Latest / X Minus One | Old Time Radio / X Minus One - "Dr Grimshaw's Sanitarium" (Old Time Radio, 1955)
Transcript
- 0:00Speaker 1: Private Detective John Dougherty is called into a cemetery accident
- 0:03Speaker 1: involving a coffin whose expected occupant is missing. His inquiry
- 0:08Speaker 1: takes him undercover to Dr. Grimshaw's private sanitarium outside Gawanda,
- 0:12Speaker 1: New York, where the patients are uneasy and the staff
- 0:15Speaker 1: offers few answers. From NBC's X-1, this is Episode 9, Dr.
- 0:22Speaker 1: Grimshaw's Sanitarium, first heard July 14, 1955. The drama adapts
- 0:29Speaker 1: a Fletcher Pratt story first published in Amazing Stories in 1934,
- 0:35Speaker 1: with Fred Wyhe directing a cast that includes Arthur Maitland,
- 0:39Speaker 1: Bill Lipton, Peter Capel, Rosemary Prince, Leon Janney, and Frank Milano.
- 0:46Speaker 2: And now, the original broadcast.
- 0:52Speaker 3: Countdown for blastoff.
- 0:54Speaker 4: X minus 5, 4, 3... Two.
- 0:59Speaker 2: X minus one. Fire.
- 1:27Speaker 3: From the far horizons of the unknown come transcribed tales
- 1:30Speaker 3: of new dimensions in time and space. These are stories
- 1:34Speaker 3: of the future, adventures in which you'll live in a
- 1:36Speaker 3: million could-be years on a thousand maybe worlds. The National
- 1:40Speaker 3: Broadcasting Company, in cooperation with Street & Smith, publishers of
- 1:43Speaker 3: astounding science fiction, presents.
- 1:46Speaker 5: X minus 1.
- 2:00Speaker 2: Tonight's story, Dr. Grimshaw's Sanitarium.
- 2:15Speaker 3: What you will hear in the next half hour represents
- 2:17Speaker 3: either a magnificent hoax or the true explanation of the
- 2:21Speaker 3: famous Grimshaw Sanitarium scandal which made the headlines back in 1947.
- 2:25Speaker 3: The manuscript upon which this account is based was removed
- 2:30Speaker 3: by the New York State Police from a fountain pen
- 2:32Speaker 3: cover found in the doorway to Dr. Grimshaw's study. We
- 2:36Speaker 3: offer this manuscript as evidence only. Whether it is authentic
- 2:40Speaker 3: or not, you must judge for yourselves.
- 2:47Speaker 2: My name is John Dougherty.
- 2:49Speaker 6: I'm a graduate of Hamilton College, class of 34, a
- 2:52Speaker 6: member of Theta Alpha. I'm one of those fools who
- 2:55Speaker 6: wanted some excitement in life, so instead of going into
- 2:58Speaker 6: my father's shoe business, I became a private detective.
- 3:01Speaker 2: These are facts. You can check them if you like.
- 3:04Speaker 6: The rest of what I write here is so fantastic
- 3:06Speaker 6: that I don't expect it to be believed. If anyone
- 3:10Speaker 6: should find this manuscript and read it, all I ask
- 3:13Speaker 6: is that you notify Miss Millicent Armbruster of 299 Wallace Avenue, Buffalo,
- 3:18Speaker 6: that Johnny Dougherty is dead. On the evening of July 1st,
- 3:25Speaker 6: Miss Armbruster and I were driving to a wedding.
- 3:28Speaker 2: Not our own, although I wish it had been. It
- 3:31Speaker 2: was Sunday.
- 3:32Speaker 6: And in order to avoid traffic, I took the Old
- 3:34Speaker 6: Mill Road, a single-lane dirt affair that runs past the
- 3:36Speaker 6: Gawanda Cemetery.
- 3:41Speaker 4: Johnny, aren't you going too fast?
- 3:42Speaker 2: Not for this road. There's nothing around except some tombstones and.
- 3:45Speaker 7: Johnny, the gate to the cemetery.
- 3:46Speaker 2: What about it? That hearse, look out! Look out!
- 3:51Speaker 6: We skidded for about 20 feet and slammed into the
- 3:52Speaker 6: back of the hearse. The two rear doors buckled.
- 3:55Speaker 2: And snapped open. It was a freak.
- 3:57Speaker 6: A huge oak coffin with brass handles tipped up and
- 3:59Speaker 6: began slowly to slide back toward us.
- 4:01Speaker 2: Oh, how horrible. You stay right here, baby. You okay, Mac?
- 4:09Speaker 8: You don't pay much attention to speed limits, do you, Jack?
- 4:12Speaker 6: Now, look, let's not get hung up on who was
- 4:14Speaker 6: right and who was wrong. I was going too fast
- 4:16Speaker 6: and you were traveling without lights after dark.
- 4:18Speaker 8: Let's see your driver's license.
- 4:19Speaker 2: Right here.
- 4:20Speaker 9: Okay.
- 4:22Speaker 2: Private Eye, eh? If you don't mind, who does this
- 4:26Speaker 2: joy wagon belong to?
- 4:28Speaker 8: Go on to funeral service. It's being rented to Grimshaw.
- 4:32Speaker 4: Who?
- 4:33Speaker 8: Grimshaw from the private sanitarium.
- 4:35Speaker 6: Mind if I ask what you were doing after dark
- 4:37Speaker 6: coming out of a cemetery with a wooden kimono?
- 4:39Speaker 8: We're moving one of Grimshaw's patients to a new grave.
- 4:42Speaker 2: They always travel like this?
- 4:43Speaker 8: Look, Hawkshaw, how about skipping the third degree and giving
- 4:46Speaker 8: me a hand getting this box back in the wagon?
- 4:49Speaker 2: A pleasure.
- 4:50Speaker 6: Better screw on that cover again. It's going to slide off.
- 4:52Speaker 8: Let's get it in the hearse first.
- 4:53Speaker 2: Okay, Junior. You get on that end. Okay.
- 4:57Speaker 8: You ready? Yeah, lift.
- 5:00Speaker 10: Just slide it.
- 5:01Speaker 2: Oh, brother, who's in there, King Kong? Look out for
- 5:04Speaker 2: the cover. I told you that would ha.
- 5:09Speaker 2: It's a guy's name, Junior.
- 5:10Speaker 8: Oh, why don't you ask him, Sherlock Holmes?
- 5:13Speaker 2: A real wise guy, huh? I've got half a mind
- 5:14Speaker 2: to report this accident. Well, go ahead.
- 5:18Speaker 4: See where it gets you.
- 5:21Speaker 8: Now, if you'll pardon me, I'll deliver the body.
- 5:30Speaker 2: Everything all right, Johnny?
- 5:31Speaker 6: I thought so until a few seconds ago. Listen, Malik,
- 5:33Speaker 6: can you sit here in the car for another five minutes?
- 5:35Speaker 10: Where are you going?
- 5:36Speaker 2: For a stroll through the cemetery.
- 5:37Speaker 4: Johnny, stop making jokes.
- 5:38Speaker 6: When we lifted that coffin back on the meat wagon,
- 5:40Speaker 6: I got a good look inside it. Yeah, exactly how
- 5:43Speaker 6: I felt. I figured we'd knock the stuffing out of
- 5:45Speaker 6: the corpse, only I didn't expect the stuffing to be sand.
- 5:48Speaker 2: What?
- 5:48Speaker 5: Yes.
- 5:49Speaker 6: That wasn't a body. That was a dummy stuffed with sand.
- 5:51Speaker 6: A dummy with a wax face.
- 5:52Speaker 4: Johnny!
- 5:53Speaker 6: Which brings up an interesting question. Who's supposed to be
- 5:56Speaker 6: in that box and, uh... Just where is the dead
- 5:59Speaker 6: man spending his time? Sometimes in my business, when things
- 6:08Speaker 6: drop off, you have to go out and, uh, well,
- 6:11Speaker 6: dig up new clients. My next case was a gentleman
- 6:15Speaker 6: named Harlan Ward Sr., a wealthy automobile manufacturer. I'd gotten
- 6:19Speaker 6: his name off his son's tombstone.
- 6:21Speaker 11: Are you trying to tell me, Doherty, that my son
- 6:24Speaker 11: Harlan was never buried at Gowana Cemetery?
- 6:27Speaker 2: Exactly, Mr.
- 6:28Speaker 8: Wood.
- 6:28Speaker 2: But why?
- 6:29Speaker 6: Maybe if you'll tell me the circumstances surrounding your son's death,
- 6:31Speaker 6: I can help answer that.
- 6:33Speaker 11: My son was a rather impetuous young man. Tall, good-looking.
- 6:38Speaker 11: After his graduation from Princeton, he began drinking quite heavily.
- 6:42Speaker 11: After he got into a couple of scrapes, we sent
- 6:44Speaker 11: him to Dr. Grimshaw's sanitarium in the hopes that he
- 6:48Speaker 11: could be cured. While my wife and I were in Europe,
- 6:51Speaker 11: we received word that he'd died. Buried at Gwana in
- 6:54Speaker 11: our absence. Last week, my wife and I decided to
- 6:58Speaker 11: have his body removed to the family vault here at
- 7:00Speaker 11: Short Hills.
- 7:01Speaker 2: How'd your son die? Suicide. You never saw the body?
- 7:06Speaker 11: No. We couldn't get back from Europe in time. Now
- 7:10Speaker 11: you tell me that his coffin contains a dummy. How
- 7:15Speaker 11: do I know this whole thing isn't a plan to
- 7:17Speaker 11: fleece me?
- 7:17Speaker 8: You don't.
- 7:19Speaker 2: But you're a rich man, Mr.
- 7:20Speaker 6: Ward, and you're perfectly willing to take a chance that
- 7:22Speaker 6: I'm on the level and that your son may still
- 7:24Speaker 6: be alive.
- 7:25Speaker 11: You sound very sure of yourself, Mr. Dundee.
- 7:27Speaker 6: My fee is a $ 2, 000 retainer plus expenses.
- 7:31Speaker 2: What sort of expenses?
- 7:32Speaker 6: However much it costs to take the cure at Dr.
- 7:34Speaker 6: Grimshaw's Sanitarium. Dr. Grimshaw's Sanitarium was just outside Gawanda. Most
- 7:46Speaker 6: of the cases were nervous breakdowns and alcoholics. I committed
- 7:49Speaker 6: myself as a dipso, and just to make it convincing,
- 7:51Speaker 6: I stopped at five or six bars on the way over.
- 7:53Speaker 6: I was interviewed by Grimshaw himself, a small man with
- 7:57Speaker 6: a fringe of white hair.
- 7:58Speaker 10: You understand, Mr.
- 7:59Speaker 2: Doherty. That's not my real name, of course. Social reason.
- 8:02Speaker 10: We understand. Our paid clientele is very select, and our
- 8:04Speaker 10: rates are very high.
- 8:05Speaker 2: You'll be paid in cash and in advance, Dr. Grimshaw.
- 8:08Speaker 2: How long does a cure usually take?
- 8:11Speaker 10: That, of course, depends on the degree of alcoholism. assistant, Dr. Voyner.
- 8:17Speaker 2: How do you do? How do you do?
- 8:19Speaker 10: We are accepting Mr. Dorothy as a patient, but to
- 8:21Speaker 10: place him in the ward with Mr. Kay and Mr. Cakey.
- 8:24Speaker 2: Mr.
- 8:25Speaker 10: Kay is a long-term patient, Mr. Dorothy, a highly intelligent man,
- 8:29Speaker 10: formerly a professor of plant pathology.
- 8:31Speaker 5: Mr.
- 8:31Speaker 10: Cakey suffers mild delusions. I think you'll find him rather amusing.
- 8:43Speaker 6: After about three days, my roommates Arthur Kay and Crakey
- 8:46Speaker 6: got used to me. And we even began to play
- 8:48Speaker 6: three-handed bridge. Kay was a chronic dope addict, an intelligent,
- 8:52Speaker 6: sensitive man. Crakey was nothing but a clown. He kept
- 8:56Speaker 6: a big black cat named the Professor, which he talked
- 8:59Speaker 6: to as if it were human.
- 9:00Speaker 7: And so I said to her, my dear Countess, if
- 9:03Speaker 7: you don't like the company of my cat, then you
- 9:06Speaker 7: don't like me.
- 9:07Speaker 4: She looked at me as if I were insane. But
- 9:10Speaker 4: of course the joke was on her because I was. Eh, Professor?
- 9:16Speaker 4: The Professor is very sociable. Excellent company.
- 9:18Speaker 12: Except when he kills birds and deposits them in your bed.
- 9:22Speaker 12: He's nothing but a feline murderer as far as I'm concerned.
- 9:27Speaker 4: Ah, see? You have insulted him, Mr. K.
- 9:31Speaker 2: Come here, Professor. Let's make friends. How about giving me
- 9:33Speaker 2: your paw?
- 9:34Speaker 9: Uh-oh!
- 9:36Speaker 2: Scratch me, you black devil.
- 9:38Speaker 4: You insulted him. You hurt his feelings.
- 9:41Speaker 2: Well, just keep him away from me.
- 9:43Speaker 4: It will be a pleasure.
- 9:44Speaker 7: I would advise you not to insult him again. Good
- 9:49Speaker 7: afternoon and evening.
- 9:54Speaker 2: Is he always as nuts as that?
- 9:56Speaker 4: Ever since I've been here.
- 9:58Speaker 12: What's his problem? Manic, depressive, and a little paranoid, too.
- 10:04Speaker 12: How long have you been here, Arthur?
- 10:07Speaker 2: Two years.
- 10:09Speaker 12: I left for a while, but I couldn't stay away
- 10:11Speaker 12: from the junk, so I committed myself again.
- 10:14Speaker 6: Did you happen to know a patient here named Harlan
- 10:18Speaker 6: Ward and Why do you ask that?
- 10:21Speaker 2: Did you know him? I met him socially a few times.
- 10:23Speaker 2: I understand he died here. So the newspapers said.
- 10:27Speaker 4: I wouldn't know.
- 10:29Speaker 2: Suicide, wasn't it?
- 10:32Speaker 1: Was it?
- 10:34Speaker 2: You're being pretty careful, aren't you?
- 10:36Speaker 7: Mr.
- 10:37Speaker 12: Doherty, what would you say if I were to tell
- 10:39Speaker 12: you that I don't believe Holland Ward is dead? What
- 10:44Speaker 12: makes you so certain? He used to share this room
- 10:46Speaker 12: with us. He slept in the same bed you now use.
- 10:50Speaker 2: I see. He was an alcoholic, doing quite well, too.
- 10:53Speaker 12: From what I could observe, we all expected him to
- 10:56Speaker 12: go home soon. Then one evening he had a violent
- 10:59Speaker 12: fight with Craigie. Craigie accused him of snooping or something.
- 11:03Speaker 12: Later that night, Grimshaw and Voyner took him out.
- 11:09Speaker 4: Where?
- 11:10Speaker 12: They take all the special treatment cases to the charity clinic.
- 11:15Speaker 12: It's that small building on the other side of the
- 11:16Speaker 12: stone wall. A few days later, we read about his death. Suicide,
- 11:24Speaker 12: they said. That's what makes you think he's still alive, Arthur.
- 11:29Speaker 2: This?
- 11:32Speaker 12: About a month ago, I was in the garden next
- 11:34Speaker 12: to the wall that separates us from the charity clinic. Suddenly,
- 11:37Speaker 12: I thought I heard a sound, like a child whimpering.
- 11:41Speaker 2: It stopped.
- 11:42Speaker 10: And a moment later, this note.
- 11:44Speaker 4: Came over the wall, wrapped around a stone.
- 11:45Speaker 2: What's it say?
- 11:47Speaker 12: Help me, for God's sake, Harlan Ward. Arthur, how would
- 11:53Speaker 12: you like to have some fun?
- 11:54Speaker 2: Like what? Like sneaking out tonight and going over the
- 11:56Speaker 2: wall to the charity ward. What do you say? It
- 12:00Speaker 2: would break the monotony a little. I suppose there's no
- 12:03Speaker 2: real harm in it. Of course not. I'd go alone,
- 12:05Speaker 2: but I'll need help scaling the wall. Will you do it?
- 12:08Speaker 4: All right.
- 12:11Speaker 5: I'll go with you. All clear.
- 12:23Speaker 10: Give me your hand and I'll lift you.
- 12:25Speaker 2: Be careful when you drop. Ready?
- 12:30Speaker 10: Go ahead.
- 12:37Speaker 2: There's a charity building over there.
- 12:38Speaker 10: The one with the lights in the basement window.
- 12:40Speaker 2: Come on. Let's crawl over. Maybe we can see something.
- 12:45Speaker 13: Shh.
- 12:48Speaker 2: Listen. Can you make out what he's saying? No, I
- 12:51Speaker 2: can barely hear.
- 12:54Speaker 10: Good Lord.
- 12:54Speaker 5: What was that?
- 12:55Speaker 10: Probably some patient having the DTs.
- 12:57Speaker 5: Let's have a look.
- 12:59Speaker 2: Easy it wouldn't do to get caught now. See anything?
- 13:06Speaker 10: Some sort of laboratory. I can see Grimshaw and Voyn
- 13:09Speaker 10: and something else.
- 13:10Speaker 2: What? There's a child with its back toward me.
- 13:12Speaker 4: Now take it quietly.
- 13:13Speaker 2: It will be easy.
- 13:15Speaker 4: Please don't.
- 13:16Speaker 10: It will all be over soon. You won't remember anything.
- 13:19Speaker 3: No, I don't want to go.
- 13:21Speaker 5: Boina, give it to him.
- 13:22Speaker 9: No, no.
- 13:23Speaker 5: Cut him up, Boina.
- 13:26Speaker 4: Good Lord.
- 13:27Speaker 10: What was it?
- 13:28Speaker 2: What did they do to that child?
- 13:30Speaker 10: Arthur, that wasn't a child. It was a midget. The
- 13:35Speaker 10: smallest midget I've ever seen.
- 13:36Speaker 5: What were they doing?
- 13:37Speaker 2: Trying to give it some sort of injection. When it resisted,
- 13:39Speaker 2: Boina knocked it out.
- 13:40Speaker 10: What do you suppose they were doing to it?
- 13:42Speaker 2: I don't know, Arthur. All I know is that when
- 13:44Speaker 2: it fell, it had the face of Harlan Ward.
- 13:57Speaker 6: All the way back to our room, my brain was
- 13:59Speaker 6: working like some frantic pinball machine, only the score somehow
- 14:01Speaker 6: wouldn't add up.
- 14:03Speaker 2: The pieces were there all right.
- 14:04Speaker 6: A crazy old doctor, a brutal assistant, a private sanitarium,
- 14:07Speaker 6: and a midget with a dead man's face.
- 14:10Speaker 2: I thought that when I got back to our room,
- 14:11Speaker 2: I'd have some.
- 14:11Speaker 6: Time to think about it. I'd forgotten about our friend,
- 14:15Speaker 6: the happiness boy, Count Crakey.
- 14:22Speaker 2: Oh, I've caught you. Fine, you've caught us.
- 14:24Speaker 6: Now how about crawling back into the woodwork like a
- 14:26Speaker 6: good little count?
- 14:27Speaker 4: Where were you?
- 14:27Speaker 2: Mink hunting. Arthur and I like to go mink hunting
- 14:30Speaker 2: at night.
- 14:30Speaker 4: You make fun of Count Craigay? I shall report you
- 14:34Speaker 4: to Dr.
- 14:35Speaker 8: Voyner.
- 14:35Speaker 2: You'd better not if you know what's good for you.
- 14:37Speaker 4: Oh, you threaten me.
- 14:39Speaker 10: Me, Count Craigay.
- 14:41Speaker 4: I shall scream for help.
- 14:42Speaker 3: Help! Help!
- 14:46Speaker 2: Did you hurt him? Just knocked him out.
- 14:47Speaker 12: What do we do now?
- 14:48Speaker 2: Put him to bed. Hope that when he wakes up
- 14:49Speaker 2: in the morning, he's forgotten the whole thing.
- 14:51Speaker 1: And if he hasn't?
- 14:51Speaker 6: He's too crazy for them to take seriously anyway. Come on,
- 14:54Speaker 6: let's get him back into bed. I went to sleep
- 15:05Speaker 6: in my own room. And the next thing I felt
- 15:07Speaker 6: was the sharp jab of the hypodermic needle in my
- 15:09Speaker 6: left arm.
- 15:10Speaker 10: Hold it. It'll be useless to struggle, Mr.
- 15:13Speaker 11: Dorothy.
- 15:13Speaker 10: In a moment, your motor nerves will be completely paralyzed.
- 15:16Speaker 2: Hurts us about, Grimshaw.
- 15:17Speaker 10: I might ask the same of you. My good friend
- 15:19Speaker 10: Count Craigie informs me you and Mr. K decided to
- 15:22Speaker 10: do some snooping earlier tonight. He followed you and saw
- 15:25Speaker 10: you climb the wall.
- 15:26Speaker 2: Craigie's insane.
- 15:27Speaker 4: Mr. Dougherty, that is a matter of opinion.
- 15:31Speaker 2: Craigie, what is this?
- 15:33Speaker 4: Perhaps my assistant, Dr. Grimshaw, would be good enough to explain.
- 15:37Speaker 5: Assistant?
- 15:38Speaker 2: Yes.
- 15:40Speaker 7: You see, I am the actual head of the Grimshaw sanatorium.
- 15:44Speaker 10: Count Craigie pains many delusions, Mr.
- 15:46Speaker 5: Dougherty.
- 15:47Speaker 10: But in this case, he is telling the truth. Count Craig,
- 15:49Speaker 10: he is actually Professor Ernst Hassler. Professor Hassler and I
- 15:53Speaker 10: worked together in the Berlin Neurological Institute before and during
- 15:57Speaker 10: the last war.
- 15:58Speaker 7: Unfortunately, my political affiliations with the Third Reich were under
- 16:02Speaker 7: investigation by the War Crimes Commission.
- 16:04Speaker 4: However, Dr.
- 16:05Speaker 7: Grimshaw managed to smuggle me into this country where I
- 16:08Speaker 7: masqueraded as a mental patient in order that we might
- 16:11Speaker 7: continue certain experiments which were interrupted by the American army.
- 16:16Speaker 2: I can imagine the sort of experiments you conducted.
- 16:18Speaker 10: You and your friend, Mr. K, will discover their exact
- 16:21Speaker 10: nature very shortly, Mr.
- 16:22Speaker 5: Doherty.
- 16:23Speaker 10: It is a magnificent opportunity to serve science.
- 16:35Speaker 2: I passed out.
- 16:37Speaker 6: And the next thing I knew, I was coming to
- 16:38Speaker 6: in a different room. And hearing the voices of Voyner, Grimshaw,
- 16:42Speaker 6: and Crakey as if from a great distance.
- 16:45Speaker 4: Pituitary.
- 16:46Speaker 10: Pituitary.
- 16:47Speaker 4: Four cc's.
- 16:49Speaker 10: Four cc's.
- 16:49Speaker 4: How are the measurements?
- 16:51Speaker 10: Reducing rapidly.
- 16:53Speaker 4: We'll operate at once.
- 16:54Speaker 7: Have Voyner start the anesthesia.
- 16:57Speaker 2: Very well, doctor.
- 16:58Speaker 5: Come in.
- 17:11Speaker 2: When I came to again, I had a blinding headache.
- 17:14Speaker 6: I began to wonder if Craigie and Grimshaw weren't doing
- 17:17Speaker 6: something to drive me insane.
- 17:19Speaker 2: Because I lost all sense of perspective. The room seemed
- 17:22Speaker 2: to grow in size. I don't know how much time passed, but.
- 17:27Speaker 6: One day, Craigie came into the room with a bundle
- 17:28Speaker 6: in his arms about the size of a newborn baby.
- 17:32Speaker 2: The bundle was my friend, Arthur Kay. And worse yet....
- 17:37Speaker 6: I was exactly the same size that he was.
- 17:39Speaker 4: Let me out of here. Let me out. Allow me
- 17:42Speaker 4: to congratulate you, gentlemen... How are you feeling?
- 17:46Speaker 2: You dirty monster.
- 17:48Speaker 4: I'm disappointed, gentlemen.
- 17:49Speaker 7: Do you not feel privileged to be a part of
- 17:51Speaker 7: an experiment that will place me at the very top
- 17:53Speaker 7: rank of the world's endocrinologists?
- 17:55Speaker 4: What are you doing to us, you madman?
- 17:58Speaker 7: It has long been established, gentlemen, that dwarfism and giantism
- 18:02Speaker 7: result from injury to or malfunction of the pituitary and
- 18:07Speaker 7: thyroid glands. The interlock between these glands was thought to
- 18:11Speaker 7: be a hormone. I have discovered that this was incorrect.
- 18:16Speaker 7: It was an enzyme.
- 18:18Speaker 4: An enzyme I isolated some years ago.
- 18:21Speaker 7: I was well on the way to synthesis in Germany
- 18:23Speaker 7: when the surrender interrupted me. The interruption also limited the
- 18:28Speaker 7: number and type of subjects on whom I could experiment.
- 18:31Speaker 7: I was forced to find others.
- 18:33Speaker 2: Such as Harlan Ward?
- 18:35Speaker 7: Mr.
- 18:35Speaker 4: Ward was only a control experiment.
- 18:38Speaker 10: I suppose you planned the same for us.
- 18:40Speaker 2: No, gentlemen.
- 18:42Speaker 4: For you, I have reserved a special privilege.
- 18:45Speaker 7: You gentlemen will be the first to test the full
- 18:48Speaker 7: effects of the enzyme.
- 18:50Speaker 4: In short, I intend that you, Mr. K., and you, Mr.
- 18:53Speaker 7: Doherty, when the experiment is completed, will emerge as perfectly healthy,
- 18:58Speaker 7: normal individuals.
- 19:00Speaker 4: Except, of course, that you will be only five inches tall.
- 19:05Speaker 9: The End.
- 19:12Speaker 2: The days and nights that followed were a living nightmare.
- 19:15Speaker 6: A nightmare from which Arthur and I awoke for brief
- 19:17Speaker 6: periods to find ourselves in a strange new world. A huge,
- 19:20Speaker 6: frightening world where everything seemed enlarged a hundred times. When
- 19:25Speaker 6: we finally emerged, we found ourselves imprisoned in a tiny
- 19:27Speaker 6: mouse cage. Judging by the relative size of things, we
- 19:31Speaker 6: could not have been more than five inches tall. Now
- 19:35Speaker 6: we realized the experiment was at an end. That from
- 19:38Speaker 6: now on, it was either escape Or be destroyed.
- 19:45Speaker 10: How's it coming, Arthur?
- 19:46Speaker 13: Another moment. I think I'll have this lock worked loose.
- 19:49Speaker 2: And.
- 19:50Speaker 13: if we escape, then what? We'll worry about that after
- 19:53Speaker 13: we get out of this mouse cage. Suppose we don't
- 19:55Speaker 13: make it. At least you've written the story on that
- 19:57Speaker 13: scrap of paper. Someone may find it and read it.
- 20:00Speaker 13: Nobody will believe it. Then why did you bother to
- 20:02Speaker 13: write it?
- 20:03Speaker 5: I don't know.
- 20:04Speaker 13: I suppose I want the world to know what happened
- 20:07Speaker 13: to me. Help me push the door open.
- 20:13Speaker 10: Now what?
- 20:14Speaker 13: The first job is getting down to the floor. I
- 20:17Speaker 13: think we can make it by sliding down the telephone cord.
- 20:19Speaker 5: Are you game? Go ahead.
- 20:21Speaker 13: I'm right behind you. Easy now.
- 20:23Speaker 10: Look out! That does it.
- 20:28Speaker 13: Now, if we can figure out a way to get
- 20:30Speaker 13: out of the room... That should be.
- 20:31Speaker 6: Uh-oh.
- 20:32Speaker 2: Listen.
- 20:33Speaker 5: Somebody's coming.
- 20:34Speaker 10: It must be Craigie.
- 20:35Speaker 2: We've got to hide. Here.
- 20:36Speaker 5: The crate in the fireplace.
- 20:37Speaker 13: He'll kill us if he finds us.
- 20:42Speaker 4: Well, my friends, time for feeding. I trust that you.
- 20:49Speaker 4: So, you have managed to break out. It won't do,
- 20:55Speaker 4: you know.
- 20:57Speaker 7: There is no way you could have gotten out of
- 20:58Speaker 7: the room with the door and window locked.
- 21:01Speaker 4: I know you are in here.
- 21:04Speaker 7: I would advise you to save yourselves trouble.
- 21:07Speaker 2: And give up.
- 21:11Speaker 4: Very well, my tiny friends.
- 21:13Speaker 7: If you prefer to play the game of cat and mouse,
- 21:17Speaker 7: then I shall be happy to furnish the cat.
- 21:23Speaker 4: There is no way you.
- 21:24Speaker 7: Can get out.
- 21:27Speaker 13: Now, he's gone for the cat. If that monster ever
- 21:29Speaker 13: gets in here, we're goners. There must be.
- 21:32Speaker 10: Wait a minute.
- 21:32Speaker 2: What?
- 21:33Speaker 4: You see that thin strand of wire.
- 21:34Speaker 13: Running along the molding?
- 21:35Speaker 10: What about it?
- 21:36Speaker 13: It's the automatic fire alarm. When the alarm is tripped
- 21:38Speaker 13: by a fire or short circuit, all the locks are
- 21:40Speaker 13: sprung so that the patients can escape from their rooms.
- 21:42Speaker 13: If I can short that wire before Craigie lets the
- 21:44Speaker 13: cat into the building, let's go. There's a tiny sliver
- 21:47Speaker 13: of steel from the cage on the floor.
- 21:48Speaker 2: I'll work with that.
- 21:49Speaker 13: You keep an ear to the door.
- 21:50Speaker 5: Go ahead.
- 21:52Speaker 13: This insulation is tucked as well. Hurry up, Arthur, for
- 21:55Speaker 13: God's sake.
- 21:56Speaker 4: There it is.
- 21:57Speaker 2: Stand away.
- 21:57Speaker 13: I'm going to short it.
- 21:58Speaker 2: Ready? Okay. We made it.
- 22:02Speaker 6: There goes the door.
- 22:02Speaker 13: Let's make a run for it down the hall. If
- 22:04Speaker 13: we can get to the garden, we've got a chance.
- 22:05Speaker 5: I smell smoke.
- 22:06Speaker 13: The short may have actually started a fire.
- 22:07Speaker 8: Come on.
- 22:07Speaker 2: Wait a minute.
- 22:08Speaker 10: I have to go back. The manuscript.
- 22:09Speaker 6: Don't be a fool.
- 22:09Speaker 8: There's no time.
- 22:10Speaker 1: Come on.
- 22:10Speaker 8: You go ahead.
- 22:11Speaker 11: I'll catch up.
- 22:11Speaker 13: Hurry up.
- 22:11Speaker 10: I'll wait in the hall.
- 22:12Speaker 13: Only a second.
- 22:13Speaker 2: I've got it.
- 22:16Speaker 12: Come on.
- 22:16Speaker 13: There's nothing to stop us now.
- 22:18Speaker 12: Arthur?
- 22:19Speaker 2: Where are you?
- 22:20Speaker 4: That's funny.
- 22:20Speaker 6: Arthur?
- 22:21Speaker 2: Arthur?
- 22:24Speaker 6: Arthur?
- 22:24Speaker 13: Arthur, what's.
- 22:30Speaker 9: Happened to you?
- 22:43Speaker 3: This is the record found in a fountain pen cover
- 22:46Speaker 3: in the burned-out hallway of Dr.
- 22:48Speaker 2: Grimshaw's sanitarium. There's nothing to add. Except that the fire.
- 22:52Speaker 3: Which destroyed the sanitarium and killed so many of its occupants,
- 22:55Speaker 3: including Dr. Grimshaw and Dr. Voyner, was definitely of incendiary nature.
- 23:00Speaker 3: It is believed by the fire chief that some small creature,
- 23:05Speaker 3: possibly a mouse, chewed the insulation off the wire and
- 23:09Speaker 3: short-circuited the system. The two patients, John Doherty and Arthur Kay,
- 23:16Speaker 3: vanished completely after the fire, and their remains were never found.
- 23:22Speaker 3: Whether the manuscript which you have just heard is authentic,
- 23:25Speaker 3: or whether it was the work of one of the
- 23:26Speaker 3: more demented inmates of the sanitarium, we leave to your judgment.
- 23:36Speaker 3: You have just heard X-1, presented by the National Broadcasting Company,
- 23:41Speaker 3: in cooperation with Street & Smith, publishers of astounding science fiction.
- 23:46Speaker 4: Your announcer, Fred Collins.
- 23:49Speaker 3: X minus one was directed by Fred Way and is
- 23:51Speaker 3: an NBC Radio Network production.
- 23:53Speaker 9: X minus one.
- 24:14Speaker 1: This has been X-1's Dr. Grimshaw's Sanitarium. Originally heard in 1955,
- 24:20Speaker 1: follow X-1 for more classic broadcasts.