Latest / Saberian History Lectures / Commercial Culture and Transformation
Transcript
- 0:00Alright, so getting into the 1920s. You have,
- 0:05in the 1920s, several abrupt and decisive changes
- 0:12in American life occur. And one of the things
- 0:17you run into is a conflict with this new modernity
- 0:24and the traditional way of doing things. And
- 0:29so when I look at the changes that go on, you
- 0:31look at changes in commercial culture, in religious
- 0:38culture, and in religious culture, and in political
- 0:52culture. In the commercial culture, you have
- 1:01the rise of new technologies or new ways of doing
- 1:05things versus the traditional ways that they
- 1:11had been done. In the religious culture, and
- 1:18the way the book does it is they actually do
- 1:19a separate thing on what they call intellectual
- 1:21culture. I kind of want to throw the religion
- 1:22in there because it is a religious transformation,
- 1:26but the intellectual culture speaks to it. So
- 1:29you have the emergence of a conflict between
- 1:32interpretationist religion, which I believe I've
- 1:36talked to you all about already, versus secular
- 1:42humanism. In other words, new intellectual currents,
- 1:49many of them from Europe, find their way to the
- 1:52United States. And then finally, a revolt by
- 1:55the biblical fundamentalists. in terms of what
- 2:00the for lack of a better word the soul of America
- 2:04is going to look like by the way do we still
- 2:07have a conflict between secular humanists and
- 2:14religious fundamentalists in our modern life
- 2:16and where is that most commonly being played
- 2:24out? Is it being played out at the universities?
- 2:26Is it being played out in the churches? Or is
- 2:29it being played out in the political arena? All
- 2:35of the above. But the one that we hear most loudest
- 2:37is the political arena. Yes? Alright. And so
- 2:43you have a... conflict in the political culture
- 2:48between some elements that we had seen before.
- 2:50We were familiar with the business wing of the
- 2:55Republican Party. You had what we would call
- 3:05the working man's Democratic Party, and I use
- 3:09this term very carefully because the Democratic
- 3:12Party at this point recouples its coalition of
- 3:16immigrant labor in the cities and southern agrarians
- 3:21in the American South. And flowing between the
- 3:29two parties, not forming a faction of their own,
- 3:32is what? What's the one thing I haven't talked
- 3:37about that we've talked about before? Progressives.
- 3:44Progressivism is in the mix. There are progressive
- 3:48elements to the caucuses of the Republican Party
- 3:52and there are progressive elements in the Democratic
- 3:55Party. So progressivism, in some ways, is a bipartisan
- 3:58ideology or it's an ideology that crosses party
- 4:02lines. And so people wear the party labels largely
- 4:05as a matter of local convenience. Do we see that
- 4:13now? What are dinos? What are rhinos? Oh, calm
- 4:21now. I know I have enough debate people in here.
- 4:24What's a dino? A democrat in name only. A rhino
- 4:28is a republican in name only. People who choose
- 4:32party labels as a matter of political expediency
- 4:35given the locale they are in. Okay, so we're
- 4:39going to get to each of these... Primarily today
- 4:42I'm going to talk about the consumer culture
- 4:44and into some of the intellectual shifts. Then
- 4:48probably on Friday we'll get to have some fun
- 4:50with the fundamentalists. No? Okay. It's like,
- 4:55alright, tough crowd. Alright, and whatnot. And
- 5:00we will get into some of the, and the rise of
- 5:03reactionary conservatism. I tie it to the fundamentalism
- 5:06because in a way they are intertwined. and Republicans'
- 5:10dominance of the federal government, which really
- 5:12runs from until the election of FDR in 1932.
- 5:16Okay. So, first of all... They call it the Roaring
- 5:21Twenties, not because they unleashed a herd of
- 5:23lions on it, but because you have, in the 1920s,
- 5:27economic prosperity that had been unrivaled.
- 5:30You have a 30 % growth in the gross domestic
- 5:32product, you have a practical doubling of wages,
- 5:35and a growing consumer culture made possible
- 5:39by the emergence of a credit economy. People
- 5:45pay for things on layaway rather than paying
- 5:47cash. What's the difference between paying layaway
- 5:49and paying cash? You pay cash. If you want to
- 5:53buy the expensive thing and you're paying cash,
- 5:54how much do you pay? All of it. If you put it
- 5:57on layaway, how much do you pay? Some of it.
- 6:00And you pay a little bit and a little bit and
- 6:04a little bit with the interest, yes? And if you
- 6:08think about it... Interest is a parasite. Interest
- 6:16is a mosquito. What does a mosquito do? It bleeds
- 6:23you. Now what happens is people have too many
- 6:26parasites from time to time. And what happens
- 6:29when that happens? You die. Or in our economic
- 6:35system, you declare bankruptcy. And so... We're
- 6:40not going to get into the full peculiarities
- 6:44of credit. But also, in order to have layaway,
- 6:50you have to have what to make it work? A bank
- 6:54account. Well, yes. You have to have, we talked
- 6:58about this before, bureaucracy. How many of you
- 7:02have a parent who has a store credit card? May
- 7:06I ask what it is? Target. Costco. Kohl's. In
- 7:13other words, you can only use that credit card
- 7:16in store. Macy's, JCPenney, very often consumer
- 7:22goods, yes? Express. Okay. This system starts
- 7:28here. Originally, the original credits were store
- 7:33credits. Now, can you get your hands on a credit
- 7:35card that you can use anywhere? Yes, that's later.
- 7:39And really, those credit cards do not become
- 7:43a dominant force in the American economy, really,
- 7:46until the 1990s. Okay? So, let's... And we'll
- 7:52get to that when we get to History 1302 and the
- 7:55economic prosperity of the 1990s. Credit cards,
- 7:58all built on bloody credit cards. Alright. Now,
- 8:01a couple other things. And I kind of wanted to
- 8:04speak to something I left off to the other day.
- 8:05So... 1917 to 1918, what happened? U .S. was
- 8:13in World War I. 1919, people start coming home.
- 8:23So 1917 to 1918, June 5th, 1917, all those people
- 8:27filled out their draft cards, ran it through
- 8:29the punch card machine. They found out how many
- 8:31people they had eligible for military service,
- 8:33how many people got drafted. How many people
- 8:35got taken out of the workforce? Four million.
- 8:39Four million men taken out of the workforce,
- 8:41and that was nothing to sneeze at. Now, and who
- 8:49filled their jobs? African Americans, people
- 8:52of color, moving from the American South to the
- 8:55cities of the North and the Midwest. So this
- 8:57is why you have now in major northern American
- 9:00cities, African American populations. These were
- 9:02not holdovers from, you know, antebellum days.
- 9:07So you have that. So 1919, people start coming
- 9:11home. They come home to jobs that were taken
- 9:13by other people. Also, there is, in many cases,
- 9:17after a large armed conflict, you have an economic
- 9:21recession as the economy retools as they're going
- 9:23from military goods, which are disposable, to
- 9:26manufactured consumer goods. And so we talked
- 9:30about the race riots and the Red Scare in the
- 9:331919s. The Red Scare is still going on into the
- 9:361920s. Because the communists broke the wartime
- 9:43consensus, they had betrayed the faith. But by
- 9:50the 1920s, the economy had retooled, and so you
- 9:53have a period of economic prosperity. Part of
- 9:56that period of economic prosperity was the rise
- 9:59of consumer goods. So I'm going to take you to
- 10:02the next slide, and I'm going to zoom in on the...
- 10:09image here. Where's Zoom? Here we go. So here
- 10:14we have the happy woman. And what's she doing?
- 10:18No, she's not. Look again. She's plugging something
- 10:22in. She's actually, if I'm, and now let's look
- 10:25at some of the stuff she's plugging in. You have,
- 10:28and this is kind of hard to see, I think this
- 10:31is a blender here. This is obviously a fan. You
- 10:35notice it has the conical thing sticking out.
- 10:37This is so your children don't put your face
- 10:38up to the fan and get their tongue sliced off.
- 10:40How many of you as kids used to put your face
- 10:42close to the fan and you would talk to it and
- 10:44you would get that crazy echo and you thought
- 10:46it was cool? How many of you still think it's
- 10:48cool? All right. Now, over here you've got the
- 10:53electric toaster. Down here you've got the coffee
- 10:56percolator. I can't tell what that one is. That's
- 11:01a lamp. That's an iron. That's an icebox. No,
- 11:07the waffle maker is over here. No, it's Westinghouse,
- 11:11and I'm going to get to what they're selling
- 11:12in a moment. And here's a heating pad. Now, here's
- 11:16the thing that you have to appreciate. All of
- 11:20these technologies you've taken for granted.
- 11:24Now, earlier in the text, we talk about the presence
- 11:27of electricity in cities. You do not have the
- 11:32United States fully electrified until the mid
- 11:36-20th century. So if you were out in the hinterland,
- 11:40if you were in the countryside, it was not economically
- 11:43viable for them necessarily to string electricity
- 11:46out to you. Think about this for a moment. And
- 11:51I say this in a place that used to be a village
- 11:55and has now become a suburb, but it still has
- 11:57rural elements to you. If you live on a rural
- 12:00property, do you connect to city water or do
- 12:03you have a well? You have a well. If you are
- 12:07on a rural property, you do not connect to the
- 12:10city sewer. You have a septic tank. Before the
- 12:14septic tank, you had the outhouse. If you lived
- 12:18in the countryside, if you're going to get power
- 12:20from the cities, you had to pay to have it strung
- 12:24out to your property. How many of you remember
- 12:29a time before cable internet was in your location?
- 12:36Okay. Because they had to pay the money to string
- 12:40it out here. Now, the other thing that's kind
- 12:43of interesting, and this might be before your
- 12:46time, how many of you... In smaller communities
- 12:52and in rural communities, it was not cost effective
- 12:55for the cable companies to have cable at people's
- 12:59homes. And so my wife, who grew up in the country,
- 13:03she had a large satellite dish on her parents'
- 13:06property. How many of you remember the large
- 13:08satellite dishes? Okay, now, I use this as a
- 13:12metaphor to explain to you that that idea of
- 13:16stringing it out to the people in the hinterland...
- 13:18also applied to electricity. Now here's the thing.
- 13:23Let's look at some of these appliances for a
- 13:26moment. Could you toast bread before the electric
- 13:32toaster? Yes, you could. Not necessarily. It's
- 13:39not necessarily a matter of long. It's a matter
- 13:41of convenience. In rural houses, you had what
- 13:44was called a toaster. you would put the bread
- 13:49on a piece of wrought iron that was facing towards
- 13:52the fire and wearing very thick soled shoes or
- 13:55boots. After the bread had been facing the fire
- 13:58well enough to be toasted, you would kick the
- 14:00thing and it would flip it around and you would
- 14:02toast the other side. Now, was it quicker? No,
- 14:05not necessarily. But the fire was always going
- 14:08in the home anyway, yes? Now, think about this
- 14:10for a moment. Rural people use an iron to flatten
- 14:17clothes. Yes. They just didn't use an electric
- 14:21one. How would you get an iron to work? How does
- 14:22an iron work? You would have the iron on the
- 14:26stove. The iron would become hot. And so instead
- 14:31of using electrical coils, you just used a stove.
- 14:33Now what powered a stove in rural America or
- 14:37even in some parts of urban America? Coal or
- 14:41wood for rural and gas for the cities. Okay,
- 14:46so really is this iron an invention or is it
- 14:49an innovation? Innovation. Now let's keep going.
- 14:54You do have, and I want to say this is a sewing
- 14:57machine, I can't tell. And so sewing machines,
- 15:00there are still sewing machines that do not require
- 15:02electric power in use to this day. Waffle maker,
- 15:05same basic idea. You would heat the waffle maker
- 15:08on the stove, you would use the heat of the stove,
- 15:11and instead of using electricity, you're using
- 15:14the heat from the stove. How did you light your
- 15:16homes prior to electricity? And lamps that used
- 15:24either kerosene or, in the cities, natural gas.
- 15:29So here's the thing. How many of you have ever
- 15:31gone camping with one of those kerosene lamps
- 15:33that you had to pump and you know how the kerosene
- 15:36fumes go into the wick and then you take a flame
- 15:40to the wick and what color does it burn? Blue.
- 15:44Not the wick. The wick makes it white. It emits
- 15:48bright white light. And so gas lamps, which were
- 15:52heavily in use in cities, actually used those
- 15:55wicks and those bright lights. And actually it
- 15:56was kind of funny. My grandmother's house actually
- 16:01still had a gas lamp in the yard to light the
- 16:05way for what used to be the driveway. And so
- 16:10the wicks had become damaged and needed to be
- 16:13replaced. And at first, my father and I, we were
- 16:16looking at some specialty shop. And then my father
- 16:19and I had this idea. I think it was his idea
- 16:21because I was probably like 12 at the time. It
- 16:24was to just go to the sporting goods store and
- 16:26get a wick that you use for a kerosene lamp.
- 16:28And we tightened it. And lo and behold, it worked.
- 16:31And so, yeah, the technology existed for lights.
- 16:37Here's the part that most people don't appreciate,
- 16:39and I'm going to get to the idea and the analog
- 16:41in just a moment. In this particular graphic,
- 16:49who's selling the product? The name's on the
- 16:53bottom. Westinghouse. Westinghouse and many,
- 16:57oh, by the way, what's another major appliance
- 17:01manufacturer that is still in business today?
- 17:04Starts with a G. General Electric. Okay, now
- 17:09they make money off their appliances. Originally,
- 17:12they made the appliances to create a need for
- 17:16people to, and I'm going to zoom back in. What's
- 17:20the lady doing in the picture? plugging it in.
- 17:23They had to create appliances and they had to
- 17:25sell them to make them think, you need this new
- 17:28thing. Most of the things it was doing were already
- 17:31done by mechanical means. And so you develop
- 17:34a need for your product because they were making
- 17:38a lot more money off of distribution and kilowatt
- 17:42hours than they would on an appliance. Now one
- 17:45of the other things that's actually kind of funny,
- 17:46how many of you have ever heard the expression,
- 17:50they don't make make them like they used to.
- 17:53If they made them like they used to, you wouldn't
- 17:55buy anymore. How many of you can count, how many
- 18:01of you have had more than one iPhone over the
- 18:04course of your life? And why did you have to
- 18:09get a new one? It either stopped working when
- 18:13they upgraded the network or it what? Or it broke.
- 18:21Well, yes, but that's largely a matter of retro.
- 18:23But no, I mean, iPhones, they break. If you look
- 18:26at them funny, you don't think that's a matter
- 18:28of planned obsolescence? Right. But anyway. Okay,
- 18:38so, actually, kind of a side analog. What's actually
- 18:45kind of funny about the world of business is
- 18:47people make money off of things, but you don't
- 18:50think they're making money the way you think
- 18:51they should be making money. Let me give you
- 18:53an example. How much, you know, in school districts
- 18:59and at universities, there are Scantron machines,
- 19:02yes? How much do you suppose Scantron charges
- 19:05the school districts for the use of their machine?
- 19:14Becca, you work in the workroom. You've seen
- 19:16the machine. The Scantron machine. Oh, no, you're
- 19:23in the library. That's right. Who do I have that
- 19:25was the office aide? Not in this class. Oh, it's
- 19:28fourth. Never mind. And a few in seventh. All
- 19:31right, how many of you have been to Mr. Bob's
- 19:33workroom? And you've seen the Scantron machine.
- 19:35And it's a fancy little primitive thing that
- 19:37probably goes back to the 1960s. And it's loud
- 19:39and it's percussive. And it costs the school
- 19:42district all of... Nothing for the machine. They
- 19:47don't make their money off the machines. They
- 19:51make the money off the scantrons. The machines
- 19:55are durable. Scantrons are only good for one
- 19:57or two goes. You begin to see how capitalism
- 20:02works. Alright, so that was kind of interesting.
- 20:07I hope enlightening and a little terrifying.
- 20:12You have the rise of mass culture. And in many
- 20:17ways, it's in the 1920s that you truly have a
- 20:21nationalized culture. So let me tell you what
- 20:26I meant by that. Had we had certain nationalized
- 20:28things in American life beforehand? Had we had
- 20:30national markets? Yes, we've had national trade
- 20:35for some time. The railroad made national markets
- 20:38possible. But there's a difference between national
- 20:40markets and national culture. So let me tell
- 20:42you an example. So you do have movie theaters.
- 20:46So now a film made in one place is distributed
- 20:48to theaters throughout the United States. So
- 20:50now, you know, albeit with some degree of lag,
- 20:54because if you saw a film in New York, you might
- 20:56not see it out in Muleshoe, Texas for another
- 20:58eight months, but that's doing better than, you
- 21:01know, a play in New York that you might see in
- 21:04Muleshoe never. Right? But... So, 1898, you got
- 21:12motion pictures started. By 1924, you have 20
- 21:14,000 theaters. Actually, and again, you know,
- 21:19before television was en masse, this was the
- 21:21only time to see moving pictures. Now, in the
- 21:23graphic, they actually have Charlie Chaplin.
- 21:25Not to be confused with somebody else who had
- 21:28the toothbrush mustache. Although, actually,
- 21:31Charlie Chaplin did do a parody of Adolf Hitler.
- 21:34I want to say it was into the 1930s. It was called
- 21:36Il Dictatore. I'm sure that went over well. In
- 21:40the United States, yes. I don't think it was
- 21:43ever sent to Germany. Or if it was, it probably
- 21:45didn't go over very well. But anyway, no, I mean,
- 21:47straight up making fun of fascism. Gotta love
- 21:49it. Let me get into the one that I actually think
- 21:58is more interesting than movies. Oh, by the way,
- 22:00at this point, movies were silent. Silent films.
- 22:06So you'd have the action, and then you would
- 22:08have the dialogue on screen as a... So this is
- 22:12before closed captioning, and this is before
- 22:14they synchronized sound. But the other thing
- 22:16is, very often with the moving pictures, depending
- 22:18on the movie house, sometimes they would have
- 22:20a live band or they would have recorded music
- 22:23that was being played in the background. So I
- 22:25remember, and very often these were melodramatic,
- 22:28either piano pieces or whatnot. Or they would
- 22:31just hire a pianist to play some type of musical
- 22:35accompaniment to go with it. Yes? Didn't they
- 22:37actually want to add those actors? Like, act
- 22:40out the action part? Because nowadays they can
- 22:43fake... Oh, they can CG stuff now. Yeah. Well,
- 22:47I mean, and in film, and especially film at this
- 22:50level, before high def, you could get away with
- 22:51more. I mean, it's kind of like, you know, if
- 22:53you watch a film from the 1980s, you don't see
- 22:55the strings from the Muppets. But, okay, what
- 22:59they would do is they would shoot the recording.
- 23:01In other words, the actors are doing the acting
- 23:04as if they have an audience. So you're even seeing
- 23:08their mouths move as they're doing the lines,
- 23:10but there's no sound to go with it. So then the
- 23:12lines are taken from the script and shown on
- 23:14the screen. And you've got a musical accompaniment
- 23:19in the background, but very often that was provided
- 23:21by the theater, not by the film producers. Now,
- 23:26the part that I find kind of interesting, so
- 23:28here you have pictures without sound, and then
- 23:31you also have the rise of radio, which is sound
- 23:35without pictures. Now, I want you to appreciate
- 23:40something, and this goes back to something that
- 23:45probably predominates the course or predominates
- 23:47my paradigm. Language. How does radio change
- 23:55language? Now think about this for a moment.
- 24:00Radio is your first national... media outlet
- 24:07of sound. Now, had there been other national
- 24:12media outlets, what's the other national media
- 24:14outlet before radio? Newspapers that rely on
- 24:19what technology? Morse code telegraph. So you
- 24:27have, in the era of the national newspapers,
- 24:30you have the newswire services. You have the
- 24:34telegraph wires. So you have the AP who is actually
- 24:38providing a national news source. The AP, in
- 24:42this case, I'm not talking about advanced placement
- 24:43that our friends on the other side are taking.
- 24:45I'm talking about the Associated Press. The Associated
- 24:48Press was a newswire service. So you would have
- 24:51reporters all throughout the country. They would
- 24:52come to the telegraph stations and they would
- 24:54telegraph wires. So you could actually find out,
- 24:56oh, oh my God, there's a fire in San Francisco.
- 25:00The, you know, telegraph operator in San Francisco
- 25:02would send the message. It would go across the
- 25:04telegraph line that was paralleling the railroad
- 25:07line and it would get there before the train
- 25:09did. And so it would then be in a Chicago paper,
- 25:14a Fort Worth paper, stuff like that. And so you
- 25:16do have national news, but what type of news
- 25:18is telegraph? What type of information, what
- 25:21type of language is telegraph? It's a text message.
- 25:35now think about this for a moment so you open
- 25:42up your newspaper and you find out there's a
- 25:47fire in San Francisco fire in San Francisco let's
- 25:53just go with the San Francisco fire And you would
- 25:58read about it in your paper. And who might you
- 26:02talk to about it? Your neighbors. And so let's
- 26:06say you're from New York, and you want to talk
- 26:09to your friend about the fire you read about
- 26:11in the newspaper out in San Francisco. What does
- 26:16that do to your language? Makes it slightly different.
- 26:22Okay, as opposed to, let's suppose you're in
- 26:24Georgia. Did you hear about the fire down in
- 26:28San Francisco? Now let's suppose that you're
- 26:32in Alabama. Did you hear about the fire down
- 26:37in San Francisco? Or let's suppose you're in
- 26:39Texas. Did you all hear about the fire down in
- 26:42San Francisco? Now, in and of itself, each of
- 26:47these dialects is comprehensible, but what happens
- 26:51when you have people separated from one another
- 26:55for too long of a time and they do not share
- 26:58a spoken language? Accentuation becomes a separate
- 27:05language. Thus, we have the difference between
- 27:09English and English. Between a hostile and a
- 27:16hostile. To the point whether you ride in the
- 27:22elevator or you take the lift. The only thing,
- 27:28and so also if you think about it, it is that
- 27:31separation of space and of time which makes the
- 27:35difference between Spanish, Italian, and French.
- 27:37Although nobody understands the French. I know,
- 27:45I'm making fun of the fact that I have never
- 27:47seen a language with so many extra letters. Like,
- 27:51oh and ooh. Très bien. Anyway, but that has not
- 28:04happened here. Even though the continental United
- 28:08States... Texas is five times the size of Germany,
- 28:13and even inside Germany you have different dialects
- 28:16of German that are almost incomprehensible. You
- 28:18get the idea. Why don't we have the diversification
- 28:22of the English language in the American continent?
- 28:25We have it with Spanish. You take a person from
- 28:28Mexico, put them in a room with a person from
- 28:30Cuba, put them in a room with a person from Colombia,
- 28:32and you put them in a room with a person from
- 28:34Spain. They would need to talk to each other
- 28:36in English just to understand each other. They
- 28:38have that in Arabic. You put a Syrian, a Saudi,
- 28:42and an Iraqi in the same room, they would have
- 28:51to talk to each other in French. But we don't
- 28:54have that because at this point in American history,
- 28:58you have radio. How do you know you are speaking
- 29:01English correctly? Because you sound like the
- 29:05man on the radio. Because you sound like the
- 29:10man on the TV. And so now it's not, did y 'all
- 29:15hear about the fire down in San Francisco? It's
- 29:17in today's news, we have a fire reported in downtown
- 29:20San Francisco. You get the idea. Radio nationalizes
- 29:26culture. It also nationalizes language. And so
- 29:30you have the transmission on a national scale
- 29:32of music, of political speech, of news, and to
- 29:37a lesser extent of weather. Because weather is
- 29:41not national. What is weather? Regional. Now,
- 29:46you did actually have weather reports going as
- 29:48far back as newspapers. Because what does the
- 29:52telegraph give you the ability to do? Let someone
- 29:56know what's coming. Yes. You now have the ability
- 29:58to move information faster than the storm. Whereas
- 30:01previously, if you had to send a runner or a
- 30:04messenger to say, hi, there's a storm out there.
- 30:06First, the guy had to go through the storm and
- 30:08maybe get ahead of it. And again, horses aren't
- 30:10that good, right? Anyway. Okay. U .S. also takes
- 30:15to the air. Of course, 1903, you have the Wright
- 30:18Brothers' flight at Kitty Hawk. 1925, the U .S.
- 30:21government actually begins subsidizing air transportation.
- 30:25But we're not talking about the transportation
- 30:27of humans. Where does the United States get off
- 30:32subsidizing aircraft? Under what express power
- 30:37of Congress? And this is kind of funny. Jocelyn,
- 30:41you have a guess. What is subsidizing? Giving
- 30:44money to promote the development of. Zach? The
- 30:48implied powers. The implied powers, but you still
- 30:50have to tie it to something that the government
- 30:52does regularly. I mean, for a constitution written
- 30:55in the 1780s, where do you possibly imagine that
- 30:59Congress has the authority to subsidize aircraft?
- 31:04Taxes. Well, that's where the money comes from.
- 31:08It's very funny and it's not the military because
- 31:11the US is out of the war. It's the last place
- 31:16that you ever think to look if you want to move
- 31:19money or you want to move product. How do you
- 31:22move products in these United States? You sometimes
- 31:24have to take a stamp and mail it. Who's in charge
- 31:30of the postal system? Government of the United
- 31:33States. So the first idea of subsidizing aircraft.
- 31:37was airmail. Now, don't be so upset. The government
- 31:44spent a buttload of money on naval exploration
- 31:47in the name of international mail. And they expect
- 31:52the post office to be profitable now. Come on,
- 31:55the post office hasn't been profitable since
- 31:57the days of Ben Franklin. Alright. 1927, Lindbergh
- 32:03crosses the Atlantic Ocean flying all by himself.
- 32:07Now, a couple of things I want you to keep in
- 32:09mind. How did you cross the Atlantic Ocean prior
- 32:13to aircraft? Ship. Not boat. Ship. If you tried
- 32:22doing it in a boat, your arms were going to be
- 32:23sore really fast. Ships on the sea lane, yes?
- 32:27How long did it take? Even with screw propellers.
- 32:34Even with gas turbine engines. Even with metal
- 32:37hold ships. It took weeks. Now, this guy did
- 32:43it in less than two days. Flying solo, by the
- 32:46way. Very tired. Very caffeinated. And I'm hoping
- 32:48he had some way of taking care of his corporal
- 32:50needs while he was in the air. I'm sure he did.
- 32:54It's not like... Anyway. Kind of another thing
- 32:57I want you to keep in mind. Okay, think about
- 33:01this for a moment. When you're navigating on
- 33:04the high seas, what do you rely on? The stars.
- 33:09And math. You know, I know I am here. I know
- 33:15I am going in this direction for this period
- 33:17of time. I now know I am here. And, of course,
- 33:20with the ships, they would actually plot their
- 33:22speed by dropping a rope and seeing how long
- 33:24it would take them to go. That's why they called
- 33:26them knots. Seriously, y 'all didn't catch that
- 33:30one in world history? Anyway, so here's Lindbergh.
- 33:35How do pilots know where they were before satellite
- 33:39and GPS? Math, but also one other thing, and
- 33:46there are still holdovers from this. How many
- 33:48of you have ever flown commercial? How many of
- 33:51you, you look out the window as your plane's
- 33:53about to land, and what do you see besides the
- 33:55airport usually painted on one of the buildings,
- 33:59one of the hangars? Welcome to what? Welcome
- 34:06to, and it lists the town name or the airport
- 34:08name or whatever. That's not to make you feel
- 34:10welcome. That's so when the early pilots were
- 34:15actually using landmarks to figure out where
- 34:17they were. They knew, oh, I'm in Tulsa. Oh, crap,
- 34:21I'm supposed to be in Dallas. No, but you get
- 34:24the idea. What do you not have over the Atlantic?
- 34:30You have no landmarks. So literally, this guy
- 34:34is taking off from Paris, or sorry, taking off
- 34:37from New York, lands in Paris, based on his own
- 34:39mathematical skills, flying the instruments all
- 34:43by himself. Do you get the idea of how truly
- 34:47dangerous and heroic it was? Now here's the other
- 34:51irony of it. How did the people back home find
- 34:54out he made it? The telegraph. Because there
- 34:58was an undersea cable connecting the U .S. from
- 35:02New York to continental Europe. So you could
- 35:06send a text message to Europe much, much faster
- 35:09than you could send a man. Now, think about this
- 35:14for a moment. The guy is relying entirely on
- 35:19his instruments and his mathematical skills,
- 35:21and if he screws up, where is he going to be?
- 35:24In the ocean. I say this to a generation of humans.
- 35:28Half of you never learned how to read a map.
- 35:30The other half of you, in order to do math, have
- 35:32to bust out with your smartphone. Think about
- 35:38that for a moment. Now, he's still doing better
- 35:40than the astronauts that went up into space.
- 35:41Some of the course corrections for Apollo 13
- 35:43had to be made with slide rules in space. And
- 35:45if you screw that up, they don't even find your
- 35:49body. That's why Lindbergh making the journey
- 35:54across the Atlantic is so heroic. It is a feat
- 35:58of physical strength, physical stamina. I mean,
- 36:00the dude was in the air for more than a day.
- 36:02And if he falls asleep behind the wheel... That's
- 36:06the end of him. So it's math, it's concentration,
- 36:10it's adventure, it's new technology, it's all
- 36:13sorts of sexy heroism all rolled up into one.
- 36:19So that was the allure of air travel. I mean,
- 36:22think about this for a moment. You take air travel
- 36:24for granted. Who flies in the air before man?
- 36:28Birds. Birds and the angels. You get the idea.
- 36:34Mars. 1895, first car goes for sale. By the way,
- 36:39that first car, I forget if it was coal -powered
- 36:41or electric. No, there were primitive cars before
- 36:44the Model T that actually ran off batteries.
- 36:47Model T comes out 1908, sells for $850. Now that's
- 36:551920s money. Take it and multiply it by 40, that
- 36:59probably gives you a better idea. 1924. They
- 37:04get the cost down to $290. Why are they trying
- 37:08to drive down costs? So they can sell more. And
- 37:13how are you able to drive down costs? Assembly
- 37:17line, mass production, that creates an economy
- 37:21of scale. Now there's one thing that was kind
- 37:22of funny, that Ford insisted to drive down costs.
- 37:25He said, you can buy the Model T in any color
- 37:28as long as it's black. Why? It's cheaper. It's
- 37:33cheaper to do them all one color than to try
- 37:35and do custom paint jobs. Thus, leading to something
- 37:38else that we all love in the automotive market,
- 37:39the aftermarket parts. Alright. So, something
- 37:44else, going back to radio for a moment. Radio
- 37:47also creates, in addition to a market for news
- 37:50and for music, so now you have Americans hearing
- 37:53the same music, hearing the same news, you also
- 37:56have them listening to the same sports. That's
- 38:02Babe Ruth. He's signing baseball bats for people
- 38:03who adore him at military posts all over the
- 38:06United States. How would you know about a baseball
- 38:13player in New York before radio? Newspaper. But
- 38:19do you care that many days later? At this point,
- 38:22you have the ability to listen to a baseball
- 38:25game and now even a football game or a basketball
- 38:28game in... Nearly real time. There's actually
- 38:31about a five second delay. So the FCC guy can
- 38:36hit the button in case the sports announcer says
- 38:38something wrong. No, seriously. There is a delay.
- 38:41There's a dude on the button. But no. And how
- 38:45many of you have seen or have relatives that
- 38:47can listen to a sports broadcast and you can
- 38:49tell they've got it in their head? That's impressive,
- 38:52isn't it? Now, I will say this. For people who
- 38:59have done a sport, it's a lot easier because
- 39:01they have that experience set. But anyway, okay.
- 39:05So, you've got baseball, Lou Gehrig, Babe Ruth,
- 39:08and in boxing, Jack Dempsey. Now, you have the
- 39:14birth of jazz. I actually have the jazz picture
- 39:16on the next slide. This is F. Scott Fitzgerald
- 39:18and his book The Great Gatsby, which I'm very
- 39:20sorry that people think you should read that
- 39:22book. Twisting the knife a little bit. Like I
- 39:29said, I'm going to leave the literature to the
- 39:32literary people. But the thing that's actually
- 39:35kind of interesting about jazz, what's interesting
- 39:36about jazz? What was music if you were cultured?
- 39:41Not improvisation. Not improvised, classical.
- 39:47If you're listening to classical music, who writes
- 39:49classical music? The upper class, English. Dead
- 39:54white Europeans. Jazz takes its influence from
- 39:58whom? Living Americans. Living African Americans.
- 40:03Now again, might this fly against some people's
- 40:06racial sensibilities? Especially in certain places
- 40:11where people like to wear white hoods and do,
- 40:13Strange and unusual thing on the weekends. Too
- 40:17soon! 1865 is the Civil War! Alright. Okay. So,
- 40:27here we have a revolution in human manners and
- 40:30mores. So here you have Freud. So you've got
- 40:32America's high culture coming off the Victorian
- 40:34era that was all about sexual repression. And
- 40:37now you've got Freud, who basically ties everything
- 40:39to sex. And I am going to give you some spoilers
- 40:42for those of you in my AP Psychology. Here, of
- 40:45course, is a picture of Sigmund Freud, because
- 40:46if it's not one thing, it's your mother. So Freud
- 40:50posits that much of the tension in our life has
- 40:52to do with subdued sexual tension in our subconscious.
- 40:57And so part of what he talks about is the conflict
- 40:59between the id, the ego... and the superego.
- 41:02And so one of the things that he posits is not
- 41:04that our lustful ideas are evil, but rather that
- 41:10our lustful ideas are natural. Whereas, prior
- 41:14to Freud, what did people think about people
- 41:17doing dirty thoughts? That it was sin.