Latest / Thirsty For More - Movie Review / Bride Of Chucky - Thirsty For Gore

Transcript

Bride Of Chucky - Thirsty For Gore · Thirsty For More - Movie Review

• 0:05
  Speaker 1: Hello, everybody.
• 0:15
  Speaker 2: Hello, everyone, and welcome to Thirsty for Gore. I, of course,
• 0:19
  Speaker 2: am your host, Milenko.
• 0:21
  Speaker 3: And I'm Alex.
• 0:22
  Speaker 2: Nice to meet you. And today, we are continuing our
• 0:26
  Speaker 2: Chucky saga with the fourth installment of Runnywoo's... Chucky 4.
• 0:34
  Speaker 2: Bride of Chucky.
• 0:36
  Speaker 3: Bride of Chucky, dude. 1998's Bride of Chucky, dude.
• 0:42
  Speaker 2: 1998's Bride of Chucky.
• 0:43
  Speaker 3: 1990's Chucky. What do we think of 1990's Chucky?
• 0:49
  Speaker 2: I mean, most of it's been 90's.
• 0:51
  Speaker 3: Only the first one. Only the first one. Even though
• 0:53
  Speaker 3: in this one, there's a character who goes, actually, Alexis Arquette.
• 0:59
  Speaker 2: Yeah. Who is... Like, it's, I think, our first time
• 1:02
  Speaker 2: talking about Alexis on the podcast.
• 1:04
  Speaker 3: I think so. I think we've mentioned Alexis Arquette before.
• 1:07
  Speaker 2: Yeah, we've talked about her in Pulp Fiction, and... No,
• 1:10
  Speaker 2: that's for.
• 1:10
  Speaker 3: Oh, she's in Pulp Fiction, right?
• 1:13
  Speaker 2: Yeah, she is, yeah. She's in the famous, uh... Did
• 1:17
  Speaker 2: I stutter scene?
• 1:21
  Speaker 3: And.
• 1:22
  Speaker 2: Right away, dude. Chucky's trying to glorify himself by being
• 1:26
  Speaker 2: in the same containment... The same universe as Freddy vs.
• 1:32
  Speaker 1: Jason.
• 1:32
  Speaker 2: And Mike Myers, dude.
• 1:35
  Speaker 3: And the chainsaw is Ash, obviously.
• 1:37
  Speaker 2: Well, I thought it was Texas Chainsaw Massacre.
• 1:39
  Speaker 3: It could be.
• 1:39
  Speaker 2: Chucky's... Trying to put himself among the greats. And you
• 1:44
  Speaker 2: know what? He succeeds because.
• 1:46
  Speaker 3: Because Ronnie Woo directed Freddy vs.
• 1:49
  Speaker 2: Jason, dude. Well, yeah, it's gotta be crossover, dude.
• 1:52
  Speaker 1: Or you could do combinations.
• 1:54
  Speaker 2: Chill out. Dig what? And we get this Lachlan McLaughlin
• 1:59
  Speaker 2: Canadian actor looking guy.
• 2:01
  Speaker 3: This definitely does have the feeling of like an American
• 2:06
  Speaker 3: movie shooting in Vancouver. And also the blue tone. This
• 2:12
  Speaker 3: movie matches exactly Freddy vs.
• 2:15
  Speaker 2: Jason. Yeah, and, you know, he's going through, like, the
• 2:20
  Speaker 2: special evidence locker that's reserved for supernatural serial killers.
• 2:25
  Speaker 3: All in the same place. Because they all happened in
• 2:28
  Speaker 3: the same place in Vancouver, dude.
• 2:31
  Speaker 2: Well, of course, dude. That's where we're shot. This movie has, like...
• 2:35
  Speaker 2: people delivering things to other people for money a lot it's.
• 2:39
  Speaker 3: The the entire movie is people delivering things to other places.
• 2:43
  Speaker 2: Officer bailey we see who is uh you know curiosity
• 2:48
  Speaker 2: kill the cat dude he almost caused an accident because
• 2:51
  Speaker 2: he's looking through uh the chucky remains um that tiffany
• 2:57
  Speaker 2: has paid him to bring. But we don't know any
• 2:59
  Speaker 2: of this yet.
• 3:00
  Speaker 3: We don't know any of this yet. Also, where the
• 3:01
  Speaker 3: fuck is Tiffany getting this money from? It seems like she's, like, just, like,
• 3:06
  Speaker 3: paying out so much money.
• 3:08
  Speaker 2: I think she's just, like, a practicing serial killer who just, like,
• 3:11
  Speaker 2: steals money. She's just stealing money. I think she's just
• 3:13
  Speaker 2: stealing money.
• 3:13
  Speaker 3: Yeah, fair enough. Also, every reaction Chucky gets in this
• 3:16
  Speaker 3: movie is, ugh.
• 3:18
  Speaker 2: Everyone's grossed out by Chucky.
• 3:20
  Speaker 3: Which I thought was really funny because I was like,
• 3:23
  Speaker 3: but what's happening? I think... I think it's the smell.
• 3:28
  Speaker 3: It's the smell.
• 3:30
  Speaker 2: We're supposed to read it as like, he's a lot more,
• 3:33
  Speaker 2: it's kind of like, you know, he's constantly in the movie,
• 3:38
  Speaker 2: a combination of plastic and viscera, right? Like he's like meat. Yeah.
• 3:42
  Speaker 2: He's already meat.
• 3:44
  Speaker 3: He's already meat. Yeah, for sure. And then she fucking
• 3:48
  Speaker 3: takes officer Bailey's throat and slashes it. And she's just,
• 3:52
  Speaker 3: I guess a serial killer as well.
• 3:54
  Speaker 2: At first I was like, I don't know if I
• 3:57
  Speaker 2: think she's age appropriate for Brad Dourif because I was like, whoa,
• 4:01
  Speaker 2: she looks.
• 4:03
  Speaker 3: Like way younger. But she was 40.
• 4:06
  Speaker 2: Yeah, I know.
• 4:07
  Speaker 3: So like relatively age appropriate.
• 4:09
  Speaker 2: She looks amazing.
• 4:10
  Speaker 3: He's only like, I think, eight years older than her.
• 4:14
  Speaker 2: Yeah, whatever. Like, Chucky... He was young then, too, dude.
• 4:21
  Speaker 2: That's what I mean.
• 4:21
  Speaker 3: No, but 48 is... Because I always... For some reason,
• 4:26
  Speaker 3: I always link... I.
• 4:28
  Speaker 2: See her as this age permanently.
• 4:31
  Speaker 3: Of course. I see Brad Dourif as either really young,
• 4:35
  Speaker 3: like in... What's it called? One Flew the Cuckoo's Nest? Or, like, black,
• 4:40
  Speaker 3: jet black hair, long hair. Just always seemed older to me.
• 4:44
  Speaker 2: No, I mean, yeah. I think that's just because, like,
• 4:48
  Speaker 2: you know, the power of movies and seeing movies as kids. Yeah, totally. But,
• 4:51
  Speaker 2: you know, like, if she was... 1988 was 10 years ago.
• 4:56
  Speaker 2: If she's 40 here, she was 30 there.
• 4:57
  Speaker 3: Yeah, she's 30 then. Yeah, totally.
• 4:59
  Speaker 2: So, age-appropriate still for Charles Lee Ray. Yeah, absolutely.
• 5:04
  Speaker 3: Catherine Heigl in this movie.
• 5:06
  Speaker 2: We get one Catherine H. replaced with another dude. Catherine
• 5:10
  Speaker 2: Hicks replaced with Catherine Heigl.
• 5:12
  Speaker 1: Or you could do combination.
• 5:13
  Speaker 2: Yeah, 100%.
• 5:15
  Speaker 3: John Ritter, dude. Dude.
• 5:17
  Speaker 2: And.
• 5:18
  Speaker 3: Living dead girl.
• 5:20
  Speaker 2: Dude, the fucking beginning music was amazing. They even credit
• 5:24
  Speaker 2: Rob Zombie as having the opening song. I loved it.
• 5:29
  Speaker 2: And yeah, seeing John Ritter's name and then seeing John Ritter, man,
• 5:34
  Speaker 2: it did something to me. I love John Ritter. I
• 5:39
  Speaker 2: love John Ritter. He's amazing. He's amazing. He's so good.
• 5:41
  Speaker 2: Problem child, dude.
• 5:42
  Speaker 3: And his son, dude, who was also in.
• 5:45
  Speaker 2: Freddy vs. Jason, dude.
• 5:46
  Speaker 1: Or you could do combination.
• 5:48
  Speaker 3: Canonically, this guy is his dad in Freddy vs.
• 5:51
  Speaker 2: Jason, dude. A few things. The movie credits her as
• 5:57
  Speaker 2: Alexis Arquette. Yeah. But she's playing a dude in this movie. Yes.
• 6:02
  Speaker 2: She's playing Damien, which we'll get to. We get an
• 6:04
  Speaker 2: and Brad Dourif as the voice of Chucky, dude. Of course, dude.
• 6:08
  Speaker 2: And opens up with all these dolls that she's going
• 6:11
  Speaker 2: to be mining the parts for. I... You know what
• 6:14
  Speaker 2: I loved about this movie?
• 6:16
  Speaker 3: Yeah, tell me.
• 6:17
  Speaker 2: What's great about the Chucky series is that it knows
• 6:21
  Speaker 2: what it is. It never pretends to be anything else. Yeah.
• 6:24
  Speaker 2: And every movie after the previous movie further dives into
• 6:30
  Speaker 2: the reality of Chucky. Yeah. So it's like, doesn't matter.
• 6:34
  Speaker 2: This happens. This is our explanation. That's all you get.
• 6:37
  Speaker 2: You just get their explanation. Yeah. And I think it
• 6:41
  Speaker 2: does it really well. I think like continuing it, Just,
• 6:45
  Speaker 2: I mean, the story never stops, really. And we get
• 6:49
  Speaker 2: another hour and 28 minute movie.
• 6:52
  Speaker 3: Yes, yes. I loved the dolls getting rebuilt from the dolls.
• 6:58
  Speaker 2: I also really liked... That's what I was going to say, sorry.
• 7:00
  Speaker 2: The dolls being rebuilt from dolls and then including the
• 7:03
  Speaker 2: Bride of Frankenstein reference. I mean, obviously the movie wants
• 7:10
  Speaker 2: to be ham-fisted with the references, right? And I think
• 7:13
  Speaker 2: it's not shying away from that. You know, it's not
• 7:16
  Speaker 2: pretending to not do that.
• 7:18
  Speaker 3: No, you're right. Something I don't like, I don't like
• 7:22
  Speaker 3: the look.
• 7:23
  Speaker 2: What about it?
• 7:25
  Speaker 3: Just the other ones have this kind of saturation to them.
• 7:31
  Speaker 3: And then like some of the saturation comes out into.
• 7:34
  Speaker 2: The world and a lot of blue in this. Where
• 7:37
  Speaker 2: I'm like, it's a little bit like... Too color corrected?
• 7:40
  Speaker 2: It's a little bit... It's just.
• 7:41
  Speaker 3: Like some of the new metal bothers me a little bit.
• 7:44
  Speaker 3: Some of the like... Oh, dude.
• 7:46
  Speaker 2: Not the soundtrack, I hope. Because I thought that was great.
• 7:48
  Speaker 2: Even the soundtrack.
• 7:49
  Speaker 3: I'm like, I like those songs. I'm just like, I
• 7:53
  Speaker 3: kind of miss a movie that's like, oh, it doesn't
• 7:56
  Speaker 3: have songs in it. It's got a score in it.
• 7:58
  Speaker 3: You know what I mean?
• 7:59
  Speaker 2: Well, but we've established that Chucky's never been about a score.
• 8:02
  Speaker 2: Chucky's about the Damballa chant and about... the background music. Yeah, totally.
• 8:08
  Speaker 3: But this isn't even background music.
• 8:10
  Speaker 2: It's like they had some, some of the score was good.
• 8:13
  Speaker 3: As, as I don't know if I like Chucky being like,
• 8:16
  Speaker 3: I'm actually a metal head.
• 8:17
  Speaker 2: You know what I mean? Whereas like, dude, I thought
• 8:20
  Speaker 2: that was cool.
• 8:22
  Speaker 3: I never, like for me, I don't really see it
• 8:25
  Speaker 3: vibing with the character. This feels very much like a
• 8:28
  Speaker 3: soft reboot to me.
• 8:29
  Speaker 2: Okay. Well, we can get, we can get to it
• 8:32
  Speaker 2: as we go, but, um, I, and I wouldn't disagree
• 8:35
  Speaker 2: with that, um, like assessment. I just, I thought it worked.
• 8:41
  Speaker 2: I also appreciate... I like the pivot.
• 8:43
  Speaker 3: I mean, I appreciate the pivot, too, because it's like,
• 8:45
  Speaker 3: he's really the main character now, and everything else is
• 8:48
  Speaker 3: a subplot. Like, these are two different movies put into
• 8:53
  Speaker 3: one that somehow kind of works... But mostly kind of doesn't.
• 8:58
  Speaker 2: Dude, her rebuilding Chucky and like sewing all of the parts.
• 9:03
  Speaker 3: And then him being like a regular stand-up doll as
• 9:07
  Speaker 3: opposed to like a floppy doll that changes faces when convenient.
• 9:12
  Speaker 2: If she had done this... Well, see, so Chucky's just
• 9:17
  Speaker 2: Chucky face in this. He's never... And I think canonically...
• 9:22
  Speaker 2: he's become part of the doll. She sews him back
• 9:26
  Speaker 2: together from the sliced pieces, dude. Yes. Sliced Chucky from
• 9:30
  Speaker 2: the third movie.
• 9:33
  Speaker 3: And also, you.
• 9:36
  Speaker 2: Notice.
• 9:38
  Speaker 2: Chucky's cool balding, first of all. Oh, dude, I see
• 9:40
  Speaker 2: all the way, dude. And also, we get a level of... Yeah,
• 9:41
  Speaker 2: sort of Chucky.
• 9:53
  Speaker 2: There is no, he's just Chucky. There's no, oh, I'm
• 9:57
  Speaker 2: a new doll. Yeah, he's not a good guy doll
• 9:59
  Speaker 2: in this. good guy is barely a thing in this
• 10:02
  Speaker 2: it's only a thing that references the other movies.
• 10:04
  Speaker 3: I also think that people are like because they know
• 10:07
  Speaker 3: what a good guy doll looks like i think.
• 10:10
  Speaker 2: So too i love the next scene when we open
• 10:15
  Speaker 2: up to john ritter's house and it looks like the
• 10:18
  Speaker 2: home alone house I mean, it's still Chicago, dude, so
• 10:22
  Speaker 2: it could be the whole one house.
• 10:23
  Speaker 3: Is there a Tating place in Chicago?
• 10:25
  Speaker 2: Well, I mean, I don't know. I don't know. I forget, like,
• 10:30
  Speaker 2: I didn't look up what the names of, like, the
• 10:33
  Speaker 2: places were, but it's presumably still Chicago. Unless Andy was
• 10:38
  Speaker 2: serving somewhere else, dude.
• 10:40
  Speaker 3: Yeah, for sure.
• 10:41
  Speaker 2: But it's somewhere where they could easily drive to, like,
• 10:46
  Speaker 2: Niagara Falls.
• 10:47
  Speaker 1: Yeah.
• 10:48
  Speaker 2: New Jersey.
• 10:48
  Speaker 3: Yeah, that's true.
• 10:49
  Speaker 2: Yeah, totally. New York State, that area. So, I don't know. Like,
• 10:54
  Speaker 2: I don't know.
• 10:55
  Speaker 3: But David comes to John Ritter's house.
• 10:58
  Speaker 2: Written by Don Mancini, by the way.
• 11:00
  Speaker 3: And he goes, hey, I'm clearly gay, but pretending to
• 11:04
  Speaker 3: be straight.
• 11:05
  Speaker 2: Well, it's funny because they made it like he was
• 11:08
  Speaker 2: clearly gay, but he didn't set anything off for me.
• 11:14
  Speaker 2: I was like, wait. Is he supposed to care?
• 11:20
  Speaker 3: Which is, like, strange, because it seems like... I don't know,
• 11:24
  Speaker 3: is this guy, this handsome guy, Jesse, supposed to be, like,
• 11:28
  Speaker 3: a jockey? I like the fact that they kind of
• 11:31
  Speaker 3: took away some of.
• 11:32
  Speaker 2: The, like....
• 11:36
  Speaker 3: I don't know, like... Ambiguity? Not ambiguity, but, like, some
• 11:40
  Speaker 3: of the, like, tropes of, like, horror movies is, like, oh,
• 11:44
  Speaker 3: there's a jock, and if there's a gay guy, he's, like,
• 11:47
  Speaker 3: you know, harassed or something. Whereas, like, this gay guy is, like,
• 11:52
  Speaker 3: friends with these two people.
• 11:54
  Speaker 2: Yeah, so that's... I feel like it's a testament to
• 11:57
  Speaker 2: the fact that I didn't even know that he was
• 12:00
  Speaker 2: gay to how much gayer society's gotten. But I think, like,
• 12:05
  Speaker 2: we're sort of seeing, like, I mean, Don Mancini's gay, right?
• 12:08
  Speaker 3: I think so.
• 12:09
  Speaker 2: And I think he just, like, just wrote in a
• 12:12
  Speaker 2: normal gay character. He just happens to be gay. And
• 12:15
  Speaker 2: the reason that, you know, the only plot use of
• 12:18
  Speaker 2: him being gay is the fact that he's helping his
• 12:21
  Speaker 2: friend out so she can go on a date with
• 12:23
  Speaker 2: the other guy who's not gay. And Katherine Heigl comes down,
• 12:27
  Speaker 2: and it's like, whoa, dude, like, Katherine Heigl. I remember
• 12:31
  Speaker 2: when she was in Star Trek. Man, when....
• 12:35
  Speaker 3: Fucking John Ritter is like interrogating this dude. He's like,
• 12:39
  Speaker 3: so what are you going to college for? Theater arts. Oh,
• 12:43
  Speaker 3: on a hockey scholarship?
• 12:45
  Speaker 2: Actually, figure skating. And I was like, oh my God,
• 12:49
  Speaker 2: this is figure skaters taking her out on the date.
• 12:51
  Speaker 2: We get the exposition drop that he's her uncle and
• 12:55
  Speaker 2: her parents are dead. And he's taking care of her
• 12:58
  Speaker 2: because her parents are dead. And so he's being kind
• 13:00
  Speaker 2: of like an overbearing guy. parental guardian-type figure.
• 13:04
  Speaker 3: But it's worse than overbearing, because she goes like, my
• 13:09
  Speaker 3: parents liked all my friends.
• 13:11
  Speaker 2: He's controlling.
• 13:12
  Speaker 3: And it's like, ugh.
• 13:14
  Speaker 2: His frosted tips, dude. And John Ritter's like, don't you
• 13:18
  Speaker 2: want to give her something? To show the audience, I guess,
• 13:21
  Speaker 2: the dramatic irony that he knows that the kid is gay...
• 13:25
  Speaker 2: and uh so he's not buying their story yeah and
• 13:28
  Speaker 2: he has one of his dogs because he's the police
• 13:31
  Speaker 2: chief dude he has one of his dogs follow him
• 13:34
  Speaker 2: needle nose he follows them uh in the car and
• 13:38
  Speaker 2: we get the reveal of jesse our classic bonnie and
• 13:42
  Speaker 2: clyde duo dude of jesse and jade yeah who are
• 13:46
  Speaker 2: kind of like our like side main characters now like
• 13:50
  Speaker 2: this role of like victim has become like The third
• 13:54
  Speaker 2: movie did a lot of work to, like, be like, okay,
• 13:58
  Speaker 2: the rest of the movies are gonna be now Chucky's
• 14:00
  Speaker 2: the main character and some other people. Yeah.
• 14:04
  Speaker 3: Like, it's like Chucky's adventure trying to get a new body.
• 14:07
  Speaker 2: Yeah.
• 14:09
  Speaker 3: Yeah.
• 14:10
  Speaker 2: And Needlenose, Needlenose, Needledick pulls him over and he's got
• 14:14
  Speaker 2: the fucking smuggest eyes in the world. Like, his, you know, like, smizing?
• 14:18
  Speaker 2: His eyes are, like, sarcastic the whole time. Like, he's just, like,
• 14:23
  Speaker 2: squinting contempt at them it's amazing dude.
• 14:28
  Speaker 3: And then once a day Catherine Heigl is in the
• 14:31
  Speaker 3: car with with David being like oh he you really
• 14:39
  Speaker 3: made an impression on Warren oh I'm so over guys
• 14:43
  Speaker 3: in uniform.
• 14:45
  Speaker 2: Yeah and yeah man this Joko looking guy the needle
• 14:51
  Speaker 2: nose yeah yeah He pulls them over.
• 14:55
  Speaker 3: He pulls them over. He, like, threatens them and stuff.
• 14:57
  Speaker 3: And then we cut back to... I just.
• 15:00
  Speaker 2: I don't know how I felt about the voodoo for dummies. Like,
• 15:04
  Speaker 2: it just, like... Why?
• 15:06
  Speaker 3: Because it felt a little bit like... Like, it's funny,
• 15:10
  Speaker 3: but it's also like, she's chanting the real chants from
• 15:14
  Speaker 3: the thing. And then the awake stuff, I hate awake.
• 15:17
  Speaker 3: I hated that.
• 15:18
  Speaker 2: Well, awake, it's a different incantation because she's waking him up.
• 15:22
  Speaker 2: He's not transferring into a body. That's fine.
• 15:25
  Speaker 3: But also, I'm like, you can just get this for dummies.
• 15:30
  Speaker 3: It wasn't like a special guy he got it from,
• 15:32
  Speaker 3: you know?
• 15:33
  Speaker 2: I mean, they use it as a gag. Dude, this
• 15:35
  Speaker 2: scene where she's doing the chant, i love i love
• 15:39
  Speaker 2: her doing the chant and that's where we get the
• 15:41
  Speaker 2: voice her voice is so good and she looks incredible
• 15:45
  Speaker 2: yeah and like the way awake awake awake i love
• 15:48
  Speaker 2: like what's this technique that's used where it kind of
• 15:51
  Speaker 2: like simultaneously like kind of zooms in and zooms out
• 15:55
  Speaker 2: at the same time.
• 15:57
  Speaker 3: Oh that's uh when when you dolly in and zoom
• 16:00
  Speaker 3: out and it creates this weird.
• 16:02
  Speaker 2: Effect it looked so good it And she's trying to
• 16:06
  Speaker 2: wake him up. She's drawn a pentagram, dude. I like
• 16:10
  Speaker 2: the voodoo for dummies stuff. But to me, that stuff
• 16:13
  Speaker 2: all worked. I was very charmed by it.
• 16:16
  Speaker 3: It's very easy to be like, she knows it through this.
• 16:19
  Speaker 2: But he could have just taught her. You know what
• 16:21
  Speaker 2: I mean? I know, I know. But they could have
• 16:24
  Speaker 2: shown a picture of her with John from the first
• 16:28
  Speaker 2: movie and him, maybe, like, doing a voodoo chant together
• 16:32
  Speaker 2: or something. It could have been that if she's his
• 16:35
  Speaker 2: ex-girlfriend or whatever, or his like former lover. Yeah. I
• 16:38
  Speaker 2: don't know. I get it. But like, I also just,
• 16:41
  Speaker 2: it's a gag. I don't know. It is.
• 16:43
  Speaker 3: Yeah.
• 16:43
  Speaker 2: You're right. You're right. It's funny. And like, it's, it
• 16:46
  Speaker 2: passes so fast that, uh, and the way they're shooting
• 16:50
  Speaker 2: her from like a little bit below and how she's like,
• 16:53
  Speaker 2: there's like thunder and lightning going in the, in the background.
• 16:56
  Speaker 2: Cause of course the Dembela clouds have arrived, dude. And
• 17:00
  Speaker 2: this is where we get our first pronunciation of Damballa.
• 17:04
  Speaker 3: Damballa, yeah.
• 17:06
  Speaker 2: Because I think she was just reading it.
• 17:08
  Speaker 3: Yeah.
• 17:09
  Speaker 2: And it is spelled Damballa.
• 17:10
  Speaker 3: Damballa, yeah.
• 17:12
  Speaker 2: Or Damballa. Damballa? I don't know. Anyway, doesn't matter. Chucky's
• 17:15
  Speaker 2: not alive. Awake, awake, and it doesn't work.
• 17:17
  Speaker 3: Alexis Arquette knocks at the door.
• 17:19
  Speaker 2: Sometimes it takes some time. And, yeah, and we get
• 17:22
  Speaker 2: introduced to, like, a very Marilyn Manson type character. She's playing, like, Damien,
• 17:29
  Speaker 2: who's the new, I guess, like, cocked boyfriend.
• 17:33
  Speaker 3: Well, like, it feels like she was always going to
• 17:35
  Speaker 3: kill him or that she brought him over so that she's, like,
• 17:38
  Speaker 3: it seems like she's, like, training serial killers, too.
• 17:41
  Speaker 2: She's trying to, yeah, she wants to find someone who's, like, worthy. Well,
• 17:46
  Speaker 2: she needs a serial killer because that's who she was
• 17:49
  Speaker 2: in love with.
• 17:50
  Speaker 3: Yeah, she's, like, creating Charles Lee Ray with another person. And, like,
• 17:58
  Speaker 3: she doesn't... Damien doesn't actually kill anybody.
• 18:00
  Speaker 2: He's just a fake fucking, like... Mush on his face.
• 18:10
  Speaker 2: But she recognizes the nail polish, dude.
• 18:14
  Speaker 3: Which was hilarious.
• 18:14
  Speaker 2: She's like, you didn't fucking do this. You didn't kill anyone.
• 18:18
  Speaker 3: And I love when she's, like, walking away. She gets
• 18:20
  Speaker 3: really mad. She notices that she walked where the doll
• 18:23
  Speaker 3: was and didn't see it. And then she, like, I
• 18:27
  Speaker 3: like how visually they, like, focus in on her face
• 18:31
  Speaker 3: in a way that, like, presents to the world, like,
• 18:36
  Speaker 3: she knows what's happening. She knows he's alive and she
• 18:39
  Speaker 3: knows he's going to kill him. She knows the lore, too.
• 18:43
  Speaker 2: Of course. And then she, like... When we see, like,
• 18:47
  Speaker 2: the sand that has moved from the pentagram, and she
• 18:50
  Speaker 2: makes the realization, it's amazing, dude.
• 18:52
  Speaker 3: And then she tells Alexis Arquette to go to the
• 18:54
  Speaker 3: floor and, like, look for her lipstick. And then the
• 18:57
  Speaker 3: spider fall marves on her face.
• 18:59
  Speaker 2: Oh, man. When Tiffany picks up the spider, I was like,
• 19:09
  Speaker 2: I don't know. If I was acting in this movie,
• 19:12
  Speaker 2: I was like, I don't know if I could do that.
• 19:13
  Speaker 3: I don't think I could do it.
• 19:14
  Speaker 2: I don't know if I could touch that fucking tarantula.
• 19:16
  Speaker 2: She probably got training. She probably got training and felt
• 19:19
  Speaker 2: more comfortable about it. Oh, my God.
• 19:22
  Speaker 3: Her reaction is so real. I would be like.
• 19:27
  Speaker 2: And the CGI spider that falls on Alexis's face. Is it? Yeah. Yeah.
• 19:33
  Speaker 2: But it's not when it's on top of her face. No, no,
• 19:35
  Speaker 2: I know that. Marv, dude.
• 19:38
  Speaker 3: Marv just had to pretend to scream.
• 19:44
  Speaker 2: Oh, my God. But it's her pet spider. It's Tiffany's.
• 19:50
  Speaker 2: pet spider yeah i immediately bought tiffany as part of
• 19:55
  Speaker 2: the lore like yes 100 it feels like so natural
• 20:00
  Speaker 2: it works 100 it works 100 and even the the
• 20:05
  Speaker 2: kind of when when alexis is like oh look We're
• 20:10
  Speaker 2: in the room, close together. Do you know what the
• 20:12
  Speaker 2: French call an orgasm? Le petit mortet. The little death.
• 20:18
  Speaker 2: Let's die a little. Le petit mortet. And Alexis is
• 20:22
  Speaker 2: so Marilyn Manson.
• 20:23
  Speaker 1: Yes.
• 20:25
  Speaker 2: I think, like, that's kind of what they were going
• 20:27
  Speaker 2: for with this look. Absolutely, yeah. The full-body tribal tattoos, dude.
• 20:33
  Speaker 2: It's amazing. And she's, like, disgusted by Damien. She doesn't
• 20:36
  Speaker 2: want to have anything to do. She wants Chucky, dude.
• 20:42
  Speaker 2: She wants Chucky.
• 20:43
  Speaker 3: But then Alexis Arquette says he's so 80s. Yeah. And
• 20:47
  Speaker 3: it's like, but he's kind of more 90s than he
• 20:51
  Speaker 3: is 80s.
• 20:54
  Speaker 2: Well. Hi, I'm Chucky. Alexis isn't counting the sequels, dude.
• 20:59
  Speaker 2: She only saw the first one. She only saw the
• 21:02
  Speaker 2: first one. Dude, Chucky's like photorealistic. I keep saying that.
• 21:07
  Speaker 2: I don't even know what, like, bio-realistic, like, eyes.
• 21:10
  Speaker 3: Yeah, his eyeballs are amazing.
• 21:13
  Speaker 2: And his mouth.
• 21:14
  Speaker 3: I love the eyeballs.
• 21:15
  Speaker 2: Did you notice how, in the beginning, when Tiffany is
• 21:18
  Speaker 2: putting in the eyeballs, she puts it in the wrong way?
• 21:21
  Speaker 2: She puts it in for the camera.
• 21:22
  Speaker 3: Yeah, totally.
• 21:25
  Speaker 2: And Chucky just, like, immediately, like, looks aware and sentient
• 21:30
  Speaker 2: all the time. All the time.
• 21:31
  Speaker 3: It's probably, it's because of the eyes. The eyes make
• 21:33
  Speaker 3: it seem. Because he's like this. He's like this, I'm
• 21:37
  Speaker 3: on a podcast and the audience can't see me.
• 21:40
  Speaker 2: Well, I'm sure you do.
• 21:44
  Speaker 3: And then she's like, what's her name? Tiffany is like,
• 21:48
  Speaker 3: want to play? And obviously Alexis is like, yeah.
• 21:52
  Speaker 2: And we get continuation of like fucking kinky Chucky lore, dude.
• 21:57
  Speaker 2: Of like bondage.
• 21:59
  Speaker 3: Bondage tying people up.
• 22:00
  Speaker 2: She ties Alexis to the bed with the fucking handcuffs.
• 22:04
  Speaker 2: And she's like, we're going to have a little menage
• 22:06
  Speaker 2: a trois. What does that mean?
• 22:08
  Speaker 3: I thought you understood French.
• 22:11
  Speaker 2: I love it. She's going down Alexis's body and bites
• 22:15
  Speaker 2: on the side of the obliques. It's really funny. And yeah,
• 22:22
  Speaker 2: I guess like something kinky is going to happen and
• 22:24
  Speaker 2: Chucky's going to get cocked.
• 22:25
  Speaker 3: Chucky is getting cocked.
• 22:27
  Speaker 2: And then.
• 22:28
  Speaker 3: There's some piss play introduced when Alexis is like, this
• 22:32
  Speaker 3: isn't one of those schmucky dolls that pees.
• 22:34
  Speaker 2: It's like, I wouldn't talk that way about Chucky. I
• 22:42
  Speaker 2: wouldn't talk that way about Chucky. And what does Alexis
• 22:46
  Speaker 2: say that makes Chucky twist his head around? Let me
• 22:52
  Speaker 2: just give a look. Also Tiffany's tattoo that she has
• 23:02
  Speaker 2: of a heart with like a stab in the heart
• 23:05
  Speaker 2: and it says Chucky. Yeah. It's amazing, dude. This hot
• 23:10
  Speaker 2: burlesque outfit that she's wearing.
• 23:12
  Speaker 3: Yeah, she's so hot in this.
• 23:14
  Speaker 1: It's crazy.
• 23:15
  Speaker 3: And.
• 23:20
  Speaker 3: Damien says he ain't big enough to take care of
• 23:22
  Speaker 3: a woman like you. And that's when Chucky turns around.
• 23:25
  Speaker 2: It ain't about... It's the motion of the ocean, dude.
• 23:29
  Speaker 3: Yeah, it's the motion of the ocean meme.
• 23:33
  Speaker 2: Chucky's, you know, he may not be packing. Well, he's
• 23:36
  Speaker 2: got the pussy from the previous movies. It ain't the
• 23:39
  Speaker 2: size that counts, asshole.
• 23:41
  Speaker 3: It's what you do with it.
• 23:42
  Speaker 2: Yeah. Oh, the ripped out lip ring. Like, also the 90s...
• 23:47
  Speaker 2: was so contemptuous of lip rings, nipple rings, facial piercings.
• 23:52
  Speaker 2: Any piercing beyond an earring. If you have a facial
• 23:56
  Speaker 2: piercing in.
• 23:56
  Speaker 3: It's getting ripped out.
• 23:58
  Speaker 2: Always.
• 23:58
  Speaker 1: Always.
• 23:59
  Speaker 2: Has to get ripped out. Yeah. Because that's what conservatives
• 24:02
  Speaker 2: always wanted to see happen. Yeah. And remember that movie...
• 24:05
  Speaker 2: What was that movie called? My Life as a House
• 24:08
  Speaker 2: or something? Where Kevin Kline builds a house, and they
• 24:11
  Speaker 2: made it in response to American Beauty.
• 24:13
  Speaker 3: Life as a house, yeah.
• 24:14
  Speaker 2: Was it? And then, I think, was it Kevin Kline?
• 24:17
  Speaker 2: He's like, he wants to rip earrings or face rings
• 24:23
  Speaker 2: out of Hayden Christensen's nose.
• 24:26
  Speaker 3: Yeah.
• 24:26
  Speaker 2: He's like, I've got a hammer that I could pull
• 24:29
  Speaker 2: those things out of. Yeah.
• 24:31
  Speaker 3: I mean, but that was in a mode of, like,
• 24:34
  Speaker 3: I'm being a cute older dad.
• 24:36
  Speaker 2: You know what I mean? No, it wasn't. He was fucking,
• 24:38
  Speaker 2: he was, he was queer phobic, dude. He was queer
• 24:41
  Speaker 2: bashing his gay child. Um, and then Tiffany sees that
• 24:47
  Speaker 2: Chucky's alive, dude. And he's sitting on Damien's face.
• 24:53
  Speaker 3: Just choking him.
• 24:54
  Speaker 2: Yeah. Damien's dying as, uh, as Chucky, uh, is like, well,
• 24:59
  Speaker 2: what's this conversation? Break it down for me, dude.
• 25:02
  Speaker 3: Yeah, it's like a... How's it going, Supernatural doll? Actually,
• 25:08
  Speaker 3: to tell you the truth, I've been kind of.
• 25:10
  Speaker 2: I'm losing the thread on the... On the voice?
• 25:14
  Speaker 3: On the voice.
• 25:15
  Speaker 2: Come on, dude. This was my favorite Chucky balding, dude.
• 25:20
  Speaker 1: Yes.
• 25:20
  Speaker 2: In terms of look, Chucky looks really cool. I love
• 25:24
  Speaker 2: that he's touching her boobie when she picks him up. Yeah,
• 25:26
  Speaker 2: touching the boobie is always hilarious.
• 25:29
  Speaker 3: Yeah. Like, it's kind of like a back and forth of, like,
• 25:33
  Speaker 3: catching up. Like, I only kill people. I haven't had
• 25:37
  Speaker 3: sex with people in a long time. I only sleep
• 25:39
  Speaker 3: with somebody I love. Tiff, you look great. I love
• 25:43
  Speaker 3: the thing.
• 25:43
  Speaker 2: I thought you were going to let yourself go. Misogynistic Chucky, dude. Yeah.
• 25:48
  Speaker 2: Not that he wouldn't be, but.
• 25:49
  Speaker 3: I mean, yeah, he's a fucking murderer, dude. And, like, constantly, like,
• 25:53
  Speaker 3: harping on the weight or... Of how people look, how
• 25:58
  Speaker 3: women look in the movie. Yeah.
• 25:59
  Speaker 2: But it's it's the most we've gotten that though it's
• 26:02
  Speaker 2: the most.
• 26:03
  Speaker 3: We have for sure we have he has a change
• 26:05
  Speaker 3: too he hasn't got a change of heart dude he
• 26:08
  Speaker 3: has to go through an arc of.
• 26:10
  Speaker 2: Course of course well and he doesn't he's a fucking
• 26:13
  Speaker 2: dick always but we cut back to needle dick fucking
• 26:18
  Speaker 2: giving a breathalyzer to david uh jesse and jade Because
• 26:23
  Speaker 2: he's a needle dick, dude, and he's... Oh, and he
• 26:25
  Speaker 2: calls him Boogie Nights.
• 26:27
  Speaker 3: He calls Jesse Boogie Nights, which I laughed so much.
• 26:32
  Speaker 3: It seemed like somebody on set noticed the thing.
• 26:36
  Speaker 2: He was wearing. It was like.
• 26:38
  Speaker 3: Yeah, totally.
• 26:39
  Speaker 2: It was one of those BCPAs, dude. Totally.
• 26:45
  Speaker 3: Yeah, so... I was going to call him Uncle Jesse. No,
• 26:50
  Speaker 3: John Ritter comes and.
• 26:53
  Speaker 1: Oh, man.
• 26:55
  Speaker 3: When he's like, when Jesse is like, you fuck.
• 26:59
  Speaker 2: He's like, not her. Not tonight. I loved that line.
• 27:03
  Speaker 2: That was great. He played it? He did.
• 27:06
  Speaker 3: It's such a dick.
• 27:07
  Speaker 2: Oh, I got you. That's how he got cast for
• 27:11
  Speaker 2: Eight Rules for Dating My Teenage Daughter. Yeah, totally. He
• 27:14
  Speaker 2: was the father of a daughter here. But my daughter
• 27:19
  Speaker 2: hasn't born. No. No.
• 27:22
  Speaker 3: You have one more chance.
• 27:25
  Speaker 2: One more chance, dude.
• 27:26
  Speaker 3: I'm the police chief's sport. I can do whatever I want.
• 27:29
  Speaker 3: Exposition dump?
• 27:30
  Speaker 2: Exposition dump? Yeah. Man, John Ritter was such a good actor.
• 27:38
  Speaker 2: I think he never got a chance to flex his
• 27:43
  Speaker 2: acting muscle the way he should have. He was always
• 27:45
  Speaker 2: casting random shit like this. Come and knock on our door.
• 27:49
  Speaker 2: Come and knock on our door. We've been waiting for you.
• 27:54
  Speaker 3: Hers and hers and his three's company too.
• 27:58
  Speaker 2: He's been in some good stuff.
• 27:59
  Speaker 3: He was in Sling Blade.
• 28:03
  Speaker 2: You know Sling Blade. I mean, he was in Problem Child, dude.
• 28:07
  Speaker 2: His best movie was Problem Child, let's be real.
• 28:10
  Speaker 3: Or Bad Santa.
• 28:12
  Speaker 2: Wait, he's in that?
• 28:13
  Speaker 3: Yeah, he plays the boss. He plays the dickless loser boss.
• 28:18
  Speaker 2: Loser boss. Swedish meatballs. Not the only retcon in this movie.
• 28:24
  Speaker 2: You know what?
• 28:26
  Speaker 3: I think that was the most egregious part.
• 28:30
  Speaker 2: Why? What's your problem with this movie?
• 28:32
  Speaker 3: The retcon of like, I was wearing a medallion. That
• 28:36
  Speaker 3: was the thing. The amulet, dude. It's just like, oh
• 28:38
  Speaker 3: my god, dude.
• 28:39
  Speaker 2: I love the amulet. The fucking pasted on amulet of
• 28:42
  Speaker 2: the old Charles Lee Ray photo. His name is Charles
• 28:46
  Speaker 2: Lee Ray.
• 28:48
  Speaker 3: No mention of an amulet in three movies. Get fucked, dude.
• 28:53
  Speaker 3: That's why it felt like a... It felt soft reboot.
• 28:58
  Speaker 3: It was a soft reboot. Well, we've already established that.
• 29:00
  Speaker 2: This is the beginning of a new series. That's true.
• 29:03
  Speaker 2: Why are you so mad about it?
• 29:06
  Speaker 3: Because I felt like the first three did a really
• 29:11
  Speaker 3: good job at.
• 29:15
  Speaker 2: If this movie didn't pivot the way that it did...
• 29:18
  Speaker 2: You would have been mad about that. If it kept
• 29:23
  Speaker 2: doing what parts two and three were doing, I don't
• 29:27
  Speaker 2: think you would have been happy.
• 29:28
  Speaker 3: I don't disagree. I just think that if I were
• 29:34
  Speaker 3: to choose between Pride of Chucky and Alien Resurrection, I
• 29:37
  Speaker 3: would choose Alien Resurrection every time.
• 29:40
  Speaker 2: Are you going to choose to talk about the split
• 29:42
  Speaker 2: dioptera in this scene, dude?
• 29:43
  Speaker 3: Dude, the split dioptera, thank you for bringing it up.
• 29:46
  Speaker 3: One of the best modes of filmmaking is split dioptera.
• 29:50
  Speaker 2: I agree, dude.
• 29:51
  Speaker 3: I think they do it really well in this.
• 29:53
  Speaker 2: They do. They do a great job.
• 29:54
  Speaker 3: It's not even like a reference to anything.
• 29:56
  Speaker 2: No, it's just... Because.
• 29:57
  Speaker 3: Most references have the out of focus in between.
• 30:01
  Speaker 2: Yes.
• 30:01
  Speaker 3: This was very nicely done. This was just immediate, yeah.
• 30:05
  Speaker 2: It tickles, Chucky.
• 30:06
  Speaker 3: Yeah, totally.
• 30:08
  Speaker 2: You're ticklish.
• 30:09
  Speaker 3: And then, Sorry, go ahead.
• 30:11
  Speaker 2: Sorry, did she have this locked playpen ready? I guess
• 30:17
  Speaker 2: she's into kinky stuff, dude. She's got a little personal
• 30:21
  Speaker 2: dungeon in her trailer. Yeah, totally.
• 30:22
  Speaker 3: Yeah, it's interesting, but also I think that that's a
• 30:27
  Speaker 3: reference to her wanting a kid with him.
• 30:31
  Speaker 2: And Kinky Chucky.
• 30:31
  Speaker 3: And Kinky Chucky, totally. And the interesting thing about this dynamic.
• 30:36
  Speaker 2: Is how much.
• 30:39
  Speaker 3: she's devastated by the fact that he's such a piece
• 30:42
  Speaker 3: of shit. Like she almost fetishizes him in a way
• 30:46
  Speaker 3: that's like, Oh, like, Well.
• 30:48
  Speaker 2: She romanticizes him. Yeah, because she's.
• 30:50
  Speaker 3: Been looking for him for 10 years. She kind of
• 30:54
  Speaker 3: traps him in this toxic... It's kind of like a
• 30:57
  Speaker 3: toxic dynamic because it's like, he's a murderer, she's a murderer. Fine,
• 31:00
  Speaker 3: they're on the same level.
• 31:01
  Speaker 2: In that way.
• 31:02
  Speaker 3: But him being like, I thought you were going to
• 31:05
  Speaker 3: get fat. And her being like, I want to get married.
• 31:09
  Speaker 3: It's like.
• 31:10
  Speaker 2: Well, we get the lore drop. You have to talk
• 31:13
  Speaker 2: about the other tries the tooth dude with the ring.
• 31:16
  Speaker 2: The reason she gets upset and puts him And locks
• 31:18
  Speaker 2: him in the playpen is because she found the ring
• 31:22
  Speaker 2: on the mantle that he stole from someone that he killed.
• 31:25
  Speaker 1: Yeah.
• 31:25
  Speaker 2: And it's worth five to six grand. And she thought
• 31:28
  Speaker 2: it was an engagement ring. Yeah. And that was the
• 31:30
  Speaker 2: last thing that she had of him. So I think
• 31:33
  Speaker 2: her romanticizing him makes a lot of sense. Yeah, absolutely.
• 31:37
  Speaker 2: Because he was left dead with this promise of like
• 31:40
  Speaker 2: she was going to get married. Yeah.
• 31:41
  Speaker 3: Something that was changed versus something... Where he's an actual
• 31:47
  Speaker 3: piece of shit. And now that she's interacting with him
• 31:50
  Speaker 3: in a way that's much more current, it's like, oh, no,
• 31:54
  Speaker 3: you're a piece of shit. And I'm going to do payback.
• 31:58
  Speaker 2: You know what I mean?
• 31:59
  Speaker 3: Yeah.
• 32:00
  Speaker 2: And she locks him up in this playpen that she
• 32:03
  Speaker 2: was also using as fetish play, cock play for Damien.
• 32:07
  Speaker 2: And then she's sleeping in the bed next to Damien.
• 32:11
  Speaker 2: Who looks like a dead Marilyn Manson. Wait, did you
• 32:13
  Speaker 2: say that she's sleeping next to the fucking corpse that's
• 32:17
  Speaker 2: still hanging up to the bed? You said that.
• 32:20
  Speaker 3: Jesse, we find out that Jesse is actually living in
• 32:24
  Speaker 3: the same trailer park that... Dude, his body looks insane. Yeah,
• 32:30
  Speaker 3: it looks great. Insane.
• 32:32
  Speaker 2: Like, you know how fucking hard that is? His sides,
• 32:36
  Speaker 2: those things?
• 32:38
  Speaker 3: Yeah.
• 32:38
  Speaker 2: God damn. This guy could do, like, Those things where
• 32:42
  Speaker 2: he holds himself on the side of a bar straight out,
• 32:45
  Speaker 2: for sure. It looks like it.
• 32:48
  Speaker 3: It looks like it, for sure. And he's washing.
• 32:52
  Speaker 2: A car. A car, yeah. He's washing his car.
• 32:54
  Speaker 3: This I really liked. I liked this connection. They know
• 32:58
  Speaker 3: each other.
• 33:00
  Speaker 2: It's like.
• 33:01
  Speaker 3: This feels like it continues Chucky lore and Chucky structure.
• 33:04
  Speaker 2: Because it makes it pragmatic, dude.
• 33:04
  Speaker 3: Because it makes it really like the storytelling really easy.
• 33:08
  Speaker 3: It's like, oh, we got introduced to these two characters
• 33:11
  Speaker 3: separately and now they've converged in a way that makes
• 33:16
  Speaker 3: total sense of how they know each other. And I love.
• 33:21
  Speaker 2: He's from the wrong side of the tracks, dude. He's also,
• 33:23
  Speaker 2: you know, he lives in the trailer park where Tiff lives.
• 33:26
  Speaker 3: Yeah.
• 33:27
  Speaker 2: And she asks him to move this hope chest that
• 33:30
  Speaker 2: she has.
• 33:31
  Speaker 3: With this dead body.
• 33:32
  Speaker 2: But there's a dead body in it. And he's like, oh,
• 33:36
  Speaker 2: what you got? And it looks actually like he's lifting.
• 33:38
  Speaker 3: Like real heavy.
• 33:39
  Speaker 2: It looks like he's actually lifting something that heavy.
• 33:42
  Speaker 3: Yeah, totally. And it's great. It's hilarious. Her being this person,
• 33:47
  Speaker 3: I don't know if I could... If I was this dude,
• 33:51
  Speaker 3: I don't know if I could handle it.
• 33:52
  Speaker 2: What do you mean? Like, if she was.
• 33:54
  Speaker 3: If somebody this hot.
• 33:54
  Speaker 2: If she was offering herself to... Yeah, well, just, like.
• 33:57
  Speaker 3: If this hot 40-year-old woman... Yeah, well, she's, like, flirting
• 34:00
  Speaker 3: all the time with everybody. And it just, like, feels like.
• 34:04
  Speaker 2: Oh, man.
• 34:05
  Speaker 3: Like.
• 34:06
  Speaker 2: She's very, like, femme fatale coded. Totally. Totally. I loved it, dude.
• 34:10
  Speaker 2: I thought it was great. I mean, and yeah, I
• 34:12
  Speaker 2: think it would be very difficult to resist, of course.
• 34:16
  Speaker 3: Of course.
• 34:17
  Speaker 2: And.
• 34:17
  Speaker 3: Timothy!
• 34:17
  Speaker 2: Where the fuck are you? Oh, uh... You got company?
• 34:21
  Speaker 2: I'm taking care of a child, actually. He's a foul-mouthed
• 34:25
  Speaker 2: piece of shit. Foul-mouthed little fucker. Even this, like, him
• 34:30
  Speaker 2: in the, like, tank top, and, like, just, like, standing
• 34:34
  Speaker 2: with her, and she's like, it's so erotic. Like, he's like,
• 34:37
  Speaker 2: I'm seeing someone now, ma'am.
• 34:39
  Speaker 3: Yeah, for sure. I mean, like, this is cool, too,
• 34:43
  Speaker 3: because they set up her being like.
• 34:46
  Speaker 2: Treat her right.
• 34:48
  Speaker 3: Uh yeah yeah and my mom my mother always used
• 34:52
  Speaker 3: to say if you're if i'm working on a hot
• 34:54
  Speaker 3: stove making food.
• 34:57
  Speaker 2: He should be able to do the dishes you know.
• 34:59
  Speaker 3: And i i think that that's very cute i think
• 35:03
  Speaker 3: that's like very very nicely done.
• 35:05
  Speaker 2: I agree yeah i think because it adds like it
• 35:08
  Speaker 2: makes what happens eventually very realistic and it has a
• 35:12
  Speaker 2: lot of motion to the story because it's like you know,
• 35:15
  Speaker 2: it's two love stories. It's like one bad one, one
• 35:18
  Speaker 2: good one, you know, like we get the parallels, which
• 35:22
  Speaker 2: is nice. And like, because of like the genre and
• 35:25
  Speaker 2: story pivot, like, or further pivoting into kind of like ridiculousness.
• 35:30
  Speaker 2: And if we're going to be adding a bride, like
• 35:32
  Speaker 2: why not make it like Bonnie and Clyde slash bride
• 35:36
  Speaker 2: of Frankenstein? There's a lot of like differing ways of
• 35:39
  Speaker 2: like exploring themes of like kind of, Frankenstein's monsters romance
• 35:45
  Speaker 2: and like the idea of like can a monster love
• 35:49
  Speaker 2: and you know like all of this stuff plus like
• 35:51
  Speaker 2: just like the ridiculousness and silliness of Chucky I love
• 35:54
  Speaker 2: also that we can see the like exposed metal titanium
• 35:59
  Speaker 2: skull of Chucky as he's like spelling into a speaking
• 36:05
  Speaker 2: spell how do you spell woman and he's like B-I-T-C-H
• 36:09
  Speaker 2: curse all women and Um, hashtag not all women, Chucky. Uh,
• 36:14
  Speaker 2: but he doesn't think that. And he wrote Tiffany, kill
• 36:18
  Speaker 2: Tiffany slow in block letters.
• 36:21
  Speaker 3: What's hilarious is Tiffany buying, going out, buying this thousands
• 36:26
  Speaker 3: of dollars doll.
• 36:30
  Speaker 2: This like perfectly made doll. Bride.
• 36:33
  Speaker 3: Animatronic bride.
• 36:35
  Speaker 2: Yeah, like, extremely exquisitely, but also so weird looking. So
• 36:42
  Speaker 2: weird looking. Like, pre, when she's pre-Tiffanized, she, like, looks
• 36:48
  Speaker 2: so weird, dude. Yeah, it's very strange. She kind of
• 36:52
  Speaker 2: looks like, I don't know, like a plastic Anna or something.
• 36:59
  Speaker 2: It's weird. It's so, like, uncanny.
• 37:02
  Speaker 3: Well, the interesting thing in comparison to the previous trilogy
• 37:06
  Speaker 3: versus the next trilogy.
• 37:08
  Speaker 2: Wait, hold on, hold on. I want to say one
• 37:10
  Speaker 2: more thing. The doll that she buys also has perfect, like,
• 37:16
  Speaker 2: Chucky Mechanic's face. Yeah, 100%. And, like, is made in
• 37:20
  Speaker 2: the style of a Chuckified Good Guy doll. Yeah, 100%.
• 37:24
  Speaker 2: But as, like, a wife. Yeah, and way more realistic.
• 37:28
  Speaker 3: Yeah.
• 37:29
  Speaker 2: Yeah, well, she doesn't have, like, the, like, physical teeth
• 37:33
  Speaker 2: with the, like, digestive, like, system, the tongue. She has, like,
• 37:38
  Speaker 2: the plastic mouth, but there is a hole where that
• 37:42
  Speaker 2: is going to be.
• 37:42
  Speaker 1: Yeah.
• 37:43
  Speaker 2: And then eventually she does have that.
• 37:45
  Speaker 3: Yes, 100%. Chucky rips the ring off because she puts
• 37:55
  Speaker 3: the ring on the, like, doll's necklace. And we see
• 38:02
  Speaker 3: Tiffany in a bathtub watching TV with a cop that's like...
• 38:06
  Speaker 3: She's watching the news, dude.
• 38:07
  Speaker 2: Bailey. She saw Curious Cat Bailey get killed and also
• 38:11
  Speaker 2: Damien get killed. And it shows a Marilyn Manson picture
• 38:14
  Speaker 2: and it shows a Brian Warner picture, dude.
• 38:16
  Speaker 3: Yeah. It's totally a Brian Warner picture. It must be
• 38:18
  Speaker 3: a reference.
• 38:19
  Speaker 2: It's gotta be, because Brian Warner... Because he looks like that, right?
• 38:23
  Speaker 2: He does. He looked... Previous Marilyn Manson was... Well, he
• 38:27
  Speaker 2: kind of looks a little bit like the kid from
• 38:30
  Speaker 2: The Wonder Years, the nerd kid from The Wonder Years.
• 38:33
  Speaker 2: And there was a fucking myth, along with the blowjob myth,
• 38:40
  Speaker 2: a lesser-known Marilyn Manson myth, was that Wonder Years' kid
• 38:44
  Speaker 2: was Marilyn Manson, but that's not true. What? Yeah, yeah,
• 38:48
  Speaker 2: people used to say that.
• 38:49
  Speaker 3: No, he did get a blowjob, dude.
• 38:52
  Speaker 2: For sure, 100%. He blowjobbed himself, for sure. Yeah, he definitely...
• 38:55
  Speaker 2: took out two ribs he definitely took out two ribs
• 38:57
  Speaker 2: that's true.
• 38:59
  Speaker 3: This lieutenant also gave himself a blow job by telling
• 39:03
  Speaker 3: the news everything like they're just not shying away from
• 39:08
  Speaker 3: just revealing shit on the news i.
• 39:10
  Speaker 2: Mean it's like it's like trump's administration dude they're just
• 39:14
  Speaker 2: saying what they're the horrible things that they're doing out
• 39:17
  Speaker 2: loud they're like yeah we do it and people like
• 39:19
  Speaker 2: wait they said it out loud and everyone's like yeah
• 39:21
  Speaker 2: they did and they did do that Yeah. And she
• 39:25
  Speaker 2: then watches Bride of Chucky and, or sorry, she watches
• 39:29
  Speaker 2: Bride of Frankenstein. Yeah.
• 39:31
  Speaker 3: And Chucky scrapes the bars away of the bars of
• 39:35
  Speaker 3: wood away with the ring and then breaks free and
• 39:39
  Speaker 3: takes the doll.
• 39:41
  Speaker 2: Yeah. What will become the Tiffany doll into the bathroom and,
• 39:45
  Speaker 2: and it.
• 39:46
  Speaker 3: Says till death do us part and he's like you
• 39:49
  Speaker 3: got that right.
• 39:50
  Speaker 2: He pulls out what's gonna be his like weapon for
• 39:53
  Speaker 2: the rest of the movie weapon of choice i kind
• 39:55
  Speaker 2: of like that chucky's just like a straight-up slasher they
• 39:59
  Speaker 2: kind of even make fun of it in this movie
• 40:01
  Speaker 2: that they're like she's like oh you're so boring you
• 40:04
  Speaker 2: just killed boring ways yeah and like they she's like
• 40:08
  Speaker 2: so that they can do some more creative kills but
• 40:11
  Speaker 2: It turns out that Chucky really just loved fucking stabbing people.
• 40:14
  Speaker 3: Nothing beats the hobo life. Stabbing folks with my hobo knife.
• 40:21
  Speaker 3: And also the parallels of the Frankenstein's monster being like,
• 40:26
  Speaker 3: she doesn't love me.
• 40:27
  Speaker 1: Yeah.
• 40:28
  Speaker 3: And then him saying we belong dead. is something later
• 40:32
  Speaker 3: that she says, which I really liked. But her reaction
• 40:36
  Speaker 3: when the Chucky doll comes into the bathroom and she
• 40:39
  Speaker 3: kicks him and he flies away. It's amazing, dude. It's
• 40:42
  Speaker 3: so funny.
• 40:43
  Speaker 2: It's a real love-me-not situation, dude. She gets the television
• 40:49
  Speaker 2: fucking thrown into the.
• 40:51
  Speaker 3: She gets electrocuted so well.
• 40:53
  Speaker 2: This is what the fucking song Digital Bath is about.
• 40:58
  Speaker 3: Yeah.
• 40:58
  Speaker 2: The Deftones song. It's about this moment.
• 41:02
  Speaker 3: In the movie?
• 41:02
  Speaker 2: No.
• 41:03
  Speaker 3: No.
• 41:03
  Speaker 2: Just this happening. This happening.
• 41:05
  Speaker 1: Yeah.
• 41:05
  Speaker 2: Which is really weird to think about. I love that song.
• 41:09
  Speaker 2: I love that band. Tiffany's death is amazing, dude. Yeah. Like,
• 41:12
  Speaker 2: the way she's, like.
• 41:13
  Speaker 3: Yeah, she does a good job dying. Like, she does
• 41:15
  Speaker 3: a good job flailing around and being, like.
• 41:17
  Speaker 2: And her makeup, her perfectly makeuped open eye in the
• 41:21
  Speaker 2: water underneath. In the water, yeah. What an interesting choice
• 41:24
  Speaker 2: for a shot. It's, like, really, like... well-directed movie like
• 41:28
  Speaker 2: so they ain't another split diopter dude of the tiffany
• 41:31
  Speaker 2: doll getting how they do it.
• 41:33
  Speaker 3: Yeah and him the first time being like how they
• 41:37
  Speaker 3: do it with his tiny fingers moving.
• 41:39
  Speaker 2: Dude did you notice did you notice the small change
• 41:43
  Speaker 2: the small but significant change It's not Adelaide Poitier. It's
• 41:49
  Speaker 2: Andale Poitier. The Chucky Spanish Chucky, dude. Andale. Andale. Maybe
• 41:54
  Speaker 2: he was black Chucky before.
• 41:56
  Speaker 3: Now he's... Now he's Hispanic Chucky.
• 41:58
  Speaker 2: I think so, dude. I think Chucky is, you know,
• 42:02
  Speaker 2: maybe originally from Texas. Man.
• 42:05
  Speaker 3: her uh tiffany getting up as the doll and just
• 42:09
  Speaker 3: slightly open mouth but like it can't really express that
• 42:13
  Speaker 3: way so it's like they had to kind of make
• 42:15
  Speaker 3: her really mad and the punches dude i'm.
• 42:20
  Speaker 2: So weirded out by pre pre fucking animatronic pre tiffany
• 42:26
  Speaker 2: fide pre ossified tiffany.
• 42:29
  Speaker 3: Pre ossified tiffany is very strange because it's very like Yeah.
• 42:34
  Speaker 2: It kind of looks like... It looks like the way that... Oh,
• 42:39
  Speaker 2: this is what it is, dude. It looks like people
• 42:42
  Speaker 2: with a lot of plastic surgery without makeup. Yeah.
• 42:45
  Speaker 3: That's what it looks like. Totally. Totally.
• 42:48
  Speaker 2: So.
• 42:49
  Speaker 3: You got your wish. You're mine now, doll. You're gonna
• 42:54
  Speaker 3: love me, obey me, and honor me.
• 42:57
  Speaker 2: That's good. You've got it back, dude. And Tiffany's voice
• 43:02
  Speaker 2: coming out of the doll... Both Brad Dourif and Jennifer
• 43:07
  Speaker 2: Tilly have such great, like, almost like cartoonish voices. Yeah, they, like,
• 43:15
  Speaker 2: it's so singular.
• 43:18
  Speaker 3: And so... And.
• 43:20
  Speaker 2: So... And so appropriate. Yeah, totally. Hey, Raggedy Ann.
• 43:25
  Speaker 3: Yeah. All the doll references.
• 43:27
  Speaker 2: I love it, dude. Throws the ring at her. She
• 43:31
  Speaker 2: looks so weird, dude. It's because she's also very squishy faced.
• 43:37
  Speaker 3: It's very squishy faced. Face it, Tiff.
• 43:40
  Speaker 2: You need me. Otherwise, you're stuck like this for good.
• 43:43
  Speaker 2: She just looks like Anna because of the hair. That's
• 43:45
  Speaker 2: what it is. The hair. Yeah. Oh, my God. That's
• 43:53
  Speaker 2: so funny, dude. The olive eyes. But when she's Yossified,
• 43:57
  Speaker 2: it looks amazing. Yeah. Because it's just, like, this hair
• 44:00
  Speaker 2: doesn't suit her, and, like, yeah. Something about the, like,
• 44:03
  Speaker 2: anatomy of the face just doesn't look good like this.
• 44:06
  Speaker 3: No, no.
• 44:07
  Speaker 2: It really needs the hair and the makeup to be different. Yeah.
• 44:11
  Speaker 2: But I love the green eyes, dude. Yeah. It's beautiful. Yeah,
• 44:15
  Speaker 2: it's really nice. And it's a good contrast to his, too.
• 44:17
  Speaker 2: The fucking photoshopped amulet is amazing, dude. It's, like, floating
• 44:22
  Speaker 2: on top. It's, like, purely just, like, so badly done, dude. But...
• 44:27
  Speaker 2: i bought it whatever amulet let's sure.
• 44:30
  Speaker 3: I was wearing it around my neck when those bastards
• 44:34
  Speaker 3: gunned me down it's buried with my corpse by the
• 44:39
  Speaker 3: way it's seemingly that jacket was also buried with his
• 44:43
  Speaker 3: corpse that was also very hilarious.
• 44:45
  Speaker 2: To see the corpse just wearing the costume i love it.
• 44:49
  Speaker 4: Well they have to we have to know it's chucky
• 44:50
  Speaker 4: yeah dude Well, let's go. Yeah, that's a good idea.
• 44:55
  Speaker 4: I'll steer and you pedal. We're dolls, you dope.
• 45:01
  Speaker 2: Yeah. So she gets the bright idea that she's like,
• 45:04
  Speaker 2: I know this kid. He lives in my trailer park.
• 45:06
  Speaker 2: And this is where the connection happens.
• 45:08
  Speaker 3: And the crying dude, the like with the hands, like
• 45:13
  Speaker 3: her being like, what are we going to do?
• 45:17
  Speaker 2: But she calls Jesse. Jesse. And she's like, hey, she
• 45:22
  Speaker 2: knows he needs money, dude. So she's like, I'm going
• 45:25
  Speaker 2: to give you $ 500 to take a couple of dolls
• 45:29
  Speaker 2: to New Jersey. And he's like, no, you need $ 1, 000.
• 45:33
  Speaker 2: All right, you'll get $ 500 now, and then my associate
• 45:37
  Speaker 2: will give you the rest when you arrive.
• 45:39
  Speaker 3: And listen, $ 1, 000... Adjusted for inflation in 2026 is only $ 2, 000.
• 45:45
  Speaker 3: I looked it up.
• 45:46
  Speaker 2: Did you look it up? I looked it up.
• 45:48
  Speaker 3: Because I was like, what could they possibly.
• 45:50
  Speaker 2: Because he goes.
• 45:51
  Speaker 3: In the scene where he's like, you can go to college.
• 45:55
  Speaker 2: I'll put a down payment on an apartment.
• 45:57
  Speaker 3: I was like, what? How much money do you think $ 2, 000 is?
• 46:01
  Speaker 2: $ 1, 000, yeah. I mean, I don't know, dude. I mean,
• 46:06
  Speaker 2: I guess it did go further back then, though.
• 46:09
  Speaker 3: But, I mean, it's $ 2, 000.
• 46:12
  Speaker 2: It's not that much.
• 46:13
  Speaker 3: It wasn't that much then either. Not to be like,
• 46:17
  Speaker 3: I'm going to make plans with you. You're going to
• 46:18
  Speaker 3: go to college.
• 46:19
  Speaker 2: I mean, to be honest, I like that part of
• 46:22
  Speaker 2: the movie because I think they were just being naive.
• 46:24
  Speaker 2: It's showing how young they are.
• 46:26
  Speaker 3: Yeah.
• 46:26
  Speaker 2: Young people do think like this, dude. That's true. They're like, yeah,
• 46:31
  Speaker 2: a thousand dollars. That's a lot of money. And it
• 46:34
  Speaker 2: is a lot of money all at once. But is
• 46:37
  Speaker 2: it a lot of money in the grand scheme of things?
• 46:38
  Speaker 2: Not really.
• 46:39
  Speaker 3: No, not really.
• 46:40
  Speaker 2: Yeah.
• 46:41
  Speaker 3: But yeah, she does her makeover, which is great. And
• 46:45
  Speaker 3: looks way better. And I would fuck this doll with
• 46:47
  Speaker 3: the Chucky pussy.
• 46:48
  Speaker 2: Yeah, dude. Chucky still has the pussy, I think.
• 46:57
  Speaker 3: I definitely think that the reason it looks weird is because...
• 47:00
  Speaker 3: You're totally right. The makeup brings a contrast from her.
• 47:04
  Speaker 2: Face to the rest of her face. And did it
• 47:10
  Speaker 2: look like these shoes? They cut to the shoes.
• 47:13
  Speaker 3: They're way small.
• 47:15
  Speaker 2: No, okay, okay. They're, like, perfectly made. Doc Martens. They
• 47:18
  Speaker 2: look like Doc Martens. They look like Doc Martens, and
• 47:21
  Speaker 2: they kind of look like the Doc Martens that, like,
• 47:24
  Speaker 2: people who have clubbed feet wear. Sure, yeah, yeah.
• 47:27
  Speaker 3: You know, like, where, like, they're different size. One is
• 47:29
  Speaker 3: different size.
• 47:29
  Speaker 2: Yeah, totally. And, like, I feel like they kind of
• 47:33
  Speaker 2: have that kind of type of heel where it's, like,
• 47:35
  Speaker 2: a little bit, like, chunkier.
• 47:36
  Speaker 3: Clubfoot.
• 47:37
  Speaker 2: Yeah yeah i loved it dude i was like i
• 47:39
  Speaker 2: was so into the the like drag of it all
• 47:43
  Speaker 2: like it's very this is also like obviously it's like
• 47:46
  Speaker 2: very queer right like drag and And she lights, with
• 47:50
  Speaker 2: Bailey's Zippo, she lights a cigarette and Chucky's got a boner.
• 47:54
  Speaker 2: I'm anatomically correct. I've got a pussy.
• 47:58
  Speaker 3: Also, I did, I loved the line, her not being
• 48:03
  Speaker 3: able to know what a doll feels like. And he's like,
• 48:06
  Speaker 3: just act natural. And the act natural is her kind of,
• 48:10
  Speaker 3: with her hand on her forehead and fainting, kind of like, like.
• 48:14
  Speaker 1: Oh, dear.
• 48:15
  Speaker 3: I love it, dude. Very funny.
• 48:17
  Speaker 2: There's a lot of really cool sight gags like that
• 48:20
  Speaker 2: in this. Yeah, totally. And Chucky's face is just like... Yeah, smiling.
• 48:25
  Speaker 2: Sinister smile. And he's holding the money. He's holding the
• 48:28
  Speaker 2: money and a note that says, Jesse. And the letter...
• 48:33
  Speaker 2: A letter! It says, Jesse with a heart. Hi, sweet face.
• 48:37
  Speaker 2: Please deliver dolls to caretaker's office at a cemetery. He's like, cemetery?
• 48:43
  Speaker 3: And then he picks up both the dolls, and instead
• 48:45
  Speaker 3: of hitting the Chucky doll against something, he hits the
• 48:48
  Speaker 3: Tiffany doll against something.
• 48:49
  Speaker 2: Yeah. Well, it's still, like, fucking, like, he's holding these dolls.
• 48:53
  Speaker 2: And these dolls are a lot more, like, solid than
• 48:56
  Speaker 2: the other ones are portrayed to be. When people are
• 48:59
  Speaker 2: carrying the other ones, the.
• 49:00
  Speaker 3: Hand is always, like, loose.
• 49:02
  Speaker 2: It's, like, loose. It, like, looks like it's stuffed with feathers.
• 49:06
  Speaker 2: And this one is, like, an actual, like, full plastic,
• 49:09
  Speaker 2: full plastic jacket. Yeah. And David is consoling Jade. Her
• 49:18
  Speaker 2: name is Jade. I went to her station. Her kids
• 49:23
  Speaker 2: don't go to church or believe in God. Her name
• 49:25
  Speaker 2: is Jade. I went to her station. I went to
• 49:28
  Speaker 2: her station.
• 49:29
  Speaker 1: Her kids don't go to church or believe in God.
• 49:32
  Speaker 3: I really enjoyed this little... I don't know, they did
• 49:36
  Speaker 3: little stuff that I really liked between Jesse.
• 49:40
  Speaker 2: Jesse.
• 49:41
  Speaker 3: David and Jade, because it's like, you do kind of
• 49:47
  Speaker 3: believe this weird three-way friendship.
• 49:51
  Speaker 2: I do. I have friendships like this.
• 49:53
  Speaker 3: It's almost like one of them introduced... It's almost like
• 49:57
  Speaker 3: David introduced... jade to jesse yeah yeah yeah and then
• 50:02
  Speaker 3: that's why they're such good friends 100 and like her
• 50:05
  Speaker 3: being like did you love this dude well yeah yeah
• 50:08
  Speaker 3: i did they put i think they do a.
• 50:10
  Speaker 2: Really good job of setting up a lot of backstory
• 50:12
  Speaker 2: again something this movie does well that that it falls
• 50:15
  Speaker 2: in the footsteps of the other chucky movies so far
• 50:17
  Speaker 2: is that Well, I should say child's play movies. This
• 50:20
  Speaker 2: is the first Chuckie movie. But it talks about, like,
• 50:23
  Speaker 2: you know, it builds relationships between small amounts of characters
• 50:28
  Speaker 2: in a very short amount of time that, like, ends
• 50:30
  Speaker 2: up feeling believable. Yeah. Because she's, like, didn't... Were you, like,
• 50:34
  Speaker 2: in love with that dude? Like, it shows that they've
• 50:36
  Speaker 2: known each other, that she knows about his past relationships.
• 50:39
  Speaker 3: And he says.
• 50:40
  Speaker 2: The names of his ex-person, you know, ex-boyfriend. And he says.
• 50:43
  Speaker 3: Oh, his mother found a letter that I wrote to him,
• 50:48
  Speaker 3: and I haven't spoken to him since. It's really sad.
• 50:50
  Speaker 2: I mean, that's a type of line that only a
• 50:55
  Speaker 2: gay or queer person could have the sense to write. Yeah,
• 50:59
  Speaker 2: for sure. And he's got, I've got $ 500. I've got
• 51:01
  Speaker 2: five kids to feed. Boyfriend comes. Where did you get
• 51:05
  Speaker 2: $ 500 whole dollars? I love that she's also acting like
• 51:12
  Speaker 2: it's a lot of money. But I guess, like, it's
• 51:13
  Speaker 2: just showing how juvenile they are.
• 51:16
  Speaker 3: But then David walks away and he's like, I want details.
• 51:20
  Speaker 2: And Chucky and Tiffany are laughing in the car. He's like,
• 51:26
  Speaker 2: he thinks it's fucking dorky. And she thinks it's really romantic.
• 51:30
  Speaker 2: Which also furthers the idea that Chucky is like, you know...
• 51:36
  Speaker 2: being kind of a dick to her, not showing that
• 51:40
  Speaker 2: he loves her or cares about her at all.
• 51:42
  Speaker 3: Yeah, I mean, that's the kind of cool thing about
• 51:44
  Speaker 3: the adventure aspect of the movie, is because she's also
• 51:47
  Speaker 3: seeing this guy be romantic. It's not just like, oh,
• 51:53
  Speaker 3: I'm lustful after this guy.
• 51:54
  Speaker 2: No, yeah.
• 51:55
  Speaker 3: She's seeing him be like a good dude.
• 51:57
  Speaker 2: She's seeing the lengths that he's going to for this love, right?
• 52:01
  Speaker 2: And they do really try and make it a kind
• 52:02
  Speaker 2: of like a Romeo and Juliet or... Bonnie and Clyde situation, right?
• 52:06
  Speaker 2: Where you're just like, oh, these two crazy kids love
• 52:10
  Speaker 2: each other.
• 52:10
  Speaker 3: And then Chief Warren is trying to go into the car.
• 52:14
  Speaker 2: Oh, and John Ritter, he wants to plant drugs, dude.
• 52:18
  Speaker 2: He's got drugs to plant. He's holding a bag of weed.
• 52:21
  Speaker 3: Yeah.
• 52:22
  Speaker 2: And then I love.
• 52:24
  Speaker 3: Fucking dick, John Ritter. And then Chucky will be like, ah,
• 52:28
  Speaker 3: what the hell? I need the exercise.
• 52:31
  Speaker 2: And this is where she criticizes his boring.
• 52:34
  Speaker 3: Murder style. Murder style. But.
• 52:36
  Speaker 2: Who the fuck is Martha Stewart? Wait, what did she
• 52:42
  Speaker 2: say Martha Stewart says?
• 52:44
  Speaker 3: She says, um.
• 52:48
  Speaker 2: This movie's got great lines. Who the fuck is Martha Stewart?
• 52:52
  Speaker 2: He's really good. He wouldn't know who Martha Stewart is.
• 52:55
  Speaker 2: For the past ten years, he's just been, like, getting
• 52:57
  Speaker 2: murdered as a doll.
• 52:59
  Speaker 3: For God's sakes, Chucky, drag yourself into the 90s. Stabbing
• 53:03
  Speaker 3: people when I was Bundy and Dahmer.
• 53:06
  Speaker 2: I love it, dude. You look like Martha Stewart with
• 53:08
  Speaker 2: that thing. It's funny. It's funny. It is funny. It
• 53:11
  Speaker 2: is very funny. And it's, like, the jokes land also
• 53:13
  Speaker 2: in a kind of an adult way.
• 53:14
  Speaker 3: Yeah.
• 53:15
  Speaker 2: He goes for a hammer to kill John Ritter with,
• 53:17
  Speaker 2: and she's like, that's so, that's so dorky.
• 53:20
  Speaker 3: But also, like, when he goes, who the fuck is
• 53:24
  Speaker 3: Martha Stewart? She goes, my idol, which is also very funny. And, dude,
• 53:30
  Speaker 3: we get, not only do we get a fucking... Texas
• 53:33
  Speaker 3: Chainsaw Massacre reference. But we also get a Pinhead reference, dude. Yes,
• 53:37
  Speaker 3: we do.
• 53:38
  Speaker 2: Because in the next scene, John Ritter comes back and
• 53:40
  Speaker 2: he goes inside the truck to plant the drugs. And
• 53:43
  Speaker 2: he's looking for a primo place to plant the drugs, dude.
• 53:46
  Speaker 3: Which is under the seat.
• 53:47
  Speaker 2: Yes.
• 53:48
  Speaker 3: Which has a pocket in it where it fully comes
• 53:53
  Speaker 3: up and you can just hide a body, apparently.
• 53:54
  Speaker 2: It's a lip, dude. It is a lip.
• 53:56
  Speaker 3: And then he hears something and he hears like giggling
• 53:59
  Speaker 3: that Chucky and Tiffany are doing. And he goes up
• 54:02
  Speaker 3: to the front where they've jerry-rigged nails to come off
• 54:09
  Speaker 3: when they open the glove compartment. And it just seems
• 54:12
  Speaker 3: like it would never ever fly this quickly.
• 54:14
  Speaker 2: The way this wouldn't work, it would just like hit
• 54:16
  Speaker 2: your face.
• 54:17
  Speaker 3: It would poke your eye for sure. It would just
• 54:20
  Speaker 3: gently tap your face.
• 54:21
  Speaker 2: And you'd be like.
• 54:22
  Speaker 3: What happened?
• 54:23
  Speaker 2: But it would poke your... It would, like, near miss
• 54:25
  Speaker 2: your eye, and you'd be like, oh, that would have
• 54:26
  Speaker 2: been really bad if it did actually hit my eye.
• 54:29
  Speaker 2: But the way they came at my face, it just
• 54:31
  Speaker 2: so happened that it didn't. Yeah, totally.
• 54:33
  Speaker 3: Yeah.
• 54:33
  Speaker 2: No, but it, like, jet shoots out, and he's, like,
• 54:38
  Speaker 2: twitching and does, like, a problem child face.
• 54:40
  Speaker 3: Yeah, and Chucky goes... Why does that look so familiar?
• 54:44
  Speaker 3: It's because it's Pinhead, dude.
• 54:46
  Speaker 2: That's why it looks so familiar. Do you think when
• 54:48
  Speaker 2: he's in the Necronomicon world and he's being summoned by Ash,
• 54:52
  Speaker 2: dead by dawn, dead by dawn, he sees the other
• 54:55
  Speaker 2: ghouls of the horrorverse, dude? Yeah, probably. He sees their souls, dude.
• 55:03
  Speaker 3: And.
• 55:03
  Speaker 2: There's fully just, like, ketchup blood on John Ritter's face.
• 55:08
  Speaker 2: And they put Pinhead... And they pick up... They open
• 55:10
  Speaker 2: the lip. Their strength... This is where I'm like, their
• 55:14
  Speaker 2: strength is inconsistent. Completely. If they're a doll that's... You
• 55:17
  Speaker 2: can kick it and it flies away. You can't pick
• 55:20
  Speaker 2: up John Ritter's body, dude. Yeah, 100%. He's a fat guy, dude.
• 55:23
  Speaker 3: Yeah. He's pretty.
• 55:24
  Speaker 2: Like, he's a chonky dude.
• 55:26
  Speaker 3: Yeah, 100%. And Tiffany cleaning up the blood so quickly...
• 55:30
  Speaker 3: I don't know what to do.
• 55:31
  Speaker 2: There's so much blood.
• 55:32
  Speaker 3: Speaking of Beth Grant. Beth Grant was in the second one, dude.
• 55:35
  Speaker 3: Not in this one.
• 55:36
  Speaker 2: Chucky alum, dude. You gotta mention. I don't know what
• 55:39
  Speaker 2: to do. There's so much blood.
• 55:44
  Speaker 3: And then Chucky finds the weed and puts it in
• 55:47
  Speaker 3: his tiny pocket.
• 55:48
  Speaker 2: Oh, dude. Chucky being a stoner. I mean, dude, he's
• 55:52
  Speaker 2: into voodoo. He's friends with black people. Dude, Chucky for
• 55:55
  Speaker 2: sure loves weed. And he's Hispanic in this one.
• 55:58
  Speaker 3: Fucking voodoo magic man, dude.
• 56:01
  Speaker 2: Yeah. He's LA Hispanic from this one, so... He is
• 56:05
  Speaker 2: LA Hispanic in this one. Andale. Oh, he's Cholo Chucky, dude. Andale. Well, he's... Carlos,
• 56:16
  Speaker 2: you know? He's Carlos Lee Ray. He's Carlos Lee Ray.
• 56:20
  Speaker 3: Okay.
• 56:20
  Speaker 2: Okay.
• 56:21
  Speaker 3: Um needle nose stops them needle.
• 56:24
  Speaker 2: Dick stops them and he's like pull over you know
• 56:28
  Speaker 2: what technology i really hate dude which the technology that
• 56:35
  Speaker 2: all police cars have now oh yeah where they go
• 56:37
  Speaker 2: like adieu it's i hate it dude i feel like
• 56:42
  Speaker 2: it's like it is fully like a violence it's violence
• 56:46
  Speaker 2: yeah And he, like, fucking, this guy comes with the
• 56:51
  Speaker 2: most Irish eyes. Needledick's got the most Irish face you've
• 56:54
  Speaker 2: ever seen. He's squinty looking at them and being like,
• 56:57
  Speaker 2: I'm glad I pulled you over, because I'm going to
• 57:02
  Speaker 2: find drugs in your car.
• 57:03
  Speaker 3: Yeah, and she comes to confront, Catherine Heigl comes to
• 57:07
  Speaker 3: confront him, and she's like, is this covered by your
• 57:09
  Speaker 3: regular salary, or do you get, does my uncle pay
• 57:12
  Speaker 3: you extra?
• 57:13
  Speaker 2: And he happy, he happy says, He smile eyes as extra.
• 57:19
  Speaker 2: I get paid more for this to harass you.
• 57:23
  Speaker 1: Yeah.
• 57:23
  Speaker 3: And, and her being like, I'm sure you're a good guy.
• 57:26
  Speaker 2: It's like, oh, you were sure he's a good guy. Well,
• 57:29
  Speaker 2: her uncle's a cop, dude. Um, so, you know, she's,
• 57:32
  Speaker 2: she's a little pill. She hasn't got to university yet. Um, one,
• 57:37
  Speaker 2: one semester at, uh, you know, uh, at a university,
• 57:41
  Speaker 2: a liberal university will, and she threatens to vaporize him, dude.
• 57:46
  Speaker 3: Uh, honestly.
• 57:47
  Speaker 2: And Chucky's fucking smoking a J with, with Tiffany in
• 57:52
  Speaker 2: the back. I, I.
• 57:53
  Speaker 3: Really did love the fact that she goes, that he goes,
• 57:57
  Speaker 3: you seem like really nice kids, but it's nothing personal,
• 58:01
  Speaker 3: at least on my part, but the money, man, being
• 58:06
  Speaker 3: such a piece of shit.
• 58:08
  Speaker 2: She wants to vaporize him, dude. Um, and he, Jesse
• 58:14
  Speaker 2: pulls Jade aside. to reassure her? Or what does he say?
• 58:22
  Speaker 3: Well, he says, go get us some food from that
• 58:27
  Speaker 3: food truck. But then later on, she comes back with
• 58:30
  Speaker 3: two full bags of groceries. And it's like, where did
• 58:33
  Speaker 3: that grocery store come from? There was no grocery store there.
• 58:37
  Speaker 3: And then Needledick goes to, you know, find the drugs.
• 58:43
  Speaker 2: And....
• 58:45
  Speaker 3: The planted drugs the planted drugs uh which he would
• 58:49
  Speaker 3: smell because chucky was smoking it he was just i
• 58:52
  Speaker 3: just smoked a joint here it smells like a joint
• 58:55
  Speaker 3: yeah it would.
• 58:55
  Speaker 2: Have smelt in this small van but whatever movie reality
• 59:00
  Speaker 2: he's too squinty to notice he's definitely too squinty to
• 59:04
  Speaker 2: notice and he doesn't he he goes to check the
• 59:07
  Speaker 2: the uh underneath the the lip the lip to see
• 59:12
  Speaker 2: where john ritter's dead body is he pulls open the
• 59:14
  Speaker 2: lip pulls back the foreskin of the car dude and
• 59:19
  Speaker 2: and chucky and tiffany both reaction shot Yeah.
• 59:24
  Speaker 3: They kick him so that they don't notice, and then
• 59:26
  Speaker 3: Chucky throws the drugs across the car, and he notices
• 59:29
  Speaker 3: that the drugs are over there, and he pulls them out.
• 59:32
  Speaker 3: And Jesse's like, ah, bullshit, you know that's not mine.
• 59:35
  Speaker 3: And he's like.
• 59:37
  Speaker 2: I don't give a fuck. I'm gonna fucking kill you, kid. Yeah.
• 59:42
  Speaker 2: the way how happy he i love that he grabs
• 59:45
  Speaker 2: the weed from his hand yeah he's kind of like
• 59:48
  Speaker 2: a bold move that like then he like pushes him
• 59:50
  Speaker 2: onto the the hood of the car for every action
• 59:54
  Speaker 2: has a reaction in the movie which is like it
• 59:57
  Speaker 2: really felt kinetic because of that but he leaves the
• 59:59
  Speaker 2: weed with him and then.
• 1:00:00
  Speaker 3: He grabs it oh yeah he and and then uh
• 1:00:04
  Speaker 3: chucky makes like a a statement to like where he's
• 1:00:09
  Speaker 3: like Figures you'd hitch us a ride with a fugitive.
• 1:00:15
  Speaker 3: And it's like, it's not really that, like....
• 1:00:19
  Speaker 2: It's not really the fugitive... Sorry.
• 1:00:26
  Speaker 3: He's kind of blaming Tiff a lot for his own problems. Like,
• 1:00:31
  Speaker 3: he kind of builds it up in a way where
• 1:00:33
  Speaker 3: it's like, well... He wasn't a fugitive at that point.
• 1:00:37
  Speaker 3: He's a fugitive now because you guys... No, but Chucky's
• 1:00:39
  Speaker 3: a fucking dick. And, like, I think it's just, like,
• 1:00:42
  Speaker 3: showing up. That's further proof that Chucky's a dick. But, dude,
• 1:00:46
  Speaker 3: where they plant the evidence.
• 1:00:49
  Speaker 2: I love this, dude. I think this looks amazing.
• 1:00:52
  Speaker 3: It's great, yeah. He takes a towel and takes the
• 1:00:56
  Speaker 3: lighter from Tiffany.
• 1:00:58
  Speaker 2: And he gets, like, fucking puppeteered over and lights... the
• 1:01:04
  Speaker 2: fire to a rag that he stuffed into the.
• 1:01:08
  Speaker 3: Gas tank of the cop of the squinty face cop
• 1:01:11
  Speaker 3: uh and it's great i.
• 1:01:14
  Speaker 2: Love the like shot from inside the hole the hole
• 1:01:17
  Speaker 2: yeah it's great of the gas tank is so cool
• 1:01:20
  Speaker 2: and then like it's either oh the the zippo falls
• 1:01:23
  Speaker 2: out of his pocket the bailey zippo so it's planted
• 1:01:26
  Speaker 2: evidence yeah It becomes evidence.
• 1:01:28
  Speaker 3: It becomes evidence that a serial killer might be killing people.
• 1:01:32
  Speaker 2: Yeah.
• 1:01:33
  Speaker 3: And then the cop explodes.
• 1:01:35
  Speaker 2: And Chucky gives the finger to a stoned kid, and
• 1:01:37
  Speaker 2: he's like, that's rude, doll. I loved it, dude. And
• 1:01:42
  Speaker 2: for some reason, these kids that are just hanging out
• 1:01:46
  Speaker 2: outside of a rec center or something, is it like
• 1:01:50
  Speaker 2: a local show? What are they doing? They're seeing their
• 1:01:53
  Speaker 2: local band. Yeah, probably. And... Oh man, when they wave
• 1:01:58
  Speaker 2: at the cop exploding, they reveal them. I love that
• 1:02:01
  Speaker 2: they're revealing themselves to the people they're about to kill.
• 1:02:04
  Speaker 1: 100%.
• 1:02:04
  Speaker 2: I love that too.
• 1:02:04
  Speaker 3: And then.
• 1:02:09
  Speaker 3: Katherine Heigl comes back to the car with grocery bags.
• 1:02:12
  Speaker 2: Two full bags of groceries.
• 1:02:13
  Speaker 3: Two full bags of groceries. Which is like, you're getting arrested, dude.
• 1:02:16
  Speaker 2: Yeah.
• 1:02:17
  Speaker 3: Why did you bring this back?
• 1:02:18
  Speaker 2: Why did you go away for so long? Yeah.
• 1:02:20
  Speaker 3: It's crazy. And then she gets in and Jesse has
• 1:02:23
  Speaker 3: such a good reaction because Katherine Heigl doesn't know what happened.
• 1:02:28
  Speaker 3: She just saw the explosion and she's just like.
• 1:02:32
  Speaker 2: Drive! Drive! Anyway, just go! Go! I love that they're
• 1:02:37
  Speaker 2: both like, this van doesn't smell like weed at all.
• 1:02:40
  Speaker 3: Yeah. Well, the door was open, dude.
• 1:02:43
  Speaker 2: The window was open, yeah. I mean, I agree. And
• 1:02:45
  Speaker 2: then we get this little fucking piece of shit bootlicker
• 1:02:49
  Speaker 2: kid being like, it's them! It's them!
• 1:02:53
  Speaker 3: Call the cops!
• 1:02:56
  Speaker 2: It's like, she's related to a cop, you fucking idiot. Yeah.
• 1:03:00
  Speaker 2: She's got a dead cop in her car. Actually, We
• 1:03:02
  Speaker 2: don't know if the cop's dead yet, but we'll get there, dude.
• 1:03:06
  Speaker 2: And a bunch of chaos is sown because all these, like,
• 1:03:11
  Speaker 2: teenage cars crash into each other because they're all, like,
• 1:03:14
  Speaker 2: trying to, like, panic drive away. But, like, it's some real, like,
• 1:03:17
  Speaker 2: Danny Maldroon acting in the background. It's some real, like,
• 1:03:20
  Speaker 2: Predator versus Alien 2 acting in this. It's very Lachlan,
• 1:03:26
  Speaker 2: whatever that guy's name is, acting. What's the guy's name again?
• 1:03:30
  Speaker 2: Lachlan McAdams or something?
• 1:03:31
  Speaker 3: Something like that.
• 1:03:32
  Speaker 2: Amazing actor, dude. Amazing, like, 2000s putty face actor. Canadian actor, dude.
• 1:03:38
  Speaker 2: Amazing Vancouver Canadian actor, dude. Yeah. This movie feels like
• 1:03:44
  Speaker 2: it's in that universe. It is.
• 1:03:46
  Speaker 3: It's by the same director. It's got John Ritter and
• 1:03:50
  Speaker 3: John Ritter's kid in the other one, like Jason Ritter.
• 1:03:53
  Speaker 3: I'm so down.
• 1:03:55
  Speaker 2: Me too.
• 1:03:55
  Speaker 3: I think it's Lachlan Monroe? If I remember. Yeah. Lachlan Monroe.
• 1:04:00
  Speaker 2: I love him.
• 1:04:02
  Speaker 3: And then they start Jesse and Jade start fighting with
• 1:04:05
  Speaker 3: each other because it's like, like, how could you how
• 1:04:09
  Speaker 3: could you think that I did it? And he's like, well,
• 1:04:11
  Speaker 3: you said you were going to vaporize him. Dude, I
• 1:04:14
  Speaker 3: love this kind of like weird sewing of discontent between
• 1:04:17
  Speaker 3: the two of them. sort of just circumstantially, they're like,
• 1:04:21
  Speaker 3: weird stuff is, like, following them and happening, and they
• 1:04:24
  Speaker 3: don't know why, so they both suspect each other. And that's, like,
• 1:04:28
  Speaker 3: makes so much sense, and, like, drives the story forward
• 1:04:32
  Speaker 3: so well.
• 1:04:32
  Speaker 2: Yeah. Because it's also, like, putting disharmony temporarily between them,
• 1:04:37
  Speaker 2: so that they can also later fall back in love,
• 1:04:40
  Speaker 2: so that Tiffany can see that, and that can be
• 1:04:42
  Speaker 2: another further... motivating force it's so well written dude exactly
• 1:04:46
  Speaker 2: um it's written in but this time as your bride
• 1:04:50
  Speaker 2: dude written in as your bride so that i can
• 1:04:53
  Speaker 2: be katherine heigl instead of katherine hicks yeah and they're
• 1:04:58
  Speaker 2: on the phone with david they're on speak dave you're
• 1:05:01
  Speaker 2: on speaker and then we're driving you're on speaker okay.
• 1:05:05
  Speaker 3: Okay don't say anything okay they wouldn't say.
• 1:05:07
  Speaker 2: To both of us yeah okay so can we go
• 1:05:09
  Speaker 2: yeah so what did you want to say david What
• 1:05:13
  Speaker 2: does he say?
• 1:05:14
  Speaker 3: Well, like... Yeah, he calls David and they basically talk
• 1:05:24
  Speaker 3: about how.
• 1:05:29
  Speaker 3: David is like, maybe you guys should turn yourself in.
• 1:05:31
  Speaker 3: This seems really weird.
• 1:05:32
  Speaker 2: Something's weird. Yeah, yeah. He's giving them pretty good advice.
• 1:05:35
  Speaker 3: And he's like, nobody's going to believe us. And he
• 1:05:37
  Speaker 3: was like, they're setting up borders. And he's like, oh,
• 1:05:42
  Speaker 3: you got to lay low.
• 1:05:43
  Speaker 2: They arrive in Niagara Falls, dude. While the blood starts
• 1:05:47
  Speaker 2: from underneath the lip.
• 1:05:51
  Speaker 3: Yeah, totally. And then they still get married, which I'm like,
• 1:05:55
  Speaker 3: it's kind of... The dynamic is kind of interesting because
• 1:05:59
  Speaker 3: they're like, okay, we have a feeling that both of
• 1:06:05
  Speaker 3: us are killers in some way, but we're young and stupid.
• 1:06:10
  Speaker 2: And he's like, well, do you trust me? She's like,
• 1:06:13
  Speaker 2: of course I do.
• 1:06:14
  Speaker 3: But there's this somberness to the whole thing.
• 1:06:17
  Speaker 2: Yeah, which, because they're not sure if they can trust
• 1:06:22
  Speaker 2: each other. Dude, did you like the fucking... shot of
• 1:06:26
  Speaker 2: the Canadian side of the falls. Of course. Yeah.
• 1:06:29
  Speaker 3: I mean, this movie was shot in the Canadian side,
• 1:06:32
  Speaker 3: pretending to be the other side.
• 1:06:33
  Speaker 2: A hundred percent. But I guess they're trying to make,
• 1:06:37
  Speaker 2: I mean, Niagara falls is kind of like the Vegas
• 1:06:41
  Speaker 2: of the North, I guess. Yeah.
• 1:06:43
  Speaker 3: Um, and then Chucky being like, as they're going into the,
• 1:06:47
  Speaker 3: the chapel, Chucky being like sucker and her being like,
• 1:06:51
  Speaker 3: I think they make a cute couple.
• 1:06:54
  Speaker 2: If you ask me... She's very Marge Simpson, dude.
• 1:06:57
  Speaker 3: That's... No, I'm very Marge. You do a better impression
• 1:07:00
  Speaker 3: of her, though. I think you get.
• 1:07:02
  Speaker 2: He's got lippy breath here. Yeah, that's true. Mine is more...
• 1:07:05
  Speaker 2: Mine is more... Follow me. Yours is... Yours is follow me.
• 1:07:11
  Speaker 3: Mine is more, uh, what's it?
• 1:07:12
  Speaker 2: Mrs. Bouvier? Than Marge? This fucking Serbian matitar who is, like, wedding, though.
• 1:07:19
  Speaker 2: He's like... We are gathered today here to bring together
• 1:07:23
  Speaker 2: these two people who they love each other, you know?
• 1:07:26
  Speaker 2: So we're going to marry them, right?
• 1:07:27
  Speaker 3: So you can kiss.
• 1:07:28
  Speaker 2: You can kiss. We're going to marry them. We have
• 1:07:31
  Speaker 2: a candelabra. We have the Canadian side of the falls
• 1:07:33
  Speaker 2: here in Canada, right? To get them married.
• 1:07:36
  Speaker 3: And then they're listening. Chucky and Tiff are listening to music.
• 1:07:41
  Speaker 3: This is where we get the reveal that Chucky's a metalhead. Well,
• 1:07:45
  Speaker 3: you don't believe it, dude, because you think Chucky likes
• 1:07:47
  Speaker 3: Run DMC and not Aerosmith.
• 1:07:50
  Speaker 2: You know what?
• 1:07:50
  Speaker 3: Can I tell you something? What do you think Charles
• 1:07:53
  Speaker 3: Lee Ray was listening at that point? Because I think
• 1:07:55
  Speaker 3: he was listening to folk.
• 1:07:57
  Speaker 2: He's listening to like Fela Cutie, dude. He's listening to
• 1:08:00
  Speaker 2: like Bob Marley.
• 1:08:02
  Speaker 3: I think he's listening to folk and I think he's
• 1:08:03
  Speaker 3: listening to funk. It's like that's the kind of thing
• 1:08:06
  Speaker 3: that I'm thinking. Yeah.
• 1:08:09
  Speaker 2: And yeah, like I said, Fela Cutie, you know, he's like,
• 1:08:12
  Speaker 2: he's like, he likes, you know, he's like into dub, dude.
• 1:08:15
  Speaker 2: He's smoking a J and listening to dub. I buy
• 1:08:19
  Speaker 2: him as a metalhead. I think, you know. I mean,
• 1:08:22
  Speaker 2: he had the long hair, dude. Yeah, that's the thing.
• 1:08:24
  Speaker 2: And he had the balding long hair, which is like
• 1:08:27
  Speaker 2: a true metalhead move. Somehow still so thick. I mean,
• 1:08:32
  Speaker 2: he got on that fin very early, dude.
• 1:08:34
  Speaker 3: Well, no, he didn't because he had fucking what's her name?
• 1:08:37
  Speaker 3: he just had that hair dude he still has that
• 1:08:39
  Speaker 3: long hair like in the pit he just had the
• 1:08:44
  Speaker 3: long hair it's amazing dude um but there's a nice
• 1:08:49
  Speaker 3: tenderness to this like constantly being like i want to
• 1:08:56
  Speaker 3: get married chucky this is the time to do it
• 1:08:59
  Speaker 3: and him being like and and she wants to spend
• 1:09:01
  Speaker 3: more time with him.
• 1:09:03
  Speaker 2: They gave him less gum disease in this one, which
• 1:09:06
  Speaker 2: I think was a good move.
• 1:09:07
  Speaker 3: I think you appreciated the less gum disease.
• 1:09:10
  Speaker 2: Then fucking pinhead John Ritter comes back to life and
• 1:09:14
  Speaker 2: he's like, ah, ah, ah. He's so terrified. He sees
• 1:09:22
  Speaker 2: Chucky and then Chucky's like, I'm going to do it
• 1:09:24
  Speaker 2: the classic way. And he gets fucking like dollied over.
• 1:09:27
  Speaker 2: He's on like, he's on like fucking like a motorcycle.
• 1:09:30
  Speaker 2: Chucky rides over.
• 1:09:32
  Speaker 3: Well, it's not just that, but John Ritter also turns
• 1:09:37
  Speaker 3: over and falls on the nails into his face.
• 1:09:41
  Speaker 2: And Chucky stabs him, dude. And Tiff gets turned on
• 1:09:44
  Speaker 2: by it. She loves it.
• 1:09:46
  Speaker 3: And while it's, while the.
• 1:09:48
  Speaker 2: The Serbian Matic was like.
• 1:09:50
  Speaker 3: Yeah, he's like.
• 1:09:51
  Speaker 2: Proglasio sam vas, muž i žena. Yeah, exactly. Možete se poljubit.
• 1:09:57
  Speaker 2: It is možda se poljubit.
• 1:10:01
  Speaker 3: And the hesitancy of no eyes closed for him either.
• 1:10:05
  Speaker 3: He just doesn't. He kisses her with both eyes open. Yeah.
• 1:10:10
  Speaker 2: Yeah. Yeah. He doesn't flinch, dude. I mean, he loves her, dude.
• 1:10:14
  Speaker 3: Yeah. He does. And then we get more... news footage
• 1:10:21
  Speaker 3: of this this lieutenant being like bad lieutenant dude but
• 1:10:25
  Speaker 3: he is a bad lieutenant in this he's we'll get
• 1:10:28
  Speaker 3: to how bad a lieutenant he is in the movie
• 1:10:30
  Speaker 3: who is he is he.
• 1:10:31
  Speaker 2: Like an fbi guy is this fbi.
• 1:10:34
  Speaker 3: Now no he's just i guess so actually maybe.
• 1:10:39
  Speaker 2: Honeymoon suites only steps from the falls they go into
• 1:10:42
  Speaker 2: this like the lieutenant dude He kind of gives, like,
• 1:10:46
  Speaker 2: an old-school cop, like, Robert Loja vibe. Definitely in the
• 1:10:51
  Speaker 2: Loja camp. He's got the, like, very, like, thick chest man.
• 1:10:54
  Speaker 2: You know what I mean? Broad shoulders.
• 1:10:57
  Speaker 3: Like, the kind of old that doesn't sag at the neck.
• 1:11:02
  Speaker 2: But the kind of old that looms over you. He's
• 1:11:06
  Speaker 2: got the kind of, like, just, like, barrel-chested build. Only, like,
• 1:11:11
  Speaker 2: a guy... Who was born in the 40s could have, dude.
• 1:11:14
  Speaker 2: Definitely born in the 40s. And then, like, this hot
• 1:11:19
  Speaker 2: woman in, like, a negligee walks in and she arrives, dude,
• 1:11:25
  Speaker 2: along with, like, this, like, fucking loser.
• 1:11:28
  Speaker 3: God, he's such a loser. Both of these people are losers,
• 1:11:33
  Speaker 3: and they come in to, like, rob them. And it
• 1:11:35
  Speaker 3: seems like the implication for this makes no sense, because
• 1:11:38
  Speaker 3: it seems like these are.
• 1:11:39
  Speaker 2: It's our third Bonnie and Clyde couple, dude.
• 1:11:41
  Speaker 3: These are a couple that pretends to get married to
• 1:11:44
  Speaker 3: go into other people's suites... And steal money from them,
• 1:11:48
  Speaker 3: I guess. And pretend to want to fuck them.
• 1:11:51
  Speaker 2: Well, they want to... They're into, like... They're into polyamory.
• 1:11:54
  Speaker 2: They are into polyamory. They're into kinky polyamory people. They
• 1:11:58
  Speaker 2: love going to all of the nightclubs, you know?
• 1:12:01
  Speaker 3: And then her looking at the Tiffany doll being like,
• 1:12:03
  Speaker 3: oh my God, this is amazing. And she is, she's
• 1:12:07
  Speaker 3: totally right. It is amazing.
• 1:12:08
  Speaker 2: And then she sees the Chucky doll. And she's like, ugh.
• 1:12:11
  Speaker 2: Chucky's also amazing looking. Chucky's also amazing. He doesn't look bad. No,
• 1:12:14
  Speaker 2: he looks incredible.
• 1:12:14
  Speaker 3: He doesn't look scary.
• 1:12:15
  Speaker 2: He looks incredible.
• 1:12:16
  Speaker 3: He looks incredible. He looks like, wow, this animatronic Hollywood
• 1:12:21
  Speaker 3: style doll. And the guy is just like. waterbeds dude
• 1:12:27
  Speaker 3: well okay the guy going it's a good guy doll
• 1:12:30
  Speaker 3: and it's like that's not a fucking good you would
• 1:12:32
  Speaker 3: be like ugh But also... But you.
• 1:12:36
  Speaker 2: Wouldn't recognize it. It's dressed like a good guy doll.
• 1:12:38
  Speaker 3: It is dressed like a good guy doll.
• 1:12:39
  Speaker 2: It's a Chucky doll.
• 1:12:40
  Speaker 3: But I also loved... I also loved.
• 1:12:44
  Speaker 3: This guy has a face that a mother would love. Hi,
• 1:12:47
  Speaker 3: I'm Chucky, and I wouldn't talk if I were you.
• 1:12:51
  Speaker 3: I thought that was awesome.
• 1:12:52
  Speaker 2: Chucky bringing back good guy voice is amazing, dude. Code
• 1:12:56
  Speaker 2: switching Chucky.
• 1:12:57
  Speaker 3: Heidi Ho. Totally code switching Chucky.
• 1:13:01
  Speaker 2: Yeah, it's amazing. And then Heidi Ho, she's counting the
• 1:13:04
  Speaker 2: money later on, because they stole the money, and he's
• 1:13:09
  Speaker 2: bringing over champagne. You know, he's fucking hot off their
• 1:13:14
  Speaker 2: criminal streak. And she's kind of a bit over it,
• 1:13:17
  Speaker 2: you know? She's giving him a little bit of toot.
• 1:13:20
  Speaker 3: Yeah, for sure. This... Made me never want to sleep
• 1:13:23
  Speaker 3: on a waterbed ever because it seems so uncomfortable. But
• 1:13:28
  Speaker 3: also this.
• 1:13:29
  Speaker 2: Just like you have spinal problems.
• 1:13:31
  Speaker 3: Yeah, spinal problems.
• 1:13:33
  Speaker 2: It's terrible for a stomach sleeper. If you're a stomach sleeper,
• 1:13:36
  Speaker 2: a waterbed is not good. You don't want that. No, totally.
• 1:13:40
  Speaker 3: And then as she's on the ground, or as she's
• 1:13:43
  Speaker 3: on her back, she sees in the mirror.
• 1:13:47
  Speaker 3: Sorry, I should explain that better. The two couple, the
• 1:13:51
  Speaker 3: evil couple, are banging on the waterbed. And Chucky and
• 1:13:56
  Speaker 3: Tiffany sneak in. And Tiffany grabs the champagne. And as
• 1:14:01
  Speaker 3: they're having sex, the lady sees Tiffany, the doll... throw
• 1:14:08
  Speaker 3: the bottle and hit the glass mirror that they're... Oh,
• 1:14:11
  Speaker 3: there's like a mirror at the top.
• 1:14:12
  Speaker 2: There's like a fuck mirror above the bed.
• 1:14:14
  Speaker 3: And it's awesome. This scene is great. I think this
• 1:14:17
  Speaker 3: is great.
• 1:14:17
  Speaker 2: It's very cool. Yeah. It's similar logic to like the
• 1:14:22
  Speaker 2: pins being shot out. It's kind of like, I guess like...
• 1:14:27
  Speaker 2: This is way more logical than that. What we're led
• 1:14:29
  Speaker 2: to believe is that magic murder can happen in Chucky. Yes.
• 1:14:32
  Speaker 2: And this is just a magic murder.
• 1:14:33
  Speaker 3: Well, they're just so good at murder that they can
• 1:14:36
  Speaker 3: murder in these kinds of fun ways because they've been
• 1:14:39
  Speaker 3: doing it so long.
• 1:14:40
  Speaker 1: Exactly.
• 1:14:41
  Speaker 3: And all the glass falls into them and Chucky gets
• 1:14:44
  Speaker 3: so horny for Tiff.
• 1:14:46
  Speaker 2: And bloody water starts, dude.
• 1:14:48
  Speaker 3: Oh, dude. It was such a great shot. And it's
• 1:14:50
  Speaker 3: not that gruesome at first. You don't really see it
• 1:14:53
  Speaker 3: go into them until later. You see the aftermath of it.
• 1:14:57
  Speaker 3: And Chucky proposes... Gets down on one knee. Yeah, he
• 1:15:00
  Speaker 3: proposes to Tiff, which is very cute.
• 1:15:02
  Speaker 2: It's sweet. And the prop of the sliced finger with
• 1:15:06
  Speaker 2: the ring on it that she's stolen, and he gets
• 1:15:08
  Speaker 2: it back and pulls the ring off of the dead finger.
• 1:15:13
  Speaker 3: With his tooth?
• 1:15:14
  Speaker 2: It's fucking amazing. Oh, that's a better... There we go.
• 1:15:19
  Speaker 1: Oh, Chucky.
• 1:15:20
  Speaker 2: That's good, yeah. I can't quite get it where you are.
• 1:15:22
  Speaker 2: I love the drawn-on mole, dude. It's amazing.
• 1:15:25
  Speaker 3: Yeah.
• 1:15:26
  Speaker 2: Now you gotta give the little cute voice to her.
• 1:15:28
  Speaker 3: Yeah, that's it. They did really make it look like her, though.
• 1:15:35
  Speaker 2: It's amazing.
• 1:15:35
  Speaker 3: It's really funny.
• 1:15:37
  Speaker 2: As much as they made Charles Lee Ray's.
• 1:15:40
  Speaker 1: Hairline, dude.
• 1:15:40
  Speaker 3: Yeah, totally.
• 1:15:41
  Speaker 2: Dude, it's magic, dude.
• 1:15:43
  Speaker 3: When they have sex with each other, it's weird.
• 1:15:45
  Speaker 2: It's so weird. Well, Chucky, we've established he's, animatonically, he's
• 1:15:49
  Speaker 2: got the pussy from the other movies. And he tells
• 1:15:51
  Speaker 2: her as much. He's like, hey, I got the pussy
• 1:15:54
  Speaker 2: of the other movie. We can fuck. And so, because Tiffany... Well,
• 1:16:00
  Speaker 2: she just knows how it all works. Well, the plumbing.
• 1:16:03
  Speaker 2: She starts crying. She talks about the plumbing because she's like,
• 1:16:06
  Speaker 2: can I get wet?
• 1:16:08
  Speaker 3: And she can get wet because she's crying.
• 1:16:10
  Speaker 2: And he's like, I certainly can. I'm starting to feel
• 1:16:14
  Speaker 2: like Pinocchio over here. My clit's throbbing, Tiff.
• 1:16:20
  Speaker 3: I'm anatomically correct.
• 1:16:22
  Speaker 2: And the tongues, the kissing, it's a little bit weird looking. Well,
• 1:16:26
  Speaker 2: it reminded me of the puppet sex in Team America.
• 1:16:29
  Speaker 3: Yeah, totally. And the fucking shadows banging is so funny.
• 1:16:35
  Speaker 2: Have you got a rubber? Have I got a rubber?
• 1:16:39
  Speaker 2: I'm all rubber. I'm all rubber. Then they show Tiff's
• 1:16:42
  Speaker 2: nice ass. I thought you were plastic. The doll has
• 1:16:45
  Speaker 2: a nice ass.
• 1:16:46
  Speaker 3: Yeah yeah totally junkie like fucking puppet fucking is really
• 1:16:52
  Speaker 3: funny yeah it's shadow puppets fucking is amazing i thought
• 1:16:56
  Speaker 3: it was very cute and and i thought you replaced
• 1:16:59
  Speaker 3: tiff yeah kiss me i just thought it was cute
• 1:17:03
  Speaker 3: like it's very funny okay it's vulnerable murderers I.
• 1:17:11
  Speaker 2: Mean, it really shows their human side, dude. Ironically enough.
• 1:17:14
  Speaker 3: Ironically enough. This, I loved. I thought this was so
• 1:17:18
  Speaker 3: funny when Jade calls David and she's like, David, I
• 1:17:23
  Speaker 3: think Jesse's a murderer. And he's like, wait, hold the line. David,
• 1:17:30
  Speaker 3: I think Jade's a murderer.
• 1:17:32
  Speaker 2: Yeah, sorry, yeah. It's funny. And this is how... That
• 1:17:36
  Speaker 2: also drives the plot point of David later meeting up
• 1:17:40
  Speaker 2: with them. Because, like, otherwise, how do you explain that?
• 1:17:43
  Speaker 2: You know, like, he has to realize that in this moment,
• 1:17:48
  Speaker 2: they're both being paranoid. And because they're both close friends
• 1:17:51
  Speaker 2: of his, we've established.
• 1:17:52
  Speaker 3: Yeah.
• 1:17:53
  Speaker 2: He's like, something's weird. They're not murderers. Yeah, he calls
• 1:17:55
  Speaker 2: them and goes, Joey! I need another picture of Manhance!
• 1:17:58
  Speaker 2: Who is this? Joey!
• 1:18:01
  Speaker 1: Joey!
• 1:18:05
  Speaker 3: And then he goes to steal the picture from Mad Ants.
• 1:18:09
  Speaker 3: She almost ripped my arm.
• 1:18:10
  Speaker 2: Out of the socket. Well, Jerry, you dated a 12-year-old, so... Jesus, dude,
• 1:18:15
  Speaker 2: you did. 17, 38. 17, dude. Imagine, dude, imagine you
• 1:18:17
  Speaker 2: are how old? Are you 38? I'm 17, 38, dude. Dude,
• 1:18:19
  Speaker 2: imagine 17... Imagine you dated a 17-year-old. Dude....
• 1:18:33
  Speaker 3: I look at 25-year-olds and I'm like, ugh. I react
• 1:18:39
  Speaker 3: to them like Chucky does. And then one of the
• 1:18:42
  Speaker 3: witches from the Three Witches movies. And Peggy Hill.
• 1:18:45
  Speaker 2: And Peggy Hill. She voices Peggy Hill. Yes. Comes in.
• 1:18:50
  Speaker 2: to the room because she's a cleaning lady.
• 1:18:52
  Speaker 3: Yes she's very pretend hispanic.
• 1:18:55
  Speaker 2: A hundred percent you think so a hundred percent she's
• 1:18:58
  Speaker 2: for real oh yeah they do her hair up.
• 1:19:01
  Speaker 3: Yeah she didn't she didn't do a voice which.
• 1:19:04
  Speaker 2: Is good she didn't vasquez it yeah no have you
• 1:19:10
  Speaker 2: anyway we can and then for some reason um jesse
• 1:19:18
  Speaker 2: and jade run into the room well i would run
• 1:19:21
  Speaker 2: into the room if i heard screaming as the cleaning
• 1:19:23
  Speaker 2: lady finds the dead bodies and they take the dolls
• 1:19:26
  Speaker 2: and they run away because they're like another murder we're
• 1:19:28
  Speaker 2: gonna get framed for.
• 1:19:31
  Speaker 3: And then they have they have this exchange where jesse
• 1:19:36
  Speaker 3: is like jade i love you but this is too
• 1:19:39
  Speaker 3: much And her being like, would you stop pretending like
• 1:19:43
  Speaker 3: I'm crazy? You're the one murdering people.
• 1:19:46
  Speaker 2: I loved it. I loved it. They both realistically play
• 1:19:50
  Speaker 2: so well that they believe the other is a murderer.
• 1:19:55
  Speaker 2: And then, out of nowhere, David appears. And that was
• 1:20:00
  Speaker 2: a little random. Like, where did he come from? Yeah.
• 1:20:03
  Speaker 2: I guess he drives that BMW. Well, he drove there.
• 1:20:06
  Speaker 3: He drove there because she says specifically, like, I'm at
• 1:20:09
  Speaker 3: this place, which I really appreciated watching it.
• 1:20:13
  Speaker 2: Cause I was like, it was written in, right? It
• 1:20:15
  Speaker 2: was written as yours.
• 1:20:17
  Speaker 3: And him being like, it was all a terrible misunderstanding.
• 1:20:21
  Speaker 2: And I love that.
• 1:20:22
  Speaker 3: He almost fools himself that like, wait, are you suggesting
• 1:20:30
  Speaker 3: that Warren, the police chief, was actually a result, resulted
• 1:20:36
  Speaker 3: in the murders? And David is like, oh.
• 1:20:40
  Speaker 2: Something smells back here.
• 1:20:43
  Speaker 3: Like, what is it?
• 1:20:44
  Speaker 2: And it's so realistic, dude.
• 1:20:45
  Speaker 3: Him being like, and her being like, You left your
• 1:20:48
  Speaker 3: socks back there.
• 1:20:49
  Speaker 2: And it's like, oh, no, it's the socks.
• 1:20:54
  Speaker 3: He's so suspicious about it. Also, that triggers this feeling.
• 1:20:58
  Speaker 3: That's the trigger feeling that he has because it's like,
• 1:21:01
  Speaker 3: why are they being so nonchalant about this disgusting smell?
• 1:21:05
  Speaker 2: I agree.
• 1:21:06
  Speaker 3: I agree. And then he sees the dead body of
• 1:21:11
  Speaker 3: How I Met Your Father or 12 Rules I Need
• 1:21:15
  Speaker 3: About My Kids. And he gets the gun. And David
• 1:21:20
  Speaker 3: is like, oh, my God, these guys are murderers. I
• 1:21:23
  Speaker 3: was totally wrong. I fucked myself over. And Catherine.
• 1:21:27
  Speaker 2: Yeah. Dude, his realization, too, also is very realistic. It's incredible.
• 1:21:32
  Speaker 2: He pulls the gun out to protect himself. He pulls
• 1:21:37
  Speaker 2: John Ritter's gun out. And yeah, oh man, the chain
• 1:21:40
  Speaker 2: of events that happens after this is also.
• 1:21:43
  Speaker 3: Is also some Final Destination logic.
• 1:21:46
  Speaker 2: There's definitely some Final Destination. Way better than any of
• 1:21:50
  Speaker 2: those movies. It's not even a competition, dude. And he's like, what,
• 1:21:57
  Speaker 2: you think we're murderers? Jesse is like, you think we're murderers?
• 1:22:01
  Speaker 2: And then he fucking cocks the gun. He's like, don't
• 1:22:03
  Speaker 2: fucking come close to me. He's fucking terrified of him, dude.
• 1:22:08
  Speaker 3: And it's like they all feel kind of betrayed.
• 1:22:12
  Speaker 2: He reveals the body to them of John Ritter. And
• 1:22:15
  Speaker 2: then the dolls. This is where the dolls come to life, dude. Oh, totally.
• 1:22:19
  Speaker 3: For everybody. But before that, we get a nice final destination.
• 1:22:23
  Speaker 2: Yeah. A chain of events, dude. Yeah.
• 1:22:27
  Speaker 3: Where Chucky and Tiff step up and they both have guns.
• 1:22:31
  Speaker 3: And it's very cute and hilarious that David steps out ahead.
• 1:22:35
  Speaker 2: He gets scared and steps out into traffic. Yeah. And
• 1:22:39
  Speaker 2: since they're on the highway, a fucking Armstrong pickup truck
• 1:22:43
  Speaker 2: just like... Not pickup truck. 18-wheeler just like fucking.
• 1:22:47
  Speaker 3: Decimates him?
• 1:22:48
  Speaker 2: Yeah, like eviscerates. Yeah. And they have to drive away
• 1:22:53
  Speaker 2: really quickly because the cops are coming.
• 1:22:55
  Speaker 3: And Katherine Hagel opens the door and so competently and professionally,
• 1:23:01
  Speaker 3: Chucky shoots out the wheels of a cop that's chasing him.
• 1:23:04
  Speaker 2: What does this scene remind you of, dude?
• 1:23:07
  Speaker 3: I mean, oh, Terminator 2. Yeah, that's true.
• 1:23:11
  Speaker 2: Again, for some reason, there's like a weird parallel between
• 1:23:16
  Speaker 2: Terminator and this series.
• 1:23:18
  Speaker 3: I mean, it's like good guy turned bad guy, anti-hero style.
• 1:23:22
  Speaker 2: It's a doll.
• 1:23:23
  Speaker 3: He's a kind of a doll.
• 1:23:25
  Speaker 2: Some of his battle damage looks a little like Terminator.
• 1:23:28
  Speaker 3: I mean, his Terminator battle damage is like half the
• 1:23:30
  Speaker 3: face from the last one.
• 1:23:31
  Speaker 2: And then.
• 1:23:34
  Speaker 3: We see that they're headed to New Jersey. And obviously
• 1:23:37
  Speaker 3: Jesse can't not recognize this amazing voice that Jennifer Tilly has.
• 1:23:42
  Speaker 2: Well, she called him on the phone, dude.
• 1:23:43
  Speaker 1: Yeah.
• 1:23:44
  Speaker 2: He's heard it disembodied.
• 1:23:45
  Speaker 3: I believe we've already met, sweet face.
• 1:23:48
  Speaker 2: That was good. It's still a little Mrs. Boovia. It's Mrs.
• 1:23:51
  Speaker 1: Boovia, yeah.
• 1:23:52
  Speaker 3: Mrs.
• 1:23:52
  Speaker 2: Boovia!
• 1:23:53
  Speaker 3: I'm trying to... It's too much thinking about where my
• 1:23:58
  Speaker 3: register is and I can't hit the.
• 1:24:00
  Speaker 2: You don't get the cue part. Yeah.
• 1:24:02
  Speaker 3: You gotta.
• 1:24:04
  Speaker 2: Because you're doing just the rasp, but you have to
• 1:24:06
  Speaker 2: put the cute part in.
• 1:24:07
  Speaker 3: Speaking of rasp, so how did you end up like this? Well,
• 1:24:12
  Speaker 3: it's a long story that if it were a movie,
• 1:24:14
  Speaker 3: it would take two to three sequels to explain.
• 1:24:18
  Speaker 2: I mean, I was so on board. I was not
• 1:24:20
  Speaker 2: on board.
• 1:24:21
  Speaker 3: I was on board.
• 1:24:22
  Speaker 2: I love it. I love self-referential junkie.
• 1:24:24
  Speaker 3: Self-referential junkie.
• 1:24:25
  Speaker 2: I think it's great. I don't care. Like... It is
• 1:24:28
  Speaker 2: that crazy and it is that ridiculous. But you always said, dude,
• 1:24:33
  Speaker 2: your whole point is that Chucky always earns it. Chucky
• 1:24:36
  Speaker 2: always does the thing, but then earns it by being
• 1:24:40
  Speaker 2: a little extra gross, a little extra vulgar, a little,
• 1:24:44
  Speaker 2: you know, like being a little adult in a way
• 1:24:46
  Speaker 2: that's like, ah, fine. We're not only for kids, but
• 1:24:49
  Speaker 2: it's funny and cute. It is.
• 1:24:52
  Speaker 3: But what I will say... It's a doll. No, but
• 1:24:56
  Speaker 3: what I want to say, the difference between the Chucky
• 1:24:59
  Speaker 3: series and the rest of the ones we've covered.
• 1:25:01
  Speaker 2: The Child's Play series.
• 1:25:02
  Speaker 3: The Child's Play series is that there's a level of.
• 1:25:11
  Speaker 3: There's a level of distance from the other... murderers because
• 1:25:16
  Speaker 3: of the limitations of the size of the doll and
• 1:25:18
  Speaker 3: what you can do. So they have to be really
• 1:25:19
  Speaker 3: clever around that. This feels a little bit like, well,
• 1:25:24
  Speaker 3: 1996 was only two years before Scream was a huge hit.
• 1:25:27
  Speaker 3: Let's put in some more... Let's make it more self-referential.
• 1:25:30
  Speaker 3: That's where the Frankenstein stuff comes in. That's where the...
• 1:25:35
  Speaker 3: There's other movie references in this specifically that we talked
• 1:25:39
  Speaker 3: about earlier. But it's stuff like that that's a little
• 1:25:42
  Speaker 3: bit like... Okay, we get it, but these ones can
• 1:25:44
  Speaker 3: stand totally on their own.
• 1:25:46
  Speaker 2: And dude, I finally get to make a crossover reference.
• 1:25:50
  Speaker 3: Please.
• 1:25:51
  Speaker 2: Because they mention Martha Stewart in this, and she makes cookies,
• 1:25:57
  Speaker 2: which reminds me of Cookie Monster's most famous appearance on
• 1:26:01
  Speaker 2: Martha Stewart, where he says, Cookies! We're going to make cookies!
• 1:26:05
  Speaker 2: And she's... Martha is very impatient.
• 1:26:09
  Speaker 3: She didn't know.
• 1:26:10
  Speaker 2: How to act with the improvisation of the doll. Because
• 1:26:14
  Speaker 2: the guy's like locked in as the character, right?
• 1:26:16
  Speaker 3: Yeah, he's just the character.
• 1:26:17
  Speaker 2: So she could see him being annoyed there. It's amazing, dude.
• 1:26:22
  Speaker 3: You guys are definitely the right place at the wrong time.
• 1:26:26
  Speaker 2: I love Swedish meatballs. The only thing the Greeks knew
• 1:26:31
  Speaker 2: how to play with is each other's meatballs.
• 1:26:33
  Speaker 3: Swedish meatballs.
• 1:26:34
  Speaker 2: Yeah. another another brad dorff movie dude.
• 1:26:44
  Speaker 3: Um one thing that i do like is that on
• 1:26:46
  Speaker 3: the radio they say they have fingerprints of notorious murderer
• 1:26:51
  Speaker 3: charles lee ray's fingerprints.
• 1:26:54
  Speaker 2: Dude so they're gonna exhume the body yep uh and
• 1:26:59
  Speaker 2: oh but first we get the dishes dude can we
• 1:27:02
  Speaker 2: talk about the fucking dishes.
• 1:27:04
  Speaker 3: Well, I just wanted to put that in there because
• 1:27:06
  Speaker 3: that happened before this scene.
• 1:27:08
  Speaker 2: Oh, okay.
• 1:27:08
  Speaker 3: Go ahead.
• 1:27:09
  Speaker 1: Well.
• 1:27:11
  Speaker 2: Now I love that the couples realize they can sow
• 1:27:15
  Speaker 2: chaos between each other.
• 1:27:16
  Speaker 3: That's great. But before that, we have to mention the
• 1:27:19
  Speaker 3: fact that Tiff is drawing herself onto Katherine Heigl's character
• 1:27:26
  Speaker 3: and making it like, I'm going to possess this one
• 1:27:29
  Speaker 3: and Chucky's going to possess the other one.
• 1:27:31
  Speaker 2: These are the bodies that they've decided they're going to steal. Yeah, totally.
• 1:27:35
  Speaker 3: And also the old lady and old man that they
• 1:27:38
  Speaker 3: steal the camper van. from or just in the closet.
• 1:27:42
  Speaker 3: They're like lying dead inside.
• 1:27:44
  Speaker 2: Yeah. Death doesn't matter in this movie. No. In these
• 1:27:47
  Speaker 2: movies now.
• 1:27:48
  Speaker 3: No.
• 1:27:48
  Speaker 2: Death matters less. It mattered a lot in the last movie.
• 1:27:51
  Speaker 3: It mattered a lot in all of them.
• 1:27:52
  Speaker 2: Because a kid sacrifices himself. Yeah. But in this one,
• 1:27:54
  Speaker 2: it's a little, like, people are just like comically dead.
• 1:27:57
  Speaker 3: Yeah, totally. Man, this puppet is so good.
• 1:28:00
  Speaker 2: The walking. Incredible, dude.
• 1:28:02
  Speaker 3: I do love the sewing chaos because there's a kind
• 1:28:07
  Speaker 3: of interesting thing that They set up earlier in the
• 1:28:14
  Speaker 3: movie where Jennifer Tilly offers this advice to Jesse's character
• 1:28:22
  Speaker 3: and is like, make sure to like... Wash the fucking dishes.
• 1:28:27
  Speaker 3: Wash the dishes.
• 1:28:27
  Speaker 2: At least wash the dishes.
• 1:28:29
  Speaker 3: Yeah, be a kind partner to your partner.
• 1:28:31
  Speaker 2: Yeah, yeah.
• 1:28:32
  Speaker 3: Because, you know, split things.
• 1:28:34
  Speaker 2: It's symbolic. It's about showing kindness. And it's symbolic in
• 1:28:38
  Speaker 2: this scene, too, because... chucky refuses to clean up the dishes.
• 1:28:44
  Speaker 3: But it's also bragging about the fact that you know
• 1:28:47
  Speaker 3: i just if i had a known marriage was such
• 1:28:50
  Speaker 3: a great gig you know it's like i never would
• 1:28:53
  Speaker 3: have waited to tie the knot and then that's where
• 1:28:55
  Speaker 3: he gets jesse gets the idea he looks at the
• 1:28:57
  Speaker 3: dirty dishes and he's like well, she's not much of
• 1:28:59
  Speaker 3: a housekeeper, you know? And it's like him leaning into
• 1:29:03
  Speaker 3: the misogyny that he knows Chucky is.
• 1:29:06
  Speaker 2: Yeah. And then... They use Chucky's... The reason they ham
• 1:29:09
  Speaker 2: up the misogyny is so that they can try the tooth.
• 1:29:11
  Speaker 3: Yeah, totally. And then Katherine Heigl being like, you know,
• 1:29:17
  Speaker 3: you did all that work. You slaved over this. And
• 1:29:22
  Speaker 3: she starts whipping the fucking plates. What would Martha Stewart say?
• 1:29:29
  Speaker 2: Martha stewart amazing dude um yeah chucky dude.
• 1:29:39
  Speaker 3: Making cookies making swedish meatballs for a man who doesn't
• 1:29:43
  Speaker 3: even appreciate me oh and then like you know her
• 1:29:49
  Speaker 3: complaining about his plastic dick as opposed to a nice
• 1:29:52
  Speaker 3: hunk of wood and then chucky goes i'm making stupid
• 1:29:57
  Speaker 3: faces now.
• 1:30:00
  Speaker 2: Alex is making surprise Chucky face. But I have to say,
• 1:30:06
  Speaker 2: Chucky only makes Michael Powers face like, I think two
• 1:30:10
  Speaker 2: times in the movie.
• 1:30:11
  Speaker 3: I don't even think he makes, I think it's far beyond.
• 1:30:13
  Speaker 3: I think it's evolved because he's got a lot more...
• 1:30:16
  Speaker 3: um but he doesn't know it's not more circle anymore
• 1:30:20
  Speaker 3: because square circle that's because it feels like it was
• 1:30:23
  Speaker 3: a limitation of the doll whereas here there's much more
• 1:30:26
  Speaker 3: of a like what are these called.
• 1:30:28
  Speaker 2: Again you know the like the mandible or like i guess.
• 1:30:31
  Speaker 3: Cheekbones yeah where you where you chelsea smile somebody okay
• 1:30:35
  Speaker 3: he's got a little bit more like ability to like
• 1:30:38
  Speaker 3: uplift the smile.
• 1:30:40
  Speaker 2: And Yeah, but I miss Mike Power's face.
• 1:30:43
  Speaker 3: I miss Mike Power's face, too.
• 1:30:46
  Speaker 2: That was when Chucky was the most outrageous and insane. Yeah, totally. Yeah.
• 1:30:54
  Speaker 2: He only makes it once. I guess I hope we
• 1:30:57
  Speaker 2: see it in this retell rewatch. And then.
• 1:31:01
  Speaker 3: Katherine Heigl fucking spins around and kicks Tiffany into the oven.
• 1:31:05
  Speaker 2: Roundhouse kicks Tiffany.
• 1:31:07
  Speaker 3: Yeah, the hot oven. And Chucky shoots at her and
• 1:31:12
  Speaker 3: Jesse throws him out the window. And he goes... That's
• 1:31:18
  Speaker 3: where he makes Michael Powers face, yeah. And then they
• 1:31:21
  Speaker 3: crash down into the... They crash off the highway and stuff.
• 1:31:27
  Speaker 3: And the place starts filling up with gas. And obviously
• 1:31:31
  Speaker 3: there's an electricity line flicking around.
• 1:31:34
  Speaker 2: I love that. It's amazing, dude.
• 1:31:37
  Speaker 3: And I felt really bad for Tiffany when she's like
• 1:31:39
  Speaker 3: slamming against the oven. That's like a horrible way to die.
• 1:31:42
  Speaker 2: It's a scary death, dude.
• 1:31:44
  Speaker 3: Yeah. And then the biting, she bites her ear.
• 1:31:48
  Speaker 2: Oh, my God. I love that with her fucking real teeth.
• 1:31:52
  Speaker 3: Yeah, totally.
• 1:31:54
  Speaker 2: And he rips the doll off. And it's such real
• 1:31:58
  Speaker 2: doll physics.
• 1:31:59
  Speaker 3: Doll physics, yeah.
• 1:32:01
  Speaker 2: 100%. 100%. It's amazing, dude. And showing it in a
• 1:32:05
  Speaker 2: wide and in kind of an action shot the way
• 1:32:07
  Speaker 2: that they did with like all of the like lightning
• 1:32:10
  Speaker 2: going on in the background or like the like fucking electricity,
• 1:32:13
  Speaker 2: terminator electricity going off. It's amazing. And then, you know,
• 1:32:17
  Speaker 2: because there's like a gas leak and like it's going
• 1:32:20
  Speaker 2: to blow, right?
• 1:32:22
  Speaker 3: And then Jesse pushes Jade out the car and drops
• 1:32:27
  Speaker 3: the electricity and it all lights on fire and he
• 1:32:29
  Speaker 3: jumps out heroically.
• 1:32:30
  Speaker 2: But Chucky's standing outside and he's holding Jade hostage. Yeah,
• 1:32:35
  Speaker 2: with the gun.
• 1:32:36
  Speaker 3: And there's another gun where a little tiny hand creeps
• 1:32:41
  Speaker 3: towards it and it's Tiff. And it turns out that
• 1:32:45
  Speaker 3: Jade has been taken hostage and classic carrying Chucky. So
• 1:32:50
  Speaker 3: all four have the classic carrying Chucky while holding hostage.
• 1:32:54
  Speaker 2: Yeah, yeah. Chucky being held while holding someone hostage.
• 1:32:58
  Speaker 3: And then a close-up so that the person underneath the
• 1:33:01
  Speaker 3: doll can tap, use the Chucky's hand to tap her.
• 1:33:05
  Speaker 2: Totally. And then picking up.
• 1:33:09
  Speaker 3: Jesse being tipped by the hair and her making like, uh, uh, noises.
• 1:33:16
  Speaker 2: They're both holding each other's women as hostage.
• 1:33:19
  Speaker 3: Yes.
• 1:33:21
  Speaker 2: He runs over.
• 1:33:22
  Speaker 3: And he gets to the.
• 1:33:24
  Speaker 2: Where the medical examiner alone is digging up Charles Lee
• 1:33:27
  Speaker 2: Ray in the middle of the night.
• 1:33:29
  Speaker 3: In the middle of the night, dude.
• 1:33:31
  Speaker 2: It's amazing, dude. In the middle of the night, I've
• 1:33:35
  Speaker 2: been walking in my sleep. In the middle of the night.
• 1:33:38
  Speaker 2: Now get down there.
• 1:33:47
  Speaker 3: And then Charles Lee Ray, obviously buried in the same
• 1:33:49
  Speaker 3: coat as the first one.
• 1:33:50
  Speaker 1: Of course, dude.
• 1:33:51
  Speaker 2: She takes the amulet. He's not going anywhere without that
• 1:33:54
  Speaker 2: iconic duster, dude.
• 1:33:56
  Speaker 3: Um.
• 1:34:00
  Speaker 3: And she, like, so casually opens this box, and, like,
• 1:34:05
  Speaker 3: the gross skeleton with the rats in it, and he's like, ugh,
• 1:34:09
  Speaker 3: I didn't really need to see that.
• 1:34:13
  Speaker 2: It's a funny line. But he is wearing the amulet,
• 1:34:16
  Speaker 2: and it's directly on the outside. It's perfectly placed on
• 1:34:19
  Speaker 2: the outside. It looks exactly like it did in that picture,
• 1:34:23
  Speaker 2: so that it shows us that he was buried exactly
• 1:34:26
  Speaker 2: the way he died.
• 1:34:27
  Speaker 3: Yeah, 100%. Um, and then they have like a Mexican standoff.
• 1:34:34
  Speaker 3: Rips off the necklace. You broke my fucking neck.
• 1:34:38
  Speaker 2: It's amazing, dude.
• 1:34:40
  Speaker 3: Oh yeah. So Jesse, Jesse is like, okay, we're going
• 1:34:43
  Speaker 3: to do a swap. Let's, uh, let's, let's do this.
• 1:34:47
  Speaker 2: You hurt him.
• 1:34:49
  Speaker 3: And then he lets her go. Jesse lets her go.
• 1:34:52
  Speaker 3: Holds the gun towards her face.
• 1:34:54
  Speaker 1: Um, jeez.
• 1:34:57
  Speaker 3: And I love the line, why can't I ever get
• 1:35:00
  Speaker 3: it on with the real good guys? Because he's a
• 1:35:03
  Speaker 3: good guy doll.
• 1:35:04
  Speaker 2: Who says that?
• 1:35:05
  Speaker 3: He's a bad guy.
• 1:35:06
  Speaker 2: Who says that? Tiff says that. Tiff says that. Because
• 1:35:08
  Speaker 2: she wants Chucky to be romantic. Yeah.
• 1:35:11
  Speaker 3: But she's also, like, a lunatic. She's, like, very BPD. Like,
• 1:35:17
  Speaker 3: I would love Chucky if he just did these things
• 1:35:19
  Speaker 3: for me. But being a murderer is fine. You know
• 1:35:22
  Speaker 3: what I mean?
• 1:35:22
  Speaker 2: I mean, she's a femme fatale, dude. She's classic. It's true.
• 1:35:25
  Speaker 2: And they gave her, like, a little limp, which is
• 1:35:28
  Speaker 2: very funny. It's amazing. It's amazing. It's amazing to show, like,
• 1:35:31
  Speaker 2: a horror... antagonist like woman character yeah it's like it's
• 1:35:36
  Speaker 2: not that many really and she's done so well like
• 1:35:39
  Speaker 2: she like she balances all of the like murderous rage
• 1:35:43
  Speaker 2: with like the like unhinged qualities like i think does
• 1:35:47
  Speaker 2: a pretty good job like being a pretty full-fledged character
• 1:35:50
  Speaker 2: also just like the casting of jennifer tilly is such
• 1:35:52
  Speaker 2: a this is.
• 1:35:53
  Speaker 3: Like a stroke fan of bound 100.
• 1:35:56
  Speaker 2: Like fully just loved the movie bound.
• 1:35:58
  Speaker 3: It feels like it it feels like that was like
• 1:36:00
  Speaker 3: there was like at least somewhat of a connection with
• 1:36:03
  Speaker 3: with just like having that sense of like, she fits
• 1:36:09
  Speaker 3: the best in it.
• 1:36:10
  Speaker 2: Like she fits. 100%.
• 1:36:12
  Speaker 3: It's like, she carries the, she carries the movie and
• 1:36:14
  Speaker 3: that's the, well, we'll get to it, but something, something
• 1:36:18
  Speaker 3: really interesting with you. Something really interesting about this part
• 1:36:22
  Speaker 3: of the movie is.
• 1:36:23
  Speaker 2: Is that Chucky has the magic to throw a knife, a.
• 1:36:25
  Speaker 3: Knife really far. But before then he goes, he, she,
• 1:36:29
  Speaker 3: she's like, catch me Chucky. And he, like, steps aside
• 1:36:34
  Speaker 3: and she falls and he goes, ugh. He's grossed out
• 1:36:39
  Speaker 3: by her. And then he magically throws the knife at Jesse.
• 1:36:45
  Speaker 2: Like, it lodges in his back, but I guess not
• 1:36:47
  Speaker 2: that deep because she just pulls it out and he's fine. Yeah,
• 1:36:51
  Speaker 2: for sure. He's mostly fine. He just has to be
• 1:36:52
  Speaker 2: a little, like, damaged for this scene.
• 1:36:54
  Speaker 3: Totally.
• 1:36:55
  Speaker 2: Absolutely. And then she, he, ugh.
• 1:36:59
  Speaker 3: Then Katherine Heigl throws the knife back towards Chucky, and
• 1:37:02
  Speaker 3: he's going to Hade, Dewey, Dembela them. So they cut
• 1:37:06
  Speaker 3: from there, him holding two guns, to them being tied up.
• 1:37:10
  Speaker 2: Johnny Woo guns, dude.
• 1:37:11
  Speaker 3: Johnny Woo guns. Ronnie Woo guns.
• 1:37:13
  Speaker 2: Yeah.
• 1:37:15
  Speaker 3: And I guess he's trying to do the Hade, Dewey, Dembela,
• 1:37:19
  Speaker 3: but how did he tie these people up?
• 1:37:21
  Speaker 2: I mean, yeah. that's why they cut away from it
• 1:37:24
  Speaker 2: yeah but this like now aerial shots of like just
• 1:37:29
  Speaker 2: little people.
• 1:37:30
  Speaker 3: In fighting each other i was like this is amazing
• 1:37:32
  Speaker 3: it's amazing.
• 1:37:33
  Speaker 2: Dude like it reminds me of remember the this is
• 1:37:36
  Speaker 2: gonna be very niche so i apologize to the listeners
• 1:37:39
  Speaker 2: but in the game it takes two when they do
• 1:37:42
  Speaker 2: that kind of more aerial looking yeah totally totally um
• 1:37:47
  Speaker 2: oh it's so good and This is where Tiff starts
• 1:37:52
  Speaker 2: having kind of like her second thoughts about the whole thing. Yeah.
• 1:37:57
  Speaker 3: She's like, I love you, Chucky. And he goes, I know,
• 1:38:00
  Speaker 3: which is the classic Star Wars line. And she's like,
• 1:38:06
  Speaker 3: we belong together forever.
• 1:38:09
  Speaker 2: Kiss me.
• 1:38:09
  Speaker 3: And then they kiss. He kisses the gross puppet.
• 1:38:14
  Speaker 2: And she pulls out the knife and stabs Chucky, dude.
• 1:38:17
  Speaker 3: Yeah.
• 1:38:18
  Speaker 2: And it's a different knife. It's first the serrated edge knife,
• 1:38:22
  Speaker 2: but then after it's like a butcher's knife.
• 1:38:25
  Speaker 3: Oh yeah, you're right.
• 1:38:26
  Speaker 2: I guess they needed an insert.
• 1:38:29
  Speaker 3: They probably did.
• 1:38:31
  Speaker 2: Yeah chucky was like the most easy to kill in this.
• 1:38:40
  Speaker 3: One yes well it's like he's trusting her He's not
• 1:38:45
  Speaker 3: going to be killed by her.
• 1:38:46
  Speaker 2: It's more about the story than about the kill.
• 1:38:49
  Speaker 3: Yeah, it's much more about the evolution of his character.
• 1:38:52
  Speaker 2: And because they weren't tied very well, Katherine Heigl's able to... Yeah.
• 1:39:00
  Speaker 2: And then she quotes Frankenstein.
• 1:39:02
  Speaker 3: Get on the ropes, yeah. She quotes Frankenstein, and he's like, Why? Oh, Chucky,
• 1:39:09
  Speaker 3: look at us. Don't you see?
• 1:39:11
  Speaker 2: We belong dead.
• 1:39:13
  Speaker 3: It's like pretty good. It's pretty fucking good.
• 1:39:15
  Speaker 2: The fucking shovel fight.
• 1:39:17
  Speaker 3: Yeah.
• 1:39:18
  Speaker 2: The like getting whacked in the head with the shovel
• 1:39:20
  Speaker 2: and then throwing the dirt in the face and then
• 1:39:22
  Speaker 2: the aerial shot of the two little people in the
• 1:39:25
  Speaker 2: like Chucky's outfits. Yeah. Because you can do so much
• 1:39:28
  Speaker 2: with scale when you're shooting overhead like that.
• 1:39:30
  Speaker 3: Yeah, totally. And like the size doesn't really matter when
• 1:39:33
  Speaker 3: you're that far away.
• 1:39:34
  Speaker 2: Yeah.
• 1:39:34
  Speaker 3: And she's like, we belong in hell. And I'm like, wicked.
• 1:39:39
  Speaker 2: That's wicked. It's cool. Yeah. She wants to join the
• 1:39:41
  Speaker 2: Necronomicon people, dude. She wants to join the Pantheon. Tiff's
• 1:39:46
  Speaker 2: asking to join the Pantheon of the Chucky series in
• 1:39:48
  Speaker 2: this scene. And he does that for her by stabbing
• 1:39:52
  Speaker 2: her through the body. Yeah.
• 1:39:55
  Speaker 3: Man, I want to see who these little people are.
• 1:39:57
  Speaker 3: Because they did such a great job. They did such
• 1:39:59
  Speaker 3: a great job body acting these people.
• 1:40:01
  Speaker 2: It was really good. The coming up was really good.
• 1:40:06
  Speaker 2: And he pushes her off the knife. This is what
• 1:40:08
  Speaker 2: you're always referencing. Pushing someone off a knife. Honestly, I
• 1:40:11
  Speaker 2: will say.
• 1:40:14
  Speaker 3: I think, talking about violence, pushing somebody off a knife is, like,
• 1:40:20
  Speaker 3: feels so hardcore. It's very disrespectful. Yeah, just because it's like,
• 1:40:23
  Speaker 3: I'm not doing the work, I'm letting your body do
• 1:40:26
  Speaker 3: the work.
• 1:40:27
  Speaker 2: And fucking kicking Chucky easily into the grave along with
• 1:40:34
  Speaker 2: his Charles Lee Ray body. And him yelling, and then
• 1:40:38
  Speaker 2: the little person acting of, like, the overhead shot of
• 1:40:41
  Speaker 2: him stepping Stabbing into the ground and trying to get
• 1:40:43
  Speaker 2: out of there. And the officer just... The fucking officer
• 1:40:47
  Speaker 2: barrel-chested numbnuts is like... What the fuck? And then she
• 1:40:53
  Speaker 2: just grabs the gun from the officer's hand and shoots Chucky.
• 1:40:58
  Speaker 3: After Katherine Heigl shoots Chucky, he goes... I'll be back!
• 1:41:04
  Speaker 2: I'll always come back! But dying is such a bitch. Yeah,
• 1:41:10
  Speaker 2: implying that... Yeah, you can never kill Chucky for real.
• 1:41:14
  Speaker 2: They want to find a way to bring him back.
• 1:41:16
  Speaker 2: That's the thing. I like that they kept the thread going.
• 1:41:19
  Speaker 2: There is a self-awareness that... The thread and needle that
• 1:41:22
  Speaker 2: they tied him with. Realistically, it goes.
• 1:41:25
  Speaker 3: Freddy can have the self-awareness meta shit. Because it's already
• 1:41:30
  Speaker 3: meta and it's Wes Craven. And then Chucky is very
• 1:41:33
  Speaker 3: close second. He could be self-aware in that way.
• 1:41:37
  Speaker 2: Much like Van Damme. much it's true much he's the
• 1:41:40
  Speaker 2: van damme of the series dude i'm telling you.
• 1:41:42
  Speaker 3: The van damme of the series because van damme almost
• 1:41:45
  Speaker 3: by by complete happenstance got to a way smarter idea
• 1:41:52
  Speaker 3: like a meta idea yeah that schwarzy could never pull
• 1:41:56
  Speaker 3: off no he's never been able to pull it off
• 1:41:57
  Speaker 3: well except for in last action hero but that movie's
• 1:42:00
  Speaker 3: a failure.
• 1:42:00
  Speaker 2: Yeah And then... And that's why he didn't do that anymore.
• 1:42:04
  Speaker 2: He was like, I'm not going to do this highbrow
• 1:42:06
  Speaker 2: stuff anymore. I didn't even understand that script, Maria. What
• 1:42:09
  Speaker 2: the fuck was going on?
• 1:42:11
  Speaker 3: Now I'm going to do AI. It's all about AI.
• 1:42:14
  Speaker 2: The courtroom, Schwartzy, where I'm a grandma. And I'm also...
• 1:42:18
  Speaker 2: I'm the kid. I'm the kid. We've all seen this kid.
• 1:42:21
  Speaker 2: He's got like the Zuma hair. We've all seen it.
• 1:42:23
  Speaker 2: But you know... Broccoli hair. They call it broccoli. For
• 1:42:26
  Speaker 2: some reason, I'm still the same old Schwartzy. Wherever you look...
• 1:42:29
  Speaker 2: It's the same old you. They have so much footage
• 1:42:31
  Speaker 2: of me, but they still manage to keep the old
• 1:42:33
  Speaker 2: face of Schwartzy, the current 2026 one. It's very strange.
• 1:42:39
  Speaker 3: What's very strange about this movie is that... Wait, hold on.
• 1:42:43
  Speaker 2: I just want to say one more thing about Chucky
• 1:42:46
  Speaker 2: being read out. he's also not worried about letting other
• 1:42:50
  Speaker 2: people be the main character in his own movie. That's
• 1:42:52
  Speaker 2: very true, yeah. Very right, very true.
• 1:42:55
  Speaker 3: Whereas Freddy, at a certain point, is very worried about
• 1:42:59
  Speaker 3: being the main character of the movie.
• 1:43:01
  Speaker 2: Of course, dude.
• 1:43:01
  Speaker 3: Of course. So much so that they built a movie
• 1:43:03
  Speaker 3: around a fake Freddy that's a demon that just takes
• 1:43:08
  Speaker 3: on the abilities of Freddy for some reason.
• 1:43:11
  Speaker 2: And, much like Van Damme, Chucky had a show way
• 1:43:13
  Speaker 2: before Schwartzy did.
• 1:43:15
  Speaker 3: Chucky did have a show way before Schwartzy. But also,
• 1:43:18
  Speaker 3: Stallone had a meta character with the Expendables. That's a meta.
• 1:43:25
  Speaker 2: That's true.
• 1:43:25
  Speaker 3: Because it's like, oh, I'm bringing all the guys together
• 1:43:28
  Speaker 3: or whatever. The franchise guys.
• 1:43:31
  Speaker 2: The cross-universe Stallone. He just wanted to be known as the, like...
• 1:43:37
  Speaker 2: action guy he wants to be known as the action guy.
• 1:43:40
  Speaker 3: Hey listen i i wanted to be a pacino but
• 1:43:43
  Speaker 3: they didn't give me that so i had to work
• 1:43:45
  Speaker 3: for something else i gave the people what they want
• 1:43:48
  Speaker 3: i gave the people what they want and they want
• 1:43:50
  Speaker 3: terrible movies and terrible shows they want ai slop.
• 1:43:54
  Speaker 2: With arnold they want they want rocky six is the
• 1:43:57
  Speaker 2: best one.
• 1:43:58
  Speaker 3: They they want republican propaganda with me I know Arnold.
• 1:44:03
  Speaker 3: He's on that liberal shit. He and I disagree about Trump.
• 1:44:07
  Speaker 3: Trump is my boy.
• 1:44:09
  Speaker 2: You know, because I got a lot of my trees.
• 1:44:10
  Speaker 3: He made me ambassador with Mel Gibson to Hollywood.
• 1:44:16
  Speaker 2: And then fucking Detective Numbnuts goes over to investigate.
• 1:44:23
  Speaker 3: And he just goes, well, Jesse and Jade, they didn't
• 1:44:27
  Speaker 3: do it. And that's the story I'm sticking to.
• 1:44:32
  Speaker 2: And they're like, sir, what?
• 1:44:34
  Speaker 3: Excuse me? Yep, it was Charles Lee Ray and a doll, guys.
• 1:44:39
  Speaker 3: And then, I'm going to let these kids go. They're
• 1:44:44
  Speaker 3: just going to escape. And then he goes up to the...
• 1:44:49
  Speaker 3: This was great. This old man jabbing at the doll,
• 1:44:53
  Speaker 3: being afraid. When he goes up to Tiffany.
• 1:44:57
  Speaker 2: He also touched her tit, dude, like Chucky did. And
• 1:45:00
  Speaker 2: then she, like, explodes blood onto his face because she's
• 1:45:04
  Speaker 2: having a baby, dude. The Chucky incubation period is.
• 1:45:08
  Speaker 3: Is almost as inconsistent as the alien incubation period. Another crossover.
• 1:45:14
  Speaker 2: I made me think of it totally, like... total alien
• 1:45:18
  Speaker 2: incubation period and we get also with with fucking freddy
• 1:45:23
  Speaker 2: lore we get a very freddy baby ready looking baby.
• 1:45:27
  Speaker 3: A hundred percent it's very freddy named later on after
• 1:45:31
  Speaker 3: after glenn or glenda the the amazing i.
• 1:45:34
  Speaker 2: Can't wait to get to that you can't yeah but
• 1:45:36
  Speaker 2: puppet jumps onto his face i love that bride of
• 1:45:40
  Speaker 2: chucky the the word chucky's spelt in viscera Yeah, it is.
• 1:45:45
  Speaker 2: The whole movie did a great job. I guess they
• 1:45:48
  Speaker 2: are really now leaning into queer lore, Chucky.
• 1:45:52
  Speaker 3: Yeah, 100%.
• 1:45:53
  Speaker 2: And we're going to get, from what I understand, much
• 1:45:56
  Speaker 2: more of that. Also, from what I understand, I spoiled
• 1:45:59
  Speaker 2: something for myself.
• 1:46:01
  Speaker 3: I know.
• 1:46:01
  Speaker 2: And we're not going to talk about it. No. Because
• 1:46:03
  Speaker 2: I'm still going to act just as surprised when it happens.
• 1:46:06
  Speaker 2: Because I haven't seen it.
• 1:46:08
  Speaker 3: I know.
• 1:46:09
  Speaker 2: Okay, so it's still going to be a gag. But...
• 1:46:12
  Speaker 2: What's also a gag, dude, is your interpretation of this movie,
• 1:46:17
  Speaker 2: or your enjoyment and liking of this movie. I feel
• 1:46:20
  Speaker 2: like you're really poo-pooing it, and I'd love to hear
• 1:46:24
  Speaker 2: your score and why. I'm going to give it a 6.5.
• 1:46:28
  Speaker 3: Of Dembalas? Of Dembalas. No, of Dembalas, I'd give it
• 1:46:34
  Speaker 3: a solid A, Dembalas. It feels like it's introducing new stuff.
• 1:46:40
  Speaker 3: I don't like Awake. I don't like Awake.
• 1:46:43
  Speaker 2: I hate it.
• 1:46:43
  Speaker 3: That's so strange to focus on.
• 1:46:46
  Speaker 2: I know, I know.
• 1:46:47
  Speaker 3: It's almost like a tick. It's just like, I don't...
• 1:46:51
  Speaker 3: Something about it, it's not rational.
• 1:46:53
  Speaker 2: It doesn't feel rational. Okay. It's just like, it's a
• 1:46:56
  Speaker 2: change that I'm like, did this work? Do I like this?
• 1:46:59
  Speaker 2: You're wincing at it. I'm wincing at it. Okay.
• 1:47:02
  Speaker 3: In terms of the stuff I really liked, I love....
• 1:47:07
  Speaker 2: Um jennifer jennifer tilly i love her tiffany is amazing
• 1:47:11
  Speaker 2: i don't like i think that tiffany was because tilly
• 1:47:15
  Speaker 2: they're referencing the.
• 1:47:16
  Speaker 3: Name maybe i don't like uh the soundtrack I don't
• 1:47:23
  Speaker 3: like a soundtrack with Chucky. I don't like it being
• 1:47:26
  Speaker 3: modernized in a way where it feels like it didn't
• 1:47:28
  Speaker 3: need to be modernized.
• 1:47:30
  Speaker 2: It does fall into the late 90s trope of new
• 1:47:34
  Speaker 2: metal movies, which I don't have a problem with anymore
• 1:47:38
  Speaker 2: because I've stopped resenting my own past and hating new
• 1:47:41
  Speaker 2: metal and realizing that new metal is actually good.
• 1:47:44
  Speaker 3: Yeah, for sure. That's not really what bothers me about it.
• 1:47:47
  Speaker 3: It's just like, it doesn't really, it feels like it
• 1:47:49
  Speaker 3: doesn't fit. It feels like it would be a little
• 1:47:51
  Speaker 3: bit more timeless like the other ones.
• 1:47:54
  Speaker 2: They had to sell the soundtrack, dude. The movie had
• 1:47:56
  Speaker 2: to make money somehow. Yeah, I'm sure.
• 1:47:58
  Speaker 3: I mean, I don't know actually if it did make
• 1:48:00
  Speaker 3: money because it didn't get a sequel until like years later,
• 1:48:03
  Speaker 3: like seven or eight years later. Because Seed of Chucky
• 1:48:06
  Speaker 3: is the next one and it's set, or it's.
• 1:48:10
  Speaker 2: It was released in 2004. Okay. So that's like years
• 1:48:14
  Speaker 2: after this.
• 1:48:15
  Speaker 3: So it's like.
• 1:48:16
  Speaker 2: It's a bigger jump than the other ones.
• 1:48:19
  Speaker 3: It's a bigger jump and also... I mean, is it
• 1:48:23
  Speaker 3: a bigger jump?
• 1:48:24
  Speaker 2: The other one is.
• 1:48:25
  Speaker 3: Yeah, it is a bigger... It's a way bigger jump.
• 1:48:27
  Speaker 3: Because this one is like four or five years later.
• 1:48:30
  Speaker 3: And it's like... It comes out at a time where
• 1:48:33
  Speaker 3: sequels are like, ah, okay, we have this property.
• 1:48:36
  Speaker 2: Well, this other one was four or five years later too,
• 1:48:38
  Speaker 2: wasn't it?
• 1:48:39
  Speaker 3: Yeah, this one was... The Seed of Chucky was seven
• 1:48:41
  Speaker 3: years later. This one's 98. And then the other one
• 1:48:44
  Speaker 3: comes in 2004.
• 1:48:44
  Speaker 2: Right, right, right. And the last one was 92? 92, 91.
• 1:48:51
  Speaker 2: So that's also.
• 1:48:52
  Speaker 3: That's a huge jump. That's also seven years.
• 1:48:53
  Speaker 2: Seven years. Yeah. Okay.
• 1:48:56
  Speaker 3: So it's like, it's weird because it's like, It feels
• 1:48:59
  Speaker 3: like a mixed bag.
• 1:49:00
  Speaker 2: And from what I remember, they just get worse from here.
• 1:49:04
  Speaker 2: These ones?
• 1:49:05
  Speaker 3: Yeah, the next ones, they just get worse. And that's
• 1:49:07
  Speaker 3: why I think I'm feeling the way I am, because
• 1:49:09
  Speaker 3: I'm kind of.
• 1:49:10
  Speaker 2: You're anticipating.
• 1:49:10
  Speaker 3: Anticipating a lot. So that might have.
• 1:49:12
  Speaker 2: Colored a lot of.
• 1:49:15
  Speaker 3: You were enjoying it? Yeah, I felt a little bit
• 1:49:17
  Speaker 3: like my butthole was a little clenched, and I was
• 1:49:20
  Speaker 3: a little bit bored.
• 1:49:21
  Speaker 2: Okay.
• 1:49:23
  Speaker 3: So that's why I'm giving it a 6 point... 6.7.
• 1:49:27
  Speaker 3: It's like I had enough fun, but I was also
• 1:49:29
  Speaker 3: a little bit like... It's a little bit boring. And
• 1:49:33
  Speaker 3: they're doing interesting stuff.
• 1:49:35
  Speaker 2: We have to start a new one. We have to
• 1:49:37
  Speaker 2: start a new ranking system, dude. Sure. How many amulets
• 1:49:42
  Speaker 2: do you give it?
• 1:49:42
  Speaker 3: Okay, sure. Well, I give this... Are we doing it
• 1:49:46
  Speaker 3: at five?
• 1:49:47
  Speaker 2: Yeah. You know what?
• 1:49:50
  Speaker 3: Retconning lore... Because the first two sequels did it, and
• 1:49:56
  Speaker 3: you could kind of wave it away, but so much
• 1:50:00
  Speaker 3: of this is based around the changed lore that.
• 1:50:02
  Speaker 2: I was a little bit like, Well, but it's also
• 1:50:08
  Speaker 2: the movie actively taking a different title.
• 1:50:12
  Speaker 3: Yeah, that's true.
• 1:50:13
  Speaker 2: So, I think it wants to differentiate itself.
• 1:50:15
  Speaker 3: It's a soft reboot. Yeah, that's what I feel. Whereas, like, with.
• 1:50:19
  Speaker 2: It feels intentional. It doesn't feel hem-fisted in a way
• 1:50:23
  Speaker 2: that's like.
• 1:50:23
  Speaker 3: I'm not saying that any of the choices were wrong.
• 1:50:27
  Speaker 3: I just don't like them personally. That's why I like
• 1:50:29
  Speaker 3: the rating systems. I like them separate because it's like.
• 1:50:32
  Speaker 2: How many TIFFs would you give it? You gotta give
• 1:50:34
  Speaker 2: it a 10 out of 10.
• 1:50:34
  Speaker 3: Oh, TIFFs is like fucking 10 out of 10. She
• 1:50:36
  Speaker 3: was the best part of the movie, easily.
• 1:50:37
  Speaker 2: I agree.
• 1:50:38
  Speaker 3: Like, the doll, her performance, her sexiness, her voice, all
• 1:50:44
  Speaker 3: of that 100% works.
• 1:50:45
  Speaker 2: Doris, all of that 100% works. Yeah.
• 1:50:46
  Speaker 1: Um.
• 1:50:51
  Speaker 3: All the stuff with them feels appropriate. It's mainly the
• 1:50:56
  Speaker 3: music and the sort of side characters. They did a
• 1:51:01
  Speaker 3: lot of heavy lifting. The writing isn't very good.
• 1:51:05
  Speaker 2: Yeah. Like, the writing or dialogue stuff. I disagree. Yeah?
• 1:51:11
  Speaker 3: Tell me. Yeah, you tell me.
• 1:51:12
  Speaker 2: I disagree that the writing isn't good.
• 1:51:14
  Speaker 3: Um.
• 1:51:18
  Speaker 2: I think that it's very intentional. I think that, okay,
• 1:51:24
  Speaker 2: I hear what you're saying. I want to push back
• 1:51:28
  Speaker 2: because I think that the movie did a lot of really,
• 1:51:33
  Speaker 2: a lot of things right. And I think that I
• 1:51:35
  Speaker 2: gave it a lot of good grace because of that.
• 1:51:38
  Speaker 2: I would say this is among my favorites, dude. Sure. Like,
• 1:51:43
  Speaker 2: it just, I just was like, If I wanted to
• 1:51:47
  Speaker 2: go more insane and outrageous, this is kind of where
• 1:51:50
  Speaker 2: I want a Chucky series to go.
• 1:51:53
  Speaker 3: Dude, I think that's totally fair. Honestly, like, I just... I.
• 1:51:59
  Speaker 2: Feel like I have just kind of a personal aversion...
• 1:52:02
  Speaker 2: To this one in particular?
• 1:52:04
  Speaker 3: To this one in particular, having watched them so sequentially. And, like,
• 1:52:08
  Speaker 3: initially I was like, oh man, I'm going to love
• 1:52:10
  Speaker 3: the second one. And I was like... The second one's
• 1:52:13
  Speaker 3: not so good. It's not as good as the first
• 1:52:16
  Speaker 3: one in my mind.
• 1:52:18
  Speaker 2: Close to the first one. Or the third one. And
• 1:52:20
  Speaker 2: then the third one is like.
• 1:52:22
  Speaker 3: I feel like I gave this one a lot of
• 1:52:24
  Speaker 3: credit when I was young, but I think this one
• 1:52:26
  Speaker 3: is actually the stupidest one.
• 1:52:27
  Speaker 2: The third one?
• 1:52:28
  Speaker 3: And then I watched it and I was like, oh,
• 1:52:29
  Speaker 3: this is actually fucking awesome. This is interesting in ways
• 1:52:33
  Speaker 3: that I felt like the second one fell flat for me. Yeah.
• 1:52:37
  Speaker 3: So I'm kind of interested in seeing Seeds of Chucky
• 1:52:39
  Speaker 3: because I remember watching it and hating it. So maybe
• 1:52:42
  Speaker 3: I'll watch that one and be like, Oh, this is
• 1:52:44
  Speaker 3: actually like really interesting.
• 1:52:46
  Speaker 2: It picks up where you may be.
• 1:52:48
  Speaker 3: Yeah.
• 1:52:48
  Speaker 2: Like, okay. So something that I'll say about the Chucky
• 1:52:51
  Speaker 2: movies is I do think that they're the fact that
• 1:52:56
  Speaker 2: they stick to a formula I think is really good
• 1:53:00
  Speaker 2: because it allows for it to be about the pivots
• 1:53:04
  Speaker 2: or about where, where the movie veers from, from the
• 1:53:07
  Speaker 2: source material. Um, because it's, holding on so wholeheartedly and
• 1:53:12
  Speaker 2: so wholesale to a kind of type of storytelling that
• 1:53:16
  Speaker 2: we just get to see scenarios play out differently. Yeah.
• 1:53:20
  Speaker 2: And directors play with different ideas and different emotions. Like
• 1:53:23
  Speaker 2: for instance, I think the third one had the highest
• 1:53:26
  Speaker 2: stakes and I think this one lacks in stakes, but
• 1:53:30
  Speaker 2: it makes up for in kind of like drama because
• 1:53:33
  Speaker 2: like it had like, this one had the most sort
• 1:53:37
  Speaker 2: of evolved emotional story arc. I would say, because it's
• 1:53:42
  Speaker 2: about couples. It's about relationships. It's about like examples of
• 1:53:48
  Speaker 2: good and bad relationships, all in this kind of like silly,
• 1:53:52
  Speaker 2: you know, you know, puppet fucking doll, scary murderer. But
• 1:53:56
  Speaker 2: like we get to explore these things in kind of
• 1:53:59
  Speaker 2: like a serious way, despite the movie being very not serious.
• 1:54:03
  Speaker 2: And I think where the movie does the Chucky playing
• 1:54:07
  Speaker 2: with stakes thing in this one is it's like, well,
• 1:54:11
  Speaker 2: there's stakes in the drama of the actual relationship. So
• 1:54:14
  Speaker 2: you're invested enough in the characters that the killing between
• 1:54:18
  Speaker 2: them matters. Whereas in the other one, it was more
• 1:54:21
  Speaker 2: like Jesus Christ, the kid's going to die with live rounds.
• 1:54:24
  Speaker 2: You know what I mean? So like, I just feel
• 1:54:26
  Speaker 2: like it uses storytelling devices in like with different nuances
• 1:54:32
  Speaker 2: and colors, you know? Sure.
• 1:54:33
  Speaker 3: I mean, I.
• 1:54:34
  Speaker 2: Appreciate that about it for me seeing it. Sorry to
• 1:54:36
  Speaker 2: interrupt for me seeing it sequentially like this. I'm way
• 1:54:40
  Speaker 2: more like, oh, this is cool. I'm excited to see
• 1:54:44
  Speaker 2: where it kind of goes next.
• 1:54:46
  Speaker 3: Don't get me wrong. I still think all of that
• 1:54:48
  Speaker 3: stuff that you're saying is cool. It's just like balancing
• 1:54:52
  Speaker 3: out the discussion of what I think overall, whether it
• 1:54:56
  Speaker 3: be lore or direction or how people are trying things,
• 1:55:01
  Speaker 3: very much in a Saw kind of way or like
• 1:55:03
  Speaker 3: an Alien kind of way, where it's like you get
• 1:55:06
  Speaker 3: different flavors of different things in each of the sequels.
• 1:55:09
  Speaker 2: I'm sorry. Oh, sorry, go ahead. No, no, sorry.
• 1:55:13
  Speaker 3: But personally, when you say stakes, for me, the highest
• 1:55:17
  Speaker 3: stakes were always in the first one just because there's
• 1:55:20
  Speaker 3: very real emotional depth to the wants that every character has.
• 1:55:27
  Speaker 3: They're low stakes wants, but it becomes very high stakes
• 1:55:32
  Speaker 3: because it's like, oh shit, people are dying around me.
• 1:55:35
  Speaker 2: You know what I mean?
• 1:55:35
  Speaker 3: Whereas in the rest... Like, the stakes are kind of
• 1:55:40
  Speaker 3: folded in around... The storytelling. The storytelling of the kid,
• 1:55:45
  Speaker 3: rather than the characters themselves. But you're right. The characters
• 1:55:50
  Speaker 3: amongst themselves in this one, it is very much oriented
• 1:55:53
  Speaker 3: around the feelings around Tiff being like, I want to
• 1:55:58
  Speaker 3: get married.
• 1:55:58
  Speaker 2: I want to have.
• 1:55:59
  Speaker 3: Like, I went through that, too, where it's like, Leel
• 1:56:01
  Speaker 3: wanted to get married.
• 1:56:02
  Speaker 2: For a long time.
• 1:56:03
  Speaker 3: And I was just kind of like, I don't care
• 1:56:06
  Speaker 3: about this institution, right? And having that epiphonic moment of like,
• 1:56:11
  Speaker 3: oh yeah, maybe this want has gravity for this person
• 1:56:15
  Speaker 3: for a reason and I want to– Well, by.
• 1:56:18
  Speaker 2: You saying that, it's kind of like saying I don't
• 1:56:20
  Speaker 2: care about your feelings, right? I don't care that you
• 1:56:21
  Speaker 2: want to get married.
• 1:56:22
  Speaker 3: Exactly. And turning it around in a way where it's
• 1:56:27
  Speaker 3: like– Chucky being like, I am going to do this
• 1:56:32
  Speaker 3: for you, Tiff. It very much is like, I'm going
• 1:56:37
  Speaker 3: to do it. But also, he's a piece of shit, right?
• 1:56:40
  Speaker 2: But I'm excited.
• 1:56:41
  Speaker 3: Don't get me wrong. I'm very excited to keep watching them,
• 1:56:44
  Speaker 3: even though I remember them being bad. There's always kind
• 1:56:47
  Speaker 3: of fun stuff to talk about. And I'm giving it
• 1:56:52
  Speaker 3: the ratings that I'm giving kind of in comparison to
• 1:56:55
  Speaker 3: each other, rather than Um, as like individual movies that
• 1:57:00
  Speaker 3: I would watch in like kind of a, a canony
• 1:57:02
  Speaker 3: kind of way of like my own tastes. Cause like,
• 1:57:06
  Speaker 3: I do like these movies. I like all of them.
• 1:57:07
  Speaker 3: I can watch them fucking all the time. It's just
• 1:57:09
  Speaker 3: like the analysis part of my brain when I'm watching
• 1:57:12
  Speaker 3: shit like this and I'm like, okay, I got to
• 1:57:13
  Speaker 3: prepare for the podcast.
• 1:57:14
  Speaker 2: I got to write my notes. I have, I have
• 1:57:16
  Speaker 2: to have a good conversation with my brother about it.
• 1:57:19
  Speaker 3: And I feel like a good conversation involves not necessarily
• 1:57:23
  Speaker 3: you and me being divided on the result, because we
• 1:57:26
  Speaker 3: agree a lot on a lot of movies, but having
• 1:57:29
  Speaker 3: a level of tension where it's like, okay, there is
• 1:57:33
  Speaker 3: a movie analysis me that really, if I'm looking at
• 1:57:37
  Speaker 3: it as an individual movie, it's kind of a mess.
• 1:57:40
  Speaker 3: And within the series, it's also kind of a mess,
• 1:57:43
  Speaker 3: whereas the other ones are very hyper-consistent. Like, it feels
• 1:57:47
  Speaker 3: like it docks a few points for me.
• 1:57:48
  Speaker 2: Do you know what I mean? I think the time
• 1:57:50
  Speaker 2: gap did that, and the genre, or the storyline of
• 1:57:55
  Speaker 2: Chucky Gap did that as well. Yeah, for sure. It's
• 1:57:58
  Speaker 2: doing a lot of work there, because now we're setting
• 1:58:00
  Speaker 2: up another trilogy, right?
• 1:58:01
  Speaker 3: Totally.
• 1:58:01
  Speaker 2: A new trilogy, and it's a new focus. So, okay,
• 1:58:06
  Speaker 2: I'm gonna give it i'm gonna give it an 8.5
• 1:58:08
  Speaker 2: as a like a movie a chucky movie okay i'm
• 1:58:12
  Speaker 2: you know dembalas um maybe docks it a little bit
• 1:58:17
  Speaker 2: or dock it a little bit for no michael power's
• 1:58:20
  Speaker 2: face i i feel like it's essential it was like
• 1:58:23
  Speaker 2: less you know less michael power's face um so like
• 1:58:27
  Speaker 2: In terms of like Chucky's, like Damballa's, I would give it,
• 1:58:30
  Speaker 2: I would give it like a, probably like a six.
• 1:58:36
  Speaker 2: It's maybe, like, in some ways my least favorite Chucky,
• 1:58:39
  Speaker 2: even though he's amazing and, like, it's glorified, but it's
• 1:58:41
  Speaker 2: more about Tiff.
• 1:58:41
  Speaker 3: Are you talking about, like, Chucky as the character?
• 1:58:43
  Speaker 2: Yeah, like the character. But where Chucky loses points, Tiff
• 1:58:47
  Speaker 2: gets points, you know?
• 1:58:49
  Speaker 3: Yeah, there's, like, a balancing act that they do really well,
• 1:58:51
  Speaker 3: but it does, like, end up... You do end up being, like, well,
• 1:58:54
  Speaker 3: less this equals more this, but sometimes... It takes away
• 1:58:58
  Speaker 3: from more of this. You know what I mean? But also,
• 1:59:02
  Speaker 3: I never want you to feel like I'm judging your
• 1:59:05
  Speaker 3: scores or anything.
• 1:59:06
  Speaker 2: No, I don't feel that way.
• 1:59:07
  Speaker 3: I never think to myself, like, your score is illegitimate.
• 1:59:10
  Speaker 2: It's like, I don't care. It's your score. You like it.
• 1:59:13
  Speaker 2: I'm more... Like, sometimes I'm just more actually disappointed that
• 1:59:19
  Speaker 2: you didn't feel some of the same excitement that I
• 1:59:22
  Speaker 2: felt for something.
• 1:59:22
  Speaker 1: I do.
• 1:59:22
  Speaker 2: I feel.
• 1:59:23
  Speaker 3: Honestly, like, it's like, you know, when I talk about, like, 5.5
• 1:59:27
  Speaker 3: movies being some of the best movies on IMDb, where
• 1:59:30
  Speaker 3: it's like, this divides an audience in a way that like.
• 1:59:34
  Speaker 2: That makes it so good.
• 1:59:35
  Speaker 3: Interesting or exciting or whatever, you know what I mean?
• 1:59:38
  Speaker 3: It's just, the other ones do not divide. They're just
• 1:59:41
  Speaker 3: kind of like, from what I remember, bad. And they
• 1:59:45
  Speaker 3: changed the design of the Chucky doll, which is weird.
• 1:59:47
  Speaker 2: Okay, okay.
• 1:59:48
  Speaker 3: So be prepared.
• 1:59:49
  Speaker 2: All right, all right. I am. I'm prepared to a
• 1:59:52
  Speaker 2: certain degree. Like, I don't know anything about them, so
• 1:59:54
  Speaker 2: I'm excited just to, like, for the novelty of seeing
• 1:59:58
  Speaker 2: something new. Totally, totally. Seeing a new Chucky. Yeah, because
• 2:00:01
  Speaker 2: now I'm invested, right? And we're doing the series.
• 2:00:02
  Speaker 3: And then we'll watch the entire series, all three seasons.
• 2:00:06
  Speaker 2: I would love to. But I just want to say
• 2:00:08
  Speaker 2: something else about the romance and the storytelling, because I
• 2:00:13
  Speaker 2: do think it's important. I think that, like, seeing the
• 2:00:18
  Speaker 2: different side, the, like, making it about the love story
• 2:00:22
  Speaker 2: is such an interesting pivot. It almost feels like part
• 2:00:26
  Speaker 2: two in a way. Like, this has to be kind
• 2:00:28
  Speaker 2: of weird in a way so that, like, now this
• 2:00:32
  Speaker 2: new series can start. You're totally right.
• 2:00:35
  Speaker 3: Thinking about what we were talking about, I think, two
• 2:00:38
  Speaker 3: movies ago or a movie ago, it really does feel
• 2:00:41
  Speaker 3: like it's a couple of different movies into one and
• 2:00:44
  Speaker 3: that it could, this easily feel, it feels like it
• 2:00:46
  Speaker 3: could have been a show or something too. Uh, cause
• 2:00:49
  Speaker 3: like the, how the plot is structured, but ultimately, yeah,
• 2:00:54
  Speaker 3: I think, I think I'm, I'm really actually very excited
• 2:00:57
  Speaker 3: to continue cause I haven't seen those other movies in
• 2:00:59
  Speaker 3: so long. Uh, and some new characters crop up that
• 2:01:04
  Speaker 3: are very interesting. New choices crop up.
• 2:01:07
  Speaker 2: I'm excited to like seed. I'm excited to get to
• 2:01:10
  Speaker 2: the seed of it all. Um, yeah. So, you know,
• 2:01:13
  Speaker 2: like I, like, Oh, okay. This is another thing I
• 2:01:17
  Speaker 2: wanted to say. I think that the acting was, um,
• 2:01:22
  Speaker 2: really good. Okay. The acting was really good. The direction
• 2:01:26
  Speaker 2: was really good. All of the like romance stuff was
• 2:01:28
  Speaker 2: really good. The, the one thing that, that was kind
• 2:01:31
  Speaker 2: of bad is what you said, the writing. And like,
• 2:01:35
  Speaker 2: it just felt like, something about it felt a little
• 2:01:39
  Speaker 2: like it just had that like 2000s goofy tone yeah
• 2:01:44
  Speaker 2: in the way that like freddie versus jason like yeah
• 2:01:47
  Speaker 2: it worked less in freddie versus jason like.
• 2:01:49
  Speaker 3: It works way better in this but let me be
• 2:01:51
  Speaker 3: clear as to what i understand you saying because you
• 2:01:54
  Speaker 3: kept going from you like the writing to you this
• 2:01:57
  Speaker 3: you don't like the right and i want to just
• 2:01:59
  Speaker 3: make it clear because i understand what you're saying please
• 2:02:01
  Speaker 3: there are things that are lore-inclusive in this one that
• 2:02:08
  Speaker 3: you feel are developed from the previous movies.
• 2:02:12
  Speaker 2: Written in as your wife. When we say written in
• 2:02:14
  Speaker 2: as your wife, that's what that means.
• 2:02:16
  Speaker 1: And.
• 2:02:17
  Speaker 3: almost crescendo really nicely in this one. When we talk
• 2:02:21
  Speaker 3: about writing in this context, you're talking more about dialogue
• 2:02:24
  Speaker 3: being kind.
• 2:02:24
  Speaker 2: Of stupid or goofy.
• 2:02:26
  Speaker 3: Or like funny that's like trying too hard to be funny.
• 2:02:30
  Speaker 3: Sometimes it's really funny. Like John Ritter was fucking hilarious.
• 2:02:33
  Speaker 2: He was.
• 2:02:34
  Speaker 3: Needle Dick was funny.
• 2:02:37
  Speaker 2: And some of the acting was a little bit too
• 2:02:39
  Speaker 2: much Lachlan McAfee. It was Lachlan Monroe. Yeah, it was
• 2:02:43
  Speaker 2: a little bit like Man, Lachlan Munro in a scary movie.
• 2:02:48
  Speaker 3: Like, if you're going to make this movie seem.
• 2:02:51
  Speaker 2: Like Lachlan Munro should be cast in it, then you
• 2:02:54
  Speaker 2: better be casting Lachlan Munro. Dude, Lachlan Munro. Let me
• 2:02:57
  Speaker 2: tell you something about Lachlan Munro. Nobody's got the fucking
• 2:03:00
  Speaker 2: pudgy face with the spiky, with the like fucking salt
• 2:03:04
  Speaker 2: and pepper spikes. No, no, no. The like frosted tips. Listen,
• 2:03:08
  Speaker 2: Lachlan Munro. Lachlan Munro. On 16mm in an A24 style movie.
• 2:03:17
  Speaker 2: That would be a fucking 10 out of 10, dude.
• 2:03:21
  Speaker 3: That would be fucking awesome.
• 2:03:23
  Speaker 2: Of course, dude. We need the A24 era of Lockwood Monroe. 100%, dude. 100%.
• 2:03:31
  Speaker 2: He does need to come back, dude. A quiet serial
• 2:03:33
  Speaker 2: killer movie with Lockwood Monroe.
• 2:03:35
  Speaker 3: I think it would be great.
• 2:03:39
  Speaker 2: That kind of explores his divorce at the same time.
• 2:03:43
  Speaker 2: It can be a metaphor, dude. Anyway, yeah, that was great.
• 2:03:48
  Speaker 2: That was fun. I'm excited for the next one.
• 2:03:50
  Speaker 3: I'm excited for the next one, too. I hope it's good.
• 2:03:52
  Speaker 2: See you next week.
• 2:03:53
  Speaker 3: See you next week.