Latest / Get Into Gate: A Stargate Podcast / Episode 292: Stargate: Continuum

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Episode 292: Stargate: Continuum · Get Into Gate: A Stargate Podcast

• 0:25
  Speaker 1: Get It Again, episode two hundred and ninety two, talking
• 0:28
  Speaker 1: stargates the movie again Contest one again while continuing the
• 0:34
  Speaker 1: continuum Mitch, Maddie, what's doing? Hey? Howy you doing? With
• 0:39
  Speaker 1: room for a? I mean it's a bit of a
• 0:42
  Speaker 1: I A gang's all here sort of situation for the
• 0:44
  Speaker 1: for the show, which is great. Like just the faces
• 0:47
  Speaker 1: that kept popping up, the names that kept popping up,
• 0:49
  Speaker 1: even if this sport and the credits you sort of
• 0:51
  Speaker 1: see them coming along and Hammond walks in and you're like,
• 0:53
  Speaker 1: goddamn it, he's back. Like just some fresh faces, well
• 0:57
  Speaker 1: not really fresh, but old faces made fresh again. I
• 0:59
  Speaker 1: don't know where really I'm saying, because you know I'm
• 1:01
  Speaker 1: busting as it is. Can we just switch the third Micael?
• 1:04
  Speaker 2: I was just I was like, what's the what's that
• 1:07
  Speaker 2: the tedious link? You still have the tedious link audio?
• 1:10
  Speaker 1: I don't think I do know the tedious link is mean,
• 1:12
  Speaker 1: it's not shutting up as.
• 1:14
  Speaker 3: It always is, so everything is new again as well?
• 1:24
  Speaker 3: Do this?
• 1:24
  Speaker 4: Yeah?
• 1:24
  Speaker 3: Yeah, you want to get on my phone that I
• 1:30
  Speaker 3: want to have control? Might I can look, buddy mate?
• 1:34
  Speaker 3: Very well bloody unreal to be here. Well, I mean
• 1:38
  Speaker 3: I love what you've done with the place.
• 1:42
  Speaker 1: I mean the studio itself. There has been two computer
• 1:44
  Speaker 1: monitors between where you and Maddie would sit, taken away
• 1:48
  Speaker 1: so you would actually be able to see each other
• 1:50
  Speaker 1: for the first time in ten years. But as we
• 1:52
  Speaker 1: have it set up today, Maddie sitting in Reese's old chess,
• 1:55
  Speaker 1: you're actually next to each other. So, I mean, you
• 1:56
  Speaker 1: have to be weird.
• 1:57
  Speaker 3: When we start screaming at each other about weird was
• 2:00
  Speaker 3: spitting each other's mouths.
• 2:01
  Speaker 2: This movie would have been so much better if we
• 2:03
  Speaker 2: was in it. I just got a notification my phone
• 2:08
  Speaker 2: wrap horn free share on Twitter.
• 2:11
  Speaker 3: God. Yeah, we'll get to that after wrap porn, rap horn.
• 2:15
  Speaker 3: That's that's my right. It's called rap porn. I just
• 2:20
  Speaker 3: sounded like I said, rap porn. I've never looked that up,
• 2:26
  Speaker 3: especially what I've seen.
• 2:27
  Speaker 1: Read it to me for the first sight starts complicating things. Yeah,
• 2:31
  Speaker 1: he used to get away with it. We're parents. It
• 2:34
  Speaker 1: makes it a little bit weird.
• 2:35
  Speaker 3: Pull my hair harder.
• 2:35
  Speaker 1: Yeah, yeah, you're right. Actually the dinner, yeah, bloody continuum,
• 2:44
  Speaker 1: here we go. Finally at this stage, I mean it
• 2:48
  Speaker 1: was it was weird enough getting to the end of
• 2:49
  Speaker 1: SG one. It was weird enough getting to Arc of Truth,
• 2:52
  Speaker 1: and then now here we are with the second of
• 2:54
  Speaker 1: planned x amount of movies and what became the final one. Right,
• 2:59
  Speaker 1: we'll get into the snops as per usual on the
• 3:01
  Speaker 1: physical media. Thank you Matthew for bringing it in. Ye
• 3:05
  Speaker 1: look at the size of that synopsis. I haven't got
• 3:08
  Speaker 1: enough breath. Yeah, lengthy, brad.
• 3:11
  Speaker 3: Wright wrote that.
• 3:12
  Speaker 1: Well, in that case, it's going to be amazing, all right.
• 3:15
  Speaker 1: An elite military unit SG. One. See this is just
• 3:18
  Speaker 1: for the casual fans must flee back to Earth when
• 3:20
  Speaker 1: two members of their team inexplicably disappear into thin air.
• 3:24
  Speaker 1: But they return to a world in which the Stargate,
• 3:26
  Speaker 1: an ancient device which allows them to travel to hundreds
• 3:28
  Speaker 1: of planets. Would have thought would be more than that
• 3:31
  Speaker 1: was never discovered, and their own history has been erased.
• 3:34
  Speaker 1: Now they must convince a dubious government and military that
• 3:37
  Speaker 1: the timeline was altered by a powerful alien enemy ball
• 3:42
  Speaker 1: in order to conquer Earth, and time is not on
• 3:45
  Speaker 1: their side. That was written by brad Wrights and it
• 3:49
  Speaker 1: was directed by Martin Wood. So we are in some
• 3:52
  Speaker 1: good bloody hands. Oh yeah, God for a hands, I
• 3:56
  Speaker 1: would say, the eighteen Well yeah, I mean and just
• 3:59
  Speaker 1: everybody that's that's that's here, I mean.
• 4:02
  Speaker 3: His favorite musician, and Sheeran would say eighteen.
• 4:04
  Speaker 1: Yeah, what do you think of his new album One
• 4:07
  Speaker 1: of the great when he goes to India and.
• 4:10
  Speaker 3: Like his first, second, third, and fourth albums.
• 4:13
  Speaker 1: Yeah, yeah, the songs or both via Bollywood.
• 4:17
  Speaker 3: Hell yeah, which is exactly what we're asking because that's
• 4:21
  Speaker 3: what that's does.
• 4:22
  Speaker 2: What we need is to get it, you know, introduced
• 4:24
  Speaker 2: to that kind of music. Is you know, a pale.
• 4:26
  Speaker 1: White guy, Yeah, pasty, redheaded English telling you what Indian.
• 4:29
  Speaker 3: Music India bloody colonizes.
• 4:31
  Speaker 1: It's like it's like Beyonce telling us what country music is.
• 4:34
  Speaker 3: Yeah.
• 4:35
  Speaker 1: Finally, finally we've got someone that puts it on the
• 4:38
  Speaker 1: map in the way that it was meant to be heard.
• 4:40
  Speaker 3: She's from Texas, so you know.
• 4:43
  Speaker 1: She's going to know. I don't like to I mean,
• 4:46
  Speaker 1: you know, you know me, I'll occasionally throw out the
• 4:49
  Speaker 1: marble thing, but I mean, as far as what they
• 4:50
  Speaker 1: did the end of their franchise, they end gained the
• 4:52
  Speaker 1: ship out of that, and this is sort of like
• 4:54
  Speaker 1: just just even the fact that like random villains that
• 4:57
  Speaker 1: we haven't seen since like season two of this show
• 5:00
  Speaker 1: all of a sudden popping back up and it was.
• 5:02
  Speaker 2: Just like this, Yeah, well I've got I've got a
• 5:06
  Speaker 2: I've got a list here for you. So in this,
• 5:08
  Speaker 2: in this uh stretch DVD movie, you get every single
• 5:14
  Speaker 2: s G one regular cast Memberpofus, Camulus, Cronus, near to
• 5:18
  Speaker 2: you Ba, President Hayes, and no Jonas. Oh yeah, the
• 5:24
  Speaker 2: only the only regular cast member for the entire series.
• 5:29
  Speaker 2: They even the only other person that was missing was Bratach.
• 5:33
  Speaker 2: That's the I think that's the only way it would
• 5:34
  Speaker 2: be worse is if they included brattach as well and
• 5:37
  Speaker 2: not included the Nubis.
• 5:38
  Speaker 1: Was there?
• 5:40
  Speaker 5: Sorry, I was thinking, what was the Devil's the devil guy?
• 5:45
  Speaker 5: Oh yeah, Michael Rosenbaum, Michael Rosenbaum, great people. But I
• 5:53
  Speaker 5: mean so car was on it for like that one episode,
• 5:55
  Speaker 5: so that's true.
• 5:56
  Speaker 1: Yeah, it would have been weird. Imagine your Jonas. You're
• 6:00
  Speaker 1: at like a con. Everyone's there and just and just
• 6:03
  Speaker 1: behind the scenes, we're all talking about continuum, how great
• 6:05
  Speaker 1: it's going to be.
• 6:06
  Speaker 3: What's that?
• 6:06
  Speaker 1: What's that?
• 6:06
  Speaker 3: Now?
• 6:07
  Speaker 1: I continue he's expecting like he's in the open eyes.
• 6:10
  Speaker 1: No emails about it, no text messages about it. Yeah,
• 6:12
  Speaker 1: just wait and freeze his agent to call him to say, hey,
• 6:15
  Speaker 1: you're in.
• 6:16
  Speaker 2: Well, apparently Steve Bassick, the guy who plays Camulas, he
• 6:18
  Speaker 2: was just like, yeah, I come back if you want.
• 6:19
  Speaker 3: If you want to come back, right, I'd love to
• 6:20
  Speaker 3: come back. And brad Ron went okay, And then you
• 6:23
  Speaker 3: see Cronus on the screen and you're like, hell yeah, dude,
• 6:26
  Speaker 3: yeah freaking sweet.
• 6:28
  Speaker 1: Yeah.
• 6:30
  Speaker 2: They even roped in some guy to play Ra. Was
• 6:32
  Speaker 2: just like, yeah, yeah, you can be Ra. Yeah, I Wasky.
• 6:37
  Speaker 1: Because that guy he did he quit after making Stargate
• 6:41
  Speaker 1: the movie. That guy like he was like a model.
• 6:43
  Speaker 3: Million bucks or something. J David may tell him the
• 6:48
  Speaker 3: story mate, you want to do something different? Yeah, all right,
• 6:53
  Speaker 3: So this segment's going to be called it's time to
• 6:56
  Speaker 3: find out if you've been paying attention, So you might
• 6:59
  Speaker 3: as well sing that if you've a little bit of
• 7:06
  Speaker 3: sounds different.
• 7:07
  Speaker 2: But it's also you know, can I copy your homework
• 7:09
  Speaker 2: exact exactly?
• 7:11
  Speaker 3: So basically what I'm gonna do here is do I
• 7:14
  Speaker 3: got seven questions. It's not going to be like quick
• 7:17
  Speaker 3: fire like we normally do, so there's a little bit
• 7:19
  Speaker 3: less pressure. So it's mainly for the audience members, but
• 7:23
  Speaker 3: also I want you to memorize it in your head.
• 7:26
  Speaker 3: And I'll throw to Mitch first because it's unfair. If
• 7:30
  Speaker 3: he doesn't know, he can pass to you.
• 7:31
  Speaker 2: Okay, and I also wear a team well I don't know,
• 7:37
  Speaker 2: it's one against one, but ok but Mitch will get
• 7:40
  Speaker 2: first DIBs because you know, because awesome. Because what I
• 7:45
  Speaker 2: need the opposite of whatever that audio was correct, the
• 7:48
  Speaker 2: one that I just need audio of Mitch going Maddie
• 7:51
  Speaker 2: knows way more about Stargate than like that's where I
• 7:54
  Speaker 2: was going.
• 7:55
  Speaker 3: Yeah, So what I'm going to do here is just
• 7:56
  Speaker 3: read the question twice and then I'm not going to
• 8:00
  Speaker 3: give an answer. Just read all seven questions. Then I'm
• 8:04
  Speaker 3: going to go back read the question again and give
• 8:07
  Speaker 3: you the answer, or I'm going to let Mitch guess
• 8:10
  Speaker 3: the answer. If he doesn't know, passes to Maddie. Maddie
• 8:13
  Speaker 3: doesn't know, I'll tell it, but I'm sure all the
• 8:15
  Speaker 3: audience will get it. Are the other any gimmes? There's
• 8:21
  Speaker 3: a few, Yeah, there's a few. I got these off
• 8:23
  Speaker 3: one of the trivia websites, so I think I got
• 8:27
  Speaker 3: you didn't hit up your old mate? Chat GPT. I
• 8:29
  Speaker 3: didn't actually I did hit him. I make heaps of
• 8:32
  Speaker 3: questions on this and then it was he got it wrong,
• 8:36
  Speaker 3: he got the question wrong, and I'm like, whatever, I
• 8:40
  Speaker 3: don't need you, make my own questions and copy off
• 8:43
  Speaker 3: someone else. Oh how good is this score? Love it
• 8:52
  Speaker 3: all right? Question one? When SG one he's on the
• 8:56
  Speaker 3: Tokra home world, what does General Laundry say he'll be doing?
• 9:01
  Speaker 3: When SG one is on the Tokra homeworld, what does
• 9:05
  Speaker 3: General Landry say he'll be doing? All right? Question two?
• 9:12
  Speaker 3: What is written on the box in which the stargate
• 9:16
  Speaker 3: is kept? What is written on the box in which
• 9:20
  Speaker 3: the stargate is kept? Question three? Do you need a
• 9:27
  Speaker 3: moment Mitch?
• 9:28
  Speaker 1: I mean no, the first one. I've got an answer
• 9:32
  Speaker 1: for second one, I'm like, I've got no see on
• 9:35
  Speaker 1: the opposite, okay.
• 9:36
  Speaker 3: Question three? Why does Daniel have his leg amputated? Why
• 9:42
  Speaker 3: does Daniel have his leg amputated? That's Daniel Jackson, of course,
• 9:46
  Speaker 3: Doctor Daniel Jackson, one of the great characters. Question four,
• 9:52
  Speaker 3: What was the name of the space shuttle on which
• 9:54
  Speaker 3: alternate Samantha Carter was killed? What was the name of
• 9:59
  Speaker 3: the space shuttle on which alternate Samantha Carter was killed.
• 10:03
  Speaker 3: I might get it. That's one for the get my
• 10:04
  Speaker 3: answer on that one. Question five, what animal does Cameron
• 10:10
  Speaker 3: Mitchell say General laundry is wild? About? This one's a
• 10:14
  Speaker 3: tricky one. What animal does Cameron Mitchell say general laundry
• 10:20
  Speaker 3: is wild? Specific species or just general? If you can
• 10:24
  Speaker 3: remember the very the very line, that's excellent, but I
• 10:27
  Speaker 3: will give you. I will give it if it's the
• 10:29
  Speaker 3: general species the genus. Question six? Who first sees the
• 10:35
  Speaker 3: alcsh flying over Earth? Who first sees the alkesh flying
• 10:40
  Speaker 3: over Earth? Hint? There one of them's SG one? Question seven?
• 10:48
  Speaker 3: Which is not Jonas's? Definitely not a Jonas not in it?
• 10:53
  Speaker 3: That was a spoiler. Question seven. Last question, which go
• 10:57
  Speaker 3: old system lord does not serve bar? Which go old
• 11:02
  Speaker 3: system Lord does not serve ba? Al right, all right,
• 11:08
  Speaker 3: ready to roll? All right? Question mine, I repeat the question.
• 11:12
  Speaker 3: When SG one is on the Tokra home World, what
• 11:15
  Speaker 3: does General Laundry say he'll be doing.
• 11:19
  Speaker 1: My first thought, and I know it was wrong, was
• 11:23
  Speaker 1: he's going to be going through his sock draw But
• 11:25
  Speaker 1: I'm going to say paperwork. I'm going to lock in paperwork.
• 11:28
  Speaker 3: Did you have that I get reports slash paperwork. Paperwork
• 11:32
  Speaker 3: is correct. Oh god, thank god for those playing at home.
• 11:35
  Speaker 3: Question two, what is written on the box in which
• 11:38
  Speaker 3: the stargate is kept? Did you have one for that?
• 11:41
  Speaker 1: Meaning?
• 11:42
  Speaker 3: No caution? Hot?
• 11:43
  Speaker 1: I have no idea.
• 11:44
  Speaker 3: Box of inside? No, it said Langford. Correct.
• 11:57
  Speaker 1: Oh, okay, well done.
• 11:58
  Speaker 3: All right, Mattie's got too, which has got one? Question three?
• 12:03
  Speaker 3: Why does Daniel have his leg amputated? I have two
• 12:06
  Speaker 3: answers for this. I mean, it wasn't because they got
• 12:11
  Speaker 3: confused about his penis. It wasn't that.
• 12:15
  Speaker 1: You can understand why they would. Yeah, what a man?
• 12:18
  Speaker 3: I mean frostbites too?
• 12:20
  Speaker 1: Like it's it's too broad? But is it like complications?
• 12:23
  Speaker 3: I guess correct, frost bit I had frostbite too.
• 12:26
  Speaker 2: My other answer for that was because Michael Shanks was
• 12:29
  Speaker 2: busy filming twenty four so he could dubble boards.
• 12:36
  Speaker 3: Question four, get back to that. Actually, what was the
• 12:38
  Speaker 3: name of the space shuttle on which alternate Samantha Carter
• 12:41
  Speaker 3: was killed?
• 12:42
  Speaker 1: Okay, I'll go because you've seen Keenan, you had a
• 12:45
  Speaker 1: that's one potentially coming up.
• 12:46
  Speaker 3: I might get that Icarus incorrect.
• 12:49
  Speaker 2: That's that's the good future knowledge, though, that's almost that's yeah,
• 12:53
  Speaker 2: that's pretty good. I was going to say the Intrepid. Correct,
• 12:56
  Speaker 2: damn it, the USS Voyage Intrepid.
• 12:58
  Speaker 3: Class fifteen decks will have walk back to nine point
• 13:03
  Speaker 3: because that's one. Captain Janeway commanding Officer. Question five, What
• 13:08
  Speaker 3: animal does camera Mitchell say? General laundry is wild about birds?
• 13:15
  Speaker 3: Something a bit more? Yeah, condors, you.
• 13:20
  Speaker 1: Couldn't get any further from it with albatross? Of course?
• 13:25
  Speaker 3: Does it have wafers in it? You that was a
• 13:29
  Speaker 3: Monty python thinking and what kind of what kind of
• 13:32
  Speaker 3: duck was it? In specifically duck is correct? It's a
• 13:37
  Speaker 3: feuvulous whistling duck. Sure, full of us whistling. Yea.
• 13:40
  Speaker 2: Apparently that's the throwback to that Uninvited episode where they
• 13:44
  Speaker 2: all went to his cabin and there was the monsters.
• 13:48
  Speaker 3: That's right, yeah, yeah, so I mean paperwork and ducks.
• 13:52
  Speaker 3: I mean, no wonder we hate this guy. I was
• 13:55
  Speaker 3: very timed with my answer first. I was very timed
• 13:57
  Speaker 3: to say he was gonna be busy doing laundry. That's
• 13:59
  Speaker 3: what I was hoping that. I feel like they knew
• 14:02
  Speaker 3: this was their last hit out.
• 14:02
  Speaker 1: They maybe were.
• 14:04
  Speaker 3: Who first sees the al cash flying over Earth.
• 14:07
  Speaker 1: Sam Carter, did you have that?
• 14:09
  Speaker 3: I had Sam? Correct both correct Question seven.
• 14:13
  Speaker 1: Right after she was that when she was going grocery
• 14:15
  Speaker 1: shopping and she picks up like the box of like
• 14:18
  Speaker 1: you know, like cocoa, like fruit fruity is or something,
• 14:21
  Speaker 1: and I'm like.
• 14:22
  Speaker 3: Why she and that that's better A year on, She's
• 14:24
  Speaker 3: just like that's her her rock bottom in a fox
• 14:27
  Speaker 3: of wine. Well, it's it's fending.
• 14:29
  Speaker 1: Fruit loops out of the wine from a box.
• 14:31
  Speaker 2: If you look, if you look closely at that box
• 14:35
  Speaker 2: they've just put because obviously the fruit is a fake.
• 14:37
  Speaker 2: They've made that for the show. They've just stuck that
• 14:39
  Speaker 2: on the front, on the side of the box. You
• 14:40
  Speaker 2: didn't see that. It says Rice krispies.
• 14:42
  Speaker 3: Really yet, even get from Unbelievable Cooper, what do they
• 14:46
  Speaker 3: spend on this movie?
• 14:47
  Speaker 2: Seven million dollars? They couldn't pieces, They couldn't make one
• 14:50
  Speaker 2: whole piece of cardboard.
• 14:52
  Speaker 3: All right, final question for this round, which gold system
• 14:56
  Speaker 3: lord does not serve? Mitch Apop said, get absolutely correct.
• 15:02
  Speaker 3: I assume that he got.
• 15:03
  Speaker 4: Yeah.
• 15:04
  Speaker 3: For a second, I was like catsh, but I'm like, nah, no,
• 15:07
  Speaker 3: she was. She was. She was doing a good job
• 15:10
  Speaker 3: for a long time. All right, So yeah, I got
• 15:13
  Speaker 3: another seven. So I hope you're doing well at home.
• 15:16
  Speaker 3: I assume you've got the more correct at home, great
• 15:19
  Speaker 3: people at home excellence. So the only thing that I
• 15:23
  Speaker 3: reckon that Ark of Truth has over Continuum is the
• 15:28
  Speaker 3: the opening scene, because in Continuum we have a brilliant
• 15:35
  Speaker 3: score shows the stars, but then there's a quick transition
• 15:38
  Speaker 3: fade into the gate room. I was watching this with
• 15:41
  Speaker 3: my kids and then, of course I've told them to
• 15:43
  Speaker 3: watch Stargate with me for ten freaking years, and they
• 15:46
  Speaker 3: decided to watch the last film. Yeah, they just didn't
• 15:50
  Speaker 3: want to go to bed. Bella was like, are they
• 15:53
  Speaker 3: in space? I'm like, no, they're not in space.
• 15:56
  Speaker 2: Yeah, I think she's like I think in audio material
• 16:00
  Speaker 2: they did say like Brad said, oh he should have
• 16:02
  Speaker 2: he should have had the Starskate moving before they before
• 16:06
  Speaker 2: they panned down. I thought you're talking about the actual
• 16:08
  Speaker 2: opening like that fantastic woner of like of like going
• 16:13
  Speaker 2: through the SGC in the that was great.
• 16:16
  Speaker 3: It was just it was you know, it starts off
• 16:19
  Speaker 3: like Star Wars almost and pans down and then then
• 16:21
  Speaker 3: it go, yeah, transitions to the the gate room. The
• 16:25
  Speaker 3: embarkation room.
• 16:26
  Speaker 2: Brad did say in the auto commentary, originally the way
• 16:30
  Speaker 2: he'd written it and in his first draft is they
• 16:32
  Speaker 2: were going to start on the Tokra planet and O'Neill's
• 16:37
  Speaker 2: line about being more bored than any person.
• 16:40
  Speaker 3: That was going to be the first line. That was
• 16:42
  Speaker 3: gonna be the first line.
• 16:43
  Speaker 2: But then Martin Wood was the one that came up
• 16:45
  Speaker 2: with the idea for the big one opener of just establishing,
• 16:50
  Speaker 2: you know, ironically, they said, oh, because they had to
• 16:52
  Speaker 2: re establish too, like because we were going to see
• 16:56
  Speaker 2: in this movie an alternate timeline where we didn't see
• 16:59
  Speaker 2: the SGC in operation, and they needed to show, you.
• 17:02
  Speaker 3: Know what it was a normal day in the life
• 17:04
  Speaker 3: of what the SGC.
• 17:06
  Speaker 2: Fair enough, and it was it was Martin Wood's idea
• 17:09
  Speaker 2: to actually get Major Davis back. He's like, we needed
• 17:12
  Speaker 2: we need a big face, we need a big name.
• 17:13
  Speaker 2: If we need someone big back that we think the
• 17:17
  Speaker 2: episode's gonna follow them. And then they just and that's
• 17:20
  Speaker 2: what Major Davis, just like Colin Cunningham just came into
• 17:22
  Speaker 2: faver Yeah and just did that. And you know, you
• 17:25
  Speaker 2: see him walking and walks around the corner and we
• 17:27
  Speaker 2: don't see Major Davis.
• 17:28
  Speaker 1: Again, it's not it's not the first time that we've
• 17:30
  Speaker 1: ever had that sort of like walk through, like what
• 17:32
  Speaker 1: is a pretty big set the SGC or the the
• 17:36
  Speaker 1: gate room or whatnot. But I found with that that
• 17:39
  Speaker 1: was almost a showing off, going hey, look this is
• 17:41
  Speaker 1: how big it is and we can move around. And
• 17:43
  Speaker 1: then transitioning that to the nineteen thirty nine when we
• 17:46
  Speaker 1: first get onto the ship and the ja'far come out
• 17:50
  Speaker 1: and attack all the seamen, and there was a lot
• 17:54
  Speaker 1: of playing with space in that scene too, like, hey,
• 17:57
  Speaker 1: this is a movie. We've actually got a bit of
• 17:59
  Speaker 1: bit of room to breathe and move. And there was
• 18:02
  Speaker 1: that one run really quick shot, almost a blink and
• 18:04
  Speaker 1: you'll miss it, where the girl going through and firing,
• 18:07
  Speaker 1: and again we're sort of seeing a lots of just
• 18:09
  Speaker 1: we can feel the scope of how big the ship is.
• 18:11
  Speaker 1: They're not just sort of shooting each other from three
• 18:13
  Speaker 1: feet away, they're ten meters away. They're up on a
• 18:15
  Speaker 1: different platform the other side of the room sort of thing.
• 18:17
  Speaker 1: But then there was a wide shot like taken from
• 18:20
  Speaker 1: out in the water and you just saw this beam
• 18:22
  Speaker 1: of energy fire like half the length of the ship.
• 18:25
  Speaker 1: Towards you know, you couldn't even see who was firing
• 18:27
  Speaker 1: at who they were shooting at, but it was a big,
• 18:28
  Speaker 1: you know, wide shot of the ship and you sort
• 18:30
  Speaker 1: of this beam of energy go through and hit one
• 18:32
  Speaker 1: of the crewmen and he falls down and it goes
• 18:34
  Speaker 1: back inside the ship. We just sort of to show
• 18:36
  Speaker 1: again the scope, and I'm like, you wouldn't have done that.
• 18:38
  Speaker 1: I don't feel like you're not doing a lot of
• 18:39
  Speaker 1: these different things in the TV show, but you've either
• 18:42
  Speaker 1: got a bigger budget to work with bigger sets or
• 18:44
  Speaker 1: more locations, and I guess we get that when they're
• 18:46
  Speaker 1: walking through the snow. There was just and there was
• 18:49
  Speaker 1: this in Fairness with Ark of Truth as well, but
• 18:51
  Speaker 1: I think just from recency bias, I was like, wow,
• 18:53
  Speaker 1: we can really feel the filmness of this, like the
• 18:57
  Speaker 1: sort of scope, and I mean even the the storyline overall,
• 19:01
  Speaker 1: like we've dealt with time travel sort of stuff where
• 19:03
  Speaker 1: they have to go back or alternate dimensions and convince
• 19:07
  Speaker 1: people you know, of what's coming and then they're not
• 19:10
  Speaker 1: being believed, and that sort of scale and the stakes. Sorry,
• 19:14
  Speaker 1: but that'll get wrapped up in like twelve minutes because
• 19:16
  Speaker 1: we've got to get to the end of the episode,
• 19:17
  Speaker 1: whereas it was over an hour when when Sam first
• 19:20
  Speaker 1: saw that, ol Cash and I looked and we were
• 19:22
  Speaker 1: about three minutes past the halfway point, and that's including credits. Yeah,
• 19:26
  Speaker 1: so we had a lot of that sort of build up,
• 19:28
  Speaker 1: which I mean, you felt it. You felt like the
• 19:31
  Speaker 1: half the drama was them just not being believed or
• 19:33
  Speaker 1: like thinking maybe that they were going to be lost.
• 19:35
  Speaker 1: And I'm like, how many other storylines in this entire
• 19:38
  Speaker 1: franchise that had to be wrapped up inside forty one minutes.
• 19:43
  Speaker 3: Yeah, that were great.
• 19:44
  Speaker 1: Anyway, would have felt even bigger and even better if
• 19:48
  Speaker 1: they would have been given you a two hour runtime
• 19:50
  Speaker 1: or even in this an our forty nine run time
• 19:53
  Speaker 1: or something to play with.
• 19:54
  Speaker 2: So yeah, yeah, they were saying the auto commentary like
• 19:58
  Speaker 2: things like the scene where Daniel goes into the bookstore
• 20:02
  Speaker 2: and sees the alternate version of himself, you know, find
• 20:05
  Speaker 2: the book he goes. That's the first stuff that gets
• 20:07
  Speaker 2: cut on the TV version, you know, you never see that.
• 20:09
  Speaker 2: And apparently where they had to re edit this movie
• 20:13
  Speaker 2: for broadcast, like after the DVDs were released, they had
• 20:17
  Speaker 2: to trim it down by they were over by two minutes,
• 20:20
  Speaker 2: and they had to trim out two minutes of this
• 20:22
  Speaker 2: to be able to then play it on television, and
• 20:25
  Speaker 2: they cut out the scene where Daniel Jackson calls himself,
• 20:28
  Speaker 2: recalls himself, That's what they cut out. But yeah, controversially,
• 20:33
  Speaker 2: I actually, first time viewing, I actually preferred Ark of
• 20:37
  Speaker 2: Truth to continue them. I think just because I loved
• 20:40
  Speaker 2: the Morgan la Faye, the Adrea, you know, all that
• 20:43
  Speaker 2: kind of stuff of it.
• 20:44
  Speaker 3: But there is a lot of cinematography with the mountains
• 20:49
  Speaker 3: until traveling. Yeah, that's kind of yeah.
• 20:52
  Speaker 2: And you know me like infamously, you know, back from
• 20:55
  Speaker 2: season one I have I do sometimes get a bit
• 20:57
  Speaker 2: of a block when it comes to the alternate version
• 21:00
  Speaker 2: of Stargate teams and stuff, because I'm just like, well,
• 21:03
  Speaker 2: I know we're going to hit the reset button at
• 21:04
  Speaker 2: the end of this, so like, what was what was
• 21:06
  Speaker 2: the point in it? But over time this has definitely
• 21:10
  Speaker 2: held its own as being the more enjoyable of the
• 21:13
  Speaker 2: two movies in that it's just one of those sort
• 21:15
  Speaker 2: of standalone, you know, Stargate adventures.
• 21:19
  Speaker 3: It's just the team just.
• 21:20
  Speaker 2: Going off and doing and doing their own thing, which
• 21:22
  Speaker 2: I quite enjoyed. You mentioned the the opener to Brennan's Delight.
• 21:29
  Speaker 3: Robert C.
• 21:30
  Speaker 2: Cooper actually had a little bit of envy over Martin
• 21:33
  Speaker 2: Wood's opening scene.
• 21:35
  Speaker 6: This is well one shot. We'll tell you when it stops.
• 21:36
  Speaker 6: This is all one shot.
• 21:38
  Speaker 1: How many texts?
• 21:39
  Speaker 6: How many text thirteen takes?
• 21:40
  Speaker 3: Why?
• 21:41
  Speaker 4: Because Gary Gary always, It's almost always Gary. You'll notice
• 21:46
  Speaker 4: that I dialed back as ad libs so much that
• 21:49
  Speaker 4: you can't even hear the punchline. It changed every time,
• 21:51
  Speaker 4: and this was the best of them, was the last one,
• 21:54
  Speaker 4: the least tenous.
• 21:55
  Speaker 6: So I have to say about this movie.
• 21:57
  Speaker 4: When when we decided to do this, Robert Cooper had
• 22:00
  Speaker 4: already shot a shot for his movie, which was walk
• 22:03
  Speaker 4: and Talk through the through this control room up into
• 22:07
  Speaker 4: the boardroom, and he came up and said, have you
• 22:10
  Speaker 4: seen my shot? And I said, wait to get a
• 22:11
  Speaker 4: load of what I'm doing. And when he saw that,
• 22:13
  Speaker 4: he actually came up to me and said, okay, you win,
• 22:15
  Speaker 4: you trump me.
• 22:17
  Speaker 3: Oh shit, I tasted so bitter. Did you pick up
• 22:23
  Speaker 3: Walter's ad lib? He's parking space, He's parking I don't
• 22:28
  Speaker 3: know what I found himself.
• 22:30
  Speaker 1: I was following, obviously, it was tracking through the room,
• 22:32
  Speaker 1: and I'm like, there's Walter and I felt like I
• 22:34
  Speaker 1: was listening, but I obviously didn't actually take.
• 22:36
  Speaker 3: After after thirteen requests or well, I finally got my
• 22:40
  Speaker 3: parking space ten years about a two thousand emails. Fucking
• 22:54
  Speaker 3: that's right, I'll be able to grab it anyway.
• 22:55
  Speaker 1: Yeah, you know what, that's probably where I did tap out.
• 22:58
  Speaker 1: I think the thousand emails. I was just starting to
• 23:00
  Speaker 1: like think about just the regular office Well sure, but
• 23:04
  Speaker 1: I'm like, that seems like anyone who works an office
• 23:07
  Speaker 1: job that seems like a problem, but for him, then
• 23:09
  Speaker 1: what they're dealing with, like that must almost seem so minute,
• 23:13
  Speaker 1: and so I don't know, so that that's obviously where
• 23:15
  Speaker 1: I tapped out. So that's so funny. And there's I
• 23:17
  Speaker 1: wonder whether there was another moment that I all of
• 23:18
  Speaker 1: a sudden can't think of now, but even the last
• 23:21
  Speaker 1: couple of episodes of Atlanta's where some stuff has been
• 23:23
  Speaker 1: made apparent to me and I'm like, holy shit, both
• 23:27
  Speaker 1: of you have been like that's been part of your
• 23:31
  Speaker 1: Stargate or get into gate podcast vernacular since the beginning,
• 23:35
  Speaker 1: and it's paying off in continuum, Like whenever you're talking
• 23:38
  Speaker 1: about Walter Brennan. You've always laughed about the idea that
• 23:40
  Speaker 1: he wants a car park, and I'm like, that's funny
• 23:43
  Speaker 1: because he would be the forgotten guy. But he talks
• 23:46
  Speaker 1: about it here and I haven't seen this thing in
• 23:48
  Speaker 1: fifteen years, so it just seems like such like it's such.
• 23:51
  Speaker 3: A great fact that it's a that it's a Gary
• 23:53
  Speaker 3: ad lib as well. Yes, it wasn't written in so good. Yeah, yeah,
• 23:56
  Speaker 3: because I think when we discussed the whole Balta Diaries,
• 24:00
  Speaker 3: I was like, I have to try and go through
• 24:02
  Speaker 3: and find something that Walter has done or said like
• 24:06
  Speaker 3: that's actually and then watching continue, I'm like, oh, okay.
• 24:10
  Speaker 3: So that was basically his ad lib was the premise
• 24:12
  Speaker 3: of the World to Die.
• 24:14
  Speaker 2: I'd love to hear the other twelve ad libs though
• 24:16
  Speaker 2: from the Yeah twelve come in handy. Yeah, given that
• 24:19
  Speaker 2: Peter Martin would said that was you know, they were heinous,
• 24:25
  Speaker 2: Like I would love to know what it was.
• 24:28
  Speaker 3: He was amazing. Yeah, but yeah, I did have talking
• 24:31
  Speaker 3: about that alternate timeline. I did get vibes of there
• 24:37
  Speaker 3: but for the grace of God and water Gate when
• 24:39
  Speaker 3: they go to Russia. Yeah, mobius because that you know,
• 24:42
  Speaker 3: they all die same mobius. But yeah, it was things
• 24:48
  Speaker 3: that we've touched on before, but yeah, culminated together.
• 24:51
  Speaker 2: I wonder if maybe the reason I enjoy this one
• 24:53
  Speaker 2: more is because, yeah, there was more room to breathe
• 24:56
  Speaker 2: and we got to have all those scenes. I mean
• 24:57
  Speaker 2: even the one year later and things like that where
• 25:00
  Speaker 2: it's you know, you just got to live with the idea.
• 25:02
  Speaker 3: Oh yeah, Daniel's missing a.
• 25:03
  Speaker 2: Leg and they're all separated and they're all, you know,
• 25:06
  Speaker 2: trying to have these lies and it's like, Okay, that's
• 25:08
  Speaker 2: all the stuff that you wouldn't get to see.
• 25:09
  Speaker 3: Yeah, and you'd be like that would suck. Yeah. That
• 25:12
  Speaker 3: was the part in the movie where I'm like, dude,
• 25:14
  Speaker 3: that sucks. Man. Yeah.
• 25:16
  Speaker 2: I loved Amanda tapping, Like the reaction she gave when
• 25:19
  Speaker 2: she's on the bus being driven to wherever and then
• 25:22
  Speaker 2: the person's briefing her and telling her, you know, you
• 25:24
  Speaker 2: can't get a job in this, this this, and the
• 25:27
  Speaker 2: way she just kind of scoffs and rolls her eyes.
• 25:29
  Speaker 2: You're just like, ah, that would suck.
• 25:32
  Speaker 3: Yeah, Daniel can't even go and do archaeology or anything. Yeah,
• 25:36
  Speaker 3: because I would imagine him pissing off to Egypt eventually, Yeah,
• 25:40
  Speaker 3: just getting jack of it and like whatever, Yeah, I'm
• 25:43
  Speaker 3: going to leave America save up his painting is to
• 25:45
  Speaker 3: get a really really good prosthetic and yeah, way you
• 25:48
  Speaker 3: go to South Africa and then make his way up
• 25:51
  Speaker 3: to Egypt.
• 25:51
  Speaker 2: Yeah.
• 25:52
  Speaker 3: Yeah. What did you think of the disappearing at the
• 25:54
  Speaker 3: start with Varlin?
• 25:57
  Speaker 2: That was a hard one because in in my mind
• 26:02
  Speaker 2: I kind of always wrote that off as like Baal
• 26:10
  Speaker 2: made more than like it wasn't just Baal going back
• 26:14
  Speaker 2: to the Achilles and interfering like that might have.
• 26:16
  Speaker 3: Been the fourth or fifth thing he did.
• 26:18
  Speaker 2: It's like the first thing Bal did to mess with
• 26:20
  Speaker 2: the timeline meant that Vala wasn't there, and then the
• 26:23
  Speaker 2: next thing he did to mess with the timeline MENTIOK,
• 26:25
  Speaker 2: wasn't there, you know, and that kind of thing. But
• 26:26
  Speaker 2: then you're like, well then we wouldn't be Yeah, why
• 26:30
  Speaker 2: why would the rest of the team be going where
• 26:31
  Speaker 2: is Vala? Because if the timeline was instantly different like that,
• 26:35
  Speaker 2: it's because she's not there, so they wouldn't be looking
• 26:37
  Speaker 2: for her. And even Carter says later on, it's like, well,
• 26:41
  Speaker 2: the reason they know about the time the what their
• 26:44
  Speaker 2: timeline is supposed to be is because all the changes happened.
• 26:47
  Speaker 3: While they were.
• 26:49
  Speaker 2: Trans in the wormhole, and that was Carter's theory as
• 26:53
  Speaker 2: to why you know, she wasn't able like they were
• 26:55
  Speaker 2: able to sort of.
• 26:56
  Speaker 1: Yeah, which is the most like in world, you know,
• 27:00
  Speaker 1: just because of all the sciencey stuff that allows this
• 27:03
  Speaker 1: show to exist.
• 27:04
  Speaker 3: Okay, I'll take that. I'll believe that part of it
• 27:06
  Speaker 3: because otherwise, yeah, yeah, I was happy with it, like
• 27:08
  Speaker 3: as a story, yeah, mode I'm like, oh, that's cool,
• 27:11
  Speaker 3: because otherwise you're faced with two think about it too
• 27:13
  Speaker 3: much exactly, Yeah, you have to.
• 27:15
  Speaker 2: Because it's also like every single time we do time
• 27:18
  Speaker 2: travel via solar flares, it's different. Like if you go
• 27:23
  Speaker 2: back to nineteen sixty nine, the whole point of that
• 27:27
  Speaker 2: one is because we like we went back through the
• 27:30
  Speaker 2: stargate in Shine Mountain, and then the stargate disappeared and
• 27:33
  Speaker 2: they had to do the road trip elsewhere whereas in
• 27:36
  Speaker 2: this one, it's like they go through the gate and
• 27:38
  Speaker 2: end up on the ship in the like on the
• 27:41
  Speaker 2: Achilles where the gate is and end up stranded there,
• 27:44
  Speaker 2: you know what I mean. It's not like they went
• 27:46
  Speaker 2: back to the SGC and then it disappeared and they
• 27:48
  Speaker 2: find out later, you know, So there's a different rule
• 27:50
  Speaker 2: every single time. So yeah, you kind of just have
• 27:53
  Speaker 2: to just not think about it and just go with
• 27:55
  Speaker 2: the flow.
• 27:55
  Speaker 3: Actually, my biggest issue was bars Bridge. You know what
• 27:59
  Speaker 3: you he comes to earth on the Achilles little drops through.
• 28:04
  Speaker 3: Oh yeah, why did he do that? Yeah?
• 28:06
  Speaker 1: How did he know?
• 28:08
  Speaker 3: And then like does he throw the plank down from
• 28:12
  Speaker 3: where he came from? Obviously he does, but is that
• 28:15
  Speaker 3: part of the plank meant to be on his side?
• 28:17
  Speaker 3: Is because it's still in the wormhole? Yeah, it's still
• 28:20
  Speaker 3: in the puddle, and then he walks. I was just
• 28:22
  Speaker 3: like cool, but why yeah, yeah, don't just don't think
• 28:27
  Speaker 3: about it. Don't think I don't think too hard when you.
• 28:30
  Speaker 1: It is a tricky when we start like different for
• 28:32
  Speaker 1: time travel. You can, okay, can play like just in
• 28:34
  Speaker 1: the general concept itself, but once you start bringing like
• 28:36
  Speaker 1: the disappearing thing, because there's either, yeah, the two rules
• 28:39
  Speaker 1: of time travel, like I go back in time bang
• 28:43
  Speaker 1: instantly the future is different and no one remembers anything,
• 28:46
  Speaker 1: or it's the back.
• 28:47
  Speaker 3: To the future ish.
• 28:48
  Speaker 1: But my first thought was that movie with Dennis Quayer
• 28:51
  Speaker 1: Jim Cavizel frequency where what was going on in the
• 28:54
  Speaker 1: present day or future, depending on how you.
• 28:57
  Speaker 3: Look at it.
• 28:58
  Speaker 1: Oh sorry, in the well, yeah, we're looking at two
• 29:00
  Speaker 1: different things going on. You know, people were fighting in
• 29:03
  Speaker 1: the past thirty years ago and a guy got a
• 29:05
  Speaker 1: cut on his face, and then all of a sudden,
• 29:06
  Speaker 1: you're in the future and you see that that cut
• 29:09
  Speaker 1: appear on his face. At the same time, you're like, well,
• 29:11
  Speaker 1: I would have always been there, so why But it's
• 29:14
  Speaker 1: only happening because we're watching these two stories and as
• 29:16
  Speaker 1: if your play it simultaneously. Or back to the future
• 29:18
  Speaker 1: where he's watching his brother and his oldest older brother
• 29:21
  Speaker 1: and sister disappeared from the photo, but he still remains alive.
• 29:24
  Speaker 1: It's like, well, why would you be if your brother
• 29:26
  Speaker 1: didn't exist, You're not going to exist, you know, change
• 29:28
  Speaker 1: one thing, change.
• 29:29
  Speaker 3: Everything, you know, sort of sort of stuff.
• 29:31
  Speaker 1: So again it's a case of like, don't think about it,
• 29:34
  Speaker 1: you know, too hard, because otherwise then when I think.
• 29:37
  Speaker 3: We do know, I've gone cross e strap in and
• 29:43
  Speaker 3: enjoy it.
• 29:44
  Speaker 1: It is a case that I thought, especially once we
• 29:45
  Speaker 1: got to the end, and Cam's the only one that like, again,
• 29:49
  Speaker 1: I haven't seen this a long time, so I didn't
• 29:51
  Speaker 1: remember that he was the only one that made it out.
• 29:54
  Speaker 1: And the only sort of fix that we see is
• 29:56
  Speaker 1: him stopping the ship from being taken over in nineteen
• 30:00
  Speaker 1: thirty nine after having been in the past for ten years. Yeah,
• 30:04
  Speaker 1: and then I will the rest of It's fine, I'm like,
• 30:06
  Speaker 1: so this was his first stop because yeah, based on
• 30:09
  Speaker 1: how we see people disappear at the beginning of the film, well,
• 30:12
  Speaker 1: Varla was the first one to go. Well, okay, if
• 30:14
  Speaker 1: she was the first one to go, does that mean
• 30:16
  Speaker 1: bab going back in time? He went back to fifty
• 30:19
  Speaker 1: years ago, one hundred years ago or whatever with Koteshi
• 30:21
  Speaker 1: and stopped her from ever you know, freeing herself to
• 30:24
  Speaker 1: becoming Varla again or something, and then the different you know,
• 30:28
  Speaker 1: then Tilk obviously, like it sort of didn't work in
• 30:30
  Speaker 1: a particular order that if again we don't just because
• 30:35
  Speaker 1: we as viewers see the ship stuff happen after a
• 30:39
  Speaker 1: lot of other people have disappeared, doesn't mean that it
• 30:42
  Speaker 1: wasn't the first stop that Ba made. But you know,
• 30:45
  Speaker 1: and we don't know why he made that choice, like
• 30:47
  Speaker 1: other than just being a real like he was full
• 30:49
  Speaker 1: of revenge a spie like that, the whole thing, Like,
• 30:52
  Speaker 1: he didn't need to do that to particular members of
• 30:55
  Speaker 1: the team. He probably could have achieved his overall desire
• 30:58
  Speaker 1: by just going back and doing against the system lads.
• 31:01
  Speaker 1: He didn't really need to go and properly mess with
• 31:03
  Speaker 1: Cameron Mitchell, Like, who gives a shit in.
• 31:05
  Speaker 3: The grand scheme of things.
• 31:06
  Speaker 1: He's only been dealing with this guy for about eight
• 31:08
  Speaker 1: minutes of his life. You know, it was more important
• 31:10
  Speaker 1: that he screwed with Jack O'Neil. Jack O'Neill's doing fine.
• 31:13
  Speaker 1: He's out there like doing training missions and stuff, and
• 31:16
  Speaker 1: his son's still alive. If anything, O'Neil got off this
• 31:20
  Speaker 1: got off lightly. He was fine. We never heard from
• 31:22
  Speaker 1: him again, so you know, why didn't he was Why
• 31:25
  Speaker 1: wasn't other than getting murdered at the start in the
• 31:28
  Speaker 1: real timeline, maybe that was enough for a narrative, but yeah,
• 31:31
  Speaker 1: it was just again, it's just to stop stop thinking
• 31:33
  Speaker 1: about it.
• 31:34
  Speaker 2: It's fine, get one up on O'Neil.
• 31:38
  Speaker 1: Yeah, it just felt gross because of how easy it happened
• 31:41
  Speaker 1: and how easily O'Neill. Well, not so much that he
• 31:47
  Speaker 1: accepted it, but the rest of the team were like, oh,
• 31:48
  Speaker 1: you won't leave without you. No, I'm telling you to go.
• 31:50
  Speaker 1: It's like, all right, we better go, and they, you know,
• 31:52
  Speaker 1: Carter didn't like it, but still had to run off.
• 31:55
  Speaker 1: And because now that I'm watching this again, having watched
• 31:58
  Speaker 1: the last four seasons, in particular the last previous season
• 32:01
  Speaker 1: rather of Atlantis, and those tiny little bits and pieces
• 32:05
  Speaker 1: that Carter drops about the guy in Washington and not
• 32:07
  Speaker 1: someone who's nearly retired, and I think she's got going
• 32:10
  Speaker 1: on with the guy back home. And then all of
• 32:12
  Speaker 1: a sudden they're standing next to each other and this,
• 32:14
  Speaker 1: and it's very yes, sir, no, sir, hey, but sir,
• 32:16
  Speaker 1: we're going to do this. And I'm like, oh, we're
• 32:18
  Speaker 1: back to We're back to SG one days, whereas there's
• 32:21
  Speaker 1: no emotional.
• 32:22
  Speaker 3: Because she filmed it before. That's what I mean. So
• 32:25
  Speaker 3: it's a bit weird.
• 32:26
  Speaker 1: But in saying that, I'm like, oh, wow, that's how
• 32:29
  Speaker 1: professional she is, you know, And that's how professional.
• 32:31
  Speaker 3: It was good having a professional in charge of Atlantis,
• 32:33
  Speaker 3: Wasn't it really good?
• 32:36
  Speaker 7: Now?
• 32:36
  Speaker 3: Finally a real.
• 32:38
  Speaker 1: Female too, you know, who could make some smart like decisions.
• 32:42
  Speaker 3: Use her mind. Yeah, said last week when she got
• 32:44
  Speaker 3: fired so well.
• 32:46
  Speaker 1: Well mate, I mean, come on, she also got locked
• 32:48
  Speaker 1: in it. You know, she got trapped in a hole
• 32:50
  Speaker 1: and found a way out. You know, when she was
• 32:51
  Speaker 1: all busted up.
• 32:52
  Speaker 3: She would have been talking to that hole, talking to
• 32:55
  Speaker 3: those kids. Can you let me out? No, we won't
• 32:59
  Speaker 3: let you out. Shed to show the cans.
• 33:01
  Speaker 1: I was about to say this, well I was and said,
• 33:03
  Speaker 1: there's no way Weir would have but Carter didn't either.
• 33:05
  Speaker 3: So yeah, we're are better.
• 33:08
  Speaker 1: I wouldn't have thought that I saw her in the
• 33:11
  Speaker 1: show the other week, and I can. And actually I
• 33:15
  Speaker 1: meant to send this around in the group, but I'll
• 33:17
  Speaker 1: show you guys now. And I was so surprised because
• 33:20
  Speaker 1: it was wasn't too long ago. Brendan Thatt that Mattie
• 33:22
  Speaker 1: and I were talking about.
• 33:26
  Speaker 3: What's what's her actual to Tory, and I said that.
• 33:31
  Speaker 1: I felt like when we met her at like, say
• 33:35
  Speaker 1: forty five, I think Tory Higginson at forty five looked
• 33:39
  Speaker 1: younger than Elizabeth Weir at thirty five, because we did
• 33:42
  Speaker 1: the math about how old she would have been based
• 33:44
  Speaker 1: on the age of the show at.
• 33:45
  Speaker 3: The time, the math because you were being an age Sure, she.
• 33:49
  Speaker 1: Just teamed the maths mate, Okay, this is a unity.
• 33:52
  Speaker 3: It was the head. Yeah, it didn't.
• 33:54
  Speaker 1: It didn't add to anything. And so that was what
• 33:56
  Speaker 1: twenty years ago that she was first filming her scenes,
• 33:59
  Speaker 1: and then we met her ten years ago where I
• 34:00
  Speaker 1: felt like she looked a lot younger. And then I'm
• 34:02
  Speaker 1: trying to think of what show Sarah, my wife.
• 34:05
  Speaker 3: Was watching for the Nurse show.
• 34:07
  Speaker 1: Yes, I won't say Virgin River, but that's a Netflix
• 34:09
  Speaker 1: version of the same thing, Sullivan's Crossing, Sullivan's Crossing, and
• 34:15
  Speaker 1: she pops up as Chad Michael Murray's mother Tory Higginson.
• 34:18
  Speaker 1: But as I'm watching this, I did not know that
• 34:20
  Speaker 1: was her because she's aged about it like a minute,
• 34:23
  Speaker 1: Yeah wow, because.
• 34:24
  Speaker 3: I'm looking at her, going, where do I know that
• 34:26
  Speaker 3: woman from? Yeah?
• 34:27
  Speaker 1: Where do I know her eyes from? I know her
• 34:29
  Speaker 1: from somewhere.
• 34:29
  Speaker 3: That's and it's story Higginson.
• 34:31
  Speaker 2: That's the mom from Golden Girl, Benita from play School.
• 34:34
  Speaker 6: Oh it is.
• 34:37
  Speaker 1: But I think that, like again, I think the hair,
• 34:39
  Speaker 1: they've made her look a lot older in the show
• 34:41
  Speaker 1: than what she actually is.
• 34:42
  Speaker 2: But well, like you remember Maggie Smith, Maggie Smith in Hook,
• 34:47
  Speaker 2: the aged heaps in that.
• 34:50
  Speaker 1: Because I never watched anything else of Maggie Smith's until
• 34:52
  Speaker 1: probably Harry Potter.
• 34:53
  Speaker 3: Yeah, Maggie Smith, I never aged.
• 34:55
  Speaker 2: Yeah, yeah, yeah, she's like Steve Martin, She's like, oh yeah,
• 34:58
  Speaker 2: she's been gray since she was twenty five.
• 35:00
  Speaker 3: She still with us. She passed last couple of years.
• 35:02
  Speaker 3: I think she damn yeah, she did only like last year.
• 35:05
  Speaker 7: Yeah.
• 35:06
  Speaker 1: Yeah, beautiful, beautiful woman that just never aged.
• 35:09
  Speaker 3: And Betty White.
• 35:11
  Speaker 2: Tory Higgins, however, you're happy to loies today.
• 35:14
  Speaker 1: Hey, hey, no, she can. She can join the Hell
• 35:16
  Speaker 1: and Mirror Club for me.
• 35:17
  Speaker 7: Oh yeah, but you know when he was she's not
• 35:20
  Speaker 7: even that old.
• 35:20
  Speaker 3: To Higginson, I'm you tried to change her up her
• 35:23
  Speaker 3: grandma character.
• 35:24
  Speaker 2: You thought she was a good six seven years older
• 35:27
  Speaker 2: than she actually was because what.
• 35:29
  Speaker 3: They did to her in Stargate.
• 35:30
  Speaker 1: We met her in real life and I'm like, are
• 35:32
  Speaker 1: you doing, Lincoln, go ask how she's doing. It was
• 35:35
  Speaker 1: more like that.
• 35:36
  Speaker 2: Actually, speaking of Lincoln, I was hoping he was going
• 35:39
  Speaker 2: to come today.
• 35:41
  Speaker 3: Yeah.
• 35:43
  Speaker 2: He also, Yeah, he also didn't ride for the podcast.
• 35:46
  Speaker 2: There's something that I think we're going to need to
• 35:48
  Speaker 2: push him to do from now on. Every time he
• 35:50
  Speaker 2: books another job, and that is to go the full
• 35:55
  Speaker 2: Cliff sigmon.
• 35:56
  Speaker 4: We have to talk with the fact that the Cliff
• 35:59
  Speaker 4: is actually anniated by a computer, because no human being.
• 36:01
  Speaker 6: Has muscles like that. He's pretty cut, he's ripped.
• 36:05
  Speaker 4: And he came to me the costume here originally had
• 36:08
  Speaker 4: had sleeves and he killed me one day and he said,
• 36:12
  Speaker 4: I was just wondering is it necessary for me to
• 36:14
  Speaker 4: have sleeves?
• 36:15
  Speaker 6: And I thought, no, it's not. I didn't realize why
• 36:17
  Speaker 6: until I saw a mindset.
• 36:19
  Speaker 3: Is it necessary for me to even have a top?
• 36:23
  Speaker 3: Do I need pants? Just ond rama?
• 36:32
  Speaker 1: Great?
• 36:32
  Speaker 3: Yeah, So that's from now on.
• 36:34
  Speaker 2: Whenever lincol books a job, I wanted him to his
• 36:36
  Speaker 2: first question be like, does my.
• 36:38
  Speaker 3: Character need sleeps?
• 36:40
  Speaker 1: Well, it's funny with with with definitely Cliff, not cloth,
• 36:45
  Speaker 1: but Cliff in this because again I haven't watched this
• 36:48
  Speaker 1: in a long time. So when we started the pod,
• 36:50
  Speaker 1: and you know, Rees fell in love with with ape
• 36:52
  Speaker 1: Off and it's like it's Apof and Ball and then
• 36:55
  Speaker 1: bar sort of got introduced, and then you know, very
• 36:57
  Speaker 1: quickly the cloning things seemed to come along, and it
• 37:00
  Speaker 1: was like he never quite reached his potential, and you
• 37:03
  Speaker 1: guys were like, oh, this is sort of where like
• 37:05
  Speaker 1: with hit peak Baal, and I'm like, no, no, we haven't.
• 37:08
  Speaker 1: Like I feel like there's so much more because I
• 37:10
  Speaker 1: have this great memory of him, and I wonder how
• 37:12
  Speaker 1: much of that purely came from not just from this movie,
• 37:16
  Speaker 1: but like got emphasized from this movie because the confidence
• 37:20
  Speaker 1: that this guy had he was in death row, He's
• 37:22
  Speaker 1: about to be executed, and he's sitting there going, well,
• 37:24
  Speaker 1: this is your making a territ little mistake and then
• 37:27
  Speaker 1: you regret this, yeah, and then goes back in time,
• 37:30
  Speaker 1: changes everything, like takes over the galaxy from a gold
• 37:33
  Speaker 1: point of view, like kills all of his underlings, sorry
• 37:37
  Speaker 1: that those opposed in like like like apoff, and then
• 37:40
  Speaker 1: had everyone else working for him or so he thought,
• 37:43
  Speaker 1: just managed to overlook his missus a tale as old
• 37:46
  Speaker 1: as time? Am I right? And he did it, and
• 37:49
  Speaker 1: he did it with this sort of just you know,
• 37:51
  Speaker 1: shitted and grin.
• 37:52
  Speaker 2: On his face and the charming conversation he had with
• 37:56
  Speaker 2: President Hayes and on the SAT phone, well I'm obviously
• 37:59
  Speaker 2: not going did you show up?
• 38:00
  Speaker 3: And a hologram on.
• 38:05
  Speaker 1: So like just the intimate details of that and you know,
• 38:08
  Speaker 1: all this already didn't immediately think it was a prank call.
• 38:13
  Speaker 3: From some days in South Africa.
• 38:16
  Speaker 1: He called the switchboard, get that into your blood, diamond sir,
• 38:24
  Speaker 1: it's coming for you. They did.
• 38:26
  Speaker 3: They did water him down with the clone stuff, which
• 38:29
  Speaker 3: I really disliked. Yeah, I dis liked that whole clone
• 38:32
  Speaker 3: thing for one episode. Sure, and kill all the clones fine,
• 38:35
  Speaker 3: But then did we actually get a wrap up on
• 38:38
  Speaker 3: was this the real original bar he didn't have a
• 38:40
  Speaker 3: chip in his head or body there. Yeah, there was some.
• 38:46
  Speaker 2: Some mcguffin that I think maybe Daniel said or Carter
• 38:49
  Speaker 2: said something like that, like he he put a he
• 38:52
  Speaker 2: put trackers in all of them. This one doesn't have
• 38:53
  Speaker 2: a tracker blah blah blah, you know, And she's like,
• 38:56
  Speaker 2: I'm sure.
• 38:56
  Speaker 3: We've got them all.
• 38:59
  Speaker 2: Yeah, until they you know, until if, if you know,
• 39:02
  Speaker 2: Starget comes back and they well I guess they're not
• 39:04
  Speaker 2: going to get Cliff back on it. But yeah, I
• 39:07
  Speaker 2: feel like, yeah, I had this had the show gone on, yeah,
• 39:12
  Speaker 2: they probably would have found a way to bring him.
• 39:14
  Speaker 2: I mean, look at look at Apofus. You know, Apofus
• 39:16
  Speaker 2: died like four times. They they always found a way
• 39:18
  Speaker 2: to bring him back. So you know if they wanted
• 39:19
  Speaker 2: two days.
• 39:20
  Speaker 3: Yeah, I'm glad. I'm glad for Bar's legacy that this
• 39:24
  Speaker 3: this film exists. Yeah, it would have been a travesty
• 39:28
  Speaker 3: to end on the way it did.
• 39:29
  Speaker 2: Yeah, it took him back to the Yeah, the pompous,
• 39:33
  Speaker 2: arrogant but also somewhat charming kind of character that you know,
• 39:38
  Speaker 2: he he could be, like, he could be ruling the
• 39:42
  Speaker 2: entire galaxy if it weren't for his ego, you know,
• 39:45
  Speaker 2: and he wants to have his ego stroked. You know,
• 39:47
  Speaker 2: he can have literally any woman in the galaxy, but
• 39:52
  Speaker 2: he's like, no, I'm going to have kotsh you know,
• 39:54
  Speaker 2: I'm going to have I'm gonna have Kotesh in Vala
• 39:56
  Speaker 2: Malduran's body because that's going to make him feel like
• 40:00
  Speaker 2: he's a big man. And that was his undoing, you know,
• 40:04
  Speaker 2: by having to do all these these things.
• 40:06
  Speaker 1: So and I know that with the timey wimy stuff,
• 40:09
  Speaker 1: there's an element huge as it may be, of just
• 40:13
  Speaker 1: shut up, stop thinking about it. But when she stabbed
• 40:16
  Speaker 1: him with that blade, and she's like the edge of
• 40:17
  Speaker 1: this blade have been sharpened to within the width of
• 40:21
  Speaker 1: an atom, and I'm like, are.
• 40:24
  Speaker 3: Like how like that's pretty small.
• 40:27
  Speaker 1: Guys like, couldn't you just I don't know, like quarks, Yeah,
• 40:32
  Speaker 1: Like what's the smallest that we could think of that's
• 40:34
  Speaker 1: actually possible? And you'd be like, god damn that sharp.
• 40:36
  Speaker 1: You know.
• 40:36
  Speaker 3: It's like with an inch.
• 40:37
  Speaker 1: Of a single strand of hair, you'd be like, God
• 40:40
  Speaker 1: damn that sharp. Yeah, but you know a molecule, You're like, okay, well,
• 40:44
  Speaker 1: I mean that seems over stretchingly. Go an atom and
• 40:45
  Speaker 1: I'm like, really.
• 40:48
  Speaker 2: Isn't isn't isn't it isn't Everything at some point gets
• 40:52
  Speaker 2: down to the you know what I mean, I know,
• 40:55
  Speaker 2: just it's like they think where they say, we're made
• 40:58
  Speaker 2: of atoms. Adams don't touch. So if I touch, I'm
• 41:02
  Speaker 2: not actually touching.
• 41:03
  Speaker 3: You, you know what I mean. I never touched my
• 41:05
  Speaker 3: own dick.
• 41:05
  Speaker 1: Yeah, same, Interesting, how that's the first thing you went to.
• 41:09
  Speaker 2: It's like, oh, so I've never hugged my kids, never
• 41:12
  Speaker 2: touched my own dick.
• 41:13
  Speaker 3: Well, we like it. Yeah, no one's touched.
• 41:16
  Speaker 2: That means yeah, that means nothing you've done will actually
• 41:19
  Speaker 2: make Jesus cry hitting.
• 41:21
  Speaker 1: Yeah, that's it really adds to the science versus religion thing.
• 41:24
  Speaker 1: It's like but I've actually never touched. It's like, well,
• 41:27
  Speaker 1: no you haven't. It's like, actually, if you really break
• 41:28
  Speaker 1: it down, like Adams have never touched, it's like no, no, no, no, no,
• 41:31
  Speaker 1: Jesus disapproved.
• 41:32
  Speaker 2: That means that means kids don't have to get into soaking.
• 41:35
  Speaker 2: What's up even heard about that? Like the religious kids
• 41:39
  Speaker 2: and the Mormon kids. So there's a new thing, so
• 41:40
  Speaker 2: so that it doesn't make God cry? Right, And I'm
• 41:43
  Speaker 2: sure you two probably did this at carmel Is to
• 41:46
  Speaker 2: each other, well, to each other whatever, to any unsuspecting girl. No,
• 41:50
  Speaker 2: I'm sure there was consent. It was fine. They like,
• 41:55
  Speaker 2: so the boys.
• 41:57
  Speaker 1: I suggest that Brendan and I were having sex with
• 41:59
  Speaker 1: each other, you had to jest that maybe there was
• 42:01
  Speaker 1: some like sexual abuse going on.
• 42:02
  Speaker 3: Well you find out what soaking is. So I mean,
• 42:05
  Speaker 3: I know we're gonna go. We're gonna go in a
• 42:07
  Speaker 3: heteroonormative way.
• 42:09
  Speaker 2: So the guy puts his hard penis inside the girl's vagina,
• 42:14
  Speaker 2: but doesn't thrust, because that's what's the sin. So the
• 42:18
  Speaker 2: friend jumps up and down on the bed next to them,
• 42:21
  Speaker 2: and that movement does what.
• 42:23
  Speaker 1: It needs to do.
• 42:24
  Speaker 3: But because the other.
• 42:25
  Speaker 2: Two are you know, passive in that it doesn't count
• 42:28
  Speaker 2: as premarital sex or a sex.
• 42:30
  Speaker 3: That's a wingman. Yeah, that's a freaking wing man. That's
• 42:32
  Speaker 3: why I thought you that I could picture you two
• 42:34
  Speaker 3: doing that, isn't it the Mormons do that? Or the yeah,
• 42:37
  Speaker 3: or the other ones one with the weird bids, the Amish,
• 42:40
  Speaker 3: I don't know, it's one of them. The Amish wouldn't
• 42:42
  Speaker 3: talk about it.
• 42:43
  Speaker 1: No, Yeah, now you're right there. I would have assumed
• 42:46
  Speaker 1: it was a Mormon thing, and I feel like maybe
• 42:47
  Speaker 1: that's where I did hear of it first.
• 42:49
  Speaker 3: Was we're not going to google it.
• 42:52
  Speaker 2: I mean, come on, any any religion in that part
• 42:55
  Speaker 2: of the world. The amount of stuff that's happening over there, crazy.
• 43:00
  Speaker 3: Wouldn't put it. I wouldn't put it past a you know,
• 43:03
  Speaker 3: great people. At this point, send some of that cash
• 43:06
  Speaker 3: over here. Exane rate is still pretty good.
• 43:10
  Speaker 2: What I like is that even and this is going
• 43:12
  Speaker 2: to test your guys knowledge of just how big a
• 43:14
  Speaker 2: Sciphi energy really are. I thought, you're still talking about soaking, Well,
• 43:19
  Speaker 2: do you want me to test you on soaking?
• 43:20
  Speaker 3: We can, you know, let's go, we'll jump.
• 43:25
  Speaker 1: Shotgun first.
• 43:29
  Speaker 2: Yeah, taking that one for the team. I love the
• 43:34
  Speaker 2: fact that no matter what alternate universe, galaxy, timeline, reality, whatever,
• 43:40
  Speaker 2: Tilk is still a Star Wars, still the man he
• 43:49
  Speaker 2: was quoting Yoda, absolutely quoting Yoda in that one.
• 43:53
  Speaker 3: There is another.
• 43:54
  Speaker 1: I mean he still decided to eventually, or maybe he'd
• 43:57
  Speaker 1: always had hairs as the first prime of of ba.
• 44:01
  Speaker 2: Yeah, knew Baal knew that Tilk hated shaving his head,
• 44:07
  Speaker 2: so he's you know, although in what season one of
• 44:10
  Speaker 2: the she one Tilk was like it was it was
• 44:14
  Speaker 2: part part.
• 44:15
  Speaker 3: Of his holiday when he was O'Neil, he had to
• 44:17
  Speaker 3: shave his head. Yeah, what are you doing? M Yeah, yeah,
• 44:22
  Speaker 3: I think it was a Tilk thing. He just grew
• 44:24
  Speaker 3: he grew out of it. Weird that we only I
• 44:27
  Speaker 3: actually liked that we only had two scenes of Vala
• 44:31
  Speaker 3: and one of them should literally disappeared. But it was
• 44:35
  Speaker 3: very cool to see kotsh In in the flesh.
• 44:38
  Speaker 2: Yeah. Yeah, I remember Claudia Black kind of saying it's
• 44:41
  Speaker 2: like because she didn't have a huge amount to do,
• 44:44
  Speaker 2: but it was yeah, people asking like, oh, so what
• 44:47
  Speaker 2: do you know about She's like, Vala is not in
• 44:48
  Speaker 2: this and that was kind of a sneaky way of
• 44:50
  Speaker 2: just being like, you know, you get some good Kotsh scenes,
• 44:54
  Speaker 2: but yeah, not a lot of Varla.
• 44:55
  Speaker 3: It was good though I liked the Kotsh scenes. I
• 44:58
  Speaker 3: was like, this is sweet. Yeah, yeah, she she gave
• 45:04
  Speaker 3: good villain. Yeah I was, I was.
• 45:05
  Speaker 2: I was. I still don't know how I feel about
• 45:09
  Speaker 2: whether I would have liked to have seen the scene
• 45:10
  Speaker 2: or not. But it's like the way at the end
• 45:12
  Speaker 2: when Varla kind of wanted to help Ball's host, like
• 45:18
  Speaker 2: after the after, Like I feel like that was a
• 45:20
  Speaker 2: nice moment for Varla, but it's like, as Daniel said earlier,
• 45:22
  Speaker 2: like that surely he'd be crazy. He'd be doing the
• 45:26
  Speaker 2: simili stuff like Popus was. You know, he'd be he'd
• 45:28
  Speaker 2: be crazy. He'd be crazy, he'd be.
• 45:31
  Speaker 1: And what would they what would they do with him?
• 45:33
  Speaker 1: Like who would have taken him on board? Because you know,
• 45:35
  Speaker 1: it's like I need to stick him in a would
• 45:37
  Speaker 1: be homeless, Yeah, regards where you put him. He's ran
• 45:40
  Speaker 1: the same stuff and everyone's the same amount. But that's
• 45:43
  Speaker 1: even like the idea of like I get that we
• 45:45
  Speaker 1: had a year between them sort of being dropped off
• 45:47
  Speaker 1: at their new homes, new IDs and all that sort
• 45:49
  Speaker 1: of stuff, and then we cut to you later. It's like,
• 45:51
  Speaker 1: oh shit, that's a long time to to not be
• 45:53
  Speaker 1: I mean, clearly they've worked out a way to contact
• 45:55
  Speaker 1: each other in that time, if they haven't already done
• 45:57
  Speaker 1: it in secret, but I kind of wish there was.
• 46:00
  Speaker 1: It was maybe nine months later, and the first three
• 46:02
  Speaker 1: months with them in almost lock up, because the idea
• 46:06
  Speaker 1: of them showing up with all these crazy stories but
• 46:09
  Speaker 1: also a lot of secret details that they could prove
• 46:11
  Speaker 1: they still know for stuff that did match up regardless
• 46:13
  Speaker 1: of the timeline that the government and the military just
• 46:16
  Speaker 1: went all right, well, look, we obviously can't have you
• 46:18
  Speaker 1: anywhere near this tech, and the only other option is
• 46:21
  Speaker 1: to stick you back out in society and just tell
• 46:23
  Speaker 1: you not to do the wrong thing. Like what enough
• 46:26
  Speaker 1: of to be that easy? I feel like you guys
• 46:28
  Speaker 1: would be like Area fifty wind up like hardcore for
• 46:30
  Speaker 1: at least a decade, if not forever, Like there's no
• 46:33
  Speaker 1: way that Again, that's.
• 46:35
  Speaker 3: Our SG one team.
• 46:36
  Speaker 2: We remember that reporter who haven't had, you know, run
• 46:41
  Speaker 2: over by a car because he you know, they like
• 46:43
  Speaker 2: those so that non disclosure agreements.
• 46:47
  Speaker 3: Yeah yeah, tight, yeah, fair enough. Yeah, Yeah.
• 46:50
  Speaker 1: A couple of lasers shining through the kitchen window every
• 46:52
  Speaker 1: every couple of days is to remind them.
• 46:54
  Speaker 2: Yeah, fair cool, it's a figment of your imagination somethings.
• 47:00
  Speaker 2: Like I loved Daniel's like sassiness in a lot of
• 47:02
  Speaker 2: the episodes, in a lot of the moments where like
• 47:05
  Speaker 2: when when they finally and see Haz He's like okay, bye,
• 47:07
  Speaker 2: like told you so whatever, Like so many great moments such.
• 47:11
  Speaker 1: A like, there's so many moments in this entire show
• 47:14
  Speaker 1: like movie that he was such a dick. And I'm like,
• 47:16
  Speaker 1: I almost feel like we've given Daniel a lot of
• 47:19
  Speaker 1: ship this entire run of the podcast that we all
• 47:20
  Speaker 1: came in going Daniel's the best, and we still come
• 47:22
  Speaker 1: out of it going Daniel is great. But I didn't
• 47:25
  Speaker 1: have a feeling of him being such a dick going
• 47:28
  Speaker 1: into doing the pod. And I feel like I will
• 47:30
  Speaker 1: finish the pod, or at least now that we're wrapping
• 47:32
  Speaker 1: up a lot of you know, this sort of stuff
• 47:33
  Speaker 1: with their characters that I'm going to be going away with,
• 47:36
  Speaker 1: Like God, he turned a bit of an arse the
• 47:38
  Speaker 1: last couple of seasons, and now I'm getting.
• 47:40
  Speaker 3: To the point where I justiss Hamlet. Yeah, saying that.
• 47:43
  Speaker 1: I still I think I'm just feeling sorry for Michael
• 47:45
  Speaker 1: Shanks at this point because they're I mean, whether or
• 47:48
  Speaker 1: not he was performing like that anyway, do they got
• 47:50
  Speaker 1: we'll just start writing you that way. But like even
• 47:53
  Speaker 1: early on, like true for no for no reason totally,
• 48:00
  Speaker 1: let's there's no O'Neill to.
• 48:03
  Speaker 3: Ones, so like someone had to take those those lines.
• 48:06
  Speaker 1: Or even even Ada at a point like early on,
• 48:08
  Speaker 1: I'm like, I feel like you don't even really want
• 48:10
  Speaker 1: to be here, like just sitting there just I'm so bored.
• 48:13
  Speaker 1: I'm like, yeah, I get that to the line, but
• 48:15
  Speaker 1: it's almost youre almost saying it like you are. But
• 48:17
  Speaker 1: then even the gulp to Bali's like what have you
• 48:19
  Speaker 1: done with my people? And it's like he watched like
• 48:21
  Speaker 1: all these people disappear around him, going huh that out
• 48:25
  Speaker 1: of nowhere, And then because all of a sudden there's
• 48:27
  Speaker 1: some rumbling, he's like, oh what did you do? Stab,
• 48:29
  Speaker 1: Like he only went over there to die. It was
• 48:31
  Speaker 1: just like maybe a touch of poor riding, touch of
• 48:34
  Speaker 1: poor direction. But it also because it happens in that way,
• 48:37
  Speaker 1: and again, it's not going to be final. That's not
• 48:39
  Speaker 1: how we farewell. Jack O'Neil or Richard and Anderson from
• 48:43
  Speaker 1: this franchise. But I feel like, just just a little
• 48:48
  Speaker 1: bit when I feel like so much of the rest
• 48:50
  Speaker 1: of it, like I said, all the stuff that gets
• 48:51
  Speaker 1: repeated in this movie, that they've done so many other
• 48:54
  Speaker 1: times in similar storylines with time travel or alternate realities, timelines,
• 48:58
  Speaker 1: dimensions or whatever, that they've had more time to let
• 49:01
  Speaker 1: it breathe in this episode, so the stakes feel a
• 49:03
  Speaker 1: lot more impactful, and then those little moments I feel
• 49:08
  Speaker 1: like that could have felt more final, and maybe then
• 49:13
  Speaker 1: in turn, had him showing up in the ice had
• 49:16
  Speaker 1: bit more impact in it because we just did see
• 49:18
  Speaker 1: him die, But it was just a little bit too quick,
• 49:22
  Speaker 1: like we needed him to get killed so that Barb
• 49:23
  Speaker 1: could then get shot, so that we could then go,
• 49:25
  Speaker 1: what do we do now? Because he was the cause
• 49:28
  Speaker 1: of the problem. Probably we've just killed him and he's
• 49:31
  Speaker 1: got all the answers that we need.
• 49:32
  Speaker 3: It was a very stargate hee to use a Midge
• 49:35
  Speaker 3: terminology for them to be walking across that they come
• 49:38
  Speaker 3: back from a different planet, different timeline. They walk across
• 49:41
  Speaker 3: the ice sheet and there's O'Neill. Yeah, that happened all
• 49:45
  Speaker 3: the time in those early seasons when they go through
• 49:49
  Speaker 3: the gate and come straight back, or they'd have no
• 49:51
  Speaker 3: memory of where they were, or something strange happens like that.
• 49:55
  Speaker 2: Yeah, and he just happened to be on maneuvers nearby
• 49:57
  Speaker 2: or something like that, and the the satellites detected the
• 50:02
  Speaker 2: wormhole and all that kind of stuff, and yeah, he
• 50:04
  Speaker 2: just happened to be sort of nearby doing that kind
• 50:06
  Speaker 2: of stuff. But just just going back to Daniel for
• 50:10
  Speaker 2: a second, I did love I think this was probably
• 50:13
  Speaker 2: his best sassy line out of the whole lot.
• 50:17
  Speaker 6: Are there any grown ups around that we could talk to?
• 50:20
  Speaker 3: When stransa idiot? Boys? The bag is like in two languages.
• 50:28
  Speaker 2: I loved his line when they have to leave him
• 50:30
  Speaker 2: behind in the ice, that sort of the pause and
• 50:32
  Speaker 2: the oh shit, like that moment of realization. I remember
• 50:35
  Speaker 2: that getting me so. But for all the good will
• 50:38
  Speaker 2: that Daniel builds up through this entire movie, it's all
• 50:42
  Speaker 2: thrown away with one line when we see the alkesh
• 50:46
  Speaker 2: and everyone starts calling and they called Daniel and he says, no,
• 50:50
  Speaker 2: I don't have a.
• 50:51
  Speaker 3: TV classic Daniel Jackson. Though, Daniel you pretentious? Remember when
• 50:59
  Speaker 3: he was suicide all in the light phantoms. Mm hmm, No,
• 51:05
  Speaker 3: fantom was an Atlanta's episode. They see they see the phantoms.
• 51:10
  Speaker 3: It was like they went, I can't remember, oh Legacy
• 51:12
  Speaker 3: when ends up in the padded room and he's on
• 51:15
  Speaker 3: the edge, he didn't have a TV in there. It
• 51:17
  Speaker 3: was just library in his apartment. They're packing up. They're like,
• 51:21
  Speaker 3: we've got to pack up all of this ship like
• 51:24
  Speaker 3: a musicum has a TV, a bunch of books and
• 51:27
  Speaker 3: a warm chie sitting there. Pieces from these days.
• 51:35
  Speaker 2: He's the kind of guy that goes into a cafe
• 51:36
  Speaker 2: and orders a chai with almond milk or something like that.
• 51:39
  Speaker 3: Or no, he's an oat milk guy. Isn't heat milk.
• 51:41
  Speaker 3: But even boy, even.
• 51:46
  Speaker 1: Sam, like, you know, she's starting to hit rock bottom. Obviously,
• 51:50
  Speaker 1: she said maybe I can eat ship food. Obviously, even
• 51:53
  Speaker 1: after a year, Daniel's like, no, I still will not
• 51:55
  Speaker 1: be rejecting myself to the idiot box, you know.
• 51:59
  Speaker 2: Like purchasing idiot box with my free money from the
• 52:02
  Speaker 2: US government, my stipend.
• 52:05
  Speaker 1: Whereas I just like Cam, like we only get a
• 52:07
  Speaker 1: brief sort of look at what his life has been.
• 52:09
  Speaker 1: He's just chilling away like a guy retired in his
• 52:11
  Speaker 1: own home, fixing up a car, and he's buying muscle cars, yeah,
• 52:14
  Speaker 1: chatting up bold love.
• 52:15
  Speaker 3: And then she leaves.
• 52:16
  Speaker 1: He's like, oh, boy, trouble, I'm going to be that
• 52:20
  Speaker 1: boy stepdady in a month.
• 52:23
  Speaker 3: Okay.
• 52:24
  Speaker 1: So the again timey wiminess of it, I mean, well,
• 52:28
  Speaker 1: for one, he goes and takes that muscle car and
• 52:30
  Speaker 1: drives back to the house and talks his way into
• 52:32
  Speaker 1: some other blokes you know, living room, and there's still
• 52:35
  Speaker 1: the picture of his grandfather there in the house. Like
• 52:38
  Speaker 1: he said, that was always there when his grandmother owned it.
• 52:41
  Speaker 1: But then someone else has owned it since then, and
• 52:44
  Speaker 1: now this guy who's been owning it for thirty five years,
• 52:47
  Speaker 1: but the picture still remains.
• 52:48
  Speaker 2: Well, you know, I feel like his family brought it
• 52:51
  Speaker 2: from the Henderson's but in like in his timeline and
• 52:55
  Speaker 2: then in this timeline, the Henderson sold it to Bigfoot
• 52:58
  Speaker 2: someone else.
• 52:59
  Speaker 3: Right, Yeah, to the guy that the guy that owned.
• 53:02
  Speaker 1: The house, he said he remembered that photo. All right,
• 53:04
  Speaker 1: it's not not that particular house, but he said he remember, no, no, that.
• 53:07
  Speaker 3: That's his childhood home. Yeah, that was his childhood home.
• 53:10
  Speaker 1: Yeah, that's what he was saying, that he remembered the
• 53:13
  Speaker 1: like the photo of his grandfather standing in front of
• 53:17
  Speaker 1: that ship, that's where he That's where I remember it from, right,
• 53:19
  Speaker 1: And he said it was always I just I just
• 53:22
  Speaker 1: either way that that photo of his So okay, so
• 53:24
  Speaker 1: that was his childhood home. They bought it from the
• 53:27
  Speaker 1: Henderson's in his time.
• 53:29
  Speaker 3: In the timeline, I feel like the Mitchells never owned
• 53:33
  Speaker 3: that house. No, that was their border.
• 53:36
  Speaker 1: So but in the original timeline Henderson's into the Mitchell's.
• 53:39
  Speaker 3: Yes, the grand the grandfather died, didn't he bar killed him.
• 53:44
  Speaker 3: He didn't even exist. His mother or father were ever
• 53:47
  Speaker 3: a paternal grand grandfather. It was maternal grandfather.
• 53:50
  Speaker 2: He was pretty old, like as the Captain of the Achilles.
• 53:53
  Speaker 2: That man was pretty old, so he could have had
• 53:56
  Speaker 2: a family.
• 53:57
  Speaker 3: He came home after the war and bredit and had
• 54:01
  Speaker 3: a lot of cummy tissues.
• 54:04
  Speaker 1: But like the photo of him, the photo of him
• 54:06
  Speaker 1: in front of that ship existed in both timelines.
• 54:10
  Speaker 3: That the community. Yeah, so was it at the house? Yeah,
• 54:13
  Speaker 3: like that dude, have a's what I.
• 54:14
  Speaker 1: Mean, like just abusing part just before old mate said
• 54:18
  Speaker 1: you want to come and look at this alien shit
• 54:19
  Speaker 1: and TV boy, he was looking at a photo of
• 54:22
  Speaker 1: his grandfather, and I'm like, why is that therept because
• 54:25
  Speaker 1: I was thinking, oh, they owned the house and then
• 54:28
  Speaker 1: the Henderson's bought it. Not that the henderson either way, Like, yeah,
• 54:31
  Speaker 1: that photo should.
• 54:32
  Speaker 3: Not be there, So I don't know why it came
• 54:34
  Speaker 3: with the frame.
• 54:38
  Speaker 2: He came back from it and was a model in
• 54:41
  Speaker 2: my brain too, because it's been so long since I've
• 54:44
  Speaker 2: seen this. I think in my brain I was expecting
• 54:49
  Speaker 2: the Lieutenant Dan cam Mitchell that we saw in that
• 54:52
  Speaker 2: other alternate one from season ten or whatever, but I
• 54:55
  Speaker 2: forgot that.
• 54:56
  Speaker 3: There is no alternate cam Mitchell in this in this timeline.
• 55:01
  Speaker 2: Yeah, well, as Landry says, at least not one serving
• 55:04
  Speaker 2: in the US military thing like that. So I think, yeah,
• 55:07
  Speaker 2: you could, like, I mean, I hope that it is
• 55:08
  Speaker 2: the case that he actually doesn't exist, Like that's far
• 55:10
  Speaker 2: more that would be interesting.
• 55:11
  Speaker 3: Yeah. Yeah, that's what I thought it was because the
• 55:13
  Speaker 3: grandfather died, That's what I thought it was. Yeah, But yeah,
• 55:17
  Speaker 3: but I think you could you could, you know, you
• 55:21
  Speaker 3: could argue that.
• 55:22
  Speaker 2: Yeah, the Captain of the Achilles was quite old, so,
• 55:25
  Speaker 2: especially in the nineteen twenties and nineteen thirties. He was
• 55:28
  Speaker 2: the equivalent of you know, rickety old man, like if
• 55:31
  Speaker 2: you don't have a kid by the time year twenty
• 55:33
  Speaker 2: back in those days, you're you know, yeah.
• 55:35
  Speaker 1: I mean without maybe that father figure that Cam's dads,
• 55:38
  Speaker 1: you know, just he just went off in a different path.
• 55:40
  Speaker 3: Yeah.
• 55:40
  Speaker 2: You know. What I'm curious about, though, is what do
• 55:45
  Speaker 2: we think, Like at the end when our you know,
• 55:48
  Speaker 2: new version of Cam, he has that photo in his
• 55:52
  Speaker 2: locker and it's of him and Captain.
• 55:56
  Speaker 3: Like and his grandfather. I want to know, what does
• 55:59
  Speaker 3: Cam know about that photo?
• 56:00
  Speaker 2: What does he does he think that's his grandfather and
• 56:03
  Speaker 2: his great uncle or something like that, or well, that's
• 56:07
  Speaker 2: the story that I want to know, because I think there's.
• 56:11
  Speaker 3: Almost or maybe he's his own grandfather. Well that's what
• 56:15
  Speaker 3: I used to think. I remember when I first saw it.
• 56:23
  Speaker 2: Was he didn't do the version of Futurama. Where wherefore
• 56:26
  Speaker 2: I actually went back in his own grandmother to become
• 56:28
  Speaker 2: his own grandfather. But I kind of I think I
• 56:32
  Speaker 2: remember the first time I watched this, thinking, oh, the
• 56:36
  Speaker 2: original his original grandfather died and then he just took
• 56:39
  Speaker 2: the place of his grandfather in that I forgot that
• 56:43
  Speaker 2: actually have that moment I think I would have preferred
• 56:46
  Speaker 2: that because obviously Ben brown raised your own father. Yeah,
• 56:49
  Speaker 2: like Ben Browner, Ben played like Ben Bouder played both characters,
• 56:55
  Speaker 2: So why why would you do it unless you like,
• 56:57
  Speaker 2: unless you're going to do that, why have Ben Browner
• 57:00
  Speaker 2: play his own his own grandfather type situation?
• 57:04
  Speaker 3: So shit, Yeah, I mean just that as a thought,
• 57:08
  Speaker 3: This shows I wish I knew that song, yeah, because
• 57:12
  Speaker 3: it's I feel like I only saw the paradox itself,
• 57:16
  Speaker 3: like show up as a or the idea of the
• 57:18
  Speaker 3: explanation sorry.
• 57:19
  Speaker 1: Of how it would be quote unquote possible up is
• 57:23
  Speaker 1: like a meme on Insta or something the other day.
• 57:25
  Speaker 1: I don't know where it came.
• 57:26
  Speaker 3: From, but it is an episode of futurema It literally happens.
• 57:29
  Speaker 1: Yeah, I know, I'm thinking of that. What is that
• 57:31
  Speaker 1: movie called literally Tom Arnold?
• 57:33
  Speaker 2: Right?
• 57:33
  Speaker 3: I just pulled it up on my phone. It's definitely
• 57:35
  Speaker 3: his grandfather in that house or wait, that's black and white? Though?
• 57:41
  Speaker 3: Is that Cam's memory?
• 57:43
  Speaker 2: Because when Cam gets to the to the outside of
• 57:46
  Speaker 2: the house, he asked to come inside because he says
• 57:49
  Speaker 2: there's an image in his head that he can't shake.
• 57:52
  Speaker 2: So that that was bullshit about getting back into the house.
• 57:55
  Speaker 2: But is that what it is is he has a
• 57:57
  Speaker 2: he has a memory of, Yeah, that photo on the.
• 58:01
  Speaker 3: If you look real close on the mantlepiece, it's actually
• 58:05
  Speaker 3: a different photo in the frame on the wide shot right.
• 58:08
  Speaker 3: And then when it's a close up, Yeah, that's in
• 58:10
  Speaker 3: his mind because it's been color created. They zoom into
• 58:12
  Speaker 3: his head, zoomed to Cam's face, and then they switched
• 58:16
  Speaker 3: to the to the frame clo. That makes me see that.
• 58:20
  Speaker 3: Then when they cut back to the wide shot, it's
• 58:22
  Speaker 3: actually some cowboy dude.
• 58:24
  Speaker 2: Yeah, ah, okay, that makes more because like Brad did
• 58:28
  Speaker 2: not pick that. Brad Right is so good with time travel.
• 58:30
  Speaker 2: I feel like he wouldn't make that kind of mistake.
• 58:32
  Speaker 2: But obviously in the edit they should have maybe done
• 58:36
  Speaker 2: a little sound of you know, I made it more prominent.
• 58:39
  Speaker 2: That's it's we're seeing Cam's memory of the photo on
• 58:44
  Speaker 2: the mantelpiece from when he.
• 58:45
  Speaker 1: Was He's not considering stupid people like me are watching this.
• 58:48
  Speaker 3: I thought that too well to be fair.
• 58:50
  Speaker 2: When I was watching this, because I have to watch
• 58:52
  Speaker 2: at my desk because I grab body. I was I
• 58:54
  Speaker 2: was coloring in my adult coloring book that said go
• 58:56
  Speaker 2: yourself like I was coloring that in while I was
• 58:59
  Speaker 2: watching it, and then he was only during the audio
• 59:02
  Speaker 2: commentary that I watched like that I was actually watching it.
• 59:06
  Speaker 2: And then because I didn't actually see the one year
• 59:08
  Speaker 2: later the first.
• 59:09
  Speaker 3: Time I.
• 59:11
  Speaker 1: I nearly missed it too. It I'm like, even I've
• 59:12
  Speaker 1: already seen this, I'm glad that I didn't.
• 59:14
  Speaker 2: Yes, like that, Yeah, because yeah, I don't think I've
• 59:17
  Speaker 2: seen Continuum since we started this podcast.
• 59:20
  Speaker 3: I think the last time I saw it was when
• 59:22
  Speaker 3: we started the Bolted yeah, seven years ago.
• 59:27
  Speaker 2: Yeah, So I'd be really interested to know what what
• 59:30
  Speaker 2: the family story is that's been passed down in terms
• 59:33
  Speaker 2: of that photo now in terms of Cam essentially looking
• 59:37
  Speaker 2: at an alternate timeline, alternate reality version of himself and
• 59:40
  Speaker 2: his actual grandfather.
• 59:42
  Speaker 3: Who I love him now because what I would have Yeah,
• 59:49
  Speaker 3: So like in the.
• 59:51
  Speaker 2: What actually happens in Continuum is Sam sends him back
• 59:55
  Speaker 2: ten years prior he goes back to nineteen twenty nine.
• 59:57
  Speaker 2: That's not till nineteen thirty nine that the actual boat
• 59:59
  Speaker 2: trip is happening or whatever. I almost would love that
• 1:00:05
  Speaker 2: he was sent back at the same time or whatever,
• 1:00:08
  Speaker 2: so Cam was able to get on the boat or whatever.
• 1:00:10
  Speaker 2: But wasn't able to get there in time to stop
• 1:00:14
  Speaker 2: his grandfather being killed, but took his grandfather's place in
• 1:00:19
  Speaker 2: terms of being the one to make sure that the
• 1:00:21
  Speaker 2: you know, kill ball, make sure the bomb doesn't you know,
• 1:00:25
  Speaker 2: blow up the ship and all.
• 1:00:26
  Speaker 3: That kind gets back and make sure his grandmother complications.
• 1:00:36
  Speaker 1: You don't think they still not to create a child, mate,
• 1:00:39
  Speaker 1: Cam Mitchell was born in nineteen sixty nine. I know
• 1:00:46
  Speaker 1: you're very religious, mate, but people, people don't only have
• 1:00:49
  Speaker 1: sex to procreate.
• 1:00:50
  Speaker 2: Okay, I understand that, but we're talking about Cam didn't
• 1:00:54
  Speaker 2: have to go back in his own grandmother to make
• 1:00:56
  Speaker 2: sure that his.
• 1:00:57
  Speaker 1: Father were talking about talking about it was just the
• 1:01:00
  Speaker 1: idea he gets back from. I think you're right, he
• 1:01:02
  Speaker 1: probably didn't have to. How long How long potentially has
• 1:01:05
  Speaker 1: he been on that ship? Like back then, your man,
• 1:01:07
  Speaker 1: you're on boats for months? He gets back. What were
• 1:01:10
  Speaker 1: you saying? Cam's grandma doesn't doesn't still want a piece,
• 1:01:15
  Speaker 1: and he's.
• 1:01:16
  Speaker 3: Half a sleep to the foragers like no, no, no, no,
• 1:01:20
  Speaker 3: not today, not today.
• 1:01:23
  Speaker 1: Sorry, I've got a headache.
• 1:01:25
  Speaker 2: For sorry, he'd be homelessen next next time you go
• 1:01:30
  Speaker 2: to get it and then and pops to check the bees.
• 1:01:32
  Speaker 3: I'm going to have a few questions for you afterwards.
• 1:01:35
  Speaker 3: What do you mean see which one of your grandparents
• 1:01:37
  Speaker 3: shooking up with?
• 1:01:39
  Speaker 1: What are we talking about?
• 1:01:40
  Speaker 3: He didn't go back in time.
• 1:01:41
  Speaker 1: Yet yet, Everyone's beautiful.
• 1:01:47
  Speaker 3: You don't need to go back in time. You guys
• 1:01:49
  Speaker 3: want to play a game, You don't need to go
• 1:01:51
  Speaker 3: back in time.
• 1:01:53
  Speaker 2: No. I was just trying to do the math, because
• 1:01:54
  Speaker 2: if you think about it, Cam, we know Cam was
• 1:01:56
  Speaker 2: born in nineteen sixty nine. Yeah, so his father would
• 1:02:00
  Speaker 2: have been born in what now we're talking baby, were
• 1:02:09
  Speaker 2: talking Grandma?
• 1:02:10
  Speaker 3: I mean, but that's even that's even late. That's even late.
• 1:02:13
  Speaker 3: I suppose to be having a kid at thirty in
• 1:02:14
  Speaker 3: those days. So maybe he was. Maybe he was born
• 1:02:18
  Speaker 3: in you know, they.
• 1:02:20
  Speaker 1: Could have been second, third, or fourth kid, you know.
• 1:02:21
  Speaker 3: Like accident after the war. Nearly died on that ship. Yeah,
• 1:02:29
  Speaker 3: talk about a wormhole. You don't know what I went through.
• 1:02:32
  Speaker 3: Talk about a moon base? God? Yeah, Hey, he's want
• 1:02:35
  Speaker 3: to play a fun little game. Sure, so I've made something.
• 1:02:52
  Speaker 3: What makes a film different from a TV show? Some
• 1:02:56
  Speaker 3: say it's budget, Others point to cinematography or pacing, but
• 1:03:01
  Speaker 3: one defining factor is the score. The music beneath the
• 1:03:20
  Speaker 3: action that shapes how audiences feel and remember the story.
• 1:03:26
  Speaker 3: This segment is dedicated to the glat Great Joel Goldsmith.
• 1:03:33
  Speaker 3: If Stargate viewers don't know Joel Goldsmith by name, they
• 1:03:37
  Speaker 3: will undoubtedly recognize his work as the principal composer for
• 1:03:41
  Speaker 3: Stargate SG One, Stargate Atlantis, Arc of Truth, Stargate Continuance,
• 1:04:26
  Speaker 3: Stargate Universe. While David Arnold composed the score for the
• 1:04:39
  Speaker 3: original Stargate motion picture, Joel Goldsmith did not just simply
• 1:04:44
  Speaker 3: reuse or adapt that work. Joel created original scores, emotional cues,
• 1:05:10
  Speaker 3: nostalgic themes, and action motifs that defined Stargate for more
• 1:05:25
  Speaker 3: than a decade. Joel took Arnold's foundation and made the
• 1:05:37
  Speaker 3: TV series uniquely his own. He dedicated over thirteen years
• 1:05:42
  Speaker 3: of his career to Stargate, and his impact on the
• 1:05:46
  Speaker 3: series continues to resonate. For If you immediately know the
• 1:05:50
  Speaker 3: Candlelighters fire, Joel Goldsmith probably composed it a long time ago.
• 1:05:56
  Speaker 3: Goldsmith received three Emmy Award nominations for Outstanding Music Composition
• 1:06:02
  Speaker 3: for a Series, among his work on the franchise Stargate
• 1:06:06
  Speaker 3: Continuum stands out as a pinnacle of his scoring achievements,
• 1:06:10
  Speaker 3: including the fan favorite title The List where the remaining
• 1:06:15
  Speaker 3: Toekra chorus list the entirety of Baal Sins. Before his
• 1:06:29
  Speaker 3: work on Stargate, John Goldsmith composed across a range of genres.
• 1:06:35
  Speaker 3: Within those early scores, subtle music ideas can be heard
• 1:06:38
  Speaker 3: that would later echo throughout the Stargate saga. Listen to
• 1:06:42
  Speaker 3: these excerpts from three of his early films, nineteen eighty
• 1:06:47
  Speaker 3: three The Mammoth Two Brains starring Steve Martin, in nineteen
• 1:07:00
  Speaker 3: ninety three's Joshua Tree with Dolph Longren, and possibly the
• 1:07:18
  Speaker 3: best of all Maniac cop three, Badge of Silence featuring
• 1:07:23
  Speaker 3: Robert Darvey. His work also includes the Untouchables TV series.
• 1:07:35
  Speaker 3: In nineteen ninety six, Joel collaborated with his father, Academy
• 1:07:39
  Speaker 3: Award winning composer Jerry Goldsmith on Star Trek First Contact Alone,
• 1:07:45
  Speaker 3: That's Fun Fun. Joel composed much of the music related
• 1:07:49
  Speaker 3: to the bog including the iconic flight of the Phoenix sequence.
• 1:08:04
  Speaker 3: Joel Goldsmith passed away in April twenty twelve at the
• 1:08:07
  Speaker 3: age of fifty four at his home in Hidden Hills, California.
• 1:08:11
  Speaker 3: His music remains a lasting legacy that continues to inspire
• 1:08:17
  Speaker 3: Stargate audiences worldwide. So after that feature out, I wanted
• 1:08:26
  Speaker 3: to play this game. So it is the Sounds of
• 1:08:30
  Speaker 3: Stargate game version in honor of Joel Goldsmith. The idea
• 1:08:34
  Speaker 3: of this game is, we play about five to ten
• 1:08:38
  Speaker 3: seconds of music, and you tell me what episode it's from.
• 1:08:43
  Speaker 3: Oh do I get baby? Could we buzz in or
• 1:08:46
  Speaker 3: do we just want to it out?
• 1:08:47
  Speaker 2: Put your hand up and then maybe we can do
• 1:08:50
  Speaker 2: well should we say our name? Is that going to
• 1:08:52
  Speaker 2: work better for an audio purpose?
• 1:08:53
  Speaker 3: Good idea to do that. Man, name is your buzzer? Okay,
• 1:08:57
  Speaker 3: all right, So I reckon these are actually you wouldn't
• 1:09:01
  Speaker 3: believe it, but I reckon you'll get most of these.
• 1:09:04
  Speaker 3: These are gimmis, absolute gimmis. Mate, you don't get I'd
• 1:09:07
  Speaker 3: be surprised.
• 1:09:08
  Speaker 1: Now, Mattie's you said that, I'm the scores guy. Yeah,
• 1:09:11
  Speaker 1: I love me some music.
• 1:09:13
  Speaker 3: I'm gonna be bat in zero.
• 1:09:16
  Speaker 2: Well, actually, before we get to this, just on that
• 1:09:18
  Speaker 2: because you brought it up, you and Brad Wright peas
• 1:09:21
  Speaker 2: in a pod score nerds. I just had this little
• 1:09:23
  Speaker 2: tiny clip from the audio commentary of brad just nerding
• 1:09:27
  Speaker 2: out over the score.
• 1:09:28
  Speaker 3: Okay, but the skew is great.
• 1:09:36
  Speaker 2: He does it a couple of times. He basically tells
• 1:09:37
  Speaker 2: Martin would to shush so they could hear the score.
• 1:09:40
  Speaker 3: And then there was a there was a moment when
• 1:09:43
  Speaker 3: Carter and.
• 1:09:46
  Speaker 2: Mitchell walking through the snow and they make some joke
• 1:09:50
  Speaker 2: about a polar bear because while they were filming at
• 1:09:53
  Speaker 2: the actual you know, Antarctic or whatever, Arctic Antarctic, just
• 1:09:57
  Speaker 2: off camera there's people with guns on polar Bear watch.
• 1:10:00
  Speaker 2: That was a real that was a real thing. But
• 1:10:02
  Speaker 2: during that seed apparently Joel says to Brad Right in
• 1:10:05
  Speaker 2: the eddit, he goes, man, your polar bed joke is
• 1:10:08
  Speaker 2: really stepping on my score.
• 1:10:10
  Speaker 3: So Brad Right got rid of the polar bed joke.
• 1:10:12
  Speaker 3: Oh yeah, I did hear that. Yeah yeah, they got
• 1:10:14
  Speaker 3: rid of the dialogue just to keep the score going.
• 1:10:16
  Speaker 2: Yeah, because he loved it so much. Sorry, keep going
• 1:10:18
  Speaker 2: so anyway that I liked that as an intro to
• 1:10:20
  Speaker 2: this game.
• 1:10:23
  Speaker 3: Nice. Alright, your buzzer name is your buzzer? Let's play?
• 1:10:27
  Speaker 3: And is it? Is it Stargate only It's only Stargate Okay, alright, yep,
• 1:10:31
  Speaker 3: only Star get. I'm gonna turn my headphones. I'll say
• 1:10:34
  Speaker 3: only Stargate SG one Okay, okay, just to get your
• 1:10:38
  Speaker 3: head in the zone. Okay, all right, number one, Hi bitch,
• 1:10:47
  Speaker 3: the fifth Race incorrect? Okay, do I get another? Go?
• 1:11:09
  Speaker 3: It goes to me. Yeah, I'm gonna give you a shot.
• 1:11:12
  Speaker 1: No, I got no idea, absolutely no idea.
• 1:11:15
  Speaker 3: I'll give you a hint.
• 1:11:16
  Speaker 2: I got two, I got okay, tickets the Knox, No
• 1:11:20
  Speaker 2: torment of Tendalus.
• 1:11:21
  Speaker 3: No, it's a sad one. You want to play it again,
• 1:11:25
  Speaker 3: cold Lazarus, not that sad You and I got shdon
• 1:11:32
  Speaker 3: exact same? How to get it? So many wrongs to
• 1:11:35
  Speaker 3: call it out. This one is Meridian. Oh. This is
• 1:11:45
  Speaker 3: when they're talking to Daniel Raw just before he's about
• 1:11:49
  Speaker 3: to trget. All right. I think it's funny. I don't
• 1:11:53
  Speaker 3: remember a lot of the music from Ridian.
• 1:11:55
  Speaker 2: I always associate it with the next episode when like
• 1:11:57
  Speaker 2: Jack like did the gust of in before he gets
• 1:12:00
  Speaker 2: on the on the lift at the end.
• 1:12:03
  Speaker 3: Yeah, I probably should have tried to get the end bit,
• 1:12:06
  Speaker 3: which you actually put in the what was it the
• 1:12:10
  Speaker 3: end of season spectacular My Life? Yeah, your previous Yeah, yeah,
• 1:12:14
  Speaker 3: that would have That would have given away too much,
• 1:12:16
  Speaker 3: I think. But anyway, maybe I should have done that.
• 1:12:18
  Speaker 3: Number two, God damn it, high pitch one hundred days. Wow,
• 1:12:34
  Speaker 3: well done. Nice, that's crazy, bitch. Okay, you're ready. Number three,
• 1:12:43
  Speaker 3: this is gimme high pitch, serpens.
• 1:13:07
  Speaker 1: That's where it ends.
• 1:13:11
  Speaker 3: Think of a choir, think of a certain type of religion. Oh,
• 1:13:20
  Speaker 3: I ad more recently or early seasons. There's an in it.
• 1:13:31
  Speaker 3: I was about to say the demon comes, the Demon
• 1:13:32
  Speaker 3: comes demons. Correct, I couldn't remember that was the name
• 1:13:37
  Speaker 3: of the episode comes all right. Number four absolute gimmy, hi, bitch, incorrect.
• 1:13:53
  Speaker 3: Listen to a famous I would have said, like.
• 1:13:59
  Speaker 1: The window of opportunity, but it's like one of a
• 1:14:03
  Speaker 1: hundred yeahses to take place at the dinner.
• 1:14:06
  Speaker 3: But I'm just picturing the what do you think you
• 1:14:08
  Speaker 3: know that moment? Exactly the moment? All right? Final one?
• 1:14:13
  Speaker 3: Number five sounds early. I'll give you a hint. Mitch
• 1:14:32
  Speaker 3: won't get it first one and then he got it.
• 1:14:41
  Speaker 1: That's your first spoiler. That's where's your love for that episode?
• 1:14:53
  Speaker 1: So you have already covered that episode now, GOLs.
• 1:14:57
  Speaker 3: That was fun anyway. Shout out to Joe Goldsmith just
• 1:15:01
  Speaker 3: one of the great, absolutely great. He didn't just you know,
• 1:15:05
  Speaker 3: strap off the original score from Stargate. He made all
• 1:15:09
  Speaker 3: of those things. Yeah, it's pretty special what he actually did.
• 1:15:13
  Speaker 1: Even just with like and he's dead.
• 1:15:15
  Speaker 3: Yeah, yeah, there was.
• 1:15:17
  Speaker 2: In one of the recent Atlantis episodes, an old mate
• 1:15:22
  Speaker 2: uh ghiro he he talks about, oh he he wanted
• 1:15:28
  Speaker 2: us a particular sound for this one shot or whatever.
• 1:15:33
  Speaker 2: Joel had already done something for it, and he goes, nah,
• 1:15:36
  Speaker 2: that's not what I want. Do this instead, and Joel's like,
• 1:15:38
  Speaker 2: that's not what you want, and he goes and then
• 1:15:40
  Speaker 2: giro Goo will do it anyway, So he does it,
• 1:15:43
  Speaker 2: and then mong Go goes, oh no, yours was better.
• 1:15:46
  Speaker 2: No ship right, He's like he's he's like, he's royalty
• 1:15:50
  Speaker 2: when it comes to that kind of stuff.
• 1:15:52
  Speaker 3: I'm seven thinking about like that he comes from good stock, Yeah,
• 1:15:55
  Speaker 3: but the classic Gould music.
• 1:15:57
  Speaker 1: But then even how it's able to be adjusted slightly
• 1:16:00
  Speaker 1: depending on which gold system that we're dealing with, But
• 1:16:03
  Speaker 1: you could hear that and go oh yeah that's the
• 1:16:04
  Speaker 1: apophous one and that's the Yeah. That's so it's just crazy,
• 1:16:08
  Speaker 1: like to have their their entire race have its own sounds.
• 1:16:13
  Speaker 1: But then within that there are there are like chapters
• 1:16:16
  Speaker 1: of that I don't know, like it's it's always had
• 1:16:18
  Speaker 1: just great score the entire show, so like for him
• 1:16:21
  Speaker 1: to set that framework, Yeah, it's like it's it's under
• 1:16:24
  Speaker 1: soul because we've said it for ten season's worth of
• 1:16:27
  Speaker 1: this show and more with with s G A and
• 1:16:29
  Speaker 1: and talked about you know what we like about a
• 1:16:31
  Speaker 1: Martin Wood or a brad Ryde or a Delawase or
• 1:16:34
  Speaker 1: something like what he brings with humor and then what
• 1:16:36
  Speaker 1: the others bring with homages and stuff.
• 1:16:39
  Speaker 3: But yeah, we probably got all your favorite stuff. You're
• 1:16:42
  Speaker 3: you know, you're the candle.
• 1:16:46
  Speaker 2: What is it if you immediately the candlelighters fire, the
• 1:16:49
  Speaker 2: meals cooked a long time ago.
• 1:16:50
  Speaker 3: You're pan pan flute. Yeah, what I was looking for,
• 1:16:56
  Speaker 3: that's all Jerry.
• 1:16:58
  Speaker 2: Yeah, Hey, I'm gonna fire off a couple of rapid fire.
• 1:17:06
  Speaker 2: It's a trivia for everybody one. This movie was shot
• 1:17:10
  Speaker 2: in nineteen days. I thought it was pretty good. It
• 1:17:13
  Speaker 2: wasn't eighteen for Arch of Truth something like that.
• 1:17:18
  Speaker 7: Yeah.
• 1:17:18
  Speaker 3: I listened to the podcast.
• 1:17:21
  Speaker 2: In the Shot of the Achilles when Sam Carter, Sam,
• 1:17:24
  Speaker 2: Sam Daniel and Mitchell all come onto the Frozen Achilles.
• 1:17:29
  Speaker 2: It is lit purely by their torches, like their flashlights,
• 1:17:33
  Speaker 2: but don't count them because there's two more than there's
• 1:17:37
  Speaker 2: five flashlights, one being held by Martin Wood and one being.
• 1:17:41
  Speaker 3: Held by the director photography.
• 1:17:43
  Speaker 2: So that's actually being lit just by five flashlights even
• 1:17:46
  Speaker 2: though there's only three people in the room. That's cool,
• 1:17:49
  Speaker 2: So Martino, yeah, Martin Wood says, don't count. Don't count
• 1:17:51
  Speaker 2: how any lights you see, but it is purely lit
• 1:17:53
  Speaker 2: by that.
• 1:17:54
  Speaker 1: But I at one stage I thought was there something
• 1:17:57
  Speaker 1: that I was supposed to see because it get quickly
• 1:17:59
  Speaker 1: lit up and then it would disappear, and I was like,
• 1:18:01
  Speaker 1: keep my eye on that side of the screen waiting,
• 1:18:04
  Speaker 1: And I'm like, now that was just the frenetic nature
• 1:18:05
  Speaker 1: of them.
• 1:18:05
  Speaker 3: Yeah, yeah, looking around and that like that.
• 1:18:08
  Speaker 1: I love all that. You know, lighting is one of
• 1:18:10
  Speaker 1: the hardest things to get right in anything that people film,
• 1:18:13
  Speaker 1: but like, I love the frenetic nature of the realism
• 1:18:16
  Speaker 1: rather that that adds.
• 1:18:17
  Speaker 2: Well, yeah, because mont Would says he always likes to
• 1:18:19
  Speaker 2: shoot in three, three and sixty degrees, so lighting for him,
• 1:18:22
  Speaker 2: you have to make sure that everything is exactly what
• 1:18:25
  Speaker 2: it needs to be.
• 1:18:25
  Speaker 3: Yeah, there's no there's no turnaround. Uh. Donn S.
• 1:18:31
  Speaker 2: Davis died exactly one month before this was released on
• 1:18:36
  Speaker 2: the Region one DVD, so he never got to see
• 1:18:38
  Speaker 2: it to put a little bit of levity into it.
• 1:18:42
  Speaker 2: And we've mentioned this before. He died in Gibson's Canada.
• 1:18:47
  Speaker 3: Uh. And on top of that, he was born in Missouri.
• 1:18:55
  Speaker 3: It can't happen.
• 1:18:56
  Speaker 2: Yeah, I mean, come on, come on, so West. Yeah,
• 1:19:02
  Speaker 2: he is the best tawn out for the late great
• 1:19:05
  Speaker 2: Donnas Davis.
• 1:19:06
  Speaker 1: Uh.
• 1:19:07
  Speaker 3: Something else of note too.
• 1:19:10
  Speaker 2: I mean, obviously there was there's no time in this
• 1:19:12
  Speaker 2: movie to explore or like the people wouldn't really know
• 1:19:16
  Speaker 2: about it. But obviously in that alternate version of Earth,
• 1:19:20
  Speaker 2: Hathor is still on Earth somewhere o Cyrus Cyrus Osirius
• 1:19:26
  Speaker 2: is still in the somewhere Seth has still got And
• 1:19:32
  Speaker 2: in Dirty Bugger, Martin Lloyd is still being drugged by
• 1:19:35
  Speaker 2: his shipmates and he's still a conspiracy theory nut. Wow.
• 1:19:39
  Speaker 3: Yeah, and I guess Jacob Carter I probably died of cancer. Yeah,
• 1:19:45
  Speaker 3: long ago, So what about nineteen sixty nine didn't happen?
• 1:19:49
  Speaker 3: So George Hammond, he just stayed at Shine Mountain forever
• 1:19:54
  Speaker 3: for no reason. Well, he wasn't at Shining Mountain. He
• 1:19:58
  Speaker 3: that's true, he was working for the president. Oh yeah,
• 1:20:01
  Speaker 3: there was no Stargate command.
• 1:20:02
  Speaker 4: Yeah.
• 1:20:03
  Speaker 3: Nice SETI drip.
• 1:20:08
  Speaker 1: Even just like again, it's something that these these sort
• 1:20:11
  Speaker 1: of stories, whether this show or not, have covered. But
• 1:20:14
  Speaker 1: I kind of got a bit more on fairt of it,
• 1:20:16
  Speaker 1: or maybe just from this show having that conversation with
• 1:20:20
  Speaker 1: with Landry going like the arrogance of what you're asking us,
• 1:20:24
  Speaker 1: And I'm like, yeah, but you know, we're watching it
• 1:20:25
  Speaker 1: from their point of view, Like yeah, but they're right,
• 1:20:27
  Speaker 1: and this is the alternate timeline. It's like, yeah, but
• 1:20:29
  Speaker 1: not to us, bro, Like for the last seventy odd years,
• 1:20:32
  Speaker 1: this is the freaking timeline, Like how how dare you?
• 1:20:35
  Speaker 1: And even when he leaves you, I'm only go back
• 1:20:37
  Speaker 1: to my wife and I like, oh, that's nice, Like
• 1:20:39
  Speaker 1: because that's not what you've got back in the original timeline.
• 1:20:42
  Speaker 3: You've probably got a great relationship with your kid.
• 1:20:44
  Speaker 1: And you're still married Stargate. Well, I guess it's the
• 1:20:48
  Speaker 1: same with with with Jack's kids, like you know anything
• 1:20:51
  Speaker 1: that yeah, Like I don't know, like just even I
• 1:20:54
  Speaker 1: guess the idea of the you know, the gate being
• 1:20:58
  Speaker 1: being moved to show out and way back when and
• 1:21:01
  Speaker 1: just the military personnel moving around, and maybe Jack was
• 1:21:03
  Speaker 1: away at a particular time that his kid got, you know,
• 1:21:06
  Speaker 1: into a bike accident that sort of you know, didn't send.
• 1:21:08
  Speaker 1: He's like, it's a whole and it's weird because I'm
• 1:21:10
  Speaker 1: watching this going, oh, the guys were so nice to me,
• 1:21:13
  Speaker 1: Like way back when I was talking about an episode
• 1:21:15
  Speaker 1: that I'd always had my mind about about Jack, you know,
• 1:21:18
  Speaker 1: being spoken to by some kind of great entity or something,
• 1:21:21
  Speaker 1: and he would have to live through it, like, hey,
• 1:21:23
  Speaker 1: we can. After all this time, he still just would
• 1:21:26
  Speaker 1: always obviously think about Charlie and it's like, well we can.
• 1:21:28
  Speaker 1: We can make it that Charlie never died and that
• 1:21:30
  Speaker 1: you never but then you would never join Stargate, and
• 1:21:33
  Speaker 1: then all this sort of shit would happen. And I'm like, oh,
• 1:21:35
  Speaker 1: that's kind of like not what happened in this in
• 1:21:39
  Speaker 1: this movie, but Charlie was still alive and the Stargate
• 1:21:43
  Speaker 1: program didn't exist, and we do see what happened. Oh,
• 1:21:46
  Speaker 1: it's weird how much I remembered loving Continuum and the
• 1:21:50
  Speaker 1: fact that it was time travel, that it was Baal
• 1:21:52
  Speaker 1: and that things got misplaced, but not the particulars of it,
• 1:21:56
  Speaker 1: and that that would kind of be made redundant, that
• 1:21:59
  Speaker 1: idea for an entirely separate episode, let alone movie. But
• 1:22:03
  Speaker 1: even in the Arc of Truth, when I actually forget now,
• 1:22:06
  Speaker 1: I was looking up and found the third proposed movie
• 1:22:10
  Speaker 1: that wasn't the SGA one, That was actually an SG
• 1:22:12
  Speaker 1: one one, you said, young, No it was.
• 1:22:14
  Speaker 3: It was an Atlantis one. The third movie was going
• 1:22:16
  Speaker 3: to be yeah direction or something.
• 1:22:19
  Speaker 1: Yeah, yeah, but we've covered that, but didn't I In
• 1:22:20
  Speaker 1: the in the Our Arc of Truth podcast, I thought
• 1:22:23
  Speaker 1: I actually had found another one.
• 1:22:25
  Speaker 3: Again, I don't have to do with SG one I
• 1:22:27
  Speaker 3: think about. I don't think they ever wrote anything. And
• 1:22:30
  Speaker 3: the next one was going to be Stargate Atlantis one.
• 1:22:33
  Speaker 2: Yeah, because I remember Joe Flanagan years later tried to
• 1:22:36
  Speaker 2: buy the script so that he wasn't allowed it could
• 1:22:40
  Speaker 2: afford it. I don't know what the situation was. Was
• 1:22:42
  Speaker 2: not for sale or anything like that.
• 1:22:43
  Speaker 1: Yeah, it's a shame because like again, you come in saying, oh,
• 1:22:48
  Speaker 1: I remember first watch Love Dark of Truth Moore, whereas
• 1:22:51
  Speaker 1: I wonder how much how many times I'd watched either
• 1:22:53
  Speaker 1: of these before this rerun, I might have only ever
• 1:22:56
  Speaker 1: watched them once each and liked Continue more. And it
• 1:22:59
  Speaker 1: might have been because it was a more standalone episode
• 1:23:01
  Speaker 1: as opposed to Ark of Truth. Yeah, wrapping stuff up
• 1:23:03
  Speaker 1: from season ten and the time travel stuff. Time travel
• 1:23:06
  Speaker 1: stuff was always great, yeah you know, or I just like, yeah,
• 1:23:10
  Speaker 1: all of it that made me love it, and the
• 1:23:12
  Speaker 1: throwback and having everyone come back from from seasons and
• 1:23:15
  Speaker 1: seasons of SG one that I loved Continue a lot more.
• 1:23:19
  Speaker 1: But then when we.
• 1:23:20
  Speaker 3: Rewatched Arc of Truth, however many.
• 1:23:22
  Speaker 1: Episodes ago, I was like, Oh, this is actually a
• 1:23:24
  Speaker 1: lot better than what I've given it credit for in
• 1:23:26
  Speaker 1: my memories.
• 1:23:28
  Speaker 3: It's just a shame though, watching that.
• 1:23:29
  Speaker 1: We talk about the great establishing shot from Ark of Truth,
• 1:23:33
  Speaker 1: and then the way that this is shot and framed
• 1:23:36
  Speaker 1: and it has scope and how they get to play
• 1:23:38
  Speaker 1: around with size, and even as a as a viewer,
• 1:23:41
  Speaker 1: I think like, it hasn't been that long since we've
• 1:23:43
  Speaker 1: watched some SG one, But seeing these characters pop back
• 1:23:46
  Speaker 1: up again with Goldsmith's score and I'm.
• 1:23:48
  Speaker 3: Like, oh, yeah, we're back.
• 1:23:50
  Speaker 1: How good?
• 1:23:51
  Speaker 3: And it is a shame to go.
• 1:23:52
  Speaker 1: This wasn't designed to be the last movie, but it
• 1:23:55
  Speaker 1: was the last movie, and what could they have done
• 1:23:58
  Speaker 1: with more two hour time frames and and the ability
• 1:24:02
  Speaker 1: to tell slower stories. You know, they've had double episodes,
• 1:24:06
  Speaker 1: but we still have to have sort of like a
• 1:24:08
  Speaker 1: forty two minute structure per half of two episodes. And
• 1:24:12
  Speaker 1: it's just a shame that we didn't get more of these, because.
• 1:24:15
  Speaker 3: That would going the movie route would actually make more
• 1:24:18
  Speaker 3: money for studios. I don't know how. Yeah, yea, because
• 1:24:22
  Speaker 3: the DVD sales, especially in that period, DVDs were the
• 1:24:25
  Speaker 3: biggest rage. Yeah, well I already set fandom. Who is
• 1:24:28
  Speaker 3: going to buy DVDs?
• 1:24:29
  Speaker 1: Yeah? Yeah, what's a cheap work TV? Or go out
• 1:24:33
  Speaker 1: there and commit to paying thirty bucks for it?
• 1:24:35
  Speaker 3: Yeah?
• 1:24:35
  Speaker 2: I think I read that, you know, a normal episode
• 1:24:37
  Speaker 2: of s G one cost about two million dollars. You know,
• 1:24:41
  Speaker 2: so you mentioned twenty times that you know, a season
• 1:24:44
  Speaker 2: arc of Truth costs seven million dollars continue and cost
• 1:24:47
  Speaker 2: seven million dollars total for the whole thing. I'm able
• 1:24:50
  Speaker 2: to tell such such a larger story, and more of
• 1:24:53
  Speaker 2: an epic story. It does make me wonder if maybe
• 1:24:55
  Speaker 2: it was just the falling ratings of Atlantis under if
• 1:25:00
  Speaker 2: maybe because I think there was also some some rumblings
• 1:25:04
  Speaker 2: that it's like, well sci Fi wasn't willing to have
• 1:25:08
  Speaker 2: two shows, like they weren't willing to commit to to
• 1:25:11
  Speaker 2: Stargate shows at once anymore because of the ratings.
• 1:25:13
  Speaker 3: So they kind of Yeah, so they kind of canceled.
• 1:25:19
  Speaker 2: Atlantis so that they were green light Universe, and I
• 1:25:22
  Speaker 2: think they probably put their sites hard on on Universe. Yeah,
• 1:25:27
  Speaker 2: they kind of went well with his this new show.
• 1:25:29
  Speaker 2: We can do this new show that's going to revamp
• 1:25:31
  Speaker 2: the the franchise. It's just just like Battlestar Galactica turns
• 1:25:38
  Speaker 2: out Stargate fans, you know, they like Stargate.
• 1:25:41
  Speaker 3: There's there's already Battlestar Galactica that exists. We don't need. Yeah.
• 1:25:46
  Speaker 2: So yeah, so I think there was a lot of
• 1:25:49
  Speaker 2: your business stuff going on the the guy that is
• 1:25:52
  Speaker 2: pushing Daniel Jackson in this movie, like after Daniel loses
• 1:25:55
  Speaker 2: his leg whatever. I think maybe when he gets wheeled
• 1:25:58
  Speaker 2: out into the the hospital, no, no, into the big
• 1:26:02
  Speaker 2: thing where they meet with Landry what's it called the
• 1:26:04
  Speaker 2: Big hangar Hanger?
• 1:26:05
  Speaker 3: Thank you.
• 1:26:07
  Speaker 2: I believe they said that the doctor that Wills met
• 1:26:09
  Speaker 2: is actually was like the head of MGM, and that
• 1:26:12
  Speaker 2: was his little caming because he was a huge Stargate
• 1:26:15
  Speaker 2: fan and the Brad Wright said this continue wouldn't exist
• 1:26:20
  Speaker 2: without him him championing it and letting it happen. So
• 1:26:23
  Speaker 2: and I think you know Brad has said that in
• 1:26:25
  Speaker 2: the in the more recent years, is he doesn't have
• 1:26:27
  Speaker 2: any contacts at MGM anymore. There's no one, there's no
• 1:26:30
  Speaker 2: champion there going, well, if we're going to bring back Starget,
• 1:26:32
  Speaker 2: we need to get Brad back to do it, and
• 1:26:34
  Speaker 2: all that kind of stuff. He just it's with all
• 1:26:36
  Speaker 2: the changeover and handover and stuff like that, no one,
• 1:26:39
  Speaker 2: no one who works at him gym is invested in
• 1:26:41
  Speaker 2: the franchise.
• 1:26:42
  Speaker 1: Yeah, so they want to know how long it's going
• 1:26:43
  Speaker 1: to sit.
• 1:26:43
  Speaker 3: Like even producers and movie studios inside they're so bad
• 1:26:49
  Speaker 3: at their job. Yeah, it's terrible. And then yeah, we
• 1:26:54
  Speaker 3: want four quadron appeal, you know, like just let something
• 1:26:58
  Speaker 3: find it. Yeah yeah, and then like you know, it's
• 1:27:03
  Speaker 3: it's a completely different thing.
• 1:27:04
  Speaker 1: But they've obviously through MTM they've got the hands Amazon
• 1:27:06
  Speaker 1: that got the hands on that I really give a
• 1:27:09
  Speaker 1: shit about, and that's Bond and that's scared the ship
• 1:27:11
  Speaker 1: out of me. Once the Broccolis relinquished creative control. That
• 1:27:16
  Speaker 1: scared I mean not just me, thousands millions of Bond
• 1:27:19
  Speaker 1: fans around the world. Scared the shit out of me
• 1:27:20
  Speaker 1: because I'm like, it's it was a family run business
• 1:27:22
  Speaker 1: up until a couple of months ago. Every like big
• 1:27:25
  Speaker 1: creative decision directors that will hired scripts that were approved,
• 1:27:29
  Speaker 1: maybe not final cuts, but like that's why those movies
• 1:27:32
  Speaker 1: generally speaking, whether you love or you hate them, they
• 1:27:35
  Speaker 1: like were you know, Okay, the craig Ones were definitely
• 1:27:37
  Speaker 1: different than the brozen and ones or whatever, but like
• 1:27:39
  Speaker 1: generally they were all the same sort of ilk and
• 1:27:43
  Speaker 1: and that was the quality control basically was up to
• 1:27:45
  Speaker 1: the to the Broccolies. And then now it's like, okay, fine,
• 1:27:48
  Speaker 1: it's over to Bezos and Crew, and that scared of.
• 1:27:52
  Speaker 2: The sort I wish I had the audio of Peter
• 1:27:54
  Speaker 2: Deloiz when he says, brocoln it's just a fun word.
• 1:27:56
  Speaker 3: Funny word down to Bezer from the creators that brought
• 1:28:01
  Speaker 3: you celebrities in speech.
• 1:28:04
  Speaker 1: But then recently, I mean, you're going back wow now.
• 1:28:07
  Speaker 1: But you know, there was all the talk about okay,
• 1:28:09
  Speaker 1: what directors, and it's like, oh, we're going to get
• 1:28:11
  Speaker 1: this director, this director, director, and all of a sudden
• 1:28:12
  Speaker 1: they come out and go and I'm like, oh shit, okay,
• 1:28:17
  Speaker 1: well that's a statement, Like it's one thing to go.
• 1:28:19
  Speaker 1: Amazon are going to just start pumping out, you know,
• 1:28:21
  Speaker 1: content around the James Bond franchise. We're going to have
• 1:28:24
  Speaker 1: a money for God's sake, absolutely the cartoon, bring it
• 1:28:28
  Speaker 1: to life for God's say, you know exactly. But like
• 1:28:31
  Speaker 1: you bring in Denie and off the back of him,
• 1:28:33
  Speaker 1: like you know, a bat in a thousand, everything he's
• 1:28:35
  Speaker 1: been doing, he'll have wrapped up the third part of June,
• 1:28:37
  Speaker 1: going straight into a Bond movie, probably with full creative
• 1:28:40
  Speaker 1: or at least most of it. You're like, okay, well
• 1:28:42
  Speaker 1: that says something. You've got people that are in charge.
• 1:28:44
  Speaker 1: I think it's like some people that used to work
• 1:28:47
  Speaker 1: at I think It's Bond that there used to be
• 1:28:49
  Speaker 1: part of the like Toby maguire Spider Man franchise, and
• 1:28:52
  Speaker 1: also people that were in charge of Harry Potter the films.
• 1:28:55
  Speaker 1: And I'm like, well, there was a lot of care
• 1:28:57
  Speaker 1: put into those two franchises. And we're going back twenty
• 1:28:59
  Speaker 1: years is maybe twenty five, nearly thirty. By the time
• 1:29:02
  Speaker 1: the Bond movie gets made. But if those people are
• 1:29:04
  Speaker 1: are still relatively the same sort of creative heads and
• 1:29:07
  Speaker 1: they have the same sort of respect for the ip
• 1:29:09
  Speaker 1: they're dealing with, that's a great thing. It's like good, good, good.
• 1:29:12
  Speaker 1: So who's that going to be for Stargate? And is
• 1:29:14
  Speaker 1: Amazon they're not going to care anywhere near as much
• 1:29:17
  Speaker 1: about Stargate as what they will about Bond for reasons
• 1:29:20
  Speaker 1: that Bond is one.
• 1:29:20
  Speaker 3: Of them because they did the Lord of the Rings.
• 1:29:22
  Speaker 3: They that, Yeah, I've still that that was awesome. I
• 1:29:26
  Speaker 3: watched the first time I wanted to make Stargate. Yeah,
• 1:29:29
  Speaker 3: I actually doesn't it.
• 1:29:31
  Speaker 1: That we've got like money money owns Stargate at the moment,
• 1:29:35
  Speaker 1: like endless money in Amazon. You're like, I don't know that.
• 1:29:39
  Speaker 2: In a way, in a way, I'm happy that this
• 1:29:41
  Speaker 2: was the last Stargate film in that it was we
• 1:29:43
  Speaker 2: kind of went out on a high in a way
• 1:29:45
  Speaker 2: in that it was a brad right written. Yep, Martin
• 1:29:47
  Speaker 2: would direct it, like that's that's up there, And you know, Brendan,
• 1:29:51
  Speaker 2: you missed out on a couple of weeks ago. Is
• 1:29:53
  Speaker 2: Martin would he he obviously directed this, you know, before
• 1:29:57
  Speaker 2: finishing up season four of Less, he's not in season
• 1:29:59
  Speaker 2: five Atlantis. You know he went He went with Carter
• 1:30:04
  Speaker 2: on too Sanctuary, so you know they were gone.
• 1:30:08
  Speaker 3: Yeah.
• 1:30:08
  Speaker 2: So I do like that this was, you know, in
• 1:30:13
  Speaker 2: a way, going out on a high, even though do
• 1:30:14
  Speaker 2: we do have universe to come. But something that's quite
• 1:30:17
  Speaker 2: interesting is the creation of this movie. As much as
• 1:30:22
  Speaker 2: you know, Brad right, you know, says that we've had
• 1:30:24
  Speaker 2: to do with the you know, the the head on
• 1:30:26
  Speaker 2: sure that he knew at MGM and stuff like that,
• 1:30:28
  Speaker 2: it also had to do with the fandom. So the
• 1:30:30
  Speaker 2: whole thing with the submarine, which was a real submarine
• 1:30:34
  Speaker 2: in the real Arctic that they used. Fans approached not Brad,
• 1:30:39
  Speaker 2: but I think maybe Martin or someone else at a
• 1:30:42
  Speaker 2: convention and said, hey, could you use a submarine for Stargate?
• 1:30:50
  Speaker 2: And then they took that to Brad and Brad went yeah.
• 1:30:52
  Speaker 2: So when Brad, when Brad sat down to write this,
• 1:30:55
  Speaker 2: he knew that he wanted to write a time time
• 1:30:58
  Speaker 2: travel story, and he knew that he had access to
• 1:31:03
  Speaker 2: a nuclear.
• 1:31:03
  Speaker 3: Submarine that's insane.
• 1:31:05
  Speaker 2: And then based on the US Navy or whatever donating
• 1:31:10
  Speaker 2: or offering up the submarine, he then spoke to the
• 1:31:15
  Speaker 2: US Air Force, who they've always been working with for
• 1:31:17
  Speaker 2: a decade and went, hey, the Navy's giving us a
• 1:31:19
  Speaker 2: nuclear sub So then the Air Force went, well, he
• 1:31:23
  Speaker 2: had these two you know, fifteen hornets or whatever they were.
• 1:31:27
  Speaker 2: So the shots where you've got SG one in those hornets,
• 1:31:31
  Speaker 2: they're on a tarmac being towed around a tarmac in
• 1:31:34
  Speaker 2: real jets in the US, and they're just cheating it
• 1:31:39
  Speaker 2: up just so that you could just see the see
• 1:31:41
  Speaker 2: the sky and stuff like that, and that shit. Brad
• 1:31:43
  Speaker 2: Wright actually.
• 1:31:43
  Speaker 3: Got into it. There's a moment where he's one of
• 1:31:47
  Speaker 3: the escort pilots. But have a listen to this.
• 1:31:49
  Speaker 2: This is where they talk about the submarine and actually
• 1:31:53
  Speaker 2: getting it to breach in the Arctic.
• 1:31:57
  Speaker 6: When we were shout this, okay, there's a huge, massive story.
• 1:31:59
  Speaker 6: I can't on this.
• 1:32:01
  Speaker 4: We had to shoot the submarine coming up. We shot
• 1:32:04
  Speaker 4: it three different times. We missed it twice and through
• 1:32:07
  Speaker 4: no fault of our own, by the way, we were
• 1:32:09
  Speaker 4: submarine missed the The submarine missed the X once and
• 1:32:11
  Speaker 4: then it came up early the second time. But we
• 1:32:15
  Speaker 4: go real ice science, real Los Angeles class submarine.
• 1:32:19
  Speaker 6: This is the first time it's ever been done in
• 1:32:21
  Speaker 6: a movie. Yeah, and I have to tell you that.
• 1:32:24
  Speaker 6: Let's see you Kambernaki and his crew were unbelievable to us.
• 1:32:30
  Speaker 2: They hit the X.
• 1:32:32
  Speaker 4: This has never happened at Appolis before, which is where
• 1:32:35
  Speaker 4: we were the ice camp at Barry Campbell and I'll
• 1:32:36
  Speaker 4: talk about him in a second.
• 1:32:38
  Speaker 6: They do this every couple of years.
• 1:32:40
  Speaker 4: That's an actual three hundred and seventy five fifty ton
• 1:32:44
  Speaker 4: submarine that just came up through the ice for us.
• 1:32:47
  Speaker 6: And when the captain brought that up, this is the
• 1:32:49
  Speaker 6: third attempt on this day.
• 1:32:51
  Speaker 4: We've been there for four and a half hours, the
• 1:32:53
  Speaker 4: third attempt at coming up and he hit the X
• 1:32:55
  Speaker 4: right on and through the hydrophone you hear this.
• 1:32:57
  Speaker 6: Sound that was for Hollywood. That is the man who
• 1:33:02
  Speaker 6: got us there.
• 1:33:03
  Speaker 3: Thank you, Barry.
• 1:33:04
  Speaker 4: Yes, he's he's came to us at at a convention
• 1:33:08
  Speaker 4: once and said, how did you guys like to go
• 1:33:09
  Speaker 4: to a North pol We talked Brad about it.
• 1:33:11
  Speaker 6: Brad said, yes, just.
• 1:33:14
  Speaker 1: Like that, that's so cool, so cool, because yeah, just
• 1:33:18
  Speaker 1: I mean that when that like, yeah, the breach happens
• 1:33:20
  Speaker 1: it again, probably because it was something different, but again
• 1:33:23
  Speaker 1: because you didn't know all of a sudden, you see
• 1:33:25
  Speaker 1: these two people walking, obviously one of them being O'Neil,
• 1:33:26
  Speaker 1: and you're like, oh, what's this going to lead from?
• 1:33:28
  Speaker 1: Where's the base and here's your ride going up? And
• 1:33:31
  Speaker 1: then just seeing them walk through the halls and eve
• 1:33:33
  Speaker 1: when O'Neill left and said they can have food, they
• 1:33:36
  Speaker 1: can have water, they can do this, blah blah blah,
• 1:33:37
  Speaker 1: and then just like goes down the hallway and yeah,
• 1:33:40
  Speaker 1: that's real, man, Look at all that Yea's just so
• 1:33:42
  Speaker 1: funny much about it, just so tangible. It just adds
• 1:33:45
  Speaker 1: so much to it.
• 1:33:45
  Speaker 3: The bridge was real, that hallway was real.
• 1:33:49
  Speaker 2: The room where Daniel is on the bed a set, yeah,
• 1:33:53
  Speaker 2: but designed to look like the room in the.
• 1:33:59
  Speaker 3: In the Submarine.
• 1:34:00
  Speaker 2: But the fact that I would just say able to
• 1:34:01
  Speaker 2: cut back so seamlessly between the because obviously Michael Shanks
• 1:34:05
  Speaker 2: wasn't available to go to.
• 1:34:06
  Speaker 3: The Arctic to do any of that kind of stuff,
• 1:34:09
  Speaker 3: you twenty four.
• 1:34:11
  Speaker 1: So yeah, just the fact that I come back and forth,
• 1:34:13
  Speaker 1: I said before we have to come back. I have
• 1:34:15
  Speaker 1: no memory of that.
• 1:34:17
  Speaker 3: Yeah, my Love show.
• 1:34:18
  Speaker 1: I've never rewatched it, but I don't remember him being
• 1:34:21
  Speaker 1: in it.
• 1:34:23
  Speaker 3: You guys were the were the well, they're not extras
• 1:34:27
  Speaker 3: in the show yet, Like the captain of the boat
• 1:34:30
  Speaker 3: is the captain of the boat in real life, Like
• 1:34:34
  Speaker 3: he gives him the order. Yeah, you can tell by
• 1:34:36
  Speaker 3: the delivery. Yeah. Perfect. But also they said.
• 1:34:41
  Speaker 2: There was a moment where Martin Wood was obviously directing
• 1:34:45
  Speaker 2: the scene and he said, okay, up the periscope whatever,
• 1:34:48
  Speaker 2: and then you know, they cut or whatever, and then
• 1:34:50
  Speaker 2: the first office of the first mate set took Brad
• 1:34:53
  Speaker 2: right Martin Wood aside. He goes, you do realize you're
• 1:34:56
  Speaker 2: the only person to ever order that periscope up aside
• 1:34:59
  Speaker 2: from the cap Wow.
• 1:35:00
  Speaker 3: And he's like wow.
• 1:35:01
  Speaker 2: So what he did as a as a make good
• 1:35:03
  Speaker 2: is he let the captain call action action and cut
• 1:35:07
  Speaker 2: on a scene.
• 1:35:08
  Speaker 3: And it was the scene where.
• 1:35:12
  Speaker 2: Richardianison is walking down the hallway and he called cut
• 1:35:15
  Speaker 2: too soon because they wanted to get a da walking
• 1:35:18
  Speaker 2: further down there, and the captain called cut too soon.
• 1:35:22
  Speaker 1: And then you have to tell the captain that he
• 1:35:24
  Speaker 1: did it wrong. Yeah, and we have to do it again.
• 1:35:26
  Speaker 3: That's cool, that's hilarious. Or three episodes of season six,
• 1:35:32
  Speaker 3: one of the great twenty four episodes, Yeah, one and
• 1:35:36
  Speaker 3: twenty two season six. I want to say that that
• 1:35:39
  Speaker 3: was Saturday one.
• 1:35:42
  Speaker 2: He paid the He played in the pivotal one am
• 1:35:44
  Speaker 2: to four am spots of season six of twenty four.
• 1:35:48
  Speaker 3: He played a character named Mark Bishop.
• 1:35:51
  Speaker 1: Mm hmmm, Bishop, I want to say. Season six is
• 1:35:54
  Speaker 1: when Jack's Dads May Not.
• 1:35:58
  Speaker 2: Season six, episode twenty A synopsis reads a missing computer
• 1:36:02
  Speaker 2: circuit board, the Russians. The Russians get wind of Chinese spies.
• 1:36:07
  Speaker 2: The White House must find a leak. The CTU interrogates
• 1:36:10
  Speaker 2: an unlikely witness.
• 1:36:11
  Speaker 3: Wow, what else is boring? Yeah? Right, that's that's more
• 1:36:15
  Speaker 3: twenty four than I've absorbed in its entire run. That
• 1:36:18
  Speaker 3: and boo boo yeah in the snap zooms, I actually
• 1:36:26
  Speaker 3: got motion sickness from trying to watch that show. I
• 1:36:28
  Speaker 3: just got sick sickness watching that show. I was, I was,
• 1:36:34
  Speaker 3: I was O'Neill. I was just like, I've never been
• 1:36:37
  Speaker 3: the most bored person that's ever been born in their
• 1:36:39
  Speaker 3: entire life.
• 1:36:41
  Speaker 2: Apparently brad Wright said he stole that from I think
• 1:36:43
  Speaker 2: he's aid Joe Malatzi or Paul Mulley, but they were
• 1:36:46
  Speaker 2: at lunch and the line was, I am the most
• 1:36:49
  Speaker 2: hungry any person has ever been in their entire life.
• 1:36:52
  Speaker 2: And then the other line where Baal is, where he's like,
• 1:36:57
  Speaker 2: there is a god standing here with wet hands.
• 1:37:00
  Speaker 3: That actually that actually happened to Brad right for a
• 1:37:03
  Speaker 3: like you said that.
• 1:37:03
  Speaker 2: A producer he used to work for said, there is
• 1:37:06
  Speaker 2: a producer standing here with wet hands.
• 1:37:10
  Speaker 3: Wet hands over there, anyway, call him wet hands forever,
• 1:37:15
  Speaker 3: there is a god standing here with wet hand what
• 1:37:22
  Speaker 3: there's plenty of Oh yeah, okay, dokey. Time for some
• 1:37:28
  Speaker 3: break two segment, round round two of it's obviously I
• 1:37:37
  Speaker 3: have not We'll leave that one in. All right, are
• 1:37:42
  Speaker 3: you ready, Mitch? You got your paper? There? I do
• 1:37:45
  Speaker 3: another what's seven questions? Another seven questions. I'll go through
• 1:37:50
  Speaker 3: the questions and then we'll do the answers in the
• 1:37:52
  Speaker 3: end neil By's lunch entitled credits all right. Quest eight
• 1:38:02
  Speaker 3: after the go I will arrive? What does Daniel say
• 1:38:04
  Speaker 3: is coming? Next? After the go I will arrive? What
• 1:38:10
  Speaker 3: does Daniel Jackson say is coming next? Question number nine?
• 1:38:18
  Speaker 3: How long does katesh say it has been since she's
• 1:38:21
  Speaker 3: left Ball's side? This is a there is a great answer,
• 1:38:29
  Speaker 3: by the way, how long does Kates say it has
• 1:38:32
  Speaker 3: been since she left Ball's side. Question ten, what message
• 1:38:37
  Speaker 3: does Daniel Jackson send to the Russian MiGs? Which is
• 1:38:43
  Speaker 3: the planes? What message does Daniel Jackson send to the
• 1:38:47
  Speaker 3: Russian MiGs? It's a long one, it's pretty pretty long.
• 1:38:55
  Speaker 3: Question eleven, Which SG one member member never existed in
• 1:39:00
  Speaker 3: the alternate timeline? Which SG one member never existed in
• 1:39:06
  Speaker 3: the alternate timeline? Question twelve Fraser, God, yeah, what do
• 1:39:12
  Speaker 3: the Russians? She's alive? She is a lot. She would
• 1:39:16
  Speaker 3: have been a live in this timeline, in that timeline,
• 1:39:18
  Speaker 3: bloody bitch? Where is she? Question twelve? What do the
• 1:39:22
  Speaker 3: Russians call the stargate? What do the Russians call the stargate?
• 1:39:29
  Speaker 3: This is all stargate continuing. By the way, don't worry
• 1:39:32
  Speaker 3: about Watergate those people. The question thirteen on what planet
• 1:39:41
  Speaker 3: is barles time machine located?
• 1:39:44
  Speaker 4: Oh?
• 1:39:44
  Speaker 2: This is.
• 1:39:48
  Speaker 3: On what planet is Barle's time machine located? This is
• 1:39:52
  Speaker 3: for those who watch with the subtitles on the sweaty Nerds.
• 1:39:58
  Speaker 3: Question fourteen, last question, what are the alternate What are
• 1:40:02
  Speaker 3: alternate Tilk's last words? What are alternate tilks last words?
• 1:40:10
  Speaker 3: There is another that would have been mad. All right,
• 1:40:15
  Speaker 3: let's bring it down for the answers. You're ready, we'll
• 1:40:18
  Speaker 3: throw it to Midge first after the goal will arrived.
• 1:40:21
  Speaker 3: What does Daniel say is coming next?
• 1:40:24
  Speaker 1: Slavery and death, more slavery, more death.
• 1:40:27
  Speaker 3: It's correct, and death give you that death, slavery, more slavery,
• 1:40:31
  Speaker 3: more death.
• 1:40:32
  Speaker 7: Damn it.
• 1:40:33
  Speaker 3: I had death, destruction and slavery. Close enough. Question nine.
• 1:40:39
  Speaker 3: How long does katesh say it's been since she's left
• 1:40:42
  Speaker 3: Ball's side?
• 1:40:44
  Speaker 1: Fifty years?
• 1:40:45
  Speaker 3: I had fifty years. Correct, it's official, and that Barla's
• 1:40:53
  Speaker 3: dad episode right? Yeah. Question ten, what message does Daniel
• 1:41:00
  Speaker 3: Jackson sent to the Russian MiGs? Got some Mitch, We're Americans.
• 1:41:04
  Speaker 1: Shoot the people behind.
• 1:41:06
  Speaker 3: Us, shoot the people chasing us, chasing us? Correct? Close enough.
• 1:41:12
  Speaker 3: I do like that they gave him something to do
• 1:41:14
  Speaker 3: during that time.
• 1:41:15
  Speaker 2: Yeah, because otherwise again another snarky comment where he's like, oh,
• 1:41:20
  Speaker 2: just sit back here in heaven, nap, it's going to
• 1:41:22
  Speaker 2: be a real dull flight.
• 1:41:23
  Speaker 3: And he's assumed that the Russians would actually listen to
• 1:41:26
  Speaker 3: an American. Yeah, we're Americans. Oh okay, you mate, don't
• 1:41:30
  Speaker 3: worry about that. We were expecting you. Question eleven, which
• 1:41:36
  Speaker 3: SG one member never existed in the alternate Timelinew.
• 1:41:40
  Speaker 2: Mitchell, Mitch Mitch, Mitch, Mitch, MITCHI Mitch, that's correct, that's correct, Wendy.
• 1:41:45
  Speaker 3: Question twelve, what do the Russians call the stargate the
• 1:41:48
  Speaker 3: putin damn Strogate? Incorrect? Was it like the money pit
• 1:41:55
  Speaker 3: or the time pit or something? I didn't pick it
• 1:41:59
  Speaker 3: up either. Apparently it was anchor.
• 1:42:01
  Speaker 2: Oh, that's right, because they found at the bottom of
• 1:42:04
  Speaker 2: the ocean in Russians.
• 1:42:07
  Speaker 3: Great people if they want to sponsor on what planet
• 1:42:12
  Speaker 3: is bars time machine located? Nothing praxy on correct?
• 1:42:17
  Speaker 1: Oh my goodness, come on mate.
• 1:42:22
  Speaker 3: And last question, what are alternate Tilk's last words? And
• 1:42:26
  Speaker 3: should always ever be Tilk's last words?
• 1:42:30
  Speaker 2: Free?
• 1:42:30
  Speaker 3: Correct? Great work guys, it's been fun. We've got some
• 1:42:37
  Speaker 3: Patreon people to shout out.
• 1:42:39
  Speaker 1: Where do I find this again?
• 1:42:41
  Speaker 3: Patreon dot com, forward slash getting the Gate? Great people,
• 1:42:44
  Speaker 3: if you want to sponsor the show.
• 1:42:46
  Speaker 1: Devon phillips o Devon, the Devon slice of the DP
• 1:42:52
  Speaker 1: the dp DP. Yeah, slics one of the great process
• 1:42:58
  Speaker 1: meets slices.
• 1:42:59
  Speaker 3: Absolutely. Friend of mine used to have the Devin.
• 1:43:03
  Speaker 1: Have Devon and then I just like put smarter sauce
• 1:43:05
  Speaker 1: on it.
• 1:43:06
  Speaker 3: I feel like that's a poor man's version of Billina
• 1:43:09
  Speaker 3: or Berlina. Where is it's the same thing? It's nice
• 1:43:14
  Speaker 3: fake cut me.
• 1:43:15
  Speaker 2: We just had hamd Where where does the luxury? You know,
• 1:43:22
  Speaker 2: we'd have hand for lunch, but you go home and
• 1:43:24
  Speaker 2: it'd be there. It would be the tinned braised steak
• 1:43:26
  Speaker 2: and onion jaffles.
• 1:43:29
  Speaker 1: Ye, Glenn see Glenn close. I can only imagine so
• 1:43:33
  Speaker 1: one of the great actresses Terry No, unfortunately.
• 1:43:37
  Speaker 3: But Glenn's big Glenn c Sea dog.
• 1:43:43
  Speaker 1: Angela one name.
• 1:43:45
  Speaker 3: So you need so you need like Madonna? Yeah, we'll
• 1:43:47
  Speaker 3: remember so Angie Steve who Luck from Tula? There we go.
• 1:43:53
  Speaker 3: Why did you just put his like you to fake Steve?
• 1:43:55
  Speaker 3: Just put ce dot?
• 1:43:56
  Speaker 7: Yeah?
• 1:43:57
  Speaker 3: You see who luck luck from true luck luck? One?
• 1:44:02
  Speaker 1: Gentle knife?
• 1:44:04
  Speaker 3: Gentle knife.
• 1:44:04
  Speaker 1: So it is a made up name, I imagine, Unlet's
• 1:44:07
  Speaker 1: that is one person's first name. And if so I'm
• 1:44:09
  Speaker 1: jealous of.
• 1:44:11
  Speaker 2: Is that like a like a self cutting joke or
• 1:44:13
  Speaker 2: that that's like suppose I suppose gave Baal the gentle knife?
• 1:44:17
  Speaker 3: She sure did you know honed hone to?
• 1:44:20
  Speaker 1: I mean we're talking about the balls on on on
• 1:44:22
  Speaker 1: her and her plan all that sort of stuff to
• 1:44:24
  Speaker 1: sit there with a sword through the Lord of all
• 1:44:28
  Speaker 1: system lords while tilk's there behind. You know, just gon.
• 1:44:34
  Speaker 4: Do this.
• 1:44:38
  Speaker 3: I thought that was the thing you were going to make.
• 1:44:42
  Speaker 3: Next one is just.
• 1:44:43
  Speaker 1: From Sweet, oh Sweet, with three e's thank you Sweet,
• 1:44:53
  Speaker 1: Kelly clarks that's Kerry Clark, Kerry Kerry Clark.
• 1:44:57
  Speaker 3: No, Kerry Clarkson, thank you great, Thanks Pat.
• 1:45:01
  Speaker 1: Since you've been here, more like it, and uh, sit
• 1:45:04
  Speaker 1: out two five five say that again? Sat that two
• 1:45:08
  Speaker 1: five five double a D A T two five five.
• 1:45:20
  Speaker 1: You don't have to put your people suggested Twitter handle
• 1:45:23
  Speaker 1: in them.
• 1:45:23
  Speaker 3: But that's and then I got the shout out to
• 1:45:31
  Speaker 3: the discord as well.
• 1:45:32
  Speaker 2: I've been trying to jump on board the discord and
• 1:45:34
  Speaker 2: get involved with that as well.
• 1:45:36
  Speaker 3: So shout out for over there, come come and check
• 1:45:38
  Speaker 3: out the discord, the discourse on the discord.
• 1:45:41
  Speaker 2: Is that what it's called discord because because the discourse, yeah, probably,
• 1:45:47
  Speaker 2: but also discord get it.
• 1:45:50
  Speaker 3: Oh no, we have we can bookmark this.
• 1:45:52
  Speaker 2: We have a discourse, brilliant, we have discourse through discord.
• 1:45:57
  Speaker 1: Okay, So because of that, stay tuned at the end
• 1:46:00
  Speaker 1: of the episode for the ultimate Oh God beginning of
• 1:46:04
  Speaker 1: our podcast.
• 1:46:05
  Speaker 3: Which we obviously had to cut.
• 1:46:06
  Speaker 1: Because we wouldn't want to ruin the fact that Brandon
• 1:46:08
  Speaker 1: was here with Maddie not knowing what goes.
• 1:46:12
  Speaker 3: Doing some av support come full.
• 1:46:15
  Speaker 1: Brilliant, brilliant work, so good stuff. Yes, thank you, Patreons,
• 1:46:19
  Speaker 1: thank you, Discordiance, and.
• 1:46:21
  Speaker 3: I guess next week we'll just continue on with see
• 1:46:26
  Speaker 3: episode two, season five. Yeah, thanks for having me back.
• 1:46:29
  Speaker 3: He's coming back. Thank you for coming back. Yeah, you
• 1:46:32
  Speaker 3: should don't want to come back next week for the
• 1:46:34
  Speaker 3: seed so that I can have the week off seed.
• 1:46:37
  Speaker 3: I nearly had to call you in for harmony a
• 1:46:38
  Speaker 3: few weeks ago, because mate, you call Lincoln for the
• 1:46:42
  Speaker 3: seed quite often. I mean, people, you have no idea
• 1:46:48
  Speaker 3: how true that is.
• 1:46:51
  Speaker 1: Oh you know what, well, we're still right there. I've
• 1:46:53
  Speaker 1: had this bloody next to me. I didn't even put
• 1:46:55
  Speaker 1: it on the whole time. It was a costume to change.
• 1:46:59
  Speaker 1: I didn't have any life last episode, and I haven't
• 1:47:01
  Speaker 1: got it. I didn't wear it for this one.
• 1:47:02
  Speaker 3: I save it for the mail Bay.
• 1:47:03
  Speaker 1: Wear it now.
• 1:47:04
  Speaker 3: I put it on, Put it on now, God dear.
• 1:47:07
  Speaker 4: Do this.
• 1:47:09
  Speaker 1: I spent like three dollars in this T shirt about
• 1:47:11
  Speaker 1: eight months ago.
• 1:47:13
  Speaker 3: He've got the iron out for it.
• 1:47:14
  Speaker 7: I did there you go, oh hey, look at the
• 1:47:18
  Speaker 7: dust coming up. I am the clerk, not as bad
• 1:47:25
  Speaker 7: as that's the.
• 1:47:28
  Speaker 2: Stargate origin shirt you got from Brendan that had the
• 1:47:30
  Speaker 2: mysterious comes down on the show.
• 1:47:32
  Speaker 1: When I found that your work covered a few months ago, it.
• 1:47:34
  Speaker 3: Was welcome, one of the great comes Well, well it
• 1:47:39
  Speaker 3: is at this time Brendan we say you are not
• 1:47:41
  Speaker 3: the real Brendan.
• 1:47:42
  Speaker 1: You are, in fact a clone that we have made
• 1:47:44
  Speaker 1: from the left over seaman on that shirt Offimon.
• 1:47:48
  Speaker 3: You're our own bear Kit bear Kit, and I still
• 1:47:53
  Speaker 3: thank you a bit. When Beckett died.
• 1:47:57
  Speaker 1: Coming back and I sat there wallowing and my own sorrow,
• 1:48:00
  Speaker 1: but then he's he's back. Well kinder kind of kind disorder. Yeah,
• 1:48:05
  Speaker 1: we got some more boots, Yeah, frozen boots. You could
• 1:48:10
  Speaker 1: have stolen frozen boots in this episode.
• 1:48:12
  Speaker 3: Yeah, oh yeah, Daniel had an extra. He'd still be
• 1:48:15
  Speaker 3: in Scotland, wouldn't he.
• 1:48:17
  Speaker 1: That wouldn't that be the most prized boot that Beckett
• 1:48:19
  Speaker 1: would It's the boot he no longer needs.
• 1:48:23
  Speaker 2: It's a.
• 1:48:25
  Speaker 3: Cane. Do you think he'd ask if you could keep
• 1:48:30
  Speaker 3: the foot as well?
• 1:48:31
  Speaker 4: Like?
• 1:48:31
  Speaker 3: Yeah, probably sick bastard. The Clone's definitely got a foot fetish.
• 1:48:40
  Speaker 3: It's a defect. Yeah. I often wake up in the
• 1:48:44
  Speaker 3: middle of the night stress that I never would have
• 1:48:47
  Speaker 3: seen that Holly from Lonnis. Oh yeah, the audio what
• 1:48:54
  Speaker 3: do we call it? The Incoming Wormhole? Yes, that's the thing.
• 1:48:57
  Speaker 1: That's one of the great Well, I got my kids here.
• 1:48:59
  Speaker 1: If you haven't heard of the background at any point
• 1:49:00
  Speaker 1: during this podcast, good good for you. And one of
• 1:49:04
  Speaker 1: them is Will who's he's been as long as he's
• 1:49:08
  Speaker 1: been alive, this podcast has been going on, and he said,
• 1:49:10
  Speaker 1: to the people that make this show, do they know
• 1:49:13
  Speaker 1: that you make a podcast about it?
• 1:49:15
  Speaker 3: Some of them?
• 1:49:15
  Speaker 4: Do?
• 1:49:17
  Speaker 1: Some of them?
• 1:49:19
  Speaker 3: Three of them?
• 1:49:19
  Speaker 1: Thanks to Holly from Lonnie. So one of the greats,
• 1:49:23
  Speaker 1: probably the great. I mean, surely that was the greatest
• 1:49:28
  Speaker 1: we've ever had, honorable man.
• 1:49:32
  Speaker 4: Is it that?
• 1:49:33
  Speaker 2: Or is it?
• 1:49:33
  Speaker 3: Or is it Corky's what you came here? That's up there?
• 1:49:38
  Speaker 3: Oh yeah, that's true.
• 1:49:39
  Speaker 1: I mean it's Dan Pouci maybe. Okay, it's the best
• 1:49:45
  Speaker 1: single entry Incoming Wormhole.
• 1:49:47
  Speaker 2: I mean the fact that we get some I mean
• 1:49:49
  Speaker 2: we've had so many great ones. Yeah, I guess for
• 1:49:52
  Speaker 2: you guys, be like choosing children.
• 1:49:55
  Speaker 3: Yeah, don't make me admitt I'm looking at them.
• 1:50:01
  Speaker 8: Yeah, just according Mitch is like, well, it's definitely not James.
• 1:50:04
  Speaker 8: So these ones are not like the others.
• 1:50:14
  Speaker 7: Into the geek, get into the gate, get into gate Stargate.
• 1:50:22
  Speaker 1: Sive me some maass bring