Latest / Four Finger Discount (Simpsons Podcast) / Mountain Of Madness

Transcript

Mountain Of Madness · Four Finger Discount (Simpsons Podcast)

• 0:00
  Speaker 1: Eh two man team will work its way through the
• 0:02
  Speaker 1: wilderness to a cabin hidden somewhere on this mountain. Roots
• 0:06
  Speaker 1: are treacherous, so use your maps.
• 0:09
  Speaker 2: I lost my map.
• 0:10
  Speaker 1: You haven't been issued a map yet.
• 0:12
  Speaker 3: Four finger Discounted.
• 0:30
  Speaker 4: Welcome to four figure discount. With this week, we're going
• 0:32
  Speaker 4: to be doing a special classic review. We've gone all
• 0:35
  Speaker 4: the way back to season eight. I'm wearing my Pinpal shirt.
• 0:37
  Speaker 4: We're not doing Team home Er. We're doing Matin of Madness.
• 0:39
  Speaker 4: I'm down, don't and I'm guying, and I'm just wearing
• 0:41
  Speaker 4: a shirt. Yeah, a shirt. But this is from our
• 0:43
  Speaker 4: friends Uncle Riica. I thought you want It's just a
• 0:45
  Speaker 4: lovely It's really nice to wear this jacket, this champa.
• 0:48
  Speaker 5: I was here when this, when this arrived, in the unboxing,
• 0:52
  Speaker 5: the unboxing, the unwrapping, ripping of the plastic in the paper,
• 0:55
  Speaker 5: and I took one look at that and I said
• 0:57
  Speaker 5: give it to me, and you said no, no, and
• 1:00
  Speaker 5: nine and that, and then I said to uncle, we
• 1:03
  Speaker 5: go and send us nine more. Yeah, no, no, no, I
• 1:05
  Speaker 5: didn't say that.
• 1:06
  Speaker 4: It's just look at the stitching on pin.
• 1:09
  Speaker 5: We talked about this and when we unwrapped it, or
• 1:12
  Speaker 5: when you unwrapped it, and I said, Wow, that's really nice.
• 1:14
  Speaker 5: I think, I said, I think I use the word
• 1:16
  Speaker 5: quality maybe five times in a sentence. Yeah you did,
• 1:20
  Speaker 5: because I'm inarticulate. And also, this is just quality.
• 1:23
  Speaker 4: It is quality.
• 1:24
  Speaker 5: And yeah, I mean, why else would you be wearing it?
• 1:26
  Speaker 4: Exactly? If you want to get one, you save ten percent.
• 1:28
  Speaker 4: I think they're only about fifty dollars as well, save
• 1:30
  Speaker 4: ten percent by using the code four finger. We just
• 1:32
  Speaker 4: follow the Lincoln description of this pod.
• 1:33
  Speaker 5: Let me do the mass. Oh that means you saved
• 1:36
  Speaker 5: five bucks.
• 1:36
  Speaker 4: Yes, for coffee. But it's not just off this, it's
• 1:40
  Speaker 4: off your entire order, not just Simpsons shit, your entire order.
• 1:42
  Speaker 4: But anyway, enough shilling in the madness. Jesus, Wow, you're
• 1:46
  Speaker 4: a full salesman. But I was just, you know, because
• 1:48
  Speaker 4: it's team Homer. But this is about team work this episode,
• 1:50
  Speaker 4: doesn't it.
• 1:53
  Speaker 5: You were just a five D chess master. You are
• 1:55
  Speaker 5: like the Queen's gambit of five D chess.
• 1:57
  Speaker 4: I was like, how can I bring this around? Yeah?
• 1:59
  Speaker 4: And you did. You're much like Homer in the parking
• 2:02
  Speaker 4: lot in the car park.
• 2:03
  Speaker 5: Of this episode. Really, you know you think it's going
• 2:06
  Speaker 5: nowhere and it ends up somewhere.
• 2:08
  Speaker 4: Now, this episode of the podcast may not have had
• 2:10
  Speaker 4: a fantastic opening act, but this episode certainly did. I
• 2:13
  Speaker 4: mean it was fine.
• 2:14
  Speaker 5: I think it went pretty well.
• 2:15
  Speaker 4: It was okay, But the opening I think it's going great.
• 2:18
  Speaker 4: What's wrong with the opening act of this episode? I
• 2:20
  Speaker 4: think it's just fantastic because it has the fire drill,
• 2:23
  Speaker 4: is a lot of fun. You know from the get
• 2:24
  Speaker 4: go it's going to be not just a family based story.
• 2:27
  Speaker 4: It's going to incorporate a lot of people. I always
• 2:29
  Speaker 4: enjoy the more a workplace episode than a family episode. Yeah,
• 2:32
  Speaker 4: and I always enjoy when you see people two characters
• 2:34
  Speaker 4: that you would normally see hanging out in a new scenario.
• 2:37
  Speaker 5: It's a gamble, Yes.
• 2:39
  Speaker 4: It really is. It's like a first date.
• 2:41
  Speaker 5: Yeah, you're not sure if you're going to have the chemistry,
• 2:43
  Speaker 5: but when you do, you get a mountin a madness. Oh,
• 2:45
  Speaker 5: you get a nice relationship like Guy has with Lovely Lawyers.
• 2:47
  Speaker 4: Yes, you know, it's going to be a unique story
• 2:50
  Speaker 4: because it's in a whole new setting, and it's a
• 2:51
  Speaker 4: whole bunch of fun because it's got a whole bunch
• 2:52
  Speaker 4: of characters as well. So I just thought it didn't
• 2:54
  Speaker 4: waste any time straight to the fire driwl, which is
• 2:56
  Speaker 4: a bit of fun set up the story, and I
• 2:58
  Speaker 4: also like the way that they thought, well, we're gonna
• 3:00
  Speaker 4: have to incorporate the family somehow. I haven't been the
• 3:02
  Speaker 4: only idiot to bring his family has a reason for
• 3:04
  Speaker 4: their family to be involved in. The whole episode felt natural.
• 3:07
  Speaker 5: It feels natural some of the stuff with the the kids,
• 3:11
  Speaker 5: not so much with with Barton Lisa and their interaction
• 3:13
  Speaker 5: with Smithers. That feels I guess natural, organic, kind of funny.
• 3:17
  Speaker 4: In some ways, I related so much more to Smithers
• 3:19
  Speaker 4: now as a kid. Like watching this, I'll be like, oh,
• 3:22
  Speaker 4: Smithers has just been an old grump. Now when you're
• 3:24
  Speaker 4: just trying to get the basic things done and the
• 3:26
  Speaker 4: kid's asking you, why is that tree greens? Like, shut up, kid,
• 3:30
  Speaker 4: Oh gosh, the old two piece feet I've never heard
• 3:37
  Speaker 4: that's same on the podcast. If you said the exact
• 3:39
  Speaker 4: same thing when I told you you've just forgotten kids, kids,
• 3:45
  Speaker 4: I'm like a kid, You're gonna have to beat it
• 3:47
  Speaker 4: into me.
• 3:48
  Speaker 6: Yeah.
• 3:48
  Speaker 4: Yeah, we kids are curious, you know, always asking questions.
• 3:50
  Speaker 4: So I always try to a serious exactly. So I
• 3:53
  Speaker 4: always trying to answer as many of Elliot's question because
• 3:55
  Speaker 4: they're still learning the world whatnot. But when am I
• 3:57
  Speaker 4: sitting there watching the footy, and the entire time, I
• 4:00
  Speaker 4: feel like I'm just asked answering his questions. I get
• 4:03
  Speaker 4: to the point where I go, Alliott, I feel like,
• 4:05
  Speaker 4: you just watch the movie, or if you just watched
• 4:07
  Speaker 4: the game, ninety percent of your questions will probably be answered.
• 4:11
  Speaker 4: But it's just one of those that's terribly patronized. But like,
• 4:15
  Speaker 4: we're watching Harry Potter, but also we're very accurate. Every
• 4:17
  Speaker 4: time I watch Harry Potter, why is he going to
• 4:19
  Speaker 4: cut on his head? Holly Magic, we know this, You've
• 4:22
  Speaker 4: seen the movie.
• 4:23
  Speaker 5: She's like, oh, yeah, I've heard about this kind of
• 4:27
  Speaker 5: thing before. Oh it's in Uh, it's in the movie.
• 4:32
  Speaker 4: Steve Jobs, Sorry about jobs, Steve Jobs, No Jobs does
• 4:36
  Speaker 4: not exist. The ash culture version does not exist. Strike
• 4:39
  Speaker 4: it from the record. We're talking about what I watched
• 4:41
  Speaker 4: plane and it put me to sleep. Could that's good?
• 4:43
  Speaker 4: It did its job? You want to sleep on a plane.
• 4:46
  Speaker 5: There's You're just reminded me of a bit where Steve
• 4:50
  Speaker 5: Jobs's daughter is asking him questions and he say, you've
• 4:52
  Speaker 5: already asked me this, you know the answer to this,
• 4:54
  Speaker 5: And someone else says.
• 4:55
  Speaker 4: To Steve, job is like people do that. Kids do that.
• 4:58
  Speaker 5: Because they want ressurance and they want a bond with you.
• 5:00
  Speaker 5: They may already know the answer, they may even know
• 5:02
  Speaker 5: that they know the answer when they're asking you, but
• 5:04
  Speaker 5: they still want to interact with you. So your kids
• 5:06
  Speaker 5: are trying to interact with you, and it what's wrong
• 5:07
  Speaker 5: with you? Jesus, you're a bad fan.
• 5:12
  Speaker 4: I try to answer as many questions as possible, but
• 5:14
  Speaker 4: it comes to the point where you've answered the same
• 5:15
  Speaker 4: question five times in the last ten minutes. You just go,
• 5:17
  Speaker 4: come on, kid, it's why you're podcast with me? Who's Lenny?
• 5:22
  Speaker 4: And who's go again? Someone told me once, whether I
• 5:26
  Speaker 4: read it, whether I heard it in an interview or something,
• 5:28
  Speaker 4: that if kids engaging with their parents is very important
• 5:31
  Speaker 4: because it's just important to keep stimulating their brains and
• 5:33
  Speaker 4: have them engaging. If you just tell a kid to
• 5:34
  Speaker 4: sit there and shut up, they won't be mute, but
• 5:37
  Speaker 4: they won't learn. They won't be curious to try to
• 5:39
  Speaker 4: want to learn.
• 5:40
  Speaker 5: There will be a stone rather than a spun.
• 5:43
  Speaker 4: He remembers everything he remembers you watched the footye and
• 5:45
  Speaker 4: you'll go remember that time Brisbane beat Hawthorne by twelve
• 5:47
  Speaker 4: points last year And I was like, no, I'll go
• 5:50
  Speaker 4: through checks results. Shit kid.
• 5:55
  Speaker 5: I am not sadistically that your kid is rain Man,
• 5:57
  Speaker 5: but I sometimes but next time you're seeing throw whole
• 6:01
  Speaker 5: bunch of toothpicks on the floor. Wow.
• 6:04
  Speaker 4: Timely Reference from nineteen eighty eight say that they were
• 6:08
  Speaker 4: about to review anpisode of The Simpsons that originally aired
• 6:11
  Speaker 4: in nineteenty seven, So it's twenty seven years old. It's
• 6:13
  Speaker 4: crazy to me because it feels like yesterday I was
• 6:15
  Speaker 4: watching this as a new episode on TV.
• 6:17
  Speaker 5: Now this episode is too old for Leonardo DiCaprio to
• 6:20
  Speaker 5: day exactly.
• 6:20
  Speaker 2: Wow.
• 6:21
  Speaker 4: Another zinger Jesus coming out with them today. But what
• 6:25
  Speaker 4: did you like? Not favorite moments, but what did you
• 6:27
  Speaker 4: enjoy just overall about this story. I mentioned how like
• 6:29
  Speaker 4: the way they incorporated the family in a natural way,
• 6:31
  Speaker 4: just the overall setting being in a fresh, new area,
• 6:34
  Speaker 4: it makes it feel unique the story.
• 6:36
  Speaker 5: Yeah, location was a good thing. I was actually happier
• 6:39
  Speaker 5: with the I guess relationship or dynamic that developed between
• 6:45
  Speaker 5: Homer and Burns. You know, we're so used to it
• 6:48
  Speaker 5: being Ah, he's the monstrous boss who I can't get
• 6:51
  Speaker 5: on the wrong side of all that kind of disess.
• 6:53
  Speaker 4: And this is post who shot mister Burns as well.
• 6:55
  Speaker 5: Yeah, so you've got a nice bit of opposites attract
• 7:00
  Speaker 5: kind of thing going on. These two do not have
• 7:01
  Speaker 5: any common grand whatsoever, but they find it in cheating
• 7:05
  Speaker 5: or cheating and also the glory of a good sit down.
• 7:08
  Speaker 5: Who among us does not enjoy a good sit true
• 7:10
  Speaker 5: words have never.
• 7:11
  Speaker 4: Been he said sit, he said sit. Everybody the word
• 7:15
  Speaker 4: that sounds like that also applies. Who does not enjoy
• 7:17
  Speaker 4: a good one of those?
• 7:18
  Speaker 5: Either?
• 7:20
  Speaker 4: Let's still get down out right. But I think we'll
• 7:25
  Speaker 4: say that about the south Park episode. I think it
• 7:27
  Speaker 4: was just, yeah, seeing Burns in a because the boss
• 7:30
  Speaker 4: when you're work in an office or whatever at a
• 7:32
  Speaker 4: I worked afford Ford, very similar mentality to what the
• 7:34
  Speaker 4: power plane is at the in Springfield. Here the boss
• 7:38
  Speaker 4: is the boss. There's that fear factor. But sometimes when
• 7:40
  Speaker 4: the boss or throws your bone and they say come, come, come,
• 7:43
  Speaker 4: lunch of me or whatever, you're like, oh god, oh yeah,
• 7:45
  Speaker 4: it has to be my friend. I spent the last
• 7:47
  Speaker 4: six months shit done this guy and don't tell. But
• 7:53
  Speaker 4: we've talked recently about how I think it's come up
• 7:57
  Speaker 4: in various episodes. You want the approval, it's dish Mackie.
• 8:00
  Speaker 5: We talked about Yeah, yeah, I'm terrified of him, but
• 8:04
  Speaker 5: oh if he likes me, it provides a bit of
• 8:08
  Speaker 5: positive reinforcement for yourself. It's like, oh, there must be
• 8:11
  Speaker 5: something good about me of this guy's seeing it. Yeah,
• 8:14
  Speaker 5: not realizing that this guy's full of shit as anybody else,
• 8:17
  Speaker 5: probably just kids.
• 8:17
  Speaker 4: More as I did love the justification of the cheating
• 8:20
  Speaker 4: day because we all hate the idea of we'd like
• 8:22
  Speaker 4: to think that we wouldn't cheat at something. However, if
• 8:25
  Speaker 4: we were given the chance to cheat in this kind
• 8:27
  Speaker 4: of situation, I think we're taking it right. If a
• 8:30
  Speaker 4: horseless sled or arrives, it's a really.
• 8:34
  Speaker 5: Really good line now about cheating is the gift the
• 8:37
  Speaker 5: man gives himself. Yeah, I kind of agree. It's a
• 8:41
  Speaker 5: good line by Swartsworlder as an American or some of
• 8:44
  Speaker 5: the many people who worked on this script because we
• 8:47
  Speaker 5: were just doing our research. That's interesting beforehand, but it
• 8:52
  Speaker 5: was a Josh Weinstein.
• 8:53
  Speaker 4: Yeah, So basically this was written by John Swatswolder. He's
• 8:56
  Speaker 4: credited for it, but apparently we're just ready on the
• 8:58
  Speaker 4: wiki page that they got the script and they went,
• 9:01
  Speaker 4: if you tinker with a Swartzwelder script, you're just going
• 9:03
  Speaker 4: to fuck it up. So basically we just had to
• 9:05
  Speaker 4: rewrite the whole thing, even though he's still credited to it.
• 9:07
  Speaker 4: And I want to throw the question to you, would
• 9:08
  Speaker 4: you still want your name attached to it if you
• 9:11
  Speaker 4: didn't write this, if this is not your baby, because
• 9:13
  Speaker 4: would you sit home and go I know it says
• 9:16
  Speaker 4: I wrote this, but I didn't write that. I don't.
• 9:17
  Speaker 4: That's not how I would have handled this situation.
• 9:19
  Speaker 5: I would imagine, And I could be wrong, because I
• 9:21
  Speaker 5: often am, but I think that Swartzweather will be held
• 9:23
  Speaker 5: in pretty high esteem or respect by the people it
• 9:26
  Speaker 5: sends in the HQ. I think they would say, John,
• 9:30
  Speaker 5: we did a bit of reworking on this because it
• 9:32
  Speaker 5: was just too damn crazy.
• 9:35
  Speaker 4: Was reworking it was rewriting?
• 9:36
  Speaker 5: Well yeah, but yeah, well we did a bit of
• 9:38
  Speaker 5: rewriting on it, or we rewrote it. What do you
• 9:41
  Speaker 5: think would do you happy to go out with your
• 9:42
  Speaker 5: name on this? Or should we alan smithy it and
• 9:46
  Speaker 5: say you know and it was a group effort. He's
• 9:47
  Speaker 5: probably just getting that residual money for me. That credit
• 9:49
  Speaker 5: is the writer, probably a very smart guy, and this
• 9:51
  Speaker 5: the Swartsweader and put my name on it and give
• 9:54
  Speaker 5: me that money.
• 9:55
  Speaker 4: He's just created that mystique forever has any Swartswolder, even
• 9:58
  Speaker 4: to this day, we don't quite know the man. Certainly
• 10:00
  Speaker 4: on this podcast we're doing Where's Well, We're saying his
• 10:07
  Speaker 4: name in hush tones like it's I've always sort of
• 10:09
  Speaker 4: said to myself, I'm gonna be that since this podcast
• 10:12
  Speaker 4: that eventually gets spotswatter, I feel like if anyone's going
• 10:14
  Speaker 4: to make it happen, it's this guy.
• 10:16
  Speaker 5: Oh, Well's go to have a dream.
• 10:18
  Speaker 4: I'm one of those people where unless it's the ability
• 10:21
  Speaker 4: to fly, if I set myself a reasonable goal, I
• 10:24
  Speaker 4: eighty five percent of the time I achieved them. I
• 10:26
  Speaker 4: feel like I'm going to try and get Swartswater on
• 10:28
  Speaker 4: this podcast. I feel like problem with this is not.
• 10:30
  Speaker 5: An unreasonable goal. No, I think you can do it.
• 10:33
  Speaker 4: Yeah, why not?
• 10:34
  Speaker 5: If you have to drop my name to do it,
• 10:35
  Speaker 5: then I'm happy to help my favorite We'll get in
• 10:40
  Speaker 5: the favorite moments I have I have two and one.
• 10:43
  Speaker 5: I've already alluded to who among us does not enjoy
• 10:45
  Speaker 5: a good sit?
• 10:46
  Speaker 6: Ye?
• 10:46
  Speaker 5: Sitting's great, YEA all for it. I love it, and
• 10:50
  Speaker 5: I'm glad that Homer actually got to show a bit
• 10:54
  Speaker 5: of his prayer as he earned a bit of respect
• 10:56
  Speaker 5: from my day from being just a really good sitter.
• 11:00
  Speaker 4: And not just to sit. It's the ability to move
• 11:02
  Speaker 4: the dog. He's effective and efficient. Why you'd have to
• 11:06
  Speaker 4: get up? That was great? It was such a stupid
• 11:09
  Speaker 4: cliche setup. But it's like you knew exactly what they
• 11:10
  Speaker 4: were doing. You'd have to get up. I love that
• 11:14
  Speaker 4: on infomercials. That would take me all day. Tell me more.
• 11:19
  Speaker 4: You mean a world have to do that? But you
• 11:22
  Speaker 4: mentioned it a good sit, right for maybe? No, it's
• 11:25
  Speaker 4: like yourself and myself. There's two the two most important
• 11:29
  Speaker 4: things we have in our house our beds and our couch.
• 11:32
  Speaker 4: So we spend the most bad time sleeping and sitting.
• 11:34
  Speaker 4: So you're gonna go out and buy a mattress or a couch.
• 11:37
  Speaker 4: Make sure it's not just a shitty one. Treat yourself
• 11:39
  Speaker 4: because you don't realize how often you spend on that couch.
• 11:43
  Speaker 5: Time for guy's cliche corner. Do you realize you spend
• 11:45
  Speaker 5: a third of your life asleep?
• 11:46
  Speaker 4: Yeah, and it sounds like a lot. Then you realize
• 11:48
  Speaker 4: and you go, oh sure, kauhala mattress, friend of the Pond,
• 11:52
  Speaker 4: sleeping duck or one. What is a sand Man factory?
• 11:56
  Speaker 4: Is that the mattress place?
• 11:58
  Speaker 5: That sounds evil?
• 12:00
  Speaker 4: The Sandman not evil? If you want a sponsors not evil,
• 12:04
  Speaker 4: I'm a I'm aware of the sand The.
• 12:09
  Speaker 5: Sandman Factories has like a serial killer's like it's a
• 12:11
  Speaker 5: super villain.
• 12:12
  Speaker 4: It's spider Man. They think they've got that little girl
• 12:16
  Speaker 4: who live in the Sandman Factory. I love it. This
• 12:18
  Speaker 4: is a great story. Elliott watches spider I'll be the
• 12:21
  Speaker 4: judge of that. Elliott right loves Spidery and his amazing friends.
• 12:24
  Speaker 4: It's the show, a genius show where they kid versions
• 12:27
  Speaker 4: of the Marvel heroes getting them in early. You're not
• 12:30
  Speaker 4: gonna like DC, You're gonna like Marvel. Do they have
• 12:32
  Speaker 4: a kid punish it? No, not yet, But there's the
• 12:34
  Speaker 4: Samman's been on it right, And I feel like you
• 12:36
  Speaker 4: must have tested well of audiences because if you've heard
• 12:39
  Speaker 4: a few episodes. But Elliot watches and he goes, he
• 12:41
  Speaker 4: turns into sand. What's good of that turning into bottle?
• 12:49
  Speaker 4: But he's just like, hees, what's his super power? So
• 12:52
  Speaker 4: he turns in the sand. He goes, why do I
• 12:54
  Speaker 4: take him? Turn the sand? I'm like, I mean, I
• 12:57
  Speaker 4: get it, that's true.
• 13:00
  Speaker 5: I think there's a reason the Sandman didn't show Spider
• 13:02
  Speaker 5: Man three very well played by Thomas Hayden.
• 13:06
  Speaker 4: He goes, he can't fly, he doesn't have a glider
• 13:08
  Speaker 4: like like Electro and and Green Goblin. He's just said,
• 13:13
  Speaker 4: what's so good about? Said?
• 13:14
  Speaker 5: Give him some comic books. I mean, I'm sure the
• 13:16
  Speaker 5: Sandman has done some really good I remember enjoying the
• 13:18
  Speaker 5: Sandman in Spider Man's just on this show.
• 13:20
  Speaker 4: He's just the abilities. Just what's the deal with the Saldmon?
• 13:25
  Speaker 4: He turns into a sand I don't know how and
• 13:33
  Speaker 4: friends of favorite moments. I don't know enjoying a good
• 13:37
  Speaker 4: good Sandman the Mattress Factory. We're back, We're back, he
• 13:41
  Speaker 4: made I really enjoyed home. I got more fatal we're
• 13:44
  Speaker 4: taking turns? Yeah, I thought that was trivia. No, what's
• 13:48
  Speaker 4: your shake up? A bit shake One thing that I
• 13:51
  Speaker 4: like is a couple of just homeless sort of just
• 13:53
  Speaker 4: manuisms here, So I put all your names into the hat.
• 13:58
  Speaker 4: You like the process and the because I could totally relate.
• 14:02
  Speaker 4: And I can understand why you would think this if
• 14:04
  Speaker 4: you've rocked up late to the party and Smizers has
• 14:05
  Speaker 4: just said you have to follow to the cabinets on
• 14:09
  Speaker 4: your map. I don't have a map, but you haven't
• 14:11
  Speaker 4: initialed a map yet. It's like I lost the map.
• 14:13
  Speaker 4: It's like you would think, well, the fact, do you
• 14:15
  Speaker 4: think he's lost it? That's gay, yes, but you know
• 14:18
  Speaker 4: you would think, well, haven't given a map yet?
• 14:20
  Speaker 6: What?
• 14:20
  Speaker 4: Yeah, that's just I like that I've lost my Matt.
• 14:24
  Speaker 5: One should always be curious, Elliott, and I'm always asked questions.
• 14:28
  Speaker 5: There are no dumb questions, except sometimes there are dumb questions.
• 14:31
  Speaker 4: Because if you get to a thing late, Garrison would say,
• 14:35
  Speaker 4: is that trivia a little segment? Such is a stupid
• 14:39
  Speaker 4: question only stupid people. Very good point.
• 14:43
  Speaker 5: You rock up to something late, and you know you
• 14:45
  Speaker 5: asked the question about, oh, so are we covering this?
• 14:47
  Speaker 5: I've already talked about this. You've been here on time,
• 14:49
  Speaker 5: and everyone's looked at you like this. You're like that
• 14:52
  Speaker 5: person that calls out a letter on real fortune. That's
• 14:54
  Speaker 5: either a already out on the border lorady being called out.
• 14:55
  Speaker 5: You're like, the fuck the hell's wrong with you? I
• 14:58
  Speaker 5: don't know if I should say it. We're going to
• 15:00
  Speaker 5: do that episode of soundtrack, so that's going to be interesting.
• 15:04
  Speaker 4: The camera guy. But what else did you like? I
• 15:08
  Speaker 4: was always.
• 15:09
  Speaker 5: Curious, very curious episode to that. Ye about the line,
• 15:14
  Speaker 5: your ideas are intriguing to me, and I would like
• 15:16
  Speaker 5: I wish to subscribe to your newsletter. I always thought
• 15:19
  Speaker 5: that the Simpsons not rip this off from somewhere else,
• 15:21
  Speaker 5: but they are paying homage or referencing something, but it's
• 15:24
  Speaker 5: from this Yes, But that became it became a real
• 15:27
  Speaker 5: saying yeah, I said all the time, Yeah, it's like, well,
• 15:29
  Speaker 5: your ideas are intriguing to me, and I wish to
• 15:31
  Speaker 5: subscribe to your newsletter.
• 15:32
  Speaker 4: In that moment, is that Bart trying to just be
• 15:34
  Speaker 4: like just one of those right wing idiots? What was
• 15:37
  Speaker 4: this thing about? You know this? And what about that? Hey,
• 15:39
  Speaker 4: the world's going to shit.
• 15:40
  Speaker 5: He's becoming an ultra conservative for its news very early
• 15:43
  Speaker 5: in the in the proceedings of his life, Yes, but yeah,
• 15:48
  Speaker 5: certainly in the late nineties. Yeah, that that saying was
• 15:51
  Speaker 5: going around a lot. I mean, yeah, post this episode,
• 15:53
  Speaker 5: I'm guessing, but it seemed like it was a bit
• 15:56
  Speaker 5: of a shorthand gag. You know, of anyone, anytime, anyone
• 16:00
  Speaker 5: anything interesting or vaguely fends like your ideas are retreating me.
• 16:04
  Speaker 5: You know, we should subcribe to your newsletters. Who would
• 16:05
  Speaker 5: have thought that would become a thing? You're a glib
• 16:08
  Speaker 5: fuck around ye.
• 16:10
  Speaker 7: Uh.
• 16:11
  Speaker 5: Those are my two favorite moments.
• 16:13
  Speaker 4: I also enjoyed, so they get there And if you
• 16:15
  Speaker 4: turn this door knob the right way, No going through
• 16:19
  Speaker 4: the window for us, Like that makes it's stupid, but
• 16:24
  Speaker 4: it's so funny. No going through the window for us.
• 16:28
  Speaker 4: It's home destly trying to catch up to how the
• 16:31
  Speaker 4: way how the half lives? He's like, oh this how
• 16:32
  Speaker 4: the other half? Wow? You guys using fancy doorknobs. Next question,
• 16:39
  Speaker 4: you there eating the paste? All right? Trivia time? Since
• 16:42
  Speaker 4: I interrupted your favorite moments, you can kick off the trivia?
• 16:45
  Speaker 4: Can I fance do it? Thanks? Dan, You're welcome. I
• 16:48
  Speaker 4: am in the team, you know, pulling out of names
• 16:52
  Speaker 4: from the sorting hat and the hat as he mentioned
• 16:53
  Speaker 4: Harry Potter earlier, it's.
• 16:55
  Speaker 5: All time together. Who is paired with Haney.
• 17:00
  Speaker 4: I K you're going to ask a question like this,
• 17:01
  Speaker 4: I don't know who look at the look at this guy.
• 17:05
  Speaker 4: You know when you watch it and you go, oh,
• 17:07
  Speaker 4: this is probably be a tricky question, and then you
• 17:11
  Speaker 4: get it and you're like, oh no, it's Trucker. Trucker.
• 17:14
  Speaker 4: I was thinking because when they finished that, I thought,
• 17:17
  Speaker 4: I wonder if any of those names were like, you know,
• 17:18
  Speaker 4: Weinstein or Oakley or show people worked on the show.
• 17:22
  Speaker 7: No.
• 17:22
  Speaker 4: The one thing I was happy about, like Zutro is back.
• 17:24
  Speaker 6: I was.
• 17:25
  Speaker 5: I mentioned it's like work hard and every day you
• 17:28
  Speaker 5: get the shame of Penny, which is how Dan I
• 17:30
  Speaker 5: got me on board?
• 17:31
  Speaker 4: Or what do they say, Stuart get back to work,
• 17:32
  Speaker 4: Stewart let Steward unfortunately. I My first question for you
• 17:38
  Speaker 4: is what game does Smith suggest they play? It's just
• 17:44
  Speaker 4: a game or the domestic version Chinese Chinese Checkers or
• 17:47
  Speaker 4: domestic Yeah, chickeny China, the Chinese Chicken except from Chinese Chicken.
• 17:54
  Speaker 4: It's some pop song, isn't it. It's been one day
• 17:57
  Speaker 4: since you looked in Yes from Ban Naked Ladies, the
• 18:01
  Speaker 4: Finest is it one day? It's been one week? One
• 18:04
  Speaker 4: weeks again looked. I'm like, well, it always every day,
• 18:08
  Speaker 4: that's what that's.
• 18:11
  Speaker 5: I did that to avoid copy right straight, I'm learning.
• 18:17
  Speaker 5: My next question to you is when did the story
• 18:21
  Speaker 5: of National parks begin? Oh, nineteen twelve, eighteen seventy two,
• 18:26
  Speaker 5: eighteen seventy two, according to the very boring yes, what
• 18:31
  Speaker 5: dates are the Mountain Music Festival?
• 18:34
  Speaker 4: Oh? Damn it August twelve to sixteenth March fourteen eighteen. Okay,
• 18:40
  Speaker 4: so I was wrong in every wrong in pretty much
• 18:43
  Speaker 4: every way. I really like that Ranger though as a
• 18:46
  Speaker 4: kid I never really got it. He watched his now
• 18:48
  Speaker 4: apparently he's based on the design off Al Gore. Yeah,
• 18:51
  Speaker 4: but it's just so funny. Yeah, just very deadpan. Yeah, deadpan,
• 18:55
  Speaker 4: and also just like slipping in that little primover much
• 18:58
  Speaker 4: more in eating.
• 19:00
  Speaker 5: I have one more question for you. Yeah, how many
• 19:03
  Speaker 5: bones are in burns of snowman? How many what bones? Bones?
• 19:08
  Speaker 4: Oh? Is it same as a human body? That's a
• 19:10
  Speaker 4: good question. Two hundred and something? Okay, we have two
• 19:14
  Speaker 4: hundred and thirty six, is that right? I don't know.
• 19:17
  Speaker 5: I haven't counted my bones late.
• 19:19
  Speaker 4: How many bones the human body have, let's have a look,
• 19:21
  Speaker 4: Or how many has birds has got burns, but burns
• 19:24
  Speaker 4: of bones. Two hundred and six. Two hundred and six
• 19:26
  Speaker 4: bones is the exact for him. Yeah, okay, what did
• 19:29
  Speaker 4: I say? Two hundred and thirty six? Yeah?
• 19:31
  Speaker 5: Where are your extra bones?
• 19:32
  Speaker 4: Buddy? I don't know bone? Final question? Disappointed? What does
• 19:39
  Speaker 4: burns find? And he'd seventy years ago already in the cabin? Oh,
• 19:45
  Speaker 4: damn it, it's it's a comic. It's Bazuka Joe.
• 19:48
  Speaker 5: Yes, I was gonna talk.
• 19:51
  Speaker 4: No, it's it's pinching material from another another show. Okay.
• 19:56
  Speaker 4: A website, a web site, a you find out www
• 20:01
  Speaker 4: dot Yeah, no, I did the http backlas Bashlas, a
• 20:07
  Speaker 4: YouTube program that I came up with a very plausible
• 20:11
  Speaker 4: sounding but completely pornographic explanation for the name Bazooka Joe.
• 20:16
  Speaker 5: I need to look up if it's actually true, because
• 20:18
  Speaker 5: the guy who told the story it was incredibly funny,
• 20:20
  Speaker 5: incredibly smutty, and also like that could be a thing.
• 20:25
  Speaker 4: Say it with enough conviction that gee George stands away.
• 20:27
  Speaker 5: Oh yeah, oh the way of the Internet. Yes, honesty,
• 20:30
  Speaker 5: conviction will always be mistaken for accuracy.
• 20:33
  Speaker 4: All right, let's the names of our beloved Stonecumers as well.
• 20:35
  Speaker 4: What do you reckon?
• 20:35
  Speaker 5: How about you do it?
• 20:36
  Speaker 4: I reckon?
• 20:37
  Speaker 5: I better do it because I'm the one with the list.
• 20:38
  Speaker 5: You're the one with the computer in front of your man.
• 20:41
  Speaker 5: I've got patter and pen like a caveman.
• 20:43
  Speaker 4: Who do we start with? Always? We always start with
• 20:46
  Speaker 4: the letter G. We we skip right through the first
• 20:49
  Speaker 4: few letters of the alphabet because G is the most important.
• 20:52
  Speaker 4: It's because no G, because guy, because guy starts with
• 20:56
  Speaker 4: G ATG k E G Kate e G yes with
• 20:59
  Speaker 4: her one hundred dollar support. Thank you so much, Katie
• 21:01
  Speaker 4: for continue to supportus. He at the four figure discantey.
• 21:03
  Speaker 5: That would be if Katie G went to the Olympics
• 21:06
  Speaker 5: as a break dancer. Do you think she would go?
• 21:08
  Speaker 5: By kate discussion?
• 21:10
  Speaker 4: Can we talk about Reagan? Can I stalk about reagaann?
• 21:12
  Speaker 4: Everyone's talking about Reagan. They were, They're not going to
• 21:15
  Speaker 4: be anymore. By the time this comes out, she'd be
• 21:16
  Speaker 4: old news.
• 21:17
  Speaker 5: That's correct. Her her pan will have been flash. She
• 21:19
  Speaker 5: had her fifteen seconds. If Katig went to the Olympics
• 21:22
  Speaker 5: of breakdownce kate e G K eight was it even
• 21:25
  Speaker 5: worth it? Don't but katG is certainly worth it, and
• 21:27
  Speaker 5: we're worth one hundred dollars a month. According to Katy.
• 21:30
  Speaker 4: Yeah, Andrew' serve with his fifty dollars support also our
• 21:32
  Speaker 4: man as a.
• 21:33
  Speaker 5: Lolling as you would say something knowics about Andrews. We're
• 21:34
  Speaker 5: always saying no stuff about Katie, who deserves it.
• 21:37
  Speaker 4: Andrew has just been the constant. He's been a fifty
• 21:39
  Speaker 4: dollar supporter for so long. What an absolute champion. When
• 21:41
  Speaker 4: you talking about mister Zerr, I think you just said
• 21:44
  Speaker 4: welcome to the rock, because he's the rock. He is
• 21:46
  Speaker 4: the rock, He's the backbone. And he also has one
• 21:48
  Speaker 4: of the biggest Pluto collections you'll ever see.
• 21:51
  Speaker 5: I'm wondered where that was going.
• 21:52
  Speaker 4: Yeah, so you look, he should be to be a photo.
• 21:54
  Speaker 4: He basically owns every Cluter ever released or it is
• 21:56
  Speaker 4: like an entire wall of Cludo's and I'm like, that's
• 21:59
  Speaker 4: a lot of the game. However, every game has its
• 22:01
  Speaker 4: own unique locations whatnot. Okay O games at Andrews's place
• 22:05
  Speaker 4: would be a lot of fun.
• 22:06
  Speaker 5: I think it would go right off. Yeah, I think
• 22:09
  Speaker 5: you would do it in the living room with the candlestick.
• 22:11
  Speaker 4: What's your favorite Cluto? Do you ever what's played? You've
• 22:14
  Speaker 4: ever played a theme? I don't think I've ever I
• 22:16
  Speaker 4: don't think I've ever played clue. This really wow, there's
• 22:19
  Speaker 4: a Simpsons Cludo that's unbelievable.
• 22:20
  Speaker 5: For our American friends, you just clue.
• 22:23
  Speaker 4: Yeah, so I've got Seinfeld Clue because it was never
• 22:25
  Speaker 4: released here. Nicolas got friends Clue because it was never
• 22:28
  Speaker 4: released here. Never happened.
• 22:30
  Speaker 5: Do you think it's just Is it called cludo anywhere
• 22:33
  Speaker 5: else in the world?
• 22:34
  Speaker 4: Everywhere but the States?
• 22:36
  Speaker 6: Oh?
• 22:36
  Speaker 5: Okay, yeah, because it sounds very austraight yeah.
• 22:39
  Speaker 4: Clude looks like you make clue Bersie Cluto. Okay, Gluto,
• 22:47
  Speaker 4: all right, let's have it. Is Cludo called clue in
• 22:51
  Speaker 4: UK's have a look. The game was eventually picture of
• 22:54
  Speaker 4: the British publisher Waddington's, who changed it to make you
• 22:56
  Speaker 4: change it to the made up word Cludo, a mashup
• 22:59
  Speaker 4: of clue and Ludo, Ludo being the name of Pachisi
• 23:02
  Speaker 4: in England. In nineteen forty eight, the game is presented
• 23:05
  Speaker 4: to Waddington's American partners Parker Brothers, who changed the name
• 23:08
  Speaker 4: to clue. So it's only clue in the States. Everywhere
• 23:10
  Speaker 4: else Cludo.
• 23:12
  Speaker 5: There you go, because you want to clus sounds like
• 23:14
  Speaker 5: the wonderful clash of England and America.
• 23:16
  Speaker 4: It's like, Hello, I'm Horace Waddington the Third. You know,
• 23:20
  Speaker 4: my great grandfather founded Washington's Games back in the hell
• 23:24
  Speaker 4: Hell where the Parker Brothers, sorry they were Australian, where
• 23:28
  Speaker 4: the Parker Brothers. We muscled those guys out. I am
• 23:34
  Speaker 4: entertaining myself with this, but no one else. If you
• 23:36
  Speaker 4: said to someone who wants to play Clue, I'd be like,
• 23:39
  Speaker 4: all right. If someone says, who want to play Cludo? Yeah, Cluto,
• 23:42
  Speaker 4: it sounds so much more fun, hey, Cludo. It doesn't
• 23:44
  Speaker 4: It does anyway enough to b Cluto. Also, our man
• 23:47
  Speaker 4: Zach Pruitt, who added the show occasionally here in the
• 23:49
  Speaker 4: fourth just edited all that stuff out, yeah, Andrew Swan.
• 23:52
  Speaker 4: Our man it runs out Discord and helps out the
• 23:54
  Speaker 4: website was Jordan mom and Richie Jonathan ROSSI reached Beasley,
• 23:57
  Speaker 4: Stephen Roberts, Sean DVP Anderson, Timothy else and Andrew Davis,
• 24:00
  Speaker 4: Ryan Dunal Lap, Kevin's Dentel planned flood, Sheddon Hope as
• 24:03
  Speaker 4: a guy takes a big drink coffee, Balow Window Bank,
• 24:05
  Speaker 4: Jack McFadden, Heath Apple, be Adrick McLeod Lewis cavanaughh Matral
• 24:08
  Speaker 4: Even Reese, Roberts, Ginger and Pickle, Preston, Murray, t Lee
• 24:10
  Speaker 4: and Riquez, Chee Masato, Decklan Phoenix, Brian McCoy, Josh Halleer,
• 24:14
  Speaker 4: Logan b James Sheppard, Joe Readin, Szac, Dave Puts McNally,
• 24:16
  Speaker 4: Gavin Lang, Damian Millen. They may be wondering why I
• 24:18
  Speaker 4: put it out the coffee, because now people know when
• 24:20
  Speaker 4: they're watching this on YouTube, that this is actually happening
• 24:22
  Speaker 4: in real time.
• 24:23
  Speaker 5: This is happening in real time. Also, this is the
• 24:26
  Speaker 5: only time we've got so many stonecutters that you know,
• 24:30
  Speaker 5: Damno is going to be occupied for a bit. Yeah,
• 24:32
  Speaker 5: I don't have to talk. I can you know, by
• 24:35
  Speaker 5: the way, this is tea, not coffee. Ah, but I
• 24:37
  Speaker 5: can cleanse my palette and you know, whit my whistle
• 24:41
  Speaker 5: and get ready to provide you with top notch content.
• 24:43
  Speaker 4: Do you want to know the original air day of
• 24:45
  Speaker 4: Mountain of Madness. Sure, it was February second, nineteen ninety seven.
• 24:48
  Speaker 4: The production code, would you believe, was four F one zero,
• 24:53
  Speaker 4: and as we mentioned earlier, it was written by John Swartzwald,
• 24:55
  Speaker 4: although he may not have written I want to see.
• 24:57
  Speaker 4: I want to read what the Schwartzwater version of this
• 24:59
  Speaker 4: apparently was insane, as Weinstein says, so I would love
• 25:02
  Speaker 4: to read John swartz Order's original version of Mountain of Madness.
• 25:05
  Speaker 4: I wonder I reckon he goes real like crazy with
• 25:08
  Speaker 4: once they have cabin Fever. One's while with that, I reckon.
• 25:12
  Speaker 4: I like Swartzwelder. I like it.
• 25:13
  Speaker 5: I like his philosophy of writing just a really basic
• 25:17
  Speaker 5: thing and then the next day, Oh, I get to rewrite.
• 25:19
  Speaker 5: You know, you do the fun stuff.
• 25:21
  Speaker 4: I love that he bought the diner booth that he
• 25:23
  Speaker 4: likes and brought it into his house. What a man. Yeah.
• 25:26
  Speaker 4: Also directed by Mark Kirkland. The cash gag the couch
• 25:29
  Speaker 4: has folded out into a bed with Grandpa sleeping on
• 25:31
  Speaker 4: at the Simpsons folded back up and he gets sucked
• 25:32
  Speaker 4: into the couch and there was no chopboall game, just
• 25:35
  Speaker 4: gip straight to the couch gag. So the episode kicks
• 25:37
  Speaker 4: off with Burns walking all happy into work. Have I
• 25:42
  Speaker 4: ever seen a boss walk into work like this?
• 25:44
  Speaker 6: No?
• 25:45
  Speaker 4: The boss never seems happening. I feel like that if
• 25:46
  Speaker 4: you're a boss, you've got to set that you're going
• 25:48
  Speaker 4: to set the president right love the way he said, Boss,
• 25:50
  Speaker 4: just then really sort of boss, You've got to set
• 25:52
  Speaker 4: the president of If I look like I'm happy to
• 25:55
  Speaker 4: be here, then hopefully my workers will want to be
• 25:57
  Speaker 4: here as well.
• 25:58
  Speaker 5: Well you're leading from the top, Yeah, because a top
• 26:00
  Speaker 5: down manage, I.
• 26:01
  Speaker 4: Know, previous employment. You go here, you're going, yeah, living
• 26:04
  Speaker 4: the dream. I'm like, well, this guy fucking hats being in,
• 26:06
  Speaker 4: then why should I enjoy being the point he's only
• 26:09
  Speaker 4: getting paid. Whenever I walk into the studio that we've
• 26:15
  Speaker 4: got here, Dan, it's almost very very cheerful. Yeah, another day,
• 26:18
  Speaker 4: let's help. The promise of a new day, the promise
• 26:22
  Speaker 4: of a new Davis Beta. But officer him coffee, no
• 26:29
  Speaker 4: need for coffee. As I said, promise of a new
• 26:31
  Speaker 4: day is more than enough exhilaration for him. And then
• 26:33
  Speaker 4: by lunchtime he's just in the bed. This is what
• 26:35
  Speaker 4: it's like at enofice job. By a lunchtime you're like,
• 26:37
  Speaker 4: oh god, how's it only twelve o'clock? True? Yes, so
• 26:40
  Speaker 4: that's when you log at it. Yes, No, don't log out,
• 26:46
  Speaker 4: Go get your Steve Kie, then come back and log out. No,
• 26:48
  Speaker 4: this is the thing, you know, this week marks two
• 26:50
  Speaker 4: years since I quit my office job to pursue this
• 26:52
  Speaker 4: is a dream. Wow two years two years as I've
• 26:54
  Speaker 4: had to work for somebody else. Wowpaus to me, well,
• 27:01
  Speaker 4: chase that drink, Yes, Chase the dream indeed. But he
• 27:04
  Speaker 4: then asked the coffee because obviously he needs it. And
• 27:06
  Speaker 4: then that shot here of him and going ah with
• 27:08
  Speaker 4: the coffee that gets used so often in memes, Burds
• 27:12
  Speaker 4: with this little coffee and just full of energy, and
• 27:14
  Speaker 4: he's wide away now and decides, what can we do here?
• 27:17
  Speaker 4: We do a drill of some kind. So you go
• 27:18
  Speaker 4: through his meltdown alert, a mad dog, one, a blimp,
• 27:22
  Speaker 4: and you just side and a good old fire drill.
• 27:24
  Speaker 4: Imagine having this power. Were just like, I feel like
• 27:26
  Speaker 4: making them do a drill.
• 27:29
  Speaker 5: Putting them through their paces. Yeah, making them bend to
• 27:32
  Speaker 5: my will.
• 27:32
  Speaker 4: They do it forward, but they would they would always
• 27:36
  Speaker 4: like the top officer would always say, you gonna do
• 27:37
  Speaker 4: a fire drill today in Geelong, but that they would
• 27:40
  Speaker 4: always come around the union God always comeround and go
• 27:42
  Speaker 4: doing a fire drill at nine forty five. Just get ready,
• 27:43
  Speaker 4: just make just get ready. It was like it was
• 27:47
  Speaker 4: like the need to know basis, you know what I mean?
• 27:51
  Speaker 4: Ninety five the fire drill. Everyone's like, is that the
• 27:53
  Speaker 4: fire drill? Got leave it in orderly fashion, thankfully. Here's
• 27:58
  Speaker 4: this exit package I've.
• 27:59
  Speaker 5: Prepared earlier, but I'm going to follow to the letter. Yeah,
• 28:02
  Speaker 5: I'm certainly not afraid from my life. So yeah, so
• 28:06
  Speaker 5: it's just going to going crazy.
• 28:07
  Speaker 4: Lenny's waiting for his coc I did, like Carl thought
• 28:10
  Speaker 4: the popcorn's ready. Now you're mentioning, you've read someone on
• 28:13
  Speaker 4: Wikipedia that this was the first one established the Lenny
• 28:16
  Speaker 4: Carl relationship, apparently al Pale Josh Weinstein, because they've always
• 28:21
  Speaker 4: been friends, yes, but.
• 28:23
  Speaker 5: Now we're establishing that they are an actual sort of duo. Yeah,
• 28:27
  Speaker 5: best buzz.
• 28:27
  Speaker 4: It's weird because I've always just seen them as a duo. Yeah,
• 28:30
  Speaker 4: we do a bit of retroactive. What's the word I'm
• 28:34
  Speaker 4: looking for is just because you've watched the same episodes
• 28:36
  Speaker 4: over and over again, just feels like it's always been
• 28:37
  Speaker 4: that's always been that way. Yeah, because I guess the episodes,
• 28:40
  Speaker 4: I would say the ones that we're put on TV
• 28:43
  Speaker 4: the most in Australia reruns wise, we'll be like four
• 28:45
  Speaker 4: through eight. I reckon and this is season eight, so
• 28:47
  Speaker 4: it's cold on the end of that. But still, I think,
• 28:49
  Speaker 4: just watching these episodes over and over again, you just
• 28:50
  Speaker 4: think this has just always just been the way. As
• 28:52
  Speaker 4: I said, now, who are you? Are you the fire
• 28:56
  Speaker 4: extinguisher guy in a fire drill when you think that
• 28:58
  Speaker 4: the shit's gone shit's gone down? Or either fire fire
• 29:00
  Speaker 4: fire fight? Which one are you? Either guy get the
• 29:02
  Speaker 4: fired seriously hitting people? Or are you panicking? Or you
• 29:06
  Speaker 4: what do you?
• 29:06
  Speaker 5: Neither of these a good option. No, they're not. I'm
• 29:09
  Speaker 5: probably far extinguished that I'm gonna be honest about.
• 29:13
  Speaker 4: If it's every man for himself, you know this building
• 29:16
  Speaker 4: is coming down, what are you doing? Are you going
• 29:18
  Speaker 4: to be helping people or is it every man for himself? No,
• 29:21
  Speaker 4: I'm going to be helping people. You reckon, I am
• 29:23
  Speaker 4: No one remembers you, though, what's the point in happening people?
• 29:25
  Speaker 4: If it was all coming down it's every man for himself,
• 29:27
  Speaker 4: You're going to get out first.
• 29:28
  Speaker 5: Man in the last few seconds of my life. I'm
• 29:30
  Speaker 5: going to be like, there's a saying that.
• 29:32
  Speaker 4: It might not have to be if it's every man
• 29:33
  Speaker 4: for himself, it mightn't have to be the last few
• 29:35
  Speaker 4: seconds of your life. Yeah, and then I've got to
• 29:37
  Speaker 4: live the rest of my life. There was that poor
• 29:39
  Speaker 4: chump I could have helped out, and that that person
• 29:41
  Speaker 4: will haunt me for the rest of my day. But
• 29:42
  Speaker 4: then you just have to have someone go. Yeah, but
• 29:43
  Speaker 4: if he was in that situation, would done the same
• 29:45
  Speaker 4: thing to you? And you're like, yeah, you probably would have.
• 29:49
  Speaker 5: No.
• 29:50
  Speaker 4: No, I've gotta be able to look at myself in
• 29:51
  Speaker 4: the mirror for the rest of my life. So yeah,
• 29:54
  Speaker 4: and I saying I'll come a rescue. In the cowboy photo,
• 29:57
  Speaker 4: as well as most of the family, I love to
• 30:00
  Speaker 4: choose between.
• 30:00
  Speaker 5: All of them, Like there's a family phok right there,
• 30:02
  Speaker 5: that's got everyone in the grab that one, the stabby
• 30:05
  Speaker 5: photo is at home.
• 30:05
  Speaker 4: This one is me.
• 30:08
  Speaker 5: I'm not saying you shouldn't have taken the cowboy, of
• 30:11
  Speaker 5: course he has, but he's looking like which you choose?
• 30:13
  Speaker 4: Which I choose?
• 30:14
  Speaker 5: Ah?
• 30:14
  Speaker 4: Yeah, what were you going to say?
• 30:16
  Speaker 5: There's a saying from an old Western that I like
• 30:19
  Speaker 5: that is not necessarily a motto, but this cowboy's sort
• 30:24
  Speaker 5: of lived a bit of a rough life. He says,
• 30:26
  Speaker 5: when my time comes, I just want to enter my
• 30:27
  Speaker 5: house justified, which means, you know, I want no regrets.
• 30:30
  Speaker 5: I want to walk up to the pearly gates and say, yeah,
• 30:34
  Speaker 5: I did it right. That's the thing I want to
• 30:36
  Speaker 5: I want to enter my house justified. Yes, so yeah,
• 30:39
  Speaker 5: that's that's how I feel about it. I would help
• 30:41
  Speaker 5: someone out.
• 30:43
  Speaker 4: Bands and Smiths are waiting. He says, how does it
• 30:45
  Speaker 4: normally take? Was it like usually forty five seconds or something?
• 30:48
  Speaker 5: Forty five seconds? And the storte is it supposed to
• 30:53
  Speaker 5: take this long?
• 30:54
  Speaker 3: What's a good term for a mass evacuation of the
• 30:56
  Speaker 3: entire plant?
• 30:58
  Speaker 1: Forty five seconds? And to tell him so far I
• 31:01
  Speaker 1: don't know. Sorry, let's stop watch only goes up to
• 31:03
  Speaker 1: fifteen minutes.
• 31:04
  Speaker 4: Damn nation? What kind of slow coaches? The way of
• 31:07
  Speaker 4: working for me.
• 31:09
  Speaker 3: Was one of our fellows.
• 31:10
  Speaker 2: Now I think I won, mister Burns, Yes, you won.
• 31:18
  Speaker 3: All right, you won more than you burgained.
• 31:21
  Speaker 7: Fun.
• 31:23
  Speaker 4: I love this shot here. It's just detailed the background,
• 31:27
  Speaker 4: Burns dressing him down, the guy climbing down and he
• 31:29
  Speaker 4: falls off at the last bitte.
• 31:31
  Speaker 5: That was good. I like that. By the way, another
• 31:34
  Speaker 5: pop culture deep cut in here are very Burns thing,
• 31:38
  Speaker 5: because Burns is always, you know, talking about stuff. That
• 31:40
  Speaker 5: was just ancient and before by the time this episode
• 31:44
  Speaker 5: came out. I think he talks about the Ritz Brothers
• 31:46
  Speaker 5: he does, which were like, I really, I want to
• 31:49
  Speaker 5: say a low rent Marx Brothers, but it's like Marx
• 31:52
  Speaker 5: Brothers are really popular in the thirties and forties, and
• 31:55
  Speaker 5: I think it was like Famous and Brothers, find all
• 31:57
  Speaker 5: the Vallville, thead, the.
• 31:58
  Speaker 4: Rights, who got the Ritson? The Right Brothers did the plane?
• 32:03
  Speaker 4: Also a well known comedy duo. Yes, but yeah Rich
• 32:08
  Speaker 4: Brothers like a yeah, a Marx Brothers knock off.
• 32:11
  Speaker 5: Of course this is something but a joke designed especially
• 32:18
  Speaker 5: for me and my head full of pop culture epemera.
• 32:20
  Speaker 4: But a rule lesson in teamwork, as he explains, here
• 32:24
  Speaker 4: is what Lenny and I don't know he does like
• 32:25
  Speaker 4: clearly not working as a team. So it's true this
• 32:28
  Speaker 4: is this feels like the episode where now you pointed
• 32:30
  Speaker 4: it out. A lot of the episode is Lenny and Carl.
• 32:33
  Speaker 4: I think I didn't have it as the first time
• 32:35
  Speaker 4: as seen him as a duo. I saw it as
• 32:37
  Speaker 4: the first time we sort of saw Carl's disdain for Lenny,
• 32:40
  Speaker 4: which I think is my least favorite part of that relationship.
• 32:43
  Speaker 4: Because as the show evolves, it's almost like Lenny evolves
• 32:47
  Speaker 4: into Carl as well. They both have just disdained for
• 32:49
  Speaker 4: each other and everything else around them. Yeah it feels unnatural. Yeah,
• 32:52
  Speaker 4: isn't it, because why frankly unwanted? Yeah, it's weird. We
• 32:56
  Speaker 4: don't want that. No, so burns, so as I always
• 33:00
  Speaker 4: said that. So Homy then explains that you can take
• 33:02
  Speaker 4: him to a teamwork retreat, to the family, as if
• 33:04
  Speaker 4: they say, you've got to come with me. This is
• 33:06
  Speaker 4: where we get the Barts rant about the just the
• 33:08
  Speaker 4: world's not going the way he likes it. I wish
• 33:10
  Speaker 4: to subscribe to your newsletter, think about Babe Ruth. Yes,
• 33:13
  Speaker 4: what's funny? What tends to even play for? Who knows? Nobody? Yankees?
• 33:19
  Speaker 4: And then his response is ignores and continues his rant.
• 33:23
  Speaker 5: It was already played for the Boston Red Sox. It
• 33:25
  Speaker 5: was like, wait a minute, this is gag. And he
• 33:27
  Speaker 5: actually did play for the Socks. But yeah, he was
• 33:30
  Speaker 5: a picture for the Socks.
• 33:31
  Speaker 4: I thought. And then then when the Yankees hit, I think,
• 33:34
  Speaker 4: you say he didn't play for the Yankes, and I
• 33:36
  Speaker 4: was like, my whole life is a lie. I swear
• 33:37
  Speaker 4: he played for the Yankees. It's like a fil reference
• 33:41
  Speaker 4: here Australia Garriol but Senior played his first couple years
• 33:44
  Speaker 4: at Hawthorne. Yeah, and they let him go. There are
• 33:52
  Speaker 4: always those tales about okay, you take this or you
• 33:54
  Speaker 4: take this?
• 33:56
  Speaker 5: Why don't keep reading recently because it keeps coming up
• 33:58
  Speaker 5: on social Media's like Vincent.
• 34:00
  Speaker 4: Price was offered like a cut of Thriller.
• 34:05
  Speaker 5: Royalty or twenty grand to Ida and he took twenty grand.
• 34:12
  Speaker 4: The best one is Alec Guinness McGinness is the Meginnis. Yes,
• 34:16
  Speaker 4: just Guinness, just get us. Yeah, taking the cut of
• 34:18
  Speaker 4: the merchandising.
• 34:20
  Speaker 5: Oh did you take the merchandising or just or just
• 34:22
  Speaker 5: got points in the movie? I thought it was merchandising
• 34:25
  Speaker 5: or was that Lucas Luke Lucas took them. He was
• 34:27
  Speaker 5: just like, don't pay me anything. I just one percentage
• 34:29
  Speaker 5: of something Guinness did. What a genius?
• 34:34
  Speaker 7: Teamwork is overrated? Think about it. I mean what team
• 34:39
  Speaker 7: was Babe ruth On who knows Yankees sharing is a
• 34:44
  Speaker 7: bunch of bulls too? And helping others and what's all
• 34:46
  Speaker 7: this crap I've been hearing about tolerance.
• 34:49
  Speaker 2: Your ideas are intriguing to me and I wish to
• 34:52
  Speaker 2: subscribe to your newsletter, but I think we have to
• 34:54
  Speaker 2: go and a retreat anyway.
• 34:56
  Speaker 4: They rub a mat useful, the strategic Granite Reserve and
• 34:59
  Speaker 4: then the car park. See this is just another one
• 35:00
  Speaker 4: of those rakes, just to kill some time, I guess.
• 35:03
  Speaker 4: Then Birds is running through all the different things and
• 35:05
  Speaker 4: realize family. As we said, it's just a way of
• 35:11
  Speaker 4: having Marge Bart Lisa make it in the episode, even
• 35:13
  Speaker 4: though make it didn't really do much anyway. Actually it
• 35:15
  Speaker 4: was just a little starfish. Yeah, there was one one
• 35:18
  Speaker 4: little nitpick I've got with the Marge toroyal and then
• 35:19
  Speaker 4: I'll bring up when we get to it. Okay, but
• 35:21
  Speaker 4: Marge says, you know, we can have lots of fun here,
• 35:24
  Speaker 4: right a mountain and then the range of rocks up
• 35:25
  Speaker 4: the first time we've seen. Unfortunately, due to budget cuts,
• 35:28
  Speaker 4: we've had to remove anything even the least bit entertaining. Well, goodbye.
• 35:31
  Speaker 4: Then Smithers is explaining about the map. I'll last my map.
• 35:33
  Speaker 4: You haven't been issued a map yet. Just setting up
• 35:36
  Speaker 4: the homisis an idiot. Then when you arrive you'll have
• 35:39
  Speaker 4: sealbratory savages and like affordable Yeah, something like that.
• 35:45
  Speaker 5: Yeah, I like as well. I mean, I'm trying to
• 35:48
  Speaker 5: remember if we've ever seen prior to this Smithers be
• 35:53
  Speaker 5: kind of flinty and a short tempered.
• 35:56
  Speaker 4: Because yeah, how man the Smithers. Oh yeah, I guess
• 36:00
  Speaker 4: tries to kill Homer. Point what about when he's walking
• 36:06
  Speaker 4: the street. Can't a man walked down the street if
• 36:08
  Speaker 4: had been offered a job. That's I believe the joy
• 36:13
  Speaker 4: of sect. That's the was it the note? It's the no, No,
• 36:16
  Speaker 4: that's the Hank scopia one.
• 36:19
  Speaker 5: Thanks for pointing the finger told me.
• 36:21
  Speaker 4: But yeah, the home of the Smithers is from season seven,
• 36:23
  Speaker 4: I believe. So, yeah, great, it's.
• 36:26
  Speaker 5: Just impossible to contend with their big brain Neils.
• 36:29
  Speaker 4: It's not at all. It's a wasted youth. I wouldn't
• 36:32
  Speaker 4: say wasted. I've made it my job right. It was
• 36:35
  Speaker 4: all ground work. Yes, it was just like laying the groundwork.
• 36:37
  Speaker 4: But yeah, So basically they're explaining that you need to
• 36:40
  Speaker 4: map you get salvatory sandwiches. Then the second last team
• 36:43
  Speaker 4: gets the trophy of worst employee and last gets fired.
• 36:46
  Speaker 4: Burns and says that even he and Smithers are going
• 36:48
  Speaker 4: to be so even we might get fired, not likely.
• 36:51
  Speaker 4: I always thought that delivering the reading of not bloody
• 36:54
  Speaker 4: likely just felt so odd because that's not what an
• 36:57
  Speaker 4: American would say. No, it was just weird, not bloody likely,
• 37:00
  Speaker 4: what the hell? Just it felt like a weird thing
• 37:03
  Speaker 4: for Burns to say, Yeah, because he's American. Yeah, I
• 37:07
  Speaker 4: say bloody at all, the bloody like I don't think
• 37:08
  Speaker 4: they and it's never really it made its way into
• 37:12
  Speaker 4: American bloody hell, the bloody bloody hell. Try put on
• 37:18
  Speaker 4: your best American accent, try to say bloody hell, which
• 37:20
  Speaker 4: which accent though I can't do American accents. But that's
• 37:24
  Speaker 4: what's blossomed, bloody, bloody, bloody hell. That's that's that's not
• 37:29
  Speaker 4: of an American. I don't know what it is. It's weird,
• 37:31
  Speaker 4: it's odd. Yes, the modern day bloody hell is for
• 37:36
  Speaker 4: fox sake, one word, yeah, fox sake? Is that is
• 37:40
  Speaker 4: that an ussy thing? Fox sake? I think?
• 37:43
  Speaker 5: So let's claim it.
• 37:44
  Speaker 4: Yeah, let's claim it.
• 37:47
  Speaker 5: But Americans don't say bloody.
• 37:49
  Speaker 2: It was.
• 37:49
  Speaker 4: It was a weird thing. Yeah. But as of saying that,
• 37:51
  Speaker 4: he says, if we might, then all the names are
• 37:53
  Speaker 4: in the hat. And Carl's annoyed that he gets put
• 37:56
  Speaker 4: with Lenny, I feel like oh nuts was the gag
• 37:59
  Speaker 4: of the week in the writer's room because it's get
• 38:01
  Speaker 4: said so often in this episode.
• 38:03
  Speaker 5: Yeah, it didn't feel like they were trying.
• 38:05
  Speaker 4: To create a catch right now. It's like, well, it's
• 38:07
  Speaker 4: a bit. Yeah, this is the bit Homer and Burns
• 38:10
  Speaker 4: get put together. Smithers's like, what do you mean? I
• 38:12
  Speaker 4: thought we were going to be reading this will frankly
• 38:14
  Speaker 4: be in a bit of a pill lately. What do
• 38:15
  Speaker 4: we always fight on vacation? Smith is now on his own.
• 38:19
  Speaker 4: I did love this and we paired with me and
• 38:22
  Speaker 4: it is wener. Smith's great, perfect, That's just perfect. We've
• 38:25
  Speaker 4: all been a situation where it just feels like nothing's
• 38:27
  Speaker 4: going right. But they start the race, shoots, the gun,
• 38:31
  Speaker 4: goes into the snow. Everyone starts running off, shooting stuff
• 38:33
  Speaker 4: out of the snow. I just got here. What a
• 38:35
  Speaker 4: great opening act. That's pretty good. Nothing was wasted, there
• 38:37
  Speaker 4: was no filler. It all set up the story. Yeah,
• 38:40
  Speaker 4: just really well handled. We're now at the visitor center
• 38:42
  Speaker 4: with Marche and the kids. Bart's with the bear and
• 38:45
  Speaker 4: this is one of the more iconic moments from the episode.
• 38:49
  Speaker 6: Only who can't prevent Forest Fires? You pressed you referring
• 38:55
  Speaker 6: to me, that is incorrect. The correct answer is you.
• 39:01
  Speaker 4: So he asked, can we go outside to play? Marge says, yep, sure,
• 39:04
  Speaker 4: no worries my nitpick use the term apple cheek, which
• 39:07
  Speaker 4: I liked. My nitpick is coming up though, a little
• 39:10
  Speaker 4: bit later, Marge says, but Lisa, where are you what
• 39:14
  Speaker 4: You've just told them they can go outside and play?
• 39:16
  Speaker 4: Why are you looking for them in the visitor center?
• 39:19
  Speaker 4: Have you looked outside? Well, no, it's like that's where
• 39:22
  Speaker 4: you told them they can go play. It's that microscopic
• 39:25
  Speaker 4: eye for detail that sets you apart.
• 39:28
  Speaker 5: It's that kind of.
• 39:29
  Speaker 4: Thing that's gonna get this man. I learned it from
• 39:35
  Speaker 4: you dead. Smithers is angry and we get the bony
• 39:39
  Speaker 4: all behind which slaye me as a kid.
• 39:41
  Speaker 1: How could you do this to me, mister Burns, After
• 39:43
  Speaker 1: all I've done for you, Why if you were here,
• 39:46
  Speaker 1: I kick you right near bony all behind bony.
• 39:49
  Speaker 6: All behind bony all behind bony all behind.
• 39:53
  Speaker 4: Bony behind the way.
• 39:55
  Speaker 3: Thank you Simpson. They have been watching my figure.
• 39:58
  Speaker 4: But then shoots the snowball off the tree. I like
• 40:01
  Speaker 4: the idea that he knew Lisa would enjoy the idea
• 40:03
  Speaker 4: the two snowflakes that identical to each other. Oh boy,
• 40:05
  Speaker 4: really and shoots the snowball hits mister Smithers, so he's
• 40:09
  Speaker 4: little Randy. Oh great, it's the Bubbsy Twins. I appreciate
• 40:12
  Speaker 4: the fact that he immediately apologized because it just felt
• 40:15
  Speaker 4: out a character for him to be mean to Button Lisa.
• 40:17
  Speaker 4: And it's just frustrated. He's just frustrated, And that's what happens.
• 40:19
  Speaker 4: Sometimes you get frustrated. Sometimes I say things. I go, okay, Al,
• 40:23
  Speaker 4: I'm sorry. I didn't meant to yell, but I'm just
• 40:25
  Speaker 4: I've had enough. Sometimes you just hit that breaking point
• 40:30
  Speaker 4: you I felt like the equivalent for you is when
• 40:31
  Speaker 4: technology is not working your way very much and you've
• 40:34
  Speaker 4: just had enough.
• 40:36
  Speaker 5: This is why Dan and I record in the same
• 40:38
  Speaker 5: room as opposed to try to do it remotely.
• 40:43
  Speaker 4: But just push push that button. But we couldn't. We
• 40:45
  Speaker 4: couldn't film it though. If you were in the same room,
• 40:48
  Speaker 4: that zoom in your face and it wouldn't. Yeah, you know,
• 40:53
  Speaker 4: no one likes that. Everyone likes that. They okay, but
• 40:57
  Speaker 4: they offered to help him, and yeah, I just thought
• 40:59
  Speaker 4: this was a great set up. Smithers button Lesa. You
• 41:01
  Speaker 4: don't see them sort of working together very often, so
• 41:03
  Speaker 4: it was just nice to something fresh, you know, something different,
• 41:06
  Speaker 4: And it's also nice to see someone The dynamic I
• 41:08
  Speaker 4: liked about this is that someone who isn't used to
• 41:11
  Speaker 4: having to deal with kids correct now has to hang
• 41:13
  Speaker 4: out with kids. But he also it's kind like a
• 41:14
  Speaker 4: big kid himsel because they see them in the Malibu
• 41:16
  Speaker 4: Stacey episode. He collecks right, the dolls and whatnot. So
• 41:19
  Speaker 4: he asked Bart for the time twelve eighty? What comes
• 41:23
  Speaker 4: after one? Was it twelve one? I said, after twelve?
• 41:25
  Speaker 4: How are your kids with after one? When with a
• 41:29
  Speaker 4: clock as opposed to a digital clock. They haven't quite
• 41:32
  Speaker 4: worked out the clock yet. Yeah. I wondering if the
• 41:34
  Speaker 4: kids are the kids of today, not just your kids,
• 41:36
  Speaker 4: the children they still teach them, I would hope. So, yeah,
• 41:42
  Speaker 4: they still teach them to right, thank God? Yeah?
• 41:44
  Speaker 5: Oh big hand in little hand.
• 41:45
  Speaker 4: Yeah yeah. Alice getting really good at reading and writing.
• 41:48
  Speaker 4: It's incredible. You know, he's been at school for six.
• 41:51
  Speaker 5: Months now and county toothpicks.
• 41:52
  Speaker 4: Yes, humans can just just learned, man like he's been God.
• 41:56
  Speaker 4: So it's incredible, Like how quickly. This picks it up.
• 41:58
  Speaker 4: He's like we're walking down the street. It's just like
• 41:59
  Speaker 4: the does that say Buxton? Like that the real estate.
• 42:02
  Speaker 4: I was like it does. He reads words and he
• 42:05
  Speaker 4: goes X exciting, fantastic, And I was like, these are
• 42:09
  Speaker 4: words you've never read.
• 42:10
  Speaker 5: Before, and it's why we need to teaching because I've
• 42:12
  Speaker 5: got no idea how to sort of teach that. Yeah,
• 42:14
  Speaker 5: but you really want to.
• 42:15
  Speaker 4: Yeah, Well we went to the classroom yesterday. It was
• 42:17
  Speaker 4: just afternoon that had like little parents can come in
• 42:19
  Speaker 4: for the last half and hour kind of thing and
• 42:21
  Speaker 4: just watching the class work and just the way, just
• 42:24
  Speaker 4: the basics. And you're like, I probably did this same
• 42:26
  Speaker 4: thing to learn as but I don't remember. I don't
• 42:29
  Speaker 4: remember how I learned. It's just because I just know
• 42:31
  Speaker 4: how to do it. Yeah, you don't remember, as we
• 42:32
  Speaker 4: said before, how to lay the groundwork. Yeah, okay, Yes,
• 42:35
  Speaker 4: this is the alphabet, and this is how certain words
• 42:38
  Speaker 4: sound together, and way this word is a bit like
• 42:40
  Speaker 4: that words it might sound a bit like that, oh
• 42:42
  Speaker 4: that kind of business thing.
• 42:43
  Speaker 5: We're humans.
• 42:46
  Speaker 4: We're not bad, so we are bad. Oh we're bad,
• 42:49
  Speaker 4: not bad at some things. We're well designed, revolved well, yes,
• 42:54
  Speaker 4: it could be better though.
• 42:55
  Speaker 5: We're working on that down Elon's working on that.
• 42:58
  Speaker 4: But speaking of people who are doing the wrong thing,
• 42:59
  Speaker 4: but right reveals here that there's this far too much.
• 43:02
  Speaker 4: I always bring it back, far too much hysteria about
• 43:04
  Speaker 4: the so called cheating. It's my dude, is American to
• 43:07
  Speaker 4: do it? If I can capitalize in a situation, just
• 43:09
  Speaker 4: justifies it. And home at the end, mister burns eye
• 43:11
  Speaker 4: assist that we cheat. And you always hear that the
• 43:17
  Speaker 4: Olympics have just wrapped up. Yeah, you know, I watched
• 43:19
  Speaker 4: one sport for about fifteen minutes. I bought the fifteen
• 43:22
  Speaker 4: dollar package from Stan didn't watch any of it. Nick,
• 43:25
  Speaker 4: I'm like, the Olympics have finished. I'm always excited by
• 43:27
  Speaker 4: the idea of the Olympics, and then they come around
• 43:31
  Speaker 4: and we just watch mad Men. What.
• 43:35
  Speaker 5: First of all, I can't I can't fault that. I
• 43:37
  Speaker 5: mean watching we gave up on Lost. You gave up
• 43:40
  Speaker 5: on the Lost.
• 43:40
  Speaker 4: We got two seasons in season Finally of season two,
• 43:43
  Speaker 4: I went to Nicola. I just don't tell much other
• 43:46
  Speaker 4: stuff happening. Well, it's just it's stupid. The point that
• 43:49
  Speaker 4: it lost me. Right, I was just one little quick
• 43:51
  Speaker 4: grand viewers of Lost will understand. They want to get
• 43:55
  Speaker 4: into this room. It's like a hatch hid the hatch,
• 43:58
  Speaker 4: and they want to blow it up. This this guy Echo,
• 44:01
  Speaker 4: mister Echo, wants to blow it up, right, yes, So
• 44:03
  Speaker 4: he sets off this giant Dyna white bomb in this
• 44:05
  Speaker 4: hallway where there's no escape, right, and he gets encased
• 44:09
  Speaker 4: in the flames. Just this whole hallways full of flames.
• 44:13
  Speaker 4: He's incinerated. Right. Five minutes later we come back, he's
• 44:16
  Speaker 4: just laying on the floor. He's closed out of and burnt.
• 44:18
  Speaker 4: His skin's not burned. I'm just like, I'm done. I'm
• 44:21
  Speaker 4: just done. And we did. We just went through Disney
• 44:23
  Speaker 4: Plus and read the descriptions of each episode and then
• 44:26
  Speaker 4: we watched it. And we watched like the last fifteen
• 44:29
  Speaker 4: minutes of the final episode, and I was like, thank god,
• 44:32
  Speaker 4: we didn't commit six seasons to this ship. But then Madman.
• 44:35
  Speaker 4: I was like, because I really want to start watching
• 44:36
  Speaker 4: Madman again. So we started rewatching it yesterday and what
• 44:40
  Speaker 4: a show?
• 44:41
  Speaker 5: What a show?
• 44:41
  Speaker 4: What's it on?
• 44:42
  Speaker 5: Is which streamer?
• 44:43
  Speaker 4: I have the physical cupies? I'm ready It's also on Netflix.
• 44:48
  Speaker 4: Oh cool, yes, but I want to watch it with
• 44:49
  Speaker 4: Calvin Cannies. We're going to do a TV launch port
• 44:53
  Speaker 4: on mad Man. Maybe we should. Yeah, we'll throw it
• 44:55
  Speaker 4: into the people. The current one is Cheers or Fraser,
• 44:58
  Speaker 4: and at the moment Fraser is when oh, okay, yeah,
• 45:01
  Speaker 4: I was kind of the point I wanted to do Cheers.
• 45:03
  Speaker 4: One thing let people vote is that democracy doesn't work.
• 45:08
  Speaker 5: It's a bad time to say that my choices were
• 45:11
  Speaker 5: Cheers or Frasier. Not the pole should be between Cheers
• 45:15
  Speaker 5: and Fraught. I thought they're two good options. They are
• 45:18
  Speaker 5: two good options. It also means you didn't do the work,
• 45:20
  Speaker 5: you didn't come.
• 45:20
  Speaker 4: Up with them. No, well, I was going to suggest Cheers,
• 45:22
  Speaker 4: and then you're just to Cheers a prasi and I
• 45:23
  Speaker 4: was like, oh, you've already suggested one of mine. So
• 45:25
  Speaker 4: I just I'll clean the loser. You can clean the winner.
• 45:28
  Speaker 4: You say that, okay, fine, No, it's good. What do
• 45:30
  Speaker 4: you think of I thought of wholesome sitcom Cheers just
• 45:32
  Speaker 4: coming straight to my mind, wholesome sickcoms because of the
• 45:35
  Speaker 4: theme song. I guess no, just the ever vibe with
• 45:37
  Speaker 4: the show is just wholesome, isn't it? Norm to you?
• 45:41
  Speaker 4: My hero is it's that guy.
• 45:42
  Speaker 5: I don't know if it is at the very end
• 45:45
  Speaker 5: of the cheers grand sequence, but it's the guy who's
• 45:47
  Speaker 5: just he looks so happy, that guy. Yeah, everything's going
• 45:52
  Speaker 5: that guy's way. Yeah, what today is?
• 45:54
  Speaker 4: What a lord?
• 45:56
  Speaker 5: Okay, where were we?
• 45:58
  Speaker 4: He's better to reveal the horseless sleigh. He's like, well,
• 46:00
  Speaker 4: you do know a lot about hitting. I'm older than you.
• 46:04
  Speaker 4: And they seek when Homer gets on a lot of
• 46:05
  Speaker 4: callbacks in this, so the all nuts is a bit
• 46:07
  Speaker 4: of a callback. And then he says it call back
• 46:08
  Speaker 4: to when Kyl says him seeking in the snow? Here
• 46:10
  Speaker 4: is a call back to when Burns sunk in the
• 46:11
  Speaker 4: snow with a gun? Or is it just them reusing gags?
• 46:15
  Speaker 4: Let's just go a callback.
• 46:16
  Speaker 5: I'm I'm trying to write a script at the moment.
• 46:22
  Speaker 5: I'm trying to do this forever but committed for August,
• 46:25
  Speaker 5: like get a whole bunch of shit down on paper.
• 46:28
  Speaker 5: And I'm finding as I'm going, he's.
• 46:29
  Speaker 4: Like, oh, this relates. It's even unconscious I'm that good.
• 46:34
  Speaker 4: But I'm like, oh, oh this can relate to that. Oh,
• 46:37
  Speaker 4: I've got themes.
• 46:38
  Speaker 5: And ideas that are calling back and echoing all through
• 46:41
  Speaker 5: this thing. So I'm gonna get him the benefit the
• 46:43
  Speaker 5: doubt and say it's all deliberate.
• 46:45
  Speaker 4: It's a callback. But they went back at the visitor center.
• 46:48
  Speaker 4: Now this is where Marge is looking for Barton Lisa.
• 46:51
  Speaker 4: I just never got this. I don't understand the point
• 46:53
  Speaker 4: of it, the whole John John Muir Moire whatever. It is,
• 46:58
  Speaker 4: him being sort of slowing his each and March being
• 47:00
  Speaker 4: sort of scared by the video it was. It's the
• 47:03
  Speaker 4: most bizarre scene. Yeah, it feels more if I'd rather
• 47:06
  Speaker 4: a chalk gag this said of this, it feels more
• 47:08
  Speaker 4: like texture than anything that actually moves the story forward.
• 47:10
  Speaker 4: I think they're trying to say, oh, it's a weird play.
• 47:13
  Speaker 4: They said before.
• 47:14
  Speaker 5: About how look how funding has been cut and there's
• 47:17
  Speaker 5: nothing fun anymore. They haven't had a chance to update
• 47:19
  Speaker 5: or upgrade this in a very long time. This is
• 47:22
  Speaker 5: stuff that was probably a huge hit in like nineteen
• 47:24
  Speaker 5: thirty eight.
• 47:25
  Speaker 4: I feel like this is Dan Castlenada made the funny
• 47:28
  Speaker 4: voice in the writers. Oh we're gonna work that in somewhere.
• 47:30
  Speaker 5: We're working in some way. I mean imagine like close
• 47:33
  Speaker 5: to one hundred years ago. You know, you you don't
• 47:37
  Speaker 5: have the television. You don't mean you don't know shit, like, wow,
• 47:41
  Speaker 5: an expedition to the woods, fantastic, and that looks like
• 47:44
  Speaker 5: a human being.
• 47:44
  Speaker 4: It's not that, but it's talking to me. What's what?
• 47:48
  Speaker 4: What devilry? Is this talking bad? Yeah?
• 47:52
  Speaker 5: It would blow your fucking mind. But now they've got
• 47:56
  Speaker 5: no money. It's like, oh, this is a big hit
• 47:58
  Speaker 5: of seventy five years go.
• 48:00
  Speaker 4: But and it's still But this was a projector right,
• 48:04
  Speaker 4: this wasn't a statue.
• 48:05
  Speaker 5: Oh no, no, but I'm talking about yeah, just exhibits and things.
• 48:09
  Speaker 5: Just it was a big deal back.
• 48:10
  Speaker 4: In the day.
• 48:11
  Speaker 5: And you have not kept pace with the times. What's
• 48:13
  Speaker 5: like by virtual being lazy or not having any money
• 48:15
  Speaker 5: or something like that. I put on dinosaurs, the Hanson
• 48:18
  Speaker 5: Jim handsOn dinosaurs, not the Mama the baby right for
• 48:20
  Speaker 5: Allien now who likes dinosaurs, and they can't.
• 48:23
  Speaker 4: Just quite get it. They're like, yeah, but they're not
• 48:25
  Speaker 4: real dinosaurs. I'm like, yeah, but you do understand that
• 48:28
  Speaker 4: the magic it's got into making this show, they're real.
• 48:30
  Speaker 4: They existed. I put the cartoon and I'm like, but
• 48:33
  Speaker 4: that's that's not real.
• 48:34
  Speaker 5: These seas are not real, but they're real.
• 48:38
  Speaker 4: That there's people in there that this is. This is
• 48:40
  Speaker 4: robots and stuff.
• 48:41
  Speaker 5: It's good that you've been big up being Elliott and
• 48:44
  Speaker 5: his curiosity and his obviously big brain that he got
• 48:47
  Speaker 5: from his dad and of course Nikola Nikola, but he's
• 48:52
  Speaker 5: still got to grasp suspension of disbelief.
• 48:56
  Speaker 4: We're not quite there. Whoa, we're halfway there. Watches Drussic
• 49:00
  Speaker 4: Park now and he's like, yeah, I've watunate and he goes,
• 49:04
  Speaker 4: they're not real, are there? I was like, no, they're
• 49:05
  Speaker 4: not around. He's like, they look really like I.
• 49:07
  Speaker 5: Know, should have been around ninety three games.
• 49:11
  Speaker 4: That's the beauty of the Joussy Park one. It's like
• 49:13
  Speaker 4: there's not much cgi That fucking t rex was there.
• 49:17
  Speaker 4: Oh absolutely, it was terrifying. Oh you were there, but
• 49:20
  Speaker 4: I mean blew our mind. I was seeing for the
• 49:22
  Speaker 4: first time, going, I know that other ship ain't real,
• 49:25
  Speaker 4: but that's a fucking dinosaur.
• 49:28
  Speaker 5: All right. But we're back at the place.
• 49:30
  Speaker 4: Yeah, margin she's looking around the visitor center. This is
• 49:34
  Speaker 4: a center and she says, we're to find my kids.
• 49:36
  Speaker 4: So I like it. It's called mant useful. Yeah, I
• 49:38
  Speaker 4: just find that funny goes to find them on the
• 49:40
  Speaker 4: chair lift and the chances finding them are slim to nils.
• 49:42
  Speaker 4: There they are and they wave smiders waving as well.
• 49:48
  Speaker 5: I think, yeah, what happens now? Actually, you know, folds
• 49:51
  Speaker 5: into my theory about Yeah, they just can't upgrade anything.
• 49:54
  Speaker 5: It's like, oh, there's Breton, No how the world?
• 49:58
  Speaker 4: It's just Margin's story. The ranger is actually quite funny throughout,
• 50:02
  Speaker 4: isn't it? Yeah? What was was making with her at
• 50:04
  Speaker 4: this point?
• 50:04
  Speaker 6: Though?
• 50:04
  Speaker 4: Was maggy? Was she holding making on the chair lift?
• 50:07
  Speaker 4: Seems dangerous? I don't remember, Yeah, not quite sure. But
• 50:10
  Speaker 4: Burns and Homer now celebrating. You know, you're the richest
• 50:13
  Speaker 4: guy I know, more than Lenny. So is that was
• 50:16
  Speaker 4: that sort of thing that Lenny was apparently rich? Covermber
• 50:19
  Speaker 4: There was a gag where he's got a wife and
• 50:21
  Speaker 4: who knows. They change it all the time. Sometimes he says,
• 50:23
  Speaker 4: don't put in tep people the rich. Who knows? But
• 50:27
  Speaker 4: our Burns here, have I skipped something? Oh it actually
• 50:29
  Speaker 4: I've skipped Something've skippedhere birds and have arrived.
• 50:31
  Speaker 8: We have several hours before the others arrive. Let's see
• 50:34
  Speaker 8: we get comfitte. Now we have electricity. This propeane tank
• 50:38
  Speaker 8: wills the players were heat and this doorner properly turned
• 50:43
  Speaker 8: will allow us access to the cabin.
• 50:47
  Speaker 2: No going through the window for us.
• 50:50
  Speaker 4: And therese where the kids are just annoying with this.
• 50:51
  Speaker 4: My favorite bit was Bart saying knows gold dis mountain,
• 50:54
  Speaker 4: I don't know, I need check. What did you find
• 50:58
  Speaker 4: that had like a spread? A true? True? Are there
• 51:01
  Speaker 4: any animals that aren't injured? And there's and there's damn
• 51:03
  Speaker 4: virus whatever. Now they're celebrating and then I lock the
• 51:06
  Speaker 4: you're the riches go, I know, I trade it all
• 51:08
  Speaker 4: for a little more. Long's philosophy are life?
• 51:12
  Speaker 6: Yeah?
• 51:12
  Speaker 4: Yeah, And they boast about a good sit yes. And
• 51:16
  Speaker 4: as you're sitting in the sheet, it's like this when
• 51:18
  Speaker 4: you just relax, you're like this is great.
• 51:20
  Speaker 5: Oh yeah, it's like you ever tried this one?
• 51:23
  Speaker 4: We'll our couch now has zero gravity excuse me. So
• 51:27
  Speaker 4: basically it feels like you're floating when you're laying down
• 51:29
  Speaker 4: now it feels like you're floating in water essentially, not
• 51:32
  Speaker 4: not water like a waterbed, but you feel like you're waitless.
• 51:35
  Speaker 4: You realize that when we've wrapped up these episodes, I'm
• 51:37
  Speaker 4: gonna go other sit like it's it's weird because you
• 51:40
  Speaker 4: go on back and then because your legs are on
• 51:42
  Speaker 4: the foot rest, if you just look not slightly the
• 51:44
  Speaker 4: legs rest coach, they're sort of uplight that, so your
• 51:46
  Speaker 4: legs are sort of like elevated a bit. So you're
• 51:47
  Speaker 4: sort of laying there and you're like the back massage happening,
• 51:50
  Speaker 4: and it's like, I don't it looks like you were
• 51:53
  Speaker 4: doing home this thing where it's like, oh, yeah, see, Homer, Homer,
• 51:57
  Speaker 4: because you said Nicola and I were very rare treat
• 52:00
  Speaker 4: ourselves to things like, you know, a nice couch or
• 52:02
  Speaker 4: a nice bed. So when we were just like you
• 52:04
  Speaker 4: know what, we'll got shot of the catch, we went,
• 52:06
  Speaker 4: let's just fucking treat ourselves. We bought the most expensive
• 52:09
  Speaker 4: gag they had with all the glitz and the glamor,
• 52:11
  Speaker 4: and then arrived. We're all like, good on us, well done,
• 52:14
  Speaker 4: We've earned this. We looked over the kids and just
• 52:18
  Speaker 4: a fucking mess, and I was like, we have earned
• 52:19
  Speaker 4: this a lot. Yeah, but yes, as I said that,
• 52:22
  Speaker 4: the celebrating the good sit, the only hard part is
• 52:26
  Speaker 4: getting up. So he shows him the move to get
• 52:27
  Speaker 4: the dip and he's now in his debt. Then they
• 52:30
  Speaker 4: cheers with the wine glass, which causes the avalanche. It's
• 52:33
  Speaker 4: a nice to Act too. Act three the act too
• 52:38
  Speaker 4: and Act three is trying to get out of this situation,
• 52:40
  Speaker 4: a good point.
• 52:42
  Speaker 5: I liked how Homer is just you would think that
• 52:46
  Speaker 5: this is going to set up the avalanche, but no,
• 52:48
  Speaker 5: it's the thing of the champage glasses. It's an obvious gag,
• 52:52
  Speaker 5: but it's a good gag.
• 52:53
  Speaker 4: Lenny, here's something, He's like, here's something did I? I
• 52:58
  Speaker 4: don't know? So you can kind of see that Lenny
• 53:00
  Speaker 4: would be annoying. But you know this it felt out
• 53:01
  Speaker 4: of nowhere a little bit, didn't it.
• 53:03
  Speaker 5: This antagonism, Yeah, felt new and quite frankly I didn't
• 53:06
  Speaker 5: like it.
• 53:06
  Speaker 4: Yeah, I've never liked it. Home and then checks the
• 53:08
  Speaker 4: doors and the windows and see the snow's coming in
• 53:10
  Speaker 4: like that. It's felt very classic Simpson to go back
• 53:12
  Speaker 4: to the door again. Yes, and then they realized there's
• 53:15
  Speaker 4: no way out. The Burns sends the telegraph the SOS
• 53:18
  Speaker 4: and where does it go?
• 53:21
  Speaker 5: What's his name?
• 53:21
  Speaker 4: Moose? Samuel Moore? Samuel Moore, that's right. The exhibit ye
• 53:25
  Speaker 4: in the museum has a little cob web on it. Yeah. Yeah,
• 53:28
  Speaker 4: no one's going to museums. But I feel like I
• 53:30
  Speaker 4: feel like museums are made. If someone of ad comeback,
• 53:32
  Speaker 4: I feel like they're not cool. But people more kind
• 53:34
  Speaker 4: to go out to the museums Now I think so. Yeah,
• 53:37
  Speaker 4: But for a while there, maybe it's just my age.
• 53:39
  Speaker 4: At the time, I was like, I gone to a museum.
• 53:40
  Speaker 4: Now that I'm older, I'm like, you know what, it's
• 53:41
  Speaker 4: a good museum. Good god. Oh, I knew I was
• 53:52
  Speaker 4: getting old. We're driving on the other day and I
• 53:54
  Speaker 4: was like, hey, kids, No, when I was a kid,
• 53:56
  Speaker 4: this Nicholas like, look at you. This did I was like,
• 53:57
  Speaker 4: oh no, I'm old man Dando. I was like this
• 54:00
  Speaker 4: when I used to live and this is you know,
• 54:01
  Speaker 4: when I was a kid, this was here, and then
• 54:02
  Speaker 4: that was that. Good Times said some take a good
• 54:06
  Speaker 4: look around because it's your hometown. Lenny and Carlon arrive,
• 54:11
  Speaker 4: but there's nothing there. They can't find it. Oh maybe
• 54:13
  Speaker 4: it was like metaphorical. They said there'd be sandwiches. If
• 54:17
  Speaker 4: you're probably sandwiches and there's no sandwiches, you would be
• 54:19
  Speaker 4: somewhat disappointed.
• 54:21
  Speaker 5: Let me tell you something when we when we wrap
• 54:24
  Speaker 5: up recording today, I am a good sandwich. Well, yeah,
• 54:26
  Speaker 5: because I'm going to Melbourne tonight to see a previous
• 54:29
  Speaker 5: screening of Alien Romulus.
• 54:31
  Speaker 4: Oh why was my invite? Probably could have it, probably
• 54:34
  Speaker 4: could have come along. Okay, next time, next time. Yeah,
• 54:39
  Speaker 4: I'm going to see Trap. See I haven't I haven't
• 54:42
  Speaker 4: seen tramp. Oh I'm going to see it. I'm seeing
• 54:44
  Speaker 4: it tomorrow tonight with Nico on Tuesday tonight.
• 54:46
  Speaker 5: Yeah, on day night.
• 54:48
  Speaker 4: Yeah, that's very nice because like, what are we going
• 54:50
  Speaker 4: to have seen? I'm like, trap? Is this the first trap?
• 54:53
  Speaker 4: And they know it's just a trap, but you know
• 54:54
  Speaker 4: he is kind of a first trap and you're going.
• 54:56
  Speaker 5: To the first step three. That's what you should have said.
• 54:59
  Speaker 5: She it's implied. Yes, So I'm seeing that tonight. I'm
• 55:02
  Speaker 5: gonna leave a bit early and I'm going to stop
• 55:04
  Speaker 5: by Rocos Delicatestan in Yarraville because they.
• 55:06
  Speaker 4: Do a fucking excellent sand Shout out to Rocos.
• 55:09
  Speaker 5: Shout out to Rocos, friend of the pot. I'm the
• 55:10
  Speaker 5: only friend of guys.
• 55:11
  Speaker 4: I'm going to quickly look up Rocos the Rocos Delhi Yes,
• 55:15
  Speaker 4: in Reville. Is it a forty five minute detour? Like
• 55:18
  Speaker 4: the fucking donut shot was that time? No, but I
• 55:20
  Speaker 4: might go to that donut think one hundred and sixty
• 55:22
  Speaker 4: thousand follows on Instagram. It must be, it must be decent.
• 55:25
  Speaker 4: Oh they do it just just one store, Yeah, tiny
• 55:29
  Speaker 4: little deli. Holy fuck, look at those sandwiches, know right,
• 55:32
  Speaker 4: that's insane.
• 55:34
  Speaker 5: Use your magic editing skills, you or Zach with the
• 55:37
  Speaker 5: video to sort of cut in just a not even
• 55:39
  Speaker 5: subliminal shot.
• 55:40
  Speaker 4: Of like sandwich. There's just there's a timeless of them
• 55:43
  Speaker 4: putting all this excess meat on a roll. Don't Is
• 55:46
  Speaker 4: that just how much you get on a normal one?
• 55:48
  Speaker 4: Or that this like double meat, double meat, double meat.
• 55:49
  Speaker 5: I don't think it's double meat, but you the basic
• 55:52
  Speaker 5: role is comes with you know, all the anti pasto
• 55:55
  Speaker 5: stuff and you can put either two or three meats
• 55:59
  Speaker 5: in there and we.
• 56:00
  Speaker 4: Get Proshuoto and mortar Della. That's insane. Really, we need
• 56:03
  Speaker 4: to get these guys friends in the pot. I think
• 56:06
  Speaker 4: so I'm gonna starting other people say, hey want to be
• 56:08
  Speaker 4: fans in the parks? And how often do we talk
• 56:13
  Speaker 4: about sandwiches all the time? We should be eating sandwiches
• 56:17
  Speaker 4: right now. On the podcast Rocks if you're listening or watching,
• 56:20
  Speaker 4: say us some sandwiches. Yeah, I will take a picture
• 56:22
  Speaker 4: of myself with the sandwich. I'll try to please don't no, no,
• 56:28
  Speaker 4: but I'll try to be like the Homer one. Yeah, yeah, no,
• 56:33
  Speaker 4: you have to do a time lapse and like after
• 56:34
  Speaker 4: a week, Louise, I'd like to be lowered the sandwich
• 56:38
  Speaker 4: for a minute. You're gonna eat it, yes, but anyway, yes,
• 56:42
  Speaker 4: so I'm definitely going to rock as for a good
• 56:45
  Speaker 4: sandwich seems like a good decision. Yes, all right? Are
• 56:49
  Speaker 4: you going a message from Zach? How are you going
• 56:50
  Speaker 4: to Zach? I won't read it what he says as guys,
• 56:54
  Speaker 4: shut up yet, tangents please no more? But yeah, I
• 57:01
  Speaker 4: sort of saying, so basically, they think there's gonna be
• 57:04
  Speaker 4: sandwiches there, and there's no sandwiches. Yep son. We panned
• 57:06
  Speaker 4: down and see birds in Homer a stake. By the way,
• 57:08
  Speaker 4: did I mention I'm gonna have a sandwich? Lad did? Yes?
• 57:10
  Speaker 4: From Roccos Dali in Narroville. So they panned down and
• 57:13
  Speaker 4: we see birds and Homer are digging their way out.
• 57:16
  Speaker 4: So I'm not the digger I promised. I was started supervising. Yes,
• 57:19
  Speaker 4: I can start supervised supervisor's home. They get out. Hope
• 57:22
  Speaker 4: it does a good job here. Home is actually good
• 57:24
  Speaker 4: in this episode. It makes mistakes so that it brings
• 57:28
  Speaker 4: the family. But like that was innocent of course. Yeah,
• 57:31
  Speaker 4: and then you know Burns an associated what am I king?
• 57:34
  Speaker 4: Burns and teammate. They get out, They give a high five,
• 57:36
  Speaker 4: which causes another avalanche, and if you noticed, just before
• 57:39
  Speaker 4: the commercial break, he says, don't and then another avalanche
• 57:42
  Speaker 4: starts just before the commercial break. We come back there,
• 57:44
  Speaker 4: speaking very quietly because they're causing more avalanches. What happened?
• 57:51
  Speaker 2: You think when we yield because another avalanche.
• 57:56
  Speaker 3: We should be careful not to speak unless it's absolutely
• 58:09
  Speaker 3: persively necessary.
• 58:18
  Speaker 9: You are gosh avalancious than I think, Dame Adopt.
• 58:34
  Speaker 4: Let's go. So they start blaming each other, now that
• 58:38
  Speaker 4: the last one was your faults and now Kevin favs
• 58:40
  Speaker 4: starting to get in and this is this is exactly
• 58:43
  Speaker 4: what would happen after a while, probably about this quickly,
• 58:44
  Speaker 4: but after a whid be like, oh, well, if.
• 58:47
  Speaker 5: You're in a tense and possibly life threatening situation, you know,
• 58:51
  Speaker 5: friends really are, Yeah, there's a chance you're gonna blame
• 58:55
  Speaker 5: it on someone. It's like, I wouldn't even be here
• 58:56
  Speaker 5: if it wasn't exactly that kind of stuff.
• 58:59
  Speaker 4: Does he say? Is this where says it's like so
• 59:02
  Speaker 4: so buttons? Yes? What the Burns? So Lenny and car
• 59:09
  Speaker 4: then find the new cabin. They think, well, I think
• 59:11
  Speaker 4: this must be it because there's nothing else around. Burns
• 59:14
  Speaker 4: and finds the Berzuka Joe comic which he read seven
• 59:16
  Speaker 4: years ago, and the Hammer suggests maybe should build snow
• 59:18
  Speaker 4: men we built real man. Even Homer's like, oh shit,
• 59:20
  Speaker 4: this guy.
• 59:21
  Speaker 5: Okay, yeah, he's doing a whole.
• 59:25
  Speaker 4: It's the Spirits moose. Yes, get in. Yeah, everyone is
• 59:28
  Speaker 4: cold in the other cabin. Why is that cold? There's
• 59:31
  Speaker 4: a fire. Shouldn't it be fine? But it's no propane,
• 59:33
  Speaker 4: I guess, and Lenny chucks the moose in. They walk in,
• 59:36
  Speaker 4: Spiers and the kids. The moose is on fire. Good.
• 59:38
  Speaker 4: I don't care. I'm last. I'm going to be fired. No,
• 59:41
  Speaker 4: you're not last. I just love the way that they
• 59:43
  Speaker 4: always refer to birds as birds by and help I
• 59:45
  Speaker 4: have made it.
• 59:50
  Speaker 5: I think Lenny really wants to like Burns or or
• 59:54
  Speaker 5: just wants his approval. I means everyone's approval, which is
• 59:56
  Speaker 5: based solely on the fact that the fact that he
• 59:59
  Speaker 5: just called Burns and also the thumbs up there.
• 1:00:01
  Speaker 4: Yes, there's all my evidence. It's just a nice guy.
• 1:00:03
  Speaker 4: But I feel like they made Lenny pathetic as the
• 1:00:06
  Speaker 4: seasons went on, as opposed to as growing When I
• 1:00:10
  Speaker 4: was growing up, it always felt like, who's the one
• 1:00:12
  Speaker 4: Simpsons character you'd want to be as your friend. It
• 1:00:13
  Speaker 4: just felt like Lenny. Lenny was the one. You just
• 1:00:15
  Speaker 4: felt like it feel like you'd have your back, You'd
• 1:00:17
  Speaker 4: always be around, hey len Cover watching footy? Yeah, sure go,
• 1:00:19
  Speaker 4: you nothing else to do, Like you feel he'd always
• 1:00:21
  Speaker 4: be there when you want him, And then it's made
• 1:00:23
  Speaker 4: not there when you don't. Yes, and then it has
• 1:00:24
  Speaker 4: made him annoying pathetic as the show went on. But
• 1:00:27
  Speaker 4: so they've realized here that Homer and Birds are trapped
• 1:00:29
  Speaker 4: in the cabin and Spinders is concerned about Burns, and
• 1:00:31
  Speaker 4: are the kids concerned about Homer? Obviously, then they're building
• 1:00:34
  Speaker 4: their snowmen. He's less a snowmen than a guards got
• 1:00:37
  Speaker 4: full toowty lips. Yes, he has indeed, what fifty meters
• 1:00:40
  Speaker 4: or fifty miles fifty meters of small intens and he
• 1:00:43
  Speaker 4: says fifty miles, though, does he yeah, because I was
• 1:00:46
  Speaker 4: just thinking about the coming. Surely that can't be right.
• 1:00:49
  Speaker 4: He says, small intestine? How long small intest and is
• 1:00:54
  Speaker 4: twenty two feet seven meters on average? Okay, he does
• 1:00:57
  Speaker 4: say fifty miles, though, it says, Well says this is miles.
• 1:01:00
  Speaker 4: I'm certain I was just like that seems like a lot.
• 1:01:02
  Speaker 4: That's a lot of smaller. So then he says, well,
• 1:01:07
  Speaker 4: we'll managed to stay off cabin fever for a few hours,
• 1:01:10
  Speaker 4: and Homer suggests dressing them. Yes, let's do that. So
• 1:01:12
  Speaker 4: they take their clothes off to dress these snowmen. Burns
• 1:01:14
  Speaker 4: stinks look at them with their cloves makias and makes
• 1:01:18
  Speaker 4: home a paranoid as well, what do we do? Wouldn't
• 1:01:21
  Speaker 4: you like to know? Burn's lost his mind? Yes, yes.
• 1:01:25
  Speaker 4: The Ranger and Margin arrive at the cabin and they realize, Hey,
• 1:01:29
  Speaker 4: the other cabin should be over there. I know this
• 1:01:31
  Speaker 4: is the Ranger station. I'll like the get my way.
• 1:01:33
  Speaker 4: You were drunk, where's Ranger or whatever? I'm right here
• 1:01:36
  Speaker 4: behind and drunk. They realize the cabin's gone, though.
• 1:01:40
  Speaker 6: The only other cabin is right over there.
• 1:01:44
  Speaker 2: Huh, look at all these avalanches. Do you think they
• 1:01:48
  Speaker 2: could have buried the cabin.
• 1:01:49
  Speaker 4: Well, I'll tell you one thing.
• 1:01:51
  Speaker 6: They didn't come here for the Mountain Music Festival March
• 1:01:54
  Speaker 6: fourteenth to eighteenth.
• 1:01:56
  Speaker 4: He reminds me of remember the b guy, you know,
• 1:01:58
  Speaker 4: the guy that's just like quiet little two quite remember
• 1:02:02
  Speaker 4: the guys that worked at the bee Hive and got
• 1:02:04
  Speaker 4: the sugar. That's right, Simpson, you die burns in Homer
• 1:02:09
  Speaker 4: then have their stare off. He's trying to hypnotize me
• 1:02:12
  Speaker 4: the good Las Vegas. Well, I've always been intrigued by
• 1:02:16
  Speaker 4: the idea of hypnotism, and gone, I don't believe it,
• 1:02:20
  Speaker 4: but I feel like I have to try it, just
• 1:02:22
  Speaker 4: to just to confirm with myself, to just just to
• 1:02:24
  Speaker 4: make sure, because I don't believe it's true.
• 1:02:26
  Speaker 5: Right, But how would you know?
• 1:02:28
  Speaker 4: But you wouldn't. This is the thing. If I, Nicko
• 1:02:30
  Speaker 4: would have to be there, right, and if I get
• 1:02:31
  Speaker 4: hypnotized and remember it, Nicola would wouldn't bullshit hold the
• 1:02:36
  Speaker 4: camera up? Yeah, yeah, so you actually did clock like
• 1:02:38
  Speaker 4: a chicken? Yeah yeah, yeah, you dropped your pants and
• 1:02:40
  Speaker 4: you're saying what my gray may show it what she
• 1:02:42
  Speaker 4: used to be. You know what I mean, just you
• 1:02:43
  Speaker 4: don't let me hypnotized. That was no, but Burns then says,
• 1:02:47
  Speaker 4: you know, I think use me as a carcass and
• 1:02:49
  Speaker 4: ribe me down the hill. So they have a big fight.
• 1:02:52
  Speaker 4: Burns genuinely tries to kill Homer Hill the fire poker.
• 1:02:56
  Speaker 4: But this, this is a bit where they've got the
• 1:02:58
  Speaker 4: imaginary army's behind them, right, yeah, political powers. I never
• 1:03:03
  Speaker 4: liked that line for some reason.
• 1:03:04
  Speaker 5: I just didn't.
• 1:03:05
  Speaker 4: I didn't feel home. I did it no, and it
• 1:03:07
  Speaker 4: didn't feel like much of a gag. Just feels a
• 1:03:10
  Speaker 4: bit silly. Yeah. I don't know anyway what Sportswater thinks
• 1:03:14
  Speaker 4: about it. I would just love to know what did here.
• 1:03:17
  Speaker 4: Probably not his gag, now maybe it was his. I
• 1:03:18
  Speaker 4: don't think it was his game completely rewrote it. He
• 1:03:21
  Speaker 4: would have had the cabin fever aspect to it. I'd
• 1:03:23
  Speaker 4: just love to know how Sportsword would handle this. I
• 1:03:25
  Speaker 4: always thought that was a bit odd as well. John Buddy,
• 1:03:27
  Speaker 4: come on the show, let us know. I don't have
• 1:03:30
  Speaker 4: to be here. Give me you and Dando hit the head,
• 1:03:33
  Speaker 4: but he cuts open the the propane. Yes, Hank Kill style.
• 1:03:39
  Speaker 4: That's what I was thinking every time. It's all propane,
• 1:03:42
  Speaker 4: and they realized about to go down. Homer buddy. They
• 1:03:45
  Speaker 4: embraced the house flies off, completely unrealistic, this would never happen.
• 1:03:49
  Speaker 4: But whatever, what the ranger, Let's take him over to
• 1:03:52
  Speaker 4: him with the children. Kids, Your dad's going to be
• 1:03:55
  Speaker 4: just okay. Put on your cop handing gloves. You've got
• 1:03:57
  Speaker 4: some frozen bodies out there, but but buys it here.
• 1:04:01
  Speaker 4: At least that's gonna be okay. Then Lisa sees the
• 1:04:03
  Speaker 4: cabin and knows he hits a shrew on the way through.
• 1:04:06
  Speaker 4: Yeahs hits on the shrewes home appraiser did protect his
• 1:04:10
  Speaker 4: roucket house and all within this everyone bails. What's Lenny say?
• 1:04:15
  Speaker 4: Keketron's breaks whatever, whatever, and the cabin stops next to them.
• 1:04:19
  Speaker 4: Lenny Yeah, walks out and uh, marg kids and Burns
• 1:04:24
  Speaker 4: reminds them it's still a competition. Last one in gets fired.
• 1:04:26
  Speaker 4: They all run in. Lenny is last one in, nuts
• 1:04:29
  Speaker 4: Nuts gets fired. Then he asked, do we learn about teamwork?
• 1:04:32
  Speaker 4: We did? Letny's not fired after all? Lenny falls in
• 1:04:35
  Speaker 4: the hole nuts.
• 1:04:37
  Speaker 8: Well, Simpson, I must see, once you've been through something
• 1:04:41
  Speaker 8: like that with the person, you never want to see
• 1:04:44
  Speaker 8: that person again.
• 1:04:45
  Speaker 2: You said it, Yeah, weirdo.
• 1:05:01
  Speaker 4: I like this ending in the sense that it sets
• 1:05:03
  Speaker 4: up the status quo, but it also doesn't They can
• 1:05:06
  Speaker 4: go either way because this ending here is very open ended.
• 1:05:10
  Speaker 4: Smithers and Burns might still like each other, but they
• 1:05:12
  Speaker 4: probably won't. And I like the way that's loves to
• 1:05:14
  Speaker 4: open ended like that, because do you mean Homer and
• 1:05:16
  Speaker 4: Burns or Smithers Smiths. I meant Hammer and Burns. Yeah,
• 1:05:19
  Speaker 4: the way they're sort of like staring at laughing staring
• 1:05:22
  Speaker 4: because the thing is it gives you the chance to
• 1:05:24
  Speaker 4: and they do take this or try to have more
• 1:05:26
  Speaker 4: Homer Burns stories going forward. Well, it's it's like the
• 1:05:28
  Speaker 4: ending of the Breakfast club. Well you yes, that's the
• 1:05:33
  Speaker 4: end of the Breakfast.
• 1:05:34
  Speaker 5: But they have a bit where it's like, you know,
• 1:05:36
  Speaker 5: when we see each other in the halls on Monday,
• 1:05:38
  Speaker 5: will we even acknowledge each other?
• 1:05:40
  Speaker 4: So I don't know if we will.
• 1:05:42
  Speaker 5: I don't care.
• 1:05:44
  Speaker 4: I reckon they didn't hang out, but they just acknowledged.
• 1:05:47
  Speaker 4: There's an unspoken except from Bender John Bender, Yes, not
• 1:05:53
  Speaker 4: Bend to the Robot. I don't know. But Bender is
• 1:05:55
  Speaker 4: so cool. He's the bully, right he's But yes, I
• 1:05:58
  Speaker 4: feel like though, if they needed his help, he'd probably
• 1:06:01
  Speaker 4: help them.
• 1:06:01
  Speaker 5: He'd probably step up. He's underneath all the bravado on
• 1:06:05
  Speaker 5: the there's smoke up, Johnny, He's probably solemn enough.
• 1:06:08
  Speaker 4: Dude.
• 1:06:08
  Speaker 5: Yes, have you watched the documentary Brats about the Back
• 1:06:11
  Speaker 5: Have on Disney Play?
• 1:06:12
  Speaker 4: Yeah? Yeah, I saw the ad for it.
• 1:06:15
  Speaker 5: We got together for more. Margaret Mary's third ninety fourth
• 1:06:18
  Speaker 5: ye celebration on last the celebration on last Sunday.
• 1:06:23
  Speaker 4: The birthday is this Thursday. Happy Birthday, Margaret Mary.
• 1:06:27
  Speaker 5: And my sister Margin was.
• 1:06:28
  Speaker 4: Saying, if you say brats, it's terrible, and we went
• 1:06:31
  Speaker 4: off on Andrew mccarthury. Have you seen it? I have not,
• 1:06:34
  Speaker 4: but I've read, but I'd read a bit about it,
• 1:06:36
  Speaker 4: just like I don't like it. But do you and
• 1:06:39
  Speaker 4: your sister like the same things?
• 1:06:41
  Speaker 5: Margot?
• 1:06:41
  Speaker 4: Yes, okay, the other one fuck? Margaret and I had
• 1:06:45
  Speaker 4: kind of similar taste in a lot of in the
• 1:06:46
  Speaker 4: long regards. All right, Well, that is our review of
• 1:06:49
  Speaker 4: Mountain of Madness, A fantastic episode of the SIMPCE. It's
• 1:06:52
  Speaker 4: hard to go wrong when you go in like season
• 1:06:54
  Speaker 4: four through eight, isn't it. There's not too many duds, No,
• 1:06:57
  Speaker 4: there's a couple off we didn't get the Duds, a
• 1:06:59
  Speaker 4: couple of episodes that I just really don't like. I
• 1:07:03
  Speaker 4: also don't like they're not bad. It is my least favorite, okay,
• 1:07:05
  Speaker 4: my least favorite here it is, guys. My least favorite
• 1:07:08
  Speaker 4: Simpsons episode from the Golden era is My Sister, My Sitter,
• 1:07:13
  Speaker 4: where Lisa becomes the babysitter of Bart and Bart is
• 1:07:16
  Speaker 4: just for no reason being a shithead and ruining it
• 1:07:19
  Speaker 4: for Lisa, and it's just spiteful and it's not funny.
• 1:07:22
  Speaker 5: I remember the synoptis and the vague shape of it,
• 1:07:24
  Speaker 5: but I might have to go back and rewatch it,
• 1:07:26
  Speaker 5: and then you and I.
• 1:07:27
  Speaker 4: Can have a debate because I like Dana. This is
• 1:07:28
  Speaker 4: one of the best. We'll soon find out find out
• 1:07:31
  Speaker 4: or am I go?
• 1:07:32
  Speaker 5: Dando? You were right, as I often do.
• 1:07:34
  Speaker 4: Now I threw out to the patrons quickly for some
• 1:07:35
  Speaker 4: questions from out the badness? Should you get through a couple?
• 1:07:38
  Speaker 2: Bail is here.
• 1:07:41
  Speaker 4: Dan Stazinski, who we got it right? Yes, we got
• 1:07:44
  Speaker 4: it right.
• 1:07:45
  Speaker 5: He says, what did he just get married and just
• 1:07:47
  Speaker 5: had a kid?
• 1:07:47
  Speaker 4: Now it's the kid. Dan says, what would your first
• 1:07:51
  Speaker 4: actions be if you were snowed in depends what you
• 1:07:54
  Speaker 4: were snowed in as well.
• 1:07:55
  Speaker 5: Yeah, that's a good point. I probably killed Dando on
• 1:07:57
  Speaker 5: Eddie's body.
• 1:07:58
  Speaker 4: I don't think I can ever result of can It'd
• 1:08:00
  Speaker 4: have to be like last straw, don't you think?
• 1:08:04
  Speaker 5: Well, given that I just said, I would nobly sackos
• 1:08:07
  Speaker 5: myself in a burning building or something like that.
• 1:08:10
  Speaker 4: Yeah, I would probably not. Ben Lionzo says, have you
• 1:08:15
  Speaker 4: ever had to team up with a boss for something
• 1:08:16
  Speaker 4: before potentially realizing how could? Have you ever had to
• 1:08:20
  Speaker 4: team up with a boss before? Boss for something before
• 1:08:23
  Speaker 4: potentially realizing how you could take advantage of the situation?
• 1:08:26
  Speaker 4: So being is being with the boss and a team
• 1:08:29
  Speaker 4: or whatever tend with the boss?
• 1:08:32
  Speaker 7: No?
• 1:08:32
  Speaker 5: I never have.
• 1:08:32
  Speaker 4: I feel like the bosses always keep themselves separate, right, Yeah,
• 1:08:36
  Speaker 4: I think that's usually the way or the safest way
• 1:08:38
  Speaker 4: is and I've generally been my own boss. Yes, Teleah
• 1:08:42
  Speaker 4: in Riquez, How well would you to survive checking up
• 1:08:44
  Speaker 4: a mountain like the characters? Would you say the way
• 1:08:46
  Speaker 4: the ranger acted towards the kids was appropriate or would
• 1:08:49
  Speaker 4: you rather kids face the hard, cold truth? And who
• 1:08:51
  Speaker 4: would be support? Who would be who would support you?
• 1:08:54
  Speaker 4: In who would be support you in of your snowman
• 1:08:58
  Speaker 4: army delusions? I don't understand that, like question so toly,
• 1:09:00
  Speaker 4: who would be in your snowman army? Whould be in
• 1:09:02
  Speaker 4: the army? That is a delusion. I would have all right,
• 1:09:06
  Speaker 4: nineteen ninety eight Bill Golbo from WW. I would have
• 1:09:11
  Speaker 4: Connor McGregor. He's a madman.
• 1:09:15
  Speaker 5: He's sort of a very tough person.
• 1:09:16
  Speaker 4: Who would you have? I would have Dave Batista Batista? Okay, yeah,
• 1:09:22
  Speaker 4: I can't pronounce the guy's their name, Francis Nagano. He's
• 1:09:26
  Speaker 4: like an MMA guy.
• 1:09:28
  Speaker 5: I forgot. He's from an African country and he's just
• 1:09:31
  Speaker 5: a fucking slaughter house. Okay, yeah, I don't know. But
• 1:09:36
  Speaker 5: it would be fighters, essentially, fighters. I don't think we'd
• 1:09:39
  Speaker 5: have too many diplomats.
• 1:09:39
  Speaker 4: On political Political powers are useless in a war this
• 1:09:43
  Speaker 4: when it comes to the actual fist fighting.
• 1:09:45
  Speaker 5: That's true. Yeah, I mean you would think that if
• 1:09:47
  Speaker 5: you got political powers, is going to be diplomacy. But no,
• 1:09:49
  Speaker 5: I mean, yeah, Abraham Lincoln iss, let's get ready to rumble.
• 1:09:53
  Speaker 5: This was like a three part question from Talia say,
• 1:09:55
  Speaker 5: let's wand the tape back of it. What was the
• 1:09:56
  Speaker 5: first one.
• 1:09:57
  Speaker 4: How would you and I go survive your mountain like
• 1:09:59
  Speaker 4: the character? I think we do.
• 1:10:00
  Speaker 5: Okay, yeah, be fine, depending on the mountain.
• 1:10:02
  Speaker 4: Yeah, I applied. I nearly got through. I got through
• 1:10:04
  Speaker 4: to the final round of the Amazing Race once, like
• 1:10:06
  Speaker 4: to get onto the show with my old friend Michael.
• 1:10:07
  Speaker 6: Yeah.
• 1:10:08
  Speaker 4: We sent it out an audition tape. We had to
• 1:10:10
  Speaker 4: do sort of like a zoom call with him a
• 1:10:11
  Speaker 4: Skype I think it was at the time. It's like
• 1:10:14
  Speaker 4: twelve fifteen years ago. And then we got past that
• 1:10:16
  Speaker 4: and then we're down to like the final step, and
• 1:10:18
  Speaker 4: we didn't because Michael was that Michael couldn't get something
• 1:10:21
  Speaker 4: to do with his work. But we wouldn't have got
• 1:10:23
  Speaker 4: through anyway, but you wouldn't It worked out that we wouldn't.
• 1:10:26
  Speaker 4: We didn't get through, but even if we did, we
• 1:10:28
  Speaker 4: wouldn't have been able to do it something to do
• 1:10:29
  Speaker 4: with Michael's work. Yeah, okay, Yeah, I applied to be
• 1:10:31
  Speaker 4: on it and they said.
• 1:10:33
  Speaker 5: You're too amazing. Well, well, I said, look, I'm not
• 1:10:37
  Speaker 5: I'm not leaving Australia. I'm not going to be any
• 1:10:38
  Speaker 5: foreign country. And they said, well, you're too much of
• 1:10:40
  Speaker 5: an amazing racist to be on the Amazing Race. Oh yeah,
• 1:10:42
  Speaker 5: but yeah, I've always known this was that gag worth it.
• 1:10:45
  Speaker 5: I don't know you let me know.
• 1:10:48
  Speaker 4: All right. That'll do for the questions, because we've got
• 1:10:49
  Speaker 4: to do another podcast after this datement.
• 1:10:51
  Speaker 5: We certainly do, and I've got a sandwich to it.
• 1:10:53
  Speaker 4: Yes, all right, guys, thanks for you support here at
• 1:10:56
  Speaker 4: four finger discaut and I remember if you were watching
• 1:10:58
  Speaker 4: this on YouTube, hit that subscribe button, give us a
• 1:11:00
  Speaker 4: thumbs up and comment below and tell us what you
• 1:11:01
  Speaker 4: think of amount of manness, what do you think of
• 1:11:03
  Speaker 4: the show in general? We do read all the comments,
• 1:11:05
  Speaker 4: and if you want to get in touch with us,
• 1:11:06
  Speaker 4: it is mail bag at four fingre discount dot com
• 1:11:09
  Speaker 4: dot you. We do read all of your emails to
• 1:11:11
  Speaker 4: continue to send them through. Continue to please rate and
• 1:11:13
  Speaker 4: review us on Apple podcasts with Spotify three hundred and
• 1:11:15
  Speaker 4: forty something reviews now on Spotify, I want to try
• 1:11:18
  Speaker 4: and hit five hundred. So there's thousands and thousands and
• 1:11:21
  Speaker 4: thousand of you listening out there right now. Just need
• 1:11:23
  Speaker 4: another one hundred and fifty ish of you to listen
• 1:11:25
  Speaker 4: to Spotify. Go on there, give us five stars, nothing
• 1:11:29
  Speaker 4: to leave, nothing less, then just leave takes five seconds,
• 1:11:31
  Speaker 4: five seconds for five stars do it. It's a very
• 1:11:34
  Speaker 4: good motto. Let's do it well then five seconds, five stars,
• 1:11:36
  Speaker 4: five stars and five seconds. All right, guys, thanking you
• 1:11:38
  Speaker 4: for your support. Next episode, we're gonna be doing a
• 1:11:40
  Speaker 4: season nineteen review. It is that departed the debarted, yes,
• 1:11:44
  Speaker 4: not departed. I'll take off the departed. I love this episode.
• 1:11:46
  Speaker 4: Can't wait for that, but for now, I sadare's any
• 1:11:48
  Speaker 4: final words for those incredible supporters out there. I trade
• 1:11:52
  Speaker 4: all your listeners for a little more listeners.
• 1:11:54
  Speaker 7: S