Latest / Michelle Explains Anime, Poorly / Dorohedoro Ep. 11- The Boss/Let's Meet at the Snack Stall

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Dorohedoro Ep. 11- The Boss/Let's Meet at the Snack Stall · Michelle Explains Anime, Poorly

• 0:00
  Speaker 1: Hey, it's your person, Michelle. I guess I'm back. I
• 0:04
  Speaker 1: was gone for a week cause I didn't have time
• 0:07
  Speaker 1: to do anything, but I already told you about that,
• 0:10
  Speaker 1: so I hope you had like a really good whatever
• 0:13
  Speaker 1: you celebrated, if you celebrated something, or a really good
• 0:16
  Speaker 1: not celebrating time. Yay. But it's important that I guess
• 0:21
  Speaker 1: I say happy twenty twenty six, right, because it's a
• 0:26
  Speaker 1: new year as of when you're listening to this. I mean,
• 0:29
  Speaker 1: for me, I'm still stuck in twenty twenty five for
• 0:31
  Speaker 1: a couple more days, which sucks, but I'm just gonna
• 0:36
  Speaker 1: take this time to imagine how much different and nicer
• 0:39
  Speaker 1: the world is in twenty twenty six. Yeah. I don't
• 0:43
  Speaker 1: think so either, but whatever. So anyway, before we get
• 0:47
  Speaker 1: started or anything, a couple of announcements happened in the
• 0:51
  Speaker 1: last like two weeks. So there's three things that I
• 0:56
  Speaker 1: want to make sure I tell you about, so let
• 0:58
  Speaker 1: me do that now. The first one was, you know,
• 1:01
  Speaker 1: more or less expected and not as incredibly exciting as
• 1:05
  Speaker 1: the other two. Even though I do really like the show,
• 1:07
  Speaker 1: Gatchi Yakuda is going to have a second season, and
• 1:10
  Speaker 1: I'm very, very happy about this. I thought that all
• 1:14
  Speaker 1: of the first season both cores was like great, and
• 1:17
  Speaker 1: it's probably my favorites currently happening battle shown in more
• 1:23
  Speaker 1: or less except for Chainsaw Man, but I just don't
• 1:25
  Speaker 1: even consider that the same thing because the second part
• 1:29
  Speaker 1: of Chainsawman is so weird. But yeah, I really like Gachiyakuda,
• 1:34
  Speaker 1: so I'm very excited about having a second season of it,
• 1:38
  Speaker 1: especially because the last few episodes of the first season
• 1:41
  Speaker 1: were just fucking mind blowing. Well not really, but the
• 1:44
  Speaker 1: last episode was like what do you mean this and
• 1:47
  Speaker 1: this and this and the other thing that I'm not
• 1:48
  Speaker 1: gonna tell you because I don't want to spoil it,
• 1:50
  Speaker 1: but yeah, so I'm really excited about that. But I
• 1:55
  Speaker 1: wasn't shocked, I think, is what I'm trying to say.
• 1:57
  Speaker 1: The second announcement we got these are both like a
• 1:59
  Speaker 1: week ago or so, is that Chainsaw Man is officially
• 2:05
  Speaker 1: getting a second season. I guess the movie did well
• 2:08
  Speaker 1: enough and we're getting the International Assassins arc, which is
• 2:11
  Speaker 1: super fucking exciting because that's some of I think like
• 2:15
  Speaker 1: everyone's favorite chainsaw Man manga content. That means everyone will
• 2:20
  Speaker 1: get to see Halloween, which is really, really cool. I
• 2:25
  Speaker 1: don't know, there's just a lot of really cool things
• 2:28
  Speaker 1: that's gonna happen, and Santa Claus and that kind of stuff.
• 2:32
  Speaker 1: And I know that I just named like two holiday
• 2:36
  Speaker 1: related things and you're thinking, what the fuck? But I
• 2:38
  Speaker 1: promise it's gonna be good, maybe as long as the
• 2:41
  Speaker 1: direction stays good, and I think it will. So of course,
• 2:44
  Speaker 1: we have no timeline for either of these announcements, but
• 2:48
  Speaker 1: it's nice to have it in the works. And then
• 2:50
  Speaker 1: the other thing that got announced that was so fucking
• 2:53
  Speaker 1: surprising I still don't know what to do with myself
• 2:56
  Speaker 1: is that Yona of the Dawn is getting a second seat.
• 3:01
  Speaker 1: It's been eleven years since the first season. None of
• 3:05
  Speaker 1: us thought it was gonna get a second season, you know,
• 3:08
  Speaker 1: Like I'm sure that there was like a couple of
• 3:10
  Speaker 1: people who thought it might, but you know, I kind
• 3:14
  Speaker 1: of like sort of lurk in these kind of otaku communities,
• 3:18
  Speaker 1: and Yona of the Dawn like fans aren't like like
• 3:23
  Speaker 1: eighty six fans who just believe that there's always gonna
• 3:26
  Speaker 1: be another season of eighty six and the announcement is
• 3:28
  Speaker 1: gonna come now. I'm pretty sure Yona of the Dawn
• 3:31
  Speaker 1: fans just thought that was it, and that might be
• 3:33
  Speaker 1: because a it's show Jo, and Shojo definitely has less
• 3:36
  Speaker 1: of a shot of getting like a good or complete
• 3:40
  Speaker 1: actual anime. And I will say that Yona of the
• 3:43
  Speaker 1: Dawn the first season, while I really really like its
• 3:46
  Speaker 1: plot wise and actual, you know, story wise, it's not
• 3:52
  Speaker 1: great direction wise in my opinion, it's okay, Like it's
• 3:55
  Speaker 1: not bad, but I didn't feel like it was like
• 3:59
  Speaker 1: a passion part for anybody. And I feel like the
• 4:02
  Speaker 1: opening and ending themes, like the animation for them just
• 4:05
  Speaker 1: kind of suck a lot, actually, So I never got
• 4:08
  Speaker 1: the feeling that this was gonna go any further. And
• 4:11
  Speaker 1: I think a lot of people were like, it's Showjo.
• 4:14
  Speaker 1: We haven't heard anything in eleven years, that's it. Like
• 4:17
  Speaker 1: the manga just ended recently, and I haven't read all
• 4:20
  Speaker 1: of the manga, but all I've heard is really really
• 4:22
  Speaker 1: positive about it, which is pretty good in you know,
• 4:26
  Speaker 1: because it's hard to have a good thing all the
• 4:29
  Speaker 1: way through obviously. So yeah, I'm just I don't even
• 4:35
  Speaker 1: know what to say. I'm just shocked and like super
• 4:37
  Speaker 1: fucking excited because I love Yona of the Dawn, it's
• 4:41
  Speaker 1: great in my opinion, at least if you were like, wow,
• 4:44
  Speaker 1: I want to watch like a action e show jo
• 4:48
  Speaker 1: that's not Banana Fish, where things are like a little
• 4:52
  Speaker 1: less bad and there's a female character and it's set
• 4:54
  Speaker 1: in ancient China and she's got to like collect all
• 4:58
  Speaker 1: these people and then save the ca You should watch this,
• 5:02
  Speaker 1: and honestly, that sounds like a lot of things. It
• 5:04
  Speaker 1: sounds like Fushigi yugi, but it's not Isakai. It's just
• 5:08
  Speaker 1: her trying to say her kingdom and learning about how
• 5:13
  Speaker 1: not great it is. Honestly, it's cool. I like it anyway.
• 5:17
  Speaker 1: I should really stop talking about this, but I'm very
• 5:20
  Speaker 1: excited of course with this one as well. We don't
• 5:22
  Speaker 1: know when this is gonna air, but the idea that
• 5:26
  Speaker 1: it might are almost definitely will air is enough for
• 5:30
  Speaker 1: me to I don't know, feel okay for like five minutes,
• 5:35
  Speaker 1: I don't know something like that. Anyway, Let's talk about
• 5:39
  Speaker 1: episode eleven of dor Hedoro, which is called The Boss,
• 5:42
  Speaker 1: and also let's meet in this next all yay, So
• 5:47
  Speaker 1: if you remember from the last episode Kasukabe thirteen, Johnson
• 5:53
  Speaker 1: and I guess the mushroom that is Vox had escaped
• 5:57
  Speaker 1: from like the dungeon and been caught by Shin and Noi,
• 6:02
  Speaker 1: and Shin was like standing on Kasto Kabe's chest and
• 6:06
  Speaker 1: I thought I heard a gunshot, but I didn't. It
• 6:08
  Speaker 1: was just a sound effect. But we ended like right there.
• 6:11
  Speaker 1: So we pick up right fucking there, which is great,
• 6:15
  Speaker 1: and we see this like super ornate red and gold
• 6:18
  Speaker 1: building with like cast elations on the top, you know,
• 6:20
  Speaker 1: those little castle cut out things and white columns, and
• 6:24
  Speaker 1: we hear gun shots and we cut to Kastu Kabe's
• 6:29
  Speaker 1: hand falling remember it's been cut off, and dropping the gun,
• 6:32
  Speaker 1: and then Shin asking him to choose, like whether he wants,
• 6:35
  Speaker 1: you know, to be hit in his brain or as
• 6:38
  Speaker 1: hard or whatever like he did in the last episode.
• 6:41
  Speaker 1: And Fujita is holding now worm Ebisu in his hand
• 6:45
  Speaker 1: upside down and she's like a wriggling and he says,
• 6:50
  Speaker 1: get him, Shin son, he's with the lizard guy. Ebisu
• 6:53
  Speaker 1: is like, you're dead worms. I'm glad that she enjoyed
• 6:56
  Speaker 1: her time in the hole so much. Kasu Kabe is
• 7:00
  Speaker 1: looking up at Shin smiling because he's super fucking weird,
• 7:03
  Speaker 1: and Shin says, hmmm, hey, are you that doctor from
• 7:07
  Speaker 1: the whole? Costu Kabe is like huh. Shin takes off
• 7:12
  Speaker 1: his mask and is like, it's me. Remember Costa Kabe says,
• 7:16
  Speaker 1: oh you. Shin bends over and lifts Kastu Kabe up
• 7:20
  Speaker 1: and he's like, it's been a long time. What are
• 7:22
  Speaker 1: you doing here. Fujita's like, come on, Shin, Son, hurry up,
• 7:25
  Speaker 1: and Shin cuts him off. No can do, Fujita. He
• 7:28
  Speaker 1: sets Costa kab down. He saved my life. Whoa? He remembers.
• 7:33
  Speaker 1: NOI is still like tackling Johnson and she's like, he
• 7:37
  Speaker 1: saved your life. Johnson's like shocking. Fuyita, who is still
• 7:43
  Speaker 1: holding squirming. Ebisu says, today is just too much. Let
• 7:47
  Speaker 1: me go to the opening theme.
• 7:48
  Speaker 2: Yay.
• 7:49
  Speaker 1: Back from the opening, we see like the top of
• 7:53
  Speaker 1: a sliding door or cabinet. I couldn't tell what this
• 7:57
  Speaker 1: was because it's really close up and cropped, but there's
• 8:00
  Speaker 1: a blue bowling ball like sticking in between the door
• 8:03
  Speaker 1: and the wall, you know, like just sitting there. And
• 8:07
  Speaker 1: we hear Chota say, what's taking that broad so long?
• 8:10
  Speaker 1: He is sitting in a chair and we see that
• 8:13
  Speaker 1: the bowling ball is kind of like propped open like
• 8:17
  Speaker 1: a door, and I didn't really understand because like it
• 8:22
  Speaker 1: shouldn't be the elevator door, but his door, I'm pretty
• 8:25
  Speaker 1: sure opens like a regular door, not like a sliding door,
• 8:28
  Speaker 1: So I don't really know. I'm so confused. Anyway, it
• 8:31
  Speaker 1: doesn't matter. The bowling ball is sticking kind of at
• 8:34
  Speaker 1: the top in the little crack area where the door's
• 8:37
  Speaker 1: partially closed. Anyway, Nikaido approaches from the hallway and looks
• 8:42
  Speaker 1: through at the little space at him and is like,
• 8:45
  Speaker 1: I'm here. She pushes open the door and the bowling
• 8:48
  Speaker 1: ball falls like smack on her head. Chota points and
• 8:52
  Speaker 1: laughs as blood streams down her face, and she just
• 8:55
  Speaker 1: very blankly says, did you call me Chota son? We
• 8:58
  Speaker 1: cut to a hand put in a teacup down on
• 9:01
  Speaker 1: a pink table, and we hear Chota say, here, have
• 9:03
  Speaker 1: some tea. Nikaido lifts up the cup and says thank
• 9:07
  Speaker 1: you and takes a sip. We see that Choda is
• 9:09
  Speaker 1: holding a large jar with like a skull and crossbones
• 9:12
  Speaker 1: on it and like purple stuff inside, and he's like,
• 9:15
  Speaker 1: do you like my poisoned tea? Jeez, dude. Nikido spits
• 9:18
  Speaker 1: it out in coughs, and she's like, why are you
• 9:21
  Speaker 1: so mean to me? Choda says, as End's partner, you'll
• 9:25
  Speaker 1: always have to come face to face with danger. You
• 9:27
  Speaker 1: don't know anything about Ann or the family, right. He
• 9:30
  Speaker 1: walks over to a TV and continues, So I asked
• 9:33
  Speaker 1: you over today to show you this movie. He's holding
• 9:36
  Speaker 1: what I believe is a VHS tape. The cover has
• 9:39
  Speaker 1: n on it, like holding a mushroom with like mushrooms
• 9:42
  Speaker 1: all around him and a scandily clad woman with a
• 9:44
  Speaker 1: gun and a cross eyes boss. I guess, like over
• 9:48
  Speaker 1: what basically looks like the New York City skyline, and
• 9:51
  Speaker 1: it says the Boss on it. Choda continues, This is
• 9:55
  Speaker 1: an autobiographical non fiction movie produced by, written by I,
• 10:00
  Speaker 1: directed by and starring n okay I guess he's put
• 10:04
  Speaker 1: it in the player now because the screen has a
• 10:08
  Speaker 1: logo on it that says smoke, with like a pentagram
• 10:11
  Speaker 1: behind it and a golden wreath with mushrooms at the
• 10:14
  Speaker 1: bottom and like fire in the background. Chota continues, the
• 10:19
  Speaker 1: Boss death and mushrooms. We now see the title on
• 10:23
  Speaker 1: a black screen, white text. So this is a little
• 10:26
  Speaker 1: bit weird because n is narrating, and I also have
• 10:29
  Speaker 1: to describe what's going on. But it feels weird for
• 10:32
  Speaker 1: me to constantly say that N is talking. So I'm
• 10:34
  Speaker 1: gonna just try to read it in a way that
• 10:36
  Speaker 1: you can tell if it's N talking or if it's
• 10:38
  Speaker 1: me describing it. And it's probably not gonna work, but
• 10:41
  Speaker 1: let's give it a shot, because I don't know why not, right,
• 10:45
  Speaker 1: let's just fuck it all up anyway. We get a
• 10:48
  Speaker 1: new title screen chapter one. Hell. We cut to a
• 10:52
  Speaker 1: red haired baby with an ambilical cord still attached, and
• 10:56
  Speaker 1: he's crying because that's what babies do. But he's also
• 10:59
  Speaker 1: on the floor surrounded by mushrooms, which isn't so common
• 11:02
  Speaker 1: for babies, and we hear end say when I awoke,
• 11:06
  Speaker 1: I was surrounded by mushrooms. We see a mushroomed person
• 11:10
  Speaker 1: like sitting in a chair. Used to be a person,
• 11:12
  Speaker 1: now it's just mushroom pieces. It seems I'd turned my
• 11:16
  Speaker 1: own parents into mushrooms. I survived on the mushrooms growing
• 11:20
  Speaker 1: around me. That makes sense. Now we see this bald
• 11:23
  Speaker 1: guy like walking past a red fence towards like a small,
• 11:27
  Speaker 1: slightly graffitied house. Before long a stranger came to my house.
• 11:32
  Speaker 1: The guy like looks around to make sure that no
• 11:34
  Speaker 1: one is watching him, and then he runs towards the
• 11:37
  Speaker 1: back of the house, probably a thief. Now the guy
• 11:40
  Speaker 1: like comes out the front door and he's holding what
• 11:43
  Speaker 1: I assume is N in a blanket. The man found
• 11:46
  Speaker 1: me and took me away. We see money exchanging hands.
• 11:50
  Speaker 1: I was sold to a filthy rundown factory. Now we
• 11:54
  Speaker 1: see this guy with like a fuzzy animal mask, and honestly,
• 11:57
  Speaker 1: I wasn't sure what kind of animal this was supposed
• 12:00
  Speaker 1: to be. Originally I thought maybe it was a gorilla,
• 12:02
  Speaker 1: but then later I thought it was a werewolf, So
• 12:04
  Speaker 1: let's just go with werewolves for like consistency. But anyway,
• 12:09
  Speaker 1: this werewolf mask guy is holding up baby N and
• 12:13
  Speaker 1: looking in his face, and he says, you're home now.
• 12:17
  Speaker 1: Baby N has tape over his mouth and he is
• 12:20
  Speaker 1: looking up at this guy in abject horror, which I understand.
• 12:24
  Speaker 1: Next we see the exterior of this like red run
• 12:28
  Speaker 1: down building with like industrial stuff behind it and a
• 12:31
  Speaker 1: sign on it that says safety First. I don't think
• 12:34
  Speaker 1: that that's true. Honestly, life there was hell. We're starting
• 12:39
  Speaker 1: to pan down like some weird metal machine. As there's
• 12:43
  Speaker 1: like lots of pipes coming out of the ceiling, and
• 12:45
  Speaker 1: as they get closer to the floor, they like pipes
• 12:48
  Speaker 1: all come together or something. I don't know. The factory
• 12:52
  Speaker 1: was run by low ranking sorcerers. It looks like the
• 12:56
  Speaker 1: pipes kind of branch out again at the bottom and
• 12:59
  Speaker 1: they can to these like person shaped I guess containers
• 13:04
  Speaker 1: isn't what you might say, but are like metal as well,
• 13:07
  Speaker 1: so you don't like seeing him or anything, I guess.
• 13:09
  Speaker 1: Or maybe they're plastic. How the hell should I know?
• 13:11
  Speaker 1: They kidnapped mid and high ranking sorcerers and forced them
• 13:15
  Speaker 1: to release their smoke, which they sold for profit. Fuck.
• 13:19
  Speaker 1: We see this really emaciated dude's face like through a
• 13:23
  Speaker 1: window in that container that he's in, and there's like
• 13:26
  Speaker 1: a pipe in his mouth. This is probably not a
• 13:28
  Speaker 1: fun time. Then we see like a hand putting jars
• 13:32
  Speaker 1: of smoke into a box, and then we see the
• 13:35
  Speaker 1: back of a truck filled with these boxes and the
• 13:38
  Speaker 1: doors of the back start to close. In those days,
• 13:42
  Speaker 1: lots of people did that. That seems terrible. The truck
• 13:46
  Speaker 1: is now driving off and the back of it has
• 13:49
  Speaker 1: two happy running cows on it and it says Takagi
• 13:53
  Speaker 1: milk coffee. I wish it was takagi milk coffee. Now
• 13:56
  Speaker 1: we see a title screen that says, nine years later,
• 14:00
  Speaker 1: I see a bridge like in a city with a
• 14:02
  Speaker 1: pickup truck driving over. It's I was forced to work
• 14:05
  Speaker 1: there for nine years until I ran out of smoke
• 14:07
  Speaker 1: and was thrown into the river. Geez. The truck stops
• 14:11
  Speaker 1: on the bridge and this guy gets out and he
• 14:14
  Speaker 1: like throws End's limp body like over his shoulder and
• 14:18
  Speaker 1: then dumps him off the side of the bridge. We
• 14:21
  Speaker 1: hear him splash into the water. N is now like
• 14:24
  Speaker 1: drifting through the trash in the river. It is not
• 14:29
  Speaker 1: a nice place. One of his eyes is kind of open,
• 14:32
  Speaker 1: but it's like rolled back in his head. Yeah, he's
• 14:35
  Speaker 1: he's not doing okay. A devil found me and thought
• 14:37
  Speaker 1: I was dead. A devil flies down and just scoops
• 14:41
  Speaker 1: him up. It threw me down into hell. Oh, I mean,
• 14:44
  Speaker 1: he s'ould probably check if you're dead.
• 14:45
  Speaker 2: First.
• 14:46
  Speaker 1: The devil lifts up the lid of a dumpster in
• 14:50
  Speaker 1: a filthy alley and just throws in inside. This is
• 14:53
  Speaker 1: so weird. We see N falling down like through I
• 14:56
  Speaker 1: guess fire, Yeah, but I didn't die even amidst the
• 15:01
  Speaker 1: hell fire. Yeah, he didn't die, but he is like
• 15:04
  Speaker 1: wide eyed and screaming for his life. My anger kept
• 15:08
  Speaker 1: my soul alive, impervious to those eternal flames. The title
• 15:12
  Speaker 1: card now says, two years later, we see Chee d'ar
• 15:16
  Speaker 1: uma flying with like this other red devil, and the
• 15:19
  Speaker 1: red devil like points down and is like, Chee da Aruma,
• 15:22
  Speaker 1: that's him. Cheeta Rooma is like what unbelievable a sourcer
• 15:27
  Speaker 1: alive in hell? There are just a ton of mushrooms
• 15:30
  Speaker 1: on the ground and hell over there and n is shirtless,
• 15:33
  Speaker 1: facing away from the camera eating a mushroom. Honestly, being
• 15:37
  Speaker 1: able to make mushrooms is a really good power because
• 15:41
  Speaker 1: you could just never starve. I guess you'd probably eventually
• 15:44
  Speaker 1: die of malnutrition or something, but you're not gonna starve,
• 15:48
  Speaker 1: so that's nice anyway. And here is a crash. I
• 15:52
  Speaker 1: guess the devil's hitting the ground, and he turns and
• 15:56
  Speaker 1: the mushroom that he's eating has a like a human
• 15:59
  Speaker 1: looking head. The devils are like standing in front of
• 16:02
  Speaker 1: him now, and Cheeta Uma says, I'm Cheetah ruma, who
• 16:06
  Speaker 1: are you? And it's like they named me En. Oh
• 16:09
  Speaker 1: he doesn't have a real name. That's kind of sad.
• 16:11
  Speaker 1: New title card. Six months later, we see that factory
• 16:16
  Speaker 1: and the bad one. I returned to that rundown factory.
• 16:20
  Speaker 1: We cut to a guy with a mask that's like
• 16:22
  Speaker 1: connected to a tube and his hands are tied like
• 16:25
  Speaker 1: they're being held up, and he's being whipped, and a
• 16:29
  Speaker 1: guy with the werewolf mask, I guess, says, come on,
• 16:32
  Speaker 1: make more smoke. I don't think whipping people helps. Suddenly,
• 16:36
  Speaker 1: black smoke engulfs the guy with the werewolf mask, and
• 16:39
  Speaker 1: he turned into lots of small mushrooms. Yay, I guess.
• 16:43
  Speaker 1: We see someone else get turned into lots of small
• 16:45
  Speaker 1: mushrooms too, and then someone else's head get turned into
• 16:48
  Speaker 1: a mushroom. And then we see En, who looks like
• 16:51
  Speaker 1: n does now like an adult person, walking through the
• 16:55
  Speaker 1: kind of warehouse. It's crumbling and there's giant mushrooms behind him.
• 17:00
  Speaker 1: I destroyed the factory and welcomed the enslaved sorcerers as
• 17:03
  Speaker 1: my brethren. Oh that's nice. En stops walking in front
• 17:07
  Speaker 1: of five sorcerers. The setting sun is kind of behind them,
• 17:12
  Speaker 1: sorta and we kind of focus in on this one
• 17:14
  Speaker 1: guy in particular who has like long blonde hair. He
• 17:17
  Speaker 1: has like red tattoos like around his eyes and then
• 17:20
  Speaker 1: on his forehead and pointy ears, and I think he
• 17:24
  Speaker 1: looks really fucking cool. And he says, I'm Tenin, thank
• 17:28
  Speaker 1: you for saving me. Let me repay you. N looks
• 17:32
  Speaker 1: super fucking intense and he says I'm in and he
• 17:34
  Speaker 1: gives him like a thumbs up. Yeah, I want to
• 17:37
  Speaker 1: rid the world of filth like them, Will you help me?
• 17:40
  Speaker 1: And then we hear En say that's how the family
• 17:43
  Speaker 1: was born. Now we see Ann walking with the five
• 17:46
  Speaker 1: guys and we hear them say, our numbers grow more
• 17:50
  Speaker 1: and more people are kind of like blipping in behind
• 17:52
  Speaker 1: them as they walk, and those scumbags begin to fear
• 17:55
  Speaker 1: us as their numbers diminished. Title card, Chapter two, The Enemy.
• 18:01
  Speaker 1: We get an exterior shot of End's mansion twenty years
• 18:04
  Speaker 1: or so had passed. We hear Tenin say, En, have
• 18:08
  Speaker 1: you heard everyone is like hanging out in the dining room.
• 18:11
  Speaker 1: I guess, like tables and stuff. And there's this weird
• 18:13
  Speaker 1: cutting back and forth between people and just the scene
• 18:16
  Speaker 1: in the dining room here that I thought like really
• 18:19
  Speaker 1: really didn't work, but whatever. Anyway, Tenin is holding some
• 18:23
  Speaker 1: cards and he says about the strange murders recently. We
• 18:27
  Speaker 1: see a guy with hat eating and he says, yeah,
• 18:29
  Speaker 1: the killing people and taking the heads. I don't know
• 18:32
  Speaker 1: why I use that voice for that guy. A guy
• 18:34
  Speaker 1: with a mustache and a cigarette says, I heard they're
• 18:37
  Speaker 1: only targeting powerful sorcerers. A guy with a turban who's
• 18:41
  Speaker 1: eating some spaghetti says, let's crush those guys. Boss. Shin
• 18:45
  Speaker 1: and Noy are also there, and they're like standing behind
• 18:47
  Speaker 1: end and wearing suits, which is interesting, I mean for
• 18:50
  Speaker 1: NOI and En is reading like a paper and NOI says,
• 18:54
  Speaker 1: leave it to us, write Simpi. Shin has some wine
• 18:57
  Speaker 1: in his hand and says, it's disgusting taking heads like that.
• 19:00
  Speaker 1: It's kind of disgusting. Then we hear a voice say Boss.
• 19:04
  Speaker 1: They look over and a guy with a red mask
• 19:08
  Speaker 1: is like, they got three of our guys. We cut
• 19:11
  Speaker 1: to a guy with like a half mask kind of
• 19:13
  Speaker 1: I guess, at the bottom of his face gasping for
• 19:16
  Speaker 1: air as blood comes out of his mouth and his
• 19:19
  Speaker 1: throat is really really slit as opposed to just a
• 19:22
  Speaker 1: little slit and End's hand is like cradling his head
• 19:26
  Speaker 1: and the guy.
• 19:26
  Speaker 2: Says, boss, I saw him. He gasps, the guy had
• 19:31
  Speaker 2: crosses over his eyes. We get it close up on
• 19:35
  Speaker 2: End's eye shaking with rage, and he says.
• 19:39
  Speaker 1: Crosses over his eyes. We see that two other guys
• 19:43
  Speaker 1: are also dead on the floor in this room, and
• 19:46
  Speaker 1: then we go back to the dining room, only now
• 19:49
  Speaker 1: it is empty except for n I did what I could,
• 19:53
  Speaker 1: but my men fell victim to the cross Eyes one
• 19:56
  Speaker 1: after another. Noight slams are fist on the table. Shit,
• 20:00
  Speaker 1: I'll act as bait and lure him out. Shin is
• 20:02
  Speaker 1: sitting in a chair with like backwards the cool way
• 20:05
  Speaker 1: and he says, calm down, NOI, that's exactly how the
• 20:09
  Speaker 1: others got killed. NOI gasps. Shin continues, Tenin son will
• 20:14
  Speaker 1: track down where the cross Eyes live. Let's lay low
• 20:16
  Speaker 1: till then a phone rings. They both gasp. En, holding
• 20:20
  Speaker 1: the phone up to his ear, says, it's me Tensin.
• 20:25
  Speaker 1: We see Tenin in a phone booth somewhere. It's night.
• 20:28
  Speaker 1: He says, I found him in. He lives in an
• 20:30
  Speaker 1: apartment in Mostema. He's sweating. Send Shin a Noi over. Okay,
• 20:35
  Speaker 1: pause for a second, because I'm pretty sure Mastema is
• 20:38
  Speaker 1: the place in the last episode that Fukuyama was telling
• 20:42
  Speaker 1: kaim In about that just became mushrooms sort of not
• 20:45
  Speaker 1: all mushrooms but mostly mushrooms, even though they said all mushrooms,
• 20:49
  Speaker 1: and we assume, and so did Fukuyama, that n is
• 20:53
  Speaker 1: connected to it. So I think we're hearing the story
• 20:55
  Speaker 1: of how that happened, which is pretty cool anyway. We
• 20:58
  Speaker 1: see Shin and Noi standing in front of them like
• 21:00
  Speaker 1: a really run down building or house or something. It
• 21:03
  Speaker 1: looks like it's a small apartment building, I guess, and
• 21:08
  Speaker 1: it's got like a cement wall in front of it
• 21:10
  Speaker 1: that's graffitied. So they're like standing right at the entrance,
• 21:13
  Speaker 1: and there's lots of crows flying around because they're super lucky,
• 21:16
  Speaker 1: and it looks like it's probably dusk. Shin says, so
• 21:20
  Speaker 1: here it is. Noi like stretches her arm and then
• 21:23
  Speaker 1: runs forward. Let's go, Sempi. Shin walks after casually, don't
• 21:28
  Speaker 1: let your card down. We cut to a headless body
• 21:31
  Speaker 1: laying on some steps inside the apartment building. Shin and
• 21:35
  Speaker 1: Noy are standing over it looking at it, and Noi says,
• 21:38
  Speaker 1: another headless corpse. Shin's like, it's not Tenin, is it?
• 21:44
  Speaker 1: Noise like, oh, we see kind of from around the corner,
• 21:48
  Speaker 1: just the slightest bit of tenngons like head in profile.
• 21:52
  Speaker 1: It's really poorly lit, but it's clearly Tengin's profile, and
• 21:57
  Speaker 1: NOI's like, Tenin, Son, I'm glad you're okay. Hey, I
• 22:01
  Speaker 1: don't think he's okay. I don't think he's okay anyway.
• 22:03
  Speaker 1: Noise starts to walk towards him, and then we see
• 22:06
  Speaker 1: around the corner and there's just this guy holding up
• 22:09
  Speaker 1: Tension's head. He has a knife. On the other hand,
• 22:14
  Speaker 1: we go to n who is flying on his broom
• 22:16
  Speaker 1: that looks a lot less like a motorcycle than the
• 22:18
  Speaker 1: ones currently do. Meanwhile, I was making my own way
• 22:23
  Speaker 1: to Mastima. I trusted that Chinnoi would dispose of him.
• 22:27
  Speaker 1: We cut to Noi and Shin, blood spurting from both
• 22:30
  Speaker 1: of their necks, and this dude literally hovering in the
• 22:34
  Speaker 1: air between them. He has Shin's mask speared with his
• 22:38
  Speaker 1: knife and his face we still can't see. It's just dark,
• 22:42
  Speaker 1: but my instinct that had led me through many tough situations,
• 22:46
  Speaker 1: whispered in my heart that something terrible might happen. We
• 22:50
  Speaker 1: see a close up of the guy's widened, cross eyed
• 22:55
  Speaker 1: eyes and then his bloody hands holding their masks, and
• 22:59
  Speaker 1: he says, these masks are definitely shins and Noise. Then
• 23:04
  Speaker 1: Noi comes up from behind him, because remember she's Noi,
• 23:07
  Speaker 1: and hits him in the back and grabs his head
• 23:09
  Speaker 1: and then knees him in the chest and tosses into
• 23:12
  Speaker 1: the ground. Now Shin grabs him by the back of
• 23:15
  Speaker 1: the head and starts to hit him over and over
• 23:17
  Speaker 1: again with his hammer, just smiling and laughing like you would,
• 23:20
  Speaker 1: And then we freeze on Shin Ho looks worried for
• 23:24
  Speaker 1: a second, and we hear En say they told me
• 23:27
  Speaker 1: later that they felt a strangeness that they'd never felt before.
• 23:31
  Speaker 1: The background where Shin and NOI are starts to distort unnaturally,
• 23:36
  Speaker 1: and NOI suddenly looks really afraid and continues when they
• 23:41
  Speaker 1: laid eyes on the cross eyes. We get a close
• 23:43
  Speaker 1: up of the cross eyes looking up at them maliciously,
• 23:49
  Speaker 1: and then he just stabs them both from the ground
• 23:52
  Speaker 1: in the stomach and drags the knives out and blood
• 23:55
  Speaker 1: sprays all over the walls. We hear NOI kind of wretch,
• 24:00
  Speaker 1: which is upsetting, and Shin puts his hand on her shoulders.
• 24:03
  Speaker 1: She kind of stumbles and is like, NOI. We're seeing
• 24:06
  Speaker 1: them from behind, so we can't see how bad these
• 24:09
  Speaker 1: giant rips in their stomachs are, but we see some
• 24:12
  Speaker 1: of Shin's organs, like maybe he's intestines. The large one
• 24:16
  Speaker 1: splat to the floor as he vomits blood. They both
• 24:20
  Speaker 1: kind of slide down the wall, and NOI looks fucking dead.
• 24:24
  Speaker 1: Chin on the other hand, kind of still looks a
• 24:26
  Speaker 1: little confidence. He kind of smirks and is like, I
• 24:29
  Speaker 1: suppose it's our destiny to die here together. And then
• 24:32
  Speaker 1: En walks up yay, and I guess he holds out
• 24:36
  Speaker 1: his broom to Shin and says, Shin, take this broom
• 24:39
  Speaker 1: and get NOI out of here. Shin's like ensign. The
• 24:42
  Speaker 1: cross eyes guy turns Hen and we still can't see
• 24:45
  Speaker 1: his face, and En looks at him with like these
• 24:47
  Speaker 1: really wide eyes, and we hear him say I felt
• 24:51
  Speaker 1: at the moment I saw the man that he was
• 24:53
  Speaker 1: the enemy. We see it close up on the cross
• 24:55
  Speaker 1: eye's eyes and continues that I'd have no future unless
• 24:59
  Speaker 1: I defeated. And that End spits out a lot of
• 25:02
  Speaker 1: black smoke and we go to black. Now we see
• 25:05
  Speaker 1: lots of unnaturally glowing mushrooms like End's mushrooms. Look and
• 25:11
  Speaker 1: is standing there, mouth open, masks totally gone, and we
• 25:15
  Speaker 1: hear him say the next thing I knew, I was
• 25:17
  Speaker 1: surrounded by countless mushrooms. There was no one in sight,
• 25:21
  Speaker 1: nothing but a chilling silence. En looks around and touches
• 25:25
  Speaker 1: his throats. The man had destroyed my mask with his knife.
• 25:29
  Speaker 1: I had a slight cut on my throat to prove it. Okay,
• 25:32
  Speaker 1: so there's like almost a line that we see, like
• 25:34
  Speaker 1: it's really really small. Now we see an intersection with
• 25:38
  Speaker 1: buildings covered in mushrooms and a traffic light that's blinking
• 25:41
  Speaker 1: red with some mushrooms on it. My smoke engulfed the
• 25:45
  Speaker 1: entire city, turning everything into mushrooms. No, that ah, not
• 25:51
  Speaker 1: all of its mushrooms. That traffic light was not a mushroom.
• 25:55
  Speaker 1: He's walking down the street. That is the truth behind
• 25:59
  Speaker 1: the mushrooms of death incidents. I was sure I'd turned
• 26:03
  Speaker 1: the cross Eyes into a mushroom. However, n stops walking
• 26:06
  Speaker 1: and he looks back. Behind him is a door kind
• 26:09
  Speaker 1: of in front of a building. That's his game on it,
• 26:11
  Speaker 1: Like amidst all the mushrooms closing. I saw it. His
• 26:16
  Speaker 1: eyes are wide A headless man disappearing through a doorway. Yeah,
• 26:20
  Speaker 1: there's literally a headless man disappearing through that doorway.
• 26:23
  Speaker 2: Fuck.
• 26:24
  Speaker 1: Then the TV screen just goes black and we see
• 26:27
  Speaker 1: Nikaido reflected in it, and she claps very robotically. Nikido's like,
• 26:32
  Speaker 1: what a good movie? Choda says, do you understand the
• 26:35
  Speaker 1: family history?
• 26:36
  Speaker 2: Now?
• 26:36
  Speaker 1: According to Noy, this movie's been dramatized quite a bit.
• 26:40
  Speaker 1: I totally believe that. N walks up and says a masterpiece,
• 26:44
  Speaker 1: isn't it. Chota screams, N when did you get here?
• 26:48
  Speaker 1: And it's like the movie is unfinished and unreleased because
• 26:51
  Speaker 1: I still need to add that I defeated the cross
• 26:54
  Speaker 1: Eyes Nikaido. He puts his hand on her shoulder and
• 26:57
  Speaker 1: she turns to face him blankly. The reason I was
• 27:01
  Speaker 1: searching for a sorcerer who could control time was to
• 27:03
  Speaker 1: go back to that day six years ago. I want
• 27:06
  Speaker 1: to determine if the Cross Eyes is dead or alive
• 27:09
  Speaker 1: and discover the truth behind all of this. I feel
• 27:11
  Speaker 1: like I know what's going on? Nik Iido thinks, cross eyes, headless.
• 27:16
  Speaker 1: She kind of looks down. That's just like how I
• 27:19
  Speaker 1: first met Kaymen. That's what I'm saying. I'm pretty sure
• 27:22
  Speaker 1: that Kymen is the cross Eyes boss. Right, you're all
• 27:27
  Speaker 1: thinking that as well. I think, okay, we'll talk about
• 27:29
  Speaker 1: it at the end. So now we see the exterior
• 27:32
  Speaker 1: of End's mansion. We're like panning down and then we
• 27:35
  Speaker 1: get a title card. Let's meet at the food stand.
• 27:39
  Speaker 1: We hear Fukuyama say, what's what the hood? Kaimon's on. Fukuyama, Kanba, Kition,
• 27:46
  Speaker 1: and Kimen are walking down a hallway and everyone looks
• 27:50
  Speaker 1: normal except for Kayman, who is wrapped in like a
• 27:52
  Speaker 1: ratty beige bed sheets sort of I don't really understand.
• 27:57
  Speaker 1: And his head looks really weird. It's almost football shape,
• 28:01
  Speaker 1: which is not a normal kime in shape, but it
• 28:04
  Speaker 1: looks like he's got a football under this, like tons
• 28:07
  Speaker 1: of sheet wrapped that's over it. Kaimon's like it's nothing.
• 28:14
  Speaker 1: He narrows his eyes and thinks, Nikkaido, it's probably my
• 28:17
  Speaker 1: fault that End got you, so I'll save you no
• 28:20
  Speaker 1: matter what. Yeah, except I don't know what's going on. Now,
• 28:23
  Speaker 1: we see one of like EN's guard things looking at
• 28:26
  Speaker 1: a clipboard and he says restaurant, tanda right. Tana's like,
• 28:31
  Speaker 1: that's right, we're gonna make some big money here. The
• 28:34
  Speaker 1: guard's like, you said you had three staff members. Tanva
• 28:38
  Speaker 1: points to Kaimen and he's like, oh, he's a new
• 28:40
  Speaker 1: part timer. At this point, Kaimon does something that like
• 28:43
  Speaker 1: literally makes no sense. He throws off the sheets. They
• 28:45
  Speaker 1: all stare at him in shock, except for Tanva, who
• 28:48
  Speaker 1: looks really fucking unhappy. We don't see what he looks
• 28:51
  Speaker 1: like yet, and the guard's like, huh okay. Finally, so
• 28:55
  Speaker 1: Kimon is wearing a white T shirt with a pink
• 28:59
  Speaker 1: apron over it, and he clearly has like breastpads on,
• 29:03
  Speaker 1: maybe in a bra like because he's got breasts. And
• 29:07
  Speaker 1: besides all that what the fuck shit on his head
• 29:10
  Speaker 1: which was causing it to look like so big is
• 29:13
  Speaker 1: like a mascot, like large meat pie with like a
• 29:17
  Speaker 1: little fork sticking out of it. He probably should have
• 29:20
  Speaker 1: discussed this before he did it with someone, but it
• 29:23
  Speaker 1: is a good disguise sort of. Anyway, he says, I'm
• 29:27
  Speaker 1: Tanba's wife. We got married three days ago. He grabs
• 29:31
  Speaker 1: Tamba's arm. Tama and me are both like what. The
• 29:35
  Speaker 1: guard says, why, congratulations? What's your name? Kaimon is still
• 29:40
  Speaker 1: hanging on to a very disgusted looking Tanva, and he says,
• 29:43
  Speaker 1: my name is Piman. What Tanba says pie Man, but
• 29:48
  Speaker 1: you're a girl. There's this really long pause and the
• 29:52
  Speaker 1: guard's like, fine, whatever go on in. I loved it.
• 29:56
  Speaker 1: The guard just like didn't want to deal with it.
• 29:58
  Speaker 1: I thought that was perfect. Anyway. Another guard says, where
• 30:01
  Speaker 1: are these passes where we can see him? And hands
• 30:03
  Speaker 1: out like little passes to everybody, and Fukuyama's like, okay.
• 30:06
  Speaker 1: We now see a close up on Kaymen's face and
• 30:09
  Speaker 1: if he didn't get it from the last time I
• 30:11
  Speaker 1: did a Kaiman voice thing, he is trying to speak
• 30:15
  Speaker 1: very high as if he is a woman named pie
• 30:18
  Speaker 1: Man for some reason. So he says, whoa, there's a
• 30:21
  Speaker 1: whole town in the castle grounds. Yeah, so there's like
• 30:24
  Speaker 1: this little Tudor village like within the castle, and there's
• 30:29
  Speaker 1: like a building with a Mapa sign on it. It
• 30:31
  Speaker 1: almost looks like it's some sort of Mapa land. It's
• 30:33
  Speaker 1: very odd. There are a lot of people walking around
• 30:36
  Speaker 1: and I guess going to shops and shit. And then
• 30:38
  Speaker 1: we cut to a statue of n holding a mushroom,
• 30:42
  Speaker 1: and now they are all walking towards a white food
• 30:44
  Speaker 1: truck that says Tanba on it. Tan was like, this
• 30:47
  Speaker 1: is it? Huh? Not too shabby? Huh? What's with that band?
• 30:52
  Speaker 1: There is a red and teal like brightly painted food
• 30:55
  Speaker 1: truck like right next to the Tanba food truck and
• 30:58
  Speaker 1: it says Osca Tama points to it. It's in the way,
• 31:02
  Speaker 1: Move it, beast? Did you just call me a beast?
• 31:06
  Speaker 1: We got to Kimen and Fukuyama pushing the truck and
• 31:09
  Speaker 1: then we hear a voice say stop right there. They
• 31:11
  Speaker 1: all like look over and we see like a woman's legs,
• 31:15
  Speaker 1: and whoever that is says, that's my truck. We see
• 31:18
  Speaker 1: her now. She has this really interesting bat mask. It's
• 31:21
  Speaker 1: like a full bat like her face is the stomach
• 31:24
  Speaker 1: of the bat, and then there's like a little head
• 31:25
  Speaker 1: and wings sticking out, and she's wearing like a skirt
• 31:28
  Speaker 1: and she's got like dead we're ats hanging off her.
• 31:31
  Speaker 1: She looks pretty cool anyway. She says, great to see
• 31:35
  Speaker 1: you again. Tanba's on. Tanba's like, what you. Kimon says,
• 31:40
  Speaker 1: who's that. Fukiyama's like, she used to work with us
• 31:43
  Speaker 1: before you started. Tanba says, what are you doing here? Osaka?
• 31:47
  Speaker 1: Ah the name on the truck. Osca's like, I just
• 31:51
  Speaker 1: started a new shop, a pie shop. Tamba again is
• 31:54
  Speaker 1: like what. Fukuyama says, you stole restaurant Tanba's recipe. Asika's like,
• 32:00
  Speaker 1: come on, Fukiyama, I'm not a thief. I just referenced it. Huh,
• 32:04
  Speaker 1: who are you? Kaimen, who has his hands on tanbas shoulder,
• 32:08
  Speaker 1: says I'm his newlywed wife. Tana's like what, Osca says
• 32:14
  Speaker 1: his wife?
• 32:15
  Speaker 2: You?
• 32:16
  Speaker 1: Yeah, I mean yeah. Fukuyama, very quietly to Kaymen, says
• 32:20
  Speaker 1: she had feelings for him, but he didn't feel the
• 32:23
  Speaker 1: same way, so he quits. Kymon's like, my, how pathetic,
• 32:26
  Speaker 1: Osika says, shut up. Kim In, who I guess was
• 32:30
  Speaker 1: bent over slightly, kind of fully stands up and basically
• 32:33
  Speaker 1: towers over her, blocking the sun, and she's like, you're huge.
• 32:38
  Speaker 1: Are you really a woman? Tanba says, anyway, your a
• 32:41
  Speaker 1: rival now, but you're not gonna get much business as
• 32:44
  Speaker 1: long as I'm around. Osca says, haven't you heard whoever
• 32:48
  Speaker 1: sells the most at lunch tomorrow gets to keep the spots.
• 32:51
  Speaker 1: Tan Ba's like what he sighs. All he's been saying
• 32:55
  Speaker 1: is what? Man? Then Victory's ours. Osca's like, seem confidence?
• 33:01
  Speaker 1: What if I win? Tan Ba says, I'll close my
• 33:04
  Speaker 1: shop and come work for you. Asuka's quiet for a
• 33:07
  Speaker 1: second game on, she turns and walks away. Fukuyama says,
• 33:11
  Speaker 1: we need to be careful. Tana's like, come on, you
• 33:14
  Speaker 1: know she can't cook. Kimon puts his hand on tanbas shoulder,
• 33:18
  Speaker 1: Darling tan Buta turns to see Kimon's pie head like
• 33:21
  Speaker 1: right in his face, and he screams. Kimon's like, may
• 33:25
  Speaker 1: I go take a look at the grounds. Tan Ba's like,
• 33:28
  Speaker 1: excuse me, get to work. He kind of pushes him,
• 33:31
  Speaker 1: and Kimon cowers. He continues go get the food that's
• 33:34
  Speaker 1: been delivered at the south Gate. Kimon runs off, and
• 33:37
  Speaker 1: he's like, you're such a controlling husbands, really, Tana, you
• 33:40
  Speaker 1: can cut it with the domestic abuse please. We cut
• 33:44
  Speaker 1: Tonoi with the mouth of her mask open and she's
• 33:47
  Speaker 1: blowing smoke, and then we see Vox thirteen and Johnson
• 33:51
  Speaker 1: like all back to normal and shocked, and Vox is like,
• 33:54
  Speaker 1: whoa where am I? Thirteen is just touching his head
• 33:58
  Speaker 1: in disbelief, and Kastu Kabe says, good for you, Johnson.
• 34:01
  Speaker 1: They are like sitting in a living room, like around
• 34:04
  Speaker 1: a table that has snacks on it, and Costu Kabe
• 34:06
  Speaker 1: is just grabbing potato chips. Shinn says, so, what are
• 34:10
  Speaker 1: you guys gonna do? Kasukabe's like, I want to see Nikaido.
• 34:14
  Speaker 1: Shin shakes his head. No, you'd be better off returning
• 34:17
  Speaker 1: to the hole immediately. I really owe you one. But
• 34:20
  Speaker 1: if you're with the lizard, we're enemies. Kasa Kabe is like, yeah,
• 34:24
  Speaker 1: I get what you're saying. He takes another chip. Sheen's like, hey,
• 34:27
  Speaker 1: I'm saying I'm letting you off the hook. Stay away
• 34:29
  Speaker 1: from the lizard. Guy thirteen and Vox look stressed, and
• 34:34
  Speaker 1: Costu Kabe laughs and he's like, you're telling me to
• 34:36
  Speaker 1: mind my own business, right, but look, thanks to me
• 34:40
  Speaker 1: not doing that ten years ago, you and I are
• 34:41
  Speaker 1: both alive right now, don't you agree? Shin kind of
• 34:45
  Speaker 1: exhales and he looks a little bit pissed off. Kasu
• 34:47
  Speaker 1: Kabe continues, right box Fox is like, what uh. Maybe
• 34:53
  Speaker 1: he rubs his head and kind of chuckles. Shin says,
• 34:57
  Speaker 1: is saving people a hobby of yours or something? So
• 35:00
  Speaker 1: kaves like saving people? Nah, I'm only interested in research. Sheitn't.
• 35:04
  Speaker 1: Is silent for a second. You haven't changed a bit.
• 35:08
  Speaker 1: We go back to Kymen, who is walking back, I
• 35:11
  Speaker 1: guess from the south gates, carrying a stack of boxes
• 35:14
  Speaker 1: on each shoulder, and we hear Fukuyama say Kimon's on.
• 35:18
  Speaker 1: Kimon turns and it's like huh, And Fukiyama is running over,
• 35:21
  Speaker 1: holding like a newspaper and he says, look at this,
• 35:24
  Speaker 1: it's the n Family newspaper. Kimon sighs, and he's looking
• 35:27
  Speaker 1: at and he's like, what the boss's top five favorite mushrooms? Please?
• 35:31
  Speaker 1: I want to know. Fukiyama says, no, up here, and
• 35:34
  Speaker 1: he points to a picture of Nikaido. Kaimon's eyes widen
• 35:38
  Speaker 1: and he says, huh, why why is Nikaido in the newsletter?
• 35:43
  Speaker 1: The camera kind of spins upside down and the entire
• 35:46
  Speaker 1: atmosphere gets dark and like the clouds in the sky
• 35:50
  Speaker 1: kind of swirl overhead above Kaimen as he like silently panics,
• 35:54
  Speaker 1: we hear Fukuyama say maybe she's being held against her will,
• 35:58
  Speaker 1: but his voice kind of fades out. Kimon is so
• 36:02
  Speaker 1: in his head about what's going on, and then we
• 36:05
  Speaker 1: hear him say, what's going on Kimen Kaimen's son. We
• 36:09
  Speaker 1: go black. We get a time lapse of the truck
• 36:12
  Speaker 1: that takes us the next day, and Tana's standing at
• 36:15
  Speaker 1: the truck window and he says, okay, we're ready to go.
• 36:18
  Speaker 1: Kaimon is sitting in an alley with his knees to
• 36:21
  Speaker 1: his chest and his head down. We hear Fukuyamasai and
• 36:25
  Speaker 1: he says, kim and son is looking miserable. Tana's like
• 36:29
  Speaker 1: over a woman. The fool get to work. Osaka walks
• 36:33
  Speaker 1: up to the window and says, good morning, Tom basn
• 36:37
  Speaker 1: you two are such an adorable couple. She like walks off, laughing, Hey,
• 36:41
  Speaker 1: it's not funny. They'd be a great couple. Actually they
• 36:44
  Speaker 1: wouldn't because I think Tanba is too mean, and I
• 36:48
  Speaker 1: think Kimon deserves better than a guy that beats him up.
• 36:51
  Speaker 1: But yeah, no, that's it. They're a terrible couple. Anyway.
• 36:55
  Speaker 1: We cut back to Kymen, who is sitting in the alley,
• 36:57
  Speaker 1: still looking down and thinks, I already knew Nikido was
• 37:02
  Speaker 1: a sorcerer. I just didn't want to accept it. He
• 37:05
  Speaker 1: thinks about different moments in his time with Nikaido, like
• 37:08
  Speaker 1: heard the hungry bug her eating his burnt gioza, and
• 37:12
  Speaker 1: we hear him say that Nikaido is lying to me
• 37:14
  Speaker 1: about being a human. Maybe there's no need for me
• 37:17
  Speaker 1: to save her anymore. We cut out of the flashback.
• 37:20
  Speaker 1: He continues, this is where she really belongs. He stands,
• 37:24
  Speaker 1: maybe I should just keep quiet and leave this place.
• 37:26
  Speaker 1: He starts to walk away. Yeah, that's what I'll do.
• 37:30
  Speaker 1: I'll think it over, and he suddenly stops and gasps.
• 37:34
  Speaker 1: Nikaido is passing by with n in some guards. Kimon's
• 37:37
  Speaker 1: like Nikaido. Before anything else can happen, we see like
• 37:41
  Speaker 1: loudspeakers and they crackle and the voice says, come to
• 37:45
  Speaker 1: the main square for lunch. We are now panning up
• 37:47
  Speaker 1: on a clock tower and Asu is sitting kind of
• 37:51
  Speaker 1: on the roof, and the person on the loudspeaker continues,
• 37:55
  Speaker 1: there'll be a pie showdown with two shops. The core
• 37:57
  Speaker 1: members of the family will be there as special judges
• 38:00
  Speaker 1: come join the battle. Is one of the customers. The
• 38:03
  Speaker 1: clock in the clock tower strikes twelve and starts to
• 38:06
  Speaker 1: chime as Kaimen just stands there frozen, staring at Nikaido.
• 38:10
  Speaker 1: We hear a guard say this way, boss, and then
• 38:12
  Speaker 1: it's like, okay, let's go Nikaido. He pushes her forward,
• 38:16
  Speaker 1: Kimon says, Nikaido. Tana's like hey. Kimon gasps, realizing that
• 38:23
  Speaker 1: Tanba is standing next to him now, and Tanba continues,
• 38:27
  Speaker 1: isn't that the girl. Kimon's like, darling, we're gonna beat
• 38:30
  Speaker 1: that Asuko woman, right, come on. He leads tom Bo away,
• 38:33
  Speaker 1: and Tom's like, hey, hey, are you sure? Kimon chuckles
• 38:37
  Speaker 1: and positive. Nikiito's looking better than my thoughts. Maybe I
• 38:41
  Speaker 1: didn't need to come saber after all. Fuck kim In,
• 38:45
  Speaker 1: you do need to saber now. We cut to pink
• 38:48
  Speaker 1: smoke coming out of multiple smoke stacks, and then a
• 38:53
  Speaker 1: basket with pies in it labeled Curry Flavor. Fukuyama says, boss,
• 38:58
  Speaker 1: thirty pies are out of the oven. Tanba walks over
• 39:01
  Speaker 1: and is like, all right, get ready for a long line.
• 39:03
  Speaker 1: Fukiyama looks over, Oh look, here they come. There's a
• 39:06
  Speaker 1: bunch of people like walking over, and Tana's like, okay,
• 39:09
  Speaker 1: we're ready. For you, and they just walk right past
• 39:12
  Speaker 1: Tanva's truck and we hear a voice say there it is,
• 39:15
  Speaker 1: and another voice say hurry. Tana turns and sees a
• 39:19
  Speaker 1: crowd of people standing in front of Aska's truck, and
• 39:22
  Speaker 1: another voice says, gimme Oscuca's apple pie, and someone else
• 39:26
  Speaker 1: is like, I want three. Asika's like, don't push now,
• 39:29
  Speaker 1: there's playing for everyone. They just stare in disbelief as
• 39:33
  Speaker 1: this happens, because what the fuck? I mean, maybe everybody
• 39:36
  Speaker 1: just wants apple pies instead of meat pies. I don't know.
• 39:39
  Speaker 1: We now go to the judge's table, big long table
• 39:42
  Speaker 1: where Shin Fujita and Nikaido Noi and Ebisu are sitting,
• 39:46
  Speaker 1: and ends like it's only noon, but it seems like
• 39:49
  Speaker 1: we already know who the winner is. Fuck. Ebisu's like,
• 39:53
  Speaker 1: gimme pie. We see Asaka again and she's like, here,
• 39:57
  Speaker 1: have some tasty apple pie. She blows smoke from her
• 40:01
  Speaker 1: truck over towards the judges, and Fuji's like, what a sweet,
• 40:06
  Speaker 1: yummy smell. She''s like yeah, they don't look normal at all.
• 40:11
  Speaker 1: We now see lots of pink smoke coming out of
• 40:13
  Speaker 1: those little smoke stacks and Asuka says, come have some
• 40:16
  Speaker 1: of Osaka's pie. Fujita, who looks super blank, stands and
• 40:21
  Speaker 1: is like, I'm gonna go buy some and says, bring
• 40:25
  Speaker 1: me an apple pie. Shin's like me too.
• 40:29
  Speaker 2: Noi.
• 40:29
  Speaker 1: Nikaido and Ebbi Su are just staring at them like
• 40:32
  Speaker 1: totally confused, and Noy's like, you want something sweet instead
• 40:36
  Speaker 1: of a meat pie? Said pie. Nikaido says and wants
• 40:39
  Speaker 1: something with no mushrooms. Ebbi SU's like get me one. Two.
• 40:44
  Speaker 1: Now we see Kime and shaking Tanba's shoulder and he's like, hey, hey,
• 40:47
  Speaker 1: what should we do, darling. Tana's like shut up. Fukuyama's
• 40:51
  Speaker 1: eyes are glazed and he's like, I'm gonna go spy
• 40:55
  Speaker 1: on her, and he starts to shuffle over. Tana's like ya,
• 41:01
  Speaker 1: and then Fukuyama like sprints towards the truck. We cut
• 41:05
  Speaker 1: now to a heart shaped pastry. It's like an open pastry,
• 41:08
  Speaker 1: so I wouldn't really call this a pie. Maybe it's
• 41:10
  Speaker 1: kind of like a tart or something, but it's not
• 41:11
  Speaker 1: a white plate, and we hear Fuji to say it's
• 41:15
  Speaker 1: shaped like a heart. We see all of the judges
• 41:18
  Speaker 1: cut the pies and then take a bite in Unison
• 41:22
  Speaker 1: and NOI choose it In and is like, I'd say
• 41:24
  Speaker 1: it's so so. Ebbi Sue's veins are like bulging in
• 41:28
  Speaker 1: her head and she's like, it's nothing worth standing in
• 41:30
  Speaker 1: line for. We see Fujita. He sighs and blushes and
• 41:34
  Speaker 1: he's like, isn't Aska Son amazing? Ebisu's like what. Shin
• 41:40
  Speaker 1: is also blushing and he says, yeah, what a great girl.
• 41:43
  Speaker 1: NOI's like what and says I was just thinking the
• 41:48
  Speaker 1: same thing. Nikaido says, huh, Fuji do is like I
• 41:53
  Speaker 1: want to eat more of her pies. Shin says, wouldn't
• 41:58
  Speaker 1: it make her happy if we bought a lot him?
• 42:00
  Speaker 1: And he's like, yeah, you think you can compete with me.
• 42:03
  Speaker 1: They all stand again and say let's go and start
• 42:06
  Speaker 1: to shuffle back over towards Osaga's truck. No, he's like,
• 42:10
  Speaker 1: I'm going for the meet instead. Ebie Sue says, what's
• 42:13
  Speaker 1: so great about that hussy? We see Kimon now leaning
• 42:16
  Speaker 1: against Tanba's truck with his arms crossed, and he's like,
• 42:20
  Speaker 1: what's taking Fukuyama so long? He looks to the side
• 42:23
  Speaker 1: and it's like, huh, Tanba, who is inside out the
• 42:26
  Speaker 1: truck's window says what is it? We see the crowd
• 42:29
  Speaker 1: at Oscar's truck, jumping up and down, as Osaka stands
• 42:33
  Speaker 1: on top, and Fukuyama is there and he's like, Osaka
• 42:36
  Speaker 1: selling hire me. Osaka's like, if you buy more pies,
• 42:40
  Speaker 1: I'll consider it. Kimon's like the trader. Tanba says wait,
• 42:44
  Speaker 1: and he grabs Kimon by the fork in his head
• 42:46
  Speaker 1: and pulls him back, and Kymon's struggling, and Tomba says,
• 42:49
  Speaker 1: I get it. Now it's her magic. Kimon says magic.
• 42:53
  Speaker 1: We cut to those smoke stacks again. Now we see
• 42:56
  Speaker 1: Osaka resting her head on her hand, and she looks
• 42:59
  Speaker 1: really fucking exhaust I mean, she is really really sol
• 43:02
  Speaker 1: these pies. I guess, so I get it. We hear
• 43:04
  Speaker 1: a voice say, Oska, we need to prepare more pies.
• 43:08
  Speaker 1: It's another woman with like a bad mask on, and
• 43:10
  Speaker 1: Asuka is like, sure, okay. She opens the back of
• 43:14
  Speaker 1: the truck and there are just lots and lots of
• 43:16
  Speaker 1: boxes there, which I thought was interesting because where's the
• 43:19
  Speaker 1: food being made. Yeah, she continues, don't let anyone in here, okay, okay,
• 43:26
  Speaker 1: So the boxes in the truck are frozen apple pies. Fuck.
• 43:31
  Speaker 1: She walks into the truck and we see like a
• 43:34
  Speaker 1: halo with smoke rising from it like way in the back,
• 43:38
  Speaker 1: and she says, Angel, we need more pies. She hands
• 43:41
  Speaker 1: like a pretty large apple tart that's not shaped like
• 43:44
  Speaker 1: a heart to this like green claw of some sort,
• 43:49
  Speaker 1: and we see, I guess what is Angel? Which is
• 43:51
  Speaker 1: this large green thing with no hair, and it's kind
• 43:54
  Speaker 1: of muscular and it has these black empty eyes and
• 43:57
  Speaker 1: I don't think it has legs, just kind of like
• 43:59
  Speaker 1: a long thing. I don't know. But he takes a
• 44:03
  Speaker 1: bite of this pie and Aska chuckles. Heart shaped pies
• 44:07
  Speaker 1: like pour out of this mouth that's in Angel's stomach.
• 44:12
  Speaker 1: I guess. And we hear tan Ba say Asuka's magic
• 44:17
  Speaker 1: summons a monster named Angel. She uses it to charm men.
• 44:21
  Speaker 1: We see smoke rising out of Angel's halo again and
• 44:24
  Speaker 1: then entering a vent on the ceiling, so I guess
• 44:26
  Speaker 1: that's how it's pumping out, And we hear tan Ba
• 44:28
  Speaker 1: say she lures men in with her smoke and then
• 44:31
  Speaker 1: feeds them the pie. This is very odd. Kaymon's like, wow,
• 44:37
  Speaker 1: so why aren't you affected? Tanba says she used so
• 44:41
  Speaker 1: much on me that I became immune. Huh, what about you,
• 44:45
  Speaker 1: Kimon jumps. I uh. We cut now to green and
• 44:49
  Speaker 1: orange balls being juggled, and Kimon gasps. It is Nikaido
• 44:54
  Speaker 1: and she's standing and watching a street performer juggle, which
• 44:57
  Speaker 1: is nice for her, I guess. He and looks over
• 45:00
  Speaker 1: at Uska's truck and he sees shin And and Fujita
• 45:05
  Speaker 1: standing in the crowd calling for pies. He looks back
• 45:08
  Speaker 1: over at Nikaido, who is totally alone by the way,
• 45:11
  Speaker 1: and tom Ba says go. Kimon gasps and looks at him,
• 45:15
  Speaker 1: and tom Back continues, this is your only chance, Kimon says,
• 45:20
  Speaker 1: but I can't leave the shop now. Tanva's like, it's
• 45:24
  Speaker 1: not like you're helping in any way. Kimon's like, what
• 45:28
  Speaker 1: did you say? But then he stops, glances back at
• 45:31
  Speaker 1: Nikaido and sighs and stares at the ground, and he's like,
• 45:35
  Speaker 1: are you sure about this? Tan Ba says yeah. Kaimon
• 45:39
  Speaker 1: starts to walk away, and then he stops and says,
• 45:42
  Speaker 1: I'm sorry. I couldn't be much help. Tanba's like, don't worry.
• 45:46
  Speaker 1: I haven't paid you anything yet. Kimon's like, oh yeah,
• 45:49
  Speaker 1: and then he just runs determined towards Nikaido. We see
• 45:53
  Speaker 1: Nikaido again looking at that street performer, and we hear
• 45:56
  Speaker 1: Kimon say Nikaido. Nikido turns and sees Kimon run up
• 46:00
  Speaker 1: to her and says, Kaimen, what are you doing here?
• 46:04
  Speaker 1: Kaimon's like, come on, let's go. He grabs her arm
• 46:07
  Speaker 1: and starts to pull her away. Then to tan But
• 46:09
  Speaker 1: he says, boss, I'll be back to get my wages someday,
• 46:12
  Speaker 1: and he starts to run off. Tana's like, yeah, if
• 46:16
  Speaker 1: my restaurant's still open. Then we hear Noi say pretty
• 46:19
  Speaker 1: quiet over here. Huh. Ton was like huh, and he
• 46:22
  Speaker 1: looks up and sees Noy and Ebbi Sue standing in
• 46:25
  Speaker 1: front of him. NOI's like, give us two meat pies.
• 46:28
  Speaker 1: Ebbi Su says, where the judges. Tan Ba's like coming
• 46:32
  Speaker 1: right up, fresh out of the oven, and he hands
• 46:35
  Speaker 1: them the pies. Noi splits open the pie and steam
• 46:39
  Speaker 1: comes out, and she's like it looks delicious. Tan Ba
• 46:43
  Speaker 1: like shows them a giant jar like filled with some
• 46:45
  Speaker 1: sort of purple liquid and he says the filling is
• 46:48
  Speaker 1: venison and minced veal marinated overnight with wine and vegetables. Hmm,
• 46:52
  Speaker 1: he taps on the jar. There's even some diced flog
• 46:55
  Speaker 1: we're on here. NOI's like delicious. Ebbi Sue says, Yomi
• 46:59
  Speaker 1: NOI like give me another, No, give me ten. We
• 47:02
  Speaker 1: cut to Osaka somewhere in the dark, with her back
• 47:05
  Speaker 1: to us. Another girl puts her hands on Osaka's back
• 47:08
  Speaker 1: and says, Asaka, you're using too much magic. Aska kind
• 47:12
  Speaker 1: of stumbles but brushes her off and says, I'm fine, Angel,
• 47:16
  Speaker 1: make more pies, and then she just collapses. The girl's
• 47:19
  Speaker 1: like Osaka Sama. Angel straight up disintegrates and the pie
• 47:24
  Speaker 1: he was holding thuds to the ground. Then we see
• 47:26
  Speaker 1: Fujia holding a pie and he gasps and looks around,
• 47:30
  Speaker 1: sit rubs his head and is like what were we
• 47:33
  Speaker 1: doing and studies the pie in his hand and then
• 47:35
  Speaker 1: drops it and it's like a heartburn. We hear Fukuyama
• 47:39
  Speaker 1: say boss, Tana's like huh, and he looks up and
• 47:43
  Speaker 1: Fukuyama says, I'm sorry. Tana's like, Fukuyama that means he
• 47:48
  Speaker 1: looks towards Oscar's truck, and we see like a bunch
• 47:51
  Speaker 1: of shots of the crowd like drifting off and becoming
• 47:53
  Speaker 1: less and less tom Back continues, her magic ran out. Huh.
• 47:58
  Speaker 1: He turns to Fukuyama. Okay, we still at fifteen minutes.
• 48:02
  Speaker 1: Fukama says, yes, boss, and then En is like, let
• 48:06
  Speaker 1: me try some of yours. I wish to try both
• 48:08
  Speaker 1: to the fair judgment. Tana gasps and son coming right
• 48:12
  Speaker 1: up here. He hands a pie to him. I heard
• 48:15
  Speaker 1: you only like mushrooms, so I prepared a special Chantarell
• 48:18
  Speaker 1: pie for you. That's so nice, and it's like, really chantrelle.
• 48:23
  Speaker 1: He takes a bite, his eyes snap open, delicious. He
• 48:27
  Speaker 1: starts to walk away. You win, Tanba, keep up the
• 48:30
  Speaker 1: good work. Tanva and Fukuyama are watching him leave in shock,
• 48:33
  Speaker 1: and Fukuyama is like, it was that easy. I didn't
• 48:38
  Speaker 1: know you prepared a special pie. Tanba chuckles. Of course,
• 48:43
  Speaker 1: I wouldn't say it was easy at all. Actually, like,
• 48:46
  Speaker 1: I'm pretty sure if you do good work, you get
• 48:49
  Speaker 1: good results. And that's what we learn here. We see
• 48:53
  Speaker 1: Aska watching them from around the corner, and she says,
• 48:55
  Speaker 1: damn you, Tanba, you'll pay for this, but for now,
• 49:00
  Speaker 1: let's get out of here, and she and her two
• 49:02
  Speaker 1: workers just run for it. Uska continues, don't kill us
• 49:06
  Speaker 1: if they found out we used magic on in We
• 49:09
  Speaker 1: cut to Kymon's hand gripping Nikido's arm as they walk off,
• 49:12
  Speaker 1: and Nikido says, wait, Kimon, where are you taking me?
• 49:16
  Speaker 1: Kimon's like where we're getting out of here? Nikkaido yanks
• 49:20
  Speaker 1: her arm away from Kimen, and Kimon kind of stumbles
• 49:23
  Speaker 1: and turns back. Nikido says, I'm not going Kymon's like
• 49:28
  Speaker 1: what Nikaido says, I want to stay with N. Kimon
• 49:34
  Speaker 1: gasps Nikaido. We have this kind of almost above shot now,
• 49:39
  Speaker 1: and Kimon continues, Okay. Then we cut to his eye
• 49:42
  Speaker 1: and he looks really pissed. I don't know what happened
• 49:45
  Speaker 1: to you, but if you won't come with me, I'll
• 49:47
  Speaker 1: have to force you. Yeah. We get a close up
• 49:50
  Speaker 1: of Nikido's dead eyes and she says, try me go
• 49:54
  Speaker 1: to black, and then we go to the ending theme yay,
• 49:57
  Speaker 1: which is the same as last week, by the way,
• 50:00
  Speaker 1: which was eh. I didn't like that one that much anyway.
• 50:03
  Speaker 1: What we learned in episode eleven, N wasn't a cute baby.
• 50:07
  Speaker 1: That's so mean. N's castle is humongous. It really is.
• 50:11
  Speaker 1: Tan bas pies are delicious, yay. What we'll learn in
• 50:15
  Speaker 1: episode twelve is still hidden in chaos and that is
• 50:18
  Speaker 1: Doro hey doo, and that's it. Yeay, Okay. Closing thoughts,
• 50:24
  Speaker 1: I guess yay. I actually liked that episode, but I
• 50:28
  Speaker 1: feel like I didn't read it super well, Like I
• 50:30
  Speaker 1: really really tried. I started and stopped a lot and
• 50:33
  Speaker 1: redid parts of it. So I hope that it is
• 50:35
  Speaker 1: up to some sort of standards. I don't think I
• 50:38
  Speaker 1: have high standards, but I hope it is up to
• 50:40
  Speaker 1: a standard that you would enjoy whatever that means, cause
• 50:44
  Speaker 1: I tried, I guess yeah. Anyway, Yeah, so that was interesting.
• 50:51
  Speaker 1: So first of all, the entire first part of the
• 50:53
  Speaker 1: episode that was basically just learning about what happened to
• 50:57
  Speaker 1: n and End's past and shit was really interesting. I
• 51:00
  Speaker 1: wonder how much of it is true because we know
• 51:02
  Speaker 1: that it is a basically a dramatization, like and he's
• 51:05
  Speaker 1: probably spinning things so that he looks better than he does.
• 51:08
  Speaker 1: But yeah, I wonder how much it's true. One of
• 51:12
  Speaker 1: my big questions watching this was like if his parents
• 51:16
  Speaker 1: died when he was born because he turned them into mushrooms,
• 51:18
  Speaker 1: whichould make sense. He's baby, he doesn't know how to
• 51:20
  Speaker 1: control his power. I don't really blame him, like, does
• 51:23
  Speaker 1: he even know who his relatives are? Because it's weird
• 51:26
  Speaker 1: that Noy is his cousin. Like I didn't get the
• 51:30
  Speaker 1: impression from what I watched that he even knew who
• 51:34
  Speaker 1: his family was or anything like that. I don't even
• 51:38
  Speaker 1: think we know for sure that he killed his parents,
• 51:41
  Speaker 1: because how would anyone know that he was a baby
• 51:44
  Speaker 1: and then he was sold by some dude who wouldn't
• 51:47
  Speaker 1: have had a chance to say, like, oh, I found
• 51:49
  Speaker 1: you when you turned your parents into mushrooms? Like there's
• 51:52
  Speaker 1: never any of that, So I assume this is all
• 51:54
  Speaker 1: just conjecture. What if End's parents are the ones that
• 51:58
  Speaker 1: sold him, Like he wouldn't know he's a baby. You
• 52:02
  Speaker 1: don't remember things from when you're a little baby, in
• 52:04
  Speaker 1: less sorcerers do. And then that totally negates my entire arguments.
• 52:09
  Speaker 1: But his parents were killed like immediately after he was
• 52:12
  Speaker 1: born because he had the umbilical cord still, so there's
• 52:15
  Speaker 1: no way he could know who his family is. It's
• 52:18
  Speaker 1: not like that was talked about or something. So how
• 52:20
  Speaker 1: would he know that Noy is his cousin? How would
• 52:22
  Speaker 1: he know anything about that? I mean, I guess no
• 52:25
  Speaker 1: there's just no way because there's probably not a record
• 52:27
  Speaker 1: of his birth because it looked like he was born
• 52:28
  Speaker 1: at his house. Like, so he probably doesn't have a
• 52:31
  Speaker 1: Social Security number. I don't even know if they have
• 52:33
  Speaker 1: them there, But how would I mean, the only way
• 52:37
  Speaker 1: he would know is if they do like blood tests
• 52:39
  Speaker 1: and then they found that he is family, But I
• 52:41
  Speaker 1: kind of don't think that happens. Basically, what I'm saying
• 52:44
  Speaker 1: is I don't understand how they're related or how they
• 52:47
  Speaker 1: would know that they're related. I guess, like maybe when
• 52:54
  Speaker 1: it get back to the family like extended family that
• 52:57
  Speaker 1: the parents were turned into mushrooms and the baby was
• 53:00
  Speaker 1: on maybe they could have found him that way. I'm sorry, guys,
• 53:05
  Speaker 1: I've been trying to work this out in my head
• 53:07
  Speaker 1: for like at least a week, and I just I'm
• 53:09
  Speaker 1: not sure. But yeah, so I don't know how much
• 53:13
  Speaker 1: of that is true. We know that N destroyed that
• 53:16
  Speaker 1: entire city at least, but yeah, so what the fuck
• 53:20
  Speaker 1: is wrong with N? Like he just can't control his
• 53:22
  Speaker 1: power sometimes. Like I said in a previous episode, he
• 53:26
  Speaker 1: needs to get that shit together. It is not acceptable
• 53:29
  Speaker 1: to blackout and destroy an entire city because you are
• 53:33
  Speaker 1: annoyed at one person. It's not okay. So really, he's
• 53:37
  Speaker 1: got to get his shit together. I don't even know
• 53:39
  Speaker 1: how he's led an organization for this long if he
• 53:42
  Speaker 1: can't keep a lit on his powers. But hey, what
• 53:46
  Speaker 1: do I know? I don't know anything about the Sorcerer Mafia,
• 53:50
  Speaker 1: so it is interesting to see that, at least according
• 53:55
  Speaker 1: to him, this was like a big group of people,
• 54:00
  Speaker 1: and now we basically have no one except for noi
• 54:02
  Speaker 1: in Shin and Fujiita and Ebysue, which are I mean,
• 54:05
  Speaker 1: noy Shin are great in all but Fujiita and Abby
• 54:07
  Speaker 1: Sewer not people I'd want to be top tier organization people.
• 54:11
  Speaker 1: Ebisu's like insane, and Fujida isn't very strong, But hey,
• 54:16
  Speaker 1: I guess that's all he's got. Maybe he spent so
• 54:20
  Speaker 1: much effort in trying to find a sorcerer that can
• 54:23
  Speaker 1: control time so he can go back that he hasn't
• 54:26
  Speaker 1: been taking care of the organization as much. I guess
• 54:29
  Speaker 1: that's possible. So, but that leads us to Kiman is
• 54:34
  Speaker 1: probably the Cross Eyes boss. If that person was the
• 54:37
  Speaker 1: Cross Eyes boss that end was fighting, which I assume
• 54:39
  Speaker 1: he was, Kim is a Cross Eyes boss. I mean,
• 54:42
  Speaker 1: I don't know how that's possible, because I'm pretty sure
• 54:45
  Speaker 1: Kim is not a sorcerer. If he was, I'm sure
• 54:49
  Speaker 1: that doctor Fox and Kasu Kabe would know and would
• 54:53
  Speaker 1: have said something by now. But he's the only headless
• 54:58
  Speaker 1: thing that I know of, especially the only headless thing
• 55:01
  Speaker 1: that could keep moving once it's headless. So yeah, so
• 55:05
  Speaker 1: I wonder how this is all gonna end up play now.
• 55:07
  Speaker 1: Aside from that, in the second part, besides really enjoying
• 55:12
  Speaker 1: Kymon wearing a costume and calling himself Piman, which didn't
• 55:16
  Speaker 1: make any sense, I was really really happy that Kimon
• 55:21
  Speaker 1: didn't give up on Nikaido because it seemed like he
• 55:23
  Speaker 1: was going to for a second. And to be fair,
• 55:27
  Speaker 1: Kymon doesn't know that she's being controlled, right, there's no
• 55:29
  Speaker 1: way for him to know that. But I'm really glad
• 55:33
  Speaker 1: he's not gonna give up. And then maybe he's kind
• 55:34
  Speaker 1: of figured it out a little because because even though
• 55:37
  Speaker 1: Nikaido is a sorcerer and has lied to him about that,
• 55:41
  Speaker 1: he does know her pretty well other than that, and
• 55:44
  Speaker 1: she is not acting normally. So yeah, I don't know.
• 55:48
  Speaker 1: I guess we'll see what happens in the last episode,
• 55:51
  Speaker 1: which we'll, I guess do next week. Then I have
• 55:53
  Speaker 1: to really firm up what the fuck I'm doing after that,
• 55:55
  Speaker 1: because I'm still not sure. Still probably given. But if
• 55:59
  Speaker 1: you think that's a bad idea or a good idea,
• 56:01
  Speaker 1: you should email me and tell me. If you have
• 56:03
  Speaker 1: any other ideas, you would also email me and tell me.
• 56:06
  Speaker 1: It's always there in the show notes my email. So yay. Anyway,
• 56:11
  Speaker 1: I hope that this was okay. I hope that you're
• 56:14
  Speaker 1: enjoying Dota Hido at least a little. If not, I
• 56:19
  Speaker 1: guess it's gonna be over soon anyway, So yay. I
• 56:22
  Speaker 1: don't know. I just hope this is going okay because
• 56:25
  Speaker 1: I'm not really sure. I feel kind of shitty. So
• 56:28
  Speaker 1: I'm gonna go do that thing that I do, whatever
• 56:32
  Speaker 1: that is, and prepare for the next year because it's coming.
• 56:38
  Speaker 1: And I hope you have a really good whatever and
• 56:45
  Speaker 1: yeah later weeps.