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Season 2 Q&A Wrap Party!!!!! (worst title ever) · I Am All In with Scott Patterson

• 0:00
  Speaker 1: I am all in. Let's just you. I am all
• 0:17
  Speaker 1: in with Scott Patterson and I Heart Radio Podcast. Hey everybody,
• 0:22
  Speaker 1: Scott Patterson, I am all in podcast our Heart Radio
• 0:25
  Speaker 1: one eleven productions, and today we're gonna do a little
• 0:28
  Speaker 1: special Oh I did not welcome our very very special panel,
• 0:32
  Speaker 1: Riley pollution. Oh no, I'm going to Daniel Romo. Hello.
• 0:38
  Speaker 1: I think she's on the the the aft deck of
• 0:40
  Speaker 1: her yacht, one of her yachts, and Amy Sugarman calling
• 0:44
  Speaker 1: in from one of her many homes for this today. Actually,
• 0:47
  Speaker 1: it's it's it's so we're gonna do some Q and
• 0:49
  Speaker 1: A tell tell us what's going on today. Well, we
• 0:53
  Speaker 1: compiled some really really really good questions from everyone listening fans.
• 1:00
  Speaker 1: Maybe I threw a few of my own in there
• 1:02
  Speaker 1: for you to give us more inside dirt juice. Uh
• 1:07
  Speaker 1: in between seasons because we wanted to like give everyone
• 1:10
  Speaker 1: a minute to catch up. Next week we are coming
• 1:13
  Speaker 1: back massive with season three. But this is just you know,
• 1:17
  Speaker 1: to give us a little bit of a nice tie
• 1:20
  Speaker 1: tie it up with a bow. Because we are the
• 1:23
  Speaker 1: hardest working road crew and podcast and we were laying down,
• 1:26
  Speaker 1: slapping down three episodes a week we do it? How
• 1:30
  Speaker 1: do we do it? I don't know how we do it? Daniel?
• 1:32
  Speaker 1: What are we going to call it? Should we? Should
• 1:34
  Speaker 1: we call this the season two Q and A wrap party?
• 1:38
  Speaker 1: First of all, Daniel, are you in charge of the
• 1:44
  Speaker 1: naming things? Because that's a really clever man. You know what.
• 1:48
  Speaker 1: I'm here, I'm ready to party. I'm ready to have
• 1:51
  Speaker 1: our rap party and answer these Q and A questions. Okay,
• 1:55
  Speaker 1: so trialed up. You know what shocked me the most.
• 1:57
  Speaker 1: So obviously we're coming off of the season too for now,
• 2:00
  Speaker 1: and I don't know if Scott will be shocked by this,
• 2:02
  Speaker 1: but I actually was surprised, even though I don't feel
• 2:06
  Speaker 1: this way. People really dislike Christopher. They literally do not
• 2:18
  Speaker 1: like Christopher and Ly together. They do not like that
• 2:21
  Speaker 1: he calls her lower, even though I love it. Amy,
• 2:25
  Speaker 1: Can I just stop you here for a second. Listen,
• 2:29
  Speaker 1: here's something that I know. No, I'm not shocked. Okay, Listen,
• 2:33
  Speaker 1: anything or anyone that tries to drive a wedge between
• 2:39
  Speaker 1: Luke and Laureli is going to get a lot of hate.
• 2:44
  Speaker 1: That's all there is, don't I mean even my daughter,
• 2:46
  Speaker 1: my own daughter, April, right, I know they do not
• 2:51
  Speaker 1: care for my daughter Dane's blood running through her veins.
• 2:56
  Speaker 1: Danielle's face is like, should I read some of these
• 2:59
  Speaker 1: common good you guys, You guys, huddle up. They used
• 3:04
  Speaker 1: the vomit like they I've never seen the vomit emojis.
• 3:09
  Speaker 1: This is much. This is an engaged fan base. This
• 3:12
  Speaker 1: is a dedicated They want what they want, and they
• 3:15
  Speaker 1: want it now, and they want Luke and Lorelai together.
• 3:20
  Speaker 1: In that regard, they don't like being messed with, with
• 3:23
  Speaker 1: the whole, with the with the with the sleeve, with
• 3:26
  Speaker 1: the with the with the with the T shirts and
• 3:28
  Speaker 1: the fawning over the Christopher start. They don't want it.
• 3:31
  Speaker 1: They don't like the gold, the angelic locks, and the
• 3:34
  Speaker 1: and the perma smile. They don't know. Let me read
• 3:37
  Speaker 1: some of these for you. Sue's boop fifty eight says,
• 3:41
  Speaker 1: when I hear him called Lord, La Lord, it makes
• 3:43
  Speaker 1: my skin crawl. Um, Amy, you got some hate in
• 3:48
  Speaker 1: this one, pr Amy. Why did you spoil it for Danielle?
• 3:53
  Speaker 1: Let her experience it without without hands as much as possible. Really,
• 3:59
  Speaker 1: lots of hate. Christopher'soit emoji bombit emoji, like lots of
• 4:04
  Speaker 1: vomit emoji, is also the one with the emoji with
• 4:06
  Speaker 1: a mask over its mouth, um vomit emoji. Although I there,
• 4:14
  Speaker 1: you know, buried in there. From like every fifteen bad comments,
• 4:19
  Speaker 1: you get a good one that's like, you know what,
• 4:22
  Speaker 1: I wouldn't mind if Lorla ended up with Christopher. I
• 4:26
  Speaker 1: think that that happens when people have some kind of
• 4:29
  Speaker 1: episode in their lives and they lose their grip on
• 4:33
  Speaker 1: reality or their ability to reason. No, I'm just kidding, Well,
• 4:38
  Speaker 1: I love this person. It's they did multiple vomit emoji.
• 4:43
  Speaker 1: It was so and that's Amy Sugarman on emoji she
• 4:50
  Speaker 1: plays there. We'll get into these questions, but like respect
• 4:57
  Speaker 1: to everybody that comments on the Instagram because they they
• 5:00
  Speaker 1: pulled through with the genius nous, like it is so good?
• 5:05
  Speaker 1: What else? What else you got? What else you got?
• 5:07
  Speaker 1: Are you ready? Christopher is garbage. He's a selfish person
• 5:13
  Speaker 1: and a double dad and because of that, I find
• 5:16
  Speaker 1: be very unlikable and not someone you want to root for.
• 5:18
  Speaker 1: And he only gets worse and worse and worse as
• 5:20
  Speaker 1: the show goes on when he and I'm not going
• 5:22
  Speaker 1: to ruin it. I'm not going to read the rest
• 5:23
  Speaker 1: of that comment because it's going to ruin it for me.
• 5:25
  Speaker 1: But poor guy man, he just signed he got a job,
• 5:33
  Speaker 1: he signed up to do a role, right, garbage? Did
• 5:38
  Speaker 1: he know what he was walking Did David know what
• 5:40
  Speaker 1: he was walking into? Here? Oh? My god? Because I
• 5:43
  Speaker 1: love Christopher, I stand by it. We know where You're
• 5:46
  Speaker 1: not walking back those comments. This one is like he
• 5:50
  Speaker 1: is a spoiled, manipulative man. He was young when he
• 5:52
  Speaker 1: had Rory, but he's well into his thirties now. Unless
• 5:55
  Speaker 1: it fits into his life, he is not having it.
• 5:57
  Speaker 1: It's tough to enjoy a kiss of a guy who
• 5:59
  Speaker 1: acts like he has a right in the decisions of
• 6:01
  Speaker 1: how Lorelei raises Rory well said, but also, I'm still
• 6:07
  Speaker 1: team Christopher. But like, you know what, what did you
• 6:11
  Speaker 1: just say him? On I Am all in? You just
• 6:17
  Speaker 1: you just made an incredible statement on I am all
• 6:20
  Speaker 1: in with Scott Patterson your team CHRISTI Did you just
• 6:25
  Speaker 1: say that you were team Christopher? End? I'm Luke and
• 6:29
  Speaker 1: Lorely I'm about to take off the cantel. Where are
• 6:32
  Speaker 1: you right now? I'm Luke and Lorelei forever like forever.
• 6:38
  Speaker 1: But I don't hate Christopher. Okay, you can't be team
• 6:41
  Speaker 1: Christopher though you know what team Christopher amongst the Max Medina,
• 6:48
  Speaker 1: the Styles, what's his name, Harry Styles, Jason Siles. I
• 6:57
  Speaker 1: know that one is in Gilmore Girls, and one is
• 7:00
  Speaker 1: the rock star Harry Style. But he shows up, we're
• 7:03
  Speaker 1: gonna call him Harry Daniel. Let's call him Harry. You
• 7:05
  Speaker 1: know why not Harry? But yeah, I mean so I
• 7:11
  Speaker 1: can see your team Christopher amongst those people, those those
• 7:15
  Speaker 1: that category of mail Homo sapiens. Okay, but Luke, isn't it.
• 7:22
  Speaker 1: It's not a team, Luke, it's just what is? It's
• 7:26
  Speaker 1: the truth? Correct? Correct? All right? I just wanted everybody
• 7:29
  Speaker 1: to be clear on that anyway. Okay, guys, he's in
• 7:33
  Speaker 1: the hot seat, a hot seat, what's going on? I
• 7:37
  Speaker 1: don't even know what this is? What you answer questions? Yeah,
• 7:41
  Speaker 1: these are fan questions. Yes, and as you can tell
• 7:45
  Speaker 1: from before, the fans are oozing with passion, some passionate questions. God,
• 7:50
  Speaker 1: are they going to stop me? I hope not. Okay,
• 7:55
  Speaker 1: So first we have a question. I can always I
• 7:57
  Speaker 1: can sorry, but I can always say so long ago.
• 8:00
  Speaker 1: Just don't remember your Wikipedia ready, get ready to like
• 8:05
  Speaker 1: something that's fun to listen to. I don't be here typing, no,
• 8:11
  Speaker 1: you did it. That first question we have is the
• 8:14
  Speaker 1: seven Why is there a guitar in Luke's apartment? It's
• 8:18
  Speaker 1: visible in multiple episodes that show Luke's apartment starting from
• 8:21
  Speaker 1: season one. Does that mean Luke plays guitar? Was it
• 8:25
  Speaker 1: included in Luke's apartment as a nod to you, Scott?
• 8:28
  Speaker 1: Was there anything else in Luke's apartment that was a
• 8:30
  Speaker 1: nod to you? In every contract that I have negotiated
• 8:35
  Speaker 1: in my illustrious Hollywood career, one of the add ons
• 8:41
  Speaker 1: is there must be a guitar on any set that
• 8:45
  Speaker 1: I am. Is that true? No, that's you're a good actor, dude,
• 8:51
  Speaker 1: because I totally believed you. I think it was. Yeah,
• 8:56
  Speaker 1: it was just a character thing. Every you know, everybody dabbles, right,
• 8:59
  Speaker 1: there was probably and in my character history, and what
• 9:02
  Speaker 1: I told Amy was, yeah, he's a bit of a
• 9:04
  Speaker 1: guitar player. I think she got to know me and
• 9:07
  Speaker 1: she realized that I grew up playing the guitar, and
• 9:10
  Speaker 1: it was it had significant meaning for me, as it
• 9:14
  Speaker 1: does most people to pick up a guitar. So yeah,
• 9:16
  Speaker 1: it's a a very very meaningful prop to the point
• 9:20
  Speaker 1: where it was almost a character So okay. Next one
• 9:24
  Speaker 1: is from Meta. When Luke gets mad or frustrated in
• 9:28
  Speaker 1: turns quiet, he crosses his arms and puts his head
• 9:30
  Speaker 1: down and physically becomes a ball before he blows up. Scott,
• 9:35
  Speaker 1: was this an acting choice by you? You know, yes,
• 9:39
  Speaker 1: and I but it's it's really not something that's it's
• 9:44
  Speaker 1: it's it's always in the moment because you're trying to
• 9:46
  Speaker 1: stay within the scene of of uh that has that
• 9:52
  Speaker 1: kind of energy in it, um, you know, and there's conflict,
• 9:56
  Speaker 1: it's just sort of you know, like I said in
• 9:58
  Speaker 1: the previous podcast, all about behavior, what organically will happen
• 10:01
  Speaker 1: and what organically do you feel? And you just sort
• 10:04
  Speaker 1: of let your body behave just like you would in
• 10:06
  Speaker 1: a normal situation. It's not you're not tied down by
• 10:11
  Speaker 1: the dialogue. You're just sort of free of it and
• 10:13
  Speaker 1: free with it, and you're responding and behaving in a
• 10:17
  Speaker 1: way that is appropriate for the that situation. That's really
• 10:21
  Speaker 1: is it's all instincts. So it's yeah, do you get
• 10:24
  Speaker 1: totally immersed Like when you're doing a scene and you're
• 10:28
  Speaker 1: like it's not like you're going, what's my next line,
• 10:30
  Speaker 1: what's my next You're like completely in it. Oh wow, No,
• 10:34
  Speaker 1: it really you know, the lines just come you know,
• 10:37
  Speaker 1: I'm cold anyway. Um, but it's really it's a rehearsed
• 10:42
  Speaker 1: type of behavior. It's a behavior that you sort of
• 10:45
  Speaker 1: found the roadmap to in the rehearsal process. Uh. And
• 10:50
  Speaker 1: it's just sort of it's sort of gels in in
• 10:53
  Speaker 1: the the end of the rehearsal process, in the first
• 10:56
  Speaker 1: couple of takes for me. Um. So yeah, I mean
• 11:00
  Speaker 1: it's just sort of it has a shape. It's the
• 11:03
  Speaker 1: shape of the scene. That's what we call it. We
• 11:05
  Speaker 1: call it shaping the scene and and finding our cues
• 11:09
  Speaker 1: and finding our blocking and finding the behavior and it's
• 11:12
  Speaker 1: all gotta and it all just sort of comes together. Yeah. Yeah,
• 11:17
  Speaker 1: it is kind of cool. It's very cool. I love it.
• 11:19
  Speaker 1: I mean I love I love the rehearsal process more
• 11:21
  Speaker 1: than anything because that's when all the discovery happens. You know.
• 11:24
  Speaker 1: It's wonderful. Oh that's interesting. You build the scene with
• 11:28
  Speaker 1: your partner, with your scene part whoever is in the scene.
• 11:30
  Speaker 1: You're building it with a director, you're just sort of
• 11:32
  Speaker 1: and it's I love that all that back and forth
• 11:34
  Speaker 1: and all that information that's flying back and forth and choices.
• 11:37
  Speaker 1: So did you love doing scenes with Milo? Oh? Yeah, God,
• 11:41
  Speaker 1: like he was just awesome. Yeah, everybody was great. I
• 11:44
  Speaker 1: mean everybody was great to work with. I mean everybody's
• 11:47
  Speaker 1: operating at a very high level, and you know, the
• 11:50
  Speaker 1: discussions were pretty much the same tenor because everybody was
• 11:54
  Speaker 1: speaking the same sort of language of the theater. Right.
• 11:58
  Speaker 1: It's it's all about motivation, and you know, if somebody
• 12:01
  Speaker 1: had a problem they can't walk over there because they
• 12:02
  Speaker 1: can't motivate it, well, then we'd solve that problem. So it's, um,
• 12:06
  Speaker 1: it's it's should a lot of credit be given to
• 12:10
  Speaker 1: the casting person who was so on the top of
• 12:13
  Speaker 1: his or her game, because it seems like you all
• 12:16
  Speaker 1: love each other so much and you're all still close,
• 12:20
  Speaker 1: and like, who who gets the credit for hiring such
• 12:23
  Speaker 1: amazing people? Is it the casting director or does that
• 12:27
  Speaker 1: go even above? I think it goes with casting. I
• 12:30
  Speaker 1: think it goes with Amy and Dan because I think
• 12:33
  Speaker 1: they have final say on everybody. I remember being in
• 12:36
  Speaker 1: the room initially when I read for the pilot with
• 12:39
  Speaker 1: Amy and who else was there? Gampalone and Leslie Lincoln
• 12:43
  Speaker 1: Gladder who was directing the pilot, Um and there was
• 12:47
  Speaker 1: just you know, she's got to feel something right. I mean,
• 12:49
  Speaker 1: you know when it's right. And I guess you know,
• 12:52
  Speaker 1: it was one of I walked into a lot of
• 12:53
  Speaker 1: rooms and prior to that, and the feeling wasn't there,
• 12:57
  Speaker 1: and they didn't feel that I was right. But I
• 12:58
  Speaker 1: walked into that room and they it was really right. Um. Yeah,
• 13:02
  Speaker 1: So that it's that's got a click with the creator,
• 13:06
  Speaker 1: you know, or the director or you know, it's got
• 13:08
  Speaker 1: a click with the room. And and that's and that's
• 13:11
  Speaker 1: why I was so surprised I didn't get Reservoir Dogs
• 13:14
  Speaker 1: because it really clear I felt really click with Tarantino
• 13:17
  Speaker 1: and bender makes sense. So I have a question, and
• 13:20
  Speaker 1: I'm sorry to steal. I'll stop after this. Have you
• 13:23
  Speaker 1: ever met or heard from anyone maybe that we that
• 13:27
  Speaker 1: was recognizable that auditioned for Luke? You know how you
• 13:31
  Speaker 1: always hear like these ten people were up for a
• 13:34
  Speaker 1: certain part, like was there anyone else? Because look, you
• 13:37
  Speaker 1: are Luke and they were right, But was there anyone
• 13:40
  Speaker 1: else that you know went in and read for it?
• 13:42
  Speaker 1: There was a guy at another audition like a like
• 13:47
  Speaker 1: two thousand and twelve or two thousand and thirteen, and
• 13:51
  Speaker 1: we were sitting in in the waiting room waiting to
• 13:54
  Speaker 1: go in to read for the director, and he I
• 13:57
  Speaker 1: forget who he was, but he wasn't like a known
• 14:01
  Speaker 1: he wasn't a known celebrity kind of guy. He didn't
• 14:04
  Speaker 1: he told you, but he told me. He goes. You know,
• 14:06
  Speaker 1: I was there that day. I remember when you came in.
• 14:08
  Speaker 1: I remember what you were wearing. And I kind of
• 14:10
  Speaker 1: said to myself, that guy is going to get the role.
• 14:12
  Speaker 1: He said, you had this air and he said, I
• 14:15
  Speaker 1: did a great job. I really prepared it. But I
• 14:17
  Speaker 1: just I knew you were going to get that role.
• 14:18
  Speaker 1: I was not surprised when when when I read it, Wow,
• 14:23
  Speaker 1: very cool. Yeah, a cool guy too. He was a
• 14:26
  Speaker 1: really really good guy. So thank you. A guy whoever
• 14:29
  Speaker 1: you are, wherever you are, probably John Hamm and I,
• 14:37
  Speaker 1: you know, I don't because he did. Didn't doesn't John
• 14:40
  Speaker 1: ham Come on, isn't he's he's he's got an episode? Yeah?
• 14:44
  Speaker 1: Where he Yeah? Okay, keep going. Next s up, we
• 14:50
  Speaker 1: have question from Mandarilla Scott from an actor's perspective, how
• 14:54
  Speaker 1: did your character grow from season one to the end
• 14:56
  Speaker 1: of season two? Um, I think he put on a
• 15:00
  Speaker 1: little weight. I think he grew in Tonnage too much
• 15:07
  Speaker 1: craft service. I'm not kidding. I think I started out
• 15:13
  Speaker 1: the role. I think season the pilot I was about one,
• 15:18
  Speaker 1: and by the end of season two I was to
• 15:21
  Speaker 1: ten too many red vines out there, No, no, no, no.
• 15:26
  Speaker 1: I was working out more. Also, it was like Muscily, Yeah,
• 15:29
  Speaker 1: oh sure it was. It wasn't it wasn't so bad.
• 15:33
  Speaker 1: Oh no, Well, it was a combination of mass quantities
• 15:36
  Speaker 1: of food, and I just started working out more because
• 15:41
  Speaker 1: the reason I was working out more was because I
• 15:44
  Speaker 1: wanted to be I wanted to feel really fit and
• 15:48
  Speaker 1: healthy when I came on set, because then I started
• 15:52
  Speaker 1: realizing what kind of a grind I was involved in. Right,
• 15:56
  Speaker 1: it was my first series regular role and I wasn't
• 16:00
  Speaker 1: twenty right, So so I said, okay, so let's get
• 16:05
  Speaker 1: in the gym and get in shape. Was there a
• 16:07
  Speaker 1: moment for you, Scott when you were like, I am Luke,
• 16:12
  Speaker 1: Like I know Luke. Now, I am comfortable really being
• 16:17
  Speaker 1: Luke as soon as I read the script, as soon
• 16:20
  Speaker 1: as I read the first scene of Luke. Because that's
• 16:24
  Speaker 1: why that's that's gotta be. Then that makes sense why
• 16:26
  Speaker 1: you got it, Because you're like, I got this. Yeah,
• 16:29
  Speaker 1: I couldn't imagine anybody else playing it. And I remember
• 16:34
  Speaker 1: when I really vibe was something that I'm reading an
• 16:38
  Speaker 1: audition and I start rehearsing the first scene right away.
• 16:42
  Speaker 1: When I'm reading it and seeing how it's going to sound,
• 16:46
  Speaker 1: That's when I know it's it's it's good for me. Um.
• 16:49
  Speaker 1: If I don't do that, and if I'm still trying
• 16:51
  Speaker 1: to find you know something about the character that I
• 16:55
  Speaker 1: can hook into them, that's usually when I don't get it.
• 16:58
  Speaker 1: You shouldn't, You're not right for it. So this spoke
• 17:01
  Speaker 1: to me. It's actually screamed at me. It said, I
• 17:06
  Speaker 1: am the role you have been waiting for, and it
• 17:09
  Speaker 1: was deafening. Yeah. Absolutely, Yeah. Next one is from Bella.
• 17:19
  Speaker 1: What was more surprising the fact that Rory and just
• 17:22
  Speaker 1: kissed or that Sherry was pregnant. That's a great question.
• 17:27
  Speaker 1: That that is a great question. You know that I
• 17:30
  Speaker 1: was surprised by both of those things. Uh. I was
• 17:34
  Speaker 1: delighted by the kiss because I thought it really enhanced,
• 17:38
  Speaker 1: uh the story, It deepened the story, it complicated the story.
• 17:43
  Speaker 1: It left us with a a nice feeling and nice
• 17:46
  Speaker 1: that was a nice balanced type of a cliffhanger. The
• 17:50
  Speaker 1: pregnancy thing, I wasn't expecting because I just thought it
• 17:53
  Speaker 1: was I don't know, I just thought it was ham
• 17:56
  Speaker 1: handed in some way. It wasn't my favorite moment in
• 18:00
  Speaker 1: the show from a from a writer's perspective. So but
• 18:05
  Speaker 1: what else could they do? You know, what did you think?
• 18:08
  Speaker 1: Because Danielle, it's hard for me to answer because I've
• 18:11
  Speaker 1: seen this so many times. Danielle, you're watching it for
• 18:13
  Speaker 1: the very first time. What shocked you more? I was
• 18:17
  Speaker 1: shocked that Sherry was pregnant. I knew Rory and Jess
• 18:22
  Speaker 1: we're going to kiss like that was just only a
• 18:23
  Speaker 1: matter of time. Was waiting for it to happen, was
• 18:26
  Speaker 1: waiting for him to come back to town, like I
• 18:29
  Speaker 1: saw that coming. But Sherry being pregnant, you got me there.
• 18:34
  Speaker 1: The thing, the thing that surprised me most about the
• 18:37
  Speaker 1: Jess Rory kissing scene was that Dean didn't whoosh through
• 18:40
  Speaker 1: the middle of it on a trapiece with a sign
• 18:43
  Speaker 1: saying hands off my girl, my girl. I knew you
• 18:51
  Speaker 1: were vision or is in the background just like flipping
• 18:59
  Speaker 1: out silent. You know, that kiss was so well done, though,
• 19:02
  Speaker 1: because it was like whoa you're here, kiss, double kiss, run,
• 19:09
  Speaker 1: and then just as you're like, oh my god, she's
• 19:11
  Speaker 1: freaking out, she's running away, she turns with the welcome home.
• 19:16
  Speaker 1: So you're like, that was a happy girl, such a
• 19:20
  Speaker 1: such a well done. And I'll tell you the great
• 19:24
  Speaker 1: part about it for me wasn't just a kiss. It
• 19:26
  Speaker 1: was just the look on Jesse's face when he arrived
• 19:29
  Speaker 1: and they locked eyes. He looked like he really needed
• 19:32
  Speaker 1: a hug and a kiss. Yeah, that's why he was there.
• 19:35
  Speaker 1: I mean it was just as vulnerable and fullhearted as
• 19:38
  Speaker 1: he could possibly be at that stage in his life.
• 19:40
  Speaker 1: And it's like, I love you, Rory, please, let's I
• 19:44
  Speaker 1: wish she would kiss me, and she did. I came
• 19:46
  Speaker 1: back for you. It's also like I came back, you know,
• 19:49
  Speaker 1: like here I am. I came back because of you. Anyway,
• 19:53
  Speaker 1: Poor Deine, Dean Dean up a tree falling, poor guy.
• 20:01
  Speaker 1: I love Jared though, and I love how Jared loves Dean,
• 20:05
  Speaker 1: do you know what I mean? Even still to this day,
• 20:08
  Speaker 1: Jared's had so much success, you can tell he really
• 20:11
  Speaker 1: holds a special place for Dean and always talks about
• 20:14
  Speaker 1: him in interviews and always answers the questions. It's really
• 20:17
  Speaker 1: sweet how all the cast has that he's great in
• 20:20
  Speaker 1: that role. I mean, he really is a talent. He
• 20:23
  Speaker 1: was a talented young cat, you know, eighteen. I didn't
• 20:25
  Speaker 1: realize how good he was until I started watching you know,
• 20:28
  Speaker 1: still until I started doing this podcast, because I'd walk
• 20:31
  Speaker 1: around it. What's a big deal with this case? You know,
• 20:33
  Speaker 1: what's what's the big deal? But now I know. Keely
• 20:36
  Speaker 1: wants to know Scott so far, which guest star has
• 20:39
  Speaker 1: made the biggest impact on you watching the season's back?
• 20:43
  Speaker 1: That is another epic question. Which guest star that I've
• 20:47
  Speaker 1: had on the podcast or which guest star in the
• 20:49
  Speaker 1: ship that I'm witnessing on the show most of them
• 20:54
  Speaker 1: yea god? Which which guests start repeat the question again?
• 20:58
  Speaker 1: Could you counselor thank you? Of course I can use
• 21:02
  Speaker 1: it in a sentence and a phrase, has somebody turned
• 21:05
  Speaker 1: on the air conditioner? Thank you? Kiely wants to know
• 21:08
  Speaker 1: Scott's so far, which guest star has made the biggest
• 21:12
  Speaker 1: impact on you watching the season's back? Guest star? Guest star?
• 21:18
  Speaker 1: Um got the biggest, the biggest impression? Uh no, guest star,
• 21:27
  Speaker 1: guest star. I mean somebody that just popped in for
• 21:30
  Speaker 1: one episode, not a recurring character, alright, so that wipes
• 21:35
  Speaker 1: out a whole list of people. Uh guest star. Gosh,
• 21:39
  Speaker 1: I gotta say Rune. Oh that's a great answer. Yeah,
• 21:43
  Speaker 1: because I enjoyed I enjoyed him so much when he
• 21:47
  Speaker 1: came on the podcast. Um, and I just enjoyed hanging
• 21:53
  Speaker 1: with him on the set. He was he was a
• 21:55
  Speaker 1: ton of fun. He's a unique personality for sure. Are
• 22:00
  Speaker 1: all heart and soul and he's and he's he's funny
• 22:03
  Speaker 1: as i'll get out. So and I just I love
• 22:05
  Speaker 1: that character. I just love that character. I mean, it
• 22:09
  Speaker 1: was nice to see Jane Lynch, Papa, remember that when
• 22:11
  Speaker 1: Richard had the heart attack. That was kind of kind
• 22:13
  Speaker 1: of didn't have a huge impact on me, you know
• 22:17
  Speaker 1: the way that the run did. But yeah, I agree,
• 22:20
  Speaker 1: that's that Alex Borstein, I guess we can count her
• 22:24
  Speaker 1: m hmm. Was she was she a guest stor yeah,
• 22:27
  Speaker 1: because she was in like two episodes. I don't really
• 22:31
  Speaker 1: I don't I remember her in the in the episodes
• 22:33
  Speaker 1: of Netflix things, but I don't remember in the show. Um,
• 22:36
  Speaker 1: I do remember Jane Lynch. She was very uh professional.
• 22:42
  Speaker 1: Uhc Seth, you love Seth McFarlane. I wasn't. Yes, yes,
• 22:49
  Speaker 1: he's right, you know what You're okay, all right, that's
• 22:52
  Speaker 1: the guy. He's my number one. I would say run
• 22:57
  Speaker 1: and Seth, and I'm blanking on Max Pearlock. Max Pearl,
• 23:02
  Speaker 1: I can sell right neck and neck for number one.
• 23:05
  Speaker 1: You're absolutely correct. Epic question, great answers, Yeah, okay. Next
• 23:11
  Speaker 1: question is from Catherine. Do you think the reason why
• 23:13
  Speaker 1: Emily cannot keep a maid is because she keeps trying
• 23:16
  Speaker 1: to fill a hole from losing Laurel, and thus nobody
• 23:20
  Speaker 1: can take the place of her daughter. That's really deep.
• 23:24
  Speaker 1: It's like Laurel as with a duster, Laura Lei with
• 23:30
  Speaker 1: the cleaning products, cleaning like, nobody can clean Emily's soul,
• 23:36
  Speaker 1: So she's got to keep trying to find I don't
• 23:38
  Speaker 1: know that's that's a that's quite a theory. I'm not
• 23:43
  Speaker 1: a licensed therapist, so I don't I'm not trained as
• 23:47
  Speaker 1: a psychologist. I don't know if there's a connection there,
• 23:51
  Speaker 1: but there could be. I mean, it's a I just
• 23:54
  Speaker 1: think not just maids, but anybody else she mistreats. Uh,
• 24:00
  Speaker 1: And I think it's it's it's so ingrained in her.
• 24:03
  Speaker 1: The frustration and the angst is so ingrained in her
• 24:05
  Speaker 1: over the sixteen years that she's just gonna snap at everybody.
• 24:09
  Speaker 1: And I don't know, maybe she was like this before.
• 24:12
  Speaker 1: Maybe she did have this sort of abusive side to
• 24:14
  Speaker 1: herself which drove Laurel I away and didn't want to
• 24:16
  Speaker 1: become that person who knows. But I like the perspective
• 24:20
  Speaker 1: though there because that's interesting. It is that is an
• 24:23
  Speaker 1: interesting thing. Like I've had people that work with me
• 24:27
  Speaker 1: for twenty years. I've worked with Ryan Seacrest for thirty years,
• 24:32
  Speaker 1: So like there is it is interesting that she has
• 24:35
  Speaker 1: so much turnover. There must be something more complicated to
• 24:39
  Speaker 1: it that maybe Amy was fascinated with because she wrote
• 24:43
  Speaker 1: it in there must be something there. So she couldn't
• 24:47
  Speaker 1: get Laurel I. She couldn't train laurel She didn't train
• 24:50
  Speaker 1: Laureli the way she wanted to train Laurel I to obey,
• 24:53
  Speaker 1: and she can't train any maids to do exactly what
• 24:56
  Speaker 1: she wants, so she keeps trying, you know what, Okay, yeah,
• 25:00
  Speaker 1: I accept that now, yes, yeah, or yeah, or maybe
• 25:02
  Speaker 1: we just start to get that Emily is so complicated,
• 25:05
  Speaker 1: she's not easy to work for it might be more
• 25:07
  Speaker 1: on the nose, you know what I mean. But yeah,
• 25:10
  Speaker 1: I totally accept that theory. I think it's a I
• 25:14
  Speaker 1: wouldn't mind it pulling the audience on that one. Yeah,
• 25:18
  Speaker 1: that seems interesting. It is interesting. It's an interesting take. Yeah.
• 25:22
  Speaker 1: Next we have up from Klein, Mari fractures her wrist.
• 25:26
  Speaker 1: Did you notice stars Hollow has an e r I
• 25:33
  Speaker 1: did in that episode or was it an urgent care? Yeah?
• 25:37
  Speaker 1: I get the vibe. It's like an urgent care. I
• 25:39
  Speaker 1: don't think anybody's doing surgery over there. I don't think
• 25:41
  Speaker 1: it's cedars. Yeah, I think it's a couple of volunteers
• 25:45
  Speaker 1: and urgent care. They're they're in bed at their homes
• 25:49
  Speaker 1: and then they come in the right. Where did they
• 25:51
  Speaker 1: take Richer? Well, that was that was in Hartford? Right?
• 25:56
  Speaker 1: Where did he have his heart attack? Oh? Yeah, you're right,
• 25:59
  Speaker 1: you're right, you're right. Not course, it wasn't he had
• 26:03
  Speaker 1: it at home or something or at the office. And
• 26:04
  Speaker 1: I don't know. Um, yeah, that was hard for it. Mhmm. Okay.
• 26:09
  Speaker 1: Next one is from Holly. Emily and Richard's house is
• 26:12
  Speaker 1: so different from season to season and how Laura, La
• 26:15
  Speaker 1: and Rory have a piano. Why would sets change if
• 26:18
  Speaker 1: it would mess up the show's continuity as they saying,
• 26:22
  Speaker 1: there was a piano there and initially and then it
• 26:24
  Speaker 1: was gone or a piano was added. Maybe they sold
• 26:28
  Speaker 1: the piano. I don't know, nobody played anyway. Yeah, I mean,
• 26:32
  Speaker 1: let me do so like when you guys are gone
• 26:35
  Speaker 1: for the summer but you're on hiatus, do they break
• 26:39
  Speaker 1: down the set and let someone else use that studio?
• 26:43
  Speaker 1: Could that be the reason for change? So maybe if
• 26:46
  Speaker 1: they've rented it out. Yeah, I mean, look, the studio
• 26:49
  Speaker 1: is in the business of renting out their facilities to productions.
• 26:53
  Speaker 1: Not all of them are on the lot have deals
• 26:56
  Speaker 1: on the lot, And if they do have deals on
• 26:58
  Speaker 1: the lot, it depends on their deal how much they
• 27:00
  Speaker 1: pay and rent for that stage. Right. These are massive stages, right,
• 27:05
  Speaker 1: and you've got to hire a construction crew to build
• 27:08
  Speaker 1: your sets. So but it's you know, they take these
• 27:11
  Speaker 1: sets apart in pieces and then they store them and
• 27:14
  Speaker 1: then they reconstruct them. You know, it's not like they
• 27:17
  Speaker 1: have to start from scratch and repaint and retool everything.
• 27:21
  Speaker 1: You know. But you know, if you've got a big
• 27:23
  Speaker 1: movie production coming in, yeah there, you know, if Tom
• 27:26
  Speaker 1: Cruise wants a jungle. You know, he's gonna get it
• 27:29
  Speaker 1: lauralize how it's gonna go on ice for the summary,
• 27:32
  Speaker 1: you know what I mean. Um, yeah, So they do
• 27:34
  Speaker 1: that very quickly. It's it's kind of amazing. I remember
• 27:37
  Speaker 1: one day, Uh, speaking of Tom Cruise, he was there
• 27:41
  Speaker 1: was that movie where he was, Um, I don't know,
• 27:43
  Speaker 1: it's the eighteen hundreds. It was China, in China, The
• 27:46
  Speaker 1: Last Samurai or something like that. Yeah, so they did
• 27:50
  Speaker 1: the uh, some of the exteriors of these villages in China,
• 27:53
  Speaker 1: exteriors of these villages in China right on the back
• 27:57
  Speaker 1: lot where we would shoot. So we were walking through
• 27:59
  Speaker 1: these these wild sets to get to the town hall
• 28:03
  Speaker 1: meeting or to Luke's diner. It was it was kind
• 28:05
  Speaker 1: of cool. Uh, nobody I did see Tom Cruise, but
• 28:09
  Speaker 1: we did not look at him very long. We weren't
• 28:11
  Speaker 1: allowed to sidebar. I have to interject you guys watched
• 28:17
  Speaker 1: the new trailer for Top Gun. I just saw it
• 28:19
  Speaker 1: this morning. It looks fantastic And I just saw the
• 28:23
  Speaker 1: I was watching the original last night and I think
• 28:25
  Speaker 1: it's fantastic. It's so good. First of all, Maverick, no
• 28:29
  Speaker 1: one likes you because you're you're you're unsafe. I'm not
• 28:33
  Speaker 1: gonna lie. When I saw ice Man's photo on the
• 28:36
  Speaker 1: wall and I realized, Oh my god, this is how
• 28:41
  Speaker 1: they're working. Iceman back in. Iceman is the one bringing
• 28:45
  Speaker 1: Maverick back. Yes, real tears, real tears, I know. I
• 28:50
  Speaker 1: literally physically cried and out loud my mouth said, Oh
• 28:57
  Speaker 1: of course. Oh so and Miles and Miles Tellers, Anthony
• 29:02
  Speaker 1: Edwards Son, Yes, who's coming back to? Oh and the
• 29:06
  Speaker 1: and the the flying stuff looks so cool. Oh my god,
• 29:13
  Speaker 1: it looks like a real It looks so good. Looks
• 29:15
  Speaker 1: like a movie we waited two years that was supposed
• 29:19
  Speaker 1: to come out in Yeah. Yeah, no, I know it's
• 29:23
  Speaker 1: going to be a big blockbuster. Man, that thing looks
• 29:25
  Speaker 1: really cool. Sorry, no, no, that's good. Yeah. That's next
• 29:32
  Speaker 1: up we have from Julie. Her question is regarding the
• 29:35
  Speaker 1: sign for Luke's Diner. It says William's Hardware. Why wouldn't
• 29:39
  Speaker 1: it be Dane's Hardware since it was his father's store.
• 29:41
  Speaker 1: Was Luke's original name Luke Williams. That is, his father's
• 29:46
  Speaker 1: first name is William, So that's why it's Williams Hardware.
• 29:50
  Speaker 1: It's not a last name missing the apostrophe. That makes
• 29:53
  Speaker 1: total sense. You know, We've had a fifty people ask
• 29:56
  Speaker 1: us that question. It's Williams, like Williams of Postops, like
• 30:01
  Speaker 1: like Luke's hardware, like Luke's the same thing. It's like
• 30:05
  Speaker 1: Bill's hardware, just Williams. I would preferred Bill's hardware. Bill, Yeah, okay.
• 30:15
  Speaker 1: Next one is from Sasha. When a scene is being
• 30:17
  Speaker 1: filmed with you in the background talking to other actors
• 30:20
  Speaker 1: on set, what are you actually saying to the other person.
• 30:23
  Speaker 1: I've always wondered if they make pretend lines up or
• 30:26
  Speaker 1: if the actors just talked about their own lives. Is
• 30:28
  Speaker 1: awkward when you have to do this. So when we're
• 30:32
  Speaker 1: visible in the background but not engaged in dialogue, we
• 30:38
  Speaker 1: are not talking. We are not allowed. We're not allowed. Yes,
• 30:42
  Speaker 1: we are miming. It's called miming. Can you do it
• 30:45
  Speaker 1: for us right now? Like, because do you do it
• 30:47
  Speaker 1: like this? No, you don't do it like that. You
• 30:53
  Speaker 1: do it like wow. Wait okay wait, that's how you
• 30:59
  Speaker 1: do it, get so much better at it than us? Wait? Wait,
• 31:04
  Speaker 1: this is genius. Okay, So Scott okay, okay, so Scott right, okay,
• 31:10
  Speaker 1: you talk talk something, and Riley and I are going
• 31:13
  Speaker 1: to pretend we're like background all right, let me. I
• 31:16
  Speaker 1: have to see this. I have to see this. Degrade
• 31:19
  Speaker 1: you on your performance. Okay, okay, So Riley, you and
• 31:23
  Speaker 1: I are going to pretend we're talking to each other.
• 31:24
  Speaker 1: All right. So this will be a scene in Luke's diner.
• 31:28
  Speaker 1: You're doing some kind of monologue and we're in the
• 31:31
  Speaker 1: diner eating. Let me get my drink. Are you ready? Okay?
• 31:36
  Speaker 1: Tell us action? All right? Camera ready, actors ready? Action anyway,
• 31:47
  Speaker 1: So Taylor, let me tell you something. Pal, you don't
• 31:50
  Speaker 1: get out of my that's really that's okay. Cut, No,
• 31:57
  Speaker 1: I don't know what we are we going to too much? Yeah? Okay,
• 32:02
  Speaker 1: so can we do it again? It's too much and
• 32:04
  Speaker 1: it's too negative. It's too much and it's too negative.
• 32:06
  Speaker 1: It's distraction to negative because you were like, you know
• 32:10
  Speaker 1: that could be interpreted as my bad acting. You're like
• 32:13
  Speaker 1: this Seene stinks and you don't want to do that.
• 32:15
  Speaker 1: So director would stop you deadness tracks and I did,
• 32:18
  Speaker 1: thank you give it again? Do it again? Okay? What
• 32:23
  Speaker 1: can I get you? Wait? Can you give us an action?
• 32:26
  Speaker 1: For God's sake? Professional you're telling me to be professional. Okay,
• 32:31
  Speaker 1: thank you. And Action uh yeah, we got uh. I
• 32:36
  Speaker 1: can get you anything you need. We got hamburgers, we
• 32:38
  Speaker 1: got steaks. There's a menu right there. Okay, just stop, Okay, Amy,
• 32:43
  Speaker 1: what are you doing? You look like you're in a
• 32:46
  Speaker 1: scene from Gone with the Wind, Like what's happening with
• 32:49
  Speaker 1: the over acting? So funny because I feel like I'm
• 32:53
  Speaker 1: doing awesome, Like I feel like and that's what people
• 32:57
  Speaker 1: on set think too. And then when they're stopped, I
• 33:02
  Speaker 1: feel like I was trying to say to Briley, like
• 33:07
  Speaker 1: you want something like so just ask her what's with
• 33:11
  Speaker 1: all the facial moves one more time? Chill out your face? Bro?
• 33:18
  Speaker 1: Like well it's like, I mean, all of a sudden,
• 33:22
  Speaker 1: you know. Okay, and Action, Hey yeah, what can I
• 33:28
  Speaker 1: get you? Rory? Oh yeah, all right, okay, I gotta
• 33:34
  Speaker 1: stop you again. You know what the problem is, Amy,
• 33:39
  Speaker 1: You have too much personality. It's just it's just it
• 33:43
  Speaker 1: just you can't you can't help it. You can't help yourself.
• 33:46
  Speaker 1: I'll tell you this right now. You are not a
• 33:48
  Speaker 1: background person. You're a star. That's so much. That's the problem.
• 33:53
  Speaker 1: The weirdest part is I felt like I was nailing.
• 33:58
  Speaker 1: I literally in my body is like I am at this.
• 34:02
  Speaker 1: You were you were the extra that thinks that you
• 34:05
  Speaker 1: were the extra that thinks of the star. You were
• 34:08
  Speaker 1: the extra that thinks that the cameras on you. And
• 34:10
  Speaker 1: it's not I cannot wait to see it because I
• 34:15
  Speaker 1: don't know what I was doing. And here's here's another
• 34:19
  Speaker 1: funny thing. You know, background acting is really you know,
• 34:22
  Speaker 1: it's a real art in and of itself, right, And
• 34:25
  Speaker 1: like a lot of people that are first time background
• 34:27
  Speaker 1: people and they're in the diner and we're having a
• 34:30
  Speaker 1: big scene. You know, they're moving their mouths but they're
• 34:33
  Speaker 1: actually talking, and that's not good. Right of course you
• 34:39
  Speaker 1: can pick you can pick up and we can hear
• 34:41
  Speaker 1: it too. When we're trying to be in a scene.
• 34:42
  Speaker 1: It's like right, right, right, so the direct right, so
• 34:48
  Speaker 1: the director will go cut and they're banging their forks
• 34:51
  Speaker 1: on their plates and like really eating, and you're like,
• 34:53
  Speaker 1: the director comes out and say, guys, can you okay,
• 34:56
  Speaker 1: no sound coming out of your mouths and stop banging
• 34:59
  Speaker 1: the works on the plates And it's not like really eating.
• 35:02
  Speaker 1: You've gotta be real careful with the noises you make
• 35:04
  Speaker 1: because the sound picks up. The sound guy picks up everything,
• 35:07
  Speaker 1: and he'll be standing there with his arms shaking because
• 35:09
  Speaker 1: he's been doing it all day, and he'll just he'll
• 35:12
  Speaker 1: just drop a set and go, oh no, we gotta cut,
• 35:14
  Speaker 1: you know, And the director comes out and talks to
• 35:16
  Speaker 1: people and then they kind of get it. But some
• 35:18
  Speaker 1: people just do it through the whole day. They're like,
• 35:22
  Speaker 1: we need to get another Remember we had the one
• 35:24
  Speaker 1: background actor on. I think I just sent you a
• 35:26
  Speaker 1: TikTok from another one. Let's get another one on so
• 35:29
  Speaker 1: we can ask all our new questions. Okay, it's really
• 35:34
  Speaker 1: an art. I mean it's the sign of a great
• 35:36
  Speaker 1: director is directing background two. You know, watch watch If
• 35:41
  Speaker 1: you don't notice the background that's a great director. If
• 35:44
  Speaker 1: you notice them and there's too too obvious in the scene,
• 35:49
  Speaker 1: it's not good. So should I put this video on
• 35:52
  Speaker 1: my reel for my background acting audition? You should not. No,
• 35:58
  Speaker 1: you should lock that away a secret place that nobody
• 36:01
  Speaker 1: knows about and throw away the case. Should I stay
• 36:03
  Speaker 1: with podcasting even though people are like, I hate her,
• 36:07
  Speaker 1: this is your strength strength podcast. You do the podcasting.
• 36:11
  Speaker 1: Let that personality run amuck all over the place. Don't
• 36:15
  Speaker 1: try to silence don't try to silence yourself. It doesn't work.
• 36:20
  Speaker 1: I gave you, I gave you three shots. It was
• 36:25
  Speaker 1: actually really fun. You're too expressive. You're too expressive. Was
• 36:29
  Speaker 1: Riley good? I was so distracted by your bad backgrounding
• 36:33
  Speaker 1: that I didn't notice Riley, which so the answer is, yes,
• 36:37
  Speaker 1: Riley was really good. And that's not to say she's
• 36:40
  Speaker 1: a wallflower. Maybe she just kind of gets it. You know.
• 36:46
  Speaker 1: It's like when you felt like when you wanted to
• 36:48
  Speaker 1: leave a party and you're like someone's facing your like right, No,
• 36:53
  Speaker 1: it's not like, m oh, that was good. You had
• 37:03
  Speaker 1: to put that up on the Instagram. All you guys
• 37:07
  Speaker 1: don't know what it's like to be on a zoom.
• 37:09
  Speaker 1: I just keep looking it like I'm trying to get
• 37:11
  Speaker 1: skinnier in the zoom. The people that ask for the
• 37:14
  Speaker 1: full podcast, you're like sometimes I'm like all the whole podcast,
• 37:23
  Speaker 1: thank you so much everyone you asked for that, Like,
• 37:25
  Speaker 1: where can I watch it? It's just like, oh god, no,
• 37:29
  Speaker 1: look like oh gosh U. Next, we have a question
• 37:38
  Speaker 1: from Amelia. She says how long of a break was
• 37:41
  Speaker 1: there between filming seasons Alextion Alexis really matured between season
• 37:45
  Speaker 1: two finale and the first episode of season three, which
• 37:47
  Speaker 1: we'll see. Huh um, Well, it's just like high school.
• 37:51
  Speaker 1: You go, you go through your academic year, and then
• 37:54
  Speaker 1: you take summer vacation. It's the same same schedule. Christmas
• 37:58
  Speaker 1: breaks everything, Yeah, Thanksgiving a whole It's like being in
• 38:00
  Speaker 1: high school again, which is three months off an accurate depiction.
• 38:04
  Speaker 1: What's that? Yeah, and did you typically chill or did
• 38:06
  Speaker 1: you go and do like other projects? Uh? No, I was.
• 38:09
  Speaker 1: I was working a lot, not in the beginning, but
• 38:13
  Speaker 1: I saw now that was why was that? That was?
• 38:18
  Speaker 1: That was after season seven, the first one I did,
• 38:23
  Speaker 1: and that's when I found out. That's when I found
• 38:26
  Speaker 1: out the series was canceled. I was on the set
• 38:30
  Speaker 1: of Saul four up in Toronto and I got the
• 38:32
  Speaker 1: call from the manager. That must have not been a
• 38:36
  Speaker 1: fun call. I was busy working. I don't care, you know,
• 38:39
  Speaker 1: It's like, oh, well, I kind of knew it was
• 38:41
  Speaker 1: gonna get canceled anyway. I had some intel, you know,
• 38:45
  Speaker 1: I had my attorney do some intel. My attorney is
• 38:47
  Speaker 1: very connected. Yeah, he was warning me. He was saying,
• 38:52
  Speaker 1: it's not looking good. So next up. Sarah asked, there
• 38:58
  Speaker 1: was a lot of drinking on the show. Was any
• 39:00
  Speaker 1: of the real alcohol? I assume it's not, But what
• 39:03
  Speaker 1: would be used in place of it to make it
• 39:04
  Speaker 1: look like alcohol? It's, um, it's either well, let's see,
• 39:08
  Speaker 1: if you're drinking whiskey, then it's it's gosh, what is it?
• 39:11
  Speaker 1: It's coca cola. Yeah, if you're drinking it's water. It's
• 39:16
  Speaker 1: apple juices. Yeah, they use fruit juices. And I didn't
• 39:19
  Speaker 1: always hear that Alexis didn't drink coffee, so her coffee
• 39:23
  Speaker 1: mug was filled with Coca cola. She did drink, She
• 39:26
  Speaker 1: did drink Coca cola, yes, yeah, yeah, I always had
• 39:31
  Speaker 1: a very healthy carrot juice. Uh and sometimes coffee yeah,
• 39:36
  Speaker 1: oh really, uh huh. Yeah. They do love their cocktails
• 39:41
  Speaker 1: over at the Gilmore's. They do. That's kind of post.
• 39:44
  Speaker 1: That's when you wrap then we're just no. But even
• 39:47
  Speaker 1: always when they're Friday night dinner, there's always, you know,
• 39:51
  Speaker 1: the first thing they say is can I get you
• 39:53
  Speaker 1: a drink? Like they always have a cocktail at sure
• 39:55
  Speaker 1: at the Gilmore's Friday night. Yeah, they were not real cocktails.
• 40:00
  Speaker 1: Nobody's drinking on set six hours later yea from Gilmore's
• 40:10
  Speaker 1: Girls to Euphoria. There you go? There you sorry? Sorry,
• 40:16
  Speaker 1: all right. Our last question comes from Steph. What was
• 40:19
  Speaker 1: it like filming a finale? Did the cast do anything
• 40:21
  Speaker 1: special after wrapping each season? Yeah? There was always a
• 40:25
  Speaker 1: rap party. You know, there was a rap party and
• 40:27
  Speaker 1: it was fun. Sometimes it was on set, you know,
• 40:30
  Speaker 1: after we wrapped and then you know, hey, you know,
• 40:34
  Speaker 1: getting your street clothes and come on back and we're
• 40:36
  Speaker 1: gonna have some parties and that's what we do, you know.
• 40:39
  Speaker 1: Sometimes it was at a restaurant. Some was a restaurant.
• 40:42
  Speaker 1: Sometimes it was fun. Yeah, Scott, what would we have
• 40:45
  Speaker 1: to do and we don't have to do it yet?
• 40:47
  Speaker 1: Maybe it'll be for the season three rap party. What
• 40:50
  Speaker 1: would we have to do to get you to go
• 40:52
  Speaker 1: on the Warner Brothers tour with us to Gilmore? Are
• 40:59
  Speaker 1: you planning on doing that? Well, we're asking you what
• 41:03
  Speaker 1: would you have to do? Like, no, what would we
• 41:06
  Speaker 1: have to do to get you to go with us?
• 41:07
  Speaker 1: Or would you just do it? What do you mean?
• 41:10
  Speaker 1: You mean go on the Warner Brothers tour? Like like
• 41:14
  Speaker 1: be a tourist? You want me to go do that?
• 41:17
  Speaker 1: I'll do that. That will be fun. Do you want
• 41:20
  Speaker 1: do you want to do a podcast from the course
• 41:22
  Speaker 1: and we're going to film the whole thing. That's kind
• 41:24
  Speaker 1: of like that you the news is that your thing? No,
• 41:29
  Speaker 1: my news was just how everybody hates Christopher. But just
• 41:32
  Speaker 1: I have the idea. I'm gonna find out, like, can
• 41:36
  Speaker 1: you imagine we do the podcast and like you surprise
• 41:39
  Speaker 1: everybody on the tour. That would be fun. Okay Easton?
• 41:43
  Speaker 1: Is that Easton? So our engineer Easton just wrote in
• 41:46
  Speaker 1: the chat, Yes, that would be That would be a
• 41:49
  Speaker 1: lot of fun. That would be Jeff, you used to
• 41:51
  Speaker 1: work over there, and I'm gonna find out who I
• 41:52
  Speaker 1: hit up now. Oh, I can get I can make it.
• 41:55
  Speaker 1: I can call James over there, James right now. He'd
• 42:02
  Speaker 1: probably say yes right now while we're on the air. Totally.
• 42:05
  Speaker 1: Oh my god, Okay, we have to do that, Like
• 42:07
  Speaker 1: we'll do it this summer or something amazing. It would
• 42:11
  Speaker 1: be cool. That would be cool. We should do it
• 42:14
  Speaker 1: sooner rather than later. I might be going away. Oh,
• 42:17
  Speaker 1: I didn't want to ask if you remember, like I
• 42:21
  Speaker 1: can't remember our last episode of the one before there
• 42:23
  Speaker 1: was a phone call. Have we had any more phone calls?
• 42:26
  Speaker 1: We're negotiating. There's negotiations. Okay, then we'll do it. We'll
• 42:32
  Speaker 1: either do it right before, we'll do it when you
• 42:34
  Speaker 1: get back. We'll figure it out. Don't forget to bring
• 42:36
  Speaker 1: your microphone if you get that job. Yeah, yeah, no,
• 42:38
  Speaker 1: I'm gonna I have to bring all this stuff. Wait, Riley,
• 42:42
  Speaker 1: was that the last question? That was the last question?
• 42:45
  Speaker 1: Was so good? This is good, so good. Okay, we'll
• 42:49
  Speaker 1: do this again after season three. Absolutely, I'm gonna go
• 42:54
  Speaker 1: get some I'm gonna go send out my resume for
• 42:56
  Speaker 1: my background acting. Okay, don't print too many of them,
• 43:01
  Speaker 1: don't worry, you know. Yeah, great, maybe at and you
• 43:08
  Speaker 1: can have Scott go. I endorse this. I trained her
• 43:16
  Speaker 1: right daughter everything she knows about background. But I can't
• 43:18
  Speaker 1: believe that's so bad an you know it's a bad act. Look, no,
• 43:22
  Speaker 1: it's just too bigger personality. What are you gonna do?
• 43:27
  Speaker 1: You can't contain it. I'll have to go back to
• 43:30
  Speaker 1: my dreams of being a rock star. Then, really you
• 43:33
  Speaker 1: had dreams? Oh you know what I always wanted to be.
• 43:35
  Speaker 1: Not that anyone cares, but we're at the end of
• 43:37
  Speaker 1: the show. You would have been a good rock star.
• 43:39
  Speaker 1: I always My dream was to be James Taylor's backup singer.
• 43:43
  Speaker 1: Never a front man in the front. You have to
• 43:47
  Speaker 1: be you have to be a front front. You're the
• 43:50
  Speaker 1: front man. I'm just slightly back. Ryan Seacrest the front man.
• 43:54
  Speaker 1: I'm just back behind. Can you sing, though? I mean,
• 43:56
  Speaker 1: are you a singer? I mean, I'm not gonna lie.
• 44:01
  Speaker 1: In the sixth grade musical, I was Maria in the
• 44:04
  Speaker 1: Sound of Music. But I don't know, so bust bust out.
• 44:08
  Speaker 1: A couple of later, my brothers tell me I'm the
• 44:11
  Speaker 1: worst thinger they've ever heard. But then people give me
• 44:13
  Speaker 1: like singing parts. I'm like, man, I don't know. I've
• 44:16
  Speaker 1: got some songs. You know, we can go. We can
• 44:19
  Speaker 1: go out and play. We can go bust. You want
• 44:21
  Speaker 1: to go bust, let's go busking? What is that? That
• 44:25
  Speaker 1: means you go out in the street and you play
• 44:26
  Speaker 1: songs for stranger good Third Street promenade. Yes, I wonder
• 44:31
  Speaker 1: if we'd make money. It doesn't matter. We have our
• 44:33
  Speaker 1: hat out to get like a quarter here, donate everything, right,
• 44:36
  Speaker 1: of course. Yeah, so let's let's do it. If you
• 44:39
  Speaker 1: can sing, I'll stand there and play the guitar. We'll
• 44:44
  Speaker 1: talk about This is after your background career comes to
• 44:48
  Speaker 1: an end. After I get a lot of background work
• 44:50
  Speaker 1: and then our Warner Brothers, right, and then you retire
• 44:52
  Speaker 1: to dominate a duet on the Warner Brothers tour of
• 44:54
  Speaker 1: the theme song between you two. Yeah, I guess that's
• 44:58
  Speaker 1: why I can't do it again. You can. As for
• 45:00
  Speaker 1: a background person, You're getting a star on the Walk
• 45:02
  Speaker 1: off the Walk of Fame. It's on it's in Pacoima.
• 45:05
  Speaker 1: It's on Third Street up in Pacoima. That's where the
• 45:08
  Speaker 1: that is so une Okay, So now everybody was serious.
• 45:16
  Speaker 1: Season three, Episode one next week, So everybody get ready.
• 45:19
  Speaker 1: Get ready, everybody, because we're boning up. I mean, we're
• 45:22
  Speaker 1: watching the heck out of this episode and we're going
• 45:25
  Speaker 1: to slice and dice it. Hi, everybody, Thanks so much.
• 45:29
  Speaker 1: Danielle Amy, We're Danielle never came back, but thanks Danie
• 45:34
  Speaker 1: emergency Riley, good seeing everybody. Thank you Amy, That's what
• 45:37
  Speaker 1: this was a blast. We should do. This is really
• 45:40
  Speaker 1: a lot of fun. Um and thanks everybody for downloading.
• 45:43
  Speaker 1: Best fans on the planet. Love you all, and uh
• 45:46
  Speaker 1: we will see you next time. Stay saving ya, hey everybody,
• 46:17
  Speaker 1: and don't forget follow us on Instagram at I Am
• 46:21
  Speaker 1: all In podcast, and email us at Gilmore at I
• 46:25
  Speaker 1: heart radio dot com. Oh you Gilmore fans. If you're
• 46:28
  Speaker 1: looking for the best cup of coffee in the world,
• 46:30
  Speaker 1: go to my website for my company, scott EP dot com.
• 46:34
  Speaker 1: S C O T. T y P dot com, scott
• 46:37
  Speaker 1: ep dot com Grade one Specialty Coffee. Yeah.