Latest / Prompt Air / Grammy 2027 - Push to the “GOET”

Transcript

Grammy 2027 - Push to the “GOET” · Prompt Air

• 0:00
  We look at a lot of strategic roadmaps on this
• 0:02
  show. Usually it's, you know, a tech startup
• 0:04
  trying to IPO, maybe a brand trying to go viral.
• 0:06
  But today's deep dive is something else entirely.
• 0:11
  We're looking at a document called the HaYVV3N2030EJOT
• 0:16
  Run. It is wild. It is. It's a blueprint by a
• 0:20
  Milwaukee entrepreneur, Nimrod Nimmy Allen III.
• 0:23
  And the goal. The big one. Win an Emmy, Grammy,
• 0:26
  Oscar, and a Tony, all by 2030. But the method
• 0:30
  isn't just get famous. It's about building what
• 0:33
  he calls a heritage futurist ecosystem. Right.
• 0:36
  Dexter Monroe, LLC. And it's funded by and you
• 0:39
  really have to stop and process this 19th century
• 0:42
  printing technology. I had to double check that
• 0:43
  part. So he's weaponizing these like legacy physical
• 0:46
  artifacts to fund really avant -garde digital
• 0:48
  art. It's a total disruption strategy. But instead
• 0:51
  of the usual move fast and break things, he's
• 0:53
  slowing down to print things on stone. OK, before
• 0:55
  we get to the lithography, we have to profile
• 0:57
  the architect here because the vibe isn't starving
• 0:59
  artist. It feels much more regimented. And that's
• 1:03
  because Alan is a former U .S. Marine. He served
• 1:05
  in Iraq and Afghanistan. You can see that military
• 1:08
  doctrine baked into the whole business structure.
• 1:10
  He was also a political candidate, right? Founded
• 1:12
  the IDE party. Exactly. Yeah. So he thinks in
• 1:15
  terms of campaigns and operations, not just gigs.
• 1:19
  And that leads to this idea of the sovereign
• 1:22
  operator. The notes make a really clear distinction
• 1:25
  between Alan, the guy, and Dexter Monroe, which
• 1:29
  is the corporate persona. It's a protective layer.
• 1:32
  Think of it like a stage name, but for corporate
• 1:36
  governance. Dexter Monroe lets him operate with
• 1:39
  a certain detachment. And under that umbrella,
• 1:41
  he's just vertically integrating everything.
• 1:42
  He's not out there looking for a record deal.
• 1:44
  No, he built the infrastructure himself. Nowhere
• 1:47
  fast publishing for distribution and Alan Curtis
• 1:50
  capital for the money. So he controls the whole
• 1:53
  stack. The whole stack. And what anchors it all,
• 1:55
  what gives it this sort of moral imperative is
• 1:58
  YFood. It's a nonprofit. focused on herby agriculture.
• 2:02
  Right, in Milwaukee. It turns unused real estate
• 2:05
  into food sources, so it gives the whole media
• 2:07
  empire this deep community grounding. Okay, so
• 2:11
  the structure is there, but you still need capital
• 2:14
  to chase a Grammy. And this is where that heritage
• 2:17
  futurist idea gets very, very literal. This is
• 2:21
  the engine, the legacy lithographic miniatures.
• 2:23
  See, Alan is betting that in a world drowning
• 2:26
  in digital stuff, texture creates value. And
• 2:30
  he's using legacy lithography, which is a process
• 2:32
  from what, 1796? That's the one. For anyone who
• 2:36
  hasn't been in a print shop lately, it's that
• 2:38
  old chemical process. It relies on the simple
• 2:40
  fact that oil and water don't mix. So he's using
• 2:43
  it to create these high fidelity physical collectibles
• 2:46
  like trading cards. Essentially, yeah. He calls
• 2:48
  them paraphernalia. And he sells these physical
• 2:51
  items to a coalition of investors to fund the
• 2:54
  digital projects. It's basically selling baseball
• 2:56
  cards to build a startup. So that brings us to
• 2:58
  the roadmap. He uses that money to fund phase
• 3:01
  one. The Grammy. And he's not trying to win album
• 3:04
  of the year against, you know, the biggest pop
• 3:05
  stars in the world. No, it's a sniper shot. Exactly.
• 3:08
  He's targeting best audiobook narration and storytelling.
• 3:12
  It's a category that's often more accessible
• 3:15
  for independents. The vehicle for that is a project
• 3:18
  called Prompt Air. Which sounds like a tech app,
• 3:22
  but it's not. No, it's a serialized audio drama
• 3:24
  about the Great Migration and the Pullman Quarters.
• 3:28
  It fits the spoken word category perfectly. If
• 3:31
  Prompt Air gets that nomination, say... Late
• 3:34
  2026, early 2027. That's the proof of concept.
• 3:37
  It unlocks everything else. The credibility is
• 3:40
  everything. Then you get to phase two, the visual
• 3:42
  phase. The Emmy and the Oscar. For the Emmy,
• 3:44
  the plan pivots to animation with the Young Pudge
• 3:47
  animated series. For the Oscar, it's a film called
• 3:50
  The Big Little H. All distinct IP for the specific
• 3:52
  academies. But the Tony Award strategy, that's
• 3:55
  where the heritage idea loops right back to the
• 3:57
  real estate, to the nonprofit. This is the most
• 3:59
  ambitious part by far. It's not just about putting
• 4:02
  on a play. It involves revitalizing the historic
• 4:04
  Trimborne Farms estate in Wisconsin. So turning
• 4:07
  a farm into a theater venue? Into a cultural
• 4:10
  hub for immersive theater. And they're developing
• 4:13
  a great migration augmented reality game to go
• 4:16
  with it. Wow. So the idea is you overlay digital
• 4:19
  history onto the physical fight. You're walking
• 4:21
  through this historic farm, but you're seeing
• 4:23
  the past through AR. It really is a synthesis
• 4:25
  of everything. You have the marine discipline,
• 4:28
  the old school printing press funding, and this
• 4:30
  high tech Afrofuturist storytelling all converging.
• 4:33
  The brand philosophy says it all. Defy physics,
• 4:37
  define reality. He's arguing that to change your
• 4:40
  reality, you have to break the so -called physics
• 4:42
  of how the entertainment industry works. It's
• 4:44
  a fascinating case study in just bypassing the
• 4:48
  gatekeepers. And doing it with heavy paper and
• 4:50
  ink. So here's a thought to leave you with. In
• 4:52
  an age where content is generated in seconds
• 4:54
  by AI, where everything feels fleeting, is the
• 4:57
  smartest way to define reality actually a return
• 4:59
  to stone, oil, and water? Keep an eye on those
• 5:02
  Grammy nominations in 2026. If Prompt Air makes
• 5:05
  that list, This roadmap might not be so crazy
• 5:08
  after all. Thanks for listening to this deep
• 5:10
  dive.