favorite elements of
• 15:00
  Speaker 1: the story, and I want more of it than we get.
• 15:03
  Speaker 1: And maybe that's exactly the way it should be. Maybe
• 15:07
  Speaker 1: I should always want more of this kind of thing.
• 15:11
  Speaker 1: But sorry, oh my god, there's a bunch of chat
• 15:14
  Speaker 1: that I missed. Floren says there is a novel called
• 15:18
  Speaker 1: The Physicists, which explores the extent to which scientists behind
• 15:22
  Speaker 1: it are to blame when a destructive weapon is used.
• 15:24
  Speaker 1: It is really good and kind of a comedy. Interesting. Yeah,
• 15:29
  Speaker 1: it's the sort of thing that, like, it's tough too
• 15:32
  Speaker 1: because there are inventions that are made for a different
• 15:36
  Speaker 1: purpose and then some fucking psychopath comes along and sees
• 15:41
  Speaker 1: this incredible advancement and they figure out, oh, I know
• 15:44
  Speaker 1: how we can use this as a weapon. And the
• 15:47
  Speaker 1: scientist is like, wait, what, Like that's not this was
• 15:50
  Speaker 1: supposed to help people who are blind. What do you mean?
• 15:53
  Speaker 1: You know, Like, so I'm not trying to say every
• 15:56
  Speaker 1: bad thing that comes out of it, somebody is like
• 15:58
  Speaker 1: necessarily directly respond because sometimes things are out of your hands.
• 16:02
  Speaker 1: But you go, what I'm saying, Saraphim says, true, But
• 16:05
  Speaker 1: in Caesar's case, he's just an asshole. Well, I mean,
• 16:08
  Speaker 1: like that's that's kind of my point. That's what I'm saying,
• 16:11
  Speaker 1: is that these people who don't feel that connection are assholes.
• 16:15
  Speaker 1: I love how much Chopper gets to shine as a
• 16:17
  Speaker 1: doctor in these episodes. It is Florin exactly, Sarah m
• 16:21
  Speaker 1: I do love the whole helping the minx section. The
• 16:24
  Speaker 1: goat is doctor Miagi, the squirrel is his nurse Tristan
• 16:29
  Speaker 1: Bink's saki right, because it's Bink's brew in the dub
• 16:36
  Speaker 1: Florian says. And before that, Wanda tried to blow up Nami.
• 16:39
  Speaker 1: How nice? Right? I forgot about how Wanda comes out
• 16:43
  Speaker 1: of nowhere, And you know, I kind of want to
• 16:47
  Speaker 1: fault her a little bit for being like, are you
• 16:51
  Speaker 1: with them? Yeah? Because she like yells you're with them,
• 16:56
  Speaker 1: aren't you? But then doesn't actually like really wait for
• 17:00
  Speaker 1: an answer before attacking. And so there's a part of
• 17:02
  Speaker 1: me that feels like, hey, girl, you could have slowed
• 17:06
  Speaker 1: your role on that a little bit. And then there's
• 17:09
  Speaker 1: another part of me that's like, why would you ever
• 17:11
  Speaker 1: assume they weren't with them? Like, of course that's what
• 17:16
  Speaker 1: she's assuming they're humans and they're here. What else would
• 17:20
  Speaker 1: you think? You know? So I pretty much pulled back
• 17:23
  Speaker 1: on my internal criticism of her with that, but I
• 17:27
  Speaker 1: will say that, and you, guys, I really want to
• 17:33
  Speaker 1: like emphasize here. I don't like making the same criticisms
• 17:42
  Speaker 1: over and over. So when I start to do this
• 17:45
  Speaker 1: and you feel tempted to roll your eyes and go
• 17:48
  Speaker 1: here she goes again about a thing, I really want
• 17:52
  Speaker 1: you to step back and think, is it that I
• 17:54
  Speaker 1: am going again or is it that the show is
• 17:57
  Speaker 1: going again? Because it really makes me sad that the
• 18:06
  Speaker 1: only like in the in the midst of the We're
• 18:10
  Speaker 1: helping the Minx recover section, all that Nami really gets
• 18:15
  Speaker 1: to do. It feels like is exchange clothes with Wanda,
• 18:21
  Speaker 1: and you know, like if there's something that I am forgetting,
• 18:28
  Speaker 1: let me know, remind me, and you know, that's fine,
• 18:32
  Speaker 1: But it just feels like I want the women characters
• 18:42
  Speaker 1: to be to have more of Like it's not like
• 18:47
  Speaker 1: Nami doesn't have a talent, because she does. It's navigation
• 18:52
  Speaker 1: and it's this weather thing, but it just feels like
• 18:56
  Speaker 1: there are so few moments where she really gets to
• 18:59
  Speaker 1: show the things off anymore, and otherwise it's a little
• 19:05
  Speaker 1: it's just kind of a letdown upon occasion. So I
• 19:10
  Speaker 1: will say, though, I do like that, because, like, you know,
• 19:12
  Speaker 1: when I first saw her in this outfit, I was
• 19:15
  Speaker 1: very much like, that is so pretty. Nammy looks amazing,
• 19:19
  Speaker 1: you know, and Namy herself is one percent just like,
• 19:23
  Speaker 1: oh my god, this is gorgeous, thank you so much.
• 19:26
  Speaker 1: And then she finds out that this is like heirloom
• 19:29
  Speaker 1: clothing that is being given to her as a gift
• 19:32
  Speaker 1: and an indicator of friendship. And the trading of clothes
• 19:37
  Speaker 1: is part of mink culture and you know, ensuring that
• 19:41
  Speaker 1: you are friends, this is like part of the ritual.
• 19:45
  Speaker 1: So that explains why later Wanda is wearing NAMMY's bikini top.
• 19:53
  Speaker 1: But the only thing that Nami really hears that it's
• 19:57
  Speaker 1: not so much like, oh, I'm honor that I'm being
• 20:01
  Speaker 1: given this this piece of history. She just immediately gets
• 20:08
  Speaker 1: basically like dollar signs in her eyes about how she's
• 20:12
  Speaker 1: got this really valuable piece. And I like, I understand
• 20:18
  Speaker 1: the sentiment. But as I am an extremely practical grown up,
• 20:23
  Speaker 1: all I could think was, Nomy, just try and sell
• 20:25
  Speaker 1: this somewhere and see what you get for it, Like
• 20:28
  Speaker 1: nobody cares about the history of this place. I bet
• 20:30
  Speaker 1: I don't see it. Just enjoy that it's a beautiful
• 20:33
  Speaker 1: piece of clothing. That's fine, Saraphim says. Also in pure
• 20:37
  Speaker 1: Odo wordplay, the gas Caesar uses to neutralize the poison.
• 20:41
  Speaker 1: Gas is just the poison. Gas is name spelled backward
• 20:44
  Speaker 1: in Japanese. That makes sense. Actually, yeah, I like that.
• 20:50
  Speaker 1: Florian says, she's the emotional support who cheers Wanda up,
• 20:53
  Speaker 1: which is fine if she is not the only woman, right, Like,
• 20:57
  Speaker 1: that's it, And then Florian says, I love the outfit.
• 21:02
  Speaker 1: Saraphim says, she's also the one in the group with
• 21:05
  Speaker 1: the high charisma who talked the minks into listening to them,
• 21:09
  Speaker 1: And yeah, this is one of my favorite Nami outfits. Look,
• 21:11
  Speaker 1: Nomino's the value of money and we'll find a way
• 21:14
  Speaker 1: to get paid. That's fair, Sarapheim about her high charisma.
• 21:22
  Speaker 1: And I suppose you're right that it's like, you know
• 21:25
  Speaker 1: that this is a valuable asset. It just is part
• 21:30
  Speaker 1: of this ongoing thing where it feels like the women
• 21:34
  Speaker 1: do such intangible stuff sometimes and when it comes to
• 21:40
  Speaker 1: some of the more direct skills or fighting abilities, they
• 21:45
  Speaker 1: are left out and it can just make me feel frustrated.
• 21:49
  Speaker 1: But that's fair. So let's say I'm trying to put
• 21:56
  Speaker 1: because I can't see the animation here, guys, this is
• 21:58
  Speaker 1: a little bit harder to do than you. I'm trying
• 22:01
  Speaker 1: to get to the spot because the moment where they
• 22:05
  Speaker 1: have to convince Wanda to listen to them goes on
• 22:08
  Speaker 1: a little bit longer than I remembered. Oh right, and
• 22:11
  Speaker 1: then we come back to the present and Loofy is
• 22:16
  Speaker 1: just like ready to beat the shit out of some
• 22:19
  Speaker 1: of the people who were involved in this, and they
• 22:21
  Speaker 1: have to remind him, like, hey, Bud, you remember how
• 22:24
  Speaker 1: they said that he's already dead, right And he's like, oh, yeah,
• 22:28
  Speaker 1: that's annoying. Now I'm not going to get to kill him.
• 22:30
  Speaker 1: And I was like, Lufy, this is why I love you,
• 22:33
  Speaker 1: and this is the energy you guys. This is It
• 22:37
  Speaker 1: may seem sort of weirdly off topic, and maybe it is,
• 22:39
  Speaker 1: but I'm going to go for telling you about this
• 22:42
  Speaker 1: just because it's been pretty grim lately. And uh, you know,
• 22:50
  Speaker 1: this is something that we've been saying for years now,
• 22:54
  Speaker 1: but it is as of today. It is July eighth,
• 22:58
  Speaker 1: twenty twenty five. And they just passed the big beautiful
• 23:03
  Speaker 1: bill last week. And we had the flood in Texas
• 23:09
  Speaker 1: that killed a bunch of people that maybe could have
• 23:13
  Speaker 1: been avoided if resources had not been slash the way
• 23:15
  Speaker 1: that they were in a variety of areas. And there
• 23:20
  Speaker 1: are just a lot of people who are cheering on
• 23:23
  Speaker 1: the abduction and separation of families and their children. And
• 23:32
  Speaker 1: you know, I I don't want to talk out of
• 23:37
  Speaker 1: my ass about how we need to fight back in
• 23:43
  Speaker 1: this very abstract way that is extremely safe to do
• 23:47
  Speaker 1: from my comfy office on my podcast. But I will
• 23:52
  Speaker 1: say that I am having this growing sense of when
• 23:59
  Speaker 1: are we really gonna fucking do something, you know? And
• 24:04
  Speaker 1: maybe I don't know if this is something that will
• 24:06
  Speaker 1: matter to anybody else, but I am writing a story
• 24:10
  Speaker 1: that is set in New Bedford, Massachusetts, which, for those
• 24:14
  Speaker 1: who are not aware, New Bedford was one of the
• 24:18
  Speaker 1: most racially diverse cities in the United States for its time,
• 24:25
  Speaker 1: and very very abolitionist and had a lot of organization
• 24:33
  Speaker 1: built into it to help escape slaves hide and travel
• 24:39
  Speaker 1: further north to Canada where they would be free or
• 24:44
  Speaker 1: basically redefine themselves and stay in New Bedford under a
• 24:48
  Speaker 1: new name and start a business there and behave as
• 24:52
  Speaker 1: if they were born free, because that was the weird
• 24:55
  Speaker 1: thing at that time in the US was like different
• 24:57
  Speaker 1: states had different laws about slaves, and if you were
• 25:01
  Speaker 1: born in one place versus another, you were born free
• 25:03
  Speaker 1: or not. And there wasn't great record keeping so and
• 25:08
  Speaker 1: no photograph, so you could kind of just move somewhere
• 25:12
  Speaker 1: and then be like, oh, yeah, no, that's that's not me,
• 25:15
  Speaker 1: I'm so and so and just completely redefine who you were.
• 25:21
  Speaker 1: And as I'm writing this story, I'm having to do
• 25:25
  Speaker 1: a lot of different research about the timing of certain things,
• 25:31
  Speaker 1: and this leads me to learning about specific people and
• 25:35
  Speaker 1: it has been really encouraging. I guess Florian says they
• 25:44
  Speaker 1: passed it dot dot dot question mark. Wow, they sure did, Florian,
• 25:49
  Speaker 1: They sure did. And the thing that worries me the
• 25:52
  Speaker 1: most about passing that bill is how none of the
• 25:56
  Speaker 1: Republicans who voted for it, because they were the only one.
• 26:00
  Speaker 1: No Democrats voted for it, all of them seem really
• 26:06
  Speaker 1: unconcerned about re election in a way that I find
• 26:11
  Speaker 1: genuinely chilling, Like why aren't they worried about it? And
• 26:17
  Speaker 1: the only reason I can think of is that they
• 26:19
  Speaker 1: don't believe that a reelection is going to be an
• 26:22
  Speaker 1: issue for whatever reason, which after Miami decided that they
• 26:27
  Speaker 1: were going to postpone their election for what is it,
• 26:31
  Speaker 1: mayor for another year without a vote from anybody, So
• 26:37
  Speaker 1: now everybody gets to stay in office for an extra year.
• 26:41
  Speaker 1: That just feels like a real harbinger for the ways
• 26:45
  Speaker 1: in which elections are going to kind of not be
• 26:48
  Speaker 1: as much of a thing here in the United States,
• 26:50
  Speaker 1: potentially perhaps maybe so. Anyway, the research that I have
• 26:58
  Speaker 1: been doing, a lot of the people, the white people
• 27:02
  Speaker 1: who were involved in abolition work were Quakers. Not all Quakers.
• 27:08
  Speaker 1: There were plenty of Quakers who owned slaves, but the
• 27:12
  Speaker 1: ones who were really out here doing shit were often Quakers.
• 27:18
  Speaker 1: And there is one particular person who was brought to
• 27:22
  Speaker 1: my attention by Austin Armenia who's aware of this project.
• 27:26
  Speaker 1: His name is Benjamin Leigh, and he actually was out
• 27:31
  Speaker 1: here like abducting the children of slave owners and then
• 27:37
  Speaker 1: being like, yeah, sucks, doesn't it. That's what it's like
• 27:41
  Speaker 1: when you abduct these people's children and separate them forever.
• 27:45
  Speaker 1: It's like that, that's exactly what you're doing, which like
• 27:48
  Speaker 1: that kind of I am going to do something about
• 27:51
  Speaker 1: it kind of energy. That's what we need. And I
• 27:56
  Speaker 1: really don't even know exactly how to direct energy like that,
• 28:00
  Speaker 1: because our problems are so broad and so the system
• 28:07
  Speaker 1: is so complicated on purpose to make it so that
• 28:11
  Speaker 1: you can attack multiple parts of it and the rest
• 28:13
  Speaker 1: of it will still grind away and keep functioning. So anyway,
• 28:17
  Speaker 1: all this to say, lufy, just immediately being like where
• 28:22
  Speaker 1: is this man and how do I smash him? Feels
• 28:25
  Speaker 1: real comforting to me these days, as does looking into
• 28:28
  Speaker 1: history and seeing how many people were really anti slavery.
• 28:34
  Speaker 1: And it sucks to know that these people were out
• 28:37
  Speaker 1: there and slavery continued on for like another one hundred years.
• 28:41
  Speaker 1: But I also like being reminded of the fact that,
• 28:46
  Speaker 1: like terrible things can be happening, and that does not
• 28:49
  Speaker 1: mean that everybody thinks it's fine. And this is something
• 28:52
  Speaker 1: that I'm clinging to regarding immigration issues in the United
• 28:55
  Speaker 1: States and how many folks are mobilizing to just kick
• 28:59
  Speaker 1: Ice of their city. You know, they're creating a barricade
• 29:03
  Speaker 1: so that they can't come into their neighborhood, or businesses
• 29:07
  Speaker 1: are ushering people inside because their business is private property
• 29:11
  Speaker 1: and then telling Ice do you have a warrant? Then
• 29:14
  Speaker 1: you can't come in here. And it's these little, like
• 29:18
  Speaker 1: these little pockets of people who are just not necessarily
• 29:22
  Speaker 1: breaking the system, but they are doing the one thing
• 29:25
  Speaker 1: that they can do, and I find it really really inspiring.
• 29:31
  Speaker 1: I really do. Florian Florine. You've got two different icons here.
• 29:39
  Speaker 1: You got your FS and blue and then the F
• 29:41
  Speaker 1: and purple. But Florian says, this all reminds me the
• 29:44
  Speaker 1: book club thing is still on. Have a book suited
• 29:46
  Speaker 1: for that about Harriet Tubman and would like to hear
• 29:48
  Speaker 1: your thoughts. It is still on. I posted a Patreon
• 29:52
  Speaker 1: post asking for people to suggest their books last week.
• 29:56
  Speaker 1: So the one that's going to be coming up on
• 29:58
  Speaker 1: Saturday is I'm starting to worry about this Black Box
• 30:01
  Speaker 1: of Doom, which I'm going to be covering with Sydney Cindy.
• 30:05
  Speaker 1: I keep calling her Sydney because Ciddy is my other
• 30:08
  Speaker 1: friend Cindy. I'm going to be covering it with Cindy.
• 30:12
  Speaker 1: So yeah, I'm going to be making a post for August,
• 30:15
  Speaker 1: so keep your eye over that anyway, guys. I know
• 30:19
  Speaker 1: that that felt really off topic, and maybe it is,
• 30:21
  Speaker 1: but I just thought it was. It has made me
• 30:24
  Speaker 1: feel sort of encouraged in general, and I hope that
• 30:30
  Speaker 1: I have been able to pass that on to you
• 30:33
  Speaker 1: guys as well a little bit, because I think we
• 30:36
  Speaker 1: could all use as much encouragement these days as we
• 30:40
  Speaker 1: can get. It's been pretty grim and I think that
• 30:44
  Speaker 1: a lot of us are feeling like what's the point.
• 30:47
  Speaker 1: And the thing is about what's the point is that
• 30:50
  Speaker 1: things do change, if people push enough, but often they
• 30:57
  Speaker 1: don't change within that person's lifetime, and we do kind
• 31:03
  Speaker 1: of have to like begin to learn to accept that
• 31:05
  Speaker 1: might be the way this works out. And you know
• 31:10
  Speaker 1: in the United States that these changes it's going to
• 31:13
  Speaker 1: take longer than we would like. So all right, So
• 31:19
  Speaker 1: then on to seven sixty two, the delinquent comes home
• 31:24
  Speaker 1: Emperor Big Mom's assassins. So as we are continuing to
• 31:31
  Speaker 1: get the rest of the story from the other straw Hats,
• 31:35
  Speaker 1: we are finding out about how the the Big Mom
• 31:41
  Speaker 1: pirates followed the straw Hats to zoo and they're going
• 31:49
  Speaker 1: to what is his name? Pea coomes Zoo's his homeland.
• 31:57
  Speaker 1: I think it's zoo, right, it's a bunch of animals
• 32:01
  Speaker 1: in a zoo. Is that it is? That the joke?
• 32:04
  Speaker 1: Oh boy? But anyway, this is his homeland. And so
• 32:09
  Speaker 1: he feels pretty confident that he can go and deal
• 32:11
  Speaker 1: with the straw Hats because he knows the terrain and
• 32:14
  Speaker 1: he knows the people there. And then when he rolls
• 32:21
  Speaker 1: in the place, as we know, has been reduced to
• 32:27
  Speaker 1: rubble in a lot of places, and Pickhams is instantly
• 32:35
  Speaker 1: certain this was the straw Hats and is so angry,
• 32:41
  Speaker 1: which a part of me wants to laugh at the
• 32:44
  Speaker 1: fact that he thinks the straw hats managed to do
• 32:47
  Speaker 1: this much, damaged this quickly, But another part of me
• 32:51
  Speaker 1: is like, uh, some of them do have a lot
• 32:53
  Speaker 1: of power. Though I guess, like maybe that's not an
• 32:57
  Speaker 1: absurd thing to think, but I get in terms of
• 33:01
  Speaker 1: timing them being the ones that he pursued here and
• 33:05
  Speaker 1: then finding the place in this state, it does kind
• 33:07
  Speaker 1: of make sense that he would jump to that conclusion.
• 33:13
  Speaker 1: And what's his name? The mobster that is with him
• 33:18
  Speaker 1: is looking around and is like, is this how this
• 33:20
  Speaker 1: place normally looks? And I'm like, why are you even
• 33:24
  Speaker 1: asking this question? Do you not see he comes here
• 33:26
  Speaker 1: just like freaking out, asking, oh my god, what happened here?
• 33:30
  Speaker 1: Like obviously no, this is not normal for this place,
• 33:35
  Speaker 1: so oh my god. Sorry, guys, I'm just missing chat stuff.
• 33:43
  Speaker 1: Saraphim says, it's pronounced zo and it's just the Japanese
• 33:46
  Speaker 1: word for elephant because Oda and Florencea's reminder, Dress Rosa
• 33:50
  Speaker 1: was one day and look at that place. Yes, but
• 33:55
  Speaker 1: but I would argue almost all the significantmage in Dress
• 34:01
  Speaker 1: Rosa was due to do Flamingo and his crazy power. Nevertheless,
• 34:06
  Speaker 1: you aren't wrong, but I'm just saying so let's see. Sorry, guys,
• 34:13
  Speaker 1: I'm just trying to scrub forward here. I really wish
• 34:17
  Speaker 1: I knew why this wasn't showing me the animation. Oh
• 34:22
  Speaker 1: my god, I forgot about the thing with fucking sangy.
• 34:26
  Speaker 1: I don't know. Maybe I'm not so mad that Sanji
• 34:28
  Speaker 1: winds up separated from the rest of the group. But Sanji,
• 34:34
  Speaker 1: apparently bro is not particularly bothered at all that these
• 34:43
  Speaker 1: minks aren't human human and finds anything with tits as
• 34:52
  Speaker 1: appealing as anything else with tits, whether or not they
• 34:56
  Speaker 1: are fully human or not, and so he does a
• 35:02
  Speaker 1: lot of running around and greeting them excitedly while rubbing
• 35:07
  Speaker 1: up against them and then getting a nosebleed about it,
• 35:12
  Speaker 1: because that's just how he be. And of course, at
• 35:20
  Speaker 1: one point the males also want to like snuggle him,
• 35:24
  Speaker 1: because for them this is not a sexual thing, this greeting.
• 35:27
  Speaker 1: It is just a nice thing, but he tells them
• 35:31
  Speaker 1: to fuck off and die, basically because it's women only
• 35:36
  Speaker 1: and they are all just sort of like, I wonder
• 35:40
  Speaker 1: why the lower minks always have this like weird thing
• 35:47
  Speaker 1: about females only, and I was just rolling my eyes
• 35:51
  Speaker 1: because it's just it's just so gross, that's all it is.
• 35:57
  Speaker 1: It's just very lucky. I don't like it. And eventually
• 36:02
  Speaker 1: he linds up going to find Nami and he finds
• 36:06
  Speaker 1: the room that she has tried on her dress, and
• 36:10
  Speaker 1: when he walks in and spots her in this outfit,
• 36:14
  Speaker 1: he utterly loses his shit. And it's a great moment,
• 36:19
  Speaker 1: you guys, because he gets this expression and you see
• 36:24
  Speaker 1: him like start to head toward her kind of before
• 36:27
  Speaker 1: he can stop himself. It's just like this impulse that
• 36:30
  Speaker 1: he can't control. And as he begins to come at her,
• 36:36
  Speaker 1: she just lifts up her fist with that kind of
• 36:42
  Speaker 1: like dead pan expression on her face, and you know
• 36:47
  Speaker 1: that she decked him. And I honestly lived for it.
• 36:53
  Speaker 1: I really this is one of my favorite bits with Namy.
• 36:58
  Speaker 1: You know, I've said before that they never let her fight,
• 37:00
  Speaker 1: and the exception is she will punch out her crewmates
• 37:04
  Speaker 1: a lot. Actually, she will deck Sanjie for this kind
• 37:08
  Speaker 1: of behavior. If Loofy and oos Up, those are the
• 37:13
  Speaker 1: most frequent ones I think start to act like idiots,
• 37:16
  Speaker 1: she will beat the fuck out of them and leave
• 37:18
  Speaker 1: them on the ground. So I shouldn't say she never
• 37:22
  Speaker 1: gets to fight. It's just very different, very different. But
• 37:28
  Speaker 1: the way that anytime it is somebody who has like
• 37:36
  Speaker 1: not really stopped to consider who they're about to deal with,
• 37:41
  Speaker 1: that they haven't nami all. It's not even really a
• 37:45
  Speaker 1: smile on her face. It's just more that she like
• 37:51
  Speaker 1: is there's no real change of expression, and you just
• 37:55
  Speaker 1: see her fist appear next to her face. The joke
• 38:00
  Speaker 1: of her just being ready to fight at any second
• 38:03
  Speaker 1: and this person being really unconscious as they head for her,
• 38:07
  Speaker 1: that she is about to ruin your fucking day. You
• 38:11
  Speaker 1: are walking away with a broken nose? Do you not
• 38:14
  Speaker 1: see the way that she's acting right now? Like where
• 38:17
  Speaker 1: where's your head? I don't get tired of this. I
• 38:22
  Speaker 1: really like it's it's I think because I have a
• 38:26
  Speaker 1: similar reaction as she does sometimes where I am just
• 38:30
  Speaker 1: like are you are you serious? Are you fucking for real?
• 38:34
  Speaker 1: Right now? Like that is the vibe whenever she gets
• 38:39
  Speaker 1: that sort of look on her face is like, okay,
• 38:43
  Speaker 1: you know what, I've been nice and I'm done, you know,
• 38:48
  Speaker 1: like that sort of punched you with a smile. I
• 38:53
  Speaker 1: can't help but respect it and also find it very
• 38:57
  Speaker 1: very funny. So anyway, sorry, guys, I'm running around here.
• 39:04
  Speaker 1: There's also a point where this woman comes to get
• 39:07
  Speaker 1: the medicine from Caesar clown and she calls him like
• 39:12
  Speaker 1: doctor Caesar or something. She calls him by something that
• 39:16
  Speaker 1: it makes him very sad that apparently he can't hit
• 39:19
  Speaker 1: on her because she is a super sexy sort of
• 39:23
  Speaker 1: cheetah woman, and so he is extremely horny for her.
• 39:28
  Speaker 1: And it's just there's a lot of horniness. There's a
• 39:31
  Speaker 1: lot of it throughout this so and Brooke meanwhile is
• 39:38
  Speaker 1: having to run away from all of the animals. Anytime
• 39:42
  Speaker 1: you see one of them that's talking about Brook but
• 39:45
  Speaker 1: has very red, glowy eyes, it's clearly this is an
• 39:52
  Speaker 1: animal that wants to chew on him excessively. And I
• 39:57
  Speaker 1: can't help but laugh now because like the past few day, guys,
• 40:04
  Speaker 1: brief aside, I have two dogs, and if you have
• 40:10
  Speaker 1: dogs that chew a lot, which not all do, Pippin
• 40:14
  Speaker 1: is not a big chewer at all. Our Win, however,
• 40:18
  Speaker 1: is a pitbull and she is super chewy and getting
• 40:24
  Speaker 1: stuff that she will chew but can't totally destroy. In
• 40:28
  Speaker 1: one sitting is next to impossible. You can get them
• 40:32
  Speaker 1: all kinds of stuff that will hold their attention for
• 40:36
  Speaker 1: a little while, but the stuff that really holds their
• 40:39
  Speaker 1: attention is usually perishable like yak cheese chews or bully
• 40:44
  Speaker 1: sticks things like that that do wear down and disappear
• 40:49
  Speaker 1: after a time. But I've recently found there were some
• 40:53
  Speaker 1: bones that I would get sometimes from Walmart and they
• 40:56
  Speaker 1: would break into these pointy, dangerous shards and stop getting them.
• 41:01
  Speaker 1: And I found some at PetSmart that don't break apart
• 41:04
  Speaker 1: like that. And it is the first time I have
• 41:08
  Speaker 1: ever really watched a literal dog with a bone. And
• 41:13
  Speaker 1: it's a big bone, guys. I'm talking like at least
• 41:16
  Speaker 1: fourteen inches long and like six inches wide at the ends.
• 41:20
  Speaker 1: Like it's massive. And she holds in her two paws
• 41:24
  Speaker 1: and goes fucking nuts on these things. And she manages
• 41:28
  Speaker 1: to pull apart bits of sinew and like connective tissue
• 41:32
  Speaker 1: that you can't even see on them until it starts
• 41:35
  Speaker 1: to get wet from their saliva and stuff. It is
• 41:38
  Speaker 1: kind of grizzly. It's actually awful like, and also there's
• 41:43
  Speaker 1: a smell with it. She loves it. I'm so glad
• 41:46
  Speaker 1: to have found this thing. The bones last for days.
• 41:48
  Speaker 1: It's great, but also it's so there's something about it
• 41:54
  Speaker 1: that is so like primitive feeling, you know. And so
• 41:59
  Speaker 1: now with this plot point of these animals wanting to
• 42:03
  Speaker 1: chew Brook's bones, I can't help but like have like
• 42:07
  Speaker 1: a more visceral reaction to it than I did before,
• 42:10
  Speaker 1: because it's really something. It really is something, guys and
• 42:16
  Speaker 1: I the power of her chewing and the marks that
• 42:21
  Speaker 1: she leaves in him. I'm surprised there hasn't been more
• 42:24
  Speaker 1: of an ongoing joke about Brooke having teeth marks in
• 42:30
  Speaker 1: him and stuff. We've definitely had jokes about his clothes
• 42:34
  Speaker 1: being tattered and whatnot. And maybe it's just that he's
• 42:38
  Speaker 1: immediately getting milk and that heals his bones right up.
• 42:41
  Speaker 1: But having seen firsthand the damage that a pipule's jaws
• 42:44
  Speaker 1: can do, yikes, you know what I'm saying. Sorry, let's see.
• 42:53
  Speaker 1: Florence says, Hey, you wondered if Sonji would be interested,
• 42:56
  Speaker 1: like two podcasts go asking you shall receive. I forgot
• 43:00
  Speaker 1: that I even asked the question, Flori, And now it
• 43:02
  Speaker 1: seems so silly, like, of course he would. I kind
• 43:05
  Speaker 1: I think that I made the comparison between them and
• 43:08
  Speaker 1: Mermaids and how he was super into Mermaids, so probably
• 43:11
  Speaker 1: he would be. But yeah, you're right. I forgot that.
• 43:14
  Speaker 1: I even asked. Sarah Fan says, Look, there's ample proof
• 43:17
  Speaker 1: that being part animal is not going to deter a
• 43:19
  Speaker 1: sizable sample of people, and for many is going to
• 43:22
  Speaker 1: be a bonus one hundred percent. I've thrown no shade
• 43:27
  Speaker 1: on furries. It's not my particular thing, but I also
• 43:32
  Speaker 1: can see why it wouldn't deter you, you know, like
• 43:35
  Speaker 1: fucking whatever. It makes me think of that uh hashtag
• 43:39
  Speaker 1: jokes on you I fuck monsters on Tumblr, which I
• 43:44
  Speaker 1: do think is very funny. But yeah, so I uh,
• 43:50
  Speaker 1: this this whole thing with poor Brooke, knowing that they're
• 43:54
  Speaker 1: not just trying to be affectionate with him like they
• 43:57
  Speaker 1: were with Soanjy. They just want to be chewing on
• 44:01
  Speaker 1: his bones. I felt a little sad for him because
• 44:05
  Speaker 1: there's a part of me that's like, oh, Brooke just
• 44:07
  Speaker 1: really wants to make friends. He just really wants to
• 44:11
  Speaker 1: be appreciated, and he's not getting that. So jumping ahead
• 44:17
  Speaker 1: a little bit, Pecams, I hope I'm saying that right.
• 44:22
  Speaker 1: He is trying to find anybody who is still around,
• 44:27
  Speaker 1: and he eventually runs across the two guards, the Lion
• 44:32
  Speaker 1: and the goat man, who are outside the gates guarding
• 44:41
  Speaker 1: the place, and he I was so relieved, y'all that
• 44:46
  Speaker 1: this doesn't continue on the way it does, because the
• 44:50
  Speaker 1: episode did one of those things where it has the uh,
• 44:57
  Speaker 1: what's the wording I want here? You know that interstitial
• 45:03
  Speaker 1: that the episodes have where it's like somebody's theme music
• 45:06
  Speaker 1: and they're like portrait comes spinning down. That was clearly
• 45:09
  Speaker 1: the start of a commercial break. It does that kind
• 45:14
  Speaker 1: of right after the scene begins, and I the way
• 45:24
  Speaker 1: that it starts off, Oh okay, short eat like Peck
• 45:27
  Speaker 1: says Sarah FM. I was certain that we were going
• 45:35
  Speaker 1: to get this thing where he's demanding tell me the truth.
• 45:40
  Speaker 1: It was the straw Hats that did this, and one
• 45:44
  Speaker 1: of them is like, hey, calm down, and he's like,
• 45:46
  Speaker 1: I knew it. And I was instantly just, ugh, you
• 45:50
  Speaker 1: knew it because this man said calm down. You take
• 45:53
  Speaker 1: that as a confirmation of what you just said. And
• 45:57
  Speaker 1: then it goes to the interstitial, and I was like,
• 46:00
  Speaker 1: oh boy, are we about to have a whole thing
• 46:02
  Speaker 1: where all it would have taken is one person going, no,
• 46:06
  Speaker 1: they saved us, which literally took me about one and
• 46:11
  Speaker 1: a half seconds to get out. And then I have
• 46:15
  Speaker 1: to watch this like fucking misunderstanding continue to unfold. Is
• 46:19
  Speaker 1: that gonna be the way that it is? And thankfully,
• 46:24
  Speaker 1: right after the interstitial we come back and he's like,
• 46:28
  Speaker 1: it's not them. They're the ones who made sure that
• 46:31
  Speaker 1: we are safe and recovered from the gas and have
• 46:36
  Speaker 1: food to eat. You know, Like when we come back,
• 46:39
  Speaker 1: there is a moment where he's just yelling, I'll tear
• 46:42
  Speaker 1: them apart. Where are they all? Make them pay for this?
• 46:45
  Speaker 1: And then listen, everyone's alive and well they're in the
• 46:49
  Speaker 1: fortress and we have the straw Hat Pirates to thank
• 46:52
  Speaker 1: for that. And Pekins is like, wait, what which I
• 46:59
  Speaker 1: was sort of hoping Peckhams would Well, I guess what
• 47:06
  Speaker 1: I was sort of hoping for was that he would
• 47:07
  Speaker 1: do exactly what it is that he does later, but
• 47:10
  Speaker 1: that you know, he wouldn't wind up getting shot for it,
• 47:13
  Speaker 1: which is what winds up happening. I was so sad, y'all.
• 47:18
  Speaker 1: I was genuinely like it was a moment of uh shit,
• 47:25
  Speaker 1: because there's only two of them, So I didn't think
• 47:32
  Speaker 1: what was his name, Capone, because it's just the two
• 47:38
  Speaker 1: of them. I guess I just didn't think that Capone
• 47:40
  Speaker 1: was going to turn on Peckham's because then he would
• 47:44
  Speaker 1: be all alone on this island, so to speak, surrounded
• 47:50
  Speaker 1: by enemies. But I guess what he is thinking here
• 47:55
  Speaker 1: is that, well, it's basically just me versus says Sanji,
• 48:01
  Speaker 1: and who's with Sanji? Here? There's one other trying to
• 48:04
  Speaker 1: get to that scene where they confront Sorry, guys, with
• 48:11
  Speaker 1: that being able to see the animation, this is fucking
• 48:13
  Speaker 1: me up a little bit because even some of the
• 48:18
  Speaker 1: the thumbnails they don't like. As I'm scrubbing through, it
• 48:23
  Speaker 1: doesn't go frame by frame, so it's skipping over parts
• 48:28
  Speaker 1: as I scrub through it, and I'm unable to like
• 48:30
  Speaker 1: really get a good look. Ah uh, I'm sorry, guys.
• 48:38
  Speaker 1: Oh it's is it Caesar that's with Sanji? Later he's
• 48:42
  Speaker 1: the one, Oh Brook is with him? Okay, So Brooke
• 48:46
  Speaker 1: was able to get away and came back, but Sonjy didn't. Okay,
• 48:52
  Speaker 1: so let's see. I'm trying. Oh yeah, peck I'm getting
• 48:59
  Speaker 1: reunited with some people, and one of them says that
• 49:02
  Speaker 1: kid was a trouble maker when he was growing up,
• 49:05
  Speaker 1: which I did think that was really funny that this dude,
• 49:10
  Speaker 1: you know, who's with the Big Mom's pirates and is
• 49:13
  Speaker 1: really like causing trouble out here, had a bad reputation
• 49:18
  Speaker 1: to begin with among his own people, which totally makes sense.
• 49:23
  Speaker 1: And let's say I'm trying to find the spot where
• 49:26
  Speaker 1: he's saying like, oh yeah, Soanji says, when did we
• 49:30
  Speaker 1: become bros? What the hell did you piss off? But
• 49:34
  Speaker 1: how did you piss off Big Mom? And Caesar says, look,
• 49:37
  Speaker 1: just hear me out. I accepted a grant for research
• 49:40
  Speaker 1: and I haven't quite gotten anyone wherewith it yet, so
• 49:44
  Speaker 1: I lied and pocketed all the money. Can you blame me? Do?
• 49:47
  Speaker 1: Flamingo had my back, so I might have gotten a
• 49:50
  Speaker 1: little bit carried away. And Sanji says, it's worth like
• 49:56
  Speaker 1: it sounds like you earned this. If they're looking for you,
• 49:59
  Speaker 1: then maybe this is no big deal, which I have
• 50:02
  Speaker 1: to agree. You know, Caesar's just behaving like you owe
• 50:06
  Speaker 1: me back, like keeping me from getting captured. And I'm
• 50:10
  Speaker 1: just like Caesar, you had to be beaten up and
• 50:14
  Speaker 1: threatened into helping these people, like why do you think?
• 50:18
  Speaker 1: Are you serious? Caesar is just very very who he is.
• 50:26
  Speaker 1: Let's see, I'm trying to find the spots here because
• 50:28
  Speaker 1: there's also a conversation. I can't remember who is saying
• 50:34
  Speaker 1: this about making Fishman Island my territory because Lufi is
• 50:40
  Speaker 1: on like a call, and I think it's Big Mom
• 50:43
  Speaker 1: that he's talking to. And it's a flashback too, because
• 50:48
  Speaker 1: Sandre says something about Loufy picking a fight with them,
• 50:52
  Speaker 1: so that is way way back, and it's a Big
• 50:56
  Speaker 1: Mom talking about making Fishman Island her terror. Oh my god,
• 51:04
  Speaker 1: I keep forgetting too. Brooke makes these jokes throughout all
• 51:07
  Speaker 1: of this about like keep both eyes on me, even
• 51:10
  Speaker 1: though I don't have any eyes, Like he's trying to
• 51:13
  Speaker 1: distract this little kid when Chopper is going to give
• 51:15
  Speaker 1: him an injection, and here says something like, oh, in
• 51:22
  Speaker 1: that case, we'd all be dead or double dead in
• 51:24
  Speaker 1: my case. And I am just waiting for the day
• 51:28
  Speaker 1: when these jokes start to get old for me, and
• 51:30
  Speaker 1: it still hasn't happened. It's not happening ever. I don't think.
• 51:34
  Speaker 1: I just always love it. So let's see. There may
• 51:41
  Speaker 1: be from Big Mom pirates, but there's only two of
• 51:43
  Speaker 1: them between you and me. We can surely handle a
• 51:45
  Speaker 1: couple of piddly little whimps like them. I'll just pump
• 51:49
  Speaker 1: a little poison gas into the air. And the expression
• 51:57
  Speaker 1: on his face again, he just is so excited the
• 52:00
  Speaker 1: idea of being able to use this poison gas. Caesar,
• 52:04
  Speaker 1: you're a real sick Oh you know that, I like,
• 52:07
  Speaker 1: come on, which it's not a terrible plan, frankly, so
• 52:15
  Speaker 1: let's see. I'm so sorry, guys. There's a few moments
• 52:21
  Speaker 1: here where I don't know who's talking, but I think
• 52:25
  Speaker 1: Caesar says something to Sonji about are you considering my
• 52:29
  Speaker 1: brilliant assassination proposal? And it's Sonji who replies to him,
• 52:33
  Speaker 1: I'm not accepting suggestions from jackasses or dumb asses. Which
• 52:42
  Speaker 1: there are times where Zoro and Sanji both can be
• 52:48
  Speaker 1: a little bit too cranky, and I'm like, hey, guys,
• 52:54
  Speaker 1: want don't you chill out a little bit? And then
• 52:56
  Speaker 1: there's times like this where the person they are doing
• 52:59
  Speaker 1: it deserves it, every bit of it, and it feeds
• 53:03
  Speaker 1: my soul. And that's one hundred percent how I am
• 53:06
  Speaker 1: feeling right now. Now. Don't get me wrong, I really
• 53:11
  Speaker 1: enjoy having Caesar Klan around due to this fact. But
• 53:16
  Speaker 1: I'm just saying that how Sanji has absolutely no time
• 53:20
  Speaker 1: for him is extremely amusing. So let's see trying to
• 53:28
  Speaker 1: get this part where because Lufi is like trying to
• 53:31
  Speaker 1: get uh, Let's see what he did was admirable. He
• 53:37
  Speaker 1: led the two of them away from the fortress and
• 53:40
  Speaker 1: into a forest, and we get the confrontation between the
• 53:46
  Speaker 1: two of them, and I say confrontation it really isn't
• 53:49
  Speaker 1: because they're expecting something terrible. But Peckhams is like, I
• 53:53
  Speaker 1: just wanted to thank you, and he started sobbing crying,
• 53:57
  Speaker 1: and Sanji's like, what are you talking about? And he's like,
• 54:02
  Speaker 1: I never thought when I came back the place was
• 54:05
  Speaker 1: going to be in the state that it is. And
• 54:08
  Speaker 1: I thought when I first saw it all that like
• 54:10
  Speaker 1: everybody was going to be dead, and it turns out
• 54:13
  Speaker 1: they're alive because you helped them. How can I ever
• 54:18
  Speaker 1: repay you? And he literally like falls to his knees
• 54:22
  Speaker 1: in front of Soanji crying and just like, you know,
• 54:30
  Speaker 1: what's the word? I want? Abject? And let's see. Sonji's like,
• 54:39
  Speaker 1: let's see, oh right here it is. The mission is
• 54:43
  Speaker 1: a failure. Just hand over Caesar. I'll explain to Mama
• 54:46
  Speaker 1: that we let the straw hats get away this time, okay,
• 54:50
  Speaker 1: And what's his name? Capone says, you got to choke
• 54:55
  Speaker 1: those feelings down if you know what's good for you,
• 54:58
  Speaker 1: and he says, shut up, let me do this. You
• 55:02
  Speaker 1: don't understand the position I'm in. I have to help
• 55:06
  Speaker 1: the people who helped my friends and family, Like you know,
• 55:10
  Speaker 1: he feels this obligation to them, which I think he should.
• 55:14
  Speaker 1: And Capone calls him a yellow bellied rat and then
• 55:20
  Speaker 1: basically lets the choppa sing and opens fire and empties
• 55:28
  Speaker 1: what would you call that a drum? You know, those
• 55:33
  Speaker 1: those big fucking gatling guns of ammunition into Peckham's, who
• 55:40
  Speaker 1: I am really not sure is actually dead. Because of
• 55:45
  Speaker 1: the way this show works, it can be sort of
• 55:49
  Speaker 1: unpredictable sometimes, Like I would say that somebody like Peckham's
• 55:54
  Speaker 1: is disposable and we could have him be killed and
• 55:56
  Speaker 1: it would be nothing. And also he was shot seventy
• 56:00
  Speaker 1: eight times, so he should be dead. But also maybe
• 56:05
  Speaker 1: the show wants to, like let the crew have an
• 56:09
  Speaker 1: advantage by somebody who's a turncoat and can feed them
• 56:15
  Speaker 1: information about Big Mom's crew and is thought to be
• 56:21
  Speaker 1: dead by Capone, and so is left behind. I don't know,
• 56:27
  Speaker 1: so let's see Sera frumcis yet the end of Fishman
• 56:31
  Speaker 1: Island LFE cause of Big Oh yeah yeah, Florence says, So,
• 56:34
  Speaker 1: what do you think how did Capone take Sonjy or
• 56:38
  Speaker 1: did he I think that Capone is wearing a double
• 56:45
  Speaker 1: breasted suit that Soanji really likes, and he asks for
• 56:50
  Speaker 1: his tailor and Capone is like, oh yeah, sure, I'll
• 56:53
  Speaker 1: show you right where I got it, Come with me,
• 56:56
  Speaker 1: and then jazz music begins to play on a saxophone.
• 57:03
  Speaker 1: I think that's probably what happened. Sorry, guys, It's just
• 57:09
  Speaker 1: funny because, like with the fact that he has those suits, Sanji,
• 57:14
  Speaker 1: and that he smokes and the music that plays, I
• 57:17
  Speaker 1: always kind of forget that he's meant to be sort
• 57:20
  Speaker 1: of like like kind of a sophisticated vibe and a
• 57:27
  Speaker 1: city vibe because of that, you know, and every now
• 57:31
  Speaker 1: and then the interstitials it'll be his music and his
• 57:35
  Speaker 1: picture and that serves as more of a reminder than anything.
• 57:41
  Speaker 1: Florence says, Wow, you got it. Skipped to episode nine
• 57:44
  Speaker 1: fifty six. I don't know what Capone's ability is. I
• 57:51
  Speaker 1: know we've been shown it, but I don't remember. I
• 57:58
  Speaker 1: genuinely don't know. Oh if like because Brooke is here,
• 58:05
  Speaker 1: So what did Brooke do in this moment? You know?
• 58:09
  Speaker 1: Why did he escape? Leave Sangy? And I don't know.
• 58:16
  Speaker 1: There's just like there's a lot about the whole setup
• 58:19
  Speaker 1: here and the way that it goes that I don't
• 58:23
  Speaker 1: understand how he could have gotten Florian says. There was
• 58:30
  Speaker 1: also the talk of a letter. I don't remember that part.
• 58:36
  Speaker 1: I'm gonna be honest with you. I don't know how
• 58:40
  Speaker 1: I miss that actually because I had two dogs that
• 58:43
  Speaker 1: both wanted pets this episode or these two episodes, so
• 58:46
  Speaker 1: I was very focused on the show because I didn't
• 58:49
  Speaker 1: have free hand for my phone, So I don't remember.
• 58:54
  Speaker 1: They'll talk of a letter, I believe you, but it didn't.
• 58:58
  Speaker 1: I don't remember it. Who's talking about it? Was it
• 59:03
  Speaker 1: when they were riding on the crocodile? Wow? Yeah, don't remember.
• 59:09
  Speaker 1: Maybe it's a call for help or something, or I'm
• 59:14
  Speaker 1: trying to think what could be if somebody wanted help
• 59:19
  Speaker 1: from Sanji, that could be it. Maybe it was a
• 59:24
  Speaker 1: letter with the address to a tailor. It could also
• 59:28
  Speaker 1: have been the letter, like the address to a local
• 59:34
  Speaker 1: grocery store. I'm just trying to think, like what and
• 59:40
  Speaker 1: capones roll in all of this, like how what would
• 59:43
  Speaker 1: even happen? Like, I don't know, I don't have any guesses.
• 59:47
  Speaker 1: I'm afraid I have nothing here, so apologies, but yeah,
• 59:52
  Speaker 1: that is how the episode ends. I'm just so frustrated
• 59:55
  Speaker 1: that I can't see it. I don't know what happened
• 59:59
  Speaker 1: to crunchy roll guys. It's very annoying. Eugh. Okay, so
• 1:00:05
  Speaker 1: I'm gonna wrap this one up, but thank you very
• 1:00:07
  Speaker 1: much Florian for commissioning this one. Florian says, I like
• 1:00:11
  Speaker 1: this a lot. I aim to please. Sarah Fim says
• 1:00:15
  Speaker 1: it was an invitation to a mixed gender topless cook off.
• 1:00:19
  Speaker 1: Sangi's one weakness that would be so amazing. I could
• 1:00:24
  Speaker 1: just see if we did like a fast forward to
• 1:00:27
  Speaker 1: where everybody is, like, you know, thirty years from now,
• 1:00:31
  Speaker 1: the one piece has been found. We've all moved on
• 1:00:34
  Speaker 1: to bigger things, and by bigger, I mean really much
• 1:00:37
  Speaker 1: much smaller things. Sanji being the cook at a very
• 1:00:44
  Speaker 1: high end strip club would be perfect, except it wouldn't
• 1:00:52
  Speaker 1: be because he'd never get any work done. But I
• 1:00:56
  Speaker 1: think that the way they'd play it is they have
• 1:00:58
  Speaker 1: to lock the kit so that he can't get out
• 1:01:02
  Speaker 1: until he's finished making the meal, and then as a reward,
• 1:01:05
  Speaker 1: he's allowed to come out into the club part and
• 1:01:07
  Speaker 1: see the girls. But yeah, anyway, okay, I gotta wrap up,
• 1:01:12
  Speaker 1: but thank you guys again, and thank you everybody for listening.
• 1:01:16
  Speaker 1: Until next time to the lou motherfuckers. That was an
• 1:01:49
  Speaker 1: Unspoiled Network podcast.