Latest / Artists on Artists on Artists on Artists / Stage Parents
Transcript
- 0:00Speaker 1: Welcome back to Artists on Artists on Artists on artists. Boy,
- 0:03Speaker 1: do we have a panel for you.
- 0:04Speaker 2: Todaystry's Screenwriting Experts panel of new voices in Hollywood.
- 0:08Speaker 3: Costumes are character.
- 0:10Speaker 4: Buck Mary Kill Wide shot, two shot, close up on
- 0:15Speaker 4: Artists on Artists on artists.
- 0:16Speaker 1: Do you know why they call it show business? I
- 0:19Speaker 1: always wonder that. Welcome back to artists on Artists on
- 0:26Speaker 1: Artists on artists. This week. You know about actors and
- 0:30Speaker 1: the movies they make, but how did those actors get there? Well,
- 0:35Speaker 1: we talked to some people who know how that happens.
- 0:38Speaker 2: This week, it's all lights camera parents. We speak to
- 0:42Speaker 2: the bloodline predecessors of stars. That's right, the moms and
- 0:47Speaker 2: dads that bring their little celebrities to auditions.
- 0:51Speaker 4: You wouldn't see a kid on screen without them having parents,
- 0:55Speaker 4: and it's time for them to get the spotlight. So
- 0:58Speaker 4: we get them off from the ground where they're always sitting,
- 1:01Speaker 4: to come into the studio and answer questions about what
- 1:04Speaker 4: it's like to be a parent in Hollywood.
- 1:07Speaker 3: Now, grab your guardian and listen in to stage parents.
- 1:12Speaker 2: Hi, guys, how are we all doing. It's great to
- 1:15Speaker 2: see you guys outside of the audition room in a
- 1:18Speaker 2: recording booth.
- 1:19Speaker 4: Really good to see everyone here. It's really good to
- 1:21Speaker 4: have everyone together. I mean, it's funny. Our kids aren't here.
- 1:24Speaker 4: Usually here always are.
- 1:25Speaker 2: I don't know what to do with my hand.
- 1:27Speaker 1: I know now we're the star and I hate it.
- 1:32Speaker 2: I absolutely hate it, and I can't stand it.
- 1:34Speaker 4: Actually, we could probably curse. We could probably curse for
- 1:36Speaker 4: the first time in a while.
- 1:37Speaker 2: Try it.
- 1:38Speaker 4: Okay, but.
- 1:41Speaker 2: You're badl Okay, all right, Okay, that's fun to say.
- 1:47Speaker 1: Okay, wow, okay, wow, Okay. How about we go around
- 1:52Speaker 1: and we say a little bit about ourselves and a
- 1:55Speaker 1: little bit about our kids.
- 1:57Speaker 3: Let's lead with us first.
- 1:59Speaker 2: That will be home.
- 2:00Speaker 1: Oh, that'll be new, that'll be new. I hate that.
- 2:04Speaker 2: I'm Tiffany Boysterous mom. Uh my name is Janetra Boisterous.
- 2:11Speaker 2: My little Tiffany is a star. She is so good.
- 2:15Speaker 2: She books all the Petco commercials, she does a bunch
- 2:19Speaker 2: of work in TV, lots of background stuff and then
- 2:22Speaker 2: lots of co star stuff. And really her career is
- 2:25Speaker 2: just taking off. And I'm so excited to talk about
- 2:27Speaker 2: Tiffany today. And me, I guess.
- 2:31Speaker 4: I'm Jerry Dash, the Jerry with a g. Dash. I
- 2:34Speaker 4: am the father of Dallas Dash Dallas. You guys know
- 2:37Speaker 4: Dallas Gosh what a star. Dallas is the lead in
- 2:42Speaker 4: the new uh Survival Wars young adult series on sci
- 2:49Speaker 4: Fi right on sci Fi.
- 2:50Speaker 2: Tiffany went out for that. That's great, that's.
- 2:52Speaker 4: Yeah, and Dallas booked it and it's it's been really awesome.
- 2:55Speaker 2: They probably didn't go out for the same role, but yeah, yeah.
- 2:57Speaker 4: Yeah, yeah, that's true. I mean it's it's they probably
- 2:59Speaker 4: definitely and because you know, Dallas went out for a
- 3:01Speaker 4: boy roal, Tiffany probably went out for a girl role.
- 3:03Speaker 2: Yeah, she went out for the lead girl role.
- 3:05Speaker 4: Yeah, and then Dallas with the eleite guy, so it
- 3:07Speaker 4: was really awesome for him. I also was a child
- 3:11Speaker 4: star as a kid, so you guys might know me
- 3:15Speaker 4: from Mister Wonderful's Wacky Wild Train Car. That was you,
- 3:21Speaker 4: that was me. I played JD on Mister Wonderful's Wacky
- 3:24Speaker 4: Wild Train Car.
- 3:25Speaker 2: I didn't know any of the kids names because it
- 3:26Speaker 2: was just kind of like a bunch of kids. But
- 3:28Speaker 2: that's great.
- 3:29Speaker 4: It was thirty to thirty five care.
- 3:30Speaker 1: Now and mister Wonderful you mean the guy from Shark
- 3:33Speaker 1: Tank who has all the inventions.
- 3:35Speaker 4: Yes, yes, yeah, it was one of the first things
- 3:39Speaker 4: he did. That's where he got his name, before he
- 3:41Speaker 4: became before he became a ruthless entrepreneur. He was one
- 3:45Speaker 4: of the most joyful men I'd ever met, and we
- 3:49Speaker 4: had a blast on that show. He was like a
- 3:50Speaker 4: father to me.
- 3:51Speaker 2: Uh, thank you so much.
- 3:55Speaker 4: Thanks progress, Tiffany on Pecko. I mean that's you, thank you.
- 3:57Speaker 2: It's national. So many spots, that's awesome, so many spots.
- 4:00Speaker 1: Oh wow. Well, I'm so happy to be here. My
- 4:04Speaker 1: name is Nancy Reagan, no relation, and my daughter is
- 4:10Speaker 1: Adeline ray Star. She is an emerging social media star,
- 4:16Speaker 1: slash dancer, slash lead in a new Netflix movie called
- 4:21Speaker 1: Adeline's World. And I'm so happy for you and for her.
- 4:26Speaker 1: I mean, I'm not happy for anyone else. And yes,
- 4:29Speaker 1: we just spend all day together on set. I am
- 4:33Speaker 1: a mamager and I'm so happy to talk about our
- 4:37Speaker 1: little kids too.
- 4:37Speaker 2: Oh my gosh, Tiffany is obsessed with Adeline. They've got
- 4:40Speaker 2: to do a collab together.
- 4:41Speaker 1: Oh my gosh, Oh my gosh. Well, Adeline would be
- 4:44Speaker 1: happy to sign something for Tiffany if you'd like.
- 4:47Speaker 2: Well, I think a colab would be great. She would
- 4:49Speaker 2: love something signed, but also a collab would be fantastic.
- 4:52Speaker 3: I didn't know kids do autographs.
- 4:53Speaker 4: Still, Oh, what do you mean?
- 4:57Speaker 1: We taught Adeline how to read and write so.
- 5:00Speaker 3: She can it's mostly selfies.
- 5:01Speaker 4: Now Dallas has had to read and write, and he
- 5:03Speaker 4: actually reads at a high school level.
- 5:04Speaker 1: That's crazy. Adeline actually zoomed through all of high school.
- 5:08Speaker 1: And she is an emancipated minor, so she doesn't have
- 5:11Speaker 1: to do anymore.
- 5:11Speaker 4: Yeah, it doesn't that like she needs you anymore. She does,
- 5:15Speaker 4: but she's emancipated. Usually get amancipated. We don't need a parent, right,
- 5:19Speaker 4: and you don't like your parent?
- 5:21Speaker 3: Yeah, you usually do it for freedom.
- 5:23Speaker 1: Well, this was Adelaine's little side project, and I didn't
- 5:26Speaker 1: ask too many questions. Emancipation was a little It was
- 5:30Speaker 1: a little thing for her. I try to make sure
- 5:31Speaker 1: she has her.
- 5:32Speaker 4: Time and in her me time. She got emancipated was
- 5:40Speaker 4: her hobby twelve years.
- 5:41Speaker 1: Old, and she wants to do her own thing. And
- 5:44Speaker 1: I am happy to be there and sign all the
- 5:46Speaker 1: paper Well, I don't sign any paperwork anymore, but I
- 5:50Speaker 1: am there, and I'm there for moral sport. And she
- 5:52Speaker 1: does want me around and she couldn't do it without.
- 5:54Speaker 2: Me, so that goes for me too.
- 5:57Speaker 5: Hi, guys, my name is Sandra Diego and I am
- 6:05Speaker 5: the mother of the three triplet boys a Nickelodeon Shadrack, Meshack,
- 6:12Speaker 5: and bend.
- 6:14Speaker 1: Can I get those names one more time?
- 6:16Speaker 4: Said you said, I know these guys, Shadrack, Meshack, and Bendigo.
- 6:20Speaker 1: Yes. I named them after the biblical Shadrack, me Shack.
- 6:24Speaker 3: And then a Bendigo.
- 6:27Speaker 2: They're on the show The Bible Brothers.
- 6:29Speaker 1: The Bible Brothers crazy that that's on Nickelodeon.
- 6:32Speaker 3: It's crazy, and.
- 6:35Speaker 2: I goes out for the Bible Brothers like every couple
- 6:39Speaker 2: of weeks books it.
- 6:42Speaker 3: On The Bible Brothers.
- 6:43Speaker 1: I wouldn't known she booked a co star. It was
- 6:45Speaker 1: early on, so you may not have known her. She
- 6:48Speaker 1: was real cute then she was a baby.
- 6:52Speaker 2: But what what is everybody's child's age?
- 6:54Speaker 1: Actually, well, Adeline right stars twelve, that's great.
- 6:59Speaker 5: Shadrack eleven, me Shacks eleven, A Bendigo's eleven. Yeah, yes,
- 7:05Speaker 5: but I it's a key when raising triplets to make
- 7:09Speaker 5: sure that they are all different and individuals. But you
- 7:14Speaker 5: got to make sure they're the same age, yes, but
- 7:17Speaker 5: I'd say that they're accidentally the same age.
- 7:20Speaker 2: Okay, I think it sounds The least accidental thing about
- 7:24Speaker 2: them is that they're triplets.
- 7:25Speaker 5: Listen, the show is all about them being triplets, and
- 7:28Speaker 5: at my house they couldn't be less triplets in what way?
- 7:33Speaker 5: I make sure that they all are so different? Because
- 7:37Speaker 5: in listen, when they're on the Bible Brothers, they're in
- 7:40Speaker 5: the same outfits, they go the same places, they get
- 7:44Speaker 5: the same lunch order. In my house, we have different
- 7:47Speaker 5: homes for them me and my husband, the Laguna home
- 7:52Speaker 5: for shad Rack, the.
- 7:54Speaker 3: Chatsworth home for a Bend to Go, and the Tapanga
- 7:58Speaker 3: home for.
- 8:00Speaker 1: Me.
- 8:00Speaker 2: Shato really got the short end of the Chatsworth has
- 8:07Speaker 2: really nice areas.
- 8:11Speaker 4: He's almost got off for a couple of those areas well.
- 8:13Speaker 2: She We actually love Chatsworth. We're actually thinking about moving there.
- 8:17Speaker 2: We love Chatsworth. That's great. We'll have to reach out
- 8:19Speaker 2: to Ben to go.
- 8:21Speaker 4: Oh.
- 8:21Speaker 2: Yes, So do you guys do you like live with
- 8:23Speaker 2: them still? Yes?
- 8:24Speaker 3: I jump between the three.
- 8:26Speaker 1: So do you take different shifts throughout the week?
- 8:28Speaker 3: Yes, yes, yes, we just can't. We just want them
- 8:32Speaker 3: to be different. So badly. I look at what the
- 8:36Speaker 3: Bible brothers does for them, and I worry about.
- 8:39Speaker 5: Them because they don't even They just are the same,
- 8:43Speaker 5: and I worry that they won't have any individualism. So
- 8:46Speaker 5: my husband and I said, let's just cut it off
- 8:48Speaker 5: from the top and let's just have them live separately.
- 8:52Speaker 2: That's fantastic, that's grat that's great.
- 8:56Speaker 4: That's Do you follow their interests when they bring them
- 8:59Speaker 4: up or do you tell them what they're I make
- 9:01Speaker 4: sure that.
- 9:01Speaker 3: They're all different.
- 9:02Speaker 4: Okay, so if one is interesting me.
- 9:04Speaker 5: Shack really wanted to snowboard, and I told shad Rack.
- 9:12Speaker 5: I told me Shak wanted to snowboard. Shad Rack also
- 9:15Speaker 5: wanted to snowboard, and I said, Shadrack, you're late. You
- 9:18Speaker 5: can't that's me, Shack.
- 9:19Speaker 1: Oh they have to submit an application. Yeah, you're hobby.
- 9:22Speaker 3: He's in choir.
- 9:24Speaker 2: Okay, okay, okay, in a snowsport.
- 9:27Speaker 4: Well, Dallas is nine, and uh, it's been a great
- 9:31Speaker 4: age for him. He's got a lot of good stuff going.
- 9:33Speaker 1: It's a wonderful age. I'm jealous.
- 9:38Speaker 4: Because he can he can hit his mark, He knows
- 9:40Speaker 4: his lines, he knows what he's doing. He knows how
- 9:43Speaker 4: to operate as a young professional, but he's still a kid.
- 9:45Speaker 5: He also doesn't know what he's doing, you know what
- 9:46Speaker 5: I mean, also doesn't because like when your kid hits
- 9:49Speaker 5: that age where they do know they're working those long hours,
- 9:52Speaker 5: it's hard to grapple with.
- 9:54Speaker 1: I've heard that's when you're in trouble.
- 9:55Speaker 4: And I was training him at a really early age.
- 9:58Speaker 4: You know, we would used to we played pretend time
- 10:00Speaker 4: and I and I taught him to hit his mark
- 10:04Speaker 4: and focus and say his lines, you know, rather three
- 10:07Speaker 4: or four years old. He would I would have him say, hey,
- 10:10Speaker 4: say this thing over and over again, and focus on
- 10:12Speaker 4: this one point and don't ever shake. And then in
- 10:15Speaker 4: the side I would crash into things, I would throw
- 10:18Speaker 4: chairs down, I would make a lot of noise. I
- 10:20Speaker 4: would distract him. I would would say fuck you, fuck you,
- 10:24Speaker 4: and he I would say, keep looking, Dallas, keep looking Dallas.
- 10:27Speaker 4: Because's kind of stuff that happened on mister wonderful as well.
- 10:29Speaker 4: Why he trained ride and uh and he was wonderful
- 10:34Speaker 4: No and not yet actually yeah, wow, it was our producer.
- 10:38Speaker 2: It was.
- 10:40Speaker 4: Sumner Redstone became obviously the head of CBS.
- 10:46Speaker 1: Did so, did you have a good experience on Mister Wonderfuls.
- 10:49Speaker 4: I bits and pieces. You know, as a kid, it's
- 10:52Speaker 4: it's kind of a smattering of what you remember, you know,
- 10:54Speaker 4: so so the things I do remember sometimes playing, you know,
- 10:59Speaker 4: fooling around with maybe some young miss in the back
- 11:02Speaker 4: of a costume trailer.
- 11:04Speaker 1: How old were you it was?
- 11:06Speaker 4: Well, I started on Mister Wonderfuls when I was seven, No,
- 11:10Speaker 4: and I ended when I was sixteen.
- 11:13Speaker 2: Wow.
- 11:13Speaker 1: Ok, I kind of came of age there.
- 11:16Speaker 3: I mean not eighteen.
- 11:18Speaker 2: No.
- 11:18Speaker 4: I didn't say sex. Oh, I just mean I didn't
- 11:22Speaker 4: have sex at Mister Wonderfuls. I just fooled around a little.
- 11:26Speaker 2: Well. Tiffany is seven seven to play eighteen? She goes
- 11:30Speaker 2: out for everything.
- 11:32Speaker 1: I love my Did you say seven to play eighteen?
- 11:34Speaker 2: She her ranges seven to eighteen eighteen.
- 11:37Speaker 1: I actually, you know, when I run into the audition room,
- 11:39Speaker 1: I'm always shocked at how old she looks, how rapidly
- 11:43Speaker 1: she aged.
- 11:44Speaker 2: I saw going on with that girl. Maybe I feed
- 11:46Speaker 2: her a little bit too, buddy out. You know, she's
- 11:49Speaker 2: so big, she's huge. She's six one now, and what's
- 11:54Speaker 2: her age? Seven to play eighteen? She can she ranges
- 11:59Speaker 2: seven to eighteen. She really does not go out for
- 12:01Speaker 2: seven year olds anyhow.
- 12:02Speaker 1: Okay, so she goes up for eighteen year old roles.
- 12:05Speaker 1: That leaves no none of the legal advantages of being
- 12:07Speaker 1: an eighteen year old.
- 12:08Speaker 2: It's tough, yeah, tough. And the other day she's like, mom,
- 12:11Speaker 2: this is your dream, not mine, and like, Tiffany, we
- 12:14Speaker 2: love this.
- 12:14Speaker 1: Oh how many times have they?
- 12:16Speaker 2: Who's gotten the chat?
- 12:19Speaker 1: I hate you? You're a bit Yeah, I'm so sad. Yeah,
- 12:24Speaker 1: all this stuff, it's just them working through that. But
- 12:26Speaker 1: I think it makes the better actors.
- 12:28Speaker 5: Yes, I get the conversation three times m hm, three
- 12:32Speaker 5: separate times.
- 12:33Speaker 4: Here's here's what I do, and you guys can do that.
- 12:35Speaker 4: I say, if you have a problem with me, you
- 12:36Speaker 4: got a schedule a meeting. That's what I tell you.
- 12:39Speaker 3: So I'm really.
- 12:40Speaker 5: Interested in you because you said that it wasn't always
- 12:44Speaker 5: uh like rainbows at mister wonderful, No, it wasn't. So
- 12:48Speaker 5: then why why was your was Dallas interested in the
- 12:51Speaker 5: field because it seems like you have some scars.
- 12:54Speaker 4: So why would you Before he started, you know, before
- 12:57Speaker 4: he started showing interest, you know, age zero to three,
- 13:01Speaker 4: I was really pushing him away. I said, don't do this,
- 13:04Speaker 4: don't get in the industry. This was the you know
- 13:06Speaker 4: three Yeah, as you're to three, I could tell that
- 13:09Speaker 4: he was kind of interested in it, and I was scared,
- 13:11Speaker 4: you know, me and me, And.
- 13:12Speaker 1: That's the time they start to show, that's the time
- 13:14Speaker 1: they start to tell you.
- 13:15Speaker 3: During diaper time with.
- 13:18Speaker 4: Yeah, it's that. It's that he was making a spectacle
- 13:20Speaker 4: of himself during diaper time. And it was that thing
- 13:23Speaker 4: where you can tell there's certain babies that you put
- 13:27Speaker 4: diapers on and they just are like, this is a diaper.
- 13:30Speaker 4: And there's certain babies you put diapers.
- 13:32Speaker 2: On, like we call the industry duds.
- 13:36Speaker 4: Certain babies you put the diaper on and it's like
- 13:38Speaker 4: they're embody and costume. Yeah, So he didn't even know it.
- 13:41Speaker 4: If they were Mickey Mouse diapers, he was acting a
- 13:43Speaker 4: different way. If they were a car's diapers, he was
- 13:45Speaker 4: acting a different way. So I started realizing he had
- 13:50Speaker 4: the ability, the skill, you know, almost like a psychic
- 13:54Speaker 4: kind of attitude, because I do think being an actor
- 13:56Speaker 4: is kind of a psychic ability. That's kind of how
- 13:58Speaker 4: I feel.
- 13:59Speaker 2: Yeah, yeah, beautiful when I put it.
- 14:02Speaker 1: Oh yes, no, well, when I put a diaper on
- 14:05Speaker 1: Adeline for the first time. She was kicking her legs
- 14:09Speaker 1: in such a way and it was so fascinating, and
- 14:12Speaker 1: they were I knew they were trying to tell me something.
- 14:14Speaker 1: So I put it into Morse code and it said, Mummy,
- 14:18Speaker 1: I want to do pageants really yes, wow, yes. And
- 14:25Speaker 1: I was so shocked because I was like, wow, I
- 14:28Speaker 1: had no idea. I had no idea that you wanted
- 14:31Speaker 1: to be enrolled in Nashville's Little Miss Baby Baby Bottom pageant.
- 14:36Speaker 1: But then she was screaming out for it. She wanted
- 14:39Speaker 1: it so badly, and so I put her up and I,
- 14:42Speaker 1: you know, you followed the kid's intuition.
- 14:44Speaker 4: You got to follow the kids. That's what I was
- 14:46Speaker 4: scared about. Yeah, because I had some experiences and I
- 14:49Speaker 4: went down a bad path, and you know, I had
- 14:51Speaker 4: a couple of words out from my arrest at a
- 14:53Speaker 4: certain point, and I didn't want to be like that.
- 14:55Speaker 4: I don't want Dallas to get into that. Yeah.
- 14:56Speaker 2: Yeah, here we are, and he's thriving and he's, you know,
- 14:59Speaker 2: doing better than I am. That was when Tiffany was
- 15:02Speaker 2: six months. She was about three or four feet already
- 15:05Speaker 2: and she was sprinting. That was that was her sprinting
- 15:09Speaker 2: four feet six she was shot up, and she sprinted
- 15:13Speaker 2: it right into a casting director's workshop, and I said, okay,
- 15:16Speaker 2: I'm going to follow this for you for years. What
- 15:19Speaker 2: it was, she had really no understanding. It was very disruptive,
- 15:22Speaker 2: and she was an angry little girl. Yeah, six months
- 15:24Speaker 2: she was ripping and tearing, you know. I think her
- 15:27Speaker 2: she was she was in pain because her body had
- 15:30Speaker 2: shot up so quickly, and the only way to express
- 15:32Speaker 2: herself was through rage. So we captured that, you know.
- 15:36Speaker 2: And that's why she does such good commercials, is like
- 15:38Speaker 2: she can kind of dial into that.
- 15:40Speaker 1: You know, I will say, I mean, a six foot
- 15:43Speaker 1: two seven year old is quite rare. I know a
- 15:49Speaker 1: casting director from TLC, Oh my god, and she does
- 15:52Speaker 1: all the my baby's too tall, my son is too short.
- 15:57Speaker 1: I could give you her.
- 15:57Speaker 2: Card if you want, right, I think we know actually
- 16:00Speaker 2: enough casting directors.
- 16:01Speaker 1: We know a lot like me and believe it or not,
- 16:05Speaker 1: we I do know a casting director from Ripley's.
- 16:07Speaker 2: Believe it or not, Oh my gosh, Maurice.
- 16:11Speaker 4: Yeah, we recently that open call. The casting director sent
- 16:15Speaker 4: out for open.
- 16:17Speaker 2: Call looking for six to eighteen weird disform.
- 16:21Speaker 1: Freak they didn't have any. They didn't have any category
- 16:25Speaker 1: for super talented megastar dancers, so I did not submit
- 16:29Speaker 1: on line for that.
- 16:30Speaker 2: That's interesting they didn't have any Yeah, I noticed that too.
- 16:32Speaker 5: Yeah, it's it's interesting that you all follow your kid
- 16:35Speaker 5: because if I follow those boys.
- 16:37Speaker 3: Last time I did that, I got tied up and
- 16:39Speaker 3: thrown into a dumpster.
- 16:40Speaker 4: Wait, really they did that to you?
- 16:42Speaker 3: Yes, they have to be careful with the boys.
- 16:44Speaker 1: Boys with people a.
- 16:45Speaker 2: Little bit like the Menendez brothers.
- 16:49Speaker 5: That I have to because they get so mischievous and
- 16:54Speaker 5: I nothing a slow woman. I can't run fast, I
- 16:58Speaker 5: can't think fast. I I like to take my time.
- 17:02Speaker 5: And these boys, I mean by age four, they they
- 17:05Speaker 5: caught mommy in the in the shower and pushed me down.
- 17:09Speaker 5: That these boys pushed me on the ground and I
- 17:12Speaker 5: am so slippery and I couldn't get up and they
- 17:14Speaker 5: were laughing like little elve boys.
- 17:17Speaker 3: And that's when I said, yeah, the men Andy, But
- 17:22Speaker 3: I she doesn't know what minimonsies.
- 17:26Speaker 1: So I.
- 17:29Speaker 3: Had a problem with it. But I think it's exactly
- 17:33Speaker 3: what you're saying. I think it's exactly what you mean.
- 17:40Speaker 3: And I really.
- 17:45Speaker 2: So what's everybody's technique for auditioning. Oh, yes, well I've
- 17:50Speaker 2: got my technique. Me and my girls get together and
- 17:53Speaker 2: we worksop all our kids.
- 17:54Speaker 1: But I'd love to hear Adelaide have a masterclass. Yes,
- 17:57Speaker 1: she has a masterclass. It's a twelve step technique for
- 18:01Speaker 1: how to prepare for your auditions. The first one, steps
- 18:04Speaker 1: one through six are made public. Steps seven through twelve
- 18:07Speaker 1: are made private because we can't reveal everything because otherwise
- 18:11Speaker 1: we'd have fourteen hundred adlines running around and there'd be
- 18:13Speaker 1: no roles for Adeline.
- 18:14Speaker 5: You know, it's been good for her to also have
- 18:16Speaker 5: a side hustle to get some money in coming from
- 18:18Speaker 5: the other side.
- 18:19Speaker 1: Yes, yes, we want to get her into the masterclass
- 18:21Speaker 1: acting teacher plain as much as possible, because, as they say,
- 18:26Speaker 1: with stage kids or with actors, with child stars, you
- 18:30Speaker 1: never know when it's gonna turn. You never know when
- 18:33Speaker 1: the big p is going to hit puberty, and you
- 18:36Speaker 1: never know when they're gonna get up. You never know
- 18:38Speaker 1: when they're gonna get up.
- 18:41Speaker 5: I can't even talk about that with my boys because
- 18:43Speaker 5: that means they'll get extra strength and I can't.
- 18:46Speaker 2: Oh, it's tough. When Tiffany got all over extra strength
- 18:49Speaker 2: it was hard for us. Yeah, it was really fun that.
- 18:52Speaker 4: Dallas is weak. Dallas is really weak, and so I
- 18:55Speaker 4: don't have a boys later, boys bloom later. And I'm
- 19:00Speaker 4: sided for him because I think, you know, we're already
- 19:02Speaker 4: planning what that strategy is going to be, and we
- 19:03Speaker 4: think he's gonna really blossom. It's a really hard thing
- 19:07Speaker 4: for child stars because obviously you know, they're cute, they're cute,
- 19:10Speaker 4: they're cute, they're going through puberty, they play freaks on
- 19:13Speaker 4: TV and movies, and then there's silence because we have
- 19:16Speaker 4: to wait for them to become men and women, and
- 19:18Speaker 4: we have to wait to objectify them. Then.
- 19:20Speaker 1: Yes, we've made special arrangements with the cryogenic chamber, so
- 19:24Speaker 1: we're going to put Adeline away for a while once
- 19:27Speaker 1: she starts to turn, when she starts to turn and
- 19:30Speaker 1: those horrible pimples start to show up, we're just gonna
- 19:32Speaker 1: put her away for a while, and then we'll release
- 19:34Speaker 1: her at age sixteen, which, as we know, is the
- 19:36Speaker 1: sexy age for.
- 19:37Speaker 4: Girls, right right right, and for boys it's forty. Yeah, no,
- 19:41Speaker 4: I'm joking, that's what I'm saying. I'm forty.
- 19:43Speaker 2: Oh funny, No, it's seventeen years funny.
- 19:47Speaker 4: Thank you, Yeah yeah, yeah, yeah, thanks so much, thanks
- 19:49Speaker 4: so much. Yeah, I you know, I think what's funny
- 19:51Speaker 4: to me is, you know, it's hard for acting acting
- 19:56Speaker 4: auditions and stuff. We're talking a little bit about that.
- 19:58Speaker 4: Dallas did a movie recently with Jeremy Strong. We love.
- 20:06Speaker 2: Him forever.
- 20:07Speaker 4: Well, be careful because Jeremy Strong has such specific acting methods. Now,
- 20:11Speaker 4: I got a little nine year old method boy on
- 20:13Speaker 4: my hands. So the Survival Wars, the movie that we're
- 20:18Speaker 4: shooting right now, is the TV shows science fiction show
- 20:21Speaker 4: where you know, it's basically the Hunger Games the TV show.
- 20:24Speaker 4: That's what how they even describe it.
- 20:26Speaker 3: Don't tell me. Dallas is sleeping outside.
- 20:28Speaker 4: Yeah, he's sleeping outside, and it takes place in the future.
- 20:32Speaker 4: So he he walks around beeping a boot bit everywhere.
- 20:36Speaker 1: That's so method, method as a robot.
- 20:39Speaker 4: Yeah, and it's like stupid, Like I'm just like this
- 20:43Speaker 4: sounds we fine. I mean, I gotta let him make
- 20:45Speaker 4: his choices and I gotta let him do stuff because
- 20:47Speaker 4: I wouldn't have kind of made the breakthroughs that I
- 20:49Speaker 4: did on Mister Wonderfuls if I didn't get to make
- 20:51Speaker 4: my choices, but it's just like I don't know if
- 20:54Speaker 4: this is gonna yield, Like having a little method actor
- 20:56Speaker 4: in your house is annoying. Yeah, because it's like this
- 21:00Speaker 4: is playing pretend and it's like you get paid to
- 21:02Speaker 4: do that way.
- 21:03Speaker 3: Oh that's hard. That's hard.
- 21:05Speaker 2: That's so hard.
- 21:06Speaker 4: Yeah. Thanks, thanks.
- 21:08Speaker 1: I'd love to know because to get into this world,
- 21:12Speaker 1: did any of you have acting aspirations of your own?
- 21:16Speaker 1: Like is there any element of that at play?
- 21:20Speaker 2: You guys know my answer, So I don't have to
- 21:21Speaker 2: say that, but well, I you know, like I would
- 21:25Speaker 2: say no. I mean I did go to theater school,
- 21:27Speaker 2: go to Michigan, because you do.
- 21:29Speaker 5: Fight for Tiffany, like you're almost an actor as well,
- 21:33Speaker 5: Like you have the hustle in you.
- 21:34Speaker 3: I can see it in your eyes.
- 21:35Speaker 2: Yeah. No, so I was in Michigan. I would say no, though,
- 21:38Speaker 2: because like after Michigan, I moved to la and did acting,
- 21:42Speaker 2: you know, did the grind for like five or six years.
- 21:45Speaker 2: And this is my trajectory.
- 21:47Speaker 4: So like that's all the trajectory of what actors do.
- 21:51Speaker 3: I do iOS?
- 21:52Speaker 2: I did iOS at the time. It was really fun.
- 21:54Speaker 4: Did you do Lesliekan?
- 21:55Speaker 2: I did Lesli Khan? All three her try her treat
- 22:00Speaker 2: where she like does medical stuff to see how bad
- 22:03Speaker 2: you are.
- 22:03Speaker 4: And I love her. I love Leslie Khan's medical stuff. Oh,
- 22:06Speaker 4: you have to trink it.
- 22:07Speaker 1: You have to take it before you even think about
- 22:09Speaker 1: stepping foot in the casting office. You have to take
- 22:11Speaker 1: Leslie Conn's medical course.
- 22:13Speaker 3: The medical stuff. I had each boy do it.
- 22:16Speaker 4: Yeah, I love it. I love it. When you know
- 22:19Speaker 4: Dallas did the class. He stood up at the front
- 22:21Speaker 4: of the class and Leslie Con said, let's all, let's
- 22:23Speaker 4: all type him medically. Turns out he was hypoglycemic and they.
- 22:26Speaker 3: Called it in the In the no way I heard
- 22:28Speaker 3: that happen with another.
- 22:31Speaker 4: Leslie Con someone's.
- 22:34Speaker 3: Yes, and then that actor booked ABC the next season.
- 22:38Speaker 1: Wow, have you guys done the CPR course with Richard Dawson.
- 22:42Speaker 2: I love that I took it.
- 22:44Speaker 1: I took Yeah, I took it myself. I took it myself.
- 22:47Speaker 4: That's a really good That's.
- 22:48Speaker 2: That leads into a great question, by the way, because
- 22:51Speaker 2: I do want to know if all of you guys
- 22:52Speaker 2: did acting before, But what who are you working with
- 22:57Speaker 2: acting coaches?
- 22:59Speaker 1: Oh, I could ever revealed that. I could never reveal.
- 23:01Speaker 2: That's fine.
- 23:02Speaker 1: I could never reveal that.
- 23:04Speaker 2: That's fine. I'm with this guy named Bobo. You are
- 23:08Speaker 2: or we both are?
- 23:10Speaker 3: Okay, so you're so you are?
- 23:12Speaker 2: Oh no, I don't do that. I don't do that.
- 23:14Speaker 2: I'll just go on auditions every once in a while,
- 23:16Speaker 2: you know, like commercials and stuff. But Tiffany is the star.
- 23:19Speaker 2: She is. I'm telling you, she's six feet of power.
- 23:23Speaker 3: Are you at John rosenfeld Studios?
- 23:25Speaker 2: I do, John Rosenveldt. Yeah, me and Tiffany have signed
- 23:28Speaker 2: together and John is very confused as to what Tiffany's
- 23:30Speaker 2: age is. You know, which is good. I think that's
- 23:33Speaker 2: like the best place you want to be as a
- 23:34Speaker 2: seven year old. Nobody can put you in a category.
- 23:37Speaker 2: You know, and you're young. It's kind of like that
- 23:40Speaker 2: Robin Williams movie when he's Jack. You know, he's like
- 23:44Speaker 2: he looks forty, but he's actually a seventeen year old
- 23:47Speaker 2: boy about to graduate high school.
- 23:49Speaker 4: Yeah. Well, Dallas is at a Doug war Hit for
- 23:53Speaker 4: cold reading, and then he's at Anthony Mindel for snake
- 23:56Speaker 4: bite repair.
- 23:58Speaker 2: Snake bite repair, Amazing snake bite repair.
- 24:05Speaker 4: To try to fix your snake bites.
- 24:07Speaker 5: Chad Racks at Chatsworths of the Earth. Shad Rack is
- 24:13Speaker 5: at Chatsworth of the Arts that I've heard that's fantastic.
- 24:16Speaker 5: Me Shack is Me Shack is with the acting teacher
- 24:20Speaker 5: who lives above the Americana. Her name is Blanking from
- 24:24Speaker 5: Me and me Shack is doing online coaching with a
- 24:29Speaker 5: woman who lives in Des Moines.
- 24:31Speaker 1: Does she have any sort of No, they.
- 24:34Speaker 3: Just get along so well. What about Bendigo is at
- 24:39Speaker 3: a Downtown Disney acting studio.
- 24:42Speaker 4: Wow, I love Downtown Disney is so fun, so much fun.
- 24:47Speaker 4: I like to go there instead of the real Disney.
- 24:49Speaker 2: Literally can let I can let little Tippy off the
- 24:51Speaker 2: leash and she just goes crazy.
- 24:53Speaker 4: So far?
- 24:54Speaker 1: Do you do a child leash for Tiffany?
- 24:55Speaker 2: Oh, yeah, you've got We've got to.
- 24:59Speaker 1: I did a leash, but and it was very clear
- 25:01Speaker 1: that she didn't need to be because she's emancipated.
- 25:05Speaker 2: She's like gnawing on that thing.
- 25:06Speaker 4: All.
- 25:06Speaker 5: I have a leash, a harness, a dog collar, and
- 25:11Speaker 5: a GPS for each Oh yes, I've gotten lost and
- 25:17Speaker 5: turned around because they drugged me threw me into a
- 25:21Speaker 5: hot tub once outside of Anaheim.
- 25:25Speaker 3: I didn't know and they and I think that's exactly
- 25:29Speaker 3: what they are.
- 25:30Speaker 4: You got to look up what it is.
- 25:32Speaker 3: They're such hopeful little boys.
- 25:33Speaker 4: You gotta God, here's my question.
- 25:37Speaker 2: You know what's your question? A lot of people don't
- 25:39Speaker 2: know this, but when you I'm just wondering.
- 25:43Speaker 4: Thanks. A lot of people don't know this, but when
- 25:45Speaker 4: you tried to get your children work, they do a
- 25:49Speaker 4: lot of interviews with the parents. Right, We get our
- 25:51Speaker 4: own interviews because in the industry sometimes we're known as
- 25:55Speaker 4: difficult to work.
- 25:56Speaker 2: I can't believe old day.
- 26:01Speaker 1: It's not like it's not like now.
- 26:04Speaker 4: It's not like now.
- 26:05Speaker 1: Everyone's super normal, super nice, super normal, super nice, supernormal.
- 26:09Speaker 1: I'm just here to be casual, to support my daughter
- 26:12Speaker 1: and to hand out little postcards with her name on it.
- 26:14Speaker 1: Then everyone can keep it their wallets because every shoot
- 26:16Speaker 1: I go on, every shoot I go on, I had
- 26:18Speaker 1: I hand out a little postcard.
- 26:19Speaker 3: Good.
- 26:20Speaker 5: I mean, our jobs are even more intense because we
- 26:22Speaker 5: have to I manage all three boys social media accounts,
- 26:25Speaker 5: do you oh?
- 26:26Speaker 4: Yes, yes?
- 26:27Speaker 3: And in the bio it says managed by mommy. Yes,
- 26:30Speaker 3: that's a lot.
- 26:30Speaker 5: I have to do the twitters, I have to do
- 26:32Speaker 5: the Instagrams and think about that three times.
- 26:35Speaker 1: Over and It's very difficult because Adeline is literally a
- 26:38Speaker 1: social media star, and so that was all me I
- 26:41Speaker 1: had to do that. She has one hundred billion on Instagrams,
- 26:50Speaker 1: more than Kylie Jenner. It's more than there are people
- 26:53Speaker 1: on the planet. So I made brand accounts that they
- 26:57Speaker 1: also run and their lot, the the bots, the vistas, oh,
- 27:02Speaker 1: the botts love the bot's absolutely adult.
- 27:06Speaker 2: The beginning of the line King a Circle of Life.
- 27:09Speaker 4: Everyone's coming from all over. And then we raised Adeline's Instagram.
- 27:12Speaker 6: Everyone's there.
- 27:13Speaker 1: We also have We've we've made sure that there are
- 27:17Speaker 1: you know, there's a whole because there's an entire underutilized
- 27:21Speaker 1: demographic of the dead and those people.
- 27:25Speaker 2: How far do you go back?
- 27:26Speaker 3: That's so true?
- 27:28Speaker 1: Thirteen hundreds we we we we perote, I hired someone.
- 27:36Speaker 1: We perused a lot of like old public records from
- 27:39Speaker 1: multiple countries, and so we went through and we made
- 27:43Speaker 1: Instagram accounts for the different you know, the peasants, serfs, lords, anyone.
- 27:46Speaker 2: You could think of it would want that.
- 27:48Speaker 1: They would want that, and so we we did a
- 27:50Speaker 1: little analysis the serfs on what each person would be,
- 27:53Speaker 1: what their interests might be, and sure enough, they all
- 27:56Speaker 1: aligned with someone who would like Adeline and her dance.
- 28:00Speaker 1: What is that? Well, so there was this u there
- 28:05Speaker 1: was this peasant named just as an example, off the top.
- 28:08Speaker 2: Of one of the hundred billions.
- 28:12Speaker 1: So in the fifteen hundreds, there was a peasant named Jeremiah.
- 28:19Speaker 1: He lived in London and he was a carpenter. Wow,
- 28:25Speaker 1: he was a carpenter and he died of the plague
- 28:28Speaker 1: at age twenty two. He had a wife and two children.
- 28:33Speaker 1: But here's the key. He had two children. Children is
- 28:37Speaker 1: what Adeline is. And so we were able to match them.
- 28:42Speaker 4: You were able to match that relief.
- 28:44Speaker 2: You were able to match that crazy.
- 28:46Speaker 1: I know, it's such a relief and it was we
- 28:48Speaker 1: were so shocked and honored. And how many of the
- 28:51Speaker 1: dead seemed to respond to Adeline.
- 28:57Speaker 2: That's great. I need that.
- 29:01Speaker 3: I like to get chat Jack Shack and a Bend
- 29:03Speaker 3: to Go followed by the dead?
- 29:04Speaker 4: Can we Yeah, let us know if I think I
- 29:08Speaker 4: think Jeremiah would love the Survival Wars because it sounds
- 29:11Speaker 4: like he was living in himself.
- 29:12Speaker 1: If he would. I think they're different genres. I would
- 29:15Speaker 1: their different genres.
- 29:16Speaker 2: Terrybody would love Teamster.
- 29:19Speaker 1: I don't know, I don't know. It seems like he's
- 29:20Speaker 1: really locked into Adeline. So I mean, we can try.
- 29:24Speaker 1: We can run it through my special.
- 29:25Speaker 2: Computer and let me know.
- 29:29Speaker 4: So it's not even it's not even a software anything.
- 29:32Speaker 4: It's a special computer, special computer.
- 29:34Speaker 2: It does its own thing.
- 29:36Speaker 5: I wonder if the presidents can get followed by the
- 29:39Speaker 5: dead like like for important like legislation.
- 29:43Speaker 1: Yes, I know that that could be a huge problem
- 29:45Speaker 1: for democracy. We didn't even think about that.
- 29:48Speaker 4: You might have just ruined democracy, Nancy Reagan.
- 29:56Speaker 1: Well, your first Nancy Reagan ruined democracy.
- 30:00Speaker 4: Well, I'll tell you Dallas is an influencer on Venmo,
- 30:02Speaker 4: and that is exhausting. I don't know if your kids
- 30:05Speaker 4: are getting.
- 30:05Speaker 2: Into tell us, tell us about what happened.
- 30:08Speaker 4: So it's it's a brand deal kind of thing where
- 30:11Speaker 4: people love to see what Dallas is buying. People love
- 30:14Speaker 4: to see where he's going. Right now, it's a lot
- 30:16Speaker 4: of men cheese. He's going to a lot of men cheese,
- 30:19Speaker 4: a lot of yogurt lands. And it's just we're doing
- 30:21Speaker 4: a lot of partnerships where they they give us money
- 30:24Speaker 4: to go buy food at these places and then we
- 30:27Speaker 4: spend it on Venmo. We Venmo the cashiers, which is
- 30:30Speaker 4: problematic because it's not actually Venmo. You know, it's like
- 30:35Speaker 4: Venmo Tiffany, you know, not your Tiffany. But somebody was
- 30:39Speaker 4: Dallas will.
- 30:40Speaker 5: Never because I was going on Vemo the other day
- 30:44Speaker 5: to pay each housekeeper in each home, and when I
- 30:48Speaker 5: clicked pay, it's aid, do you want to pay this
- 30:53Speaker 5: person with Dallas? And his name popped up like on
- 30:57Speaker 5: ways how you can be driven and told the directions
- 31:01Speaker 5: by Christina Aguilera or Santa Oh yes popped up and
- 31:05Speaker 5: it said do you want to pay the housekeeper with Dallas?
- 31:09Speaker 1: So it goes straight through Dallas.
- 31:11Speaker 4: Here's where it goes. It comes to us. We have
- 31:14Speaker 4: to send it to where you need it to go.
- 31:15Speaker 4: We're like an old timey phone operator, but with money
- 31:17Speaker 4: now and so so he sends a video and he goes, hey,
- 31:22Speaker 4: this is Dallas Dash, thank you so much for sending
- 31:24Speaker 4: me money. I'm going to send it to where you
- 31:26Speaker 4: want it to go. Gott a Dash, and then he
- 31:28Speaker 4: does his thing.
- 31:29Speaker 2: You know, a Dash.
- 31:32Speaker 3: What a deal that probably was?
- 31:34Speaker 1: This does make sense? Why now? In Dash's previous movie,
- 31:38Speaker 1: what was it? It was the it was the sci
- 31:40Speaker 1: fi one.
- 31:41Speaker 4: Oh yeah, it was the the Existence Battle.
- 31:44Speaker 1: Oh, the Existence battle. There was so much yogurt land
- 31:47Speaker 1: in that they were.
- 31:50Speaker 2: Like saving there. They were hanging out there.
- 31:53Speaker 4: Yeah.
- 31:53Speaker 1: Yeah, it's been quite a deal to Yeah.
- 31:55Speaker 4: It was a post apocalyptic yogurt land and may they
- 31:59Speaker 4: you know, hold up, been there and then they were.
- 32:01Speaker 6: Like, oh it's still cold, it's still cold.
- 32:03Speaker 3: You know, there was a lot of a huge deal
- 32:05Speaker 3: for Dallas.
- 32:06Speaker 4: We love brands. I'll just say Dallas loves brands. He
- 32:10Speaker 4: comes up to me, he says, what are some you know,
- 32:12Speaker 4: it's so funny. When he was four years old, he
- 32:13Speaker 4: came up to me and he said, Daddy, I want
- 32:17Speaker 4: to integrate with brands, use my personality to spread awareness
- 32:21Speaker 4: of different types of branding and boys will be boys.
- 32:27Speaker 4: And I said, well, we've got to get you on that.
- 32:29Speaker 4: And it's been really a huge blast. And it's what
- 32:32Speaker 4: is his passion. Dallas's passion is brand.
- 32:36Speaker 2: Yes.
- 32:36Speaker 1: Adeline said a very similar thing to me when she
- 32:39Speaker 1: was three years old. She said, Mummy, I would love
- 32:42Speaker 1: to collaborate with brands. And I would just like to
- 32:45Speaker 1: say she still would like to collaborate with brands if
- 32:48Speaker 1: anyone is interesting.
- 32:49Speaker 4: Ellae is open, Dallas is open.
- 32:51Speaker 2: Tiffany would actually auditions for brands. She goes to commercials
- 32:54Speaker 2: all the time.
- 32:55Speaker 4: And we know she auditions. She goes out for a lot.
- 32:57Speaker 2: You've already told me she goes out for a lot.
- 32:59Speaker 2: So she would actually love to work with brands. When
- 33:02Speaker 2: she was for she was just yelling a lot of
- 33:04Speaker 2: that time.
- 33:05Speaker 3: We would love to work with brands too.
- 33:06Speaker 5: But it's so hard to get the boys signed because
- 33:09Speaker 5: I want them to get different brands, but I will
- 33:12Speaker 5: only want them as a as a trio.
- 33:15Speaker 4: Didn't they see that A Bendigo just signed an exclusive
- 33:18Speaker 4: deal to be the official face of Ammonia, the chemical,
- 33:24Speaker 4: the cleaning chemical, Ammonia, that cleansing.
- 33:27Speaker 5: The only brand that reach out to just a Bendigo.
- 33:31Speaker 5: And I said, great, Bendago can have his own thing.
- 33:35Speaker 5: And my husband said, what is this? This is a chemical?
- 33:37Speaker 3: What are we doing? What kind of ip is this?
- 33:40Speaker 1: What?
- 33:40Speaker 2: What?
- 33:40Speaker 5: What even branded content to make on his gram? And
- 33:43Speaker 5: I said, honey, it's a bendigoes let him have his.
- 33:46Speaker 1: And it's confusing because I don't know why Ammonia would
- 33:49Speaker 1: want to promote themselves to eleven year old boys.
- 33:52Speaker 2: I think they're doing the laws, jumping on the oh.
- 33:57Speaker 1: They're like don't drink ammonia, don't, don't, don't make this
- 34:03Speaker 1: go viral.
- 34:03Speaker 5: Yes, yes, yes, And Bendigo loves to do these backflips.
- 34:07Speaker 5: And I think Ammonia loved that.
- 34:10Speaker 2: Oh yes, I loved that.
- 34:13Speaker 1: I do.
- 34:14Speaker 2: That's fantastic that I could do four backflips. Just so
- 34:18Speaker 2: you know, I'm sure Tiffany could do a couple, do you,
- 34:22Speaker 2: guys like? I don't know.
- 34:23Speaker 4: She's pretty big, she could do it.
- 34:28Speaker 2: Extremely athletic, she runs like a horse.
- 34:30Speaker 3: What doctors say about her?
- 34:33Speaker 2: Doctors are amazed every time I bring you around and
- 34:36Speaker 2: they go, this must be you know, a thirty forty
- 34:39Speaker 2: year old woman, And I go, no, she's seven.
- 34:41Speaker 5: I hate to bring I don't think she's gonna book Theatrically.
- 34:44Speaker 5: I think she's gonna book Ripley.
- 34:45Speaker 2: And I think you should.
- 34:47Speaker 1: I think you should pivot, you should book the you
- 34:49Speaker 1: should go the Ripley.
- 34:50Speaker 7: No.
- 34:51Speaker 2: No, that's my daughter, that's my my little baby girl.
- 34:57Speaker 1: Freak agent.
- 34:58Speaker 2: No, I would never have a freak agent.
- 35:01Speaker 3: It's just that you aren't the chameleon. You are the
- 35:04Speaker 3: freak like you do.
- 35:05Speaker 2: You guys even know? Tiffany is signed at CEESD Adult
- 35:09Speaker 2: Division Okay, she doesn't need a freak agent.
- 35:13Speaker 3: You CSD.
- 35:15Speaker 2: That's a school in San Diego. Do you not know
- 35:20Speaker 2: it's a pretty big commercial agency.
- 35:22Speaker 1: Okay, oh, yes, if you say so.
- 35:24Speaker 2: She just at this pet Go job where she's playing
- 35:26Speaker 2: a mom with a seven year old, and she was confused.
- 35:29Speaker 2: It was I had explained, weird, she's quick, she's very fast.
- 35:35Speaker 3: I know you said she's like a horse.
- 35:37Speaker 4: She plays sports like nobody has ever. I'll tell you,
- 35:40Speaker 4: since you said it, I can't imagine. I can't stop
- 35:43Speaker 4: thinking about being that casting director, just working really hard,
- 35:46Speaker 4: and then all of a sudden, boom, door flies open.
- 35:49Speaker 2: A six month year old that's four feet tall runs
- 35:52Speaker 2: into my office, very great, will, very aggressively. Well, that
- 35:56Speaker 2: casting director said get this girl into commercials. And I
- 36:00Speaker 2: said she said that, Yeah, she said get this girl.
- 36:02Speaker 2: It was either get this girl into the commercials or
- 36:04Speaker 2: get the hell out of here.
- 36:06Speaker 4: I couldn't remember.
- 36:07Speaker 2: Stop.
- 36:08Speaker 1: It's to hear casting directors sometimes.
- 36:10Speaker 2: But yeah, Tiffany is amazing. She's so boisterous. It's so fun.
- 36:14Speaker 4: Wasn't she pinned for Guinness Book of World Records.
- 36:19Speaker 2: Largest largest five year old?
- 36:21Speaker 4: Yeah, a couple of years ago two years.
- 36:26Speaker 2: On the veil for five days, and then they found
- 36:30Speaker 2: a taller five drills and she was so upset. She
- 36:36Speaker 2: is so upset, she just went on a binge. She
- 36:39Speaker 2: ate thirty pounds of McDonald's in a day.
- 36:41Speaker 1: That seems related.
- 36:45Speaker 2: You got to when you ordered that much to McDonald's.
- 36:47Speaker 2: It has to be by the pounds. That seems like
- 36:50Speaker 2: a well you just well I wanted to, but you
- 36:53Speaker 2: just go up to that cashier and I said, I
- 36:55Speaker 2: want thirty pounds. Whatever you have, I want thirty pounds
- 36:57Speaker 2: of it. Just put it. Put in the cross she's eating.
- 37:01Speaker 3: Do any of your kids have albums?
- 37:03Speaker 2: Yes?
- 37:05Speaker 4: Album We each have three albums.
- 37:10Speaker 2: Tiffany has like a kids actually have.
- 37:13Speaker 1: I think we actually have a little bit.
- 37:14Speaker 2: You brought some of Thank you guys so much for
- 37:18Speaker 2: I think we have a tape player around here. Well,
- 37:20Speaker 2: it's it's like a kids pop where Tiffany just kind
- 37:22Speaker 2: of just like covers of songs.
- 37:24Speaker 4: Let's put the tape.
- 37:25Speaker 2: This is love Shack Bye Tiffany boys, terress, Well, I
- 37:30Speaker 2: got me a car love.
- 37:35Speaker 1: Okay, I've heard enough. She is a wonderful, wonderful, deep
- 37:41Speaker 1: bassed voice.
- 37:42Speaker 4: Part of the song is that.
- 37:44Speaker 2: She got a freestyle. She doesn't really know how to
- 37:48Speaker 2: read because she's only seven, so she just listens and responds.
- 37:51Speaker 3: Okay, okay, I'm dying to hear Dallas's tape.
- 37:54Speaker 2: Can you play?
- 37:54Speaker 4: Yeah?
- 37:54Speaker 2: What what music is?
- 37:56Speaker 4: Don Dallas released a trap album and I couldn't control this,
- 38:02Speaker 4: but he just loves trap music.
- 38:03Speaker 2: Wow, that's great. Well, I remember you also released album
- 38:06Speaker 2: when you were a kid. It was like a grengee.
- 38:08Speaker 2: So it's fine, like father, yeah, son.
- 38:10Speaker 4: Yeah, it was called The Dark Side of Mister Wonderful.
- 38:14Speaker 2: Wow.
- 38:14Speaker 3: Yeah, play blow both.
- 38:16Speaker 4: Yeah, we can listen to mine. We can see what compared. Okay,
- 38:19Speaker 4: it's great. So this is mine. This is from nineteen
- 38:23Speaker 4: ninety four. This is the Dark Side of Mister Wonderful.
- 38:26Speaker 4: This is the title track. It's called uh Shades of White.
- 38:34Speaker 4: There are many ways to find yourself. Look around, take
- 38:43Speaker 4: a boog of the show.
- 38:47Speaker 6: But don't you know that the secrete is everything in you,
- 38:53Speaker 6: is what makes you who you are?
- 38:56Speaker 4: Be yourself. It's totally cool.
- 39:00Speaker 3: There's like not a lot of specifics. It's wonderful.
- 39:03Speaker 2: No, that one that was very positive. Actually, well I was.
- 39:06Speaker 4: I was not allowed to talk a lot of that's.
- 39:08Speaker 5: What I was wondering because the title is very like,
- 39:10Speaker 5: oh you're about to but that was the nineties though.
- 39:12Speaker 2: It was all about the title. It was all about
- 39:15Speaker 2: the title, and that was inspiring.
- 39:16Speaker 4: That's actually the last track. The rest of the album
- 39:19Speaker 4: is really really in depth about the deep, deep dark
- 39:23Speaker 4: secrets of what was going on. That's the kind of
- 39:25Speaker 4: stuff that was happening. My best friend on the show, Charlie,
- 39:28Speaker 4: got addicted to h listerine during the show, and so
- 39:32Speaker 4: we It was a lot about that. It has alcohol
- 39:34Speaker 4: in but.
- 39:35Speaker 1: This track was the only one that took obviously because
- 39:37Speaker 1: it probably doesn't talk about that other stuff.
- 39:39Speaker 4: It was malleable and everyone was kind of like, oh,
- 39:40Speaker 4: I can't relate to a listening addiction. Yes, let's do.
- 39:43Speaker 2: Let's do. Dallas is now great trap album?
- 39:45Speaker 4: Yeah yeah, great?
- 39:47Speaker 2: Yeah?
- 39:48Speaker 6: Maybe will that's I Get Money, Don't I get money?
- 39:58Speaker 2: Yeah?
- 40:00Speaker 6: I get punny, I get plenty. Bitch is twenty four
- 40:05Speaker 6: to seven.
- 40:06Speaker 1: Dallas Green on the Clock, Watch out.
- 40:09Speaker 4: I'm gonna rock with my cock. I'm gonna turn it off.
- 40:13Speaker 4: I don't like listening to it.
- 40:17Speaker 3: Yes, that's so weak.
- 40:18Speaker 1: Came right out with it week, you know, I swear
- 40:23Speaker 1: to God, because a Tiffany's free, I dean to get
- 40:28Speaker 1: as happy to sign anything that Tiffany would like to have,
- 40:32Speaker 1: and Tiffany is also very happy to sign things.
- 40:34Speaker 4: We actually there is did she go out for Tiffany?
- 40:38Speaker 4: Did she go out for a role and you said
- 40:40Speaker 4: she went out for Survival Wars? Right, yeah, humanly because
- 40:42Speaker 4: there are these characters called the Flugglies.
- 40:47Speaker 2: Yeah, she went out for a lot of the Fluggs.
- 40:49Speaker 2: She went out for the flugg because she would crush
- 40:51Speaker 2: as a Fluggy.
- 40:52Speaker 5: Yeah, she was so close to getting so when you
- 40:54Speaker 5: said she was close to the female roles, you meant
- 40:55Speaker 5: the Fluggies.
- 40:56Speaker 2: The Fluggies, they're female Fluggies. They're like these giant Orcish,
- 41:00Speaker 2: disgusting creatures.
- 41:01Speaker 3: She gets so close and it seems like she's so perfect.
- 41:04Speaker 4: Because what's crazy is I've seen pictures of Tiffany, obviously,
- 41:06Speaker 4: and because we were.
- 41:07Speaker 2: Doing this, yeah, we all sent to each other photos.
- 41:10Speaker 4: Of course, I've seen pictures of Tiffany. And what's crazy
- 41:14Speaker 4: is when you sent the photo, I was like, wait,
- 41:15Speaker 4: isn't this the makeup for the Fluggies. They went they
- 41:17Speaker 4: used her likeness exactly.
- 41:19Speaker 2: Yeah, they based the character. It was really heartbreaking because
- 41:21Speaker 2: it's a fluggy business allah, Tiffany, boisterous. You know they
- 41:25Speaker 2: used her name in the breakdown. What you were saying, Adeline?
- 41:28Speaker 1: Oh no, Well, I just think you've heard this song
- 41:30Speaker 1: on the radio before. I'm sure it's everywhere. Okay, here
- 41:35Speaker 1: we go. Okay, so this is her and there. It's
- 41:37Speaker 1: been criticized for being too old for her, but I
- 41:41Speaker 1: don't really hear it. So let's see.
- 41:44Speaker 7: Oh baby, baby, take me to your bedroom and let's
- 41:50Speaker 7: see where it goes. Let's go to the bedroom and
- 41:55Speaker 7: do what girls do. Yeah, taken off my shoes and
- 42:00Speaker 7: put back on. No, no, you don't get Let's go
- 42:05Speaker 7: to the bedroom.
- 42:07Speaker 4: Yeah.
- 42:08Speaker 5: So Jeremiah from the thirteen hundreds like identifies he loves
- 42:13Speaker 5: that song.
- 42:14Speaker 1: We ran it through the computer and it seems like
- 42:18Speaker 1: Jeremiah is the exact type of customer who would have
- 42:21Speaker 1: gone to jingle Ball, and that's where this.
- 42:25Speaker 2: Song premiered FM's Jiggle.
- 42:28Speaker 4: Jeremiah would have loved jingle Ball. He would have gotten
- 42:30Speaker 4: a babysitter for his kids, and we.
- 42:32Speaker 1: Have gone to if he didn't get the plague, he
- 42:34Speaker 1: would have hired a babysitter wow, wow, Well, I feel
- 42:37Speaker 1: like all this music is just right on part that song.
- 42:40Speaker 2: That song Tiffany's rendition of love shack sure, which sounds
- 42:45Speaker 2: more like a recording of a karaoke They must do
- 42:50Speaker 2: music acapella. Yes they each oh not together? No no, no,
- 42:56Speaker 2: you know Naked Brothers band like Bible Brothers.
- 42:58Speaker 3: We want to eliminade allow jonas brothers.
- 43:01Speaker 5: We are literally terrified that these boys will be blended together.
- 43:04Speaker 5: So we and also their safety when we separate them.
- 43:08Speaker 5: So they each have their own They each have one
- 43:11Speaker 5: EP each all very different.
- 43:14Speaker 2: What are the different genres?
- 43:16Speaker 5: Shad Rack is a concert violinist, Wow me Shack sing's
- 43:23Speaker 5: jingles and just like on its own like for Friends,
- 43:28Speaker 5: doesn't even go to new studio.
- 43:29Speaker 3: And Bendigo has a like sad sad girl rock.
- 43:38Speaker 1: Oh we love that for boys.
- 43:41Speaker 2: That's great, Like Olivia Rodrigo exactly exactly great? Did bring
- 43:46Speaker 2: we should do a collap.
- 43:50Speaker 4: Hey? Can I talk to you?
- 43:51Speaker 3: I think we all need to talk to you.
- 43:53Speaker 5: It shows that you're green in the Mamger, but you're
- 43:57Speaker 5: green in the because when you lead with wanting to
- 44:00Speaker 5: collab with everyone, it looks like you just entered the
- 44:03Speaker 5: monster scene.
- 44:04Speaker 4: Sweetie, this isn't how you book.
- 44:06Speaker 1: No, you have to earn your stripes as a moment,
- 44:08Speaker 1: you have to run through you. I mean I was
- 44:11Speaker 1: put through hell on the monitor circuit. I was hazed
- 44:15Speaker 1: left and right by these women. Yeah, no, I get
- 44:17Speaker 1: I was hazed by Barbara Bush. No relation by Betty Ford.
- 44:21Speaker 1: No relation. But anyway, anyway, it's.
- 44:24Speaker 2: Just showing that you and I know this, and I'm
- 44:26Speaker 2: not green.
- 44:27Speaker 3: Like Tiffany's not green. I know she works. She's green
- 44:31Speaker 3: when you want her to collab with everyone you meet.
- 44:34Speaker 2: What's not It's just like this is the industry. It's
- 44:36Speaker 2: like maybe you guys don't understand this because like you
- 44:38Speaker 2: guys don't have to like work as hard as I do.
- 44:41Speaker 2: Because when you have a seven year old, that's six
- 44:44Speaker 2: one just think about meal times, think.
- 44:46Speaker 1: About radioactive levels near your home.
- 44:50Speaker 4: Where do you live.
- 44:51Speaker 2: I live right near the Librea tar pits, like touch the.
- 44:55Speaker 3: Water's so she sort of emerged.
- 45:00Speaker 2: Yeah, it was a miracle. Me and Philip, my husband,
- 45:05Speaker 2: we were hanging out by the park one day and
- 45:07Speaker 2: we found this baby covered in tar and we said,
- 45:11Speaker 2: this is a miracle. I'm taking this one in.
- 45:14Speaker 5: And the fact that you think she can't go out
- 45:15Speaker 5: for TLC and Ripley's is bonkers.
- 45:18Speaker 3: You found her at the tar pit.
- 45:20Speaker 2: We found her as we found her about four months
- 45:23Speaker 2: She was four feet like three or four feet at
- 45:25Speaker 2: the time. She was saying, I'm much older. She was
- 45:29Speaker 2: saying that. Yeah, she was speaking, and I couldn't find it.
- 45:31Speaker 2: I believe I found this little baby. Yeah.
- 45:34Speaker 3: Anyway, you look green.
- 45:35Speaker 4: You look greed. You look and even though Tiffany sounds ripe,
- 45:38Speaker 4: she's green too in the street.
- 45:41Speaker 3: And you need to bring her to a daughter.
- 45:42Speaker 4: She's growing.
- 45:43Speaker 2: My seven year old daughter is right, she's not seven,
- 45:45Speaker 2: and she's not a daughter.
- 45:46Speaker 4: She might not even be a child.
- 45:48Speaker 2: She's she's not related to you leave her her is
- 45:52Speaker 2: her name is literally Tiffany. But go back to the pits,
- 45:56Speaker 2: to the pits to all the time. And I say, Tiffany,
- 45:59Speaker 2: what are you? You're you're not going back to the busy?
- 46:01Speaker 2: He goes, please.
- 46:06Speaker 1: Pretty clear signal. Are you guys, are your spouses on
- 46:10Speaker 1: board with this at all? Or or is it just
- 46:13Speaker 1: kind of a one person operation.
- 46:15Speaker 3: Well, my sweet boys tied up my husband.
- 46:19Speaker 5: To the to the lazy boy chair in our Chatsworth
- 46:23Speaker 5: home because our husband, our husband, my husband didn't want
- 46:27Speaker 5: these boys to work because they were getting power.
- 46:30Speaker 2: And numbers, you know, And so why you separate them?
- 46:35Speaker 3: Yes, so that's why.
- 46:36Speaker 5: Once they tied him up and said we don't want
- 46:38Speaker 5: to work anymore, my husband said we have to separate them.
- 46:41Speaker 3: So, yeah, my husband is not involved.
- 46:43Speaker 1: In their Ron takes a big backseat. He is absolutely like,
- 46:48Speaker 1: he'll our marriage has sort of gotten to this great,
- 46:52Speaker 1: wonderful place where I'll be working on Adeline's stuff and
- 46:58Speaker 1: he'll just kind of come in and say, I can't
- 47:01Speaker 1: believe what you're doing, or and then of the breath, right, yes,
- 47:04Speaker 1: it's always under the breath.
- 47:06Speaker 3: It's always thrown away, thrown away, it's.
- 47:07Speaker 1: Always thrown away. But he knows there's nothing we can do.
- 47:11Speaker 1: She's already a star that the wheels are in motion. Yeah,
- 47:14Speaker 1: And I'm like, Ron, you just got to ride the wave.
- 47:16Speaker 1: And he doesn't want to.
- 47:18Speaker 2: He doesn't want to.
- 47:19Speaker 4: My wife goes along with it. Uh, my wife is
- 47:23Speaker 4: scared of Dallas. My wife loves but he's so weak.
- 47:28Speaker 4: He's so weak. But mentally he's my son. I created
- 47:32Speaker 4: somebody who can book, who can push, who can make
- 47:35Speaker 4: things happen. Who can accomplish the impossible at the cost
- 47:38Speaker 4: of the family house. It's hard. She loves her kid, obviously,
- 47:43Speaker 4: she loves her kid more than anything. And I love
- 47:45Speaker 4: him too, and we love each other. We all love
- 47:46Speaker 4: each other. And when we're not working, you know, it's good.
- 47:51Speaker 4: But if she gives notes to him, he just gets
- 47:54Speaker 4: he loses it and he tries to docks her. He
- 47:57Speaker 4: tries to.
- 47:57Speaker 3: Cancel her his mother.
- 47:59Speaker 2: Yeah, yeah, trying to cancel his mom.
- 48:02Speaker 4: He puts her address up and then he he venmos
- 48:05Speaker 4: different people under her account. So he'll so he'll venmo
- 48:09Speaker 4: cancel Culture, he'll venmo Raytheon, he'll Venmo Lockheed Martin.
- 48:12Speaker 2: He'll say, my mom's easy companies to get canceled.
- 48:15Speaker 4: Yeah, well, because you know, it's like, look at my
- 48:17Speaker 4: mom is just giving money to the military industrial complex.
- 48:20Speaker 1: Although I prefer if we didn't say anything negative about
- 48:23Speaker 1: the military industrial complex. And they're wonderful, wonderful weapons suppliers,
- 48:28Speaker 1: because Adeline would love to collaborate with Raytheon one day.
- 48:33Speaker 4: Yeah, And I didn't mean to say anything. I mean,
- 48:34Speaker 4: I mean Dallas really, I mean does some awesome So
- 48:38Speaker 4: they do amazing.
- 48:39Speaker 2: I loveth They're so good. They approached us one time
- 48:42Speaker 2: asking a ton of questions about Tiffany, and it was.
- 48:47Speaker 1: It was really fun to This wasn't about her ability
- 48:50Speaker 1: and war.
- 48:50Speaker 2: And like it was. It was this idea, this pitch
- 48:53Speaker 2: of a new show of making Tifany some sort of
- 48:55Speaker 2: super soldiers, not a show that's whatever enemy did you sign?
- 49:01Speaker 1: Like classify a document?
- 49:03Speaker 2: It was a couple of nbas. So I shouldn't too much.
- 49:06Speaker 4: Can I ask something? What happens when Tiffany gets cut?
- 49:08Speaker 6: Oh?
- 49:09Speaker 2: She does not do well? She does she bleed. She
- 49:13Speaker 2: kind of bleeds, but it's not it doesn't look like
- 49:16Speaker 2: it's a kind of tar. It's dark as black and thick.
- 49:20Speaker 2: It's kind of like tar. I don't think it's tart,
- 49:22Speaker 2: but it does look and taste a lot like tar.
- 49:25Speaker 2: And she just starts, she kind of starts growing with husband.
- 49:28Speaker 3: Who licked your daughter's blood?
- 49:30Speaker 4: Phil?
- 49:31Speaker 2: I licked it, for sure. Phil wants nothing to do.
- 49:34Speaker 3: Can I say something that is so glaring to me
- 49:36Speaker 3: about all of us?
- 49:37Speaker 2: Return her to the mud always just in my ear,
- 49:40Speaker 2: return her to the buck.
- 49:43Speaker 1: You know, I think I I rarely sighed with the husband.
- 49:48Speaker 1: Matters drags a drag, manage it for mommaging. Return her
- 49:55Speaker 1: to the mud. It's where she wants to be.
- 49:57Speaker 2: You should go back and acting like we said, it's
- 50:00Speaker 2: a dreaming, not mine. That's just she wants to act.
- 50:03Speaker 2: She wants to do commercials from what she told us. Yeah, no,
- 50:06Speaker 2: can I.
- 50:07Speaker 5: Say based off of what you said about Dallas and
- 50:09Speaker 5: what you're talking me about Tiffany and just all the information, yes,
- 50:12Speaker 5: all the information combined. I know that this is recorded,
- 50:15Speaker 5: and I don't want to freak everyone out, but okay,
- 50:17Speaker 5: I do want to be vulnerable for a second.
- 50:19Speaker 3: It sounds like we're all scared of our children.
- 50:28Speaker 1: I'm afraid of how big out of line will get.
- 50:33Speaker 1: I'm afraid of.
- 50:35Speaker 3: I mean, she's followed by a billion people, three.
- 50:38Speaker 1: One hundred billion people, Thank you very much.
- 50:40Speaker 2: I'm also so afraid.
- 50:45Speaker 4: So I'll just be honest.
- 50:47Speaker 1: You should be.
- 50:49Speaker 2: She just keeps growing.
- 50:50Speaker 4: I'm not physically afraid of Dallas because I know, if
- 50:52Speaker 4: I need to, I could deck him, you know what
- 50:54Speaker 4: I mean? I can if push comes to shove and
- 50:58Speaker 4: he starts saying the thing, he starts doing things he's saying,
- 51:00Speaker 4: I know I could just fucking knock the wind out
- 51:03Speaker 4: of him. I could just clean housing shot one shot,
- 51:07Speaker 4: clothesline to the ground. I know that I could. He's weak,
- 51:11Speaker 4: he's nine. We used to tell people he was in
- 51:13Speaker 4: iron lung when he was a kid, just because his
- 51:14Speaker 4: body looked like that. Okay, okay, but he wasn't like
- 51:17Speaker 4: it's it's it's just like that. I'm not scared of that.
- 51:20Speaker 2: I think I am culture.
- 51:21Speaker 4: Maybe I am scared.
- 51:23Speaker 1: Oh, I'm very afraid of canceling.
- 51:25Speaker 4: Scared of cancel culture. And I was scared of growing up.
- 51:27Speaker 4: I was scared I was going to become my dad.
- 51:30Speaker 4: I was scared I was going to become my dad
- 51:33Speaker 4: because my dad my dad. You Sue leave me at
- 51:38Speaker 4: set and pick me up when I was done. He
- 51:43Speaker 4: wasn't there with me on set, and all this stuff
- 51:46Speaker 4: happened to me, and and so I said, I'm never
- 51:50Speaker 4: gonna be like that. I'm gonna be around Dallas twenty
- 51:52Speaker 4: four to seven.
- 51:53Speaker 2: Are you on set with Dallas?
- 51:54Speaker 4: Every day? Every every day, I'm in the studio, I'm
- 52:00Speaker 4: writing for trap music with him. I'm doing every single
- 52:02Speaker 4: thing I can't. I'm always around him, always around him,
- 52:06Speaker 4: always around him, And I'm nervous that that screwed him up.
- 52:10Speaker 4: I'm nervous. I went the other way. I'm nervous, the
- 52:12Speaker 4: pendulum swing turn.
- 52:13Speaker 3: I'm so scared. I am so scared. These boys are
- 52:15Speaker 3: gonna know the power they bring each other and one
- 52:19Speaker 3: day murder me.
- 52:25Speaker 4: Surprises real.
- 52:29Speaker 3: Like the energy of them together. Yeah, like a good
- 52:33Speaker 3: warming thing.
- 52:34Speaker 2: And brothers killed their parents and then went to a
- 52:39Speaker 2: basketball game. Oh, I'm so scared.
- 52:42Speaker 1: Was it because they weren't booking?
- 52:44Speaker 2: It must have been.
- 52:45Speaker 1: It must have been, it must have been.
- 52:47Speaker 3: I think I just I fear that as well.
- 52:49Speaker 2: Yeah, like, I am just so scared.
- 52:52Speaker 3: You should be horrified.
- 52:54Speaker 4: You should be.
- 52:55Speaker 2: You should be, Tiffany, you should not booking.
- 53:00Speaker 1: Okay, well, I think we've been working for too long.
- 53:02Speaker 1: Our onset tutors should be here any minute.
- 53:04Speaker 4: Oh yeah, we're about to pumpkin.
- 53:06Speaker 2: I also got to take Tiffany on a run. She
- 53:08Speaker 2: needs to get out some energy.
- 53:11Speaker 4: Dallas is actually going to be venmoing Joe Biden this week,
- 53:14Speaker 4: so wow, thirty dollars for Ukraine.
- 53:20Speaker 3: Oh and then thank you.
- 53:23Speaker 4: Dallas. Sorry, and then Dallas is going to Venmo the Ukraine.
- 53:27Speaker 2: Wow, oh wow day for us.
- 53:29Speaker 1: That's incredible. Okay, Well, let's maybe let's all just go
- 53:32Speaker 1: around really quickly and say and say their latest projects.
- 53:35Speaker 2: Oh yes, I love this.
- 53:36Speaker 1: Okay. Well, Adeline is going to be starring in a
- 53:41Speaker 1: Netflix movie called high School or maybe not.
- 53:46Speaker 2: It's Jealous.
- 53:47Speaker 1: Yes, it's a rom com, just to return to the
- 53:50Speaker 1: classic sort of like Disney Channel original movie style rom
- 53:54Speaker 1: com about a girl in high school who turns into
- 53:57Speaker 1: a mermaid because she's so so beautiful and good at
- 54:01Speaker 1: dancing that she was picked by the mermaid gods to
- 54:03Speaker 1: return to the sea. So that'll be out May twenty fifth.
- 54:07Speaker 5: Amazing Shadrack me checking of Bendigo got picked up for
- 54:10Speaker 5: season fifteen of Bible Brothers.
- 54:14Speaker 3: It's a moving a moving machine. Yeah, are really excited.
- 54:18Speaker 1: She was older than them, Yes, and they are the
- 54:21Speaker 1: face of the show.
- 54:24Speaker 2: Well, don't ask me.
- 54:25Speaker 3: I haven't watched one episode. I won't watch my kids work.
- 54:29Speaker 3: I get to in my head.
- 54:31Speaker 1: Me too.
- 54:33Speaker 2: Well, Tiffany's got some big news. She just booked another
- 54:35Speaker 2: Peco campaign. To excited. She's playing a couple of the
- 54:39Speaker 2: animals in At this time, I knew it. I knew
- 54:41Speaker 2: she was a horror movie called The Beast with in Janita,
- 54:47Speaker 2: I am worried for you. You guys, Tiffany is the
- 54:50Speaker 2: sweetest little angel. You guys have to meet her and
- 54:53Speaker 2: we have to collab.
- 54:54Speaker 4: We don't and we won't.
- 54:55Speaker 3: You look green when you do that, and you look
- 54:57Speaker 3: stupid when you think that.
- 54:58Speaker 2: She's a kid. I don't know about that. I just
- 55:02Speaker 2: don't know.
- 55:03Speaker 1: This is some tough love. You're green and you're stupid.
- 55:06Speaker 1: This is just some constructive advice. We've been doing this alone.
- 55:08Speaker 2: I just don't think that I've been stupid to the
- 55:11Speaker 2: world that's not a kid.
- 55:15Speaker 4: Survival Wars comes out April fifteenth on Sci Fi Very soon, yeah,
- 55:20Speaker 4: very very soon. So definitely it might already be out.
- 55:22Speaker 4: I don't know when this is releasing, and that's gonna
- 55:25Speaker 4: be I think it's a It's a ten episode season,
- 55:28Speaker 4: so check about out. Dallas is in every episode. He's
- 55:31Speaker 4: got a great arc here, and then he's going to
- 55:35Speaker 4: be in Well d Nasty sixth Style. His album is
- 55:41Speaker 4: coming out late May, and then after Survival Wars, he's
- 55:46Speaker 4: going to be in another one, another movie called The
- 55:52Speaker 4: Remembrance Fight, and then after that he's gonna be he's
- 55:56Speaker 4: writing a book which is really exciting. We're all writing
- 55:59Speaker 4: a book together.
- 56:02Speaker 1: Oh God, Tiffany's is in the window.
- 56:04Speaker 2: Hi, maybe I've got some meat. I've got some meat.
- 56:09Speaker 4: Dallas, Dallas, get away from him, honey, get away from
- 56:13Speaker 4: I love you, sweet heart.
- 56:14Speaker 2: You guys, we have to collabse no, no, no, my
- 56:17Speaker 2: name is Tiffany.
- 56:17Speaker 4: I'm Dallas. Five Dallas run.
- 56:19Speaker 2: That thing could swallow you one tell you try to
- 56:21Speaker 2: get a collab. Make it TikTok with Dallas. It'll be great.
- 56:24Speaker 1: Don't have to drop tell any honey, stop slating. Return
- 56:27Speaker 1: to the pits.
- 56:28Speaker 2: Shut your hand.
- 56:29Speaker 4: You back to them, up, toy, We'll like shame.
- 56:33Speaker 1: This has been Artists on Artists on Artists on Artists,
- 56:35Speaker 1: answering the question. Now, that's why they call it showbiz.
- 56:39Speaker 1: We'll see you next time.
- 56:41Speaker 4: Hi.
- 56:41Speaker 3: I'm Angela Jertana, I'm Jeremy.
- 56:43Speaker 4: Colhayne, I'm Patrick McDonald's, and I'm Kylie Brakman.
- 56:46Speaker 1: Artists on Artists on Artists on Artists is an improvised
- 56:49Speaker 1: Hollywood round table podcast available on iTunes and Spotify.
- 56:52Speaker 2: You can follow us at ao ao ao a pod
- 56:55Speaker 2: on Twitter and Instagram.
- 56:57Speaker 4: That's right, four a's with three o's in between.
- 57:00Speaker 2: Then pod music for this week's episode was provided by
- 57:03Speaker 2: Gabriel Ponton Stars.
- 57:05Speaker 1: They're just like us, and if you like this episode,
- 57:07Speaker 1: you can give us five of them by rating and
- 57:10Speaker 1: reviewing us on Apple Podcasts. That's all for now, good
- 57:14Speaker 1: night Hollywood,