Latest / Get Into Gate: A Stargate Podcast / Episode 314: Darkness (SG-U 1.04)

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Episode 314: Darkness (SG-U 1.04) · Get Into Gate: A Stargate Podcast

• 0:13
  Speaker 1: Get into Gates episode three hundred and fourteen. Mitch Brendan
• 0:20
  Speaker 1: Maddy back with you talking.
• 0:21
  Speaker 2: Some SGU That sounds weird, isn't it that sounds weird?
• 0:25
  Speaker 2: Oh oh oh oh oh, I have a thing. I
• 0:28
  Speaker 2: have a thing.
• 0:29
  Speaker 3: I was listening to the audio comments for this episode
• 0:31
  Speaker 3: and the chicken plays Chloe, Yes, whatever, Emmy's lease something
• 0:36
  Speaker 3: or other.
• 0:37
  Speaker 2: Apparently on set. What's their team called? They're the SG unit.
• 0:52
  Speaker 2: Very good. We are talking episode four of the first
• 0:56
  Speaker 2: season of SGU Darkness. Well, I wrote one, Oh great,
• 1:04
  Speaker 2: if you want. I mean, I'm happy to use the
• 1:06
  Speaker 2: great people at Prime. I would love your synopsis. I mean,
• 1:09
  Speaker 2: I feel like they're very touching. Word is that? What
• 1:12
  Speaker 2: is that? How you guys text each other? Oh? I
• 1:15
  Speaker 2: can't wait to get your synopsis? Mate? Oh, your synopsis
• 1:18
  Speaker 2: is so long and hard. Clean your synopsis please like
• 1:23
  Speaker 2: Eli Jesus Christ. Why is your synopsis so moldy? All right?
• 1:28
  Speaker 2: Here we go SGU season one, episode four, Darkness. The
• 1:33
  Speaker 2: Destiny crew faces yet another power crisis. As the ship
• 1:37
  Speaker 2: goes dark sleep, caffeine and nicotine deprived Rush suffers a
• 1:41
  Speaker 2: full blown meltdown. The crew complains that Eli is aging
• 1:45
  Speaker 2: your wheel of cheddar. In his chinos, food and water
• 1:49
  Speaker 2: are rationed, showers are shut except for trust Fund Chloe
• 1:53
  Speaker 2: Eli gets a glimpse of her friend zone. Colonel Young
• 1:56
  Speaker 2: goes to see his wife in Telford's skin. Later, Eli
• 1:59
  Speaker 2: and Ryley Court using a kino for a view of
• 2:02
  Speaker 2: Lieutenant James's heavy artillery Second Lieutenant in space. No one
• 2:07
  Speaker 2: can hear you scream, but everyone can smell the cheese.
• 2:10
  Speaker 2: Written by Brad Wright and directed by Peter Delawise. Peter Debye,
• 2:15
  Speaker 2: Oh yeah, what are you thinking about? Bloody darkness? Mate? Yeah? Well,
• 2:20
  Speaker 2: I one sage one of my kids walked in. I
• 2:22
  Speaker 2: had to.
• 2:22
  Speaker 1: I just hit pause that looking at the screen and
• 2:24
  Speaker 1: look back and I actually pause it on directed by
• 2:26
  Speaker 1: Peter Delawise.
• 2:27
  Speaker 2: I thought you were going to say on a tits.
• 2:31
  Speaker 2: I did that. No, that was his eldest son, very
• 2:34
  Speaker 2: very intentionally. I mean on YouTube, you're not meant to
• 2:41
  Speaker 2: say tits in the first five minutes. Oh really, I
• 2:44
  Speaker 2: don't know, something like that or the N word, one
• 2:46
  Speaker 2: of those.
• 2:48
  Speaker 3: One of the mean there's a fifty to fifty shot
• 2:50
  Speaker 3: between the two of you that you know, we know we.
• 2:53
  Speaker 2: Chock on tits. What do we call what do we
• 2:57
  Speaker 2: call you? Last year for the Lasts of Leisure, you're
• 3:00
  Speaker 2: pig Lewis. You're like, yeah, yeah, so Pete p D, Yeah,
• 3:06
  Speaker 2: p D.
• 3:06
  Speaker 3: I did love that shot that you referenced, like his
• 3:09
  Speaker 3: director credit, that was such a nice shot.
• 3:11
  Speaker 2: I missed it. Tell me.
• 3:12
  Speaker 3: It was kind of just like it was like a
• 3:15
  Speaker 3: couple of characters kind of like walking down a corridor
• 3:17
  Speaker 3: and his director credit was kind of off to the ripe.
• 3:19
  Speaker 3: It was beautifully framed from like a doorway and stuff
• 3:22
  Speaker 3: like that.
• 3:23
  Speaker 2: I was like, I was looking at Rush at the
• 3:26
  Speaker 2: start of this episode and he's pissed off and he's
• 3:29
  Speaker 2: like goes down the corridor and he's like, I told
• 3:32
  Speaker 2: you to shut these systems off for a reason. And
• 3:35
  Speaker 2: I was like, that's exactly how I felt listening to
• 3:37
  Speaker 2: the podcast when I wasn't here and Maddie reference I
• 3:41
  Speaker 2: come on, match, don't do me? Like, yeah, what a
• 3:48
  Speaker 2: pain the was?
• 3:49
  Speaker 1: But I mean, yeah, as far as like Adelaes goes
• 3:52
  Speaker 1: like thinking about all the episodes he's directed of of
• 3:55
  Speaker 1: SG one and and a few SGA ones along the way,
• 3:58
  Speaker 1: you know what you're getting with it with the delawesepp
• 4:00
  Speaker 1: and then this comes on and it's not it's not him,
• 4:05
  Speaker 1: it's not it's not allowed to in this space. So
• 4:08
  Speaker 1: I was I was wondering, I'm like, at what point
• 4:11
  Speaker 1: does he sitting there like wanting to make it funny
• 4:13
  Speaker 1: and they've got him on like a leash like not here, Peter,
• 4:15
  Speaker 1: and you can't.
• 4:16
  Speaker 2: You can't do it here. We'll give you a cameo,
• 4:19
  Speaker 2: but you can't make it fun you know, may be funny, mate, Yeah,
• 4:22
  Speaker 2: realize funny ish.
• 4:24
  Speaker 1: So yeah, no, I it was weird getting to the
• 4:27
  Speaker 1: to the end of this episode and and you know,
• 4:29
  Speaker 1: behind the scenes sort of stuff. I went from three
• 4:32
  Speaker 1: into four and I just kept thinking about how you
• 4:35
  Speaker 1: guys told me leading into this season, and when we're
• 4:38
  Speaker 1: doing the rank for for SGA season five, said, look,
• 4:41
  Speaker 1: we're not really going to be able to do this
• 4:43
  Speaker 1: for for sgu there's no there's no clear beginning and
• 4:47
  Speaker 1: ends of episodes. There are things that that very much happened,
• 4:51
  Speaker 1: and there's something that happens obviously next episode, but otherwise
• 4:55
  Speaker 1: it's just you know, chapters of this much larger story.
• 4:58
  Speaker 2: So yeah, it's I'm more like modern television where it's
• 5:02
  Speaker 2: just a binge worthy yeah show yeah, and not really
• 5:06
  Speaker 2: single standalone episodic. Yeah.
• 5:08
  Speaker 1: Whereas I felt last well, last couple of weeks, I
• 5:11
  Speaker 1: felt like I was watching this movie. When I watched
• 5:13
  Speaker 1: all three parts of Era back to back to back
• 5:15
  Speaker 1: where he's going into this, I'm like, oh, I just
• 5:17
  Speaker 1: felt like getting bite sized pieces of this.
• 5:19
  Speaker 2: Of this story. So yeah, and I think, sorry, that's
• 5:22
  Speaker 2: a bit that annoyed me. Is because they have all
• 5:24
  Speaker 2: these long parts of the story where there's just music
• 5:28
  Speaker 2: or there's just there's actually like a I was listening
• 5:31
  Speaker 2: to the to the episode on the way in, just
• 5:34
  Speaker 2: as a refresh something to listen to. Yeah, and it's
• 5:37
  Speaker 2: for about ten seconds there, it's just extras whispering yeah
• 5:42
  Speaker 2: he's going on here, and I had to quickly look
• 5:44
  Speaker 2: at it. But speaking of the extras, they're awful, well,
• 5:48
  Speaker 2: oh they're awful. Funnily enough, one of the extras.
• 5:53
  Speaker 3: You see him a little bit more in next week's episode,
• 5:55
  Speaker 3: but he's like just he plays doctor Boone. He's one
• 5:58
  Speaker 3: of the people that gets picked for the the lottery.
• 6:01
  Speaker 3: Oh ok, he played aries in Childhood's End. He was
• 6:06
  Speaker 3: like the angry kid in the Atlantis episode, the really
• 6:09
  Speaker 3: early one where they went to the planet that was
• 6:11
  Speaker 3: all the young kids he was.
• 6:13
  Speaker 2: Yeah, he was like the angry one of that. But
• 6:15
  Speaker 2: then he's like all grown up, all right, but I've
• 6:19
  Speaker 2: seen that.
• 6:20
  Speaker 3: Yeah, not the not the not the cadet guy. No, no, no,
• 6:27
  Speaker 3: different dude, no no, Yeah, he was one of the
• 6:30
  Speaker 3: people on the planet. Yeah, but yeah, he was really
• 6:34
  Speaker 3: just a glorified.
• 6:35
  Speaker 2: Extra in this one as far as I mean you
• 6:38
  Speaker 2: you'll notice that Mitch is just there's these extras. There's
• 6:41
  Speaker 2: this one old lady and one old dude that are
• 6:43
  Speaker 2: just in it seems like every shot. Why are you there?
• 6:46
  Speaker 2: You've seen them and they're like just overplaying. Just yeah,
• 6:52
  Speaker 2: it's too much of them, like Pete put him out
• 6:55
  Speaker 2: of focus. Well, I'm I'm glad that I know about them.
• 6:58
  Speaker 3: To keep an eye on now, because when you'll never
• 7:00
  Speaker 3: not see that whenever you should on Camille row By
• 7:02
  Speaker 3: to go. Well, there's at least two other people who
• 7:04
  Speaker 3: are less useful than Camille, although although Chloe does admit
• 7:09
  Speaker 3: in this episode that she's the most useless person here,
• 7:12
  Speaker 3: she's like I'm.
• 7:13
  Speaker 2: The last person. She's actually not though that's the funniest thing. Well,
• 7:16
  Speaker 2: at the moment, she's not doing anything she's not she's
• 7:18
  Speaker 2: not useful at the moment. Well, she's useful to Eli
• 7:25
  Speaker 2: and Scott and try and look at it. Speaking of
• 7:30
  Speaker 2: which I will say, do you guys remember the nineteen
• 7:34
  Speaker 2: eighty six we're going back all a long time now,
• 7:37
  Speaker 2: There was a there was an a animation called the
• 7:41
  Speaker 2: trap Door, and it was still you Wilbur that trap
• 7:46
  Speaker 2: So I found out that, yeah, it buck. He's servant
• 7:51
  Speaker 2: of the thing upstairs and he cannot open the trap door.
• 7:54
  Speaker 2: So I've done some research and Destiny has something like
• 8:00
  Speaker 2: the trap door, because there's something down there, somewhere in
• 8:07
  Speaker 2: the dark regions of the universe where nobody goes sows
• 8:12
  Speaker 2: an ancient ship Destiny. Deep within this dank and uninviting
• 8:16
  Speaker 2: place lives Eli, overworked servant of the thing upstairs. You
• 8:22
  Speaker 2: like he best runs through your equations again. But that's
• 8:25
  Speaker 2: nothing compared to the perils of the friend Zone. For
• 8:30
  Speaker 2: the friend Zone claims all who lingers in the dark
• 8:35
  Speaker 2: and you'll never come out. Let you dare.
• 8:47
  Speaker 4: Wis.
• 8:50
  Speaker 2: There's no book te down there. Jesus. Wow, right, we've
• 8:58
  Speaker 2: all been there, and that's we've all spent time in
• 9:01
  Speaker 2: the friend Zone. You know, it's perilous was that? Who
• 9:05
  Speaker 2: was that Jacko Bella? That was me and I ran
• 9:09
  Speaker 2: through an a. I felt oh, okay, okay, because I
• 9:11
  Speaker 2: was I was like the fact that you included your
• 9:13
  Speaker 2: kids on something, there's no pussy down there was obviously
• 9:16
  Speaker 2: giving one of your idols, Eminem when he got I
• 9:22
  Speaker 2: think my dad's gone crazy. That's the cover. I want
• 9:25
  Speaker 2: to see you do next with your kids. Yeah, poor
• 9:29
  Speaker 2: old like poor old Eli. I feel very bad for
• 9:32
  Speaker 2: him because he just he thinks it's like a European
• 9:36
  Speaker 2: bus tour, like he thinks he's gonna get Oh, maybe
• 9:41
  Speaker 2: I can watch Chloe in the shower. I can. Oh, look,
• 9:44
  Speaker 2: Lieutenant James wants to give me some action. No, I'll
• 9:47
  Speaker 2: just go purve on her.
• 9:48
  Speaker 3: Yeah, yeah, yeah, No, that's a good point. He's yeah,
• 9:51
  Speaker 3: he's perpetually friend zoned. And yeah, I mean, I grew
• 9:54
  Speaker 3: up as a junkie kid. So I'm just like, you know,
• 9:57
  Speaker 3: like if I've got mates that look like Lieutenant Scott,
• 10:02
  Speaker 3: so I know I know that none of the girls
• 10:04
  Speaker 3: are looking at me, you know what I mean, I
• 10:06
  Speaker 3: know I don't have a chance when I'm hanging around
• 10:07
  Speaker 3: with people who look like that.
• 10:08
  Speaker 2: So you know he is math boy, but he's not
• 10:11
  Speaker 2: you know, socially aware ball. He hasn't done the calculations.
• 10:15
  Speaker 2: Yeah yeah, yeah, yeah, yeah, that's the math that he
• 10:17
  Speaker 2: cannot figure out.
• 10:18
  Speaker 1: But like, as a first time viewer, so I could
• 10:20
  Speaker 1: almost sort of put myself in the in the shoes
• 10:23
  Speaker 1: of Eli, and I'm like, yeah, I could. I could
• 10:25
  Speaker 1: see as a viewer if they were to put he
• 10:28
  Speaker 1: and Chloe together and be like, yeah, that makes sense.
• 10:29
  Speaker 1: They've you know, they've had, you know, some some flirting moments,
• 10:32
  Speaker 1: and then for that to get ripped on, it's like,
• 10:34
  Speaker 1: oh and I was never interested.
• 10:35
  Speaker 2: I'm like, yeah, that also makes sense. I guess, so
• 10:37
  Speaker 2: it sucks for you, but yeah, Like here he is
• 10:39
  Speaker 2: like I'm just watching her, like I'm watching out for
• 10:41
  Speaker 2: anyone will come past when she's having an air shower
• 10:44
  Speaker 2: and uh and then old love comes up and just
• 10:46
  Speaker 2: gives them like privately, you know. I'm like, oh, you bitch, Like,
• 10:50
  Speaker 2: how dare you? That's she blue balled him. Oh that's
• 10:53
  Speaker 2: why he went searching any man that would have climbed
• 10:57
  Speaker 2: any man when she takes it, and then when she's
• 10:58
  Speaker 2: still in the room and he's like, you said this
• 11:00
  Speaker 2: was going to be private, and then she sis, how
• 11:05
  Speaker 2: else would I get you to come with me? And
• 11:07
  Speaker 2: I'm like, I don't do it in front of everyone.
• 11:09
  Speaker 2: This poor guy. You get all the Marines, you get
• 11:12
  Speaker 2: a ball the marine They're going.
• 11:13
  Speaker 4: What you like?
• 11:15
  Speaker 2: The guy's half fart up at the moment. Still, that
• 11:18
  Speaker 2: walk was like so tough for him. The blood is
• 11:22
  Speaker 2: not in his head right now, No delaways. I feel
• 11:28
  Speaker 2: like I was doing one for the boys at that moment.
• 11:29
  Speaker 1: Like when she walks into that room, it was it
• 11:31
  Speaker 1: was shot very low and she walks like right to
• 11:34
  Speaker 1: the you know, I guess you know screen right Cameron
• 11:37
  Speaker 1: or whatever, But like.
• 11:39
  Speaker 2: That that T shirt didn't leave a lot to the
• 11:42
  Speaker 2: left of the imagination. Say so. The audio commentary was
• 11:44
  Speaker 2: again Chloe Eli and Scott so Eli.
• 11:48
  Speaker 3: Pete No, no, Pete was untortunate. So Eli's you know
• 11:51
  Speaker 3: even in real life he's in.
• 11:52
  Speaker 2: The cut chair even doing the audio commentary.
• 11:55
  Speaker 3: But yeah, they did mention that that was an uh
• 12:01
  Speaker 3: what's the name, Lieutenant James James. That wasn't the original
• 12:05
  Speaker 3: outfit that costumes.
• 12:07
  Speaker 2: No, no, she has something a little more, no discreet,
• 12:12
  Speaker 2: a little It was Pete who went no, no, no, no,
• 12:14
  Speaker 2: we need to make a little a little more sexy,
• 12:17
  Speaker 2: and then the shower scene, and then even in next
• 12:20
  Speaker 2: week's episode there's like some he made Lieutenant Scott get
• 12:25
  Speaker 2: shirtless in that, Like, yeah, you see, I look at
• 12:28
  Speaker 2: this episode and I see written by Brad right, but
• 12:30
  Speaker 2: then I forget that it's directed by Peter Delaware, so
• 12:33
  Speaker 2: it's kind of risk, especially even for these days. Sex cells, Yeah,
• 12:38
  Speaker 2: and it does that. That was the nineties theme song,
• 12:40
  Speaker 2: sex Cells.
• 12:41
  Speaker 4: Yeah.
• 12:42
  Speaker 3: Well, and my beloved Connor Storian Hudts Williams from Heated Rivalry,
• 12:47
  Speaker 3: they got that show you were talking about.
• 12:49
  Speaker 2: Yeah, I'm wearing another Heated he most like it. It's fantastic.
• 12:53
  Speaker 2: It's so good, so much butthole eating. There's one scene
• 12:57
  Speaker 2: of butthole eating. Like we said so much. I mean
• 13:03
  Speaker 2: he's wearing sports gears. Must be unbelievable. It's got the
• 13:08
  Speaker 2: perfect amount of sport in it, which I heard is
• 13:10
  Speaker 2: so nothing.
• 13:11
  Speaker 1: I said Maddie clipp the other day I saw of
• 13:13
  Speaker 1: comedian Pete Holmes. He's like, the show was fine. I
• 13:16
  Speaker 1: just wanted more of the rivalry on the ice.
• 13:19
  Speaker 2: You know, they'd sort of like go and the puck
• 13:21
  Speaker 2: goes down for the start of the game, and all
• 13:22
  Speaker 2: of a sudden, it's like what a game boys, It's
• 13:24
  Speaker 2: like more than a cut. And then it cuts to
• 13:26
  Speaker 2: Holland with his knees up getting his R seat. So yeah,
• 13:28
  Speaker 2: that was perfect. Great. Sure they got matching they got
• 13:32
  Speaker 2: matching tattoos. That's that's say sex cells. They got little
• 13:35
  Speaker 2: sex cells in a love heart and he's got a
• 13:36
  Speaker 2: matching tattoos. For the show came out, it sells, it sells.
• 13:41
  Speaker 1: Toll count of that by saying the nine members of
• 13:44
  Speaker 1: the Fellowship that filmed The Lord of the Rings Georgy
• 13:46
  Speaker 1: all got the Elvish like language, all tattooed the same word.
• 13:50
  Speaker 2: On themselves, sex cells in Elvish. Well, yeah, that would
• 13:54
  Speaker 2: have made it better. Second Lieutenants A.
• 14:00
  Speaker 4: James twenty six or four.
• 14:02
  Speaker 5: Special Forces, My Godfiness has got a fabulous body unless
• 14:07
  Speaker 5: she shan's like a mint. Where do I tell them
• 14:11
  Speaker 5: that because of the unfreezing process I have now in
• 14:14
  Speaker 5: a monologue.
• 14:15
  Speaker 2: I hope I didn't say that out loud.
• 14:18
  Speaker 4: Just now.
• 14:20
  Speaker 2: I can and will kick your ass.
• 14:24
  Speaker 3: Do you know it only took me, It only took
• 14:27
  Speaker 3: me ten years, But I've realized the mistake.
• 14:31
  Speaker 2: I made early on.
• 14:33
  Speaker 3: Was when was when I set up audio grabs, I
• 14:36
  Speaker 3: would say I made something.
• 14:39
  Speaker 2: Yeah, that was my crucial error. That was my crucial error.
• 14:43
  Speaker 2: And I should be saying I've made something like putting
• 14:46
  Speaker 2: my name Brendan to it because I feel about the
• 14:50
  Speaker 2: difference between that's right that I know the difference between us,
• 14:52
  Speaker 2: and I don't have a problem with that because I'm
• 14:54
  Speaker 2: a team player. I'm happy for the show to be
• 14:56
  Speaker 2: what it is. Well, let's just put it this way.
• 14:57
  Speaker 2: If something's been made, it's not been by me.
• 15:00
  Speaker 4: Yeah.
• 15:00
  Speaker 2: What I was going to say is it's unfair to
• 15:02
  Speaker 2: Mitch because the heinous ship that I say, people think
• 15:06
  Speaker 2: Mitch is saying that he's got a reputation nothing Sitting
• 15:10
  Speaker 2: next to each other in high school. That was never
• 15:12
  Speaker 2: the case. I'd be brave in a whisper going and
• 15:16
  Speaker 2: then Brendan, yeah this out loud, Yeah, thank you, thank
• 15:20
  Speaker 2: you for saying. So if you get if you want to,
• 15:22
  Speaker 2: I will say Brandan Presents or something to use a
• 15:28
  Speaker 2: was it moll rats or chasing Amy references? You're the inka, Mitch, Mitch.
• 15:34
  Speaker 2: Mitch would write it and then you would trace over it,
• 15:36
  Speaker 2: just loud, yeah, yeah, exactly, color pens bloody, hilarious, god
• 15:45
  Speaker 2: fun fact.
• 15:47
  Speaker 3: This episode and next week's episode, which was also directed
• 15:51
  Speaker 3: by Peter Delawes because it was originally a single episode
• 15:55
  Speaker 3: called fire Ah but.
• 15:58
  Speaker 2: Afi Windwater but yeah right, hell yeah Captain Planet whoo.
• 16:05
  Speaker 3: But yeah, they realized that they had they didn't want
• 16:07
  Speaker 3: to cut out because it came in nineteen minutes long
• 16:09
  Speaker 3: or whatever. It was, so all the the bits that
• 16:12
  Speaker 3: you just played of like the people doing the keno,
• 16:15
  Speaker 3: you know, confessionals and all that kind of stuff, that
• 16:18
  Speaker 3: was the stuff they added to then stretch it out
• 16:20
  Speaker 3: to have enough runtime to then make it darkness and light.
• 16:24
  Speaker 2: Yeah, feel free to spoil this for me. How long
• 16:26
  Speaker 2: is that going on? Like Elo gets around going, hey,
• 16:29
  Speaker 2: just say something the camera? What what answer are you
• 16:34
  Speaker 2: looking for?
• 16:34
  Speaker 5: You?
• 16:36
  Speaker 2: Do you do you want a low number or do
• 16:38
  Speaker 2: you want to high number? Are you enjoying it or
• 16:40
  Speaker 2: are you tiring? It goes to the full season, doesn't it?
• 16:42
  Speaker 2: Like it's I think out of all of the things,
• 16:46
  Speaker 2: there's two seasons. No, but I thought maybe it goes
• 16:49
  Speaker 2: for the full like first season, and like that's where
• 16:51
  Speaker 2: that's where they cut it off. Kind of where does
• 16:53
  Speaker 2: it actually go for the entire show. That's okay, don't
• 16:57
  Speaker 2: tell that's fine. I think the Planet of the Apes
• 17:01
  Speaker 2: impressions getting a bit old. Four episodes in. I'm already like,
• 17:05
  Speaker 2: there's no one else with you. There's no need to
• 17:09
  Speaker 2: say the Charlton Heston line. It's it's fine. Do you
• 17:13
  Speaker 2: know I did that once?
• 17:14
  Speaker 4: I was.
• 17:16
  Speaker 3: I was wasted with a made of mine and I
• 17:20
  Speaker 3: made a joke to him and surprise, surprise, leaded flat,
• 17:23
  Speaker 3: didn't didn't land, And I fully, because I was so drunk,
• 17:28
  Speaker 3: was like I was living was I was living in
• 17:32
  Speaker 3: my own TV show. So I turned and looked.
• 17:35
  Speaker 2: Down the barrel of an imaginary camera. Can you believe this?
• 17:40
  Speaker 2: That is funny? Did he laugh at that? Did get it?
• 17:44
  Speaker 2: Didn't get it either? It was hilarious. And you're someone
• 17:50
  Speaker 2: who hates that that style of you know, the mockumentary. Yeah,
• 17:54
  Speaker 2: well yeah, if you know the camera's there, it's not
• 17:57
  Speaker 2: recording the real thing. Stargate for that and said that
• 18:00
  Speaker 2: in uh, your camera changes what it is? Just great line. Yeah,
• 18:05
  Speaker 2: speaking of those bits to the camera. I can't think
• 18:08
  Speaker 2: of the character's name now, one of the science guys
• 18:12
  Speaker 2: or something. And he gets up there and he's like,
• 18:14
  Speaker 2: I think he has the Vulgar. I think, yeah, vulgar, Vulgar?
• 18:18
  Speaker 5: Is you.
• 18:20
  Speaker 2: Volca? Is his name Vulgar? I hope? So I'm not sure.
• 18:23
  Speaker 2: Oh you've got something. I okay, doctor Dale Vulcar. I'm
• 18:28
  Speaker 2: thirty four years old, and.
• 18:31
  Speaker 5: Despite what you may or may not have heard from
• 18:35
  Speaker 5: a certain Scottish person, I like to think that I'm
• 18:38
  Speaker 5: a pretty fine astrophysicist racist.
• 18:41
  Speaker 2: I mean, they don't send you to.
• 18:42
  Speaker 5: Work on solving the mysteries of the universe and other
• 18:44
  Speaker 5: planets if you're a hack. Right, So that's a lot
• 18:48
  Speaker 5: of sure.
• 18:49
  Speaker 2: Race.
• 18:50
  Speaker 5: We can't all be Mozart's right, some of us are Sallyaries.
• 18:58
  Speaker 5: There's anything wrong with that.
• 18:59
  Speaker 2: I I like Saliary. I find his music is it's
• 19:05
  Speaker 2: a it's soothing.
• 19:07
  Speaker 5: I'm not suggesting that he's monsttered either.
• 19:10
  Speaker 2: I like because it's Keno. There's no cut of all. Right,
• 19:15
  Speaker 2: I'm done. He's maybe a super math.
• 19:21
  Speaker 5: Orn elgar.
• 19:24
  Speaker 2: I'm done. Eli, that's a top of one that I
• 19:27
  Speaker 2: would leave. I'd say I'm done and then just keep going. Yeah.
• 19:30
  Speaker 1: Now it wasn't him that I was thinking of the
• 19:33
  Speaker 1: other guy guy, and it might I might be thinking
• 19:35
  Speaker 1: of the age joke where they were like, no, not
• 19:37
  Speaker 1: even a joke, but the guy he gets it is
• 19:39
  Speaker 1: I'm twenty nine and my first that was bullshit And
• 19:44
  Speaker 1: I'm thirty four and I'm like, the time has been rough.
• 19:47
  Speaker 3: I like the loady one where he says he's he
• 19:49
  Speaker 3: says he's no, I think Eli says he's forty and
• 19:52
  Speaker 3: he goes, I'm twenty nine.
• 19:54
  Speaker 2: He's like, oh that's right.
• 19:58
  Speaker 3: Uh No, Well, I did bring that clip because we
• 20:00
  Speaker 3: were supposed to have Jacob out L correspondent on the episode,
• 20:04
  Speaker 3: but we had some tech issues and couldn't get him in.
• 20:05
  Speaker 3: And he's a massive conductor opera you know, kind of nerds,
• 20:09
  Speaker 3: so I was hoping he'd be able to decipher all
• 20:11
  Speaker 3: of that.
• 20:12
  Speaker 2: I think you're going to say that he was like
• 20:14
  Speaker 2: a volcas Stan, Like really that you will. We will
• 20:18
  Speaker 2: all become vulcus Stans because I reckon well, the actor,
• 20:22
  Speaker 2: the actor, because I think this this secured because that
• 20:25
  Speaker 2: was such a good like just a one take scene. Uh.
• 20:28
  Speaker 3: He ends up as a regular character on brad Wright's
• 20:31
  Speaker 3: other show, Travelers. He became he's a recurring character in
• 20:34
  Speaker 3: this as just one of the background you know, uh, scientists.
• 20:39
  Speaker 3: But yeah, he becomes a main character in Travelers. But
• 20:44
  Speaker 3: just because Vulka then did bring up Rush, Jacob actually
• 20:47
  Speaker 3: did send in a little bit of audio because Rush
• 20:49
  Speaker 3: is his favorite character. So he actually, I think last
• 20:51
  Speaker 3: Halloween or the Halloween before he actually went to Halloween
• 20:53
  Speaker 3: Putty dressed as doctor Rush.
• 20:55
  Speaker 2: They would have done. Well, that's like me dressing his
• 20:57
  Speaker 2: Andy Kaufman. That did nothing. I was so I haven't
• 21:01
  Speaker 2: heard this, but he said that.
• 21:02
  Speaker 3: He said he send in some audio and he just said,
• 21:05
  Speaker 3: whenever someone brings up a Rush, we can play it.
• 21:09
  Speaker 2: Rush.
• 21:17
  Speaker 4: What that.
• 21:21
  Speaker 2: There? You go?
• 21:24
  Speaker 1: This file goes on. Oh there's We're twenty seconds in.
• 21:27
  Speaker 1: It doesn't look like it's moved. I think he's done
• 21:29
  Speaker 1: a bran.
• 21:30
  Speaker 2: He's gonna sounds the Star Game.
• 21:31
  Speaker 3: Okay, all right, fair enough, Well I did because he
• 21:34
  Speaker 3: is he is the hardcore Rush fan.
• 21:36
  Speaker 2: So I did explain it.
• 21:44
  Speaker 4: Damn it Rush.
• 21:46
  Speaker 2: I did explain that he was editing there, Jacob. I explain,
• 21:53
  Speaker 2: And I will say that the first time when it
• 21:55
  Speaker 2: whever Brendan did it, not the critique, but I will
• 21:57
  Speaker 2: leave a little bit longer gat the first time, you know,
• 21:59
  Speaker 2: just to really you know. I mean, well, you kind
• 22:01
  Speaker 2: of got to let let us hear the song so
• 22:04
  Speaker 2: you can figure out if we like it or not.
• 22:08
  Speaker 2: And I mean some of mine will hit miss big time.
• 22:11
  Speaker 2: But the visitor I am thor Ian Wizard, Wizard of
• 22:18
  Speaker 2: double Spotify Uber.
• 22:22
  Speaker 3: He started at least three more something that in that
• 22:25
  Speaker 3: the clip that I just played with Volca that I
• 22:27
  Speaker 3: thought was interesting that I guess I'm just I mean,
• 22:29
  Speaker 3: you know, you guys know me. I'm obviously the king
• 22:31
  Speaker 3: of accents, and you know I'm a I'm a man
• 22:34
  Speaker 3: of the world.
• 22:35
  Speaker 2: I didn't realize Rush was Scottish. I thought he was
• 22:38
  Speaker 2: like Welsh or something, you know what I mean, maybe
• 22:41
  Speaker 2: he's got worse roots. And it's just my my very
• 22:43
  Speaker 2: distinct ear picked that up. But then it got me thinking,
• 22:49
  Speaker 2: is Rush is he the Antietas there? Your mate? Rush
• 23:13
  Speaker 2: is really fun not being the one doing it, because
• 23:17
  Speaker 2: when you're the one doing it, you're like, I know,
• 23:18
  Speaker 2: I should have left a bigger gap or whatever. That's hilarious.
• 23:23
  Speaker 2: But yeah, is Rush the anti Beckett?
• 23:27
  Speaker 3: In that Beckett is the friendly, nice, happy Scottish person
• 23:32
  Speaker 3: and Rush is the you know, he's McKay on acid,
• 23:36
  Speaker 3: like he's just the next level like of just absolute asshole.
• 23:40
  Speaker 1: See here when you said I didn't even know his Scottish,
• 23:42
  Speaker 1: like I would know that, but this is literally this
• 23:45
  Speaker 1: second is the first. I'm thinking the fact that both
• 23:47
  Speaker 1: he and Beckett, yeah Scottish. I hadn't actually made that connection.
• 23:51
  Speaker 1: There's two across those two shows.
• 23:53
  Speaker 3: Yeah, well he's like the dark mirror Universe version of
• 23:57
  Speaker 3: Beckett or something.
• 23:58
  Speaker 2: Yeah, it's evil tween. And again being the been the
• 24:01
  Speaker 2: first time of like seeing him in this obviously sit
• 24:03
  Speaker 2: in the hallway just telling people he stopped touching button
• 24:04
  Speaker 2: and shut up. Basically walks past him again and this
• 24:07
  Speaker 2: guy goes, Hi, the doctor, what did I tell you?
• 24:10
  Speaker 1: And I'm like, dude, calm down, man, And then gets
• 24:13
  Speaker 1: into that room and and Vulcan comes into help and
• 24:16
  Speaker 1: then just like him screaming get out of here, like yeah,
• 24:19
  Speaker 1: useless to me, spitting everywhere, And I'm like, this feels
• 24:22
  Speaker 1: like this is tension built up over an entire season.
• 24:26
  Speaker 1: This it feels like a penultimate episode type rush, not
• 24:29
  Speaker 1: four episodes in you know, like so, and.
• 24:31
  Speaker 3: Also if you do the math, it's been a day
• 24:34
  Speaker 3: since the last episode. Yea, Yeah, like so they still
• 24:37
  Speaker 3: got the sunburn like Eli and Scott are still got
• 24:39
  Speaker 3: the sunburn on and stuff like that. Nordon showered, couldn't
• 24:51
  Speaker 3: no idea, no idea what any of these songs are.
• 24:57
  Speaker 1: But now I'm again knowing that he's as interesting as
• 25:01
  Speaker 1: you guys are alluding to. He's a very fascinating character
• 25:06
  Speaker 1: to watch. I mean anyway, and it's Robert Carlisle, and
• 25:08
  Speaker 1: I love Robert Carlisle, but yeah, he's It's it's fun
• 25:13
  Speaker 1: as the first time of watching him, going what is
• 25:16
  Speaker 1: going on? And then with the problems they're facing in
• 25:19
  Speaker 1: this episode and having seen ahead to next how the
• 25:22
  Speaker 1: problems that are happening, Like how frustrated he is that
• 25:25
  Speaker 1: these things are getting in the way of whatever it
• 25:27
  Speaker 1: is that he wanted to achieve or whatever he thought
• 25:30
  Speaker 1: he was going to find when he got through that
• 25:32
  Speaker 1: wormhole wherever it led, like these are these are like
• 25:35
  Speaker 1: such minor inconveniences that are becoming major.
• 25:39
  Speaker 2: But it's like you almost didn't I'll turn up good lord,
• 25:47
  Speaker 2: look look after that bar Is movie. He's look my
• 25:51
  Speaker 2: bars movie. He's given up on adding in the little
• 25:53
  Speaker 2: rush things on the end of notice he wasn't gonna
• 25:56
  Speaker 2: edit all as together. Control v is very hard. You
• 25:59
  Speaker 2: can't just keep doing that.
• 26:00
  Speaker 3: Yeah, what we're saying, Oh yeah, so if he is,
• 26:09
  Speaker 3: if he is the anti Beckett, what do we think
• 26:12
  Speaker 3: he collects, Like what what is on? What is on
• 26:15
  Speaker 3: shoot McGavin's body in that shuttle that if that, if
• 26:18
  Speaker 3: Rush could get to he that's what he's keeping, that's
• 26:22
  Speaker 3: his That's gonna be his trophies.
• 26:25
  Speaker 2: Oh it's there's a lot more. Maybe it's maybe it's
• 26:30
  Speaker 2: his fountain pen. Oh yeah, maybe he's Scottish. Maybe it's socks.
• 26:36
  Speaker 2: Maybe Beckett's into into shoes and boots and Rushes into
• 26:41
  Speaker 2: socks and then that way he completes the set.
• 26:42
  Speaker 1: Yeah, I don't mind that, Like you know, Becket's just
• 26:44
  Speaker 1: like it's shoes as a rule, it's just always shoes.
• 26:47
  Speaker 2: It's about the shoes. Whereas I feel like Rush it
• 26:50
  Speaker 2: would be whatever's personal and sentimental.
• 27:01
  Speaker 3: That was also great about the old ones is because
• 27:03
  Speaker 3: I think what I took to heart is the fact
• 27:05
  Speaker 3: that it always hit me, which meant I was talking
• 27:07
  Speaker 3: too much and it hit.
• 27:09
  Speaker 2: My my like you know, we should have started keeping
• 27:11
  Speaker 2: a tally. Yeah, yeah, I got a couple needs to
• 27:15
  Speaker 2: shut up.
• 27:16
  Speaker 1: I think Russia's a sociopath enough that he would take
• 27:19
  Speaker 1: whatever's yeah sentimental to the victim, like the pen or something.
• 27:23
  Speaker 2: It's Buffalo bill level ship yeah, in the basket yeah
• 27:26
  Speaker 2: stuff yeah yeah. Plus he's always jotting notes down and ship.
• 27:30
  Speaker 4: Yeah.
• 27:30
  Speaker 2: No, I like that. I like that. I like that
• 27:32
  Speaker 2: a lot. Like you're going to say something. I'm like,
• 27:36
  Speaker 2: I don't know whether that was in the fucking fourth
• 27:38
  Speaker 2: episode because they just blend in watching him back to back.
• 27:42
  Speaker 2: Yeah that. I'm waiting for Maddie to say, we could
• 27:53
  Speaker 2: pull the pin on that. Why are you looking at me?
• 27:56
  Speaker 2: Mitch is the one in control of the buck, but
• 27:58
  Speaker 2: you know, like we know him, but he's your mate.
• 28:02
  Speaker 2: He's at LA correspondent. Yeah exactly. I mean check and
• 28:05
  Speaker 2: see checked that other Faier and see if jaws are
• 28:07
  Speaker 2: still going from that.
• 28:13
  Speaker 1: I went to a confectionery where great people at Tom's
• 28:17
  Speaker 1: Confectionery Warehouse here in Brisbane.
• 28:18
  Speaker 2: They're okay people. Well, I like their products and they
• 28:21
  Speaker 2: are good people.
• 28:23
  Speaker 3: I tried to order some red vines and fruit. The
• 28:26
  Speaker 3: redvine No, I had to get those from the States,
• 28:29
  Speaker 3: so not to not to you know, de Reil your story.
• 28:31
  Speaker 3: But I went there because their website said they had
• 28:34
  Speaker 3: jugifruit and red vines.
• 28:36
  Speaker 2: I drove all the way there.
• 28:37
  Speaker 3: They had none. I spoke to a person behind the desk,
• 28:40
  Speaker 3: didn't have any. Went home with seventy dollars worth.
• 28:43
  Speaker 2: Of other candy.
• 28:45
  Speaker 3: Ordered the jujifruit and red vines on their website because
• 28:49
  Speaker 3: it said they had to be in stock, and they've
• 28:50
  Speaker 3: got multiple stores.
• 28:51
  Speaker 2: There's like one and done in Melbourne. Thought okay, let's
• 28:54
  Speaker 2: do that. Then a day later, No, they just canceled
• 28:57
  Speaker 2: older and gave me a refund.
• 28:58
  Speaker 1: So I'm like, well, I put up a video of
• 29:01
  Speaker 1: me at the place and like being the human claw
• 29:04
  Speaker 1: situation as Lolly's everywhere, and Joe's commented and said, where
• 29:08
  Speaker 1: is this magical place? And I read back, since Tom's
• 29:10
  Speaker 1: confection warehouse, you should go. Daddy needs some candy waiting for.
• 29:15
  Speaker 2: This wonderful establishment to be Like, okay, we were getting
• 29:17
  Speaker 2: involved in these comments, but what do you mean daddy?
• 29:19
  Speaker 2: I went, do I mention the robe, I mentioned a
• 29:21
  Speaker 2: vinegar stroke. I don't think they're under the ice compliance.
• 29:24
  Speaker 2: I'm not sure if Joe's all be able to go,
• 29:27
  Speaker 2: Perhaps he'll make his way. This is the guy I
• 29:31
  Speaker 2: was talking about cut this set. That was the that's
• 29:33
  Speaker 2: the doctor guy that I was talking about charge. Yeah,
• 29:37
  Speaker 2: I love it. Excellent. That is a fantastic port you
• 29:40
  Speaker 2: bring up, Mitchell. Okay, it was it was what did
• 29:43
  Speaker 2: I say? You just showed us a picture of what's
• 29:45
  Speaker 2: his name, Sergeant Riley? You thought was a doctor? Correct,
• 29:48
  Speaker 2: I said, A science guy? Yeah, science guy. Well, remember
• 29:52
  Speaker 2: that is Walter. Remember that potato. Well remember the fact
• 29:56
  Speaker 2: that I'm the first time and I don't even remember
• 29:59
  Speaker 2: his name.
• 29:59
  Speaker 4: So.
• 30:01
  Speaker 2: It's nothing against you, But remember that potato that I
• 30:05
  Speaker 2: got into a Twitter feud about because we didn't, as
• 30:09
  Speaker 2: a collective group, know what.
• 30:12
  Speaker 3: Doctor Fraser's rank was. But it's clearly stated on her uniform.
• 30:17
  Speaker 3: Apparently it is mate if you just look at it
• 30:20
  Speaker 3: and then you do some research. Well, mister, mister Komja,
• 30:25
  Speaker 3: which is Korean for potato, one of the goose.
• 30:29
  Speaker 2: You've even done research and had to slur at him properly. No,
• 30:32
  Speaker 2: it's just because of my K pop obsession. Here's a
• 30:36
  Speaker 2: little bit trivia for you from the Stargate wiki.
• 30:39
  Speaker 3: When Sergeant Hunter Riley was making a Kino recording, the
• 30:44
  Speaker 3: rank displayed on his collar.
• 30:45
  Speaker 2: Is for a senior airmen.
• 30:48
  Speaker 3: Air Force sergeants are four stripes or more and he's
• 30:51
  Speaker 3: only wearing three stripes.
• 30:53
  Speaker 2: So guess what, Twitter Potato.
• 30:55
  Speaker 3: What they have on their uniform doesn't mean shit if
• 31:00
  Speaker 3: it's not in dialogue.
• 31:04
  Speaker 2: There was real, but I've never heard the rebound in
• 31:09
  Speaker 2: this studio. Like it's very good acoustics in here. I've
• 31:12
  Speaker 2: actually never heard that before. Excellent. We've actually got a
• 31:15
  Speaker 2: big brass like bell over there. I think that's actually
• 31:16
  Speaker 2: what you're bouncing off. There's a lot of glass in here.
• 31:20
  Speaker 1: Yeah, yeah, yeah, I feel like I'm not learning much
• 31:25
  Speaker 1: of anything about Yeah, like range, I think that that's
• 31:28
  Speaker 1: that's the point. Like Young just keeps saying that, like
• 31:32
  Speaker 1: these are the wrong people, like everyone.
• 31:33
  Speaker 2: Here shouldn't be here, Like this is, you know, where
• 31:35
  Speaker 2: we're all done for because we haven't got the right
• 31:37
  Speaker 2: people on board. And yeah, yeah, like almost like ranks
• 31:39
  Speaker 2: don't matter and stuff.
• 31:40
  Speaker 3: It's just I swear it was season two before I
• 31:42
  Speaker 3: realized that I had the same first name as Lieutenant.
• 31:44
  Speaker 2: Scott because everyone just calls him Scott. Yeah, that must
• 31:47
  Speaker 2: be his name. I didn't know he was Hunter Riley, Yeah,
• 31:50
  Speaker 2: Hunter Riley to me, Yeah, each other last names usually. Yeah,
• 31:58
  Speaker 2: well that all that.
• 31:59
  Speaker 3: Weird way in the first episode where Young said Tamera
• 32:02
  Speaker 3: instead of tomorrow, I did like that scene though. I
• 32:07
  Speaker 3: did like the scene though with Scott, Greer, and TJ
• 32:10
  Speaker 3: when they're all just kind of like chatting, trying to
• 32:12
  Speaker 3: work and stuff like that. I feel like that's a
• 32:15
  Speaker 3: strong trio because, like I said in air similar age, yeah,
• 32:19
  Speaker 3: I never really warm to Greer, but I feel like
• 32:22
  Speaker 3: when those three are on their own because like Scott
• 32:24
  Speaker 3: and TJ the same rank, and then like we were
• 32:27
  Speaker 3: talking about, Greer is enlisted, but they consider him like
• 32:31
  Speaker 3: an equal, if not more qualified.
• 32:32
  Speaker 2: Than they are.
• 32:34
  Speaker 3: So they have that connection of all being military personnel,
• 32:36
  Speaker 3: but they don't have to be you know, yes, so no,
• 32:39
  Speaker 3: so when it comes to dealing with Telford or Young,
• 32:42
  Speaker 3: they can just they kind of just seem to relax
• 32:45
  Speaker 3: around each other. And I really liked that scene of
• 32:47
  Speaker 3: them just sort of chatting, and.
• 32:48
  Speaker 2: Yeah, you could almost see that as like an SG
• 32:51
  Speaker 2: one with without an without a fifth fourth member. Yeah,
• 32:55
  Speaker 2: they need an alien. They need some cool, hot alien
• 32:58
  Speaker 2: with muscles and stuff to come in and and be there. Fourth. Yeah,
• 33:03
  Speaker 2: and by fourth I mean team not anything, go for
• 33:05
  Speaker 2: a joy ride. Oh joy Yeah, I like that.
• 33:10
  Speaker 3: I thought it was interesting though, and this is just
• 33:11
  Speaker 3: something I guess to put a little pin in something
• 33:13
  Speaker 3: for you to look at. For Mitchell, I thought it
• 33:16
  Speaker 3: was interesting and a little bit of foreshadowing. If you notice,
• 33:18
  Speaker 3: when uh, Telford.
• 33:22
  Speaker 2: Stone's in, is that that the verbige we're using stone
• 33:24
  Speaker 2: Stone's in crosses the universe, across the universe, the cross.
• 33:35
  Speaker 2: So when Telford comes in from the cross, we're figuring it.
• 33:45
  Speaker 2: T J could tell. When Young comes up and he
• 33:49
  Speaker 2: starts giving orders to Scott, t J goes, that's kind
• 33:52
  Speaker 2: of because he wasn't staring at their tits. That's that's
• 33:56
  Speaker 2: only because Lieutenant James wasn't in the room. There you go, Yeah,
• 34:00
  Speaker 2: but it's interesting.
• 34:00
  Speaker 3: And then and then later on, when Telford gets bumped
• 34:03
  Speaker 3: out and Young comes back, TJ's the first one to
• 34:06
  Speaker 3: notice that.
• 34:07
  Speaker 2: Young staring at a cans. How else would you know?
• 34:11
  Speaker 2: I mean, it's not like she doesn't see what we see.
• 34:14
  Speaker 2: That's it. I don't know how I still feel about
• 34:17
  Speaker 2: the whole Stone thing, and not not the stones in particular,
• 34:19
  Speaker 2: but the way they direct it. Like I would also,
• 34:23
  Speaker 2: I would almost like it if some of the characters
• 34:25
  Speaker 2: had to do impressions of each other, like we've seen
• 34:27
  Speaker 2: not all the time, but sometimes how we see it
• 34:30
  Speaker 2: body and soul st seven. Well, Jesus Christ, I'm not
• 34:35
  Speaker 2: going to miss that opportunity. I was thinking. I was
• 34:38
  Speaker 2: actually thinking of an SG one episode holiday. Oh god forbid,
• 34:41
  Speaker 2: they swapt bodies.
• 34:43
  Speaker 3: Say, but Daniel played Michelle. I forgot about I forgot
• 34:46
  Speaker 3: about Jack and teel. Yes that was yeah, that was
• 34:49
  Speaker 3: a better.
• 34:49
  Speaker 2: Way that good stuff. But yeah, yeah, I mean yeah,
• 34:52
  Speaker 2: it's it's one of those things where I just like,
• 34:55
  Speaker 2: I don't know if I like it. The stone, the
• 34:57
  Speaker 2: whole stones thing, Yeah, I could rather than just be
• 35:00
  Speaker 2: on their own. We'll see.
• 35:00
  Speaker 1: I was about to say that it's not not yet,
• 35:04
  Speaker 1: but I know we're only a couple of episodes in,
• 35:05
  Speaker 1: but I'm like, I've reckoned another yeah, another one or
• 35:09
  Speaker 1: two trips back like so easily, and it's like, well, yeah,
• 35:13
  Speaker 1: then I feel like we're losing something. He We're losing
• 35:16
  Speaker 1: the tension of the fact that they are lost. If hey,
• 35:19
  Speaker 1: I'll borrow it today and I'll go back and talk
• 35:21
  Speaker 1: to my family, and it's just like, well, you're supposed
• 35:23
  Speaker 1: to have and I know he was going back to
• 35:25
  Speaker 1: have this conversation with a wife that had already left
• 35:28
  Speaker 1: him or kicked him out or whatever. But yeah, to
• 35:32
  Speaker 1: just say, hey, we're back in a couple of hours
• 35:33
  Speaker 1: and go and pick up a stone and go across
• 35:35
  Speaker 1: and I think across the universe.
• 35:37
  Speaker 2: Practically, it makes zero sense because if you're ahead of
• 35:40
  Speaker 2: the SGC or whatever it is in the National Homeland Security,
• 35:44
  Speaker 2: world security, you would just put Carter McKay and Daniel
• 35:48
  Speaker 2: Jackson in there straight away. So it's kind of like,
• 35:51
  Speaker 2: what are you what are you doing? Yeah? What are
• 35:53
  Speaker 2: we doing here? It's like who do you? Who do
• 35:55
  Speaker 2: you want? He says to rush young Young, He goes,
• 35:59
  Speaker 2: who do you want here? I'm like, oh, Ronnie McKay
• 36:02
  Speaker 2: the kata, Like you know what, how dumb I am?
• 36:06
  Speaker 2: I hadn't thought of that at all? And that is
• 36:08
  Speaker 2: so so obvious. That's like, yeah, that's should be what's happening. Yeah,
• 36:13
  Speaker 2: and that's why it's frustrated.
• 36:14
  Speaker 3: Yeah, like yeah, you know they that's a good point
• 36:16
  Speaker 3: because they make a big point in this episode.
• 36:19
  Speaker 2: It's like, we have all the wrong people. They reiterate,
• 36:21
  Speaker 2: we have all the wrong people.
• 36:23
  Speaker 3: They had in this episode they're like, which is it's
• 36:28
  Speaker 3: so funny and cute to look back now that you
• 36:30
  Speaker 3: know we have now the little like charging pads for
• 36:33
  Speaker 3: our phones, and they found one of those on the desk, Andy.
• 36:35
  Speaker 2: Being like, look, we can recharge our you know, slash.
• 36:38
  Speaker 2: It's kind of funny in an AI world as well, Like,
• 36:42
  Speaker 2: and you go back to Atlantis and they have that
• 36:46
  Speaker 2: Beckett goes in and finds the ancient and it's just
• 36:49
  Speaker 2: a video of her. Oh yep, like whatever they call it,
• 36:53
  Speaker 2: hologram using power, I'm using power. Yeah, how come she
• 36:56
  Speaker 2: wasn't how come they didn't have an AI ancient in
• 36:59
  Speaker 2: that show? Like it doesn't even make sense? Yeah, why
• 37:02
  Speaker 2: they didn't? Yeah?
• 37:03
  Speaker 3: And then yeah, like, if we've got five stones, why
• 37:07
  Speaker 3: are there points in the day where no one's using them?
• 37:10
  Speaker 2: You think?
• 37:10
  Speaker 3: Yeah, I get Carter and MCA like have three of
• 37:14
  Speaker 3: those useless you know, background extras their bodies here. Yeah,
• 37:19
  Speaker 3: let's put three really really smart people in.
• 37:22
  Speaker 2: There to then wear it out. Yeah, because it's.
• 37:27
  Speaker 3: It is, I mean, I think moving forward in some
• 37:29
  Speaker 3: of the other episodes, they do play up the really
• 37:32
  Speaker 3: interesting idea of.
• 37:35
  Speaker 2: You can go home, but not really in a way.
• 37:37
  Speaker 3: It's almost torture in that you're able to visit home,
• 37:40
  Speaker 3: but you're visiting home in someone else's body. Your loved
• 37:42
  Speaker 3: ones are looking at someone else while you're talking to them.
• 37:46
  Speaker 1: Yeah, and that's where that kind of thing maybe like
• 37:49
  Speaker 1: they play around with it a little bit more in
• 37:51
  Speaker 1: this where Young is out and then he looks in
• 37:54
  Speaker 1: the reflection and he seriously Diamond Phillips. And then I
• 37:58
  Speaker 1: would have liked to have seen because you know, a
• 38:01
  Speaker 1: lot of that scene is about the wife saying I
• 38:03
  Speaker 1: don't even know if I believe this, and I'm like, well,
• 38:05
  Speaker 1: I want to see the conversation you had prior to this,
• 38:07
  Speaker 1: like are they setting it up on the phone, going, hey,
• 38:10
  Speaker 1: some Blake's coming over? It's actually your husband. Don't ask questions,
• 38:12
  Speaker 1: just trust his personality is in the other guy's head.
• 38:16
  Speaker 1: But I would have loved to have seen that scene
• 38:18
  Speaker 1: played out with Lou Diamond Phillips, whether it's putting on
• 38:21
  Speaker 1: a big imperformation of is it Louis or Lewis?
• 38:25
  Speaker 2: How he of Lou?
• 38:29
  Speaker 1: But just so you're almost seeing that scene more from
• 38:32
  Speaker 1: the wife's point of view, where and then in turn,
• 38:35
  Speaker 1: you are going to feel more for Young getting frustrated
• 38:40
  Speaker 1: at like how pointless this is because it's you can
• 38:43
  Speaker 1: see why she's not believing it and why it's almost
• 38:46
  Speaker 1: fruitless for him to go back and seek some type
• 38:48
  Speaker 1: of closure or something that he needs. And that's why
• 38:52
  Speaker 1: he went and did that, because he's never going to
• 38:55
  Speaker 1: get that because he looks like somebody else.
• 38:57
  Speaker 2: And it's like it's like when Emily is talking to
• 38:59
  Speaker 2: lud i'mond Phillips. Is he talking like this? Is he
• 39:02
  Speaker 2: talking young?
• 39:03
  Speaker 3: And then it's like when it well, I don't know
• 39:06
  Speaker 3: that he ever does, or we haven't seen it yet.
• 39:08
  Speaker 3: I guess, oh no, we did see it in the
• 39:09
  Speaker 3: first of all, when Rush goes.
• 39:11
  Speaker 2: Back with Doctor Lee.
• 39:14
  Speaker 3: Does that mean O'Neill was hearing Doctor Lee talk with
• 39:17
  Speaker 3: a Scottish accent.
• 39:18
  Speaker 2: That's what I wanted to Yeah, like, yeah, that kind
• 39:20
  Speaker 2: of stuff could be quite interesting, even more fun.
• 39:23
  Speaker 1: I would have loved to have seen Robert Carlyle put
• 39:26
  Speaker 1: on a Doctor Lee impersonation.
• 39:29
  Speaker 2: Yeah, yeah, sort of. What a change that would have
• 39:32
  Speaker 2: been from from the way, such a challenge for the actors. Yeah, yeah,
• 39:36
  Speaker 2: I think we would have made the show better, to
• 39:38
  Speaker 2: be honest.
• 39:38
  Speaker 3: Yeah, it'd be great to Yeah, cut back to Destiny
• 39:42
  Speaker 3: and you have you have Rush as doctor Lee explaining
• 39:46
  Speaker 3: the that Lord of the Rings thing with the with
• 39:49
  Speaker 3: the lighting, lighting the towers, the beacons.
• 39:52
  Speaker 2: Yeah, like the beacons. He's explaining all that. Yeah, yeah
• 39:55
  Speaker 2: to Chloe, who's just not just bored as hell.
• 39:58
  Speaker 1: Yeah, even with Rush, right, like because he has that breakdown.
• 40:03
  Speaker 1: And then after they're like, so you just have like
• 40:05
  Speaker 1: ten coffees a day, right, you know, and you used
• 40:08
  Speaker 1: to do this, this and this. You're having withdrawal symptoms
• 40:10
  Speaker 1: yea and Nicktine and Nicktaine, you know, you dehydrated. There's
• 40:13
  Speaker 1: a whole lot of thing going on.
• 40:16
  Speaker 2: What's you know, sleep deprived? Sleep deprived.
• 40:18
  Speaker 1: And then the next scene we see him he's apologizing
• 40:20
  Speaker 1: the young He's like, don't even worry about It's fine,
• 40:22
  Speaker 1: Like he goes, no, no, no, I'm having withdraws and
• 40:24
  Speaker 1: we've had to explain don't even worry about it.
• 40:26
  Speaker 2: I'm like cool.
• 40:26
  Speaker 1: And for the rest of the episode he was a
• 40:28
  Speaker 1: lot nicer there with this, Like Volka comes in and
• 40:31
  Speaker 1: says something and he's almost more open to listening to him,
• 40:34
  Speaker 1: and even if he said something stupid, it's like, I
• 40:36
  Speaker 1: understand how someone like you would come to that because
• 40:39
  Speaker 1: he's not yelling at that. I'm like, oh, so when
• 40:42
  Speaker 1: we saw him in the desert, was that just like
• 40:44
  Speaker 1: a lesser effect of what he was at the start
• 40:45
  Speaker 1: of this episode? And in episode two it was amplified
• 40:48
  Speaker 1: by how they got onto the ship and the problems
• 40:50
  Speaker 1: that had led there.
• 40:51
  Speaker 2: But were we already heading into that direction? Like what
• 40:54
  Speaker 2: what does the real? Who is the real? Rush?
• 40:56
  Speaker 1: In a way for me, it's the first time where
• 40:58
  Speaker 1: I've mainly abe only seeing the real Hymn in the
• 41:02
  Speaker 1: first ten minutes of the show where he was going
• 41:04
  Speaker 1: to Eli's house and getting him because he you know,
• 41:06
  Speaker 1: he had these marbles about him and he was well
• 41:09
  Speaker 1: fed and well hydred and had a couple of.
• 41:10
  Speaker 2: Smokes and things. But post all that, he's been probably
• 41:14
  Speaker 2: easy enough, easier for us to like him in hindsight
• 41:17
  Speaker 2: watching him same as McKay. Yeah, Like, you know, you
• 41:21
  Speaker 2: hate McKay early on, and then you know, you grow
• 41:24
  Speaker 2: to really enjoy his character and then you find forty
• 41:26
  Speaker 2: eight hours is much more enjoyable. Yeah, when you go back,
• 41:29
  Speaker 2: you go back to est you want and watch his
• 41:31
  Speaker 2: first episode, it's like classic dumb blond thing instead of going,
• 41:34
  Speaker 2: he's son of a bitch. You're like, it's classic, Okay.
• 41:37
  Speaker 3: Yeah, you know, yes, I guess we can probably talk
• 41:39
  Speaker 3: about it in next week's episode. But yeah, I thought
• 41:40
  Speaker 3: there was a really cool ending to the episode in
• 41:43
  Speaker 3: terms of the Rush.
• 41:44
  Speaker 2: Yeah, on what he's like and can you trust him?
• 41:47
  Speaker 2: What's he doing?
• 41:48
  Speaker 3: He's you know, he's playing three D chess all the
• 41:50
  Speaker 3: rest of us are playing checkers. Yeah, kind of situations.
• 41:53
  Speaker 1: Well, yeah, I guess that for me too, Like he
• 41:54
  Speaker 1: comes out and he's nice because he had a bit
• 41:55
  Speaker 1: of a sleep and I'm like, oh no, did he
• 41:57
  Speaker 1: did wake up and go all right?
• 41:58
  Speaker 2: New game plan? Had to mess with these people and
• 42:01
  Speaker 2: get what I want eventually. Yeah. Well it's funny too
• 42:04
  Speaker 2: because at the start of this episode they're talking about
• 42:08
  Speaker 2: we're stuck with Rush, that's who we got for now.
• 42:10
  Speaker 2: It's like, actually, he's stuck with you. When you think
• 42:13
  Speaker 2: about it, he was pretty much the only one that's
• 42:15
  Speaker 2: supposed to be on this expedition. Expedition because Telford was
• 42:17
  Speaker 2: supposed to be the one leading it. Yeah, Young was
• 42:19
  Speaker 2: only supposed to be in charge of ecospace. Yea. Yeah,
• 42:22
  Speaker 2: So it's like, so, yeah, he's stuck with you, he
• 42:25
  Speaker 2: should have a full team of people that he might trust.
• 42:28
  Speaker 2: He probably would still be doing the similar things, but
• 42:31
  Speaker 2: not as much. And I like the good sort of
• 42:33
  Speaker 2: like management, Like, you know, Young is getting pissed off
• 42:35
  Speaker 2: with him and has had his fights.
• 42:37
  Speaker 4: To know.
• 42:37
  Speaker 1: The last couple of episodes, what's MiG Nah's character, Camille,
• 42:42
  Speaker 1: she's also getting frustrated with him. He comes in, drinks
• 42:45
  Speaker 1: his slop and it's like, yeah, thanks for dinner, and
• 42:47
  Speaker 1: just storms out, and then the rest of the crews
• 42:50
  Speaker 1: that have come in and go, rush, what a dickhead. Yeah,
• 42:52
  Speaker 1: we're stuck with him. And then Camille's like, yeah, yeh yeah.
• 42:55
  Speaker 1: But I mean the way everyone's treating him, it's like
• 42:58
  Speaker 1: they're pissed off with him, but they're telling you else, Hey,
• 43:00
  Speaker 1: let's treat him a little bit better, Like they're not
• 43:02
  Speaker 1: just all piling on him behind his back. So I
• 43:05
  Speaker 1: actually like that brief moment where both she and Young
• 43:08
  Speaker 1: were saying, hey, give him, give him some space.
• 43:10
  Speaker 2: Understand the pressure that he's under. And I imagine if
• 43:13
  Speaker 2: if you are going to risk your life going through
• 43:15
  Speaker 2: the stargate, you have to know that something crazy might happen. Yeah,
• 43:19
  Speaker 2: surely there's some kind of waiver you're signing. So as
• 43:23
  Speaker 2: you go through that event horizon from the Earth's stargate,
• 43:26
  Speaker 2: you're like, anything can never come back. I may never
• 43:29
  Speaker 2: come back, And like we've seen that in Atlantistoctor wheels
• 43:32
  Speaker 2: like everyone in my expedition understands that we see it
• 43:35
  Speaker 2: in SG one when they like just leaving all the time,
• 43:39
  Speaker 2: going to different galaxies, they never expect to come back.
• 43:42
  Speaker 2: So it's kind of after having it. If it was
• 43:45
  Speaker 2: its own series just starting, it would make a lot
• 43:48
  Speaker 2: of sense. But because we've had all these people willing
• 43:50
  Speaker 2: to sacrifice themselves for so long, over so many series,
• 43:53
  Speaker 2: and then these people are winging about it, You're like,
• 43:55
  Speaker 2: but you were on niker As Space. It's not like
• 43:57
  Speaker 2: you were just it's not like you were Eli. Eli's
• 44:00
  Speaker 2: got the main reason you pissed off. He was actually
• 44:02
  Speaker 2: inducted from his home by the US Air Force and
• 44:05
  Speaker 2: kidnapped and sent across the universe. Yeah, I will.
• 44:10
  Speaker 3: I will preface this by saying I agree with you completely,
• 44:12
  Speaker 3: but just for ships and giggles. In terms of a
• 44:14
  Speaker 3: potential counterpoint to that, Remember Bill Lee Doctor Lee's first episode,
• 44:20
  Speaker 3: which was Prodigy, when we meet your favorite character, Lieutenant Haley.
• 44:23
  Speaker 2: Yeah, I think Race hated him more than me. Yeah.
• 44:26
  Speaker 3: And they go to the Moon with all the little
• 44:28
  Speaker 3: light bugs and it's just all those scientists and they
• 44:31
  Speaker 3: are they're smart, but they're so like when it comes
• 44:34
  Speaker 3: to life threatening situations, they just don't know what the
• 44:37
  Speaker 3: hell they're doing. And essentially Rush and Young I just
• 44:41
  Speaker 3: have a ship full of those idiots.
• 44:43
  Speaker 2: Yeah. So yeah, I can see both both sides of that. Absolutely. Yeah.
• 44:48
  Speaker 2: I mean you would be pissed off, you like he
• 44:50
  Speaker 2: should have died back to Earth or somewhere in Milky Way.
• 44:52
  Speaker 2: But you have to you had to expect something bad happened.
• 44:56
  Speaker 2: You're on a planet full of an aquadria, Yes, exactly.
• 45:00
  Speaker 2: That shit is volatile.
• 45:01
  Speaker 3: Yeah, you mentioned Camille, something I thought was and I
• 45:06
  Speaker 3: forget it every single every single time I go to
• 45:08
  Speaker 3: rewatch a universe, which to be fair, has only been
• 45:11
  Speaker 3: a couple of times.
• 45:13
  Speaker 2: Guest star Mignawe.
• 45:16
  Speaker 3: I always forget about that because when you see the
• 45:18
  Speaker 3: group shots, it includes her and Telford, like her and
• 45:21
  Speaker 3: lou Diamond Phillips. Now they only get a guest star
• 45:24
  Speaker 3: that I think maybe in season two they become a
• 45:26
  Speaker 3: full member of the but obviously they're probably of that
• 45:29
  Speaker 3: entire cast. Lou Diamond, Phillips and mgnah Win are probably
• 45:32
  Speaker 3: the biggest names in that regard, so that might be
• 45:35
  Speaker 3: why they were.
• 45:36
  Speaker 2: Like at the time, apart from Robert Carlisle. Oh yeah, true,
• 45:39
  Speaker 2: true to true.
• 45:40
  Speaker 3: So yeah, so I guess maybe adding them to all
• 45:42
  Speaker 3: the promo material even though they weren't sort of part
• 45:45
  Speaker 3: of that quote unquote main cast.
• 45:48
  Speaker 2: Yeah, I just always forget. I always remember, I remember
• 45:50
  Speaker 2: Telford always being a guest star, but I always forget
• 45:54
  Speaker 2: that Mick Nah was credited as a guest star and
• 45:57
  Speaker 2: as Ludo and Phillips. He's been a part of all
• 46:00
  Speaker 2: four episodes as well, hasn't he so far? Yeah.
• 46:02
  Speaker 1: He had more of a spot in episode one obviously
• 46:05
  Speaker 1: because he was in the same base and scenes as
• 46:08
  Speaker 1: as the crew. But since then it's like it's like
• 46:11
  Speaker 1: he's got half a day on set for episodes two, three,
• 46:15
  Speaker 1: and four, And I wonder as an actor, it's like,
• 46:17
  Speaker 1: does that keep him from doing other work? Because I
• 46:19
  Speaker 1: went into this series as well, I knew that meg
• 46:22
  Speaker 1: Nah was in it just a ship, but at least
• 46:23
  Speaker 1: he's on the ship so they can use her a
• 46:24
  Speaker 1: bit more, whereas they have to write in how to
• 46:27
  Speaker 1: use lou Dummond Phillips a week or something.
• 46:30
  Speaker 2: Yeah, when he's got separated from him. I actually that
• 46:32
  Speaker 2: surprised me more than almost anything else in that entire
• 46:35
  Speaker 2: first episode, was that he's not on the ship with
• 46:38
  Speaker 2: everybody else. Yeah, hey, things change in the future. I
• 46:43
  Speaker 2: have no idea, but you know, it's not even like, yeah,
• 46:45
  Speaker 2: when they switch bodies, we get to see you know,
• 46:48
  Speaker 2: him walking around doing more, which I think I would
• 46:53
  Speaker 2: I think I would like or at least in the
• 46:54
  Speaker 2: instances we've seen, just to differentiate it from I think
• 46:59
  Speaker 2: if they would have had actors doing impersonations of other people.
• 47:02
  Speaker 1: In episode two, it was like almost too much too
• 47:05
  Speaker 1: quickly for like what the story they were trying to establish.
• 47:07
  Speaker 1: But now we're in episode four and they're going back.
• 47:09
  Speaker 1: It's like, no add to the add to the scene,
• 47:11
  Speaker 1: add to the emotional emotionality of it by having someone
• 47:14
  Speaker 1: different play the husband role or something.
• 47:17
  Speaker 3: So yeah, something I thought of interesting, and it to me,
• 47:20
  Speaker 3: it's the equivalent of Rush saying you're all idiots?
• 47:23
  Speaker 2: Why you hear?
• 47:25
  Speaker 3: Is the moment when they're I think, when they're approaching
• 47:28
  Speaker 3: that first planet, and it's like right up in the
• 47:31
  Speaker 3: in the like that main way they call like the
• 47:33
  Speaker 3: gallery the viewing room or whatever. And Eli goes and
• 47:36
  Speaker 3: like gets Chloe and they and they go run in
• 47:38
  Speaker 3: to look at it the way they run in, push
• 47:43
  Speaker 3: through people blocking their view, step over the bench that's there,
• 47:50
  Speaker 3: and don't sit down on it. If I was standing
• 47:53
  Speaker 3: behind them, the way, I would punch them in the
• 47:56
  Speaker 3: back of the head.
• 47:59
  Speaker 2: The way like just actually don't go full three stooges
• 48:03
  Speaker 2: and just boom back their heads together. He dummies, I
• 48:06
  Speaker 2: feel like freaking millennial idiots. Oh god, that's scared any thing. Yeah,
• 48:11
  Speaker 2: they're the youngest ones on that ship, but they are
• 48:12
  Speaker 2: the best of us his audience. Yeah, I feel like,
• 48:17
  Speaker 2: you know.
• 48:18
  Speaker 3: We're this far away from Elo shirt actually just saying
• 48:20
  Speaker 3: I'm with stupid.
• 48:21
  Speaker 2: Yeah. Yeah. But even when he like he leads Chloe
• 48:24
  Speaker 2: in and she's like, I don't care, like what you're
• 48:26
  Speaker 2: not over? He's like, what do you mean?
• 48:27
  Speaker 1: How could you possibly be overlooking out the window at
• 48:29
  Speaker 1: this point and it's gonna be amazing company, Like yeah,
• 48:32
  Speaker 1: drags are in and then they get there, she's like, oh,
• 48:34
  Speaker 1: can we Like she's ten meters away, it's like, can
• 48:36
  Speaker 1: we slow down?
• 48:37
  Speaker 2: And like the doors there love like just put up
• 48:39
  Speaker 2: with it. But they get in and and he like goes, oh,
• 48:42
  Speaker 2: I guess everyone else had the same idea. And I'm like, yeah,
• 48:45
  Speaker 2: I wonderfully why that's why you're here because you knew
• 48:47
  Speaker 2: it was going to be amazing. There's only like eighty
• 48:49
  Speaker 2: was it like eighty other people in the ship Like yeah,
• 48:51
  Speaker 2: someone who's so smart, he's so dumb. You don't have
• 48:58
  Speaker 2: to follow me around? What do you mean? I mean
• 49:01
  Speaker 2: that I'm okay's actually pink with half we're going through.
• 49:10
  Speaker 4: Now?
• 49:10
  Speaker 2: Oh hello darkness, smile friend, Poor bastard ben Affleck, absolute
• 49:16
  Speaker 2: poor bastard. Really she's not okay though, right her dad
• 49:21
  Speaker 2: died yesterday? Yeah, locked up, wasn't he? But also Eli
• 49:29
  Speaker 2: doesn't really a had that many choices. Chloe is not
• 49:32
  Speaker 2: that great. She is so basic. She's basic. She's a
• 49:35
  Speaker 2: basic white girl in Lululemon Neppo baby, you know, in
• 49:41
  Speaker 2: like it's because Eli's either got minna when who's a lesbian?
• 49:46
  Speaker 2: So there's no chance to spoiler? Jesus not the old
• 49:50
  Speaker 2: the old No.
• 49:51
  Speaker 3: I said that in episode one, she said, Sharon so
• 49:54
  Speaker 3: we know her lover's name. Yeah, the the old lady
• 49:58
  Speaker 3: background character that you're talking about. Like, Lieutenant James isn't
• 50:02
  Speaker 3: slumming with Eli.
• 50:03
  Speaker 2: Like you know what I mean, he could be going
• 50:05
  Speaker 2: to help rush, right, you make yourself useful. God, yeah,
• 50:11
  Speaker 2: you're not going to impress her physically, impress her with
• 50:13
  Speaker 2: your brain or something like. But she's not even worth
• 50:15
  Speaker 2: in pressing, you know what I mean. It's just because
• 50:18
  Speaker 2: there's only eighty people. Is an entire world. She knew
• 50:20
  Speaker 2: that he went to MIT, so she He's like, damn,
• 50:23
  Speaker 2: what else? What else do you know about me? Yeah? Yeah,
• 50:30
  Speaker 2: she just took him, just dragging him.
• 50:32
  Speaker 3: If anything, what he should be doing is he should
• 50:35
  Speaker 3: be looking through all the personnel files for the SGC,
• 50:38
  Speaker 3: finding the absolute hottest marine.
• 50:42
  Speaker 2: Lieutenant James.
• 50:44
  Speaker 3: No, no, no, on Stargate, like the on the SGC,
• 50:47
  Speaker 3: finding the absolute hottest marine, getting him on the stone
• 50:51
  Speaker 3: so Eli can swap bodies with him, and then just
• 50:54
  Speaker 3: destroying gash on Earth.
• 50:56
  Speaker 2: Oh that's a good ideating someone else's body. That's a
• 50:59
  Speaker 2: great idea, right, Sorry, mate, gave you the said he
• 51:03
  Speaker 2: dripped good luck imagined. I imagine next time doctor Lee.
• 51:08
  Speaker 3: Swaps bodies with Lieutenant Scott and then just goes and
• 51:11
  Speaker 3: destroys Chloe in the back room, and then lieutenant and
• 51:14
  Speaker 3: then Lieutenant.
• 51:15
  Speaker 2: James as well, Like you can totally do that. Yeah,
• 51:19
  Speaker 2: something I think they never end. We're just sorry we
• 51:21
  Speaker 2: cut back to the pedal pingon. Everyone just like fighting
• 51:24
  Speaker 2: over that chair. Yeah yeah, yeah, Lieutenant James is a
• 51:31
  Speaker 2: rectal exam. The doctors are just fighting fighting, imagine that though.
• 51:36
  Speaker 2: You get that jacked marine. He's just out there dumping loads. Yeah,
• 51:40
  Speaker 2: like no way dropping, Sorry about that, mate, You've got
• 51:43
  Speaker 2: heaps of child support my dad because ever he's been
• 51:52
  Speaker 2: jacking off into tissues so long he doesn't even know
• 51:55
  Speaker 2: what pulling out is. Yeah, because because he's because he's
• 51:58
  Speaker 2: only a sock. They just pull out of that. Yeah.
• 52:02
  Speaker 3: But something I know a lot about him, Yeah, something
• 52:05
  Speaker 3: I well, the he's this danding character for us in
• 52:08
  Speaker 3: twenty eleven. Oh sorry, two thousand and nine, it's time
• 52:12
  Speaker 3: for some Definitely, Daniel, I've just named it that, okay, not.
• 52:17
  Speaker 2: Suddenly definitely definitely, that's definitely definitely definitely Daniels. Hi, I'm
• 52:25
  Speaker 2: doctor Daniel Jackson.
• 52:27
  Speaker 4: Now you've heard the term hyper space for years in
• 52:30
  Speaker 4: sci fi movies and television shows.
• 52:31
  Speaker 2: But what does it really mean?
• 52:34
  Speaker 4: Well, basically, we live our lives in three dimensions plus time.
• 52:39
  Speaker 2: That's another DVD.
• 52:41
  Speaker 4: Hyperspace, also called subspace, is another dimension in which certain
• 52:45
  Speaker 4: laws of physics, like the speed of light or the
• 52:47
  Speaker 4: effects of relativity don't apply. Now.
• 52:50
  Speaker 2: By entering.
• 52:52
  Speaker 4: Hyper space, a ship can travel vast distances at speeds
• 52:55
  Speaker 4: many times the speed of light, and return to normal
• 52:58
  Speaker 4: space once it reaches its destination. The actual math of
• 53:01
  Speaker 4: how it all works is still highly classified, and I'm
• 53:03
  Speaker 4: not completely sure I understand it myself, but it's how
• 53:07
  Speaker 4: most advanced races get around the galaxy when they're not
• 53:09
  Speaker 4: using a stargate.
• 53:11
  Speaker 2: I sit down now, I see why it's a video
• 53:13
  Speaker 2: because at least you've got Michael Shanks's face to look
• 53:16
  Speaker 2: at during that because I checked out and he's in hyperspace.
• 53:19
  Speaker 2: That's why he went hyperspace. Yeah, if you just tested
• 53:24
  Speaker 2: me on anything, he just said zero. He wasn't into it, though,
• 53:28
  Speaker 2: was he like, he's like not into it? Yeah?
• 53:31
  Speaker 1: Not, But I also like just the little Daniel Jackson
• 53:34
  Speaker 1: ism that he threw in there. He goes the ins
• 53:37
  Speaker 1: and outs of the how is still highly classified, and
• 53:40
  Speaker 1: I'm not sure that I understand, not even like, and
• 53:43
  Speaker 1: I don't even understand it myself, so I'm not I
• 53:45
  Speaker 1: probably do, but I'm not sure that shuts updates.
• 53:48
  Speaker 2: Kind of give him some Bill Maher energy. Oh really,
• 53:52
  Speaker 2: the Ted, the Ted, that's so good. The Ted talk
• 53:56
  Speaker 2: is Eli and Michael Shanks is Chloe. He's just not
• 53:59
  Speaker 2: into it. He's just not into it.
• 54:02
  Speaker 3: I think we might have maybe said his name too
• 54:04
  Speaker 3: many times, like candy Man, and he's appeared just in
• 54:07
  Speaker 3: our group chat. Daddy, Daddy Jows has just jumped in
• 54:11
  Speaker 3: peeking behind the curtain. Brendan said a sent a message
• 54:14
  Speaker 3: in the group Chatta saying, this is the best message
• 54:16
  Speaker 3: I've ever received from Reese, And it was a text
• 54:19
  Speaker 3: message where Reese just said SG one is now.
• 54:20
  Speaker 2: On Netflix, Now on Netflix. I was like, that's my boy,
• 54:25
  Speaker 2: that's my boy Brown, to which Daddy has just.
• 54:28
  Speaker 3: Said, I've never last, never laughed harder than just then.
• 54:31
  Speaker 3: I read that first open messenger expecting a heartfelt sentence
• 54:35
  Speaker 3: on how important Stargate is to his life, and now
• 54:38
  Speaker 3: nothing disappointed me at all.
• 54:41
  Speaker 2: Well, you should read what I wrote, the whole thing.
• 54:44
  Speaker 3: This is the best message I've ever received from Reese.
• 54:46
  Speaker 3: He never liked Stargate before the podcast. As a big brother,
• 54:48
  Speaker 3: I felt like, I have done my job, made my father,
• 54:51
  Speaker 3: made me right. So yeah, the fact that Reese just
• 54:57
  Speaker 3: said you a text that literally just SG one is
• 54:59
  Speaker 3: on Netflix.
• 55:00
  Speaker 2: That's it. That's all he says. That's s ones on Netflix.
• 55:03
  Speaker 2: I'm like, dude, nail, Yeah, yeah, man, well done, well done.
• 55:08
  Speaker 3: Something I thought was really really cool when they were
• 55:10
  Speaker 3: it must have. It was during the breaking procedure when
• 55:12
  Speaker 3: they were coming around the planet to do that aero
• 55:14
  Speaker 3: breaking procedure, and and Young was getting everybody to like
• 55:16
  Speaker 3: brace themselves and that kind of stuff.
• 55:19
  Speaker 2: And then he's telling people to get off the walls
• 55:21
  Speaker 2: because the turbulence can break their backs. And I'm like,
• 55:25
  Speaker 2: that is intense.
• 55:26
  Speaker 3: And I'm assuming that's got something to do with like
• 55:28
  Speaker 3: his military training of you know, ye the planes in
• 55:33
  Speaker 3: the sky and also yeah, starships and stuff like that.
• 55:35
  Speaker 3: But yeah, yeah, if you're up against a wall and
• 55:40
  Speaker 3: it's it's what's taking all the all the turbulence and
• 55:43
  Speaker 3: hit and then that transfers into your back.
• 55:45
  Speaker 2: Yeah, because I'm trying to I'm like, wouldn't it be
• 55:48
  Speaker 2: safer to be somewhere, brace yourself with you, like like
• 55:52
  Speaker 2: an earthquake.
• 55:53
  Speaker 3: They're trying to think of it like an earthquake, break yourself,
• 55:54
  Speaker 3: brace yourself into something.
• 55:55
  Speaker 2: But yeah, I guess it's the opposite. I'll tell you what. Nick.
• 56:01
  Speaker 2: At the start, they're like talking about their water reserves
• 56:04
  Speaker 2: and they're like, oh, judging by the dimensions of the
• 56:06
  Speaker 2: tank we reckon, we have about ninety thousand liters. And
• 56:09
  Speaker 2: he was like, ninety one thousand and forty six. Yeah,
• 56:12
  Speaker 2: roughly did someone get on conversion dot com. I jumped
• 56:14
  Speaker 2: onto conversion dot com because Young Colonel Young says, that's
• 56:19
  Speaker 2: not even enough to fill us backyard swimming pool. I'm like,
• 56:22
  Speaker 2: what size is your backyard swimming pool? I mean, he's
• 56:25
  Speaker 2: very well off. Didn't you see his apartment when he
• 56:27
  Speaker 2: goes to see Emily, Like, that's a that's a pretty
• 56:29
  Speaker 2: good ninety thousand liters and might well might jumped into
• 56:34
  Speaker 2: conversion dot com. Great, people, My pool at home is
• 56:37
  Speaker 2: six by three. It's not the biggest ever. Yeah, but
• 56:39
  Speaker 2: that's about twenty five. I mean, your wife is used
• 56:41
  Speaker 2: to that. Twenty five absolutely mediocre. Welcome twenty If that's
• 56:45
  Speaker 2: twenty five thousand to thirty thousand leaders. You're talking about
• 56:48
  Speaker 2: something like Mitch's pool. What's yours? Like six by six,
• 56:51
  Speaker 2: five by five and a half? Right, Yeah, so that's
• 56:54
  Speaker 2: about sixty fifty to sixty thousand leaders. Yeah. So if
• 56:57
  Speaker 2: you want to isolate that audio, how is your six
• 57:01
  Speaker 2: and you're like five five? It's even smaller than that,
• 57:05
  Speaker 2: Brennan around your your bit? Yeah, yeah, five five and
• 57:07
  Speaker 2: a half.
• 57:07
  Speaker 3: Friends, Like, we'll round up to six round six. That's
• 57:10
  Speaker 3: a that's a true friend right there.
• 57:11
  Speaker 2: Yeah, it was. Yeah. But so anyway to fit ninety
• 57:16
  Speaker 2: one thousand and forty six leaders, you would need a
• 57:19
  Speaker 2: pool in the metric system seven point three by seven
• 57:22
  Speaker 2: point three one point eight meters deep or twenty three
• 57:26
  Speaker 2: feet by twenty three feet at six feet deep. But
• 57:29
  Speaker 2: that's outrageous. Yeah, yeah, that's an outright I'm just not
• 57:33
  Speaker 2: having it. Cooper. I know you didn't write this episode,
• 57:36
  Speaker 2: but well, see normally, normally the credits is it that
• 57:42
  Speaker 2: thing though?
• 57:42
  Speaker 3: We're when Americans try and convert their freedom units to
• 57:46
  Speaker 3: the Metric system, they just they always find dollars, They
• 57:50
  Speaker 3: always credits, because yeah, I am looking an Olympic sized
• 57:53
  Speaker 3: swimming pool has a volume of two point five million
• 57:56
  Speaker 3: litters or six hundred and sixty thousand you s gallons
• 58:00
  Speaker 3: see freedom units.
• 58:01
  Speaker 2: Yeah, in fairness, it's twenty four thousand gallons. So maybe
• 58:06
  Speaker 2: he did get mixed up. Yeah yeah, maybe maybe they
• 58:08
  Speaker 2: just yeah, maybe that was in Maybe they brad right then,
• 58:11
  Speaker 2: Maybe they just didn't go to Conversion dot Com like that.
• 58:13
  Speaker 2: Shore should have done. That should be in the writer's room. Unbelievable.
• 58:17
  Speaker 3: Yeah, we yeah, we can be for the for the
• 58:19
  Speaker 3: new show. We can be the official you know, conversion dot.
• 58:23
  Speaker 2: Com representative present advices. You know, they want any help
• 58:27
  Speaker 2: in their point of origins. We'll see you our first guys.
• 58:33
  Speaker 2: I'll take you through a bit of a tato. Yeah.
• 58:38
  Speaker 2: I just imagine that all our excitement about this new
• 58:40
  Speaker 2: series and we get to, you know, the first episode.
• 58:44
  Speaker 2: They announced that what the episode is going to be
• 58:46
  Speaker 2: titled like they do sometimes, and episode one of SG
• 58:49
  Speaker 2: Prime and it's called point of Origin down good for you.
• 58:59
  Speaker 2: I don't know how it came to me the other day,
• 59:01
  Speaker 2: but I reckon they should call it Children of the Tawi.
• 59:10
  Speaker 2: I don't know what it would be about. It doesn't cool, children.
• 59:13
  Speaker 3: About gods, about tari the next generation. That's too, mate, unbelievable.
• 59:22
  Speaker 2: So unnecessarily ridiculous space Icarus, Brendan, do you need to
• 59:32
  Speaker 2: make a confession to the room. I haven't been wearing pants.
• 59:37
  Speaker 2: That's not a confession. We knew that, we all knew that.
• 59:42
  Speaker 3: There there may be a certain person in the room
• 59:45
  Speaker 3: who I don't want to, you know, get in trouble
• 59:48
  Speaker 3: with any of the powers that be whose paramount plus
• 59:51
  Speaker 3: account I may be borrowing on their scab lord account.
• 59:56
  Speaker 2: That isn't you and isn't me. But I have notice
• 1:00:00
  Speaker 2: there's someone else who has access to said person we
• 1:00:04
  Speaker 2: know in common, who has a Paramount plus account that
• 1:00:08
  Speaker 2: seems to be about six seasons deep into deep space
• 1:00:12
  Speaker 2: nine at the moment.
• 1:00:14
  Speaker 4: Not me.
• 1:00:15
  Speaker 2: Okay, Okay, it's just the only it's the only trick
• 1:00:17
  Speaker 2: you haven't watched.
• 1:00:18
  Speaker 3: So I was just curious that maybe maybe on the slot,
• 1:00:21
  Speaker 3: mean yeah, okay, just every couple of days when I
• 1:00:25
  Speaker 3: check in, I'm like, it's just whoever that is is
• 1:00:27
  Speaker 3: watching that.
• 1:00:28
  Speaker 2: I was because Mitch gave me his I don't know,
• 1:00:31
  Speaker 2: two years ago, and I think I used it once
• 1:00:35
  Speaker 2: and because I didn't read it said scablords, I just
• 1:00:39
  Speaker 2: created a guest account. So I'm like, I don't want
• 1:00:43
  Speaker 2: to be like messing with your algorithm and putting any
• 1:00:47
  Speaker 2: Deep Space nine on your algorithm when no one wants that.
• 1:00:50
  Speaker 2: Oh mate, if you got a scabload, it's Starfleet Academy
• 1:00:53
  Speaker 2: next Generation Deep Space nine Voyager and then Tulsa King,
• 1:00:56
  Speaker 2: I'm going to get it on your hockey shirt.
• 1:01:01
  Speaker 1: Like I'm scabloading Maddie's HBO Max account, and that also
• 1:01:05
  Speaker 1: goes out to her friend Emma, who decides to watch
• 1:01:08
  Speaker 1: anything she wants to watch on my profile.
• 1:01:11
  Speaker 3: Yes, because I don't have originally have a scabloard because
• 1:01:13
  Speaker 3: I don't given it to you. So it was my
• 1:01:14
  Speaker 3: account and scabloard, and then I gave it to my
• 1:01:16
  Speaker 3: mate Jace, who just went and created his own account.
• 1:01:20
  Speaker 3: And then so, okay, well we'll turn scabloard into you.
• 1:01:22
  Speaker 3: But I didn't give you a terrible profile picture.
• 1:01:25
  Speaker 2: That's fine, I don't mind that. But all of a sudden,
• 1:01:27
  Speaker 2: then Emma was going to do her own, but then
• 1:01:29
  Speaker 2: she just decided she was going to use yours and
• 1:01:31
  Speaker 2: destroy your algorithm. Well she'd yeah, here, I open it
• 1:01:34
  Speaker 2: up and then I'm watching like a Game of Thrones
• 1:01:36
  Speaker 2: thing or something, and it pops up and say, hey,
• 1:01:37
  Speaker 2: you're four episodes in the Heated Rivalry and I'm like,
• 1:01:39
  Speaker 2: the fuck yeah.
• 1:01:41
  Speaker 3: Do you know what really hurts the most is in
• 1:01:44
  Speaker 3: the group chat that you me and Emma in what
• 1:01:46
  Speaker 3: shows have you guys made me watch?
• 1:01:47
  Speaker 2: I went through two seasons of The Last of Us.
• 1:01:50
  Speaker 2: Keep all this in.
• 1:01:51
  Speaker 3: Absolutely some other show and she's like, you have to
• 1:01:55
  Speaker 3: watch it, you have to watch it, you have to
• 1:01:57
  Speaker 3: watch it. She had me watching Shawsy, which is like
• 1:02:00
  Speaker 3: the spinoff from Letter.
• 1:02:02
  Speaker 2: Kenny or whatever it is. You've now mentioned two things
• 1:02:05
  Speaker 2: I don't know, movie hockey shows made by the guy
• 1:02:07
  Speaker 2: who makes so Emma loves.
• 1:02:10
  Speaker 3: Oh god, I forgot his name now, the guy who
• 1:02:13
  Speaker 3: the guy who wrote and directed Heated Rivalry is the
• 1:02:16
  Speaker 3: writer and director and producer and creator of Letter Kenny
• 1:02:19
  Speaker 3: and the spinoff Shaws, which are Canadian hockey shows.
• 1:02:22
  Speaker 2: She loves those. That guy created this.
• 1:02:25
  Speaker 3: For the last month, it hasn't moved past halfway through
• 1:02:30
  Speaker 3: episode four of Heated Rivalry. There's only six episodes, and
• 1:02:38
  Speaker 3: it's killing me that I had to sit through two
• 1:02:41
  Speaker 3: bloody seas. I watched the first season of the Last
• 1:02:44
  Speaker 3: of Us and she's like, oh, so good, so good.
• 1:02:46
  Speaker 2: So good.
• 1:02:46
  Speaker 3: She's like, you have to watch season two. I watched
• 1:02:49
  Speaker 3: season two. She's like, that was the ship of season
• 1:02:51
  Speaker 3: of television ever. And I'm like, well, now you got
• 1:02:52
  Speaker 3: me into the show.
• 1:02:56
  Speaker 2: Devastated. I just want to I just want honestly, I
• 1:03:00
  Speaker 2: just want to talk to somebody about hated rivalry. But
• 1:03:03
  Speaker 2: nobody I know he's watching. Oh somebody please d m
• 1:03:06
  Speaker 2: Maddie because he's driving us. I mean, we appreciate the
• 1:03:09
  Speaker 2: butthole interesting you knew about the butthole eating of all
• 1:03:12
  Speaker 2: things that he told us say to spend twenty minutes
• 1:03:15
  Speaker 2: on the last podcast. It's so cool. It's a safe assumption.
• 1:03:20
  Speaker 2: Butthole eating is good. I agree. Oh well no, actually
• 1:03:24
  Speaker 2: I'm not going to out the person that we all
• 1:03:25
  Speaker 2: know that. No, I'm not good. We can got that out.
• 1:03:27
  Speaker 2: We can get that out. Speaking of Jacob.
• 1:03:38
  Speaker 5: See computer hacking drop out have to save our asses.
• 1:03:41
  Speaker 2: The dropout is still here.
• 1:03:42
  Speaker 5: Are you gonna get your heads out of yours? Thank you?
• 1:03:49
  Speaker 2: Ella. By the way, it's and my team drop out.
• 1:03:54
  Speaker 4: You want to you want a gold star for that?
• 1:03:57
  Speaker 5: Yeah?
• 1:03:57
  Speaker 2: That one in the chamberlady, Yeah, yeah, a few times
• 1:04:01
  Speaker 2: it's real, like, sir, you want a good store for that.
• 1:04:07
  Speaker 2: I do like Young, like yeah, and then he does
• 1:04:11
  Speaker 2: some dumb ship and why yeah, we'll talk about it
• 1:04:15
  Speaker 2: next week, but like, yeah.
• 1:04:16
  Speaker 3: Yeah, he's definitely they definitely moved away from the like
• 1:04:19
  Speaker 3: when you look at you know, the prototype being you know,
• 1:04:23
  Speaker 3: and I guess the pinnacle being as as O'Neill.
• 1:04:27
  Speaker 2: Then we got a shepherd and then we got cam
• 1:04:32
  Speaker 2: Mitchell and they're all in a way the kind of
• 1:04:34
  Speaker 2: a carbon copy kind of that.
• 1:04:36
  Speaker 3: I'm the I'm the guy that's in command, but I'm
• 1:04:39
  Speaker 3: kind of anti establishment, even though I'm in the military,
• 1:04:42
  Speaker 3: you know, and and I love to thumb my nose
• 1:04:44
  Speaker 3: it at those people that are higher ranked than me.
• 1:04:47
  Speaker 3: And Young is a colonel, but he's very different, you know. Yeah,
• 1:04:52
  Speaker 3: him and him and Telford definitely don't have a you
• 1:04:55
  Speaker 3: know that even though they don't like each other at
• 1:04:57
  Speaker 3: least like even when O'Neil didn't like Born or any
• 1:05:01
  Speaker 3: of those other guys, Samuels and that kind of stuff.
• 1:05:05
  Speaker 3: Jack was kind of he was it's not smarter is
• 1:05:08
  Speaker 3: the word, but he was like he would play and
• 1:05:10
  Speaker 3: he would poke the bear and he would you know,
• 1:05:12
  Speaker 3: and was very quippy and young and Telford don't have
• 1:05:16
  Speaker 3: don't have that at all.
• 1:05:17
  Speaker 2: They're very much just I don't like you. I don't
• 1:05:18
  Speaker 2: like you. Yeah, Oeil could flip the script. He could
• 1:05:21
  Speaker 2: be serious, he could be funny, he could do whatever
• 1:05:22
  Speaker 2: he needed to do to let just water slide off
• 1:05:25
  Speaker 2: his back. Yeah. But yeah, I like the little things
• 1:05:28
  Speaker 2: where he's like, he's a lot of work, a lot
• 1:05:30
  Speaker 2: of work. I'm like, I like that, keep going down that.
• 1:05:33
  Speaker 2: I thought that was his catchphrase for a while. These
• 1:05:36
  Speaker 2: are the wrong people. It's either one of those.
• 1:05:38
  Speaker 5: It was.
• 1:05:38
  Speaker 2: It was a lot for him, it's a lot of work.
• 1:05:40
  Speaker 2: And then for Eli it's like a math boy. I
• 1:05:44
  Speaker 2: should make something about that math boy holy inferiority complex.
• 1:05:50
  Speaker 1: Ba Then.
• 1:05:52
  Speaker 4: What is it?
• 1:05:53
  Speaker 2: What does it say about my self esteem?
• 1:05:54
  Speaker 3: When I had the sadekick in my own fantasy the
• 1:05:57
  Speaker 3: Lieutenant Scott's There is Batman.
• 1:06:02
  Speaker 2: Episode three hundred and fourteen of Get Into Gates back
• 1:06:07
  Speaker 2: next week.
• 1:06:07
  Speaker 1: So it was darkness today light next time. I guess
• 1:06:10
  Speaker 1: it was initially called you said fire fire and they
• 1:06:13
  Speaker 1: had to split it up darkness and light.
• 1:06:15
  Speaker 2: Yeah.
• 1:06:15
  Speaker 1: With the way that this one ends, they're head and
• 1:06:18
  Speaker 1: into a sun guys. So that's where that light's going
• 1:06:20
  Speaker 1: to be coming from. So yeah, come back. Our next
• 1:06:22
  Speaker 1: episode took an episode five of season one of sg.
• 1:06:27
  Speaker 2: You jump on the socials, guys, you want to chuck
• 1:06:29
  Speaker 2: us follow subscribe on YouTube if you.
• 1:06:31
  Speaker 1: Even want to dive in a little bit deeper, jump
• 1:06:33
  Speaker 1: on a Patreon dot com forward slash, Get into Gates.
• 1:06:37
  Speaker 2: Don't get the discord? Yeah you did? You put the
• 1:06:39
  Speaker 2: link up in our link tree yet on Instagram. I've
• 1:06:42
  Speaker 2: done that, but I think by the time this podcast
• 1:06:44
  Speaker 2: comes out, it's a different story. I don't know how
• 1:06:46
  Speaker 2: to do that. Don't don't go to the darkness, go
• 1:06:49
  Speaker 2: to the light. Come to us on Patreon dot com
• 1:06:52
  Speaker 2: forward slash, Oh actually, Gate, that did remind me. I
• 1:06:55
  Speaker 2: want to apologize to everybody for the Stargate Atlanta season
• 1:07:01
  Speaker 2: five rank. What do we forget to do with the
• 1:07:03
  Speaker 2: endles or the names? Did anyone say anything? Jokes? Get
• 1:07:14
  Speaker 2: into Geek, Get into Gate, Get into Gate, Stargate podcast.
• 1:07:22
  Speaker 2: Get into it now before it's too late.