Latest / The Bootleg Kev Podcast / #203 - JID

Transcript

#203 - JID · The Bootleg Kev Podcast

• 0:00
  Speaker 1: Yo, it's the Bootleg Caps Show. We got a special
• 0:02
  Speaker 1: guest in here. I'm gonna say it because all of
• 0:05
  Speaker 1: the amazing rappers that I know that I talked about,
• 0:08
  Speaker 1: who's that motherfucker? You know, rappers got their favorite rappers.
• 0:11
  Speaker 1: One of the illdest mothers alive j Id is here.
• 0:14
  Speaker 1: Welcome man. That's good. First of all, I've been very
• 0:18
  Speaker 1: appreciative of the Lucy's you've been dropping. Obviously, the Spillage
• 0:20
  Speaker 1: Village Project was incredible. Why has it taken so long
• 0:26
  Speaker 1: to drop a new body of work from you? Uh?
• 0:30
  Speaker 1: Four years? Right? Four years and some change? Fakely like
• 0:34
  Speaker 1: I will say three you know what I'm saying, because
• 0:36
  Speaker 1: I dropped November like twenty eighteen. Yeah, so about three. Yeah.
• 0:39
  Speaker 1: Then that whole year we toured, like the whole twent
• 0:41
  Speaker 1: nineteen we tour, and then twenty twenty came did the
• 0:46
  Speaker 1: Grammys because of the spill because of the Revenge Project
• 0:49
  Speaker 1: came out two nineteen. Obviously you got the Grammy. And
• 0:53
  Speaker 1: then twenty twenty we're supposed to go to Japan. It's
• 0:57
  Speaker 1: supposed to go on to tour in Tokyo whatever. And
• 0:59
  Speaker 1: then and that's when I really started working on the album.
• 1:02
  Speaker 1: You know what I'm saying about my regognizance. You know
• 1:05
  Speaker 1: what I'm saying. I started working on it, so you
• 1:06
  Speaker 1: started like twenty like your process has been like a
• 1:08
  Speaker 1: two year process kind of Yeah. And I've been dropping
• 1:11
  Speaker 1: so much work since. You know, the Conway record is crazy. Yeah,
• 1:15
  Speaker 1: that's my dog. It's hard. You got one of them
• 1:17
  Speaker 1: ones from him too, Yeah yeah, yeah, yeah, So yeah,
• 1:21
  Speaker 1: I don't see it like that. You know what I'm saying,
• 1:22
  Speaker 1: just the circumstances of the world. I'm sure it would
• 1:26
  Speaker 1: have came out of twenty twenty without minus the state
• 1:29
  Speaker 1: of the world. Of course. Talk about your relationship with
• 1:31
  Speaker 1: with with Conway. Obviously you hopped on Scatterbrain, which is
• 1:34
  Speaker 1: close to going gold it is. Yeah, I just talked
• 1:36
  Speaker 1: to him earlier last week. I think it's going to
• 1:38
  Speaker 1: go gold soon. Did you get I know he did
• 1:42
  Speaker 1: that on TV? Did you were you on TV with
• 1:43
  Speaker 1: him when he did that? Yeah? Yeah, we did it
• 1:45
  Speaker 1: on I believe it was falling. When you see someone
• 1:47
  Speaker 1: like Conway or just in general, like an MC that
• 1:50
  Speaker 1: you feel like, is you know one of them once?
• 1:54
  Speaker 1: Like do you feel like kind of like you know
• 1:56
  Speaker 1: as like almost like a Jedi relationship with like certain rappers,
• 2:00
  Speaker 1: you kind of got to like reach out and be like, yo,
• 2:01
  Speaker 1: I see what you're doing. Yeah, we I feel like
• 2:04
  Speaker 1: we tapped in and maybe twenty eighteen just on some
• 2:08
  Speaker 1: like mutual respective. I feel like it was around the
• 2:10
  Speaker 1: time I did like the funk flesh free style, and
• 2:13
  Speaker 1: ever since, I feel like we've been tapped in super
• 2:16
  Speaker 1: solid dude. But all of them guys over there, you
• 2:17
  Speaker 1: know what I'm saying, Ben west Side, like body, all
• 2:21
  Speaker 1: of them, They're amazing. I love all these incredible. I
• 2:24
  Speaker 1: love all of them. So I feel like my comedy too,
• 2:27
  Speaker 1: is he with them? Yeah, my commys with them. Crazy.
• 2:29
  Speaker 1: You know on the streets there's a lot of crazy
• 2:32
  Speaker 1: Stove got Cooks, Martie Caesar. Yeah, they got adult camp
• 2:36
  Speaker 1: over us. I just respect it. I like movements like
• 2:38
  Speaker 1: that when it's like super based in like the the
• 2:41
  Speaker 1: pure form of like hip hop. I would say, you
• 2:43
  Speaker 1: know what I'm saying, one of my favorite new artists
• 2:46
  Speaker 1: who relatively new. I mean it's been doing the same.
• 2:49
  Speaker 1: But I love Kenny Man and you got Kenny on
• 2:52
  Speaker 1: this uh this drop that just just came out. Obviously
• 2:54
  Speaker 1: somebody from from atl somebody who I think somehow was
• 2:59
  Speaker 1: a little underappreciated, you know, but it's I feel like
• 3:02
  Speaker 1: I'm gonna have a crazy career ahead of him. Just
• 3:05
  Speaker 1: talk about like linking up with Kenny Man and just
• 3:06
  Speaker 1: kind of, you know, shine some light on on on
• 3:09
  Speaker 1: him in general, because I feel like he's he's one
• 3:11
  Speaker 1: of them ones as well. Yeah, she's dope real. I'm
• 3:15
  Speaker 1: just like a super fan of like Atlanta, you know
• 3:19
  Speaker 1: what I'm saying, Just just what that whole scene brings.
• 3:23
  Speaker 1: So I'm like super supportive or whatever, even if some
• 3:25
  Speaker 1: people may hate it or whatever. Like I'm just super
• 3:27
  Speaker 1: supportive of it. This sounds just coming from the city.
• 3:29
  Speaker 1: So there's a lot of upcoming artists that I like,
• 3:33
  Speaker 1: I show love to, you know what I'm saying, just
• 3:35
  Speaker 1: because it needs that light being shined. You know what
• 3:37
  Speaker 1: I'm saying. I got blessed with the opportunity with somebody
• 3:40
  Speaker 1: like shine a light on me. You got me to
• 3:42
  Speaker 1: this point where I'm talking to you, you you know what
• 3:43
  Speaker 1: I'm saying, So I just try and do my part.
• 3:45
  Speaker 1: It ain't even too much thought into it, you know
• 3:47
  Speaker 1: what I'm saying. If you talented, like you're from the city,
• 3:50
  Speaker 1: like I'm doing this this black and white for real,
• 3:52
  Speaker 1: give me some of the background. Obviously, Spillage Village is
• 3:57
  Speaker 1: a crew. Before you guys were everyone was signed. You
• 4:01
  Speaker 1: know what I'm saying. You give me the dynamics because
• 4:04
  Speaker 1: it was at the house everybody was living in. Was it.
• 4:07
  Speaker 1: Shout out to Maria, shout out to black, shouts to
• 4:09
  Speaker 1: everybody who's involved. Give me kind of like the breakdown
• 4:12
  Speaker 1: of of of like the roots of Spillage Village because
• 4:15
  Speaker 1: it's like almost like y'all are like low key, like
• 4:17
  Speaker 1: very reminiscent of the Dungeon family coming out of the
• 4:19
  Speaker 1: a you know what I mean. It started with me
• 4:22
  Speaker 1: and Earth Gang. We literally said, hey, we should be
• 4:25
  Speaker 1: a collective. You know what I'm saying. We was going
• 4:27
  Speaker 1: to school at the same time in Virginia, so we're
• 4:31
  Speaker 1: able to do but cook for sure. That's amazing. I
• 4:34
  Speaker 1: love that reference. Shout out the push that or who
• 4:38
  Speaker 1: said that, that's that's malice. Yeah, that's malice. Amazing. But yeah,
• 4:44
  Speaker 1: we was all up in through Virginia, but I got
• 4:47
  Speaker 1: kicked out of school, so like trying to figure out
• 4:49
  Speaker 1: what's next. He was like, let's start this collective. Like
• 4:51
  Speaker 1: he's really was already wrapping together fakely in the dorms,
• 4:55
  Speaker 1: like trying to figure out how to put it together.
• 4:57
  Speaker 1: But then we said, let's put it together, me and
• 4:59
  Speaker 1: Earth Gang, so we started it. And then we had
• 5:02
  Speaker 1: the homies like Hollywood Jab and Jordan Bryant like they brothers.
• 5:06
  Speaker 1: They were just amazing. And then Mariba and Black was
• 5:08
  Speaker 1: just like we knew them from the city, did shows
• 5:11
  Speaker 1: around the same type of little scene we had, and
• 5:14
  Speaker 1: then it just all worked out. It was really family,
• 5:16
  Speaker 1: you know what I'm saying. We all lived in the
• 5:17
  Speaker 1: same house at the time. Period was just sleeping on
• 5:19
  Speaker 1: couches and stuff like that now Marie, but more so
• 5:21
  Speaker 1: because you know what I'm saying, shit lady, but all
• 5:23
  Speaker 1: the boys we used to rough it, you know what
• 5:24
  Speaker 1: I'm saying, college doing room style, Like what's like, what's
• 5:27
  Speaker 1: that crib like with you Earth getting Black? Everybody in
• 5:30
  Speaker 1: the crib? Is it like everyone's always recording? Is like
• 5:34
  Speaker 1: what like what is that like? Yeah, it wasn't like
• 5:36
  Speaker 1: you know what I'm saying. We was moving around. We
• 5:39
  Speaker 1: wasn't just sitting in the house recording. So some days
• 5:41
  Speaker 1: like somebody be on the me. I wake up every
• 5:44
  Speaker 1: morning got right to it before anybody. I'm up six
• 5:47
  Speaker 1: in the morning with it. But everybody's moving around doing
• 5:49
  Speaker 1: different things, and we just tried to find time to
• 5:51
  Speaker 1: make music together and then like separately, we had to
• 5:53
  Speaker 1: make our projects to get us the individual like you
• 5:56
  Speaker 1: know what I'm saying. So it was it was kind
• 5:59
  Speaker 1: of organized, it was kind of mature. It's hell because
• 6:01
  Speaker 1: he knew what he was going for nah, and it
• 6:03
  Speaker 1: worked out. I feel like it. I feel like there's
• 6:05
  Speaker 1: not enough. I feel like people don't know that story
• 6:09
  Speaker 1: enough because if you think about everybody's really doing their thing,
• 6:12
  Speaker 1: everybody signed, everybody likes Black, Like the first guy that
• 6:16
  Speaker 1: really kind of popped off, Yeah, Black killed it three
• 6:19
  Speaker 1: Black was fucking classic, fucking insane bro. And I just
• 6:23
  Speaker 1: saw it in him, like I saw the trajectory of
• 6:25
  Speaker 1: where he was gonna go, just off his work ethic
• 6:27
  Speaker 1: and just how he used to move around. Like, do
• 6:29
  Speaker 1: you have any intel on it when he's gonna put
• 6:31
  Speaker 1: out a new album because it's been a while. No,
• 6:35
  Speaker 1: I ain't got too man, I'll be on it though
• 6:38
  Speaker 1: I'm beyond it. I say that. I'll tell you this.
• 6:40
  Speaker 1: The lvr N guys have come through here with like
• 6:41
  Speaker 1: three artists in the last two months, and every time
• 6:43
  Speaker 1: they come, I'm like, guys, what is going on with
• 6:46
  Speaker 1: the black shit? We need a new I feel like
• 6:49
  Speaker 1: the last album was twenty nineteen. What's it twenty eighteen?
• 6:53
  Speaker 1: It might be eighteen, yeah, might be eighteen. It feels
• 6:58
  Speaker 1: like it feels like a while at least it got
• 7:01
  Speaker 1: to be. I think it's eighteen. You obviously are very distinct.
• 7:07
  Speaker 1: You're very unique in your delivery. I feel like, in
• 7:11
  Speaker 1: a world in which we have so many artists that
• 7:14
  Speaker 1: sound alike or at least very you know, influenced by
• 7:18
  Speaker 1: each other, I feel like you're kind of quite the opposite.
• 7:22
  Speaker 1: Who would you say you grab inspiration from, whether it's
• 7:25
  Speaker 1: old heads or you know shit you grown up growing
• 7:28
  Speaker 1: up listening to, or new shit. It really like bounced around,
• 7:34
  Speaker 1: Like my number one inspiration in music from when it
• 7:39
  Speaker 1: came to me, Like at a time when I needed
• 7:41
  Speaker 1: it was like a group called Little Dragon, Little Dragon
• 7:44
  Speaker 1: from Gothenburg, Sweden, Bros. Like my favorite group in the world.
• 7:48
  Speaker 1: Word Yeah, Like I was going through something crazy and
• 7:50
  Speaker 1: I found in music and it helped me even become
• 7:54
  Speaker 1: a better writer. Better The music in English ers and
• 7:57
  Speaker 1: it's in English and it's super soulful. You know what
• 7:59
  Speaker 1: I'm saying, pop funk. He's not like rap ship, but
• 8:01
  Speaker 1: it's great sounds. And and then of course like all
• 8:05
  Speaker 1: the mega hip hop people we know, of course jay
• 8:09
  Speaker 1: Z like little Wayne like these are my like I'm curious,
• 8:12
  Speaker 1: who's who's on your like mount rushing out like give
• 8:15
  Speaker 1: me your five like no, no order. You don't got
• 8:18
  Speaker 1: to give you an order because that's where things get
• 8:19
  Speaker 1: kind of hairy. You're like jay Z Wayne where your
• 8:23
  Speaker 1: cast has one little dragon and sliding and family Stone
• 8:28
  Speaker 1: or D'Angelo like they're super Okay, we're talking about MC's here.
• 8:31
  Speaker 1: Oh we gotta talk about rap. We're talking about rap. Okay,
• 8:33
  Speaker 1: straight rap. So jay Z Wayne outcast is one. It
• 8:42
  Speaker 1: gets tricky, right, it does get tricky, Wayne Hove outcast
• 8:46
  Speaker 1: so farward you three for three sweat shirt earl sweat
• 8:49
  Speaker 1: Shirt's got crazy right, Wow, it's tough, you know. Yeah,
• 9:00
  Speaker 1: one more you feel think like a lot of names,
• 9:03
  Speaker 1: Look at the names. What are some names going through
• 9:06
  Speaker 1: your head? Like the like like of course different vibes.
• 9:18
  Speaker 1: Was y'all seen Bay Like it's so many people that
• 9:21
  Speaker 1: I just like love so much. Yeah, you have, you
• 9:23
  Speaker 1: have your scene bay Aka are formerly noticed Most Depth
• 9:26
  Speaker 1: on the project crazy, that's crazy, hear that first? I
• 9:29
  Speaker 1: have not. I have not yet, but let me tell
• 9:32
  Speaker 1: you something. I just had a Conway. Me and Conway
• 9:37
  Speaker 1: are riding around in Denver last week and we're listening
• 9:40
  Speaker 1: to Respiration by Black Star and we're going back and
• 9:43
  Speaker 1: forth about live quality versus Most and I was like,
• 9:47
  Speaker 1: I love Tyler, that's my guy. But I'm like, I
• 9:49
  Speaker 1: don't even think it's a discussion. I think Most Death,
• 9:51
  Speaker 1: Like if Most Death like applied himself and hip hop,
• 9:54
  Speaker 1: he'd be like ship Man, you gotta think like black
• 9:58
  Speaker 1: we got black on both sides and Black Star and
• 10:01
  Speaker 1: then what was the name of the album that came
• 10:03
  Speaker 1: out like a few years later where he had the
• 10:05
  Speaker 1: ship over his face had sunshine on there. But I
• 10:08
  Speaker 1: feel like he always was one foot in, one foot
• 10:10
  Speaker 1: out with the rap shit. Like imagine if he really
• 10:13
  Speaker 1: was like dug In, it would have been crazy. Yeah.
• 10:17
  Speaker 1: I heard Chappelle say, like, even the way he moves
• 10:19
  Speaker 1: just like super brilliant too. I think because I heard
• 10:22
  Speaker 1: Chappelle say something like artists don't want you shouldn't want
• 10:25
  Speaker 1: to be a commodity. You know what I'm saying. You
• 10:28
  Speaker 1: know what I'm saying. Yeah, I feel like that's like
• 10:31
  Speaker 1: kind of a powerful ass statement to accept, you know
• 10:34
  Speaker 1: what I'm saying, commodities or like water, like right, all
• 10:37
  Speaker 1: of the shit that you need. But it's just like, no,
• 10:40
  Speaker 1: you don't want to be seen is that you want
• 10:42
  Speaker 1: to be seen as like one to one or you
• 10:44
  Speaker 1: want to be seen as a fingerprint, snowflake or some shit. No,
• 10:47
  Speaker 1: it's kind of deep to me. I think you're doing
• 10:48
  Speaker 1: a pretty good job of that. Yeah, for sure, my
• 10:53
  Speaker 1: favorite artists are consistent, but it's more so in their product,
• 11:00
  Speaker 1: you know what I'm saying. They're not always in your face,
• 11:02
  Speaker 1: but when they come they come up with that shutters
• 11:04
  Speaker 1: that's what that's That's what I love about it. Yeah,
• 11:06
  Speaker 1: I love artists drop a lot consistency as well, like
• 11:09
  Speaker 1: a lot of trap artists like stay on it, like
• 11:12
  Speaker 1: that stay bag and that ship is beautiful. It's I
• 11:14
  Speaker 1: love it, you know what I'm saying. But it's just
• 11:16
  Speaker 1: different ways to skin a cat. Who where do skinny
• 11:19
  Speaker 1: cat come from? That's kind of crazy to say I'm
• 11:21
  Speaker 1: skinner cat. Skinner cat. Do you know anyone who's skinned cat.
• 11:25
  Speaker 1: I think it'll be a hard fucking task too. My
• 11:28
  Speaker 1: cats are crazy, you know that. I would say I
• 11:32
  Speaker 1: would fucking I'll take a fight with a dog over
• 11:34
  Speaker 1: a fucking tom depends. It depends on the type of
• 11:37
  Speaker 1: dog though, because dogs get busy. Okay, like a golden
• 11:40
  Speaker 1: lab give me the golden airbuod. You're gonna fight airbhood.
• 11:44
  Speaker 1: I'll fight airbud over fucking Jerry Bros. Tom Tom. Cats
• 11:50
  Speaker 1: are fucking and they're quick as their ninjas and they
• 11:53
  Speaker 1: got the claws. Bro. I name my cat. Frank Ocean,
• 11:57
  Speaker 1: do you have a cat? Would you consider your off
• 12:00
  Speaker 1: a cat? Person? I hate his ass, but we just
• 12:03
  Speaker 1: got like a more faster things Like it's like he
• 12:06
  Speaker 1: be doing ship like it's my shorty cat, So nigga
• 12:12
  Speaker 1: get on the tallest part of the whatever. Yeah, just
• 12:16
  Speaker 1: standing there like you just at the top of prime rock,
• 12:18
  Speaker 1: like he's overlooking the peasants Like this is just so
• 12:21
  Speaker 1: y'all know this is my ship and ship like that.
• 12:24
  Speaker 1: So different. But the person, Frank Ocean, Yeah, do you
• 12:28
  Speaker 1: have a dog as well? I had a dog passed away,
• 12:33
  Speaker 1: rough man. I'm a huge dogs as a turtle name turtle.
• 12:36
  Speaker 1: Turtles lift they're supposed to kind of. So this is
• 12:40
  Speaker 1: we went to a fair or some ship and got
• 12:43
  Speaker 1: a small little turtles. You know when they give that's
• 12:45
  Speaker 1: the corner. Yeah, oh yeah, we got it. Anywhere you're
• 12:48
  Speaker 1: going and they're selling animals on the side of the
• 12:50
  Speaker 1: streets and they just giving these bitches out. It's like like,
• 12:53
  Speaker 1: we can't get these off. These joints are sick. Take
• 12:55
  Speaker 1: the turtle. Gave us this one turtle. We keep the
• 12:58
  Speaker 1: turtle for a couple of weeks, feeding all of this stuff.
• 13:00
  Speaker 1: But I started doing research and they say these turtles
• 13:02
  Speaker 1: need a companion or they will it's off themselves. So
• 13:07
  Speaker 1: in the next couple of weeks, nigga stop eating, started
• 13:11
  Speaker 1: making little turtle noise, and then you start putting his
• 13:14
  Speaker 1: head under the you know you got the little at
• 13:17
  Speaker 1: the bottom of the tank. His nigga was in pure loneliness,
• 13:20
  Speaker 1: like he committed suicide. It was the sadish I seen turtle.
• 13:23
  Speaker 1: So it was the sad shit I ever seen in
• 13:24
  Speaker 1: my life. I'm talking about in the span of like
• 13:26
  Speaker 1: three days, four days, he was just like I'm done.
• 13:28
  Speaker 1: He just killed himself. He's like, I'm not eating where's
• 13:30
  Speaker 1: my girl, where's my Where's anything? I just need to
• 13:32
  Speaker 1: knock around some stuff. I know. If the cat's Frank Ocean,
• 13:35
  Speaker 1: who's the turtle? His name was Turtle, just turtle. I
• 13:38
  Speaker 1: respect that. I don't feel like I don't feel like
• 13:40
  Speaker 1: you're amphibian, right? Turtles? Amphibians? There? What the fuck is
• 13:45
  Speaker 1: it is? What a reptile? What the fuck is the
• 13:48
  Speaker 1: amphibian and a lizard? A frog is an amphibian? Okay, Okay,
• 13:52
  Speaker 1: Turtles reptiles, they don't hear. I don't feel like they.
• 13:56
  Speaker 1: I feel like they only see like heat. When I
• 13:58
  Speaker 1: was a kid, I had a box turtle and I
• 14:00
  Speaker 1: named him Fat Joe. That's hard. I'll be knowing my
• 14:04
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• 15:03
  Speaker 1: the interview. Yeah, so you know how how old was
• 15:06
  Speaker 1: your dog? When your dog passed away? I actually don't know.
• 15:09
  Speaker 1: It was crazy. He was trying to find like this
• 15:12
  Speaker 1: is the crazyt door. This is maybe like three four
• 15:14
  Speaker 1: years ago. We was trying to get a bull mastive.
• 15:17
  Speaker 1: Got on Craigslist, got the dog for like sixty bucks.
• 15:23
  Speaker 1: Said it was a bull mastive. It wasn't. Nigga was
• 15:27
  Speaker 1: anything but a bull mastive. It could have been mixed
• 15:29
  Speaker 1: with cat far as I know, but he uh, I
• 15:32
  Speaker 1: don't know how sixty bucks for a bull mastive feels
• 15:35
  Speaker 1: like a little low. It was just rough times, you
• 15:37
  Speaker 1: know what I'm saying, Like, you know what, Yeah, I
• 15:39
  Speaker 1: trust this guy sixty dollars even though it's probably like
• 15:41
  Speaker 1: a two thousand dollars dog. That's a huge, two thousand
• 15:44
  Speaker 1: dollar dog, and it was supposed to be way bigger.
• 15:46
  Speaker 1: He just had big palls, you know how they say
• 15:47
  Speaker 1: big palls, especially if it's a puppy that'll be like,
• 15:49
  Speaker 1: look at his pause, it's gonna go up to be huge.
• 15:51
  Speaker 1: That dog was not it. He was not him, but
• 15:53
  Speaker 1: he lived for maybe I don't know. He ran away
• 15:56
  Speaker 1: and then never seen him again. So I just he
• 15:58
  Speaker 1: might still be out here, man, he might be out
• 16:00
  Speaker 1: here doing his thing. That's running it up. Yo. When
• 16:06
  Speaker 1: it comes to your album, I saw the artwork. Uh,
• 16:09
  Speaker 1: the artwork is crazy. Give me kind of like the
• 16:11
  Speaker 1: whole concept but behind the title and the artwork. So
• 16:16
  Speaker 1: this project is, uh, it's a sequel. I love doing
• 16:19
  Speaker 1: sequels because I like movies and shit. So I feel
• 16:21
  Speaker 1: like if it's a good first movie, like I want
• 16:22
  Speaker 1: to see the second Okay, so I was like that.
• 16:24
  Speaker 1: So I've been doing that my whole career, just making
• 16:26
  Speaker 1: them a sequels. This was just like if you look
• 16:29
  Speaker 1: at the first cover, it was animated drawing out a
• 16:32
  Speaker 1: bunch of chaos, almost Where's Waldo, But you see a
• 16:34
  Speaker 1: lot of like trauma and black issues and stuff like that, cops,
• 16:37
  Speaker 1: football players, basketball players, people in jail. And then we
• 16:40
  Speaker 1: decided to bring this cover to live action, to like
• 16:43
  Speaker 1: to real life. So we got even like some of
• 16:46
  Speaker 1: the family members that represented some of these places, some
• 16:48
  Speaker 1: of my sisters, some of my brothers, my cousin, friends,
• 16:51
  Speaker 1: and and then just other people who just could feel
• 16:54
  Speaker 1: those roles, and we brought it to life. And it's
• 16:56
  Speaker 1: just kind of showing like even if you see like
• 16:58
  Speaker 1: where I'm placed at in the first when I'm kind
• 17:00
  Speaker 1: of like on the outside, but I'm still close to
• 17:02
  Speaker 1: the center, and it's when I'm like dead in the middle.
• 17:04
  Speaker 1: It's kind of like representing like where I see myself
• 17:08
  Speaker 1: at this point in my life. You know what I'm saying, Yeah,
• 17:10
  Speaker 1: I left, did all the torn and stuff, made success
• 17:13
  Speaker 1: for myself, whatever my mom would say, and when I
• 17:17
  Speaker 1: come back, it's kind of like I see the same things.
• 17:19
  Speaker 1: You know what I'm saying, This was kind of like
• 17:21
  Speaker 1: a representation to do my mind set. Yeah, I think chaos.
• 17:25
  Speaker 1: I think. I feel like artwork nowadays is like very
• 17:29
  Speaker 1: my I just feel like people don't put enough thought
• 17:31
  Speaker 1: into their ship. Well, so when I see like your ship,
• 17:33
  Speaker 1: I'm like, damn this this is crazy or so shout
• 17:35
  Speaker 1: out to you. Even like like a guy like west
• 17:37
  Speaker 1: Side Boogie his his artwork is what's crazy on his
• 17:39
  Speaker 1: album Crazy album too. By the way, shout out to
• 17:41
  Speaker 1: Boogie Baby Taits on the project She's Fire. I just
• 17:45
  Speaker 1: met her in Miami. She's an amazing shout out to her.
• 17:48
  Speaker 1: She had. I asked her who was her all time
• 17:52
  Speaker 1: trap artist, and she did not include Gez Gez or
• 17:54
  Speaker 1: Ti Crazy. I was a little I was a little thing.
• 17:58
  Speaker 1: She said, Scooter Fire. You're really Atlanta girl. Know Scooter
• 18:03
  Speaker 1: is fucking incredible. Gucci obviously the egos and said owe
• 18:11
  Speaker 1: me a birth. I'll say you owe me a birth.
• 18:13
  Speaker 1: I don't know why I can't think of the guy's name.
• 18:15
  Speaker 1: Make the trap say a we signed a Gucci ju
• 18:18
  Speaker 1: juice man, oh j the juice Man. Mm hmmm mm hmmm.
• 18:22
  Speaker 1: Where would you put like your if you had. We're
• 18:24
  Speaker 1: talking about trap trap music Atlanta. Mm hmm. I mean
• 18:30
  Speaker 1: of course like T I like the it's T I
• 18:35
  Speaker 1: g Z Yeah, yeah, in that order, in that order,
• 18:40
  Speaker 1: just because TI trap music. That's a staple who's got
• 18:43
  Speaker 1: more classics. But I'm not doing it. I'm not answering
• 18:46
  Speaker 1: it's Geez. I think it's Geezy. I think you got
• 18:56
  Speaker 1: I'm pleading in fifth all right, only because random question.
• 19:00
  Speaker 1: Would you take uh TM one on one or the
• 19:03
  Speaker 1: recession one on one? Easy? But the recessional session was amazing,
• 19:11
  Speaker 1: But I'm taking in one one is just minded me
• 19:13
  Speaker 1: of a time period in Atlanta, holding the wall party
• 19:16
  Speaker 1: like just some young ship. So we gotta fill it out. Well,
• 19:19
  Speaker 1: you said, uh T Cheezy still got guys out there
• 19:24
  Speaker 1: like Gucci. Gotta say Gucci. I don't go the little
• 19:32
  Speaker 1: baby of that already, let's go baby. I've never seen
• 19:38
  Speaker 1: somebody improve so drastically at rapping so fast, don't you agree?
• 19:43
  Speaker 1: Like he's nudy was my last one? Yeah, shot out
• 19:46
  Speaker 1: to Nudy. Nudy also someone that doesn't get enough flowers nationally,
• 19:50
  Speaker 1: at least little baby. Though you're a fucking m c's
• 19:55
  Speaker 1: MC hasn't been crazy to see just how impeccable he's gotten.
• 19:59
  Speaker 1: Like at this rapping ship, this what he's made for.
• 20:03
  Speaker 1: It's so it's so impressive. You could tell when it's somebody,
• 20:05
  Speaker 1: you know what I'm saying. I could tell this was
• 20:07
  Speaker 1: his calling because he went from like being like really
• 20:09
  Speaker 1: open to be like yeah, Gunner like helps me help
• 20:11
  Speaker 1: me start to write and ship, and like now he's
• 20:14
  Speaker 1: like top tier, don't miss He deserves it though, Yeah,
• 20:19
  Speaker 1: he deserves it, really gifted. So we said, offset o
• 20:23
  Speaker 1: you a verse? Anybody else will your verse? Now that's
• 20:25
  Speaker 1: my dog. I'm just no, no, no, no, no no verse?
• 20:29
  Speaker 1: Uh is there? I mean this is the quintessential. Is
• 20:33
  Speaker 1: there going to be another Dreamville compilation? Question? That'll be smart? Yeah,
• 20:37
  Speaker 1: you know what I'm saying, that'll be smart to do that.
• 20:39
  Speaker 1: The last one was so epic, and if we brought
• 20:41
  Speaker 1: it in hone it in Moore, just about make it
• 20:43
  Speaker 1: more so about the collective, you know what I'm saying.
• 20:45
  Speaker 1: It's a lot of outside Yeah, we just a couple
• 20:48
  Speaker 1: of features here and there, just make it about the collective.
• 20:49
  Speaker 1: It'd be way. It was so good though, man, he
• 20:52
  Speaker 1: was I tell Eve. I was like, bro, the fact
• 20:55
  Speaker 1: that you because I know that y'all pulled from He
• 20:56
  Speaker 1: pulled from so many records, and I was like, bro,
• 20:59
  Speaker 1: the fact you're able to pull from so many different
• 21:01
  Speaker 1: joints and make like, I'm sure a scattered creative process
• 21:05
  Speaker 1: sounds so cohesive, so many different artists. This thing good
• 21:09
  Speaker 1: guy for sure. Man on the album rapping he was
• 21:12
  Speaker 1: on the albump what Yeah, don't forget I said that,
• 21:18
  Speaker 1: just listen for He sounded like m F doom on God.
• 21:21
  Speaker 1: You got Ibrahim rapping his bos on the song too.
• 21:26
  Speaker 1: You're doing like you got Boss on the album? Right, yeah,
• 21:29
  Speaker 1: you know like backgrounds and you know what I'm saying, Yeah,
• 21:32
  Speaker 1: I love Boss now that he's like kind of in
• 21:34
  Speaker 1: It's like melodic bag that's what. Yeah. Like he killed
• 21:38
  Speaker 1: the Cold album Facts Facts. I love his party. When
• 21:41
  Speaker 1: I was like, who the fuck is this? I said, should,
• 21:44
  Speaker 1: I'm like, you got a new pocket? What? Yeah? You ah,
• 21:49
  Speaker 1: craig me if I'm wrong. You were on like a
• 21:51
  Speaker 1: kind of like a pop tour or is that? Oh?
• 21:53
  Speaker 1: I was going around doing shows. Imagine dragons, Imagine dragons.
• 21:58
  Speaker 1: What was that like? Bro? You know I'm just saying
• 22:01
  Speaker 1: because an imagine Dragon's concert is like a whole different world.
• 22:04
  Speaker 1: It's a serial, like a serious level of Caucasian that
• 22:06
  Speaker 1: goes to those shows and album definitely like the minority
• 22:14
  Speaker 1: and the biggest regard, you know what I'm saying, So
• 22:16
  Speaker 1: I fuck with it. Though they got some anthems, yeah,
• 22:19
  Speaker 1: you like they literally have stadium music one. You heard
• 22:22
  Speaker 1: that shit in Target. You heard it in commercials and
• 22:24
  Speaker 1: commercials everywhere in the movies and soundtracks and all of
• 22:27
  Speaker 1: that stuff. It's crazy, bro, It's just a whole other
• 22:30
  Speaker 1: level of performing. It teaches you, like I shouldna say
• 22:32
  Speaker 1: that has to really like you gotta cut your teeth
• 22:34
  Speaker 1: going into a crowd that's probably not there for what
• 22:36
  Speaker 1: you're bringing to the table. All arenas, uh. But our
• 22:40
  Speaker 1: song is one of their biggest songs ever, you know
• 22:42
  Speaker 1: what I'm saying. It's probably I think it was the
• 22:44
  Speaker 1: fastest to reach the heights of you know what I'm saying.
• 22:47
  Speaker 1: I don't know, to the heights of eight, But that's
• 22:49
  Speaker 1: a big as hell, so they know who I am.
• 22:51
  Speaker 1: Like every time I performed it is roaring applause. It's crazy,
• 22:54
  Speaker 1: like just making sure like even the way I'm wrapping on,
• 22:57
  Speaker 1: I'm rapping super fast, so it's just like me doing
• 23:00
  Speaker 1: twenty six seconds of like and I'm out of there,
• 23:02
  Speaker 1: but they don't know. It helped me become a better performer.
• 23:06
  Speaker 1: I would say who reached out was someone in the
• 23:07
  Speaker 1: group that was just a fan of you, that was like, yeah,
• 23:09
  Speaker 1: like Dan Reynolds, he's the lead singer. I feel like
• 23:14
  Speaker 1: he was a fan. He told me that he was,
• 23:16
  Speaker 1: and it was done through the label. The label reached out,
• 23:19
  Speaker 1: though I think it was because of you. Fuck with me.
• 23:21
  Speaker 1: When people chop and they do the I feel like,
• 23:28
  Speaker 1: sometimes it's amazing. Sometimes there's guys like Ritz from Quinnett
• 23:33
  Speaker 1: County who could rap really fast and say incredible things.
• 23:37
  Speaker 1: Tech nine is really good at that. But then sometimes
• 23:39
  Speaker 1: it's like unbearable. It's it's like really unbearable, you know
• 23:43
  Speaker 1: what I actually, I'm just like this. I hate I
• 23:48
  Speaker 1: hate it though, like this is who I am. I can't,
• 23:51
  Speaker 1: I wouldn't. Would you? Would you listen to your own album? Yes?
• 23:55
  Speaker 1: She is fire, Yes it's some nigga shit. Can't comment
• 23:59
  Speaker 1: on that, no idea what you're talking about. But and
• 24:03
  Speaker 1: I respected it all, but I it's kind of crazy.
• 24:06
  Speaker 1: I don't be like really delving into it. If I
• 24:08
  Speaker 1: notice is your niche. I don't think it's my niche.
• 24:11
  Speaker 1: I think I could just do it. I just do it,
• 24:13
  Speaker 1: like you know what I'm saying, effortlessly, effortless. I'm not
• 24:16
  Speaker 1: trying to rap like this. My name is jittery for
• 24:19
  Speaker 1: a reason because I'm just like my brain. But I
• 24:23
  Speaker 1: don't really aim for that style of music, right, or
• 24:27
  Speaker 1: I wouldn't even say rap is the first thing I
• 24:29
  Speaker 1: will play on in my car. Yeah. I feel like
• 24:32
  Speaker 1: Eminem for being like one of the greatest rappers of
• 24:34
  Speaker 1: all time. I don't like any raps like that. It's
• 24:38
  Speaker 1: not for me. What's current? Call too out? Now? Oh God?
• 24:44
  Speaker 1: Did you listen to Eminem growing up? I used to
• 24:48
  Speaker 1: love staying listen to He's a great first three albums,
• 24:53
  Speaker 1: like first three albums great, Yeah, yeah, all of the craziness. Yes,
• 24:56
  Speaker 1: that's the g unit ship that whole era. But I
• 24:58
  Speaker 1: was I wasn't like super am I like what it
• 25:02
  Speaker 1: was Eminem like super prominent two thousand and fucking two
• 25:06
  Speaker 1: until I mean no, no, technically like ninety nine, ninety eight,
• 25:12
  Speaker 1: ninety nine, un two and at this time I'm really
• 25:15
  Speaker 1: like at this age, I'm really like catching up on
• 25:17
  Speaker 1: I'm in a New Orleans sound. I'm really four hundred
• 25:20
  Speaker 1: degrees all of that. Hey, listen, let me tell you something.
• 25:23
  Speaker 1: You know what one of my favorite albums is of
• 25:25
  Speaker 1: all time? I got that work by the Big Timers. Wow,
• 25:28
  Speaker 1: that is bro id bro spoken about. You understand that
• 25:32
  Speaker 1: it wasn't on DSPs until like four months ago, and
• 25:35
  Speaker 1: now it's on fucking I don't know. There's a lot
• 25:37
  Speaker 1: of old cash money shit that's just in the air somewhere.
• 25:40
  Speaker 1: I'm looking for the member of the song on Tuesday
• 25:42
  Speaker 1: and Thursday, you gotta w I'm looking for the album
• 25:44
  Speaker 1: with that on it. I cannot find. It's like Tuesday
• 25:47
  Speaker 1: and Thursdays. It's like, uh, like the many Fresh first
• 25:51
  Speaker 1: solo album is not available. The Birdman album with what
• 25:54
  Speaker 1: Happened to That Boy? Was that? Do you remember that
• 25:56
  Speaker 1: artwork by the way, with the half Oh my god,
• 25:59
  Speaker 1: it's kind of crazy. It's so crazy to think that
• 26:02
  Speaker 1: that was like flying back there, like like those those
• 26:05
  Speaker 1: like old school Southern covers with the but that was
• 26:08
  Speaker 1: that one was egregious. The Birdman album cover was egregious.
• 26:11
  Speaker 1: It was insane, but I used to love them old
• 26:13
  Speaker 1: covers with like the How Boys Amazing or like the
• 26:16
  Speaker 1: Silk the Shocker charges to the game. I used to
• 26:19
  Speaker 1: never be the biggest slish Well he was a terrible
• 26:21
  Speaker 1: rap to him. I respected him because master p like
• 26:24
  Speaker 1: this your brother give. I think Silk the Shaker is
• 26:26
  Speaker 1: the best worst rapper of all time or or platinum.
• 26:30
  Speaker 1: He's the worst worst went platinum before streaming, so we
• 26:34
  Speaker 1: can't even hit him with that. And he was and
• 26:38
  Speaker 1: he was uh romantically involved with Maya in about in
• 26:41
  Speaker 1: ninety eight, so God bless him, salute kudos him and
• 26:45
  Speaker 1: Maya had some joints. Silk he was in a video
• 26:48
  Speaker 1: in a white jacket and on the snow slopes and
• 26:52
  Speaker 1: ship you know, early cash money was the best. Fuck
• 26:57
  Speaker 1: yeah bird, that's big timers though. That's the album Get
• 27:01
  Speaker 1: Your Role on Man, one of our favorite songs of
• 27:03
  Speaker 1: all time. Damn fucking man. I feel like they still
• 27:06
  Speaker 1: play that's in like commercials, right, I think? So? I
• 27:09
  Speaker 1: love that ship. Yeah. So this album, are we gonna
• 27:14
  Speaker 1: have another drop off in terms of just bodies of
• 27:17
  Speaker 1: work from you? Because you feel very intentional when you
• 27:19
  Speaker 1: drop music. See I've been working on like a couple
• 27:22
  Speaker 1: of albums in this time period. So we're gonna spend
• 27:24
  Speaker 1: the block again. You're gonna spend the block that's solo.
• 27:28
  Speaker 1: Yeah what about I was like Spills the Village coming out? Yeah, yeah, yeah,
• 27:32
  Speaker 1: we definitely. I've been trying to like get us pushed
• 27:35
  Speaker 1: us in itation. I think we can get some We
• 27:38
  Speaker 1: just gotta find everybody's schedule and get together and do it.
• 27:40
  Speaker 1: A lot of moving parts, a lot of moving parts.
• 27:41
  Speaker 1: But I know it's uh another album. I know it's
• 27:45
  Speaker 1: damn near tour, Like we need to tour off of
• 27:48
  Speaker 1: these these probably we've been dropping. So yeah, yeah, I
• 27:50
  Speaker 1: definitely got a tour. Yeah yeah, I mean I feel
• 27:54
  Speaker 1: like with you, like your live because I've seen you
• 27:58
  Speaker 1: live before. I feel like the live aspect of what
• 28:01
  Speaker 1: you bring to the table is so important. Wasn't frustrating
• 28:03
  Speaker 1: and like not being able to perform hit the road? Yeah? Yeah,
• 28:07
  Speaker 1: of course that was. And it's like most artists made,
• 28:10
  Speaker 1: like mainstream of income is just torn and festivals and
• 28:14
  Speaker 1: merch and you know what I'm saying. Of course you
• 28:16
  Speaker 1: gonna see you may see some streaming money or whatever.
• 28:18
  Speaker 1: I guess you know how this shit works. But I
• 28:21
  Speaker 1: just know, like most of the artists, touring is the income,
• 28:23
  Speaker 1: so that shit probably hit people in different type of ways.
• 28:26
  Speaker 1: It ain't fucked me up too bad because I toured
• 28:28
  Speaker 1: the whole twenty nineteen, Like we did almost three hundred
• 28:31
  Speaker 1: shows in a year with three hundred and sixty five days.
• 28:34
  Speaker 1: You know what I'm saying, So you kind of got
• 28:36
  Speaker 1: a little bit out of your system. I got it,
• 28:38
  Speaker 1: I got it out. I did my major torn in
• 28:39
  Speaker 1: twenty nineteen, and twenty twenty was just like when everything
• 28:42
  Speaker 1: stopped in twenty one, everything came back and now we're here.
• 28:45
  Speaker 1: Did you ever catch the covid? Uh? Once? Once? Once?
• 28:49
  Speaker 1: It was a mild it was my maybe a few
• 28:51
  Speaker 1: days costs and sneeze. I was that bad. You know
• 28:54
  Speaker 1: what's crazy is like monkey Pock's not as deadly as COVID,
• 28:57
  Speaker 1: but everyone's a lot more freaked out because that ship
• 29:00
  Speaker 1: looks crazy. It looks that's how you know, how everybody is.
• 29:03
  Speaker 1: So everyone's so vain, they're like, I don't give a
• 29:07
  Speaker 1: fuck that once give me the ship that could kill me.
• 29:09
  Speaker 1: I try to look crazy. That is I didn't even
• 29:12
  Speaker 1: peep that, but that is I can't even post on
• 29:14
  Speaker 1: Instagram for how many months? What months? No? I mean,
• 29:16
  Speaker 1: I don't know. I don't know. I don't Okay, it
• 29:18
  Speaker 1: just looks wild, ye like you low he can't leave
• 29:22
  Speaker 1: the house. You could leave the house with COVID. You're
• 29:24
  Speaker 1: a piece of shit if you did it. Yeah, it's
• 29:26
  Speaker 1: supers better, but you could and no one would know
• 29:31
  Speaker 1: that monkey pox. You're at the fucking gym with monkey pox. Motherfucker.
• 29:35
  Speaker 1: Don't call the police on you. Bro'n jesus yo, Uh,
• 29:42
  Speaker 1: give me some insight, man, obviously. Uh. Being signed to
• 29:46
  Speaker 1: Dreamville is the gift is amazing, right because I feel
• 29:50
  Speaker 1: like they are a label that has the highest uh
• 29:53
  Speaker 1: integrity when it comes to who they sign. I truly
• 29:55
  Speaker 1: believe that. I feel like calling Eve when they signed somebody.
• 29:58
  Speaker 1: It is never short sighted. It is all a ways.
• 30:00
  Speaker 1: First of all, they develop artists and they always see
• 30:04
  Speaker 1: the long play is the downside every interview you do,
• 30:06
  Speaker 1: so would ask you a Jake Cole question, by the way,
• 30:09
  Speaker 1: only Jake Cole question of the interview. No, No, I don't,
• 30:15
  Speaker 1: good guy, cool dude. Yeah, you ever played basketball? Like
• 30:18
  Speaker 1: y'all ever fucking I play one of the tours you
• 30:21
  Speaker 1: shout around like, got a little game going to the gym.
• 30:23
  Speaker 1: I feel like it was in Virginia kind of crazy
• 30:27
  Speaker 1: because huh, you got to throw that in there? Got
• 30:30
  Speaker 1: to well, yeah, I hooked around with him a little bit.
• 30:33
  Speaker 1: I ain't no really no football. I ain't no basketball
• 30:35
  Speaker 1: at all? What we played football with him before? Did
• 30:39
  Speaker 1: you play football in high school? Yeah? High school and college?
• 30:42
  Speaker 1: What were you play in college? Any school in Virginia? Way?
• 30:45
  Speaker 1: None of yep? What's your team Falcons? How you feeling?
• 30:52
  Speaker 1: How you feeling with Mariota? Is it Mariota? It is
• 30:56
  Speaker 1: Marioda And we got ridder Rider? Is somebody drafted? He
• 31:00
  Speaker 1: just came in. I feel like he would do Cincinnati.
• 31:02
  Speaker 1: They did Calvin really dirty or or I mean white white.
• 31:10
  Speaker 1: Let me ask you why you said that. First, he
• 31:12
  Speaker 1: gambled on a game that he had not I mean,
• 31:15
  Speaker 1: he shouldn't have gambled on the game. But he got
• 31:17
  Speaker 1: suspended for a year, a whole year. And Deshaun Watson's
• 31:20
  Speaker 1: out here getting the habitual rubbed downs and got six
• 31:23
  Speaker 1: six games. Does the NFL hate women? You'll not say.
• 31:29
  Speaker 1: I can't say that. Think about ray Rice, Kareem Hunt, easy,
• 31:33
  Speaker 1: Kareem Hunt, Ezekiel Elliott. All those motherfuckers played like he
• 31:37
  Speaker 1: would know Ezekiel Elliot ship was what minimal mine got.
• 31:44
  Speaker 1: Calvin really bet on a game and it wasn't even
• 31:46
  Speaker 1: I don't think think it was like anything crazy a
• 31:50
  Speaker 1: whole year. Bro fucked up my fantasy ship. Bro, Oh
• 31:55
  Speaker 1: that's your beat. Let's get you play the root of it.
• 31:59
  Speaker 1: Do you play fantasy foot I did it the first
• 32:01
  Speaker 1: time last year. I think I don't know if I'm
• 32:04
  Speaker 1: a good GM I would be a better coach. I
• 32:06
  Speaker 1: thought I'd be good at it because I know personnel
• 32:07
  Speaker 1: and players and shit, but it's more of about like this.
• 32:11
  Speaker 1: It takes up a lot of time. Couldn't do it.
• 32:13
  Speaker 1: So I lost it on What was the draft? Like?
• 32:15
  Speaker 1: Did you have an in person draft? Because because my
• 32:17
  Speaker 1: favorite part that falling ship. The best part about fantasy
• 32:20
  Speaker 1: football is when you get together with your friends and
• 32:23
  Speaker 1: you just say just domeaning things to them, canceble things
• 32:27
  Speaker 1: even you know, while you're in the same room you
• 32:31
  Speaker 1: got the fucking easel with the fucking thing and you're
• 32:33
  Speaker 1: writing the fucking things down. There's wings, there's beer, you know,
• 32:36
  Speaker 1: and then you know when someone drafts like I just
• 32:40
  Speaker 1: love just just putting down my best friends. It's actually
• 32:44
  Speaker 1: my favorite thing to do when they pick a yeah,
• 32:47
  Speaker 1: like what the fuck are you doing? Or some new
• 32:49
  Speaker 1: motherfucker who picks like a kicker in like the ninth round,
• 32:51
  Speaker 1: and I'm like, bro, you know you could have just
• 32:53
  Speaker 1: waited until the end for that. Give them the time.
• 32:55
  Speaker 1: Why do you have three defenses? Like what's going on?
• 32:59
  Speaker 1: That's yeah, yeah, shout out to the fact. I'm a
• 33:02
  Speaker 1: Cardinals fan. So she's harry for us right now because
• 33:04
  Speaker 1: Kyler Murray seems to be you know, he got paid,
• 33:07
  Speaker 1: thank god, hopefully now it's behind us because they put
• 33:10
  Speaker 1: the clause in his contract where he has to study.
• 33:13
  Speaker 1: That's racism. That's pure blatant racism. Ah. You know what
• 33:22
  Speaker 1: I love the NFL with. There's some moral things I
• 33:26
  Speaker 1: can't even really stand with that. The black man can't
• 33:28
  Speaker 1: even really have to like the shun he's a different thing.
• 33:33
  Speaker 1: But I think I think that Shawn just all these
• 33:37
  Speaker 1: black quarterbacks and stuff like that, Like they're trying to
• 33:39
  Speaker 1: give them a little claust and stuff like that, right right, right, right,
• 33:41
  Speaker 1: that's I think that Deshaun Watson is probably just a
• 33:47
  Speaker 1: single man. I kind of don't even want to talk
• 33:48
  Speaker 1: about him. Well, I was disgusting me for I don't
• 33:51
  Speaker 1: even you know, he might just like a rubbing tug.
• 33:55
  Speaker 1: He might just love to get the tug, you know
• 33:57
  Speaker 1: what I mean? Hey, when what's the owner of the Patriots,
• 34:02
  Speaker 1: Robert Kraft? Robert Kraft. They got photos of him believing
• 34:10
  Speaker 1: I don't need meat meal coming from me, but Robert Kraft. No,
• 34:15
  Speaker 1: but listen, Robert Craft, there's fucking pictures of him leaving
• 34:18
  Speaker 1: the Robin tug. They couldn't, they couldn't. They didn't even
• 34:21
  Speaker 1: suspend him. Let me tell you a funny story, crazy story.
• 34:24
  Speaker 1: So at the Grammys, we sit next to Robert Craft. Oh,
• 34:29
  Speaker 1: we tell them we focus from Atlanta. Brug tapsis whatever
• 34:34
  Speaker 1: is holder. He pulled out the ring eighty three dimes
• 34:40
  Speaker 1: because we lost twenty eight twenty eight to three. Was
• 34:43
  Speaker 1: no, no no, no, you guys yeah yea yeah yeah, three diamonds.
• 34:48
  Speaker 1: Homies just poured it down. Robert Craft did that, his homie.
• 34:54
  Speaker 1: I was like, yo, wait wait wait, so he was traveling.
• 34:58
  Speaker 1: It wasn't even on a spring dick. It was on dick.
• 35:00
  Speaker 1: So you just had a guy holding the Super Bowl rings.
• 35:03
  Speaker 1: I'll never forget it. Bro. Imagine that's your gig. Like, Yo,
• 35:06
  Speaker 1: your job one hundred thousand a year is I give
• 35:09
  Speaker 1: you six bends or six six figures. You just got
• 35:12
  Speaker 1: to carry the rings. And when some random piece of
• 35:14
  Speaker 1: shit sports fan comes up to me, pull them boys out, Rob.
• 35:18
  Speaker 1: I called him Rob, like you're my boy. Rob looked
• 35:20
  Speaker 1: at us, he was like, this is the ring? What
• 35:23
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• 36:51
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• 36:57
  Speaker 1: love black progress. Did you see his progression? Did you
• 37:01
  Speaker 1: see this thing? It's twenty five thousand dollars? Didn't see it?
• 37:04
  Speaker 1: But I mean I didn't see it. I didn't. I mean,
• 37:06
  Speaker 1: I know it looks like a very nice men's engagement ring.
• 37:09
  Speaker 1: My daughter Zack Fox posted it on his page, and
• 37:11
  Speaker 1: he needs hilarious. He's crazy, he's so funny. Yeah, yeah, yeah,
• 37:14
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• 37:16
  Speaker 1: love We need Frank to drop music. Yeah, he's another
• 37:20
  Speaker 1: one of them. He's you know what I'm saying, said,
• 37:22
  Speaker 1: that's what you were talking about earlier. Not a commodity.
• 37:24
  Speaker 1: Not here to be your commodity, bro, one hundred percent.
• 37:26
  Speaker 1: He's gonna do what he wants when he wants to
• 37:27
  Speaker 1: do it, when it feels good. It feels good. The
• 37:32
  Speaker 1: cock ring is outside. That shit is amazing. Nigg is
• 37:35
  Speaker 1: in twenty fifty right now, he said, twenty Can you
• 37:38
  Speaker 1: imagine if you are the guy that spends twenty five
• 37:40
  Speaker 1: thousand dollars on that, Like, imagine how rich you gotta
• 37:42
  Speaker 1: be to be like that's called twenty five thousand, twenty
• 37:44
  Speaker 1: five thousand, do getting No, don't get one. That's weird.
• 37:48
  Speaker 1: Why not a cock ring? I feel that it's a weird. Lady,
• 37:51
  Speaker 1: you're just going on with it, right. I'm not sure.
• 37:55
  Speaker 1: I'm not sure it's being marketed for the you know,
• 37:58
  Speaker 1: for the guys with the stop let's stop stop listen
• 38:02
  Speaker 1: the album. The album is out right now you have
• 38:07
  Speaker 1: a crazy obviously. The features on this little Wayne twenty one, Savage,
• 38:12
  Speaker 1: James Blake, fucking wild, also fucking huge in the Caucasian world,
• 38:20
  Speaker 1: the Mountains of Caucasia. They love James break Baby taits
• 38:25
  Speaker 1: on the project. Boss, you got the CEO rapping someone
• 38:30
  Speaker 1: hits play on this. What's the first song? Like, let's
• 38:32
  Speaker 1: say I can only listen to one song? What would
• 38:35
  Speaker 1: be your your choice? Like, yo, you gotta go. This
• 38:38
  Speaker 1: is the one record on here that you should go
• 38:39
  Speaker 1: straight to if you can only listen to one. Uh
• 38:42
  Speaker 1: brenter in It's okay featuring Dirk, Okay, it's crazy fire. Yeah,
• 38:47
  Speaker 1: we got Dirk and like, you know, you know what
• 38:50
  Speaker 1: I'm saying. We got Tom brought him to my world.
• 38:51
  Speaker 1: You got Dirk, Like really, it ain't like it's just
• 38:55
  Speaker 1: it's my world, you know what I'm saying. So a
• 38:57
  Speaker 1: bunch of different things conna be melodic, it would be
• 38:59
  Speaker 1: like some rap shit. Yeah, he likes some turn ship.
• 39:01
  Speaker 1: But I just did something that I ain't think a
• 39:04
  Speaker 1: lot of people would expect and he went so crazy
• 39:07
  Speaker 1: bro like spoke about ship. You know what I'm saying
• 39:09
  Speaker 1: personal ship, and it just kind of moved me. I'm like, oh,
• 39:12
  Speaker 1: you really like the voice. That's literally everything he says,
• 39:15
  Speaker 1: and that's what they say. Before you get out of here,
• 39:18
  Speaker 1: can you shout out any up and coming mcs that
• 39:20
  Speaker 1: you're just a fan of that you really feel like
• 39:22
  Speaker 1: are maybe flying under the radar a bit. You want
• 39:25
  Speaker 1: to shut something on h let me say, okay from Elena,
• 39:29
  Speaker 1: I'm gonna say my dog Marco. Plus. I don't know
• 39:34
  Speaker 1: if it's still upcoming, but I think mill is like amazing,
• 39:37
  Speaker 1: she's crazy, and she's on the new Race Shimmer single.
• 39:39
  Speaker 1: Yeah the community community dick right, Yeah, he had to
• 39:47
  Speaker 1: finish it up. I left it up there. It's not
• 39:51
  Speaker 1: community college. Can you imagine, if imagine if Race Shimmer
• 39:56
  Speaker 1: had a record called community College. I would love to
• 39:58
  Speaker 1: hear with that. I stream that ship right away. Funny thing,
• 40:02
  Speaker 1: funny thing, I was listening to Black beatles. This ship
• 40:04
  Speaker 1: popped in my head. I was listening to the other
• 40:06
  Speaker 1: Day classic been age so well in the club, my
• 40:10
  Speaker 1: twin twins say, Fred Girls, still trying to say it
• 40:15
  Speaker 1: frat girls, Fred Fraternity. He's supposed to alreaty, but that's
• 40:20
  Speaker 1: just a little inside. I just thought about it, but
• 40:22
  Speaker 1: that's my dog. So they could do a community college thing.
• 40:26
  Speaker 1: They could. The Niggas whole brand is like college fun,
• 40:31
  Speaker 1: community good good good sitcom. By the way, Chevy Chase,
• 40:36
  Speaker 1: Donald Donald Glover. Last question, you said you're big on movies.
• 40:43
  Speaker 1: You're very much in tune with the with with with movies, acting,
• 40:47
  Speaker 1: et cetera. Give me your three movies. If you're on
• 40:52
  Speaker 1: an island, you can only take three movies with you.
• 40:54
  Speaker 1: What are the what are the flicks were taken? Man?
• 40:56
  Speaker 1: Mm hmm, all right, so we're gonna go Roots. Okay, Roots,
• 41:06
  Speaker 1: of course I'm talking about Yes, it's like so many
• 41:08
  Speaker 1: of them. That's a crazy choice, crazy choice to take
• 41:12
  Speaker 1: on an island. I'm sure watching just be mad all day. Roots.
• 41:17
  Speaker 1: I'm down with that because if I'm on the island,
• 41:19
  Speaker 1: would rather be mad, right yeah, because it's motivated to
• 41:22
  Speaker 1: get off the island. Okay, fair enough, Yeah, so we
• 41:24
  Speaker 1: go Roots. You know ti I was in the Roots.
• 41:26
  Speaker 1: They upgraded the movie. The movie came out of like
• 41:28
  Speaker 1: nineteen sixth We know t I was in when it
• 41:30
  Speaker 1: came out of like twenty eleven or something about to
• 41:32
  Speaker 1: say he was a slave it's got crazy. But he
• 41:35
  Speaker 1: was talking like t I of today. You gotta see it,
• 41:38
  Speaker 1: you gotta see it. It was amazing. So he was
• 41:41
  Speaker 1: hitting like with the ill the TI is killing that ship,
• 41:45
  Speaker 1: but slave clothes. It was outside outside. But I would
• 41:48
  Speaker 1: bring roots and I would try to bring that version too,
• 41:50
  Speaker 1: because TI is crazy. I didn't even know there was
• 41:52
  Speaker 1: this version that's like you know that. Did you know
• 41:54
  Speaker 1: there's a Belly too? Yeah, with the game terrible movie.
• 41:58
  Speaker 1: I watched horrible movies and great movies all the time. Belly,
• 42:02
  Speaker 1: Belly post yours up above you. It's the best worst
• 42:04
  Speaker 1: movie ever. It's such a great movie. I don't know
• 42:10
  Speaker 1: if I agree with that. It's so many epic movie,
• 42:12
  Speaker 1: epic parts in that movie that's classic in our culture.
• 42:15
  Speaker 1: That no. But storyline, no, no, I agree. Storyline Like,
• 42:18
  Speaker 1: as a kid, it's like my favorite fucking movie. But
• 42:20
  Speaker 1: I grow up and I'm like, every time I rewatched Belly,
• 42:22
  Speaker 1: I'm like, god, damn, this storyline was terrible. Boy. Listen,
• 42:27
  Speaker 1: motherfucking the dude in Nebraska eating the banana, That's what
• 42:31
  Speaker 1: did that. That's what popped off. D MX career is
• 42:34
  Speaker 1: acting right? Was this before m already was already him.
• 42:38
  Speaker 1: He was already him. Okay, number one album I did see.
• 42:41
  Speaker 1: I'm talking about As far as acting though, was he
• 42:43
  Speaker 1: acting before this? Was this one of his first rose
• 42:47
  Speaker 1: that got him into Romeos Exit Wounds? Was this? This
• 42:51
  Speaker 1: was first? Yeah, that's what I mean. I think that
• 42:54
  Speaker 1: what it didn't do was kick off NAS's acting career
• 42:56
  Speaker 1: because he was god awful in It's It's like you
• 43:00
  Speaker 1: you just gotta get out of here. He was talking
• 43:02
  Speaker 1: to Oh, my god, we just gotta make it. I
• 43:08
  Speaker 1: don't want to go to Africa. My god, t I
• 43:12
  Speaker 1: was or navs was? It was not the Uh. He
• 43:15
  Speaker 1: had no rules after day nonhing, none that we though about. Yeah,
• 43:19
  Speaker 1: he was in a movie called Ticker. I swear this
• 43:22
  Speaker 1: is a straight to DVD like movie where he was
• 43:24
  Speaker 1: in the movie for like two minutes and then they
• 43:27
  Speaker 1: kill him. But you know, back in the day, they
• 43:28
  Speaker 1: used to put rappers in movies so they couldut him
• 43:30
  Speaker 1: on the artworks that people would rented and buy it.
• 43:31
  Speaker 1: And I was the one who would rent in and
• 43:32
  Speaker 1: buy it. And he was He was in it for
• 43:35
  Speaker 1: two minutes. Wasn't Diddy and muscle Ball for two minutes? Yeah,
• 43:40
  Speaker 1: he was in prison by the way, raised the song
• 43:46
  Speaker 1: was listening made made with with Vince fun Wow. But
• 43:54
  Speaker 1: Monsters Ball all time one of the all time best
• 43:57
  Speaker 1: nude scenes. Yeah see, I got a problem with the
• 44:00
  Speaker 1: white guy part of it. I got a black problem
• 44:03
  Speaker 1: with some Yeah, I get it, but I guess I
• 44:08
  Speaker 1: get it. Billy Bob, Billy Bob was handling it. Billy Coat,
• 44:11
  Speaker 1: the coat, the head coach for Friday Night Lights. Yeah,
• 44:14
  Speaker 1: my sling blade, Billy Bob throwing well yeah, yeah yeah,
• 44:18
  Speaker 1: the Harry Paul Hey Paul, Yeah, yeah, that was him.
• 44:22
  Speaker 1: That was great, bro. I just appeared problem with that
• 44:25
  Speaker 1: and bass. Yeah yeah, I can't, I can't. I was
• 44:27
  Speaker 1: halle Berry is a kill Bob not sick. So that
• 44:29
  Speaker 1: was the second movie, not Sexy Man, second movie all
• 44:32
  Speaker 1: time halle Berry's breasts were exposed. The first one was
• 44:34
  Speaker 1: Swordfish with Hugh Jackman and John Bolta. Yes, I had
• 44:39
  Speaker 1: it on VHS and I broke the tape because I
• 44:41
  Speaker 1: paused on her tis so much. That is savage. So
• 44:44
  Speaker 1: you got a little scratch on it. Oh yeah, I
• 44:47
  Speaker 1: was like, sup A drink off this anymore? All right?
• 44:49
  Speaker 1: You got two more movies and then you get the
• 44:51
  Speaker 1: funk out of here before we cancel. Yeah, we're having fun.
• 44:54
  Speaker 1: Two more movies. You got Roots, both versions, the t
• 44:57
  Speaker 1: I version. Yeah, so that's all one. It's always Roots. Yes, boom,
• 45:00
  Speaker 1: I'm gonna go. I'm gonna go Avengers, the end in
• 45:05
  Speaker 1: Game Ship Okay yeah, wait, endgame is the part one
• 45:10
  Speaker 1: of the when they when Daniels, when they're done, when
• 45:13
  Speaker 1: they get cooked right now, when they come back. I
• 45:15
  Speaker 1: don't know. I thought it's all the same kind of right,
• 45:17
  Speaker 1: don't they I'll be confused. So one of them niggas
• 45:20
  Speaker 1: one of the movies, and I'm gonna go Apocalypto. Apocalypto. Yeah, wow,
• 45:25
  Speaker 1: it's a variety there. Apocalypto doesn't really have any like,
• 45:29
  Speaker 1: isn't it like in like they're like in the jungle
• 45:32
  Speaker 1: and there's Yeah, there's male gets in my end yep.
• 45:35
  Speaker 1: Mel Gibson, had he not been such a piece of ship,
• 45:38
  Speaker 1: one of the best directors. Amazing. He actually did that
• 45:41
  Speaker 1: Jesus film too as well. Trust me, I'm a fucking
• 45:44
  Speaker 1: I'm in high school on a date watching the fucking
• 45:46
  Speaker 1: what's that ship called the Jesus Ship? It's crazy? What
• 45:48
  Speaker 1: was it called Passion of the Christ and I'm atheist.
• 45:53
  Speaker 1: I don't give a funk about Jesus, but he made
• 45:55
  Speaker 1: me give a fuck. Don't say that he made me
• 45:58
  Speaker 1: care man. That was crazy right there. I'm a god
• 46:03
  Speaker 1: fear man. I respect your right to be a god
• 46:07
  Speaker 1: fearing man. I fear like my kids dying or something.
• 46:11
  Speaker 1: You know, I have children. I fear them getting sick.
• 46:14
  Speaker 1: I fear aliens in the ocean. There's you know, have
• 46:23
  Speaker 1: you ever done psychedelics? You know you're enough fucking psychedelics,
• 46:27
  Speaker 1: you will believe you'll how about something there some inclination?
• 46:31
  Speaker 1: How about this? I think, more recently, since I've been
• 46:33
  Speaker 1: a little bit more awakened on the psychedelic tip, maybe
• 46:39
  Speaker 1: I'm not an atheist. But I tell you what, I
• 46:41
  Speaker 1: just do you believe in something? I tell you this.
• 46:44
  Speaker 1: I don't believe in any man made religion. I think
• 46:47
  Speaker 1: it's all a way to control populations, control poor people,
• 46:52
  Speaker 1: and it's big business and it's some of the most
• 46:54
  Speaker 1: corrupt hypocrisy of all time. You know what I'm saying. So, yeah,
• 46:59
  Speaker 1: I guess that's my stand. I would you I'm more
• 47:01
  Speaker 1: of a I don't know, Yeah, but I've lived in
• 47:04
  Speaker 1: a haunted house. So if I've lived in a haunted house.
• 47:06
  Speaker 1: Then that means that there's some other ship called on
• 47:08
  Speaker 1: do you do? What do you mean he lived in
• 47:10
  Speaker 1: a haunted house lived I lived in a house I was.
• 47:13
  Speaker 1: I know it was on it. Bro We fucking wake
• 47:14
  Speaker 1: up in the middle of the night and all the
• 47:15
  Speaker 1: pots and pans would be out and all the doors
• 47:17
  Speaker 1: would be open. Crazy thing. I bought a house and renovated, Renny.
• 47:22
  Speaker 1: They had a funeral or a wake, Okay, you know
• 47:24
  Speaker 1: what I'm saying. They showed him and I was always
• 47:26
  Speaker 1: thinking about stuff I did, so he kind of freaked
• 47:28
  Speaker 1: me out. You said it. No, for sure, it was.
• 47:31
  Speaker 1: Our house was over a Native American graveyard, so it's
• 47:34
  Speaker 1: pretty fucking wild. The house that I during this era, though,
• 47:37
  Speaker 1: my dad was smoking cracks, so it could have just
• 47:38
  Speaker 1: put him in the middle of the night opened up,
• 47:41
  Speaker 1: who knows. I don't know. Sure then it was never noticeable,
• 47:46
  Speaker 1: you know, like he was like very functional, you know
• 47:48
  Speaker 1: what I mean. And I think he just had his
• 47:50
  Speaker 1: little bouts with it. But me and my me and
• 47:51
  Speaker 1: my best friends and liked the army anything. No no
• 47:53
  Speaker 1: no, no no, no, no no. But me and my best
• 47:56
  Speaker 1: friend ramses uh we were. He's like, yes, of Egypt,
• 48:00
  Speaker 1: It's my best friend in the world. Rams is jar
• 48:03
  Speaker 1: Rudy King Taylor. This do you like President Egypt the movie? Yeah?
• 48:05
  Speaker 1: Good cartoon, keep going. So, uh we're like Thick and
• 48:10
  Speaker 1: masterpiek ghetto dope era of Like my childhood, I had
• 48:13
  Speaker 1: a no limit chain. I shoplifted a no limit clothing
• 48:17
  Speaker 1: jersey from mister Rags, you know. And I'm going through
• 48:20
  Speaker 1: my dad's drawer next to his bed. I forget what
• 48:23
  Speaker 1: me and Rams, I'm from Phoenix, Phoenix Hot place the cracks,
• 48:28
  Speaker 1: and we found crack and my boy Ramas pulled it
• 48:31
  Speaker 1: out and he was like, yo, this is the ghetto
• 48:33
  Speaker 1: d Ship said, he's like smoking crack. What the fuck? Ship?
• 48:39
  Speaker 1: But but but outside of that, and then my mom
• 48:42
  Speaker 1: later on telling me, yeah, your dad smoke crack every
• 48:44
  Speaker 1: once in a while for a little bit. But I
• 48:45
  Speaker 1: never noticed it as a kid. It wasn't like he
• 48:47
  Speaker 1: was like my dad was like a really hard working dudey.
• 48:49
  Speaker 1: He worked like NonStop. So he was probably the most
• 48:51
  Speaker 1: functional crackheut of all time, one of them at least
• 48:53
  Speaker 1: m HM lots of functional drug drug users. Anyway, Well, listen, man,
• 48:58
  Speaker 1: this was fun. Likewise, bro, uh, I'm happier putting a
• 49:02
  Speaker 1: new project that will by the time people watch this,
• 49:04
  Speaker 1: it will already be out. So go run it up.
• 49:06
  Speaker 1: I think that you're you're one of them ones man,
• 49:08
  Speaker 1: and I'm glad that I feel like, you know, people
• 49:11
  Speaker 1: are starting to really finally give you your flowers. Yeah,
• 49:15
  Speaker 1: I can't wait for the tour. It's gonna be crazy.
• 49:17
  Speaker 1: Is it already locked in? Yeah? Oh my gosh, it's
• 49:20
  Speaker 1: gonna be insane. Who's opening? I'm doing a cold thing,
• 49:24
  Speaker 1: but co headliner, it's gonna be crazy. Another rapper is
• 49:28
  Speaker 1: gonna be fire? Is it you in Black and be Amazing?
• 49:31
  Speaker 1: Is it you in Black? Headline anything? If you in
• 49:34
  Speaker 1: Black co headline a tour that would be crazy. I'd
• 49:37
  Speaker 1: buy twenty tickets. That would be kind of crazy. I
• 49:39
  Speaker 1: bring everybody that would be Yeah true Maria on Earth game.
• 49:45
  Speaker 1: That's that's we could do ampitheat. We could do five
• 49:47
  Speaker 1: to ten k make up mos some major tickets, major tickets.
• 49:51
  Speaker 1: J oh The first time I met you, I called
• 49:55
  Speaker 1: you Jid because I knew people who knew you that
• 49:58
  Speaker 1: referred to you as Jid. But you directed me pretty harshly.
• 50:01
  Speaker 1: Did I. I was like, we got JD and you
• 50:03
  Speaker 1: were like it's j I D. And I was like, well,
• 50:05
  Speaker 1: fuck me. I do that ship all the time. Though
• 50:07
  Speaker 1: it's like big and Biggie so big and b I G.
• 50:10
  Speaker 1: Like it's the same ship. So what do you prefer?
• 50:15
  Speaker 1: They say something? It's got me something JED is acceptable
• 50:18
  Speaker 1: now now that you can now good. Want to make sure. Yeah,
• 50:22
  Speaker 1: I do check someone and like, oh you're adding to
• 50:24
  Speaker 1: for me, Like who's this goofy radio motherfucker? Hey it's
• 50:28
  Speaker 1: j I D. Bro my ship right fuck anyway, there
• 50:32
  Speaker 1: it is. But I appreciate you, Bro, thank you. Boom