Latest / Mooney's Mythic Podcast / Cunning cunny's and the lost art of whistling
Transcript
- 0:01SPEAKER_00: Hello, hello, hello gorgeous people.
- 0:04SPEAKER_00: Hello listeners.
- 0:05SPEAKER_00: Hello beauties.
- 0:06SPEAKER_00: Hello my amazing, lovely, trusting people who have dared to put this on and have a little listen.
- 0:16SPEAKER_00: Thank you.
- 0:17SPEAKER_00: I really...
- 0:19SPEAKER_00: I'm really sourcing from a deep place, from an ancient place, I think, to bring this to you.
- 0:27SPEAKER_00: And it's bringing up lots of fear, lots of terror for me.
- 0:33SPEAKER_00: And I'm remembering that the word terror is the beginning of the word terrific.
- 0:39SPEAKER_00: And I hope that this is a terrific experience for you.
- 0:45SPEAKER_00: And this is my third podcast.
- 0:48SPEAKER_00: So it's been making me think about the number three, which is really important in fairy stories.
- 0:53SPEAKER_00: There's lots of threes, three little pigs, three wishes.
- 0:56SPEAKER_00: And we're going to have a bundle of three stories at the end of this podcast that
- 1:03SPEAKER_00: come in three in the Book of Grimm Tales.
- 1:06SPEAKER_00: The brothers collected them and bundled them all together.
- 1:11SPEAKER_00: And I noticed when I was reading different books to work out why they were so popular.
- 1:19SPEAKER_00: I was reading Harry Potter.
- 1:20SPEAKER_00: I was reading the first chapter of loads of books to think,
- 1:24SPEAKER_00: what is it about this book that really captured people's imaginations?
- 1:30SPEAKER_00: And I was reading Harry Potter.
- 1:31SPEAKER_00: And in the first chapter,
- 1:35SPEAKER_00: Different people say, the most famous boy in the world.
- 1:40SPEAKER_00: The boy's name on everybody's lips.
- 1:43SPEAKER_00: The boy who everyone will know.
- 1:45SPEAKER_00: And I thought, that's a spell.
- 1:51SPEAKER_00: That is a spell.
- 1:55SPEAKER_00: And she's a clever woman.
- 1:57SPEAKER_00: And she wouldn't have done that
- 1:59SPEAKER_00: by mistake, JK Rowling.
- 2:03SPEAKER_00: So I'm going to do the same here.
- 2:07SPEAKER_00: So I would, this podcast will be in everybody's ears.
- 2:13SPEAKER_00: This podcast will be listened to all over the world.
- 2:18SPEAKER_00: This podcast will be nectar to the soul of so many and a real sweet relief and deep
- 2:28SPEAKER_00: connecting journey for all those who listen that's my spell for today's podcast and
- 2:36SPEAKER_00: I wonder what it is that you want to magnetize in your life and if you could say it
- 2:45SPEAKER_00: out loud to someone or just you know wooden spoon in the kitchen or your steering
- 2:52SPEAKER_00: wheel
- 2:54SPEAKER_00: Just,
- 2:55SPEAKER_00: you know,
- 2:55SPEAKER_00: I find the washing machine gets a lot of conversation when I'm trying to work
- 3:02SPEAKER_00: things out.
- 3:04SPEAKER_00: I wonder what you would say three times that you wanted to really bring towards you
- 3:10SPEAKER_00: to really make happen in your life.
- 3:12SPEAKER_00: But it's not a, you know, it's not a Healy Healy podcast.
- 3:17SPEAKER_00: I think there's plenty of those.
- 3:18SPEAKER_00: So...
- 3:22SPEAKER_00: Yet this podcast, I would love to grow.
- 3:26SPEAKER_00: I would love to just really,
- 3:27SPEAKER_00: really grow so that by the autumn,
- 3:29SPEAKER_00: when I go out storytelling again,
- 3:31SPEAKER_00: it can be kind of like part,
- 3:34SPEAKER_00: part storytelling,
- 3:35SPEAKER_00: part sort of podcasting.
- 3:37SPEAKER_00: That would be my great desire.
- 3:39SPEAKER_00: Not that I'm not going to do any storytelling between now and then,
- 3:43SPEAKER_00: but kind of bookings take care of themselves over this spring,
- 3:46SPEAKER_00: summer time.
- 3:47SPEAKER_00: And then in the winter, I kind of book a venue and hunker down and sort of stay in one place and
- 3:53SPEAKER_00: and tell stories through the winter.
- 3:56SPEAKER_00: I'd love you to join me so keep your ears out and your eyes out for when I'm doing that.
- 4:03SPEAKER_00: Last week we were meandering about whistling because I'd gone to see Hannah Taluki
- 4:13SPEAKER_00: and I'm sorry Hannah if I'm pronouncing your name wrong but it will rectify that at
- 4:18SPEAKER_00: a later date.
- 4:20SPEAKER_00: I went to see Hannah's Lukey singing to the birds on the morning of Beltane,
- 4:24SPEAKER_00: on the morning of May Day as a way of calling in the summer.
- 4:29SPEAKER_00: And so I've been thinking about whistling ever since then.
- 4:32SPEAKER_00: And obviously the people that do it the best are, you know, the working classes and the birds.
- 4:40SPEAKER_00: And I don't hear that anymore.
- 4:41SPEAKER_00: I don't hear people whistling anymore.
- 4:43SPEAKER_00: And I think I did.
- 4:45SPEAKER_00: Or maybe I imagined it.
- 4:46SPEAKER_00: But didn't people whistle more many years ago?
- 4:51SPEAKER_00: And have they stopped whistling because there's nothing to whistle about?
- 4:54SPEAKER_00: Because I think you need to be pretty happy to whistle, you know, pretty uplifted to whistle.
- 5:02SPEAKER_00: And I found out that the birds whistle in the morning because it's that kind of
- 5:06SPEAKER_00: moisture on the air means that they can whistle.
- 5:08SPEAKER_00: sing further.
- 5:09SPEAKER_00: So I've been going for these walks and I've been whistling with the birds and I've just,
- 5:14SPEAKER_00: just been listening and repeating and listening and repeating.
- 5:17SPEAKER_00: We're like,
- 5:20SPEAKER_00: whatever, you know, but listening to them and repeating and I got it was walking along and I whistled.
- 5:26SPEAKER_00: I was listening to a whistle and then I repeated it.
- 5:29SPEAKER_00: And then the bird, I'm sure it was whistling back.
- 5:31SPEAKER_00: And then I whistled again.
- 5:33SPEAKER_00: And then I'm sure it was whistling back.
- 5:34SPEAKER_00: I'm sure it was whistling back really like three times.
- 5:38SPEAKER_00: And it was so thrilling.
- 5:40SPEAKER_00: I just went like this.
- 5:42SPEAKER_00: And then it was dead silence.
- 5:47SPEAKER_00: And I think I really freaked that bird out.
- 5:51SPEAKER_00: So, yeah, part of this podcast comes along with an apology to that bird.
- 5:56SPEAKER_00: I really didn't mean to.
- 5:57SPEAKER_00: If you're listening, bird, this podcast is dedicated to you.
- 6:02SPEAKER_00: Yeah.
- 6:03SPEAKER_00: And at the weekend I was...
- 6:06SPEAKER_00: officiating a ceremony,
- 6:08SPEAKER_00: as I do sometimes,
- 6:10SPEAKER_00: and there was this guy whistling,
- 6:13SPEAKER_00: like making bird whistling noises.
- 6:15SPEAKER_00: So I was thrilled and I went up to him and I said,
- 6:18SPEAKER_00: you know,
- 6:19SPEAKER_00: when did you start making those whistling noises?
- 6:21SPEAKER_00: How did you learn?
- 6:22SPEAKER_00: And kind of, you know, notepad to the ready.
- 6:26SPEAKER_00: And he said, well, you know, when I was at school,
- 6:32SPEAKER_00: They thought it'd be a really good idea to put all the most disruptive children
- 6:35SPEAKER_00: together with an inexperienced teacher.
- 6:38SPEAKER_00: And I was like, I don't really know where this is going.
- 6:41SPEAKER_00: And he said, Jan, we all had our trick.
- 6:44SPEAKER_00: One of us could hold his breath for so long he'd turn purple.
- 6:48SPEAKER_00: It's tickled me.
- 6:51SPEAKER_00: And another one would lead us in this like,
- 6:54SPEAKER_00: like we'd all,
- 6:55SPEAKER_00: when she was turned around,
- 6:56SPEAKER_00: we'd all stamp our feet.
- 6:57SPEAKER_00: And then when she'd look back again, we'd all stop.
- 7:01SPEAKER_00: And I could whistle and I can do it like this.
- 7:04SPEAKER_00: And he showed me and he said, and you can't see it.
- 7:06SPEAKER_00: You couldn't see his face wasn't moving and he was whistling and she wouldn't know
- 7:09SPEAKER_00: where it was coming from.
- 7:12SPEAKER_00: So I love that way of using whistling.
- 7:15SPEAKER_00: It got me thinking about other ways of using whistling,
- 7:19SPEAKER_00: you know,
- 7:19SPEAKER_00: to call people or,
- 7:22SPEAKER_00: you know,
- 7:22SPEAKER_00: pickpockets.
- 7:23SPEAKER_00: It'd be like someone's coming.
- 7:24SPEAKER_00: Whole language in whistling, I'm sure, has at some point and place is being used.
- 7:33SPEAKER_00: And then I was listening to the radio and the DJ was talking about Emmett Till.
- 7:40SPEAKER_00: And Emmett Till,
- 7:42SPEAKER_00: in the 1950s,
- 7:45SPEAKER_00: he was in Mississippi and he was in a shop in the local store and he whistled at a
- 7:56SPEAKER_00: woman in there.
- 7:58SPEAKER_00: And then four days later,
- 8:00SPEAKER_00: the husband and the half-brother,
- 8:03SPEAKER_00: they beat him to death,
- 8:04SPEAKER_00: basically,
- 8:06SPEAKER_00: brutally beat him to death.
- 8:08SPEAKER_00: And the mum so courageously demanded that his body be put in an open casket so that
- 8:17SPEAKER_00: the people could see how brutally he'd been beaten.
- 8:25SPEAKER_00: And, yeah, how...
- 8:28SPEAKER_00: How incredible to do that.
- 8:31SPEAKER_00: And I really believe that things need to be revealed.
- 8:37SPEAKER_00: You know,
- 8:38SPEAKER_00: I really love family constellations,
- 8:40SPEAKER_00: which is a modality where it's kind of like a kind of field of drama where people
- 8:48SPEAKER_00: get to play different characters in your family and secrets kind of bubble up.
- 8:55SPEAKER_00: It's really incredible.
- 8:57SPEAKER_00: work but the belief in family constellations is that um you know secrets can really
- 9:02SPEAKER_00: sort of drag the energy out of a family and i think secrets can really drag the
- 9:07SPEAKER_00: energy out of the the world so um in that way just just thinking of you i mean i i
- 9:15SPEAKER_00: don't know her mom's name um she's just credited as as mother but yeah in this
- 9:22SPEAKER_00: moment just thinking about you
- 9:28SPEAKER_00: And the other thing I noticed is that when I called the last podcast,
- 9:35SPEAKER_00: the first podcast,
- 9:36SPEAKER_00: Wet Lips and the Wild,
- 9:39SPEAKER_00: it suddenly spiked in listeners before.
- 9:43SPEAKER_00: I think it was just like storytelling or something like that.
- 9:47SPEAKER_00: So obviously I was referring to whistling,
- 9:50SPEAKER_00: but I don't think those people,
- 9:53SPEAKER_00: some people who clicked on were necessarily thinking about whistling when they
- 9:59SPEAKER_00: thought about wet lips.
- 10:04SPEAKER_00: And that has been a source of curiosity for me this week.
- 10:13SPEAKER_00: And so I looked up lots of different words for a woman's anatomy.
- 10:20SPEAKER_00: And when I looked up cunt,
- 10:23SPEAKER_00: there we are,
- 10:23SPEAKER_00: I'm just going to say it because it's actually what I want to talk about.
- 10:28SPEAKER_00: When I looked up cunt, it said a vulgar word for the vulva.
- 10:34SPEAKER_00: And I just thought, who's writing this that doesn't recognise vulva?
- 10:39SPEAKER_00: that the root of vulga and vulva are the same thing.
- 10:47SPEAKER_00: And I'm wanting to celebrate my body
- 10:55SPEAKER_00: or even just feel connected to it because I just feel like there's so much language
- 11:01SPEAKER_00: that disconnects me from my body,
- 11:03SPEAKER_00: from just really inhabiting my body deep,
- 11:07SPEAKER_00: deep down into my root.
- 11:09SPEAKER_00: I think it's all about earthing, bringing me back to the terror, terrified.
- 11:14SPEAKER_00: It's like connected with the earth.
- 11:19SPEAKER_00: And the more that I am out of my body, the more that I am connected
- 11:24SPEAKER_00: Trying to escape myself.
- 11:26SPEAKER_00: The more disconnected from the earth I am, the more vulnerable I am.
- 11:29SPEAKER_00: I mean,
- 11:30SPEAKER_00: basically the more money you can make out of me because I'm buying this,
- 11:33SPEAKER_00: that,
- 11:33SPEAKER_00: and the other to try and live when I don't need it.
- 11:39SPEAKER_00: You know, if we're connected to the earth and we're growing our own stuff, then we don't have a hole.
- 11:46SPEAKER_00: We're not, we're not trying to fill this hole where we should be inhabiting inside ourselves.
- 11:55SPEAKER_00: yeah I think it's home and it's so used as a a derogatory term and it's the same I
- 12:01SPEAKER_00: know for my I was talking to my mum about it and she was saying well what about
- 12:04SPEAKER_00: prick you know prick is a word that's you know demeaning it's like you know tiny
- 12:09SPEAKER_00: and inconsequential just a little prick yeah so let's let's bring our our bodies
- 12:18SPEAKER_00: back I know that
- 12:20SPEAKER_00: when I go on stage, if I'm going to tell a story, then I will often just kind of pull up my skirt.
- 12:28SPEAKER_00: Anna Samaya,
- 12:29SPEAKER_00: that's cool to kind of,
- 12:31SPEAKER_00: you know,
- 12:31SPEAKER_00: raise your skirt and use your,
- 12:34SPEAKER_00: use your,
- 12:34SPEAKER_00: what should we call it?
- 12:35SPEAKER_00: I don't know.
- 12:36SPEAKER_00: Fanny, when I was little, we called it Fanny.
- 12:38SPEAKER_00: Yoni just feels not quite right.
- 12:45SPEAKER_00: I mean, cunt, it's like,
- 12:47SPEAKER_00: Surely it's the beginning of country.
- 12:49SPEAKER_00: It's my land.
- 12:50SPEAKER_00: It's my land.
- 12:52SPEAKER_00: Country, it's like it softens it, but it's like, does it have to be?
- 12:55SPEAKER_00: Do we have to be softened?
- 13:00SPEAKER_00: So I've started to use the word country, my country, to myself.
- 13:07SPEAKER_00: And that feels good for me.
- 13:09SPEAKER_00: Actually, yeah.
- 13:10SPEAKER_00: And so before I go on to tell stories,
- 13:13SPEAKER_00: if I'm feeling a bit out of my body,
- 13:15SPEAKER_00: if I'm feeling like my feet aren't quite landed on the ground,
- 13:18SPEAKER_00: I will pull up my skirt and just have a look at her.
- 13:23SPEAKER_00: And it's like looking at a very, very, very old woman.
- 13:30SPEAKER_00: very old, wise woman.
- 13:32SPEAKER_00: She's got a lot to say, you know, she's got a lot of opinions that she keeps to herself sometimes.
- 13:40SPEAKER_00: And, um, and then when I go on stage, I think about that, my lips, her lips, those lips.
- 13:51SPEAKER_00: And I think about,
- 13:52SPEAKER_00: I'm not bitten,
- 13:53SPEAKER_00: you know,
- 13:54SPEAKER_00: I'm not consciously thinking,
- 13:55SPEAKER_00: but these are the images that come into my mind of,
- 13:57SPEAKER_00: um,
- 14:00SPEAKER_00: Stone, you know, stones, caves.
- 14:08SPEAKER_00: Long barrows.
- 14:10SPEAKER_00: I think about long barrows.
- 14:11SPEAKER_00: I think about entrances to the earth, gateways into the depths of the earth.
- 14:19SPEAKER_00: And that's a really good imaginative landscape for me to tell a story from.
- 14:29SPEAKER_00: a really connected place for me to tell a story from and it gets me totally beyond
- 14:36SPEAKER_00: oh you know is it is my story going to be any good or are they going to like me or
- 14:42SPEAKER_00: are they going to get it or anything like that it's not how it is it's just like
- 14:50SPEAKER_00: little thing there from my speaker i'm going to get involved in the conversation
- 14:55SPEAKER_00: yeah it's just like
- 14:58SPEAKER_00: I am the voice of the earth and what comes through me has got sustenance trusting
- 15:13SPEAKER_00: that what comes through in story has got sustenance and I'm aware that you know I'm
- 15:19SPEAKER_00: a storyteller so I do think it's like the most important thing and that reminds me
- 15:26SPEAKER_00: of the
- 15:28SPEAKER_00: Romeo and Juliet,
- 15:29SPEAKER_00: you know,
- 15:30SPEAKER_00: the Romeo and Juliet film,
- 15:31SPEAKER_00: and they ask the nurse,
- 15:33SPEAKER_00: you know,
- 15:34SPEAKER_00: what's the story about that Shakespeare's writing?
- 15:36SPEAKER_00: And she says, oh, it's about this nurse.
- 15:38SPEAKER_00: And that we all see things from our perspective and we all give ourselves the main role.
- 15:46SPEAKER_00: But the more I have told stories, the more I know that it is my way of
- 15:56SPEAKER_00: bringing something very... and... yeah, right, it just feels just right.
- 16:12SPEAKER_00: So I'm going to tell a story.
- 16:14SPEAKER_00: now this little bundle of three stories that we have and um I wanted to tell this
- 16:22SPEAKER_00: story now at the beginning of um of the podcast at the beginning of the podcast
- 16:29SPEAKER_00: journey podcast number three as I mentioned before because it's one of my early and
- 16:35SPEAKER_00: I think I maybe I had a ladybird
- 16:38SPEAKER_00: book and it may have been along with The Hobbit which I'll probably talk about a
- 16:45SPEAKER_00: little bit afterwards my first experience of of the other of the little people of
- 16:53SPEAKER_00: the kind of magical presence kind of the written word or the story of these magical
- 17:01SPEAKER_00: presences hmm
- 17:09SPEAKER_00: So I am finding my way with my breath,
- 17:17SPEAKER_00: noticing it's warm,
- 17:19SPEAKER_00: my lips,
- 17:22SPEAKER_00: feeling my belly soft,
- 17:26SPEAKER_00: seeing the world of this story creating itself around me,
- 17:32SPEAKER_00: kind of in a circle,
- 17:33SPEAKER_00: like as if I'm on a very slow-moving merry-go-round,
- 17:40SPEAKER_00: and trusting that the story will begin itself in just the right moment.
- 17:48SPEAKER_00: Once upon a time.
- 17:53SPEAKER_00: Can you feel the doors opening?
- 17:55SPEAKER_00: Can you feel the ears opening?
- 17:57SPEAKER_00: Can you feel that people have listened and spoken those words for so long, for so many, so many times?
- 18:07SPEAKER_00: Can you feel yourself leaning in
- 18:10SPEAKER_00: when a story's wrapped in a once upon a time.
- 18:14SPEAKER_00: Once upon a time, there was a poor, hard-working shoemaker.
- 18:22SPEAKER_00: He worked so hard,
- 18:24SPEAKER_00: his fingers were calloused at the end of his fingers and his eyesight was going
- 18:30SPEAKER_00: after so long looking at the tiny details of the shoes and his back was sore from
- 18:37SPEAKER_00: leaning over all day.
- 18:41SPEAKER_00: But buying shoes from the shoemaker was going out of fashion.
- 18:46SPEAKER_00: Buying shoes online, buying trainers made by factories, that was much more desirable.
- 18:56SPEAKER_00: And so the chain, leather shoes, sold less and less and less.
- 19:01SPEAKER_00: And he was buying less and less and less leather until one day he only had enough.
- 19:12SPEAKER_00: leather to make one pair of shoes and he just couldn't see how life was going to
- 19:21SPEAKER_00: continue and he was making this one pair of shoes but it wasn't like the way he
- 19:30SPEAKER_00: used to make shoes with vim i think viv's a word actually vim it wasn't like that
- 19:38SPEAKER_00: it was it was a sad and um
- 19:42SPEAKER_00: solemn procedure.
- 19:45SPEAKER_00: And actually, halfway through, he just gave up.
- 19:47SPEAKER_00: He was just like, can't even remember how to make shoes.
- 19:50SPEAKER_00: He just couldn't even put the needle through the leather anymore.
- 19:55SPEAKER_00: He just didn't have the oomph for it.
- 19:58SPEAKER_00: So he went to bed, listened to some beautiful music in bed, listened to some
- 20:08SPEAKER_00: exquisite song in bed listen to some sonorous viola in bed really slept and dreamed
- 20:18SPEAKER_00: and recouped and remended himself but woke up in the morning like feeling really
- 20:28SPEAKER_00: stressed about issues that you haven't made
- 20:33SPEAKER_00: And he went downstairs and there on his counter they were.
- 20:39SPEAKER_00: the shoes made,
- 20:40SPEAKER_00: not just made,
- 20:42SPEAKER_00: they'd been,
- 20:43SPEAKER_00: the leather was like the butteriest leather and the stitches,
- 20:47SPEAKER_00: they were,
- 20:48SPEAKER_00: even in his heyday when his fingers were the nimblest he couldn't make stitches
- 20:52SPEAKER_00: like that,
- 20:53SPEAKER_00: they were just so,
- 20:55SPEAKER_00: they were absolutely gorgeous and there was a kind of sheen around the shoes that
- 20:59SPEAKER_00: made them look even more special and spectacular and if he had only just put them
- 21:05SPEAKER_00: in the window,
- 21:07SPEAKER_00: the bay window
- 21:08SPEAKER_00: of his shop when someone came in and bought them and gave him a tip and he had
- 21:12SPEAKER_00: never in his life had a tip before,
- 21:14SPEAKER_00: but there they were.
- 21:17SPEAKER_00: So he gets the money from the leather and he sits down to make the shoes and he's like,
- 21:23SPEAKER_00: what if,
- 21:25SPEAKER_00: what if I go to bed and I leave these?
- 21:28SPEAKER_00: I wonder if I wake up in the morning and they will be made.
- 21:34SPEAKER_00: So he goes to bed and he's in bed and as he's in bed he's remembering the times
- 21:40SPEAKER_00: when he's been to weddings and funerals and celebrations of birth.
- 21:46SPEAKER_00: He's remembering all these times and all the music and the poetry and the words
- 21:51SPEAKER_00: that have been said over those times.
- 21:53SPEAKER_00: He's thinking about honouring life and death and he falls asleep.
- 21:58SPEAKER_00: And when he wakes up in the morning, he goes downstairs and his heart's beating.
- 22:03SPEAKER_00: And he's not sure what he's going to see.
- 22:05SPEAKER_00: But there they are.
- 22:05SPEAKER_00: There are two pairs of shoes and they are just ding dang.
- 22:09SPEAKER_00: They're so gorgeous.
- 22:12SPEAKER_00: He sells them very quickly and he buys more leather.
- 22:15SPEAKER_00: And this goes on and on and on and on.
- 22:17SPEAKER_00: And so he becomes prosperous and his wife is like, wow, you know, let me into this secret.
- 22:24SPEAKER_00: And he tells her and they decide.
- 22:27SPEAKER_00: It's coming close to Christmas time and they've got people that they want to see
- 22:32SPEAKER_00: who it is that's doing this.
- 22:34SPEAKER_00: So they hide.
- 22:38SPEAKER_00: And they wait.
- 22:42SPEAKER_00: And the clock in the workshop strikes midnight.
- 22:48SPEAKER_00: And tumbling out come two little people.
- 22:52SPEAKER_00: Tiny, tiny, tiny little people.
- 22:55SPEAKER_00: And they laugh and they roll and they joke together.
- 22:58SPEAKER_00: And all the while they're heaving with these great needles and pushing and working together.
- 23:04SPEAKER_00: And they run off again.
- 23:08SPEAKER_00: And the wife says, oh, we have to.
- 23:11SPEAKER_00: thank them somehow we have to leave them something somehow and she says I'm going
- 23:15SPEAKER_00: to make them some fine cloaks some fine cloaks because when they're not rumbling
- 23:21SPEAKER_00: and tumbling around they must get chilly and um and the man says okay I know what
- 23:25SPEAKER_00: I'm going to do I'm going to make them some shoes and I might not make them as fine
- 23:29SPEAKER_00: as they make my shoes but I'm going to make them with all the love in my heart so
- 23:34SPEAKER_00: they make these garments with all the love in their hearts
- 23:39SPEAKER_00: They sew them and they bench and they hide again.
- 23:42SPEAKER_00: I hope they're comfortable.
- 23:43SPEAKER_00: I mean, I think I even thought this when I was really little, you know.
- 23:46SPEAKER_00: I hope they're comfortable because it's like,
- 23:48SPEAKER_00: you know,
- 23:48SPEAKER_00: when you play hide and seek and you get yourself into a position and you just think
- 23:51SPEAKER_00: in the end you want them to find you because you're all crunched up.
- 23:56SPEAKER_00: And so they wait.
- 23:58SPEAKER_00: And then people come tumbling out,
- 24:00SPEAKER_00: little tiny people,
- 24:01SPEAKER_00: and they try on their cloaks and they put on their shoes and they're so,
- 24:04SPEAKER_00: so,
- 24:04SPEAKER_00: so happy.
- 24:05SPEAKER_00: And off they tumble.
- 24:15SPEAKER_00: Now I'm doing this tapping, but I'm not doing that to annoy you like the kid did with the teacher.
- 24:23SPEAKER_00: I'm just wanting to keep the life of the story moving as the story finishes.
- 24:33SPEAKER_00: Whilst I just talk a little bit about the meanings for me of the story.
- 24:44SPEAKER_00: because it's very sort of Christianized in the Grimm's tales.
- 24:48SPEAKER_00: And it's really important for us that we,
- 24:51SPEAKER_00: I,
- 24:53SPEAKER_00: I have to tell stories until I've kind of really got to the kernel of them.
- 24:58SPEAKER_00: What's this story really about?
- 25:00SPEAKER_00: And anciently about,
- 25:02SPEAKER_00: you know,
- 25:02SPEAKER_00: with all the layers of all the,
- 25:04SPEAKER_00: you know,
- 25:05SPEAKER_00: or let's use the story in Sunday school to,
- 25:07SPEAKER_00: um,
- 25:08SPEAKER_00: make sure that,
- 25:08SPEAKER_00: um,
- 25:09SPEAKER_00: children do this or do that or for control for manipulation and control like
- 25:13SPEAKER_00: everything like everything and look how story has been used for manipulation and
- 25:19SPEAKER_00: control in this time for advertising and all kinds of things so
- 25:26SPEAKER_00: A production of the story in Bristol Old Vic and Kid Carpet was the shoemaker.
- 25:33SPEAKER_00: And he stayed up all night making music.
- 25:36SPEAKER_00: He was a DJ and he stayed up all night making music and kind of would wake up sort
- 25:42SPEAKER_00: of over his turntable and would be like,
- 25:44SPEAKER_00: oh no,
- 25:45SPEAKER_00: I stayed up all night making music again and I haven't done my work.
- 25:48SPEAKER_00: And he'd go down and his work would be made.
- 25:49SPEAKER_00: And I was like, yes!
- 25:50SPEAKER_00: I just love that concept of like...
- 25:53SPEAKER_00: That idea of do what you love,
- 25:56SPEAKER_00: just do what you love and hand it over when you need support to hand it over.
- 26:03SPEAKER_00: Expect a miracle.
- 26:06SPEAKER_00: Also ask for practical support.
- 26:08SPEAKER_00: I say that as a dyspraxic person that needs a bit of support with things every now and again.
- 26:14SPEAKER_00: But I just love that idea.
- 26:15SPEAKER_00: Just do what you love and trust that things will fall into place.
- 26:20SPEAKER_00: And it's not the same as, you know, just be distracted and stay up all night watching, scrolling.
- 26:26SPEAKER_00: It's not.
- 26:26SPEAKER_00: It's like be totally engaged in what you love and trust.
- 26:34SPEAKER_00: So I love that idea.
- 26:35SPEAKER_00: And also I know that you know that this story is called In a Shoemaker.
- 26:38SPEAKER_00: But it wasn't in the Germanic actual translation.
- 26:43SPEAKER_00: It's Rietelmanne.
- 26:47SPEAKER_00: I don't know how you pronounce that word.
- 26:49SPEAKER_00: a German person could tell me.
- 26:51SPEAKER_00: I'd really appreciate that.
- 26:52SPEAKER_00: Maybe I lost my friend Johanna.
- 26:54SPEAKER_00: And that's like witch men, which is white or wits.
- 26:58SPEAKER_00: It's like it's a proto-Germanic term meaning thing or creature.
- 27:02SPEAKER_00: Creature, I love that word.
- 27:06SPEAKER_00: So it did get me thinking about elves.
- 27:11SPEAKER_00: And this has been my experience in my childhood until I read The Hobbit.
- 27:18SPEAKER_00: Now,
- 27:22SPEAKER_00: Mrs Lee did read the first chapter of The Hobbit to us in reception at school.
- 27:29SPEAKER_00: Thank you.
- 27:31SPEAKER_00: Really, thank you, because, oh, wow, like, wow.
- 27:36SPEAKER_00: I was just completely absorbed and engaged.
- 27:38SPEAKER_00: But only the first chapter, I think.
- 27:42SPEAKER_00: I never read any more of it until I read it to my son.
- 27:47SPEAKER_00: about five years and I sat and I read that very first chapter and then he he had
- 27:52SPEAKER_00: fallen asleep but we just kind of fell asleep together on the bed he was about nine
- 27:57SPEAKER_00: eight or nine and um and then I swear I swear on my life these kind of this these
- 28:06SPEAKER_00: images just bowled towards me they came roly-polying
- 28:11SPEAKER_00: towards me and they said now you want to write a book like that about us we want
- 28:17SPEAKER_00: you to write a book about us and i was like well i've never written a word i was
- 28:21SPEAKER_00: like oh my god i don't feel up like you can do it you can do it you can do it
- 28:27SPEAKER_00: anyway they introduced themselves as nook and cranny and um and they were things
- 28:33SPEAKER_00: they were creatures they were i don't even i don't have the word for them um
- 28:39SPEAKER_00: brownies munchkins I don't know and so I spent quite a bit of time then for the
- 28:49SPEAKER_00: rest of the year I do feel like you know something like that comes to you strongly
- 28:53SPEAKER_00: you know honouring it was important so whenever I was storytelling for children I
- 28:59SPEAKER_00: would describe these characters of Nook and Cranny and I would just kind of evolve
- 29:05SPEAKER_00: the story or make up the story with the children
- 29:08SPEAKER_00: And so I did that at different schools and then in the local library,
- 29:11SPEAKER_00: I had a Monday session in the local library and the local kids gave me some ideas.
- 29:16SPEAKER_00: And then I was at a camp and we got so far,
- 29:20SPEAKER_00: there were these two children,
- 29:21SPEAKER_00: they were running across a field and one of them fell in a massive hole and the
- 29:24SPEAKER_00: other one,
- 29:25SPEAKER_00: a nook and cranny,
- 29:26SPEAKER_00: go on these great adventures trying to find the...
- 29:30SPEAKER_00: Get the little boy back.
- 29:33SPEAKER_00: It's a boy and a girl.
- 29:33SPEAKER_00: The girl is so that they can get back in time for tea and not upset the parents.
- 29:40SPEAKER_00: And I remember asking where he'd fallen and a kid saying, in the elf king's pocket.
- 29:46SPEAKER_00: I was like, oh, I mean, can you just see that image?
- 29:50SPEAKER_00: Just like a kid just falling down a hole, falling.
- 29:57SPEAKER_00: and then dropping into the elf king's pocket.
- 30:02SPEAKER_00: So then the story really evolved around Nook and Cranny and this girl going down
- 30:09SPEAKER_00: and the elf king asking for him to look in his pocket and he finds this little boy
- 30:16SPEAKER_00: in his pocket.
- 30:17SPEAKER_00: And they're much more like elves for me
- 30:24SPEAKER_00: now that I have kind of entered into the Tolkien world,
- 30:28SPEAKER_00: this sort of very tall,
- 30:31SPEAKER_00: ethereal,
- 30:35SPEAKER_00: yeah,
- 30:36SPEAKER_00: magical creatures,
- 30:37SPEAKER_00: kind of a reputation for kind of seriousness,
- 30:41SPEAKER_00: rather than these kind of fun,
- 30:43SPEAKER_00: roly-poly little...
- 30:44SPEAKER_00: I imagined when I first read The Elves and the Shoemaker.
- 30:49SPEAKER_00: Yeah.
- 30:51SPEAKER_00: And when I was exploring different podcasts,
- 30:54SPEAKER_00: one of the podcasts that I was listening to was,
- 30:57SPEAKER_00: I think it's called the Immortal Starlight podcast.
- 31:01SPEAKER_00: And it's a woman who channels the Elven realms.
- 31:04SPEAKER_00: I mean, get this for a story.
- 31:06SPEAKER_00: It's just so gorgeous.
- 31:08SPEAKER_00: I'm completely enchanted by it.
- 31:10SPEAKER_00: She had this vision.
- 31:13SPEAKER_00: am I going to get this right?
- 31:14SPEAKER_00: So that there was a grove of silver birch tree and a deer walked into the centre of
- 31:27SPEAKER_00: the grove of birch trees and lay down and gave its life.
- 31:34SPEAKER_00: And then the bark of the silver birch trees began to unravel and
- 31:40SPEAKER_00: and unfold and come together to form pages.
- 31:44SPEAKER_00: And the skin, the hide of the deer became the cover.
- 31:48SPEAKER_00: And there was this book in the centre of this magical grove of trees.
- 31:54SPEAKER_00: And then she kept going back to this vision that the pages and deciphering what was in that book.
- 32:03SPEAKER_00: And that book was eventually published and called The Silver Wheel.
- 32:08SPEAKER_00: And it's...
- 32:09SPEAKER_00: Yeah, it's gorgeous.
- 32:10SPEAKER_00: And maybe I was going to read a little bit from it, but I forgot to ask her permission.
- 32:16SPEAKER_00: So maybe next time I will.
- 32:19SPEAKER_00: So on to the second story, because if you remember, these stories came in a bundle of three.
- 32:25SPEAKER_00: Also, I mean, you can't say the word.
- 32:27SPEAKER_00: Every time I say the word elves, I think of Elvis.
- 32:32SPEAKER_00: Anyway, on to the second story.
- 32:35SPEAKER_00: So there's a poor servant girl and she's sweeping.
- 32:37SPEAKER_00: She spends so much time sweeping.
- 32:39SPEAKER_00: It's like, shh, shh, shh, shh, shh, shh.
- 32:42SPEAKER_00: She can hear that in her dreams.
- 32:44SPEAKER_00: Shh, shh, shh, shh, shh, shh.
- 32:46SPEAKER_00: In her dreams, in her dreams, in her dreams.
- 32:48SPEAKER_00: It's like this noise, this noise, this noise.
- 32:50SPEAKER_00: And one day she doesn't even notice.
- 32:53SPEAKER_00: She's like sweeping, sweeping, sweeping, sweeping, sweeping.
- 32:56SPEAKER_00: And then on top of her pile of sweepings, one of my
- 33:00SPEAKER_00: really terrible habits that when I sweep the kitchen, I just leave the pile.
- 33:04SPEAKER_00: I just leave the pile, leave the pile, leave the pile.
- 33:07SPEAKER_00: My mom's coming around, which she is later.
- 33:09SPEAKER_00: So, and then I frantically tidy up, which I shall be doing at the end of this pod.
- 33:15SPEAKER_00: So there's this, on top of her pile, there's this kind of golden shimmering letter and she can't read.
- 33:25SPEAKER_00: So she takes it
- 33:28SPEAKER_00: to this old, old woman who she's seen reading these old recipe books.
- 33:34SPEAKER_00: She takes it to the old woman,
- 33:36SPEAKER_00: and the old woman says,
- 33:38SPEAKER_00: well,
- 33:38SPEAKER_00: you have been invited to the birth of an elven child.
- 33:42SPEAKER_00: And the girl's going, oh, no, I'm not going to that house.
- 33:44SPEAKER_00: Enough of that freaky stuff.
- 33:46SPEAKER_00: I'm not going there.
- 33:47SPEAKER_00: She says, this is a great honour.
- 33:49SPEAKER_00: You should go.
- 33:50SPEAKER_00: So in the end, she does convince her, and she goes, and they go to the Hollow Mountains.
- 34:00SPEAKER_00: And let's just think for a moment where the hills are where we live.
- 34:05SPEAKER_00: Where are the hills?
- 34:06SPEAKER_00: There's magic in them hills.
- 34:08SPEAKER_00: Where are the hills?
- 34:09SPEAKER_00: Where are the hills?
- 34:10SPEAKER_00: Where are the crystals?
- 34:10SPEAKER_00: Where are the caves?
- 34:12SPEAKER_00: Just think about, you know, wherever you live.
- 34:17SPEAKER_00: There's a hill nearby.
- 34:18SPEAKER_00: There's magic in that hill.
- 34:20SPEAKER_00: Where's the closest mountain to you?
- 34:22SPEAKER_00: Yeah, I think maybe Canningley is the closest mountain to me, but I could be wrong.
- 34:33SPEAKER_00: And so she finds her way into the hollow mountain and everything is tiny and
- 34:39SPEAKER_00: beautiful and ornate and gorgeous.
- 34:42SPEAKER_00: And she dances and they celebrate the birth of this baby.
- 34:47SPEAKER_00: And they say, oh, it's a real honour to have a human here.
- 34:49SPEAKER_00: We really wanted a human here.
- 34:51SPEAKER_00: Thank you for blessing us.
- 34:52SPEAKER_00: And they persuade her to stay.
- 34:54SPEAKER_00: They say, stay three days.
- 34:55SPEAKER_00: And in that three days,
- 34:57SPEAKER_00: She drinks and laughs and learns spellmaking and flies and does all kinds of
- 35:05SPEAKER_00: shimmering and delicious things.
- 35:07SPEAKER_00: And on the third day, she says, no, actually, I really do want to go.
- 35:10SPEAKER_00: So they let her go.
- 35:12SPEAKER_00: And when she comes back, it's been seven years.
- 35:20SPEAKER_00: When she comes back, it's been seven years.
- 35:24SPEAKER_00: And her master has died.
- 35:26SPEAKER_00: And a lot of things have changed.
- 35:30SPEAKER_00: And I feel like this story could really be used as a sort of cautionary tale to not
- 35:34SPEAKER_00: kind of go away with the fairies.
- 35:36SPEAKER_00: But I don't think that's what it's about.
- 35:39SPEAKER_00: You know, I think it's about...
- 35:42SPEAKER_00: you know, isn't that a great thing?
- 35:43SPEAKER_00: Her master's died.
- 35:44SPEAKER_00: She's not beholden to anyone anymore.
- 35:47SPEAKER_00: She's spent time going deep within the mountains of herself,
- 35:53SPEAKER_00: laughing and playing and celebrating birthing.
- 35:57SPEAKER_00: And she's come out and her master's died.
- 36:00SPEAKER_00: She's not beholden to anyone anymore.
- 36:04SPEAKER_00: Shoemaker, you know, they make the shoes and they run off and they never come back again.
- 36:08SPEAKER_00: And, um,
- 36:10SPEAKER_00: I think that's because they've integrated.
- 36:12SPEAKER_00: It's like we have these amazing experiences in our lives and then they integrate.
- 36:17SPEAKER_00: You know, if we're keeping on trying to repeat them on the outside, then we're kind of running something.
- 36:23SPEAKER_00: And so I think the elves in the shoemaker story is about integrating the magic as well.
- 36:30SPEAKER_00: So the third story is about the elves.
- 36:34SPEAKER_00: You know, remember that this translation of elves is a creature or thing in it.
- 36:39SPEAKER_00: They swap the baby with a with a changeling.
- 36:43SPEAKER_00: So there's kind of like they you know, it's not your baby.
- 36:49SPEAKER_00: Anna and the woman's like you know this isn't my baby um I'm sure it's a changeling
- 36:54SPEAKER_00: and wow that you know that was really a reality at some time that people would
- 36:59SPEAKER_00: believe that their child had been taken and maybe it had been who knows who am I to
- 37:03SPEAKER_00: say what um in this in this time when people whistled when people whistled because
- 37:10SPEAKER_00: they were that connected with the birds when they whistled because they were
- 37:14SPEAKER_00: carefree language who am I to say that babies weren't
- 37:17SPEAKER_00: changed into changelings.
- 37:20SPEAKER_00: So the neighbor in this story, she says, you've got to make the baby laugh.
- 37:24SPEAKER_00: You know, you've got to make this changeling laugh.
- 37:26SPEAKER_00: And they try all kinds of things, you know, jokes and farting and, you know, all kinds of stuff.
- 37:32SPEAKER_00: But the changing is not laughing.
- 37:33SPEAKER_00: And then in the end, they come about with this idea where they boil water into eggshells.
- 37:40SPEAKER_00: And there she sets about, she's on the fire.
- 37:42SPEAKER_00: She puts the baby by the hearth and she lights the fire and she's got these water into eggshells.
- 37:47SPEAKER_00: And then the water starts bubbling and the changeling is laughing.
- 37:52SPEAKER_00: And then when she does that,
- 37:54SPEAKER_00: the elves,
- 37:54SPEAKER_00: the band of elves suddenly appear and they bring the child back and they set it
- 37:58SPEAKER_00: back on the hearth and they take the changeling away.
- 38:01SPEAKER_00: And this always reminds me,
- 38:02SPEAKER_00: I was telling a story once at a camp when my son was a baby and I just thought it
- 38:08SPEAKER_00: would be really good to put him into the story.
- 38:10SPEAKER_00: So I was outside and I was telling the story and I held him as a baby and I was saying...
- 38:16SPEAKER_00: oh, you know, I'm fed up with him.
- 38:17SPEAKER_00: Sometimes I just wish the fairies would come and take him away.
- 38:22SPEAKER_00: And then these three teenage girls who were dressed as fairies, they came and they took him away.
- 38:27SPEAKER_00: They were delighted by him and he by them,
- 38:30SPEAKER_00: but I probably had 20 minutes before he'd start going,
- 38:33SPEAKER_00: you know,
- 38:33SPEAKER_00: where's my mum?
- 38:34SPEAKER_00: So they took him, they played with him whilst I was telling the rest of the story.
- 38:37SPEAKER_00: It was a big adventure to
- 38:40SPEAKER_00: find him and then whilst he was away they painted him head to toe in gold and they
- 38:46SPEAKER_00: brought him back totally painted gold after 20 minutes and were like we're sorry we
- 38:51SPEAKER_00: were just playing with him and he was happy as anything I mean nothing's changed
- 38:55SPEAKER_00: for him he's still very much interested in teenage girls to the story I love this
- 39:07SPEAKER_00: playful
- 39:08SPEAKER_00: way of making the child laugh you know sort of engaging imaginatively and
- 39:15SPEAKER_00: creatively in that way of making the child laugh i really um i really like that
- 39:25SPEAKER_00: yeah wondering if i've got any more to say on this podcast any more to offer you
- 39:33SPEAKER_00: about stories in the world
- 39:39SPEAKER_00: No, I think that's it, my friends.
- 39:42SPEAKER_00: Please stick this podcast on your timeline, text it to someone.
- 39:50SPEAKER_00: whatsapp it however you um however you communicate or uh somewhere where there's
- 39:56SPEAKER_00: people talk about it or tell them about it i really would love it to grow and grow
- 40:00SPEAKER_00: and grow and um yeah blessings on your life and your sunny day uh think of me i'll
- 40:07SPEAKER_00: be listening to podcasts and cleaning up my house for the um arrival all right lots
- 40:14SPEAKER_00: of love bye-bye