Latest / Movie Meltdown / 181: She's a Firecracker

Transcript

181: She's a Firecracker · Movie Meltdown

• 0:01
  Speaker 1: The following program is a proud member of the Palover
• 0:04
  Speaker 1: family of podcasts.
• 0:06
  Speaker 2: Check out all the shows over at palover.com.
• 0:08
  Speaker 3: That's P-A-L-A-V-E-R dot com.
• 0:11
  Speaker 4: It's showtime.
• 0:14
  Speaker 5: The following feature has been rated R by the Motion
• 0:17
  Speaker 5: Picture Association of America. It is intended for mature audiences
• 0:21
  Speaker 5: and parental discretion is advised. Our nuclear reactor pumping out
• 0:27
  Speaker 5: one million kilowatts of power. provide more cooling in the
• 0:55
  Speaker 5: containment chamber.
• 0:56
  Speaker 6: To your sentinels, we have a rebound.
• 0:59
  Speaker 4: But you're not more than one generation from poor Wyatt Trash,
• 1:02
  Speaker 4: are you, Agent Starling?
• 1:04
  Speaker 7: And that accent you've tried so desperately.
• 1:06
  Speaker 1: To shed, pure West Virginia.
• 1:09
  Speaker 8: What is your fatherly, is he a coal miner, does
• 1:12
  Speaker 8: he stink of all that?
• 1:32
  Speaker 1: Hi, this is Martha Stevens, and you are listening to
• 1:35
  Speaker 1: Movie Meltdown.
• 1:49
  Speaker 9: Looks like I'm running late again As the wind tips
• 1:54
  Speaker 9: all concrete Keep the beat Always somewhere to go Nowhere
• 2:01
  Speaker 9: to be I'm looking for my flyover stick Those backyards
• 2:10
  Speaker 9: and great lakes I gotta take it easy now Kentucky, Missouri, Illinois,
• 2:25
  Speaker 9: Ohio The red ones, the.
• 2:27
  Speaker 1: Blue ones, the places that I know.
• 2:32
  Speaker 10: Look up the way.
• 2:34
  Speaker 9: You've gone, the way you've been and away from I'm
• 2:36
  Speaker 9: in a flower stand I've found I'm in a flower
• 2:42
  Speaker 9: stand I'm.
• 2:43
  Speaker 10: Proud What's up and welcome to Movie Meltdown. I'm Brian.
• 2:46
  Speaker 2: I'm Lucy.
• 2:47
  Speaker 10: And this week we are coming to you live via
• 2:50
  Speaker 10: digital recording. From Dreamland Film Center here in Louisville, the
• 2:53
  Speaker 10: home of the Louisville Film Society and the site of
• 2:56
  Speaker 10: some of this year's programming of Flyover Film Fest. Speaking
• 3:00
  Speaker 10: of which, we've got a special guest co-host this week,
• 3:03
  Speaker 10: a director who is showing her movie at the festival
• 3:05
  Speaker 10: this weekend. We'd like to welcome director Martha Stevens.
• 3:09
  Speaker 1: Hello. Thank you for having me.
• 3:12
  Speaker 10: So, you are here with your film, Pilgrim Song, which
• 3:16
  Speaker 10: was showing last night. How was the... The showing for you,
• 3:20
  Speaker 10: how's the festival been going so far?
• 3:22
  Speaker 1: Good.
• 3:23
  Speaker 4: It was really nice to have my Kentucky screening finally
• 3:27
  Speaker 4: after taking it around mostly the southeast and other places,
• 3:31
  Speaker 4: but still just coming home with the movie felt right.
• 3:35
  Speaker 4: And it was great. We had a sellout screening, and
• 3:39
  Speaker 4: can't complain about that. And I think it was well received.
• 3:43
  Speaker 10: It was a huge group of people. Because I was
• 3:46
  Speaker 10: in there... before everybody came in and we were like,
• 3:49
  Speaker 10: what is this party going on outside? There was just
• 3:51
  Speaker 10: this lobby full of people.
• 3:52
  Speaker 1: Yeah, they're waiting to see Tim, I think, probably.
• 3:56
  Speaker 10: I don't think so. But what I like about Flyover
• 4:00
  Speaker 10: Film Festival, in my opinion, they're like kind of a
• 4:03
  Speaker 10: world-class film fest, which is weird in the middle of
• 4:06
  Speaker 10: Louisville here, but they're pulling in the top tier of
• 4:10
  Speaker 10: independent films, and they showcase local films, artists and directors
• 4:16
  Speaker 10: when they have them, but they don't specifically do that.
• 4:19
  Speaker 10: It's not set up to be a local film fest.
• 4:21
  Speaker 10: You know, it's actually set up to just bring in
• 4:24
  Speaker 10: like the best independent films out there. But, you know,
• 4:27
  Speaker 10: we've got your film comes in and it's kind of
• 4:30
  Speaker 10: like the best of both worlds because, you know, it's
• 4:33
  Speaker 10: making a big hit in the festival circuit. It's making
• 4:37
  Speaker 10: its rounds and getting a lot of really good buzz.
• 4:39
  Speaker 10: But at the same time, There's times when it's almost
• 4:41
  Speaker 10: like a promotional video for the state of Kentucky.
• 4:45
  Speaker 1: Good, yeah.
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  Speaker 10: It really works as highlighting this area in general on
• 4:51
  Speaker 10: top of being a really well put together independent film.
• 4:54
  Speaker 11: Well, thanks.
• 4:55
  Speaker 4: Yeah, I hope people are happy and feel good about.
• 5:01
  Speaker 1: The way I displayed the state. I mean, I think
• 5:06
  Speaker 1: it's definitely....
• 5:08
  Speaker 4: A love song to Kentucky to be really generic. I
• 5:13
  Speaker 4: love where I'm from, so I'm happy to keep creating
• 5:17
  Speaker 4: movies here.
• 5:18
  Speaker 10: You were born in Kentucky. How did you get, were
• 5:22
  Speaker 10: you initially interested in film when you were younger, or
• 5:25
  Speaker 10: did it happen later?
• 5:27
  Speaker 4: Well, yeah, I grew up in a rural farm, you know,
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  Speaker 4: farmland county, and.
• 5:33
  Speaker 1: We still had a movie theater.
• 5:34
  Speaker 4: We'd go across the river in Ohio and go see
• 5:37
  Speaker 4: movies sometimes and there was nothing else to do.
• 5:40
  Speaker 1: So seeing, you know, the third Indiana.
• 5:43
  Speaker 4: Jones movie was, you know, a hot summer day was,
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  Speaker 4: you know, that's what we did to kill time. I
• 5:48
  Speaker 4: had three older brothers and mom would drop us off
• 5:51
  Speaker 4: the movies and let us stay there for half.
• 5:54
  Speaker 1: A day and then come get us later. So yeah,
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  Speaker 1: I've always loved movies.
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  Speaker 4: And I think sometime when I was like around 14
• 6:01
  Speaker 4: or 15 years old.
• 6:02
  Speaker 1: I decided I wanted to make them.
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  Speaker 4: And I dabbled a little bit in high school and
• 6:08
  Speaker 4: made horrible movies that I hope no one ever sees.
• 6:12
  Speaker 1: And then I went to film school in North Carolina.
• 6:16
  Speaker 10: I guess once you did a movie that was at
• 6:19
  Speaker 10: the festival last year, it got a lot of decent
• 6:22
  Speaker 10: reviews as well. And then this year you come back
• 6:25
  Speaker 10: with The Pilgrim Song. Where did that idea come from
• 6:28
  Speaker 10: as far as the movie itself?
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  Speaker 1: Well, I wanted to make a Kentucky movie.
• 6:33
  Speaker 4: And I wanted to make a movie for Tim Morton,
• 6:37
  Speaker 4: who plays our lead, James. I wanted to write something
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  Speaker 4: for him specifically. And I also took some experiences from teaching.
• 6:46
  Speaker 4: I taught for a few years. It was pink slipped.
• 6:52
  Speaker 4: You know, it's just, it's such like a patchwork of
• 6:55
  Speaker 4: things from my life or things that interest me. Like
• 6:58
  Speaker 4: there's no real specific topic. I don't have a good
• 7:01
  Speaker 4: story of why I made this movie. It's just a
• 7:03
  Speaker 4: lot of little things that came to make it.
• 7:07
  Speaker 7: I don't know.
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  Speaker 10: I think that works.
• 7:08
  Speaker 7: Yeah.
• 7:09
  Speaker 10: That's how most things come, just little pieces here and there.
• 7:12
  Speaker 1: It's not exciting to hear about, but, yeah.
• 7:14
  Speaker 10: I think that's more likely how everything comes together, really.
• 7:17
  Speaker 4: Yeah.
• 7:18
  Speaker 10: I can find traces of doing this from, you know,
• 7:21
  Speaker 10: infancy in my eyes.
• 7:22
  Speaker 5: Right.
• 7:22
  Speaker 10: So, yeah, I know how it is. Yeah. Um, well, that's,
• 7:26
  Speaker 10: that's what I wanted to say. I mean, not to
• 7:27
  Speaker 10: go too far into the movie because I think everybody
• 7:29
  Speaker 10: should go seek it out and watch it. But, um, that,
• 7:32
  Speaker 10: I think that was some of the stuff I liked
• 7:34
  Speaker 10: about it is, um, also I didn't know anything going
• 7:37
  Speaker 10: in really. I just, I knew who you were and
• 7:39
  Speaker 10: I knew, you know, the movie by reputation and I
• 7:41
  Speaker 10: knew I wanted to see it. And you can, that's
• 7:43
  Speaker 10: one of the rare situations where you can go into
• 7:46
  Speaker 10: a movie not knowing about it. I mean, it's, it's
• 7:47
  Speaker 10: hard to not know anything about Prometheus. But, you know,
• 7:50
  Speaker 10: indie films, you can kind of go in and just,
• 7:52
  Speaker 10: on our recommendation or a director, and sit and be totally,
• 7:56
  Speaker 10: you know.
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  Speaker 1: Yeah.
• 7:57
  Speaker 10: Caught off guard, usually, which you can't do with big
• 8:00
  Speaker 10: movies anymore. So, yeah, I went in and wasn't sure
• 8:03
  Speaker 10: what to expect. And I was really impressed with how
• 8:07
  Speaker 10: fun it is on one hand, and also genuinely funny,
• 8:11
  Speaker 10: but not because it's trying to be. I think that's
• 8:13
  Speaker 10: why it works so well.
• 8:14
  Speaker 5: Most.
• 8:15
  Speaker 10: indie comedies that try to be comedies that that's the
• 8:19
  Speaker 10: problem the comedy doesn't work right it's.
• 8:21
  Speaker 4: Very subtle yeah the humor and so it's kind of
• 8:24
  Speaker 4: up to you if you want to laugh or not
• 8:25
  Speaker 4: yeah because you want a movie is like a full-blown
• 8:28
  Speaker 4: comedy and it doesn't work then it's really a miserable
• 8:32
  Speaker 4: experience yeah but if a movie is sort of not
• 8:36
  Speaker 4: a drama not a comedy just sort of is and
• 8:39
  Speaker 4: there are funny moments and if it works for you
• 8:42
  Speaker 4: good if it doesn't oh well i don't I don't
• 8:45
  Speaker 4: feel like I'm embarrassing myself. But it's my sense of humor.
• 8:51
  Speaker 1: I don't know.
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  Speaker 4: I think situations are funny.
• 8:55
  Speaker 1: Situational humor is funny.
• 8:57
  Speaker 10: And it's so based around the characters, specifically our main character.
• 9:00
  Speaker 10: And I think, again, just the thing that struck me
• 9:04
  Speaker 10: the most funny was he's so honest. But it's very understated.
• 9:08
  Speaker 10: He's very quiet most of the time, but he will
• 9:11
  Speaker 10: just say the most honest things And that, to me,
• 9:14
  Speaker 10: was what was funny. So I think that's one of
• 9:16
  Speaker 10: those things to watch as you see the movie, is
• 9:18
  Speaker 10: just his reaction to stuff. It's probably more honest than
• 9:21
  Speaker 10: most people are, but at the same time, the people
• 9:23
  Speaker 10: around him are kind of oblivious to it.
• 9:25
  Speaker 1: They are oblivious.
• 9:26
  Speaker 10: It's just, that's my favorite part. But yeah, he does
• 9:30
  Speaker 10: a great job. Actually, all the actors put in a
• 9:33
  Speaker 10: great performance.
• 9:34
  Speaker 1: Thank you.
• 9:35
  Speaker 10: Definitely worth going and finding out there.
• 9:37
  Speaker 1: I cannot take credit for that.
• 9:40
  Speaker 4: I think it's all about casting, and if you cast
• 9:42
  Speaker 4: the right people, then you'll usually have a pretty good
• 9:46
  Speaker 4: product demand. It's easy for me. I don't have to
• 9:49
  Speaker 4: direct as much when I have really talented people. and
• 9:52
  Speaker 4: like tim and brian they're great you know.
• 9:55
  Speaker 10: So yeah well with that uh i guess we can
• 9:59
  Speaker 10: uh move into the next segment here we are uh
• 10:02
  Speaker 10: we have invited you to sit in for the uh
• 10:04
  Speaker 10: the sofa theater feature this week so we will take
• 10:06
  Speaker 10: a break and come back with this.
• 10:17
  Speaker 12: A country boy set out to see the.
• 10:25
  Speaker 5: World.
• 10:26
  Speaker 8: Remember when those city lights shined down.
• 10:33
  Speaker 1: That big old moon.
• 10:35
  Speaker 12: Shined on your Kentucky girl. I swear I love you
• 10:45
  Speaker 12: by the moon above you How bright is it shining.
• 10:54
  Speaker 1: In your world?
• 10:59
  Speaker 12: Some morning when you wake up all alone Just come
• 11:07
  Speaker 12: on home to your blue Kentucky girl.
• 11:14
  Speaker 5: Drive away your worries and cares at this drive-in theater
• 11:18
  Speaker 5: where you will see the finest motion pictures of all
• 11:21
  Speaker 5: time soon to be released. Drama, comedy, adventure, excitement, something
• 11:28
  Speaker 5: for everyone. Here's a brief glimpse of some of the
• 11:31
  Speaker 5: truly fine pictures we've scheduled in the near future.
• 11:37
  Speaker 13: Get ready for a fast action blast in the tradition
• 11:40
  Speaker 13: of Dirty Mary Crazy Larry and Macon County Line. Dixie Dynamite.
• 11:49
  Speaker 13: Starring Warren Oates and Christopher George.
• 11:54
  Speaker 1: Well, a little.
• 11:55
  Speaker 7: Danger adds salt to a man's life.
• 11:57
  Speaker 5: I reckon.
• 11:58
  Speaker 13: They made a man, and now there's no stopping them.
• 12:02
  Speaker 7: The only problem we got is everybody keeps taking everything
• 12:05
  Speaker 7: away from us they want to.
• 12:06
  Speaker 5: So?
• 12:07
  Speaker 14: All that's gonna change.
• 12:08
  Speaker 1: You'd better believe it.
• 12:11
  Speaker 2: What's going on around here?
• 12:21
  Speaker 13: Music performed by Dwayne Eddy and the Mike Curb Congregation.
• 12:24
  Speaker 13: Dixie Dynamite. Rated PG. Parental guidance suggested.
• 12:33
  Speaker 7: Hey kids, it's time again for the Fright Night Horror Weekend.
• 12:36
  Speaker 7: Coming June 29th through July 1st at the Gold House
• 12:39
  Speaker 7: Hotel and Convention Center in Louisville, Kentucky. This year's guests
• 12:43
  Speaker 7: include Bruce Campbell, Sean Astin, Corey Feldman, John Rhys-Davies, the
• 12:49
  Speaker 7: fifth doctor himself, Peter Davison, plus James Marsters and Nicholas Brendan,
• 12:54
  Speaker 7: as well as Tyler Mayne, Deborah Foreman, Andy Barclay, Christine
• 12:58
  Speaker 7: Elise McCarthy, Sid Haig, Caroline Williams, and Luke Perry. Plus,
• 13:03
  Speaker 7: as usual, this is not just one, but two conventions,
• 13:07
  Speaker 7: so when you go to the Fandom Fest convention, you'll
• 13:09
  Speaker 7: see a weird science reunion, as well as a Monster
• 13:12
  Speaker 7: Squad reunion, and an Evil Dead 2 reunion. Plus, a
• 13:15
  Speaker 7: wide array of filmmakers, artists, and vendors will be on hand,
• 13:19
  Speaker 7: including a special appearance by your friends at movie meltdown
• 13:22
  Speaker 7: so remember that's fright night horror weekend combined with fandom
• 13:26
  Speaker 7: fest two conventions combined to bring you all the pop
• 13:28
  Speaker 7: culture action you can cram into one weekend that's june
• 13:32
  Speaker 7: 29th through july 1st at the gold house hotel and
• 13:34
  Speaker 7: convention center in louisville kentucky so just go to fright
• 13:37
  Speaker 7: night film fest.com for all the details.
• 13:56
  Speaker 4: This is Amy Simons, and you're listening to Movie Meltdown.
• 14:04
  Speaker 1: That was me melting down.
• 14:15
  Speaker 10: It's time for Sofa Theater. Happy anniversary, darling.
• 14:21
  Speaker 2: Yeah, it looks like you had a happy one. You know,
• 14:28
  Speaker 2: do most couples spend their anniversary together?
• 14:32
  Speaker 15: What's that?
• 14:33
  Speaker 1: That's your anniversary present, baby.
• 14:36
  Speaker 3: Happy anniversary.
• 14:37
  Speaker 16: My anniversary present?
• 14:39
  Speaker 5: Uh-huh.
• 14:40
  Speaker 2: Dude, sometimes I think you got a washer missing in
• 14:43
  Speaker 2: your brain. I can't play that thing.
• 14:45
  Speaker 10: Most people can't without they learn how first, God. You're
• 14:49
  Speaker 10: not too ignorant to learn, are you?
• 14:52
  Speaker 13: Hell, if you don't want it, I'll give it to
• 14:53
  Speaker 13: the kids.
• 14:55
  Speaker 10: They probably don't want it either, so I'll put it
• 14:56
  Speaker 10: in the canning box.
• 14:58
  Speaker 1: Well, give me that.
• 15:03
  Speaker 3: What'd you get me a guitar for?
• 15:11
  Speaker 1: Because I like the way you sing.
• 15:17
  Speaker 15: You really think I sing good?
• 15:21
  Speaker 9: Well, I was born a coal miner's daughter In.
• 15:29
  Speaker 16: A cabin on a hill in Butcher Holler.
• 15:36
  Speaker 1: We were poor but.
• 15:37
  Speaker 12: We had love That's the one thing that Daddy made
• 15:41
  Speaker 12: sure of He shoveled coal to.
• 15:45
  Speaker 15: Make a poor man's dollar.
• 15:50
  Speaker 11: My daddy worked all night.
• 15:52
  Speaker 1: In the bandlier of coal mines.
• 15:57
  Speaker 11: All day long in the field of hoeing corn.
• 16:04
  Speaker 8: Mommy rocked the babies at night and read.
• 16:07
  Speaker 1: The Bible by the coal oil light.
• 16:11
  Speaker 12: And everything would start all over come.
• 16:14
  Speaker 2: Break of morn.
• 16:16
  Speaker 10: Welcome back to Movie Mountain Sofa Theater. This week's Sofa
• 16:19
  Speaker 10: Theater feature is Co-Miner's Daughter. The year is 1980. Director,
• 16:24
  Speaker 10: we're going to go with Apted, I suppose. That's what
• 16:26
  Speaker 10: it reads like. I haven't found anybody arguing the pronunciation,
• 16:30
  Speaker 10: so Michael can get a hold of me if it's wrong.
• 16:32
  Speaker 10: Director Michael Apted. The plot, according to IMDb, and it's
• 16:36
  Speaker 10: very literal, biography of Loretta Wynn, a country and western
• 16:40
  Speaker 10: singer that came from poverty to fame. Okay, I mean,
• 16:44
  Speaker 10: you can't really argue that. It's not very impressive, but
• 16:47
  Speaker 10: you can't argue it. So, with that spoiler alert, it's
• 16:52
  Speaker 10: been since 1980, but if you haven't seen Coal Miner's Daughter,
• 16:55
  Speaker 10: I guess.
• 16:55
  Speaker 2: Spoiler alert, Loretta.
• 16:56
  Speaker 10: Lynn's a singer. You ruined it.
• 16:58
  Speaker 5: I know, sorry.
• 16:59
  Speaker 1: God.
• 17:00
  Speaker 10: She might not have made it, you don't know. Going in,
• 17:04
  Speaker 10: she's a little kid from the mountains. She might have
• 17:06
  Speaker 10: had a horrible story, but she kind of does anyway. Alright,
• 17:09
  Speaker 10: with that, let's get into it. So, where would you
• 17:11
  Speaker 10: like to begin with Coal Miner's Daughter?
• 17:13
  Speaker 4: I think that opening shot's where you... At first, the
• 17:17
  Speaker 4: movie catches your attention as soon as the screen shows
• 17:21
  Speaker 4: this mule, I think, riding through trees in the mountains
• 17:27
  Speaker 4: with Sissy Spacek, a 13-year-old version of Sissy Spacek with
• 17:33
  Speaker 4: a little red cap. And she's riding it, and her
• 17:37
  Speaker 4: sibling is attached to the back of the mule in
• 17:40
  Speaker 4: a sled.
• 17:42
  Speaker 2: And it's just her.
• 17:43
  Speaker 1: wandering and then in white.
• 17:44
  Speaker 4: Font comes up the coal miner's daughter and it just
• 17:47
  Speaker 4: like right away puts you in the mood.
• 17:50
  Speaker 10: In the time and place oh yeah situation.
• 17:53
  Speaker 4: Good it's so good i mean it's you know it's
• 17:56
  Speaker 4: a biopic and biopics usually don't have a lot of
• 17:59
  Speaker 4: personality they're kind of straightforward yeah but i think that
• 18:02
  Speaker 4: this is one of the best biopics made.
• 18:06
  Speaker 10: It does definitely have mood that a lot of them don't.
• 18:09
  Speaker 10: I mean, a lot of them can be really cut
• 18:11
  Speaker 10: and dry, and you get maybe good performances out of it,
• 18:14
  Speaker 10: but as a whole, the movie may have not a
• 18:16
  Speaker 10: lot to offer. Where this does give you a very...
• 18:19
  Speaker 10: Especially in that first half, when they're back way in
• 18:22
  Speaker 10: the country. Yeah. Yeah, it definitely gives you a very...
• 18:26
  Speaker 10: It paints that picture of that small town... really small
• 18:29
  Speaker 10: town and what their life is like really well.
• 18:31
  Speaker 5: Yeah.
• 18:32
  Speaker 4: And, and the opening sequence, it's like cutting between Loretta
• 18:36
  Speaker 4: and her dad in the mines.
• 18:38
  Speaker 1: And then is it Mooney.
• 18:40
  Speaker 4: Her husband, Doolittle, um, Tommy Lee Jones, you know, running
• 18:45
  Speaker 4: around in his red Jeep with a blonde by his side.
• 18:48
  Speaker 1: It's just, it's great.
• 18:50
  Speaker 4: And the camera never stops moving. It's like this ongoing,
• 18:53
  Speaker 4: there's like a lot of energy and it has like
• 18:55
  Speaker 4: a rawness to it. It's, not like a smooth, the,
• 19:00
  Speaker 4: the movement isn't always smooth. Like when we're, when the
• 19:03
  Speaker 4: camera's facing Tommy Lee Jones driving, it's very jarring and
• 19:08
  Speaker 4: it goes all over the place, but it's like, it
• 19:10
  Speaker 4: has this, and maybe it's cause it was made in 1980,
• 19:13
  Speaker 4: but it has this like really good raw quality that I,
• 19:15
  Speaker 4: I like how it's not shiny and perfectly pieced together.
• 19:19
  Speaker 10: It fits its surroundings. Exactly.
• 19:22
  Speaker 1: Yeah.
• 19:23
  Speaker 10: And that first half is kind of like, uh, commercial
• 19:26
  Speaker 10: for jeep is the whole thing is oh my god
• 19:29
  Speaker 10: look how awesome this jeep is i hadn't.
• 19:31
  Speaker 2: Really thought about that early product placement it kind of
• 19:34
  Speaker 2: thing could totally take you to the top of that
• 19:35
  Speaker 2: hill and.
• 19:36
  Speaker 10: Take me up that hill i'm gonna come get you
• 19:38
  Speaker 10: at your house nobody can come up the mountain well
• 19:40
  Speaker 10: you know yeah.
• 19:41
  Speaker 2: You pull up and they jump out and run out
• 19:44
  Speaker 2: they jump.
• 19:44
  Speaker 10: Right in your car it's a pretty good ad actually it.
• 19:49
  Speaker 17: Is and I think it's nice how the movie doesn't
• 19:52
  Speaker 17: like doesn't make poverty it doesn't paint poverty to be
• 19:56
  Speaker 17: cute but it also doesn't make it look like these
• 19:59
  Speaker 17: people are living in squalor you know what.
• 20:01
  Speaker 1: I mean it's it feels pretty honest I think.
• 20:04
  Speaker 10: And it does I mean it again as she grows
• 20:07
  Speaker 10: up and works this into her music that whole like
• 20:10
  Speaker 10: no matter how poor we were, we still had a
• 20:12
  Speaker 10: good family. You know, she, she, she kind of came
• 20:16
  Speaker 10: to stand for that, that, you know, I came out
• 20:17
  Speaker 10: of nothing, but we had love and we had this,
• 20:20
  Speaker 10: you know, family unit. And, you know, I think it
• 20:22
  Speaker 10: does present that pretty well, even though it's, it is
• 20:25
  Speaker 10: a very backwards town, you know, they, they, they've got,
• 20:28
  Speaker 10: you know, the important things, I guess you should say.
• 20:30
  Speaker 14: Yeah.
• 20:31
  Speaker 1: And they actually shot, I think a lot of it
• 20:34
  Speaker 1: in Van Leer where Butcher Holler is.
• 20:37
  Speaker 4: And, um, Shot a little bit in West Virginia and stuff,
• 20:39
  Speaker 4: but I like the fact that they didn't go to
• 20:42
  Speaker 4: Europe to shoot Appalachia, which happens so much. And I'm like,
• 20:46
  Speaker 4: just come here and do it.
• 20:49
  Speaker 10: We're in Bulgaria right now shooting the Appalachian Mountains.
• 20:52
  Speaker 1: Right, right, exactly.
• 20:53
  Speaker 4: And I think you can't not think about how awesome
• 20:57
  Speaker 4: Levon Helms is as her father.
• 21:00
  Speaker 1: And, like, what a tender performance he gives.
• 21:03
  Speaker 4: And, like, how well that relationship is painted in this opening.
• 21:08
  Speaker 4: And she's just, like, a daddy's girl. And he's, like, hard,
• 21:12
  Speaker 4: but he loves his kids so much.
• 21:13
  Speaker 1: And he's such a good dad.
• 21:15
  Speaker 10: And almost unrecognizable. I'm so used to his older version
• 21:19
  Speaker 10: that I sat there forever going, I thought Leave on
• 21:21
  Speaker 10: Home was, oh, my God. I was like, yeah, I'm
• 21:24
  Speaker 10: not used to him being that young. It's weird.
• 21:25
  Speaker 7: It's good.
• 21:26
  Speaker 5: It's good.
• 21:27
  Speaker 4: And I think most of the extras were, like, real
• 21:30
  Speaker 4: townspeople and stuff, which I think is always good.
• 21:33
  Speaker 1: I like that. I do that.
• 21:34
  Speaker 4: Yeah.
• 21:34
  Speaker 10: Yeah.
• 21:35
  Speaker 7: So.
• 21:37
  Speaker 1: And there's a few Zooms. I love, like, 1970s Zooms.
• 21:40
  Speaker 4: And although, like, that sort of thing was sort of,
• 21:44
  Speaker 4: you know, coming to an end in the 80s, it
• 21:47
  Speaker 4: was so nice that there was, like, a few pretty
• 21:49
  Speaker 4: good Zoom ends.
• 21:51
  Speaker 10: I do like, speaking of the whole little town and
• 21:55
  Speaker 10: setting up that mood, I do like that they work
• 21:56
  Speaker 10: in the company store reference. Because that probably is, yeah,
• 22:01
  Speaker 10: more so than people realize, I guess, now. I mean,
• 22:05
  Speaker 10: not that sort of the same system isn't going on
• 22:07
  Speaker 10: in a different way now, but it is weird how
• 22:09
  Speaker 10: much that was going on and how much it sort
• 22:12
  Speaker 10: of worked to keep these people in poverty and So
• 22:15
  Speaker 10: I like that they at least make that reference in there.
• 22:18
  Speaker 5: Yeah.
• 22:18
  Speaker 4: I mean, I live in West Virginia now, and you
• 22:20
  Speaker 4: go to these little towns, and you still see where
• 22:22
  Speaker 4: the company stores, you know, were and probably were in.
• 22:27
  Speaker 1: Business until, like, the 80s or something. It's just, yeah.
• 22:31
  Speaker 4: Living in West Virginia, it gives you a pretty clear
• 22:33
  Speaker 4: idea of what the mining did.
• 22:37
  Speaker 1: To the people there.
• 22:38
  Speaker 4: And does. And still does to this day, exactly.
• 22:41
  Speaker 1: So, yeah.
• 22:42
  Speaker 7: Yeah.
• 22:43
  Speaker 10: But yeah, you get in, there are still like those,
• 22:48
  Speaker 10: looking at it from today's perspective, as I'm sitting there
• 22:51
  Speaker 10: watching it and we get in the house, they're not
• 22:54
  Speaker 10: a huge house and And kids just keep coming in
• 22:57
  Speaker 10: the room. I'm like, oh, my God, birth control. There's
• 22:59
  Speaker 10: so many. There's so many children.
• 23:01
  Speaker 1: And then she goes on to have a ton of kids.
• 23:02
  Speaker 5: Yeah.
• 23:03
  Speaker 2: And I love the introduction of the kids, like, when
• 23:05
  Speaker 2: she's in the kitchen. And it's like a shot of
• 23:06
  Speaker 2: a kid and then a shot of a kid and
• 23:08
  Speaker 2: then a shot. And you're like, oh, God, when is
• 23:09
  Speaker 2: this going to stop?
• 23:10
  Speaker 1: It does stop. It doesn't stop.
• 23:13
  Speaker 4: I love that moment, too, when she comes home after
• 23:16
  Speaker 4: she separates from Tommy Lee Jones.
• 23:18
  Speaker 13: Yeah.
• 23:19
  Speaker 1: And the dad's like, you're getting married life's making you fat.
• 23:23
  Speaker 1: And the mom's like.
• 23:25
  Speaker 13: Oh no.
• 23:26
  Speaker 10: Oh no.
• 23:27
  Speaker 1: Cause yeah. So then they're locked into their marriage. Um,
• 23:32
  Speaker 1: and one thing I wanted to say, I think the like.
• 23:35
  Speaker 4: First, first, uh, 30 minutes of the movie, they're the
• 23:38
  Speaker 4: best part of the movie. And, um, just maybe it's
• 23:41
  Speaker 4: because I just love the setting, but, um, I was noticing,
• 23:45
  Speaker 4: I was reviewing it this morning a little bit and
• 23:47
  Speaker 4: I noticed like how wonderful Tommy Lee Jones and Sissy Spacek,
• 23:51
  Speaker 4: how great their body language is. Like, Tommy Lee Jones
• 23:54
  Speaker 4: is sitting and talking to the moonshiner and he's, he's
• 23:57
  Speaker 4: holding his knees up to his chest.
• 23:58
  Speaker 1: Like, like a high school student.
• 24:00
  Speaker 10: Yeah.
• 24:00
  Speaker 1: Like the, like, even though you look at him.
• 24:02
  Speaker 4: And you're like, clearly you're a man trying to play
• 24:05
  Speaker 4: a boy, but he's still there. They really, I feel
• 24:08
  Speaker 4: like tried to at least capture like this youthful.
• 24:13
  Speaker 1: I don't know, air. It was, it was really nice.
• 24:16
  Speaker 1: And Sissy Spacek, of course, won the Academy Award that year.
• 24:19
  Speaker 10: Um, and, and, does an amazing job she's so good
• 24:23
  Speaker 10: she does it is funny though watching that you mentioned
• 24:26
  Speaker 10: that because i noticed that too there's that that scene
• 24:29
  Speaker 10: of of tommy lee jones trying to like tell her
• 24:31
  Speaker 10: dad you know i want to marry her and i'm
• 24:33
  Speaker 10: looking at the show i'm like aren't you two the
• 24:35
  Speaker 10: same age he's supposed to be like 22 or something
• 24:39
  Speaker 10: and i'm like i'm pretty sure you're like 40 i
• 24:41
  Speaker 10: don't think tommy lee jones was ever really young i
• 24:43
  Speaker 10: think he came out 40 yeah like he's always looked
• 24:48
  Speaker 10: like So yeah, it was really funny. I'm just like, dude,
• 24:50
  Speaker 10: your dad's the singer.
• 24:52
  Speaker 5: Yeah.
• 24:53
  Speaker 4: Did you all notice how Sissy Spacek doesn't even sing
• 24:57
  Speaker 4: until almost an hour into the movie?
• 24:59
  Speaker 7: Yeah.
• 25:00
  Speaker 10: Again, I think that's what, like you said, that first half,
• 25:04
  Speaker 10: I think even with them on the road, I think
• 25:07
  Speaker 10: that first half of the movie is better because it's different.
• 25:11
  Speaker 10: It really does present, because you get to that second
• 25:14
  Speaker 10: half and it's like, every singer biopic ever you know
• 25:17
  Speaker 10: it's like this could be walk the line this could
• 25:19
  Speaker 10: be I mean then they're on the road all the
• 25:21
  Speaker 10: time and no they're taking pills you know just like
• 25:23
  Speaker 10: it becomes what every celebrity biopic kind of becomes but
• 25:26
  Speaker 10: this first half of the story is different than just
• 25:29
  Speaker 10: about everybody else's you know origins so.
• 25:32
  Speaker 1: It takes it's time yeah it.
• 25:35
  Speaker 10: Makes it a very different story that you haven't seen
• 25:38
  Speaker 10: before in these especially in a biopic.
• 25:40
  Speaker 4: Kind of thing I yeah I think it's stuff and
• 25:42
  Speaker 4: I like how it it builds anticipation, you know? Yeah.
• 25:46
  Speaker 10: I mean, that is something that you, you know where
• 25:49
  Speaker 10: it's going. I mean, you can't do a whole lot
• 25:52
  Speaker 10: with biopics in that, like, you know, you can't have
• 25:55
  Speaker 10: a big twist somewhere down the line. You kind of
• 25:57
  Speaker 10: know where it's going if it's going to be somewhat factual.
• 25:59
  Speaker 10: So yeah, but it does.
• 26:01
  Speaker 1: Yeah.
• 26:01
  Speaker 10: That first half where you realize she's like kind of
• 26:04
  Speaker 10: fighting it and it, it isn't like it just happened overnight.
• 26:08
  Speaker 10: It's this, you, you see her not even knowing how
• 26:11
  Speaker 10: to play the guitar, and you see her not wanting
• 26:12
  Speaker 10: to get on stage. So it is sort of this,
• 26:15
  Speaker 10: her being won over to what you know is going
• 26:17
  Speaker 10: to be this amazing career.
• 26:19
  Speaker 4: Yeah.
• 26:20
  Speaker 5: It's interesting.
• 26:20
  Speaker 4: Did you read any of the backstory of how Sissy
• 26:23
  Speaker 4: Spacek came to be?
• 26:25
  Speaker 10: I don't think.
• 26:27
  Speaker 1: In the part?
• 26:28
  Speaker 4: Well, she, apparently, I guess Loretta Lynn sold the rights
• 26:33
  Speaker 4: to her store or whatever, and knew there was going
• 26:35
  Speaker 4: to be a movie made, and was going on national
• 26:37
  Speaker 4: television saying.
• 26:39
  Speaker 1: I'm getting Sissy Spacek to play this part. And no
• 26:42
  Speaker 1: one ever talked to Sissy Spacek. And Sissy Spacek.
• 26:45
  Speaker 4: Was actually very weirded out and, like, felt very disconcerned
• 26:49
  Speaker 4: that this was happening and almost turned it down because
• 26:52
  Speaker 4: she didn't... She just thought it was so weird.
• 26:55
  Speaker 10: Because Loretta Lynn's stalking her.
• 26:57
  Speaker 5: Right.
• 26:58
  Speaker 4: And I think she was... Then, like, at some point
• 27:02
  Speaker 4: when she was watching one of these interviews... coal miners
• 27:06
  Speaker 4: like dog the song came on the radio and she
• 27:09
  Speaker 4: was like I guess it's meant to be and throughout
• 27:12
  Speaker 4: the shooting they spent a lot of time together and
• 27:17
  Speaker 4: they wrote songs together and Loretta like took her to
• 27:20
  Speaker 4: her bosom you know and but I just thought that
• 27:23
  Speaker 4: was funny that Loretta Lynn just she's just like a
• 27:26
  Speaker 4: firecracker anyway she's just like Sissy Spacek's gonna play it
• 27:30
  Speaker 4: without you know.
• 27:32
  Speaker 2: That's really interesting. It sounds a little like the Patsy Cline,
• 27:34
  Speaker 2: Loretta Lynn relationship, too.
• 27:36
  Speaker 5: Right.
• 27:36
  Speaker 1: She kind of calls her a hen. Some other hen thing, yeah.
• 27:41
  Speaker 6: Jack, Loretta's getting to be a woman.
• 27:43
  Speaker 1: Going on 14.
• 27:44
  Speaker 10: Women's supposed to have pretty things.
• 27:47
  Speaker 1: Mommy, she ain't no woman. She ain't nothing but a.
• 27:49
  Speaker 18: Dad burn key.
• 27:50
  Speaker 10: Before we get too far out of the early part
• 27:53
  Speaker 10: of the movie here, is everybody creeped out by the
• 27:56
  Speaker 10: wedding night? It is such a creepy scene, really. I mean,
• 28:00
  Speaker 10: I know it's... It's how things were. It's how it worked.
• 28:03
  Speaker 1: She was 13? Yeah. Or maybe she was 14 by then.
• 28:08
  Speaker 10: Well, she's a woman now.
• 28:10
  Speaker 1: According to her family. She had no real, you know...
• 28:15
  Speaker 1: Had probably... No one ever gave her the talk.
• 28:18
  Speaker 5: No.
• 28:19
  Speaker 1: No, I thought that was fascinating.
• 28:20
  Speaker 2: I mean, the thing with the book, and I guess
• 28:22
  Speaker 2: that's really how it was, that, you know, with them
• 28:25
  Speaker 2: not being saturated by media and learning sexuality that way,
• 28:28
  Speaker 2: that you just had no idea what this thing was.
• 28:30
  Speaker 7: Yeah.
• 28:31
  Speaker 10: No idea, probably. I mean, this is pre-internet. You can
• 28:35
  Speaker 10: find everything you need on the internet, but... More than
• 28:37
  Speaker 10: you ever want on the internet. But, yeah. Kid in
• 28:40
  Speaker 10: the mountains, and, you know, that day... Yeah, totally ignorant.
• 28:45
  Speaker 1: In a little sleazy motel in town.
• 28:48
  Speaker 10: Yeah, I like that everybody out there knows what we
• 28:51
  Speaker 10: were doing, Comet. I was like, that's cute. That's such
• 28:54
  Speaker 10: a 14-year-old girl, you know? Just like, they all know
• 28:56
  Speaker 10: what we're doing in here.
• 28:59
  Speaker 1: I do like, though, how the movie, they make light
• 29:02
  Speaker 1: of that in a way.
• 29:02
  Speaker 4: But they also never, like, condemn the people for.
• 29:06
  Speaker 1: It's never, like, making a big deal out of the
• 29:09
  Speaker 1: fact that she was... 2014, which is weird, but it
• 29:13
  Speaker 1: was the time of the times. It was different then, so.
• 29:15
  Speaker 10: It's harder for us now watching it than, you know,
• 29:18
  Speaker 10: at the times it was kind of the norm. I mean,
• 29:21
  Speaker 10: maybe not everywhere, but certainly in most of the country
• 29:25
  Speaker 10: for a lot of years there, that was still going on.
• 29:27
  Speaker 10: And just, you know, within a few years after that,
• 29:30
  Speaker 10: maybe it started becoming not such a good thing and
• 29:34
  Speaker 10: people were waiting a little more. But, yeah, I mean,
• 29:37
  Speaker 10: for for most of our, you know, country's history and
• 29:40
  Speaker 10: the world over, that's kind of how things used to be.
• 29:42
  Speaker 5: Right.
• 29:43
  Speaker 10: It's really, yeah, it just seems creepy to us now, but.
• 29:46
  Speaker 4: Right. But I, yeah, but I feel like the filmmakers never,
• 29:49
  Speaker 4: never like shun their, you know, or turn their noses
• 29:53
  Speaker 4: up at any of the situations that happen.
• 29:55
  Speaker 2: Yeah.
• 29:56
  Speaker 10: Which, which is good because I mean, a lot of the,
• 29:58
  Speaker 10: if you were coming from a different place, And he's British,
• 30:01
  Speaker 10: isn't he? Yeah, he's British. Coming from an entirely different world,
• 30:05
  Speaker 10: he really could have looked at this and went, oh, God,
• 30:07
  Speaker 10: and really sort of cast a down vision of this.
• 30:12
  Speaker 10: But who knows?
• 30:13
  Speaker 1: Maybe he was from, like, the projects in England somewhere.
• 30:16
  Speaker 10: The backwoods of England.
• 30:17
  Speaker 1: Yeah, who knows?
• 30:19
  Speaker 4: But, yeah, and looking at his filmography, it became very
• 30:23
  Speaker 4: clear to me that Kohlmeyer's daughter was, like, his masterpiece.
• 30:27
  Speaker 10: Yeah.
• 30:27
  Speaker 1: Cole Myers-Adder's like the best thing he's done.
• 30:29
  Speaker 10: Maybe.
• 30:31
  Speaker 4: I don't know.
• 30:31
  Speaker 10: I like Firstborn myself.
• 30:33
  Speaker 1: Well, he did Enough, right?
• 30:36
  Speaker 4: With Jennifer Lopez where she fights her abusive husband.
• 30:42
  Speaker 10: If I remember, Blink was in there. That classy man
• 30:44
  Speaker 10: in stuff.
• 30:45
  Speaker 1: Extreme Measures.
• 30:46
  Speaker 10: There's some classy movies in this list.
• 30:49
  Speaker 1: Nell.
• 30:49
  Speaker 10: We can't forget Nell.
• 30:50
  Speaker 5: Yeah, Nell.
• 30:51
  Speaker 10: His return to Appalachia.
• 30:53
  Speaker 5: Yeah.
• 30:54
  Speaker 1: Where Jodie Foster really.
• 30:57
  Speaker 10: That's become such a joke, which is a shame, because
• 30:59
  Speaker 10: Jodie Foster does a good performance, but you can't not
• 31:02
  Speaker 10: make fun of it. It's just asking for it.
• 31:04
  Speaker 1: It's chick-a-pay, right?
• 31:05
  Speaker 10: Chick-a-pay-pay. I mean, how can you not make fun of that?
• 31:09
  Speaker 10: If only we could have gotten Sissy Spacek to do that,
• 31:11
  Speaker 10: her entire performance, in that language. Yeah.
• 31:15
  Speaker 1: Nell's language.
• 31:16
  Speaker 10: Nell language.
• 31:18
  Speaker 1: Yeah, well, he's definitely a director for higher... Yeah. I
• 31:23
  Speaker 1: don't know.
• 31:24
  Speaker 4: I would never have heard of him as being some
• 31:27
  Speaker 4: sort of auteur or anything.
• 31:29
  Speaker 10: Which is odd because, let's see, what was it? He
• 31:32
  Speaker 10: is now the president of the Directors Guild of America.
• 31:35
  Speaker 1: That seems appropriate, doesn't it?
• 31:37
  Speaker 10: That's pretty much the kind of stuff they do there.
• 31:39
  Speaker 10: I guess that's how they operate. Directors for hire. Yeah,
• 31:46
  Speaker 10: I mean, you were saying the way that they present them.
• 31:49
  Speaker 10: I mean, there is that middle section there where I mean,
• 31:53
  Speaker 10: even as much as they don't paint the characters that way,
• 31:56
  Speaker 10: Tommy Lee's kind of a jerk. And again, maybe it's
• 31:59
  Speaker 10: just me being in today's age, but I mean, I'm
• 32:03
  Speaker 10: sure at the time, most of what he did was
• 32:05
  Speaker 10: probably the same thing any guy would have done in
• 32:07
  Speaker 10: that situation. But looking at it now, he comes off
• 32:10
  Speaker 10: as such a jerk in that middle area when he's
• 32:13
  Speaker 10: just yelling at her and won't let her do anything
• 32:15
  Speaker 10: and wants to be in charge of everything. And i
• 32:18
  Speaker 10: don't know there's there's it's again a weird perspective thing
• 32:21
  Speaker 10: i think that i think people like kids now watching
• 32:23
  Speaker 10: it would think this is a really weird movie but
• 32:26
  Speaker 10: yeah at the time it yeah it's the same thing
• 32:29
  Speaker 10: that was going on in every household probably a lot.
• 32:31
  Speaker 1: Of smacking the smacking the lady around.
• 32:34
  Speaker 10: Yeah i like that wedding night move like i make
• 32:38
  Speaker 10: the promise and you don't get out of the honeymoon.
• 32:41
  Speaker 4: It's like, don't ever hit her and don't take her
• 32:44
  Speaker 4: away from home.
• 32:45
  Speaker 10: The next night. She's like, Jesus Christ.
• 32:48
  Speaker 1: You know, this is all.
• 32:50
  Speaker 4: I mean, it's based off of a biography that... Kind
• 32:55
  Speaker 4: of an autobiography. It's like her and another author. So
• 32:58
  Speaker 4: it's from her perspective. It's from Loretta Lynn's perspective. Anybody's
• 33:04
  Speaker 4: perspective is a little painted by... their own feelings or emotions. So,
• 33:10
  Speaker 4: not that I'm giving him any... Not that I'm saying.
• 33:13
  Speaker 1: That he was great, like a great guy.
• 33:16
  Speaker 10: I'm sure she's... But as time goes on, it is
• 33:19
  Speaker 10: funny how much... that relationship holds up, and that she
• 33:23
  Speaker 10: does end up, you know, still loving him all these
• 33:25
  Speaker 10: years later.
• 33:26
  Speaker 1: Are they still married?
• 33:27
  Speaker 2: Well, they were still... I did look that up, because
• 33:29
  Speaker 2: I was sort of curious if he was alive when
• 33:31
  Speaker 2: the film came out, if they were together when the
• 33:32
  Speaker 2: film came out, because it is so candid. I mean,
• 33:35
  Speaker 2: it is a very much warts and all depiction. And
• 33:38
  Speaker 2: she was with him until he passed away, which was
• 33:40
  Speaker 2: years after that.
• 33:41
  Speaker 10: He's gone now, but yeah, they were, I think, together.
• 33:44
  Speaker 2: And it is, I mean, it is a love story,
• 33:46
  Speaker 2: and while, you know, I think... I think the movie
• 33:48
  Speaker 2: sort of focuses on he did these things, but it
• 33:51
  Speaker 2: was more out of frustration of his inability to assert
• 33:55
  Speaker 2: his manhood in a time when that was so important.
• 33:57
  Speaker 5: Right.
• 33:58
  Speaker 2: Um, rather than, and you know, and obviously he had weaknesses,
• 34:00
  Speaker 2: but rather than any.
• 34:01
  Speaker 5: Yeah.
• 34:02
  Speaker 4: And he kicked himself in the ass cause he's the
• 34:04
  Speaker 4: one that pushed her to be what she became.
• 34:07
  Speaker 10: Which, I mean, that's sort of the good balance. Like
• 34:09
  Speaker 10: you see that part in the middle where even when
• 34:12
  Speaker 10: he's kind of being a jerk about it, he's like, I, I,
• 34:14
  Speaker 10: believe in you you know even even more than you
• 34:17
  Speaker 10: do yeah i am i know you have talent you
• 34:19
  Speaker 10: make me proud when you do these things so i
• 34:22
  Speaker 10: want you to be it's almost again like a very
• 34:24
  Speaker 10: parental thing of you know i know you can do
• 34:27
  Speaker 10: this and i'm going to support you and so it
• 34:29
  Speaker 10: yeah it's that sort of balances out the the horrible
• 34:32
  Speaker 10: other situations that come about with him but yeah i
• 34:35
  Speaker 10: mean he's he's very in the business end of it
• 34:37
  Speaker 10: in those early days he you i mean she would
• 34:40
  Speaker 10: have never period, wouldn't have ever been a singer, would
• 34:42
  Speaker 10: have never been a successful singer had he not been there,
• 34:45
  Speaker 10: so in a way, he sort of makes up for
• 34:47
  Speaker 10: it with being sort of supportive in that middle section,
• 34:51
  Speaker 10: and then turns around and kicks himself in the ass,
• 34:53
  Speaker 10: because he's just like, why the hell did I do this,
• 34:55
  Speaker 10: now look at me, and it is a weird situation,
• 34:58
  Speaker 10: I guess, once she starts to get successful, and there's
• 35:01
  Speaker 10: kind of no place for him in that world, and Yeah,
• 35:04
  Speaker 10: it's weird.
• 35:05
  Speaker 2: Yeah, and that's another interesting moment where Patsy Cline turns
• 35:08
  Speaker 2: to her husband and says, you know, whatever, just remember
• 35:11
  Speaker 2: your tax deduction or whatever.
• 35:12
  Speaker 5: Which is pretty funny.
• 35:13
  Speaker 10: And then Sissy Spacek.
• 35:14
  Speaker 2: All of a sudden feels all empowered. She's like, yeah,
• 35:16
  Speaker 2: you too, buddy. Don't you forget that. And just the
• 35:18
  Speaker 2: look on his face, this look of horror and sadness.
• 35:22
  Speaker 2: The dynamic between the two of them is, I think,
• 35:25
  Speaker 2: my favorite part of the movie.
• 35:26
  Speaker 1: I think it's.
• 35:27
  Speaker 2: A very true relationship that's depicted in a very authentic way.
• 35:31
  Speaker 5: Yeah.
• 35:32
  Speaker 2: That is tender but also of troubled.
• 35:36
  Speaker 10: If nothing else, once it got into it, I was
• 35:38
  Speaker 10: just like, if you take nothing else from the whole
• 35:41
  Speaker 10: Loretta Lynn story, it paints this to be Patsy Cline's
• 35:45
  Speaker 10: the coolest chick ever. She comes off really cool.
• 35:49
  Speaker 1: Is it Beverly D'Angelo?
• 35:50
  Speaker 10: Yeah, which I thought was weird casting. Once I saw
• 35:53
  Speaker 10: that's who she was, I was just like, oh, God,
• 35:55
  Speaker 10: this isn't going to work at all. Yeah, she was great.
• 35:58
  Speaker 4: You think of her as Clark Griswold's wife, and then
• 36:02
  Speaker 4: she comes out of left field.
• 36:04
  Speaker 10: She's also pretty great at that, truthfully. But yeah, I
• 36:07
  Speaker 10: did not see her as Patsy Cline, and she pulls
• 36:09
  Speaker 10: it off really well. And did the singing, too. I
• 36:12
  Speaker 10: didn't see that coming, either.
• 36:14
  Speaker 1: Not quite as well as Sissy Spacek.
• 36:16
  Speaker 10: Well, you know, it's not her profession.
• 36:18
  Speaker 1: Yeah, Patsy Cline's pretty.
• 36:21
  Speaker 10: Hard to emulate. It's hard for anybody.
• 36:24
  Speaker 1: But yeah, it's a good movie. Like, I couldn't... say
• 36:28
  Speaker 1: that it's like high art or something. I don't know.
• 36:31
  Speaker 4: Like I said, it's a biopic and I think that
• 36:34
  Speaker 4: because you already know the story, it's already maybe more
• 36:40
  Speaker 4: difficult to be taken aback by it.
• 36:42
  Speaker 1: Am I making sense? Sort of.
• 36:44
  Speaker 5: Yeah.
• 36:45
  Speaker 10: I mean, well, and like I said, I think I
• 36:47
  Speaker 10: have that issue with any of them once it gets
• 36:49
  Speaker 10: there because it does seem like it's just sort of
• 36:51
  Speaker 10: going through the motions that last half hour because then
• 36:53
  Speaker 10: it just... They don't even really delve into what's going on.
• 36:57
  Speaker 10: She's just losing it and.
• 37:00
  Speaker 1: Oh, and by the way, pills.
• 37:01
  Speaker 10: Kind of pills, but they really don't ever, like, spell
• 37:03
  Speaker 10: that out. Like, at least with, like, you get to
• 37:05
  Speaker 10: the Johnny Cash story, and they're like, no, really, he
• 37:07
  Speaker 10: was on a lot of drugs.
• 37:08
  Speaker 4: Right.
• 37:09
  Speaker 10: And they make it obvious what, you know, what the
• 37:11
  Speaker 10: demons are with him. And, like, with her, it's just like,
• 37:13
  Speaker 10: things aren't going so well now. Like, you could kind
• 37:17
  Speaker 10: of spell... I mean, if you're going to bother, you
• 37:19
  Speaker 10: could spell this out a little bit so we at least...
• 37:21
  Speaker 10: really get a decent picture of what's going on here,
• 37:23
  Speaker 10: where it seems like they sort of gloss over what
• 37:25
  Speaker 10: was going on in that part.
• 37:27
  Speaker 1: Let me ask you all something.
• 37:28
  Speaker 4: If you could see a biopic of any musician that's
• 37:32
  Speaker 4: not been made, who.
• 37:33
  Speaker 5: Would you pick?
• 37:34
  Speaker 10: That's a good question.
• 37:36
  Speaker 1: That is a good question. Do you have an answer?
• 37:38
  Speaker 1: I was thinking today, like, why is there no Dolly
• 37:40
  Speaker 1: Parton biopic?
• 37:41
  Speaker 10: That would be a good one. Oh, what's the casting
• 37:44
  Speaker 10: on that?
• 37:45
  Speaker 1: I don't know.
• 37:45
  Speaker 2: I think just her and you just CGI unage her.
• 37:49
  Speaker 10: Well, she's kind of doing that to herself.
• 37:50
  Speaker 1: These days anyway. She's doing a lot of weird stuff.
• 37:53
  Speaker 10: She's doing a lot of weird stuff.
• 37:54
  Speaker 1: I think she would have a really.
• 37:56
  Speaker 4: Because she has that same rags to riches story, but
• 37:59
  Speaker 4: also hearing her in interviews, she's like, I moved out
• 38:04
  Speaker 4: to New Orleans and I kept a pistol in my purse.
• 38:07
  Speaker 1: It's crazy, crazy. I don't know.
• 38:10
  Speaker 10: And that would be an interesting one with once the
• 38:13
  Speaker 10: husband comes into play because he was around the whole
• 38:15
  Speaker 10: time too and really like it just kind of came
• 38:18
  Speaker 10: that joke of like she would always reference him but
• 38:20
  Speaker 10: he was never really there he never really had anything
• 38:22
  Speaker 10: to do with it so that would be an interesting
• 38:24
  Speaker 10: dynamic they didn't.
• 38:25
  Speaker 4: Even like sleep in the same bedroom I mean it
• 38:28
  Speaker 4: was like a I think like a friendship it turned
• 38:30
  Speaker 4: into like a friendship marriage an.
• 38:32
  Speaker 2: Interesting biopic now that I think about it she would
• 38:35
  Speaker 2: need to write it because I don't think anybody other
• 38:37
  Speaker 2: than Dolly Parton could write Dolly Parton like she would
• 38:39
  Speaker 2: need to be responsible for the dialogue yes Yeah, it
• 38:43
  Speaker 2: always has sort of disappointed me. I don't know what
• 38:46
  Speaker 2: that impulse is. It feels like biopics are always sort
• 38:48
  Speaker 2: of straightforward and nobody gets really experimental. I mean, I
• 38:52
  Speaker 2: think Mishima and what was the.
• 38:54
  Speaker 1: Ian Curtis one?
• 38:55
  Speaker 2: The Ian Curtis one I thought was sort of more
• 38:56
  Speaker 2: interesting than they generally are. Control, I think.
• 38:59
  Speaker 10: Yeah, it was good.
• 39:00
  Speaker 1: I'm Not There was kind of cool. Yeah, that's true.
• 39:03
  Speaker 2: That's one that did go someplace interesting.
• 39:05
  Speaker 1: I don't know if you'd call that a biopic.
• 39:06
  Speaker 5: Differently, yeah.
• 39:07
  Speaker 1: A character study.
• 39:08
  Speaker 10: A different approach to it, yeah. Yeah.
• 39:10
  Speaker 7: Yeah.
• 39:11
  Speaker 1: I'm still waiting for the Bruce Springsteen biopic.
• 39:14
  Speaker 10: How has it taken them this long to do it?
• 39:16
  Speaker 7: I don't know.
• 39:17
  Speaker 10: Usually they're on top of these super popular people, so
• 39:21
  Speaker 10: that's weird.
• 39:22
  Speaker 2: I guess the Kurt Cobain one was an interesting idea.
• 39:25
  Speaker 1: Maybe that's why people don't do it.
• 39:27
  Speaker 10: They keep trying. They keep talking about a new one
• 39:29
  Speaker 10: every year, it seems.
• 39:30
  Speaker 5: Like.
• 39:31
  Speaker 10: I don't know that we need those. It's probably not
• 39:33
  Speaker 10: going to go well when they do it.
• 39:34
  Speaker 1: It's true.
• 39:35
  Speaker 10: I don't know. Eric Burden.
• 39:39
  Speaker 5: Oh, yeah.
• 39:40
  Speaker 10: I don't really know his story. Yeah, I don't either.
• 39:42
  Speaker 10: I'm just trying to think of somebody I haven't seen
• 39:45
  Speaker 10: a lot on, and I don't know even that that's
• 39:47
  Speaker 10: an interesting, tragic story.
• 39:49
  Speaker 1: Maybe Rocky Erickson from the 13th Floor Elevators.
• 39:52
  Speaker 10: Yeah, that's definitely one with a lot of story to it.
• 39:56
  Speaker 1: Yeah, definitely. Townes Van Zandt.
• 40:01
  Speaker 10: Another one that most people don't know much about, so yeah,
• 40:04
  Speaker 10: those would all be interesting. So we've got a list
• 40:08
  Speaker 10: of movies for you to make is what we're saying.
• 40:09
  Speaker 10: Forget all that other stuff I was working on. Martha,
• 40:12
  Speaker 10: you've got a whole list of stuff to make now.
• 40:15
  Speaker 13: Jeez.
• 40:16
  Speaker 10: I'm doing nothing but music biopics from here on out, people.
• 40:18
  Speaker 1: That sounds miserable.
• 40:19
  Speaker 10: Yeah, kind of. Maybe one.
• 40:22
  Speaker 4: So much research involved that I just don't.
• 40:26
  Speaker 1: I like creating my own world and writing.
• 40:29
  Speaker 10: That's what you should do. Don't be factual. Just, like,
• 40:31
  Speaker 10: call it a biopic and sell it like it is
• 40:33
  Speaker 10: and then get in there and just do whatever the
• 40:35
  Speaker 10: hell you want.
• 40:35
  Speaker 1: You know they're making a Jessica White movie, supposedly. Do
• 40:39
  Speaker 1: you have the Dancing Outlaw?
• 40:40
  Speaker 10: Oh, yeah.
• 40:41
  Speaker 1: They're making a movie with Johnny Depp's playing him.
• 40:44
  Speaker 4: Oh, no. This could just be rumored.
• 40:47
  Speaker 1: I have no idea, but Kirstie Alley's going to play
• 40:50
  Speaker 1: his wife.
• 40:50
  Speaker 10: Oh, God.
• 40:51
  Speaker 1: Which I'm really excited about that possibility. I think Kirstie
• 40:55
  Speaker 1: Alley could be a crazy West Virginia lady. I think
• 40:59
  Speaker 1: that would be really fun to see. It could be horrible,
• 41:01
  Speaker 1: but it would be fun to watch.
• 41:04
  Speaker 10: Yeah, Jessica's got a weird little following out there that's
• 41:06
  Speaker 10: very strange.
• 41:07
  Speaker 4: Yeah, well, living in West Virginia, he gets brought up
• 41:10
  Speaker 4: on a regular basis.
• 41:12
  Speaker 10: Yeah, Jessica, I don't know what to do with her.
• 41:16
  Speaker 16: You're listening to Tri-State Country with your DJ Bob A.
• 41:19
  Speaker 1: Day right here till 6 o'clock, neighbors.
• 41:21
  Speaker 4: And now here's a word from our friends down at
• 41:24
  Speaker 4: Hutchins Hot Pigs.
• 41:26
  Speaker 13: Tell them all about Hutch and all them little piglets.
• 41:29
  Speaker 1: You played it, huh?
• 41:31
  Speaker 2: You ain't even took it out of the wrapper.
• 41:34
  Speaker 1: You know how many do-it-yourself records I get in here
• 41:36
  Speaker 1: every day? If I played all of them, I wouldn't
• 41:37
  Speaker 1: have time to play anything else. Well, why did you
• 41:40
  Speaker 1: lie to us?
• 41:40
  Speaker 11: Huh?
• 41:41
  Speaker 1: Why'd you say they didn't like us? Stu worked so
• 41:43
  Speaker 1: hard to get us this record.
• 41:45
  Speaker 10: Hey, buddy, get her out of here.
• 41:46
  Speaker 1: I gotta go back in here.
• 41:47
  Speaker 10: I'm sorry, buddy.
• 41:48
  Speaker 1: Nothing I can do once she gets cranked up like this.
• 41:50
  Speaker 1: She's gonna be here all day.
• 41:52
  Speaker 11: He took the picture, too.
• 41:54
  Speaker 2: Heck, we got four babies we had to leave home
• 41:56
  Speaker 2: with my mommy.
• 41:57
  Speaker 1: We drove all the way here. Spent every last.
• 41:59
  Speaker 3: Dime we had getting here. Folks, folks, I say, folks,
• 42:02
  Speaker 3: we got a special treat for you here today.
• 42:04
  Speaker 1: A young lady who I predict is going to.
• 42:05
  Speaker 11: Go all the way.
• 42:06
  Speaker 2: I can't believe it. I can't believe you'd do something so.
• 42:10
  Speaker 9: That gum mean as that.
• 42:11
  Speaker 10: Tell me all about yourself, darling.
• 42:13
  Speaker 5: About myself?
• 42:14
  Speaker 19: And then I signed up for Doolittle.
• 42:15
  Speaker 1: That's my husband.
• 42:17
  Speaker 8: Except everybody else calls him Mooney on account that he
• 42:19
  Speaker 8: used to sell moonshine back in Butcher Holler.
• 42:21
  Speaker 5: Where?
• 42:22
  Speaker 19: Butcher Holler.
• 42:23
  Speaker 16: That's where me and Dew's from, back in Kentucky. Anyway,
• 42:26
  Speaker 16: I wrote the song, and Dew heard it, and he said,
• 42:28
  Speaker 16: that's about as pretty a song as I ever heard.
• 42:31
  Speaker 1: Good as Patsy Cline. I said, oh, ain't nobody sings
• 42:34
  Speaker 1: as good as Patsy.
• 42:36
  Speaker 3: Well, let's give a listen to it, folks.
• 42:37
  Speaker 11: Brand new on the Zero label, Miss Maureen Wynn.
• 42:41
  Speaker 1: Singing Honky Tonk Girl.
• 42:43
  Speaker 5: It's Loretta.
• 42:44
  Speaker 2: It's Loretta Lynn, not Lorraine.
• 42:46
  Speaker 5: Loretta.
• 42:48
  Speaker 1: There's not a lot to speak of, unfortunately. I picked
• 42:51
  Speaker 1: a hard movie.
• 42:52
  Speaker 10: Well, again, it's all in that first half. It's like,
• 42:55
  Speaker 10: once it gets to the middle there, I don't know
• 42:57
  Speaker 10: that there's as much to go into.
• 43:00
  Speaker 13: It does.
• 43:01
  Speaker 10: It's really.
• 43:01
  Speaker 1: About Sissy Spacek's performance.
• 43:03
  Speaker 5: Yeah.
• 43:04
  Speaker 1: She's great, you know? That's what makes the movie good.
• 43:09
  Speaker 1: And the fact that the.
• 43:11
  Speaker 4: I feel like the camera direction's pretty good.
• 43:13
  Speaker 10: It's... It looks... It's confident.
• 43:16
  Speaker 5: Yeah.
• 43:16
  Speaker 10: It's good.
• 43:17
  Speaker 1: It's a lot of movement, and... Yeah.
• 43:20
  Speaker 10: The one that I wanted to give him credit for, camera-wise,
• 43:24
  Speaker 10: when he's, like, driving the bulldozer, and, like, she climbs on,
• 43:28
  Speaker 10: and he's doing that, you gotta, if you wanna do this,
• 43:29
  Speaker 10: you gotta decide you wanna do this. That shot is awesome. Like,
• 43:34
  Speaker 10: everything is moving. It is that they're shooting on the bulldozer, and, like,
• 43:37
  Speaker 10: you kinda can't hear, but, again, it's almost realistic, because
• 43:40
  Speaker 10: you're hearing mostly the bulldozer, and they're just kinda yelling
• 43:43
  Speaker 10: at each other, and The camera's moving this direction, the
• 43:45
  Speaker 10: bulldozer's moving the opposite, and it's like, it's a really
• 43:48
  Speaker 10: well put together shot. I have to give him credit
• 43:50
  Speaker 10: for that. That's probably one of the most impressive, you know,
• 43:53
  Speaker 10: visual pieces in the movie.
• 43:54
  Speaker 5: Yeah.
• 43:56
  Speaker 10: But no, I was going to say that the other
• 43:58
  Speaker 10: thing I noticed on this one is they did it
• 44:01
  Speaker 10: relatively early, really. I mean, 1980... And she's still putting
• 44:05
  Speaker 10: out music, you know? It's like 2004, she comes back
• 44:07
  Speaker 10: with a whole new style of music. That's a big
• 44:10
  Speaker 10: window there that, like, pretending like the story's over in 1980. Again,
• 44:15
  Speaker 10: maybe it's just the perspective now. Because I'm sitting there going,
• 44:18
  Speaker 10: what about all these other years? I mean, it's like
• 44:20
  Speaker 10: they wrap it up like, you know, and then she died. But, like,
• 44:24
  Speaker 10: we know there's this entire life that takes place after
• 44:26
  Speaker 10: this movie.
• 44:27
  Speaker 3: Of course.
• 44:28
  Speaker 10: I mean, I don't know that we need a sequel, but.
• 44:30
  Speaker 1: I guess the book.
• 44:31
  Speaker 10: Came out at a certain.
• 44:32
  Speaker 1: Time, and then they wanted to get the movie rights.
• 44:36
  Speaker 1: I don't know. I guess that's her decision to make
• 44:40
  Speaker 1: a book, to write a book at whatever, in the
• 44:42
  Speaker 1: late 70s.
• 44:43
  Speaker 10: That's what I thought was different about this one, though,
• 44:45
  Speaker 10: is usually they wait until they're gone. In fact, this
• 44:50
  Speaker 10: I know because I knew somebody who worked on the
• 44:51
  Speaker 10: movie Ray. They made that movie and finished it and
• 44:55
  Speaker 10: sat on it for about a year, year and a half,
• 44:57
  Speaker 10: until he died that's so because well they didn't want
• 45:01
  Speaker 10: to again being business people that they are we didn't
• 45:04
  Speaker 10: want to release it and have that be the week
• 45:06
  Speaker 10: that he died and people were like oh god i
• 45:07
  Speaker 10: don't want to see that like they were afraid him
• 45:09
  Speaker 10: dying would throw off the i again i'm sort of
• 45:12
  Speaker 10: elaborating on my own free will here but i'm pretty
• 45:15
  Speaker 10: sure that was part of it is they didn't want
• 45:16
  Speaker 10: it to hit it totally the wrong time which really
• 45:19
  Speaker 10: might work in the opposite way let's go celebrate his
• 45:21
  Speaker 10: life and see this movie but But yeah, I know
• 45:25
  Speaker 10: they shot it and then it was a good year,
• 45:26
  Speaker 10: year and a half after they finished wrapping before they...
• 45:29
  Speaker 10: And he died in that period. And they gave it
• 45:32
  Speaker 10: like another six or eight months or something and then
• 45:34
  Speaker 10: they put out Ray. And I was like, okay. I
• 45:37
  Speaker 10: was like, that seems weird. But again, they almost wait
• 45:40
  Speaker 10: until the end of their life and do a complete
• 45:43
  Speaker 10: story so they can have this big wrap up at
• 45:45
  Speaker 10: the end. Where this one's weird because... You're almost midway in.
• 45:48
  Speaker 10: She's just kind of middle-aged by the time this... But I.
• 45:51
  Speaker 1: Like that because that means that the movie can.
• 45:53
  Speaker 4: There's more concentration on her early, like her formative years.
• 45:57
  Speaker 10: Which again is the more interesting part.
• 45:58
  Speaker 1: Yeah, and if you watch some of these biopics, they
• 46:01
  Speaker 1: just do a little bit of that. Not enough. Not
• 46:04
  Speaker 1: enough to get a good.
• 46:07
  Speaker 4: Grasp of who this person was before they signed a
• 46:11
  Speaker 4: record deal.
• 46:12
  Speaker 1: So I like that this took its time.
• 46:15
  Speaker 4: So I don't know what Loretta Lynn's been doing since
• 46:17
  Speaker 4: 1980 other than putting out some albums and wearing some
• 46:21
  Speaker 4: pretty amazing dresses.
• 46:24
  Speaker 10: Well that's the thing I'm not super into country music
• 46:30
  Speaker 10: I like the older stuff and again I think because
• 46:33
  Speaker 10: that's very honest and very real and as time went
• 46:36
  Speaker 10: on I think it it hits a point where it
• 46:39
  Speaker 10: becomes self aware and I think that's when it really
• 46:41
  Speaker 10: kind of in my opinion started to suck And it's
• 46:44
  Speaker 10: that weird crossover in the 70s where you've got people
• 46:46
  Speaker 10: putting out great classic stuff. At the same time, people
• 46:49
  Speaker 10: are starting to realize this sells. There was that real
• 46:52
  Speaker 10: rush in the 70s of like it was hip to
• 46:54
  Speaker 10: be redneck for some reason. And all these weird like
• 46:57
  Speaker 10: redneck movies were coming out and all these like country
• 47:00
  Speaker 10: music took a turn and everything became a real yeehaw.
• 47:04
  Speaker 10: Let's describe what it means to be country.
• 47:06
  Speaker 1: Yeah, it became, like, it was like a joke.
• 47:10
  Speaker 4: The sincerity was lost a little bit, and it was overproduced.
• 47:14
  Speaker 1: I mean, I like some 70s and 80s country music, actually.
• 47:17
  Speaker 10: Some of it.
• 47:18
  Speaker 1: But, like, now it's pop music.
• 47:20
  Speaker 10: It's not country music. Well, it's either horrible, like it's
• 47:22
  Speaker 10: nothing but, like, redneck lists of things that make me,
• 47:26
  Speaker 10: you know, a cool redneck. Which is frightening. Or it's
• 47:30
  Speaker 10: totally pop at this point. It's just pop with a
• 47:32
  Speaker 10: fiddle in the background. Right. So it's not anything what
• 47:38
  Speaker 10: it used to be. But what I wanted to give
• 47:40
  Speaker 10: Lorelei credit for is as she continued to work, watching
• 47:45
  Speaker 10: her in 2004 team up with Jack White, you almost
• 47:49
  Speaker 10: have to give her credit for still trying to be
• 47:51
  Speaker 10: a vital musician that many years in. It's like she
• 47:55
  Speaker 10: was in her 70s making an album with this guy
• 47:58
  Speaker 10: who was, like, 28 at the time, and he produces
• 48:01
  Speaker 10: it for her, and he, like, plays on every song.
• 48:03
  Speaker 9: Yeah.
• 48:03
  Speaker 10: So trying to still be vital in the music scene.
• 48:05
  Speaker 4: She's, like, reinventing herself a little bit for younger folks.
• 48:10
  Speaker 1: And people love, people love Loretta Lynn.
• 48:13
  Speaker 4: Like, people who probably wouldn't have loved Loretta Lynn love
• 48:16
  Speaker 4: her now, because they, she came.
• 48:19
  Speaker 1: Out with that, it was Van Lee Rose's album. She
• 48:21
  Speaker 1: came out with that, and it was just, like, killer people.
• 48:25
  Speaker 10: Really responded to it it did sort of you know
• 48:27
  Speaker 10: reinvigorate her whole career and i bet a lot of
• 48:30
  Speaker 10: people went back and rediscovered the old stuff because of
• 48:33
  Speaker 10: that album but yeah it is kind of cool to
• 48:35
  Speaker 10: watch her cross over and work with somebody in a
• 48:38
  Speaker 10: totally different genre and yeah and who's you know much
• 48:41
  Speaker 10: much younger than her and sort of you know a
• 48:43
  Speaker 10: different dynamic that comes out of it so i i
• 48:46
  Speaker 10: almost give her credit as as somebody who didn't just
• 48:48
  Speaker 10: you know go down that same road or just wrap
• 48:51
  Speaker 10: it up when she got older it's like she really
• 48:53
  Speaker 10: did come back and find a way to be vital
• 48:56
  Speaker 10: again yeah it's kind of cool it's more than a
• 48:58
  Speaker 10: lot of.
• 48:58
  Speaker 1: Musicians do she's a firecracker that's you.
• 49:04
  Speaker 10: Do we think that rounds out the movie i don't
• 49:08
  Speaker 10: think i.
• 49:08
  Speaker 1: Have anything else inside of me i wish.
• 49:10
  Speaker 10: I did i think we've covered most of that.
• 49:27
  Speaker 15: Well, Portland, Oregon and Slogin Fist, if that ain't love,
• 49:31
  Speaker 15: then tell.
• 49:32
  Speaker 14: Me what is.
• 49:33
  Speaker 1: Uh-huh. Uh-huh. Uh-huh.
• 49:38
  Speaker 19: Well, I lost my heart, it didn't take me no
• 49:40
  Speaker 19: time That ain't all, I lost my.
• 49:43
  Speaker 1: Mind in the mornin' In.
• 49:47
  Speaker 11: The book in the corner with the lights down low
• 49:51
  Speaker 11: I was movin' in fast, she was takin' it slow Uh-oh,
• 49:57
  Speaker 11: uh-oh Well, I looked to him and caught him lookin'
• 50:02
  Speaker 11: at me I knew right then.
• 50:03
  Speaker 1: We were playin' free in the.
• 50:05
  Speaker 14: Mornin' one minute left to top off the evening with
• 50:31
  Speaker 14: a treat from our snack bar still time.
• 50:33
  Speaker 5: As you hurry last call for refreshments folks go right this.
• 50:37
  Speaker 14: Second to get something good to eat and drink to
• 50:39
  Speaker 14: enjoy now or during the rest of the.
• 50:43
  Speaker 6: Show tweaked audio your source for high performance noise reducing
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• 51:12
  Speaker 6: Sounds better.
• 51:15
  Speaker 3: Choosing a family movie is tough. It seems like all
• 51:18
  Speaker 3: Hollywood can do is make mindless drivel that rots kids' brains.
• 51:22
  Speaker 3: Who wants to see a.
• 51:22
  Speaker 18: Movie like what my dad watched when he was a kid?
• 51:25
  Speaker 18: Those films are so boring and the special effects are horrible.
• 51:29
  Speaker 18: The movies he grew up with are.
• 51:31
  Speaker 10: Sometimes a big surprise.
• 51:32
  Speaker 4: I at times feel uncomfortable watching movies I loved when
• 51:35
  Speaker 4: I was younger with my own kids because I forgot
• 51:38
  Speaker 4: how much cursing, sex, and violence they showed back then.
• 51:41
  Speaker 18: All we want to do is watch a fun movie
• 51:43
  Speaker 18: that we all like.
• 51:44
  Speaker 3: That's why we created Family Movie Night, a podcast where
• 51:48
  Speaker 3: we review movies from an adult perspective.
• 51:50
  Speaker 18: And from a kid's perspective.
• 51:52
  Speaker 3: So you can find movies for your whole family to enjoy.
• 51:55
  Speaker 18: We review new movies.
• 51:57
  Speaker 10: Old childhood favorites.
• 51:58
  Speaker 3: Cult and foreign films.
• 52:00
  Speaker 12: And Godzilla.
• 52:01
  Speaker 18: So check out Family Movie Night on the web at fmnpodcast.com.
• 52:06
  Speaker 18: Or find us on iTunes.
• 52:07
  Speaker 4: Bye.
• 52:07
  Speaker 5: We are the family.
• 52:14
  Speaker 7: We are the family.
• 52:15
  Speaker 2: It's part of your problem, you know.
• 52:16
  Speaker 5: You haven't seen enough movies.
• 52:17
  Speaker 3: All of life's riddles are answered in the movies.
• 52:19
  Speaker 5: And now, on with the show.
• 52:31
  Speaker 16: One of my fondest memories Was sitting on my daddy's
• 52:36
  Speaker 16: knee Listening to the stories that he told He'd pull
• 52:45
  Speaker 16: out that old photograph Like a treasured memory from the
• 52:50
  Speaker 16: past And say, child, this year's the family rose.
• 53:04
  Speaker 19: Oh, how it would bring a smile When.
• 53:07
  Speaker 8: He talked about her big blue eyes And how her beauty.
• 53:12
  Speaker 15: Ran down to her soul Shitwalk across the coal miner's
• 53:18
  Speaker 15: yard Them.
• 53:19
  Speaker 16: Miners would yell loud and hard And they'd freeze of.
• 53:23
  Speaker 11: Who would hold the Van Leeuwenroos.
• 53:26
  Speaker 19: She was the belle of Johnson County, Ohio River, the big.
• 53:33
  Speaker 15: City, a beauty to behold.
• 53:35
  Speaker 16: Like a diamond in the gold, all the miners, they.
• 53:42
  Speaker 19: Would gather round, talk about the man that.
• 53:46
  Speaker 8: Came to town.
• 53:47
  Speaker 19: Right under her nose, stole the heart of the Van Leeuwenroos.
• 53:57
  Speaker 10: Um i did want to get um just because we
• 53:59
  Speaker 10: we normally throw this in um and i didn't want
• 54:03
  Speaker 10: to disappoint on this one we're so um movie geek
• 54:06
  Speaker 10: oriented that we have a running segment that is our
• 54:09
  Speaker 10: geek activities so when i have people i like to
• 54:12
  Speaker 10: ask them what what their geek activities are if usually
• 54:15
  Speaker 10: if you're movie geeks you can even go into what
• 54:17
  Speaker 10: movies you like but Even if it's outside of that,
• 54:20
  Speaker 10: just whatever you get super geeky about and are into.
• 54:26
  Speaker 1: I'm in a fantasy baseball league.
• 54:28
  Speaker 5: Wow.
• 54:29
  Speaker 10: That is a different level of geeky.
• 54:31
  Speaker 1: Yeah.
• 54:33
  Speaker 4: It's just mostly friends from film school. And, yeah, I'm
• 54:39
  Speaker 4: losing really bad. But it's fun to keep up with
• 54:42
  Speaker 4: and to get a little obsessed about.
• 54:45
  Speaker 1: That's kind of my geek. geeky hobby i don't.
• 54:48
  Speaker 10: Even know how that works again it's too sports oriented
• 54:51
  Speaker 10: i don't think my brain knows.
• 54:52
  Speaker 4: How to process it's baseball and uh like all good
• 54:56
  Speaker 4: american things uh baseball has a place in it in
• 55:00
  Speaker 4: my heart um i feel like baseball is the is
• 55:04
  Speaker 4: the ozu of this my friend aaron says it's the
• 55:08
  Speaker 4: ozu of um sports like he's like like Like slow
• 55:13
  Speaker 4: and methodical and lyrical and beautiful. Like baseball is just this,
• 55:17
  Speaker 4: I don't, it's just this gorgeous thing to watch, especially.
• 55:19
  Speaker 1: In a night sky with the lights on. It's, it's like,
• 55:24
  Speaker 1: I think it's the film lovers sport.
• 55:26
  Speaker 4: Yeah.
• 55:27
  Speaker 10: It is a very, that's what I've noticed. I really
• 55:30
  Speaker 10: don't really care about baseball in the real world, but
• 55:32
  Speaker 10: there's tons of baseball movies that I'm like really enjoy. Yeah.
• 55:36
  Speaker 1: I love money ball.
• 55:37
  Speaker 10: There's something about that just visually and, and that there
• 55:40
  Speaker 10: is a very, maybe because it's a slow paced game
• 55:43
  Speaker 10: that you can build a actual story in the middle
• 55:45
  Speaker 10: of the games going on. It's, it's easier to do
• 55:48
  Speaker 10: that I think. So it's, It makes for some good movies,
• 55:51
  Speaker 10: if nothing else.
• 55:51
  Speaker 1: Very pretty. Baseball field is beautiful. It's just beautiful to
• 55:56
  Speaker 1: look at.
• 55:58
  Speaker 10: It's very iconic, too. There's so much Americana in the
• 56:02
  Speaker 10: idea of baseball.
• 56:03
  Speaker 4: I'm a sucker for American iconic anything. Like apple pie, baseball.
• 56:09
  Speaker 1: You know, this is.
• 56:12
  Speaker 1: Let me just bring up Bruce Springsteen again. These are just.
• 56:16
  Speaker 1: These are the things that really make me happy. Road trips.
• 56:19
  Speaker 1: I don't know.
• 56:20
  Speaker 4: I just.
• 56:20
  Speaker 1: Motels.
• 56:22
  Speaker 10: These things.
• 56:23
  Speaker 5: I love them.
• 56:24
  Speaker 1: So.
• 56:24
  Speaker 10: Those are good geeky activities. Yeah. I like weird roadside attractions.
• 56:30
  Speaker 1: Oh, I've done a lot of... My fair share of
• 56:32
  Speaker 1: seeking those out.
• 56:33
  Speaker 10: Those are awesome.
• 56:34
  Speaker 4: And submitting tips to, like, Roadside America and stuff.
• 56:38
  Speaker 2: That's maybe the greatest website that ever happened.
• 56:39
  Speaker 1: It is good. It's so good.
• 56:41
  Speaker 5: Yeah, I.
• 56:42
  Speaker 1: My actor, Brian, who.
• 56:45
  Speaker 4: came in for the Q & A last night. He
• 56:46
  Speaker 4: just rounded up his kids and his wife, and they're
• 56:49
  Speaker 4: at Cave City, and we're on Mammoth Caves right now,
• 56:52
  Speaker 4: and staying in the wigwams.
• 56:54
  Speaker 10: Cave City is awesome.
• 56:55
  Speaker 4: Yeah.
• 56:56
  Speaker 1: That place is just full of weird, amazing... Why is
• 57:01
  Speaker 1: this here? Like, what does this have to do with caves?
• 57:04
  Speaker 4: I'm not sure, but it's dinosaurs and Native American lore
• 57:10
  Speaker 4: and a wax museum of.
• 57:13
  Speaker 1: that's not been updated since the 1970s. It's great.
• 57:17
  Speaker 10: And again, the wigwams. If you're not from this part
• 57:20
  Speaker 10: of the country, yeah, there are motels, we'll call them,
• 57:23
  Speaker 10: that are shaped like a wigwam.
• 57:26
  Speaker 1: It's your own private wigwam.
• 57:27
  Speaker 10: And you get to stay in your own private wigwam,
• 57:29
  Speaker 10: which doesn't have cable TV.
• 57:30
  Speaker 1: No, there's no TV. Damn it.
• 57:32
  Speaker 10: There's no TV.
• 57:33
  Speaker 1: Isn't there?
• 57:34
  Speaker 2: There was TVs when I was there. They must have broken.
• 57:36
  Speaker 1: It's been a while. I went, and the last time
• 57:38
  Speaker 1: I was there was like six years ago. I went
• 57:40
  Speaker 1: probably seven or eight years ago. Maybe I got the
• 57:43
  Speaker 1: wigwam without a TV.
• 57:44
  Speaker 10: Yours is like the discount wigwam.
• 57:46
  Speaker 1: I do not. Well, there's two. Those are called Frank
• 57:49
  Speaker 1: Redford's Wigwam Village, okay? And that was, he patented them.
• 57:53
  Speaker 10: Oh, Lord.
• 57:54
  Speaker 1: Like the 30s or the 40s.
• 57:56
  Speaker 10: I would do if I were him.
• 57:57
  Speaker 1: Yeah, and they're all numbered.
• 57:58
  Speaker 4: It's like wigwam one, two, and there's like, I feel
• 58:01
  Speaker 4: like there's like 12 of them or something.
• 58:02
  Speaker 1: That he built.
• 58:03
  Speaker 2: Yeah, there's only three left.
• 58:04
  Speaker 1: Yeah, there's one in Arizona, the one in Kentucky, and
• 58:07
  Speaker 1: where is the third one?
• 58:08
  Speaker 2: There's one in California, but the one in California has
• 58:10
  Speaker 2: not been, it's like a by-the-hour wigwam village.
• 58:13
  Speaker 10: Oh, nice.
• 58:15
  Speaker 2: If it's even still in existence. Like, seven years ago,
• 58:18
  Speaker 2: whenever I was at the one here, it still existed.
• 58:21
  Speaker 2: It was one of three.
• 58:21
  Speaker 10: If you're going to do that, though, by-the-hour wigwam is
• 58:24
  Speaker 10: the way to go.
• 58:26
  Speaker 1: My heart hurts a little bit during that. I love
• 58:30
  Speaker 1: those things. I've stayed in the one in Arizona, too.
• 58:33
  Speaker 1: It's seasonal, right?
• 58:34
  Speaker 2: I feel like every time I've driven through, it's been
• 58:36
  Speaker 2: the off season.
• 58:37
  Speaker 1: I know the one in Kentucky is seasonal. They have
• 58:39
  Speaker 1: the cool old cars out front. Yeah. I went in November,
• 58:42
  Speaker 1: and it was open.
• 58:43
  Speaker 5: Oh, okay. Yeah.
• 58:45
  Speaker 4: It's like Kentucky's southwestern brother.
• 58:49
  Speaker 1: It's cool. I like staying in them.
• 58:54
  Speaker 10: Those things are awesome. So yeah, I like any of
• 58:56
  Speaker 10: those ridiculous have to see it to believe it kind
• 58:59
  Speaker 10: of things on the road out there.
• 59:00
  Speaker 1: Me too.
• 59:02
  Speaker 10: Those are awesome. So yeah, those are good for geek activities.
• 59:06
  Speaker 10: Anything you've been watching lately? I know you've been probably
• 59:09
  Speaker 10: dealing with the... festival circuit for a.
• 59:11
  Speaker 4: While yeah um i'm trying to think i've been i
• 59:14
  Speaker 4: got married in october and i've um been showing my
• 59:18
  Speaker 4: husband movies that mean a lot to me oh so.
• 59:21
  Speaker 10: We've been going through has that been working well or
• 59:23
  Speaker 10: Sometimes that doesn't go the.
• 59:25
  Speaker 4: Way you hope.
• 59:25
  Speaker 1: No, he likes them. Like, I just showed him Barry Lyndon, Paris, Texas.
• 59:31
  Speaker 4: Yeah. Yeah. So, it's been good, I think. Like, it
• 59:37
  Speaker 4: makes him understand a little bit what influenced me, I guess.
• 59:42
  Speaker 5: Yeah.
• 59:43
  Speaker 1: We've been kind of going through Martha's favorites.
• 59:46
  Speaker 2: Is he a film person generally, or just now he is?
• 59:50
  Speaker 1: He likes to go to the movies. He loves the popcorn.
• 59:55
  Speaker 1: It's like being in baseball.
• 59:56
  Speaker 2: I like the veggie dogs. That's the extent of my participation.
• 59:59
  Speaker 10: We just go there for the snacks. Is that what
• 1:00:01
  Speaker 10: you're saying?
• 1:00:02
  Speaker 5: No, yeah.
• 1:00:03
  Speaker 1: We just go for the snacks.
• 1:00:04
  Speaker 10: That was my favorite line.
• 1:00:05
  Speaker 1: That's the line from the movie.
• 1:00:08
  Speaker 10: No spoiler, but that's one of my favorite lines.
• 1:00:10
  Speaker 5: In the movie.
• 1:00:10
  Speaker 1: It's cross on me. Yeah, no, he does like movies.
• 1:00:13
  Speaker 4: He wasn't like, not like on the level that I'm on,
• 1:00:17
  Speaker 4: but he's, I think I'm slowly getting him to come
• 1:00:20
  Speaker 4: over to my side.
• 1:00:22
  Speaker 10: I've realized that's a prerequisite for me. It's going to
• 1:00:24
  Speaker 10: have to be. I've found out the hard way it
• 1:00:26
  Speaker 10: doesn't work the other way.
• 1:00:28
  Speaker 1: If they don't like movies.
• 1:00:29
  Speaker 10: Well, that's all I do at this point. It's like
• 1:00:31
  Speaker 10: I'm either doing this or I want to watch movies
• 1:00:34
  Speaker 10: on the side. So it's like that's all I bother
• 1:00:36
  Speaker 10: to do and care about. So if they're not involved,
• 1:00:39
  Speaker 10: it's going to end badly.
• 1:00:41
  Speaker 5: Yeah.
• 1:00:42
  Speaker 1: Well, he's very helpful. Like, he helped us shoot and stuff.
• 1:00:46
  Speaker 4: He's learning the ropes a little bit.
• 1:00:48
  Speaker 10: Whether he likes it or not.
• 1:00:49
  Speaker 1: Whether he likes it. He's a hospital priest. So this is, yeah.
• 1:00:53
  Speaker 5: Oh, wow.
• 1:00:53
  Speaker 7: That's sweet.
• 1:00:55
  Speaker 10: An adjustment?
• 1:00:56
  Speaker 1: Yeah, he's an Episcopalian hospital priest.
• 1:01:00
  Speaker 4: So I get a lot of really good stories from
• 1:01:02
  Speaker 4: the weird stuff that comes into the ER and weird tragedies.
• 1:01:07
  Speaker 10: You're writing them all down, right?
• 1:01:10
  Speaker 5: They're here.
• 1:01:10
  Speaker 10: They work their way in future.
• 1:01:13
  Speaker 5: They are.
• 1:01:13
  Speaker 1: Actually, in my next script, I have a guy who's
• 1:01:16
  Speaker 1: a hospital chaplain. He's one of the side characters.
• 1:01:19
  Speaker 14: So, yeah.
• 1:01:20
  Speaker 10: Sooner or later, they all work their way in.
• 1:01:22
  Speaker 14: They do.
• 1:01:23
  Speaker 1: It's true.
• 1:01:25
  Speaker 4: Oh, and I've seen like so many movies at film
• 1:01:29
  Speaker 4: festivals lately.
• 1:01:32
  Speaker 1: So many.
• 1:01:33
  Speaker 10: Well, that's, that's kind of what I was wondering with
• 1:01:35
  Speaker 10: dealing with everybody this weekend. How much of it do
• 1:01:38
  Speaker 10: you end up with the same people? Cause everybody sort
• 1:01:40
  Speaker 10: of tours around.
• 1:01:41
  Speaker 1: So yeah, I feel like I see them.
• 1:01:43
  Speaker 4: I mean, I see them more than I see my,
• 1:01:45
  Speaker 4: my friend friends and my family. Like I see my
• 1:01:48
  Speaker 4: film festival friends so much. Um, trying to think there
• 1:01:52
  Speaker 4: have been a few movies that have stood out and
• 1:01:55
  Speaker 4: weathering heights is here right now and i really liked
• 1:01:57
  Speaker 4: that um andrea arnold's really smart lady and there's this
• 1:02:02
  Speaker 4: documentary called low and clear that really spoke to me
• 1:02:05
  Speaker 4: and one of the subjects is town van zant's son
• 1:02:09
  Speaker 4: just no i can't remember his name but anyway it's
• 1:02:13
  Speaker 4: a fishing documentary it's about fly fishing but it's.
• 1:02:16
  Speaker 1: It's beautiful it's like one of the most beautiful movies
• 1:02:18
  Speaker 1: i've ever seen um.
• 1:02:20
  Speaker 4: But yeah, I've been missing a lot of movies at
• 1:02:24
  Speaker 4: the movie theater because I've been at film festivals. And
• 1:02:27
  Speaker 4: I'm seeing these movies, but I'm still like, When the
• 1:02:30
  Speaker 4: hell am I going to go see Men in Black 3?
• 1:02:33
  Speaker 1: When is this movie going to happen for me?
• 1:02:35
  Speaker 10: Oh, my God. Prometheus. I have to go see it.
• 1:02:38
  Speaker 1: I do really want to see Prometheus.
• 1:02:40
  Speaker 10: Again, as much as I'm worried about it, yeah, I'm
• 1:02:42
  Speaker 10: going to have to see it. I'm excited.
• 1:02:45
  Speaker 1: I just love weird space movies.
• 1:02:48
  Speaker 10: Well, Ridley's just gotten so hit and miss over the years.
• 1:02:51
  Speaker 5: Oh, yeah.
• 1:02:52
  Speaker 10: Robin Hood. It can be brilliant and can be, what
• 1:02:55
  Speaker 10: are you doing?
• 1:02:55
  Speaker 4: How many different kinds of hats can we put Russell
• 1:02:58
  Speaker 4: Crowe in? Like, he can be, like, a winery owner.
• 1:03:02
  Speaker 4: What was that romantic comedy? I feel like there was,
• 1:03:05
  Speaker 4: in the trailer, there was, like, a tennis court and wine.
• 1:03:09
  Speaker 4: And lots of wine. And Russell Crowe wearing, like, little
• 1:03:14
  Speaker 4: smart spectacles. And then you have him as, like, Robin Hood.
• 1:03:18
  Speaker 10: You can cast him however you want. He still seems
• 1:03:21
  Speaker 10: like he's kind of a jerk.
• 1:03:22
  Speaker 1: But he's not in this movie.
• 1:03:24
  Speaker 10: Yeah, well, no Russell Crowe in space.
• 1:03:26
  Speaker 2: We have him.
• 1:03:26
  Speaker 1: We have Michael Fassbender, thankfully.
• 1:03:28
  Speaker 10: Well, that's because he contractually has to be in every
• 1:03:31
  Speaker 10: other movie made in Hollywood.
• 1:03:32
  Speaker 1: Yeah.
• 1:03:33
  Speaker 3: It's a rule.
• 1:03:33
  Speaker 1: He's good.
• 1:03:34
  Speaker 10: I'm not complaining. That's the thing. He's good in everything,
• 1:03:37
  Speaker 10: but he's in everything.
• 1:03:38
  Speaker 1: Yeah, it's true.
• 1:03:39
  Speaker 10: It's out of control.
• 1:03:40
  Speaker 1: It's true.
• 1:03:40
  Speaker 10: All right. Well, are there any projects in the works
• 1:03:46
  Speaker 10: you want to tell people about?
• 1:03:47
  Speaker 4: Yeah, I just finished the first draft of the latest script.
• 1:03:52
  Speaker 1: It's called Papaw Easy.
• 1:03:54
  Speaker 4: And I want to make it maybe in the winter
• 1:03:57
  Speaker 4: if we can get the money together, if not the
• 1:03:59
  Speaker 4: following winter, because it's supposed to be set in the cold.
• 1:04:02
  Speaker 1: Dead of an Appalachian winter.
• 1:04:05
  Speaker 4: So, yeah, we submitted to the IFP labs for their
• 1:04:09
  Speaker 4: emerging narrative, and we're just going to see how it goes.
• 1:04:13
  Speaker 1: I'm going to try to actually.
• 1:04:14
  Speaker 4: Find people to front the money instead of begging for
• 1:04:18
  Speaker 4: donations this time.
• 1:04:21
  Speaker 10: I'm still working on that myself.
• 1:04:24
  Speaker 1: Yeah, it's sad.
• 1:04:25
  Speaker 4: But I feel like I've already asked too much of
• 1:04:27
  Speaker 4: other people at this point.
• 1:04:30
  Speaker 10: But it worked to your advantage.
• 1:04:32
  Speaker 5: It did.
• 1:04:33
  Speaker 10: As much as you have to go through, it looks good.
• 1:04:35
  Speaker 10: I mean, having watched it last night, it doesn't come
• 1:04:38
  Speaker 10: off like a movie that didn't have the money to
• 1:04:40
  Speaker 10: put together it. It looks really good on screen.
• 1:04:43
  Speaker 1: Thanks.
• 1:04:44
  Speaker 4: Yeah, we had a good color correctionist who... who was
• 1:04:48
  Speaker 4: a film school friend. So we got like a really
• 1:04:51
  Speaker 4: cheap deal. It's all about pulling, getting people to.
• 1:04:54
  Speaker 10: As always, it's all who you know. Yeah, exactly. Well,
• 1:04:58
  Speaker 10: where do you want to, what's the best place to
• 1:05:00
  Speaker 10: send people to find out about it?
• 1:05:04
  Speaker 1: Well, Papo Easy's nowhere yet.
• 1:05:07
  Speaker 10: Or just, you know, you in general. I mean, also,
• 1:05:10
  Speaker 10: you know, telling people about this movie.
• 1:05:12
  Speaker 5: Yeah.
• 1:05:13
  Speaker 20: Just pilgrimsongthemovie.com and we have constantly updating screening dates and
• 1:05:19
  Speaker 20: the like and you can get on there and see
• 1:05:22
  Speaker 20: if maybe we're coming to a city near you we're
• 1:05:25
  Speaker 20: going to Philadelphia at the end of this month and
• 1:05:28
  Speaker 20: China in July so.
• 1:05:30
  Speaker 10: Go to we have international listeners so if you're in
• 1:05:34
  Speaker 10: China look.
• 1:05:35
  Speaker 4: Up the new youth festival and whenever they announce their
• 1:05:38
  Speaker 4: program so yeah that's all I know for the summer
• 1:05:41
  Speaker 4: and then in the fall it'll pick back up so.
• 1:05:44
  Speaker 10: Yeah very cool Well, if nothing else, we want to
• 1:05:47
  Speaker 10: thank you for sitting in with us this week.
• 1:05:50
  Speaker 1: Thank you for having me.
• 1:05:50
  Speaker 10: And putting together a fun show. I like working in,
• 1:05:54
  Speaker 10: and specifically because I wanted to throw the movie option
• 1:05:57
  Speaker 10: to you. So I don't know that we would have
• 1:05:58
  Speaker 10: gotten to this one without that.
• 1:06:00
  Speaker 1: Probably not.
• 1:06:01
  Speaker 10: But you never know because we end up on some
• 1:06:04
  Speaker 10: strange movies.
• 1:06:04
  Speaker 4: I just wanted to have a Kentucky theme. And I
• 1:06:07
  Speaker 4: was like, it's either this or Harlan County, USA.
• 1:06:11
  Speaker 1: And I didn't want.
• 1:06:11
  Speaker 10: To go into the Harlem USA today. It doesn't seem cheery, really.
• 1:06:14
  Speaker 10: It looks interesting. I do want to watch it now.
• 1:06:16
  Speaker 10: I know of it, but hadn't sat down and watched it.
• 1:06:19
  Speaker 10: And then watching the trailer again, I'm like, this looks interesting.
• 1:06:22
  Speaker 10: But yeah, it's not a fun movie, is it?
• 1:06:24
  Speaker 1: No, it's a great movie, but it's hard to watch.
• 1:06:29
  Speaker 10: So yeah, thank you to you and thank you to
• 1:06:31
  Speaker 10: Little Film Society for working with us and for letting
• 1:06:34
  Speaker 10: us come bust in here and record. So thank you
• 1:06:37
  Speaker 10: for letting us take over your space here. It is
• 1:06:41
  Speaker 10: much appreciated. If you want to find out more about them,
• 1:06:44
  Speaker 10: they are at flyoverfilmfestival.com or the Louisville Film Society is
• 1:06:48
  Speaker 10: at louisvillefilm.org. And music-wise, as we went into, I thought
• 1:06:54
  Speaker 10: we would go with one of the newer ones, talking
• 1:06:56
  Speaker 10: about her reinventing herself. But then I found a song
• 1:06:59
  Speaker 10: that also completely ties into this movie, more or less.
• 1:07:03
  Speaker 10: She did a song on that Vanley Rose album that
• 1:07:06
  Speaker 10: was called I Miss Being Mrs. Tonight. which is all,
• 1:07:10
  Speaker 10: it was written after Mooney died, and is all about her. It's,
• 1:07:14
  Speaker 10: you know, about her and him, and it's, you know,
• 1:07:17
  Speaker 10: basically that relationship is the heart of this movie. So
• 1:07:20
  Speaker 10: I thought, you know, what better way to go out
• 1:07:22
  Speaker 10: than with that one? So a more recent Loretta Lynn,
• 1:07:26
  Speaker 10: again with Jack White on guitar. So crossing over our
• 1:07:30
  Speaker 10: genres here. Otherwise, that about does it. We will return
• 1:07:33
  Speaker 10: next week. Same geek time, same geek feed. Thanks for listening.
• 1:07:36
  Speaker 8: I lie here all alone In my bed of memories
• 1:07:45
  Speaker 8: I'm dreaming of your sweet kiss Oh, how you loved
• 1:07:51
  Speaker 8: on me I can.
• 1:07:54
  Speaker 15: Almost feel you with me Here in this blue moonlight Oh,
• 1:08:01
  Speaker 15: I miss being Mrs. tonight like so many other hearts
• 1:08:14
  Speaker 15: mine wanted to be free.
• 1:08:18
  Speaker 21: I've been held here every day since.
• 1:08:22
  Speaker 15: You've been away from me my reflection in.
• 1:08:28
  Speaker 21: The mirror it's such a hurtful sight oh I miss
• 1:08:36
  Speaker 21: the un-missers tonight.
• 1:08:40
  Speaker 12: Oh, I miss the un-missers tonight.
• 1:08:49
  Speaker 19: Oh, and how I love them loving arms that once
• 1:08:56
  Speaker 19: held me so tight.
• 1:08:58
  Speaker 1: I took off my wedding.
• 1:09:01
  Speaker 8: Band and put it on my right hand.
• 1:09:07
  Speaker 15: I miss being Mrs.
• 1:09:09
  Speaker 8: Tonight.
• 1:09:31
  Speaker 12: Oh, I miss being a missus tonight Oh, and.
• 1:09:41
  Speaker 21: How I love them loving arms That once held me.
• 1:09:46
  Speaker 19: So tight I took off my wedding band And put
• 1:09:53
  Speaker 19: it on my right hand I miss being a missus.
• 1:10:01
  Speaker 1: Oh, I miss.
• 1:10:04
  Speaker 21: Being a princess tonight.
• 1:10:12
  Speaker 1: Yeah, this is Drifter.
• 1:10:13
  Speaker 10: This is a random Drifter, Martha. I just wandered in.
• 1:10:16
  Speaker 1: That'd be great. I wish I could be called Drifter.
• 1:10:20
  Speaker 1: It's not appropriate, though.
• 1:10:22
  Speaker 6: This episode is a production of Movie Meltdown, produced and
• 1:10:24
  Speaker 6: edited by The Oddity Studios, with opening music performed by
• 1:10:28
  Speaker 6: The Empires. For more on how to sponsor or support
• 1:10:30
  Speaker 6: the show, email producer at moviemeltdown.com.
• 1:10:33
  Speaker 5: Talk hard!