Latest / What's Your (Least) Favorite Scary Movie? / #305: Texas Chainsaw Massacre (2022)

Transcript

#305: Texas Chainsaw Massacre (2022) · What's Your (Least) Favorite Scary Movie?

• 0:06
  Hello, what's your least favorite scary movie?
• 0:11
  Farewell to Texas, motherfuckers.
• 0:17
  Welcome to What's Your Least Favorite Scary Movie?
• 0:19
  The podcast where we talk about the good, the bad, the ugly and
• 0:22
  the absurd and all of our favorite.
• 0:24
  And least favorite scary movies because we believe every horror
• 0:26
  movie rightfully has this fan base.
• 0:28
  Even if we don't always get it. My name is Travis.
• 0:31
  My name is Jesse. And we're concluding our Texas
• 0:35
  Chainsaw franchise this week. And you know what?
• 0:39
  Fuck it, we're doing it live. Doing it live, that's right.
• 0:43
  We were super busy this past weekend.
• 0:46
  We had scare. Fest Yeah, so we we have
• 0:48
  literally it is Wednesday night, my dudes.
• 0:52
  So you're getting us raw and unfiltered and unedited.
• 0:56
  So God help us all. Day before release, or day of if
• 1:01
  you're a patron. Like less than less than 12
• 1:04
  hours. Yeah, this will be up actually
• 1:05
  probably like 5 minutes after I. Well, for patrons, yeah, for,
• 1:09
  but for. For non patrons I don't know
• 1:13
  what I was going to say. This is going off the rails
• 1:16
  immediately. It's OK, we can't edit either
• 1:18
  because it's still live episodes, so let's just cut
• 1:20
  ourselves off, right? Here.
• 1:21
  Yeah, we're going to talk about the movies that we've been
• 1:23
  watching for the past week and a half.
• 1:24
  Yeah, we've got several to go over.
• 1:26
  So on the 12th it was my turn for a new one and I chose
• 1:30
  Whatever Happened to Baby Jane. Yeah, Jesse went with the old
• 1:34
  school classic. We don't do those too often.
• 1:36
  We don't do those too often. I'm so glad we did that one.
• 1:39
  It is a really good movie. Yeah, yeah, yeah.
• 1:42
  High potential to be covered on the show at some point.
• 1:44
  OK, so. On the 13th we actually went to
• 1:49
  Regal, was a couple of friends of ours and saw a movie we'd
• 1:52
  never seen before, Silver Bullet.
• 1:53
  Silver bullet, yeah. That was fun, and I'm just gonna
• 1:57
  say it. I have said it to everybody
• 1:59
  that's asking my opinion on the movie.
• 2:01
  Gary Busey perfect casting his Uncle Red.
• 2:04
  Yeah, for real. Beautiful.
• 2:05
  I no notes Him and Corey Haim made that movie.
• 2:09
  Yeah, if you would have asked me before, my wife said he was born
• 2:12
  to be ginger dead man. But no.
• 2:14
  No, he was born to be uncle. Yes.
• 2:17
  On the 14th Travis jinxed us all because he said he wanted to be
• 2:22
  prepared for Scare Fest and to meet John Jarrett, so we watched
• 2:26
  Wolf Creek. We got noticed two days later
• 2:29
  that the flights from Australia got cancelled.
• 2:31
  It's like the day before or day of.
• 2:34
  Yeah. That, that Thursday he he had to
• 2:36
  cancel. I think it's you, John Jarrett.
• 2:39
  On the 15th, I also chose a familiar movie to prepare us for
• 2:43
  Scarefest, this one a little bit easier.
• 2:45
  This Jason Takes Manhattan. Yeah, fun fact, we did get Scott
• 2:48
  Reeves. This is his first ever con
• 2:51
  appearance. We got him to sign our box set
• 2:54
  and we asked him to sign it to 222 and we explained why and he
• 2:58
  thought it was hilarious. Yeah, that dude was having a
• 3:00
  blast. Yeah, he was having a great
• 3:01
  time. On the 16th, we just needed
• 3:05
  something familiar. We were trying to do Scarefest
• 3:07
  prep. Saw four.
• 3:09
  That was your pick. Yeah, yeah.
• 3:11
  I mean, saw four. Come on, guys.
• 3:12
  Classic. The 17th.
• 3:14
  There was no time. There was no time.
• 3:18
  It was all Scarefest all day. On the 18th, though, we were
• 3:23
  able to make it to the Film Festival that was going on at
• 3:26
  Scare Fest, and we saw a little movie, maybe you've heard of it,
• 3:31
  called The Slasher Nurse. Yeah, with Felissa Rose, Brian
• 3:36
  Bremer. Yeah, Brian Darcy.
• 3:39
  Darcy's in there for a little bit.
• 3:40
  Yeah, Yeah, that was a it's a fun like indie low budget
• 3:45
  slasher right there. That's a good time.
• 3:48
  Yeah, that would be 1 good. Kills.
• 3:49
  That'd be one of those ones that we would pull up on to be or not
• 3:52
  to be and be like, you know what, it's actually pretty good.
• 3:53
  Yeah. So if you see it come to
• 3:55
  streaming, absolutely. Check it out for sure.
• 3:59
  The 19th it was my turn for familiar man, I wrote.
• 4:03
  Slasher Nurses familiar. What a fool.
• 4:06
  It's just 'cause it was Brian. Yeah, we're familiar with one of
• 4:09
  the actors. In US, yeah.
• 4:11
  Brian's become our buddy. No, so the the 19th was actual
• 4:17
  familiar for me. That was truth or dare, the good
• 4:20
  one. And the good one.
• 4:21
  You all know which one. You decide.
• 4:23
  You know which. One, but it's a sci-fi.
• 4:24
  One, the one we've talked about, Yeah, no.
• 4:27
  But yeah, we. Haven't we haven't done the the
• 4:30
  Lucy Hale one? I noticed.
• 4:32
  I know technically I should be saying it's the Blumhouse one,
• 4:35
  but to me it's the Lucy. That's how I would always call
• 4:37
  it. Yeah, I would call it that.
• 4:39
  On the 20th, Travis picked a new one.
• 4:41
  People were talking, people were saying, yeah, we had to watch
• 4:45
  the Jester. Oh yeah, we have heard from
• 4:48
  plenty of people about the Jester.
• 4:50
  It was OK. I've I've heard the second one's
• 4:52
  really good. Yeah, I there was one of those
• 4:54
  ones where I'm like, they laid the groundwork here.
• 4:56
  It's fine. I feel like the sequel will be a
• 4:59
  lot. Better, it was more like the
• 5:00
  first half. I would have loved it.
• 5:02
  Yeah, it kind of the. Second-half got real
• 5:04
  metaphorical. Yeah, it got strange, but it's a
• 5:08
  fun time. I didn't hate it.
• 5:10
  Yeah, and then yesterday I chose a new one.
• 5:13
  Hell of a summer. Hell of a summer.
• 5:16
  Yeah. Finn Wolfhard Slasher.
• 5:17
  Yep. You know, I thought that it was
• 5:21
  pretty fun. I was telling you yesterday they
• 5:23
  were like a lot of the comedy that was intended actually made
• 5:26
  me feel really sad. So that's, I don't know, maybe
• 5:30
  that's just Gen. Z humor is really mean.
• 5:33
  Maybe. Yeah, 'cause I have, Finn and
• 5:35
  his buddy wrote and directed. It.
• 5:37
  Yeah. Bobby Brick.
• 5:38
  They got to play Bobby, yeah. Oh, Billy Brick.
• 5:41
  Yeah, Bobby is the character I. Know Bobby is the character.
• 5:43
  He's also Tony the Toad guy in Friendship.
• 5:46
  Yeah, got ripped off. Fucking don't RIP me off.
• 5:50
  OK? We got that all out of the way.
• 5:52
  Yeah, this weekend we will have our Texas Chainsaw wrap up and
• 5:57
  for our patrons, we're gonna have our bonus episode.
• 5:59
  We're gonna have a busy recording day, but it's gonna be
• 6:01
  fun because we are doing Name That Tune Horror Movie Edition.
• 6:06
  PP Yeah, it's gonna be fun. So if you are a budget to your
• 6:10
  patron, you will have access to that or for only $1.00 less you
• 6:15
  can rent that you can listen to that individual episode.
• 6:18
  So you pay $5 to listen to a single episode or $6 all of our
• 6:25
  bonus episodes. You do.
• 6:27
  You get your name on the show. You get a sticker of our
• 6:31
  franchise. Yeah, you get a sticker.
• 6:32
  And guess what? Budget to your bubbies, we're
• 6:34
  going to tell you what the next franchise is.
• 6:36
  This weekend, Oh yeah, we'll do. And the rest of y'all ain't
• 6:38
  getting that until November. That's right.
• 6:41
  So yeah, yeah, as soon as the schedule drops, you'll see it.
• 6:43
  But. And y'all better not fucking
• 6:45
  tell. Yeah, Secret.
• 6:48
  I'm super excited for it, though.
• 6:49
  We don't want to talk about it for a bit.
• 6:50
  We're very excited. OK, so that's it for my
• 6:53
  announcements. We never did a poll, did we?
• 6:55
  No, because it was so busy. Yeah, yeah, OK.
• 6:57
  Yeah. So we're just going to get into
• 6:59
  Texas Chainsaw on. There Texas Chainsaw Massacre,
• 7:02
  2022. Yes, yes, yes, the Netflix 1.
• 7:05
  Texas Chainsaw Massacre, Yeah. They corrected it this time, but
• 7:11
  they left out the the. It's OK.
• 7:13
  It's OK. It did.
• 7:14
  It did. It earned the the We shall
• 7:16
  discuss. We shall discuss.
• 7:18
  And find out interesting. OK, well then let's get into it.
• 7:21
  So Texas Chainsaw released February 18th, 2022.
• 7:26
  We watched it on Netflix, which is where it premiered.
• 7:29
  Because that's where it lives. Yeah.
• 7:31
  You can't watch it anywhere else.
• 7:32
  So that's just kind of how it's going to be for everybody.
• 7:35
  And you have to have AVPN for the state of Texas to be able to
• 7:38
  watch it. Yeah.
• 7:41
  This was written by So OK So Story, Fetti Alvarez, Roto
• 7:49
  Saigus and the screenplay was by Chris Thomas Devlin, directed by
• 7:56
  David Blue Garcia, music by Collin Stetson and special
• 8:00
  effects makeup by Jofko Dohandiski.
• 8:06
  Starring Elsie Fisher as a Lila, Sarah Yarkin is Mel, Mark
• 8:12
  Burnham is a Leatherface, Jacob Lettimore as Dante, Nell Hudson
• 8:16
  as Ruth, or Dante's partner if you're watching the subtitles
• 8:21
  and have no idea who the name of that person is because they
• 8:24
  never tell you. Yeah, Dante's partner.
• 8:27
  MO Dunford as Rickster and Owen Ferrer as Sally.
• 8:33
  I butchered that name, but I did my hardest.
• 8:36
  I'm going to also kind of put it on Dante that we don't know
• 8:39
  Dante, his partner's name because when he is literally
• 8:42
  introducing people, he says this is my fiance.
• 8:45
  You know, you're right. My fiance.
• 8:47
  My fiance, dear baby, where is he?
• 8:49
  Where's? My fiance, it's one of those
• 8:51
  things where every time I start this movie up, I always think
• 8:54
  Mel is like, I thought that they're like, you know, a couple
• 8:57
  doing a food truck together, but not they're just friends.
• 8:59
  They're just friends. Yeah.
• 9:00
  All right. Time for our favorite game on
• 9:03
  the show. Budget or budget.
• 9:07
  What do you think, Jesse? Bug Ted.
• 9:11
  Bug Ted. Netflix bug, Ted.
• 9:15
  Yeah, same. Amount of syllables.
• 9:17
  Thing is, this movie wasn't produced by Netflix.
• 9:20
  It is just, you know, they got the distribution.
• 9:24
  But I'm going to go into details about all that here in a little
• 9:26
  bit. But no, this is a budget.
• 9:29
  Really. Yeah.
• 9:29
  This is really $20 million. God damn.
• 9:34
  To make this movie. Yeah, it it cost a pretty penny.
• 9:38
  With a cast of like 12. Yeah, I know, I know.
• 9:44
  I wonder if it like it was filmed during COVID.
• 9:47
  So does that raise the budget? Any it does explain the cast.
• 9:51
  Yeah, I guess that's true. It does kind of explain that a
• 9:53
  little. Bit what was the bubbling
• 9:55
  situation then for that party bus scene?
• 9:57
  Because that is all of the extras were like, did they all
• 10:01
  just say in I feel like. It if we get it, we get it.
• 10:06
  I like to imagine them in the other wing of the Omni from the
• 10:11
  the DCCS cuz they had to bubble in the hotel for their auditions
• 10:16
  that year. Oh yeah.
• 10:17
  So I'm imagining that like DCC, one wing of the Omni Texas
• 10:22
  chance I'm asking or any other wing.
• 10:25
  Is this in Texas? That where that happened?
• 10:29
  Oh yeah, Dallas cheerleaders. Right, Right.
• 10:31
  Of course. What am I thinking?
• 10:32
  I'm fucking stupid. Yeah, that's.
• 10:34
  Texas is a big state, OK? There's a lot of places.
• 10:37
  What are places? What do people see?
• 10:38
  I get that, but you literally said Texas.
• 10:41
  You didn't specify the city. Yeah, well, OK.
• 10:46
  Don't sigh at me like your failure.
• 10:48
  Weight of the world on that dog's shoulders.
• 10:50
  I'm trying to I, I, I want to reveal things.
• 10:52
  OK, I'm saving things. No, I I OK, All right, I don't
• 10:58
  have any financials as far as gross and all of that since this
• 11:03
  went straight to streaming, but I do have the IMDb, which is a
• 11:06
  4.7 out of 10. This is a very whoa.
• 11:11
  It's about it's okay for Texas Chainsaw so.
• 11:14
  Can I throw in something real quick?
• 11:16
  Yeah, we did talk to RE and My Love and Ken Foray this weekend
• 11:21
  and we said that Leatherface is criminally underrated in the
• 11:24
  franchise and they both said absolutely.
• 11:25
  Yeah, well, that was awesome. I forgot about that.
• 11:28
  We did get to talk to both Ken Foray and him.
• 11:30
  Yeah, that was a great time. Yeah, man, we got to talk to the
• 11:34
  underappreciated slashers. We got Don Shanks also from all
• 11:37
  week five. I've defended that movie today,
• 11:40
  even that in our discord. I silenced the discord because
• 11:43
  it was hurting my feelings. Yeah.
• 11:45
  People are mean. All right, so I have 3 movies
• 11:49
  from 2022 to compare this one to.
• 11:52
  I have a theme. That theme is depressed towns.
• 11:55
  OK, so the first one, Barbarian. Oh God, yeah.
• 12:02
  That little area that they live is not doing so high.
• 12:04
  Yeah, that area of Detroit. That released September 9th,
• 12:08
  2022 with a 4.5 million budget, 45,000,000 gross. 7 out of 10 on
• 12:14
  IMDb. And you can go listen to us talk
• 12:16
  about it. We did talk about that.
• 12:18
  Yeah. Actually, we've talked about all
• 12:19
  of these Movies, OK? Yeah, well, that was like
• 12:22
  probably one of the scariest movies I've seen in a long time.
• 12:25
  True. Also 2022, one of the best years
• 12:28
  for horror in a long time. So yeah, we've covered a lot of
• 12:31
  shows, movie #2 Halloween Ends, Everybody's really sad about
• 12:36
  Michael's just killing people. That's the whole theme of the
• 12:39
  whole thing. David Gordon Green is like
• 12:40
  everybody. This town is depressed.
• 12:43
  That's what The Shape is right now.
• 12:44
  He's now out of sad town. He took the form of a sad town
• 12:47
  more. Like satin field.
• 12:50
  Oh my God, you set me up for that.
• 12:52
  That should have. You should know better than to
• 12:53
  set me up for things like that. That should have been the
• 12:55
  tagline. That should have been the
• 12:57
  tagline for our episode. Ours is probably someone dumb
• 13:00
  like Rumble in the Tunnel. Oh my God, it probably was.
• 13:03
  I forgot what we did. Which I also came up with SO.
• 13:06
  Rumble in the Tunnel was a great thing and also at a very
• 13:10
  upsetting moment in the history of that franchise.
• 13:14
  OK, that movie had a $20 million budget.
• 13:17
  Also OK worldwide gross of 104 million and a 5 out of 10 on
• 13:22
  IMDb. OK, now movie #3 Pearl.
• 13:28
  Depressed and in the Depression. In the depression, also like the
• 13:33
  times of this era, they were dealing with COVID, or not
• 13:36
  COVID, but bird flu. Spanish.
• 13:39
  Flu, Spanish flu, that's what it was, yeah, yeah, they, they had
• 13:41
  their own pandemic going on down there that released September
• 13:44
  16th, 2022. Don't have budgets because it's
• 13:48
  a 24. They keep a tight lip on it.
• 13:50
  So worldwide gross 9 million IMDb 7.
• 13:55
  OK. Yeah.
• 13:56
  All right, so I have one tackling.
• 13:58
  Just one. Just one.
• 13:59
  Yeah, they won. Fede, I'm blaming you
• 14:03
  specifically. Well, he is, I think, a
• 14:05
  producer. Yeah.
• 14:06
  Yeah, you should get the blame, yeah.
• 14:08
  I expect things out of you. Yeah.
• 14:10
  Greatness, usually. All right.
• 14:13
  It's the face of madness returns.
• 14:16
  That's OK. Yeah.
• 14:17
  It's not that bad. It's not that great.
• 14:20
  You know, it works. Yeah, OK, so let's do some fun
• 14:24
  facts. Fun facts.
• 14:26
  Fun facts. So we discussed on the last one,
• 14:29
  the Texas chain no weather face that's they the. 2017
• 14:33
  Leatherface not. Yeah, not.
• 14:35
  The third Leatherface. Yeah, this franchise confusing
• 14:38
  to talk about, but yeah, Weather Face, the 2017 one that's was
• 14:44
  the last movie of whoa, let's see who did that.
• 14:48
  They said that they counted it. They thought of it as a direct
• 14:53
  prequel to the 19th. They said you're supposed to
• 14:56
  watch 3D Leatherface and then the original Texas Chainsaw
• 14:59
  Massacre. OK, yeah, I'm trying to think.
• 15:02
  I got that information, so that's why I remember.
• 15:04
  It Oh, do you remember who who made the movie?
• 15:06
  Who was? It now why would I remember a
• 15:08
  detail like that? No Dang it, I know the timeline,
• 15:11
  but a person's name? Forget it.
• 15:14
  No, it's not even that. It's the company.
• 15:16
  Oh, also don't. Remember.
• 15:17
  Goddamn it. OK.
• 15:18
  Oh, I don't know. Lionsgate.
• 15:19
  Oh. Yes.
• 15:21
  Yeah, Yeah, yeah, yeah. OK.
• 15:23
  Yeah, yeah, cuz I was in there. Yeah, right.
• 15:25
  Oh my God, this whole mess is unedited.
• 15:28
  Yeah, well, it's OK. Come into your your holes.
• 15:30
  The chaos is part of the fun sometimes.
• 15:32
  So they lost the rights. We talked about that last time.
• 15:35
  Yeah, Yeah. So enter Legendary Pictures,
• 15:38
  which took over the rights this time around.
• 15:41
  They bought the rights in 2018. They had plans to make both TV
• 15:46
  and film projects from this. Yes, thankfully the TV show did
• 15:50
  not happen because I do not want to see ATV show on Texas
• 15:53
  Chainsaw. How many episodes of the family
• 15:56
  dinner would occur? Oh my God, every episode.
• 15:58
  Has one. Yeah.
• 15:59
  That's, no, that's the theme song.
• 16:02
  Like it's a different thing happening at the dinner table.
• 16:05
  Kind of like Roseanne. Are you trying to make me like
• 16:07
  the dinner scenes now? Because that's the way to do.
• 16:09
  It no, I'm just still driving off of my discussion with Lex
• 16:13
  earlier this week. Oh, I didn't theme songs.
• 16:16
  Oh yeah, Jesse did an episode with Lex.
• 16:19
  Yes, I will be on I guess sometime within the next few
• 16:23
  weeks. Once I know the exact date, I'll
• 16:25
  let you guys know. But that is hosted by our friend
• 16:27
  Lex Basil Price, who was previously on the show with the
• 16:31
  one of the Co hosts of their other podcast pod lead JW
• 16:36
  Chrome. Yeah, it was our Halloween
• 16:38
  resurrection episode. That was a good time.
• 16:40
  Yes. So I will let you guys know when
• 16:41
  that is up so you you can go listen to it.
• 16:44
  Yeah, that'd be fun. So filming started August 2020
• 16:48
  in Bulgaria. So they missed the bubble.
• 16:50
  That's why I was confused about Dallas before.
• 16:52
  OK. Is that why Alice Krieg was
• 16:56
  there? Because she was filming Yeah
• 16:59
  Prince movies. Oh my God, maybe.
• 17:02
  Because we have Alice Creek once again in like a town that no
• 17:08
  longer really exists and she is the sole survivor leader person.
• 17:14
  I choose to believe that this is canonically in that universe.
• 17:18
  That's the long lost sister of Queen, whatever her name is.
• 17:23
  I forgot her name. The Queen from that movie.
• 17:26
  Oh, I was talking about Silent Hill, 'cause we talked about.
• 17:28
  Her Oh God. Oh, I'm talking about no Texas
• 17:32
  Chainsaw. Shares at University of
• 17:33
  Christmas. Are you saying Aldovania?
• 17:36
  Who's the what's? It is a depressed town.
• 17:39
  I'll have you know that once they arrested the interloper,
• 17:42
  its economics were better than ever.
• 17:44
  And they even paid off their debts to the other.
• 17:47
  The Penguins. Oh God.
• 17:49
  We know too much about the war of that series.
• 17:52
  So yeah, filming. Yeah.
• 17:54
  Filming happened in Bulgaria in 2020 in August.
• 17:57
  It was originally directed by the Toho brothers.
• 18:02
  OK. However, after receiving some
• 18:04
  footage, the studio fired them because they did not like the
• 18:07
  product that they got. Oh shit, like was it like too
• 18:10
  intense for the studio or just bad?
• 18:12
  Well, they cited creative differences.
• 18:15
  After one week, I think it was just bad.
• 18:18
  OK, yeah. So inner David Blue Garcia, who
• 18:23
  decided he was going to take this on, he didn't use any of
• 18:27
  the footage from that. So they completely started from
• 18:30
  scratch all over again. I wonder if it exists anywhere.
• 18:33
  I would like to know that I did some really hard research to try
• 18:37
  and find any information on what was filmed before and I couldn't
• 18:39
  find anything. I wonder if they signed Ndas or
• 18:43
  if they are just so pissed off about the whole thing that they
• 18:45
  don't even want to talk about it.
• 18:47
  I don't know. So yeah, he was hired, didn't
• 18:51
  have the footage there, but he had this DP there.
• 18:55
  Diaz, I forgot what his first name was, but they were given
• 18:59
  roughly one week to restart everything.
• 19:02
  They were only given shorthands and bullet points for
• 19:04
  everything. So they really had to kind of
• 19:07
  speed things up and just kind of run with it without having much
• 19:12
  preparation at all. And they think they're being
• 19:17
  from University of Texas for them being able to do what they
• 19:21
  were able to do. Because according to them,
• 19:24
  that's like religious down there.
• 19:26
  Like everybody knows about Texas Chainsaw Massacre.
• 19:28
  If you go there and study film there, they know the culture,
• 19:32
  they know Texas. The other guys were Irish
• 19:34
  people. So I wonder if that was part of
• 19:36
  it, like a disconnect or something like that.
• 19:38
  And now I want to see that scrap footage even more.
• 19:41
  I know, me too, yeah. Diaz also had previously worked
• 19:44
  with Henkel, who was a producer on this also.
• 19:47
  So they had that connection there.
• 19:50
  They I hate this so much. They focused on a vibe that they
• 19:55
  coined themselves Elevated grindhouse.
• 19:58
  I fucking hate the elevated any type of genre because.
• 20:03
  Again, I'm just going to say it implies that the previous genre
• 20:07
  was western and elevated makes it superior.
• 20:10
  It's just so fucking stupid I hate it.
• 20:13
  This doesn't come up often in our day-to-day lives.
• 20:15
  How do you feel about elevators? Elevators are great, OK?
• 20:20
  Although you just told me about 1:00 making a very shaky thing
• 20:23
  happening to you at work, and I then told you they scare me
• 20:26
  sometimes too. Yeah.
• 20:28
  OK. Yeah.
• 20:28
  Which is reasonable, I think, but elevated grindhouse
• 20:32
  basically is what they call a blending of their personal style
• 20:36
  with what they thought was close to what the OG was, which was
• 20:39
  kind of grindhouse. So they did things like they
• 20:42
  used classic lenses and they tried to do practical gore and
• 20:45
  effects as much as possible, but they tried to throw in like the
• 20:48
  little twenty 20s flare to things, you know, the up and
• 20:51
  coming people. A 24, I guess, if you will,
• 20:54
  which we will have an A-24 Texas chainsaw very soon.
• 20:58
  You. Know what I I will give any
• 21:01
  Texas chainsaw a shot. I will too, as we've discussed.
• 21:04
  I, I yeah, yeah. John Laraquet actually reprises
• 21:07
  role as a narrator this time around.
• 21:08
  That was not archive dialogue, that was just him.
• 21:13
  I didn't think it sounded like. Him.
• 21:15
  Really. Yeah.
• 21:16
  Wow, no, that was him. Yeah, he's only done this one,
• 21:19
  the remake and New Beginning and.
• 21:21
  I even like when the voice over started I was like, oh it's a
• 21:24
  shame they recast him. John, can you do another take?
• 21:29
  He don't sound like you. I mean his age happens, I just
• 21:34
  it didn't sound like him. I guess that's true.
• 21:36
  It sounds like somebody doing an impression of him.
• 21:38
  Oh, no, I'm sorry, John. Here's a weird thing that I
• 21:42
  never considered for this right here, but Alvarez confirmed that
• 21:47
  the events of the original sequels do take place in this
• 21:50
  timeline. Which which original sequence?
• 21:56
  Yes, that's where he left. No, you can't leave like this.
• 22:02
  The timeline of this franchise is irresponsible.
• 22:05
  I know it's it's like every single one of them restarted.
• 22:09
  So I don't know, it's like maybe a pick your adventure.
• 22:11
  Do you want this to be Bubba from?
• 22:13
  Matthew McConaughey timeline. OK.
• 22:21
  Yeah. I mean, I guess it technically
• 22:22
  is, right? Because I don't know, I guess by
• 22:25
  that right there, that's implying that they're all in the
• 22:29
  same universe, which I've never interpreted any of them being
• 22:33
  consistent whatsoever. No, we've spent several months
• 22:37
  talking about how in fact they are not consistent.
• 22:40
  Yeah, I know. Yeah.
• 22:41
  And we're going to actually include that in a wrap up too.
• 22:43
  I'm going to finally put together that little thing of
• 22:46
  our timeline here. I haven't been doing it as we've
• 22:48
  been going, but I'll make a timeline for that episode right
• 22:52
  there. OK.
• 22:53
  I hope you have it before we record our our rankings.
• 22:58
  I should be able to do it, it shouldn't be too hard.
• 23:00
  So it'll help me figure out where I'm ranking different
• 23:03
  Movies, OK? Okay, and the final bit of
• 23:06
  information is just that the reason this is on Netflix is
• 23:09
  because they did test screenings and it did poorly.
• 23:11
  And it's really funny cuz Alvarez is actually, despite
• 23:15
  what people are saying, things have gone really, really great
• 23:18
  and. I mean, maybe they've gone
• 23:20
  really, really great for Alvarez.
• 23:22
  Yeah, he's killing it. I guess I mean for him, yeah,
• 23:25
  personally, maybe he was like at one of his other, you know,
• 23:27
  movies, so. Somebody was like, so how do I
• 23:29
  think it's the Texas Chainsaw? You don't think since Texas
• 23:32
  Chainsaw have that Really. Really.
• 23:33
  Oh yeah, yeah, evil did. Yeah, yeah.
• 23:35
  Oh man, fantastic. People ate that shit.
• 23:37
  Up alien Ron Lewis. Alien even.
• 23:40
  Yeah. Fucking killed it.
• 23:41
  Texas Chainsaw, Huh? What?
• 23:42
  What? Huh.
• 23:46
  OK, OK, that's different. Fun facts.
• 23:47
  OK, all right, so let's do some good.
• 23:51
  Bad ugly nipster. Jesse, what did you like about
• 23:53
  this one? I do think that this was an
• 23:55
  interesting way to do the storyline, you know, have the
• 24:00
  town be kind of like a deserted town.
• 24:03
  I think there's a lot of fun possibilities with that.
• 24:06
  Unfortunately, I don't think it played with that idea enough.
• 24:09
  Yeah, it's kind of like what we were talking about with Texas
• 24:12
  Chainsaw 3D, where it was fun actually seeing the town for
• 24:15
  once not being just this one house all the time.
• 24:18
  Yeah, yeah. Because I, I like the concept of
• 24:21
  what they were going for with it.
• 24:23
  But I think that, like, rushed production kind of does show
• 24:27
  because it doesn't feel as fleshed out as it could would
• 24:29
  have, especially knowing that, like, I hate to keep harping all
• 24:32
  this, but we know the work that Fede Alvarez is capable of.
• 24:35
  Yeah. This does not feel like his
• 24:37
  peak. No, it doesn't.
• 24:39
  They did construct that town pretty much in Bulgaria.
• 24:43
  Wow. Yeah.
• 24:44
  They really wanted it to be like Texas.
• 24:46
  So apparently it was a really big challenge to make a place
• 24:48
  look like Texas in Bulgaria. I mean, I can see that the the
• 24:52
  Leatherface was also filmed. Yeah, it was overseas somewhere,
• 24:56
  I can't remember where exactly. Romania, no.
• 24:59
  Somewhere around there, 'cause we had a lot of Game of Thrones
• 25:01
  actors in. Yeah, yeah.
• 25:03
  But yeah, there it's I again. I am happy that we had a
• 25:07
  different kind of storyline. You know, we did.
• 25:10
  We didn't have a dinner scene. I know.
• 25:12
  Yeah, that's nice. So I thought that was really
• 25:14
  interesting. I think we have one of the
• 25:16
  coolest kills of the series where he breaks the cops arm and
• 25:20
  then stabs him in a throat with his own ulna.
• 25:22
  That is creative. I don't care who you are.
• 25:25
  That's good. That was a great scene right
• 25:27
  there. It this movie is worth it for
• 25:29
  that scene alone Yeah, like, and I think it's got it's got some
• 25:33
  interesting moments. I they're handled very clumsily,
• 25:39
  which is why I don't feel like they deserve to even try and
• 25:41
  call it elevated. Yeah.
• 25:44
  But I think the things we're talking about school shootings,
• 25:47
  those are unfortunately very, very relevant.
• 25:49
  And I think kind of tying those moments together for Lila as a
• 25:54
  character and her survivors guilt is such a huge part of her
• 25:58
  story. And I think that those are like
• 26:02
  somatically very potent today. Yeah, I mean, definitely,
• 26:07
  definitely is relevant to the conversation.
• 26:10
  I it was a weird thing. I think even like the sister
• 26:13
  too, where she almost gets a little bit, like she's so
• 26:17
  protective, it's patronizing. Yeah.
• 26:19
  And I think that we we don't get to dive into that again, it
• 26:23
  feels you can feel the rush in the production for this because
• 26:26
  it doesn't feel as fleshed out between them as it could be.
• 26:29
  The weird thing that I noticed when I was searching for reviews
• 26:33
  from like IMDb today was that a lot of people are like the woke
• 26:38
  one. I'm like, what is like woke
• 26:41
  about talking about school shootings and having Gen.
• 26:44
  Z people here also, you know? Also, have you seen the first
• 26:49
  one? Yeah, I know, but like it's.
• 26:53
  That is the history of this franchise.
• 26:57
  I just really don't even see anything woke about this movie
• 26:59
  at all. It's just like school shootings
• 27:01
  are a thing, you know? Like it's just like an actual
• 27:04
  thing. Like people have to be afraid of
• 27:07
  these days. They weren't.
• 27:08
  I mean, it was less of a thing back then.
• 27:11
  It's just, yeah, especially in Texas, like a gun state.
• 27:16
  I think it's pretty relevant. And I think, honestly, they did
• 27:20
  a good job talking about the topic of gun control in almost a
• 27:26
  neutral way. Yeah.
• 27:28
  Because obviously, like, Melody's very protective over
• 27:32
  Lila and what happened. Lila's got like, a little bit
• 27:34
  of, like, fear. But we do see her using it for
• 27:37
  protection at the end. And I think there's a very
• 27:39
  important conversation that we need to have about gun control.
• 27:43
  It doesn't mean, like, no guns ever.
• 27:45
  Yeah. It just means like.
• 27:46
  I mean, she's even like, kind of like checking the line out
• 27:48
  whenever she's at Richter's place, you know?
• 27:50
  Yeah. Yeah, there's I I thought it
• 27:54
  like, honestly handled that discussion pretty well for being
• 27:59
  a Texas Chainsaw movie. Yeah, yeah.
• 28:01
  So I, I think there are a lot of things this movie does really
• 28:05
  well. I just wish it had been, I very
• 28:09
  rarely say this. I think this is a movie that
• 28:10
  needed maybe like 20 more minutes.
• 28:13
  Yeah, it's kind of short. Yeah.
• 28:15
  Yeah, I think you're. Right.
• 28:16
  And, and I think it could have been really good like up at the
• 28:18
  front, so we don't have to have such like direct dialogue.
• 28:23
  Yeah, yeah. There's some clunk to it.
• 28:26
  I don't know. It might have just you.
• 28:28
  I mean, you can tell it was kind of brushed.
• 28:29
  They they really did have to throw this thing together real
• 28:31
  fast. It, much like many of
• 28:34
  Leatherface's victims of yore, it is like a sledgehammer to the
• 28:38
  face. Yeah, the messaging they give
• 28:41
  out just because they don't have time to build those things as
• 28:46
  organically as they probably could have.
• 28:49
  Yeah, no. OK.
• 28:51
  Anything else? Those, I mean, I feel like that
• 28:54
  was a pretty decent amount. Yeah, OK.
• 28:56
  I just want to make sure I'm not like.
• 28:58
  Yeah, very good. All right, so my things are, I
• 29:02
  think Weatherface is actually intimidating in this movie.
• 29:05
  I think they cast him really well this time around.
• 29:08
  That's a great weatherface right there.
• 29:09
  He. Moves quickly and quietly.
• 29:12
  Yeah. And you don't like a big guy
• 29:15
  that's also quiet, because that's a deadly combo.
• 29:18
  Yeah, I'm also like, I know people kind of should on it, but
• 29:20
  I am a sucker for a while, like the old man slasher, you know,
• 29:23
  thing now my days I think it's fun, you know, like it's kind of
• 29:27
  cool to see them in a different way than, you know, he's like
• 29:31
  youngish, like in their prime people that are definitely
• 29:33
  capable of doing some of these things, but I feel like it makes
• 29:36
  it more interesting. Like how the fuck is this person
• 29:38
  this old doing this shit right here?
• 29:40
  Listen, I read the read your books and he should buy all
• 29:45
  rights be a card carrying member of AARP for at least a couple
• 29:48
  decades by this point so I'm not going to judge.
• 29:51
  There's the old band kicking ass.
• 29:53
  I think he's in the 70s in this movie.
• 29:55
  This movie is set 50 years after the original, which he was like,
• 29:59
  I mean, that's like saying he's in his 20s and the original.
• 30:02
  And even then he looks kind of older.
• 30:04
  But then he's also kind of a young guy.
• 30:06
  He's bum. Yeah.
• 30:06
  Yeah. I also agree with you.
• 30:09
  I like the kills in this movie, like they are pretty unique.
• 30:13
  Some of them. I mean especially that one with
• 30:15
  the bone being stabbed in the neck, like that was insane.
• 30:18
  I like the bus scene. I know people shooting on the
• 30:20
  bus scene. Everybody has a lot of reasons
• 30:23
  to shoot on the bus scene, but whenever he gets down to him
• 30:26
  just straight up mowing down the entire crowd of people, that's
• 30:29
  fun. Honestly just change the
• 30:32
  dialogue from that one guy saying we're going to cancel
• 30:34
  you. Nobody would have a fucking
• 30:36
  problem with that scene. Watch the scene on mute, you're
• 30:38
  fine. And The thing is that I
• 30:40
  understand some people have issues with that, and I think
• 30:43
  some people also take issue with them all just like pulling out
• 30:46
  their phones and recording. But I've seen that shit online.
• 30:50
  People just, I don't know, for whatever reason, they just feel
• 30:54
  compelled to just pull out their phones and record chaos, even if
• 30:57
  they're in immediate danger. It's just people are stupid and
• 31:03
  like, all of these people in that bus right there, I'm sorry,
• 31:06
  but it's not the best of the best right there.
• 31:08
  There's some pretty dumb people on that bus.
• 31:11
  So, yeah. And I mean, exactly what you
• 31:15
  said before, it's different from other entries.
• 31:16
  You know, like one of the things I liked about this though, is
• 31:19
  like they kind of make our cast of people that were following
• 31:23
  the bad people this time around. Yeah.
• 31:26
  I can understand why later faces mad.
• 31:27
  This time they killed his mom. They broke into his house,
• 31:31
  kicked her out. They had no God damn.
• 31:35
  Right. They had no right.
• 31:36
  They are all bad people. They're also trying to
• 31:38
  completely go down there and gentrify the entire town.
• 31:42
  You know what I mean? Like, it's just I they are the
• 31:45
  bad people in this movie. I know Leatherface is like, you
• 31:47
  know, a serial killer and he's killing them and he probably
• 31:50
  shouldn't do that. That's kind of an overreaction,
• 31:51
  but he has every right to be mad at them.
• 31:55
  As we've said many times throughout our coverage of the
• 31:59
  Texas Chainsaw movies, leather faces protecting his home.
• 32:04
  Yeah, I feel like it's like, aside from the original, even
• 32:07
  more true in this one than a lot of other ones.
• 32:11
  And finally, the mask. The mask is fucking fantastic.
• 32:14
  I love the mask in this one. It's upsetting.
• 32:17
  Also, oh God, this. It's just so sad.
• 32:21
  I'm going and I'm putting on his mom's makeup.
• 32:24
  Dude that fucking kills me when he like not only that, but he
• 32:27
  like grabs her dress and just like sobs over it.
• 32:30
  They that's another good thing that they did with this movie is
• 32:33
  they're like, he's a sympathetic character.
• 32:35
  Yeah, like he is not this guy that is just a fucking like
• 32:40
  killer just for the sake of killing people.
• 32:42
  Like he's doing this thing because to him, this is what has
• 32:45
  to be done. This is the right thing.
• 32:47
  He's a he's a hurt person and. You, he put a lot, a lot of
• 32:50
  thought into it. Like clearly Virginia was like,
• 32:55
  listen, in case of fire break, in case of emergency break the
• 32:59
  drywall. Yeah, this, this, this chainsaw
• 33:02
  was hidden there. Yeah, yeah.
• 33:04
  They had it, they they talked about this.
• 33:06
  There was a. Condition.
• 33:07
  That was the code that she gave him.
• 33:09
  Whenever she was giving her last breaths, she was like, Mama says
• 33:13
  be good. He's like, OK.
• 33:16
  Kill everybody with my secret. Chainsaw.
• 33:18
  It's probably. Disgusting.
• 33:19
  Got it. OK, let's talk about some bad
• 33:21
  stuff. I mean.
• 33:23
  Honestly, like I said, a big part of it is the dialogue.
• 33:26
  It's just really clunky and I don't, I feel like it's cringy
• 33:32
  to call something cringy. It just, it feels like, what do
• 33:36
  kids say these days? I think they do say cringy so.
• 33:41
  I'm not saying that, I'm saying that's what they were saying.
• 33:44
  Oh, they were trying to do. They're trying to write for a
• 33:47
  generation and they don't fully understand.
• 33:49
  We're gonna cancel you. Like, yeah, people do like
• 33:53
  record, but they don't literally say we're gonna cancel you and
• 33:56
  be like, yeah, yeah, what's up? What's up?
• 33:59
  Are you saying why are you coming into Myspace?
• 34:01
  Yeah, why are you on my bus with a chainsaw?
• 34:04
  Who do you think you are? Sometimes you're gonna get
• 34:07
  fired. Yeah.
• 34:08
  But that's the most of. It I'm sending this to
• 34:11
  corporate, I'm recording this. This is my right in Texas.
• 34:16
  It is a single is a single permission state.
• 34:20
  That's right if that's true or not, but neither do most people
• 34:23
  who are recording in public. For that, I think that's a
• 34:25
  federal thing, Like no matter where you are, if you're in
• 34:28
  public, you don't have any like reason to have any privacy.
• 34:32
  Or yeah, no reasonable expectation.
• 34:33
  Yeah, yeah. But yeah, like, I think there
• 34:36
  are things like that. And like I said, they were
• 34:39
  really trying to show the parallels of like, Lila's
• 34:41
  trauma. And I think like, honestly, we
• 34:45
  just needed that fleshed out a little bit more.
• 34:49
  And I don't, I really don't say that.
• 34:51
  A lot of times with movies, I'm like, you could be shorter, this
• 34:53
  one you could be longer. Yeah, they touched on it, but
• 34:56
  then it's like, but why? Like, what's the relevance to
• 34:59
  it? Or is it just so she has that
• 35:00
  moment where she like, you know, comes to terms with something
• 35:03
  like the the social commentary kind of felt a little bit jammed
• 35:07
  in there. Yeah, it felt like it felt like
• 35:09
  they were doing that and they were also kind of trying to
• 35:10
  touch on gentrification because they're showing like this group
• 35:14
  is idealist, but really they are just kind of being greedy
• 35:18
  capitalists. But they don't see themselves
• 35:20
  that way. They see themselves as the good
• 35:21
  guys. Like, no, we're bringing in a
• 35:22
  group of idealists and we're going to be a peaceful town and
• 35:25
  it's going to be awesome. A cult.
• 35:27
  Yeah. That's a cult.
• 35:28
  Yeah, I. Like that when Richter said that
• 35:31
  so. Yeah.
• 35:32
  And I like I see those ideas are there and I just they could have
• 35:37
  been explored touch more. And also, why did we bring back
• 35:42
  Sally just to kill her? That's one of my things, too.
• 35:46
  They dropped the ball with her big time.
• 35:48
  Especially, like, if you're going to even like, have to
• 35:52
  recast her, like make her character meaningful, like,
• 35:58
  because not only do they bring her back to kill her, they show
• 36:01
  her that, like, they kind of pull a Halloween where I was
• 36:03
  like, Jamie, it was never actually about you.
• 36:05
  Michael just wanted to go to his house.
• 36:07
  Yeah. The.
• 36:07
  Weird thing is, like there was never any, like nobody ever
• 36:11
  thought that he was going after her just because it was her, you
• 36:14
  know what I mean? Like.
• 36:16
  She and her friends broke into his house.
• 36:19
  Yeah, like the whole thing with Halloween.
• 36:20
  I hate to keep saying that I don't think we should just kill
• 36:23
  everybody that comes into our houses, but.
• 36:26
  No, but I mean somebody like Leatherface, I mean, that's
• 36:28
  punishable by death by chainsaw right there or by me Hook, you
• 36:32
  know, whichever. But the thing with Halloween,
• 36:34
  like they built up all of this war throughout their franchise
• 36:37
  that he's going after his family.
• 36:39
  She's family, you know, like it was so ingrained in people that
• 36:42
  I felt like they really wanted to drive that home in that
• 36:44
  movie, that that's not the case in this movie.
• 36:46
  It didn't make any sense for them to do that.
• 36:48
  It was just weird. But the weird thing is like they
• 36:51
  didn't even touch on that. Like, that wasn't even, wait,
• 36:54
  no, that had been discussed in Halloween 2018.
• 36:58
  Yeah. So yeah, they did kind of copy
• 36:59
  that, I guess. And also, it's very illogical
• 37:04
  that like, she told the police what happened once, never spoke
• 37:07
  of it again, yet she's a Texas Ranger and she's specifically
• 37:10
  hunting down Leatherface. Yeah, yeah.
• 37:13
  These things are an attic gap. I also just hate this is what.
• 37:16
  Happens when you have multiple story writers.
• 37:18
  Her whole confrontation with them sucks too.
• 37:20
  Like the whole thing. Like, she has a shotgun.
• 37:22
  She has them dead to rights. And she's just, like, saying the
• 37:25
  names of all the victims. And he's just like, OK, yeah.
• 37:27
  And he walks away and she lets him walk away and attack another
• 37:31
  group of people. This is the first person that
• 37:36
  has broken into his house that he hasn't immediately killed.
• 37:39
  He he dug deep with that. That is the pettiest leather
• 37:45
  face we have ever seen. Maybe that was intentional.
• 37:48
  I I hadn't even considered that. But I think that was a sassy
• 37:51
  little Bubba moment. He's like, oh shit.
• 37:53
  She's like, I don't remember her.
• 37:54
  OK, You know what? Yeah, yeah.
• 37:56
  Who are you? Who are you?
• 37:56
  Who? What I got, I got bigger fish to
• 37:59
  fry. Cindy, OK.
• 38:04
  Anything else? No, no, go.
• 38:08
  Well, you've kind of done a lot of the things that I've done.
• 38:12
  I feel like, I mean, I'll touch on the dialogue a little bit
• 38:15
  more. I feel like there was some
• 38:16
  pretty corny dialogue. Like, we had some lines, like
• 38:19
  with her where she's like, oh, if I knew, I'd guess I'd put my
• 38:22
  face on, you know, or the whole cancel thing or like whenever
• 38:27
  they're driving in, then the cops pull over Dante, it's like,
• 38:29
  oh, you're the cook. You know what I mean?
• 38:31
  He's like, oh, no, I'm actually a chef.
• 38:33
  I feel like they were trying to, like, do these little things.
• 38:36
  I don't feel like it translated because I feel like that kind of
• 38:39
  thing works if you're doing like, Bee Movie slash camp.
• 38:42
  And this was really, this was elevated grindhouse.
• 38:44
  This is what happens when you try and do elevated grindhouse.
• 38:48
  Yeah. It's just like, you know, like
• 38:50
  if you make this a campy Bee Movie, that'll be fine.
• 38:54
  I'll love it. Probably, actually.
• 38:56
  But it just didn't match the tone of what we were getting
• 38:59
  here. Yeah.
• 39:00
  And. Cuz those could have been really
• 39:02
  funny lines. Yeah.
• 39:03
  Like it could have worked. We could have even worked with
• 39:05
  some of that earlier clunky dialogue, but yeah.
• 39:07
  That's what I'm saying this. Movie to be different tonally
• 39:10
  than what it actually should have been.
• 39:11
  Yeah. They, they were very serious
• 39:14
  with this movie. They.
• 39:15
  Yeah, which so many of the Texas Chainsaw movies have not taken
• 39:18
  themselves seriously and have been better off for it.
• 39:20
  And we're talking about The Next Generation, Yes.
• 39:23
  And also this movie just kind of lacks the chases of the Texas
• 39:26
  Chainsaw movies. And that's one of the highlights
• 39:29
  of the series for me. I love seeing Weatherface chase
• 39:31
  people. Even if he's like 70 year old at
• 39:33
  Weatherface, he's still doing some pretty impressive things
• 39:36
  here. Yeah, why do we have him pull on
• 39:38
  a Friday the 13th and hopping out from an indoor pool?
• 39:42
  That was weird. Yeah, he's kind of like a shark
• 39:44
  right there. Yeah, like I don't, I don't
• 39:46
  understand. Yeah, it's just, yeah, Also,
• 39:50
  Talia's going absolutely nuts out there.
• 39:52
  So that's definitely coming up here.
• 39:54
  Yeah. Then the whole neighborhood of
• 39:55
  dogs are losing their mind, right?
• 39:57
  Now, yeah, they're on patrol right now, yeah.
• 40:00
  OK, what's you're ugly? Again, I like the school
• 40:06
  shootings are sadly a very relevant conversation to be
• 40:09
  having and like we're not doing enough with that conversation.
• 40:13
  Yeah, yeah. I don't think this is the right
• 40:16
  movie for it, though. Yeah, it could have been maybe
• 40:18
  if they thought of a different way to do it, but they just
• 40:20
  didn't handle it the right way. Yeah.
• 40:22
  And like, even if they just made it part of like her background,
• 40:26
  you know, like, but they're trying to tie it into the again.
• 40:30
  I just feel like the the the setup needed a little bit more
• 40:34
  finesse. Yeah, for sure.
• 40:37
  Yeah. Yeah, I had kind of related to
• 40:40
  that, you know, the whole thing with survivor's skill that she's
• 40:43
  dealing with throughout, like, that kind of sucks.
• 40:46
  I I mean, I've, we've talked about all of these taking over
• 40:49
  the town, you know, for commercial gain, and also the
• 40:52
  whole infantilizing her little sister because of what happened
• 40:55
  to her. You know, like, it's just,
• 40:57
  there's a lot of ugly things that went down.
• 40:59
  Yeah. Absurd.
• 41:03
  Listen I I will forever love that moment of him just popping
• 41:09
  his head out of the. I love that man, it's so fun.
• 41:13
  It's so fun, it's so silly. It's So what this movie really
• 41:17
  needed to be. That's actually the cover of
• 41:19
  this. Yes, I have one right here
• 41:22
  today. It it like that's the tone we
• 41:25
  needed to go with. But like Leatherface, freshly be
• 41:29
  faced with his mother's skin running, planning a rampage
• 41:35
  through a field of flowers, it's beautiful in its way.
• 41:38
  It kind of is. There's some beauty to it there.
• 41:40
  He was filming himself at that moment, you know what I mean?
• 41:43
  I The one thing I wish he had done was like plucked a flower
• 41:47
  and stuck it behind his ear. Yeah, that would have been nice.
• 41:51
  Yeah, what about you? Well, First off, why did Dante's
• 42:00
  fiance, I can't even remember her name now, Ruth.
• 42:03
  Ruth, why did she feel like she had to go along with them?
• 42:06
  That was just so strange to me. Melody wanted to go with her
• 42:09
  because she felt guilty that Virginia was having a heart
• 42:12
  attack and they she just felt responsible and she wanted to go
• 42:16
  with her. But the investors were getting
• 42:17
  there, so Dante and Melody both needed to be there, so Ruth
• 42:21
  agreed to go with her. They are.
• 42:23
  They are a group of idealists, after all.
• 42:25
  They have to. They have to put in a show of
• 42:28
  good. Faith I just thought it was
• 42:29
  strange that they like jammed themselves in there.
• 42:31
  Like last thing I would want is the person that caused us to be
• 42:34
  in the back of the ambulance. With I'm sure if she could have
• 42:36
  talked, she would have been like, no, I got I got my boy
• 42:40
  here. I'm pretty sure.
• 42:41
  Did you? Bubba was not having it either.
• 42:43
  He didn't want it. Maybe, maybe the van wouldn't
• 42:45
  have crashed and they could have gotten her to the hospital.
• 42:48
  Yeah, it could have been in a completely different situation.
• 42:50
  Yeah. Also the fact that the chainsaw
• 42:52
  still runs after 50 years. Did it have gas?
• 42:56
  The gas would have evaporated. I know you're thinking of our
• 42:59
  old weed wacker right now. No, I am now though, yeah.
• 43:04
  Because that one, like you don't use it for a week and a half and
• 43:07
  it's like I don't. Want to do?
• 43:08
  Anything anymore? Yeah, and finally, just Sally's
• 43:14
  confrontation with Leatherface is just so fucking stupid and
• 43:17
  absurd. Just the whole like, do you know
• 43:19
  who I am? And then he just walks away.
• 43:21
  And honestly, it's you could cut that out and the movie really
• 43:25
  wouldn't be different. Should actually.
• 43:27
  I honestly, before we started watching it, forgot that it even
• 43:31
  brought back Sally. That should have been a deleted
• 43:33
  scene for. Sure.
• 43:34
  Yeah, yeah. All right, let's do our ratings.
• 43:38
  Overall, like it's not my favorite in the series.
• 43:42
  I don't think it's as bad as people give it credit for.
• 43:44
  I wish they had just had as much fun making it as they could have
• 43:48
  and should have. I think I'll give it a 6 1/2.
• 43:51
  Oh, OK, I'm giving -6 OK, I'm right there with you.
• 43:54
  I don't. I don't hate it as much as most
• 43:56
  people do. Most people seem to hate it, but
• 43:59
  yeah, I don't. Whatever.
• 44:00
  It's not. It's not enough of a movie to be
• 44:04
  hateable. Yeah, absolutely.
• 44:05
  It does enough well for me to have a good time.
• 44:08
  Yeah, OK. Well then. 6.25 starting
• 44:12
  average. All right, that's not too
• 44:13
  shabby. Let's get into it.
• 44:17
  So we started off with a voice over.
• 44:19
  Apparently I actually done. John Lerquit.
• 44:23
  John Lerquit attacking just recapping what happened in 1973.
• 44:28
  We all know the story of it now, right?
• 44:30
  I. Actually kind of do like this
• 44:31
  presentation though. It's AV 8, just tape that's
• 44:34
  like. Texas unsolved mystery.
• 44:36
  Yeah, it's like ATV show and like they do like re imaginings
• 44:40
  and stuff. I thought it was kind of neat.
• 44:42
  Listen, is this a thing in Texas?
• 44:45
  Because I feel like we see it in a lot of Texas based horror
• 44:48
  movies. Like gas station clerks are
• 44:50
  watching TV. Yeah, you're right.
• 44:54
  Or no, no, no. X Yeah, yeah.
• 44:56
  I feel like a lot of time our capitalist overlords don't like
• 45:01
  us to have anything that could potentially take away from the
• 45:04
  drudgery of the day. Sometimes even a radio is.
• 45:10
  We got somebody knocking on our door.
• 45:12
  Hold on a second. OK, Sorry.
• 45:13
  It's just gonna be a little bit barky right now with some people
• 45:16
  trying to mow our lawn for us. Yeah, some kids trying to get
• 45:20
  some cash, Yeah. Anyway, the cashier tells Lila
• 45:24
  that Sally really like this is all true.
• 45:27
  Sally is a Texas Ranger now, and they tell him that they're
• 45:31
  headed to Harlow and he's like, yeah, I've heard of you.
• 45:36
  And I start walking out. He calls them ginger fuckers.
• 45:39
  I like that whoever did the police sketch was dead on, you
• 45:44
  know, like it was like, that's the iconic weather phase will
• 45:47
  look right there. And so the rest of the group is
• 45:50
  out at the pump getting some gas, and a truck pulls up next
• 45:53
  to him, and Melody loudly talks about how his gun must be
• 45:57
  compensating for something. If you're going to be in Texas,
• 46:02
  you got to be a little bit calmer about seeing guns at
• 46:05
  least. It's just kind of normal.
• 46:06
  Yeah, yeah. I mean, also, I feel like that
• 46:09
  was kind of like, I understand that she was doing that as like
• 46:12
  a protective thing for her sister there, but that was
• 46:14
  really kind of like aggressive to somebody that wasn't really
• 46:17
  needing that. Like she thinks that she like
• 46:21
  owned him here or something, but he's just over there gassing up.
• 46:24
  He wasn't even like a Dick to them.
• 46:25
  He just like, stopped at the pump.
• 46:26
  He was like, wild boar is pretty common around here.
• 46:30
  Yeah. Like, it's so common.
• 46:31
  There's like a whole episode in the new season at King of the
• 46:34
  Hill dedicated to wild boar. Yeah, you're right.
• 46:36
  I forgot about that. Yeah.
• 46:39
  But they. Yeah.
• 46:39
  And so they have like a little bit of like a uncomfortable
• 46:43
  confrontation there, but they move on.
• 46:45
  Melanie and Dante, they have this whole plan.
• 46:48
  They've bought this town, they're going to auction off the
• 46:50
  buildings they want to, they have a food truck together, they
• 46:53
  want to make a full restaurant, and they want to invite all of
• 46:55
  their creative friends and associates to build up the town
• 46:58
  as well. It's like an influencer
• 47:01
  paradise, basically. Yeah, which sounds stressful in
• 47:05
  some ways. Yeah, I do want to actually give
• 47:08
  credit to the cops in this movie because they pull the group over
• 47:12
  and they're like, hey, we're cops, We're going to be here
• 47:15
  just in case there's any trouble because you're all's plane is
• 47:18
  not too popular. I like that they're being
• 47:19
  proactive, and they're just like, we're going to be on hand
• 47:21
  in case issues arise. Yeah, they weren't being
• 47:24
  needlessly aggressive. No, they were understanding.
• 47:26
  Yeah. Like, Oh yeah, you're the good
• 47:28
  guy. Yeah, whatever.
• 47:28
  Just let us know if you need this.
• 47:29
  Yeah, and I, I kind of appreciate that cause a lot of
• 47:32
  times like they're useless in these movies.
• 47:35
  Yeah, yeah. Especially these movies.
• 47:37
  Yeah. So they arrive in town.
• 47:40
  It is abandoned. Yeah, and it's in the middle,
• 47:43
  like the middle of nowhere in Texas is intense because I
• 47:48
  believe, I fully believe it when Lila says it's a 7 hour drive to
• 47:52
  get anywhere. Yeah, yeah, it's fucking massive
• 47:55
  over there. So yeah, they're just looking
• 47:58
  around, trying to, you know, think of what, what things are
• 48:02
  going to look like. And then they meet their
• 48:04
  contractor, Richter. Except they've met him before
• 48:08
  because he was the guy at the gas station.
• 48:10
  Yeah, Oh my God, it's so awkward.
• 48:14
  Yeah, Dante tries to save face real quick and try and, you
• 48:16
  know, be good, have a good conversation with them.
• 48:20
  They noticed that there is a flag, though, a Confederate flag
• 48:24
  hanging up on one of the buildings.
• 48:25
  And they're like, we need to get that down because if any of our
• 48:28
  potential investors see that they're all going to bolt.
• 48:32
  That's fair. Yeah.
• 48:33
  I mean, obviously that flag in what it represents is not
• 48:37
  anything good. Yeah, I think some people don't
• 48:40
  even understand what it is. I think some people are just
• 48:43
  like South. Yeah, that's not what it is, no.
• 48:46
  It's there's like a lot of, there's a lot of meaning to that
• 48:49
  flag. Yeah.
• 48:51
  And then some people will be like, it's about states rights,
• 48:54
  and you have to say states rights to do what you have to
• 48:58
  finish the sentence. Go on.
• 48:59
  Yeah. Like.
• 49:07
  I I just want to call her Miss Krieg.
• 49:09
  Like, I don't know why she Virginia.
• 49:12
  Yeah, Yeah, She. She's like, oh, no, I paid.
• 49:15
  I paid. The banquet was owed.
• 49:16
  And they're like, no, you can't be here.
• 49:18
  We're gonna evict you. And she's like, no.
• 49:20
  And then she's like, oh, you're upset about the flag.
• 49:22
  It's fine. I've had plenty of boys like
• 49:24
  you. No.
• 49:26
  Virginia. Yeah.
• 49:27
  Come on. Don't say stuff like that.
• 49:29
  There's a better way to handle that dialogue?
• 49:30
  Yeah, they're going in there. Oh, no, I actually that dialogue
• 49:34
  felt very true to life. Yeah, some people talk.
• 49:37
  No, it did. Yeah, it felt accurate.
• 49:39
  Very like again, it's a very ugly, really truth kind of
• 49:42
  moment. Yeah, I don't necessarily think
• 49:44
  she meant anything bad from it, but it was just kind of, it was
• 49:48
  not the right choice of words for anything.
• 49:50
  No. They're in there, by the way,
• 49:52
  because they're trying to like, get upstairs to take it down.
• 49:55
  But to her it's got some personal meanings.
• 49:58
  So her granddaddy put it up there.
• 50:00
  It's his flag and she doesn't want to take it down.
• 50:04
  So they're trying to get her out and the cops are there cuz
• 50:09
  they're like hey, we were on hand.
• 50:12
  We are real quick. Before that, though, Bubba steps
• 50:13
  on the staircase. Like, need help?
• 50:15
  Yeah. He's just like they're standing.
• 50:17
  All intimidating, you know? Yeah.
• 50:20
  And she collapses and throws up. And so they put her in the back
• 50:25
  of the cop van and they're going to take her to the hospital.
• 50:28
  Melody, again, she's feeling responsible for this.
• 50:32
  So she wants to go with her to hospital just to make sure she's
• 50:34
  OK. But the investors are there.
• 50:35
  So that's why Ruth agrees that she'll go just to make sure
• 50:38
  everything's OK. So that's what's happening, Lila
• 50:45
  tells Melody in the middle of all of this.
• 50:46
  Because she's being forced to be a part of this.
• 50:48
  She goes I don't want to be here, and if you make me live
• 50:50
  move here, I'm going to go live with that.
• 50:51
  And Melody's like I cannot handle one more goddamn thing
• 50:55
  right now. I don't blame her man, it's been
• 50:59
  pretty shitty the entire time. Pretty shitty, some of it by her
• 51:02
  own doing, but also like I, I felt her overwhelm in that
• 51:06
  moment and I was like, I've been there.
• 51:08
  Like I get that. Like I just can't.
• 51:10
  I can't focus on anything right now.
• 51:13
  Yeah, so we're in the ambulance. Virginia tells Bubba to stay out
• 51:17
  of her room. And then that was her dying,
• 51:21
  like her last words right there. Deathbed confession.
• 51:23
  Don't go in the room. Don't go in the.
• 51:25
  Room never want to hear that. And listen, the cop didn't
• 51:32
  handle the Super laser. I think the old broad croaked.
• 51:35
  Dude, that's. He's right there.
• 51:36
  He's her son, yeah. Yeah, it's, it's all pretty
• 51:41
  terrible here. And he's freaking out.
• 51:42
  He's trying to like, you know, spin the gas nozzle and he's
• 51:45
  like, OK, like, get us more oxygen like.
• 51:47
  He's trying to do something and the cops just like staring at.
• 51:50
  Him, the cop grabs his hands like son, stop it.
• 51:53
  And then that's when the leather face takes his arm, breaks it,
• 51:56
  uses the exposed bone to stab him in the fucking neck.
• 52:00
  Would this would happen if the cop hadn't touched him?
• 52:03
  No, no, if everybody would just leave him alone.
• 52:07
  Just leave him alone. You will be OK.
• 52:10
  Oh boy. But they found out the hard way.
• 52:12
  It. Makes me think of Ben Stiller at
• 52:14
  the end of Meet the Parents. He's like, if you'll just let
• 52:16
  leave me alone and let me do what I want to do, I'll be fine.
• 52:20
  Oh, with a bomb. Yeah.
• 52:21
  A. Bomb a bomb bomb.
• 52:24
  So this is somehow, I can't remember exactly how, but the
• 52:27
  cop accidentally shoots the driver.
• 52:29
  Yeah, like I think he's trying to get the gun out to shoot
• 52:33
  Bubba, but the sheriff gets shot instead, so they crash.
• 52:38
  Meanwhile, back in Harlow, the auction has started and Lila
• 52:42
  can't be fucked with it. So she goes and chit chats with
• 52:45
  Richter and she's kind of looking at the gun and he's
• 52:51
  like, do you have any experience with them?
• 52:53
  She was, yeah. It's like I've.
• 52:56
  Never shot one, been shot at. She goes Stone Brook high and he
• 53:00
  goes oh shit. And like, you can see those like
• 53:04
  pieces click where he's like, oh, that's why your sister was a
• 53:06
  tick to me. Yeah.
• 53:08
  Yeah. But then again, she's over there
• 53:09
  just picking up his assault rifle and just, you know,
• 53:12
  checking it out. I think she's trying to like,
• 53:14
  take control of it, you know what I mean?
• 53:15
  And she just kind of trauma dumps casually on this stranger.
• 53:18
  She's like, yeah, everybody expects me to be real special
• 53:20
  now, but it's my friend service special one.
• 53:22
  I've got really horrible survivor skill that's fun.
• 53:25
  No, no. Then tells Dante that Virginia
• 53:28
  died and Dante's like oh. He's like, but we auctioned off
• 53:33
  all our buildings and she's like, I'm just, I'm going to
• 53:37
  leave. I'm going to go look for Lila.
• 53:39
  Ruth, meanwhile, in the van, is. She wakes up.
• 53:44
  She wakes up. Seeing Yeah bloody.
• 53:46
  She sees in the rearview mirror that Weather Face has gotten out
• 53:50
  of the back of the van and has his Mama on the ground peeling
• 53:54
  her face off. And her, like, talking quietly
• 53:57
  into the radio, trying to get anybody.
• 53:58
  And like, we just hear it in the gas station where she's like Oh
• 54:02
  my God, Oh my God, he's peeling her face.
• 54:04
  And then cashier goes, thank God.
• 54:06
  This is the only documentary I watch.
• 54:08
  I know he. Calls up Sally and he's like,
• 54:12
  listen, I feel reasonably certain I've got your guy.
• 54:17
  Yeah, yeah. And then we see Sally getting
• 54:20
  all dressed up and suited up. She's bringing the whole fucking
• 54:24
  Armory with her. Yep, Bubba comes around to the
• 54:28
  driver's side. I just gave up.
• 54:29
  He was just Bubba in my nose this whole time.
• 54:31
  He's always. Bubba, yeah, he just kills off
• 54:35
  the sheriff, who I didn't even realize was still alive, and
• 54:38
  takes. A oxygen tank and bludgeons him
• 54:40
  with. A Ruth has the good sense too.
• 54:45
  Shut up. Yeah, she plays that.
• 54:47
  That's very smart. Yeah.
• 54:48
  And then he goes around back and he's doing whatever it is that
• 54:52
  he's doing. And she realizes she can't get
• 54:54
  out on her side. Like the door is jammed, the
• 54:56
  windows jammed. She's got to climb through the
• 54:59
  driver's side. So she starts to do that.
• 55:02
  And again, big but silent. This motherfucker just pops up
• 55:08
  right behind her and gets her. I always I just feel like I have
• 55:12
  to add that moment where he peels off the face and like
• 55:16
  holds it up into the sun. I don't know why but I always
• 55:19
  think fruit roll up. That doesn't.
• 55:24
  That's an inside thought, Travis.
• 55:28
  Yeah, I don't know that that could just be me.
• 55:32
  So Richter hears about Virginia and he just strolls right up to
• 55:39
  the bus, grabs the bus keys, takes Melody's car keys, and
• 55:43
  she's like, what the fuck are you doing?
• 55:44
  I was trying to leave. And he goes, that woman died,
• 55:47
  you kicked her out of your house.
• 55:49
  Proof that it's your house. And then I'll give you the.
• 55:51
  Keys back, which I I get the petty point he's making.
• 55:57
  Legally, I don't think he can hold him there.
• 55:59
  And I feel like if the cops came back, he would have given the
• 56:01
  keys back easily enough. And he's trying to make a point,
• 56:03
  yeah. And.
• 56:05
  He didn't know that Bubba was going to start killing.
• 56:08
  I don't think he knew Bubba was Bubba.
• 56:11
  No, I don't think he did either. As far as they know, he's just
• 56:14
  like an orphan. And here's.
• 56:15
  The thing we've seen this in multiple Movies Now where like
• 56:19
  if he is with a nice kindly matriarch that like understands
• 56:23
  he just wants to do his little crafts with his bones, he's
• 56:28
  fine. He's maintained.
• 56:31
  That's what I mean, yeah, you. Just have to be nice to him.
• 56:34
  Yeah, man, this movie just makes you feel so bad for him.
• 56:37
  He's in the orphanage because of all of the events that happened.
• 56:41
  He has no family now, so he goes there and.
• 56:43
  He just because of all of the original sequels where his
• 56:45
  family's died again and again from the.
• 56:47
  Families, multiple families lost this man tragic.
• 56:54
  Anyway, this is going to cause a lot of problems.
• 56:57
  So Dante looks through all of their files, but it's not
• 57:00
  actually a really nice file case and but they can't find the deed
• 57:03
  for that particular house. She goes, Oh my God, please tell
• 57:06
  me that you have it. He goes some of them process
• 57:08
  longer is probably just back at the office in Dallas, which
• 57:10
  actually honestly seems really reasonable.
• 57:14
  I think he needs to have a little bit more care.
• 57:17
  But I think Mel also needs to be like, yeah, that probably makes
• 57:19
  sense. And she goes well.
• 57:20
  And Lila is like, well, if the deed isn't in the house, then
• 57:27
  that proves that you probably have it in Dallas.
• 57:31
  How are you? How do you you can't prove a
• 57:34
  negative? Like how do you search a house
• 57:36
  enough to not find a deed? You know what I mean?
• 57:40
  Yeah, I guess, yeah. Like.
• 57:43
  Also, where do you, like, where would you even begin to look?
• 57:45
  You don't know these people sorting, you know, like how do
• 57:48
  you know where they're gonna put that?
• 57:49
  Yeah, I don't even know where we put some of our important shit.
• 57:52
  I mean, I know where our important shit is.
• 57:54
  I know where it is too, but there's some things that like, I
• 57:56
  would have to think about it for a second, but where the fuck is
• 57:58
  that? Where would I put that?
• 57:59
  Where would Jesse put that? It's usually Jesse puts it up.
• 58:03
  Yeah, I'm the responsible one. Yeah, I got everything in a
• 58:07
  fireproof safe. That's true.
• 58:10
  Yeah, I've been worried about the fire.
• 58:13
  Well, they go over there, they dig around, and what do you
• 58:15
  know? It's still there.
• 58:17
  No. And Melody is immediately just
• 58:22
  like, tore up and she's about to go downstairs until Dante.
• 58:25
  Except Dante has met the rightful owner of the house.
• 58:31
  Yep, Weatherface came back in and he won't.
• 58:34
  I won't say he killed him, but he hurt him real bad here.
• 58:37
  Yeah, they tried to kind of like recreate that iconic scene of
• 58:42
  pulling them through the door, but it's a little bit different.
• 58:45
  Yeah, it's one of those western saloon doors that go back and
• 58:50
  forth. Yeah.
• 58:52
  So Melody hides and Bubba comes upstairs cuz Mama said don't go
• 58:58
  in the room so. What do you do?
• 58:59
  You go into the room. And outside, he hears the the
• 59:04
  auction finish up and everybody's gonna go party on
• 59:06
  the bus. And he's like, you know what?
• 59:08
  No, he is. This is.
• 59:10
  Mad. We are in mourning, Yeah, we are
• 59:15
  not drinking on a bus. So he goes downstairs, grabs the
• 59:20
  sledgehammer he used to attack Dante, and starts busting open
• 59:23
  the wall. And that's because that's where
• 59:26
  he hit the chainsaw. No, I have to assume that
• 59:29
  Virginia hit the chainsaw in the wall and she hid it in the in
• 59:32
  the wall of her room so it would be extra safe.
• 59:35
  But how did he know exactly where to open it?
• 59:37
  Well, she told him again as their contingency plan.
• 59:40
  Oh, right, right. Sure, in case of emergency brake
• 59:43
  drywall. Yeah, yeah.
• 59:47
  Yeah, so it it starts raining outside, the party moves on to
• 59:52
  the bus. Melody is trying to signal to
• 59:54
  them outside that something's happening, but he comes back
• 59:57
  into the room so she has to go under the bed.
• 1:00:02
  And Dante, Yeah. Dante is alive, Yeah, surprising
• 1:00:05
  somehow. And he's like walking to the
• 1:00:07
  bus. And Catherine comes out at the
• 1:00:09
  same time. Richter is coming out of the
• 1:00:11
  shop, and Richter, when he sees his face, goes shit.
• 1:00:14
  OK, always thought always thought maybe Bubba was
• 1:00:17
  Leatherface. This confirms it.
• 1:00:19
  I'm gonna go, I'm gonna go find your friend and give her keys.
• 1:00:22
  Like, we gotta take care of this.
• 1:00:24
  And Catherine's like, what the fuck?
• 1:00:25
  And he's like, get on the bus. His jaw's like hanging off here.
• 1:00:29
  It's it's. Bad.
• 1:00:30
  It's bad. Yep.
• 1:00:32
  So Richter goes inside and heads upstairs.
• 1:00:34
  He's got his gun drawn. I kind of like the scene here
• 1:00:37
  where Mel is hiding under the bed and she's like trying to
• 1:00:40
  warn him. So like she sticks her foot out
• 1:00:42
  and he sees the foot under the bed and he's like what the fuck?
• 1:00:44
  And then she tilts the mirror just enough behind the door to
• 1:00:47
  see Leatherface hiding, waiting for him, and Leatherface just
• 1:00:51
  pounces. They get into a big.
• 1:00:53
  Wrestling match but he like he's losing the match because of
• 1:00:58
  course he is. He does unclip the keys from his
• 1:01:00
  belt though and tries to like shove them under the bed.
• 1:01:05
  So Sally finds the scene of the crash and she hears the radio
• 1:01:09
  calling for a dead body in Harlow saying you guys are the
• 1:01:12
  closest ones. I feel like as a Texas Ranger,
• 1:01:15
  she should be acknowledging that radio call and say, hey, I will
• 1:01:19
  head to Harlow because she's headed to Harlow anyway.
• 1:01:22
  She's going to take care of the problem.
• 1:01:24
  Working on this, yeah. I don't know, maybe she was
• 1:01:26
  like, I want to do this myself. Maybe she Yeah, she's like off
• 1:01:29
  duty. They're like Sally.
• 1:01:31
  You need it. Sally.
• 1:01:32
  Sally. Mandatory vacation.
• 1:01:35
  Can you imagine if Franklin survived and he grew up to be
• 1:01:38
  the dispatcher? Man, that'd be a nightmare for.
• 1:01:42
  Everybody. There is some other alternate
• 1:01:45
  version of Texas Chainsaw where Franklin is a better old man in
• 1:01:50
  that house, and it's called Sally.
• 1:01:54
  Sally, anyway. Yep.
• 1:01:59
  Lila gets off the bus to go look for Melody, and Catherine is
• 1:02:04
  like just trying really hard to keep her on the bus.
• 1:02:07
  She's like, I don't know you, you don't mean anything to me.
• 1:02:10
  So she goes to look for Melody, and Melody has gotten the keys
• 1:02:13
  and she's trying to sneak out of the house, and the house is very
• 1:02:18
  creaky. So she gets on to the banister
• 1:02:22
  and then she kinda like lands you, and you want to land like
• 1:02:27
  kind of straddly on the stairs because the middle part's going
• 1:02:29
  to squeak more than the outer. Parts.
• 1:02:31
  Oh, is that what she was doing? See, I was.
• 1:02:32
  I was just thinking like, well if you're not trying to squeak,
• 1:02:35
  landing from the fucking second floor on one of the steps surely
• 1:02:39
  isn't going to make any sound. Yeah, but again, he is large,
• 1:02:44
  silent, but deadly. And he is right.
• 1:02:46
  There, I like that. Yeah, he just pops up, right?
• 1:02:48
  There and I like he throws her so hard she breaks through the
• 1:02:52
  floor. No, I like this.
• 1:02:53
  He throws the sled camera at her, which hits her so hard that
• 1:02:56
  she falls back through. Yeah, that was great.
• 1:02:58
  I like that. She crawls through the crawl
• 1:03:02
  space and then he ensures that his house will never actually be
• 1:03:05
  sold by giving it like just terrible structural foundational
• 1:03:09
  damage. And he also severs the plumbing
• 1:03:12
  which gets shit all over Mel. I you just know about the shits
• 1:03:18
  or like worship that dude. It's Texas shit.
• 1:03:22
  You know what I mean? If he's not eating raw meat, I.
• 1:03:25
  Mean of course he's eating raw meat.
• 1:03:29
  Oh man, Man, yeah. God.
• 1:03:32
  So Lila sees her at the grate of the the crawl space and helps
• 1:03:38
  her out and they both run to the bus and the bus driver starts
• 1:03:42
  driving but stops after being attacked by the chains on.
• 1:03:46
  They're like, hey, don't do that.
• 1:03:47
  It will get worse. And they're the driver's like,
• 1:03:49
  listen, I got a, I'm a bus driver.
• 1:03:52
  You have a responsibility. I know what I'm doing and he
• 1:03:56
  crashes the party on insta live. Yeah, yeah, they honestly.
• 1:04:01
  If I was watching a party and this happened, I'd be like, cool
• 1:04:04
  Halloween party, man. I know it would be like, it
• 1:04:07
  would be kind of cool. You would think it's like a
• 1:04:09
  publicity stunt, probably. Absolutely.
• 1:04:13
  Yeah, but holy shit, yeah, the one dude, it's kind of stupid.
• 1:04:16
  It's like you're going to get cancelled and holds up the phone
• 1:04:18
  to him. There's a terrible moment where
• 1:04:20
  the panic starts and Lila's knocked to the ground and she is
• 1:04:23
  laying around a bunch of people that are dying and it's like a
• 1:04:27
  same shot as what they showed from her.
• 1:04:29
  Yeah, at the school shooting. Surrounded by bodies.
• 1:04:32
  And luckily, Melody picks her up.
• 1:04:34
  And then going to the bathroom. This scene is like, it's so
• 1:04:37
  intense because you're on a bus. Yeah.
• 1:04:42
  How do you get around a person that's as big as a bus aisle?
• 1:04:45
  You just have to hope somebody else is getting chainsawed.
• 1:04:48
  And that's gross to like hope for, but that's the only way you
• 1:04:51
  can get out. Nobody wants to be the one to
• 1:04:54
  sacrifice themselves, but you have to be thinking like ants.
• 1:04:57
  Here you have. To attack in.
• 1:04:58
  Numbers, OK, you would win. Eventually there's going to be
• 1:05:02
  some losses, but not everybody dies.
• 1:05:06
  But yeah, Mel and Lila, they they.
• 1:05:09
  They climb through like the the skylight in the bathroom.
• 1:05:13
  Yeah, and Sally picks them up. Yeah, she's right there.
• 1:05:17
  Except Sally, you bastard. She is using them for bait.
• 1:05:22
  Yeah, she's like, for some reason he wants you and I'm
• 1:05:24
  gonna use you. So she just locks them in the
• 1:05:27
  car? Yeah, she gets out and she's got
• 1:05:30
  a the gun drawn. She knows where he went to.
• 1:05:32
  I think she sees him walk towards the orphanage again
• 1:05:34
  after his massacre. She has this Polaroid from where
• 1:05:39
  they were all trying not to murder Franklin in the van I.
• 1:05:43
  Was wondering was like it would have been funny if that was the
• 1:05:46
  picture the hitchhiker took. I mean, it had to have been
• 1:05:51
  right? But didn't he burn it?
• 1:05:54
  He got mad that nobody liked his picture so he just burned.
• 1:05:57
  He got mad that they weren't willing to pay for it.
• 1:05:59
  Oh, OK. Well, yeah, either way, I don't
• 1:06:01
  think it's the same picture unfortunately, but that would
• 1:06:03
  have been cool. Yeah, So she goes in there and
• 1:06:06
  she's reading off their names. And he's like, I had, I've got,
• 1:06:10
  I've got people to kill. You're first in, first out.
• 1:06:14
  OK. Like I have to service people
• 1:06:16
  one at a time. Oh, you're still here And just
• 1:06:19
  walks right past her and she doesn't do anything.
• 1:06:21
  She just lets him walk past and then the next shot we see him
• 1:06:25
  just bash through her car to try and attack the other two.
• 1:06:29
  And she comes and she confronts him, tosses then the keys.
• 1:06:32
  Finally. Yeah, but because she waited too
• 1:06:36
  long, she lost her edge. And he like just shoves a full
• 1:06:40
  chainsaw through her. He hides in the alley, which I
• 1:06:43
  think is kind of cool. He's like, he's using old man
• 1:06:46
  tactics too, you know? Yeah, I'm not as surprised as I
• 1:06:48
  used to be. So I'm going to have to deceive
• 1:06:49
  you a little bit. So he starts doing like, distant
• 1:06:51
  like. But then again, that means like
• 1:06:53
  he's running the one in and running to the other than bring,
• 1:06:57
  unless he's got these chainsaws staged throughout the town like
• 1:07:02
  the horses here in Lexington, so.
• 1:07:05
  Melody has started the truck. She sees Sally's dead.
• 1:07:09
  Sally's told them. Oh no, she hasn't given these
• 1:07:12
  words yet. Just kidding.
• 1:07:13
  She drives the truck at Bubba. Bubba is like, you saw me hiding
• 1:07:20
  in an alley, you saw me hiding behind a door, but you think I'm
• 1:07:23
  just going to let you hit me with a truck?
• 1:07:24
  No, I'm going to throw the fucking chainsaw at you.
• 1:07:28
  So they crash into a building and.
• 1:07:33
  It's in Richter's place, I think.
• 1:07:34
  Yeah, yeah. And you know what happens?
• 1:07:36
  Mel gets stabbed through the leg, and she tells Lila she's
• 1:07:39
  like, he's going to kill me. There's no way around this.
• 1:07:42
  You've got to run. Yep.
• 1:07:44
  Bubba starts to approach. But you know what?
• 1:07:46
  Lila has Richter's gun. Yeah, but it's not loaded.
• 1:07:49
  It's just a quick. But it's enough to distract him.
• 1:07:53
  They are outside and she passes by the garbage.
• 1:07:58
  He puts Sally's body in it, and she's alive.
• 1:08:02
  Yeah, yeah, and she gives. He's cut her in half and thrown
• 1:08:05
  her in the garbage, but she's still alive enough to reload her
• 1:08:07
  gun and say kill him because he will follow you forever.
• 1:08:10
  Yeah, so he will haunt you if you don't like.
• 1:08:12
  If you run away, you cannot run away.
• 1:08:14
  Trust me. So she goes looking for Bubba as
• 1:08:16
  Melody works on getting yourself free.
• 1:08:19
  There is a chainsaw fake out. He sets it again in the floor.
• 1:08:22
  Yeah, he's. A crafty.
• 1:08:23
  He's a crafty. Little guy and he tackles her
• 1:08:28
  into the pool. Yeah, this pool of water is, I
• 1:08:31
  think this is like the theater or something.
• 1:08:33
  I think it's a literal indoor pool.
• 1:08:35
  No, it's like a hole in the floor.
• 1:08:37
  I think they had an indoor pool that they put the floor over.
• 1:08:41
  I have reasons for thinking this that I will explain off air
• 1:08:44
  'cause they're. Off air, it's too, too crazy for
• 1:08:49
  us to go over here. Relate it to personal life and I
• 1:08:52
  don't want to get into that. Oh, OK.
• 1:08:55
  Well, I'm sorry everybody. It's obviously because of our
• 1:08:57
  indoor pool, Travis. That we have on our four boards.
• 1:09:01
  Yeah. Yeah.
• 1:09:02
  So she, I don't know how she manages to escape, but she
• 1:09:05
  manages to crawl out of there and, you know, wrinkle herself
• 1:09:09
  free. But he just launches himself out
• 1:09:11
  of the water and grabs her. But guess what?
• 1:09:14
  Mel is here and she attacks. They work together.
• 1:09:17
  They do some sister work and they end up shooting him.
• 1:09:20
  Mel hits him with the chainsaw and he sinks in the pool.
• 1:09:24
  We have a sister hug and they go outside and they take trophies
• 1:09:30
  from Sally's death. Yeah, it's weird.
• 1:09:33
  Like they're like everybody's like positive and optimistic
• 1:09:36
  now, Like, hey, we, all of our friends died.
• 1:09:38
  Everybody died. We just uppercutted this fucking
• 1:09:41
  guy with a chainsaw. Let's let's go.
• 1:09:43
  Let's fucking go. So they get in the car, set the
• 1:09:47
  autopilot, it starts to drive. Bubba pops out, grabs Melody,
• 1:09:53
  cuts her head off. Oh, my God.
• 1:09:55
  And then all I can do is just look back and watch an horror.
• 1:09:59
  Oh my God. But that's like a good parallel,
• 1:10:01
  kind of of like the ending of the first one where she's just
• 1:10:04
  looking. Yeah.
• 1:10:05
  She can't control it. She's just having to watch
• 1:10:09
  whatever is happening. I like that ending.
• 1:10:11
  Yeah. And it kind of comes out of
• 1:10:12
  nowhere. And I just like the fact that he
• 1:10:14
  just takes the head and just chainsaws are right off right
• 1:10:16
  there. It's effective.
• 1:10:19
  I like it. I.
• 1:10:19
  Was life, man. She's doing some rough stuff.
• 1:10:23
  Yeah, and then we have after credits.
• 1:10:25
  Yeah, we see Bubba. He's walking down the driveway
• 1:10:28
  to his first home. OG home, you know.
• 1:10:32
  What? I'll bump it slightly and we'll
• 1:10:35
  give it a 6.75. Okay, yeah, I'll make mine a 6
• 1:10:38
  1/2. Yeah, I still do kind of have
• 1:10:41
  fun with this movie. I don't hate it as much as most
• 1:10:44
  people do. Yeah, yeah, it does plenty well.
• 1:10:47
  You know who had a really intense time with this?
• 1:10:49
  Towel. Yeah, yeah.
• 1:10:51
  When Bubba and Richter were fighting, she was having one of
• 1:10:56
  the most intense, mean dreams we have ever seen her have.
• 1:11:00
  It was like the yeah, the. Gary Snarl.
• 1:11:02
  Her teeth, yeah. Oh my God, she was not happy.
• 1:11:05
  I. Think Toddy would give this an
• 1:11:06
  8? Yeah, yeah, I think so too.
• 1:11:09
  Zoe's ultimate warrior. Man, that's a tough one.
• 1:11:17
  We can't do Leatherface either, unfortunately.
• 1:11:27
  I think we might have to go with the.
• 1:11:35
  Thing is, we can't spend a lot of time thinking this over
• 1:11:37
  because it's a live episode now too.
• 1:11:39
  This is why we don't do this stuff on the 2 VS God.
• 1:11:43
  OK, let's just say that this is gonna be Dante.
• 1:11:52
  Why? Because he wants to set an
• 1:11:54
  entire town based around food. OK, that's fair.
• 1:11:56
  Yeah, OK. OK, so we've got all that.
• 1:12:02
  Who did you relate? To I asked you first.
• 1:12:05
  I guess I probably related to. Oh, I know that.
• 1:12:10
  I relate to I, I really see the gas station guy watching true
• 1:12:13
  crime documentaries. You know, I, I throw a show like
• 1:12:16
  that on when I'm working too, you know, it's just, it's just
• 1:12:19
  good sense, OK? I guess I relate to, I don't
• 1:12:28
  know who I relate to one of the party bus people, just because I
• 1:12:32
  always wanted to go on a party bus.
• 1:12:34
  Would you hold your phone at somebody if they came in?
• 1:12:36
  No, no, I don't think so. No, I'd be embarrassed about
• 1:12:40
  that. OK, Absolutely.
• 1:12:43
  All right, well, we don't do dream sequels.
• 1:12:47
  We do not. But we do name the movies and
• 1:12:50
  this franchise because they're so confusing.
• 1:12:52
  This is the Netflix 1. Yeah, the Netflix one.
• 1:12:55
  That's an easy. One, yeah, there's there's no
• 1:12:57
  other option for it. It's the Netflix one.
• 1:12:59
  Yeah. OK.
• 1:13:01
  What is a new tag line? What is a new tag line we have?
• 1:13:04
  A new tag line. Unless we just wanna keep
• 1:13:07
  farewell to Texas. Farewell to Texas.
• 1:13:11
  No, I don't think that fits this one.
• 1:13:13
  OK. Man, that's tough.
• 1:13:22
  Don't go in my room. Whatever you 2 don't go in my
• 1:13:28
  room. The final face off.
• 1:13:32
  Oh, that's good. The final face off.
• 1:13:35
  I like that. OK, yeah.
• 1:13:37
  OK, cool. All right, we do.
• 1:13:41
  What would Dom do here? I think we do, yes.
• 1:13:45
  Yeah. What would Dom do here?
• 1:13:48
  He wouldn't have taken somebody's house without making
• 1:13:50
  sure explicitly that he had the deed.
• 1:13:52
  Yeah, you're right. I think that's what Dom would
• 1:13:55
  do. He would like make sure that all
• 1:13:57
  the paperwork was there. Call somebody from the Dallas
• 1:14:00
  office and say hey Jesse cuz I'm just assuming that Jesse is
• 1:14:05
  alive in this. No, it's not you.
• 1:14:07
  No, no, it's Jesse. It's the mad scientist.
• 1:14:10
  Yeah. The mad.
• 1:14:11
  Scientist. Hey, mad scientist, pull our
• 1:14:16
  files and make sure we got a deed to whatever this address
• 1:14:19
  is. No.
• 1:14:21
  OK, OK, I'm going to go talk to her because I think she needs to
• 1:14:23
  understand the significance of the Confederate flag and why
• 1:14:26
  it's not OK to be flying it in 2022.
• 1:14:29
  And then perhaps we'll strike a deal.
• 1:14:31
  But I understand how important it is to have your family home.
• 1:14:34
  OK. And then she makes him tea, and
• 1:14:36
  he's very grateful for it because he's friends with Helen
• 1:14:38
  Mirren. I was.
• 1:14:39
  Going to say it'd be a very much that kind of relationship right
• 1:14:42
  here. Yeah.
• 1:14:42
  And obviously they drive real fast for a second, you know,
• 1:14:44
  because you gotta. Well, yeah, And then she just
• 1:14:47
  has a heart attack because she's old, not because she's being
• 1:14:49
  kicked out. And he's like, I can get you to
• 1:14:51
  the hospital so fucking fast. OK, well, that this is starting
• 1:14:55
  to turn into another horror movie situation where Bubba is
• 1:14:57
  going to kill him because Bubba, Yeah, you did this.
• 1:15:00
  You drove too. Fast.
• 1:15:01
  They would get there on time though.
• 1:15:02
  That's what I'm saying. It would happen this time that
• 1:15:04
  we get there in time to save her, so he'd be OK with it.
• 1:15:07
  OK, OK, we got that. OK, All right, let's do some
• 1:15:12
  reviews then. Yeah.
• 1:15:14
  OK, so I, well, I didn't expect this to be positive, so I went
• 1:15:19
  with the positive. But that's OK because it's gonna
• 1:15:21
  balance out some negatives that we have later on.
• 1:15:23
  So I've got a positive to share with you guys.
• 1:15:26
  Here it is in eight out of 10. It's on IMDb.
• 1:15:30
  This is it's titled This was stupid, but it was also stupid
• 1:15:34
  fun. OK.
• 1:15:36
  I watched this movie back in 2022 when it first came out on
• 1:15:39
  Netflix and I liked it. I decided to rewatch the movie
• 1:15:41
  today for this review and I still really enjoyed it.
• 1:15:44
  Now don't get me wrong, this movie is terrible, but I still
• 1:15:46
  had a lot of fun with the movie while still having some problems
• 1:15:49
  with it. Positives for Texas Chainsaw
• 1:15:51
  Massacre there is a lot of carnage candy on display for you
• 1:15:55
  and you will enjoy every minute of it.
• 1:15:56
  I also like some of the characters in this movie,
• 1:15:59
  particularly Lila played by Elsie Fisher.
• 1:16:03
  The cinematography in this movie looks amazing.
• 1:16:06
  I like that this movie just gets to the point of why we watch
• 1:16:08
  these movies. And finally, I like the ending
• 1:16:11
  of this movie as it sets up the next week sequel in a great way.
• 1:16:15
  Negatives. The way how this movie
• 1:16:18
  reintroduces is to God what a fucking sentence to Sally
• 1:16:22
  Hardesty is really stupid, completely pointless and blatant
• 1:16:25
  RIP off of Halloween 2018. Boom.
• 1:16:29
  There are certain lines of dialogue that I didn't like at
• 1:16:32
  all and I don't understand why they included them in the final
• 1:16:34
  product. And finally, I wasn't OK with a
• 1:16:36
  lot of the blood and gore being CGI for the most part.
• 1:16:40
  Some of it was CGI, just mostly practical actually.
• 1:16:44
  Overall, Texas Chainsaw Massacre 2022 is a stupid movie that if
• 1:16:48
  you watch it with the right lens you'll enjoy it, but if you
• 1:16:50
  don't then you'll absolutely hate this movie.
• 1:16:52
  For me, enjoy this movie away and I can't wait for the sequel.
• 1:16:55
  OK. Yeah.
• 1:16:57
  I think that actually really sums up well a lot of what we've
• 1:17:00
  said. I think so too, Yeah.
• 1:17:02
  Like, I mean, it's just it's a Texas Chainsaw movie.
• 1:17:05
  It's not like high art right here, you know?
• 1:17:08
  We're just looking for Bubba, like chainsaw some people up and
• 1:17:12
  you know, sometimes feel sad for him.
• 1:17:14
  We feel real sad for him in this movie.
• 1:17:16
  He's become, he's become our precious little boy.
• 1:17:18
  Oh. Yes, but like, also, yeah, the
• 1:17:21
  gore is fantastic. In this movie, probably one of
• 1:17:24
  the best kills in the whole franchise.
• 1:17:26
  Yeah, for sure. Yeah.
• 1:17:28
  OK, so I got some reviews. OK, so let's start off over here
• 1:17:31
  on Instagram we have Marnie, who says shite apart from the
• 1:17:36
  ending. OK, OK, I always see ending work
• 1:17:39
  for you. I've, I've heard some people
• 1:17:40
  don't really like the ending, but I, you know, I like it.
• 1:17:45
  Constant reader Kentucky says old Leatherface is cool.
• 1:17:48
  The rest, not so much. Jason, Well, go figure, you guys
• 1:17:53
  like your old man. Go figure, Jason likes an old
• 1:17:55
  man. Hey man, I I agree the old man
• 1:17:58
  leatherface is cool. I like old man Leatherface OK.
• 1:18:02
  Yeah, we can talk about that in Romper's next time we're
• 1:18:05
  together. We're going to do we're going to
• 1:18:07
  talk about this movie in romper's next time, Cubesafe
• 1:18:12
  says Unearned ending, bad movie. OK, OK.
• 1:18:15
  I wonder what would make you feel like they can do that,
• 1:18:18
  though. I'm curious to know exactly what
• 1:18:20
  it is that would give them the right to chainsaw somebody's
• 1:18:24
  head off like that in the end. Yeah.
• 1:18:27
  OK. So I don't have any anything on
• 1:18:32
  blue sky really. It was just like, I haven't seen
• 1:18:35
  this, OK, But you know, if you guys haven't seen it, you know,
• 1:18:38
  maybe check it out. You can just do like a trial to
• 1:18:41
  Netflix if you don't have it, you know, but I did do something
• 1:18:45
  different this time around. I took the TikTok this time,
• 1:18:48
  which you can actually kind of do that.
• 1:18:50
  And this actually did quite a bit of responses on them.
• 1:18:53
  OK, so one of them I think actually spun a whole discussion
• 1:18:58
  here. I'm not going to read the entire
• 1:18:59
  discussion but it started with this person saying it sucks they
• 1:19:04
  tried too hard to copy Halloween 2018 where Sally was this
• 1:19:07
  obsessed person that never got over the events of the first
• 1:19:10
  film and was and was so prepared slash gunned up to meet him
• 1:19:14
  again. Plus she didn't even do anything
• 1:19:16
  meaningful in it. If I remember correctly, it's a
• 1:19:19
  couple of shots in before being offed.
• 1:19:21
  Also, they tried too hard to make Weather face the Terminator
• 1:19:23
  slash Myers clone, a monster that essentially waves off any
• 1:19:26
  damage done to him. He's supposed to essentially be
• 1:19:29
  a normal person beefed up a bit, not the superhuman of a
• 1:19:32
  behemoth. OK, I can kind of see that.
• 1:19:36
  I mean, he has kind of been like that in the past.
• 1:19:38
  He's always been like a little bit extra than most people.
• 1:19:44
  But I, I'm not going to read the whole discussion there.
• 1:19:46
  This guy's like, OK, did you know, like, I went 2018 or H2O
• 1:19:50
  even, or like, whatever. I don't know.
• 1:19:52
  We're not going to get into it. OK.
• 1:19:54
  The Volta GFX says I'm probably the only one on Earth that likes
• 1:19:57
  this movie. None of the sequels have lived
• 1:19:59
  up to the original, and this one doesn't try to either.
• 1:20:02
  Kills were great, and certain moments almost feel like they're
• 1:20:04
  mocking typical slasher movie tropes.
• 1:20:07
  Example, building up the legacy character from the first movie
• 1:20:09
  only for her to get killed immediately because Leatherface
• 1:20:11
  don't give a fuck. I've watched it a few times
• 1:20:14
  trying to understand where all of the hate is coming from for
• 1:20:17
  this movie, but I always have a good time with it.
• 1:20:20
  Dog's Eye says this is better than any Texas Chainsaw movie
• 1:20:23
  over the last 15 years. Then there's somebody saying
• 1:20:27
  it's over hated, another saying it's bad, and then another
• 1:20:30
  saying it's actually OK. So we got.
• 1:20:32
  The full spec, yeah. Yeah, which I think it's kind of
• 1:20:35
  cool. But yeah, you know, like, yeah,
• 1:20:40
  this movie did try and do some of the Halloween 2018 stuff.
• 1:20:44
  I don't necessarily think that's bad.
• 1:20:46
  They didn't do some of those things as well as Halloween did,
• 1:20:50
  but they did some things just as well.
• 1:20:53
  Yeah, I think it's it's an enjoyable enough watch.
• 1:20:56
  Like it's not offensive. Yeah, I agree.
• 1:20:58
  Yeah, it's not the worst one in the series if you ask me.
• 1:21:02
  And if you want to hear what we think the worst one is in the
• 1:21:04
  series TuneIn this weekend. Yeah, this weekend we'll have
• 1:21:06
  our wrap up. We'll have.
• 1:21:06
  Our wrap up budget to your patrons.
• 1:21:09
  You will get your bonus episode next week for Halloween when
• 1:21:13
  you're talking about Idle and. Yeah, Oh my God, that is.
• 1:21:17
  That's just a fun movie. So excited to talk about it
• 1:21:20
  right now. You can watch it for free on
• 1:21:21
  Pluto, or you can rent it from Prime, YouTube, Google TV, Apple
• 1:21:25
  TV or Finn Day Go at home. Awesome.
• 1:21:27
  Yeah, definitely watch that if you haven't seen it.
• 1:21:29
  It's a fun. It's such a fun time, Devin Sawa
• 1:21:32
  and Seth Green those that those are the only ways you need to
• 1:21:35
  know. My God I completely forgot Seth
• 1:21:36
  Green is in that movie. How could you forget?
• 1:21:39
  Because I always think of Foggy, this is.
• 1:21:42
  This is why Talia is allowed to have Seth Green in the Buffy
• 1:21:45
  verse. She you got 1 episode where you
• 1:21:48
  get to call Seth Green every every other one's for Talia.
• 1:21:51
  She deserves them. OK, in the meantime, we would
• 1:21:54
  like to thank our budget to your bub or no, just all our bubbies
• 1:21:57
  in the Patreon. Joe Freakatron, as is his name.
• 1:22:00
  Amber, Michael. Lord Zombie, Tyler, Chad,
• 1:22:03
  Johnny, Jason. And that's it.
• 1:22:07
  Tyler. Tyler.
• 1:22:08
  Yeah. God damn it.
• 1:22:10
  I'm sorry. I knew I missed one.
• 1:22:11
  Yeah. All right.
• 1:22:12
  Thanks, guys. Yeah, We really appreciate all
• 1:22:14
  of you guys. You guys are the best.
• 1:22:16
  If you cannot support the show like they do, we totally
• 1:22:20
  understand. And we don't.
• 1:22:21
  Yeah, hold it against anybody. You can do other things.
• 1:22:23
  You can rate US on whatever platform you listen on,
• 1:22:26
  subscribe slash, follow, You know, just engage with us.
• 1:22:29
  Be here, be, be around, have fun with us.
• 1:22:31
  We like it. You can always reach out to us
• 1:22:35
  if you want to, to do these sorts of things on our
• 1:22:37
  Instagram, which is at least favorite scary movie podcast.
• 1:22:41
  That's also our threads boots guys least fave pod.
• 1:22:45
  And if you'd prefer to just e-mail, you can do that.
• 1:22:47
  We have our e-mail at least favorite scarymovie@gmail.com
• 1:22:50
  all. Right, until next.
• 1:22:53
  Time bye.