Latest / I Am All In with Scott Patterson / There she is! The Woman of the Hour. (S5 E18 "To Live and Let Diorama")

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There she is! The Woman of the Hour. (S5 E18 "To Live and Let Diorama") · I Am All In with Scott Patterson

• 0:00
  Speaker 1: I am all in.
• 0:16
  Speaker 2: I am all in with Scott Patterson and iHeartRadio Podcast.
• 0:21
  Speaker 1: Hey everybody, Scott Patterson, I am all in podcast. I
• 0:24
  Speaker 1: want to love the productions iHeart Radio. I'm joined by
• 0:27
  Speaker 1: my intrepid crew, tarasud Amy, Sugarman. Danielle Romo is at
• 0:35
  Speaker 1: the doc Tari how a check up for her.
• 0:38
  Speaker 2: Pregnant Queen will be here a.
• 0:40
  Speaker 1: Spindle of Joy that's on the way, but she will
• 0:42
  Speaker 1: join us momentarily, and Tara is going to very ablely
• 0:47
  Speaker 1: step in and do the synopsisizations.
• 0:50
  Speaker 2: Before that's yes, Scott.
• 0:52
  Speaker 1: We have hands. Yes, yes.
• 0:55
  Speaker 3: For those I just have.
• 0:56
  Speaker 2: A small little little tidbit to say, mm hmm. For
• 1:00
  Speaker 2: those that instagram message us, I'm not sure if that's
• 1:04
  Speaker 2: how the kids say it. Oh good, Danielle, the Queen
• 1:07
  Speaker 2: is here because I wanted.
• 1:08
  Speaker 1: To hear Welcome Danielle. So for those we didn't even
• 1:12
  Speaker 1: hear the trumpets. Carpet was dirty, so how did you
• 1:18
  Speaker 1: even get in the room?
• 1:21
  Speaker 2: Welcome Queen.
• 1:22
  Speaker 4: I am here and I am ready to go.
• 1:24
  Speaker 2: All right, So I know that you may not read
• 1:28
  Speaker 2: all the comments like I do, but I would just
• 1:30
  Speaker 2: like to say, for those suggesting differently, I am the
• 1:37
  Speaker 2: same age as Matt Zukery. To be perfectly honest, I
• 1:41
  Speaker 2: think I'm two years older than him, maybe two and
• 1:44
  Speaker 2: a half. But there was some comments that kind of
• 1:47
  Speaker 2: hit me where it hurts, saying yes, eluding that it
• 1:51
  Speaker 2: was like creepy that I love him, but I'm like,
• 1:54
  Speaker 2: I'm his eight.
• 1:59
  Speaker 1: Well, glad you took this opportunity to set the record straight.
• 2:03
  Speaker 2: It kind of hurt me. I was like, wait, what,
• 2:07
  Speaker 2: I'm literally the same age as him, two years older,
• 2:11
  Speaker 2: So if that's creepy, then I take it. But he
• 2:14
  Speaker 2: is forty six or forty seven and I am forty nine.
• 2:17
  Speaker 1: So we are listen. I can't even imagine that these
• 2:20
  Speaker 1: are even Gilmore girl fans. We're leaving these comments. They're
• 2:24
  Speaker 1: not Gilmore girls fans. Don't leave comments like this, Oh
• 2:28
  Speaker 1: Scott Gilmore.
• 2:29
  Speaker 5: There's just nothing but love and Gilmore.
• 2:31
  Speaker 1: Really, I mean, I just got back from Corpus Christy
• 2:33
  Speaker 1: at the Christie Comic con. Tell Us about that, tell
• 2:39
  Speaker 1: Us about fantastic. All the fans showed up. We celebrated
• 2:42
  Speaker 1: nothing but nice people and great people and bugs and
• 2:45
  Speaker 1: kisses and who wishes he was right next to me
• 2:49
  Speaker 1: in the booth. Oh I love it, love. We had
• 2:52
  Speaker 1: a good time.
• 2:53
  Speaker 2: Did you ask him about his Winnebago?
• 2:57
  Speaker 1: I didn't come up. It didn't cop touchy subject for me.
• 3:01
  Speaker 1: So you're like, we love you, but that was Listen.
• 3:05
  Speaker 1: You know he's a hoot in a holler, right or
• 3:07
  Speaker 1: we're having a good you know, we had a great
• 3:09
  Speaker 1: time with the fans. And I just can't see. I
• 3:12
  Speaker 1: can't imagine any of them sitting behind a keyboard and issuing,
• 3:16
  Speaker 1: you know, vitriol like this. I just can't imagine. So
• 3:20
  Speaker 1: I don't think that they're Gilmour girls fans. I think I.
• 3:23
  Speaker 2: Think they are, but I think that they just have
• 3:25
  Speaker 2: the mathematics messed up. Because once again, totally appropriate because
• 3:32
  Speaker 2: Matt Zukri and I are literally the same age, and
• 3:37
  Speaker 2: I'm nothing if not honest.
• 3:39
  Speaker 1: And you know what it's it's Matt just walked in,
• 3:42
  Speaker 1: So I'm gonna ask him. He's not coming on the air, Matt,
• 3:45
  Speaker 1: do you think it's creepy that Amy has a big,
• 3:49
  Speaker 1: old high school college esque crush on you that lives
• 3:53
  Speaker 1: to this day. Well also, no, no, he's answering, let
• 3:57
  Speaker 1: him answer. No. He has the most respect for Amy.
• 4:01
  Speaker 1: He doesn't think it's creepy at all. In fact, oh sit,
• 4:05
  Speaker 1: really okay, he kind of wants to hook up. He
• 4:08
  Speaker 1: wants to hook up, he wants to check it out.
• 4:12
  Speaker 5: So here's the thing, good acting, Scott.
• 4:15
  Speaker 1: Hang on, Matt, can you close the door? Please? Thank you?
• 4:17
  Speaker 1: All right, he was just we have video of that.
• 4:22
  Speaker 2: You're acting. You gave it. You're all like you committed
• 4:26
  Speaker 2: to that with the head turning and the oh wait, Tara,
• 4:29
  Speaker 2: let him finish.
• 4:32
  Speaker 1: I mean, because it's real to me. Remember, Jerry, if
• 4:35
  Speaker 1: you believe it, it's not a lie.
• 4:41
  Speaker 2: Is that an acting tip? It's real to you?
• 4:44
  Speaker 1: Actually, it is an acting tip.
• 4:45
  Speaker 2: Oh you know what they loved I will say. You know,
• 4:48
  Speaker 2: you got a lot of props about really was telling
• 4:52
  Speaker 2: the story and they loved this stuff. So if you've
• 4:54
  Speaker 2: got more of it, we want it. How the you
• 4:57
  Speaker 2: bet came from your dad? They yeah, Oh so sweet.
• 5:02
  Speaker 1: So anyway, just let me get a little piece of
• 5:05
  Speaker 1: business over with them. We can get to the synopsisizations
• 5:09
  Speaker 1: and we'll let Danielle and Tara fight it out, because
• 5:11
  Speaker 1: Tara was about to do it, but daniel slipped in
• 5:14
  Speaker 1: the back door. Here she is, I will not get
• 5:17
  Speaker 1: Will it be a synopsisization Battle Royale, who smells the
• 5:22
  Speaker 1: cooking in the kitchen or whatever that wws.
• 5:29
  Speaker 2: What the rock Isokit, listen.
• 5:33
  Speaker 1: I'm gonna be at Indie Popcorn August twenty fifth through
• 5:36
  Speaker 1: twenty seventh, so get your tickets now. I'm also gonna
• 5:39
  Speaker 1: be at Columbus Galaxy Coon Columbus, Ohio December second, I
• 5:47
  Speaker 1: think second and third. Check out their website as well,
• 5:51
  Speaker 1: so come on down. We always have a great time.
• 5:54
  Speaker 1: Gilmore fans are the best, and we just really and
• 5:58
  Speaker 1: they really, we just have the best. They're great. They
• 6:01
  Speaker 1: dress up as a character. They have their Luke shirts
• 6:03
  Speaker 1: on their dragonflying shirts, they have their babies dressed as Luke.
• 6:07
  Speaker 1: It's fantastic.
• 6:08
  Speaker 5: It was a car.
• 6:09
  Speaker 2: I've got to tell you. I meant to text you.
• 6:11
  Speaker 2: I've almost tried to get my camera out. There's a
• 6:14
  Speaker 2: car in front of me the other day with a
• 6:16
  Speaker 2: full Luke's Diner sticker on the car.
• 6:19
  Speaker 3: That's amazing, so legit.
• 6:21
  Speaker 2: I was like, yeah, that's that was cute.
• 6:24
  Speaker 1: That logo, man, I tell you that logo is going
• 6:28
  Speaker 1: to outlive me, and it should.
• 6:30
  Speaker 2: I don't want to be weird, but it will.
• 6:36
  Speaker 1: I don't want to be should my casket have Luke
• 6:38
  Speaker 1: logos all over it? Or maybe just one strategically placed anyway, Danielle,
• 6:43
  Speaker 1: let's stop being morbid and get.
• 6:46
  Speaker 2: If you got buried in a casket, you could put
• 6:49
  Speaker 2: I am all in.
• 6:54
  Speaker 4: I can't.
• 7:03
  Speaker 1: We get the numbers that day, even if you ave podcast,
• 7:08
  Speaker 1: I guess.
• 7:08
  Speaker 5: Even if you wanted to be in an urn, it
• 7:10
  Speaker 5: could say I am.
• 7:11
  Speaker 3: All Oh my god, here.
• 7:16
  Speaker 2: Tell your wife, Tell your wife. We thought of it.
• 7:20
  Speaker 1: Such beautiful thoughts.
• 7:22
  Speaker 2: Why do I I'm sorry, but why do I love
• 7:24
  Speaker 2: us so much?
• 7:26
  Speaker 1: I don't know.
• 7:26
  Speaker 2: I don't even know if other people love us, but
• 7:29
  Speaker 2: I love us.
• 7:30
  Speaker 1: I love us anyway, Danielle. That's let's get the sled
• 7:35
  Speaker 1: out in the snow and let's get it gear all right.
• 7:39
  Speaker 4: This is season five, episode eighteen, to Live and Let Diarama.
• 7:43
  Speaker 4: Air date April nineteen, two thousand and five. The death
• 7:47
  Speaker 4: of old Man took them.
• 7:48
  Speaker 3: I mean, we're we're really going with the.
• 7:51
  Speaker 1: Yeah, listen, it was a good lead and come on
• 7:55
  Speaker 1: break yeah.
• 7:56
  Speaker 2: Well.
• 7:57
  Speaker 4: His death inspires Taylor to turn the deceased house into
• 8:00
  Speaker 4: a museum.
• 8:01
  Speaker 3: With Luke's help.
• 8:02
  Speaker 4: Rory, Parris and Lane drown their guy troubles in Miss
• 8:06
  Speaker 4: Patty's Punch, and Lorlai has second thoughts after ranting about
• 8:09
  Speaker 4: her mother in a magazine article on her In Two
• 8:14
  Speaker 4: fun Notes, Carol King appears as a music shop owner
• 8:17
  Speaker 4: and Jackson directed this episode.
• 8:20
  Speaker 2: Oh that's cool.
• 8:21
  Speaker 1: Oh so you know what we just demonstrated was that
• 8:29
  Speaker 1: we can make light of death. However, I thought in
• 8:32
  Speaker 1: this episode I really was troubled by they were treating
• 8:37
  Speaker 1: old men's welcoms. It was just like, boy, this is
• 8:42
  Speaker 1: is this in bad taste? Is this not funny? It
• 8:45
  Speaker 1: just it wasn't ing pong bowls weren't coming over the net.
• 8:49
  Speaker 5: Scott, I'm really glad you're saying this.
• 8:52
  Speaker 1: Yeah, it was awkward for me.
• 8:53
  Speaker 2: I did not love this episode.
• 8:55
  Speaker 3: Okay, Oh I'm.
• 8:58
  Speaker 4: So happy somebody said it.
• 8:59
  Speaker 3: I watched it twice.
• 9:02
  Speaker 1: It was an odd experience. However, however, I'm trying to
• 9:06
  Speaker 1: put myself. It was very it was like a weird verse.
• 9:10
  Speaker 1: It was like some it was like another all universe
• 9:13
  Speaker 1: version of Gilmour Girls that somebody else wrote after taking
• 9:16
  Speaker 1: some payote buttons or something like that and tripping out
• 9:19
  Speaker 1: and then just sort of writing this stuff.
• 9:22
  Speaker 2: You know who wrote it yeah, I did. I this
• 9:29
  Speaker 2: is the first time in this entire podcast where I
• 9:32
  Speaker 2: can actually say I did not love this thing.
• 9:35
  Speaker 4: I couldn't get through the episodes. I watched it three times.
• 9:37
  Speaker 4: The last ten minutes, great, loved the last ten minutes.
• 9:41
  Speaker 3: All thirty minutes before that.
• 9:43
  Speaker 4: I just had to keep watching it because I was
• 9:46
  Speaker 4: I got what is happening?
• 9:49
  Speaker 1: Every single Sorry Tara, but every single character wasn't themselves.
• 9:55
  Speaker 2: Totally totally. I totally agreed.
• 9:57
  Speaker 1: It was very odd, Tara. What we what we?
• 10:00
  Speaker 3: I was just gonna say.
• 10:01
  Speaker 6: It was the first time where I actually had to
• 10:02
  Speaker 6: skim through the episode again before we jumped on, because
• 10:05
  Speaker 6: I was like, I don't like, I just wasn't into it.
• 10:08
  Speaker 3: I sounds so bad, but like, I skimmed through it
• 10:10
  Speaker 3: again so hard.
• 10:11
  Speaker 2: I feel so bad saying this, And I'm sure people
• 10:14
  Speaker 2: will just like hummel us because I'm sure there's people
• 10:16
  Speaker 2: that love this. My eyeballs closed three times. Eyeballs close, No.
• 10:23
  Speaker 1: You know, I was Actually it actually fascinated me how
• 10:27
  Speaker 1: far off tone it was. That it kind of riveted
• 10:31
  Speaker 1: me because I was I was wondering. You know, I
• 10:34
  Speaker 1: don't really want to say this, but I'm going to
• 10:36
  Speaker 1: say this. I was just kind of fascinated that it
• 10:39
  Speaker 1: kept getting worse and worse and worse. I couldn't believe it.
• 10:45
  Speaker 1: You know. It was almost like watching a slow motion
• 10:47
  Speaker 1: car accident, like is this this this revered show? And
• 10:52
  Speaker 1: like what's happening with the show? And it was just
• 10:55
  Speaker 1: it was just very odd to watch it. But I still,
• 10:57
  Speaker 1: here's the thing, here's the takeaway. I still enjoyed it totally.
• 11:01
  Speaker 1: I watched it with my son. He was all curled
• 11:04
  Speaker 1: up next to me and we watched it, and I agree,
• 11:09
  Speaker 1: and I still got through it, and I was entertained
• 11:12
  Speaker 1: and I felt good during it, and I felt good
• 11:14
  Speaker 1: after it. That's the thing about the show. You just
• 11:17
  Speaker 1: want to hear the voices.
• 11:18
  Speaker 2: You hear the voices, and I like the fashion at
• 11:21
  Speaker 2: its worst, it's still way better than a lot of
• 11:26
  Speaker 2: what's on television. Yeah, yeah, yeah, And I'm glad we
• 11:30
  Speaker 2: all sort of agree. So maybe this will be the
• 11:33
  Speaker 2: one that we all agreed wasn't the best. But it
• 11:36
  Speaker 2: doesn't mean it was like a pile of doo doo.
• 11:39
  Speaker 2: It just wasn't as good as all the others.
• 11:43
  Speaker 1: I'm thinking of Jurassic Park and Jeff Goldblum singing, that's
• 11:46
  Speaker 1: a big pile of dudo. I remember that. I love
• 11:51
  Speaker 1: any Jurassic dinosaur droppings. That's dinosaur.
• 11:54
  Speaker 2: You don't like you're talking to number one Jurassic Park fan.
• 11:56
  Speaker 2: But my favorite line is when the little kids all
• 11:58
  Speaker 2: were back in the car. We're back in the car,
• 12:00
  Speaker 2: you guys.
• 12:01
  Speaker 4: I couldn't even get Oh, I can't even get a
• 12:03
  Speaker 4: best line from this episode.
• 12:05
  Speaker 2: Yes, sorry, we were.
• 12:09
  Speaker 1: Getting just challenge ourselves. Why don't we challenge ourselves and
• 12:13
  Speaker 1: trying to find the positive in this episode and not
• 12:16
  Speaker 1: even talk about the negative anyways?
• 12:19
  Speaker 5: Start but I can't. I have to talk about it.
• 12:21
  Speaker 1: Was in focus anyway. That's it, ladies and gentlemen. Thank you.
• 12:24
  Speaker 1: We'll see you next time.
• 12:26
  Speaker 3: Here tupisode.
• 12:28
  Speaker 2: That was the bakest link that I was like, this
• 12:32
  Speaker 2: is not good. M M tell me if you guys agree, Harris,
• 12:38
  Speaker 2: I actually disagree with you.
• 12:40
  Speaker 5: She was so unhinged that I was like.
• 12:43
  Speaker 3: I kind of like her unhinged though I don't know
• 12:45
  Speaker 3: what it is.
• 12:46
  Speaker 5: It felt so fake to me.
• 12:48
  Speaker 6: I was like, I mean I could have done without
• 12:50
  Speaker 6: like and just we'll get to each scene, but like,
• 12:53
  Speaker 6: I think what bothered me about this episode is there
• 12:56
  Speaker 6: were a lot of moments that I felt were dragged
• 12:58
  Speaker 6: on in multiple scenes when we could have resolved them
• 13:00
  Speaker 6: in like like, for example, like I didn't need to
• 13:02
  Speaker 6: see Paris twice asking for money, or I didn't need
• 13:05
  Speaker 6: to see like two three scenes of Lane trying to
• 13:09
  Speaker 6: figure out where true, you know, Like there was like
• 13:12
  Speaker 6: these like dragged on scenes and I.
• 13:14
  Speaker 2: Was like, the Twitter the house was when my eyes
• 13:18
  Speaker 2: were well.
• 13:20
  Speaker 1: Since since apparently I am admired for my knowledge of
• 13:24
  Speaker 1: old timey films and Ami refers to it. The Paris
• 13:27
  Speaker 1: Barefoot asking for Money was an homage to John Cassavetti's
• 13:32
  Speaker 1: and General Rowland's starring and I believe a film called
• 13:35
  Speaker 1: The Diary of a Madhouse one.
• 13:37
  Speaker 2: Yeah, but it wasn't.
• 13:42
  Speaker 4: It was not.
• 13:44
  Speaker 2: From the top.
• 13:46
  Speaker 1: Yeah. Yeah, I think we have no choice. But that structure.
• 13:55
  Speaker 2: We opened on kind of like maybe a scene that
• 13:59
  Speaker 2: had potential. It fell flat because first of all, she
• 14:02
  Speaker 2: was wearing a beautiful green coat Lorlai. But they are
• 14:05
  Speaker 2: spending so much time talking about trail mix and I
• 14:08
  Speaker 2: couldn't even figure out what they're talking about.
• 14:10
  Speaker 5: I was like, what are they talking about? And then
• 14:13
  Speaker 5: we're having all this conversation he's dead, He's not dead,
• 14:15
  Speaker 5: He's gonna die.
• 14:16
  Speaker 2: He didn't do it too, he was. And then I
• 14:21
  Speaker 2: was mildly amused by Kirk with the souvenirs and the popcorn.
• 14:25
  Speaker 4: Yeah, yeah, the only good part of that scene.
• 14:27
  Speaker 2: But let me tell you that was the fakest baby
• 14:31
  Speaker 2: in that stroller.
• 14:34
  Speaker 4: Yeah, there was no there was no heartbeat in the stroller,
• 14:42
  Speaker 4: so fake.
• 14:43
  Speaker 2: And then a sort of obscure Summerland reference that came
• 14:48
  Speaker 2: up again, Tara, did you you and I are probably
• 14:50
  Speaker 2: Summerland sisters? That I loved summer Land, but it was
• 14:53
  Speaker 2: like did they make them right there?
• 14:55
  Speaker 3: Like the Jesse McCartney Lori law.
• 14:57
  Speaker 2: Just two mentions of it in this show.
• 15:00
  Speaker 6: I love that show, and I honestly did not catch it.
• 15:03
  Speaker 6: I did, and I was like, oh, yeah, no, I
• 15:05
  Speaker 6: caught the first Lori Laughlin one.
• 15:06
  Speaker 3: Yeah, I don't know what the second one.
• 15:08
  Speaker 2: There was two summer Lands, one Lori Laughlin, which we'll
• 15:11
  Speaker 2: get to in pop culture.
• 15:12
  Speaker 3: Because then it started on WB the same year. That's
• 15:15
  Speaker 3: probably why.
• 15:15
  Speaker 5: That's why I think they probably ask can you give
• 15:17
  Speaker 5: a plug?
• 15:18
  Speaker 3: Yeah.
• 15:19
  Speaker 5: Anyway, we were off to the races with.
• 15:22
  Speaker 2: A real slow start m.
• 15:24
  Speaker 1: I agree.
• 15:26
  Speaker 2: Then I finally realized what bothers me about Yale?
• 15:31
  Speaker 1: And what is that?
• 15:32
  Speaker 2: You tell me if I'm wrong. They're making it look
• 15:36
  Speaker 2: like it's outside, but they're clearly shooting it inside.
• 15:39
  Speaker 6: I noticed the people walking in the window in the back.
• 15:42
  Speaker 6: Is that what you're talking about?
• 15:43
  Speaker 2: No, but tell me about that.
• 15:44
  Speaker 6: Oh, I just got distracted by people walking by their
• 15:47
  Speaker 6: window when they were it was the scene when the
• 15:51
  Speaker 6: second time when Paris is on the couch and there's
• 15:54
  Speaker 6: just someone walking outside the window, and it kind of
• 15:56
  Speaker 6: I was like, can you really look into someone's dorm
• 15:59
  Speaker 6: that close? Like are they on the they are on
• 16:01
  Speaker 6: the ground level?
• 16:02
  Speaker 2: Shows you it might not be the best episode if
• 16:04
  Speaker 2: you're staring out the window.
• 16:08
  Speaker 1: May have has been raining that day and they had
• 16:10
  Speaker 1: to move it inside.
• 16:12
  Speaker 2: I don't know. I think they're shooting the exteriors of
• 16:15
  Speaker 2: Yale in the sound studio or stage, I don't know
• 16:18
  Speaker 2: what you call it. Soundstage, sound sound stage? Yes, Whereas like, clearly,
• 16:21
  Speaker 2: when you were at Twickham's you're outside and I'm like,
• 16:25
  Speaker 2: this is great, you're outside, I know where you are.
• 16:27
  Speaker 2: I'm loving it.
• 16:28
  Speaker 5: But when we go to Yale, it's like don't try
• 16:30
  Speaker 5: and trick me.
• 16:30
  Speaker 2: That that's outside. That's not outside. M'm saying, any.
• 16:36
  Speaker 1: That is an email you can send to Warner Brothers,
• 16:41
  Speaker 1: then not be too kind about it.
• 16:44
  Speaker 2: That reminds me so much. This is totally off topic,
• 16:47
  Speaker 2: but for people that don't know, I also worked for
• 16:49
  Speaker 2: Ryan Seacrests, and I used to start telling seacrets, like
• 16:52
  Speaker 2: the most boring stories, right, Like I'd think something was
• 16:55
  Speaker 2: so important and I'd tell him this whole story, and
• 16:58
  Speaker 2: then he'd always go, why don't you put that on
• 17:00
  Speaker 2: your podcast? And like this is like ten years ago,
• 17:03
  Speaker 2: I didn't even have a podcast.
• 17:06
  Speaker 3: Now you're like, here are all my stories.
• 17:09
  Speaker 2: Stories. So anyway, there was a funny line where Rory
• 17:16
  Speaker 2: says how tacky it is that there's souvenirs and then
• 17:18
  Speaker 2: you see the big pile of them in Lorelei's house.
• 17:21
  Speaker 2: That was sort of amusing, but it.
• 17:24
  Speaker 1: Was just where, I don't know, it's hard, you know,
• 17:29
  Speaker 1: when when it doesn't get off the launch pad, it's
• 17:32
  Speaker 1: hard to you know what I mean. It's like there's
• 17:35
  Speaker 1: no ride to take. You're just sort of waiting for
• 17:38
  Speaker 1: it to take off, right, and it's like.
• 17:41
  Speaker 2: Well, and then the same thing happens we go then
• 17:44
  Speaker 2: the same thing happened for me when we go into
• 17:46
  Speaker 2: the music store.
• 17:47
  Speaker 4: And we have like the only thing I will say,
• 17:48
  Speaker 4: the one thing that we do establish in that scene
• 17:51
  Speaker 4: at Yale is that Logan's not calling Rory, right, Yeah,
• 17:55
  Speaker 4: Like that is important to at least point out like
• 17:58
  Speaker 4: I thought at least there that there was gonna I
• 18:01
  Speaker 4: was like, Okay, I'm in for this episode, you know.
• 18:03
  Speaker 2: But yeah, we kind of get a we get a
• 18:07
  Speaker 2: poignant if that's the right word ending where it's like, oh,
• 18:10
  Speaker 2: we're sort of sucked back into the story, but like
• 18:13
  Speaker 2: all this mumbo jumbo in the middle.
• 18:15
  Speaker 3: I was like, oh yeah, yeah, mm hmm.
• 18:19
  Speaker 2: But we go into the record store and then I
• 18:21
  Speaker 2: felt like we m we they It's like Carol King
• 18:27
  Speaker 2: wasn't really used in the way I wanted her to be.
• 18:30
  Speaker 2: It was sort of this weird she's Sophie Bloom, but
• 18:33
  Speaker 2: she's sort of knocking Lane, like saying, if I don't
• 18:36
  Speaker 2: have anything else to do, I'll have coffee with you.
• 18:38
  Speaker 2: And I think it was to be a joke, but
• 18:39
  Speaker 2: it wasn't funny.
• 18:41
  Speaker 1: It was just all warm yeah.
• 18:46
  Speaker 2: And then oh god, I'm so sorry to say this, Scott,
• 18:51
  Speaker 2: but I'm so sorry to say this.
• 18:53
  Speaker 1: Oh you'd be careful.
• 18:56
  Speaker 5: We go into the diner and you seemed weird.
• 19:02
  Speaker 3: It's like more enthusiastic than usual.
• 19:07
  Speaker 4: Questions Scott, when when you're filming something like do you
• 19:12
  Speaker 4: know this is not going to be a good episode,
• 19:14
  Speaker 4: Like after you film this, where you like, that's not
• 19:17
  Speaker 4: our best, like.
• 19:20
  Speaker 3: Do you know?
• 19:21
  Speaker 4: Or are you like, oh, surely they'll color the other
• 19:24
  Speaker 4: scenes around around this one, like do you know?
• 19:31
  Speaker 2: Well, you can't be serious.
• 19:33
  Speaker 1: I don't recall having any feelings about the episode when
• 19:39
  Speaker 1: we were shooting it.
• 19:40
  Speaker 6: Now, like he just picked up the script and you
• 19:42
  Speaker 6: were like, this is my my score.
• 19:44
  Speaker 1: I'm just going to do my job. I'm going to
• 19:47
  Speaker 1: do my job and every scene the best I can,
• 19:50
  Speaker 1: and I listen. I enjoyed that first scene. I do
• 19:54
  Speaker 1: know that that's not how we usually see Luke, but
• 19:56
  Speaker 1: I enjoyed that scene because it is because I really
• 20:01
  Speaker 1: had to. Instead of her driving the scene and me reacity,
• 20:06
  Speaker 1: I was driving the scene truth and I don't get
• 20:09
  Speaker 1: to do that a lot, you know, and I that
• 20:11
  Speaker 1: was an opportunity to see Luke, you know, where I
• 20:14
  Speaker 1: got to go into work and I'm driving the scene
• 20:16
  Speaker 1: and she's reacting to me, and.
• 20:18
  Speaker 2: I think, I actually think your acting was good because
• 20:21
  Speaker 2: I think they you're supposed to be acting weird.
• 20:24
  Speaker 5: Mm hmmm, Like because you've got this big secret that
• 20:27
  Speaker 5: you're trying to buy the house.
• 20:29
  Speaker 1: Right, that could have been that could have been much
• 20:32
  Speaker 1: more of a major storyline. Yeah, I mean that's a
• 20:35
  Speaker 1: big deal. It was like the last minute, he wants
• 20:39
  Speaker 1: to he wants to get married and have children in
• 20:42
  Speaker 1: that house. That is a major story.
• 20:44
  Speaker 2: It's like a weird thing.
• 20:46
  Speaker 1: It's weird.
• 20:48
  Speaker 2: It was super weird because I wrote, Luke is acting weird.
• 20:50
  Speaker 2: Now I get it that you were supposed to be
• 20:52
  Speaker 2: acting weird, but it's also like you're a terrible secret
• 20:55
  Speaker 2: keeper because like you're acting so weird that we're like,
• 20:59
  Speaker 2: what's the wrong one? Why does he want to go
• 21:01
  Speaker 2: to the meeting? And like what's happening? And then we
• 21:03
  Speaker 2: don't really find out, Like you're acting so weird and
• 21:06
  Speaker 2: we don't really get any clue as to why. And
• 21:10
  Speaker 2: then there's the whole bit about the window being broken,
• 21:13
  Speaker 2: Like I don't really even understand why was the window.
• 21:15
  Speaker 3: I was like, did he throw the pan through the window?
• 21:18
  Speaker 2: That hit.
• 21:18
  Speaker 3: Yeah.
• 21:19
  Speaker 6: Yeah, it took me as it did take me a
• 21:21
  Speaker 6: second though to be like, oh, that's.
• 21:23
  Speaker 3: How he threw the pan.
• 21:25
  Speaker 4: I'm just still kind of annoyed. I understand we're two
• 21:28
  Speaker 4: episodes aft, like you know, this is a second episode
• 21:32
  Speaker 4: of being reconciled or whatever, but I'm just still kind
• 21:34
  Speaker 4: of annoyed that Luke is just like, everything's great, I'm
• 21:39
  Speaker 4: going to buy a house for us, Like you know,
• 21:41
  Speaker 4: I'm just like still annoyed about it. I'm like, no, Luke, no,
• 21:48
  Speaker 4: be a little bit.
• 21:49
  Speaker 1: But if we're going to make that choice to make
• 21:52
  Speaker 1: him that guy who's who feels that way and is
• 21:56
  Speaker 1: going to act in this way and get this house,
• 21:59
  Speaker 1: then commit to it. Yeah, make it a meal instead
• 22:03
  Speaker 1: of an appetizer, because that is a huge story beat.
• 22:07
  Speaker 1: That's a huge I mean, they dwell more and in
• 22:12
  Speaker 1: greater detail with Zach and Lane's relationship than they did
• 22:17
  Speaker 1: with Luke and Laurela. It was bizarrely the.
• 22:19
  Speaker 2: Whole whole episode about the house and why he wants
• 22:24
  Speaker 2: that house and how does Lauraaie feel about that and
• 22:27
  Speaker 2: you know what a big step and the whole Yeah.
• 22:29
  Speaker 4: And then does she feel about moving in with him
• 22:31
  Speaker 4: and leaving the house that she raised, you know, like
• 22:33
  Speaker 4: that her and Rory live in. Like, yeah, I want
• 22:36
  Speaker 4: all of that, you know.
• 22:39
  Speaker 2: Messy, and then said I'm like just dozing off during
• 22:43
  Speaker 2: the mansion tour. But we'll get to that. So there
• 22:46
  Speaker 2: was a favorite line. I do have one.
• 22:49
  Speaker 1: We're not ready. We're not ready. We're not ready, We're
• 22:52
  Speaker 1: not ready. Red light just went on.
• 22:56
  Speaker 5: Don't let me forget, don't let me forget.
• 22:57
  Speaker 1: Okay, your house is now being sealed.
• 23:00
  Speaker 2: My question is why did you throw the frying pan?
• 23:02
  Speaker 2: Am I just an idiot?
• 23:03
  Speaker 1: It was never It was never answered weird, He's just
• 23:08
  Speaker 1: wacky Luke who can't control himself.
• 23:11
  Speaker 3: I was like, it's very aggressive, very frying pan.
• 23:14
  Speaker 1: Well that's that's a crime. Actually, you know, could have
• 23:18
  Speaker 1: been arrested.
• 23:19
  Speaker 2: Also, Luke's not stupid. It's all his building. You own
• 23:24
  Speaker 2: the whole thing. You own the ice cream shoppy too,
• 23:27
  Speaker 2: So why would you huck o pan at your own
• 23:30
  Speaker 2: window that now you have to pay for.
• 23:32
  Speaker 1: The only explanation is somebody took a couple of hits
• 23:35
  Speaker 1: of pot wrote this episode in the desert, tripping out
• 23:40
  Speaker 1: listening to Hendrix. I have no idea it was.
• 23:44
  Speaker 2: Weird, and then we're just supposed to be so befuddled
• 23:47
  Speaker 2: by why is Luke volunteering?
• 23:50
  Speaker 5: And it was like, oh, that's so wacky, and I'm like,
• 23:54
  Speaker 5: I don't care.
• 23:57
  Speaker 1: Quick, quick, get back to Sophie in the music store.
• 24:00
  Speaker 2: Brian is so bad too, and Taylor needs an office,
• 24:03
  Speaker 2: like it was just all what. There were two funny
• 24:09
  Speaker 2: lines though, I actually have two lines that I'm going to.
• 24:11
  Speaker 3: Say, give me one.
• 24:13
  Speaker 1: Can't do it, Give one, Give one, give.
• 24:16
  Speaker 2: One, Okay. So the first one that I loved was
• 24:19
  Speaker 2: he's talking about muzak and how he's gonna have muzak
• 24:23
  Speaker 2: and then he says who doesn't love muzak and Suki
• 24:27
  Speaker 2: sort of under her breast as music lovers yea.
• 24:31
  Speaker 3: Also why musak music?
• 24:34
  Speaker 2: He loves elevator musak? Do you know what musach is? No, Taylor,
• 24:40
  Speaker 2: Muzak is that crap you hear in the elevator.
• 24:43
  Speaker 1: It's like you hear you'll hear a you know, love
• 24:46
  Speaker 1: on an elevator Aerosmith song and with violins.
• 24:50
  Speaker 3: But like it's called musak. Yes, I did not know that?
• 24:54
  Speaker 1: Is it?
• 24:54
  Speaker 2: Because it's free? Maybe like it's not. Oh, thanks to
• 24:58
  Speaker 2: our producer Easton Muzak is a brand.
• 25:03
  Speaker 5: The other one that someone these references.
• 25:05
  Speaker 2: Somebody once said to Scott, you'll get this is somebody.
• 25:08
  Speaker 2: I was like booking a this is this is one
• 25:11
  Speaker 2: of my boring stories. But I was booking sort of
• 25:13
  Speaker 2: some music for something, and I said, oh, I want
• 25:16
  Speaker 2: to have these people come out and do this song.
• 25:20
  Speaker 2: And one of our bosses was like, as long as
• 25:22
  Speaker 2: it isn't up with People, So I have to go
• 25:26
  Speaker 2: home and google. Do you remember up with People?
• 25:30
  Speaker 1: It was? Do you Scott? I recognize the name, but
• 25:33
  Speaker 1: I I think it.
• 25:34
  Speaker 2: Was sort of like a bunch of kind of corny
• 25:36
  Speaker 2: corusy people singing.
• 25:38
  Speaker 1: Right right right, right, right, right right.
• 25:40
  Speaker 2: It reminds me of muzak. Yeah, anyway, I digress.
• 25:46
  Speaker 5: Everyone groaning at my stories, you'll thank me because.
• 25:49
  Speaker 3: That's all we got entertainment for the episode.
• 25:55
  Speaker 2: Okay. So then we get into the whole thing with
• 25:59
  Speaker 2: the with the shirts and your crew members and Gypsy
• 26:03
  Speaker 2: and Kyle Kyle.
• 26:06
  Speaker 1: Okay, so that was the moment, the funniest moment for me.
• 26:10
  Speaker 1: And I'll just you know, since we got nothing today,
• 26:12
  Speaker 1: I'm just gonna say when they all had to hold
• 26:15
  Speaker 1: hands and Luke grabbed Kyle's hook. Okay, it was hysterical.
• 26:21
  Speaker 3: That was.
• 26:24
  Speaker 2: All right, I'm here to lend a ham good one.
• 26:30
  Speaker 2: That was amusing and a real nice return for Kyle.
• 26:35
  Speaker 2: But it was like ker Kyle, Taylor, gypsy you and
• 26:38
  Speaker 2: a bunch of few people we didn't know.
• 26:41
  Speaker 1: I was like, anyway, how it wasn't that weird that
• 26:47
  Speaker 1: Taylor grabbed me like that.
• 26:49
  Speaker 3: Your hands on his chest?
• 26:52
  Speaker 1: Long? Everybody was out of character. But it's like Luke
• 26:57
  Speaker 1: wants that house so badly he was willing to tolerate
• 27:00
  Speaker 1: that Taylor.
• 27:02
  Speaker 2: Like Lai really wants me to get involved in community things.
• 27:06
  Speaker 1: I mean, how's tailor man handling Luke to that the
• 27:10
  Speaker 1: great where he's just like, oh, it's just so weird
• 27:13
  Speaker 1: my right.
• 27:14
  Speaker 2: Hand man that I'm gonna need my hand back, like
• 27:18
  Speaker 2: for Yeah, there were some zingers of the line, can
• 27:21
  Speaker 2: I just give you guys one more?
• 27:23
  Speaker 1: Sure?
• 27:23
  Speaker 2: Well, he gives everyone the shirts and he says a
• 27:27
  Speaker 2: cold water wash tumble dry below. But then we get
• 27:38
  Speaker 2: to this sort of nonsense interview at the Dragonfly that
• 27:43
  Speaker 2: she's gonna be on the cover of the magazine, which
• 27:46
  Speaker 2: is all great, but then she just that whole story
• 27:49
  Speaker 2: wasn't great, Yeah, because why would she do that. No
• 27:53
  Speaker 2: one is doing that telling a reporter just hateful things
• 27:56
  Speaker 2: about their mother.
• 27:57
  Speaker 4: Well, Lorl so smart and this was just again not
• 28:03
  Speaker 4: her being her, Like you don't go back and say, actually,
• 28:07
  Speaker 4: that was off.
• 28:07
  Speaker 6: The record, Like you know, I was also surprised that
• 28:11
  Speaker 6: she didn't understand what off the record was, Like She's
• 28:14
  Speaker 6: asking Rory like what do you mean?
• 28:16
  Speaker 3: And I'm like, right, come a smart yeah right.
• 28:19
  Speaker 1: Well, even though it was a very funny line that
• 28:22
  Speaker 1: she gave the the editor, Yeah, it was, you know
• 28:27
  Speaker 1: funny if you if you take a step back from
• 28:31
  Speaker 1: Hitler and then you get you know, get a little nicer,
• 28:34
  Speaker 1: and then go to Stalin and then go to maw
• 28:35
  Speaker 1: and then you're still a little bit far away from my.
• 28:37
  Speaker 2: House's just a mess.
• 28:40
  Speaker 1: Yeah. You don't bag on your family in print. I mean,
• 28:43
  Speaker 1: that's forever exactly.
• 28:45
  Speaker 2: You don't say that to a reporter. Everyone, Yes, that
• 28:47
  Speaker 2: it's like interview. You're not going to be like, oh,
• 28:50
  Speaker 2: by the way.
• 28:50
  Speaker 1: My mom. You know I did that once and I
• 28:54
  Speaker 1: did that once and I said, so I just let
• 28:58
  Speaker 1: it slip out once about about a family member, and
• 29:03
  Speaker 1: my sister called me and lit me up.
• 29:06
  Speaker 2: Oh, she just.
• 29:08
  Speaker 1: Lit me up. She was pissed and she was rightfully,
• 29:12
  Speaker 1: so you know.
• 29:13
  Speaker 2: Yeah, because it's like, yeah, it's sort of the off
• 29:15
  Speaker 2: limits thing.
• 29:16
  Speaker 1: Yeah, you don't do it. Yeah, are your dirty laundry
• 29:19
  Speaker 1: in public? You just do not do it? And yeah,
• 29:23
  Speaker 1: what possessed me to do that? I think I probably
• 29:25
  Speaker 1: was taking the same peote that.
• 29:26
  Speaker 6: The storyline for me was kind of like to remind
• 29:32
  Speaker 6: everyone that Lorelei still is mad at Emily even though
• 29:35
  Speaker 6: they're not in the episode. That's what it felt like.
• 29:37
  Speaker 6: It was like, let's just throw this in because Emily
• 29:39
  Speaker 6: and Richard aren't in this episode.
• 29:40
  Speaker 2: Well, and then I think we're supposed to really take
• 29:43
  Speaker 2: to heart that she would rather not have the article
• 29:46
  Speaker 2: at all than have it come out. Yeah, it's like
• 29:49
  Speaker 2: there is love there, there is respect, there, there is
• 29:52
  Speaker 2: all the things, because she would rather sacrifice her you know,
• 30:00
  Speaker 2: story in the magazine than have that get out. So
• 30:05
  Speaker 2: I thought, okay, there's sort of a that was important. Yeah,
• 30:09
  Speaker 2: there were some important things, but just kind of like
• 30:10
  Speaker 2: a meandering road to get there. Although did anyone find
• 30:14
  Speaker 2: it amusing that that that they had the mannequins fighting,
• 30:17
  Speaker 2: because that's totally like funny to ye, but.
• 30:21
  Speaker 1: Fight they didn't commit to it. Did you really get
• 30:25
  Speaker 1: into a man? Well? I did, like I did like
• 30:27
  Speaker 1: the three girls getting drunk, that's funny.
• 30:31
  Speaker 5: Yeah, and then but Paris is over the top.
• 30:33
  Speaker 2: I have a question if anybody can tell me this answer?
• 30:36
  Speaker 2: When we go back to the dorm room. So this
• 30:38
  Speaker 2: is back when we're in the dorm room and we
• 30:40
  Speaker 2: realize like I think, I think Rory's going to leave
• 30:43
  Speaker 2: for the weekend or whatever. There's a poster on the wall.
• 30:47
  Speaker 6: I figured out what it is. Oh, thank god, it's
• 30:50
  Speaker 6: David Well, no, it's zoomed out. It's David Egger EDG.
• 30:53
  Speaker 2: Who is that?
• 30:55
  Speaker 3: I don't know, but I saw the name.
• 30:56
  Speaker 2: But I'm like, who is that guy? Might they have
• 30:58
  Speaker 2: a poster of him?
• 31:00
  Speaker 3: That's all I was watching the whole me too.
• 31:02
  Speaker 2: I was like, who is that guy?
• 31:04
  Speaker 6: He's an American writer apparently of British play.
• 31:10
  Speaker 2: Right, so he's an American writer or British play.
• 31:13
  Speaker 1: Which one is?
• 31:15
  Speaker 3: Right?
• 31:16
  Speaker 6: No, it's egg e r s Bakers.
• 31:24
  Speaker 2: I think it's actually I wish everyone could see your
• 31:27
  Speaker 2: face because Danielle looks so work.
• 31:31
  Speaker 4: He's not just like he's kind of cute.
• 31:34
  Speaker 2: Which is, oh, let's see, I guess.
• 31:39
  Speaker 5: It makes sense that Rory would have that poster.
• 31:42
  Speaker 6: Yeah, and also what a weird poster with his feet
• 31:46
  Speaker 6: just it's just like weird.
• 31:48
  Speaker 3: Yeah.
• 31:49
  Speaker 2: But anyway, then we find out, as Danielle has told
• 31:53
  Speaker 2: us too, that Logan has not called in two weeks,
• 31:57
  Speaker 2: like gnarly what yeah, a long time.
• 32:01
  Speaker 5: Harley and Doyle is totally doing the same.
• 32:07
  Speaker 6: I do like that part of the storyline where they
• 32:09
  Speaker 6: were going through that. At the same time, I wish
• 32:12
  Speaker 6: we got a little bit more of it at Yale,
• 32:17
  Speaker 6: Like I wanted more between the two of them both
• 32:20
  Speaker 6: not getting calls from their boyfriends or you know, whatever
• 32:23
  Speaker 6: you considered Logan.
• 32:25
  Speaker 3: It was it's relatable, Yeah, it was relatable. We could
• 32:29
  Speaker 3: have developed that a little bit more.
• 32:31
  Speaker 4: Yeah, like I'm all to do like drive bys.
• 32:38
  Speaker 6: Hard to start with, or like go to a bar
• 32:41
  Speaker 6: and like try to meet other guys like something.
• 32:45
  Speaker 2: Yeah, I agree, And then we go back to the
• 32:47
  Speaker 2: sort of thing I don't care about, which was Zach
• 32:50
  Speaker 2: and Lane, not that I don't care about them, but
• 32:52
  Speaker 2: like we don't. But why right, But why would she
• 32:55
  Speaker 2: assume like that Zach, like he's like I'm just gonna
• 32:58
  Speaker 2: go out with friends. Why would she He assumed that
• 33:01
  Speaker 2: Zach's having a thing with Carol King is.
• 33:05
  Speaker 3: So weird, Like literally, it was so weird. And the
• 33:09
  Speaker 3: payoff wasn't that exciting either.
• 33:12
  Speaker 1: Yeah, it's a bluegrass band. R I couldn't tell you, Lene,
• 33:20
  Speaker 1: I just didn't.
• 33:22
  Speaker 4: That scenario make him make out with Carol King, you know,
• 33:26
  Speaker 4: like give and give me some juice like what.
• 33:34
  Speaker 2: She's like.
• 33:34
  Speaker 3: And she gave him like, Okay, no worries, I'm fine
• 33:37
  Speaker 3: with it, Like we went through all that.
• 33:40
  Speaker 2: She was fine with it because he's just playing the
• 33:42
  Speaker 2: ban jo.
• 33:43
  Speaker 4: Scott, It's just like it's bad.
• 33:49
  Speaker 1: It's like trying to play a baseball game and a
• 33:53
  Speaker 1: torrential downpour. It's just supposed to play the game. Oh
• 33:59
  Speaker 1: my god.
• 34:00
  Speaker 2: So I do have one redeeming thing. I really like
• 34:02
  Speaker 2: when Laura I wears a shirt with a shirt. You know,
• 34:04
  Speaker 2: she's wearing a shirt with a shirt under.
• 34:06
  Speaker 4: It on thetuch.
• 34:09
  Speaker 2: Yeah, that was a good style. So Kirk's on the
• 34:13
  Speaker 2: couch and everyone's trying to find a place for Kirk
• 34:15
  Speaker 2: and Rory came.
• 34:17
  Speaker 1: Home and everybody's this Paris is there. Kirk's there. He
• 34:21
  Speaker 1: comes from downstairs. It was just it was just getting
• 34:24
  Speaker 1: weirder and weirder and.
• 34:25
  Speaker 2: Weirder, and the conversation.
• 34:30
  Speaker 1: You know, why did maybe Emily could have been crashed
• 34:34
  Speaker 1: out on the porch and you know, I mean I
• 34:37
  Speaker 1: was waiting in the window like ed Herman like upstairs
• 34:43
  Speaker 1: snoring it's come on.
• 34:47
  Speaker 2: Yeah. And then so then we we do have that
• 34:51
  Speaker 2: conversation that Tara talked about between Rory and Laura explaining
• 34:54
  Speaker 2: off the record, which is like, okay, what we all
• 34:59
  Speaker 2: know this. Then we have the cannonball scene, which was
• 35:03
  Speaker 2: sort of supposed to be funny with Luke in the
• 35:05
  Speaker 2: truck and that banging around, but it was just sort
• 35:08
  Speaker 2: of irritating.
• 35:10
  Speaker 6: I think, yeah, with that whole that part of the
• 35:12
  Speaker 6: storyline with Dean, I think what bothered me was like
• 35:15
  Speaker 6: I was so excited to see Jared's name is like
• 35:17
  Speaker 6: the guest star, Like I was so excited to see
• 35:19
  Speaker 6: I was like, oh, I don't remember this. I was like, no, one,
• 35:21
  Speaker 6: I don't remember because he said like two lines like
• 35:24
  Speaker 6: he did.
• 35:25
  Speaker 3: He didn't say an.
• 35:26
  Speaker 1: He had a big scene with Luke did at the end,
• 35:30
  Speaker 1: and we're just who we are. They're never going to
• 35:32
  Speaker 1: accept yeah, yeah.
• 35:34
  Speaker 4: We got to get into that because that's saved.
• 35:37
  Speaker 1: Yeah, the whole.
• 35:42
  Speaker 2: Yes, that the end that brought us back to give
• 35:45
  Speaker 2: me hope for next week. But before now, I wanted
• 35:48
  Speaker 2: to be amused by the scenes where Lorelai is clearly
• 35:52
  Speaker 2: mothering Kirk. Do you know what I mean? Do you
• 35:54
  Speaker 2: know what time about?
• 35:55
  Speaker 5: She's got the cereal and clearly sort of.
• 35:58
  Speaker 2: It's funny how she's like talking to him like he's
• 36:00
  Speaker 2: a child, But then it's also kind of dumb.
• 36:03
  Speaker 1: So it just like it wasn't even yeah, it wasn't
• 36:06
  Speaker 1: smart or real. It was weird. It was just very forced.
• 36:11
  Speaker 2: Should we skip me? I guess we go through it.
• 36:13
  Speaker 2: I guess we keep going through it.
• 36:15
  Speaker 1: We're shocked to see these players put in these positions
• 36:18
  Speaker 1: because they're so good. They're so good at what they do.
• 36:20
  Speaker 2: And the floor hole with the cannon ball, it's like, yeah.
• 36:24
  Speaker 1: They weren't given the material to shine. And you know,
• 36:27
  Speaker 1: one hundred pounds is not it's heavy, but it's not
• 36:30
  Speaker 1: that heavy for Luke to need help Karen.
• 36:34
  Speaker 2: A hole through the floor.
• 36:36
  Speaker 1: Well it what if it was a super old house,
• 36:38
  Speaker 1: but one hundred pounds, But if you have a round cannonball.
• 36:43
  Speaker 1: One hundred pounds is fairly heavy, but it's not so
• 36:46
  Speaker 1: heavy that Luke can't handle it. It was just, you know,
• 36:49
  Speaker 1: make it one hundred and fifty pounds, and then you've
• 36:50
  Speaker 1: got a struggle.
• 36:53
  Speaker 2: Then we've got the red punch and they're drinking and saying,
• 36:57
  Speaker 2: don't call in that whole thing.
• 37:01
  Speaker 3: I did like the three of them together, though.
• 37:03
  Speaker 5: I do too, but I wanted it to be better.
• 37:06
  Speaker 3: Yeah.
• 37:06
  Speaker 2: Yeah, I'm so sorry, everybody, I'm so sorry. I did
• 37:09
  Speaker 2: think it was funny when they said no lude behavior
• 37:11
  Speaker 2: and then Lorealizer's pinching Luke's but that was amusing to me.
• 37:19
  Speaker 2: Then we get the bluegrass band payoff, which we already
• 37:21
  Speaker 2: talked about. Didn't pay much.
• 37:24
  Speaker 1: I didn't pay much.
• 37:26
  Speaker 2: Did anyone find the tour of the museum Manshionny House
• 37:30
  Speaker 2: to be amusing? This is what I was like?
• 37:33
  Speaker 1: Oh, I mean, I enjoyed how well they pulled it off.
• 37:39
  Speaker 2: Yeah, yeah, yeah.
• 37:42
  Speaker 4: I felt like I was there like a museum. I
• 37:45
  Speaker 4: hate museums. I literally felt like I was there being like,
• 37:49
  Speaker 4: I need to go home.
• 37:52
  Speaker 3: The museum. It's so funny.
• 37:54
  Speaker 6: There's there's this thing at at Disney World. There's this
• 37:57
  Speaker 6: thing called the carousela progress, and it reminded me almost
• 38:02
  Speaker 6: exactly like that.
• 38:03
  Speaker 3: And it's it's a ride. I mean, it's not really ride.
• 38:05
  Speaker 6: You sit and you watch these like statues like talk
• 38:09
  Speaker 6: and Plussing's music. It reminded me exactly that, so listeners
• 38:12
  Speaker 6: will probably know. But I was like, this is so
• 38:14
  Speaker 6: weird to put I like the Good Museum.
• 38:18
  Speaker 1: And then they and then they kept cutting to the
• 38:20
  Speaker 1: little boy who had no no lines.
• 38:23
  Speaker 2: Oh my god, that was kind of funny.
• 38:26
  Speaker 3: I gave it just the light, the light.
• 38:30
  Speaker 5: I think that's when my eyes were closed.
• 38:34
  Speaker 1: It was like, what's when you started?
• 38:36
  Speaker 2: Not in my life have I ever knotted off during
• 38:40
  Speaker 2: an episode of Gilmore Girls.
• 38:41
  Speaker 1: Never have you ever settled in for an episode, you know,
• 38:45
  Speaker 1: strapping in expecting the big, big, deep gut belly laughs
• 38:49
  Speaker 1: and then just sort of like getting slammed in the
• 38:52
  Speaker 1: face with like nothingness. It's it was weird.
• 38:55
  Speaker 3: It was weird. There's a question.
• 38:56
  Speaker 1: It was weird.
• 38:57
  Speaker 5: Does Laura Lake even know that Luke wants to buy
• 39:02
  Speaker 5: the house for her?
• 39:03
  Speaker 2: No?
• 39:04
  Speaker 3: I don't think so.
• 39:04
  Speaker 1: No, No, that was the big reveal at the end.
• 39:07
  Speaker 1: She says, hmm, that's a nice looking nice columns, nice bricks.
• 39:11
  Speaker 6: Can get I feel like that's a huge that's a
• 39:14
  Speaker 6: huge step, like, let me just buy this house for
• 39:16
  Speaker 6: me and my girlfriend start a family. But I'm not
• 39:18
  Speaker 6: going to talk to her about it.
• 39:21
  Speaker 4: Right, And also, we were broken up two weeks ago.
• 39:28
  Speaker 4: I still can't get over it, and I will. I
• 39:30
  Speaker 4: will get over it, but it's still just like.
• 39:35
  Speaker 2: A sticking point for me. So then we get to
• 39:38
  Speaker 2: the two things that are good in this episode, the
• 39:43
  Speaker 2: conversation between Dean and Luke. Yeah, and Rory bawling with
• 39:49
  Speaker 2: Laura Lai. I don't even remember how we got there.
• 39:53
  Speaker 2: Oh yeah, because she was drinking.
• 39:55
  Speaker 3: And then she's back, Yes, felt sick.
• 39:57
  Speaker 2: Both of those were quite important, Yes.
• 40:02
  Speaker 3: For sure.
• 40:02
  Speaker 1: Well it was good storytelling and it was relevant to
• 40:06
  Speaker 1: the overall piece. Right, Yeah, your story it was it
• 40:10
  Speaker 1: was it was deeper. It was these deeper storylines that
• 40:14
  Speaker 1: had been established long ago. Yeah, all of this weirdo
• 40:19
  Speaker 1: stuff that was happening in this episode.
• 40:21
  Speaker 2: Right. He says, your situation is no different than mine,
• 40:24
  Speaker 2: and it was like, woo, So do you guys agree
• 40:27
  Speaker 2: with Dean? No, but I get.
• 40:29
  Speaker 5: Where he's coming from here.
• 40:32
  Speaker 2: Do you want me to say why I think it's different. Yeah, yeah,
• 40:36
  Speaker 2: because Loreli isn't Rory. Lorelei really doesn't want more than
• 40:43
  Speaker 2: this town her life, Luke, whereas Rory does. Yeah, that's
• 40:50
  Speaker 2: a really good for now and that could change, but
• 40:53
  Speaker 2: for now.
• 40:58
  Speaker 6: Do you think that Dean is still sad that he's
• 41:03
  Speaker 6: not with Rory? Do you think that's why he's holding
• 41:05
  Speaker 6: this grudge?
• 41:06
  Speaker 1: He's Yeah, he's never going to get over it.
• 41:08
  Speaker 4: Well, he's kind of the one that left, right technically,
• 41:11
  Speaker 4: you know, like, yeah, he's the one that was like,
• 41:14
  Speaker 4: all right, I don't fit anybody.
• 41:16
  Speaker 6: You know.
• 41:16
  Speaker 1: He's still wounded and he will be for sure. He
• 41:20
  Speaker 1: won't get over that.
• 41:22
  Speaker 2: Yeah, yeah, because it's like, even though this isn't true,
• 41:25
  Speaker 2: in his mind, he's sort of like I'm not enough, yeah.
• 41:29
  Speaker 1: Right right, And so he's God, he had to accept
• 41:31
  Speaker 1: reality and that's what it hurts. And he'll never forget that.
• 41:35
  Speaker 1: He'll never have really much positive to say about it
• 41:38
  Speaker 1: or feel about it.
• 41:40
  Speaker 4: And it did ruin his life, and I mean, we
• 41:44
  Speaker 4: don't it didn't really had an update on Lindsay since
• 41:48
  Speaker 4: that all happened, But I'm assuming they're not together.
• 41:51
  Speaker 2: No, they are, you.
• 41:51
  Speaker 1: Know, Well, he was just one of many sacrificial lamps
• 41:55
  Speaker 1: to demonstrate the magnetism and charisma of Rory the character right,
• 42:03
  Speaker 1: they needed to sacrifice them.
• 42:05
  Speaker 2: Why do you all think, especially Scott and Danielle, that
• 42:09
  Speaker 2: that Logan hasn't called in two weeks?
• 42:13
  Speaker 1: Because I'm sure he's embarrassed about his little getting into
• 42:18
  Speaker 1: a snit and flipping out of it. You know, the
• 42:22
  Speaker 1: mask came off? What what you can't put it back on?
• 42:26
  Speaker 6: Right?
• 42:26
  Speaker 1: You know? He uh, he made a mistake. Yeah, I'm
• 42:30
  Speaker 1: sure he's quite embarrassed and humiliated that he allowed himself
• 42:34
  Speaker 1: to or he exposed himself to her in that way.
• 42:40
  Speaker 4: Yeah, he definitely showed his cards and now he's kind
• 42:43
  Speaker 4: of like trying to retract it.
• 42:45
  Speaker 2: A little bit, and it's all kind of a goal.
• 42:48
  Speaker 4: I'm in control, you know, Like I'm not calling you
• 42:51
  Speaker 4: right right?
• 42:52
  Speaker 3: If you want to hang out with me, you call me, which.
• 42:56
  Speaker 1: Which may only makes him look worse, because maybe be
• 43:00
  Speaker 1: the move is to call her and apologize for.
• 43:07
  Speaker 2: Call her and say I behave that way because I
• 43:09
  Speaker 2: do really have feelings, right, and I was wrong to
• 43:13
  Speaker 2: say that he's just day around.
• 43:15
  Speaker 1: He's not doing that, And I would like to ask
• 43:18
  Speaker 1: you out to dinner and it's just going to be
• 43:23
  Speaker 1: the two of us and you know, this kind of
• 43:25
  Speaker 1: a thing, and then you know, you could try to
• 43:28
  Speaker 1: redeem himself at that time. Yeah, yeah, the relationship put
• 43:32
  Speaker 1: it on put it on a track that's you know,
• 43:35
  Speaker 1: she's going to respect well.
• 43:36
  Speaker 2: And she's in so much pain that obviously she's got
• 43:39
  Speaker 2: to realize she was kidding herself thinking she could just
• 43:44
  Speaker 2: casually date him. Come on, Yeah, yeah, she knew, We
• 43:49
  Speaker 2: knew she could.
• 43:49
  Speaker 1: We all knew, right, well, his idea and she.
• 43:54
  Speaker 6: Yeah, it's not like I don't I don't like seeing
• 43:57
  Speaker 6: Rory cry like that, clearly, Like it's you kind of
• 44:00
  Speaker 6: feel for her. But a part of me like the
• 44:02
  Speaker 6: scene that she went through that because we've never seen
• 44:06
  Speaker 6: that side of her, because everyone's always just want they
• 44:09
  Speaker 6: want Rory and for the first time she has to
• 44:11
  Speaker 6: work for it.
• 44:12
  Speaker 2: Yeah, I mean we've seen it a little bit here
• 44:15
  Speaker 2: and there, but like, you're right, she really that could
• 44:18
  Speaker 2: be one of the biggest full fledged meltdowns over a boy.
• 44:22
  Speaker 2: She's really hat but she is just she's in excruciating pain,
• 44:27
  Speaker 2: and yeah, I felt bad for her.
• 44:29
  Speaker 1: Well, she's now she's in the big bed real world
• 44:33
  Speaker 1: sort of. Yeah, you're right, and you know not everybody's
• 44:37
  Speaker 1: all folks seeing chummy and you know, I mean Jess
• 44:42
  Speaker 1: was child's play compared to this guy.
• 44:44
  Speaker 5: Well right, and she's older too, so the feelings become
• 44:47
  Speaker 5: it's not like her high school boyfriend, like she's she's
• 44:50
  Speaker 5: four years older now, h ish, Yeah, four years older,
• 44:55
  Speaker 5: and it's like.
• 44:57
  Speaker 2: Painful. I mean you could everyone could argue this, but
• 45:02
  Speaker 2: like your college boyfriend, you like more do you know
• 45:05
  Speaker 2: what I'm saying?
• 45:07
  Speaker 3: Yeah, it's more real.
• 45:08
  Speaker 1: Can I ask you a question with him? Do you
• 45:11
  Speaker 1: think that Rory was envisioning a real future with logan
• 45:15
  Speaker 1: marriage kids the whole time He's no.
• 45:19
  Speaker 6: Maybe don't have kids in marriage, but at least sorry,
• 45:23
  Speaker 6: I was gonna say, at least something serious.
• 45:26
  Speaker 2: Definitely very serious. College relationship is what she hopes for.
• 45:31
  Speaker 4: And like she's not Afcellent's not the right word, but
• 45:35
  Speaker 4: like prestigious relationship but in a Huntsburger, you know, like
• 45:41
  Speaker 4: she like she sees that like you know, cool factor.
• 45:48
  Speaker 2: Yeah, he's popular. He's really popular and like I'm sure
• 45:52
  Speaker 2: Dean was popular too, but like this guy is the
• 45:55
  Speaker 2: cool kid at Yale. Yale.
• 45:58
  Speaker 1: He's a cool kid at Yale and Yale.
• 46:01
  Speaker 2: Right, yeah, cool kid stars allow, right, we both thought
• 46:06
  Speaker 2: that at the same time. We're like, oh yeah, Yale,
• 46:09
  Speaker 2: it's freaking Yale.
• 46:10
  Speaker 6: Yeah.
• 46:12
  Speaker 3: I will say I missed him this episode. I'm not
• 46:14
  Speaker 3: going to lie to you.
• 46:15
  Speaker 2: Thank you. Tara, me too, like the same age or
• 46:19
  Speaker 2: the same age, but missed him.
• 46:23
  Speaker 3: I was like, you know what, I like the banter
• 46:26
  Speaker 3: with Logan.
• 46:27
  Speaker 2: I miss him every day in my life.
• 46:30
  Speaker 1: Yeah, your life is just one long gill More episode.
• 46:37
  Speaker 2: Right, Well, it's Gilmore that I went right into the
• 46:39
  Speaker 2: Good Wife and then right into the Resident and now
• 46:42
  Speaker 2: I have nothing I know, like somebody tell me. And
• 46:46
  Speaker 2: then the strike Matt Degree, Oh my god, when you
• 46:49
  Speaker 2: won't even be together till twenty twenty four.
• 46:52
  Speaker 1: All right, Oh, if you're lucky, I know it can
• 46:57
  Speaker 1: be a bad strike. It's gonna be a long one.
• 46:58
  Speaker 2: You're gonna have to start the Good Wife again, right Gosh,
• 47:04
  Speaker 2: So I.
• 47:05
  Speaker 1: Wonder what would bring the studios to their knees.
• 47:09
  Speaker 3: Nothing.
• 47:09
  Speaker 2: The actors are gonna have to everybody's gonna have to
• 47:11
  Speaker 2: like just realize that.
• 47:13
  Speaker 1: Maybe somebody in SAG should start monetizing Mickey Mouse.
• 47:17
  Speaker 2: What we should realize is that.
• 47:19
  Speaker 1: And say, how does it feel to, you know, have
• 47:21
  Speaker 1: your copyright stolen in the peep True?
• 47:24
  Speaker 2: I understand, true, but the real people paying the real price,
• 47:28
  Speaker 2: Amy Tara Danielle, because pretty soon we're gonna have nothing
• 47:32
  Speaker 2: to watch.
• 47:34
  Speaker 1: I know.
• 47:34
  Speaker 6: I'm taking it slow on my shows because I'm like,
• 47:36
  Speaker 6: I gotta this out until the ends of the year.
• 47:39
  Speaker 2: I'm milking the Walking Dead like you don't even understand.
• 47:42
  Speaker 1: But aren't there? But aren't there? Like a bill, there's
• 47:46
  Speaker 1: a billion shows out there.
• 47:50
  Speaker 3: We still got our Housewives. Those are never ending.
• 47:57
  Speaker 2: Suddenly and just like that is the best show on television.
• 48:00
  Speaker 2: Oh my god, I love it.
• 48:01
  Speaker 3: Oh the summer I turned pretty at least it's a
• 48:05
  Speaker 3: week by week now because I'm thinking.
• 48:06
  Speaker 2: Of starting Ally McBeal again. Do you guys remember that
• 48:10
  Speaker 2: I thought I might go for that again.
• 48:12
  Speaker 1: This is going so well that I'm going to take
• 48:14
  Speaker 1: a phone call from my wife. Hang on, that'll spice
• 48:17
  Speaker 1: it up. Hey, babe, I'm in the middle of the podcast,
• 48:23
  Speaker 1: but it's going so well, I thought I'd take a
• 48:24
  Speaker 1: phone call. Well, what's up burgers? Yes, we do have buns.
• 48:31
  Speaker 3: Yes, Oh, I didn't realize she was actually on the phone.
• 48:33
  Speaker 1: Yes, we need everything else. That's correct. I think we're
• 48:38
  Speaker 1: good there. Okay, she's still going I think as okay.
• 48:54
  Speaker 2: Oh my god, Scott turned to yell at first that
• 48:56
  Speaker 2: you were acting.
• 49:03
  Speaker 1: I'm so good. You can't tell the difference. You thought
• 49:06
  Speaker 1: Matt Zukri was in my house.
• 49:08
  Speaker 2: Okay, I got mine, I got mine, I got to
• 49:11
  Speaker 2: who wants to?
• 49:13
  Speaker 1: What do you got?
• 49:16
  Speaker 4: I'm gonna say five out of ten cups of punch,
• 49:21
  Speaker 4: and the five came from the Dean and Luke scene.
• 49:25
  Speaker 2: So I'm not as mean as you. Six cannonballs.
• 49:30
  Speaker 3: I was gonna say four trail mix bags of trail mix.
• 49:35
  Speaker 2: Oh god, So I liked it the most.
• 49:39
  Speaker 1: I'm going to say three point five caskets filled with cereal?
• 49:48
  Speaker 6: Is this the worst episode that we we've seen ever?
• 49:54
  Speaker 1: Yeah?
• 49:56
  Speaker 4: Or Jackson?
• 49:56
  Speaker 2: I know, because it's not in directing. It's not the directing,
• 49:59
  Speaker 2: it was the Yeah, it was the storylines. Yeah, what
• 50:03
  Speaker 2: when did this air? When did this air?
• 50:06
  Speaker 6: Okay, in April April, spring break April, maybe before, and
• 50:13
  Speaker 6: maybe it's.
• 50:13
  Speaker 2: Just like they had to get some filler in there
• 50:15
  Speaker 2: that they didn't have. They couldn't put a lot of
• 50:17
  Speaker 2: money into it, and they just climing up on to
• 50:20
  Speaker 2: the end. Yeah, which is feeling crazy.
• 50:24
  Speaker 6: If you did it minus the last ten minutes, you
• 50:27
  Speaker 6: didn't really need the rest of the episode to just
• 50:29
  Speaker 6: follow the storyline of Gilmore.
• 50:32
  Speaker 2: Just kind of miniesot like our culture.
• 50:35
  Speaker 3: Yeah, you really needed the last ten minutes. That was it.
• 50:38
  Speaker 4: Maybe the maybe the scene with Paris and Rory like
• 50:42
  Speaker 4: saying that they haven't heard back from Doyle, that's it.
• 50:45
  Speaker 1: Yeah. And here's the thing about Corpus Christie, Texas. It
• 50:49
  Speaker 1: has great sushi. The sushi thing so bad. We went
• 50:55
  Speaker 1: to a sushi restaurant there. It was fantastic.
• 50:59
  Speaker 5: And here's what I like, as if you disagree.
• 51:02
  Speaker 2: With us, tell us why?
• 51:05
  Speaker 3: Yeah, do you know what I mean?
• 51:06
  Speaker 2: Like, don't just hate me because I suck. Just explain
• 51:10
  Speaker 2: to me what I didn't get. Do you know what
• 51:13
  Speaker 2: I mean?
• 51:14
  Speaker 3: To all of us? All tell us?
• 51:17
  Speaker 2: Why?
• 51:17
  Speaker 1: Tell us why you think this was a great episode?
• 51:21
  Speaker 1: And that and you know, like I said, having this
• 51:25
  Speaker 1: on in the background, because that's what people tell me,
• 51:28
  Speaker 1: because I you know, I talk to all of these
• 51:30
  Speaker 1: people at these cons and it's like, you know, I
• 51:33
  Speaker 1: it's a lot of people that come through the lines,
• 51:35
  Speaker 1: and every time I do it. It's a lot of
• 51:36
  Speaker 1: people coming through the lines, and I'll say the same thing.
• 51:38
  Speaker 1: I just have this on in the background. I'm not
• 51:40
  Speaker 1: even watching it, you know. I've seen it so many
• 51:42
  Speaker 1: times and I've memorized it. I have it on the
• 51:44
  Speaker 1: background whenever I'm home, I have it in my aarpods,
• 51:47
  Speaker 1: I have it everywhere at work, and it's just.
• 51:49
  Speaker 2: Like, Oh, that's a good idea. And their air pods
• 51:51
  Speaker 2: on a walk.
• 51:52
  Speaker 1: Yeah, that's what they do, and they just it makes
• 51:55
  Speaker 1: them happy. In an episode like this, they don't care.
• 51:58
  Speaker 1: It's wonderful, wonderful one. Maybe the first time they saw
• 52:01
  Speaker 1: it they were like, eh, that's a little lofet, But
• 52:03
  Speaker 1: I still loved it, and they still get to spend
• 52:05
  Speaker 1: time with my characters. I get to see these people
• 52:07
  Speaker 1: and they so much. Yeah, that's kind of the feeling
• 52:10
  Speaker 1: I got when I was watching it. Knowing so intellectually right,
• 52:15
  Speaker 1: the critic in me was like, eh, you know, not
• 52:17
  Speaker 1: the greatest, but you know, emotionally, I was like, yeah,
• 52:20
  Speaker 1: I'm with it. I love these characters. It's making me happier.
• 52:24
  Speaker 1: I'm cuddling here with my son. And this is what
• 52:28
  Speaker 1: people do when they watch it. They get their families together,
• 52:30
  Speaker 1: and they cuddle with their daughters and their sons and
• 52:32
  Speaker 1: they watch the episodes. I'm you know, there's babies that
• 52:35
  Speaker 1: come up in the line, the babies and they're dressed
• 52:37
  Speaker 1: as Luke and they said, we we watch a show,
• 52:39
  Speaker 1: so it's all good feelings. Yeah, I want to diminish
• 52:43
  Speaker 1: that experience for people. Even though we just spent an
• 52:45
  Speaker 1: hour doing that, I don't want to do.
• 52:49
  Speaker 3: It was still entertaining.
• 52:50
  Speaker 1: We are critical. Tends to be wide open when it
• 52:56
  Speaker 1: just seems so off, and we want I want to
• 53:00
  Speaker 1: understand why, and I think that I think the reason
• 53:03
  Speaker 1: is writing for television in a series television twenty two
• 53:09
  Speaker 1: to twenty four episodes, producing them, it's really hard.
• 53:14
  Speaker 2: I agree, it's really.
• 53:17
  Speaker 1: Hard, and sometimes maybe it doesn't all come together for
• 53:20
  Speaker 1: whatever reason, you know. You know, well the editor poured
• 53:24
  Speaker 1: some tonic on the tape. We're gonna have to do
• 53:26
  Speaker 1: it live, you know, whatever things happen, right, and so anyway,
• 53:33
  Speaker 1: we and.
• 53:34
  Speaker 2: It's still not it's only not the best compared to
• 53:39
  Speaker 2: all the others. I'm not saying it's not great when
• 53:42
  Speaker 2: you take it out and compare it to other TV shows.
• 53:46
  Speaker 2: Do you know what I mean, like, it's still great there,
• 53:50
  Speaker 2: so I'm not mad at us, but other people will.
• 53:53
  Speaker 1: All right, so look, next episode episode is season five,
• 53:56
  Speaker 1: episode nineteen. But I'm a Gilmore. Yeah, and I think
• 54:02
  Speaker 1: that's going to wrap her up. And I think we
• 54:06
  Speaker 1: did favorite lines. There were so many, and yeah, I
• 54:10
  Speaker 1: nailed the best ones. And all right, thanks Gang, Tara, Amy, Danielle,
• 54:16
  Speaker 1: thank you.
• 54:16
  Speaker 2: We'll bring our a game for pop culture this week,
• 54:18
  Speaker 2: don't you worry.
• 54:19
  Speaker 1: Thank you, thank you. That's gonna do it. We're gonna
• 54:22
  Speaker 1: wrap it up. Best fans on the planet. Love you guys.
• 54:25
  Speaker 1: Keep the cards and letters coming, and just remember we
• 54:28
  Speaker 1: I I'm all in. Stay safe, everybody, don't forget. Follow
• 55:00
  Speaker 1: us on Instagram at I Am all In podcast, and
• 55:05
  Speaker 1: email us at Gilmore at iHeartRadio dot com