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The Three Concrete Walls: Rahma's Confession, Child Abandonment, and the Legal Obliteration That Led to Murder · Crime Night

• 0:00
  Speaker 1: Okay, picture this. It's late two thousand and eight. Imagine
• 0:03
  Speaker 1: walking into a police station. You know, the usual quiet hum,
• 0:07
  Speaker 1: maybe a keyboard clacking, a phone ringing somewhere down the hall.
• 0:11
  Speaker 1: Then the main door opens and everyone just stops. There's
• 0:14
  Speaker 1: a young woman standing there. She's only eighteen, but she
• 0:17
  Speaker 1: looks well. She looks like she's walked through hell and
• 0:20
  Speaker 1: barely made it out. Completely disoriented.
• 0:22
  Speaker 2: Broken, Yeah, but not hysterical, right, that's what's she shattered, absolutely,
• 0:26
  Speaker 2: But there's this strange, almost numb resolution about her. She
• 0:31
  Speaker 2: doesn't wait, doesn't ask for just any officer. She demands
• 0:34
  Speaker 2: to see the chief of investigations right away.
• 0:37
  Speaker 1: And when she finally gets to him, there's no story,
• 0:39
  Speaker 1: no explanation. First, just a statement, flat devastating. She says,
• 0:44
  Speaker 1: I have killed my son.
• 0:45
  Speaker 2: Wow. And that confession, I mean, that's the starting point
• 0:48
  Speaker 2: for everything that follows, isn't it. It kicks off this
• 0:50
  Speaker 2: frantic investigation, and it's the entry point for our deep
• 0:53
  Speaker 2: dive today. We're looking at the life. They're really tragic
• 0:55
  Speaker 2: life and the crime of this young woman. Rama.
• 0:58
  Speaker 1: But this isn't just about, you know, the crime itself.
• 1:01
  Speaker 1: It feels like it's about how everything around her just failed.
• 1:04
  Speaker 1: She actually described it herself, didn't she feeling like she
• 1:06
  Speaker 1: was facing three walls of concrete, a heat of sod exactly.
• 1:10
  Speaker 2: And that's our mission here to understand how those walls
• 1:13
  Speaker 2: got built around her, brick by brick. It's incredibly complex
• 1:17
  Speaker 2: because you have this final act, the killing, which seems
• 1:21
  Speaker 2: utterly devoid of motherly feeling on the surface. But when
• 1:25
  Speaker 2: you dig into why the motivation seemed to stem from
• 1:28
  Speaker 2: this incredibly twisted, desperate attempt to actually relieve her son's suffering,
• 1:33
  Speaker 2: it's a terrible.
• 1:34
  Speaker 1: Paradox, a paradox born from total desperation. Okay, So to
• 1:37
  Speaker 1: understand the walls, we need to go back right back
• 1:39
  Speaker 1: before the crime.
• 1:40
  Speaker 2: Yeah, we need to rewind about four years, back to
• 1:42
  Speaker 2: two thousand and four. Rams fourteen years old, living in
• 1:44
  Speaker 2: the Haram area and her father. He's really the center
• 1:48
  Speaker 2: of her world then, a simple worker, maybe not wealthy,
• 1:51
  Speaker 2: but he provides stability and critically, he supports her education,
• 1:55
  Speaker 2: wants her to learn. He's her rock.
• 1:57
  Speaker 1: Okay, So you have that stability from the father, but
• 1:59
  Speaker 1: the vers paint a very different picture of.
• 2:01
  Speaker 2: The mother, Oh, completely different. The mother is thirty eight
• 2:04
  Speaker 2: at this time, and she's described as well, entirely self absorbed,
• 2:08
  Speaker 2: focused on her own comfort. There's this huge emotional distance
• 2:12
  Speaker 2: from Rama, like an indifference. It just hangs in the air,
• 2:15
  Speaker 2: and that that foreshadows so.
• 2:17
  Speaker 1: Much that fragile stability just gets shattered.
• 2:19
  Speaker 2: Then completely obliterated. In two thousand and seven, Rama's seventeen.
• 2:23
  Speaker 2: Her father dies suddenly, no warning. And it's not just
• 2:27
  Speaker 2: the emotional devastation, which must have been immense, it's also
• 2:30
  Speaker 2: boom her financial security, her only real family support system
• 2:34
  Speaker 2: gone instantly.
• 2:36
  Speaker 1: And the mother's reaction really tells.
• 2:37
  Speaker 2: You everything it does. Within six months, she makes two decisions,
• 2:40
  Speaker 2: both brutal for Rama. First, Rama has to quit school.
• 2:43
  Speaker 2: The mother says she can't afford it. Second, the mother
• 2:45
  Speaker 2: remarries very quickly, clearly for her own financial.
• 2:48
  Speaker 1: Security, and Rama doesn't fit into that new picture.
• 2:51
  Speaker 2: Not at all. The mother basically tells her new husband
• 2:53
  Speaker 2: she'll get rid of her daughter. She tells Rama, who's
• 2:56
  Speaker 2: still just seventeen, you don't belong here anymore. Check in.
• 2:59
  Speaker 2: Sometimes maybe Rama is just stunned, silent, basically thrown out
• 3:04
  Speaker 2: onto the street.
• 3:04
  Speaker 1: So she's forced to build her own life at seventeen, Yeah.
• 3:08
  Speaker 2: Late two thousand and seven, she has to find a way.
• 3:11
  Speaker 2: She gets a job in a clothing store, starts saving
• 3:13
  Speaker 2: every penny she can, manages to rent a tiny room.
• 3:16
  Speaker 2: She becomes fiercely independent, you know. Her boss respects her,
• 3:19
  Speaker 2: says she's sharp, honest, but she's utterly alone. Her mother
• 3:24
  Speaker 2: lives nearby, but might as well be on another planet,
• 3:26
  Speaker 2: just indifferent.
• 3:28
  Speaker 1: So that's the first wall, isn't it the foundation built
• 3:31
  Speaker 1: by her own mother. Total abandonment.
• 3:33
  Speaker 2: Absolutely, It's not just one betrayal, it's the complete failure
• 3:35
  Speaker 2: of the family structure, systemic abandonment. So Rama starts two
• 3:39
  Speaker 2: thousand and eight. She's just turned eighteen. She's still holding
• 3:42
  Speaker 2: onto that dream of education, working hard, trying to save.
• 3:45
  Speaker 2: She decides she needs a second job to make it
• 3:47
  Speaker 2: happen faster.
• 3:48
  Speaker 1: And that search for a better future leads her straight
• 3:50
  Speaker 1: into danger.
• 3:51
  Speaker 2: Directly into the path of the second wall. This one
• 3:54
  Speaker 2: has a name Whosain. He's a neighbor, a mechanic much older, forty,
• 3:59
  Speaker 2: married his own family. He starts hanging around her shop
• 4:02
  Speaker 2: a lot. Makes it pretty clear he's interested in well,
• 4:05
  Speaker 2: something inappropriate.
• 4:06
  Speaker 1: But she wasn't interested, not at all.
• 4:08
  Speaker 2: She rebuffs him, so he changes tactics. He sees her
• 4:11
  Speaker 2: vulnerability or need for money, maybe her trust in older
• 4:14
  Speaker 2: figures because she lost her dad. So he spends this story,
• 4:18
  Speaker 2: says his wife needs help at home, just for a
• 4:20
  Speaker 2: few extra hours and he'll pay her well.
• 4:23
  Speaker 1: And needing the money, trusting his age, she agrees.
• 4:26
  Speaker 2: She agrees. Two weeks later, the trap is sprung. She
• 4:29
  Speaker 2: goes Hussain's house. He's alone, says his wife just popped
• 4:33
  Speaker 2: out for an errand maybe thirty minutes, offers her some juice.
• 4:36
  Speaker 1: Oh no, don't tell me.
• 4:38
  Speaker 2: Yeah, the juice was drugged heavily. She blacks out, wakes
• 4:42
  Speaker 2: up maybe an hour later, realizes she's been assaulted, and
• 4:46
  Speaker 2: the sheer nerve of this guy who's say is just
• 4:48
  Speaker 2: sitting there drinking tea, smoking some cigarette.
• 4:51
  Speaker 1: Casually, casually after what he did.
• 4:54
  Speaker 2: And then he tries to smooth it over, tells her
• 4:56
  Speaker 2: he loves her, actually offers her this this customary marriage
• 5:00
  Speaker 2: that's a wage. Roofee says it's to cover her, protect
• 5:03
  Speaker 2: her reputation.
• 5:04
  Speaker 1: Okay, hang on, this is zawage. Iurfy. We need to
• 5:06
  Speaker 1: understand what that actually means for her in that moment
• 5:08
  Speaker 1: it sounds helpful maybe, but is it not really.
• 5:11
  Speaker 2: That's the crucial part. Assage Irfy is, Well, it's basically
• 5:15
  Speaker 2: a private agreement undocumented by the state. He needs a
• 5:19
  Speaker 2: couple of witnesses, maybe write it on a piece of paper,
• 5:21
  Speaker 2: but there's no official registration. It offers almost zero legal protection,
• 5:25
  Speaker 2: especially for the woman, but it provides a kind of
• 5:28
  Speaker 2: quick cultural fig leaf for sex outside of formal marriage.
• 5:33
  Speaker 1: So for he's saying, it's just a way to avoid.
• 5:35
  Speaker 2: Trouble, exactly, cheap insurance against a scandal. For Rama, though,
• 5:40
  Speaker 2: it's this flimsy piece of paper, an illusion of having
• 5:43
  Speaker 2: her honor restored maybe, but legally it traps her even more.
• 5:48
  Speaker 2: It's temporary, offers no real security.
• 5:50
  Speaker 1: She later finds out his wife wasn't even just out
• 5:52
  Speaker 1: on an errand right.
• 5:53
  Speaker 2: His wife was actually visiting family out of town, and
• 5:56
  Speaker 2: she had specifically told Hussein not to ask Rama to
• 5:58
  Speaker 2: come over while she was gone. He lied about everything.
• 6:01
  Speaker 1: So Rama's assaulted, manipulated into this fake marriage. What does
• 6:04
  Speaker 1: she do? Does she tell her mother?
• 6:06
  Speaker 2: She does? She goes to her mother, hoping for but
• 6:09
  Speaker 2: you'd hope for support right an ally, But the mother
• 6:12
  Speaker 2: just reinforces the first wall, dismisses the assault entirely tells
• 6:16
  Speaker 2: Rama she should be thankful WhoSay covered her with the
• 6:18
  Speaker 2: Zawa Jerfy.
• 6:19
  Speaker 1: Thankful unbelievable, So the mother basically sides with the.
• 6:22
  Speaker 2: Attacker pretty much. It confirms Rama is absolutely totally alone,
• 6:27
  Speaker 2: no family protection whatsoever. That first wall, the rejection, it's
• 6:31
  Speaker 2: solid concrete now, so.
• 6:33
  Speaker 1: She's trapped, social pressure, no family support. She agrees to
• 6:37
  Speaker 1: this Zawa Jerfy who saying, rents an apartment for her nearby.
• 6:41
  Speaker 2: Yes, the marriage is just that piece of paper the
• 6:43
  Speaker 2: two witnesses. Yeah, a way to quiet things down. But
• 6:46
  Speaker 2: then about four months into this arrangement, Rama realizes she's pregnant.
• 6:51
  Speaker 1: And Hussein's reaction this is where.
• 6:52
  Speaker 2: The second wall really starts to go up, the wall
• 6:54
  Speaker 2: of abandonment, public shame. When he finds out she's pregnant,
• 6:58
  Speaker 2: any pretensive care just vanishes. He denies it's his loudly publicly.
• 7:03
  Speaker 2: They end up fighting in the street. He's determined to
• 7:05
  Speaker 2: cut all ties, take zero responsibility.
• 7:07
  Speaker 1: And then something unexpected happens. His actual wife gets involved.
• 7:11
  Speaker 2: Yeah, it's a strange twist. His legal wife shows up
• 7:14
  Speaker 2: during this public fight. She sees Rama believes her story
• 7:17
  Speaker 2: about her husband. She actually tends to Rama's injuries from
• 7:20
  Speaker 2: the fight, and she demands Hussein make the marriage official,
• 7:24
  Speaker 2: register it properly, tells him she knows he's.
• 7:26
  Speaker 1: Capable of this, so a moment of maybe justice a.
• 7:31
  Speaker 2: Way out, you'd think so, but no, Husain completely rejects it.
• 7:35
  Speaker 2: He literally tears up the zawaj Arfy contract, throws it away.
• 7:39
  Speaker 2: He throws Rama out of the apartment he rented, tells
• 7:41
  Speaker 2: her to get rid of the baby any way she can.
• 7:43
  Speaker 2: He's done. The flimsy cover is.
• 7:45
  Speaker 1: Gone, so she's pregnant, almost again, publicly shamed. Standing completely alone.
• 7:50
  Speaker 2: And immediately, like right after being thrown out, she runs
• 7:53
  Speaker 2: into someone else. The third wall appears almost instantly, a
• 7:56
  Speaker 2: man named Sovie. He's older, around fifty, a butcher known
• 7:59
  Speaker 2: to be quite wealthy, and crucially, he knows her story.
• 8:03
  Speaker 1: Okay, is he offering help?
• 8:05
  Speaker 2: He makes an offer that sounds like salvation. He says
• 8:07
  Speaker 2: he'll marry her officially registered marriage, and he promises to
• 8:12
  Speaker 2: register the baby when it's born under his name, give
• 8:15
  Speaker 2: it legal status.
• 8:16
  Speaker 1: That sounds almost too good to be true given everything.
• 8:19
  Speaker 1: Is there a catch?
• 8:20
  Speaker 2: Oh, there's a catch, a big one. The condition is
• 8:22
  Speaker 2: basically servitude. She has to live with him, yes, but
• 8:25
  Speaker 2: as his servant, essentially cater to his needs.
• 8:28
  Speaker 1: And let me guess, her mother suddenly reappears like clockwork.
• 8:33
  Speaker 2: The very next day. The mother shows up. Not to
• 8:36
  Speaker 2: offer support, of course, she's there to congratulate Rama. Why.
• 8:41
  Speaker 2: Because Rama has landed a wealthy official husband in Soby.
• 8:45
  Speaker 2: The mother sees a potential source of income for herself.
• 8:48
  Speaker 2: She's celebrating her daughter entering this. This state of servitude
• 8:52
  Speaker 2: is just awful.
• 8:52
  Speaker 1: So Rama accepts Soby's offer, she has the baby. Five
• 8:55
  Speaker 1: months later, a boy does Soby keep his promise.
• 9:00
  Speaker 2: The moment the baby is born, so Be completely reneges
• 9:02
  Speaker 2: on the most critical part of the deal. He flat
• 9:05
  Speaker 2: out refuses to register the child under his name.
• 9:07
  Speaker 1: No, so the baby has no legal father exactly.
• 9:10
  Speaker 2: And this failure it's not just another personal betrayal. This
• 9:13
  Speaker 2: is the final wall clicking in a place, the wall
• 9:15
  Speaker 2: of legal obliteration. Because without a legally recognized father, Rama
• 9:19
  Speaker 2: cannot get a birth certificate for her son.
• 9:21
  Speaker 1: Why is that single document so crucial? I mean it's paperwork, right,
• 9:25
  Speaker 1: but it sounds like it was everything here it is everything.
• 9:27
  Speaker 2: It's the absolute key to existence in the eyes of
• 9:29
  Speaker 2: the state, the system, and the immediate devastating consequence. The
• 9:34
  Speaker 2: local health office refuses to give the baby as vaccinations,
• 9:37
  Speaker 2: polio shots, the vital early ones. They tell her point flank,
• 9:41
  Speaker 2: no official birth certificate, no medical care. It's mandatory.
• 9:45
  Speaker 1: So the child is legally invisible and medically vulnerable.
• 9:49
  Speaker 2: Completely, and Rama is now caught in this impossible lupi
• 9:52
  Speaker 2: mentioned earlier. She tries everything. One she goes back to
• 9:55
  Speaker 2: saying the biological father begs him, FLEs with him, just
• 9:59
  Speaker 2: register the child's we can get medical help. He physically
• 10:01
  Speaker 2: throws her out violently. Two she appeals to Soby, her
• 10:05
  Speaker 2: official husband. He says, fine, she can stay in his house,
• 10:07
  Speaker 2: live there, but the child unregistered, no concern of his.
• 10:11
  Speaker 2: Three she calls her mother, her last resort. The mother
• 10:14
  Speaker 2: tells her, it's your problem, handle it yourself, wow.
• 10:17
  Speaker 1: Just shut down at every single.
• 10:18
  Speaker 2: Turn, every single turn. So for six months after the birth,
• 10:22
  Speaker 2: Rama is living in Sobey's house, but she's standing right
• 10:25
  Speaker 2: in front of that heta sod those three concrete walls.
• 10:28
  Speaker 2: Wall one, her mother's total rejection, Wall two, who seems
• 10:33
  Speaker 2: predatory abuse and abandonment Wall three, Sobey's legal entrapment weaponizing
• 10:38
  Speaker 2: the system against her child. Her son can't get essential
• 10:40
  Speaker 2: medical care. His entire future is this blank, unregistered void.
• 10:45
  Speaker 2: Every single path is blocked.
• 10:47
  Speaker 1: The psychological pressure, it's hard to even imagine. We heard
• 10:50
  Speaker 1: she actually thought about leaving the baby somewhere like a mosque.
• 10:53
  Speaker 2: She did. She considered abandoning him, hoping someone, maybe a charity,
• 10:57
  Speaker 2: would find him and give him a life and exist
• 11:00
  Speaker 2: she could provide. But the sources mentioned something profound that
• 11:03
  Speaker 2: happened the night she considered this, She had a dream.
• 11:06
  Speaker 2: In the dream, she successfully leaves him at the mosque,
• 11:09
  Speaker 2: years past. She sees him on the street, grown up,
• 11:12
  Speaker 2: a young man, and he walks right past her, doesn't
• 11:14
  Speaker 2: recognize her at all.
• 11:15
  Speaker 1: Oh that's heartbreaking.
• 11:16
  Speaker 2: That dream, the sheer agony of being erased from her
• 11:20
  Speaker 2: own son's existence, even in a dream where he survived. Yeah,
• 11:24
  Speaker 2: that seemed to be the final straw. She wakes up
• 11:28
  Speaker 2: and she's resolved she cannot abandon him to a world
• 11:32
  Speaker 2: that has already denied his very existence.
• 11:34
  Speaker 1: To what happens next, she just.
• 11:35
  Speaker 2: Goes through the motions, makes breakfast for Soby, like any
• 11:38
  Speaker 2: other day he leaves for work, and then the weight
• 11:41
  Speaker 2: of it all, the six months of dead ends, the rejection,
• 11:44
  Speaker 2: the fear for her son, the dream, it just crushes her.
• 11:47
  Speaker 2: The sources suggest she just lost control. That Rama wasn't
• 11:50
  Speaker 2: really there anymore in that moment, It was someone else,
• 11:52
  Speaker 2: driven by pure unbearable stress. She goes into the room
• 11:54
  Speaker 2: where her six month old son is sleeping, and she
• 11:57
  Speaker 2: strangles him. It's devastating quiet, but born from this utterly
• 12:01
  Speaker 2: warped logic. If she couldn't guaranteee his life, his existence,
• 12:05
  Speaker 2: maybe she could protect him from the suffering and oblivion
• 12:08
  Speaker 2: that non existence promised.
• 12:09
  Speaker 1: My God, And after.
• 12:11
  Speaker 2: She did it, she just closed the door to the room,
• 12:14
  Speaker 2: and then she wandered the streets for six hours, just walking.
• 12:19
  Speaker 2: The sources say, the tape of her life, the betrayals,
• 12:22
  Speaker 2: the walls, the final act, just played over and over
• 12:25
  Speaker 2: in her head relentlessly, until eventually she found herself walking
• 12:29
  Speaker 2: into that police station ready to confess.
• 12:32
  Speaker 1: Which brings us back to the beginning. But the story
• 12:34
  Speaker 1: takes another twist during the investigation, doesn't.
• 12:37
  Speaker 2: It a really shocking one? The police take Rama back
• 12:39
  Speaker 2: to Sovie's house, the scene of the crime. Sovie answers
• 12:42
  Speaker 2: the door. He seems calm, almost unconcerned.
• 12:45
  Speaker 1: And when they go to the room where Rama said
• 12:47
  Speaker 1: her son.
• 12:48
  Speaker 2: Was, the baby's body's gone, vanished, gone.
• 12:51
  Speaker 1: So the police must have thought.
• 12:52
  Speaker 2: Initially, yeah, they suspected maybe Rama was delusional, suffering a
• 12:56
  Speaker 2: psychological break, maybe she'd imagine the whole thing, the killing.
• 12:59
  Speaker 2: The chief investigator he had a gut feeling. He pressed
• 13:03
  Speaker 2: soby hard suspected a cover up, and sobe broke he did.
• 13:08
  Speaker 2: Under pressure, he confessed what really happened. He admitted he
• 13:11
  Speaker 2: came home earlier than expected, found the baby dead in
• 13:14
  Speaker 2: the room. And what did he do? He immediately called
• 13:17
  Speaker 2: Rama's mother.
• 13:18
  Speaker 1: He called the mother, not the police.
• 13:21
  Speaker 2: No, he called the mother, told her to come over
• 13:23
  Speaker 2: and handle the situation, get rid of the body. His
• 13:25
  Speaker 2: only concern was making sure he was completely removed from
• 13:28
  Speaker 2: any responsibility, any connection to the death.
• 13:30
  Speaker 1: And the mother. What did she do?
• 13:32
  Speaker 2: This is perhaps the most chilling betrayal of all. The mother,
• 13:36
  Speaker 2: apparently terrified of losing her connection to the wealthy Sogi, agreed.
• 13:40
  Speaker 2: She and her own husband, Rama's stepfather, came to Sovie's house.
• 13:44
  Speaker 2: They took their grandson's body drove it to a place
• 13:47
  Speaker 2: called Al Kannetier and buried him secretly in a charity
• 13:52
  Speaker 2: cemetery plot. They never contacted Rama, never said a word
• 13:56
  Speaker 2: to her, just disposed of the body to protect the
• 13:58
  Speaker 2: mother's link to Sovie's money. That it's almost beyond comprehension. Eventually,
• 14:03
  Speaker 2: the authorities figured it out, went to El Kannetier, exhumed
• 14:06
  Speaker 2: the tiny body. The forensic reports confirmed it death by strangulation.
• 14:11
  Speaker 2: Just as Rama had confessed.
• 14:12
  Speaker 1: So Hussein, so be the mother. They were all questioned,
• 14:16
  Speaker 1: all of.
• 14:16
  Speaker 2: Them summoned by the police, and predictably, every single one
• 14:21
  Speaker 2: tried to deflect, blame, deny involvement, point fingers elsewhere. No
• 14:26
  Speaker 2: one took responsibility for their part in building those walls
• 14:29
  Speaker 2: around Rama.
• 14:30
  Speaker 1: And Rama herself are everything.
• 14:32
  Speaker 2: Well in a terribly twisted way. She felt she had
• 14:34
  Speaker 2: achieved something, a release for her son from a life
• 14:37
  Speaker 2: of suffering and non existence. Her only request after confessing,
• 14:41
  Speaker 2: after the truth came out, was that when she eventually died,
• 14:44
  Speaker 2: she wanted to be buried next to him.
• 14:45
  Speaker 1: When you look at this whole case, Rama obviously committed
• 14:48
  Speaker 1: a horrific act, the final act, but listening to the
• 14:51
  Speaker 1: chain of events. It feels like like the judgment shouldn't
• 14:53
  Speaker 1: fall solely on her.
• 14:55
  Speaker 2: I think that's what the source material really pushes us towards. Yes,
• 14:58
  Speaker 2: she committed the crime, but the people around her. The
• 15:02
  Speaker 2: mother who abandoned her, rejected her and then covered up
• 15:05
  Speaker 2: her grandchild's death for money. Hussain, the predator who assaulted her,
• 15:10
  Speaker 2: denied his child and threw her out. Soby, who used
• 15:13
  Speaker 2: her desperation, made false promises, and weaponized the legal system
• 15:17
  Speaker 2: against an infant. You could argue they are equally profoundly culpable.
• 15:21
  Speaker 2: They didn't just fail her, They actively constructed the prison
• 15:24
  Speaker 2: she found herself in. They built the heat a soad.
• 15:27
  Speaker 1: It really forces you, the listener, to grapple with such
• 15:30
  Speaker 1: a disturbing question, doesn't it? What happens when all the
• 15:33
  Speaker 1: systems fail someone family, trust the law itself through that
• 15:37
  Speaker 1: missing birth certificate? What happens when everything designed to protect
• 15:41
  Speaker 1: instead conspires to crush exactly?
• 15:44
  Speaker 2: Ramo was judged understandably for lacking motherly instinct. But was
• 15:48
  Speaker 2: that final terrible act? Was it, in some unimaginable way,
• 15:52
  Speaker 2: an extreme distorted form of protection, protection from a life
• 15:56
  Speaker 2: guaranteed to be filled with suffering invisibility and constant reject
• 16:00
  Speaker 2: because he legally didn't exist. Where does the real failure
• 16:03
  Speaker 2: lie in a situation like that?
• 16:05
  Speaker 1: Just think about the power of a single piece of paper,
• 16:07
  Speaker 1: a birth certificate, the power to grant existence, and the
• 16:11
  Speaker 1: destructive spiral that begins when that basic recognition is denied,
• 16:15
  Speaker 1: actively denied by those around you. It leaves you wondering
• 16:18
  Speaker 1: when every door is a wall, what choices are truly left?
• 16:21
  Speaker 1: What happens when the only options seem to be suffering
• 16:23
  Speaker 1: or oblivion. It's a question that stays with you long
• 16:25
  Speaker 1: after you hear im a story