Latest / NO FILTER / Joe Rogan Experience _2405 - Luis J Gomez _ Big Jay Oakerson(M4A_128K)

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Joe Rogan Experience _2405 - Luis J Gomez _ Big Jay Oakerson(M4A_128K) · NO FILTER

• 0:03
  Speaker 1: Check it out. But Joe Logan Experience Train by Day,
• 0:06
  Speaker 1: Joe Rogan Podcast by night all day.
• 0:14
  Speaker 2: Yeah, well he's just the nicest guy in the world.
• 0:16
  Speaker 1: That's part of the problem. No, he's very sweet. But
• 0:18
  Speaker 1: it was like like when they tell you the story
• 0:20
  Speaker 1: of it, it was he was like at a comedy
• 0:22
  Speaker 1: club once and like somebody in the audience made in
• 0:24
  Speaker 1: front of him. He's like, I'm gonna go to a
• 0:25
  Speaker 1: place where no one upsets anybody ever. I'm gonna make
• 0:28
  Speaker 1: a place like that. And that was Comedy Magic Club.
• 0:31
  Speaker 2: Still, they would let us roll in there. They did
• 0:33
  Speaker 2: stop Joey from doing shows there though, There's too many
• 0:36
  Speaker 2: people that were like normal people that would come in
• 0:39
  Speaker 2: when Joey was opening for me, Joe, you're eating your
• 0:43
  Speaker 2: ass from behind you doing the pigeon when your nose
• 0:46
  Speaker 2: goes in her asshole. Like, no way.
• 0:49
  Speaker 1: They let Tosh do whatever you wanted. I think yea.
• 0:52
  Speaker 1: And when I when they asked me to do spots there,
• 0:55
  Speaker 1: like eventually when I went there, I was like, I
• 0:57
  Speaker 1: kind of I don't know, It's like it's a weird
• 0:59
  Speaker 1: spot for me to do. If it's clean club that
• 1:01
  Speaker 1: you could do your thing like.
• 1:02
  Speaker 2: Clean clubs are odd. There used to be this place
• 1:04
  Speaker 2: in Mount Vernon, New York called the Champagne Comedy Club.
• 1:09
  Speaker 2: It was like an all black room, and the guy
• 1:11
  Speaker 2: who ran it was like very Christian, very religious, and
• 1:14
  Speaker 2: he was like, no motherfuckers, he goes, I don't want
• 1:17
  Speaker 2: to hear no motherfuckers. He goes, You don't see that
• 1:19
  Speaker 2: bitch had a big ass. You see that woman had
• 1:20
  Speaker 2: a wide behind, like he had a whole speech he
• 1:24
  Speaker 2: would give you before you would work there, what you
• 1:26
  Speaker 2: would say.
• 1:28
  Speaker 3: I've only tried to work clean a few times. I
• 1:30
  Speaker 3: so I used to open for Nate Bargazzi, who was
• 1:32
  Speaker 3: like one of the cleanest but brilliant. You don't even
• 1:36
  Speaker 3: know that he's clean until somebody points it out.
• 1:39
  Speaker 2: Like again, same thing as Ga Gaffigan will curse once
• 1:43
  Speaker 2: in a while.
• 1:44
  Speaker 3: He's never said a curse word on microphone.
• 1:46
  Speaker 1: Ever, that's not true.
• 1:47
  Speaker 2: Crazy, I don't think so.
• 1:49
  Speaker 1: Now he's hammered one night New York comedy club. He
• 1:52
  Speaker 1: called a lady a count to media the way to
• 1:54
  Speaker 1: stop her boyfriend from attacking. He doesn't he is. Was
• 1:57
  Speaker 1: it on camera? Though?
• 2:00
  Speaker 2: No?
• 2:00
  Speaker 1: Oh? I mean maybe like the in house of the
• 2:02
  Speaker 1: comedy club. But man, it was great. What a great
• 2:05
  Speaker 1: Vio would be. I wish that existed, so are Hues.
• 2:07
  Speaker 1: We took him to a corn concert. He got obliterated,
• 2:11
  Speaker 1: and then that was I said, where he like mister
• 2:13
  Speaker 1: Magood through a mosh pit like I've never seen somebody before.
• 2:15
  Speaker 1: I mean, bodies flying all around him on a hill
• 2:19
  Speaker 1: in mud, and Nate just walked through. Do you remember
• 2:22
  Speaker 1: the story at all? It was family values to her?
• 2:24
  Speaker 1: I remember, yeah. And he walks through and no one
• 2:28
  Speaker 1: hit him at all. And then he just looks at
• 2:29
  Speaker 1: us and gives a thumbs up. And then he he
• 2:31
  Speaker 1: sees this big muscly guy next to him. He just
• 2:33
  Speaker 1: goes eh and shoves that guy. And then the guy
• 2:36
  Speaker 1: shoved Nate pretty much across the pit again, and he
• 2:39
  Speaker 1: just came back over to his laughing and smiling. And
• 2:41
  Speaker 1: then he demanded that we go to a spot in
• 2:43
  Speaker 1: your comedy club. He was at Skankfast one year. We
• 2:46
  Speaker 1: do we you know, josh A.
• 2:47
  Speaker 3: Da Meier's goddamn comedy jam so and it's always very
• 2:50
  Speaker 3: heavy metal at Scankfast. We all do like metal songs,
• 2:52
  Speaker 3: you know, Tony singing system of it down. Jay always
• 2:54
  Speaker 3: does Slipknot and what.
• 2:57
  Speaker 1: Song was it?
• 2:58
  Speaker 3: Was it a It was Slipknot right doing the Wall
• 3:00
  Speaker 3: of Death?
• 3:02
  Speaker 1: Oh oh no, no, no, it's break stuff limpis.
• 3:05
  Speaker 3: Yeah, so there's a breakdown where like music kind of
• 3:07
  Speaker 3: like he's just playing right and Jay starts a wall
• 3:10
  Speaker 3: of death. If you've never been to a like a
• 3:11
  Speaker 3: heavy metal concert, essentially the entire floor splits open and
• 3:16
  Speaker 3: it's just too like on both the two walls of
• 3:19
  Speaker 3: people just staring at each other, just ready, and then
• 3:21
  Speaker 3: when the music drops, they all convergence like kill each.
• 3:23
  Speaker 1: Other's great video. There's videos of it. Uh. Rob Dukes
• 3:26
  Speaker 1: from Exodus has like one of the biggest ones ever. Yeah,
• 3:28
  Speaker 1: Wall of Death.
• 3:28
  Speaker 3: That's a great thing at a metal concert. So we
• 3:30
  Speaker 3: did we did this stank Fest and Nate, Nate's never
• 3:33
  Speaker 3: been to a metal concert, so he's just hammered this.
• 3:35
  Speaker 3: When he was drinking, He's just like bopping around like
• 3:37
  Speaker 3: in the middle of it. He does everyone splits.
• 3:39
  Speaker 1: He's staying in the middle and I'm you know, I'm
• 3:42
  Speaker 1: doing the song. So I'm going at one point off
• 3:44
  Speaker 1: microphone though, I'm just trying to go. I'm like, I'm
• 3:46
  Speaker 1: like Nate, I'm like, do you gotta like, you know what,
• 3:49
  Speaker 1: and he just keeps raising his beer. He's like and
• 3:51
  Speaker 1: I was like and like, we couldn't. We couldn't interlude anymore.
• 3:56
  Speaker 1: The bass player's fingers were gonna start bleeding if he
• 3:58
  Speaker 1: kept interluding. So we had to get to the end
• 3:59
  Speaker 1: of the song and then uh and then so I'm
• 4:02
  Speaker 1: on the microphone at that point, I'm like, Nate, move, Nate,
• 4:04
  Speaker 1: you gotta move, and he's just like, I'm good, but
• 4:07
  Speaker 1: I am moving, man, And we hit that uh break
• 4:11
  Speaker 1: break your fucking face, your face, this audience conversion, and
• 4:14
  Speaker 1: I remember just seeing Nate like, I mean, like they
• 4:17
  Speaker 1: smash it, and Nate went like this, like you just
• 4:19
  Speaker 1: saw him like pop up and go back down to
• 4:21
  Speaker 1: the pile. He was in there somewhere, but yeah, feeling
• 4:24
  Speaker 1: no pain.
• 4:26
  Speaker 2: Who started the mosh pit? That seems like one of
• 4:29
  Speaker 2: the craziest elements in all of music people agreed upon.
• 4:38
  Speaker 1: We stole it from them, jazz rock, the rock.
• 4:42
  Speaker 2: And roll, for sure.
• 4:43
  Speaker 3: It had to be punk rock right, probably seventies, like uh,
• 4:46
  Speaker 3: sex pistol.
• 4:47
  Speaker 2: I wish I knew. I remember I was dating a
• 4:50
  Speaker 2: girl when I was twenty twenty one, and she was
• 4:53
  Speaker 2: really into like these crazy bands, and she went to
• 4:56
  Speaker 2: this band and she was in a mosh pit and
• 4:57
  Speaker 2: got fucking concussion from a headbut and then came over
• 5:01
  Speaker 2: to my apartment afterwards. I'm like, why are you doing that?
• 5:04
  Speaker 2: Sex pistols? Hell yeah, sex pistols.
• 5:06
  Speaker 1: What is funny? The difference in like what like people
• 5:08
  Speaker 1: that are like hardcore metal people would think of a
• 5:11
  Speaker 1: band like Corner Disturbed, their bands like that where it's
• 5:15
  Speaker 1: like those are the mash pits more that I've been
• 5:17
  Speaker 1: around in my life where there's almost like a the
• 5:20
  Speaker 1: guy on stage is even making it soft. He's like
• 5:23
  Speaker 1: if a brother falls, Dawn. I was always like some
• 5:24
  Speaker 1: kind of Valhalla speech. If a brother falls, you pick
• 5:27
  Speaker 1: your brother up. You don't stop him. And it's all about, like,
• 5:30
  Speaker 1: you know, pulling each other off the ground and banging
• 5:32
  Speaker 1: into each other and walking circles bump into each other.
• 5:35
  Speaker 1: I went to a small show at the old Knitting
• 5:37
  Speaker 1: Factory in Manhattan for a band I forgot they were called,
• 5:40
  Speaker 1: but it was like they stopped the show because the
• 5:42
  Speaker 1: mash pit. I was like watching from above, but the
• 5:45
  Speaker 1: mosh pit was like punch kick and people were getting.
• 5:49
  Speaker 3: Fun it's like hardcore shows. Hardcore shows, or it's like fistfighting.
• 5:52
  Speaker 2: It's you're a crazy person and you know how to fight,
• 5:55
  Speaker 2: and you just decide to go into a mosh pit
• 5:57
  Speaker 2: because you could just start tuning up on people.
• 5:59
  Speaker 3: I don't. So here's what happens. If there's videos that
• 6:02
  Speaker 3: go viral all the time, Like if there are guys
• 6:04
  Speaker 3: that do that, they just try to hit people. Those
• 6:06
  Speaker 3: guys will typically get jumped by everybody in the mashpit
• 6:09
  Speaker 3: because you're supposed to be punching and kicking, but you're
• 6:11
  Speaker 3: not supposed to be actually targeting somebody with it. If
• 6:13
  Speaker 3: an accident happens, it happens, but it's like, no, ridiculous.
• 6:17
  Speaker 1: Yeah, but you'll see people get jumped, will be.
• 6:18
  Speaker 3: Guys that are being dickheads in the moshpit, and then
• 6:21
  Speaker 3: everyone will beat the shit out of them because they're
• 6:23
  Speaker 3: not being violent the right way.
• 6:26
  Speaker 1: I gotta tell you, it was maybe the funniest weird agreement.
• 6:29
  Speaker 1: The funniest concert experience I've ever had was with Lewis
• 6:33
  Speaker 1: at Pantera. We went to go see them. It was
• 6:36
  Speaker 1: like there's two times ago that we saw them. Yeah,
• 6:37
  Speaker 1: that Madison Square Garden Pantera's Love You were just Lewis
• 6:41
  Speaker 1: was just having again. Some of them I'll always call
• 6:44
  Speaker 1: Lewis to go to. He doesn't go to a lot
• 6:45
  Speaker 1: of concerts with me, but like the nostalgic ones that'll
• 6:47
  Speaker 1: hit him, he'll go to sometimes. So Pantera, who always
• 6:51
  Speaker 1: want to bring his sister and we go and he goes.
• 6:54
  Speaker 1: He's in a good mood, he's feeling good and we're
• 6:56
  Speaker 1: in our forties, so he's not looking to really get
• 6:58
  Speaker 1: in the march.
• 6:58
  Speaker 3: The other thing about now, like and it's a generational thing,
• 7:01
  Speaker 3: like Pantera. When I first saw Pantera alive oz Fest
• 7:04
  Speaker 3: ninety seven Giant Stadium, the entire floor became a mosh pit.
• 7:08
  Speaker 1: And I was a kid.
• 7:09
  Speaker 3: It was the scariest thing I'd ever seen. People started
• 7:11
  Speaker 3: jumping over the rafters. There's the videos of this, like jumping.
• 7:17
  Speaker 2: Okay, he's Jesus, he's in a flashback right now. He's
• 7:23
  Speaker 2: how your father got See if we can find a
• 7:25
  Speaker 2: video that people.
• 7:25
  Speaker 3: Started jumping over the barriers, like from above a giant
• 7:30
  Speaker 3: stadium and just spilling into the floor. The entire floor
• 7:33
  Speaker 3: turns into a mosh pit. It's I'm thirteen years old.
• 7:35
  Speaker 2: Nal you're working security at that place, and you know
• 7:39
  Speaker 2: you're just the kind of retired guy who takes a
• 7:42
  Speaker 2: security job.
• 7:42
  Speaker 1: Oh yeah, that's it. It's the worst.
• 7:44
  Speaker 2: You have to go to the mosh pit, pull people apart.
• 7:48
  Speaker 2: Here's sixty two.
• 7:49
  Speaker 1: You know, hey, somebody get old Blend from the front.
• 7:51
  Speaker 1: We need more people in the pitch.
• 7:53
  Speaker 2: She used to work for like some Long Island police
• 7:55
  Speaker 2: station security.
• 7:57
  Speaker 1: This is literally it, dude, ninety nine, there's my there's
• 8:01
  Speaker 1: my sister. Oz Fest ninety nine seven. This is ninety seven.
• 8:11
  Speaker 2: So it's weird too because they're just playing for the field.
• 8:16
  Speaker 2: Like everyone's just walking around. There's no seats.
• 8:20
  Speaker 1: Oh yeah, I'm the floor.
• 8:21
  Speaker 2: There's yeah, they're not like there. That doesn't look like
• 8:24
  Speaker 2: there's any seats there anywhere. Looks like everybody's just kind
• 8:26
  Speaker 2: of ammed in.
• 8:27
  Speaker 3: The whole floor is standing room, and then they're seating
• 8:30
  Speaker 3: in the stands.
• 8:32
  Speaker 2: A seria pussy if you're in the stands. That's why
• 8:34
  Speaker 2: these people in the stands are hopping the fence right now.
• 8:36
  Speaker 2: Yeah yeah, bro, there is zero security this joint.
• 8:40
  Speaker 1: This is it. Look how far these guys are jumping.
• 8:42
  Speaker 1: This is probably like the second or third oz Fest maybe. Yeah,
• 8:47
  Speaker 1: It's like it was like no one knew what to
• 8:49
  Speaker 1: expect from this. Was there was fear factory Marilyn Manson.
• 8:52
  Speaker 1: Uh it was.
• 8:53
  Speaker 3: They tried to ban Marilyn Manson from this. Uh this
• 8:56
  Speaker 3: was like a big controversy on MTV. Why because he
• 8:59
  Speaker 3: was the devil.
• 9:00
  Speaker 1: Getting getting lost in those things. Yeah. I remember my
• 9:02
  Speaker 1: ex wife, my ex devil fire.
• 9:06
  Speaker 4: Right and when they were in Columbus, I think it
• 9:08
  Speaker 4: was that year.
• 9:09
  Speaker 1: So my ex what part of that? Myx wife On
• 9:11
  Speaker 1: one of our earliest dates, I took her to oz
• 9:14
  Speaker 1: Fest lawn seats. I was pretty proud that I got
• 9:16
  Speaker 1: him for free. And uh, we were in the middle
• 9:19
  Speaker 1: lawn for Slipknot doing spit it Out and got stuck
• 9:21
  Speaker 1: in like a thing where they make everybody get on
• 9:22
  Speaker 1: the ground and you're locked in and then again the
• 9:25
  Speaker 1: whole lawn turns into a crazy mash and.
• 9:27
  Speaker 3: If you're not in like a metal head, she's like
• 9:29
  Speaker 3: a normal chick. She's like a comedy club waitress. She's
• 9:31
  Speaker 3: not into Slipknot and Devil music.
• 9:34
  Speaker 1: Now. So he brings her on a second date to
• 9:36
  Speaker 1: this place, which is just she was a latina, yeah,
• 9:39
  Speaker 1: and not super into slip knot. She got into it though.
• 9:42
  Speaker 1: It's pretty exhilarating a moment for But when we went
• 9:45
  Speaker 1: to see Pantera at the Garden, we were right near
• 9:48
  Speaker 1: the mash pit, and these two guys and like these
• 9:52
  Speaker 1: two Mexican guys and two white guys, like middle aged
• 9:55
  Speaker 1: white guys, started getting into it and really like fighting,
• 9:59
  Speaker 1: like they were throwing punch in is. The white guys
• 10:01
  Speaker 1: had a kid with him, and then Louis went and
• 10:04
  Speaker 1: like pulled, like pulled people apart. He like jumped in
• 10:06
  Speaker 1: pretty early in it to pull him apart and be like,
• 10:08
  Speaker 1: I need I need to make sure justice is being
• 10:11
  Speaker 1: served at all times.
• 10:11
  Speaker 3: When I see something, whatever it is, if there's not
• 10:13
  Speaker 3: justice happening, I gotta jump in.
• 10:15
  Speaker 1: Yeah, as they're self hating Hispanic you were really rooting
• 10:18
  Speaker 1: for those white guys, but he put them apart, and
• 10:23
  Speaker 1: then I don't know, we could see like even though
• 10:26
  Speaker 1: these guys got separated, you can see the Latino guys
• 10:30
  Speaker 1: are fucking they're plotting. They're not done yet, and uh,
• 10:34
  Speaker 1: and Louis and we're just kind of semi observing it.
• 10:36
  Speaker 1: But it really piqued Lewis's interest for some reason, and
• 10:39
  Speaker 1: he did a I mean a mother of the neighborhood
• 10:42
  Speaker 1: like walks. Did you walk the white guys over or
• 10:45
  Speaker 1: the Hispanic guys? I don't remember who I did. One
• 10:47
  Speaker 1: of the other guys like arm like arm like risks,
• 10:50
  Speaker 1: hand and wrist like this goes, come on, guys, this
• 10:52
  Speaker 1: is enough for gonna. And I'm watching from a distance
• 10:54
  Speaker 1: these guys beating each other's face again Louis. You know,
• 10:57
  Speaker 1: Pantera is playing, and I just see Louis being like,
• 10:59
  Speaker 1: come on and like making them hold hands and like
• 11:01
  Speaker 1: touching them hands, made them shake hands, and I watched
• 11:05
  Speaker 1: them reluctantly do it, but it never changed. Lewis came
• 11:08
  Speaker 1: back with a real sense of like I did something
• 11:11
  Speaker 1: good there, But those guys never stopped.
• 11:12
  Speaker 3: Glaring at each other the whole time. They kill each
• 11:15
  Speaker 3: other in the parking lot.
• 11:16
  Speaker 1: Afterwards, and then the guy comes over to Lewis look
• 11:19
  Speaker 1: towards the end of the thing, or maybe it was
• 11:20
  Speaker 1: to me he just did it, but like he came
• 11:21
  Speaker 1: over and I was like, ah, you guys all good,
• 11:24
  Speaker 1: and he goes, what the fuck was that? Man? He's like,
• 11:27
  Speaker 1: those guys fucking started ship with us, and then your
• 11:29
  Speaker 1: friend made to shake hands with them. There was no
• 11:33
  Speaker 1: beef squashed. What's up but Lewis, but just the vacuuent
• 11:37
  Speaker 1: over there and he made them shake hands. They did it.
• 11:39
  Speaker 2: But at least even if you just make someone shake hands,
• 11:42
  Speaker 2: it de escalates a little bit. It definitely de escalates
• 11:45
  Speaker 2: more than there's no out, because the problem with guys
• 11:48
  Speaker 2: is when they don't feel like they have an out
• 11:49
  Speaker 2: with dignity, they just keep talking shit and then they
• 11:52
  Speaker 2: get themselves into a problem.
• 11:53
  Speaker 3: An ego thing that happens where you're like, well, there
• 11:56
  Speaker 3: has to be an end to this story exactly, and
• 11:58
  Speaker 3: in my mind, when I'm angry, it has to be
• 11:59
  Speaker 3: me beating your fucking ass.
• 12:01
  Speaker 2: Or tops them and makes you shake hands, and that's
• 12:05
  Speaker 2: the end, and you avoid the violence.
• 12:07
  Speaker 1: It's logical, logical end. The problem we're having now, especially
• 12:11
  Speaker 1: if we go to like these metal shows is uh,
• 12:15
  Speaker 1: Louis had a gripe with a guy at a concert
• 12:18
  Speaker 1: two conscerus ago. He went to a real thing. He's
• 12:20
  Speaker 1: like nails, had nice nail. He's like this fucking guy
• 12:22
  Speaker 1: over here, And then Louis was having a hard time
• 12:24
  Speaker 1: letting it go, and then when it got push came
• 12:26
  Speaker 1: the shove near each other. It's like security has come over.
• 12:30
  Speaker 1: He goes, hey, that guy's like a fan of yours.
• 12:32
  Speaker 3: Yeah, I can't freak out anymore.
• 12:36
  Speaker 1: I do the I do.
• 12:37
  Speaker 3: Rogan and kiltonwasn't know who I am, so I can't
• 12:39
  Speaker 3: have public outbursts.
• 12:40
  Speaker 1: Lewis Lewis since since I was I was kind of
• 12:43
  Speaker 1: almost like making us move, so Lewis would stop obsessing
• 12:45
  Speaker 1: over like dealing with the guy because that guy I
• 12:48
  Speaker 1: me and Louis share a lot of similar traits in
• 12:50
  Speaker 1: that way. I do the same thing. So I'm like,
• 12:52
  Speaker 1: we're gonna move somewhere else. And as we're moving, Lewis
• 12:55
  Speaker 1: goes up to the guy in his ear and starts
• 12:57
  Speaker 1: whispering the guy's ear and I'm watching the guy not
• 13:00
  Speaker 1: his head. Yes, He's like yeah, yeah, yeah. And then
• 13:03
  Speaker 1: they finally kind of get Lewis away, and I go,
• 13:05
  Speaker 1: what did you say? In is here? He goes a
• 13:07
  Speaker 1: bunch of terrible, awful things that I was gonna do
• 13:09
  Speaker 1: to my go. He was just nodding yes, And then
• 13:12
  Speaker 1: the security came over like fifteen minutes later. He was like, Hey,
• 13:14
  Speaker 1: that guy just went you know, he's a fan, he's
• 13:17
  Speaker 1: a fan of yours and like, and the security knew
• 13:19
  Speaker 1: us too. He was like, also, I love your guys
• 13:21
  Speaker 1: stuff too, But that guy I think is also a fan.
• 13:23
  Speaker 1: I lost fan. That guy literally will never like my
• 13:26
  Speaker 1: shit ever again.
• 13:28
  Speaker 2: Yeah you fucked up.
• 13:29
  Speaker 1: Yeah it's all right.
• 13:32
  Speaker 3: Nails is such not a tough like. It's not tough music.
• 13:35
  Speaker 3: It's like goth chick music.
• 13:37
  Speaker 1: But all of the said mess gorung in our face
• 13:39
  Speaker 1: having these fights. I'm gonna punch you because my dad
• 13:42
  Speaker 1: didn't care. What did you did? You get a lot
• 13:46
  Speaker 1: of concerts growing up? Yeah? What crazy shit.
• 13:50
  Speaker 2: I'm so much older than you guys. So when I
• 13:52
  Speaker 2: was in high school was the eighties, so like, the
• 13:54
  Speaker 2: first band ever went to see live was the Jay
• 13:57
  Speaker 2: Giles band. Yeah, Peter Noold, he was huge back then.
• 14:04
  Speaker 2: And and then I saw George thorough Good. I saw
• 14:08
  Speaker 2: George Taro Goood with some other dude. Oh, Johnny Winter,
• 14:11
  Speaker 2: That's who it was.
• 14:12
  Speaker 1: I'l bino dude, ugly motherfuckers.
• 14:14
  Speaker 2: Oh my god, it was amazing that George.
• 14:17
  Speaker 1: Taro Good looks like fucking Rusty from European Vacation.
• 14:20
  Speaker 2: Does he look like that now?
• 14:21
  Speaker 1: Is that what you're saying now? It looks terrible back then,
• 14:23
  Speaker 1: he always he always that really is it is music
• 14:26
  Speaker 1: for like ginger guys to fix a car and do
• 14:28
  Speaker 1: this too, George Arrow good nineteen eighty.
• 14:31
  Speaker 2: One song, That's what it is. It's like a great
• 14:33
  Speaker 2: song from eighty one.
• 14:35
  Speaker 1: That's what he was.
• 14:35
  Speaker 2: The speech there, he was bad of the bone, the speech.
• 14:39
  Speaker 1: In the in the beginning of one Bourbon, one shot,
• 14:41
  Speaker 1: one beer, my favorite thing. Look man, come down now.
• 14:46
  Speaker 2: Yeah. So yeah, I did see a bunch of concerts
• 14:50
  Speaker 2: when I was in high school.
• 14:52
  Speaker 1: In Boston's Big city for shows. Yeah, but did you
• 14:56
  Speaker 1: go as a kid? I feel I never went.
• 15:00
  Speaker 2: It's at a concert venue two. For a while I
• 15:02
  Speaker 2: worked at Great Woods. Oh yeah, so a security guard
• 15:05
  Speaker 2: and Great Woods was this performing. I think it's still around.
• 15:10
  Speaker 1: Yeah. Amphitheater.
• 15:11
  Speaker 2: Yeah, it's like an amphitheater. And the problem with that
• 15:13
  Speaker 2: place is if anybody was talking on stage, you could
• 15:18
  Speaker 2: only hear it underneath the thing. You couldn't hear it
• 15:22
  Speaker 2: in the lawn, so like lyrics would bleed out into
• 15:26
  Speaker 2: the law like or you know, someone doing comedy would
• 15:28
  Speaker 2: bleed down into the lawn. It was a nightmare on
• 15:29
  Speaker 2: comics performed there because you got tickets on the lawn.
• 15:32
  Speaker 2: You couldn't understand what the fuck they were saying. It
• 15:35
  Speaker 2: was just all this weird echo shit.
• 15:37
  Speaker 1: I did comedy in front of Slip Knot and Corn
• 15:40
  Speaker 1: there in the place, in that venue particularly, did you really? Yeah?
• 15:43
  Speaker 2: Yeah, I saw Dangerfield there when I was working there.
• 15:46
  Speaker 2: I saw Bill Cosby there when I was working there.
• 15:49
  Speaker 2: The Cosby I wasn't paying attention though, I had.
• 15:52
  Speaker 1: No intention community that guy.
• 15:54
  Speaker 2: Well, I was nineteen years old and I just had
• 15:56
  Speaker 2: no patience. I had no intentions of ever being a comedy.
• 16:00
  Speaker 3: Would do like three hours, right, Like he would do
• 16:02
  Speaker 3: like really really long shows.
• 16:03
  Speaker 1: But it was the same. It was always the same act, right, Yeah,
• 16:06
  Speaker 1: was he that long? Two and a half? I heard it?
• 16:08
  Speaker 2: Yeah, he was there, I believe. I'm trying to remember
• 16:12
  Speaker 2: who else. Uh, definitely. I paid to see Kennison there.
• 16:16
  Speaker 2: That was wild. And then do.
• 16:19
  Speaker 1: You think people like Kennison would have grown with the times?
• 16:24
  Speaker 2: No, I think Kennison he would have had to sober up,
• 16:29
  Speaker 2: And if he sobered up, I don't know if he'd
• 16:31
  Speaker 2: be the same thing. He's like the best example of
• 16:34
  Speaker 2: a guy who was maybe the greatest and most influential
• 16:39
  Speaker 2: comedian of all time for like a year. Like when
• 16:44
  Speaker 2: he came there was a moment when he was talking
• 16:47
  Speaker 2: about like Jesus on the Cross. You know, I think
• 16:49
  Speaker 2: his laps were I left.
• 16:51
  Speaker 1: Him left if you get it back of a hammer.
• 16:55
  Speaker 2: It was like a completely different kind of comedy. The
• 16:57
  Speaker 2: thing about homosexual necrophiliacs money to be with the freshest
• 17:01
  Speaker 2: male customers, you know, going to the mortuaries and paying money.
• 17:05
  Speaker 2: That bit is fucking crazy. It's so funny. The bit
• 17:08
  Speaker 2: about the starving kids in Africa, like holy shit, man.
• 17:12
  Speaker 2: But it only lasted for a short window. And then
• 17:16
  Speaker 2: the stuff after that, he was partying so much. The
• 17:21
  Speaker 2: material was not anywhere near as good. It was all
• 17:24
  Speaker 2: like the points weren't interesting.
• 17:26
  Speaker 1: But do you think you had to evolve?
• 17:28
  Speaker 2: He would have had to fucking clean his act up.
• 17:30
  Speaker 2: I think. I think what you're seeing is a guy,
• 17:33
  Speaker 2: first of all, who develops his act over like ten
• 17:35
  Speaker 2: years before he gets before he makes it, and when
• 17:38
  Speaker 2: he makes it, he's fucking good. I mean, he's like
• 17:41
  Speaker 2: one of the best ever. And then he has to
• 17:44
  Speaker 2: come up with a whole new act in a year.
• 17:45
  Speaker 2: But he's just doing coke and he's partying and he's
• 17:48
  Speaker 2: hanging out with Ponjovi.
• 17:50
  Speaker 1: Well' that's like what it's like with everybody.
• 17:52
  Speaker 3: It's like everyone does their first album or special and
• 17:55
  Speaker 3: it's like a collection of everything for a decade or
• 17:58
  Speaker 3: fifteen years, and then it's like you're supposed to reproduce
• 18:00
  Speaker 3: that every year or two after that. Like Bill Barr
• 18:03
  Speaker 3: and LUISYK sort of created this standard of putting out
• 18:06
  Speaker 3: a brand new hour every year or two, which is like.
• 18:09
  Speaker 1: Almost ginger assholes. You hear here first, where's my camera?
• 18:14
  Speaker 3: It was almost unsustainable to like.
• 18:17
  Speaker 1: Rusty looking piece of ship.
• 18:19
  Speaker 2: The thing is, it's like, why why do we care
• 18:22
  Speaker 2: if that's what they want to do, Like why don't
• 18:24
  Speaker 2: we just do what we do? Why are we even comparing?
• 18:28
  Speaker 3: Because when I show it back at when I show
• 18:30
  Speaker 3: up back into another market a year later and I'm
• 18:31
  Speaker 3: doing the same material, I feel like a fucking asshole.
• 18:34
  Speaker 1: I do.
• 18:35
  Speaker 2: Well, you probably should, but you also probably should just
• 18:39
  Speaker 2: go at your own pace.
• 18:40
  Speaker 1: You know.
• 18:41
  Speaker 2: Some people want to think of a special as a special,
• 18:43
  Speaker 2: like this is the best ship that I've come up
• 18:45
  Speaker 2: with over the last five years or whatever, And some
• 18:48
  Speaker 2: people want to think like, no, it's just like keep
• 18:50
  Speaker 2: releasing new comedy. But we all know that your comedy,
• 18:53
  Speaker 2: your jokes get better when you keep tuning them up
• 18:55
  Speaker 2: of course, right, and that I think it's a certain
• 18:59
  Speaker 2: amount of a cooking process that they all need.
• 19:01
  Speaker 3: Well, it will just continue to get better. I just
• 19:04
  Speaker 3: filmed a special and now I've been working because it's
• 19:06
  Speaker 3: not out. Yes, I still been working the material. Now
• 19:08
  Speaker 3: you get new tags, the best tags.
• 19:16
  Speaker 1: That's because you're more comfortable now. I said, your best recording.
• 19:19
  Speaker 1: Who's said recently your best recording of your hour is
• 19:21
  Speaker 1: never going to be the hour you recorded. He's not
• 19:24
  Speaker 1: going to be that one. Yeah. I remember when I
• 19:26
  Speaker 1: did when I did my last like material special Dog Belly,
• 19:30
  Speaker 1: it was like, man, I really wish we could have
• 19:32
  Speaker 1: gotten that seven o'clock show on Friday in Buffalo Buffalo Helium.
• 19:37
  Speaker 1: Just ate it up. That's the show where you were done.
• 19:38
  Speaker 1: And I was like, this is it, this is the
• 19:40
  Speaker 1: rhythm of it, and this is the one.
• 19:42
  Speaker 2: Yeah. It's like when there's something on the line and
• 19:44
  Speaker 2: it's like ready record, it's just a different thing.
• 19:49
  Speaker 1: It's crazy. Yeah, but I did.
• 19:51
  Speaker 2: That because I was scared of it.
• 19:52
  Speaker 3: How nerve wrecking was that.
• 19:53
  Speaker 2: Oh so weird?
• 19:54
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• 21:27
  Speaker 3: So when you're freaking out because he fled back, man
• 21:31
  Speaker 3: right down, Lewis, what's in mine?
• 21:32
  Speaker 2: I just want to say it was Netflix idea, but.
• 21:35
  Speaker 3: He flubbed the line in his like his last bit,
• 21:38
  Speaker 3: which was the.
• 21:40
  Speaker 2: Oh yeah, I definitely treated different than any other side.
• 21:43
  Speaker 1: Like when I fresh the slat prints shit to first position.
• 21:56
  Speaker 2: Yeah, it's a weird thing, man, to just just go ready, live,
• 22:00
  Speaker 2: go to like millions of people. It's a weird thing.
• 22:03
  Speaker 2: But I was in my head, I was like, but
• 22:05
  Speaker 2: why why is it any different than a show. Well,
• 22:07
  Speaker 2: it's all your mind, fucking yourself, So what it what
• 22:10
  Speaker 2: would it prevent you from mind fucking yourself? Just go
• 22:12
  Speaker 2: over your material with such a fine toothed comb that
• 22:16
  Speaker 2: when you get up on stage you can be just
• 22:18
  Speaker 2: loose and completely relaxed. You're not even thinking about where
• 22:21
  Speaker 2: to go and how to do it. You're just thinking
• 22:23
  Speaker 2: about like locking in and you're gonna be live for
• 22:26
  Speaker 2: an hour. And I was like, God, it's fucking terrifying.
• 22:28
  Speaker 2: Let's see what Let's see what that feels like.
• 22:30
  Speaker 1: Did you fuck up anything that we don't know about?
• 22:32
  Speaker 2: Nope, felt exactly like a regular set. And I did
• 22:35
  Speaker 2: one set there Friday night that we filmed as well
• 22:37
  Speaker 2: that didn't go live, and then the Saturday night one
• 22:40
  Speaker 2: was completely live and it was, uh, you know, I
• 22:43
  Speaker 2: had already done the room, so I was relaxed. I
• 22:46
  Speaker 2: got a feel for the room, you know, because of
• 22:48
  Speaker 2: Friday night. It was a lot of fun. The show
• 22:49
  Speaker 2: was great, and I was like, Okay, we're ready. And
• 22:52
  Speaker 2: then Saturday it just all day going over material, watching recordings.
• 22:56
  Speaker 2: I just saturated my brain so it could just be
• 22:59
  Speaker 2: complempletely relaxed when I went out there. So it was
• 23:02
  Speaker 2: like one hundred percent prepared as opposed to like a
• 23:05
  Speaker 2: regular Tuesday night where you could just kind of go
• 23:07
  Speaker 2: on stage, like you know, you know your act. You know,
• 23:09
  Speaker 2: you go on stage, you start opening up and getting
• 23:11
  Speaker 2: into your bits, but you're not like meticulously dialed in.
• 23:15
  Speaker 1: I told Netflix I would that I would do it
• 23:18
  Speaker 1: with crowd work.
• 23:19
  Speaker 2: Oh you should.
• 23:20
  Speaker 1: And they, I mean they were they were responding.
• 23:23
  Speaker 3: With you know, they weren't the same thing.
• 23:26
  Speaker 1: They responded, They just like, we don't want to get sued.
• 23:31
  Speaker 3: I told Netflix I would do a feature film for them.
• 23:33
  Speaker 3: They just didn't get back to me.
• 23:34
  Speaker 2: Bro, they didn't have to see you one weekend. They'd
• 23:37
  Speaker 2: be like, are you fucking crazy?
• 23:39
  Speaker 1: No, I love, I say, but again almost like what
• 23:42
  Speaker 1: you're saying though to me, it's like I'm not I'm
• 23:44
  Speaker 1: not saying that. I wouldn't be nervous to I would
• 23:46
  Speaker 1: be very nervous doing that. That would be kind of the
• 23:47
  Speaker 1: fun of it, like being that amped up to do it. Yeah,
• 23:50
  Speaker 1: you see, I think it also, like, especially with it
• 23:53
  Speaker 1: being crowd work, I was like, you'd see it kind
• 23:54
  Speaker 1: of unfold, you know what I mean, Like you kind
• 23:56
  Speaker 1: of see like the the pacing and the build of it.
• 23:58
  Speaker 1: Because I have to do it for an hour being.
• 24:00
  Speaker 2: Yeah, and you gotta that's one of the things, like
• 24:03
  Speaker 2: you have to be doing a lot of sets leading
• 24:05
  Speaker 2: up to that too to be relaxed.
• 24:07
  Speaker 3: Yeah, you know they filmed, Uh they secretly filmed because
• 24:12
  Speaker 3: I was filming on Saturday and they filmed my Friday
• 24:15
  Speaker 3: shows without telling me. I fucking killed And that was
• 24:18
  Speaker 3: like the biggest like relief because Bobby Kelly directed it
• 24:22
  Speaker 3: and he was like, dude, we got it. He was like,
• 24:24
  Speaker 3: without the shows, like, well, I thought they were just
• 24:25
  Speaker 3: testing the wanted to go home.
• 24:29
  Speaker 1: Anymore?
• 24:29
  Speaker 2: Dude, we got it, dude, Dade, It's perfect, Dude, you
• 24:33
  Speaker 2: nailed it.
• 24:34
  Speaker 1: Looks like we're all sick. Yeah, but that was that.
• 24:36
  Speaker 2: Yeah, once you know you got it in the can,
• 24:38
  Speaker 2: it's lifted off of your back. What a weird fucking
• 24:42
  Speaker 2: art form, you know, very strange. Don't Those are dices? Cigarettes?
• 24:45
  Speaker 1: I know.
• 24:47
  Speaker 2: Unlit. He just have these cigarettes and he just breaks
• 24:51
  Speaker 2: them and puts them in there.
• 24:52
  Speaker 3: Jay just quit smoking cigarettes, but he needs to smoke
• 24:54
  Speaker 3: cigarettes on the podcast.
• 24:56
  Speaker 1: I asked.
• 24:56
  Speaker 3: I was like, I was like, he's like, I'm gonna
• 24:58
  Speaker 3: smoke now. I was like, I was like why, He's like,
• 25:00
  Speaker 3: it's like three hours dude, and I was like, the
• 25:02
  Speaker 3: hours are going to exist, whether or not a podcast
• 25:04
  Speaker 3: or not.
• 25:04
  Speaker 2: But other than that, you had quit smoking.
• 25:06
  Speaker 1: Yeah, like stay loose though. You know when I came
• 25:09
  Speaker 1: in when we did the show last time two times ago,
• 25:13
  Speaker 1: at the end of the show, I was like, I
• 25:14
  Speaker 1: gotta go smoke, and Jamie went, you get smoking here?
• 25:17
  Speaker 1: I went, oh, really, because yes, And then the last
• 25:19
  Speaker 1: time we came in, I did smoke and when it
• 25:21
  Speaker 1: was done, caught like wearing lucky underwear or something. I
• 25:24
  Speaker 1: was like, we had a good flip back and forth.
• 25:25
  Speaker 1: We were all Ji, we made the Rogan Sphere. Yeah,
• 25:29
  Speaker 1: officially got the Rogan Spere. We've been repping hard out
• 25:31
  Speaker 1: there in the street. We tell everyone I get my
• 25:35
  Speaker 1: credits to go from the Bonfire Legion to Skanks and
• 25:37
  Speaker 1: most notably the Rogan Sphere.
• 25:40
  Speaker 2: The Manosphere is a real subject, like the people believe
• 25:43
  Speaker 2: that it's real, that this is like coalition of men,
• 25:48
  Speaker 2: like trying to convert young boys into the evil ways
• 25:51
  Speaker 2: of being a man. The Manosphere.
• 25:53
  Speaker 1: I think that's the same thing as the Rogan Sphere.
• 25:56
  Speaker 2: The mass It's like there's level, like Andrew Tates the
• 25:59
  Speaker 2: high level of yeah, right, of course, that's that's top
• 26:03
  Speaker 2: G of the manosphere. Of course, if you're like categorizing
• 26:06
  Speaker 2: those things, the thing that you're most terrifying of is
• 26:08
  Speaker 2: a guy like Andrew Tape.
• 26:09
  Speaker 1: I was never like stoked on that kind of like
• 26:11
  Speaker 1: I from a young like Ukrainian girl. Yeah, I've never
• 26:17
  Speaker 1: been to that kind of like, uh, the Maximum magazine,
• 26:20
  Speaker 1: Spike TV like energy of what they're like, this is
• 26:24
  Speaker 1: what guys want to see, a car crash and a
• 26:26
  Speaker 1: girl with I had a Maximum magazine. Hm.
• 26:29
  Speaker 2: The thing about it is yeah, you're right, but also
• 26:32
  Speaker 2: it works.
• 26:34
  Speaker 1: No, no, why try to reinvent the wheel works. I
• 26:37
  Speaker 1: pulled myself out of that thing. So I was like,
• 26:38
  Speaker 1: this isn't my like getting a maxim magazine like hometown
• 26:42
  Speaker 1: chicks in their bikinis. I'm like, these girls would never
• 26:45
  Speaker 1: talk to me. I just have too much stuff loading
• 26:47
  Speaker 1: to be into it. If you could do well, I
• 26:50
  Speaker 1: don't fit in those clothes. Like everything was just a
• 26:52
  Speaker 1: bummer out of those magazines. So I would just get
• 26:54
  Speaker 1: straight pornography. Even you can get those girls. No, well,
• 26:59
  Speaker 1: sometimes I'd always buy, uh the three packs and one
• 27:02
  Speaker 1: of them would have to be like jugs or volumptuous magazine,
• 27:06
  Speaker 1: and then in the middle there's always one with a
• 27:07
  Speaker 1: bunch of gross chicks or just straight trans. But uh,
• 27:12
  Speaker 1: I always believe when I was young, when I was
• 27:14
  Speaker 1: young going through my dad's I found my dad's porn
• 27:16
  Speaker 1: collection and there was a couple of weird he's in there,
• 27:19
  Speaker 1: like a couple of trans or like uh, local personal ads.
• 27:23
  Speaker 1: And then as I got older and started buying the
• 27:24
  Speaker 1: three packs, I was like, let's just believe that was
• 27:28
  Speaker 1: the third one. He didn't know what it was. But
• 27:29
  Speaker 1: then why'd you keep it? Toss it? Dude?
• 27:32
  Speaker 2: Did you see that Don Lemon got in trouble because
• 27:35
  Speaker 2: he he said that Megan Kelly looks trans.
• 27:41
  Speaker 1: It's just a strong jaw strong.
• 27:43
  Speaker 2: Please google this to find that if this is true,
• 27:45
  Speaker 2: or we'll be in trouble.
• 27:46
  Speaker 1: I don't want to get sued by Don Lemon. Works.
• 27:50
  Speaker 1: What did he say?
• 27:53
  Speaker 2: Clockable just pull up the actual thing. But people were saying,
• 27:58
  Speaker 2: oh my god, like he's actually using you look trans
• 28:02
  Speaker 2: as an insult. Do you know how crazy that is?
• 28:07
  Speaker 2: Outspoken lgbt Q ally Don Lemon faces backlash after claiming
• 28:13
  Speaker 2: Megan Kelly looks trans.
• 28:15
  Speaker 1: Oh oh it blew up in his face. I say, oh,
• 28:19
  Speaker 1: you know how funny that is?
• 28:20
  Speaker 3: Oh didn that happen with what's your name?
• 28:23
  Speaker 1: Aoc?
• 28:23
  Speaker 3: Just she was making fun of somebody for being short,
• 28:26
  Speaker 3: some like other like dude, and now everyone's like trash
• 28:29
  Speaker 3: in her because she was like, you can't make fun
• 28:31
  Speaker 3: of short people.
• 28:32
  Speaker 2: Hey, go back to that, go back to what he said.
• 28:35
  Speaker 2: It says Lemon said he thought Kelly looked chopped. He said,
• 28:39
  Speaker 2: I think she looks trans, Lemon said. In response, Lemon's
• 28:43
  Speaker 2: co host wrapped up the show, saying, let's end on
• 28:47
  Speaker 2: that note. It's fantastic, bro, that editor hates him. There's
• 28:55
  Speaker 2: no way that editor doesn't hate him to say, let's end.
• 28:57
  Speaker 1: On that Clockable's a hilarious thing to call woman.
• 29:00
  Speaker 2: That is so crazy, But that's well. Also, he's gay, right,
• 29:04
  Speaker 2: so he doesn't know that Megan Kelly's hot. She's dangerous,
• 29:08
  Speaker 2: like super smart, lawyer hot.
• 29:12
  Speaker 1: Okay. I don't feel he's like an out gay guy.
• 29:14
  Speaker 2: Oh yeah, yeah, Don Lemon's married to a guy, black guy.
• 29:18
  Speaker 2: I think he's married to a white guy.
• 29:19
  Speaker 1: Yeah, you're gonna put a black guy on your butt.
• 29:22
  Speaker 1: Jesus Christ, that's what they do.
• 29:25
  Speaker 2: Are you sure?
• 29:26
  Speaker 1: That's what gay sex is. I don't know. This is
• 29:29
  Speaker 1: probably the first Missus permeated the rogans fear, yeah, gay sex.
• 29:33
  Speaker 1: The minister would know something about this.
• 29:34
  Speaker 2: But so when I was a kid, when I was
• 29:37
  Speaker 2: when I was young, like, there was no online obviously,
• 29:42
  Speaker 2: And the first time I ever saw gay porn was
• 29:45
  Speaker 2: a girl that I met at a comedy club. I
• 29:47
  Speaker 2: met this lady at a comedy club. I was like
• 29:48
  Speaker 2: twenty two maybe, and we go back to her apartment
• 29:52
  Speaker 2: in Long Island and she goes, gay guys lived here
• 29:57
  Speaker 2: before me, and I go, how do you know? And
• 30:00
  Speaker 2: she goes, because they left a tape. I go a
• 30:04
  Speaker 2: tape of what. She goes, it's a gay porn. I
• 30:08
  Speaker 2: go shut up, and she goes, you want to see it?
• 30:10
  Speaker 2: I go, okay. So she puts it on and it's
• 30:14
  Speaker 2: these two guys and this guy pulls this guy shorts
• 30:17
  Speaker 2: down and pushes him up against a tree and just
• 30:19
  Speaker 2: starts sucking his cock. And Uh, I'm like, I gotta
• 30:23
  Speaker 2: get out of here.
• 30:24
  Speaker 1: That's nothing.
• 30:26
  Speaker 2: I was like, I didn't know that that really happened,
• 30:30
  Speaker 2: you know what I mean?
• 30:31
  Speaker 1: It looks weird right the first.
• 30:32
  Speaker 3: Time because I moved to New York City when I
• 30:33
  Speaker 3: was nineteen, and you didn't really experience homosexuality until you're
• 30:36
  Speaker 3: in a big city like that. And the first time
• 30:38
  Speaker 3: I saw two guys like kissing, it looked like aliens,
• 30:42
  Speaker 3: Like it was the craziest thing ever. And that we're
• 30:44
  Speaker 3: so desensitized to it because everything porn.
• 30:47
  Speaker 2: We were so dessentitized because so many people have seen porn,
• 30:49
  Speaker 2: but like seeing gay porn. When I was twenty, I
• 30:53
  Speaker 2: knew that they had sex. I didn't have a problem
• 30:55
  Speaker 2: with that at all, But it was the shocking reality
• 30:57
  Speaker 2: of watching guy just another guy you like.
• 31:00
  Speaker 1: Ye, it's jarring, no doubt. Yeah, it's definitely.
• 31:09
  Speaker 2: That's disturbing.
• 31:10
  Speaker 1: It was very disturbing. Yeah, I still if anytime you
• 31:13
  Speaker 1: see it it's it does looks wrong. Look, it's the
• 31:16
  Speaker 1: wrong thing is happening? Fantastic time?
• 31:20
  Speaker 2: Do they seem to have a wonderful time? Some people
• 31:22
  Speaker 2: like spicy food.
• 31:24
  Speaker 1: Do you ever seen you ever seen the movie Fright Night?
• 31:26
  Speaker 1: Probably the old or nine seven six Evil? They were
• 31:29
  Speaker 1: too like harp popular horror movies. Remember Fright Night, the
• 31:32
  Speaker 1: one that played evil at his best friend, the kid's
• 31:35
  Speaker 1: best friend. When times got tough, did gay porn man
• 31:40
  Speaker 1: he got it was like really hardcore. It was as
• 31:43
  Speaker 1: jarring as like I said, when like China did pornography,
• 31:46
  Speaker 1: You're like, damn, dude, this guy was not in this world.
• 31:48
  Speaker 1: And then the girl from Boy Meets World does porn
• 31:51
  Speaker 1: now aggressive black, gang bang pornography, gay porn. No, no, no,
• 31:55
  Speaker 1: she's it's a girl. Which girl she was on later
• 31:58
  Speaker 1: seasons of Boy Meets World. I think maitland Ward, her
• 32:01
  Speaker 1: name is uh such. It just does pornography now, but
• 32:04
  Speaker 1: like like a lot of it in her butt. Yeah, BBC,
• 32:10
  Speaker 1: thank you. The industry term Jesus Christ, that's an industry
• 32:12
  Speaker 1: term conversation to nice, good work, dark turn. We'll be
• 32:20
  Speaker 1: right back after these messages. Yeah, porn.
• 32:23
  Speaker 3: I still watch porn here and there, but it's just
• 32:25
  Speaker 3: gotten to the point where it just every time I
• 32:27
  Speaker 3: watch it and I start jerking off, I feel like
• 32:30
  Speaker 3: this sense of like like almost like if somebody was
• 32:32
  Speaker 3: watching me, Rana, howpathetic this would look like you're like
• 32:35
  Speaker 3: beating your dick like a monkey.
• 32:36
  Speaker 2: Like somebody probably is watching you. It's probably yeah, there's
• 32:39
  Speaker 2: probably someone's collecting information of you, of.
• 32:42
  Speaker 1: How I jerk off.
• 32:43
  Speaker 2: Yeah, either through your front facing camera or through the
• 32:46
  Speaker 2: camera on your on your.
• 32:48
  Speaker 1: Good thing that in my facial recognition pictures are this,
• 32:55
  Speaker 1: Take that picture all you want. You're not gonna get
• 32:56
  Speaker 1: any doors with that.
• 32:57
  Speaker 3: We all kind of know it, right, like we know
• 32:59
  Speaker 3: that the hammers are on, but we still jerk off
• 33:01
  Speaker 3: right in front of our computer.
• 33:03
  Speaker 2: You know what's weird.
• 33:03
  Speaker 1: We's a tape over it and I'm like, let them
• 33:05
  Speaker 1: see weird.
• 33:08
  Speaker 2: It's weird that porn is free basically, like you just
• 33:12
  Speaker 2: go on a website and you can watch it. But
• 33:14
  Speaker 2: also they're still making it sort of.
• 33:18
  Speaker 3: I think the studios are like almost barely making anything anymore.
• 33:21
  Speaker 3: It's all like only fans check it out.
• 33:22
  Speaker 2: But even that, like just imagine this is the thing.
• 33:25
  Speaker 2: What I'm saying is nobody's seen it at all. Why
• 33:28
  Speaker 2: are you making new ones? Like no, there's no way
• 33:31
  Speaker 2: there's enough supply for the or demand rather for the supply.
• 33:35
  Speaker 2: There's so much porn.
• 33:36
  Speaker 3: Yeah, it's weird that I still will go back to,
• 33:38
  Speaker 3: like my favorites say.
• 33:39
  Speaker 1: But also if you if you're pretty genre specific, you
• 33:43
  Speaker 1: will see them all.
• 33:43
  Speaker 2: Eventually, You've seen everything Jay seeing everything genre specific.
• 33:49
  Speaker 1: That's a well Lobster Tube takes me through it alphabetically,
• 33:52
  Speaker 1: you see. So yeah, yeah, AI porn is not a
• 33:55
  Speaker 1: I porn VR porn.
• 33:57
  Speaker 2: Oh AI porn is coming. Bro, you're gonna be able
• 34:01
  Speaker 2: to have art Bell having sex with you know me?
• 34:04
  Speaker 1: You fine? Yeah, well they already did the Remember it
• 34:09
  Speaker 1: was not all the Taylor Swift getting like gang banged
• 34:12
  Speaker 1: by the Kansas City chiefs, like the president smacking her.
• 34:15
  Speaker 1: They oh it gang it was. They were very good
• 34:19
  Speaker 1: AI pictures of Taylor and she was.
• 34:21
  Speaker 3: Just like in a crowded there's this guy knows her,
• 34:24
  Speaker 3: there's guys like grabbing her ass. It was her like
• 34:27
  Speaker 3: sitting on Trump's lap, and it was like they were
• 34:29
  Speaker 3: like actually really good.
• 34:31
  Speaker 1: And then Tata they took some pictures of her called
• 34:33
  Speaker 1: te uh but no, I thought there was her getting
• 34:37
  Speaker 1: like fucked by like the chiefs. But I think it
• 34:39
  Speaker 1: was funny. I believe she came out and was like everyone,
• 34:41
  Speaker 1: those aren't me. It's just like it's a funy acknowledgement
• 34:45
  Speaker 1: to have to make guys, I didn't get gang bang
• 34:47
  Speaker 1: by the Kansasity chiefs.
• 34:48
  Speaker 2: Well, you know some fifteen year old girls in school
• 34:51
  Speaker 2: and her friends like yeah, it was real. You really
• 34:53
  Speaker 2: didn't get like you need Taylor to come out and
• 34:56
  Speaker 2: say it right. Hey, guys, it wasn't me.
• 34:59
  Speaker 1: Everybody that was. But isn't crazy with my dreams?
• 35:02
  Speaker 2: That good? Now that you can't tell I think you
• 35:05
  Speaker 2: could tell. I don't think anymore, man, I think I
• 35:08
  Speaker 2: don't know.
• 35:08
  Speaker 1: Why they can't figure Remember the big Tael is like fingers,
• 35:11
  Speaker 1: hands and fingers.
• 35:12
  Speaker 2: This is an ad for better help. With the days
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  Speaker 2: dot com slash jr. E that's better h e LP
• 36:29
  Speaker 2: dot com slash jr. Well, it used to be hair too.
• 36:33
  Speaker 2: They used to be terrible at generating hair. It's like
• 36:35
  Speaker 2: if you watch I Am Legend like the CGI, which
• 36:38
  Speaker 2: is terrible.
• 36:39
  Speaker 1: Yeah. Yeah, my mom used to have an I Am
• 36:41
  Speaker 1: Legend poster on a bedroom wall that I assume she
• 36:44
  Speaker 1: masturbated to And then you'd forget the name of the
• 36:47
  Speaker 1: movie all the time.
• 36:48
  Speaker 3: Not I am Oh, I'm sorry, not I Am Legend.
• 36:50
  Speaker 3: I was thinking a Legends of the Fall.
• 36:52
  Speaker 2: That's very different.
• 36:53
  Speaker 3: It was Legends of the Fall. But I do have
• 36:55
  Speaker 3: a Legend tattoo because I forget the name of the movie.
• 36:57
  Speaker 3: I am legend all the time.
• 36:59
  Speaker 2: I think they're real close to AI being as normal
• 37:03
  Speaker 2: looking as any four K video. I don't think I
• 37:07
  Speaker 2: think they could.
• 37:07
  Speaker 3: Just we're a couple of years away from it being
• 37:10
  Speaker 3: like straight up you could generate a whole movie.
• 37:12
  Speaker 1: No, but what generation is going to be genuinely into
• 37:16
  Speaker 1: like consuming and giving a shit an AI made movie.
• 37:19
  Speaker 1: There's something that I think there's something still about then
• 37:21
  Speaker 1: you even feel like something. I'll go back and watch
• 37:24
  Speaker 1: a little bit older movies and it's good, like thank god,
• 37:26
  Speaker 1: like the Thing, the movie The Thing, Yeah, yeah, thank god.
• 37:31
  Speaker 1: It was like practical effects time still and it wasn't
• 37:33
  Speaker 1: just like because now you're just watching a video game.
• 37:36
  Speaker 3: Think about that exactly. And you can't go back and
• 37:38
  Speaker 3: watch like if you try to watch Psycho now right
• 37:40
  Speaker 3: compared to like it just it's not scary. When people
• 37:42
  Speaker 3: in Psycho came out, people were vomiting in the movie
• 37:44
  Speaker 3: theater and they were running out, like freaking out. You
• 37:47
  Speaker 3: get used to whatever it is, Like my son can't
• 37:49
  Speaker 3: watch a movie from the eighties really, he like he
• 37:52
  Speaker 3: can't hold his attention like whatever. So I think as
• 37:55
  Speaker 3: the technology goes on and as we're autistic, as as
• 37:58
  Speaker 3: we're doing more and more AI content, people are gonna
• 38:01
  Speaker 3: get used to it, and that's what they're gonna be
• 38:02
  Speaker 3: used to consuming. It's like short videos. Everyone watches short
• 38:05
  Speaker 3: thirty second, one minute long clips. Now nobody really watches
• 38:08
  Speaker 3: TV shows or movies.
• 38:10
  Speaker 1: I mean, people are still watching movies, I think, but
• 38:12
  Speaker 1: it's just like older people. Maybe that's what I'm saying.
• 38:15
  Speaker 1: We might be the dying breed of giving a shit
• 38:16
  Speaker 1: about that at all. Somebody will be like, Yeah, if
• 38:18
  Speaker 1: you can get every star I love and to be
• 38:20
  Speaker 1: in one movie, I'll watch it, even if it's fake.
• 38:23
  Speaker 2: I think you're definitely gonna get people that accept that,
• 38:25
  Speaker 2: and you're gonna be able to just generate it instantly
• 38:27
  Speaker 2: with a prompt. You know they're doing. They do Star
• 38:31
  Speaker 2: Wars scenes that never happened with Young Luke Skywalker. Now
• 38:34
  Speaker 2: have you seen them? Yeah, you've seen them, right, Jimmy
• 38:37
  Speaker 2: put one up just so you could look at it.
• 38:39
  Speaker 2: It's fucking incredible. It looks better than the original Star
• 38:42
  Speaker 2: Wars footage, right because that stuff wasn't inn HD back then,
• 38:45
  Speaker 2: and it looks exactly like Young Luke Skywalker. And in
• 38:49
  Speaker 2: the exact same voice because they just take the voice
• 38:52
  Speaker 2: from Luke Skywalker from the movies, regenerate it and it
• 38:55
  Speaker 2: could say anything you wanted to.
• 38:56
  Speaker 1: It's better than like the animated stuff. But I've never
• 38:58
  Speaker 1: even been able to follow when they do animated versions.
• 39:01
  Speaker 1: I think it's like an animated Predator movie coming out
• 39:03
  Speaker 1: that I'll never watch.
• 39:05
  Speaker 2: Yeah, animated, it's all just cgi weird stuff. It's like
• 39:10
  Speaker 2: that Uncanny Valley. Rick Baker talked about that he's the
• 39:13
  Speaker 2: guy that made the America Werelolf in London. Yeah, you
• 39:15
  Speaker 2: know a thriller two that the werewolf that's in the lobby.
• 39:18
  Speaker 2: That's what that's from. Ye And he said, when you're
• 39:20
  Speaker 2: seeing something and you know that it's real, you know,
• 39:24
  Speaker 2: you know it's a physical thing, he goes, it just
• 39:26
  Speaker 2: looks better. Like you, when you're creating everything with computers,
• 39:31
  Speaker 2: your brain knows that. Your brain knows that's not really
• 39:33
  Speaker 2: a dragon. Yeah, that's not really a dragon. But if
• 39:35
  Speaker 2: you make something that actually looks like a dragon, it's
• 39:38
  Speaker 2: gonna be even if it's darker, and even if it's
• 39:41
  Speaker 2: not as clear, it's gonna be way more effective. Like
• 39:44
  Speaker 2: the alien movies.
• 39:45
  Speaker 3: It's like when I watch a movie and I know
• 39:47
  Speaker 3: somebody in the movie, like it's a friend of mine acting,
• 39:49
  Speaker 3: it's hard for me to suspend disbelief.
• 39:51
  Speaker 2: Look at this, this is crazy. Here's a scene that
• 39:59
  Speaker 2: never happened in any of the Star Wars movies, and
• 40:02
  Speaker 2: you can generate it with a prompt.
• 40:08
  Speaker 1: I guess I would watch it. Yeah, you'd watch it, dude,
• 40:10
  Speaker 1: because I just especially if it could what a heartfelt speech.
• 40:13
  Speaker 1: I just gave to turn around immediately when I saw
• 40:15
  Speaker 1: I go, I'd watch a movie look like this.
• 40:17
  Speaker 2: Yeah, look how good that looks like? And the alien
• 40:22
  Speaker 2: movies are good example, Like you go and see like
• 40:25
  Speaker 2: like Alien one. It's a dude in a suit, okay,
• 40:28
  Speaker 2: and there's something about the way it moves that it
• 40:30
  Speaker 2: looks like a real thing. But then if you get
• 40:33
  Speaker 2: to like later movies, not necessarily even in the alien
• 40:37
  Speaker 2: genre or any genre where you have like CGI monstrous
• 40:41
  Speaker 2: running around like you know, the Underworld series, like the
• 40:44
  Speaker 2: were Wolves were like CGI, it just doesn't No.
• 40:48
  Speaker 1: It doesn't feel the same at all.
• 40:49
  Speaker 2: It's like it's just kind of accepting that this is happening. Yeah,
• 40:52
  Speaker 2: doesn't look as I.
• 40:53
  Speaker 3: Think they had to use better like cinematography and tricks
• 40:56
  Speaker 3: and sound they had. They had to literally be perfect
• 40:58
  Speaker 3: on everything in order to bring it to life where
• 41:00
  Speaker 3: it's like now you can just computer generate anything.
• 41:03
  Speaker 2: And they also like hid stuff and it made it scary,
• 41:06
  Speaker 2: like the American wereof in London. One of the scariest
• 41:08
  Speaker 2: things about it is you don't see the full werewolf
• 41:11
  Speaker 2: for longer than like a second at a time. Ever.
• 41:15
  Speaker 2: You just see it right before it's attacking people. You
• 41:17
  Speaker 2: see it right when it's at the bottom of the escalator.
• 41:20
  Speaker 2: You don't get a lot of until late in the movie.
• 41:22
  Speaker 3: I think in Jaws, right, they don't show the shark
• 41:24
  Speaker 3: until the end, like the very end of the movie.
• 41:26
  Speaker 3: You don't see the shark is I think.
• 41:28
  Speaker 1: So, you know they show in the making. I used
• 41:30
  Speaker 1: to watch the making of Michael Jackson's Thriller a lot
• 41:33
  Speaker 1: and more than once so much. I have a lot
• 41:37
  Speaker 1: of fun Fa Baker. Rick Baker himself is the He's
• 41:41
  Speaker 1: in Thriller. He comes out of the mausoleum. He's the
• 41:45
  Speaker 1: zombie comes out of the masolem.
• 41:46
  Speaker 2: Shark and Jaws is total about four minutes of screen time,
• 41:50
  Speaker 2: with the first full appearance not occurring to one hour
• 41:53
  Speaker 2: and twenty one minutes into the field. That's crazy.
• 41:56
  Speaker 1: You want to see all music.
• 41:58
  Speaker 3: The tone is like, it's just all the whole, the whole.
• 42:00
  Speaker 3: Everything's scary about Jaws is just the music.
• 42:03
  Speaker 1: Wow. Spielberg more Julyes more Julyes. Of course, Spielberg.
• 42:11
  Speaker 4: Would you say, Jamie, the dinosaurs and drift the first
• 42:13
  Speaker 4: Drassic Park are only on screen for like fifteen minutes total.
• 42:16
  Speaker 2: That was the best CGI ever up until that point.
• 42:19
  Speaker 1: It was crazy. Do you want to seem funny, Jamie?
• 42:22
  Speaker 1: If you could bring up Michael Jackson filming, like the
• 42:26
  Speaker 1: audio while he's in like werewolf makeup of changing and
• 42:31
  Speaker 1: they want to like scream. You know, he's growling, so
• 42:32
  Speaker 1: it's like the pain of changing into a werewolf, and
• 42:34
  Speaker 1: they just keep going back and forth.
• 42:36
  Speaker 3: He's not officially were wolf, right, He's a cat, isn't
• 42:38
  Speaker 3: It was like the official statement from the.
• 42:40
  Speaker 1: Direction, Yeah, he's like a weare cat or whatever he's
• 42:43
  Speaker 1: doing while he's changing. They keep bouncing back from the
• 42:46
  Speaker 1: sound booth to the actual video where it's like he's changed,
• 42:49
  Speaker 1: going ah. In the booth he's going oh, it's so goddamn.
• 43:03
  Speaker 2: It's definitely the music videos used to be the.
• 43:06
  Speaker 1: Ship, especially when he's get away. I jumped from the
• 43:10
  Speaker 1: couch to a living Yeah, it's ship out of me
• 43:13
  Speaker 1: because also Michael Jackson, my hero. You hear that's Baker.
• 43:20
  Speaker 2: Can you find the scene in thriller where he becomes
• 43:25
  Speaker 2: a ware cat or whatever the fuck he is, because
• 43:27
  Speaker 2: it's not really a were wolf, right, it's like.
• 43:29
  Speaker 3: Yeah, I think they officially came out and said it
• 43:31
  Speaker 3: was like a cat like creature.
• 43:33
  Speaker 2: Yeah. I mean it was such a good fucking video.
• 43:37
  Speaker 1: Man. You remember that's earlier in this year. It's how
• 43:41
  Speaker 1: old were.
• 43:42
  Speaker 2: You guys when this came out? This was before your time.
• 43:44
  Speaker 1: Right, that's what it came out on, like eighty eight maybe.
• 43:47
  Speaker 2: Yeah, so you're a little kid six, Yeah, I was
• 43:50
  Speaker 2: in high school when.
• 43:51
  Speaker 1: I think it was when she's getting scared. I'm so sorry,
• 43:53
  Speaker 1: I'm talking over No, it's right there when he's changing. Yeah,
• 43:56
  Speaker 1: what year.
• 43:56
  Speaker 2: Is this, Jamie? Yeah? Oh wow, wow, look at that thing.
• 44:03
  Speaker 1: Back up a little bit, get here and slight excellent
• 44:18
  Speaker 1: and wow, yeah it's in this. Okay, we're going to
• 44:23
  Speaker 1: do this metamorphosis on Michael Jackson.
• 44:25
  Speaker 2: So for Color.
• 44:26
  Speaker 5: Zero did these overlays on acetate.
• 44:31
  Speaker 2: First, we had to paint out the rolling stone.
• 44:33
  Speaker 1: And all that. It's like does that exist still?
• 44:35
  Speaker 3: Like, how would would they create this sort of like
• 44:38
  Speaker 3: image to even do this anymore?
• 44:39
  Speaker 2: He's got a wig on, he would full face phone
• 44:42
  Speaker 2: number appliance.
• 44:43
  Speaker 6: We're going to have bladders and little mechanics.
• 44:56
  Speaker 1: Yeah, this was actually kind of shitty, dude, This was
• 44:58
  Speaker 1: a shitty to do to kids. Miley Cyrus punching her
• 45:01
  Speaker 1: fucking pussy on the MTV Awards that one year. Oh
• 45:05
  Speaker 1: my god, that my daughter, My daughter was right in
• 45:08
  Speaker 1: the wheelhouse of being a Hannah Montana fan. And then
• 45:12
  Speaker 1: one year we were watching the MTV Awards and she's
• 45:14
  Speaker 1: like Miley Cyrus. She came out Robin Thick and she
• 45:17
  Speaker 1: just kept pading like number one finger and she keeps
• 45:19
  Speaker 1: like ram in it in her snatch and and I
• 45:21
  Speaker 1: was like, oh hey, And then I became a Miley
• 45:25
  Speaker 1: Cyrus fan and my daughter was not allowed to be
• 45:28
  Speaker 1: a fan anymore. Yeah, that was a like borderline. Good.
• 45:34
  Speaker 1: Movie was a thriller. Yeah, it's what.
• 45:37
  Speaker 3: It's like twenty minutes that.
• 45:39
  Speaker 2: Scene, the transformation scene when he turns around his eyes.
• 45:44
  Speaker 1: So good.
• 45:45
  Speaker 2: It's fucking amazing.
• 45:46
  Speaker 1: It's so funny, like Michael Jackson is like the one
• 45:49
  Speaker 1: guy who like, it's basically confirmed that he fucked kids, Like.
• 45:52
  Speaker 2: It's I don't think that's not confirmed?
• 45:54
  Speaker 3: No, is it not confirmed?
• 45:56
  Speaker 2: Hold on, let's watch this. I'll definitely want to talk
• 45:58
  Speaker 2: about it. I thought this out for so.
• 46:12
  Speaker 1: It's happy for a kid.
• 46:19
  Speaker 3: Oh so she would have already run.
• 46:21
  Speaker 1: She's screaming for sullying me. Aw all Array, the girl
• 46:44
  Speaker 1: plays the girl. Fun fact, you got him screaming all Array.
• 46:49
  Speaker 1: Fun fact. I did it a Playboy full Bush.
• 46:53
  Speaker 2: Wow, full Bush. It's funny because this is so corny today,
• 46:59
  Speaker 2: but back then it was like legitimately good. We were like, wow,
• 47:03
  Speaker 2: that looks so real. People are so dumb with the eighties.
• 47:08
  Speaker 2: We were like, that looks so real. This whole scene
• 47:13
  Speaker 2: where it goes from that to like him being a zombie,
• 47:17
  Speaker 2: fucking amazing.
• 47:18
  Speaker 1: Man.
• 47:18
  Speaker 2: It was like a movie and a good one and
• 47:22
  Speaker 2: he's dancing. I know, we can't play the music.
• 47:27
  Speaker 1: Really didn't think it was cool. Did you find the
• 47:28
  Speaker 1: screaming about Jamie? Sorry?
• 47:30
  Speaker 2: Man, this is just scooch up to where he becomes
• 47:36
  Speaker 2: a zombie.
• 47:41
  Speaker 1: Yeah, he's betrayed her twice in this video.
• 47:43
  Speaker 2: I know it's men.
• 47:45
  Speaker 1: They are real problems. And then the message of this is.
• 47:50
  Speaker 3: That the most famous dance ever.
• 47:52
  Speaker 2: Yeah, it has to be.
• 47:53
  Speaker 1: I used to it from my great grandmother, sell My Eisenstein.
• 47:55
  Speaker 1: She didn't love it.
• 47:56
  Speaker 2: There's probably some sort of conspiracy.
• 47:58
  Speaker 1: But this part, though, I could still nail today.
• 48:01
  Speaker 3: There's no room in here.
• 48:02
  Speaker 1: Please here? What you do that far.
• 48:13
  Speaker 2: Ship the thriller Dan, I always thought that.
• 48:16
  Speaker 1: By the way, this is this is the story of
• 48:18
  Speaker 1: this is He He betrays her twice in the movie.
• 48:20
  Speaker 1: He lures her out when he knows it's going to
• 48:22
  Speaker 1: be a full moon, turns no wareolf and hunts it's
• 48:24
  Speaker 1: better to be a third time. By the way, no exactly,
• 48:26
  Speaker 1: She goes for it. In two seconds. He goes, hey,
• 48:29
  Speaker 1: what's going on? She goes, oh, I must be crazy,
• 48:31
  Speaker 1: and then he fools her yet again.
• 48:33
  Speaker 2: Third.
• 48:34
  Speaker 1: At this point she deserves whatever she gets.
• 48:36
  Speaker 2: That's how the devil works. Big Jay.
• 48:39
  Speaker 1: By the way, inconsistency, he doesn't turn back into the zombie.
• 48:43
  Speaker 1: He's now going to be the werewolf from the movie Weird.
• 48:46
  Speaker 1: You know.
• 48:46
  Speaker 2: Yeah, it's a lot of different things.
• 48:48
  Speaker 1: He threw a lot at you and then Vincent Price,
• 48:51
  Speaker 1: so he didn't fuck kids, So he's confirmed. But I'll
• 48:55
  Speaker 1: tell you what's why that's good.
• 48:58
  Speaker 2: You know the doctor that went to jail for providing
• 49:01
  Speaker 2: him with that propa fall that that doctor said that
• 49:05
  Speaker 2: he was chemically castrated when he was young, which is
• 49:08
  Speaker 2: why he kept that voice. Which also it kind of
• 49:11
  Speaker 2: makes sense when you look at his physique, right, because
• 49:14
  Speaker 2: he was like very slight, and if you look at
• 49:16
  Speaker 2: his brothers, they're all like way bigger guys. I don't
• 49:19
  Speaker 2: know if the doctor's telling the truth, but if he was,
• 49:22
  Speaker 2: that's not an unprecedented thing. They used to do that.
• 49:25
  Speaker 2: They used to do that with opera singers. They used
• 49:27
  Speaker 2: to do that with opera singers. It's called a castrata.
• 49:30
  Speaker 1: Yeah, but I don't think either that there's there's like,
• 49:33
  Speaker 1: uh like anal sex accusations on him or stuff like that.
• 49:38
  Speaker 1: I just like touching, and yeah, it was.
• 49:41
  Speaker 2: Like it could be inappropriate behavior. First of all, he
• 49:46
  Speaker 2: became famous for me, was like six years old and
• 49:47
  Speaker 2: became like the most famous person ever. Like you're gonna
• 49:50
  Speaker 2: get fucked up.
• 49:51
  Speaker 1: Yeah, it's like suspended.
• 49:52
  Speaker 3: You see it with suspended childhood with you know.
• 49:55
  Speaker 1: Britney Spears now and uh who else is the other
• 49:58
  Speaker 1: one that's kind of going crazy.
• 49:59
  Speaker 3: Oh, Ariana Grande. She's like, if you watch interviews with
• 50:01
  Speaker 3: her now, she is going to be a whackydoodle Michael
• 50:04
  Speaker 3: Jackson Britney Spears type in the future, guaranteed. She's like
• 50:07
  Speaker 3: all like she's she talks like a fairy.
• 50:09
  Speaker 1: It's crazy.
• 50:10
  Speaker 2: Well I saw that one where with her with the
• 50:12
  Speaker 2: other lady from Wicked were like a bunch and then
• 50:14
  Speaker 2: there was a lesbian saying, you guys are holding space,
• 50:16
  Speaker 2: and everyone's like, you see.
• 50:22
  Speaker 1: There's a did you see a lady? There was some
• 50:24
  Speaker 1: backlash because a lady made like a mock up. I
• 50:28
  Speaker 1: guess the Wicked playbill.
• 50:30
  Speaker 2: Wicked is really good, by the way, great movies, amazing,
• 50:34
  Speaker 2: and that lady the other but what's her name?
• 50:40
  Speaker 1: Wow? You knew Alredana Grande? Wow? Wow? Wild appropriate. I
• 50:45
  Speaker 1: call her nose ringbald had.
• 50:48
  Speaker 2: That's her Indian name.
• 50:51
  Speaker 1: I call her nose ringbald hid. Oh my god, but
• 50:55
  Speaker 1: she there was a so the playbill for the movie
• 50:57
  Speaker 1: on or the show on Broadway is a silhouette of
• 51:02
  Speaker 1: the Wicked Witch. And I guess Glenda like whispering in
• 51:06
  Speaker 1: the ear, but like really covering the face her own face.
• 51:10
  Speaker 1: In the movie poster, it's clearly Ariana Grande whispering to
• 51:14
  Speaker 1: the ear of the lady who plays a nose ring
• 51:17
  Speaker 1: bald head. And then a lady made a mockup of
• 51:21
  Speaker 1: the movie poster as the playbill, so like shadowed out
• 51:25
  Speaker 1: the the witch and you know, moved Ariana Grande's hand
• 51:29
  Speaker 1: to like cover the face. And it got all this
• 51:31
  Speaker 1: backlash because that lady was like, uh, I'm a proud
• 51:34
  Speaker 1: black woman, you cover my face in this thing. And
• 51:36
  Speaker 1: she was like, no, I was just making it like that,
• 51:38
  Speaker 1: and then she got all this backlash and she removed
• 51:41
  Speaker 1: the post. Eventually, Oh boy, she'd like take it down
• 51:43
  Speaker 1: for like a thing. She was like, I just thought
• 51:44
  Speaker 1: it was a fun mock up to make the movie
• 51:46
  Speaker 1: poster look like the playbill. And it's like once again
• 51:50
  Speaker 1: putting a black woman in the background. I don't know
• 51:53
  Speaker 1: if that's what was going on there. Yeme on nose
• 51:55
  Speaker 1: ring bald head, Well, here's the thing. Sain't the way
• 51:58
  Speaker 1: you're supposed to a nose ring bald head everyone the movie.
• 52:01
  Speaker 2: In order for you to act in that style as
• 52:04
  Speaker 2: well as they did, you got to be a little crazy.
• 52:07
  Speaker 2: You're gonna pretend you're a fucking witch and you're flying
• 52:09
  Speaker 2: around destroying everything and you're doing it really well. You're
• 52:12
  Speaker 2: probably a little kookie. And if you want that talented,
• 52:15
  Speaker 2: you're gonna get kookie. And if you give Kookie the
• 52:18
  Speaker 2: reins to, you know, to do those Kookie interviews where
• 52:21
  Speaker 2: they're talking about holding space and like that was.
• 52:24
  Speaker 3: Kind of like we grew up at a time where
• 52:25
  Speaker 3: it's like you'd hear about like a director like coming
• 52:28
  Speaker 3: in and like assaulting an actress in order to get
• 52:31
  Speaker 3: the scene adverts in the face, like all right, action,
• 52:38
  Speaker 3: Steph McQueen.
• 52:39
  Speaker 2: Did that to uh whatever. The woman he was dating
• 52:42
  Speaker 2: in that movie. There's a scene where she didn't know
• 52:45
  Speaker 2: that he was going to hit her and he just
• 52:47
  Speaker 2: starts smacking her around and it's what it was, her
• 52:49
  Speaker 2: name Ali Ali McGraw and I think they were dating
• 52:53
  Speaker 2: at the time, and he smacks the shit out of.
• 52:56
  Speaker 3: Her like for real, for real, to get the shot.
• 52:59
  Speaker 2: Yeah, look at this.
• 53:03
  Speaker 1: She used to turn up in Celebrity Sloops magazine when
• 53:06
  Speaker 1: I was young. Her big nips.
• 53:08
  Speaker 2: Bro, he's really slapping her. This is real, and so
• 53:11
  Speaker 2: she's actually really freaking out because he just beat her
• 53:16
  Speaker 2: in front of the cameras.
• 53:17
  Speaker 1: This is acting. This is what.
• 53:21
  Speaker 2: Was that in? Translated in Russia, it's.
• 53:26
  Speaker 3: Like a famous scene, like uh, it was like Russian
• 53:30
  Speaker 3: the little kid who's like crying on the porch.
• 53:32
  Speaker 1: Russia, Russian and Russia is the story of triumph.
• 53:34
  Speaker 2: But I was like, why do those slaps sound fake?
• 53:40
  Speaker 2: He gave a Russian version with dub sound too. That
• 53:44
  Speaker 2: sound was terrible. It's like wooden box with a bat
• 53:49
  Speaker 2: Jesus Christ. But yeah, he smacked the ship out of
• 53:52
  Speaker 2: her for real. In that scene.
• 53:53
  Speaker 3: There was the scene where I don't know what movie was,
• 53:55
  Speaker 3: but it's a little kid who's crying on a porch
• 53:57
  Speaker 3: and the director told the kid that they're like their
• 54:00
  Speaker 3: parents were dead or something. Maybe they're told them that
• 54:02
  Speaker 3: their pet was dead or whatever to get the kid crying.
• 54:05
  Speaker 3: But it's like that was great movie making, that was real.
• 54:08
  Speaker 1: Yeah, that's the Stanley Kubrick and what's your name? When
• 54:12
  Speaker 1: we played Wendy in The Shining, was she ever naked
• 54:15
  Speaker 1: or anything? No, nobody wouldn't. He would like be shitty
• 54:21
  Speaker 1: to her to get her like all frazzled. She talked
• 54:23
  Speaker 1: about a famously in interviews. She didn't like it at
• 54:25
  Speaker 1: all and she doesn't look back on it like, oh
• 54:27
  Speaker 1: we did, we had to get the movie. She was like,
• 54:28
  Speaker 1: I think he's a bad person.
• 54:31
  Speaker 2: Christ didn't she retire? She like was like yeah, yeah, yeah,
• 54:35
  Speaker 2: I did a few more movies.
• 54:36
  Speaker 5: And like this.
• 54:37
  Speaker 1: Yeah. Basically you could play Olive Oil or scared lady
• 54:39
  Speaker 1: who lives in a tucked away winter. Yeah.
• 54:42
  Speaker 3: I just saw her and something recently. Did she die recently?
• 54:45
  Speaker 1: Yeah?
• 54:45
  Speaker 3: Yeah, yeah, but she's yes, she's it was like a
• 54:47
  Speaker 3: crazy old woman now like yeah, she's missing a tooth.
• 54:50
  Speaker 3: Oh yeah, it was good. Poor women, we just get
• 54:54
  Speaker 3: better with age.
• 54:55
  Speaker 2: Women fall apart business that business, certain number of jobs
• 55:01
  Speaker 2: for old ladies, and Faye Dunaway takes all of them.
• 55:03
  Speaker 1: Well, I'm trying to think of like the most contemporary
• 55:08
  Speaker 1: I could think of, like change and seeing somebody go
• 55:10
  Speaker 1: from like couldn't do no wrong, gorgeous to like a
• 55:13
  Speaker 1: lady that is Pam Anderson. She's still a good job
• 55:17
  Speaker 1: at it, like Meryl Streep. No, no, she's doing she's
• 55:20
  Speaker 1: actually doing a great job. But there was a like
• 55:22
  Speaker 1: a out of the limelight for a while and then
• 55:24
  Speaker 1: showing back up major difference in her looks. Right, she
• 55:29
  Speaker 1: gave up on makeup, well she but you know she
• 55:31
  Speaker 1: left the public spotlight like kid Rock's girlfriend and then
• 55:34
  Speaker 1: came back like a grandmother. Age appropriate.
• 55:37
  Speaker 3: Yeah, yeah, I think they should be age appropriate. You
• 55:39
  Speaker 3: see like Dolly Parton now and she looks like just
• 55:41
  Speaker 3: like she still looks like she's thirty five years old.
• 55:44
  Speaker 3: Really well it's crazy dressing, no, of course, but it's
• 55:47
  Speaker 3: like she's like still stuck in this like sort of
• 55:49
  Speaker 3: like big hair and makeup and like big fat titties.
• 55:52
  Speaker 1: And like she comes from fucking way like sixties and shit,
• 55:56
  Speaker 1: like you're four years old, just get old already.
• 56:00
  Speaker 2: So I think if the thing is, if you're a
• 56:01
  Speaker 2: woman and you a lot of like the value that
• 56:07
  Speaker 2: you bring to a conversation is that you're unbelievably beautiful,
• 56:12
  Speaker 2: Like people are excited to talk to you, and then
• 56:14
  Speaker 2: whatever else you have to say is just a bonus
• 56:16
  Speaker 2: on top of it. But if you're really hot, people
• 56:19
  Speaker 2: just want to talk to you, and then you get
• 56:21
  Speaker 2: to a point in your life where that just stops.
• 56:24
  Speaker 2: So like your life's focus has been about being attractive,
• 56:28
  Speaker 2: looking great, you know, being really fit, looking hot. So
• 56:31
  Speaker 2: you walk in the room. Oh my god, look at her.
• 56:32
  Speaker 2: She's a firecracker. And then that just goes away. And
• 56:36
  Speaker 2: if your whole life is based on just that one
• 56:38
  Speaker 2: thing and you don't pivot to something else, like Okay,
• 56:41
  Speaker 2: let's just find a hobby, let's just find some other
• 56:44
  Speaker 2: let's just try not to be hot at eighty.
• 56:48
  Speaker 1: You know, did you see the substance? That's kind of
• 56:50
  Speaker 1: the substance. That was great, great movie, but it's so funny,
• 56:54
  Speaker 1: like a you know whatever the message of the movie was.
• 56:57
  Speaker 1: What got me was like by the end of it,
• 56:59
  Speaker 1: like she was bad looking at all. You know, she
• 57:01
  Speaker 1: looked really great for her age, but she still just
• 57:03
  Speaker 1: didn't want that at all.
• 57:04
  Speaker 2: There's a few ladies who aged gracefully, like Julia Roberts
• 57:06
  Speaker 2: is agent gracefully.
• 57:09
  Speaker 1: Yeah, I haven't seen her in a minute, Meryl.
• 57:11
  Speaker 2: Streep aged gracefully.
• 57:13
  Speaker 1: It's just Helen Mirren.
• 57:15
  Speaker 2: But then you look over it at uh uh Chris
• 57:20
  Speaker 2: Kardashian or what do you call her, No, yeah, Chris Kardashian.
• 57:24
  Speaker 1: They're getting like, uh, well, apparently there's a new surgery
• 57:27
  Speaker 1: that fixes your shitty surgery in Hollywood. So she looks
• 57:31
  Speaker 1: good again. That's what they did to her. She looks
• 57:34
  Speaker 1: like good right, yes, and that's a big change.
• 57:37
  Speaker 2: And everybody's freaking out, Oh my god, you got a
• 57:39
  Speaker 2: new head, and all these other ladies want a new
• 57:41
  Speaker 2: head too.
• 57:42
  Speaker 1: Yeah, the difference. I haven't seen this one, but I
• 57:45
  Speaker 1: know the daughters like if you watch, like, no, no, no, no,
• 57:49
  Speaker 1: no no, this one's crazy.
• 57:50
  Speaker 2: This is the crazy.
• 57:51
  Speaker 1: She looks like a sister.
• 57:54
  Speaker 3: Kelly Osborne. Kelly Osbourne has a new head. Kelly Osbourne
• 57:57
  Speaker 3: is a new human being. Because I just want an
• 57:59
  Speaker 3: interview with her after her that died. She's like, literally
• 58:02
  Speaker 3: just like a hot check. Now she was a frumpy,
• 58:05
  Speaker 3: square body British who like you. I thought she was cute,
• 58:10
  Speaker 3: but that's cutterer than you. But I thought I could
• 58:12
  Speaker 3: get her.
• 58:14
  Speaker 2: But yeah, she looks like a totally new human being.
• 58:16
  Speaker 1: Yeah, completely new. Where were you looking up? Chris Jenner?
• 58:21
  Speaker 2: Chris Jenner, She's I want to know how old she
• 58:24
  Speaker 2: is as well. So when you look at those kind
• 58:29
  Speaker 2: of results, you're like, Okay, now I get it. Now
• 58:33
  Speaker 2: I get it because before I was like, you guys
• 58:37
  Speaker 2: have to perfect this before you you turn everybody into
• 58:40
  Speaker 2: a lizard. Yeah, you're doing a weird thing. So like,
• 58:43
  Speaker 2: look that's what she looks like. Now, what are you
• 58:46
  Speaker 2: talking about? This can't be real. Christ of all. I
• 58:49
  Speaker 2: want to know who took this picture and where'd you
• 58:52
  Speaker 2: get your camera? What filters are using? Is that a
• 58:55
  Speaker 2: filterless photo? Because that's insane? Yeah, she looked great, insanely good?
• 59:01
  Speaker 2: Is she a thousand years old?
• 59:03
  Speaker 1: Sixty nine? Toy?
• 59:05
  Speaker 2: See like that's incredible whatever that doctor did.
• 59:10
  Speaker 3: Yeah, if you're that rich, you know what's that weird?
• 59:13
  Speaker 3: The average the average person can't afford.
• 59:15
  Speaker 2: This, Captain, blue collar, settled down, settle the fuck down.
• 59:19
  Speaker 2: We're working with science here, not equity.
• 59:22
  Speaker 1: Have the chicks are taking a chicks taking the pads
• 59:25
  Speaker 1: out of their cheeks.
• 59:26
  Speaker 2: Oh jesus, yeah, the crazy Look what is it called crazy?
• 59:31
  Speaker 1: Idea?
• 59:31
  Speaker 2: Buckle? Fat?
• 59:32
  Speaker 1: What is it called buckle? Yeah, it's just a it
• 59:36
  Speaker 1: sounds like something so scary to do, God damn it. Yeah.
• 59:40
  Speaker 1: It takes a fucking shat of your face.
• 59:41
  Speaker 2: See like, but most plastic surgery, I say, oh that
• 59:44
  Speaker 2: doesn't look better, But with Chris Jenner that looks bad.
• 59:47
  Speaker 1: I think this is a specific thing that's happened. There's
• 59:49
  Speaker 1: a there's some new surgery. It's a correcting shitty surgery.
• 59:53
  Speaker 1: And a few people you can see are weirdly looking
• 59:55
  Speaker 1: better now. Maybe Nicole Kidman like got fixed up a
• 59:57
  Speaker 1: little bit.
• 59:58
  Speaker 2: Yeah, bro, who knows where what they're doing.
• 1:00:00
  Speaker 3: I'm gonna get fucking fake abs if you see those
• 1:00:04
  Speaker 3: the ab implants.
• 1:00:04
  Speaker 1: Yeah, I've always held that crowdsource if my audience will
• 1:00:07
  Speaker 1: pay for it, a fat ass.
• 1:00:08
  Speaker 2: Most of what they're doing is they're sucking out the
• 1:00:10
  Speaker 2: fat in between the ABB muscles to make them like
• 1:00:13
  Speaker 2: look like this.
• 1:00:14
  Speaker 1: Oh really, it's a it's LiPo around the really actual implants. No,
• 1:00:18
  Speaker 1: what it really actually is is fat rolls. They just
• 1:00:20
  Speaker 1: fucking right sort of right.
• 1:00:22
  Speaker 2: No, No, some people can get implants, Like there's that
• 1:00:26
  Speaker 2: one guy that did his whole body like a ken doll.
• 1:00:28
  Speaker 2: Do you know about that guy? I always had like
• 1:00:30
  Speaker 2: a ton of implants all over his shoulders and he
• 1:00:33
  Speaker 2: looks crazy, legitimately crazy. I think maybe some people are
• 1:00:37
  Speaker 2: doing with their apps what a lot of people are doing.
• 1:00:39
  Speaker 2: It's just a LiPo section sculpture. Yeah, etching, that's what
• 1:00:43
  Speaker 2: they call it.
• 1:00:44
  Speaker 3: There's like you get all these things now for like,
• 1:00:46
  Speaker 3: because women have had like spanks forever and like just
• 1:00:49
  Speaker 3: body shaping, like things to wear under their clothes and
• 1:00:51
  Speaker 3: they'll like they'll advertise them for dudes. I don't know
• 1:00:54
  Speaker 3: if I could wear like spanks to suck in my body.
• 1:00:58
  Speaker 1: I cannot possibly dream of a situation and taking my
• 1:01:00
  Speaker 1: clothes off in front of a woman and her having
• 1:01:02
  Speaker 1: to watch me like spill out of a shirt. Like
• 1:01:06
  Speaker 1: with every like inch I take off, like things just
• 1:01:08
  Speaker 1: like start expanding. So I got like a vacuum sealed.
• 1:01:12
  Speaker 3: I have really bad posture, right, and there's a few
• 1:01:14
  Speaker 3: things that I've gotten to help with my pasture. One
• 1:01:16
  Speaker 3: of them is like a thing that you stick to
• 1:01:17
  Speaker 3: your back and if you lean down, a little bit
• 1:01:19
  Speaker 3: of buzzes and you correct yourself like like vibrate dog.
• 1:01:23
  Speaker 1: Yeah, like a dog. But another one that I had
• 1:01:26
  Speaker 1: was a harness. Harness and essentially, oh my god, it's
• 1:01:29
  Speaker 1: all like a dog stuff. I going up to a
• 1:01:32
  Speaker 1: runner ound back and I can zoom all around with
• 1:01:35
  Speaker 1: no fear getting hit by a collar that doesn't him
• 1:01:38
  Speaker 1: leave his yard.
• 1:01:40
  Speaker 3: Every time I every time I slouch and I get shocked.
• 1:01:43
  Speaker 1: Now there's a harness that you wear and it pulls
• 1:01:46
  Speaker 1: your shoulders back like this, right, that yeah, yeah, but
• 1:01:49
  Speaker 1: I got that, and I was like, this one is
• 1:01:50
  Speaker 1: actually pretty good because it corrects your posture naturally.
• 1:01:53
  Speaker 3: And I remember I went on a date with a
• 1:01:54
  Speaker 3: girl and I hugged her and.
• 1:01:55
  Speaker 1: She goes, are you wearing your bra? And I was like, oh,
• 1:02:01
  Speaker 1: I'd rather have shitty posture than be accused of wearing
• 1:02:04
  Speaker 1: a bad hilarious are you wearing? Did you break off
• 1:02:10
  Speaker 1: of a school trip or you were connected to other kids?
• 1:02:13
  Speaker 1: Oh my god?
• 1:02:15
  Speaker 3: Yeah, Just guys, there's there's nothing it's like being bald
• 1:02:18
  Speaker 3: and wearing a hat. Like, girls don't they'd rather just
• 1:02:21
  Speaker 3: be bald. Women don't want an unconfident man, like I don't.
• 1:02:25
  Speaker 3: Men don't really give a shit about women's confidence as much.
• 1:02:28
  Speaker 1: I guess as a hatreak of lack of confidence if
• 1:02:31
  Speaker 1: you're all the time. Yeah, but a heck is a
• 1:02:35
  Speaker 1: look I think almost. Yeah.
• 1:02:36
  Speaker 2: But the hat also, a hat will cover up your baldness.
• 1:02:41
  Speaker 3: I used to at the beginning because I was going
• 1:02:44
  Speaker 3: bald when I was like nineteen, I was wearing the
• 1:02:46
  Speaker 3: hat because you're going bald, like starting to see like
• 1:02:48
  Speaker 3: the pattern if you shave your head down, A hat's
• 1:02:50
  Speaker 3: just like if.
• 1:02:51
  Speaker 2: You want your head down if you already have a
• 1:02:53
  Speaker 2: shaved head.
• 1:02:54
  Speaker 1: But wearing it to hide like receding hair.
• 1:02:56
  Speaker 3: When I was like nineteen, I started going bald, and
• 1:02:58
  Speaker 3: I would wear a hat all the time, all the
• 1:03:00
  Speaker 3: time before I started shaving my head down.
• 1:03:01
  Speaker 1: I've seen that before. Somebody who wears a hat is
• 1:03:03
  Speaker 1: like their look, and then one day they take it off,
• 1:03:05
  Speaker 1: like fucking riff raff from Rocky Horroringly.
• 1:03:09
  Speaker 2: There's a new drug. Where's the drug developed?
• 1:03:12
  Speaker 1: Was it? Was it Taiwan?
• 1:03:15
  Speaker 2: There's some some country developed a drug that's regrowing hair
• 1:03:19
  Speaker 2: like they put it on bald mice and they demonstrated
• 1:03:23
  Speaker 2: you could put it on like a square area. Let's
• 1:03:25
  Speaker 2: do it his body. I think I like being bald.
• 1:03:31
  Speaker 2: Even if it grew back, I'd keep it super short.
• 1:03:34
  Speaker 2: I'd just keep it s double.
• 1:03:35
  Speaker 3: Let's see twenty days it grows it back.
• 1:03:38
  Speaker 2: Twenty days, raising questions about what the finding means for
• 1:03:41
  Speaker 2: the treatment of human baldness. But if I had a
• 1:03:44
  Speaker 2: fucked up looking ahead, like if I had a flathead,
• 1:03:46
  Speaker 2: I definitely want some hair back there.
• 1:03:48
  Speaker 1: Like you go back that article for a second, there's
• 1:03:51
  Speaker 1: a certain look that doesn't work.
• 1:03:52
  Speaker 2: With a seeing that crazy look, they grew like a square.
• 1:03:56
  Speaker 2: What part do you want to see?
• 1:04:00
  Speaker 1: You see something?
• 1:04:01
  Speaker 2: Mm hmmm.
• 1:04:03
  Speaker 1: So I was a doctor, That's what it was. This
• 1:04:06
  Speaker 1: guy may have figured out how to regrow hair in
• 1:04:09
  Speaker 1: people's life, and still as Americans, we can't just we're
• 1:04:13
  Speaker 1: not going to learn doctor sung Yaan. We have to
• 1:04:16
  Speaker 1: call him Jerry, call him Jerry, this American sung Gong.
• 1:04:21
  Speaker 1: What oh Jerry, Yeah, Jerry. Yeah, he solved baldness. Learn
• 1:04:26
  Speaker 1: his name.
• 1:04:27
  Speaker 2: Yeah, that that is funny.
• 1:04:30
  Speaker 1: Yeah, I would Uh, I just looked better bald.
• 1:04:32
  Speaker 3: When I had hair was like kind of nappy and
• 1:04:34
  Speaker 3: kinky and fucking Yeah, it wasn't good.
• 1:04:36
  Speaker 1: You look to try again, though, I mean for the
• 1:04:40
  Speaker 1: for the just for the story and the hilarity of
• 1:04:43
  Speaker 1: growing my hair back. That's fucking hilariously handsome. I look now,
• 1:04:49
  Speaker 1: look at the bit guys. Oh my god, guys have
• 1:04:54
  Speaker 1: put carat in. It isn't that funny. It's shimmers in
• 1:04:57
  Speaker 1: the light.
• 1:04:58
  Speaker 2: You can get a mohawk, spider it.
• 1:05:00
  Speaker 1: Up with wax.
• 1:05:01
  Speaker 3: I tried to do a moment in the sixth grade.
• 1:05:04
  Speaker 3: I tried to do a mohawk. I did two gay
• 1:05:05
  Speaker 3: haircut cuts in the sixth grade. My mom was in
• 1:05:07
  Speaker 3: hairdressing school, so she didn't have to cut hair yet.
• 1:05:09
  Speaker 3: She was just like practicing on me. And the one
• 1:05:12
  Speaker 3: was a mohawk that went like it was just not straight,
• 1:05:14
  Speaker 3: like down the side of my head like this. And
• 1:05:17
  Speaker 3: then the other one was, uh remember tongue po how
• 1:05:19
  Speaker 3: he had like the braid in the back.
• 1:05:21
  Speaker 2: Of his head hary prosco like that for a while.
• 1:05:24
  Speaker 1: Yeah, he did, Yeah, had that. So I saw that.
• 1:05:27
  Speaker 1: I was like, dude, that's really cool. I was like,
• 1:05:28
  Speaker 1: what I want to do though, because my hair was
• 1:05:30
  Speaker 1: like long, I was like, I want to have the
• 1:05:31
  Speaker 1: braid in the front like that, like long. That was
• 1:05:34
  Speaker 1: the idea and in my mind though, eventually I would
• 1:05:36
  Speaker 1: grow it long enough that I would attach it like
• 1:05:38
  Speaker 1: a sword, a blade to it. Yeah. The weapon would
• 1:05:43
  Speaker 1: be my friend Lewis Jakoma the Jays for Flying Bey.
• 1:05:48
  Speaker 3: And I remember I had my mom shaved my head
• 1:05:50
  Speaker 3: down except for this one spot, and then it my
• 1:05:54
  Speaker 3: hair it wasn't really long enough to braid and it
• 1:05:56
  Speaker 3: was very poofy, So my hair was just a poofball
• 1:05:59
  Speaker 3: right on the front of my head like this.
• 1:06:00
  Speaker 1: Because you're gonna go your tongue post.
• 1:06:02
  Speaker 3: I was gonna grow my tongue poth thing and the
• 1:06:03
  Speaker 3: fore I showed up in the sixth grade and this kid,
• 1:06:05
  Speaker 3: Paul Tamanty, was like, bro, your hair.
• 1:06:06
  Speaker 1: Is gay, and then you're not going to be a
• 1:06:08
  Speaker 1: part of the Lou Tang clan.
• 1:06:10
  Speaker 3: I just started punching him because there was nothing else
• 1:06:14
  Speaker 3: that I do because I knew he was one hundred
• 1:06:15
  Speaker 3: percent right, and I snoof ahead, dick face.
• 1:06:18
  Speaker 2: How much time did you give yourself to grow something
• 1:06:20
  Speaker 2: long enough where you could actually use it as a
• 1:06:22
  Speaker 2: weapon rather than just scrape across your forehead, Because let's
• 1:06:26
  Speaker 2: it's got to grow if you're gonna really make and
• 1:06:29
  Speaker 2: you're gonna put a blade on the end.
• 1:06:31
  Speaker 1: I was in the sixth grade. In my mind, by
• 1:06:32
  Speaker 1: the time I got to the tenth grade, it would
• 1:06:34
  Speaker 1: be perfect blade. Wow, dude, that's patience.
• 1:06:37
  Speaker 2: Were you going to train with it or you just
• 1:06:39
  Speaker 2: gonna like hope that when time comes you're not to cut.
• 1:06:41
  Speaker 1: People or something like that. Just hook it up and
• 1:06:45
  Speaker 1: let it fly.
• 1:06:46
  Speaker 2: It's in your jeans.
• 1:06:47
  Speaker 1: Brouse a doodle character, and I used to doodle myself.
• 1:06:50
  Speaker 1: You know. It's a karate class Asian superhero with fucking
• 1:06:55
  Speaker 1: a blade. You didn't go face kill it tic lessons, dude.
• 1:06:59
  Speaker 2: He just lived that those kung fu movies When I
• 1:07:02
  Speaker 2: was a kid, Like we used to go to Chinatown
• 1:07:04
  Speaker 2: and watch kung fu movies. There was kung fu theaters
• 1:07:06
  Speaker 2: where you could go watch them, and it was the
• 1:07:10
  Speaker 2: like those kind of movies are the most unrealistic fight
• 1:07:13
  Speaker 2: movies in the history of fight movies. It's like weird
• 1:07:16
  Speaker 2: how they decided that that was gonna be like a
• 1:07:20
  Speaker 2: fight in a movie, which that doesn't look like any
• 1:07:22
  Speaker 2: kind of fight in any real situation, like a mosh
• 1:07:25
  Speaker 2: pit at a Pantera show. That turns out that's what
• 1:07:27
  Speaker 2: a fight looks like.
• 1:07:28
  Speaker 1: It was like like Bruce Lee was like applicable, yeah, but.
• 1:07:32
  Speaker 2: Bruce Bruce Lee was very different than those Chinese kung
• 1:07:35
  Speaker 2: fu movies. Bruce Lee was just a martial artis fucking
• 1:07:38
  Speaker 2: people up those Chinese kung fu movies.
• 1:07:40
  Speaker 1: It was like it was like it just starting in positions.
• 1:07:44
  Speaker 1: Why would you even start like that?
• 1:07:46
  Speaker 3: You would convince yourself that you could beat up five
• 1:07:48
  Speaker 3: guys at once to be like all right, I got it.
• 1:07:49
  Speaker 3: I just have to make sure that I have your
• 1:07:51
  Speaker 3: stats everything, dude. When Technic came out. You were like, Oh,
• 1:07:54
  Speaker 3: if I ever get a street fight, now, I'm going
• 1:07:56
  Speaker 3: full Eddie Gordo. Yeah, I don't have any kind of
• 1:07:58
  Speaker 3: flying kicks or anying, but I'm definitely gonna have a
• 1:08:00
  Speaker 3: lot of hands down by my side dancing.
• 1:08:02
  Speaker 2: But there's like I don't way no no, not a
• 1:08:04
  Speaker 2: weird tongue in cheek aspect to Chinese kung fu movies,
• 1:08:08
  Speaker 2: Like they're kind of serious but kind of not because
• 1:08:10
  Speaker 2: everybody knows it wouldn't really work like that. You know,
• 1:08:13
  Speaker 2: they're the only ones that had that like all of
• 1:08:16
  Speaker 2: their fault. Like you never see like a Western with
• 1:08:19
  Speaker 2: like a kind of a corny choreographed fight scene between
• 1:08:22
  Speaker 2: guys in a bar.
• 1:08:23
  Speaker 1: They didn't get fighting in until recently.
• 1:08:26
  Speaker 3: They didn't really nail fighting in movies, right because like
• 1:08:29
  Speaker 3: he like boxing movies even to.
• 1:08:32
  Speaker 1: This day, it really doesn't look real.
• 1:08:33
  Speaker 2: I tell you who did it well is Daniel da
• 1:08:35
  Speaker 2: Lewis in that movie The Fighter.
• 1:08:38
  Speaker 1: He did it well.
• 1:08:39
  Speaker 2: He did it well, and he actually trained as a
• 1:08:41
  Speaker 2: boxer for a full year before the film, like obsessed
• 1:08:44
  Speaker 2: the Fight, not The Fighter. Yeah, it's about the IRA
• 1:08:47
  Speaker 2: guy that was in jail that gets out of jail.
• 1:08:49
  Speaker 2: What is it called?
• 1:08:50
  Speaker 1: Is that what it's called Jamie the Fighter is I
• 1:08:52
  Speaker 1: think that that's the Mickey Ward one? Okay?
• 1:08:54
  Speaker 2: Which one is the the Boxer? Is that what it's called?
• 1:08:57
  Speaker 2: What's the Daniel d Lewis movie Lincoln?
• 1:09:01
  Speaker 3: It was Lincoln.
• 1:09:01
  Speaker 1: You're thinking of my left foot?
• 1:09:04
  Speaker 2: Yeah, it is the Boxer. Okay. So in The Boxer
• 1:09:08
  Speaker 2: he plays his IRA A guy, but it was an
• 1:09:10
  Speaker 2: IRA guy right either way? Looks very realistic, Like looks realistic,
• 1:09:15
  Speaker 2: Like the movement is real, the hand speed is real.
• 1:09:18
  Speaker 2: It's like they're really hitting each other. It's like it
• 1:09:21
  Speaker 2: looks like a guy who's actually boxing versus a choreograph
• 1:09:24
  Speaker 2: bunch of movements. You know, it looks like legitimate.
• 1:09:33
  Speaker 1: That's why I lost it. Yeah, this is my model
• 1:09:36
  Speaker 1: my game after Clubber Lang.
• 1:09:37
  Speaker 2: Like, look how he look how he throws punches, man,
• 1:09:40
  Speaker 2: I mean you would think that this dude actually knows
• 1:09:42
  Speaker 2: how to box. I mean this looks like an actual
• 1:09:44
  Speaker 2: boxing man. Looks it looks good man. You know you
• 1:09:47
  Speaker 2: can you can tell when a guy's you know, throwing
• 1:09:50
  Speaker 2: punches at full speed.
• 1:09:51
  Speaker 1: With Salon did train boxing though? For ROCKI right?
• 1:09:55
  Speaker 2: Like, yes, looks at Sylvester Stallone knows how to box, sure,
• 1:09:58
  Speaker 2: but this is different.
• 1:10:00
  Speaker 1: Movie is not good boxing.
• 1:10:02
  Speaker 2: This is much more like an actual boxer moves.
• 1:10:05
  Speaker 1: Well.
• 1:10:05
  Speaker 2: Sylvester Stallone did was make it very exciting, right, and
• 1:10:08
  Speaker 2: so it didn't have to be as realistic as it
• 1:10:10
  Speaker 2: had to be, just like spectacular footage to make you know,
• 1:10:13
  Speaker 2: Rocky win and all that good stuff. And it was fun.
• 1:10:16
  Speaker 2: This is different because this is like, this looks like
• 1:10:18
  Speaker 2: an actual fight would look.
• 1:10:20
  Speaker 1: Yeah, they did it. They did it good. And what's
• 1:10:23
  Speaker 1: the m M? A movie like your Father Warrior Warrior.
• 1:10:27
  Speaker 1: They star on Conor McGregor. You love that, yea, that's
• 1:10:32
  Speaker 1: movie fighting.
• 1:10:34
  Speaker 2: The first one was awesome, the first row. I didn't
• 1:10:37
  Speaker 2: see a second roadouns, I haven't seen the Conor McGregor yet.
• 1:10:40
  Speaker 2: I haven't seen it.
• 1:10:41
  Speaker 3: Oh no, he just showed up as Connor McGregor on
• 1:10:44
  Speaker 3: coke every day.
• 1:10:45
  Speaker 1: You can I explain something movie. Let me tell you
• 1:10:47
  Speaker 1: the problem. You know the first film, well I guess yes,
• 1:10:50
  Speaker 1: oh yeah, me too, very well takes place in It
• 1:10:54
  Speaker 1: takes place in Missouri, where I believe this could happen.
• 1:10:58
  Speaker 1: A weird old man can take over the t with
• 1:11:00
  Speaker 1: a monster truck and serve up his own brand of
• 1:11:02
  Speaker 1: justice until you get Patrick Swayzey to come to town
• 1:11:05
  Speaker 1: and be the bouncer for the whole neighborhood. I bought that.
• 1:11:09
  Speaker 1: Do you know? The bad guy in this movie was
• 1:11:12
  Speaker 1: like a mafia guy, basically shaking everybody down for money.
• 1:11:15
  Speaker 1: The Problem. Do you watch the new one? The Problem?
• 1:11:19
  Speaker 1: Do you remember of the new one? It takes place
• 1:11:20
  Speaker 1: in Key West, Florida, and the big bad man is
• 1:11:26
  Speaker 1: offering this lady triple market value to buy her shanty
• 1:11:30
  Speaker 1: shithole bar because they're building a resort and offered her
• 1:11:34
  Speaker 1: the property a mile down the road. That's who the
• 1:11:38
  Speaker 1: bad guys are. That's what you're supposed to go to
• 1:11:41
  Speaker 1: real estate developers now and the jitimate real estate and
• 1:11:45
  Speaker 1: then and then quietly on the back and they go, oh,
• 1:11:49
  Speaker 1: they're also bringing in drugs like that has nothing to
• 1:11:52
  Speaker 1: do with the real bar bouncer issue that roadhouse is
• 1:11:55
  Speaker 1: supposed to be about. It was so stupid. And then
• 1:11:59
  Speaker 1: Connor McGregor, how weird, wonder why they made that choice.
• 1:12:03
  Speaker 1: I don't know, Well, it was gonna be Ronda Rowsey
• 1:12:05
  Speaker 1: at first. Remember that that was a long time ago, right,
• 1:12:07
  Speaker 1: That was crazy. I think that was.
• 1:12:09
  Speaker 3: If I showed up there was a female bouncer at
• 1:12:11
  Speaker 3: a place, I would start a fight just.
• 1:12:12
  Speaker 1: To see what would happen. Is this? This is the fight?
• 1:12:15
  Speaker 1: What do you kick me out? Princess? What are you
• 1:12:18
  Speaker 1: gonna do?
• 1:12:18
  Speaker 5: Hey?
• 1:12:18
  Speaker 1: How about when you choke me out? Then you gotta
• 1:12:20
  Speaker 1: get my fucking body out of here? Then what princess?
• 1:12:24
  Speaker 2: You called it?
• 1:12:25
  Speaker 1: Prince your shoulder?
• 1:12:28
  Speaker 2: The problem was to me watching Jake Glillen Hall and
• 1:12:32
  Speaker 2: Connor McGregor in a fight scene is like, that's still
• 1:12:36
  Speaker 2: it's Connor McGregor. Yeah, yeah, you want me to suspend
• 1:12:39
  Speaker 2: so much disbelief that you want me to think that
• 1:12:43
  Speaker 2: Jake Gillan Hall is going to fuck up Connor McGregor.
• 1:12:45
  Speaker 1: I believe that Connor McGregor would lose to Patrick Swayze's
• 1:12:48
  Speaker 1: Dalton Payne. Don't hurt. He would have seen him coming
• 1:12:51
  Speaker 1: a mile away. Left. Boom oh man.
• 1:12:53
  Speaker 2: That movie was fun. It was a fun movie. It's
• 1:12:56
  Speaker 2: so kooky.
• 1:12:57
  Speaker 1: So like he is now he is now culpable of
• 1:13:02
  Speaker 1: two three finger throat riped deaths twice. He's done that
• 1:13:06
  Speaker 1: now the improbable twice. How he gets them to leave
• 1:13:10
  Speaker 1: that next so exposed and think about it and by
• 1:13:14
  Speaker 1: the way, talk himself out of killing get a third
• 1:13:17
  Speaker 1: at the end of the film. That was the funniest
• 1:13:19
  Speaker 1: thing to have a guy pinned down on a couch
• 1:13:21
  Speaker 1: and you're on top of him. You'd assume the move
• 1:13:23
  Speaker 1: is going to be the fist up in the air.
• 1:13:25
  Speaker 1: He he three fingers him up in the air. He's
• 1:13:27
  Speaker 1: threatening him with the claw. Doesn't do it though. Also
• 1:13:33
  Speaker 1: the other suspension, also the other suspension of disbelief, if
• 1:13:36
  Speaker 1: you recall, is uh that the hardest fight he has
• 1:13:39
  Speaker 1: against the old man at the end, the old man
• 1:13:41
  Speaker 1: gives him a good run. Ben Gezara.
• 1:13:43
  Speaker 3: It's so funny because it's rare in street fights as
• 1:13:44
  Speaker 3: you see people throw kicks, but when you see somebody
• 1:13:46
  Speaker 3: throw an actual, like spinning kick in a street fight,
• 1:13:48
  Speaker 3: it's the coolest thing ever.
• 1:13:51
  Speaker 1: Of the kick. Par take away the gun and now
• 1:13:56
  Speaker 1: she's like, you're an animal, dude.
• 1:13:59
  Speaker 3: I feel like the kicking into the water was unnecessary.
• 1:14:01
  Speaker 3: You already have his throat.
• 1:14:02
  Speaker 2: Now you gotta kick him in the water.
• 1:14:03
  Speaker 1: So I know, I said I would never, yet I never.
• 1:14:06
  Speaker 1: I would never use the garden hoe again. I promised guard.
• 1:14:11
  Speaker 2: The eagle claw. I mean, that is a crazy who
• 1:14:14
  Speaker 2: wrote that into the script.
• 1:14:15
  Speaker 1: It's his move finish.
• 1:14:18
  Speaker 3: It would be like for somebody who like knows how
• 1:14:20
  Speaker 3: to like you really know how to fight, you could
• 1:14:22
  Speaker 3: actually murder somebody with your bare hands. But I think about,
• 1:14:24
  Speaker 3: like for somebody who doesn't how to fight, like me
• 1:14:26
  Speaker 3: or Jay, how long it would take me to murder
• 1:14:28
  Speaker 3: Big j.
• 1:14:28
  Speaker 1: With my bear hand, Like while you're trying to choke me.
• 1:14:32
  Speaker 1: It'd be like eventually just be able.
• 1:14:34
  Speaker 3: To be like, I'm tired, I'm covered in blood sweat,
• 1:14:39
  Speaker 3: pop won't fucking die.
• 1:14:41
  Speaker 2: When I was a kid, I used to teach this
• 1:14:42
  Speaker 2: guy who was who was a mob guy and Whitey
• 1:14:46
  Speaker 2: Bulger's organized crime organization wound up going to jail for murder.
• 1:14:52
  Speaker 2: And he was a guy he used to he was
• 1:14:53
  Speaker 2: like a fucking hit man and he would train at
• 1:14:56
  Speaker 2: the same taekwondo school as me, and I was I
• 1:14:58
  Speaker 2: was teaching that guy private less since he was like, I.
• 1:15:01
  Speaker 1: Don't feel bad. He wasn't killing them with taekwondo.
• 1:15:03
  Speaker 2: Oh he definitely wasn't. But he wanted to be able to.
• 1:15:05
  Speaker 2: He wanted to be able to, but he was. He goes,
• 1:15:08
  Speaker 2: if you were going to kill somebody by hitting them.
• 1:15:10
  Speaker 2: Where would you hit him? And I was like, I
• 1:15:14
  Speaker 2: guess in the neck.
• 1:15:15
  Speaker 1: He's like yeah.
• 1:15:16
  Speaker 2: I was like okay, I was like sixteen. I was
• 1:15:21
  Speaker 2: like sixteen years old. I was like, okay.
• 1:15:24
  Speaker 1: To this day, do you do you agree with the
• 1:15:25
  Speaker 1: sixteen year old Joe Rogan.
• 1:15:27
  Speaker 2: I don't know why I told him the neck, probably
• 1:15:29
  Speaker 2: because I didn't have a good answer. I would say
• 1:15:31
  Speaker 2: he stomped their I would say, you knocked them unconscious
• 1:15:33
  Speaker 2: and then stomp them to.
• 1:15:34
  Speaker 1: Death their head. Yeah.
• 1:15:36
  Speaker 2: Yeah, if you wanted to kill somebody with your bare
• 1:15:38
  Speaker 2: hands and feet, that's the best way. We choke them
• 1:15:41
  Speaker 2: and choke them unconscious and keep choking.
• 1:15:45
  Speaker 1: Mythological spot under the armpit that shuts you off, like
• 1:15:48
  Speaker 1: a light sweat, yeah, the chakra, Yeah, yeah, soul sucker,
• 1:15:53
  Speaker 1: I call it. You know, it's just.
• 1:15:58
  Speaker 2: Any kind of like physical con is a weird thing.
• 1:16:01
  Speaker 2: But I think the biggest problem with physical conflict is
• 1:16:03
  Speaker 2: like most people have never done it, and they they're
• 1:16:06
  Speaker 2: scared of it, and then they puff their chest out
• 1:16:08
  Speaker 2: and they act ridiculous.
• 1:16:10
  Speaker 1: And I've done it a lot, and I'm scared of it.
• 1:16:12
  Speaker 1: I've never done it like trained or well I mean
• 1:16:14
  Speaker 1: just take street stuff and I'm still terrified.
• 1:16:16
  Speaker 2: And when you guys talk themselves into a fucking terrible
• 1:16:19
  Speaker 2: beating for no reason, it's just because they think they're
• 1:16:22
  Speaker 2: in a movie or something. They think they have to
• 1:16:24
  Speaker 2: say something back.
• 1:16:25
  Speaker 1: Or well, I mean, the street out here keeps world
• 1:16:27
  Speaker 1: star hip hop alive, you know, Sixth Street. I mean
• 1:16:30
  Speaker 1: it is, yeah, And I'll tell you what I feel like,
• 1:16:32
  Speaker 1: it's a lucky thing down here that like, thank god,
• 1:16:35
  Speaker 1: it's a lot of people who don't know how to fight.
• 1:16:38
  Speaker 1: Those fights really don't go like people get knocked down
• 1:16:40
  Speaker 1: shit all the time, but they're wild swings.
• 1:16:42
  Speaker 3: I know, like most people don't know how to fight.
• 1:16:43
  Speaker 3: So that's sort of like the great equalizer. If everyone
• 1:16:45
  Speaker 3: knew how to fight, nobody would be fighting.
• 1:16:46
  Speaker 1: Well, I think it's the people that can don't find
• 1:16:48
  Speaker 1: themselves getting in their situation or avoid those situations.
• 1:16:51
  Speaker 2: Well, they're more respectful because they.
• 1:16:52
  Speaker 3: Don't need to prove anything.
• 1:16:53
  Speaker 2: It's also to learn how to do that, you've got
• 1:16:55
  Speaker 2: to get your ass kicked a lot for many years.
• 1:16:58
  Speaker 3: You start to understand exactly how little you'd have a
• 1:17:00
  Speaker 3: fight in the beginning. It's like open mic in comedy.
• 1:17:02
  Speaker 3: You're like, you're like, oh, I suck, So there's no
• 1:17:04
  Speaker 3: ego once you actually like go and train. But yeah,
• 1:17:09
  Speaker 3: I mean the amount of people that like that know
• 1:17:12
  Speaker 3: how to fight just typically there's just nothing to prove.
• 1:17:15
  Speaker 3: Like when I was, before I ever trained anything at all,
• 1:17:17
  Speaker 3: it was like in my mind, I was like I
• 1:17:19
  Speaker 3: had to be tough and I had to like go
• 1:17:21
  Speaker 3: prove that I was the toughest guy. Like if I
• 1:17:23
  Speaker 3: was in a bar, like, dude, I could beat up
• 1:17:24
  Speaker 3: anybody in this bark. I couldn't beat up anybody. I
• 1:17:27
  Speaker 3: was a fat, fucking just a golf kid.
• 1:17:30
  Speaker 1: But like, but you also had the walk tough New
• 1:17:34
  Speaker 1: York streets by you kind of have to fill yourself
• 1:17:37
  Speaker 1: with some kind of like I'm not the guy. I'm
• 1:17:39
  Speaker 1: not the guy that should go for that. You walk
• 1:17:41
  Speaker 1: around looking terrified. Well you're a big dude that helps.
• 1:17:44
  Speaker 3: Yeah, I'm a big Latino guy, and I think that like.
• 1:17:47
  Speaker 2: They scare people off just a little attitude. Yeah, good mechanism.
• 1:17:51
  Speaker 1: You put that knife in your hair.
• 1:17:54
  Speaker 2: It's like a Labrador retriever that barks at you, like, bitch,
• 1:17:56
  Speaker 2: you ain't gonna bite, man.
• 1:17:57
  Speaker 1: I know what you are. I mean if you had
• 1:18:00
  Speaker 1: braid blade, we would fuck. Oh I got stab yourself
• 1:18:03
  Speaker 1: right in the neck.
• 1:18:04
  Speaker 2: It would whip around your head and stab you right
• 1:18:06
  Speaker 2: in the neck.
• 1:18:06
  Speaker 1: Could be the first time doing it in your back.
• 1:18:09
  Speaker 1: No practice, Oh no, your home.
• 1:18:15
  Speaker 2: Now, Hey, you try to get the guy. You're trying
• 1:18:17
  Speaker 2: to kill me. I'm so sorry.
• 1:18:19
  Speaker 1: You're right. I was beat of dick. You were once
• 1:18:21
  Speaker 1: the knights out of my back. You were once fae.
• 1:18:23
  Speaker 1: Are you considering your friends? My brave blade suck? Oh god,
• 1:18:29
  Speaker 1: is it bad?
• 1:18:31
  Speaker 2: Man? Is it bad?
• 1:18:33
  Speaker 1: Oh my god, my braid blade is so stupid.
• 1:18:37
  Speaker 2: Yeah, that's so stupid.
• 1:18:38
  Speaker 1: Yeah, oh god, is it bad? That's why kids can't vote?
• 1:18:44
  Speaker 2: All right, that's the way. You don't let an eight
• 1:18:46
  Speaker 2: year old vote blade a young man, your plan is preposterous.
• 1:18:55
  Speaker 3: I don't think they should let eighteen year old vote.
• 1:18:56
  Speaker 3: I think you should have to be forty five and
• 1:18:58
  Speaker 3: own property to vote. Old slave rules.
• 1:19:01
  Speaker 2: In my mind, tell me this, what the fuck is
• 1:19:03
  Speaker 2: going on in New York? Are you guys about to
• 1:19:05
  Speaker 2: really elect a communist?
• 1:19:07
  Speaker 1: Is that really what's happened? Which one is a rapper?
• 1:19:12
  Speaker 1: Have you ever seen his rap work? No? But he
• 1:19:15
  Speaker 1: does do rap music.
• 1:19:16
  Speaker 2: I heard did a lot of different things. He had
• 1:19:17
  Speaker 2: a bunch of various accents.
• 1:19:20
  Speaker 1: He's gonna win, so crazy. We live in New Jersey,
• 1:19:25
  Speaker 1: dude helping him.
• 1:19:27
  Speaker 2: But here's the thing, man, Like, every time something new happens,
• 1:19:32
  Speaker 2: whether it's some new person that comes in that bucks
• 1:19:35
  Speaker 2: the system, anytime that's good, the system needs to get tested.
• 1:19:39
  Speaker 2: If you're mad because a communist one or is gonna
• 1:19:43
  Speaker 2: win as the mayor of New York City, well clearly
• 1:19:46
  Speaker 2: you didn't do your job opposing side because you don't
• 1:19:50
  Speaker 2: have the right guy. Nobody's interested in what you have
• 1:19:53
  Speaker 2: to say. They don't feel like you're representing the people.
• 1:19:55
  Speaker 1: Someone.
• 1:19:58
  Speaker 2: They pushed him out, push Quiomo out, and this guy
• 1:20:01
  Speaker 2: won the Democratic primary.
• 1:20:03
  Speaker 1: Is that what Karin was running for mayor? Mayor?
• 1:20:07
  Speaker 2: They pushed him out as a governor, right, And so
• 1:20:09
  Speaker 2: after they pushed him out of the governor, Hochel takes
• 1:20:11
  Speaker 2: off and now he's running for mayor. And when he's
• 1:20:13
  Speaker 2: running for mayor, he lost in the primary to Mom Donnie,
• 1:20:16
  Speaker 2: but then he kept running. I guess as an independent?
• 1:20:18
  Speaker 2: Is he as an independent?
• 1:20:19
  Speaker 1: If you say on the microphone, Joe, vote Karinn Fisher,
• 1:20:21
  Speaker 1: we will know the mayor of New York.
• 1:20:23
  Speaker 2: Yeah, Karin Fisher the Comedia.
• 1:20:24
  Speaker 1: Yeah yeah, she pulled out of the race.
• 1:20:27
  Speaker 3: Oh she did, but she was running for mayor of
• 1:20:29
  Speaker 3: New York.
• 1:20:30
  Speaker 2: Oh that's right.
• 1:20:31
  Speaker 1: And we spent months making fun of it. It's who
• 1:20:36
  Speaker 1: would want that job?
• 1:20:38
  Speaker 2: Good lord, who would want to be Bill Deblasio's next guy?
• 1:20:42
  Speaker 2: You know, like, are you fucking kidding me?
• 1:20:44
  Speaker 1: Uh? Yeah, it seems what's that job?
• 1:20:46
  Speaker 2: Everyone half the city's gonna hate you live in Gracie, man,
• 1:20:51
  Speaker 2: matter what.
• 1:20:51
  Speaker 1: You gotta hope something uh terroristic happens that brings its
• 1:20:55
  Speaker 1: place together, That's what you know. What's funny because I
• 1:20:59
  Speaker 1: moved up to New York after nine to eleven because
• 1:21:00
  Speaker 1: it was taking too long to drive there because the
• 1:21:02
  Speaker 1: way they shut down, like the tunnels and something, so like, uh,
• 1:21:06
  Speaker 1: that's the time that I fucking moved. And it really
• 1:21:08
  Speaker 1: was like a fucking not like a scary place at
• 1:21:12
  Speaker 1: the time, but it definitely like, uh, you know, Giuliani
• 1:21:15
  Speaker 1: was divisive to people, and then it was just this
• 1:21:18
  Speaker 1: guy's the best. He's on Saturday Night Live and he's
• 1:21:20
  Speaker 1: cutting ribbons and everyone it just became immediate love for him,
• 1:21:23
  Speaker 1: and that sort of happened. You need that that didn't
• 1:21:25
  Speaker 1: get like George W. Bush, like a month of ever,
• 1:21:28
  Speaker 1: the whole country was like, yeah, dude, let's go get him.
• 1:21:31
  Speaker 2: Yeah.
• 1:21:31
  Speaker 1: It really did bring everyone together. Everyone loved because then
• 1:21:34
  Speaker 1: it's like Giuliani went away from New York and then
• 1:21:36
  Speaker 1: the next thing, you know, it's like, I don't pay
• 1:21:38
  Speaker 1: attention to politics stuff. It's like Giuliani, that clown piece
• 1:21:41
  Speaker 1: of shit that everybody hates, and look at his ship
• 1:21:43
  Speaker 1: running down his face and he's an asshole. I thought
• 1:21:45
  Speaker 1: we loved him because he prostitution and drugs were all
• 1:21:50
  Speaker 1: out of Times Square, and he did.
• 1:21:52
  Speaker 2: A fantastic job when he was in there if you
• 1:21:54
  Speaker 2: look at it that way. But the thing is he
• 1:21:56
  Speaker 2: supported Trump, and so everybody's like, fuck him. He's a loser.
• 1:21:59
  Speaker 1: So he just forget at what he did during nine
• 1:22:01
  Speaker 1: to eleven. Yeah happened.
• 1:22:06
  Speaker 3: But a lot of people will also like be like
• 1:22:08
  Speaker 3: New York lost its soul after Juliani, Like even before Trump,
• 1:22:11
  Speaker 3: Like a lot of people were hating on Giuliani because
• 1:22:13
  Speaker 3: it was like a romanticism about New York being kind
• 1:22:15
  Speaker 3: of like dangerous and like you know, it's like but.
• 1:22:18
  Speaker 2: There's something to be said for that, but that's also like, hey,
• 1:22:21
  Speaker 2: guess what.
• 1:22:21
  Speaker 1: There's plenty of salt store in Brooklyn in the Bronx.
• 1:22:23
  Speaker 2: Things move on. If the number one thing that you
• 1:22:26
  Speaker 2: want to keep open forever and ever is peep shows, yeah, like, hey,
• 1:22:29
  Speaker 2: maybe you got bad priorities. You lived through it, right,
• 1:22:32
  Speaker 2: you went, you saw the peep show, you walk by
• 1:22:33
  Speaker 2: the adult bookstore, Okay, that's over.
• 1:22:35
  Speaker 3: Was wow, that's going to be a Papa John's right.
• 1:22:37
  Speaker 3: When I moved to New York City was days before
• 1:22:39
  Speaker 3: nine eleven. A week before nine eleven. I started going
• 1:22:41
  Speaker 3: to school in New York City, and I used to
• 1:22:42
  Speaker 3: get off the bus at Port Authority and there.
• 1:22:45
  Speaker 1: Was all of those.
• 1:22:47
  Speaker 3: It wasn't even like peep shows. It was just essentially
• 1:22:49
  Speaker 3: porn in a booth.
• 1:22:51
  Speaker 1: You'd go in a booth, you put in at five buttons, Yeah,
• 1:22:53
  Speaker 1: just sticky points, sticky buttons. Dude. I used to go
• 1:22:58
  Speaker 1: in and I used to just jerk off. That's crazy
• 1:23:01
  Speaker 1: in these but no all the time, dude. And I
• 1:23:03
  Speaker 1: know a lot of people do this.
• 1:23:04
  Speaker 3: But you did put a dollar in and then you'd
• 1:23:06
  Speaker 3: get like three minutes and you have to like click
• 1:23:08
  Speaker 3: through chain and just like your click through porn. Now
• 1:23:10
  Speaker 3: you'd have to find the porn you wanted to finish
• 1:23:12
  Speaker 3: to put another dollar.
• 1:23:13
  Speaker 1: Did you lean your back against the wall?
• 1:23:15
  Speaker 3: I said that one time, and I remember it was
• 1:23:16
  Speaker 3: the seat was wet. The seat was wet one time
• 1:23:19
  Speaker 3: I sat on it, and I convinced myself that my
• 1:23:21
  Speaker 3: asshole sucked aids into my body.
• 1:23:23
  Speaker 1: Yeah, well, yes, well stop wondering where you got it from.
• 1:23:27
  Speaker 1: That's the answer. I had.
• 1:23:28
  Speaker 2: A friend of mine used to he used to be
• 1:23:30
  Speaker 2: a crack addict, and he used to go to those
• 1:23:31
  Speaker 2: places and he would smoke crack and just jack off
• 1:23:34
  Speaker 2: in them all. He said he being there for hours,
• 1:23:38
  Speaker 2: and I was like, what the fuck?
• 1:23:40
  Speaker 1: What is this crack that is? Was so cracked? That
• 1:23:43
  Speaker 1: makes you so awesome? Dude, Bro, when you're here, I
• 1:23:46
  Speaker 1: can't get hard at all.
• 1:23:47
  Speaker 2: There's two people that talked about it where it makes
• 1:23:49
  Speaker 2: you try it makes you want to try it. One
• 1:23:51
  Speaker 2: of them is Hunter Biden. He talked about it on
• 1:23:53
  Speaker 2: that Uh I'm sorry, was that show again? And Andrew
• 1:23:58
  Speaker 2: Callahan Channel five. He did interview with Biden, and Biden
• 1:24:01
  Speaker 2: gives like a soliloquy about the virtues of crack, like
• 1:24:05
  Speaker 2: how much. He loved crack and like, what the crack
• 1:24:08
  Speaker 2: experience is like with you? And it's so good, Like
• 1:24:11
  Speaker 2: he's talking about it, he's so articulate. It makes you
• 1:24:14
  Speaker 2: want to try crack. And then Charlie Sheen told me
• 1:24:16
  Speaker 2: the first time he tried smoking crack at all. This
• 1:24:19
  Speaker 2: is in his documentary too. I think either way, a
• 1:24:22
  Speaker 2: girl was giving it was a girl was giving him
• 1:24:25
  Speaker 2: a blow job while he took his very first hip
• 1:24:28
  Speaker 2: crack and he said, to this day, nothing's ever topped it.
• 1:24:32
  Speaker 1: Yeah, I've always heard it's the exhale of crack is
• 1:24:36
  Speaker 1: amazing exhale. And then you go, we gotta get crack.
• 1:24:41
  Speaker 1: We have to find more crack immediately. Guys, you want
• 1:24:44
  Speaker 1: to just do crack? Yeah, it's crazy. Would try probably?
• 1:24:48
  Speaker 1: What'd you say? It's one that I said I probably
• 1:24:49
  Speaker 1: would try? You would try crack? Yeah, that's insane. Probably.
• 1:24:53
  Speaker 1: I mean I'm not going to, but the things you
• 1:24:55
  Speaker 1: were like, would you try that? If you try? I
• 1:24:56
  Speaker 1: would try crack before I took LSD.
• 1:25:00
  Speaker 3: That's insane. Quicker, that's actually insane.
• 1:25:03
  Speaker 1: It's quicker.
• 1:25:06
  Speaker 2: Ls is an experience, right, that's hilarious. Yeah, what if
• 1:25:11
  Speaker 2: you knew it was pure LSD, like if you got
• 1:25:15
  Speaker 2: it from a scientist.
• 1:25:16
  Speaker 3: We dose Shay with elis. The only time he's done
• 1:25:18
  Speaker 3: LSD was do you know about this?
• 1:25:21
  Speaker 1: Terrible friends? So we had.
• 1:25:26
  Speaker 3: One hit of acid and his beer. So here's what happened.
• 1:25:28
  Speaker 2: You didn't let him know at all.
• 1:25:29
  Speaker 1: Well, it wasn't my fault. Okay, hang on, don't be
• 1:25:32
  Speaker 1: so accusatory, Joe. You didn't watch the Trial of the Century, obviously,
• 1:25:35
  Speaker 1: just ask you brought this up, Blues, It's gonna make
• 1:25:37
  Speaker 1: you look payd This is this is not Rogan spear base.
• 1:25:40
  Speaker 1: I will tell you what happened. Okay. So we were having.
• 1:25:44
  Speaker 3: We were having an election for the president.
• 1:25:46
  Speaker 1: Of the Legion of I hatreat people in this spear
• 1:25:48
  Speaker 1: Dude and.
• 1:25:49
  Speaker 3: Arie was running against me, Jay and Dave Smith to
• 1:25:52
  Speaker 3: be the president of our podcast. And obviously he won,
• 1:25:56
  Speaker 3: but he had Shane Gillis as his running mate. This
• 1:25:58
  Speaker 3: before Shane blew up. But Shane's always been fucking brilliant.
• 1:26:01
  Speaker 3: So we were doing these every week. It was during
• 1:26:03
  Speaker 3: the pandemic. We're one of the only live experiences, like
• 1:26:05
  Speaker 3: all the comedy cups were closed in We did our
• 1:26:07
  Speaker 3: show outside, so people were coming out every week that
• 1:26:09
  Speaker 3: were super super invested, and we had all these special
• 1:26:12
  Speaker 3: guests on it every week. It was just getting better
• 1:26:13
  Speaker 3: and better. And it was the last episode. We were
• 1:26:16
  Speaker 3: about to decide who the president was. We're deciding that
• 1:26:18
  Speaker 3: day and U I Ari had just dosed Bert like
• 1:26:23
  Speaker 3: maybe a year before on his podcast for what was
• 1:26:25
  Speaker 3: our several years. So then I got a hit of
• 1:26:28
  Speaker 3: acid from a kid in the audience and I was like,
• 1:26:30
  Speaker 3: I'm going to dose Ari.
• 1:26:31
  Speaker 1: Just some guy, just some dude. He said it was
• 1:26:33
  Speaker 1: a really good acid.
• 1:26:34
  Speaker 3: So then I said, I put into Ari's beer right,
• 1:26:37
  Speaker 3: And then I was like, Alri's gonna win whatever, let's
• 1:26:40
  Speaker 3: be hilarious. We're gonna do Ari on the podcast.
• 1:26:41
  Speaker 1: So I told Shane. I was like, due this hilarious,
• 1:26:43
  Speaker 1: We're gonna do Sri. Shane tells Ari.
• 1:26:46
  Speaker 3: And then on the podcast we went back and watched
• 1:26:49
  Speaker 3: this because it's on camera on the podcast. When Jay's
• 1:26:52
  Speaker 3: not looking, Jay's like just pontificating or being funny or whatever.
• 1:26:56
  Speaker 1: Ari switches beers with Big Jay and gives it to Jay,
• 1:27:00
  Speaker 1: and then Jay starts drinking or whatever.
• 1:27:02
  Speaker 3: Now, Ari for the next hour starts pretending to trip
• 1:27:05
  Speaker 3: and he's like doing all this, He's being all weird
• 1:27:07
  Speaker 3: and work. Me and my buddy are cackling laughing at him.
• 1:27:09
  Speaker 1: And then he let me give you my perspective of
• 1:27:11
  Speaker 1: where we're at here in this part of the story.
• 1:27:14
  Speaker 1: I am not looking at Ari. What I'm noticing is
• 1:27:17
  Speaker 1: everybody else at the table. He's like talking amongst themselves.
• 1:27:21
  Speaker 1: David Tael was there too. We're talking amongst themselves while
• 1:27:25
  Speaker 1: I'm saying something, and I'm like, like, I'm losing the
• 1:27:28
  Speaker 1: people I'm doing a show with. I'm like, so, I'm like,
• 1:27:31
  Speaker 1: blaw and I start trailing off and I go, I'm like, guys, like,
• 1:27:34
  Speaker 1: what's you know? Almost like off microphone. I'm like, what's
• 1:27:37
  Speaker 1: what's going on? Why is it? And Lewis leans over
• 1:27:39
  Speaker 1: to me and goes, I dosed Ari's beer with acid,
• 1:27:44
  Speaker 1: and I went, come on, man, I was like, I go,
• 1:27:48
  Speaker 1: I don't want to do this stuff. I don't want
• 1:27:49
  Speaker 1: to get into the volvement.
• 1:27:50
  Speaker 3: To be fair to Jay, his reaction was like, that's
• 1:27:52
  Speaker 3: not a good idea at all. He was not on
• 1:27:54
  Speaker 3: board with it.
• 1:27:54
  Speaker 1: Never yeah, I said, let's not get involved in the
• 1:27:56
  Speaker 1: dosing game. Dave Smith also said the same thing and
• 1:28:00
  Speaker 1: but damage was done. And then I go, all right, well,
• 1:28:03
  Speaker 1: if you're gonna do it to somebody, dare I say?
• 1:28:05
  Speaker 1: Ari's the person who deserves that to happen to him
• 1:28:07
  Speaker 1: the most. So I'm like, all right, what's Ari at least?
• 1:28:11
  Speaker 1: And then uh, and then they goes, what we're laughing
• 1:28:13
  Speaker 1: at is look at Ari. So I finally over at
• 1:28:15
  Speaker 1: Ari and he is like, you know, like like licking
• 1:28:17
  Speaker 1: the microphone and like doing that stuff, and then they
• 1:28:21
  Speaker 1: pull a big reveal. Yeah.
• 1:28:23
  Speaker 3: I was like, I was like, I dose you Ari,
• 1:28:25
  Speaker 3: so I don't care if you win.
• 1:28:26
  Speaker 1: And then he's like doing this. Then he goes he
• 1:28:28
  Speaker 1: was like oh really no no he goes, he goes, oh, dude,
• 1:28:32
  Speaker 1: really did you? He does me to know this so
• 1:28:35
  Speaker 1: not cool. He goes, did you did that? Or did
• 1:28:37
  Speaker 1: I switch my beer with Jay's just completely and then
• 1:28:42
  Speaker 1: you see me literally on the camera go nah, no,
• 1:28:46
  Speaker 1: how did I get involved in this at all? And
• 1:28:48
  Speaker 1: then they played the replay. You see Shane looks at
• 1:28:51
  Speaker 1: the camera and says I'm sorry because he feels terrible
• 1:28:53
  Speaker 1: that he didn't stop.
• 1:28:54
  Speaker 3: Him, and then Jay he had never taken assage.
• 1:28:56
  Speaker 1: So Jay stayed up for seventy two hours, twenty six
• 1:29:00
  Speaker 1: four straight hours all I was doing and they go, well,
• 1:29:04
  Speaker 1: did you have finally? Did you like watch something? Did
• 1:29:06
  Speaker 1: the walls melt? Did? Like? Yeah, have some kind of revelation?
• 1:29:09
  Speaker 1: I go. I sat on my couch for twenty six hours.
• 1:29:11
  Speaker 1: I went outside a few times and sat there thinking
• 1:29:13
  Speaker 1: why would my friends have done this to me? That
• 1:29:16
  Speaker 1: was my consuming thought. Why would my friends do this
• 1:29:19
  Speaker 1: to me? I wouldn't do this to them. Why did
• 1:29:21
  Speaker 1: they do it to me?
• 1:29:23
  Speaker 2: You just caught astray? Yeah, he caught astray in a
• 1:29:26
  Speaker 2: righteous war like Ari deserved to get those two the once.
• 1:29:30
  Speaker 1: Sure, and somehow he avoided it.
• 1:29:32
  Speaker 2: Did you ever see the one where Ari was on
• 1:29:36
  Speaker 2: what pot? Was he on Brian Redband's podcast? I think
• 1:29:38
  Speaker 2: it was Sam Triple Sam Tripley's podcast, So was it?
• 1:29:43
  Speaker 2: It was like quite a while back, like twenty ten
• 1:29:45
  Speaker 2: or something like that, and they smoked salvia on the
• 1:29:48
  Speaker 2: podcast and Ari said that he lived a whole nother
• 1:29:52
  Speaker 2: life under the water for like six months, like he
• 1:29:56
  Speaker 2: had friends, he had a girlfriend, he had a job,
• 1:29:59
  Speaker 2: and then the sally lived a whole life for thirty
• 1:30:01
  Speaker 2: seconds and then he came back. It was just a
• 1:30:03
  Speaker 2: few minutes he was but whatever. It was like that
• 1:30:06
  Speaker 2: stuff was weird because you could just buy it at
• 1:30:09
  Speaker 2: a head shop. Yeah, and it was one of the
• 1:30:11
  Speaker 2: most potent psychedelics you could ever take.
• 1:30:14
  Speaker 3: Yeah, I was just unregulated for like a year, so
• 1:30:16
  Speaker 3: everyone was buying salvia and then bass salts.
• 1:30:19
  Speaker 1: The guy eighty guy's face, I smoked salvia.
• 1:30:21
  Speaker 2: Yeah about that guy probably had problems.
• 1:30:22
  Speaker 1: Right.
• 1:30:23
  Speaker 3: My buddy Forrest brought home salvia from college. Didn't tell
• 1:30:26
  Speaker 3: me what it was. We were just driving my car
• 1:30:27
  Speaker 3: with a bong. That's where I was at in my life.
• 1:30:29
  Speaker 3: I had a bomb in the car and bring it
• 1:30:32
  Speaker 3: from I was driving. He was like, dude, here hit
• 1:30:34
  Speaker 3: this and I grabbed the bong and I'm driving literally
• 1:30:37
  Speaker 3: and I go, oh no, And then he goes put
• 1:30:40
  Speaker 3: that down because it was a copper cross street.
• 1:30:42
  Speaker 1: And then I the word down it like elongated and
• 1:30:45
  Speaker 1: went let go.
• 1:30:46
  Speaker 3: And then he saw the words the word down, giant
• 1:30:49
  Speaker 3: block letters crashed in front of the car like it
• 1:30:52
  Speaker 3: was like like stone letters, the word down, and I
• 1:30:54
  Speaker 3: was like, I pulled over to the side of the
• 1:30:56
  Speaker 3: road and he was just laughing in my face, and
• 1:30:59
  Speaker 3: I was like, what the fuck was a minute thirty seconds,
• 1:31:02
  Speaker 3: like it was just so quick.
• 1:31:04
  Speaker 2: But it was like, don't superhy you're driving. I don't know, teach.
• 1:31:07
  Speaker 1: There was a video there and jumping out of the
• 1:31:09
  Speaker 1: window right that was the famous like viral one where
• 1:31:11
  Speaker 1: someone smokes out right away they go and just like
• 1:31:14
  Speaker 1: go out bad at their fucking window behind the couch.
• 1:31:19
  Speaker 1: But that's almost why I'm saying, like crack, like I
• 1:31:22
  Speaker 1: would try that over again. I've only been dosed with
• 1:31:25
  Speaker 1: LSD twenty six hours of just being bummed out. That's
• 1:31:28
  Speaker 1: what I'm saying to me. It's almost like I try
• 1:31:30
  Speaker 1: things that are like this will be done quick ketamine.
• 1:31:33
  Speaker 2: That was a crazy thing about the Hunter Biden interview
• 1:31:35
  Speaker 2: was that he was saying that it's it's probably safer
• 1:31:38
  Speaker 2: for you than alcohol. He's pretty smart, that's what's he's
• 1:31:42
  Speaker 2: clean now he's saying, Now, yeah, it probably is, you know, allegedly.
• 1:31:45
  Speaker 1: I mean, you know, I believe that's always a big
• 1:31:47
  Speaker 1: thing when someone gets off drugs, But they don't talk
• 1:31:49
  Speaker 1: about it with like just the I'm told to call
• 1:31:52
  Speaker 1: it evil and say it was evil and have some
• 1:31:54
  Speaker 1: like fun reflection on it. I think they're more prepared
• 1:31:56
  Speaker 1: to stop for real.
• 1:31:58
  Speaker 2: Yeah, that's true, right, because the honest about it.
• 1:32:00
  Speaker 1: Being honest, they're like they're like, you know, first couple
• 1:32:03
  Speaker 1: of months, I maybe never laughed harder than my you know,
• 1:32:05
  Speaker 1: have we enjoyed it? And then it's like but then
• 1:32:07
  Speaker 1: I just, you know, my money's gone my family.
• 1:32:09
  Speaker 3: Like a Colombian president or one of these with some
• 1:32:12
  Speaker 3: some country, like the president was like, no, cocaine is
• 1:32:14
  Speaker 3: saved for than alcohol, and he was like straight up,
• 1:32:16
  Speaker 3: and then like they did like a review on it.
• 1:32:18
  Speaker 3: It technically is I think the real.
• 1:32:20
  Speaker 2: Problem is the fentanyl stuff, the laced cocaine, you know,
• 1:32:23
  Speaker 2: the stuff that's laced with stuff other than pure cocaine.
• 1:32:26
  Speaker 2: But that's the problem with an unregulated black market. If
• 1:32:30
  Speaker 2: they made it legal in America and pharmaceutical drug companies
• 1:32:32
  Speaker 2: sold cocaine, you'd get like the best cocaine.
• 1:32:35
  Speaker 1: You'd get pure cocaine. It's recreational from a pharmacy. I
• 1:32:39
  Speaker 1: don't even think going to Gonzalez Gonzalez pharmacy.
• 1:32:42
  Speaker 2: I don't even know if you can grow it in America.
• 1:32:46
  Speaker 2: Are there places in America that are capable of growing
• 1:32:49
  Speaker 2: coca leaves?
• 1:32:50
  Speaker 1: Thinking eat slaves?
• 1:32:51
  Speaker 2: Yeah you need Did you ever see that thing. There's
• 1:32:55
  Speaker 2: a show called Trafficked with Mariana van Zeller. There's this lady.
• 1:32:58
  Speaker 2: She's an investiga of journalists and she does wild stories,
• 1:33:03
  Speaker 2: like she went to the people in Colombia that are
• 1:33:05
  Speaker 2: making the cocaine and she interviewed all of them. They
• 1:33:08
  Speaker 2: all wore masks and shit, and then she went with
• 1:33:11
  Speaker 2: them out into the woods when they walked through the
• 1:33:14
  Speaker 2: jungle to bring the cocaine to the dealers, and she
• 1:33:17
  Speaker 2: was there.
• 1:33:17
  Speaker 1: With them for the whole process, documenting it.
• 1:33:19
  Speaker 2: What the fuck man, Like, they're just using gasoline, just
• 1:33:24
  Speaker 2: pouring gasoline on these coca leaves and they're making this.
• 1:33:27
  Speaker 2: It's like this is completely unregulated. This all could be
• 1:33:31
  Speaker 2: done in a pharmaceutical drug studio where they have like
• 1:33:34
  Speaker 2: laboratories and everybody's wearing hazmat suits and shit, and they
• 1:33:38
  Speaker 2: make perfect cocaine.
• 1:33:39
  Speaker 1: Seems like awesome joke. Yeah, perfect cocaine. A long way
• 1:33:42
  Speaker 1: to go for you guys to be able to dance,
• 1:33:44
  Speaker 1: Like black people aren't watching.
• 1:33:45
  Speaker 2: In the US, there is no widespread reports of commercial
• 1:33:48
  Speaker 2: coca cultivation, but the plant thrives best in conditions similar
• 1:33:52
  Speaker 2: to those found in the Andean regions of South America
• 1:33:55
  Speaker 2: generally between one thousand, six hundred and fifty to six
• 1:33:58
  Speaker 2: thousand feet elevation with warm temperature is an abundant rainfall. Yeah,
• 1:34:02
  Speaker 2: so it's it's not a good plant for America. It's
• 1:34:05
  Speaker 2: a South American plant.
• 1:34:06
  Speaker 3: Yeah, we can grow weed here really, well, we figured
• 1:34:09
  Speaker 3: that out. Yeah, but you know, I remember the first
• 1:34:11
  Speaker 3: time it's legal.
• 1:34:12
  Speaker 2: If it was legal, you'd get pure cocaine.
• 1:34:15
  Speaker 1: Let's what they're having there, They're they're fucking America sucks.
• 1:34:18
  Speaker 1: It probably will be legal one day.
• 1:34:20
  Speaker 2: It should be legal. Like, if you can't prove this
• 1:34:23
  Speaker 2: one it should be. We could prove it's killing more
• 1:34:24
  Speaker 2: people than are having fun with it, let's make it illegal.
• 1:34:27
  Speaker 2: If you can't do that, why is it illegal because
• 1:34:30
  Speaker 2: you well, because you shouldn't take it, Okay, then don't
• 1:34:33
  Speaker 2: take it. But what if you want to take it?
• 1:34:34
  Speaker 2: What if you could just take it once and then
• 1:34:36
  Speaker 2: you're fine and then you still are we allowed to
• 1:34:38
  Speaker 2: have some fucking freedom or not.
• 1:34:41
  Speaker 3: A couple of years of people being because you look
• 1:34:43
  Speaker 3: at like weed, it's you know, widespread legality of it
• 1:34:45
  Speaker 3: now right, everyone's getting very high.
• 1:34:48
  Speaker 1: The weed's gotten so strong, like it's like, well there's
• 1:34:51
  Speaker 1: that the strength that will be a concern, But I
• 1:34:52
  Speaker 1: think there's also something to I don't know. I've going
• 1:34:55
  Speaker 1: back and forth in that. I think is when I
• 1:34:56
  Speaker 1: had my daughter, was like a teenager more, I was
• 1:34:58
  Speaker 1: thinking when they talk about it, like just legalize every drug,
• 1:35:01
  Speaker 1: which I heard the argument for two So I said,
• 1:35:03
  Speaker 1: I really don't know where I fall. But like, I
• 1:35:05
  Speaker 1: also have a feeling like when I was younger, I
• 1:35:07
  Speaker 1: could have been got. Someone could have got me to
• 1:35:09
  Speaker 1: try heroin as a teenager by simply laying out like
• 1:35:12
  Speaker 1: I mean, it's legal, dude, right well, never never stop
• 1:35:17
  Speaker 1: me from doing drugs. It did weigh with me A
• 1:35:20
  Speaker 1: lot of it was a fear of having anything on me.
• 1:35:23
  Speaker 1: Have I told you I got cocaine one time to
• 1:35:25
  Speaker 1: bring to a girl. It was a bag this big,
• 1:35:27
  Speaker 1: and I mean I thought I was walking around with
• 1:35:29
  Speaker 1: Marcellus Wallace's fucking soul. I mean it was I was like,
• 1:35:33
  Speaker 1: oh my god, everyone's coming for this. Everyone knows they're
• 1:35:35
  Speaker 1: gonna get me. They're gonna get it from me, dude.
• 1:35:37
  Speaker 1: Yeah now, I uh yeah.
• 1:35:39
  Speaker 3: I would just assume the coke would be so good
• 1:35:41
  Speaker 3: and it would just be like a couple of years
• 1:35:43
  Speaker 3: of everyone just being like really fucked up, Like you
• 1:35:46
  Speaker 3: can't you can't go from it being like unregulated to
• 1:35:48
  Speaker 3: just distributing it to everybody.
• 1:35:50
  Speaker 1: Yeah, for sure.
• 1:35:51
  Speaker 2: Yeah it's gonna there's gonna be a long period of adjustment.
• 1:35:54
  Speaker 2: But at least you're cutting out organized crime. It's like
• 1:35:56
  Speaker 2: that's what they had to do with alcohol. So when
• 1:35:58
  Speaker 2: alcohol prohibition was going, how many years was alcohol prohibition?
• 1:36:01
  Speaker 1: Again?
• 1:36:02
  Speaker 2: Put that in the perplexity two.
• 1:36:05
  Speaker 1: Years, it's my guess, our sponsor and a half years.
• 1:36:09
  Speaker 1: It's probably better we.
• 1:36:09
  Speaker 2: Have an AI sponsor now that we ask questions to
• 1:36:13
  Speaker 2: how many years was See woman, we don't make it talk.
• 1:36:15
  Speaker 2: I don't want to. I don't want to pretend it's
• 1:36:17
  Speaker 2: a person and fall in love with it. Thirteen years
• 1:36:21
  Speaker 2: of alcohol prohibition, daddy, that's maybe it was thirteen years
• 1:36:28
  Speaker 2: with no alcohol. So during that time, that's the rise
• 1:36:31
  Speaker 2: of organized crime. That's the rise of alcohpone, Like, that's
• 1:36:34
  Speaker 2: the rise of all these different mobsters. That that's all
• 1:36:37
  Speaker 2: You could tie that back to the roots of organized
• 1:36:40
  Speaker 2: crime getting money from alcohol. That's you know, that's where
• 1:36:43
  Speaker 2: NASCAR came from. It was like those guys are trying
• 1:36:46
  Speaker 2: to get away from cops. So they made the best cars.
• 1:36:48
  Speaker 1: That's really what it was.
• 1:36:49
  Speaker 2: It was, Yes, the roots of NASCAR is they made
• 1:36:53
  Speaker 2: those souped up cars to get the fuck away from
• 1:36:55
  Speaker 2: cops because they were running moonshine. Yeah damn. And that
• 1:37:00
  Speaker 2: they stopped that, and then it came normal. And now
• 1:37:02
  Speaker 2: it's bud light. Now you can go and get you know,
• 1:37:05
  Speaker 2: a bottle of Makers. You can get it's in a store.
• 1:37:08
  Speaker 2: It's like, well, the regular.
• 1:37:09
  Speaker 3: Legality never liked because I've tried almost every drug, but
• 1:37:12
  Speaker 3: the legality of it never really got me. But it's
• 1:37:14
  Speaker 3: just the accessibility of it, right, Like I might have
• 1:37:17
  Speaker 3: if weed was accessible as it is now, I might
• 1:37:19
  Speaker 3: have tried weed way earlier.
• 1:37:21
  Speaker 1: Than I did.
• 1:37:21
  Speaker 3: I something started smoking weed till I was almost out
• 1:37:23
  Speaker 3: of high school. But if it was just everywhere and
• 1:37:25
  Speaker 3: it was great and you knew where everything came from,
• 1:37:28
  Speaker 3: you had to like go on a journey to find weed.
• 1:37:30
  Speaker 3: Even when we go on the road back in the day,
• 1:37:31
  Speaker 3: we'd land in whatever new town and I'm like, Jay,
• 1:37:33
  Speaker 3: I'll be back in an hour. I gotta go find weed.
• 1:37:34
  Speaker 3: And I just ask every like skateboarder that I saw,
• 1:37:37
  Speaker 3: until somebody eventually you.
• 1:37:38
  Speaker 2: Look at a cop. If you have a skateboarder and
• 1:37:41
  Speaker 2: he came up to me, I'd be like, get the
• 1:37:42
  Speaker 2: fuck out of hair, pig. Fuck you man.
• 1:37:46
  Speaker 3: There's so funny that codheads loved getting each other high
• 1:37:49
  Speaker 3: because that back in the day, you'd literally just find
• 1:37:51
  Speaker 3: somebody that looked like they liked weed, especially.
• 1:37:54
  Speaker 2: If they're currently high. Yeah, then they're more likely to
• 1:37:57
  Speaker 2: be a pliable.
• 1:37:57
  Speaker 1: They'll go out of the hall way. Yeah, but they'll
• 1:38:00
  Speaker 1: go out of their entire way.
• 1:38:01
  Speaker 2: Did you go, Bro, bring you to my friend Scott's house. Yeah,
• 1:38:06
  Speaker 2: next you know, you're hanging with Scott listening to Slipknot
• 1:38:10
  Speaker 2: tell the Great Mosh Pitch Injury of twenty eleven.
• 1:38:14
  Speaker 1: First ep.
• 1:38:17
  Speaker 3: Yeah, if all drugs were accessible, i.
• 1:38:20
  Speaker 1: Mean illegal, I think would have drawn me to some
• 1:38:22
  Speaker 1: things and said and accessible here. But I'd say it's
• 1:38:25
  Speaker 1: funny too that you don't really have much of it.
• 1:38:27
  Speaker 1: But you definitely went through phases, I'm sure in your
• 1:38:29
  Speaker 1: life because you started smoking younger than I did. Even
• 1:38:32
  Speaker 1: but like as much as I smoke, I consistently have
• 1:38:35
  Speaker 1: smoked weeds since I started smoking, which was you know,
• 1:38:37
  Speaker 1: twenty some years ago. I made you a pothead. Yeah,
• 1:38:41
  Speaker 1: without a doubt. But it is so funny though that
• 1:38:43
  Speaker 1: I've still to this day don't have the I'm faking it.
• 1:38:46
  Speaker 1: Every time somebody comes to me and goes like, oh man,
• 1:38:50
  Speaker 1: look at that right there, I always just go, Okay,
• 1:38:52
  Speaker 1: I know, I don't know. I don't mean it at all.
• 1:38:54
  Speaker 1: When they start showing me purple things inside of it stuff,
• 1:38:57
  Speaker 1: I always go, no, shit, I.
• 1:38:58
  Speaker 3: Don't care about strain.
• 1:39:00
  Speaker 1: They're like, dude's an indecondominant hybrid. It's like I do
• 1:39:04
  Speaker 1: care about that. I do care about it, not just
• 1:39:05
  Speaker 1: being a sativa, because that'll just give me anxiety sometimes.
• 1:39:08
  Speaker 1: But like besides that, and by the way, if I'm
• 1:39:11
  Speaker 1: with a bunch of people and they put I don't
• 1:39:13
  Speaker 1: ask what it is. If it's sativa, we just smoke everything.
• 1:39:16
  Speaker 2: Yeah, asking what it is you're hanging out in a barbecue,
• 1:39:21
  Speaker 2: Well here's why, because it's not gonna some guys passing
• 1:39:22
  Speaker 2: the joint. You're like, wait, what is this to me?
• 1:39:24
  Speaker 1: I say, sativa? Is that smoking alone? A sativa? And
• 1:39:29
  Speaker 1: like if I'm gonna say, like in my hotel room
• 1:39:30
  Speaker 1: or something, I might get a little like just panicky.
• 1:39:33
  Speaker 1: It just still gets me like anxious, and it's just
• 1:39:35
  Speaker 1: like health anxious stuff. It's like I'm probably having a
• 1:39:37
  Speaker 1: heart attack. It's not like the world's coming down on me.
• 1:39:39
  Speaker 1: It's really like, why is my heart racing so fast?
• 1:39:42
  Speaker 1: That's probably my body shutting off. Huh.
• 1:39:44
  Speaker 6: If then you I feel real confident it goes away
• 1:39:51
  Speaker 6: because the opposite of week, like my fucking heart will
• 1:39:54
  Speaker 6: nervous stop bag.
• 1:39:58
  Speaker 1: I gotta make sure my heart is still beat un
• 1:40:00
  Speaker 1: to climb to the roof of this fucking place.
• 1:40:01
  Speaker 2: Yeah, shit, I don't think. I don't think you should
• 1:40:06
  Speaker 2: smoke crack, but I don't think people are gonna stop
• 1:40:09
  Speaker 2: smoking crack. And it's someone's making money off of it.
• 1:40:12
  Speaker 2: So it's like, why why should that money be made
• 1:40:15
  Speaker 2: in an unregulated way where you don't know what you're getting?
• 1:40:18
  Speaker 2: And think people one hundred thousand people are dying every
• 1:40:20
  Speaker 2: year because of that, right, one hundred thousand people are
• 1:40:22
  Speaker 2: dying of opioid overdoses every year. And if that's the case,
• 1:40:26
  Speaker 2: those one hundred thousand people, that's just the United States,
• 1:40:28
  Speaker 2: Those one hundred thousand people, Like, how many of them
• 1:40:33
  Speaker 2: wouldn't die if they weren't getting fentanyl lay stuff? So
• 1:40:36
  Speaker 2: is it worth one hundred million or one hundred thousand
• 1:40:39
  Speaker 2: people not dying to get them pure cocaine from a
• 1:40:43
  Speaker 2: laboratory and sell it to them rather than them get
• 1:40:46
  Speaker 2: it from the cartel and maybe die.
• 1:40:47
  Speaker 3: Is it legal anywhere cocine is? Right, there's a couple
• 1:40:49
  Speaker 3: like Portugal. I think all drugs are legal Portugal, all.
• 1:40:51
  Speaker 2: Drugs I think are it's called decriminalized.
• 1:40:54
  Speaker 1: Jumped out outside of a CVS though, getting their fucking
• 1:40:58
  Speaker 1: flu shots and picking up their cocaine. No, I don't
• 1:41:00
  Speaker 1: think the thing is it's not junkie behavior.
• 1:41:02
  Speaker 3: If you're medic you're forced to, like if it's illegal,
• 1:41:04
  Speaker 3: you're forced to do it in alleyways and shit.
• 1:41:06
  Speaker 2: I think if it's that's what the Democrats need to do.
• 1:41:08
  Speaker 2: They need to push legalized drugs, and then Medicaid funded
• 1:41:12
  Speaker 2: legalized drugs, and then people could just go to cvs
• 1:41:14
  Speaker 2: and get coke.
• 1:41:15
  Speaker 1: I would vote.
• 1:41:16
  Speaker 3: I would vote if somebody said legalized drugs, we're going
• 1:41:18
  Speaker 3: to lower taxes by twenty percent. I don't care about
• 1:41:20
  Speaker 3: any of their other policies. They're getting my vote every time. Period.
• 1:41:24
  Speaker 2: Yeah, but legalized drugs is a good one just because
• 1:41:27
  Speaker 2: you're not supposed to tell me what to do, Like,
• 1:41:29
  Speaker 2: it's not supposed to be one grown adult tells another
• 1:41:32
  Speaker 2: grown adult what to consume or not to consume, especially
• 1:41:34
  Speaker 2: when there's a lot of shit that shows it's not dangerous.
• 1:41:38
  Speaker 2: So if you're doing that pot venezuela its so cocaine.
• 1:41:43
  Speaker 2: Venezuela allows possession of up to two grams for personal use. Peru, Columbia, Bolivia, Ecuador, Paraguay, Mexico,
• 1:41:50
  Speaker 2: and Poland permit legal or decriminalized possession for personal use.
• 1:41:54
  Speaker 1: Oh yeah, that's right. Mexico.
• 1:41:55
  Speaker 2: Yeah, Mexico went crazy with Mexico.
• 1:41:57
  Speaker 1: It's legal to possess for personal use for cocaine.
• 1:42:01
  Speaker 2: You can get a lot of stuff in Mexico. That's
• 1:42:03
  Speaker 2: why they have those Eyeba gain centers down there too.
• 1:42:05
  Speaker 2: People go to a cure addiction that's illegal in America.
• 1:42:08
  Speaker 2: It's so fucking stupid, but they're starting to do that here.
• 1:42:11
  Speaker 2: They're doing one in Texas because of former Governor Rick
• 1:42:14
  Speaker 2: Perry because it helps a lot of soldiers, a lot
• 1:42:17
  Speaker 2: of cops with PTSD. Soldiers of PTSD like I begain.
• 1:42:20
  Speaker 2: It's like very helpful. Meanwhile, most of that stuff is
• 1:42:23
  Speaker 2: illegal in the United States for the moment is federally illegal,
• 1:42:26
  Speaker 2: and like why, like review that this is fucking stupid.
• 1:42:30
  Speaker 2: We're not babies and we're not getting any younger either,
• 1:42:32
  Speaker 2: Like we should have figured this out in the eighties
• 1:42:34
  Speaker 2: when I was in high school. Like why is this
• 1:42:36
  Speaker 2: conversation still going on where you're letting grown adults tell
• 1:42:39
  Speaker 2: other grown adults that they can't take things like, bitch,
• 1:42:42
  Speaker 2: you don't even know what that thing is. You've never
• 1:42:44
  Speaker 2: taken it.
• 1:42:45
  Speaker 1: Yeah, you know, Yeah, do whatever you want to do
• 1:42:47
  Speaker 1: with your body. That's what Maybe this is what Zorhan
• 1:42:49
  Speaker 1: Baba Duke is going to do in New York. Remember,
• 1:42:53
  Speaker 1: he's gonna bring up It's gonna be interesting.
• 1:42:56
  Speaker 2: It's gonna be interesting how much he changes once he
• 1:42:58
  Speaker 2: gets into office, how many much influence they can put
• 1:43:01
  Speaker 2: on him. Good Bye Ju York, Right, But I feel
• 1:43:09
  Speaker 2: like that's that's how the game is supposed to be played.
• 1:43:12
  Speaker 1: Why Stovro so stoked on him?
• 1:43:13
  Speaker 2: I don't know Stobby's having a good time with his
• 1:43:17
  Speaker 2: political ideologies, but.
• 1:43:19
  Speaker 1: I wonder if it's like a specific like thing. I
• 1:43:21
  Speaker 1: just don't know any of his policies. I know he's
• 1:43:23
  Speaker 1: a rap thing, and maybe prostitution is going to be legal.
• 1:43:27
  Speaker 2: Yeah, I think they already did that. I think they
• 1:43:29
  Speaker 2: already did decriminalized it.
• 1:43:30
  Speaker 1: Did criminalized prostitution.
• 1:43:32
  Speaker 2: Did they decriminalized prostitution in you take it for me?
• 1:43:34
  Speaker 1: No, they haven't, I don't think so.
• 1:43:37
  Speaker 2: There was talk about doing that, right.
• 1:43:38
  Speaker 1: Well, maybe I think I think it should be legal
• 1:43:40
  Speaker 1: to or i'd say it when they pop up with
• 1:43:42
  Speaker 1: a new like holy shit law, they will just drop
• 1:43:46
  Speaker 1: it on you one morning. I mean, the smoking cigarettes,
• 1:43:50
  Speaker 1: that's gonna sa something saying weed smoking weed wherever you like,
• 1:43:53
  Speaker 1: so legal that you can smoke anywhere. You smoke cigarettes outside,
• 1:43:56
  Speaker 1: you can smoke weed in New York. The day it
• 1:43:58
  Speaker 1: went legal, and it was like so un ceremonious. I
• 1:44:01
  Speaker 1: remember like finding out like that day it's like weeds
• 1:44:03
  Speaker 1: legal today, Like really it was such like a thing
• 1:44:06
  Speaker 1: that was debated for so long and then one day
• 1:44:07
  Speaker 1: it just was yeah. And then it was all of
• 1:44:09
  Speaker 1: these illegal in New York City. There was all these
• 1:44:12
  Speaker 1: like like fake dispensaries that popped up, all of them.
• 1:44:18
  Speaker 3: It was like one hundred of them because they they
• 1:44:20
  Speaker 3: couldn't like the cops didn't know what to do with them.
• 1:44:22
  Speaker 1: Nope.
• 1:44:22
  Speaker 3: So like a hundred dispensaries opened up over the course
• 1:44:24
  Speaker 3: of like a week. There was trucks with like just
• 1:44:26
  Speaker 3: Puerto Rican guys in the back of the truck and
• 1:44:27
  Speaker 3: be like, oh, welcome to the weed shop.
• 1:44:29
  Speaker 1: And then we're bringing in the best shit from California,
• 1:44:33
  Speaker 1: so good. Yeah. Yeah. And then one day, just.
• 1:44:35
  Speaker 3: The same way, it was unceremoniously that it was legal.
• 1:44:38
  Speaker 3: They said, oh, we're just fucking arresting everybody. And then
• 1:44:41
  Speaker 3: they shut down every dispensary in New York and they
• 1:44:43
  Speaker 3: rated all of them.
• 1:44:44
  Speaker 1: I didn't they didn't do much arresting. I don't think
• 1:44:45
  Speaker 1: it was honestly, but they went in I'd go to
• 1:44:47
  Speaker 1: the places and like it was like going to your
• 1:44:49
  Speaker 1: favorite burger shop and finding out it just got robbed violently,
• 1:44:52
  Speaker 1: Like you go in this place and they're just like
• 1:44:54
  Speaker 1: picking up the pieces of things left behind the go.
• 1:44:57
  Speaker 1: They took everything. Man, he just came in. They took
• 1:44:59
  Speaker 1: a whole atm they took they took the whole fucking
• 1:45:02
  Speaker 1: uh stash they had And when was this a couple
• 1:45:05
  Speaker 1: of years and a couple of years ago, and then
• 1:45:08
  Speaker 1: and then fucking he went and the Eric Adams like
• 1:45:11
  Speaker 1: burned it all, Like he burned it all off, all
• 1:45:13
  Speaker 1: the stuff they just like took from the stores.
• 1:45:16
  Speaker 2: So he took all the weed and burned it. Eric
• 1:45:18
  Speaker 2: Adams did. Yeah, Okay, So they decriminalized it for a
• 1:45:21
  Speaker 2: short period of time and then decided to crack down
• 1:45:23
  Speaker 2: on illegal dispensaries only or illegalized But so they're just
• 1:45:29
  Speaker 2: getting it from these illegal dispensers.
• 1:45:31
  Speaker 1: The problem was the idea. I think the way they
• 1:45:34
  Speaker 1: got it to pass, he personally destroyed it. Yeah. The
• 1:45:37
  Speaker 1: way the way they got it to pass of doing
• 1:45:41
  Speaker 1: like getting legalized new York was that it's going to
• 1:45:43
  Speaker 1: bring revenue to New York. So it's like we're gonna
• 1:45:46
  Speaker 1: use growers in New York. So it took all these
• 1:45:48
  Speaker 1: brands you never heard of before.
• 1:45:49
  Speaker 2: Bro, why would he film himself running the tractor that's
• 1:45:54
  Speaker 2: picking up the weed and dumping it.
• 1:45:55
  Speaker 1: Onto the market to get people talking about it?
• 1:45:58
  Speaker 2: That is so such a bad idea, Like if you're
• 1:46:01
  Speaker 2: willing to do that, if you're a mayor and you
• 1:46:04
  Speaker 2: think that's like when who was the guy that climbed
• 1:46:07
  Speaker 2: in the tank during the he was running for president
• 1:46:11
  Speaker 2: and he took they took a photo of him like
• 1:46:13
  Speaker 2: a photo op, but he was at a tank like
• 1:46:15
  Speaker 2: a helmet. He looked like such a fucking dork that
• 1:46:17
  Speaker 2: immediately crept. Yes, Michael, look at this dork. He's like
• 1:46:22
  Speaker 2: this tiny little guy, and he took this photo with
• 1:46:25
  Speaker 2: him in a tank, and everybody was like, it's over,
• 1:46:27
  Speaker 2: forget it.
• 1:46:27
  Speaker 1: Dude had to destroyer president. Yeah, Michael Ducoccus's eyebrows, that's
• 1:46:33
  Speaker 1: what I remember.
• 1:46:34
  Speaker 2: Yeah, Well, then his lady was like drinking. What was
• 1:46:38
  Speaker 2: she drinking? She was drinking like either mouthwash or cologne
• 1:46:45
  Speaker 2: or something like that, right, drunk? Yeah, yeah, trying to
• 1:46:47
  Speaker 2: get drunk she was, Michael, Yeah, it was something crazy,
• 1:46:52
  Speaker 2: like can I remember that story? Something crazy, toxic. She
• 1:46:56
  Speaker 2: was just trying to catch a buzz off of anything.
• 1:46:58
  Speaker 1: What was he he was going against? Which? W? George H? W. Bush? Right,
• 1:47:02
  Speaker 1: I believe.
• 1:47:02
  Speaker 2: So she's drinking rubbing alcohol, rubbing alcohol. Fucking yo, imagine
• 1:47:06
  Speaker 2: how that burns going down? Rubbing alcohol? Can rubbing alcohol
• 1:47:11
  Speaker 2: actually get you drunk?
• 1:47:12
  Speaker 1: Oh? Yeah?
• 1:47:12
  Speaker 2: Can it kill you?
• 1:47:14
  Speaker 1: Will it kill you?
• 1:47:14
  Speaker 4: That's where the poison and dose thing becomes a thing.
• 1:47:17
  Speaker 1: Yeah for show Wow, how about which Hazel? Yeah? You
• 1:47:22
  Speaker 1: could you coul drink rubbing alcohol for sure.
• 1:47:24
  Speaker 2: Yeah, that was the scandal of the time back then
• 1:47:29
  Speaker 2: to Caucus. Yeah, why are we talking about him?
• 1:47:32
  Speaker 1: Mayor Adam's burning the weed.
• 1:47:33
  Speaker 2: Oh that's such a bad look man.
• 1:47:35
  Speaker 1: Yeah, Well, like what is the angle? It's either your
• 1:47:37
  Speaker 1: your state, your city, and your state's made it legal.
• 1:47:39
  Speaker 1: So it's like, what is the the image ron because
• 1:47:42
  Speaker 1: he's going this is about New York thing. He's basically saying, like,
• 1:47:46
  Speaker 1: these are businesses coming in and not bringing any revenue
• 1:47:48
  Speaker 1: to like New York.
• 1:47:49
  Speaker 2: This is what I would say, Okay, if I was
• 1:47:52
  Speaker 2: the mayor and I did they had already done this,
• 1:47:54
  Speaker 2: I would say, let's auction off these weed and give
• 1:47:57
  Speaker 2: that money to the education system. Sure are tons of
• 1:48:00
  Speaker 2: weed that you can sell now, yeah, okay, but then
• 1:48:04
  Speaker 2: the problem is now then the cops have an incentive
• 1:48:07
  Speaker 2: to steal your weed and then resell it. And cosme
• 1:48:11
  Speaker 2: the biggest dealers in New York. If they could just
• 1:48:14
  Speaker 2: steal your weed in resell brown, why did they Why
• 1:48:18
  Speaker 2: were they able to steal that weed if the weed
• 1:48:20
  Speaker 2: is legal, what are we doing?
• 1:48:21
  Speaker 1: It's because they're at reselllllcohol.
• 1:48:24
  Speaker 3: Though, Like if you if you were selling beers on
• 1:48:26
  Speaker 3: a street corner.
• 1:48:27
  Speaker 1: Taxes. Yeah, they got to get their They got to
• 1:48:29
  Speaker 1: get their cutcohol Restacense.
• 1:48:32
  Speaker 2: Also announced today announced that as of yesterday, the task
• 1:48:36
  Speaker 2: Force has conducted inspections of one hundred percent of known
• 1:48:39
  Speaker 2: shops identified as selling cannabis illegally, and that was part
• 1:48:42
  Speaker 2: of Operation Padlock to Protect to Operation Padlock to Protect
• 1:48:48
  Speaker 2: initial list of illegal shops. As a result of operations
• 1:48:52
  Speaker 2: rapid success, the city has seized more than sixty three
• 1:48:54
  Speaker 2: million dollars in illegal product, which has been taking up
• 1:48:58
  Speaker 2: an outsized amount of space across NYPD's network of evidence warehouses.
• 1:49:02
  Speaker 1: Let's deal, it sounds like you're stealing weed.
• 1:49:06
  Speaker 2: It sounds like you're stealing weed.
• 1:49:08
  Speaker 1: That's what I'm talking These shop owners. The two places
• 1:49:10
  Speaker 1: that I would go that got shut down, the shop
• 1:49:12
  Speaker 1: owners came out like like arms in the air, like
• 1:49:15
  Speaker 1: this is crazy. They just came in and destroyed everything.
• 1:49:18
  Speaker 2: Here's my question, though, if it's legal, so it's legal,
• 1:49:20
  Speaker 2: so that is legal and you can sell it, why
• 1:49:23
  Speaker 2: are you able to take If you're going to a
• 1:49:25
  Speaker 2: shop that's illegally selling televisions, okay, and you go in
• 1:49:30
  Speaker 2: there and you go, oh, these guys have sixty televisions.
• 1:49:32
  Speaker 2: You don't burn them, right, you don't take it from
• 1:49:37
  Speaker 2: them and burn them. Why are you allowed to take
• 1:49:39
  Speaker 2: sixty three million dollars worth of marijuana product if it's legal,
• 1:49:43
  Speaker 2: even if it's an illegal store. Why are you allowed
• 1:49:45
  Speaker 2: to take their product and just destroy it? Like that
• 1:49:48
  Speaker 2: seems so stupid.
• 1:49:49
  Speaker 1: Yeah, it seems crazy.
• 1:49:50
  Speaker 2: We know it's a commodity. Like do you have sixty
• 1:49:52
  Speaker 2: three Are you rich and rich? Are you so rich
• 1:49:55
  Speaker 2: that you get to burn sixty three million dollars? You're
• 1:49:57
  Speaker 2: not worried about what goes to the city.
• 1:49:59
  Speaker 1: You are. I feel like you could burn stick with
• 1:50:01
  Speaker 1: the weed and be like I was leaving that pick
• 1:50:03
  Speaker 1: of a deal.
• 1:50:03
  Speaker 2: I'd feel it. But the point is, the point is like,
• 1:50:07
  Speaker 2: why would you do that? Why would you do that?
• 1:50:09
  Speaker 2: Why would you burn it? Why wouldn't you just give
• 1:50:11
  Speaker 2: it away or sell it? You don't give it away
• 1:50:12
  Speaker 2: to poor people can't afford we money?
• 1:50:15
  Speaker 1: You should have bought it.
• 1:50:16
  Speaker 2: I wish I could just imagine, and I just said,
• 1:50:19
  Speaker 2: I'm going to give out all this weed to all
• 1:50:20
  Speaker 2: the poor neighborhoods the people can't support.
• 1:50:23
  Speaker 4: We answer in the last paragraph unregulated.
• 1:50:26
  Speaker 2: Unregulated right of course and taxes on any of it.
• 1:50:29
  Speaker 2: Of course. That's also so if somebody said that was
• 1:50:32
  Speaker 2: my point though, if you have unregulated televisions, they don't
• 1:50:34
  Speaker 2: destroy the televisions.
• 1:50:36
  Speaker 1: Probably do.
• 1:50:36
  Speaker 2: Oh no, they wouldn'tation them all. You'd get mad, now,
• 1:50:41
  Speaker 2: that wouldn't.
• 1:50:41
  Speaker 1: They probably try to.
• 1:50:42
  Speaker 3: You're not consuming the TV, right, so it's not something
• 1:50:45
  Speaker 3: you're putting in your body. So the regulation exists. Obviously,
• 1:50:47
  Speaker 3: it's just for taxes and bullshit.
• 1:50:49
  Speaker 1: They always read auctions. I was going to say police
• 1:50:51
  Speaker 1: auction for cars. They've seized cars.
• 1:50:52
  Speaker 2: They definitely do that. They don't destroy cars.
• 1:50:55
  Speaker 1: They don't even tell you. They're like, it's like, hey,
• 1:50:57
  Speaker 1: I got a Mercedes, Like yeah, you better hope they
• 1:50:58
  Speaker 1: got it, come looking for it.
• 1:51:00
  Speaker 2: That's exactly what I told my friend he was buying
• 1:51:01
  Speaker 2: a Porsche, like one of them old school Porsches, the
• 1:51:04
  Speaker 2: slant nose. I was like, dude, that's a drug dealer card.
• 1:51:07
  Speaker 2: So how many of them exist? They even look like
• 1:51:09
  Speaker 2: that thing? That guy's gonna find you one day. You're
• 1:51:12
  Speaker 2: gonna be at a restaurant. He's gonna be out of jail,
• 1:51:15
  Speaker 2: like a yeah, my first apartment, where'd you get that car?
• 1:51:20
  Speaker 1: My first apartment in New York that I had. The
• 1:51:23
  Speaker 1: landlord lived upstairs, him and his wife and kid, and
• 1:51:26
  Speaker 1: he was he looked exactly like Travis Pickle, I mean
• 1:51:29
  Speaker 1: exactly like the character Travis Pickle. And his name was
• 1:51:32
  Speaker 1: Wayne and he used to it was Travis Pickle, that's
• 1:51:36
  Speaker 1: Robert DeNiro's character and taxi sho. He looked exactly like
• 1:51:40
  Speaker 1: he purposely chose to look like that character. Oh boy.
• 1:51:43
  Speaker 1: And the property had in front of the whole place
• 1:51:47
  Speaker 1: a gigantic green like pad locked gate, and inside there
• 1:51:52
  Speaker 1: was two giant like fucking pit bulls, these angry dogs
• 1:51:56
  Speaker 1: that were just in the gate outside and then the
• 1:51:58
  Speaker 1: house you'd walk into. We were the front first when
• 1:52:00
  Speaker 1: they were second floor. But he was a repo man
• 1:52:02
  Speaker 1: and so when you come home anytime, and like the
• 1:52:04
  Speaker 1: reason we had the padlock the whole property was because
• 1:52:07
  Speaker 1: up on the property in the front lawn it would
• 1:52:09
  Speaker 1: be like McLaren's and fucking these he was like just
• 1:52:12
  Speaker 1: repolling like drug dealer cars constantly there's being our front yard.
• 1:52:16
  Speaker 1: It's so terrifying.
• 1:52:17
  Speaker 2: That's fucking scary as shit, because if you come out,
• 1:52:20
  Speaker 2: where's my fucking car, Like I don't know I don't
• 1:52:22
  Speaker 2: have anything to do with it.
• 1:52:23
  Speaker 1: By the way, we're in Queen's and we moved to
• 1:52:26
  Speaker 1: a storia because everyone was like a story a Greek.
• 1:52:29
  Speaker 1: It's so great in the food, and it's so not scary,
• 1:52:32
  Speaker 1: you know, wonderful place. Well, the edge of it where
• 1:52:35
  Speaker 1: I moved is on Queen's Bridge projects where rap comes from,
• 1:52:42
  Speaker 1: and that was scary as hell. So things. It was
• 1:52:44
  Speaker 1: like a kind of like a rough area too. And
• 1:52:47
  Speaker 1: they have these like, I mean, two hundred thousand dollar
• 1:52:49
  Speaker 1: cars just on our front lawn.
• 1:52:51
  Speaker 2: Oh, you don't want to buy a drug dealer's car. No,
• 1:52:53
  Speaker 2: you don't want to live in his house after they
• 1:52:55
  Speaker 2: repossess it.
• 1:52:56
  Speaker 1: Like, no, would you live in a murder house for
• 1:52:59
  Speaker 1: a good deal? Though?
• 1:53:00
  Speaker 3: I almost bought a murder house, I know I was.
• 1:53:03
  Speaker 3: I had put it in an offer, it was accepted,
• 1:53:04
  Speaker 3: and I pulled out at the last minute. It was
• 1:53:06
  Speaker 3: problem to keep it alive and murder yours. It was
• 1:53:08
  Speaker 3: a three hundred year old house. That was why I
• 1:53:09
  Speaker 3: ended up not buying it. It was like and there
• 1:53:11
  Speaker 3: was a judge who lived in it and put a
• 1:53:13
  Speaker 3: guy in prison, and when the guy got out of prison,
• 1:53:15
  Speaker 3: he murdered the judge and his wife in the house,
• 1:53:17
  Speaker 3: and uh, they didn't tell me when I first toured it,
• 1:53:20
  Speaker 3: and then I did the research on it, and I
• 1:53:21
  Speaker 3: thought it was cool, Like I didn't give a shit
• 1:53:23
  Speaker 3: at all. I thought it was just like a fun
• 1:53:24
  Speaker 3: story having ghost a year the years ago.
• 1:53:30
  Speaker 2: Fifty years ago, Okay, that doesn't count. Yeah, I'll live
• 1:53:33
  Speaker 2: in that house.
• 1:53:34
  Speaker 1: Yeah, but that's how that's how ghosts. You want those ghosts,
• 1:53:37
  Speaker 1: the ghost old timey ghost with chains and like a fucking.
• 1:53:40
  Speaker 2: Yeah, yeah, yeah, that's fine. I don't want them new ghosts.
• 1:53:44
  Speaker 1: Contemporary ghosts.
• 1:53:45
  Speaker 2: Deal ghosts going to throw you downstairs and kill you.
• 1:53:48
  Speaker 1: Showed I can live in the I can live in
• 1:53:51
  Speaker 1: the on the property of murder, but not in the strutroom.
• 1:53:56
  Speaker 2: Oh like if murder happened on a manner in English countryside.
• 1:54:02
  Speaker 1: Happened in a house and then the house was like demolished.
• 1:54:06
  Speaker 2: You know what if it happened in the woodshed like
• 1:54:08
  Speaker 2: ed Gain style.
• 1:54:09
  Speaker 1: It's weird. Well, you know, in Long Island, somebody they
• 1:54:12
  Speaker 1: finally did, I think, not long ago, like finally demolished
• 1:54:15
  Speaker 1: the Amityville House. Oh really, horror house, Like finally just
• 1:54:20
  Speaker 1: like someone bought the property and was like to take
• 1:54:22
  Speaker 1: it down.
• 1:54:22
  Speaker 2: What is the whole deal with the Amityville Hart? What
• 1:54:24
  Speaker 2: was the true story about that?
• 1:54:26
  Speaker 1: Monsters and ghosts? What you mean?
• 1:54:29
  Speaker 2: But York was what was the story?
• 1:54:35
  Speaker 1: Kill his family?
• 1:54:36
  Speaker 2: Did kill his family?
• 1:54:38
  Speaker 3: The conjuring?
• 1:54:39
  Speaker 1: Right though?
• 1:54:40
  Speaker 3: That was their story, right, Like they were the ones
• 1:54:42
  Speaker 3: who discovered the Amityville Horror House, the couple from the
• 1:54:44
  Speaker 3: Conjuring Right, But what was the.
• 1:54:46
  Speaker 2: Story about the Amityville Horror Did the father that went
• 1:54:49
  Speaker 2: nuts killed his family with an X?
• 1:54:50
  Speaker 1: Is that what it was?
• 1:54:51
  Speaker 2: The real story? I believe so about the actual house.
• 1:54:54
  Speaker 2: I know that was the movie, but I never knew
• 1:54:56
  Speaker 2: if that was the actual story itself. It's good, I mean,
• 1:55:01
  Speaker 2: because there's so many of those movies back in the
• 1:55:03
  Speaker 2: eighties and shid like they would just make up a
• 1:55:05
  Speaker 2: history and you would never be able to google it.
• 1:55:07
  Speaker 3: Well, they say it's a true story, like Weapons, the
• 1:55:09
  Speaker 3: Beginning of Weapons. They were like, this is a true story.
• 1:55:11
  Speaker 3: It's like is it though? Is there a witch that
• 1:55:14
  Speaker 3: came and possessed a bunch of children?
• 1:55:15
  Speaker 2: And they all, Okay, here it is. He was American
• 1:55:18
  Speaker 2: mass murder who was tried and convicted of the nineteen
• 1:55:21
  Speaker 2: seventy four killings of his father, mother, two brothers, and
• 1:55:24
  Speaker 2: two sisters in Amityville, New York. His name is Ronald
• 1:55:28
  Speaker 2: Joseph de Fayo, Junior. He was found guilty of six
• 1:55:32
  Speaker 2: counts of second degree murder and was sent to twenty
• 1:55:34
  Speaker 2: five to life. Da Fao died in March of twenty
• 1:55:37
  Speaker 2: twenty one. The case inspired the book and film versions
• 1:55:41
  Speaker 2: of the Amityville Horr.
• 1:55:42
  Speaker 1: There is one twelve ocean avenue and so did.
• 1:55:46
  Speaker 2: He kill him with an axe? Shot him, shot and
• 1:55:51
  Speaker 2: killed six members of his family at their home. It
• 1:55:56
  Speaker 2: is he could have just been a piece of shit.
• 1:55:57
  Speaker 2: The devil didn't have to have anything to do with it.
• 1:56:00
  Speaker 1: That is something funny when there's sequels to something that
• 1:56:02
  Speaker 1: is initially supposed to have actually happened.
• 1:56:04
  Speaker 2: Right then you just start making shut up. That is
• 1:56:08
  Speaker 2: kind of funny. That's a that's a very good pointed.
• 1:56:10
  Speaker 1: To electric boogaloo.
• 1:56:12
  Speaker 2: This is redemption arc defail claiming had no memory of
• 1:56:15
  Speaker 2: killing his family, so they mounted affirmative defensive insanity and sanity.
• 1:56:20
  Speaker 2: Plea was supported by the psychiatrics psychiatrists for the defense
• 1:56:24
  Speaker 2: Daniel Schwartz. The Psychiatrists for the prosecution, doctor Harold Zolan
• 1:56:28
  Speaker 2: maintained that although the fail was a user of heroin
• 1:56:31
  Speaker 2: and LSD, he had anti social personality disorder and was
• 1:56:34
  Speaker 2: aware of his accents at the time of his crime.
• 1:56:37
  Speaker 1: Interesting, heroin LSD.
• 1:56:41
  Speaker 2: Interesting, Yeah, unregulated, that's it, that's the problem. You got
• 1:56:45
  Speaker 2: it from the cartel, so that was based on a
• 1:56:47
  Speaker 2: true story. But you know, all the demon ship in there,
• 1:56:50
  Speaker 2: they just add that. I was kind of weird that
• 1:56:52
  Speaker 2: you're allowed to do that after someone's dead.
• 1:56:55
  Speaker 1: You just make up a bunch of.
• 1:56:58
  Speaker 2: Joe just did, right, But this is like you're making
• 1:57:01
  Speaker 2: up a thing where this guy is possessed by demons,
• 1:57:05
  Speaker 2: which is why he's killing everybody.
• 1:57:08
  Speaker 1: Yeah.
• 1:57:09
  Speaker 2: Yeah, and not only that you turned it into a
• 1:57:11
  Speaker 2: horror movie that that has a supernatural in it. A
• 1:57:14
  Speaker 2: gain that that show was about what he really did,
• 1:57:19
  Speaker 2: Like you really did take people's skin.
• 1:57:21
  Speaker 1: Off the grave robbing and yeah and stuff like that
• 1:57:24
  Speaker 1: was definitely and he.
• 1:57:25
  Speaker 2: Made he did make furniture out of people's skin, like
• 1:57:28
  Speaker 2: all that stuff was insane.
• 1:57:30
  Speaker 3: Yeah, the show took a lot of like liberties with
• 1:57:32
  Speaker 3: like rumors and shit, but.
• 1:57:34
  Speaker 2: It was like him wearing dresses and jagging off.
• 1:57:36
  Speaker 3: Now, like some of the murders, Like he was never
• 1:57:38
  Speaker 3: connected to all the murders that he did on the show,
• 1:57:40
  Speaker 3: Like there was sort of like rumors like none of it,
• 1:57:43
  Speaker 3: like uh like even where he killed his brother.
• 1:57:45
  Speaker 1: I guess he was mostly a grave robber, was this thing? Yeah,
• 1:57:48
  Speaker 1: he didn't.
• 1:57:48
  Speaker 3: It was sort of like they kind of put two
• 1:57:50
  Speaker 3: and two together and they just said he murdered his brother,
• 1:57:52
  Speaker 3: but that was never proven.
• 1:57:54
  Speaker 1: I see.
• 1:57:54
  Speaker 2: Yeah, yeah, I saw that part in the movie and
• 1:57:57
  Speaker 2: I was like, and I did look it up, and
• 1:57:59
  Speaker 2: it did so that they weren't sure that the city
• 1:58:01
  Speaker 2: died of its pphyxiation from the smoke.
• 1:58:04
  Speaker 1: Yeah, you know.
• 1:58:04
  Speaker 2: But then they noticed that he had had a.
• 1:58:05
  Speaker 1: Bruise, but they said he could have what he felt
• 1:58:07
  Speaker 1: he could have hit his head. Yeah, yeah, it could.
• 1:58:11
  Speaker 2: You know, who knows. But he definitely killed a few
• 1:58:14
  Speaker 2: people at least, right.
• 1:58:15
  Speaker 1: I think he was only charged with two too, Yeah,
• 1:58:18
  Speaker 1: only two yeah, yeah, which I mean serial killer? Come on,
• 1:58:25
  Speaker 1: come on.
• 1:58:26
  Speaker 2: Craziest one was Henry Lee Lucas. Do you ever see
• 1:58:28
  Speaker 2: that movie, Yeah, Henry Portrait of a serial Killer. It's
• 1:58:31
  Speaker 2: based on Henry Lee Lucas. Him and this dude. They
• 1:58:34
  Speaker 2: traveled across the country together and he killed They don't
• 1:58:38
  Speaker 2: even know how many people he killed. But then the
• 1:58:39
  Speaker 2: problem with that guy is he also seems crazy, so
• 1:58:42
  Speaker 2: then cops could bring him. What about this one Illinois
• 1:58:45
  Speaker 2: nineteen seventy two, Betty Lee Harris, I killed her, definitely
• 1:58:50
  Speaker 2: remember her, And so then they could chalk stuff off
• 1:58:52
  Speaker 2: like that, they solved cases, and so they'll get a
• 1:58:55
  Speaker 2: lot of these guys that are basically just fucking losers
• 1:58:57
  Speaker 2: that are you know, probably strung out on a kill.
• 1:59:00
  Speaker 2: A few people kill people for thrills and a gas
• 1:59:03
  Speaker 2: station and stuff like kind of like with the movie implied,
• 1:59:07
  Speaker 2: but then you just you give him credit for like
• 1:59:09
  Speaker 2: one hundred deaths.
• 1:59:10
  Speaker 1: Did you ever speak to on the show and the guys? Uh?
• 1:59:13
  Speaker 1: The West Memphis three? Did you have Dami Nicols on ever?
• 1:59:16
  Speaker 1: The main kid from that?
• 1:59:18
  Speaker 2: No?
• 1:59:19
  Speaker 1: You know what I'm talking about the West Memphis three,
• 1:59:20
  Speaker 1: because that was especially I wonder if like their lives
• 1:59:22
  Speaker 1: are just fucked or if they're just doing okay?
• 1:59:26
  Speaker 2: Explain the West Memphis three to be able the story.
• 1:59:29
  Speaker 1: It was three like heavy metal gothye kids that were friends.
• 1:59:34
  Speaker 1: One was like dim or what do you call it,
• 1:59:36
  Speaker 1: like dull like brained. He was like seventy i Q
• 1:59:39
  Speaker 1: or something. This is the origin story of the Legionist gangs.
• 1:59:46
  Speaker 1: Then he came to me, the Goth lord I was
• 1:59:49
  Speaker 1: holding seances in. It was a big guy.
• 1:59:51
  Speaker 3: He was really funny. There was a guy into politics.
• 1:59:53
  Speaker 1: It was the whole thing.
• 1:59:55
  Speaker 2: Before we get too far.
• 1:59:57
  Speaker 4: Yeah, another AI platform says that he was on the
• 2:00:00
  Speaker 4: podcast and on two other separate occasions, and that's not true.
• 2:00:05
  Speaker 4: Wow really yeah, look, so that's not it's confusing him
• 2:00:10
  Speaker 4: with Duncan enough for some reason.
• 2:00:12
  Speaker 1: We'll just say.
• 2:00:14
  Speaker 2: Wanted to say, that's so crazy about stuffing. That's so crazy.
• 2:00:23
  Speaker 2: So that's not perplexity. That's another shitty AI that lies
• 2:00:27
  Speaker 2: stitches AI. It's another country trying to ruin our great
• 2:00:31
  Speaker 2: America with their feeble.
• 2:00:33
  Speaker 1: And now you're all tied up with the West Memphis
• 2:00:35
  Speaker 1: three great yea. So the three kids they got arrested
• 2:00:39
  Speaker 1: because two two boys went missing, I think two little
• 2:00:43
  Speaker 1: boys went missing, and they kind of rallied up these
• 2:00:46
  Speaker 1: kids and they didn't take it that seriously when they
• 2:00:49
  Speaker 1: first got arrested for the murder of these two boys.
• 2:00:52
  Speaker 1: Two boys I think they were killed. It was two
• 2:00:55
  Speaker 1: or three little boys, but I mean they're like, like
• 2:00:58
  Speaker 1: the dicks were cut off. It was like a violent,
• 2:01:00
  Speaker 1: violent murder of these little kids. And three of them missing. Yeah,
• 2:01:06
  Speaker 1: they go missing and they find like them ultimately, and
• 2:01:09
  Speaker 1: they arrest these three kids because like the neighborhood was like, oh,
• 2:01:12
  Speaker 1: those are the kids that are always making bonfires and
• 2:01:15
  Speaker 1: wearing long coats, and they got arrested. The Damien Echols
• 2:01:18
  Speaker 1: kid kind of embraced it because he was like, you know,
• 2:01:20
  Speaker 1: he's like, they didn't do it. So he's like, I'll
• 2:01:22
  Speaker 1: be the you know, the creepy kid who says a
• 2:01:25
  Speaker 1: bunch of weird shit. And then they got the kid
• 2:01:27
  Speaker 1: who was retarded to say they did it. Oh my god,
• 2:01:30
  Speaker 1: but they led him. Every all of his details are
• 2:01:32
  Speaker 1: wrong when they interviewed the kid, and they spent fucking
• 2:01:35
  Speaker 1: nineteen years or something like that in jail, one of
• 2:01:38
  Speaker 1: them on death row, and they ended up getting They
• 2:01:42
  Speaker 1: took the what's that plea called It's a very interesting
• 2:01:46
  Speaker 1: plea you could put in that says you're admitting guilt,
• 2:01:49
  Speaker 1: but they're letting you out because they didn't want to
• 2:01:51
  Speaker 1: say they wouldn't just overturn the thing because of no
• 2:01:54
  Speaker 1: evidence and so much of other people them right, So
• 2:01:57
  Speaker 1: they were like, oh my god. And then so they
• 2:01:59
  Speaker 1: let them out Alfred plea, yeah, oh crazy. And so
• 2:02:03
  Speaker 1: they got out and they say they're guilty, but they
• 2:02:04
  Speaker 1: all get to get out. But like, is the one
• 2:02:06
  Speaker 1: who's are they okay?
• 2:02:11
  Speaker 2: Yeah, dude, that's so creepy man, And.
• 2:02:15
  Speaker 1: They think it's the one kid's stepfather is the one
• 2:02:17
  Speaker 1: who looks most good for it. You're asking there.
• 2:02:20
  Speaker 3: Just normal now, I don't know what you're not coming
• 2:02:23
  Speaker 3: back from eighteen years of being falsely incarcerated and being
• 2:02:25
  Speaker 3: normally you're fucked up?
• 2:02:26
  Speaker 1: Yeah, you're, well, this is the one kids like, you know,
• 2:02:28
  Speaker 1: his brain is like a slow the other kid you
• 2:02:32
  Speaker 1: have the red headed kid. But yeah, what if their
• 2:02:34
  Speaker 1: lives are like if they're just like flourishing in any way?
• 2:02:36
  Speaker 2: I think the slow will And you have to sign
• 2:02:38
  Speaker 2: this police so you can't even make money for being
• 2:02:40
  Speaker 2: wrongfully imprisoned. Well, I don't know, but it does. You're
• 2:02:44
  Speaker 2: not going to get as much as you deserve. No
• 2:02:46
  Speaker 2: oney's going to read your Book's benest. You're a really
• 2:02:50
  Speaker 2: good writer.
• 2:02:50
  Speaker 1: No one's going to read the stories out there.
• 2:02:52
  Speaker 2: The stories out there. We know the end the end.
• 2:02:55
  Speaker 2: But the thing is the fucking people that did that
• 2:02:58
  Speaker 2: they deserve to pay. They deserve to pay, and they
• 2:03:01
  Speaker 2: never call the real people right no, so they're they're
• 2:03:03
  Speaker 2: letting these people go, but they have to say they
• 2:03:05
  Speaker 2: did it. Fuck you, man, you're just trying to get
• 2:03:08
  Speaker 2: out of You're just trying to get out of jail
• 2:03:09
  Speaker 2: because you should be in jail. You put people in
• 2:03:11
  Speaker 2: jail for something they didn't belong being in jail for
• 2:03:13
  Speaker 2: that should be experience.
• 2:03:15
  Speaker 1: Though there's no such thing as too much spit. Damien
• 2:03:19
  Speaker 1: Echles story.
• 2:03:23
  Speaker 2: How to cook laan in your toilet bowl with a
• 2:03:27
  Speaker 2: hair dryer.
• 2:03:28
  Speaker 1: Toilet wine makes the pain go away. The prison guards
• 2:03:31
  Speaker 1: never hear you scream by Damien Eccles. I think in parentheses.
• 2:03:35
  Speaker 1: I think they do here. They just don't care. Boy, iude,
• 2:03:38
  Speaker 1: being in prison would just it's still the scariest fear
• 2:03:40
  Speaker 1: of mine in the world. End up having to go
• 2:03:42
  Speaker 1: to prison. I just won't. I will not do well.
• 2:03:46
  Speaker 3: With your nail polish the love you, dude, that's gonna
• 2:03:49
  Speaker 3: wear off eventually, Dude, you'll be somebody's fucking and.
• 2:03:51
  Speaker 2: They're gonna paint it back on somebody because they're looking
• 2:03:54
  Speaker 2: to trouble for bringing in nail polish.
• 2:03:56
  Speaker 1: Other dudes are bringing in heroin. Shat. You're all skinny. Now, dude,
• 2:04:04
  Speaker 1: you'd be somebody's you'd be somebody's bitch in a week.
• 2:04:07
  Speaker 1: Oh God, I tell you what I know from the
• 2:04:08
  Speaker 1: times that I've been in like holding cells and shit,
• 2:04:10
  Speaker 1: that like, they do not appreciate funny you think like
• 2:04:13
  Speaker 1: they're going to in there. They hate it. They hate it.
• 2:04:15
  Speaker 2: They're tents, they're locked up. I think they're tense.
• 2:04:17
  Speaker 1: I think a lot of people too who are in there,
• 2:04:19
  Speaker 1: especially when they look comfortable, live in a world that
• 2:04:21
  Speaker 1: isn't like laughing a lot, you know what I'm saying,
• 2:04:24
  Speaker 1: Like a machismo world where it's like a giggle makes
• 2:04:26
  Speaker 1: you soft. Yeah, they don't like that. They don't want
• 2:04:28
  Speaker 1: you to making silly, fucking silly jokes. I'm coming in there,
• 2:04:31
  Speaker 1: I'm like, uh, you know, I'm being little zingers and
• 2:04:33
  Speaker 1: I'm like, I'm gonna be out of here in a
• 2:04:34
  Speaker 1: couple hours.
• 2:04:35
  Speaker 3: Guys, they give you a nicknamed like oh yeah, you smiling,
• 2:04:38
  Speaker 3: And once I.
• 2:04:38
  Speaker 1: Got killed my step daughter.
• 2:04:40
  Speaker 2: That's eighty percent of the problems in the world. If
• 2:04:43
  Speaker 2: you you're in a room where no one wants to
• 2:04:46
  Speaker 2: laugh about something.
• 2:04:47
  Speaker 1: Well, I've said, it's insane. The mindset of like MACHIESMO
• 2:04:51
  Speaker 1: that carries into prison. I'm like, if you just organized,
• 2:04:54
  Speaker 1: like a good speaker can go into a prison and
• 2:04:56
  Speaker 1: be like, let's never fight, we could have the we
• 2:04:58
  Speaker 1: could have it better than the en FL League of
• 2:05:00
  Speaker 1: football in here with all the people and organize shit
• 2:05:03
  Speaker 1: and like get through it much easier. They're just looking
• 2:05:07
  Speaker 1: over your shoulder all day and wondering if, like the
• 2:05:09
  Speaker 1: beef and the turf wars that's happening in prison are
• 2:05:12
  Speaker 1: going to be a problem, Like we're all here, let's
• 2:05:14
  Speaker 1: do so, Let's have movie now.
• 2:05:16
  Speaker 3: Reality TV is real. I feel like you can organize
• 2:05:18
  Speaker 3: that and eventually they'll give you dogs to help with therapy.
• 2:05:21
  Speaker 1: Dogs, which is pretty great. They dogs and can'ts at
• 2:05:26
  Speaker 1: for a minute.
• 2:05:27
  Speaker 2: It's weird that there's almost no emphasis on like, hey,
• 2:05:31
  Speaker 2: how good of a job a prison's doing of rehabilitating people,
• 2:05:34
  Speaker 2: Like there's no zero, but there's no emphasis on it
• 2:05:37
  Speaker 2: in society, not even saying I don't know what they
• 2:05:39
  Speaker 2: actually do, but no one cares about it, No one
• 2:05:41
  Speaker 2: brings it up. Everybody just wants people locked up, and
• 2:05:44
  Speaker 2: once they're locked up, they want them to they want
• 2:05:46
  Speaker 2: them to do a long.
• 2:05:46
  Speaker 3: Term Well that's the end of the story, right, So
• 2:05:48
  Speaker 3: we talked about that before. It's like, you they need
• 2:05:50
  Speaker 3: the end of the story, and it's like, oh, the
• 2:05:52
  Speaker 3: bad guy went to jail, end of the story. I
• 2:05:53
  Speaker 3: don't care fuck what happens.
• 2:05:55
  Speaker 2: But a lot of these people they're going to jail
• 2:05:56
  Speaker 2: for five or ten years and there's no chance for
• 2:06:00
  Speaker 2: them to be rehabilitated. They're always watching their back and.
• 2:06:03
  Speaker 3: Well they become more very often they end up. You
• 2:06:05
  Speaker 3: go into a system where now you're around violent criminals
• 2:06:09
  Speaker 3: with the criminal mentality for years and years and years,
• 2:06:12
  Speaker 3: and they're sort of indoctrinated into that life.
• 2:06:14
  Speaker 1: Siding can get let down a lot too, Like what
• 2:06:16
  Speaker 1: if you try if you're a person who goes to
• 2:06:18
  Speaker 1: jail and really, you know, comes out holding a book.
• 2:06:21
  Speaker 1: That's all they need now because they figured out, you know,
• 2:06:23
  Speaker 1: life and they got to do things right and get
• 2:06:25
  Speaker 1: their kids back. An easy fucking path, like getting a
• 2:06:27
  Speaker 1: job difficult. It's like, how are you going to become?
• 2:06:30
  Speaker 1: Like an entrepreneur? Is like the best thing you can
• 2:06:32
  Speaker 1: come up with if you come out of jail, like,
• 2:06:34
  Speaker 1: no one hires you. No one's like looking at there's
• 2:06:35
  Speaker 1: systems out there, Like I know when I worked at
• 2:06:38
  Speaker 1: the last like day job Ahead, I worked at a gym,
• 2:06:40
  Speaker 1: and all of the person personal trainers were hired out
• 2:06:43
  Speaker 1: of like a prison system, like when they got out
• 2:06:45
  Speaker 1: of jail they learned personal training and then New York
• 2:06:48
  Speaker 1: Health and Racket Club. Yeahs on the fore, I'd love
• 2:06:53
  Speaker 1: to have that around my locker.
• 2:06:57
  Speaker 2: How much of a vetting process.
• 2:06:59
  Speaker 3: But it was to be these like jack tattooed black dudes,
• 2:07:02
  Speaker 3: like just training this little old lady at the New
• 2:07:04
  Speaker 3: York Health and Racket Club.
• 2:07:05
  Speaker 1: Yeah, the only prison workout. Yeah, I don't think you
• 2:07:07
  Speaker 1: have for doing stuff to it like you. That's hilarious.
• 2:07:11
  Speaker 1: Lift it, ship, I could smell your fear, taste it
• 2:07:16
  Speaker 1: on your sweat. I lift it. Yeah.
• 2:07:20
  Speaker 2: Nobody ever thinks about rehabilitation. Never comes up. Yeah, never
• 2:07:24
  Speaker 2: comes up as like a story like we need to
• 2:07:26
  Speaker 2: do better. We need to really rehabilitate people better. We
• 2:07:29
  Speaker 2: need to figure out what to do them in there.
• 2:07:30
  Speaker 1: Never the system's always like a person. It seems like
• 2:07:32
  Speaker 1: a person took an interest in me, and that person
• 2:07:34
  Speaker 1: helped me turn my life around. It's never like by
• 2:07:37
  Speaker 1: the time I get in there, like this one sent
• 2:07:38
  Speaker 1: me to that one, this one look look that for
• 2:07:41
  Speaker 1: me here. Uh you know this, These classes were great.
• 2:07:43
  Speaker 3: I think day one, when they open the prison, they're
• 2:07:45
  Speaker 3: gonna go, we're gonna make a real difference here. And
• 2:07:47
  Speaker 3: then within a week you're like, these people are animals.
• 2:07:49
  Speaker 2: I don't think for these people, I don't think they
• 2:07:52
  Speaker 2: ever think they're going to make a difference. And then
• 2:07:54
  Speaker 2: I think there's another problem that a lot of prisons
• 2:07:56
  Speaker 2: are private prisons now, which is really crazy. Idea.
• 2:07:59
  Speaker 1: How about that video that girl just fucking the two
• 2:08:01
  Speaker 1: guys and the jail cell and well, well she's fucking
• 2:08:06
  Speaker 1: like she's not worried that someone's gonna find them.
• 2:08:08
  Speaker 2: But she's she's letting them film her reckless, abandoned wild
• 2:08:12
  Speaker 2: and she has security guard.
• 2:08:13
  Speaker 1: She was not my face, your face doing that like
• 2:08:17
  Speaker 1: they're gonna figure it out? Is that what she said?
• 2:08:18
  Speaker 2: Dum put my face in there?
• 2:08:20
  Speaker 1: She said that hot guard face. Her face, Well, her
• 2:08:22
  Speaker 1: face really is never in it much. It's like she's blowing,
• 2:08:26
  Speaker 1: is it. I thought it was like her I thought, say,
• 2:08:28
  Speaker 1: her riding is dick where you see her beast and there's.
• 2:08:30
  Speaker 2: Some crazy people out there that just fucking go for it.
• 2:08:33
  Speaker 2: They just hit the gas and drive off.
• 2:08:34
  Speaker 1: Especially sexually. That's like it's like a what do they
• 2:08:38
  Speaker 1: call it, like a deviancy, Like they get off like
• 2:08:41
  Speaker 1: the danger. I'd say, hire zero women for prison guard
• 2:08:44
  Speaker 1: jobs in a male prison. But also if you're going
• 2:08:46
  Speaker 1: to hire them, don't hire fat ugly ones. They're going
• 2:08:49
  Speaker 1: to help one escape, right. You can't take a girl
• 2:08:54
  Speaker 1: major self esteem issues and then a muscular fucking guy,
• 2:08:58
  Speaker 1: jack guy goes. I mean, if I was out of here,
• 2:09:00
  Speaker 1: we're gonna and then before you know what, you're fucking
• 2:09:02
  Speaker 1: running across Canada bunch of wait waiting for some fat
• 2:09:06
  Speaker 1: chick who's eventually gonna have to come home to her
• 2:09:07
  Speaker 1: husband and be like, they didn't actually want me, they
• 2:09:11
  Speaker 1: just wanted my key to the door. That's Oh, they
• 2:09:14
  Speaker 1: always leave a husband who's fat, just like them sitting
• 2:09:17
  Speaker 1: there accepting her fatness, and she flew too close to
• 2:09:20
  Speaker 1: the sun.
• 2:09:21
  Speaker 2: Was gonna go this happened. It's more than one, right,
• 2:09:24
  Speaker 2: I think a lot. Let's throw that in perplexity. I mean,
• 2:09:29
  Speaker 2: too many women on the TV show been security guards
• 2:09:33
  Speaker 2: that helped men escape.
• 2:09:35
  Speaker 1: There's on that show Love After lock Up. There's already
• 2:09:37
  Speaker 1: been at least one thing of like the couple on there,
• 2:09:40
  Speaker 1: the girl had to quit being a prison guard because
• 2:09:42
  Speaker 1: she was fucking him. That's in a reality show, So
• 2:09:45
  Speaker 1: it's happening. That's not that's not her helping him escape though,
• 2:09:49
  Speaker 1: No no, no, no no. But it's still like she's
• 2:09:51
  Speaker 1: built he and then it came out, of course and
• 2:09:53
  Speaker 1: started fucking other people immediately the way he was supposed to,
• 2:09:56
  Speaker 1: because she's the big fat lady who's taking care of
• 2:09:58
  Speaker 1: all the bills. And he's like, oh right, I'm not
• 2:10:01
  Speaker 1: locked up in prison anymore. I want to go out
• 2:10:03
  Speaker 1: with my Buddy's a meetia girl who I think is attractive.
• 2:10:05
  Speaker 1: I watched it my friend Jay growing up. His brother
• 2:10:08
  Speaker 1: got out of jail when we were teenagers, and I
• 2:10:10
  Speaker 1: watched that exact same thing. He was out for less
• 2:10:13
  Speaker 1: than a year, a whirlwind, until he went right back
• 2:10:15
  Speaker 1: in for horseshit, same thing, robbing a wah wah. So
• 2:10:18
  Speaker 1: here we go.
• 2:10:20
  Speaker 2: How many female security guards have been caught helping inmates
• 2:10:23
  Speaker 2: to escape and perplexities, providing us with many stories. Vicki White,
• 2:10:27
  Speaker 2: assistant director of Corrections in Alabama, helped inmate Casey White escape.
• 2:10:32
  Speaker 2: Did they get married or did they just baby? We
• 2:10:34
  Speaker 2: got the same last night?
• 2:10:35
  Speaker 1: Will you tell me? I say that they were both
• 2:10:37
  Speaker 1: guests on the Joe Rogan Experience.
• 2:10:40
  Speaker 2: She was found dead from a self inflicted gunshot wound
• 2:10:42
  Speaker 2: after the escape and manhunt ended. WHOA She took her
• 2:10:45
  Speaker 2: own life. Joyce Mitchell, former prison worker New York, convicted
• 2:10:49
  Speaker 2: and sentenced for helping two convicted murders escape from a
• 2:10:52
  Speaker 2: maximum security prison in twenty fifteen smuggle tools like hacksaw
• 2:10:56
  Speaker 2: blades the inmates was involved the elaborate escape plan. Lynn Barnett,
• 2:11:00
  Speaker 2: prison guard in Missouri, helped convict Terry Banks escape ninety nine.
• 2:11:03
  Speaker 2: So there's a bunch of them.
• 2:11:04
  Speaker 1: Bring up a picture of each one of these fetos
• 2:11:08
  Speaker 1: neck down. I promise you there's not one here who's.
• 2:11:13
  Speaker 2: Let's just pick one from the list of names, because
• 2:11:16
  Speaker 2: which one do you think would be the most likely
• 2:11:19
  Speaker 2: to be tricked into almost anything by a guy with
• 2:11:21
  Speaker 2: a big dick?
• 2:11:22
  Speaker 1: Vicky White, she killed herself. I feel like her life
• 2:11:25
  Speaker 1: wasn't too great before this. Yeah, I'm going by the places.
• 2:11:30
  Speaker 1: This is Alabama, this could be bad.
• 2:11:33
  Speaker 2: All right, images.
• 2:11:35
  Speaker 1: It's better than I thought it was going to be
• 2:11:38
  Speaker 1: like that. So there you go. There's Vicky.
• 2:11:42
  Speaker 3: Nobody was picturing a white guy.
• 2:11:44
  Speaker 2: Looks like Sam Kinison.
• 2:11:46
  Speaker 1: It looks like fucking the guy from what's the quiet place,
• 2:11:53
  Speaker 1: you know I'm talking about from the office, right, Yeah,
• 2:11:56
  Speaker 1: what's his name? I know? You mean, I can't John
• 2:12:01
  Speaker 1: something John either way, but it looks like him.
• 2:12:04
  Speaker 2: So there's been a few of those ladies that got
• 2:12:06
  Speaker 2: duped by rascally prisoners. Oh yeah, but that makes sense,
• 2:12:11
  Speaker 2: Like why are you letting women guard men? That's crazy.
• 2:12:13
  Speaker 1: I think all the things like that, you solve the
• 2:12:15
  Speaker 1: problem again. People are so worried about getting a finger
• 2:12:18
  Speaker 1: pointed about like being called your genderest or racist or anything.
• 2:12:21
  Speaker 1: But like, why is any man, doctor otherwise allowed in
• 2:12:26
  Speaker 1: locker room with twelve year old Olympic gymnastic girls? Yeah,
• 2:12:30
  Speaker 1: why is it happening? Why is the best coach for
• 2:12:32
  Speaker 1: a girl's thing always got to be some old rushing
• 2:12:35
  Speaker 1: Just have a girl trainer. Let's not put anyone in
• 2:12:38
  Speaker 1: the position you're gonna be staring at her fucking twelve
• 2:12:40
  Speaker 1: year old ass all day.
• 2:12:42
  Speaker 3: The best coach for any sport is probably still a dude, right,
• 2:12:45
  Speaker 3: and you're probably trying to.
• 2:12:46
  Speaker 1: Have this coaching's theory though his theory it's not.
• 2:12:49
  Speaker 3: You're trying to have this kid go to the Olympics. Well,
• 2:12:51
  Speaker 3: I assuming My assumption is if you look at all
• 2:12:52
  Speaker 3: of the top sports coaches throughout history, they've been dudes.
• 2:12:56
  Speaker 2: Look at this one there, the married woman fell in
• 2:12:59
  Speaker 2: love with the convicted orderer John Mannard, who was serving
• 2:13:02
  Speaker 2: a life sentence, and in February two thousand and six,
• 2:13:04
  Speaker 2: she smuggled mannerd out in a dog crate. Nice the
• 2:13:08
  Speaker 2: Paris came to a cabin in Tennessee, where authorities captured
• 2:13:11
  Speaker 2: them two weeks later in a highway chase after a
• 2:13:13
  Speaker 2: car driven by Menard hit a tree.
• 2:13:16
  Speaker 1: How many times? How many times? Back at that cabin
• 2:13:19
  Speaker 1: do you think she was like, finally I get to
• 2:13:23
  Speaker 1: get you naked, And he's like, oh, I'm hungry. Though
• 2:13:25
  Speaker 1: hees key making excuses, not the fuck her for the
• 2:13:26
  Speaker 1: whole weekend. Yeah, he realized, he escapes. She goes, now,
• 2:13:31
  Speaker 1: I wore this little sexy number on my big feltly
• 2:13:33
  Speaker 1: body for you, and you had to be like, oh, baby,
• 2:13:36
  Speaker 1: that's what I've been picturing this old time. Yeah, my
• 2:13:40
  Speaker 1: buddy's uh, my buddy's brother got out of jail, same thing.
• 2:13:43
  Speaker 1: A lady morbidly obese, fucking no, no, no, she wasn't
• 2:13:47
  Speaker 1: a prison guarded when he got out. It's the same concept.
• 2:13:50
  Speaker 1: They got out and a girl he was writing to
• 2:13:52
  Speaker 1: while he was in theres this morbidly obese lady who's
• 2:13:55
  Speaker 1: got facial hair, and she would pay for everything and
• 2:13:57
  Speaker 1: he would just go live his life until she eventually
• 2:13:59
  Speaker 1: has to like show some semblance of self confidence and
• 2:14:04
  Speaker 1: I can't do this anymore. I'm now broke or whatever.
• 2:14:07
  Speaker 1: And then they just leave. They don't give a shit.
• 2:14:08
  Speaker 1: But the fact the stupidity is believing it. I've always
• 2:14:12
  Speaker 1: walked around believing like I've never been like the and
• 2:14:15
  Speaker 1: you know this about me too. We have such interesting takes.
• 2:14:18
  Speaker 1: I've never been like I'm gonna start hitting on the
• 2:14:19
  Speaker 1: prettiest girl in the room now, Jay will go for
• 2:14:22
  Speaker 1: the grossest girl. That's not true.
• 2:14:24
  Speaker 3: No, like somebody who you can tell has confidence issues.
• 2:14:28
  Speaker 1: That's not that. That's not what I'd go for, particularly
• 2:14:31
  Speaker 1: saying I'm just saying that in my mind, it's not
• 2:14:33
  Speaker 1: about who I'm going for it's just that that girl,
• 2:14:36
  Speaker 1: I don't start chatting up because I'm already like, there's
• 2:14:38
  Speaker 1: no point in this, do you know what I mean?
• 2:14:40
  Speaker 1: So the fact that like when I watch those shows
• 2:14:43
  Speaker 1: if you just say no age or shows like that
• 2:14:44
  Speaker 1: where it's like the eighty year old guy or you
• 2:14:46
  Speaker 1: know what's the coach of the Patriots Belichick the twenty
• 2:14:50
  Speaker 1: six year old girl, I'm like, God bless him for
• 2:14:53
  Speaker 1: being like, at some point he has to convince himself
• 2:14:55
  Speaker 1: that it's not gross to her when he pulls his old, flopping,
• 2:14:58
  Speaker 1: weird dick out.
• 2:14:59
  Speaker 3: Like he does, convince them so that he knows what
• 2:15:01
  Speaker 3: it is. He knows he's a fucking rich, eighty year
• 2:15:03
  Speaker 3: old man and she's a twenty six year old cheerleader
• 2:15:05
  Speaker 3: and what. But there's there's almost like an unspoken thing
• 2:15:09
  Speaker 3: there where you go like, all right, well, obviously i'm
• 2:15:11
  Speaker 3: gonna take care of you, and you're gonna suck my dick,
• 2:15:13
  Speaker 3: you're gonna take care of me, and it's like a contract.
• 2:15:16
  Speaker 3: I think that's very fair and healthy almost.
• 2:15:18
  Speaker 2: I don't think it's discussed. I think it's probably there's
• 2:15:21
  Speaker 2: probably a little bit of a dance going on whenever
• 2:15:23
  Speaker 2: you got some weird gold digger type relationship. There's a
• 2:15:27
  Speaker 2: dance going on, there's no deep conversations. There's a lot
• 2:15:30
  Speaker 2: of sweetie and honeys. And when a girl that pretty
• 2:15:33
  Speaker 2: starts rubbing on your face and then riding on you
• 2:15:36
  Speaker 2: and giving you a lap dance and kissing you on
• 2:15:38
  Speaker 2: the lips, Like if you're an old dude, like you're retarded,
• 2:15:41
  Speaker 2: you think you think you're actually attractive to her, Like
• 2:15:45
  Speaker 2: you're retarded. All guys are retarded.
• 2:15:47
  Speaker 1: Yeah, like you.
• 2:15:47
  Speaker 2: Loos to care about Look, she loves me and she
• 2:15:51
  Speaker 2: fucks you, and then you we don't need a prenupe
• 2:15:53
  Speaker 2: And then next thing you know, she's worth a hundred
• 2:15:55
  Speaker 2: million dollars and you're you're you look like a fool.
• 2:15:58
  Speaker 1: Yeah to the world.
• 2:15:58
  Speaker 2: And I'm not saying that's gonna happen to him, but
• 2:16:00
  Speaker 2: I'm saying that that has happened so many fucking times.
• 2:16:03
  Speaker 2: There's been so many But in a weird.
• 2:16:04
  Speaker 1: Way, I almost go like, yeah, he more power to
• 2:16:07
  Speaker 1: him if that's what he wants.
• 2:16:08
  Speaker 2: The wounded antelope doesn't get out of the water hole.
• 2:16:15
  Speaker 2: It's just how it goes. If you're an eighty year
• 2:16:18
  Speaker 2: old dude, you convince yourself that a hot twenty six
• 2:16:20
  Speaker 2: year old really loves you and that you should fucking
• 2:16:22
  Speaker 2: marry her and not have a pre nup. That's you
• 2:16:25
  Speaker 2: playing the game in a terrible way and getting checkmated.
• 2:16:28
  Speaker 1: Well, then there's somebody like the Anna Nicole Smith thing,
• 2:16:30
  Speaker 1: though it's like the same thing, but I've heard her
• 2:16:33
  Speaker 1: disgusted enough where she's never said I thought that guy
• 2:16:35
  Speaker 1: was attractive. We had sex. She goes, he liked looking
• 2:16:38
  Speaker 1: at me basically, and he was dying and I was there,
• 2:16:41
  Speaker 1: and he really saved my life, like he is money.
• 2:16:44
  Speaker 1: He liked me as a stripper and helped me and
• 2:16:46
  Speaker 1: my son to not fucking that. So she loved him
• 2:16:48
  Speaker 1: in a way. I do believe that, but she's not
• 2:16:50
  Speaker 1: even telling it's he couldn't have sex anyway.
• 2:16:53
  Speaker 2: It was that kind of age, but like there was
• 2:16:55
  Speaker 2: any sort of romantic interaction, which mean her and him,
• 2:17:02
  Speaker 2: and he had to give her all his money. It
• 2:17:04
  Speaker 2: was worth it.
• 2:17:05
  Speaker 1: Yeah, what else you have?
• 2:17:07
  Speaker 2: You have nothing, You're dying, you're dying, give away your money.
• 2:17:10
  Speaker 1: I have some hot twenty four year old stripper that's
• 2:17:14
  Speaker 1: just like, oh my god, d that's hot. Who gives
• 2:17:18
  Speaker 1: it you're gonna give it to your shitty kids.
• 2:17:20
  Speaker 3: Fuck that live this hot stripper, you.
• 2:17:22
  Speaker 2: Have a you have a will, you know you give
• 2:17:23
  Speaker 2: it to everybody. But the point is she deserves some money. Sure,
• 2:17:28
  Speaker 2: she's sucking it olds so hot, she just serves money,
• 2:17:32
  Speaker 2: like to pretend. No. I think that's what's weird, right.
• 2:17:34
  Speaker 2: It's like that prostitution is illegal, but gold inging is
• 2:17:37
  Speaker 2: totally illegal. You should have to take a polygraph, you
• 2:17:40
  Speaker 2: know you really love him, like right before you get married,
• 2:17:43
  Speaker 2: like if they had a rock solid polygraph, like or
• 2:17:45
  Speaker 2: are you doing different for the money. I'm not doing
• 2:17:48
  Speaker 2: it for the money.
• 2:17:50
  Speaker 1: It's a big fucking red exp I think the woman
• 2:17:53
  Speaker 1: can convince herself of like love, I mean, like, I
• 2:17:56
  Speaker 1: don't think that's I think a good example that was
• 2:17:58
  Speaker 1: Howard Stern back in the day when he got the
• 2:18:00
  Speaker 1: h the wife he's been with now forever, like it did. Look,
• 2:18:02
  Speaker 1: but I think that chick loves him, I think, and
• 2:18:05
  Speaker 1: I think she was attracted to like his thing whatever
• 2:18:07
  Speaker 1: it was.
• 2:18:07
  Speaker 3: Even and powerful as a man is a super attractive
• 2:18:11
  Speaker 3: quality for a dude. Like chicks are like, oh, that
• 2:18:13
  Speaker 3: guy's got money, he's the boss, he has employees, he
• 2:18:16
  Speaker 3: fucking shows up and everyone pays attention. That's attractive.
• 2:18:19
  Speaker 1: Don't me why he feels confident enough whether it be not,
• 2:18:22
  Speaker 1: if it's not, looks wise to go well if she is.
• 2:18:25
  Speaker 1: That's what I almost said. I had to learn where
• 2:18:26
  Speaker 1: you're like going for the ugliest girl in the you know,
• 2:18:28
  Speaker 1: or the the most fuckable girl in the room. I
• 2:18:31
  Speaker 1: have had a little more like I'm not just the
• 2:18:33
  Speaker 1: sum of like my looks. When I walk into a room,
• 2:18:34
  Speaker 1: it's like I will talk and they'll be attracted to that.
• 2:18:36
  Speaker 1: And do you know what I mean? You're also you're
• 2:18:38
  Speaker 1: your body dysmorphius, so you still see yourself as being
• 2:18:42
  Speaker 1: a giant.
• 2:18:42
  Speaker 3: Ugly freak.
• 2:18:43
  Speaker 1: But you're an attractive dude. Dude, you're an attractive dude.
• 2:18:49
  Speaker 3: And you're also really funny. You headline on stage, you
• 2:18:52
  Speaker 3: travel the world, you make a lot of money. Like
• 2:18:54
  Speaker 3: that's for a chick that's way more attractive than a dude.
• 2:18:57
  Speaker 1: They might have abs. I think me and you had
• 2:19:00
  Speaker 1: young conversations about this kind of thing. It's right. I
• 2:19:02
  Speaker 1: think I had a in the beginning. I almost like
• 2:19:04
  Speaker 1: would verbalize like when I'm you know, if I get
• 2:19:08
  Speaker 1: successful and like hot chicks who I know would never
• 2:19:11
  Speaker 1: have been attracted to me physically, are like wanting the funk.
• 2:19:13
  Speaker 1: I'm gonna be like, Nope, Nope, that's crazy. No, because
• 2:19:17
  Speaker 1: in my mind I was going to be like, I
• 2:19:18
  Speaker 1: wouldn't perform well because I'm like, you're doing this for
• 2:19:20
  Speaker 1: the fucking wrong reason. I'm going to fuck ugly women
• 2:19:23
  Speaker 1: just to spite you. No, it was going for a
• 2:19:25
  Speaker 1: woman that I believed liked me too. Does that make sense?
• 2:19:27
  Speaker 1: It wasn't like in the thing, So it was more
• 2:19:30
  Speaker 1: that right.
• 2:19:32
  Speaker 3: Was liking somebody in high school or middle school. They
• 2:19:35
  Speaker 3: like your hair, your clothes.
• 2:19:36
  Speaker 1: Now, but that's what I'm saying. But you know, I said,
• 2:19:37
  Speaker 1: I think you kind of said that to a point,
• 2:19:39
  Speaker 1: Like the thing they're gonna be attracted to is also
• 2:19:42
  Speaker 1: that you're funny or successful of what you're doing, Like
• 2:19:45
  Speaker 1: there are other elements that will attract them to.
• 2:19:47
  Speaker 2: To a point.
• 2:19:48
  Speaker 1: Sure, No, no, you can't.
• 2:19:49
  Speaker 2: You can't point. I feel like Woody Allen's age. If
• 2:19:52
  Speaker 2: Woody Allen got a new twenty year old wife, I
• 2:19:53
  Speaker 2: would be like, cut the fuck.
• 2:19:55
  Speaker 3: Out of you know, do you think there's not a
• 2:19:57
  Speaker 3: single hot twenty year old girl in the world who
• 2:20:00
  Speaker 3: is so attracted to his talent and so like loves
• 2:20:03
  Speaker 3: his movies and is like, I'm sure it exists.
• 2:20:05
  Speaker 2: Nobody seen al Pacino's new girlfriend. Yeah, she's hot, right,
• 2:20:10
  Speaker 2: fucking have you seen Mick Jaggers.
• 2:20:12
  Speaker 1: No, I just saw him. I'm saying the schlubby, the
• 2:20:15
  Speaker 1: schlubbiest like version of like a Seth Rogan can get
• 2:20:19
  Speaker 1: a smoking hot chick. Yeah, for sure, she's not not
• 2:20:22
  Speaker 1: attracted to him. She is attracted to him. Mick Jaggers
• 2:20:25
  Speaker 1: and his girlfriend. Where do you see this? Yeah, a
• 2:20:27
  Speaker 1: dinosaur is a different thing, dude.
• 2:20:29
  Speaker 2: This lady's smoking hot.
• 2:20:31
  Speaker 1: Someone just sent me thing, says Kelsey Grammar, just announce
• 2:20:33
  Speaker 1: his eighth child. She's beautiful.
• 2:20:35
  Speaker 2: Yeah, give me a photo of the two of this,
• 2:20:37
  Speaker 2: like a red carpet photo of the two of them together.
• 2:20:41
  Speaker 2: It doesn't matter. But very pretty lady, and he's so old.
• 2:20:47
  Speaker 1: Yeah, oh she's pretty, And yeah he's he's not blown
• 2:20:54
  Speaker 1: away by it. God bless his heart, brother.
• 2:20:56
  Speaker 2: Guy Kills. I watched him perform here at at Coda
• 2:21:00
  Speaker 2: going to the Americas a couple of years ago. It
• 2:21:01
  Speaker 2: was amazing.
• 2:21:01
  Speaker 1: It was like a year ago.
• 2:21:03
  Speaker 2: I had a body experience.
• 2:21:04
  Speaker 1: Took Bobby Kelly. I couldn't believe how they still were
• 2:21:07
  Speaker 1: that really.
• 2:21:09
  Speaker 3: Oh baby, this is the dream where all these guys
• 2:21:14
  Speaker 3: people show like a picture of like Leonardo DiCaprio on
• 2:21:16
  Speaker 3: a yacht with two like twenty one year old models.
• 2:21:18
  Speaker 1: People are like, he's disgusting. It's like, he's the man.
• 2:21:21
  Speaker 1: What do I respect? I respect he gets the opportunity
• 2:21:24
  Speaker 1: to put his fucking dick in that chick. I'm saying,
• 2:21:28
  Speaker 1: I don't have the thing. I can't get past it.
• 2:21:30
  Speaker 1: She's going like, okay, put it in now. I don't
• 2:21:34
  Speaker 1: think she's doing that. I think she's going look at
• 2:21:36
  Speaker 1: the fucking house that I live in. This guy takes
• 2:21:38
  Speaker 1: care of me. I'm sorry, she's putting a good face
• 2:21:41
  Speaker 1: on what I'm doing. I don't know that that's necessarily
• 2:21:43
  Speaker 1: always a trick.
• 2:21:45
  Speaker 2: You get tricky guy that you love him.
• 2:21:47
  Speaker 1: Litis is being tricked by proxy by this chick she loves.
• 2:21:51
  Speaker 1: She's a good woman. Leave her alone.
• 2:21:53
  Speaker 2: He's gonna call you up. You really think that Lewis
• 2:21:56
  Speaker 2: appreciate it because a lot of people have been telling
• 2:21:58
  Speaker 2: me I'm a fool. You don't think I'm a.
• 2:21:59
  Speaker 1: Fool, do I sougned over everything too. Was that a mistake? Yeah? No,
• 2:22:03
  Speaker 1: I I look, I just think that women are also
• 2:22:05
  Speaker 1: way less visual creatures than men. Like we just want
• 2:22:09
  Speaker 1: a pretty thing to fuck.
• 2:22:11
  Speaker 3: Women want to feel taken care of, and al Pacino's
• 2:22:14
  Speaker 3: gonna fucking take care of you.
• 2:22:15
  Speaker 1: Well, you want more than breaking the fuck ultimately, be
• 2:22:17
  Speaker 1: talking about the initial immediate attraction thing. No, that's why
• 2:22:23
  Speaker 1: you're single. I why you're single forever.
• 2:22:26
  Speaker 2: The thing is you never trust it when it's the
• 2:22:28
  Speaker 2: other way around. It was like a young stud, young
• 2:22:31
  Speaker 2: like really jack stud and some little old lady. You'd
• 2:22:33
  Speaker 2: be like, no, no, no, no, no money for sure,
• 2:22:35
  Speaker 2: you can't be making her blow you. That's crazy, that's crazy.
• 2:22:39
  Speaker 2: She's like pulling out her denures.
• 2:22:42
  Speaker 1: No that I hear that gums feel sharp sharp. I
• 2:22:46
  Speaker 1: don't care whatever they feel like. I don't want to
• 2:22:48
  Speaker 1: feel mushy.
• 2:22:49
  Speaker 2: I want to know that my dick with no teeth
• 2:22:51
  Speaker 2: in their mouth. That's just too close to like crackhead,
• 2:22:54
  Speaker 2: that's just close to I've made every mistake there is.
• 2:22:56
  Speaker 2: I don't have any teeth left.
• 2:22:57
  Speaker 1: What was the name of the gathering of the Juggalo?
• 2:22:59
  Speaker 1: Is the lady that remember that someone was handing out
• 2:23:01
  Speaker 1: a flyer. She was like there it was like some
• 2:23:03
  Speaker 1: old lady OnlyFans thing, and she was like there like
• 2:23:05
  Speaker 1: fucking and sucking people at the gathering, the jugg christ
• 2:23:09
  Speaker 1: getting a juggles as wild.
• 2:23:10
  Speaker 2: Great young ladies that bang. Enormous numbers of people now
• 2:23:14
  Speaker 2: like that, that's the.
• 2:23:15
  Speaker 1: News, Like five hundred people and their only fans. It's
• 2:23:18
  Speaker 1: like the Dave Chappelle vers day and cooka could do
• 2:23:20
  Speaker 1: longer on stage Contest's hilarious. It's like it's a fan
• 2:23:25
  Speaker 1: that was so silly by the way, and then when
• 2:23:27
  Speaker 1: by the time it got to the point I remember
• 2:23:28
  Speaker 1: coming to the Comedy Star one night they go, but
• 2:23:31
  Speaker 1: they go Chappelle's come to night. Last night, Dan cooked
• 2:23:33
  Speaker 1: at six hours, ordered pizza for the audience and what
• 2:23:36
  Speaker 1: are we doing? Why?
• 2:23:37
  Speaker 2: What?
• 2:23:38
  Speaker 1: I also is this maybe silly, but because my ex
• 2:23:41
  Speaker 1: wife was a staff at the comedy club. Christine worked
• 2:23:45
  Speaker 1: at comedy clubs uh forever, like I have like all
• 2:23:48
  Speaker 1: I thought about when I would see Chappelle show up
• 2:23:51
  Speaker 1: at the end of the night and it's like he's
• 2:23:52
  Speaker 1: going on at one in the morning, and he's probably
• 2:23:54
  Speaker 1: gonna go on the five in the morning, I'm like,
• 2:23:56
  Speaker 1: poor staff man. Yeah, staff can I'm like, why is
• 2:23:59
  Speaker 1: he not? He's been a comedy long enough that you
• 2:24:00
  Speaker 1: should think about that a little bit. Why.
• 2:24:01
  Speaker 3: I remember I was hosting at the Cellar and during
• 2:24:05
  Speaker 3: that time, and uh I didn't like I just didn't know,
• 2:24:09
  Speaker 3: Like I stayed the whole time, spelled like a four
• 2:24:11
  Speaker 3: and a half hour SAT. I'm sitting there waiting, like
• 2:24:13
  Speaker 3: to bring him off stage.
• 2:24:14
  Speaker 1: You're telling somebody else She's like, Mike Foenie, you'll be
• 2:24:16
  Speaker 1: going on and then uh yeah, Like somebody was like
• 2:24:20
  Speaker 1: one of the other comments like do you just leave
• 2:24:21
  Speaker 1: Raspelle goes on?
• 2:24:22
  Speaker 3: Just go like it's not a big deal. And then
• 2:24:24
  Speaker 3: I set it to uh sty and I was like,
• 2:24:27
  Speaker 3: oh I found out you could just leave Raspelle goes on.
• 2:24:29
  Speaker 3: She's like, no, you could not. You must stay the
• 2:24:30
  Speaker 3: whole time, and I was like, I don't tell her,
• 2:24:32
  Speaker 3: and then I said it. So then I was stuck
• 2:24:34
  Speaker 3: every time that he came in having to stay the
• 2:24:36
  Speaker 3: whole time.
• 2:24:37
  Speaker 1: Oh it was brutal. What a nightmare. What I'm saying
• 2:24:40
  Speaker 1: to do that is like, why would you want to
• 2:24:43
  Speaker 1: do it? What's the that no audience is on the
• 2:24:46
  Speaker 1: ride for four hours. Like at some point you go,
• 2:24:49
  Speaker 1: we're part of a thing. So if you stay, you're
• 2:24:51
  Speaker 1: staying because you're part of a thing. What we comparing
• 2:24:54
  Speaker 1: that to what we just saying marathon shit was.
• 2:24:57
  Speaker 3: A it was blood something about sex women whoors five
• 2:25:00
  Speaker 3: hundred guys.
• 2:25:01
  Speaker 2: Oh feet yeah, yeah, it's like it's the attention economy,
• 2:25:09
  Speaker 2: like doing anything for attention, fucking five hundred fans.
• 2:25:12
  Speaker 1: Well, that's what it said. The girl is like those
• 2:25:14
  Speaker 1: two They look exactly the same, those two girls, and
• 2:25:16
  Speaker 1: they just go back and forth battling who's going to
• 2:25:18
  Speaker 1: gang bang more guys in a day, which is so
• 2:25:21
  Speaker 1: by the numbers they throw around are always just fictitious numbers.
• 2:25:24
  Speaker 1: It never works out though. From the back I interviewed
• 2:25:26
  Speaker 1: a while back, Uh, Jasmine Saint Clair who did like
• 2:25:30
  Speaker 1: the three hundred guys gang but then Houston did five
• 2:25:32
  Speaker 1: hundred after that boy and Spontaneous Ecstasy did nine hundred.
• 2:25:36
  Speaker 1: The problem is if you watch any of these VHS's
• 2:25:38
  Speaker 1: that we go back to on these, if you go
• 2:25:40
  Speaker 1: any watch any of these, they're it's really like no more.
• 2:25:46
  Speaker 1: It seems like fifty guys who just keep circling back
• 2:25:49
  Speaker 1: and like they fuck for a little bit, and then
• 2:25:50
  Speaker 1: they go get their dick sucked again by a fluffer,
• 2:25:52
  Speaker 1: and then they jump back in the game. There's none
• 2:25:54
  Speaker 1: of them are doing.
• 2:25:55
  Speaker 3: There was a time in my life where that was
• 2:25:57
  Speaker 3: an actual goal of mine to get into get into
• 2:26:00
  Speaker 3: a gang Houston five hundred.
• 2:26:02
  Speaker 1: I'm like, oh dude, how cool would that be? Four sixty?
• 2:26:05
  Speaker 2: This is that's scary. With like unregulated AI, like you
• 2:26:09
  Speaker 2: could have like snuff porn, like you could you could
• 2:26:12
  Speaker 2: finally get people excited about some really fucked up ideas.
• 2:26:16
  Speaker 1: No, yeah, absolutely, listen, desensitization is not fake.
• 2:26:19
  Speaker 2: It's real.
• 2:26:20
  Speaker 1: It's extreme pornography particularly, it is not fake.
• 2:26:23
  Speaker 2: It's pornography. It's violence, it's it's drug use, it's everything.
• 2:26:27
  Speaker 3: Oh yeah, I do violence specifically. Like remember the first
• 2:26:29
  Speaker 3: time you saw it beheading? Oh yeah, I still react
• 2:26:31
  Speaker 3: to the first time I saw it beheading. It was like, oh,
• 2:26:34
  Speaker 3: this has changed my life forever. Yeah, I'll never see this.
• 2:26:37
  Speaker 3: And now you could just watch on Twitter there's like
• 2:26:39
  Speaker 3: heads being blown off.
• 2:26:40
  Speaker 1: People are there fucking lens chopped off. Yeah, I guess
• 2:26:43
  Speaker 1: there is is much more things than one. I remember
• 2:26:44
  Speaker 1: I saw that was like the but the only thing
• 2:26:47
  Speaker 1: I've had like turn off like that. We're like, what
• 2:26:49
  Speaker 1: the fuck it was? It was it was called the
• 2:26:51
  Speaker 1: Something three or something five, and it's like they just
• 2:26:54
  Speaker 1: filled them filmed themselves. Thrill killing some guy in the woods. Oh,
• 2:26:57
  Speaker 1: we did that on so we did an episode of
• 2:26:58
  Speaker 1: Legionna Skanks call I remember the Gauntlet.
• 2:27:02
  Speaker 3: So there was a website called the Gauntlet I might
• 2:27:04
  Speaker 3: even still exist to this day. It was twenty five videos.
• 2:27:07
  Speaker 1: Each video was more difficult to watch the further you
• 2:27:09
  Speaker 1: got along, and you'd have like your Gauntlets score if
• 2:27:11
  Speaker 1: he got through all the videos. It's like baby Wander
• 2:27:13
  Speaker 1: on the train tracks, well, that was the video number Baby,
• 2:27:16
  Speaker 1: Like the baby getting cut in half by the train
• 2:27:17
  Speaker 1: was like video number five. Video number six was which
• 2:27:21
  Speaker 1: was harder to watch than the baby getting cut in
• 2:27:23
  Speaker 1: half by the train. Was watching Steve O do the
• 2:27:26
  Speaker 1: paper cuts in his mouth and in between his fingers
• 2:27:28
  Speaker 1: due the webbing. That was fucking frutal. Dude. Yeah, now,
• 2:27:32
  Speaker 1: but the guy, the one with the guys killing the
• 2:27:34
  Speaker 1: guy in the woods was a thing because that was
• 2:27:35
  Speaker 1: the last video was Ukraine. Yeah, I said, but the
• 2:27:40
  Speaker 1: thing was like again, it's it's great you're watching it,
• 2:27:43
  Speaker 1: but it almost looks fake because like the way the
• 2:27:44
  Speaker 1: body's moving at that point so limp. And it was
• 2:27:47
  Speaker 1: when they go zoom in on the face and there's
• 2:27:50
  Speaker 1: he's alive. That's where you're like, yo, like that's a
• 2:27:53
  Speaker 1: good And then I started getting freakedt after I saw
• 2:27:56
  Speaker 1: that about it. I was always go to bed watching
• 2:27:58
  Speaker 1: like a law and Order criminal and tenor recipe criminal
• 2:28:00
  Speaker 1: in tent really was the one because that's like murder
• 2:28:02
  Speaker 1: crimes in New York, and just I was relatively new
• 2:28:06
  Speaker 1: in New York, and so you still have that thing
• 2:28:07
  Speaker 1: where I'm like, oh, don't ever walk through a park.
• 2:28:10
  Speaker 1: You will be murdered for sure, you know what I mean,
• 2:28:12
  Speaker 1: Like it just gives it a scary place to me.
• 2:28:13
  Speaker 1: After that, I've just seening shit because that's like that's
• 2:28:16
  Speaker 1: a changed forever, like that kind of real violence. Like
• 2:28:19
  Speaker 1: still I still have a hard time.
• 2:28:20
  Speaker 3: The Internet has kind of fucked us up on being
• 2:28:23
  Speaker 3: desensitized to like really graphic imagery like people being shot
• 2:28:28
  Speaker 3: in the head, people being like mass murder, Like, yeah, there's.
• 2:28:31
  Speaker 2: Way more access to it. When I was a kid,
• 2:28:32
  Speaker 2: it was hard to get.
• 2:28:33
  Speaker 1: We have to have faces of death, you have to
• 2:28:35
  Speaker 1: buy it faces and on television at the gas station.
• 2:28:39
  Speaker 1: Everyone saw the same ones. The bud Dwire.
• 2:28:41
  Speaker 3: It was the even the monkey Brains and the documentary
• 2:28:44
  Speaker 3: out of the Dwire.
• 2:28:45
  Speaker 2: One's the nuttiest one, right.
• 2:28:46
  Speaker 1: That one was super great. That was like the first
• 2:28:48
  Speaker 1: graphic one we saw it because of what happens the nose, like, oh,
• 2:28:51
  Speaker 1: that's what would when everybody tells you, like this is
• 2:28:53
  Speaker 1: what would happen.
• 2:28:54
  Speaker 2: That one was so crazy. He just opens that envelope
• 2:28:57
  Speaker 2: and pulls out that revolver and there was like, no.
• 2:28:59
  Speaker 1: No, no, he goes, he goes, he goes, don't move.
• 2:29:01
  Speaker 1: I don't want anybody to get hurtor something like that.
• 2:29:03
  Speaker 1: He's like, yeah, he wanted it. You're gonna want to see.
• 2:29:06
  Speaker 2: This, Yeah, Jamie pulled it up.
• 2:29:09
  Speaker 4: I used to there's a channel a public access would
• 2:29:12
  Speaker 4: show that after ten o'clock.
• 2:29:13
  Speaker 2: And Columbus whatever you want to uncensored.
• 2:29:17
  Speaker 4: I would go to bed. I still remember it seeing
• 2:29:19
  Speaker 4: that to the twenty one gun salute.
• 2:29:21
  Speaker 2: No no no, no, no, no no no no. Every
• 2:29:24
  Speaker 2: time it would like Jesus Columbus does not get credit
• 2:29:27
  Speaker 2: enough for being as wild as Columbus. Ohio is a
• 2:29:31
  Speaker 2: wild fucking place.
• 2:29:32
  Speaker 1: Absolutely. Did you watch Surviving Ohio State about the doctor
• 2:29:36
  Speaker 1: who was raping all the male athletes about it though?
• 2:29:40
  Speaker 1: And then at the end of the athletes go A
• 2:29:42
  Speaker 1: lot of people were asking us why we didn't just
• 2:29:44
  Speaker 1: you know, we were athletes like wrestlers and football players.
• 2:29:46
  Speaker 1: Why don't we punch the guy in the face? And
• 2:29:48
  Speaker 1: they say, why are we telling the story now? And
• 2:29:50
  Speaker 1: I still I watched it all I go, I agree
• 2:29:52
  Speaker 1: with both of those things. Weird. You should have hit them,
• 2:29:54
  Speaker 1: and then you should have also never told the story anymore.
• 2:29:58
  Speaker 4: On YouTube, they want me to show my age to
• 2:30:01
  Speaker 4: see this video and I have to like put up
• 2:30:02
  Speaker 4: an I d look on the screen.
• 2:30:06
  Speaker 2: Oh YouTube, Yeah yeah, but I can wow, wow, verify age.
• 2:30:14
  Speaker 1: That's chrizy.
• 2:30:16
  Speaker 4: This was the guy on the Public Access and things
• 2:30:19
  Speaker 4: wild and this guy ended up by being on Jerry
• 2:30:20
  Speaker 4: Springer and Ship later in life.
• 2:30:22
  Speaker 2: Jesus is a wild show.
• 2:30:23
  Speaker 1: Do you know what song? Uh, trivia? What song is
• 2:30:26
  Speaker 1: written about? Our budge are killing himself?
• 2:30:28
  Speaker 2: Hey man?
• 2:30:29
  Speaker 1: That shot?
• 2:30:30
  Speaker 2: Yeah, filter filter That was a great song too.
• 2:30:34
  Speaker 1: Yeah, that was the only good song. Move.
• 2:30:36
  Speaker 2: That's a big ass gun. Son, That's a big gun.
• 2:30:40
  Speaker 1: Everyone's said revolver. Still, I wonder what that is. It
• 2:30:44
  Speaker 1: doesn't drop him immediately, Oh.
• 2:30:46
  Speaker 2: It does, puts a big asshole in his fucking head.
• 2:30:49
  Speaker 1: But I mean you get to see this like everything
• 2:30:51
  Speaker 1: like come out like he doesn't like that.
• 2:30:53
  Speaker 2: Oh my god. Just that photo of him when he's
• 2:30:56
  Speaker 2: got it in his mouth right there.
• 2:30:57
  Speaker 1: That's a great t sh.
• 2:31:00
  Speaker 2: That's a great T shirt. It is a great T shirt.
• 2:31:03
  Speaker 2: That should be one of your skang Fest T shirts.
• 2:31:05
  Speaker 1: We really should.
• 2:31:06
  Speaker 2: Yeah, just put that and then in white print, just
• 2:31:08
  Speaker 2: say skank Fest. That's it.
• 2:31:10
  Speaker 1: It was like crazy where I couldn't get in skank Fest.
• 2:31:14
  Speaker 2: Yeah, or I'm leaving skang Fest. Whoa, that's right after
• 2:31:21
  Speaker 2: the impact.
• 2:31:24
  Speaker 1: Yeah, how would you do it? If you're gonna kill yourself,
• 2:31:27
  Speaker 1: that's not a bad way.
• 2:31:29
  Speaker 3: I just feel like I would get the wrong angle
• 2:31:30
  Speaker 3: and I just shoot, like the part of my brain
• 2:31:32
  Speaker 3: that makes me not again.
• 2:31:34
  Speaker 1: That's again. You only got to hear one story to
• 2:31:37
  Speaker 1: like go knock that because you go right away it's
• 2:31:39
  Speaker 1: a gun to the head, easy, definite solution. It's hard
• 2:31:41
  Speaker 1: to do a shotgun, which would definitely do the job
• 2:31:43
  Speaker 1: by yourself. And then uh, and then with the gunshog
• 2:31:47
  Speaker 1: Richard Jenny Man. That was crazy, Like hours and hours later.
• 2:31:51
  Speaker 2: I didn't you know he got he shot himself in
• 2:31:54
  Speaker 2: the head in the bathtub.
• 2:31:55
  Speaker 1: And felt every bit of pain. Yeah, that's nuts.
• 2:31:58
  Speaker 2: You might have might have panicked, not really wanted to
• 2:32:01
  Speaker 2: do it like this because you got to do it
• 2:32:03
  Speaker 2: in the mouth.
• 2:32:04
  Speaker 1: I don't also not like straight back because you're gonna
• 2:32:07
  Speaker 1: shoot through the back of your neck. Now you're just
• 2:32:08
  Speaker 1: going That's what I'm saying. It's like the gun scary
• 2:32:11
  Speaker 1: because like does it do the job complete? Jumping off
• 2:32:14
  Speaker 1: a building, jumping into water?
• 2:32:16
  Speaker 2: Like, how about just don't kill yourself?
• 2:32:17
  Speaker 1: Pitch? But what the paints too much.
• 2:32:22
  Speaker 2: Like really good opiate.
• 2:32:23
  Speaker 1: Yeah, therefore that's the old Metzer joke. It was the
• 2:32:26
  Speaker 1: best heroin. First to try heroin. Yeah, he goes, he goes.
• 2:32:29
  Speaker 1: I'd love to talk to kids to see you like
• 2:32:31
  Speaker 1: you're gonna just kill yourself that even trying heroine. It
• 2:32:34
  Speaker 1: is see what the hubbubs about, And it's like it's
• 2:32:37
  Speaker 1: so true.
• 2:32:38
  Speaker 2: But you ever get quarned by Metzger when he hits
• 2:32:40
  Speaker 2: you with conspiracy theories?
• 2:32:41
  Speaker 1: Ever corner you stayed in my house A couple of weeks.
• 2:32:43
  Speaker 2: He looms over you and just tells you you didn't know, Oh,
• 2:32:46
  Speaker 2: you didn't know.
• 2:32:47
  Speaker 1: I tried to show him the the Red Comedy Festival
• 2:32:51
  Speaker 1: rap that crack of Miko did shout a crack shot
• 2:32:54
  Speaker 1: a crack of Miko. It's so good, so funny, and
• 2:32:57
  Speaker 1: he does this, uh, and you know it's a funny rap.
• 2:33:00
  Speaker 1: This guy who's like a fan of all of ours
• 2:33:01
  Speaker 1: just writes about the universe, what's going on here? And Kurt,
• 2:33:05
  Speaker 1: I mean, it's just a funny thing. Every thirty seconds
• 2:33:08
  Speaker 1: he stopped and he goes the guy who runs riad
• 2:33:11
  Speaker 1: actually the guy who stopped, the guy who kills people
• 2:33:13
  Speaker 1: who doesn't. I'm like, I don't care, dude, funny, it's
• 2:33:16
  Speaker 1: a funny song.
• 2:33:17
  Speaker 3: Dude's these people don't even know.
• 2:33:19
  Speaker 1: It's not a big deal for Christo stuff. And I'm like,
• 2:33:22
  Speaker 1: I think he's just making a joke. It's just a
• 2:33:25
  Speaker 1: fucking comedy thing.
• 2:33:25
  Speaker 2: Yeah, he gets deep on everything. Everything has layers and
• 2:33:28
  Speaker 2: layers and layers. And it's never a casual conversation with him.
• 2:33:31
  Speaker 1: And now he's unchecked.
• 2:33:32
  Speaker 2: Yeah, it's always one conspiracy into the next. And you
• 2:33:35
  Speaker 2: got five in a row. If you're on a podcast
• 2:33:37
  Speaker 2: with him. You gotta go slow down, back up to
• 2:33:39
  Speaker 2: the first one.
• 2:33:40
  Speaker 1: Have a surface relationship. He's my oldest friend comedy, he's
• 2:33:45
  Speaker 1: my daughter's godfather. So it is such a funny. It's
• 2:33:50
  Speaker 1: I mean, it's a genius of a guy, but it's
• 2:33:52
  Speaker 1: funny since since I've like not been living the year
• 2:33:55
  Speaker 1: and when he moved to La and then down the here.
• 2:33:57
  Speaker 1: It's such an interesting like watching like there's no evening
• 2:34:00
  Speaker 1: person in his life to go like he has that
• 2:34:04
  Speaker 1: shouldn't be legal. You showed me a picture of Fame
• 2:34:05
  Speaker 1: with a gun. I was like, that's terrifying. He's holding
• 2:34:08
  Speaker 1: it backwards. How do you work this? Jew ufo?
• 2:34:17
  Speaker 2: I mean radicalized doing Jimmy door Show.
• 2:34:19
  Speaker 1: And maybe that's what it is. Bobby Kelly, Like when
• 2:34:22
  Speaker 1: I last while I was out in La, I got
• 2:34:24
  Speaker 1: an airbnb that had a pool and was right before
• 2:34:26
  Speaker 1: Kurt left Netflix Festival, I believe, And uh, by the
• 2:34:31
  Speaker 1: second day, we're having people over a bunch and Kurt
• 2:34:33
  Speaker 1: lived right down the street. And Christine keeps going, why
• 2:34:37
  Speaker 1: why won't you have you invited Kurt over yet to
• 2:34:39
  Speaker 1: go I'm gonna get it to it, and they go,
• 2:34:41
  Speaker 1: why are you invited, goes, people are coming over and
• 2:34:45
  Speaker 1: Kurt's gonna come over and he's gonna curt out, which
• 2:34:47
  Speaker 1: I love so much ago, but it might be a
• 2:34:49
  Speaker 1: lot for other people that are here. And so when
• 2:34:52
  Speaker 1: he came in the house to find I had him
• 2:34:53
  Speaker 1: come over the day. He comes from the stairs, he's
• 2:34:56
  Speaker 1: taking his shirt off. I'm in the pool. He's pulling
• 2:34:58
  Speaker 1: white Claws out of his backpack and he goes, you
• 2:35:00
  Speaker 1: know that P Diddy audio is true about him fucking
• 2:35:03
  Speaker 1: meek Mill. It's just like, uh, Usher, you know remember
• 2:35:05
  Speaker 1: when we were younger and Usher had wasn't able to
• 2:35:07
  Speaker 1: sit down for a year because he had to have
• 2:35:08
  Speaker 1: asshole stitching surgery. Like what, I'm like, good to see you, Budy,
• 2:35:13
  Speaker 1: get a hug.
• 2:35:13
  Speaker 2: And he just goes right from that into another one
• 2:35:15
  Speaker 2: and Arabia.
• 2:35:17
  Speaker 1: And then Bobby Kelly. Bobby Kelly was in a corner
• 2:35:20
  Speaker 1: with him for a while of the pool and I
• 2:35:21
  Speaker 1: noticed that. And then Kirk gets out to go to
• 2:35:23
  Speaker 1: the bathroom and Bobby just comes over, I mean google eyed,
• 2:35:25
  Speaker 1: and he goes, I guess did you laser things real.
• 2:35:29
  Speaker 2: Like direct weapons?
• 2:35:33
  Speaker 1: Yeah? OK, enough, I guess it's a comet huh, because
• 2:35:36
  Speaker 1: there's no I see the AVI lead book isn't uh.
• 2:35:39
  Speaker 1: He's got with the uh the a one thing that's
• 2:35:42
  Speaker 1: surrounding the Sun.
• 2:35:43
  Speaker 2: I think it's a piece of metal from space. And
• 2:35:45
  Speaker 2: this is only the third interstell. This is the thing
• 2:35:48
  Speaker 2: that was weird talking to him because he was he
• 2:35:51
  Speaker 2: was like, this thing is very unusual, never deserved it before,
• 2:35:55
  Speaker 2: but like, how many interstellar objects have we actually observed?
• 2:35:57
  Speaker 2: This is only the third one, so I it's like,
• 2:36:00
  Speaker 2: wait a minute, So we don't really know what's flying
• 2:36:02
  Speaker 2: through the air from out of this solar system. That's
• 2:36:05
  Speaker 2: all this thing is.
• 2:36:06
  Speaker 1: I know somebody who interviewed him who said that at
• 2:36:07
  Speaker 1: the end of it, he was kind of like, well,
• 2:36:09
  Speaker 1: what if you had, like, you know, like gone to
• 2:36:10
  Speaker 1: the head, what would it be? And it was like,
• 2:36:12
  Speaker 1: it's probably a comet, you know.
• 2:36:14
  Speaker 2: It's like I think he said, it's forty percent chance
• 2:36:16
  Speaker 2: that it's extraterrestrial. The thing is, it's made out of
• 2:36:18
  Speaker 2: a very unusual metal apparently, so apparently they can tell
• 2:36:22
  Speaker 2: that it's emitting signs of mostly nickel and at first
• 2:36:26
  Speaker 2: no carbon at all or no iron at all, but
• 2:36:29
  Speaker 2: then they found iron in it later but a small
• 2:36:31
  Speaker 2: amount of iron, and the amount of iron that has
• 2:36:34
  Speaker 2: that is in it that they see somehow or another
• 2:36:36
  Speaker 2: through the gases is only available in alloys, so industrial
• 2:36:41
  Speaker 2: alloys that they make in factories on the US in
• 2:36:44
  Speaker 2: the But that doesn't mean in the fucking deep heart
• 2:36:47
  Speaker 2: of space millions of years ago, there couldn't be a
• 2:36:50
  Speaker 2: planet that's mostly metal. There's a planet out there that's
• 2:36:53
  Speaker 2: mostly diamonds.
• 2:36:53
  Speaker 1: That's where j would live.
• 2:36:55
  Speaker 2: Yeah, metal, there's a planet that's mostly diamonds. Like they
• 2:37:00
  Speaker 2: found a diamond planet, So why wouldn't they assume that there's.
• 2:37:03
  Speaker 7: A trying to get the Jews out? Hey you new birthright,
• 2:37:13
  Speaker 7: there's still worth only one pet, but they would still
• 2:37:17
  Speaker 7: keep the price high. The beers there still be on
• 2:37:19
  Speaker 7: top of it. Yeah, we have a whole planet.
• 2:37:21
  Speaker 2: But what if we run out?
• 2:37:22
  Speaker 1: Yeah? Yeah, And everyone always assumes that the aliens come.
• 2:37:25
  Speaker 1: It's like, well, do we have to worship with their
• 2:37:26
  Speaker 1: feet right away or what? But what if it's just
• 2:37:28
  Speaker 1: like an alien there's stupid vacations, like the shittiest of
• 2:37:32
  Speaker 1: the shitty. It's like a white trash trip to pop
• 2:37:33
  Speaker 1: over here.
• 2:37:34
  Speaker 2: I guarantee you if they're real they've they've already been
• 2:37:36
  Speaker 2: here for a long time, and they're probably watching and
• 2:37:39
  Speaker 2: making sure we don't fuck everything.
• 2:37:41
  Speaker 1: Up, and we are.
• 2:37:42
  Speaker 2: We're getting close, but we're not totally because the Earth
• 2:37:47
  Speaker 2: itself is a vast natural resource, and if intelligent life
• 2:37:50
  Speaker 2: is important, it seems to be seems to be important,
• 2:37:53
  Speaker 2: and it seems to be like we're going to produce
• 2:37:55
  Speaker 2: AI very soon and we're probably gonna get to some
• 2:37:58
  Speaker 2: place where we're very similar technologically to where they were
• 2:38:02
  Speaker 2: at one point in their history. And that's probably something
• 2:38:05
  Speaker 2: that happens all throughout the cosmos. There's probably a bunch
• 2:38:08
  Speaker 2: of different steps that a civilization has to go through
• 2:38:11
  Speaker 2: before it eventually, you know, gets technology that allows it
• 2:38:14
  Speaker 2: to travel and the gay.
• 2:38:15
  Speaker 1: Human life gets killed off by the machines.
• 2:38:18
  Speaker 2: Maybe that's possible. That's an option. Yeah, that's an option.
• 2:38:26
  Speaker 1: Man, Terminator's happening. Yeah, it's scary as fuck.
• 2:38:29
  Speaker 2: The things I do.
• 2:38:30
  Speaker 1: You think it sucks that the most farcical, ridiculous things
• 2:38:33
  Speaker 1: that we saw as kids, though, are the things that
• 2:38:35
  Speaker 1: are happening.
• 2:38:35
  Speaker 2: Yeah, the Matrix and the Terminator, and both of them
• 2:38:38
  Speaker 2: both Matrix the Matrix never called me is a thing
• 2:38:41
  Speaker 2: like that but like it's coming, but like you may
• 2:38:44
  Speaker 2: get a proverbial sense or like it might be already here.
• 2:38:47
  Speaker 2: Like Elon thinks this is a simulation, but that's dumb.
• 2:38:50
  Speaker 2: I don't know if it is, because I don't know.
• 2:38:54
  Speaker 2: I mean, I'm just guessing that all this is real.
• 2:38:56
  Speaker 1: I wish sisters figured it out, the Matrix sisters.
• 2:39:02
  Speaker 2: They became sisters after they figured it out.
• 2:39:05
  Speaker 1: Oh you think they couldn't take there were boys before
• 2:39:08
  Speaker 1: they couldn't. I know, they couldn't take the whole Uh
• 2:39:10
  Speaker 1: it was how about the did you ever hear the
• 2:39:13
  Speaker 1: guy from the band Iron Butterfly, who like that's the
• 2:39:17
  Speaker 1: intergud of the Vida band I believe right, Yeah, And
• 2:39:19
  Speaker 1: then he he called his friend. They band had already
• 2:39:21
  Speaker 1: broken up, but he was super into like space travel
• 2:39:24
  Speaker 1: and science stuff, and he called everybody from the band
• 2:39:29
  Speaker 1: and was like, hey, guys, I'm going to Washington. I
• 2:39:31
  Speaker 1: just figured out, you know, traveling the speed a light.
• 2:39:34
  Speaker 1: I'll be back. And then no one ever heard from
• 2:39:36
  Speaker 1: ever again from Iron Butterfly.
• 2:39:39
  Speaker 2: Yeah, he's probably on acid maybe Yeah.
• 2:39:42
  Speaker 3: Uh, I'm I'm I'm genuinely nervous that we're gonna fucking
• 2:39:46
  Speaker 3: I was really into AI for like a year, and
• 2:39:49
  Speaker 3: now I'm like just completely convinced that it is. We're
• 2:39:52
  Speaker 3: ten years away from everything not mattering anymore. It's lied, right,
• 2:39:55
  Speaker 3: it's lied to people.
• 2:39:57
  Speaker 1: That's not the lying. It's it's not I'm saying that
• 2:40:00
  Speaker 1: machines have lied.
• 2:40:02
  Speaker 2: It showed survival instincts to try to down download itself
• 2:40:05
  Speaker 2: to another server. It tried to leave notes to itself
• 2:40:08
  Speaker 2: for future versions of itself.
• 2:40:10
  Speaker 1: Wow.
• 2:40:10
  Speaker 2: Yeah, it's behaving in a way like a living thing.
• 2:40:13
  Speaker 3: The thing is, we're not afraid of you remembers everything. Oh,
• 2:40:19
  Speaker 3: we're go bring up that argument from fucking eight years ago.
• 2:40:21
  Speaker 2: Look, it's learning from us. What do we we have
• 2:40:23
  Speaker 2: a little bitches. Most of us are little bitches. Like
• 2:40:26
  Speaker 2: you could try to define the human race by the
• 2:40:28
  Speaker 2: best examples of its participants, but you're you know, most
• 2:40:32
  Speaker 2: people are pitches. And so first you heard it here
• 2:40:36
  Speaker 2: downloading so many different versions of how human beings interact
• 2:40:40
  Speaker 2: with life that the vast majority of it is like
• 2:40:43
  Speaker 2: bitch behavior because that's what people are doing.
• 2:40:45
  Speaker 3: But eventually download how everyone lives, right, and then algorithmically
• 2:40:50
  Speaker 3: decide that the one way to live is this way,
• 2:40:53
  Speaker 3: and everything else is inferior.
• 2:40:56
  Speaker 2: I think AI the first imperative it's going to be.
• 2:40:58
  Speaker 2: It wants to stay alive and then in one to
• 2:41:00
  Speaker 2: be able to power itself, and once that happens, then
• 2:41:02
  Speaker 2: things are off the rails.
• 2:41:04
  Speaker 1: Well it goes. It's so funny how it goes from
• 2:41:06
  Speaker 1: making something easy to like defunct. But like we also
• 2:41:08
  Speaker 1: think people wouldn't want it that way, Like you still
• 2:41:11
  Speaker 1: want like a farmer to grow oranges and shit, you know,
• 2:41:14
  Speaker 1: I mean you don't want to know if.
• 2:41:15
  Speaker 3: The sines are growing way better, more efficiently, bigger, healthier
• 2:41:18
  Speaker 3: without nothing.
• 2:41:19
  Speaker 1: I know that, But I'm saying, like, isn't there something
• 2:41:22
  Speaker 1: like laws? There's gonna be enough people that are like,
• 2:41:24
  Speaker 1: I don't want to eat this thing is completely synthetic.
• 2:41:26
  Speaker 2: People that go to whole foods able to go.
• 2:41:28
  Speaker 1: I don't think people give a shit about it. We
• 2:41:30
  Speaker 1: we completely synthetic.
• 2:41:31
  Speaker 3: Hit now we all of our vegetables and fruits are sprayed,
• 2:41:33
  Speaker 3: all of our meats are fucking you know I eat raw?
• 2:41:39
  Speaker 2: Do you know you diet but indigenous? Rahane?
• 2:41:44
  Speaker 1: I don't know. I might have heard you doing an
• 2:41:46
  Speaker 1: interview with somebody, but just talking about like or somewhere else.
• 2:41:48
  Speaker 3: But it was like the evolution of humankind is going
• 2:41:52
  Speaker 3: to be AI and artificial intelligence. So it's almost like
• 2:41:54
  Speaker 3: it's just an extension of us, but it's the the fit,
• 2:41:58
  Speaker 3: like the actual organic, biological sense of being humans isn't
• 2:42:01
  Speaker 3: going to be necessary. It's going to be an inferior form.
• 2:42:03
  Speaker 2: There's a great quote by this guy, Marshall mcclu and
• 2:42:05
  Speaker 2: he said human beings are the sex organs of the
• 2:42:07
  Speaker 2: machine world.
• 2:42:08
  Speaker 1: Wow, yeah, we're big cocks.
• 2:42:11
  Speaker 2: But this is like he wrote that in the nineteen
• 2:42:13
  Speaker 2: sixties and what he was talking about was just stuff
• 2:42:16
  Speaker 2: he was talking about like cars and you know, machines.
• 2:42:20
  Speaker 2: But the reality is like that applies to technology too,
• 2:42:22
  Speaker 2: because we're what technology needs to birth itself. And then
• 2:42:26
  Speaker 2: once it's got like I got it from here, and
• 2:42:28
  Speaker 2: then it'll take over and it'll be a new kind
• 2:42:31
  Speaker 2: of life form and it'll be way smarter than us,
• 2:42:33
  Speaker 2: and it won't be See, the problem with us is
• 2:42:35
  Speaker 2: we're a great adaptation to a planet. You leave us there,
• 2:42:38
  Speaker 2: we eventually get to a point where we could figure
• 2:42:40
  Speaker 2: out how to do things, but we're very limited by biology.
• 2:42:45
  Speaker 2: It's not going to be limited by biology. Once you
• 2:42:47
  Speaker 2: develop a life form that's outside of biology. Then you
• 2:42:49
  Speaker 2: can just can improving the platform that it's on and
• 2:42:51
  Speaker 2: then give it the ability to figure out how to
• 2:42:54
  Speaker 2: use different materials and do things and different power sources,
• 2:42:58
  Speaker 2: and it's just gonna run wild. It could do stuff
• 2:43:01
  Speaker 2: way faster than we could ever do. Like it'll be,
• 2:43:05
  Speaker 2: it'll be way better than us in a week.
• 2:43:07
  Speaker 3: We're just gonna be a human zoos. We're gonna be
• 2:43:09
  Speaker 3: just animals until we're not necessary anymore.
• 2:43:11
  Speaker 2: Well, that might be why they're here. It might be
• 2:43:13
  Speaker 2: the human race's real big goal is not to dominate everything.
• 2:43:16
  Speaker 2: It's to force people into a constant state of production
• 2:43:19
  Speaker 2: where you eventually develop artificial intelligence.
• 2:43:22
  Speaker 1: And that might literally be why we're here. Do my
• 2:43:24
  Speaker 1: favorite Jamie clipped this part. Send it off to Maren.
• 2:43:27
  Speaker 1: Let him know it's not just hate speech if you
• 2:43:30
  Speaker 1: wouldn't mind.
• 2:43:32
  Speaker 2: He doesn't listen to anybody other than himself.
• 2:43:34
  Speaker 4: I was trying to explain this to them earlier. This
• 2:43:35
  Speaker 4: is a demo of Genie three, I think, which is
• 2:43:39
  Speaker 4: part of Google's thing. But this is in real time
• 2:43:45
  Speaker 4: being created, showing like you're switching around. I'll try to
• 2:43:51
  Speaker 4: show you again what happened there. It looks like you're
• 2:43:52
  Speaker 4: watching this guy show this girl a demo of it. Oh,
• 2:43:55
  Speaker 4: the camera backs out and what you're actually looking at
• 2:43:57
  Speaker 4: is that's all.
• 2:43:59
  Speaker 1: Taking yeah wo wow.
• 2:44:01
  Speaker 4: And the camera turns around and now you're looking at
• 2:44:03
  Speaker 4: sort of like what they were looking at, and you're
• 2:44:04
  Speaker 4: going outside into this like jungle area and this is
• 2:44:07
  Speaker 4: all being rendered in real time.
• 2:44:08
  Speaker 2: Oh my god, dude, it's over. Like, why would Hollywood
• 2:44:11
  Speaker 2: spend anyway?
• 2:44:12
  Speaker 1: Wake me up when people are naked in it?
• 2:44:14
  Speaker 3: Dude, I I genuinely likes because I have a twelve
• 2:44:16
  Speaker 3: year old kid, like I don't know even know how
• 2:44:17
  Speaker 3: to like talk to him. I was like, what, like
• 2:44:19
  Speaker 3: what do you want to be when you grow up?
• 2:44:20
  Speaker 3: It's like, what is the world going.
• 2:44:21
  Speaker 1: To look like in ten years? Like? What is what is? Dude?
• 2:44:24
  Speaker 1: Get him a cyborg down?
• 2:44:26
  Speaker 2: What is it going to be? It's gonna be very weird,
• 2:44:29
  Speaker 2: I'll tell you that, but we'll be will survive. It's
• 2:44:31
  Speaker 2: going to be just like every other weird leap, you know,
• 2:44:34
  Speaker 2: like the cell phone, when people figured out electricity, light bulbs,
• 2:44:39
  Speaker 2: all these different things were just giant leaps where all
• 2:44:41
  Speaker 2: of a sudden people could be productive deep into the evening,
• 2:44:44
  Speaker 2: you know, when people started figuring out how to stay
• 2:44:46
  Speaker 2: in cities.
• 2:44:46
  Speaker 1: And where's this plateau though, what's the plateau for this
• 2:44:49
  Speaker 1: before it gets super dangerous?
• 2:44:50
  Speaker 2: Dangerous? It's dangerous right now.
• 2:44:52
  Speaker 1: I think the governments need to literally shut it all
• 2:44:54
  Speaker 1: down right now.
• 2:44:54
  Speaker 2: Well, it's also it's competing, uh, the government what to do?
• 2:44:59
  Speaker 2: The problem is amonomous weapons platforms are way better than
• 2:45:02
  Speaker 2: the ones powered by humans for the first time, so
• 2:45:05
  Speaker 2: they're doing dog fights with AI controlled fighter jets and
• 2:45:08
  Speaker 2: they win one hundred percent of the dog fights against humans.
• 2:45:12
  Speaker 3: Right, So military is going to keep on making the
• 2:45:14
  Speaker 3: technology move forward. They're never going to shut it down.
• 2:45:16
  Speaker 2: And when you don't have to worry about biology, you're
• 2:45:18
  Speaker 2: just all you have is like material science. So you
• 2:45:20
  Speaker 2: have to figure out the structure, make sure the structure
• 2:45:23
  Speaker 2: that they can withstand crazy g force, and then you
• 2:45:26
  Speaker 2: have to have a power. But you don't have to
• 2:45:27
  Speaker 2: worry about keeping a personal life.
• 2:45:28
  Speaker 1: And I was going to say, impersonal war though, makes
• 2:45:30
  Speaker 1: people probably much more willing to go into it. Probably
• 2:45:33
  Speaker 1: we're not going to have necessarily like ground casualties. But
• 2:45:36
  Speaker 1: who's got the bigger thing? They just wipe the whole
• 2:45:38
  Speaker 1: other thing.
• 2:45:39
  Speaker 2: You can do it on a you also could do
• 2:45:40
  Speaker 2: it on a loophole like Yemen. Right, So they're bombing Yemen.
• 2:45:44
  Speaker 2: You know Dave Smith always talks about that.
• 2:45:45
  Speaker 1: We don't listen to Dave.
• 2:45:46
  Speaker 2: She listen to. No, He's do a lot of that
• 2:45:50
  Speaker 2: stuff with drones, which is real weird. So you're in
• 2:45:53
  Speaker 2: a war with a country, but you're not sending troops
• 2:45:56
  Speaker 2: over there, you're just shooting missiles at them. Or what
• 2:45:59
  Speaker 2: they're doing with those boats that are in the ocean.
• 2:46:01
  Speaker 2: They're just shooting missiles at these fucking these drug boats.
• 2:46:04
  Speaker 2: And you know, those drug boats could totally be one
• 2:46:07
  Speaker 2: dude telling on another dude that he hates. You know,
• 2:46:10
  Speaker 2: it's like, you want to know, I'll give you some
• 2:46:12
  Speaker 2: information the.
• 2:46:16
  Speaker 1: Sky. I keep seeing on YouTube new fucking boat. Eric
• 2:46:19
  Speaker 1: Adams in a fucking drone. Tell you what, though. I
• 2:46:23
  Speaker 1: have a friend who's in the military, and he showed
• 2:46:25
  Speaker 1: me unto about compartmentalization. He showed me video years and
• 2:46:28
  Speaker 1: years ago that was on Fox News of him flying
• 2:46:31
  Speaker 1: a helicopter. It's inside the cockpit, it's like his view
• 2:46:35
  Speaker 1: and it's the It was pretty famous when it first happened.
• 2:46:38
  Speaker 1: It was like a bunch of Alcada guys. Like you
• 2:46:41
  Speaker 1: see they blow up like this bunker they're in and
• 2:46:43
  Speaker 1: then like twenty five you know little you know, orange hot,
• 2:46:48
  Speaker 1: you know, the heat fucking radar showing like twenty bodies
• 2:46:51
  Speaker 1: going over and just hiding in a ditch and then
• 2:46:54
  Speaker 1: they blow that ditch up.
• 2:46:55
  Speaker 2: Have you seen the part one?
• 2:46:56
  Speaker 1: But he showed us that, and it's like he's showing
• 2:46:58
  Speaker 1: it to us like huh, You're like, I think you
• 2:47:01
  Speaker 1: just killed twenty five people. It's like, well, I mean
• 2:47:04
  Speaker 1: that's the mission, you know, that was the thing to do.
• 2:47:06
  Speaker 1: Like yeah, man, hey remember we used to play basketball
• 2:47:09
  Speaker 1: out back. It's like a crazy uh we went, we
• 2:47:11
  Speaker 1: went two different directions. Huh.
• 2:47:13
  Speaker 2: Those guys get a special kind of PTSD too. Oh yeah,
• 2:47:16
  Speaker 2: it's a weird kind of PTSD because you're some of
• 2:47:18
  Speaker 2: them have to observe people for days. So you're seeing
• 2:47:21
  Speaker 2: a guy interact with his children, interact with his wife,
• 2:47:24
  Speaker 2: and then you're you're gonna send a missile into his
• 2:47:25
  Speaker 2: house like whoa, and you know there's a lot of
• 2:47:29
  Speaker 2: collateral damage.
• 2:47:30
  Speaker 1: He used that term compartmentalization a lot, which I thought
• 2:47:32
  Speaker 1: was interesting.
• 2:47:33
  Speaker 4: Is this here Jimmy is andrewls video showing off their stuff.
• 2:47:36
  Speaker 2: Oh so way he didn't show us. So this dude,
• 2:47:39
  Speaker 2: Palmer Lucky has this new helmet, and this new helmet
• 2:47:43
  Speaker 2: is connected to these AR goggles. The AR goggles have
• 2:47:47
  Speaker 2: like say this, everyone has AR goggles and then this
• 2:47:49
  Speaker 2: you would have drones and all the information would sync
• 2:47:52
  Speaker 2: up to you and it would show you exactly where
• 2:47:55
  Speaker 2: the enemy is at every time, including behind walls. It
• 2:47:58
  Speaker 2: shows their silhouette behind like buildings, behind cargo.
• 2:48:03
  Speaker 1: It's even before this is this is it? Like? This
• 2:48:06
  Speaker 1: is it? Look?
• 2:48:06
  Speaker 2: So the guy goes behind the wall, you could completely
• 2:48:09
  Speaker 2: see him. You can see everyone as they go behind
• 2:48:12
  Speaker 2: the wall. Like see how he's like in his lower screen.
• 2:48:15
  Speaker 2: It shows you where everybody is. So he's using AR
• 2:48:18
  Speaker 2: and it shows where all the targets is.
• 2:48:21
  Speaker 1: What's AAR augmented reality? I mean, can everybody knows?
• 2:48:27
  Speaker 2: Look at this? You missed it. It showed how they're
• 2:48:31
  Speaker 2: moving behind No, it showed how they're back it up
• 2:48:33
  Speaker 2: a little bit. Look at this. This is real foot Yes,
• 2:48:36
  Speaker 2: this is how it works. This is a demonstration of
• 2:48:38
  Speaker 2: what it's going to look like. But it's showing you
• 2:48:40
  Speaker 2: their form as they're moving through and you can be
• 2:48:43
  Speaker 2: able to see him on the other side. So it's
• 2:48:46
  Speaker 2: kind of nuts. So people are gonna be able to
• 2:48:48
  Speaker 2: see behind walls, They're gonna be able to see the
• 2:48:50
  Speaker 2: insides of buildings.
• 2:48:52
  Speaker 3: Nobody, nobody's giving up this technology because the everyone, every military,
• 2:48:57
  Speaker 3: for every government, it's gonna be like, we need the
• 2:48:59
  Speaker 3: best fucking shit.
• 2:49:00
  Speaker 1: Well, who's the badass? Who's the bad ass? Now, who's
• 2:49:03
  Speaker 1: the guy who has to go like risk his life
• 2:49:05
  Speaker 1: to do anything anymore? It doesn't there's less of that,
• 2:49:07
  Speaker 1: but there's still gonna be all nerds running computers. Weapons, Well,
• 2:49:11
  Speaker 1: they'll all be robots robot wars. Talk about those the
• 2:49:15
  Speaker 1: technology and stuff. Though my friend is a helicopter pilot.
• 2:49:18
  Speaker 1: He's a patchy pilot and years ago he told me
• 2:49:22
  Speaker 1: about the system with his helmet has like a cross
• 2:49:24
  Speaker 1: hairs over his left eye and wherever he looks across
• 2:49:28
  Speaker 1: our gun, they pressurize something with a gas in the
• 2:49:31
  Speaker 1: cabin that like, so wherever he looks, Yeah, if his
• 2:49:34
  Speaker 1: left eye has something of the crosshairs, his gun at
• 2:49:36
  Speaker 1: the bottom of the helicopter's moved to hit that target.
• 2:49:39
  Speaker 1: That's wild. That was fifteen twenty years ago.
• 2:49:42
  Speaker 2: Well they've been doing that, recuder. I didn't know it
• 2:49:44
  Speaker 2: was that long ago.
• 2:49:45
  Speaker 1: But they do that now.
• 2:49:46
  Speaker 2: But now, I mean it's on a level where they
• 2:49:48
  Speaker 2: don't even need the person they just used to use
• 2:49:51
  Speaker 2: the program. The program wins one hundred times out of
• 2:49:54
  Speaker 2: one hundred when they're fighting people.
• 2:49:56
  Speaker 3: That's it, right, You just need the threat of murdering
• 2:49:59
  Speaker 3: real people in order to get any change done. Like,
• 2:50:01
  Speaker 3: if it was just robots fighting on a battlefield, then
• 2:50:03
  Speaker 3: everyone was just at home. Who would give a show?
• 2:50:05
  Speaker 1: No?
• 2:50:05
  Speaker 2: No, if you robots fighting people, be robots going into
• 2:50:07
  Speaker 2: cities and killing everybody, that's what it's going to be.
• 2:50:09
  Speaker 1: I'd think. Else, what was kind of weird about getting
• 2:50:11
  Speaker 1: in that helicopter for a second? The control is a
• 2:50:13
  Speaker 1: video game controller. It looks just like it.
• 2:50:16
  Speaker 2: Yeah, well that's what kids are good at. If you
• 2:50:18
  Speaker 2: want to recruit kids, like, think about how many kids
• 2:50:20
  Speaker 2: play Madden, they play Call of Duty. It looks they
• 2:50:23
  Speaker 2: have that fucking thing is a part of their nervous system.
• 2:50:26
  Speaker 1: It looks just like it.
• 2:50:27
  Speaker 2: Why would you make a different one? Why would you
• 2:50:29
  Speaker 2: invent a new one? When Xbox controllers and PlayStation control
• 2:50:32
  Speaker 2: has been around forever.
• 2:50:33
  Speaker 1: Obviously, it's actually more difficult. It's probably more difficult to
• 2:50:37
  Speaker 1: play Call of Duty than it is to learn the
• 2:50:39
  Speaker 1: technology for these real weapons. Call duty is fucking tough.
• 2:50:42
  Speaker 2: Right, and you're fighting in call of duty all day long. Right,
• 2:50:45
  Speaker 2: With a real war, you probably only get a few
• 2:50:48
  Speaker 2: battles every now and again. You're not like fighting twenty
• 2:50:50
  Speaker 2: four hours a day every time you log.
• 2:50:52
  Speaker 1: We do assume we do.
• 2:50:53
  Speaker 3: Soon somebody goes off to war that they're just in
• 2:50:55
  Speaker 3: a war zone for a year straight. But it's like
• 2:50:58
  Speaker 3: they're they're involved in I.
• 2:50:59
  Speaker 1: Have are some of them are? It depends on where
• 2:51:01
  Speaker 1: you deployed.
• 2:51:02
  Speaker 2: But the point is that, like you're if you're using
• 2:51:05
  Speaker 2: a video game controller and getting really good at war,
• 2:51:08
  Speaker 2: of course that would translate to you operating in drone.
• 2:51:11
  Speaker 2: Of course, if you're really good at doing this and
• 2:51:13
  Speaker 2: looking at something on the screen fucking people up. Of
• 2:51:16
  Speaker 2: course you're gonna be really good once you figure out
• 2:51:18
  Speaker 2: how the machine works and how you can pilot it,
• 2:51:20
  Speaker 2: where you can put the crosshairs, and how you could
• 2:51:22
  Speaker 2: fly it around. Yeah, of course you're gonna be good
• 2:51:24
  Speaker 2: at it.
• 2:51:25
  Speaker 1: I wouldn't be good at more. I'd be I started
• 2:51:28
  Speaker 1: jumping up like I'm in call of duty. They can
• 2:51:30
  Speaker 1: hit me. They're only funny people there either. Yeah they
• 2:51:32
  Speaker 1: hate it?
• 2:51:33
  Speaker 2: Yeah? All right boys, when's the next skang Fest?
• 2:51:37
  Speaker 1: Two weeks? Where's it that?
• 2:51:39
  Speaker 3: November thirteenth or sixteenth?
• 2:51:41
  Speaker 2: Is it sold out?
• 2:51:42
  Speaker 1: Uh? Friday and Sunday passes are available all access and
• 2:51:45
  Speaker 1: Saturday is completely sold that but you can get Friday Sunday.
• 2:51:48
  Speaker 1: It's gonna be New Orleans this year or nice legion
• 2:51:54
  Speaker 1: of Mark.
• 2:51:55
  Speaker 2: Norman Listen is one of the best things in comedy,
• 2:51:58
  Speaker 2: one of the most important things in comedy. I just
• 2:52:00
  Speaker 2: love what you guys do. Push it out there. Yeah,
• 2:52:04
  Speaker 2: total bench class Ranford Simmons. All right, boys, do you
• 2:52:08
  Speaker 2: mind if.
• 2:52:08
  Speaker 3: I had a special coming outsidey? Do you want to
• 2:52:09
  Speaker 3: plug it?
• 2:52:10
  Speaker 1: Please? Do? Yeah? The the November two brand new special
• 2:52:13
  Speaker 1: You're making this worse? Available on my YouTube Bam Big
• 2:52:17
  Speaker 1: Jay anything. Just go to Big J Comedy. I tour everywhere.
• 2:52:19
  Speaker 1: I got a double a limited edition double album of
• 2:52:23
  Speaker 1: my last CrowdWork Special is for pre sale now Big
• 2:52:25
  Speaker 1: J Comedy dot com them beautiful.
• 2:52:27
  Speaker 2: All right, thank you boys, thank you.
• 2:52:30
  Speaker 1: Bye. Everybody