Latest / The Bootleg Kev Podcast / #404 - Fredo Bang

Transcript

#404 - Fredo Bang · The Bootleg Kev Podcast

• 0:00
  Speaker 1: What's saying that your boy Fredo bang be Me's in
• 0:02
  Speaker 1: Moon Rock Raader. I'm like, maybe the scared name of
• 0:04
  Speaker 1: me ain't telling the money'll make no since speaking catch
• 0:06
  Speaker 1: me on a bootleg kill partcad let go What the
• 0:15
  Speaker 1: Butleg Cap Podcasts Special guest.
• 0:18
  Speaker 2: Let's get his mic right? My guy Fredo bang is
• 0:22
  Speaker 2: back on the show. Finally. It's been a while, man,
• 0:24
  Speaker 2: been a couple of years. Good to see you, bro, Yeah,
• 0:27
  Speaker 2: been a little bit. Ah, yeah it was. I think
• 0:29
  Speaker 2: the last time you're on the pod, it was like
• 0:31
  Speaker 2: it was definitely two years ago, at least it was.
• 0:32
  Speaker 2: I think it was right maybe like a few months
• 0:34
  Speaker 2: before you got locked up. The last time two years ago.
• 0:37
  Speaker 2: So yeah, what's up? How's how's everything? Man? Getting ready
• 0:40
  Speaker 2: for the new project? Yeah, yes, I'm sad.
• 0:42
  Speaker 1: Yeah, So what I'm saying explain so well? Basically, uh,
• 0:49
  Speaker 1: there's two reasons why I named it. That all the
• 0:51
  Speaker 1: music that's on this project I made when I was
• 0:54
  Speaker 1: going through a real rough time my life last since
• 0:57
  Speaker 1: I've been out of jail. And also it's basically like
• 1:01
  Speaker 1: it's like an iron and things like basically showing you, okay,
• 1:04
  Speaker 1: we can make regular music. And be sad as hell. Yeah,
• 1:06
  Speaker 1: you know what I'm saying.
• 1:07
  Speaker 2: Also, thank you for that, because I feel like I'm
• 1:11
  Speaker 2: tired of just like I just feel like hip hop
• 1:14
  Speaker 2: needs to be a little more vulnerable, be a little
• 1:17
  Speaker 2: more honest, you know what I mean. So when you
• 1:21
  Speaker 2: say because because because it takes first of all, to
• 1:23
  Speaker 2: name your album, that that's a big that's a brave
• 1:26
  Speaker 2: thing to do. You know what I'm saying. Were you
• 1:28
  Speaker 2: going back and forth about doing it because to be
• 1:30
  Speaker 2: like that vulnerable publicly, you know, and and you're kind
• 1:32
  Speaker 2: of seeing as like a quote unquote gangster rapper.
• 1:34
  Speaker 1: You know what I'm saying. It was either that I
• 1:41
  Speaker 1: forgot what the other name was. I forgot what the
• 1:45
  Speaker 1: other name was, but it was namely that what was.
• 1:48
  Speaker 2: What about the last couple of years had you in
• 1:51
  Speaker 2: a little place.
• 1:52
  Speaker 1: It was just going to jail for nothing? And when
• 1:56
  Speaker 1: I went to jail, you know, I was at the
• 1:57
  Speaker 1: top of my career.
• 1:58
  Speaker 2: For sure.
• 1:59
  Speaker 1: It's slowed me down. I had the refund shows, I
• 2:03
  Speaker 1: had the just basically like I had just restart everything
• 2:08
  Speaker 1: on some you know what I'm saying, Because you lose
• 2:09
  Speaker 1: your you know, it's like you lose that that flow,
• 2:13
  Speaker 1: you know what I'm saying, So just redoing that. And
• 2:16
  Speaker 1: then I had label problems with my main with my
• 2:19
  Speaker 1: independent label, so I couldn't put out no projects. I
• 2:22
  Speaker 1: haven't put out a project in fourteen months.
• 2:23
  Speaker 2: I was gonna say it's been a minute, it's at
• 2:25
  Speaker 2: least a year.
• 2:25
  Speaker 1: Yeah, But it's not my fault.
• 2:27
  Speaker 2: So it's just so because for people who don't know
• 2:31
  Speaker 2: your well, I don't know if you still are you
• 2:33
  Speaker 2: still on deaf Jam? Yeah? Okay? So you had a
• 2:37
  Speaker 2: label that that deal was through, like your OG label
• 2:40
  Speaker 2: right from is that from Baton Rouge? Nah? Okay, but
• 2:43
  Speaker 2: just like an independent label that yeah. So because rich
• 2:46
  Speaker 2: HOMEI Kwan went through something similar with t Ig where
• 2:50
  Speaker 2: they prevented him from releasing music for years, right, So
• 2:55
  Speaker 2: what was what was the disagreement and how did it
• 2:59
  Speaker 2: end up getting.
• 3:01
  Speaker 1: Basically, they had a legal situation with a third another
• 3:07
  Speaker 1: party that kept them back from handling business with me properly,
• 3:12
  Speaker 1: and so it just was tied up, crisscrossed and just
• 3:16
  Speaker 1: just deep bringing the worse and worse, you know what
• 3:18
  Speaker 1: I'm saying, And we just couldn't settled it for a while.
• 3:23
  Speaker 2: What ended up being the resolution, like what was the
• 3:25
  Speaker 2: typical I.
• 3:26
  Speaker 1: Want to get too too deep, But like I say,
• 3:29
  Speaker 1: I don't fault them all the way because it happens
• 3:34
  Speaker 1: right people you know don't like you said something. Just
• 3:39
  Speaker 1: my biggest thing was I felt like like they helped
• 3:43
  Speaker 1: me get to where I am. I wouldn't be where
• 3:45
  Speaker 1: I'm at without them. But I feel like as the artist,
• 3:47
  Speaker 1: I am the initiatives that I take as much as
• 3:50
  Speaker 1: work I put in on half of both of us.
• 3:52
  Speaker 1: I feel like, you know what I'm saying. Sometimes you
• 3:56
  Speaker 1: got to swallow a pill for me, you feel me
• 3:58
  Speaker 1: because I do the same for you. So I just
• 4:01
  Speaker 1: feel like what I was going through I shouldn't been
• 4:03
  Speaker 1: going through even for that loan, right, I should feel
• 4:06
  Speaker 1: like she immediately got fixed.
• 4:08
  Speaker 2: What would be advice because we've seen recently similar situations
• 4:12
  Speaker 2: like Megan and fifteen oh one I think it was
• 4:15
  Speaker 2: fifteen oh one and Carl Crawford, they went through it.
• 4:17
  Speaker 2: If you're a young up and coming artist, sometimes people
• 4:23
  Speaker 2: can come into your life and, like you said, make
• 4:26
  Speaker 2: things possible for you right when you don't got nothing.
• 4:28
  Speaker 2: So you're just like, hey, let's do it. But is
• 4:30
  Speaker 2: there any sort of things people should look out for
• 4:32
  Speaker 2: or things people should do to kind of protect themselves
• 4:35
  Speaker 2: from getting into a situation where that you've that you
• 4:38
  Speaker 2: kind of like learned from this situation.
• 4:40
  Speaker 1: I'm gonna say, no matter what you do and precautions
• 4:43
  Speaker 1: that you take, how the music industry is set up,
• 4:47
  Speaker 1: and it's not because of just the labels, it's just
• 4:49
  Speaker 1: how it should be going. It's so easy for us
• 4:52
  Speaker 1: all just to get fucked out of running like it's
• 4:55
  Speaker 1: just playing stuff. It's just easy, you know what I'm saying.
• 4:57
  Speaker 1: It's not set in law. That just had has to happen.
• 5:00
  Speaker 1: That has to happen sometimes, like with l ods. I
• 5:04
  Speaker 1: even got l d's that's something to everybody. Get letter
• 5:07
  Speaker 1: of direction, letter dis and make sure what's old to
• 5:09
  Speaker 1: you get paid to you, and what's good old to
• 5:12
  Speaker 1: everybody else go to them so nobody get it. Collect
• 5:14
  Speaker 1: from somebody money and they got to wait for them
• 5:16
  Speaker 1: to pay them. I got those, but my ship still
• 5:19
  Speaker 1: messed up to it. It couldn't get put in and fixed.
• 5:23
  Speaker 2: So for people who don't know what a letter direction is,
• 5:25
  Speaker 2: it could be I'm not like a music lawyer. It's
• 5:29
  Speaker 2: just a sign document saying that it's it's also how
• 5:32
  Speaker 2: you can distribute masters too. Like so for.
• 5:34
  Speaker 1: Example, let's says, let's say you put an album out right,
• 5:39
  Speaker 1: your or like your l O.
• 5:40
  Speaker 2: D's would be sent to death Jam. So depth Jam
• 5:44
  Speaker 2: knows who to pay before it hits like yeah, someone
• 5:47
  Speaker 2: else's pockets and you got to depend on that person
• 5:49
  Speaker 2: to do right by you.
• 5:51
  Speaker 1: See, this is the thing, like, it's depth Jam is
• 5:55
  Speaker 1: the publishing side being out because it's so many different
• 5:57
  Speaker 1: sides of the music. You know what, the right side.
• 6:00
  Speaker 1: We got the vilager side, so that's too. Right there,
• 6:03
  Speaker 1: you got death Jam, you got the people who collect
• 6:04
  Speaker 1: the pub they got the police, people who may collect
• 6:08
  Speaker 1: YouTube separately. They got motherfucking sound exchange, all of it.
• 6:13
  Speaker 2: It's just a lot, bro. So who do you depend
• 6:15
  Speaker 2: on because people I see people getting take advantage on
• 6:18
  Speaker 2: by lawyers too, Like you also got to kind of
• 6:19
  Speaker 2: make sure you got you hire the right lawyer.
• 6:21
  Speaker 1: I don't went through that too, because I don't had lawyers.
• 6:23
  Speaker 1: They don't even do shit, and then.
• 6:25
  Speaker 2: And they get a cut for nothing. It's like, hey,
• 6:27
  Speaker 2: you know, I could have probably just googled this contract online.
• 6:31
  Speaker 2: I mean it seems like, I mean, most people don't
• 6:34
  Speaker 2: know about the things we're speaking about most artists, So
• 6:38
  Speaker 2: for you, you kind of had to go through it
• 6:40
  Speaker 2: to be like.
• 6:41
  Speaker 1: I mean, that's sometime. Really it was all just learned
• 6:44
  Speaker 1: because like I'm savage to shit. You feel me, and
• 6:47
  Speaker 1: I'm the type of person where I read shit three
• 6:48
  Speaker 1: full times. Like all my contracts I looked at, I
• 6:51
  Speaker 1: go over. I waited til our sign them. You know
• 6:53
  Speaker 1: what I'm saying. But sometimes you just don't fullip. You
• 6:56
  Speaker 1: know what I'm saying, understand until you go through it.
• 6:58
  Speaker 1: You feel me and then you learn and the next
• 7:00
  Speaker 1: go round is wrong. You get it right?
• 7:02
  Speaker 2: Would you say you're happy with Depth Jams so far?
• 7:05
  Speaker 1: H I'm happy in my position. Yeah, I feel like
• 7:10
  Speaker 1: there's always to be better. I can't follow death Jam
• 7:13
  Speaker 1: for a lot of things because they are for want
• 7:16
  Speaker 1: their legendary label. What comes with that though, is an
• 7:21
  Speaker 1: old horse. Oh yeah, you feel me, and I'm a
• 7:25
  Speaker 1: very new horse. Sometimes it's very hard for those old
• 7:31
  Speaker 1: horses to break habits, old habits. You gee what I'm saying. Also,
• 7:41
  Speaker 1: it's a bunch of new people stated comeing in.
• 7:44
  Speaker 2: Well, that's what I was gonna say. Since you've been
• 7:45
  Speaker 2: signed to Death Jam, there's been regime changes at the LAB.
• 7:49
  Speaker 1: We had like three different presidents.
• 7:51
  Speaker 2: Right, and that I always feel like, if let's say
• 7:54
  Speaker 2: the president who is there when you're signed, they're gonna
• 7:58
  Speaker 2: be the most excited about you because they're responsible for
• 8:01
  Speaker 2: your signing, right, or the an R whoever, whoever brought
• 8:04
  Speaker 2: you into depth jam right. Once they leave, it's up
• 8:08
  Speaker 2: in the air whether or not the person who replaces him.
• 8:11
  Speaker 1: Paulsberg one who brought me in A side shout out
• 8:14
  Speaker 1: to Paul Eminem's manager Goliath Entertainment a legend.
• 8:18
  Speaker 2: But it always, like I see it happen all the
• 8:20
  Speaker 2: time where somebody will get brought into a label situation
• 8:23
  Speaker 2: and then wants their whole squad that brought them in
• 8:26
  Speaker 2: leaves and goes through a different label, and then there's
• 8:27
  Speaker 2: a whole new people and then they're not as enthusiastic
• 8:30
  Speaker 2: about it or they don't understand it as well.
• 8:33
  Speaker 1: The good thing with me is and shout out to
• 8:36
  Speaker 1: the president like tounge of that right now, great guy,
• 8:39
  Speaker 1: and he'll very understanding.
• 8:41
  Speaker 2: He fort of orders like one hundred percent. He's solid
• 8:43
  Speaker 2: about aside as they come.
• 8:45
  Speaker 1: And it's hard coming in trying to fix it everything
• 8:47
  Speaker 1: for sure. Uh. The thing with me is, I'm pretty
• 8:54
  Speaker 1: different from a lot of orders. I don't wait on
• 8:56
  Speaker 1: the label to cut the chick to go get the video.
• 9:00
  Speaker 2: You just handle it.
• 9:01
  Speaker 1: I handle it and I wait to get it later.
• 9:03
  Speaker 1: So and then you'll you'll file like a reimbursement right
• 9:07
  Speaker 1: so out the gate, I'm productive.
• 9:08
  Speaker 2: Yeah.
• 9:09
  Speaker 1: For two, I'm very budget savvy, you know what I'm saying, Like,
• 9:14
  Speaker 1: I'm not going fucking to go get a fifty thousand
• 9:19
  Speaker 1: dollars video that I don't need because you can spend
• 9:21
  Speaker 1: and I don't and I don't feel like it's gonna
• 9:23
  Speaker 1: make back, you know what I'm saying. And I have
• 9:25
  Speaker 1: projects that are in the green already.
• 9:27
  Speaker 2: Which nobody has right on major label systems. It's very tan.
• 9:32
  Speaker 1: If I could, if I can push, I can pushed
• 9:35
  Speaker 1: out with three four certifications, a bunch of chartings with depth,
• 9:38
  Speaker 1: jail with three different presidents and all this stuff going on.
• 9:41
  Speaker 2: What if everything was consistent.
• 9:43
  Speaker 1: Right, so everybody knows my work, you know what I'm saying.
• 9:46
  Speaker 2: That's interesting, Yeah, because for people who don't know, like
• 9:50
  Speaker 2: if you're an artist, I think a lot of times.
• 9:53
  Speaker 1: And I'm want of the top streamers over there. You
• 9:55
  Speaker 1: know what I'm saying, No shit.
• 9:56
  Speaker 2: I want to shot you out too, because I think
• 9:58
  Speaker 2: you're in a good position to depth because right now,
• 10:02
  Speaker 2: deaf Jam needs a star they don't have, like YG
• 10:08
  Speaker 2: left Big Sean's like mid cycle, Like you know, I
• 10:12
  Speaker 2: know Benny the Butcher's about to drop his album, but
• 10:14
  Speaker 2: like I feel like deaf Jam, like you're the young
• 10:17
  Speaker 2: star on the label now, which can only help you
• 10:19
  Speaker 2: because they need it, Like they really like that. It's
• 10:21
  Speaker 2: kind of cold over there. You know what I'm saying
• 10:23
  Speaker 2: in terms of like when you compare them to like
• 10:25
  Speaker 2: Republic or you compare them to Interscope or you know
• 10:27
  Speaker 2: what I'm saying, Capital or RCA. But it's funny you
• 10:31
  Speaker 2: say that your budget savvy, because you know, I always
• 10:34
  Speaker 2: tell artists because I have a recording studio, so I
• 10:37
  Speaker 2: was a artists, like, hey, I got the big studio
• 10:40
  Speaker 2: vocal chain and it's seventy dollars an hour.
• 10:44
  Speaker 1: But that's fine, seventy an hour with an engineer. But
• 10:48
  Speaker 1: but don't give me the label invoice shit.
• 10:52
  Speaker 2: Pay for the studio otherwise they're gonna send you to
• 10:54
  Speaker 2: a paramount where they're gonna send you to like, you know,
• 10:57
  Speaker 2: one of these big and it's two fifty an hour engineer.
• 11:00
  Speaker 1: I do pay. I do pay sometimes all the time.
• 11:03
  Speaker 1: I will. I won't is if I'm locking in for
• 11:07
  Speaker 1: like two three weeks and I got folks.
• 11:09
  Speaker 2: Sometimes That's what I'm saying. People, people you know thise
• 11:11
  Speaker 2: people will come to LA and they'll stay in the
• 11:12
  Speaker 2: studio for like a week straight and I'm like, bro,
• 11:15
  Speaker 2: you know how much that week cost you? And you're
• 11:18
  Speaker 2: over here ordering fucking Boston Nova.
• 11:23
  Speaker 1: When it comes to me bringing full five producers in flight.
• 11:27
  Speaker 1: So it's a lot more money involved. So just so
• 11:29
  Speaker 1: they know I'm not on some trying to eat it
• 11:31
  Speaker 1: at my budget type because some some weird people do that.
• 11:34
  Speaker 1: And I don't know why they do that, because you're
• 11:35
  Speaker 1: just taking money that you got to pay back.
• 11:37
  Speaker 2: Well, those artists they live off advances, they don't. That's
• 11:41
  Speaker 2: there's a lot of artists I know who they're like,
• 11:43
  Speaker 2: hey man, they give you get that advance and you
• 11:45
  Speaker 2: don't ever think you're going to see another Red Scent
• 11:46
  Speaker 2: off that album. So it's like I got to get
• 11:49
  Speaker 2: the next album, turn it in. Is I get my
• 11:51
  Speaker 2: you know, half a million or whatever? It is that's
• 11:54
  Speaker 2: that's dope you got. You got a bunch of music
• 11:56
  Speaker 2: in the green because that's not a common practice with
• 11:58
  Speaker 2: a lot of young artists because they that budget off.
• 12:01
  Speaker 1: I mean, and it's hard the custo. It was a
• 12:03
  Speaker 1: very hard to get in the green, Like your music
• 12:05
  Speaker 1: got have to do good and your budget has to
• 12:08
  Speaker 1: be low to getting the green fast.
• 12:10
  Speaker 2: What was something that you were able to like do
• 12:14
  Speaker 2: to kind of get out of the funk you were
• 12:15
  Speaker 2: in because you had so much momentum and you still
• 12:19
  Speaker 2: I mean, look, it's not like you don't have momentum.
• 12:21
  Speaker 1: Yeah, it's just but you you had.
• 12:23
  Speaker 2: It was on the radio everywhere.
• 12:24
  Speaker 1: I'd be wanting more out myself, you know. But I'm saying, like,
• 12:27
  Speaker 1: how were you able to put yourself out of that
• 12:28
  Speaker 1: and just kind of like did it kind of like
• 12:31
  Speaker 1: make you hungrier? Like you get out of jail, are
• 12:33
  Speaker 1: you like super fucking laser focused or you just a
• 12:36
  Speaker 1: little discouraged? The first So when I got out of jail,
• 12:39
  Speaker 1: I had to go through a process of the rest
• 12:42
  Speaker 1: of my papers. So at first they wouldn't let me
• 12:45
  Speaker 1: go back home to my house. I was about had
• 12:46
  Speaker 1: to get a new house, so it was just in
• 12:48
  Speaker 1: Florida or Florida. They wouldn't let me go back at first.
• 12:51
  Speaker 1: So it's just there's so many things that I had
• 12:53
  Speaker 1: to go through, so my mind wasn't always focused, and
• 12:58
  Speaker 1: like I said, I forgot my rhythm. So now I'm
• 13:00
  Speaker 1: trying to fix it. I'm taking so long to try
• 13:02
  Speaker 1: to fix the labor issue. Right, I'm not focused on
• 13:04
  Speaker 1: getting my music out by any means necessary, you know
• 13:07
  Speaker 1: what I'm saying. And so it's just I wouldn't focus
• 13:12
  Speaker 1: and right now, and when you do get off focused,
• 13:14
  Speaker 1: you gotta find that confidence again because you feel me like,
• 13:18
  Speaker 1: that's when you can't realize.
• 13:19
  Speaker 2: It's almost like when you're a basketball player and that
• 13:21
  Speaker 2: shots not going in. You just got to shoot yourself out.
• 13:23
  Speaker 1: Of the funk, right right, And so then that's when
• 13:25
  Speaker 1: the comments start getting to you. To that's when it
• 13:28
  Speaker 1: started sucking with you know what I'm saying.
• 13:29
  Speaker 2: So do you find yourself reading comments?
• 13:32
  Speaker 1: Yeah? I read it. I watched it.
• 13:34
  Speaker 2: I watch everything. You gotta stop no, stop reading.
• 13:37
  Speaker 1: The reason why I don't it's because I want that
• 13:40
  Speaker 1: good up at.
• 13:41
  Speaker 2: You know what it is? Though you got here doing
• 13:45
  Speaker 2: you apologetically, what's going to happen is you spend too
• 13:50
  Speaker 2: much time reading the comments. Even if you don't think
• 13:52
  Speaker 2: it's affecting you subconsciously, it's affecting you subconsciously. You're thinking that.
• 13:58
  Speaker 2: One brother, you got to understand the type of human
• 14:01
  Speaker 2: beings that leave comments on YouTube videos and like these
• 14:05
  Speaker 2: posts like imagine sick flex. He said, Man, this shit
• 14:11
  Speaker 2: heavy hurt no, but imagine Like I always tell this
• 14:16
  Speaker 2: to people, like you know, because like I have a
• 14:18
  Speaker 2: YouTube channel and sometimes I'll get stuck reading the comments
• 14:21
  Speaker 2: and I'll be like, damn, someone left a paragraph under
• 14:23
  Speaker 2: this video they took three five minutes out of their
• 14:27
  Speaker 2: day to comment on a stranger's piece of content, something negative,
• 14:32
  Speaker 2: like imagine like how fucked up in your day's got
• 14:34
  Speaker 2: to be? Or your life gotta be.
• 14:36
  Speaker 1: It'll be sometimes it can be like it would be
• 14:38
  Speaker 1: the troll, but it'll be funny to me and sometimes
• 14:40
  Speaker 1: right number day, sometimes it make me mad. You know
• 14:42
  Speaker 1: what I'm saying.
• 14:42
  Speaker 2: It just yeah, like if I if something ever comes
• 14:44
  Speaker 2: across my Twitter timeline that's negative, I just retweet it, yeah,
• 14:48
  Speaker 2: because I don't give a fuck. I just like, shit,
• 14:51
  Speaker 2: you don't let the comments get to you, bro. I
• 14:53
  Speaker 2: would stop reading them on that ain't good for your health.
• 14:56
  Speaker 1: What is it good for you? Day, mushroom? I got
• 15:00
  Speaker 1: a lots a mental This is the mental drugs.
• 15:03
  Speaker 2: It'll help you. Yeah, I mean are you still on papers?
• 15:06
  Speaker 2: Oh you're not?
• 15:07
  Speaker 1: I finally good?
• 15:08
  Speaker 2: Good congratulations man, congrats. Yeah that's gotta feel like.
• 15:14
  Speaker 1: Yeah, that was like I said, that was another process
• 15:16
  Speaker 1: I was going to.
• 15:17
  Speaker 2: So now that you're not on probation, it's almost.
• 15:19
  Speaker 1: Like I can go out to the country and everything.
• 15:20
  Speaker 2: You could do what you want now man, and like
• 15:23
  Speaker 2: leave that whole part of your life just in the
• 15:25
  Speaker 2: rear view mirror, like you know what I'm saying, Like
• 15:28
  Speaker 2: there's other bags to get now. Now you could go
• 15:31
  Speaker 2: Is there a country that I want to?
• 15:32
  Speaker 1: Bahamas? And got my first of the country chip, How
• 15:35
  Speaker 1: was it? It was beautiful? I love them Bahamas. I'll
• 15:38
  Speaker 1: get a house out.
• 15:39
  Speaker 2: Though, Yeah for sure. Now you just gotta like travel
• 15:42
  Speaker 2: for fun. Hey, I got a week off I'm gonna
• 15:44
  Speaker 2: take I'm gonna go.
• 15:45
  Speaker 1: See that's the thing, like fun and don't really exist
• 15:47
  Speaker 1: in my life right now because I'm rind album.
• 15:49
  Speaker 2: Yeah feel yeah, Well, once the album's out, once you
• 15:53
  Speaker 2: once the videos dropped the singles are out.
• 15:55
  Speaker 1: I'm not gonna be happening to I just get into
• 15:59
  Speaker 1: a groove that is ways just more less stressful as
• 16:03
  Speaker 1: far as like it's just gonna do good. You know
• 16:05
  Speaker 1: what I'm saying. For sure, until I get back into
• 16:07
  Speaker 1: that group too, I feel like I can't. I feel
• 16:10
  Speaker 1: like I can't miss Yeah.
• 16:11
  Speaker 2: Yeah, well I think too. Like another thing is like nowadays,
• 16:15
  Speaker 2: just because something doesn't hit the way you thought it
• 16:18
  Speaker 2: was gonna hit, just keep going.
• 16:20
  Speaker 1: Yeah, because a lot of times we put out shit
• 16:23
  Speaker 1: and then it ketch up later on, like Trust Issues
• 16:25
  Speaker 1: is gold not right? When I first put that out,
• 16:27
  Speaker 1: it had like seventy thousands viewsed the first week, and.
• 16:30
  Speaker 2: You were probably like, damn, I thought that brother the
• 16:33
  Speaker 2: Jid song with twenty one Savage the Round Sound, that
• 16:36
  Speaker 2: song as a year and a half old, real Yeah,
• 16:38
  Speaker 2: the Ceiling Challenge song. Yeah, that song is from early
• 16:43
  Speaker 2: last year or no, early twenty twenty two, and it
• 16:48
  Speaker 2: popped up again in twenty twenty three because of TikTok.
• 16:52
  Speaker 1: That's how UBI doing it would be go viral on
• 16:53
  Speaker 1: TikTok or something.
• 16:54
  Speaker 2: That's what I'm saying, like you never know, like just
• 16:57
  Speaker 2: and then also like you're you're you're smart to understand
• 17:00
  Speaker 2: like catalog like matters. So it's like, hey, you know,
• 17:04
  Speaker 2: whatever you put out, it just it's just gonna add
• 17:06
  Speaker 2: to the catalog. Speaking of catalog, would you ever see
• 17:09
  Speaker 2: yourself in a position one day to like a lot
• 17:11
  Speaker 2: of people are selling their catalog, selling their pub I
• 17:14
  Speaker 2: don't think you're there yet, but like let's say five.
• 17:17
  Speaker 1: Off off my pub a thousand times.
• 17:20
  Speaker 2: Oh you have not interested?
• 17:23
  Speaker 1: Real I was liking my chicks. Yeah, now they come
• 17:26
  Speaker 1: with something just outrageous, and then it doesn't have nothing
• 17:29
  Speaker 1: to do with the music I'm making for it. Maybe
• 17:32
  Speaker 1: it just it just depends on you know what I'm saying,
• 17:35
  Speaker 1: because pub mostly uh includes like radio and stuff. Yeah,
• 17:39
  Speaker 1: so you gotta think.
• 17:40
  Speaker 2: And tops still getting paid all right.
• 17:43
  Speaker 1: Now, if I get to the point where I feel like, Okay,
• 17:45
  Speaker 1: I don't juice to ship do songs as much as
• 17:47
  Speaker 1: I can on radio and stuff, let me go ahead
• 17:49
  Speaker 1: and move forward, you know what I'm saying, Then.
• 17:52
  Speaker 2: I tend to say for you, like somebody who is
• 17:55
  Speaker 2: like kind of was broken like on YouTube and the
• 17:57
  Speaker 2: streaming world, how important because you you had a radio hit,
• 18:02
  Speaker 2: which is not a lot of people have had in
• 18:03
  Speaker 2: your position because they're streaming success and then once you
• 18:06
  Speaker 2: get a radio hit, it's just a little different.
• 18:08
  Speaker 1: A lot of radio nice, nice radio play, a lot
• 18:10
  Speaker 1: of radio support.
• 18:11
  Speaker 2: I was gonna say, like, when you get one of
• 18:13
  Speaker 2: them ones that like it is like a top ten
• 18:15
  Speaker 2: at urban, you know what I'm saying. And I think
• 18:18
  Speaker 2: I think, uh top was Top twenty.
• 18:21
  Speaker 1: Rhythm it got it got top fifteen, yeah, I think urban,
• 18:24
  Speaker 1: and I think maybe toe in one.
• 18:26
  Speaker 2: Yeah yeah, rh yeah. But when you get one of those,
• 18:29
  Speaker 2: like that's got to feel good, like getting.
• 18:31
  Speaker 1: The first time ever feeling like a real rapper, right.
• 18:34
  Speaker 2: Because then you're doing you're going around. You gotta go
• 18:35
  Speaker 2: see the every every city, you gotta go see the DJ,
• 18:38
  Speaker 2: you gotta go program director.
• 18:39
  Speaker 1: All the time, it was just I'm I'm a numbers person,
• 18:42
  Speaker 1: so I'm I'm the artist that I have my autists
• 18:45
  Speaker 1: access to every single outlet of my music, so I
• 18:49
  Speaker 1: know exactly what my music doing in every different spot
• 18:52
  Speaker 1: if you got the numbers. So when Top came out,
• 18:54
  Speaker 1: and it should just like oh different said, so this
• 18:59
  Speaker 1: is what a radio looks like. The pub a whole
• 19:03
  Speaker 1: different way, all type.
• 19:05
  Speaker 2: So who do you got on this album?
• 19:07
  Speaker 1: I got Rick Ross, I got Rob for a.
• 19:10
  Speaker 2: Nine shot to Rob, A great guy.
• 19:13
  Speaker 1: I told a lot of people about Robb before he
• 19:14
  Speaker 1: popped off. Uh treated, I got Kevin Gates.
• 19:21
  Speaker 2: Gates, Hey Badridge legend. Ye have you hung out with
• 19:27
  Speaker 2: him yet?
• 19:27
  Speaker 1: Yeah?
• 19:28
  Speaker 2: He's a very interesting person. He's interesting man, but he
• 19:32
  Speaker 2: in the best way possible. I feel like he's so
• 19:34
  Speaker 2: like spiritually awoken. Now you'd just be hanging out with it,
• 19:37
  Speaker 2: but he just just he just got energy pouring out
• 19:39
  Speaker 2: of him, you know what I'm saying.
• 19:40
  Speaker 1: I like to catch his shows that I can just
• 19:42
  Speaker 1: to get because his shows have a good energy. His
• 19:45
  Speaker 1: live shows are crazy homies jumping around and I feel
• 19:50
  Speaker 1: like he's just doing burpies his whole set.
• 19:51
  Speaker 2: That motherfuckers and so he's he's like ripped now and
• 19:54
  Speaker 2: ship we're doing a show with him. I gotta drive
• 19:57
  Speaker 2: to Phoenix tonight because the station on out there is
• 20:00
  Speaker 2: like it's like our big radio show and he's headlining.
• 20:03
  Speaker 2: So I'm looking forward to his set. Shout out to
• 20:05
  Speaker 2: Kevin Gates.
• 20:06
  Speaker 1: I think I've seen that fly. I got a couple
• 20:09
  Speaker 1: more people on that art.
• 20:10
  Speaker 2: Yeah, it's it's a pretty random show. But it's Kevin Gates,
• 20:12
  Speaker 2: Tech nine, Young Nudy, Yeah yeah, Johanne.
• 20:17
  Speaker 1: Lucas, Oh yeah, I see, I've seen that.
• 20:20
  Speaker 2: Uh give me the dynamic between rob four Nines obviously
• 20:25
  Speaker 2: from uh from New Orleans, obviously, Baton Rouge New Orleans.
• 20:29
  Speaker 2: I feel like historically the vibes have been different musically
• 20:33
  Speaker 2: because it's two different worlds, two different worlds, two different places.
• 20:36
  Speaker 2: I've never I've only driven through Baton and Ruge, never
• 20:38
  Speaker 2: hung out. I've hung out in New Orleans a couple
• 20:40
  Speaker 2: of times. What is the relationship between the two places today?
• 20:45
  Speaker 2: And you know, I think it's dope to see you
• 20:47
  Speaker 2: guys working together, but like I feel like there should
• 20:49
  Speaker 2: be more like you know, pollination of the of everybody
• 20:53
  Speaker 2: kind of rocking with each other, you know what I'm saying.
• 20:57
  Speaker 1: So Louisiana is a real crab crab and buck bucket
• 21:00
  Speaker 1: type of place. So Bandon Ridge, New Orleans, we always
• 21:05
  Speaker 1: like had weird right, It's like it's like it's like
• 21:10
  Speaker 1: not a Seers rivalry, but it's like when Katrina happened
• 21:16
  Speaker 1: in New Orleans, came to Badon Roods and people's living
• 21:18
  Speaker 1: out like about fighting giving each other all types of stuff.
• 21:21
  Speaker 1: You feel me, It's just two different worlds. I think
• 21:25
  Speaker 1: New Orleans is more Uh, has a more variety of
• 21:29
  Speaker 1: cultures that influence them. Uh, but that's because it's it's
• 21:34
  Speaker 1: it's been a port. It's a bigger city. Yeah, you
• 21:37
  Speaker 1: fear meta. It's a trade city, so you always have
• 21:41
  Speaker 1: people coming in, coming out and influencing them. You know
• 21:45
  Speaker 1: what I'm saying. That's why they have more cultural stuff
• 21:47
  Speaker 1: than us. You feel me, that's fair. I thought what
• 21:51
  Speaker 1: I thought was dope was like the second line we
• 21:53
  Speaker 1: don't say line interesting. Yeah, you feel me like it's
• 21:57
  Speaker 1: just different stuff.
• 21:59
  Speaker 2: Yeah, I I need to go hang out in bad Rooge.
• 22:01
  Speaker 1: Uh, it's really ain't nothing to matter.
• 22:04
  Speaker 2: Food. I say, the food I was invited to do. Like,
• 22:08
  Speaker 2: is it crawfish season? Crawall, No, there's somebody had told
• 22:13
  Speaker 2: me to go out there with him. Uh, there's like
• 22:16
  Speaker 2: a season in which you like can hunt crawfish out there,
• 22:19
  Speaker 2: like they're out and you just grab like raw crawfish everywhere.
• 22:22
  Speaker 1: You do that and random pawn.
• 22:25
  Speaker 2: Yeah. My thing is I don't like crawfish like that.
• 22:27
  Speaker 2: I like the meat, but I don't like the motherfuckers
• 22:29
  Speaker 2: sucking the heads off the ship. Pause, big paws, big
• 22:32
  Speaker 2: super back to back paw. I mean do you like crawfish?
• 22:38
  Speaker 1: Yeah?
• 22:38
  Speaker 2: Absolutely, yeah, Yeah, I don't know man very like like
• 22:42
  Speaker 2: you said, they're in ponds.
• 22:44
  Speaker 1: Like yeah, like you can go grab like a certain
• 22:46
  Speaker 1: times you can go grab a h crawfish out of ditch.
• 22:52
  Speaker 2: This is true.
• 22:53
  Speaker 1: Uh.
• 22:54
  Speaker 2: What was it like? Did you win Rosslink when you
• 22:56
  Speaker 2: were in Miami?
• 22:57
  Speaker 1: Oh, we don't think col size, but to put us
• 22:59
  Speaker 1: on yeah, nah, suns to time. Yeah, because I had
• 23:02
  Speaker 1: got a feature for him from my uh he lives
• 23:05
  Speaker 1: in at somebody who used to be my orders. I
• 23:07
  Speaker 1: had got a verse for him from Ross and Dan
• 23:09
  Speaker 1: willing up.
• 23:10
  Speaker 2: You had to be okay, okay, okay. What's that like
• 23:13
  Speaker 2: like trying to do the label thing as an artist
• 23:15
  Speaker 2: who's still bubbling and on the come up yourself?
• 23:18
  Speaker 1: Oh, I'm kind of sad with it right now because
• 23:21
  Speaker 1: I just had a just a bad fall out with
• 23:23
  Speaker 1: my ex artist. But I'm I think I should just
• 23:27
  Speaker 1: focus on myself. You're right, because people just don't work
• 23:30
  Speaker 1: like you, and it's just people just don't understand the
• 23:34
  Speaker 1: business sometimes and some people just don't I don't know
• 23:39
  Speaker 1: they heart just don't be in the right places sometimes.
• 23:41
  Speaker 2: I also feel like artists sometimes if you're not, Like
• 23:47
  Speaker 2: I feel like the guy who's like the Golden Standard
• 23:50
  Speaker 2: is like Gotti, because Gott he had a twenty year
• 23:54
  Speaker 2: run and and like you know, he always had CMG,
• 23:57
  Speaker 2: you know what I'm saying, But like I feel like
• 23:59
  Speaker 2: he really had so much. He had like solidified his
• 24:01
  Speaker 2: position as like a top dog before he really really
• 24:04
  Speaker 2: dug into the label side. So it was like, I
• 24:06
  Speaker 2: feel like if you're an artist that's like still kind
• 24:08
  Speaker 2: of working on like solidifying yourself, Like it's kind of
• 24:10
  Speaker 2: hard for you to like worry about so much at
• 24:14
  Speaker 2: the same time because you're worried about it's definitely because
• 24:16
  Speaker 2: it's so much mental. You only have so much mental bantage.
• 24:18
  Speaker 1: You gotta take care of your stuff and take care
• 24:20
  Speaker 1: of us. It was like trying to turn into projects
• 24:22
  Speaker 1: at the same time.
• 24:23
  Speaker 2: And you also kind of feel like you gotta kind
• 24:24
  Speaker 2: of baby if the other artists working like yours, you
• 24:27
  Speaker 2: feel like you're kind of babysitting.
• 24:29
  Speaker 1: Hey man, when you're gonna drop something, you know you
• 24:32
  Speaker 1: can't want it more than they want it, So yeah, damn,
• 24:36
  Speaker 1: what's the sound of this album, the new singles Dope
• 24:39
  Speaker 1: by the Way come Through. Yes, nope, you know I
• 24:42
  Speaker 1: shot that back last year and watched.
• 24:44
  Speaker 2: Oh so that's a that's an old video.
• 24:46
  Speaker 1: Yeah, I just never dropped it. Wow, I'll be having
• 24:50
  Speaker 1: already really yeah, because I was gonna the situation had
• 24:53
  Speaker 1: got so bad to it. I was gonna drop the
• 24:55
  Speaker 1: album myself.
• 24:56
  Speaker 2: Just fuck it, yeah and just deal with whatever happened.
• 25:00
  Speaker 1: But I ain't want to go through the So this.
• 25:02
  Speaker 2: Album was the album for the most part, you were
• 25:04
  Speaker 2: gonna say, fuck it, I'm gonna drop the ship myself.
• 25:06
  Speaker 2: This is exactly Oh shit, So this is dope. So
• 25:09
  Speaker 2: you've already got you probably already got all the visuals
• 25:10
  Speaker 2: fucking ready to go. You've already had.
• 25:13
  Speaker 1: I'm working on my next project.
• 25:15
  Speaker 2: I bet now you got. You can't. You can't sit
• 25:18
  Speaker 2: on your hands like you did with the last album
• 25:20
  Speaker 2: because of the legal situation. What about are you doing
• 25:24
  Speaker 2: anything with your money, like, are you investing? Are you
• 25:25
  Speaker 2: doing anything outside of just like you know, typical fucking
• 25:29
  Speaker 2: having nice cars.
• 25:30
  Speaker 1: And I'm not a big spender though, I'm not into
• 25:33
  Speaker 1: all that because I've put so much of my money
• 25:36
  Speaker 1: back into so like for one project, I might spend
• 25:40
  Speaker 1: eighty one hundred thousand dollars on just videos and stuff. Yeah,
• 25:43
  Speaker 1: you know what I'm saying. So I'm more, way, more
• 25:45
  Speaker 1: safer than a lot of people. Plus I have a
• 25:47
  Speaker 1: mortgage and kids and stuff like that.
• 25:50
  Speaker 2: How many kids you got, I got to two kids.
• 25:52
  Speaker 2: Fatherhood something that has changed you for the better.
• 25:55
  Speaker 1: Yeah, I bet it's just only the negative side of
• 25:58
  Speaker 1: it for me is having to overly care about I
• 26:02
  Speaker 1: have to. I have to care about you know what
• 26:04
  Speaker 1: I'm saying. When I have to, But I care more.
• 26:07
  Speaker 2: You have to. I mean, you don't have to.
• 26:09
  Speaker 1: I'm just saying I care more about somebody else besides you, right,
• 26:13
  Speaker 1: you feel me. It's a new feeling, right, So my
• 26:16
  Speaker 1: work will get put on the back burner sometimes.
• 26:17
  Speaker 2: But yeah, if your kids sick or something, because it's.
• 26:20
  Speaker 1: A double negative, because okay, yes I love my child
• 26:23
  Speaker 1: with all my heart. But if I miss work, it
• 26:25
  Speaker 1: don't work. You know, you can't support you can't support you.
• 26:28
  Speaker 1: You got to make sure I'm around you all the time.
• 26:31
  Speaker 1: You feel I can't make money, It's called work life balance, bro.
• 26:34
  Speaker 2: You got to figure that out.
• 26:35
  Speaker 1: So I miss a lot of stuff.
• 26:37
  Speaker 2: But you know, as long as you're there for enough
• 26:39
  Speaker 2: of it.
• 26:39
  Speaker 1: I just hope that they understand when they get old.
• 26:41
  Speaker 2: I'm sure they do for sure.
• 26:42
  Speaker 1: Man, are you like a big Are you like a
• 26:45
  Speaker 1: big LSU football guy? Yeah?
• 26:48
  Speaker 2: What do you think of that? The quarterbacks supposed to
• 26:50
  Speaker 2: be like a top five pick? Did you watch football
• 26:52
  Speaker 2: this year?
• 26:53
  Speaker 1: What's that?
• 26:54
  Speaker 2: Southern college football is different?
• 26:55
  Speaker 1: Bro?
• 26:55
  Speaker 2: Like, y'all treat that ship like it's fucking like religion.
• 26:59
  Speaker 1: Bro. I mean l s U is in my hood.
• 27:01
  Speaker 2: So I'm just like, isn't it really like religion type
• 27:04
  Speaker 2: level dedication? Like when it comes to like the ls
• 27:08
  Speaker 2: US of the world and the Auburns and the Alabama
• 27:11
  Speaker 2: like these like, man, y'all are crazy.
• 27:13
  Speaker 1: Bron Yeah, it's I don't know, it's different.
• 27:17
  Speaker 2: And then it's so funny to me because I always
• 27:18
  Speaker 2: see these videos like Southern college football fans that are
• 27:21
  Speaker 2: obviously racist and unless it's Saturday, yeah, and then they
• 27:25
  Speaker 2: got a root for the black players. Like I'm tripping
• 27:30
  Speaker 2: right now a lot of except what's up? Man, Run
• 27:38
  Speaker 2: Bama Run? That's like what else? What else do you do?
• 27:42
  Speaker 2: These days? Just like like extra, like if are you
• 27:44
  Speaker 2: watching TV? Playing video? Games. What are you doing in
• 27:46
  Speaker 2: your spare time?
• 27:47
  Speaker 1: Video games that have been my like just ease my
• 27:50
  Speaker 1: mind type of time. I'm playing a lot of MLB.
• 27:53
  Speaker 2: Really the show.
• 27:55
  Speaker 1: Yeah, I haven't played the show, and like I love
• 27:57
  Speaker 1: playing GTA and stuff, but it's played a computer. I
• 28:00
  Speaker 1: had to get a new computer.
• 28:01
  Speaker 2: Oh you're on the computer. You're in the PC.
• 28:03
  Speaker 1: Yeah, RP. Are you just the role playing in Grizzly World.
• 28:06
  Speaker 2: Oh you're in Grizzly World.
• 28:07
  Speaker 1: Yeah, well I haven't been in like three months. I'm
• 28:10
  Speaker 1: about to get back in.
• 28:11
  Speaker 2: For people who don't know.
• 28:12
  Speaker 1: T Grizzly has a the biggest server fi and if
• 28:17
  Speaker 1: you're in the game, you have to it's like acting.
• 28:21
  Speaker 1: You can't be. You can't be.
• 28:23
  Speaker 2: You can't break character. So if you broke character in
• 28:26
  Speaker 2: Grizzly World, what happens?
• 28:28
  Speaker 1: I think you're like want to get suspended?
• 28:30
  Speaker 2: Do they shoot you? No?
• 28:33
  Speaker 1: If you break credit, you just like like kick you out.
• 28:36
  Speaker 2: So what's your character in Grizzly World?
• 28:38
  Speaker 1: I got too. I got one that's my name you
• 28:40
  Speaker 1: like adult and stuff like that in the streets, and
• 28:42
  Speaker 1: then I got another one called like Officer Bru stupid cop.
• 28:46
  Speaker 1: You're just fucking with people, officer brus stupid, so you
• 28:52
  Speaker 1: just pull it over it like do you have an accent?
• 28:54
  Speaker 2: Like, what's the bru stupid accent?
• 28:59
  Speaker 1: Give it to me a littleser, I got the drugs
• 29:02
  Speaker 1: that you want you pull you do?
• 29:10
  Speaker 2: They know it to you?
• 29:11
  Speaker 1: Some people know that, like the fans that watched my.
• 29:15
  Speaker 2: Twitch your twitching hard I was.
• 29:18
  Speaker 1: I slowed down all that.
• 29:20
  Speaker 2: Were getting money off of that.
• 29:22
  Speaker 1: I ain't never really seen those crazy. Most of us
• 29:24
  Speaker 1: seemed like two thousand dollars. So I just really be
• 29:26
  Speaker 1: doing it for fun.
• 29:27
  Speaker 2: For fun. That's so funny when you do something like that,
• 29:30
  Speaker 2: is to make you realize, like damn, I could fucking
• 29:32
  Speaker 2: act for real, you know what I'm saying, Like if
• 29:33
  Speaker 2: I really needed to, I could play. I could play.
• 29:36
  Speaker 1: Because once like because I bust out laughed and I
• 29:39
  Speaker 1: had to mute my mic and just bust.
• 29:41
  Speaker 2: Oh for sure, I couldn't do it, bro because I
• 29:44
  Speaker 2: see some of the like T. Grizzley, like they'll be
• 29:47
  Speaker 2: doing this like serious drug deal and ship and the
• 29:49
  Speaker 2: way they been talking to each other. I'm like, this
• 29:50
  Speaker 2: ship is man. I've only played the story mode on
• 29:55
  Speaker 2: Grand Theft. I've never played online. It's fun story mode.
• 29:59
  Speaker 2: I beat that ship like ten years ago. You know
• 30:00
  Speaker 2: what I'm saying. I can't wait for the new one.
• 30:03
  Speaker 2: Six is coming soon. So right now you're on MLB. Yeah,
• 30:08
  Speaker 2: O Tahani the.
• 30:09
  Speaker 1: Asian man, No, he ain't know my ain't know my team, but.
• 30:13
  Speaker 2: He's a Dodger now.
• 30:15
  Speaker 1: Yeah, I was hoping he came to Miami.
• 30:17
  Speaker 2: Yeah, that shot to the Marlins. I don't know if
• 30:19
  Speaker 2: they're good or not. I don't really know.
• 30:20
  Speaker 1: They got a nice squad, but my team ned pitch
• 30:23
  Speaker 1: and roster a little bit from.
• 30:24
  Speaker 2: Arizona, so made it to the World Series, which made
• 30:27
  Speaker 2: me care about baseball for about two weeks. You know,
• 30:30
  Speaker 2: I don't give a fuck about baseball? Are you? Are
• 30:32
  Speaker 2: you but that your It's not your favorite sport?
• 30:34
  Speaker 1: Is it?
• 30:34
  Speaker 2: Is it?
• 30:34
  Speaker 1: Baseball's I played?
• 30:36
  Speaker 2: Oh you played? What'd you play?
• 30:38
  Speaker 1: Shortstop?
• 30:39
  Speaker 2: Shortstop? Just you gotta be on it? Yeah? Were you? Like?
• 30:43
  Speaker 2: How far did you go? I had high school?
• 30:46
  Speaker 1: I could have I could have do it something in college,
• 30:49
  Speaker 1: but a whole different.
• 30:51
  Speaker 2: Why do you think there aren't more? I feel like
• 30:55
  Speaker 2: the best baseball players come from everywhere else but here,
• 30:59
  Speaker 2: Like I feel like there's not a lot of like
• 31:01
  Speaker 2: like when we think of like high school basketball, high
• 31:05
  Speaker 2: school football it second thing. But I feel like baseball,
• 31:07
  Speaker 2: for whatever reason, it's a lot harder to get the
• 31:09
  Speaker 2: use involved.
• 31:11
  Speaker 1: Why do you think that is? Like what got you
• 31:12
  Speaker 1: into it? Like when I was little some friends? Yeah,
• 31:17
  Speaker 1: but baseball is real more. It's a lot more mental
• 31:24
  Speaker 1: and you gotta really be revealed, like it's you gotta
• 31:27
  Speaker 1: be super dedicated to be good at it, right, you
• 31:30
  Speaker 1: know what I'm saying. Uh, And it's a sport where okay,
• 31:35
  Speaker 1: like football, if you run to play, okay, the catcher
• 31:38
  Speaker 1: gotta get to you. I mean the quarterback, the center
• 31:41
  Speaker 1: gotta get the ball. The quarterback you got help to
• 31:45
  Speaker 1: win a game. Baseball, when you go up there, that
• 31:47
  Speaker 1: ball come to you. You gotta catch and throw that motherfu.
• 31:50
  Speaker 1: You feel me, You go up the back, you gotta
• 31:52
  Speaker 1: hit the ball or not hit the ball, you feel me.
• 31:54
  Speaker 2: So that's what everybody says about golf, Like golf is
• 31:57
  Speaker 2: like golf.
• 31:58
  Speaker 1: Is fucking born.
• 31:59
  Speaker 2: See I never play.
• 32:00
  Speaker 1: I couldn't do it.
• 32:01
  Speaker 2: I've only played the top golf in Vegas where you
• 32:02
  Speaker 2: hit the ball and ship. But my homies are in
• 32:04
  Speaker 2: the golf and they're like, it's like you versus yourself.
• 32:08
  Speaker 2: It's all it is. You're you're against the course. Who
• 32:11
  Speaker 2: cares if you're playing somebody Like it's really the whole
• 32:13
  Speaker 2: game is just it's like mental like mhmm forty two.
• 32:18
  Speaker 2: They could keep golf. It's definitely boring. That's crazy Baseball. Huh,
• 32:21
  Speaker 2: so is your your team is the Marlins?
• 32:24
  Speaker 1: I fold the walls, plodding on the walls. I wouldn't
• 32:29
  Speaker 1: say nobody else is my favorite because I'm more of
• 32:31
  Speaker 1: a like I'm a fan of a person, Like, so,
• 32:34
  Speaker 1: who's your favorite player? Man Mirror is my favorite man
• 32:38
  Speaker 1: for him?
• 32:38
  Speaker 2: You know, Manny was a beast on the Red Sox,
• 32:42
  Speaker 2: so you were fucking with the Red Sox then and
• 32:44
  Speaker 2: then we went to the to the Dodgers. Yeah, so
• 32:47
  Speaker 2: right now it's like Oani's the guy. Yeah, it's crazy
• 32:51
  Speaker 2: because he I feel like he's been the only person
• 32:53
  Speaker 2: since like Babe Ruth has been good as good at
• 32:55
  Speaker 2: hitting as he is his pitching, because back in the day,
• 32:58
  Speaker 2: Babe Ruth was a picture on the the Red Sox
• 33:00
  Speaker 2: before he went to the Yankees.
• 33:01
  Speaker 1: Yeah, uh Cci Sabbatha was a good hitter too.
• 33:05
  Speaker 2: I don't remember shout out to C. C. I remember,
• 33:08
  Speaker 2: I don't know he was hitting though I didn't know
• 33:09
  Speaker 2: he was hitting.
• 33:10
  Speaker 1: Yeah, see, I don't think he ain't get as many as.
• 33:12
  Speaker 2: Bay are legend right there CEC Sabathia shout out to
• 33:16
  Speaker 2: him is a different and he got paid smart. He
• 33:23
  Speaker 2: kicked off because you know, in LA the taxes suck,
• 33:26
  Speaker 2: so he's only getting paid two million dollars a year.
• 33:29
  Speaker 2: And then after his deal's over is when all the
• 33:32
  Speaker 2: real money kicks in and he'll be fucking hill left
• 33:35
  Speaker 2: l A by then at tax money and Cali's you
• 33:38
  Speaker 2: were doing the right thing. Florida's where it's at no
• 33:40
  Speaker 2: state tax. You could carry a gun. You know what
• 33:43
  Speaker 2: I'm saying. You could do whatever. You go to strip
• 33:46
  Speaker 2: club at six in the morning, get some chicken wings.
• 33:49
  Speaker 1: All probably just ain't have enough.
• 33:51
  Speaker 2: Yeah, what is you have a favorite Miami strip club?
• 33:55
  Speaker 1: You like?
• 33:56
  Speaker 2: I've been to most of them. Boo Booby traps. Cool,
• 33:59
  Speaker 2: it's just the.
• 34:00
  Speaker 1: I'm just not a club.
• 34:01
  Speaker 2: Just a lot going on there.
• 34:02
  Speaker 1: I like. I like that, a lot going on in Miami. Pod.
• 34:05
  Speaker 2: I like Tuttis though, so this is Tutis is just chill.
• 34:09
  Speaker 2: You can go sit off in the cut and have
• 34:10
  Speaker 2: a lobster tail and not be bothered. So you get
• 34:15
  Speaker 2: up on that second floor, got.
• 34:16
  Speaker 1: The kid and run around the parking lot harassing and ship. Yeah.
• 34:20
  Speaker 2: Booby trapped a wild place. Yeah, booby traps fun.
• 34:24
  Speaker 1: I'm just not a club person. I just I readther
• 34:26
  Speaker 1: be in the hollow playing video games.
• 34:27
  Speaker 2: And THATSS you're getting paid to be there.
• 34:29
  Speaker 1: Yeah. Anime?
• 34:31
  Speaker 2: What's your favorite anime?
• 34:33
  Speaker 1: My all time favorite any Yasha. But I've been licked
• 34:38
  Speaker 1: in to uh Black Clover, I've been liked in my
• 34:42
  Speaker 1: hero Academia. I've been locked into uh the new Bleach Bleach.
• 34:48
  Speaker 2: Yeah, I've heard of that. My son. I just bought
• 34:49
  Speaker 2: my son the sword from one Piece. I bought my
• 34:53
  Speaker 2: sword from I'll tell you right now because I texted it.
• 34:57
  Speaker 2: What's your favorite enemey I brought him. I spent like
• 35:01
  Speaker 2: to on Christmas. I brought him this fucking sword from
• 35:04
  Speaker 2: this fucking anime sword.
• 35:08
  Speaker 1: Yeah.
• 35:08
  Speaker 2: It's a attack on Titan.
• 35:13
  Speaker 1: Ah tack on something. It was good.
• 35:15
  Speaker 2: I can't stay and it was since his favorite character
• 35:17
  Speaker 2: is Amon and my top anime is Dragonball and Uto
• 35:21
  Speaker 2: and attack on Titan dragon.
• 35:23
  Speaker 1: Ball one of my tops. So they're just don't be consistent.
• 35:25
  Speaker 2: Almore, isn't there like thirty seasons? How do you like?
• 35:31
  Speaker 2: You know what is is?
• 35:32
  Speaker 1: You gotta think all the episodes will be stressed to
• 35:34
  Speaker 1: like like one fight will be eight episodes to.
• 35:37
  Speaker 2: See how any of that?
• 35:39
  Speaker 1: You know?
• 35:39
  Speaker 2: What is an anime? People don't give credit for it
• 35:42
  Speaker 2: being an anime? Is The Boondocks.
• 35:44
  Speaker 1: It's not an anime.
• 35:45
  Speaker 2: It is It's not it is it's not see that's
• 35:49
  Speaker 2: it is an anime.
• 35:50
  Speaker 1: I mean, if you go off the anime definition, it's not.
• 35:54
  Speaker 2: What does that mean?
• 35:55
  Speaker 1: It's like Chinese animation.
• 35:57
  Speaker 2: It's Japanese.
• 35:57
  Speaker 1: I think, No, it's not.
• 35:59
  Speaker 2: Is it Chinese? Boon Dogs was made by Aaron McGregor,
• 36:03
  Speaker 2: But it's it's it was made very You've never seen
• 36:06
  Speaker 2: the fights in the Boondocks.
• 36:08
  Speaker 1: That's not anime.
• 36:09
  Speaker 2: It's an anime. Bro the Boon Docks is an anime,
• 36:12
  Speaker 2: just like Afro Salm Samurai is an anime.
• 36:14
  Speaker 1: I gonna say, just feel like his anime.
• 36:17
  Speaker 2: Yeah, first of all, the guy who created his name
• 36:19
  Speaker 2: is Aaron McGregor. You like you like the Boon Dogs?
• 36:23
  Speaker 1: I love The Boon Dogs. All seasons on DVD me too.
• 36:26
  Speaker 2: Season three was that was when the writers left.
• 36:30
  Speaker 1: I love all of them.
• 36:31
  Speaker 2: Season one and two, though, I don't think it gets better.
• 36:34
  Speaker 2: I got a radio drop from Uncle Ruckas. Yeah, the
• 36:38
  Speaker 2: voice actor was doing drops. Yeah, like ten years ago.
• 36:41
  Speaker 2: I got it. Shot to Uncle Ruckas. Okay, is it
• 36:45
  Speaker 2: safe to say? Would you say? The closest thing to
• 36:47
  Speaker 2: like a real life Uncle Ruckus we've seen is Charleston White.
• 36:57
  Speaker 2: I'm not sure it's close, right. He said some crazy
• 37:02
  Speaker 2: shit about his own people, and I'm just like, that's
• 37:05
  Speaker 2: very I was a little Uncle ructcy. He might be right.
• 37:11
  Speaker 1: He got he said, he got the honest nobody does.
• 37:17
  Speaker 1: He does have the I didn't even you know what,
• 37:19
  Speaker 1: I wasn't even thinking about that. Well. I think he
• 37:22
  Speaker 1: really be just doing that for the social media.
• 37:25
  Speaker 2: I don't know what was he nice? I mean, listen,
• 37:29
  Speaker 2: I've seen a lot of his content that I think
• 37:30
  Speaker 2: is hilarious, and I've seen a lot of his content
• 37:32
  Speaker 2: that I think is extremely.
• 37:35
  Speaker 1: When I'm middle, I just told Hi about like, I
• 37:37
  Speaker 1: don't agree with what you be saying, but you say
• 37:39
  Speaker 1: what you want say?
• 37:40
  Speaker 2: You know, right, is there anybody uh for you that
• 37:47
  Speaker 2: you know you you've obviously been on the other side
• 37:50
  Speaker 2: of being a hot new artist. Who's Who's somebody, Who's
• 37:52
  Speaker 2: who's come out the last year or two that you're
• 37:54
  Speaker 2: just a fan of. Doesn't he gotta be somebody you know?
• 37:56
  Speaker 2: Or there's been some dope ship coming out lately, like
• 37:59
  Speaker 2: Big Extra Plug is Holly, He's hard bro. That Mexicano Tea.
• 38:05
  Speaker 1: We have some lights beats. Yeah, mexican O teeth for sure.
• 38:08
  Speaker 1: We got I got two tracks.
• 38:10
  Speaker 2: Willow Tea, Oh Fire. We went hog hunting him and
• 38:14
  Speaker 2: I in Texas. Yeah, we were. We were in a
• 38:20
  Speaker 2: helicopter and the guy lowered the helicopter. We put the
• 38:24
  Speaker 2: guns out of the helicopter. Just fucking mowing down pigs.
• 38:28
  Speaker 1: That's fun.
• 38:30
  Speaker 2: It's on YouTube for Yeah, this ship is so much fun.
• 38:33
  Speaker 1: Why you see that? Must not be on your channel.
• 38:35
  Speaker 2: It's doing really well now it's almost a million views.
• 38:37
  Speaker 2: It's on my channel.
• 38:39
  Speaker 1: It up.
• 38:39
  Speaker 2: It's fun. If you ever go to Texas.
• 38:42
  Speaker 1: I always wanted to do it, but I don't know
• 38:43
  Speaker 1: if I can.
• 38:44
  Speaker 2: You can. I'm an animal lover, I'm saying because I'm
• 38:46
  Speaker 2: a feeling well, they didn't ask me any questions. It's
• 38:51
  Speaker 2: Texas bro.
• 38:52
  Speaker 1: But if I had the signs of paperwork. I can't
• 38:54
  Speaker 1: if you to sell you that, you know, the felling
• 38:57
  Speaker 1: that's a filler.
• 38:57
  Speaker 2: Hey, we didn't have to sign in right now. We
• 39:00
  Speaker 2: just got straight straight to it. Just hopped in the
• 39:02
  Speaker 2: helicopter they handed we was mowing down the yet.
• 39:06
  Speaker 1: Yeah.
• 39:06
  Speaker 2: Just gun safety. Yeah, yeah, it's fun. Just don't film it.
• 39:09
  Speaker 2: Don't put some pictures. I mean, you know, I don't.
• 39:12
  Speaker 2: It's Texas. I don't think in Texas. I feel like
• 39:15
  Speaker 2: they don't give a fuck. Everybody got a gun with
• 39:18
  Speaker 2: the fist though they don't give a fuck. This is true.
• 39:21
  Speaker 1: They're trying to everyd with air.
• 39:22
  Speaker 2: So you can't even vote. That sucks.
• 39:25
  Speaker 1: I don't really get into all that. Yeah, I don't
• 39:27
  Speaker 1: really kill vote. It's president.
• 39:31
  Speaker 2: I always tell everybody this, man, if if who's the
• 39:33
  Speaker 2: president has to do with how successful or happy you
• 39:37
  Speaker 2: are in life. You got the whole game fucked up,
• 39:40
  Speaker 2: because I'm gonna get it no matter.
• 39:41
  Speaker 1: What the saying is. If I can't do nothing to change,
• 39:43
  Speaker 1: I don't give exactly.
• 39:45
  Speaker 2: It's like you can only control.
• 39:50
  Speaker 1: Man. Wake your fat ass up.
• 39:51
  Speaker 2: Man, he's a snore. You've been sleep for a minute.
• 40:01
  Speaker 2: But the stores kicked. Did you're sorry? That sounded like
• 40:07
  Speaker 2: your officer voice? That sounded like what's his name? Officer?
• 40:12
  Speaker 1: What officer? Bro?
• 40:14
  Speaker 2: Stupid stupid bro? You should do a fucking skit. Would
• 40:18
  Speaker 2: you ever like try to do TV?
• 40:19
  Speaker 1: Like?
• 40:20
  Speaker 2: I want to do a cartoon that should be great.
• 40:22
  Speaker 1: Can't find about it? Let me do it?
• 40:24
  Speaker 2: You want to like?
• 40:25
  Speaker 1: Do you want to like write it? And then I
• 40:26
  Speaker 1: want to do a voice Oh, you'll find somebody can't find.
• 40:30
  Speaker 1: All you gotta do is in LA.
• 40:32
  Speaker 2: You got to get an agent on the actor side
• 40:35
  Speaker 2: and they'll try to pitch you for a voiceovers. I
• 40:39
  Speaker 2: don't know no so agents. I don't know any agents
• 40:43
  Speaker 2: on the acting side. I'm like the most I mean
• 40:47
  Speaker 2: for living in LA, I don't know much on the Yeah.
• 40:49
  Speaker 1: It's just as me doing a Disney movie.
• 40:51
  Speaker 2: How to be Fire. You wouldn't You wouldn't even have
• 40:55
  Speaker 2: to like, uh you, I wouldn't tell anybody like yo,
• 40:57
  Speaker 2: it's fraid o bang, just like your government name. Here's
• 41:01
  Speaker 2: some of my examples, maybe a couple of GTA clips.
• 41:03
  Speaker 2: So you playing officer fucking whatever the fuck? And I
• 41:08
  Speaker 2: think I think it's possible. Man, how fucking helped you out?
• 41:11
  Speaker 2: Fucking yeah.
• 41:12
  Speaker 1: Yeah.
• 41:14
  Speaker 2: Well listen, man, the album's coming out when because I
• 41:16
  Speaker 2: just saw you put the pre order up. You book
• 41:18
  Speaker 2: a pre order and try to unlock the artwork the
• 41:20
  Speaker 2: nineteenth nineteenth? How many songs?
• 41:23
  Speaker 1: I think like fifteen, but I'm gonna I'm coming right
• 41:26
  Speaker 1: back on like two weeks. Really yea deluxe or a
• 41:29
  Speaker 1: whole new album deluxe?
• 41:31
  Speaker 2: How many extra songs?
• 41:34
  Speaker 1: That's six seven? I'm still aside right now.
• 41:37
  Speaker 2: Shout out to that hey man, you get Hey. I
• 41:40
  Speaker 2: got a feeling were gonna get another album for the
• 41:41
  Speaker 2: end of the year from you too. I mean's fucking January.
• 41:43
  Speaker 1: I'm trying to get out three to three Okay.
• 41:47
  Speaker 2: Last question, give me your If you're on it, who
• 41:51
  Speaker 2: are the other three artists on the Baton roush hip
• 41:53
  Speaker 2: Hop Mount Rushmore? If it's freight Bang and you you
• 42:01
  Speaker 2: can exclude yourself if you want, but I'll leave that
• 42:03
  Speaker 2: up to you.
• 42:04
  Speaker 1: I think I think I'm gonna put another word game
• 42:06
  Speaker 1: and be on though.
• 42:06
  Speaker 2: Okay, so Fredo's on it, there's three three more spots
• 42:09
  Speaker 2: on Mount Rushmore. It's four people. Yes, Oh of course,
• 42:15
  Speaker 2: your cousin and Webb.
• 42:19
  Speaker 1: That's three, you said, Ben rude, little fat okay mm
• 42:29
  Speaker 1: hm m hm.
• 42:36
  Speaker 2: And dude and dude, I wouldn't visited dude.
• 42:40
  Speaker 1: I'm a.
• 42:41
  Speaker 2: He's a nice guy. And I also wanted to commend
• 42:45
  Speaker 2: you guys for the unity and the community thing. Was
• 42:47
  Speaker 2: that about a year ago? Mm hmm about a year
• 42:50
  Speaker 2: and some change ago, which was a big deal. I
• 42:53
  Speaker 2: was trying not to I was trying to be the
• 42:55
  Speaker 2: first interview ever where the dude wasn't brought up that
• 42:57
  Speaker 2: you've done any still technical ags and brought up because
• 43:01
  Speaker 2: he's just dude.
• 43:02
  Speaker 1: Yeah, but I thought listen because I I really you know,
• 43:06
  Speaker 1: I really hate when people bring him up because I
• 43:07
  Speaker 1: feel like it be unfair because I feel like when
• 43:11
  Speaker 1: y'all not and I'm not saying this is no type
• 43:13
  Speaker 1: of negative way. I'm just I feel like when they
• 43:15
  Speaker 1: when people get even with Gelling though, Like that's why
• 43:19
  Speaker 1: I said, I'm not just saying that negative because I
• 43:20
  Speaker 1: fuck with y'all. You know. I feels personally when people
• 43:23
  Speaker 1: interview him, they don't be wanting to fuck up the
• 43:25
  Speaker 1: chance of the interview and stuff, so they don't bring
• 43:27
  Speaker 1: me up to him, and I feel like it's kind
• 43:30
  Speaker 1: of like, you.
• 43:31
  Speaker 2: Know what my approach with that interview was I felt
• 43:34
  Speaker 2: like I have had zero relationship with him.
• 43:41
  Speaker 1: I understand, but I just said, it's unfair my call
• 43:44
  Speaker 1: for me, because it'd be making me look like I'm
• 43:48
  Speaker 1: always talking about him, for sure. I know it's just
• 43:51
  Speaker 1: I know it ain't well.
• 43:52
  Speaker 2: I think you're and I think both of you guys
• 43:55
  Speaker 2: are like so mentally mature past whenever you guys had
• 43:59
  Speaker 2: whatever y'all had that, you know, That's why that when
• 44:02
  Speaker 2: I saw you guys did the community event with his
• 44:05
  Speaker 2: team and your and your team, I just thought that
• 44:07
  Speaker 2: was a big deal. But you know, my approach to
• 44:09
  Speaker 2: that whole situation was like, I don't want to do
• 44:13
  Speaker 2: more of what is expected, and that would be bringing
• 44:15
  Speaker 2: up I didn't understand.
• 44:18
  Speaker 1: And then they probably.
• 44:20
  Speaker 2: I didn't even see. It's a credit to him. It
• 44:24
  Speaker 2: was just him and I talking right and and and
• 44:26
  Speaker 2: and you know, uh, I just I knew. My approach
• 44:30
  Speaker 2: with that was like most people probably talk to him
• 44:34
  Speaker 2: like he's an alien, but he's just a dude. You
• 44:36
  Speaker 2: know what I'm saying. He's got kids, like I got kids,
• 44:38
  Speaker 2: like you got kids, Like let's just shoot the ship.
• 44:40
  Speaker 2: And I you know, I didn't want to get into
• 44:42
  Speaker 2: too much of that because I don't have a previous
• 44:44
  Speaker 2: relationship with him.
• 44:45
  Speaker 1: It's cool though, because I understand y'all got a job,
• 44:48
  Speaker 1: and you know what I'm saying. It's just be to
• 44:51
  Speaker 1: the fans and make it look like I'm always speaking
• 44:53
  Speaker 1: him because when they somebody when the blows, cut something
• 44:56
  Speaker 1: up and be me talking. You know what I'm saying, Well,
• 44:58
  Speaker 1: you're past it, man. I'm an over books, so people
• 45:00
  Speaker 1: can get that out of right. You feel you'll past
• 45:03
  Speaker 1: it man. Twenty twenty four, New Ship, New money, Finally,
• 45:07
  Speaker 1: new music, finally, Finally. January nineteenth, the new album is
• 45:12
  Speaker 1: out Yes I'm Sad, which I think is a great
• 45:15
  Speaker 1: as hey man, look so far, it's been a good
• 45:20
  Speaker 1: year for music because this is new twenty one Savage.
• 45:22
  Speaker 1: I want to hear before it drops. Have you heard
• 45:25
  Speaker 1: the new twenty one Savage album to drop yesterday? Far Fire?
• 45:28
  Speaker 1: He always got some good production.
• 45:30
  Speaker 2: Oh my god, his beats, man, I look forward to
• 45:33
  Speaker 2: hearing your album. Everybody should go.
• 45:35
  Speaker 1: Drake the best with grabbing a concept.
• 45:38
  Speaker 2: And Ross Ross got the best beats. It's Ross twenty one,
• 45:40
  Speaker 2: Drake h Ross and Ross's ears for beats.
• 45:44
  Speaker 1: It's crazy production was good, but as far as the
• 45:48
  Speaker 1: total package, twenty one and Drake always know how to
• 45:52
  Speaker 1: get a subject, wrap a theme around it and the
• 45:56
  Speaker 1: liver like that ship, the American Dream and that. Well.
• 46:01
  Speaker 2: Listen, your album's coming out on the nineteenth. Everybody go
• 46:03
  Speaker 2: support it. If you pre order, you get the full artwork,
• 46:05
  Speaker 2: right Uh. Kevin Gates is on it, Rob four nine.
• 46:10
  Speaker 1: Who else?
• 46:12
  Speaker 2: Ross? So go go support the album. New videos coming.
• 46:16
  Speaker 2: There's a lot going on, man, So I appreciate you. Man,
• 46:19
  Speaker 2: studio play, Yeah, we'll go over. We'll walk over to
• 46:22
  Speaker 2: the studio and listen to the new Ship right now.
• 46:24
  Speaker 2: Go support pre order eight. Stop fucking streaming, buy the
• 46:27
  Speaker 2: fucking album on iTunes, man, why are you slaming?
• 46:30
  Speaker 1: Though?
• 46:30
  Speaker 2: No, but stream it, but also go to iTunes and
• 46:32
  Speaker 2: spend ten dollars and put some money in this man's
• 46:35
  Speaker 2: pocket immediately.
• 46:37
  Speaker 1: A million streams is thirty eight hundred dollars. Y'all support
• 46:40
  Speaker 1: the fucking artists.
• 46:41
  Speaker 2: Buy the album. Merch too, Merch.
• 46:43
  Speaker 1: Coming, yeah, yeah, get that ship. See you're fucking slipping, bro,
• 46:49
  Speaker 1: get it together. He needs merch, he needs all that ship.
• 46:51
  Speaker 1: Merch is on the way. It better be on the
• 46:53
  Speaker 1: fucking way. Listen, I'm pulling the page again.
• 46:56
  Speaker 2: There, it is right. I appreciate you, brother,