Latest / 70 80 / SETTANTAxOTTANTA: 1983. Le Fun Fun diventano le regine della italo disco. Antonella Pepe racconta la sua esperienza e come sono nate

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SETTANTAxOTTANTA: 1983. Le Fun Fun diventano le regine della italo disco. Antonella Pepe racconta la sua esperienza e come sono nate · 70 80

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  The UPS Store. Be unstoppable. Come into your
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  local store today and get your print on. Appointment
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  with 70x80, where we deepen the topics dealt
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  with from the site 7080 .it. Today's guests,
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  Antonella Pepe, great protagonist of the scene
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  Italo Disco of the 80s, and still an important
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  vocalist. Good morning Antonella, you were among
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  the first members of the musical duo Fanfan,
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  together with Ivana Spagna. How was that experience
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  born? So, I worked with Ivana, by coincidence,
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  I found her in a recording studio when I was
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  little, and we did it together, for the first
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  time I worked with her, we did chorus, of a record
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  of, I don't remember if it was Ornella Vanoni
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  or Heather Parisi, with Fio Zanotti the arranger,
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  and I was called to replace a vocalist who at
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  that time had had a setback, and we met there.
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  She very kindly adopted me professionally, in
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  the sense that we got along well, and she called
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  me to do other jobs and other things together,
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  so when she did these fanfans that she produced,
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  she wrote the pieces, she wrote the lyrics, the
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  music, and arranged together with their partner,
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  Larry, and his brother. He called me to sing
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  with her this thing of fanfans, so she always
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  came by coincidence, by password, and so on.
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  Here we must remember that the FanFan were a
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  group of voices, in the sense that in rotation
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  you all sang in the FanFan duo. Yes, initially
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  there was Angela Parisi, Ivana Spagna, then I
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  added myself, or I don't remember if I added
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  myself later or if I left immediately, I have
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  empty memories. We did, the three of us, many,
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  many songs. And then, sometimes, maybe there
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  was not Angela, then came such Antonella Melone,
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  who is a very good real architect. even now because
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  the voices at the time lent themselves in quotation
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  marks for the projects it was really a phenomenon
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  of the time they lent you the voices but then
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  in the image phase in the video phase it could
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  happen that who was in front of the camera was
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  not the same person who sang exactly it is a
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  phenomenon of costume in my opinion it is fun
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  beautiful of those years they also asked me at
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  a certain point to interest the image better
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  at that moment I was working a lot as a vocalist
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  I wanted to continue my career career, to work
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  also in Italian discography, in Italian, etc.,
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  so I didn't accept it, in short, and that's fine,
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  it went well for me, in the sense that I don't
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  regret it. It was a beautiful thing, these girls
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  who gave the image were very good, very nice,
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  very good. MCL. Divisione Economico Fiscale.
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  The discs of the fanfans were printed on the
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  X -Energy label, if we want to say it in English,
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  by Alvaro Golini, with the contribution of Dario
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  Raimondi, two pieces from the 90s of Italo Disco.
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  How did you find yourself with them? Ah, very
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  well. I must say, I interacted perhaps more with
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  Alvaro than with Dario, for geographical locations
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  at the time. Anyway, two very nice people. I
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  remember a gentleman, just an elegance, Ennio
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  Raimondi, a very elegant man in the world. So
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  we recorded, many times we recorded in Reggio
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  Emilia or in the studio of Ivana and Larry at
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  the time or in the studio of Paolo Giannoglio
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  when he started to do the arrangements and I
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  don't remember ever recording in Milan, in Rome
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  never in fact I lived in Modena, I am from Modena
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  and therefore geographically we were all there
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  while the headquarters of the label is in Rome
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  if I remember correctly You have a very long
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  experience as a vocalist, you know it all now,
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  among other things you have also been a vocalist
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  at the Sanremo festivals. Moreover, you have
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  also lent your voice in the records of Vasco
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  Russi, Leroy Pausini, Eros Ramazzotti, Adriano
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  Celentano, Claudio Baglioni. Which of these experiences
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  left you the biggest mark? Apart from the fact
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  that they are all great and very good artists
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  and they all leave a mark, the emotion of that
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  day on stage remains, especially with those with
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  whom I went on tour. that they are not all these,
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  unfortunately. Then I have to say that with Claudio
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  Baglioni I am still working and we finished a
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  tour a week ago and so I have to say my emotional
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  bond, perhaps the one that is a little more consolidated,
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  is the one with Baglioni because it is the first
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  time I worked with him in 1991 and now we are
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  here again, we have done many albums in the meantime
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  and nothing, I feel very attached, even affectionately,
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  a questo artista ecco grazie quindi a Antonella
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  Pepe di essere stata ospite di 7080 .it e alla
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  prossima grazie a voi e buon tutto buon tutto
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  e buona musica avete ascoltato 70 per 80 ti ricordi
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