Latest / Murder Files Unsealed / The Murder Trial of Singer D4vd Update On Charges And Evidence Found
Transcript
- 0:00Speaker 1: So imagine you're standing on this hot asphalt on an
- 0:03Speaker 1: 85 degree day in September.
- 0:05Speaker 2: Oh, yeah. That California heat.
- 0:07Speaker 1: Exactly. You're in a Hollywood tow yard. It's surrounded by
- 0:11Speaker 1: chain link fences. And there's just this overwhelming stench of
- 0:15Speaker 1: exhaust everywhere.
- 0:16Speaker 2: Right. Not exactly a glamorous scene.
- 0:18Speaker 1: No, not at all. And you're looking at this luxury vehicle,
- 0:22Speaker 1: a Tesla, just sitting there baking in the Southern California sun.
- 0:25Speaker 2: And that heat changes things, especially when we're talking about
- 0:28Speaker 2: a forensic scene.
- 0:29Speaker 1: It really does. So when the Los Angeles Police Department
- 0:32Speaker 1: investigators finally open the front trunk, no, the frunk of
- 0:35Speaker 1: that impounded Tesla, they don't just find a gruesome crime scene.
- 0:39Speaker 2: Right.
- 0:40Speaker 1: They find this frantic, visceral panic of a multimillion dollar
- 0:44Speaker 1: pop star. And it's literally realized in the form of
- 0:47Speaker 1: air fresheners.
- 0:48Speaker 2: Which is just, I mean, it's almost absurd to think about.
- 0:51Speaker 1: It really is. 11 million. pine-scented air fresheners just scattered
- 0:54Speaker 1: everywhere inside the car.
- 0:55Speaker 2: Eleven. I mean, that's not just trying to make your
- 0:58Speaker 2: car smell nice. That's a desperate attempt to cover something up.
- 1:02Speaker 1: Exactly. Those little cardboard trees were a completely futile, just
- 1:06Speaker 1: desperate attempt to mask the reality of a rotting secret.
- 1:11Speaker 2: Right, because you simply can't mask that kind of reality
- 1:13Speaker 2: with pine scent.
- 1:14Speaker 1: No, you really can't. And it's this jarring, horrifying juxtaposition.
- 1:19Speaker 1: Because we usually associate young Hollywood with You know, flashing cameras,
- 1:23Speaker 1: exclusive parties.
- 1:24Speaker 2: You have that highly curated illusion of just infinite success.
- 1:28Speaker 1: Right. But when you force that glittering world to collide
- 1:31Speaker 1: with the hyper-industrial reality of a forensic investigation, you get
- 1:35Speaker 1: a story that basically forces you to reevaluate every single
- 1:39Speaker 1: assumption you hold about the art you consume and the
- 1:42Speaker 1: artists who create it.
- 1:43Speaker 2: Oh, absolutely. The collision between a manufactured public image and
- 1:46Speaker 2: the unforgiving microscopic reality of forensic science I mean, it's total.
- 1:51Speaker 1: It leaves nothing hiding.
- 1:52Speaker 2: Exactly. We are looking at a scenario where a digital
- 1:55Speaker 2: empire violently intersects with physical evidence, and the resulting debris
- 1:59Speaker 2: field is what the legal system is currently trying to
- 2:02Speaker 2: piece together.
- 2:03Speaker 1: Which is exactly the mission of this deep dive today.
- 2:07Speaker 1: We are unpacking the truly staggering preliminary hearing decals of
- 2:12Speaker 1: a case where fame, unthinkable violence, and an inescapable digital
- 2:16Speaker 1: paper trail have collided.
- 2:18Speaker 2: Right. Right. In a Los Angeles courtroom.
- 2:20Speaker 1: Yep. We're drawing heavily on recent, incredibly detailed reporting from
- 2:24Speaker 1: ABC News, specifically covering the days-long preliminary hearing that just
- 2:29Speaker 1: wrapped up.
- 2:30Speaker 2: And the individual standing at the absolute center of all
- 2:32Speaker 2: this is a platinum-selling artist who goes by the stage
- 2:35Speaker 2: name D4VD.
- 2:36Speaker 1: Right, his legal name is David Anthony Burke. If you're
- 2:39Speaker 1: a music fan, you likely know his massive breakout hit.
- 2:42Speaker 2: Yeah, a song ironically and chillingly titled Romantic Homicide.
- 2:45Speaker 1: I know, the title alone is just, it's eerie now.
- 2:48Speaker 1: But before we get into the timeline, we have to
- 2:50Speaker 1: establish the legal framework.
- 2:51Speaker 2: That is essential, yes. We have to be very clear here.
- 2:54Speaker 2: David Burke has pleaded not guilty to all charges.
- 2:57Speaker 1: All of them, right?
- 2:57Speaker 2: Yes. And those charges include first-degree murder, the sexual abuse
- 3:01Speaker 2: of a child, and the unlawful mutilation of human remains.
- 3:04Speaker 1: Okay, so incredibly severe charges.
- 3:07Speaker 2: Extremely. His defense team vehemently denies the allegations. He is
- 3:11Speaker 2: currently being held without bail. But, and this is key
- 3:14Speaker 2: for you listening, our purpose here is not to issue
- 3:16Speaker 2: a verdict. Right.
- 3:17Speaker 1: We're not a jury.
- 3:18Speaker 2: Exactly. We are examining the evidence the prosecution presented in
- 3:22Speaker 2: court to establish probable cause. A preliminary hearing is just
- 3:26Speaker 2: a procedural checkpoint.
- 3:28Speaker 1: OK, so it's like a mini trial to see if
- 3:29Speaker 1: there's even enough to go forward.
- 3:31Speaker 2: Precisely. The judge simply decides if there is enough evidence
- 3:34Speaker 2: to warrant a full trial. So everything we discuss today
- 3:38Speaker 2: is the prosecution's narrative built from the evidence they chose
- 3:41Speaker 2: to reveal to meet that specific legal threshold.
- 3:45Speaker 1: Got it. OK, so. To really wrap our minds around
- 3:47Speaker 1: the sheer gravity of the prosecution's timeline, we kind of
- 3:50Speaker 1: have to start by looking at the stakes. Like, why
- 3:53Speaker 1: would a crime of this magnitude even theoretically occur?
- 3:56Speaker 2: Right. What's the motive?
- 3:57Speaker 1: Yeah. We have to look at the accused's life right
- 4:00Speaker 1: up until the moment the victim, 14-year-old Celeste Rives Hernandez, vanished.
- 4:06Speaker 2: Because the prosecution didn't just call police officers to the
- 4:09Speaker 2: stand during this hearing, did they?
- 4:10Speaker 1: No, they didn't. They actually brought in David Burke's financial manager.
- 4:14Speaker 1: And a finance employee from Interscope Records.
- 4:17Speaker 2: His former label.
- 4:18Speaker 1: Right. They testified about the sheer volume of wealth he
- 4:22Speaker 1: was generating. And, I mean, get this. Between 2023 and 2025,
- 4:25Speaker 1: David Burke brought in approximately $ 11 million. $ 11 million in
- 4:26Speaker 1: two years. I mean, my jaw dropped reading that.
- 4:37Speaker 2: And, you know, the introduction of those financial records, that's
- 4:40Speaker 2: a calculated move by the prosecution because it establishes the
- 4:43Speaker 2: foundational bedrock of the alleged motive. $ 11 million in two
- 4:47Speaker 2: years fundamentally changes the psychological profile of an 18-year-old kid.
- 4:52Speaker 1: I mean, yeah, I can't even imagine having that kind
- 4:53Speaker 1: of money at 18. Right.
- 4:55Speaker 2: It means he's no longer just a musician. He is
- 4:57Speaker 2: the chief executive officer of a multinational corporate entity. We
- 5:01Speaker 2: are talking about an entire ecosystem here.
- 5:03Speaker 1: Oh, like managers, agents, that sort of thing. Exactly.
- 5:05Speaker 2: Tour promoters, publicists, road crews, their entire livelihoods depend completely
- 5:11Speaker 2: on the continued marketability of the D4VD brand.
- 5:14Speaker 1: Which means he wasn't just losing pocket change if things
- 5:17Speaker 1: went wrong. He was facing the collapse of an entire
- 5:20Speaker 1: corporate structure. Yes.
- 5:22Speaker 2: And we have to consider how that money works in
- 5:25Speaker 2: the music industry.
- 5:26Speaker 1: Right, because it's not like he just has $ 11 million
- 5:28Speaker 1: in a checking account.
- 5:28Speaker 2: Right. An $ 11 million figure often comes from massive publishing
- 5:32Speaker 2: advances and projected merchandise sales. That money is essentially a
- 5:37Speaker 2: loan against future earnings.
- 5:39Speaker 1: Wow. So he owes them that success.
- 5:41Speaker 2: Exactly. If a scandal hits and a massive world tour, which,
- 5:45Speaker 2: by the way, was just about to go on sale,
- 5:46Speaker 2: gets canceled, the label wants their money back. The pressure
- 5:50Speaker 2: cooker that creates must be completely unimaginable.
- 5:54Speaker 1: And that pressure cooker brings us directly to the alleged
- 5:57Speaker 1: threat that ignited this entire timeline.
- 5:59Speaker 2: Right, the catalyst.
- 6:00Speaker 1: Yeah. The prosecution alleges that the relationship between David Burke
- 6:04Speaker 1: and Celeste began in 2023. At that time, according to
- 6:08Speaker 1: the charges, he was an 18-year-old legal adult and she
- 6:11Speaker 1: was a 13-year-old child.
- 6:13Speaker 2: The power imbalance in that dynamic is, I mean, it's
- 6:16Speaker 2: almost beyond comprehension.
- 6:17Speaker 1: It really is.
- 6:18Speaker 2: You have this rapidly rising celebrity with immense cultural and
- 6:22Speaker 2: financial resources holding sway over a young teenager. But according
- 6:27Speaker 2: to the prosecution, that dynamic shifted.
- 6:29Speaker 1: Right. Because Celeste was allegedly threatening to expose this illegal relationship.
- 6:34Speaker 1: She's threatening to basically burn down that $ 11 million empire
- 6:38Speaker 1: if he wouldn't agree to be exclusive to her. Right.
- 6:41Speaker 2: And I think it's important to pause here because I
- 6:44Speaker 2: can hear a listener thinking through this and hitting a
- 6:47Speaker 2: wall of logic.
- 6:48Speaker 1: Yeah, I hit that wall too. We hear about career-ending
- 6:51Speaker 1: scandals all the time. An artist gets canceled, they lose endorsements,
- 6:55Speaker 1: maybe they disappear from the public eye for a few years.
- 6:57Speaker 2: Sure, PR crises happen every day.
- 6:59Speaker 1: Exactly. But the leap from being a platinum-selling pop star
- 7:03Speaker 1: to allegedly committing a barbaric, brutal murder over an exposure threat,
- 7:08Speaker 1: it just feels like the prosecution is asking a jury
- 7:10Speaker 1: to believe you went from a typical celebrity to a
- 7:12Speaker 1: calculated monster in a split second.
- 7:15Speaker 2: It is a massive psychological leap. But the prosecution grounds
- 7:19Speaker 2: it in the mechanics of self-preservation. Exposing a relationship with
- 7:23Speaker 2: a 13-year-old doesn't just result in getting canceled on social media. Right.
- 7:27Speaker 1: It's not just a bad PR day.
- 7:28Speaker 2: No, not in the state of California. It involves severe
- 7:32Speaker 2: mandatory minimum felony charges. It means registering as a sex offender.
- 7:37Speaker 2: It means the absolute permanent destruction of freedom and finance.
- 7:41Speaker 1: Oh, wow. Yeah, when you lay it out like that,
- 7:43Speaker 1: the stakes are literal life and death for his career
- 7:46Speaker 1: and his freedom.
- 7:47Speaker 2: Precisely. The prosecution's theory is that David Burke didn't just
- 7:51Speaker 2: snap in some crime of passion. They are arguing that
- 7:54Speaker 2: he made a cold, calculated, albeit deeply flawed decision.
- 7:58Speaker 1: To weigh his life against hers.
- 7:59Speaker 2: Exactly. To weigh the value of his golden, curated life
- 8:02Speaker 2: against the life of a young girl who held the
- 8:04Speaker 2: match that could burn it all down.
- 8:06Speaker 1: It is just the ultimate toxic extension of protecting the
- 8:09Speaker 1: brand at all costs. And because the prosecution claims this
- 8:12Speaker 1: was all about protecting that burgeoning empire... Their timeline of
- 8:16Speaker 1: the actual night Celeste disappeared is entirely framed around this
- 8:20Speaker 1: idea of a calculated trap.
- 8:22Speaker 2: Right. And this is where the digital evidence comes in.
- 8:24Speaker 1: Yeah. The digital breadcrumb trail left on the night of
- 8:26Speaker 1: April 23, 2025. That's where the evidence transitions from this
- 8:31Speaker 1: abstract motive into a really chilling, concrete timeline.
- 8:36Speaker 2: And that digital footprint is where modern forensic investigations are
- 8:39Speaker 2: won or lost. The prosecution asserts that April 23 was
- 8:43Speaker 2: the last time Celeste was seen alive.
- 8:45Speaker 1: And they have a map of that, right?
- 8:47Speaker 2: They have constructed a highly detailed digital map of her
- 8:50Speaker 2: final movements. The LAPD detective testified that David Burke allegedly
- 8:55Speaker 2: ordered an Uber himself.
- 8:56Speaker 1: He ordered it from his own phone?
- 8:58Speaker 2: Yes, to bring the 14-year-old directly to his home in
- 9:01Speaker 2: the Hollywood Hills.
- 9:02Speaker 1: Okay, so while she is in that Uber, traveling toward
- 9:04Speaker 1: his residence, there is a text exchange that the detective
- 9:07Speaker 1: presented in court.
- 9:08Speaker 2: And it's a very mundane exchange.
- 9:10Speaker 1: It is. It's so normal. But it takes on this
- 9:12Speaker 1: horrifying weight when you know how the night ends. She
- 9:16Speaker 1: sends a text from the car saying, almost there, open
- 9:18Speaker 1: the door if you are home. And he replies with
- 9:20Speaker 1: a very casual, got it.
- 9:22Speaker 2: Those three words, got you, are the final documented communication
- 9:27Speaker 2: before her digital footprint completely and permanently vanishes.
- 9:30Speaker 1: You know, I always think of our modern digital footprint
- 9:33Speaker 1: like walking through wet cement.
- 9:34Speaker 2: Oh, that's a good analogy.
- 9:36Speaker 1: Because like decades ago, A crime like this might rely
- 9:39Speaker 1: entirely on a neighbor just happening to look out their
- 9:42Speaker 1: window and seeing a car pull up, right?
- 9:44Speaker 2: Yeah, it was all eyewitness testimony back then.
- 9:46Speaker 1: Exactly.
- 9:46Speaker 2: Yeah.
- 9:47Speaker 1: But today, every single physical movement you make is shadowed
- 9:52Speaker 1: by a digital receipt. You order an Uber, you're generating
- 9:55Speaker 1: a GPS log, a financial transaction, a driver's record, and
- 9:59Speaker 1: a timecode. scan.
- 10:00Speaker 2: Right. You send a text. It lives in the iCloud.
- 10:02Speaker 2: It routes through servers. It pings off local cell towers.
- 10:05Speaker 1: Exactly. You just cannot invite someone to your home via
- 10:08Speaker 1: a smartphone app without creating an inescapable glowing neon sign
- 10:13Speaker 1: pointing directly to your front door.
- 10:15Speaker 2: The wet cement analogy is perfectly apt because it highlights
- 10:18Speaker 2: the permanence of the data. Once you step in it,
- 10:20Speaker 2: the shape is there. The prosecution is leveraging every single
- 10:24Speaker 2: footprint left in that cement to establish location and intent.
- 10:28Speaker 1: But it gets weirder, right? Because after she arrives, there's
- 10:31Speaker 1: more digital activity.
- 10:32Speaker 2: Yes. The most compelling and arguably the most sinister part
- 10:37Speaker 2: of this digital trail is what happened in the days
- 10:39Speaker 2: following April 23. The detective testified that Celeste's phone went
- 10:44Speaker 2: completely silent. She never sent another message to anyone.
- 10:47Speaker 1: But David Burke's phone did not go silent.
- 10:50Speaker 2: No, it did not.
- 10:51Speaker 1: He kept texting her. He was sending messages asking where
- 10:53Speaker 1: she was, checking in, feigning worry. Like, his final message
- 10:58Speaker 1: to her was sent on April 26th.
- 11:00Speaker 2: Three full days later.
- 11:01Speaker 1: Yeah, three full days after she allegedly arrived at his
- 11:04Speaker 1: home and was never seen again.
- 11:06Speaker 2: In investigative terms, this behavior is a classic example of staging.
- 11:10Speaker 1: Staging. Like setting up a scene in a play.
- 11:12Speaker 2: Exactly. It's an attempt to manipulate the narrative after the fact.
- 11:16Speaker 2: The psychological profile here is fascinating. Why text a phone
- 11:20Speaker 2: you know won't answer?
- 11:21Speaker 1: Right. Because if you know she's dead, you know she's
- 11:23Speaker 1: not going to reply.
- 11:24Speaker 2: Exactly. You do it because you are operating under the
- 11:27Speaker 2: assumption that eventually law enforcement is going to pull those
- 11:31Speaker 2: phone records. You are attempting to create a retroactive digital alibi.
- 11:36Speaker 1: You want the cops to see that and think you're
- 11:38Speaker 1: a good guy.
- 11:39Speaker 2: Right. You want the police to read those texts and
- 11:41Speaker 2: conclude that you were a concerned friend, completely ignorant of
- 11:44Speaker 2: her whereabouts.
- 11:45Speaker 1: But that digital paper trail, those frantic texts sent to
- 11:49Speaker 1: a phone he allegedly knew wouldn't answer it, forces a
- 11:53Speaker 1: pivotal question. Like, if he realized his digital alibi might
- 11:57Speaker 1: be scrutinized, how did investigators dismantle it? Because you don't
- 12:01Speaker 1: just read the texts in a vacuum, do you?
- 12:03Speaker 2: No, absolutely not. And this is where the staging falls apart.
- 12:06Speaker 2: Investigators utilize cell tower triangulation.
- 12:09Speaker 1: Okay, how does that work?
- 12:11Speaker 2: Well, a mobile phone is constantly pinging the nearest two
- 12:14Speaker 2: or three cell towers just to maintain a signal, right?
- 12:17Speaker 1: Even if you're not making a call.
- 12:18Speaker 2: Exactly. Just sitting in your pocket, it's pinging. So by
- 12:21Speaker 2: analyzing the time delays between those pings, analysts can create
- 12:24Speaker 2: a geographic polygon that pinpoints the phone's location with startling accuracy.
- 12:29Speaker 1: Oh, wow.
- 12:30Speaker 2: So if Burke is texting her asking, where are you?
- 12:34Speaker 2: But the tower data shows both of their phones are
- 12:36Speaker 2: pinging off the exact same tower servicing his Hollywood Hills address.
- 12:40Speaker 1: Oh, I see.
- 12:41Speaker 2: Yeah, the staging completely falls apart. The digital alibi actually
- 12:45Speaker 2: becomes digital evidence of a cover-up.
- 12:48Speaker 1: That is wow. And when a digital cover-up fails, we
- 12:52Speaker 1: have to look at how he attempted to physically erase
- 12:55Speaker 1: what happened next.
- 12:56Speaker 2: Right, moving from the phone to the physical space?
- 12:58Speaker 1: Yeah, because the physical cover-up, as presented by the prosecutors...
- 13:02Speaker 1: reveals a level of premeditation that is simultaneously gruesome, shocking,
- 13:07Speaker 1: and just bizarrely clumsy.
- 13:09Speaker 2: The preliminary hearing testimony became intensely graphic when it moved
- 13:13Speaker 2: to the physical evidence recovered from the Hollywood Hills home.
- 13:16Speaker 1: It really did.
- 13:17Speaker 2: The prosecution introduced the concept of an alias, combined with
- 13:20Speaker 2: a highly suspicious manifest of purchased items.
- 13:23Speaker 1: Yeah, so days after Celeste was last seen alive, a
- 13:25Speaker 1: series of items were ordered and delivered to David Burke's home.
- 13:29Speaker 1: But they weren't ordered under his name.
- 13:30Speaker 2: No, they used a fake name.
- 13:32Speaker 1: Right. They were ordered under the alias Travion Davis. And
- 13:35Speaker 1: the items included chainsaws, a mop system, cadaver bags and
- 13:39Speaker 1: a blue inflatable pool.
- 13:41Speaker 2: I mean, it is the literal logistical shopping list for
- 13:44Speaker 2: the dismemberment and disposal of human remains.
- 13:46Speaker 1: It's horrifying.
- 13:47Speaker 2: It is. And the creation of the alias Travion Davis
- 13:50Speaker 2: is a clear indicator of consciousness of guilt. From a
- 13:54Speaker 2: legal standpoint, you do not use a fake name to
- 13:57Speaker 2: order household cleaning supplies unless you are actively trying to
- 14:00Speaker 2: distance yourself from the purchase and its intended use.
- 14:03Speaker 1: Sure, but this is where the logic completely fractures for me.
- 14:06Speaker 1: We established that he's running an $ 11 million enterprise, right?
- 14:09Speaker 1: He has a team. He has security. He has pretty
- 14:12Speaker 1: much limitless resources. Right. So if you have all of that,
- 14:15Speaker 1: why on earth would you order a murder cleanup kit
- 14:18Speaker 1: and have it delivered directly to your own front porch?
- 14:20Speaker 2: It seems ridiculous, doesn't it?
- 14:22Speaker 1: It does. Like even under the name Travion Davis, the
- 14:24Speaker 1: delivery driver is still dropping a box of chainsaws at
- 14:27Speaker 1: the very real, very physical address of the guy who
- 14:31Speaker 1: sings Romantic Homicide. It feels recklessly arrogant.
- 14:36Speaker 2: It highlights this vast gulf between the psychology of an
- 14:39Speaker 2: amateur criminal operating in a state of panic and the
- 14:42Speaker 2: unforgiving reality of modern logistics. When someone is surrounded by
- 14:47Speaker 2: wealth and enablers... They can develop a profound arrogance, this
- 14:51Speaker 2: belief that they are insulated from consequence. The alias shows
- 14:55Speaker 2: the intent to hide, but delivering it to the crime
- 14:58Speaker 2: scene shows an incredibly naive misunderstanding of tracking logistics.
- 15:02Speaker 1: Oh, totally. You can use a fake name, but the
- 15:05Speaker 1: credit card used leaves a financial footprint. The IP address
- 15:08Speaker 1: used to place the order leaves a digital footprint.
- 15:10Speaker 2: Right.
- 15:11Speaker 1: The delivery company has GPS logs of exactly where that
- 15:14Speaker 1: package was scanned and dropped off.
- 15:16Speaker 2: Exactly. It is the illusion of a master plan, but
- 15:19Speaker 2: it's executed with the sloppy reality of adrenaline and terror.
- 15:23Speaker 1: Right.
- 15:23Speaker 2: And when the LAPD eventually served a search warrant at
- 15:26Speaker 2: that Hollywood Hills residence in September, the garage essentially became
- 15:30Speaker 2: ground zero for the Forensic Science Division.
- 15:32Speaker 1: And what they found there is just it's grim. It is.
- 15:35Speaker 2: The testimony from the LAPD's forensic criminalist paints a picture
- 15:39Speaker 2: of what happens when amateur cleaning attempts meet professional forensics.
- 15:43Speaker 1: Because they found the blue inflatable pool that had been
- 15:46Speaker 1: ordered under the alias. But it was damaged.
- 15:49Speaker 2: Very damaged.
- 15:50Speaker 1: The criminalist testified that it had cuts from a blade
- 15:53Speaker 1: all over it and there were physical pieces of the
- 15:56Speaker 1: blue plastic missing entirely.
- 15:58Speaker 2: And the implication of that is unavoidable. The prosecution is
- 16:01Speaker 2: establishing that the pool was utilized as a containment area
- 16:04Speaker 2: for biological material and it was damaged by sharp implements
- 16:08Speaker 2: during that process.
- 16:09Speaker 1: And right alongside that damaged pool, they found a rubber
- 16:13Speaker 1: mat on the garage floor with multiple cuts and, crucially,
- 16:17Speaker 1: red marks.
- 16:18Speaker 2: Right, and they don't just assume what those marks are. No.
- 16:21Speaker 1: The forensic team didn't just guess. They tested them, and
- 16:24Speaker 1: they came back positive for blood. Furthermore, a DNA analyst
- 16:28Speaker 1: testified that the genetic profile extracted from that blood on
- 16:32Speaker 1: the rubber mat was a match for Celeste Rivas Hernandez.
- 16:35Speaker 2: Which means despite the mop systems, despite whatever cleaning chemicals
- 16:38Speaker 2: were purchased, they couldn't erase the microscopic biological reality that
- 16:42Speaker 2: she bled in that garage.
- 16:43Speaker 1: And it's so hard to clean up blood, isn't it?
- 16:45Speaker 2: Oh, blood is incredibly persistent. When you're dealing with a
- 16:49Speaker 2: porous or textured environment like a rubber mat or unsealed concrete,
- 16:54Speaker 2: cleaning agents might remove the visible staining, right?
- 16:57Speaker 1: So it looks clean to the naked eye.
- 16:59Speaker 2: Exactly. But the biological material gets trapped in the microscopic crevices.
- 17:04Speaker 2: Forensics teams use chemical reagents like luminol to detect the
- 17:09Speaker 2: iron in hemoglobin, even if it has been bleached. You
- 17:12Speaker 2: simply cannot mop away DNA from a porous surface.
- 17:15Speaker 1: Wow. And then there's the matter of the chainsaws. The
- 17:19Speaker 1: order under Travion Davis included multiple chainsaws. The detective testified
- 17:24Speaker 1: that two chainsaws were recovered from the garage. And importantly,
- 17:26Speaker 1: those two specific chainsaws Tested negative for blood.
- 17:30Speaker 2: Right. But a third chainsaw from the order was completely missing.
- 17:33Speaker 1: Completely gone.
- 17:34Speaker 2: And the prosecution uses this absence as a very compelling
- 17:37Speaker 2: narrative tool. If two chainsaws were clean and left behind,
- 17:41Speaker 2: why did the third one need to vanish so completely? Right.
- 17:44Speaker 1: What makes that one different?
- 17:45Speaker 2: The logical inference they want the judge to make is
- 17:47Speaker 2: that the missing tool was the one actually utilized. It
- 17:50Speaker 2: was likely too contaminated with biological material to ever successfully clean,
- 17:54Speaker 2: so it had to be disposed of entirely.
- 17:57Speaker 1: It's chilling. But the horrors allegedly committed in that garage
- 18:01Speaker 1: inevitably led to a massive, grim logistical problem. You cannot
- 18:06Speaker 1: keep a body in a residential garage forever.
- 18:08Speaker 2: Especially as decomposition sets in.
- 18:11Speaker 1: Right. And that grim logistical hurdle brings us back to
- 18:14Speaker 1: the image we started with, the September discovery at the
- 18:17Speaker 1: Hollywood tow yard.
- 18:18Speaker 2: We're moving forward in the timeline now, from April to
- 18:21Speaker 2: September 2025.
- 18:23Speaker 1: So months have passed. Yes.
- 18:25Speaker 2: For months, Celeste's whereabouts were a complete mystery. But the
- 18:28Speaker 2: discovery inside the impounded Tesla shifts the entire case from
- 18:32Speaker 2: a missing persons investigation to a homicide with physical remains.
- 18:36Speaker 1: And I want you to put yourself in the shoes
- 18:37Speaker 1: of that LAPD criminologist called out to the tow yard.
- 18:39Speaker 2: Oh, I can't even imagine.
- 18:41Speaker 1: You approach a vehicle that has been baking in the
- 18:43Speaker 1: September heat. Before you even open a door, the smell
- 18:47Speaker 1: of human decomposition is unmistakable. But what is truly haunting
- 18:52Speaker 1: is what they saw inside the cabin. At least 11
- 18:55Speaker 1: air fresheners scattered throughout the vehicle.
- 18:58Speaker 2: You know, those 11 air fresheners, they speak volumes about
- 19:00Speaker 2: the rapidly deteriorating mental state of whoever put them there.
- 19:04Speaker 1: How so?
- 19:04Speaker 2: Well, the smell of decomposition, especially in a sealed environment
- 19:08Speaker 2: like a car trunk where heat multiplies the bacterial breakdown
- 19:11Speaker 2: of tissue it's impossible to contain. Those air fresheners are
- 19:15Speaker 2: the physical manifestation of someone recognizing they have entirely lost control.
- 19:20Speaker 1: They're panicking.
- 19:20Speaker 2: Completely. Completely. They are a frantic, failing attempt to keep
- 19:25Speaker 2: the curated illusion alive while the rotting reality literally sits
- 19:28Speaker 2: in the front trunk of the car.
- 19:29Speaker 1: And what was in the front trunk? Yeah. The front
- 19:32Speaker 1: of the Tesla, which is a detail that just makes
- 19:34Speaker 1: it feel so uniquely modern and dystopian, were two cadaver bags. Yeah.
- 19:38Speaker 1: The exact same kind ordered under the alias Travion Davis.
- 19:42Speaker 1: Inside those bags were the badly decomposed, dismembered remains of
- 19:46Speaker 1: 14-year-old Celeste Rivas Hernandez. But how the forensics unit definitively
- 19:52Speaker 1: linked those remains in the tow yard back to the
- 19:54Speaker 1: garage in the Hollywood Hills, that is a master class
- 19:58Speaker 1: in trace evidence analysis.
- 19:59Speaker 2: It really is. The discovery of the body is the
- 20:02Speaker 2: tragic anchor of the case, but the microscopic evidence is
- 20:05Speaker 2: the chain that binds the suspect to the crime. Yeah.
- 20:08Speaker 2: The LAPD's Trace analysis unit found tiny microscopic blue plastic
- 20:13Speaker 2: fragments embedded deep in Celeste's right knee.
- 20:16Speaker 1: So they took those microscopic fragments, put them under analysis
- 20:19Speaker 1: and compared them to the damaged blue inflatable pool they
- 20:22Speaker 1: had recovered from the garage. And they achieved what forensic
- 20:25Speaker 1: scientists call a physical fit.
- 20:27Speaker 2: And a physical fit in trace evidence is, I mean,
- 20:30Speaker 2: it's one of the most powerful things a prosecutor can present.
- 20:33Speaker 1: Like a jigsaw puzzle.
- 20:34Speaker 2: Kind of, but think of it less like a jigsaw
- 20:36Speaker 2: puzzle and more like a shattered glass slipper. where the
- 20:39Speaker 2: micro fractures perfectly uniquely align, or it's like a forensic
- 20:42Speaker 2: fingerprint left by a blade. The edges of the tiny
- 20:46Speaker 2: fragments found in the knee perfectly locked into the missing
- 20:49Speaker 2: jagged spaces of the cut plastic from the pool in
- 20:52Speaker 2: the garage.
- 20:53Speaker 1: Oh, wow.
- 20:54Speaker 2: It is irrefutable physical proof that her body was in
- 20:57Speaker 2: contact with that specific pool at the exact moment it
- 21:01Speaker 2: was being subjected to extreme force and damage.
- 21:04Speaker 1: It is incredible how microscopic trace evidence speaks so much
- 21:08Speaker 1: louder and more definitively than any witness ever could.
- 21:10Speaker 2: Oh, absolutely.
- 21:11Speaker 1: Like, you can try to delete text messages, you can
- 21:14Speaker 1: use fake names, you could buy 11 air fresheners, but
- 21:16Speaker 1: you cannot control a millimeter of shattered plastic.
- 21:18Speaker 2: Right. It relies on Locard's exchange principle, which is a
- 21:22Speaker 2: foundational concept in forensic science. It dictates that every contact
- 21:25Speaker 2: leaves a trace.
- 21:26Speaker 1: Every contact leaves a trace.
- 21:28Speaker 2: Yes. The perpetrator brings something to the scene and takes
- 21:30Speaker 2: something away from it. In this horrific instance... The scene,
- 21:34Speaker 2: the plastic pool, left a piece of itself embedded within
- 21:37Speaker 2: the victim.
- 21:38Speaker 1: But the forensic analysis didn't stop at the plastic. We
- 21:42Speaker 1: have to address what is arguably the most psychologically disturbing
- 21:45Speaker 1: evidence presented at the hearing. The tattoos and the amputations.
- 21:49Speaker 2: Yes, this is where it gets incredibly dark.
- 21:52Speaker 1: Because this goes far beyond covering up a crime. This
- 21:55Speaker 1: speaks to something deeply twisted about the power dynamic and
- 21:58Speaker 1: the relationship itself. Following his arrest, Detectives documented David Burke's tattoos.
- 22:05Speaker 1: He has a tattoo that says shh on his right
- 22:08Speaker 1: index finger, like the gesture for silencing someone. Right. He
- 22:11Speaker 1: also has a Celeste tattoo on his left ring finger.
- 22:14Speaker 2: And the prosecution revealed that Celeste had matching tattoos. She
- 22:17Speaker 2: had the identical tattoo on her right index finger, and
- 22:20Speaker 2: she had a tattoo of his name, David, on her
- 22:23Speaker 2: left ring finger.
- 22:24Speaker 1: On a 14-year-old. Yes.
- 22:26Speaker 2: The prosecution even showed a photo of her in court
- 22:29Speaker 2: bearing this exact tattoo. A matching tattoo on a 13-
- 22:32Speaker 2: or 14-year-old girl linking her to an 18-year-old man, it
- 22:35Speaker 2: is a profound psychological marker of ownership and control.
- 22:39Speaker 1: But the medical examiner's testimony regarding those tattoos elevates the
- 22:44Speaker 1: horror to an entirely different level. The deputy medical examiner
- 22:48Speaker 1: testified that when Celeste's remains were recovered from the body bags,
- 22:52Speaker 1: certain parts were missing. Specifically, the ring and pinky fingers
- 22:57Speaker 1: on her left hand had been amputated. Her remains were
- 23:01Speaker 1: literally missing the fingers that bore the tattoo of his name.
- 23:04Speaker 2: If we analyze this from a forensic psychology perspective, it
- 23:07Speaker 2: transcends standard dismemberment for the purpose of disposal.
- 23:11Speaker 1: What does it mean, then?
- 23:12Speaker 2: It speaks to the concept of depersonalization. It was a
- 23:15Speaker 2: literal surgical attempt to erase his name from her body.
- 23:19Speaker 2: It is as if, by cutting away the flesh that
- 23:21Speaker 2: bore his identity, the perpetrator believed they could sever the
- 23:24Speaker 2: connection between them, both physically and legally.
- 23:27Speaker 1: Like erasing evidence from her actual person?
- 23:30Speaker 2: Exactly. It is the ultimate act of objectification transforming a
- 23:33Speaker 2: human being into redaction material.
- 23:36Speaker 1: It is just heartbreaking. And the timeline of her death
- 23:38Speaker 1: makes it even more tragic. The deputy medical examiner noted
- 23:41Speaker 1: that her body was discovered a day after what would
- 23:43Speaker 1: have been her 15th birthday.
- 23:45Speaker 2: Oh, wow. But she had been dead for at least weeks,
- 23:48Speaker 2: possibly since that night in April. Imagine spending your 15th
- 23:53Speaker 2: birthday in a body bag in the trunk of an
- 23:55Speaker 2: impounded car. It grounds all the forensic science and legal
- 23:59Speaker 2: maneuvering in the stark reality of a lost child.
- 24:02Speaker 1: It really does.
- 24:03Speaker 2: Yeah.
- 24:03Speaker 1: And that legal maneuvering is where this case is currently focused.
- 24:07Speaker 1: Because this preliminary hearing wasn't just a presentation. It was
- 24:11Speaker 1: an adversarial proceeding.
- 24:12Speaker 2: Right. There's a defense team fighting back.
- 24:14Speaker 1: Exactly. With this absolute mountain of forensic, digital, and financial
- 24:19Speaker 1: evidence now presented to the judge, both sides are aggressively
- 24:23Speaker 1: positioning themselves for the impending full-blown trial.
- 24:27Speaker 2: So the judge ruled there was sufficient probable cause to
- 24:29Speaker 2: move forward, which is why Los Angeles County District Attorney
- 24:32Speaker 2: Nathan Hockman addressed the media outside the courthouse. His words
- 24:36Speaker 2: were forceful.
- 24:36Speaker 1: Very forceful.
- 24:37Speaker 2: He called the evidence overwhelming, horrific, and barbaric. But he
- 24:41Speaker 2: also made a very strategic point. He explicitly stated that
- 24:44Speaker 2: what the public heard during this preliminary hearing was just
- 24:47Speaker 2: a small fraction of the evidence they possess. Yeah, that
- 24:50Speaker 2: small fraction comment, that is a calculated warning shot to
- 24:54Speaker 2: the defense.
- 24:54Speaker 1: You think they have a lot more?
- 24:56Speaker 2: Oh, absolutely. We know from the testimony that they have
- 24:59Speaker 2: extensive cell phone mapping. The detective mentioned D4VD' s phone and
- 25:04Speaker 2: the Tesla traveling to a desolate road in Santa Barbara
- 25:07Speaker 2: County three times, once on the night of April 23
- 25:11Speaker 2: and twice in May.
- 25:13Speaker 1: Wait, Santa Barbara? Yes.
- 25:15Speaker 2: We also know her passport was found on the side
- 25:17Speaker 2: of a rural road in Santa Barbara. The prosecution likely
- 25:21Speaker 2: has GPS data mapping his exact movements down to the foot,
- 25:25Speaker 2: possibly corroborated by video surveillance from gas stations or toll
- 25:28Speaker 2: booths along that route.
- 25:29Speaker 1: Right, because of all the digital footprints we talked about.
- 25:31Speaker 2: Exactly. They also mention recovering explicit photographs from his iCloud.
- 25:36Speaker 2: The DA is signaling that the full trial will introduce
- 25:39Speaker 2: layers of corroboration we haven't even seen yet.
- 25:41Speaker 1: The DA also mentioned they have not yet decided whether
- 25:44Speaker 1: they will seek the death penalty, which tells you how
- 25:46Speaker 1: seriously they are treating the premeditation and the special circumstances
- 25:50Speaker 1: of the mutilation.
- 25:51Speaker 2: It's the highest possible stakes. It is.
- 25:54Speaker 1: But we have to look closely at the defense's position
- 25:57Speaker 1: because their job is monumental. D4VD' s defense team attorneys Burke, Midnarski,
- 26:04Speaker 1: and Peter released a highly specific statement.
- 26:07Speaker 2: Yes, I read this. It's fascinating.
- 26:09Speaker 1: It says, the actual evidence in this case will show
- 26:12Speaker 1: that David Burke did not murder Celeste Rivas Hernandez and
- 26:16Speaker 1: he was not the cause of her death.
- 26:18Speaker 2: Right.
- 26:18Speaker 1: How do you, as a defense attorney, stand in front
- 26:21Speaker 1: of a jury and argue he didn't cause her death
- 26:24Speaker 1: when her dismembered body was found inside his personal car
- 26:27Speaker 1: alongside tools that were ordered to his exact address.
- 26:30Speaker 2: You have to look very closely at the exact phrasing
- 26:32Speaker 2: they utilized.
- 26:33Speaker 1: Okay.
- 26:33Speaker 2: They did not say he doesn't know how the body
- 26:35Speaker 2: got in his car. They didn't claim he never saw
- 26:38Speaker 2: her that night.
- 26:39Speaker 1: Oh, true.
- 26:39Speaker 2: They specifically surgically stated he did not murder her and
- 26:43Speaker 2: was not the cause of her death. This suggests they
- 26:46Speaker 2: might be attempting a highly complex, incredibly high-risk legal maneuver.
- 26:50Speaker 1: Which is?
- 26:51Speaker 2: Uncoupling the cover up from the cause of death.
- 26:52Speaker 1: Uncoupling the cover up from the murder. How exactly does
- 26:55Speaker 1: that work in a courtroom?
- 26:57Speaker 2: So in criminal law, the burden of proof for first
- 27:00Speaker 2: degree murder requires the prosecution to prove beyond a reasonable
- 27:03Speaker 2: doubt that the defendant committed an act that directly caused
- 27:07Speaker 2: the victim's death with malice of forethought, meaning the specific
- 27:10Speaker 2: intent to kill.
- 27:12Speaker 1: Right.
- 27:12Speaker 2: Mutilation of human remains, concealing a body and covering up
- 27:16Speaker 2: a crime. while incredibly horrific felonies that carry severe prison
- 27:20Speaker 2: time are legally distinct charges for murder.
- 27:24Speaker 1: OK, wait. So are you saying the defense might try
- 27:25Speaker 1: to argue that she died of some other cause while
- 27:28Speaker 1: she was at his house?
- 27:29Speaker 2: Exactly.
- 27:30Speaker 1: Like perhaps an accidental drug overdose or a sudden medical emergency.
- 27:34Speaker 1: And he, being an 18-year-old kid terrified of losing an
- 27:37Speaker 1: $ 11 million empire, panicked, didn't call 911, and made the
- 27:41Speaker 1: horrific decision to dispose of the body instead.
- 27:44Speaker 2: It is entirely possible, and frankly, it might be the
- 27:46Speaker 2: only viable strategy left when faced with this much physical evidence.
- 27:49Speaker 2: If the defense can introduce reasonable doubt about how she
- 27:52Speaker 2: actually died, which is aided by the fact that the
- 27:55Speaker 2: medical examiner noted the body was badly decomposed, making a definitive,
- 27:59Speaker 2: pristine autopsy and cause of death much harder to establish.
- 28:04Speaker 1: Right, because of the time that passed. Yes.
- 28:06Speaker 2: They might argue that the panic and the cover-up were
- 28:09Speaker 2: the actions of a terrified youth, not a cold-blooded murderer.
- 28:13Speaker 2: They could stand before the jury and say, yes, he
- 28:15Speaker 2: used the alias. Yes, he bought the chainsaws. Yes, he
- 28:17Speaker 2: put the body in the Tesla. It was monstrous, but
- 28:20Speaker 2: it wasn't murder. She was already dead.
- 28:22Speaker 1: That is a staggering legal strategy. If you are facing
- 28:26Speaker 1: the death penalty or life without parole for first-degree murder,
- 28:30Speaker 1: admitting to the desecration of a corpse to avoid the
- 28:32Speaker 1: murder conviction might literally be the only card you can play.
- 28:36Speaker 2: It requires the jury to believe he is a monster,
- 28:39Speaker 2: but a legally distinct type of monster.
- 28:41Speaker 1: It is a Herculean task for any defense team. Because
- 28:45Speaker 1: to sell that narrative of a panicked accident, they still
- 28:48Speaker 1: have to explain away the deeply calculated digital footprint.
- 28:51Speaker 2: They do.
- 28:52Speaker 1: They have to explain why a panicked kid would have
- 28:54Speaker 1: the presence of mind to text a dead girl's phone
- 28:56Speaker 1: for three days to build an alibi. They have to
- 28:59Speaker 1: explain the surgical precision of amputating specific fingers to remove
- 29:02Speaker 1: a tattoo.
- 29:03Speaker 2: Exactly.
- 29:04Speaker 1: A panic response is inherently chaotic. But the actions taken here,
- 29:08Speaker 1: the staging, the alias, the targeted amputations, suggests a level
- 29:12Speaker 1: of cold calculation that severely undercuts the panicked accident defense.
- 29:16Speaker 2: It does. It's going to be a fascinating, though incredibly grim,
- 29:20Speaker 2: legal battle.
- 29:21Speaker 1: It's going to be a brutal, agonizing trial. And amidst
- 29:24Speaker 1: all this intense legal strategy and microscopic forensic science, we
- 29:29Speaker 1: cannot lose sight of the human element at the absolute
- 29:32Speaker 1: center of this tragedy.
- 29:33Speaker 2: We really can't.
- 29:34Speaker 1: The reporting notes that Celeste's family is the reason she
- 29:36Speaker 1: was finally identified. Her father was the one who called
- 29:39Speaker 1: the LAPD after seeing local news coverage of an unidentified
- 29:43Speaker 1: body found in D4VD' s impounded Tesla.
- 29:46Speaker 2: Oh, that's just, I know.
- 29:47Speaker 1: He had a terrible gut feeling, and he provided the
- 29:50Speaker 1: dental records that ultimately confirmed the worst nightmare any parent
- 29:54Speaker 1: can face.
- 29:54Speaker 2: The agony of that identification process is unimaginable. Their attorney
- 29:59Speaker 2: has stated publicly that the family is relieved the case
- 30:02Speaker 2: has passed the preliminary hearing and is moving forward to
- 30:05Speaker 2: a full trial. They want accountability, and they want the
- 30:08Speaker 2: full story to be told on the record in a
- 30:11Speaker 2: court of law.
- 30:12Speaker 1: We started this deep dive looking at the glittering, curated
- 30:15Speaker 1: heights of a platinum music career. A young artist swimming
- 30:19Speaker 1: in millions of dollars, preparing for a global tour beloved
- 30:23Speaker 1: by millions of fans. And we follow the forensic and
- 30:26Speaker 1: digital trail down, step by step, into a tragic timeline
- 30:30Speaker 1: involving a 14-year-old girl, digital traps, fake aliases, chainsaws in
- 30:35Speaker 1: a Hollywood garage, and finally a gruesome, heartbreaking discovery in
- 30:39Speaker 1: the sweltering heat of a Los Angeles tow yard.
- 30:41Speaker 2: It is a narrative that forces us to confront the
- 30:44Speaker 2: darkest aspects of power dynamics. It is a stark reminder
- 30:47Speaker 2: of the extreme vulnerability of youth when they are drawn
- 30:50Speaker 2: into the orbit of immense celebrity influence and wealth.
- 30:52Speaker 1: Yeah, because it wasn't just age.
- 30:54Speaker 2: No, the power imbalance wasn't merely age. It was limitless resources.
- 30:58Speaker 2: It was immense cultural capital. It was the catastrophic belief
- 31:02Speaker 2: that one could buy their way out of a murder
- 31:04Speaker 2: with an alias in a plastic pool.
- 31:06Speaker 1: I want you to consider one final thought as you
- 31:09Speaker 1: go about your day. Think about the illusion of the
- 31:12Speaker 1: modern celebrity. Think about the song that made David Burke famous,
- 31:16Speaker 1: Romantic Homicide. For months, while Celeste was missing, while her
- 31:20Speaker 1: body was sitting in the trunk of a car baking
- 31:22Speaker 1: in a tow yard, millions of people were streaming that song. Wow.
- 31:26Speaker 1: You might have even heard it on the radio. People
- 31:28Speaker 1: are adding it to playlists, singing along to it in
- 31:30Speaker 1: their cars, completely blissfully unaware that the artist they were
- 31:34Speaker 1: listening to was allegedly orchestrating a real-life horror story behind
- 31:39Speaker 1: the gates of his Hollywood Hills home. It really forces
- 31:42Speaker 1: you to ask, how much do we ever truly know
- 31:45Speaker 1: about the people whose art we consume? And when the
- 31:47Speaker 1: digital facade drops, what kind of monsters might be hiding
- 31:50Speaker 1: in plain sight?
- 31:51Speaker 2: It is a deeply unsettling question, and it is the
- 31:53Speaker 2: shadow that will hover over every single day of the
- 31:56Speaker 2: upcoming trial.
- 31:57Speaker 1: We will be watching closely as this case heads to court.
- 32:00Speaker 1: Thank you for joining us on this deep dive. Take
- 32:02Speaker 1: care of yourselves, and we will catch you next time.