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MOTOWN MURDER MACHINE PT 3 · Cosmic Peach

0:00
Speaker 1: Baby, I my gang statue.
0:02
Speaker 2: It takes a little tangle.
0:04
Speaker 3: You don't mess with mess with me baby, my gang statue.
0:13
Speaker 1: Pouch, Baby, You're a game statue. For good warning.
0:25
Speaker 4: So this podcast is designed to take you outside of
0:27
Speaker 4: your comfort zone and make you question reality. Listening discretion
0:31
Speaker 4: is a vibekwardly fellas.
0:41
Speaker 5: This ain't my first time at the rodeo.
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Speaker 2: Mm hmmm, Hello and welcome back to the show. We
1:07
Speaker 2: are gathered here today to discuss the Motown murder Machine.
1:14
Speaker 2: Thanks for being here, friends, Thank you for your love
1:18
Speaker 2: and support. I've been peeping the comments section. I see
1:22
Speaker 2: a lot of David Ruffin's b hole and Barry Gordy's
1:26
Speaker 2: taint and I couldn't be more honored. Thank you. So
1:33
Speaker 2: we are back for part three. This might be the
1:37
Speaker 2: last part, but much like the Canyon, I think there
1:42
Speaker 2: was like six or seven to eight parts, something crazy
1:45
Speaker 2: like that with the Canyon because along my researching journey,
1:52
Speaker 2: it always happens, guaranteed, no matter what, every time I
1:59
Speaker 2: discover stuff new and important information down the line. And
2:05
Speaker 2: if that happens, I will come at you with a
2:08
Speaker 2: part four. You better believe it. But I think we
2:11
Speaker 2: can put a bow On part three. But I'm not
2:16
Speaker 2: holding my breath because every time I think I'm done
2:20
Speaker 2: with a series, I find something out like a month later,
2:25
Speaker 2: two months later, and I'm like, Okay, Nope, we're not
2:30
Speaker 2: done yet. So we'll see. But today is Motole Murder
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Speaker 2: Machine Part three, and we need to tie up a
2:38
Speaker 2: lot of loose ends here. So far on our journey,
2:43
Speaker 2: we have learned about Barry Go to Junia, the not
2:47
Speaker 2: so grassroots beginnings of Motown, and the trail of suspicious
2:55
Speaker 2: bodies and blatantly murdered beloved artists that were sacrificed on
3:02
Speaker 2: Barry's alter. But you see, Motown wasn't the only record
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Speaker 2: label striving to make a name for itself. Barry had
3:13
Speaker 2: a little competition, rather steep competition. If you ask me,
3:22
Speaker 2: you may be familiar with a little someone named Sam Cook.
3:27
Speaker 2: And if you're not, slap yourself, just slap yourself, I
3:35
Speaker 2: mean really, just really get in there, just a nice
3:42
Speaker 2: five fingered slap to the face. But because I know
3:48
Speaker 2: most of you are, I want to go ahead and
3:52
Speaker 2: introduce you to SAR Records. Not to be confused with
3:58
Speaker 2: SR Records, although it could be some kind of tongue
4:05
Speaker 2: in cheek. I don't know. It was a record company
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Speaker 2: founded by soul music legend Sam Cook in nineteen sixty one.
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Speaker 2: Sam Cook's SAAR ran parallel to Motown Records. The label
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Speaker 2: was intended to be a place where Sam Cook could
4:29
Speaker 2: expand his artistic abilities as a writer and producer, and
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Speaker 2: to give others struggling African American artists a venue to
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Speaker 2: record during the racially charged nineteen sixties. But the label
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Speaker 2: folded after Sam Cook's death on December eleventh, nineteen sixty four.
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Speaker 2: Because Barry, Well, Barry doesn't do competition, you see, especially
5:03
Speaker 2: not with someone as talented as Sam Cook. In nineteen
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Speaker 2: sixty Sam Cook's net worth was the equivalent to one
5:16
Speaker 2: million dollars in twenty twenty six. So trying to start
5:21
Speaker 2: his own record label, I I ah, not so fast,
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Speaker 2: Sam Kick, because it's like I said, you don't sue
5:31
Speaker 2: Berry Gordy and live to tell the tale. You don't
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Speaker 2: leave Motown, and you don't start up a fucking competition
5:40
Speaker 2: label during Motown's heyday and live to tell the tale.
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Speaker 2: So what the fuck happened to Sam Cook?
5:55
Speaker 6: Don't know much about history, don't know much hology.
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Speaker 5: Nor Macho love Silas book.
6:06
Speaker 6: Don't know much about the French.
6:08
Speaker 7: Out, but I do know that I.
6:14
Speaker 8: Don't know that if you love the world, this would be.
6:22
Speaker 5: Too much draphy, don't know much trigger.
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Speaker 7: About Pound, don't know slot warm Well, I don't know
6:37
Speaker 7: what it was too.
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Speaker 5: Out of this work.
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Speaker 2: This would On the evening of the tenth of December
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Speaker 2: nineteen sixty four, soul Sensation Sam Cook dined with friends
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Speaker 2: at Martoni's restaurant, the Loss Anne Jeli's hangout of Hollywood
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Speaker 2: A listers and those that fed off of them. He
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Speaker 2: was reportedly flashing around the five thousand dollars in cash
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Speaker 2: he'd made from recent tour dates. After several drinks, he
7:15
Speaker 2: began chatting with a young woman at the bar. Later,
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Speaker 2: he failed to show up at the nightclub his friends
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Speaker 2: had gone to instead. In the early hours of the morning,
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Speaker 2: Cook was fatally shot to death by the manager of
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Speaker 2: the Hacienda Motel, a haunt of sex workers and pimps.
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Speaker 2: His killing would eventually be dismissed as quote justifiable homicide
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Speaker 2: end quote whatever the fuck that is? I mean, really,
7:48
Speaker 2: have you ever heard that term before in your life?
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Speaker 2: Justifiable homicide? Is this another way of saying self defense.
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Speaker 2: I don't know. We'll see there are janki as excuses
8:02
Speaker 2: and accusations of why this shooting occurred, such as kidnap
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Speaker 2: and violence, as in Sam Cook kidnapped that lady from
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Speaker 2: the bar and was going to rape her. But the
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Speaker 2: story has never added up whatsoever at all period For
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Speaker 2: a man considered gentle and of high class character by
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Speaker 2: everyone who knew him best, this story of kidnapping, of
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Speaker 2: raping a woman who had went to the hotel room
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Speaker 2: with him and checked into the hotel room as man
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Speaker 2: and wife of her own volition. I don't understand where
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Speaker 2: this rape story is coming from. And that's why the
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Speaker 2: teacher is going to give you the real story, the
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Speaker 2: one no one else has ever given you before. There's
8:53
Speaker 2: been rumors and contraversy over what happened to Sam, and
9:03
Speaker 2: we're gonna lay it all out on the line today, folks.
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Speaker 2: He's one of my favorite musical artists who ever lived,
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Speaker 2: and I feel it's only right to do him this justice.
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Speaker 2: Sam Cook was the victim of a honey trap, staying
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Speaker 2: point blank period. He was murdered by Barry's mobsters muscling
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Speaker 2: in on his lucrative Saar record business. They wanted a
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Speaker 2: piece of the pie and if he wouldn't do it,
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Speaker 2: that meant death for ol Sammy. Not to mention the FBI,
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Speaker 2: who are also in bed with Barry, we found that
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Speaker 2: out from the last episode they were also looking into
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Speaker 2: sam He was being kept under constant surveillance. Now the
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Speaker 2: mainstream will tell you he was under constant surveillance because
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Speaker 2: of his position in the civil rights movement, but that's
10:05
Speaker 2: not why the fuck they were watching him. Barry got
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Speaker 2: some of his little FBI buddies to tail his ass
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Speaker 2: and then he sent his little mobster pricks after him
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Speaker 2: because Barry don't fuck with competition. Now here's the official story, people,
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Speaker 2: and I cannot make this up. It's so ridiculous. I
10:30
Speaker 2: can't even begin to describe the ridiculousness. But you're about
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Speaker 2: to hear it for yourself, so just get through it
10:40
Speaker 2: if you can, and then we're going to break all
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Speaker 2: of this down and discuss each and every facet of
10:48
Speaker 2: the truth. Once again, Thanks for being here, thanks for listening,
10:53
Speaker 2: Thank you for being supporters of the Cosmic Peach podcast.
10:59
Speaker 2: If you left what I do, leave a five star
11:01
Speaker 2: review and if you're new, welcome and if you're a
11:06
Speaker 2: longtime listener, welcome back. We are breaking this down what
11:12
Speaker 2: really happened to Sam Cook? So the official story, as
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Speaker 2: it were, the woman he met at Martoni's Resturante and
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Speaker 2: drove to the Hacienda motel that night was twenty two
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Speaker 2: year old Elisa Boyer, later to be arrested on prostitution charges.
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Speaker 2: She told police that once they checked into the motela's
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Speaker 2: man and wife, she suddenly became convinced Cook was planning
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Speaker 2: to rape her, so she grabbed her clothes as quickly
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Speaker 2: as she could, but not before she also found and
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Speaker 2: grabbed up Cook's trousers containing the five thousand in cash
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Speaker 2: he was ragging about at the restaurant, and then she fled,
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Speaker 2: calling the police from a street phone to report her kidnap.
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Speaker 2: Wearing just a sports jacket. A furious Sam Cook was
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Speaker 2: reported to have been shot through the heart by the
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Speaker 2: motel owner, Bertha Franklin, in self defense as he allegedly
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Speaker 2: attacked her. Convinced she was protecting miss Buyer, she shot
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Speaker 2: him multiple times. His final words were, lady, you shot me, okay,
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Speaker 2: So let's break this down. If you were able to stomach,
12:43
Speaker 2: that little tail right there. But let's break it down
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Speaker 2: with the truth added in. A known prostitute. Okay, Elisa
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Speaker 2: Boyer most likely paid by the mob and or Barry
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Speaker 2: to entice Sam into having a sexual encounter while they
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Speaker 2: were at the restaurant. They get to the hotel, they
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Speaker 2: check in as man and wife, but she was so
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Speaker 2: terrified he was going to rape her. They get to
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Speaker 2: the hotel room, he's tipsy, he's probably trying to make
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Speaker 2: a consensual move on her. She waits for her moment.
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Speaker 2: She instead robs him, probably while he's in the bathroom
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Speaker 2: or something. Mind you, this has all been rehearsed with
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Speaker 2: her what she's supposed to do. So she grabs the
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Speaker 2: five thousand in cash in his trousers. With the trousers,
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Speaker 2: she grabs her clothes and she makes a run for it. Okay,
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Speaker 2: she flees the hotel room with her prize in some
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Speaker 2: kind of a this black man was gonna rape me shit.
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Speaker 2: Calls the police, and let's be honest, they were probably
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Speaker 2: waiting for the phone call, so was the hotel manager.
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Speaker 2: They're all in on it, people. Everyone has a price tag.
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Speaker 2: You think if Barry has mobsters and FBI agents he
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Speaker 2: can't pay off, a little old hotel clerk and a
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Speaker 2: couple of cops. This is on some Four Brothers type shit. Okay,
14:24
Speaker 2: and if you haven't seen that movie, it's silly with
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Speaker 2: motown musical selections. Wonderful film. But anyways, this is on
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Speaker 2: some four Brothers type shit. They're all connected. So Sam
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Speaker 2: comes out of the bathroom. He realizes this stupid cunt
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Speaker 2: dunrobbed his ass and took his pants. He runs down
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Speaker 2: looking for the bitch. He's pissed and he's probably a
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Speaker 2: little drunk with no pants on. The hotel manager seizes
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Speaker 2: her awaited operation tunity and shoots him repeatedly, dead, dead
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Speaker 2: as fuck, and they keep talking about how he didn't
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Speaker 2: have pants on, and a lot of these stories and
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Speaker 2: articles the bitch stole his pants. Now, let's read the
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Speaker 2: newspaper article they printed on this story. It's all a
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Speaker 2: fucking set up, people, And don't you fucking forget it,
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Speaker 2: just like how they staged Marylyn and put out the
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Speaker 2: pill bottle and drinking glass and all that was staged
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Speaker 2: for the newspaper photographs. Okay, and what did they publish?
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Speaker 2: They said Marylyn found in the nude pills located nearby.
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Speaker 2: They literally printed all this stuff out. It's a humiliation ritual.
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Speaker 2: He said that in the Maryland investigation. This is a
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Speaker 2: humiliation ritual. So let's see what they Let's see what
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Speaker 2: they said about Sam here. I'm gonna do a share screen,
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Speaker 2: all right, so it reads police said Cook thirty two.
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Speaker 2: He was actually thirty three. Police said Cook thirty three,
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Speaker 2: seeking a female companion who had fled from his room,
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Speaker 2: knocked down the door of the motel manager's office about
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Speaker 2: two thirty a m. He was clad only in a
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Speaker 2: sports jacket, please said. He grappled with the manager, missus
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Speaker 2: Blanche Lee Franklin, fifty five, who is also negro glad
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Speaker 2: they added that in and she picked up a revolver
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Speaker 2: and fired three shots. Hmm, this is really interesting. Let's
17:08
Speaker 2: just take a second because it's December eleventh, one one.
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Speaker 2: He was thirty three, The hoptel manager is fifty five.
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Speaker 2: He was shot three times, and look down here, Alisa
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Speaker 2: Boyer twenty two, eleven, thirty three, fifty five, three and
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Speaker 2: twenty two. There's got to be something going on with that.
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Speaker 2: But anyways, okay, he grappled with the manager, Missus Blanche
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Speaker 2: Leeve Franklin fifty five, who is also Negro, and she
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Speaker 2: picked up a revolver and she and fired three shots.
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Speaker 2: One hit Cook in the chest, fatally wounding him. Police said.
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Speaker 2: Missus Franklin was released after questioning detectives. Argent Fred L.
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Speaker 2: Thomas said Cook and a woman identified as Elisa Boyer,
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Speaker 2: twenty two, of English Chinese background, because they needed to
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Speaker 2: add that in had registered at the motel as mister
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Speaker 2: and missus Sam Cook. The singer's expensive foreign car was
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Speaker 2: found at the motel. Girl in phone booth After the shooting,
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Speaker 2: police found miss Boyer in a telephone booth at the motel.
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Speaker 2: She said Cook had forced her to accompany him to
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Speaker 2: the motel from a Hollywood nightclub. See it wasn't a nightclub,
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Speaker 2: it was a restaurant. They got a lot of these
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Speaker 2: details wrong here. They entered the motel room, she said,
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Speaker 2: Cook took off his clothes and she seized an opportunity
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Speaker 2: to flee and rob him, taking most of taking most
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Speaker 2: of his clothes with her. All Right, that's just a
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Speaker 2: bunch of useless information. We need to focus on that
19:07
Speaker 2: first little paragraph there. December eleventh, thirty three years old.
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Speaker 2: I mean, this is the numbers are just astounding, like
19:21
Speaker 2: the repetitiveness of the double digits eleven thirty three, fifty five,
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Speaker 2: three shots, twenty two year old. I mean, there's something
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Speaker 2: supernatural to all of this stuff, people, And don't you
19:37
Speaker 2: forget it. It's all a setup, but the humiliation ritual.
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Speaker 2: He was clad and only a sports jacket. And they
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Speaker 2: made sure to toss in that Bertha or whatever name
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Speaker 2: was Blanche was also Negro, just so you know, in
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Speaker 2: case you forgot the hotel manager, she was also knee grow.
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Speaker 2: This is part of the humiliation ritual. The fact that
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Speaker 2: a black woman shot him is further humiliation with his very,
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Speaker 2: very prominent role in the civil rights movement, you get
20:14
Speaker 2: that right, I mean, I'm not even stretching that here.
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Speaker 2: The audacity for someone who was as involved in the
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Speaker 2: civil rights movement as Sam Cook was to be shot
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Speaker 2: by someone who he was protecting is further humiliation. And
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Speaker 2: if the numbers weren't weird enough, just eleven days after
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Speaker 2: his death, the single A Change Is Gonna Come was released,
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Speaker 2: a final showcase for one of the greatest soul voices
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Speaker 2: of its generation. And don't you dare think that Sam
20:51
Speaker 2: dying at thirty three, and all of this shit is
20:53
Speaker 2: a coincidence, don't you fucking dare.
21:13
Speaker 1: I was born.
21:15
Speaker 3: By the river, in a little chent Ooh and just
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Speaker 3: lie the river.
21:24
Speaker 8: I've been running every since.
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Speaker 1: It's been a long a long time coming.
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Speaker 5: But I know.
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Speaker 1: A change gonna come.
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Speaker 5: Oh, yes it will.
21:46
Speaker 3: It's been too hard living, but I'm afraid to die.
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Speaker 5: My oh tho, it wasn't there beyond the sky.
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Speaker 1: It's been the long a lot time coming. Let's change
22:13
Speaker 1: or cal.
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Speaker 5: Oh yes it will.
22:20
Speaker 2: But you know who Barry couldn't touch. Someone who paved
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Speaker 2: their own bloody path to legendary heights. Someone who was
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Speaker 2: also running parallel to Motown, Quincy Jones. Quincy Jones and
22:39
Speaker 2: Motown ran parallel as two massive defining forces in black
22:45
Speaker 2: popular music. While Barry Gordy's Motown built an insulated legend
22:52
Speaker 2: making Detroit hit factory with a distinct localized sound, Quincy
22:58
Speaker 2: operated as an elite global jazz arranger, film composer, and
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Speaker 2: corporate executive who bridged traditional pop R and B and
23:10
Speaker 2: high gloss studio production. The ultimate intersection of these two
23:16
Speaker 2: assholes of these parallel tracks occurred when Michael Jackson actually
23:21
Speaker 2: stepped away from Motown's stylistic umbrella and teamed up with
23:25
Speaker 2: Quincy Jones on the set of The Whiz Now Quincy oohboy.
23:35
Speaker 2: But before we get into Quincy's, since we bring up Michael,
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Speaker 2: let's just talk for a second. Barry discovered the Jackson
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Speaker 2: five and Stevie wonder, there has to be some kind
23:47
Speaker 2: of fucking occult ask weirdness going on here with the
23:50
Speaker 2: blindness gimmick and whatever the fuck sexual torture Michael went
23:54
Speaker 2: through to get him so fucked up in the head
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Speaker 2: he wanted to start cutting his own nose off his face,
24:01
Speaker 2: repeatedly bleaching his skin and inviting boys to Neverland. Okay, Like,
24:07
Speaker 2: what the fuck happened there? Makes me wonder did Stevie
24:11
Speaker 2: just really like sunglasses and maybe he had stage fright
24:16
Speaker 2: or some shit like that. And Barry was like, you know,
24:19
Speaker 2: let's just say this asshole is blind. It'll help sell records.
24:27
Speaker 2: He's pitiful, he's blind as so, but there's something weird
24:32
Speaker 2: going on with both of them. Obviously, it's almost common
24:36
Speaker 2: knowledge at this point that Stevie's not really fucking blind.
24:40
Speaker 2: But my thoughts on Michael, Well, I was invited onto
24:43
Speaker 2: someone else's podcast to talk about Michael, and I feel
24:47
Speaker 2: like I've even talked about Michael with a couple different podcasters,
24:53
Speaker 2: and my thoughts are pretty blatantly obvious. I know there's
24:57
Speaker 2: a lot of people still suffering, okay, with some cognitive
25:02
Speaker 2: dissonance that maybe he wasn't doing what he has been
25:06
Speaker 2: accused of doing with young boys. But I believe that
25:10
Speaker 2: Michael Jackson and his brothers and sisters endured some heinous
25:14
Speaker 2: sexual torture as children, and they grew up to become broken,
25:18
Speaker 2: traumatized people and maybe perpetrators themselves, although the only one
25:24
Speaker 2: who's ever been accused of it has been Michael. But
25:27
Speaker 2: speaking of the sexual torture, this isn't a Michael Jackson episode.
25:32
Speaker 2: I just wanted to clear that up in case it's
25:34
Speaker 2: been bugging you that I haven't yet. That's its own
25:38
Speaker 2: whole other series. But like I said, sexual torture, I
25:41
Speaker 2: feel like it's just common knowledge at this point as
25:44
Speaker 2: well that Quincy has been raping dudes for years. Let
25:49
Speaker 2: me play you some clips.
25:52
Speaker 7: Professor Griff, Minister of Information, public enemy number one. I'm
25:58
Speaker 7: probably that public but it's my book Analytics, and it's
26:02
Speaker 7: twenty years of conversation and interviews with George Truly, Professor
26:06
Speaker 7: Griff Minister of Information. I'm here at Black Nobel Bookstore
26:10
Speaker 7: in Philly. Now listen, y'all know and understand the history
26:13
Speaker 7: of public Enemy. Philly, all right was our second home.
26:17
Speaker 7: We put it down in Philly. Lady b and some
26:19
Speaker 7: other people that came and surrounded us and brought us
26:22
Speaker 7: through and gave us the key to Philly, not the
26:24
Speaker 7: key that you get from the other people downtown, is
26:26
Speaker 7: the Black Nobel key. I think the thing that raised
26:29
Speaker 7: some eyebrows with people is when I dropped the information
26:32
Speaker 7: about Quincy Jones. All right, let the chips fall wherever
26:34
Speaker 7: they fall. This dude was one of the ones responsible.
26:38
Speaker 7: He had a magazine financed by Warner Brothers and the
26:41
Speaker 7: rest of them. He set up sex rings in Hollywood
26:44
Speaker 7: and the people that he brought in. If y'll tell
26:46
Speaker 7: me if from lying, Quincy Jones brought in fresh Prince
26:51
Speaker 7: and his first movie was what.
26:52
Speaker 8: Six Degrees of Separation.
26:54
Speaker 7: Queen Lottief, Queen Latifa set it off, licking and kissing
26:59
Speaker 7: it on women.
27:00
Speaker 8: Are you bring me?
27:01
Speaker 7: Kevin Campbell, her little sweet ass up and down Hollywood Boulevard,
27:06
Speaker 7: thank you. And that'st but not least when Tupac came
27:10
Speaker 7: to Hollywood, it was the homosexual ritual.
27:15
Speaker 8: This is where the homosexuals came out against it. But
27:17
Speaker 8: I didn't mind. I wasn't talking about homosexuals.
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Speaker 7: I'm saying there's a homosexual ritual that they go through
27:23
Speaker 7: in the Illuminatius secret societies, and it is so when
27:27
Speaker 7: I mentioned that about marrying.
27:28
Speaker 8: Itself on to hip hop, they said, well, can you
27:31
Speaker 8: prove it?
27:31
Speaker 7: Yeah, go back and go online and read where Tupac
27:35
Speaker 7: said he was asked by Quincy Jones the fucking me
27:39
Speaker 7: in the ass when Tupac said no, that's when Tupac
27:43
Speaker 7: was marked for death. Why because Tupac was engaged with
27:46
Speaker 7: Quincy Jones's daughter. Quincy Jones's daughter was best friend was
27:50
Speaker 7: Aliyah Aliah was engaged to Dame Dash. Now, if y'all
27:54
Speaker 7: follow these people back, all of them either died or
27:57
Speaker 7: was brought to ruin who creates and manufacture these these trends.
28:02
Speaker 7: Brothers of sagging, what you all know is nigga spelled
28:04
Speaker 7: backwards right, And what they did was marry the criminal
28:08
Speaker 7: culture in jail onto the street culture and made it
28:11
Speaker 7: part of hip hop. So now homosexuality is on the rise,
28:16
Speaker 7: and they made the new cleavage became the butt crack?
28:20
Speaker 8: Are you following me?
28:22
Speaker 7: Not be stupid. There's fifteen to twenty of us in
28:24
Speaker 7: this room. Somebody in there is the agent. Don't start
28:28
Speaker 7: looking around, but somebody in there is just in here,
28:31
Speaker 7: which you're gonna take this information to the government. We
28:34
Speaker 7: can't be stupid. Everywhere we go is that one person
28:39
Speaker 7: that's in the audience that's gonna take that information back?
28:42
Speaker 7: And we gotta know and understand that's just the reality
28:44
Speaker 7: until we set up.
28:45
Speaker 8: An infrastructure to deal with They asked they gonna be here.
28:49
Speaker 2: Now I've heard that Kat Williams, the one and only
28:53
Speaker 2: Kat Williams, has been canceled overseeing some stuff about humiliation
28:59
Speaker 2: ritual about how you can't make a name for yourself
29:02
Speaker 2: unless you wear a dress as a man, and it
29:06
Speaker 2: all goes in with the quincy stuff and Kat Williams
29:10
Speaker 2: Poe Little Tank Tank, oh little cat Cat. He's been
29:14
Speaker 2: canceled for blasting the truth from the rooftops. Now, this
29:19
Speaker 2: is all humiliation rituals going all the way back as
29:23
Speaker 2: far as Sam Cook. It's inverted Hollywood people, and don't
29:28
Speaker 2: you fucking forget it.
29:29
Speaker 5: All of these big deviance is all catching hell in
29:34
Speaker 5: twenty twenty four. It's up for all of them. It
29:36
Speaker 5: don't matter if you Diddy or whoever you is, tgj's
29:40
Speaker 5: any every all lies will be exposed, that's all. And
29:46
Speaker 5: anyone who takes that the wrong way know why they
29:49
Speaker 5: take it the wrong way. The truth is the light.
29:54
Speaker 5: But nobody amen, amen, because the people want to know
29:58
Speaker 5: why would he get black bombs? Because in thirty years
30:03
Speaker 5: I've done nothing but collect information, knowledge and your secrets.
30:11
Speaker 5: So if you and a man was in a corner
30:13
Speaker 5: doing something you wasn't supposed to be doing, you tell it. No,
30:16
Speaker 5: somebody come to tell me, Okay, I gather that, I
30:20
Speaker 5: value that, I'll pay for that. Come tell me. I
30:24
Speaker 5: know so many things I shouldn't know it, and they
30:26
Speaker 5: all know it. They all know it. Why because you
30:30
Speaker 5: don't make me the villain, not the guy that raises
30:33
Speaker 5: black children and ain't never done a hard drug in
30:35
Speaker 5: his life and don't have no stories of doing nobody dirty.
30:40
Speaker 5: And they'll just go out in their lie. The industry
30:42
Speaker 5: doesn't mess with Cat because he didn't show up for
30:45
Speaker 5: the studio. No studios have ever said that. Look at
30:48
Speaker 5: my IMDb. It will show you that no studio has
30:52
Speaker 5: ever lost money with me on the script. How these
30:56
Speaker 5: are lot This is like Steve Harvey telling people he
30:59
Speaker 5: used to be homeless. That's my story, that's not his story.
31:02
Speaker 5: Steve Harvey wasn't never homeless. Mark Curry was touring with
31:06
Speaker 5: him twenty five years ago. He was making three thousand
31:09
Speaker 5: dollars a show in cash and doing five shows a week.
31:14
Speaker 5: They just tell the stories. Thanks to my wife, I'm
31:18
Speaker 5: where I am. You said that about the first wife.
31:20
Speaker 5: You forget that, you told us it was her. Then
31:23
Speaker 5: you went and married somebody else that think like a man, like,
31:27
Speaker 5: what are you talking about? They they think they can
31:29
Speaker 5: rewrite history. That guy. Tori did a beautiful special about
31:33
Speaker 5: the Comedy Store in Fat Tuesday where he said that
31:36
Speaker 5: Steve and Cedric and Kevin Hart and Tiffany had his
31:40
Speaker 5: came through there and made all lies. Steven Cedric never
31:45
Speaker 5: performed at the Comedy Store at all. Tiffany was only
31:48
Speaker 5: seen at the Lab Factory in fifteen years. In Hollywood,
31:53
Speaker 5: no one in Hollywood has a memory of going to
31:55
Speaker 5: a sold out Kevin Hart show. There being a line
31:58
Speaker 5: for him ever getting a standing over at any comedy club.
32:02
Speaker 5: He already had his deals when he got here. Have
32:05
Speaker 5: we heard of a comedian that came to LA and
32:08
Speaker 5: in his first year in LA he had his own
32:10
Speaker 5: sitcom on network Television and had his own movie called
32:13
Speaker 5: Soul Plane that he was leading. No, we've never heard
32:16
Speaker 5: of that before that person or since that person? What
32:20
Speaker 5: do you think a plant is? Maybe people don't understand
32:25
Speaker 5: the definitions of these words. He just did his documentary
32:29
Speaker 5: with Chris Rock where he shows you that his whole
32:32
Speaker 5: upbringing in comedy was on the East Coast word, So
32:37
Speaker 5: how simultaneously was he here in Los Angeles doing the
32:41
Speaker 5: same thing. It didn't happen. It didn't happen. And I
32:46
Speaker 5: hate to seem like a petty individual for picking apart lies,
32:51
Speaker 5: but Jesse Slowle gonna keep lying until you say, we
32:54
Speaker 5: don't believe you, Like it's important in the checks and
32:58
Speaker 5: balances of the universe that liars not get to make
33:02
Speaker 5: complete narratives for themselves.
33:04
Speaker 8: Are you not afraid about being blackballed? Again?
33:07
Speaker 5: These are some power people? Do you mean again? These
33:10
Speaker 5: people are not powerful? Satan can't create anything that includes
33:15
Speaker 5: blessings for his people. That's why, you know what the
33:19
Speaker 5: number one job of somebody that saw their soul in
33:21
Speaker 5: Hollywood is, it's to act like it didn't happen. They
33:26
Speaker 5: all do the same job. Why do you think Gary
33:29
Speaker 5: Owen can't cross over and he already white and been
33:32
Speaker 5: in comedy for twenty five years. If what I say
33:36
Speaker 5: ain't the case, it's a cabal, it's a consortium. They
33:43
Speaker 5: rock with who they rock with, and they don't with
33:44
Speaker 5: who they don't. But I'm not scared of being the
33:48
Speaker 5: competition anymore than you were when you lined up across
33:52
Speaker 5: from a superior team. Yeah, on paper, they're a better team.
33:56
Speaker 5: They have all the assets and resources that we don't.
34:00
Speaker 5: Let us get on the line, boy boy, and see
34:02
Speaker 5: if that factors in. I guarantee you it won't. That's
34:05
Speaker 5: how a legacy is built for all of these shortcut takers.
34:10
Speaker 5: I was they've canceled me for talking about Harvey Weinstein
34:13
Speaker 5: before the thing came out. But he offered to suck
34:16
Speaker 5: my penis in front of all my people at my agency.
34:20
Speaker 5: What am I supposed to do? He did all of that.
34:23
Speaker 5: I'm thinking I'm the only black person on the script
34:25
Speaker 5: I get there, it's three other black guys on there. WHOA.
34:31
Speaker 5: I told him, no, what y'all do? And this is
34:36
Speaker 5: why when I walk in the room, heads go down
34:39
Speaker 5: behind my back. I'm nothing. I'm just a regular old comedian.
34:43
Speaker 5: That's better in jealous but in my face. No, no, no, Well,
34:48
Speaker 5: what it was that I was attempting to do was impossible.
34:52
Speaker 5: So before I do this interview, there is no Illuminati.
34:57
Speaker 5: It's just a joke. It's it's just something that crazy
35:01
Speaker 5: people talk about. There's no such thing as our side
35:05
Speaker 5: in God's side. None of that is even real. I
35:09
Speaker 5: gotta come and make it real. I have to come
35:12
Speaker 5: and say no, no, no, no. Everybody's not the same.
35:18
Speaker 5: So that's why when I said that, nobody came out
35:21
Speaker 5: and went, that's not true.
35:22
Speaker 1: I'm on God's side like none of them.
35:26
Speaker 5: I'm just The conversation was to show that there are
35:32
Speaker 5: spiritual things going on in the world, and that there
35:36
Speaker 5: are things that are bigger than just coincidence, and that
35:43
Speaker 5: a ritual is something that you do over and over
35:47
Speaker 5: and over again.
35:48
Speaker 1: A certain way. You see what I'm saying.
35:51
Speaker 5: If part of the ritual is wearing a dress, then
35:56
Speaker 5: we should be able to look through entertainment and see
35:59
Speaker 5: all of these people being made.
36:03
Speaker 1: To wear a dress.
36:05
Speaker 5: That's what a ritual is, you know what I mean.
36:07
Speaker 5: Like whether they're white or black, that doesn't matter. There's
36:14
Speaker 5: not other jobs where this is a requirement.
36:17
Speaker 1: Why is this? Why is this so necessary?
36:22
Speaker 9: Yeah, you don't see the dog catcher show up every
36:24
Speaker 9: you know, every other year, I guess, not in a
36:28
Speaker 9: nice skirt. You don't see an electrician, right, so up
36:32
Speaker 9: in a blouse every now and then.
36:35
Speaker 5: Right, I'm saying a lot of people that doubt what
36:39
Speaker 5: you say don't read and they haven't been readers, you
36:43
Speaker 5: know what I mean.
36:44
Speaker 1: Like books were my life.
36:46
Speaker 5: Literally, I thought that I could learn enough information to
36:53
Speaker 5: be an important person, you know what I mean.
36:56
Speaker 1: Do you feel like in Hollywood that there are.
37:01
Speaker 9: You know, I've heard you kind of allude to the
37:02
Speaker 9: fact that there's like kind of darker forces that kind
37:05
Speaker 9: of like, you know, that present opportunities to people in
37:14
Speaker 9: trade off, right, in trade for their own maybe their
37:18
Speaker 9: own peace, maybe their own reality, maybe a sacrifice of
37:23
Speaker 9: their actual direction that they want.
37:25
Speaker 1: Do you think that really happens that kind of stuff?
37:39
Speaker 5: I think everything is controlled and regulated.
37:47
Speaker 9: You think there's ever ways where we can get to
37:49
Speaker 9: the control room and see who's controlling.
37:52
Speaker 1: And you think that's all. We're past that. We're past that, But.
38:02
Speaker 5: We don't protect the whistle blower, right, we don't honor
38:10
Speaker 5: the scout that would tell us who it is. Matter
38:18
Speaker 5: of fact, when they get him, we're gonna go, oh,
38:21
Speaker 5: I could have told you that was gonna happen. They're
38:23
Speaker 5: tell him too much truth.
38:24
Speaker 9: Do you think Hollywood has a lot of things that
38:26
Speaker 9: they like hold against people.
38:27
Speaker 1: You know, a lot of this is human nature, right,
38:30
Speaker 1: So it's not even Hollywood, it's just human nature.
38:33
Speaker 5: It starts as human nature, right, Like I'm saying, this
38:36
Speaker 5: is in these things that I'm saying in Hollywood, exists
38:43
Speaker 5: in religions, circles, in politics, in the medical profession, and
38:50
Speaker 5: like yeah.
38:51
Speaker 1: In any circle of business. Really.
38:54
Speaker 9: Yeah, they had a big buss with puff Daddy where
38:57
Speaker 9: he got arrested and then and they've had like accusations
39:01
Speaker 9: and stuff.
39:02
Speaker 1: He hasn't gone on trial, I don't think yet.
39:04
Speaker 9: But do you think that they there's been speculation that
39:09
Speaker 9: they did that because they the timing of that was
39:12
Speaker 9: they wanted to like use other people that have allegedly
39:18
Speaker 9: been involved in some of his circles to they wanted
39:23
Speaker 9: to kind of use like, Okay, you could be next
39:27
Speaker 9: unless you help.
39:28
Speaker 1: This political plan. Do you think that's at all possible.
39:33
Speaker 1: That's how all cases are handled, right, none of that
39:38
Speaker 1: should be shocking.
39:39
Speaker 9: But do you feel like they would say to someone, Okay,
39:41
Speaker 9: we're gonna bring you in unless.
39:44
Speaker 1: Absolutely that's what they did. Yeah.
39:47
Speaker 5: Yeah, even like in the rap world, like all of
39:50
Speaker 5: the rappers that you know that never been to jail
39:53
Speaker 5: and never never got in any trouble with the law,
39:59
Speaker 5: but they talk as if their life is opposite of that.
40:05
Speaker 1: Like those are federal informants, like you know, you think
40:08
Speaker 1: they're really out there.
40:09
Speaker 5: Yeah, yeah, that's part of the job is to acquire
40:14
Speaker 5: those It's like saying, you know, if you're playing chess,
40:20
Speaker 5: do you have any pawns you have to?
40:23
Speaker 1: Don't you? You can't start without them? Right right? Wow?
40:29
Speaker 3: Right?
40:31
Speaker 8: Man?
40:31
Speaker 1: How do you know who is that's part of the game. Huh,
40:36
Speaker 1: you don't know.
40:37
Speaker 2: I was thinking of some stuff that I heard Kat
40:39
Speaker 2: Williams say. I was thinking of some stuff that I've
40:42
Speaker 2: heard about Quincy Jones and one of my favorite movies
40:48
Speaker 2: of all time is White Chicks. And it's really hard
40:52
Speaker 2: for me to think that was just a whole, huge
40:55
Speaker 2: humiliation ritual for the Wayans brothers. But it probably was
41:00
Speaker 2: just like Big Mama's house. And if you remember, I
41:03
Speaker 2: don't know if this is something you'd be even interested in,
41:07
Speaker 2: but there was this show Martin Lawrence my En my
41:12
Speaker 2: end and he had a dress up. He had a
41:15
Speaker 2: dress up. He Shanney or something like that was her name,
41:19
Speaker 2: I think, but he had a dress up as a woman,
41:22
Speaker 2: and then like go back to and live in color.
41:25
Speaker 2: All of them had to do it. Jamie Fox, he
41:29
Speaker 2: was Wanda. They all they've all done it. They've all
41:36
Speaker 2: done it. Eddie Murphy, Now, oh my good, since we're
41:44
Speaker 2: talking about it. I wasn't planning on bringing this up,
41:47
Speaker 2: but he's part of the humiliation rituals, so we got
41:53
Speaker 2: to talk about it just for a second. There is
41:56
Speaker 2: a like an R and B singer Van Dross. You
42:01
Speaker 2: may be a fan, and on his deathbed he released
42:05
Speaker 2: a bunch of information about fellow celebrities that he had
42:10
Speaker 2: relationships with and had been sworn to secrecy not to reveal.
42:15
Speaker 2: But right before he died, he was like, you know what,
42:18
Speaker 2: fuck it, I'm I'm taking everybody with me. So Luther
42:22
Speaker 2: Vandross was a gay man, very talented, beautiful voice, and
42:30
Speaker 2: he released this list of people who he had been
42:34
Speaker 2: in a relationship with, and well, Eddie Murphy was one
42:38
Speaker 2: of them. And Eddie Murphy he got caught by a
42:42
Speaker 2: police officer soliciting sexual favors from a tranny vestite, got
42:47
Speaker 2: busted in his car, and after that he asked Eddie
42:52
Speaker 2: Murphy asked Luther Vandross to sign an NDA saying that
42:58
Speaker 2: he would never ever reveal their relationship to the public
43:03
Speaker 2: in fear that it would completely demolish his professional persona.
43:09
Speaker 2: So Luther agreed and he signed this NDA. But on
43:13
Speaker 2: his deathbed he was like, what are you going to do?
43:15
Speaker 2: Sue me? I'm dying. But apparently Eddie had recorded a
43:21
Speaker 2: bunch of these cassette tapes of little whispered sweet nothings
43:28
Speaker 2: to Luther Vandross, and Luther would play them all the
43:32
Speaker 2: time and people around him, people around Luther knew that
43:37
Speaker 2: he and Eddie were in this romantic relationship, but they
43:42
Speaker 2: were all hush hush about it until Eddie got busted
43:45
Speaker 2: with the tranny vest tite and then all of a
43:47
Speaker 2: sudden it was bye bye Luther. And oh, by the way,
43:50
Speaker 2: here's this Nda. You can never tell anyone what we've
43:53
Speaker 2: been up to. It just I mean, it's all inverted, Hollywood,
44:00
Speaker 2: it's all inverred.
44:02
Speaker 5: You know.
44:03
Speaker 2: Eddie Murphy even had a song. It was a real
44:05
Speaker 2: super hit. Ah my good likes to party all the time,
44:11
Speaker 2: Party all the time, party all the time. Well he
44:16
Speaker 2: was partying all the time, but it wasn't with this girl.
44:21
Speaker 2: So what do you think about all this? People? I mean,
44:24
Speaker 2: it's a long and winding road of humiliation, murders, sacrifice,
44:31
Speaker 2: all in the name of legendary music. But that's gonna
44:36
Speaker 2: do it for today, folks. This has been Part three
44:39
Speaker 2: of the Motown Murder Machine. If you agree with what
44:42
Speaker 2: I'm putting down here, I want to see Eddie Murphy's
44:45
Speaker 2: tranny in the comments section. That's Eddie Murphy's tranny in
44:50
Speaker 2: the comments section, and rip to Sam Cook, one of
44:55
Speaker 2: the most talented legends of all time. And if I
45:00
Speaker 2: do find some more interesting information, I will be back
45:03
Speaker 2: for a part four. But until then, I love you,
45:07
Speaker 2: thanks for being here, thanks for listening, and I will
45:10
Speaker 2: catch you on the next one.
45:17
Speaker 3: Nothing age a bottle place somewhere in New York way
45:22
Speaker 3: all we will also gay twist them the night away.
45:28
Speaker 3: MANA have a lot of buna that wouldn't stuble over rana.
45:34
Speaker 6: O, twist them the night away? That swisting swasting and
45:40
Speaker 6: ever about the bread. Let's what's them?
45:44
Speaker 5: Twist them, twist.
45:46
Speaker 6: Them the night Let me tell you about it. Here
45:49
Speaker 6: the man an eave the gods how he got it?
45:52
Speaker 3: I don't know what man, you won't see him go
45:56
Speaker 3: swist them the night away.
46:00
Speaker 6: So with the ticket slats chick the moving up the back.
46:04
Speaker 6: Oh man, there ain't nothing I can twist them the
46:07
Speaker 6: night away. Let swist them tress him then let swist
46:15
Speaker 6: them the sistem twist them the night That swist a lot. Yeah,
46:22
Speaker 6: everybody feel all right? When you put your hand and
46:23
Speaker 6: got a funny, I said, yeah, what the hand?
46:30
Speaker 3: The fill all my funny?
46:33
Speaker 6: He say, do we go twist them?
46:38
Speaker 5: Then? Let me tell you what.
46:41
Speaker 6: Here's the bolly in blue jeans.
46:44
Speaker 3: Answer it the over queen, shack dollar and a dimond rings.
46:48
Speaker 6: And twist them. Make me feel good? And then you
46:52
Speaker 6: want to see her go chick twisting in.
46:55
Speaker 3: The rock and roll up kid you got the young
46:58
Speaker 3: and old.
46:58
Speaker 6: Twist them, then the way up twist the twist them
47:03
Speaker 6: and every posture and breed us fad trish family twist
47:08
Speaker 6: fan TWI some fella couldn't put out of socker said, Come,
47:11
Speaker 6: old baby, let's go spress you. Let's swiss. I like that.
47:16
Speaker 6: Come old baby, come and let's do that twist man.
47:21
Speaker 5: Let me take you by the hand.
47:23
Speaker 6: And if don't like this, all you happen to you
47:26
Speaker 6: with sold pop, I'm nothing wou