Latest / Who Did What Now With Katie Charlwood / 177. John George Haigh - The Acid Bath Murderer
Transcript
- 0:13Speaker 1: Hello, delicious friends, and welcome to Who Did What Now?
- 0:18Speaker 1: The history podcast That's not your history class with me
- 0:22Speaker 1: your host Katie Charlewood, History Harlotte and reader of books.
- 0:27Speaker 1: And I just received a Christmas card. It's like almost
- 0:32Speaker 1: the end of January and I got a Christmas card
- 0:35Speaker 1: from Reno, Nevada. I'm so happy.
- 0:39Speaker 2: One.
- 0:40Speaker 1: I love cards and letters. I love snailmail. Okay, So
- 0:44Speaker 1: not only that I have that, but in the card
- 0:46Speaker 1: there is a Christmas like cookie tray bake recipe which
- 0:51Speaker 1: is going in the recipe book and shall be tried
- 0:54Speaker 1: out next year. I mean, in fairness, you can make
- 0:56Speaker 1: Christmas cookies at any time of year if you want to.
- 1:00Speaker 1: You are not beholden to the seasons, let alone the
- 1:03Speaker 1: festive period. Like you can eat an ice cream in winter,
- 1:08Speaker 1: you can have a fruit salad in March. It doesn't matter, right.
- 1:12Speaker 1: You can eat what you want when you want, just
- 1:14Speaker 1: not right before swimming, because apparently that's not good for you.
- 1:18Speaker 1: Although I think they debunked that, but I don't know.
- 1:21Speaker 1: So I've got a letter in these like recipes a recipe,
- 1:25Speaker 1: and then I've also got like these horror themed stickers
- 1:30Speaker 1: that are like so I want to say gen X millennial,
- 1:33Speaker 1: and I am so happy they are going to go
- 1:36Speaker 1: on my new laptop, which I'm not recording on yet,
- 1:39Speaker 1: but I will be once I finally take it out
- 1:42Speaker 1: of the box. Oh, it has been. It has been
- 1:46Speaker 1: a fun weekend. And by fun, I mean I got
- 1:49Speaker 1: my arse absolutely trashed at street golf by Bebe, my daughter.
- 1:57Speaker 1: She absolutely like two thousand points. She beat me by
- 2:01Speaker 1: two thousand points. And that was with me getting a
- 2:04Speaker 1: hole in one, right. That shows you, just like how
- 2:08Speaker 1: much better than me she is at like so many things.
- 2:12Speaker 1: And it was a bit of a tough one because
- 2:14Speaker 1: my son had like a birthday party he was supposed
- 2:16Speaker 1: to go to, but then he got sitt home from
- 2:19Speaker 1: school with a fever. So it was like thirty nine
- 2:21Speaker 1: points something fever celsius. It was like reaching but one
- 2:26Speaker 1: oh one one o two like fahrenheit, so like around
- 2:29Speaker 1: about there it was quite high. And so my mom
- 2:33Speaker 1: came over and stayed up with him, and you know,
- 2:36Speaker 1: like and he wakes her up at three o'clock in
- 2:39Speaker 1: the morning like with a the moment her like shoving
- 2:42Speaker 1: it in her face, going temp me just because he
- 2:46Speaker 1: was like he was so determined to get to this party.
- 2:48Speaker 1: He just like willed the fever out of him. He
- 2:51Speaker 1: was like, no, I'm going to this party. So that
- 2:54Speaker 1: was a good time. So when he was at a party,
- 2:56Speaker 1: my daughter and I went and played some golf. And yeah,
- 3:01Speaker 1: that's that's probably my exciting news. I'm trying not to
- 3:05Speaker 1: complain so much, how she says, and then we'll probably
- 3:09Speaker 1: make a podcast just complain about stuff. But anyway, I
- 3:14Speaker 1: know what you're thinking. You're thinking, Katie, quite your jabbel
- 3:19Speaker 1: jabbel in fact me, in fact you I well, but
- 3:22Speaker 1: first we've got to get our source on. Our sources
- 3:28Speaker 1: are Frenzy Heath Haig and Christy by Neil Rout. The
- 3:39Speaker 1: Murders of the Black Museum eighteen seventy to nineteen seventy
- 3:42Speaker 1: by Gordon Honeycombe, Chronicle of twentieth Century Murder by Brian
- 3:48Speaker 1: Lane Haig, The Mind of a Murderer where Arthur Jayla Byrne.
- 3:55Speaker 1: We also have articles contemporary articles from The Town Times,
- 4:00Speaker 1: The New York Times and The Daily Mirror. I was
- 4:05Speaker 1: it in comfortably good? Then let's begin. As we continue
- 4:11Speaker 1: on our journey of nineteen forties crime, we have left
- 4:14Speaker 1: Southeast Asia and have found our way onto an island
- 4:18Speaker 1: that has a remarkable body count, especially when you consider
- 4:22Speaker 1: just how small it is, Like it is one of
- 4:25Speaker 1: those like real life instances of size doesn't matter. Now,
- 4:30Speaker 1: there have been many, and I do mean many and
- 4:33Speaker 1: famous killers on and from the island of Britain. And
- 4:37Speaker 1: that's like before we even include the instigators of colonial atrocities.
- 4:42Speaker 1: But yes, this tale is of someone who Shockingly enough,
- 4:48Speaker 1: I've had so many requests to cover this since I
- 4:52Speaker 1: started talking about like nineteen forties crime, Like, I've had
- 4:55Speaker 1: emails and messages and dms, people going, are you going
- 4:58Speaker 1: to You're gonna talk about the acid bath murderer. You're
- 5:01Speaker 1: gonna talk about the acid bath murderer. Well, yes, you're welcome.
- 5:05Speaker 1: I am gonna talk about John George Haigh, most commonly
- 5:11Speaker 1: known as the acid bath murderer, even though he never
- 5:18Speaker 1: used a bath to our knowledge. Now, I do think
- 5:22Speaker 1: I briefly mentioned him, like way back when I did
- 5:25Speaker 1: The Brides and the Bath Murders, the perpetrator of which
- 5:28Speaker 1: was another man with three names, George Joseph Smith. That
- 5:33Speaker 1: was episode fifty nine. The sound quality is not great
- 5:38Speaker 1: if you don't want to listen to someone who sounds
- 5:41Speaker 1: like they're talking in a tin can in a bathroom.
- 5:45Speaker 1: You can just skip it. It's fine, but it is there.
- 5:49Speaker 1: So let's get talking about John George Haig. He was
- 5:54Speaker 1: born on the twenty fourth of July nineteen oh nine
- 5:57Speaker 1: in Stamford, Lincolnshire, to Robert Haig, an engineer, and Emily Hudson,
- 6:04Speaker 1: a homemaker. I mean, to my knowledge, she's a homemaker,
- 6:08Speaker 1: a housewife, because I could not find any other information
- 6:12Speaker 1: on her. I couldn't find anything like listed as a
- 6:16Speaker 1: domestic or anything. So going to assume, given the lack
- 6:21Speaker 1: of other information and the time period, I'm gonna stick
- 6:25Speaker 1: with this. I feel fairly comfortable like with this. So
- 6:30Speaker 1: the Heggs, they are members of the Plymouth Brethren, a
- 6:34Speaker 1: religious sect cult in red Rinding of Yorkshire. So the
- 6:40Speaker 1: Plymouth Brethren are this purest Protestant sect that started around
- 6:45Speaker 1: the eighteen twenties in Dublin, of all places, right as
- 6:49Speaker 1: an offshoot of Anglicanism. Now here's the thing, as Protestant
- 6:55Speaker 1: branches go. Anglicanism is like Catholicism. It's probably the closest
- 7:02Speaker 1: out of all of the Protestant religions to Roman Catholicism.
- 7:09Speaker 1: I'm just putting it out there, okay, Like it's just
- 7:12Speaker 1: like a step to the side. They just took out
- 7:15Speaker 1: the statues and were like, that's fine. So like the Presbyterians,
- 7:23Speaker 1: the Plymouth Brethren were duel. Unlike the Presbyterians, they believed
- 7:30Speaker 1: in NeuRA scriptura, basically that they don't have any like clerics,
- 7:36Speaker 1: no ministers, no priests, no vicars, and that the Bible
- 7:41Speaker 1: was the only authority regarding church doctrine in practice and
- 7:45Speaker 1: was not to be interpreted by clerics. So, I mean,
- 7:53Speaker 1: that's very much. You need to take the Bible literally,
- 7:58Speaker 1: which is kind of difficult when the Bible contradicts.
- 8:02Speaker 2: Itself in several places in like like the here's the thing,
- 8:10Speaker 2: Like the Christian Bible is like the Torah with DLC.
- 8:13Speaker 1: So there's just like this turn on all of these
- 8:19Speaker 1: original practices. And so it's basically like the New Testament
- 8:22Speaker 1: is saying, don't do this stuff like the Old Testament did.
- 8:26Speaker 1: And yet near enough every Christian religion is like, let's
- 8:28Speaker 1: follow the Old Testament, Like did you read the same book.
- 8:32Speaker 1: I'm not. Nope, I'm not going to get into it.
- 8:35Speaker 1: That was a sidebar that we did not need Oh
- 8:38Speaker 1: I did we? Hey, Kerry did you? I almost studied theology,
- 8:43Speaker 1: Like that was one of my my considerations when I
- 8:46Speaker 1: was first applying for like third level education. Side bar
- 8:51Speaker 1: is that I originally wanted to go and do like
- 8:54Speaker 1: theology anthropology, and then there was something else I think.
- 8:59Speaker 1: I was like, I'm still tempted to go and do
- 9:02Speaker 1: criminology because I think it'd be very interesting and I
- 9:06Speaker 1: would only be doing it for fun, like I would
- 9:09Speaker 1: be doing it just to gain that interest for my
- 9:13Speaker 1: own greedy, gluttonous learning, like that's it. And I really
- 9:19Speaker 1: wanted to do that, which is very funny. When I
- 9:23Speaker 1: was chatting to doctor s Milewise James, we were chatting
- 9:27Speaker 1: about how like she like almost went into sort of religion,
- 9:32Speaker 1: like religious sort of history as well, which is or
- 9:36Speaker 1: even religious literature or whatever it was. It was like
- 9:38Speaker 1: something religion based, and I was like, well, that's a
- 9:41Speaker 1: funny little parallel there. But anyway, I love her. If
- 9:45Speaker 1: you don't watch her stuff, you should do that because
- 9:48Speaker 1: she is amazing and she knows her shit and does
- 9:53Speaker 1: where her mum's really killed. I love her mom. So
- 9:58Speaker 1: back to the Hagues. So John George Haiks's parents were
- 10:04Speaker 1: late parents, like they got married late, and he was
- 10:09Speaker 1: the only you know, product of their marriage. He was
- 10:12Speaker 1: the only child they had, and his upbringing was strict.
- 10:18Speaker 1: No casual entertainment was allowed in any capacity. So no carnivals,
- 10:25Speaker 1: no music, no shows, no music halls, no newspapers or magazines.
- 10:33Speaker 1: Only stories from the Bible were allowed. Nay, what is
- 10:40Speaker 1: strict and unpleasant upbringing? I'm sure there will be no
- 10:44Speaker 1: ramifications for this at any later point in this podcast
- 10:49Speaker 1: episode about nineteen forties crime AnyWho. As a result of
- 10:56Speaker 1: this ultra conservative upbringing, John George Haiks offered recurring religious
- 11:01Speaker 1: nightmares throughout his childhood. It's not all bad though. He
- 11:06Speaker 1: learned the piano, so he's quite young. He starts, you know,
- 11:11Speaker 1: hitting those ivories and turns it out. He's rather proficient.
- 11:18Speaker 1: Like he's a really good pianist, and he's like playing
- 11:22Speaker 1: like classical composers all the stuff that people say, No,
- 11:26Speaker 1: it's classic. It's definitely great, as if Mozart wasn't always
- 11:30Speaker 1: writing just just dick jokes and are slicking jokes and
- 11:36Speaker 1: all of his music anyway, not all of it, but
- 11:39Speaker 1: like some of it and also also it's fun. I
- 11:45Speaker 1: don't care anyway. So John here he won a scholarship
- 11:51Speaker 1: to Queen Elizabeth Grammar School in Wakefield, West Yorkshire, and
- 11:55Speaker 1: then another scholarship to Wakefield Cathedral, becoming a boy in
- 12:01Speaker 1: the process. Sweet irony. So when he's at school, he
- 12:10Speaker 1: like really focused on the subjects that he was interested in.
- 12:15Speaker 1: If he liked it, he would apply himself. If he
- 12:18Speaker 1: didn't like it or he wasn't that interested in it,
- 12:21Speaker 1: he just wouldn't bother. And like he was also this
- 12:26Speaker 1: is going to shock you, a bit of a bully,
- 12:29Speaker 1: Like he would threaten classmates. And because of who his
- 12:34Speaker 1: parents were, like his mom thought that they were better
- 12:37Speaker 1: than everybody else, and his dad was just this incredibly
- 12:42Speaker 1: staunch strict man that you know, the teachers just didn't
- 12:48Speaker 1: want to approach them, and then like the parents of
- 12:51Speaker 1: other children just did not want to approach them. They
- 12:53Speaker 1: were like, let's let's not let's just power through. So
- 13:00Speaker 1: he leaves school. He was working as an apprentice at
- 13:04Speaker 1: a motor engineer company, Shell mex Limited. He's there for
- 13:08Speaker 1: what like three years altogether, so like throughout his teens
- 13:12Speaker 1: he's working there. And John he had a thing for cars,
- 13:17Speaker 1: and you know, just like the dudes on the internet
- 13:20Speaker 1: who were like, where's your own Lombow, he sees cars
- 13:24Speaker 1: as a status symbol. He likes cars and he wants
- 13:29Speaker 1: cars now, typically in the position that he's in, that
- 13:33Speaker 1: he's working in, in the wage that he is earning,
- 13:36Speaker 1: given locale again his age and the average working wage
- 13:43Speaker 1: at the time, how he would get a car, let
- 13:48Speaker 1: alone three cars is just a little bit surprising and
- 13:54Speaker 1: possibly concerning. But what exactly is his job Shell Tech Limited? Well,
- 14:02Speaker 1: I'm glad you asked, because I'll tell you. So he
- 14:07Speaker 1: would post information for customers on the cars that were
- 14:10Speaker 1: on sale, you know, at this motor engineering company. So like,
- 14:15Speaker 1: so he's like doing this for a few years. You know,
- 14:18Speaker 1: he's basically putting out ad copy. Here's the information about
- 14:21Speaker 1: the car, buy the car, toda. And he's there for
- 14:25Speaker 1: a good few years and he's learning lots about the
- 14:27Speaker 1: motor trade. Unfortunately, when he's twenty one, he has fired
- 14:33Speaker 1: from that job because he is suspected of stealing a
- 14:36Speaker 1: cash box. So he just continues working away in other places.
- 14:44Speaker 1: He ends up selling car insurance within years, along with
- 14:48Speaker 1: like some other side hustles, which is how he was
- 14:51Speaker 1: able to afford those one, two, three or more cars
- 14:58Speaker 1: he was flashing about in and he becomes a dab
- 15:02Speaker 1: hand in forging signatures. He's also doing some like scams
- 15:07Speaker 1: with stocks and mutual funds, and on top of that,
- 15:11Speaker 1: he's selling cars that do not exist. And obviously this
- 15:15Speaker 1: is a cash business, so he would just take the
- 15:18Speaker 1: money and pocket it. And he's forging documents and manages
- 15:24Speaker 1: to acquire around five hundred pounds from the Mercantile Union
- 15:30Speaker 1: Guarantee company that's right, acquire. And he is spending this money.
- 15:37Speaker 1: By the way, he's dressing in tailored suits. He's flashing
- 15:42Speaker 1: his money out in the pubs. He is driving these
- 15:45Speaker 1: swanky cars. He is showing off right, so he looks
- 15:50Speaker 1: like he is a big high roller. He is earning money.
- 15:55Speaker 1: He is just you know, the Abey's knees. But it
- 16:00Speaker 1: wasn't long before the corn man got himself a wife.
- 16:04Speaker 1: So on the six of July nineteen thirty four, he
- 16:07Speaker 1: marries twenty three year old Buttrius Hammer, who is known
- 16:11Speaker 1: as Betty, and she is beautiful, absolutely stunning, but she
- 16:17Speaker 1: is dirt poor and he's flashing the cash, so he
- 16:22Speaker 1: seems like he's a good option, Like he's got money,
- 16:25Speaker 1: he is a stable you know, a stable husband to
- 16:29Speaker 1: have spoiler alert, he was not so because here's the
- 16:37Speaker 1: thing about John, he's not a very good husband. And
- 16:43Speaker 1: a few months after they got married, John was arrested.
- 16:48Speaker 1: Now Betty visits him and she tries to get him
- 16:50Speaker 1: to tell her, like what's going on? And he tells
- 16:54Speaker 1: you it's it's nothing, don't worry about it.
- 16:57Speaker 2: Now.
- 16:58Speaker 1: Here's the thing. He and his two accomplices try to
- 17:03Speaker 1: defraud Motor Credit Services Limited, and they were caught because
- 17:09Speaker 1: of a spelling mistake on a form. So Hagen his
- 17:13Speaker 1: accomplices were charged and sentenced, and he receives a fifteen
- 17:19Speaker 1: month sentence in November nineteen thirty four. Unfortunately for Betty,
- 17:25Speaker 1: she's pregnant. Her husband and father of her baby is
- 17:29Speaker 1: in prison. Like who's going to provide for her and baby?
- 17:35Speaker 1: Like John is in prison, Like it starts at fifteen months,
- 17:41Speaker 1: but like what if he's in longer? Like he's already
- 17:45Speaker 1: away for over a year and it could be longer
- 17:50Speaker 1: if anything happens in there, or he has bad behavior
- 17:53Speaker 1: or it's like such a deal for her and there's
- 17:57Speaker 1: no support coming from in laws or you know, she
- 18:02Speaker 1: doesn't seem to have a family who can support her
- 18:04Speaker 1: in this. Her family have no money, no way to
- 18:08Speaker 1: support her, and she's got radio silence from John, and so,
- 18:14Speaker 1: being very pregnant and having zero options, Betty decides fuck
- 18:20Speaker 1: this for a game of soldiers, and after giving birth,
- 18:24Speaker 1: makes the decision to put her daughter up for adoption,
- 18:27Speaker 1: thinking that this is the best and safest option for
- 18:32Speaker 1: her baby and for everyone involved. So John's parents, like
- 18:39Speaker 1: they write to him, like, well, he's locked up, and
- 18:42Speaker 1: his dad's letters are very this is going to shock
- 18:44Speaker 1: you religious in nature and from prison. He writes back,
- 18:49Speaker 1: and he proclaims that he's sorry for you know, committing fraud,
- 18:54Speaker 1: and he's repenting, like he writes that he's going to
- 18:58Speaker 1: redeem himself when he finally gets the chance.
- 19:02Speaker 2: Now.
- 19:03Speaker 1: He's also weirdly very boastful in his letters about how
- 19:08Speaker 1: well he's doing in prison, Like he's talking about how
- 19:12Speaker 1: he's upskilling He's like doing tailoring, he's making trousers, pajamas, jackets,
- 19:21Speaker 1: like he's he's fucking upskilling here, right. And by December
- 19:28Speaker 1: nineteen thirty five, John is released from prison early for
- 19:34Speaker 1: good behavior, and let's not forget that the Second World
- 19:38Speaker 1: War had started several months earlier, which was probably a
- 19:42Speaker 1: deciding factor in this. No, when he gets out his parents,
- 19:47Speaker 1: they cut ties with him as they discover that their
- 19:50Speaker 1: grandchild has been put up for adoption and his wife
- 19:53Speaker 1: is gone, which does not align with their conservative Christian values.
- 19:58Speaker 1: But John George wasn't going to let something like being
- 20:02Speaker 1: disowned stop him from making money. So with his newfound
- 20:06Speaker 1: knowledge about attire, he opens up a drag cleaning business
- 20:09Speaker 1: with Major Plackett, who was his lawyer when he was
- 20:14Speaker 1: charged with fraud. So this all sounds very above board. Now. Unfortunately,
- 20:22Speaker 1: Major Plackett dies in a car accident and the major's
- 20:27Speaker 1: widow decided that she was just going to liquidate her
- 20:29Speaker 1: half of the business. So what she inherited from her
- 20:33Speaker 1: late husband. And here's the thing, if she gets rid
- 20:37Speaker 1: of her half of the business, that would mean that
- 20:39Speaker 1: John George Haig would have to do all the work himself.
- 20:44Speaker 1: So anyway, he decided that he too was going to
- 20:46Speaker 1: liquidate his half of the business. So John at this
- 20:53Speaker 1: point he needed money because well he seems like he
- 20:57Speaker 1: has money, but he really doesn't, and he thinks, where
- 21:02Speaker 1: can I go? He goes full dick Woddingdon and heads
- 21:06Speaker 1: to London, where the streets are lined with gold. Sorry
- 21:10Speaker 1: what was that? Mold? So he moves to London in
- 21:16Speaker 1: nineteen thirty six and gets a job as a chauffeur
- 21:20Speaker 1: to William Donald mcsqan, who takes a liking to him. Now,
- 21:26Speaker 1: it's not surprising that people like this man because he's
- 21:30Speaker 1: a con man, and part of their whole stick is
- 21:33Speaker 1: to be charming. They charmed to disarm, like what they do, like,
- 21:39Speaker 1: they want you to like them so that you won't
- 21:41Speaker 1: think that they're gonna do the bad thing to you.
- 21:44Speaker 1: Like that's how that works. So he's working as a chauffeur,
- 21:50Speaker 1: and he's not only hired by him, but he also
- 21:55Speaker 1: hangs out with him after work, so they're just like
- 21:58Speaker 1: driving about the just like going to the pub after
- 22:02Speaker 1: and mixed one. He is well off, well well off
- 22:08Speaker 1: enough to afford a personal driver, and he has like
- 22:13Speaker 1: an amusement business right at this point. That's where his
- 22:17Speaker 1: like funding's coming from. So this is like an amusement arcade.
- 22:23Speaker 1: They're sort of you'd see them now more along sort
- 22:27Speaker 1: of seaside coastal towns, so you'd have things like like
- 22:33Speaker 1: I think nowadays it would be like the claw machine.
- 22:35Speaker 1: So at this point he had pin tables, a coconut shy,
- 22:39Speaker 1: which is I love a coconut shy, and not just
- 22:43Speaker 1: so I can walk around and go, I've got a
- 22:45Speaker 1: lovely bunch of coconuts. Side bar. There they are standing
- 22:49Speaker 1: in the row, big one, small one, some as big
- 22:53Speaker 1: as your bed. You give them my tte ulick o
- 22:55Speaker 1: the waist is what the sherman said. And so that's
- 22:59Speaker 1: enough now is it? Oh there stands my wife. Have
- 23:02Speaker 1: you I loved my life? Singing Ronie bollyball A penny
- 23:05Speaker 1: of your pinch anyway, So amusement arcades, so coconut shy,
- 23:09Speaker 1: so you're gonna like try and knock the coconuts off.
- 23:13Speaker 1: All the jazz, right, all that jazz. And so that's
- 23:15Speaker 1: where his money's from. And Haig, he's like giving him
- 23:20Speaker 1: ideas about how to get more patrons into his business.
- 23:25Speaker 1: And you know, they all get along. He meets the
- 23:28Speaker 1: mix One parents and they just get quite close. So
- 23:34Speaker 1: William Donald mis One like, even though this guy's employee,
- 23:40Speaker 1: he sees him as a friend. Right now, that's just
- 23:46Speaker 1: something to keep in mind. Now, well this is happening.
- 23:50Speaker 1: John George Haig pretended to be a solicitor under aliases.
- 23:56Speaker 1: Of course he's not stupid, she says. He visited the
- 24:02Speaker 1: public company's registry so that he could collect a list
- 24:06Speaker 1: of shareholders and company directors to contact. Right, Like, he's
- 24:12Speaker 1: doing his research, which you should appreciate, like putting the effort.
- 24:17Speaker 1: Imagine if he went into like legitimate business like he
- 24:21Speaker 1: would have done quite well. But this was more fun
- 24:24Speaker 1: for him and involved surprisingly less coquine than someone would think,
- 24:29Speaker 1: especially for the era. So as William Keto Adamson, a
- 24:35Speaker 1: solicitor with offices in Guildfield, Surrey, Hastings, Sussex and London.
- 24:43Speaker 1: He's told fraudulent stock at below market rates, claiming that
- 24:46Speaker 1: they were from the estates of his deceased clients. Now
- 24:52Speaker 1: this is like a buyer's dream because this is like
- 24:56Speaker 1: boiler room scenario, like Wall Street boiler room, all that jazz. Now,
- 25:01Speaker 1: some people catch on quickly that these deals are too
- 25:05Speaker 1: good to be true, because you know what, like if
- 25:08Speaker 1: it's too good to be true, then it possibly is.
- 25:11Speaker 1: So they just don't respond. Others, though, are just like, yes,
- 25:16Speaker 1: I would love to have this estate, this land, this
- 25:19Speaker 1: is mine, give me me, give me, give me, because
- 25:22Speaker 1: you'd be surprised, or maybe you wouldn't, just like how
- 25:26Speaker 1: powerful greed can be, you know. And now he gets caught,
- 25:33Speaker 1: and you're gonna gonna see history repeating here away bit
- 25:37Speaker 1: by another spelling mistake because he misspelled Guildford. He spelled
- 25:45Speaker 1: it like Guilford, so without the day, like my daring life.
- 25:52Speaker 1: So he was really really sneaky with it, like proper
- 25:56Speaker 1: sleek it. He would sing his name as like other
- 25:59Speaker 1: members of office, so just like lower level personnel, trying
- 26:03Speaker 1: to make it seem as though he was like some
- 26:05Speaker 1: lowly worker be you know, as opposed to the head
- 26:08Speaker 1: hoorn show. And the vivity gets caught because of a
- 26:12Speaker 1: spelling mistake and somebody's like, no solicitor would misspell the
- 26:17Speaker 1: town that he says his business is in. And so
- 26:21Speaker 1: in November nineteen thirty seven, he's charged with fraud again
- 26:27Speaker 1: and is convicted to serve four years in prison. Like
- 26:34Speaker 1: he had absolutely no chance of winning this case. The
- 26:38Speaker 1: evidence was huge, and the judge was calling him out
- 26:43Speaker 1: like actually just tearing him apart for trying to like
- 26:47Speaker 1: pull the will over his eyes, and so he just
- 26:52Speaker 1: gets completely chastised. And then he goes to prison and
- 26:58Speaker 1: kids an early release because he applies for one and
- 27:03Speaker 1: gets out in August nineteen forty. Now let's we forget
- 27:09Speaker 1: the Second World War is raging at this point, so
- 27:13Speaker 1: early release was fairly common because you know, the government
- 27:18Speaker 1: needed bodies. And he manages to not enlist and instead
- 27:25Speaker 1: continues stealing. So he's nicking curtains, bunk beds, and even
- 27:30Speaker 1: kitchen utensils, like he's going full on sticky finger decorating.
- 27:36Speaker 1: And he's back in prison on June the eleventh, nineteen
- 27:40Speaker 1: forty one, and he's back writing to his parents, full
- 27:44Speaker 1: of remorse and repenting. This time he's serving a twenty
- 27:50Speaker 1: one month sentence, his third time in prison. And it's
- 27:57Speaker 1: here that he starts experimenting. John George Haig is at
- 28:10Speaker 1: Lincoln Prison and he starts experimenting with field mice, not
- 28:15Speaker 1: in that way to my knowledge, not in that way.
- 28:20Speaker 1: So by the experimenting, I feel I should like confirm here,
- 28:24Speaker 1: I mean he's dissolving field mice in sulfuric acid, like
- 28:30Speaker 1: he's seeing how long it takes for the acid to
- 28:33Speaker 1: dissolve the field mice, but for why. So in these
- 28:39Speaker 1: experiments he discovered that it takes about half an hour
- 28:43Speaker 1: to dissolve the mouse. He estimated that by using I
- 28:49Speaker 1: don't know what algebra ratios math, by using math, that
- 28:57Speaker 1: by comparing the weight of a mouse to a human
- 29:01Speaker 1: that he could guess just how long it would take
- 29:04Speaker 1: for a human body to dissolve. Everybody needs a hobby,
- 29:10Speaker 1: right right, because he comes to the realization in prison
- 29:16Speaker 1: that it is much more difficult to get caught when
- 29:20Speaker 1: there's no one to tattle on you. That's right, no
- 29:24Speaker 1: victim left alive means there's no one to rat on you.
- 29:28Speaker 1: This was not intentionally a rodent pun, but here we are.
- 29:35Speaker 1: So he uses sulphuric acid inspired by a Greek born
- 29:39Speaker 1: French murderer, George Alexandra Surat, who did the same thing,
- 29:46Speaker 1: which is wild because you know, I'm completely ignoring the
- 29:49Speaker 1: fact that the only reason he knows who Surat was
- 29:53Speaker 1: was because Surat was caught convicted of murdering two people
- 29:58Speaker 1: and dissolving their bodies in an said before being executed
- 30:02Speaker 1: by GA eighteen on the tenth of April nineteen thirty four. Like,
- 30:08Speaker 1: is that the outcome you want, Johnny boy?
- 30:11Speaker 3: Is it?
- 30:13Speaker 1: Either way? He decides his best course of action is
- 30:16Speaker 1: to practice dissolving mammals in sulfuric acid. Now, sulfuric acid
- 30:23Speaker 1: is one of, if not the most used chemical in
- 30:26Speaker 1: the world. Like it's used in almost all industries, and
- 30:31Speaker 1: it's colorless and orderless. It's used widely in the manufacturer
- 30:36Speaker 1: of like fertilizers and the making of paints, dyes, and drugs.
- 30:41Speaker 1: It's everywhere. So he would collect sulfuric acid and use
- 30:47Speaker 1: the workshop in the prison because he was allowed to
- 30:51Speaker 1: use the workshop in the prison. I mean, he's like fraud.
- 30:57Speaker 1: They're like, it's fraud, it's not like murder. And so
- 31:02Speaker 1: they're like, hey, it's okay for you to use the
- 31:05Speaker 1: workshop and the tools. So he would collect the sofa,
- 31:09Speaker 1: your cacid. He'd use the workshop, and he'd pay prisoners
- 31:13Speaker 1: to collect field mice for him, and he'd pay them
- 31:17Speaker 1: with tobacco that his parents sent him because they were like, oh,
- 31:21Speaker 1: you're in prison, here have tobacco. You need a smoke
- 31:25Speaker 1: san So he's going all Dexter's laboratory in the Lincoln
- 31:30Speaker 1: Prison tin shop. So he practices in the Lincoln Prison
- 31:34Speaker 1: tin shop, testing his dissolving times and the like. And
- 31:40Speaker 1: he applies for an early release, and you know what,
- 31:44Speaker 1: they give it to him. And so he's released in
- 31:49Speaker 1: September nineteen forty three. So far this man has never
- 31:53Speaker 1: served a full sentence. He's always been let out early
- 31:57Speaker 1: and then gone and committed another crime. I think after
- 32:01Speaker 1: the second one, you think maybe not, maybe not. So
- 32:09Speaker 1: he's released in September nineteen forty three, and he then
- 32:12Speaker 1: lives and is employed by Alan Stevens. So he's lodging
- 32:17Speaker 1: there and working there. And who else is living in
- 32:21Speaker 1: this abode will Alan's wife, Evelyn and their fifteen year
- 32:26Speaker 1: old daughter Barbara. So John George Haig starts, and I'm
- 32:32Speaker 1: going to use this word loosely, a relationship with Barbara.
- 32:40Speaker 1: She's fifteen and he is thirty six years old. And
- 32:47Speaker 1: apart from the fact that she's more than half his age,
- 32:51Speaker 1: that's his boss's daughter, right, and the boss who he
- 32:57Speaker 1: also happens to live with. Okay, mister and missus Stevens
- 33:02Speaker 1: have an issue with this relationship. Not because they think
- 33:07Speaker 1: this thirty something old man is grooming their teenage daughter. No, No,
- 33:14Speaker 1: they like him They think he is the cat's pajamas.
- 33:19Speaker 1: They think that she's too immature for him. Is she,
- 33:25Speaker 1: mister and missus Stevens, as your fifteen year old daughter,
- 33:29Speaker 1: too immature for the nearly fourteen year old man, Perhaps,
- 33:36Speaker 1: I'd say maybe, maybe, just but I feel like you
- 33:41Speaker 1: could be looking at this who just a bit of
- 33:45Speaker 1: a blurred perspective here. In August the following year, Haick
- 33:52Speaker 1: finally finds what he's been looking for, not an age
- 33:56Speaker 1: appropriate woman, but instead three basement rooms to rent in
- 34:00Speaker 1: a building on Gloucester Road. He negotiates the price like
- 34:05Speaker 1: he haggles obviously, and then moves in on the sixth
- 34:10Speaker 1: of September nineteen forty four. On the seventh of September,
- 34:16Speaker 1: the very next day, he places an order of twenty
- 34:20Speaker 1: gallons of sulfuric acid. But that's not all. He also
- 34:26Speaker 1: orders six pounds of muriatic acid, which is more famously
- 34:31Speaker 1: known as hydrochloric acid. But like I mean, it's basically
- 34:36Speaker 1: not as pure. It's like an impure form of hydrochloric acid.
- 34:41Speaker 1: It is incredibly corrosive even when diluted, so it has
- 34:47Speaker 1: a lot of uses, like in the manufacturing of polyvinyl chloride,
- 34:53Speaker 1: also known as PVC, also known as vegan leather. So PVC.
- 35:00Speaker 1: We just used to call it PVC back in the
- 35:02Speaker 1: two thousands, in the millennium, back in the old and days,
- 35:08Speaker 1: somebody somewhere had some PVC trousers. Sometimes they'd go so
- 35:13Speaker 1: far as to call it pleth. We knew it was plastic. Sidebar,
- 35:20Speaker 1: I'm going to tell you a story about me and
- 35:22Speaker 1: my pleth trousers. Then I wore to our funeral. In
- 35:26Speaker 1: my defense, it was bought as one of my funeral outfits. Sidebar.
- 35:33Speaker 1: I used to go to a lot of funerals. Like
- 35:35Speaker 1: a lot of funerals, people around me kept dying. I
- 35:38Speaker 1: will not be blamed for it. Heart attacks are common
- 35:41Speaker 1: these days, so a lot of grandparents died in quick sussession.
- 35:46Speaker 1: And there has been a lot of death in my
- 35:48Speaker 1: family since I was quite young, so I've grown up
- 35:51Speaker 1: around death. And there was always a section in my
- 35:53Speaker 1: wardrobe like dedicated for funerals. Right to this day, I
- 35:59Speaker 1: have at least three separate funeral appropriate outfits for basically
- 36:04Speaker 1: any or most most types of funerals. Like I am
- 36:08Speaker 1: ready to go, right, I also have the perfect funeral
- 36:12Speaker 1: bag like I have everything anybody will need. I have
- 36:16Speaker 1: a similar bag for weddings. They both contained issues like
- 36:20Speaker 1: in mince. Anyway, that's not the point. I have fidget
- 36:23Speaker 1: toies for child. The whole shebang, I got you covered.
- 36:27Speaker 1: Like but anyway, back to the funeral. We get to
- 36:30Speaker 1: the funeral. My brother and my dad are both wearing
- 36:35Speaker 1: ankle length black leather coats like they've just stepped out
- 36:39Speaker 1: of the fucking matrix. My oldest brother, he is wearing
- 36:43Speaker 1: a three quarter length black leavel jacket. I am wearing
- 36:48Speaker 1: my PBC trousers and a black and camel cashmere jumper.
- 36:53Speaker 1: The camel was a trim, okay, it was mainly black.
- 36:58Speaker 1: So we're at the crematorium actually, so it's like a
- 37:03Speaker 1: funeral service at it, and you know, there's still prayers
- 37:07Speaker 1: and stuff, so we have to like sit on the
- 37:10Speaker 1: pew and kneel down and all this kind of stuff.
- 37:14Speaker 1: And every time I moved, my clothes squeaked, and every
- 37:20Speaker 1: time my brother moved has clothes squeaked. So it's like,
- 37:24Speaker 1: oh no, we pray, and it was continuous all the
- 37:27Speaker 1: way through this funeral, and it goes back and it
- 37:30Speaker 1: gets to the point where I just start laughing so
- 37:32Speaker 1: hard that my brother shoves my face right into his shoulder.
- 37:36Speaker 1: Bear in mind, I'm twelve at this point, eleven. I'm
- 37:39Speaker 1: eleven at this point, and he's just like, she's really sad,
- 37:44Speaker 1: by the way, She's really sad because I'm shaking with
- 37:46Speaker 1: my whole body, and he's just like, oh, the teals,
- 37:51Speaker 1: the teals. And then at the very end of the funeral,
- 37:56Speaker 1: it kept playing over and over again. I'm two, say
- 38:02Speaker 1: good but it kept playing on a loop, and that
- 38:06Speaker 1: just set me off again because I was like, when
- 38:07Speaker 1: we're saying goodbye, by the way, because the coffin still
- 38:09Speaker 1: sitting there like it was a if stuff was broken
- 38:13Speaker 1: away anyway, Funerals always at many of them, so PBC
- 38:23Speaker 1: plastic that looks like leather, and uriatic acid hydrochloric acid.
- 38:28Speaker 1: They're also used in steel production, in cleaning tiles, and
- 38:33Speaker 1: it's even used in balancing the pH in your pool
- 38:38Speaker 1: if you have a pool. I don't have a pool
- 38:42Speaker 1: because I have Ireland where it rains most of the time.
- 38:47Speaker 1: If I want to pull, I'll just dig a hole
- 38:49Speaker 1: in the garden. Mixing muriatic acid and sulfuric acid creates
- 38:55Speaker 1: the joker. No, it creates a corrosive soup. Acid like
- 39:02Speaker 1: muriatic acid can dissolve iron, right, and there's a lot
- 39:07Speaker 1: of safety precautions you have to take with that. And
- 39:11Speaker 1: so he orders buckets and buckets of acid and it's
- 39:16Speaker 1: the leveled the very same day. How efficient. Then one
- 39:24Speaker 1: night in the Goat Pub in Kensington, London, who does
- 39:29Speaker 1: he bump into but his old chum slash former employer,
- 39:33Speaker 1: William Donald mcswawan. He meets with mc swan's parents, Donald
- 39:40Speaker 1: and Amy again, and everyone has a swell time the
- 39:45Speaker 1: end please, In the immortal words of cher Horowitz as
- 39:53Speaker 1: f as f just by existing, John feels like William
- 40:00Speaker 1: is rubbing his success in his face and he just
- 40:04Speaker 1: couldn't have that. There is nothing more dangerous than a
- 40:09Speaker 1: man with wounded pride, regardless of whether the slight is
- 40:14Speaker 1: imagined or not. A couple of days after he sets
- 40:18Speaker 1: up his Hindenburg basement, he invites his old buddy William
- 40:22Speaker 1: over and John cotes him over the d with either
- 40:27Speaker 1: a table leg or a piece of pipe, he can't
- 40:31Speaker 1: quite remember which, and William mcswan takes about five minutes
- 40:38Speaker 1: to die. He's gone over there to hang out with
- 40:42Speaker 1: someone he thought was his friend, only to be killed
- 40:45Speaker 1: by him. Because William had money, and at this point
- 40:50Speaker 1: he's working with his parents who are landlords in London,
- 40:56Speaker 1: so he would collect rent from all of the flats
- 40:59Speaker 1: or apart mints around London and make a pretty penny
- 41:04Speaker 1: like he'd be collecting on his money for his parents,
- 41:06Speaker 1: and then he would earn from that. And he was
- 41:10Speaker 1: doing very well for himself in this scenario, and of
- 41:13Speaker 1: course John is jealous. He wants that money without you know,
- 41:20Speaker 1: actually having to go and earn it. After bonking William
- 41:25Speaker 1: mcswan on the head and watching him die, he strips
- 41:29Speaker 1: him of all of his valuables and puts him in
- 41:31Speaker 1: a drum that he fills with forty to fifty gallons
- 41:35Speaker 1: of sulfuric acid. So he is like kitted out at
- 41:40Speaker 1: this point. He's got rubber boots, he's got gloves, he's
- 41:44Speaker 1: got a big butcher's apron on, and he's using a
- 41:48Speaker 1: bucket to fill up the drum with acid. And the
- 41:51Speaker 1: fumes are they're getting to him and so he has
- 41:56Speaker 1: to keep running outside, like up the bait steps and
- 42:01Speaker 1: outside for air. Right now, you've gone to all this effort.
- 42:07Speaker 1: You've got boots, you've got gloves, you've got your massive
- 42:10Speaker 1: leather butchelled apron And at no point during this did
- 42:15Speaker 1: you consider maybe something for the gas. Right, So, hydrochloric
- 42:21Speaker 1: acid is It's London in nineteen forty four. Owning a
- 42:28Speaker 1: gas mask is like the least suspicious thing you could
- 42:32Speaker 1: do at this point, Right, no one's gonna be like, oh,
- 42:35Speaker 1: why has he got a gas mask? It's London in
- 42:40Speaker 1: nineteen forty four. After John George Haig decides that his
- 42:46Speaker 1: friend should be liquefied, he realizes that it's not William
- 42:52Speaker 1: that has the money, it's his parents. In a shocking
- 42:57Speaker 1: and unprecedented turn of events that no one could predicted,
- 43:01Speaker 1: wyam Swan's body didn't dissolve in thirty minutes like the
- 43:06Speaker 1: mice did. Deciding that the corpse needs some more time
- 43:10Speaker 1: to stew, Haig leaves and comes back two days later
- 43:15Speaker 1: and discovers that his former friend's body was now sort
- 43:19Speaker 1: of sludge. Luckily for Haig, the basement room had a
- 43:25Speaker 1: big old drain in it. Well, it's actually a manhole,
- 43:29Speaker 1: like in the center of this basement. We're not in
- 43:31Speaker 1: the center it's in the basement. I'm not entirely sure
- 43:34Speaker 1: if it's in the center of it, but it's in
- 43:37Speaker 1: the basement. And so he decides to just pour the
- 43:43Speaker 1: corpse good down the drain that led to the precursor
- 43:46Speaker 1: to the teenage mutant Ninja turtles, the adult suffrage salamanders,
- 43:51Speaker 1: adults suffrage salamanders. Adults suffrage salamanders, adult suffrage salamanders. Let
- 44:00Speaker 1: him voter, you choke savage power. So he goes to
- 44:04Speaker 1: Donald and Amy mcxmoan and is like Williams left to
- 44:09Speaker 1: avoid constription, like he forges documents to make it look
- 44:14Speaker 1: like he's left the country. Well, he's gone to Scotland,
- 44:19Speaker 1: as if the island the entire island and country technically
- 44:26Speaker 1: of Great Britain, because Great Britain is country, but Scotland
- 44:29Speaker 1: and England and Wales are also countries. It's not. Let's
- 44:32Speaker 1: not get into geography because it's too much right now.
- 44:34Speaker 1: But he's up in Scotland. Allegedly, he's not, he's in
- 44:38Speaker 1: a drain, and so John's like, you know, he's escaped.
- 44:43Speaker 1: He doesn't want to join the war, and his parents
- 44:46Speaker 1: are like the war is like getting closed in the end,
- 44:51Speaker 1: like we're reading the papers, it feels like a bit
- 44:55Speaker 1: sus but then they're getting postcards and all this stuff.
- 45:02Speaker 1: Like basically he's doing all this work to make it
- 45:05Speaker 1: seem like William's still alive. And he does this all
- 45:12Speaker 1: the way through to July nineteen forty five, So September
- 45:19Speaker 1: nineteen forty four to July nineteen forty five, so that's
- 45:27Speaker 1: after the war is over, Okay, he continues this ruse
- 45:33Speaker 1: meanwhile during this time, like he is talented mister riplaying
- 45:40Speaker 1: his way into everyone's lives. And with William away, who
- 45:46Speaker 1: is going to collect the rent from all of the
- 45:49Speaker 1: mixed won properties? Oh everyone, dear friend John George Haig.
- 45:58Speaker 1: So he is out collecting all the rent from these
- 46:00Speaker 1: tendencies from all these properties all across the city of London.
- 46:05Speaker 1: And also I'm assuming outer maybe out of London. I'm
- 46:09Speaker 1: not entirely sure of exactly where the barrier of their
- 46:14Speaker 1: properties ended. So he's doing this for them, and he
- 46:18Speaker 1: is making money, but of course he wants more, just
- 46:24Speaker 1: full on channeling his inner Voruk assault. He's like, I
- 46:28Speaker 1: want to faced, I want to pain faced queen buns
- 46:33Speaker 1: and downuts and fruit cake with now nuts so good,
- 46:35Speaker 1: you could go nuts. Like he is just gim me, gimme, gimme.
- 46:40Speaker 1: And so he's ready for the next stage of his
- 46:44Speaker 1: cruel and vicious plan. He tells Donald that William has
- 46:49Speaker 1: returned and he's hiding in his basement, which in governess
- 46:55Speaker 1: is totally reasonable when you consider the fact that the
- 46:58Speaker 1: idea is that he has fled the country in order
- 47:02Speaker 1: to be conscripted to not join the army, which is,
- 47:07Speaker 1: you know, breaking the law. And so he's like, he's
- 47:10Speaker 1: a wanted man. He's hiding in my basement. You've got
- 47:12Speaker 1: to come see him. And when Donald goes to the
- 47:16Speaker 1: basement to reunite with the son that he hasn't seen
- 47:19Speaker 1: in a year, Head comes up behind him, closhes him
- 47:25Speaker 1: on the back of the head, and then bludgets him
- 47:28Speaker 1: to death. And he repeats the same gambit with Amy,
- 47:35Speaker 1: lures her to the basement and kills her. Now, when
- 47:41Speaker 1: I was writing this out, sidebar I know, too many sidebars,
- 47:44Speaker 1: I know, but I was writing this out and all
- 47:48Speaker 1: I kept thinking throughout this whole part, I was like,
- 47:52Speaker 1: he's just luring them into this basement, And through my
- 47:57Speaker 1: head I just kept thinking of funny bones. So like
- 48:01Speaker 1: I don't know if if you'll have it in your countries.
- 48:03Speaker 1: But there was a children's TV show about a family
- 48:06Speaker 1: of skeletons, a daddy's skeleton, a boy skeleton, and their
- 48:10Speaker 1: little dog skeleton too, And so the intro would start
- 48:15Speaker 1: and it would be like in a dok doc street,
- 48:18Speaker 1: there's a dark dock house, in a dark dock house,
- 48:21Speaker 1: there's a dark, dark basement. In the dark dark basement,
- 48:24Speaker 1: three skeletons live. And there was that, and that's just
- 48:30Speaker 1: it kept playing over my head. I kept seeing flashes
- 48:34Speaker 1: of funny bones, just over and over, which kind of
- 48:38Speaker 1: shows you my macab childhood. AnyWho he puts their bodies
- 48:46Speaker 1: in a drum each and bodies are heavy, and there
- 48:52Speaker 1: is like no information pertaining to dismemberment, like it doesn't
- 48:58Speaker 1: come up at all, Like there is no discussion of dismemberment.
- 49:04Speaker 1: There's no consideration of it, like it doesn't come up anywhere.
- 49:09Speaker 1: He simply just lugs these bodies into the drums. And
- 49:13Speaker 1: if you've ever had to lift a dead weight, like
- 49:17Speaker 1: anyone who's fainted or collapsed, or a kid that just
- 49:20Speaker 1: does not want to be picked up, that's heavy. Now
- 49:24Speaker 1: imagine that's a grown person, Like that is difficult to do.
- 49:30Speaker 1: But he doesn't dismember the bodies for like easy packaging
- 49:34Speaker 1: into these drums. He just chucks them in. I mean,
- 49:38Speaker 1: I'm assuming it's a bit more effort than that. I
- 49:41Speaker 1: would assume it's a bit more effort than that. But
- 49:45Speaker 1: he doesn't spend a lot of time actually like dealing
- 49:48Speaker 1: with like blood and gore, Like it's not laborious or
- 49:53Speaker 1: anything that seems like, you know, too much hard work,
- 49:57Speaker 1: and like he's killing four convenient. It's like that's what
- 50:00Speaker 1: he's doing. And on the sixth of July nineteen forty five,
- 50:08Speaker 1: he left his basement workshop for pastors new but before
- 50:13Speaker 1: he did that, he made sure to pour the remaining
- 50:17Speaker 1: mcswan sludge down his drain. And with the landlords out
- 50:23Speaker 1: of the picture, John George Haig was being his usual flashy,
- 50:28Speaker 1: showboating self, always splashing the cash, acting the gint and
- 50:34Speaker 1: between selling off assets and collecting rent, he made about
- 50:38Speaker 1: five thousand pounds, which in today's money is about two
- 50:45Speaker 1: hundred and seventy one thousand, eight hundred and eighteen pounds
- 50:50Speaker 1: and twenty pence. So he also makes like another three
- 50:58Speaker 1: grand like over the course of the next few years
- 51:02Speaker 1: by cashing their pension checks. And if you were thinking
- 51:07Speaker 1: that's enough, he's doing a lot of bad things. There's more.
- 51:12Speaker 1: He's also cashing in Donald and Amy mcswan's pension checks,
- 51:19Speaker 1: so he is raking in even more cash. But it
- 51:24Speaker 1: is never enough. He is just fluttering it away. He's gambling,
- 51:32Speaker 1: he's staying in expensive hotels, he's eating in high end
- 51:37Speaker 1: restaurants and drinking in high class bars, and he always
- 51:42Speaker 1: wants more. Like this boy puts the glut in gluttoney.
- 51:48Speaker 1: That same year, he meets the managing director of Harsley
- 51:53Speaker 1: Products Limited in Crawley, Edward Jones, So like this was
- 51:58Speaker 1: an engineering and tool making business and they have a
- 52:02Speaker 1: deal in exchange for running errands for Jones. He gets
- 52:06Speaker 1: access to this storeroom. Now, this storeroom, it's in a
- 52:11Speaker 1: construction yard. There's like there's like rubble all around and
- 52:17Speaker 1: it's just this like one room. Unfortunately, this storeroom did
- 52:23Speaker 1: not have a manhole or drain like his previous murder
- 52:27Speaker 1: basement did. But he's like, yeah, that'll do, and he
- 52:32Speaker 1: just needs to make more money the only way he
- 52:35Speaker 1: knows how. Fraud and murder. This brings us to the
- 52:41Speaker 1: Henderson's doctor Archibald and his wife Rosalie, who goes by Rose.
- 52:50Speaker 1: So the pair had previously been married to Like other people,
- 52:55Speaker 1: Rose had divorced Gimmer inventor Rudolph Erin in nineteen thirty seven,
- 53:00Speaker 1: ten years prior, and well, Archibald's wife had died, and
- 53:07Speaker 1: you wouldn't be blamed for thinking, well, that serendipitous. But yeah,
- 53:13Speaker 1: Archie and Rosy had been having an affair four years
- 53:18Speaker 1: and they got married after his previous wife became ill
- 53:23Speaker 1: and died. What a surprise. The doctor's wife is dead
- 53:31Speaker 1: and now he can marry his mistress. How convenient. And
- 53:37Speaker 1: these two they enjoyed the high life, partying, spending money
- 53:44Speaker 1: hand over fist, and their bank account was overdrawn, and
- 53:50Speaker 1: because they're just constantly in need of more funds, they
- 53:56Speaker 1: decided to sell a house that they had in nineteen
- 53:58Speaker 1: forty seven. And they're selling this house for like eight grand,
- 54:06Speaker 1: and they put an ad in the paper, and who
- 54:09Speaker 1: shows up but John George Haig. He's a lot really
- 54:15Speaker 1: interested in buying this house, and like they're selling it
- 54:21Speaker 1: for like eight nine grand tops. And he shows up
- 54:26Speaker 1: and he's like, like, he tells Rose that the house
- 54:31Speaker 1: is worth more, let me buy you two grand extra
- 54:34Speaker 1: for it. So instead of eight grand, he wants to
- 54:37Speaker 1: give them ten grand. And he ends up like weaseling
- 54:43Speaker 1: his way into their lives, and he's showing great interest
- 54:48Speaker 1: in buying this house. And Rose tells her brother and
- 54:53Speaker 1: his brother's like, he wants to pay you two thousand
- 54:56Speaker 1: pounds more for this house that you've said is less.
- 55:02Speaker 1: That's weird, that's suspicious. And Rose is like, no, it's not, No,
- 55:08Speaker 1: it's not. He's just like knowing how much things are worth, okay. Ros.
- 55:15Speaker 1: So he ends up charming his way into the Henderson's life.
- 55:19Speaker 1: He's like and he's even like playing piano at like
- 55:23Speaker 1: parties they're having. And at one point they're staying in
- 55:26Speaker 1: this flat and they're staying in this flat and they
- 55:28Speaker 1: get this housewarming party going and they invite him over,
- 55:33Speaker 1: you know, so that he can wow all their guests
- 55:36Speaker 1: with his piano forte, and he does. Now at this housewarming,
- 55:44Speaker 1: he pill fills doctor Henderson's revolver. It is a thirty
- 55:50Speaker 1: caliber Webley and he pockets it for use. Letter So
- 56:04Speaker 1: by now John George Haig had moved himself into the
- 56:07Speaker 1: Onslow Court Hotel in South Kensington, which is posh, right,
- 56:12Speaker 1: It's a posh area of London. It's well to do.
- 56:16Speaker 1: There's a lot of higher class folks in there, and
- 56:19Speaker 1: he is surrounding himself, you know, with people who have money,
- 56:26Speaker 1: maybe some titles, you know, just enough class to make
- 56:31Speaker 1: him seem more respectable, because if he's staying in you know,
- 56:35Speaker 1: this good hotel, then clearly he can afford to stay there. Meanwhile,
- 56:43Speaker 1: he's out partying, flashing his cash, living the best life,
- 56:49Speaker 1: just being an absolute bloody chad. And he's just hanging
- 56:55Speaker 1: out with the Henderson's and they are party people, so
- 57:00Speaker 1: they're hanging out and they're going to parties together. And
- 57:04Speaker 1: here's the thing as well, John is spending considerably more
- 57:08Speaker 1: time with Rose than he is the doctor. And they're
- 57:14Speaker 1: staying in this hotel in Brighton, like they're just down
- 57:18Speaker 1: to the sea side. They're having a good time. And
- 57:22Speaker 1: on the twelfth of February nineteen forty eight, he drives
- 57:26Speaker 1: Archibald out to his workshop slash storeroom in Crawley says
- 57:31Speaker 1: he's got something to show him, and well, I mean
- 57:35Speaker 1: he does. It's the barrel of his own gun. Not
- 57:40Speaker 1: the pointy bit I mean, but also the pointy bit.
- 57:44Speaker 1: It's not officially called the pointy bit it is. It
- 57:47Speaker 1: is the barrel of the gun. It's the shooty outbit,
- 57:50Speaker 1: the pointy anyway, he shoots doctor Archibald Henderson in the
- 57:55Speaker 1: head and dumps him into a drum with sulfuric acid. Next,
- 58:01Speaker 1: he goes back and gets Rose Henderson, saying that the
- 58:07Speaker 1: doctored fallen ill and you know, she needs to come
- 58:10Speaker 1: right away, and so she suffers the same fate as
- 58:16Speaker 1: her husband. Anything valuable they had on their person, like
- 58:20Speaker 1: that was gone. He took that with him. He goes
- 58:24Speaker 1: back to the hotel room, clears it of all the valuables,
- 58:28Speaker 1: and then pays the hotel bill and just gets the
- 58:31Speaker 1: heck at a dodge like He even takes like one
- 58:35Speaker 1: of Rosa's like really nice dresses and gives it to
- 58:39Speaker 1: his girlfriend, Barbara Stevens. Right, he gives her the gown
- 58:46Speaker 1: of the women he murdered. He forged their signatures and
- 58:52Speaker 1: sold off, you know, their assets for about eight thousand pounds,
- 58:56Speaker 1: so you're talking like four hundred grand in today's money.
- 59:02Speaker 1: He did, however, keep their car and their dog, like
- 59:07Speaker 1: he'd grown fond of the dog. He's like, you're staying
- 59:10Speaker 1: with me now, so.
- 59:12Speaker 3: He takes it with him and the Henderson's well, they're
- 59:15Speaker 3: party people and they have been known every now and
- 59:20Speaker 3: again to skip a bill and to just go off
- 59:24Speaker 3: and do their own thing.
- 59:26Speaker 1: And for the most part they're not hugely missed, like
- 59:30Speaker 1: just because of the circles they ran in and they
- 59:32Speaker 1: were often just out and about. Except Rose's brother is like,
- 59:39Speaker 1: where are they? They're missing, and he's like, we need
- 59:44Speaker 1: to report the missing. We got to get what's going
- 59:46Speaker 1: on here, and Haig tells him that they're not missing.
- 59:53Speaker 1: They're in South Africa and they fled because doctor Archibald
- 59:58Speaker 1: Henderson was performing illegal abortions, because all abortions at this
- 1:00:03Speaker 1: point were illegal. So this is the whole idea that
- 1:00:07Speaker 1: they've been doing this and they've had to leave the country.
- 1:00:11Speaker 1: And he uses this as a way to just kind
- 1:00:14Speaker 1: of just like William Donald mcswan, he's like, oh, he's
- 1:00:19Speaker 1: off in Scotland to avoid conscription, Like there's that little
- 1:00:23Speaker 1: bit of threat, there's that sort of oh, it's for
- 1:00:27Speaker 1: their safety, they need to leave scenario, Like he's building
- 1:00:31Speaker 1: this idea of like they have done something wrong, that
- 1:00:35Speaker 1: his victims have committed a crime and that's why you
- 1:00:40Speaker 1: can't find them. It's read about this time that an
- 1:00:45Speaker 1: unfortunate accident happened to one of his cars, so he
- 1:00:53Speaker 1: claims it was stolen, right, and then it is discovered
- 1:00:57Speaker 1: smashed at the bottom of a cliff with a body nearby. Right.
- 1:01:02Speaker 1: The body isn't identified, it's just another John Dole. But
- 1:01:07Speaker 1: there's this crashed car. Now. He had told Barbara, you know,
- 1:01:16Speaker 1: about this car, and he brought her to the cliff,
- 1:01:20Speaker 1: showed her it, and then the car ends up being there,
- 1:01:24Speaker 1: and she starts getting like a little bit wigged out
- 1:01:27Speaker 1: by this. She's like, am I Like she thinks could
- 1:01:31Speaker 1: this have been her? Could she have been that body? Like,
- 1:01:33Speaker 1: you know, the seeds of doubt are starting to be sown.
- 1:01:38Speaker 1: But he does this and he claims the insurance on
- 1:01:40Speaker 1: the stolen car. Meanwhile, he is staying at the Onslow
- 1:01:47Speaker 1: Court hotel in South Kensington. It's a posh place and
- 1:01:51Speaker 1: he's not really the typical clientele. I mean, he's sort
- 1:01:56Speaker 1: of odd to be there to begin with because this
- 1:01:59Speaker 1: hotel most of the guests are widows. So yeah, a
- 1:02:05Speaker 1: lot of wealthy widows are staying in this hotel, just
- 1:02:08Speaker 1: living their lives. One such lady was Henrietta Olivia roberta
- 1:02:13Speaker 1: duvant deacon. Now she just went by Olive. So her husband,
- 1:02:19Speaker 1: a military hero, had died ten years earlier, and she
- 1:02:24Speaker 1: had moved into the hotel four years later, So like
- 1:02:28Speaker 1: four years after the death of her husband, she'd moved
- 1:02:30Speaker 1: into the Onslow Court Hotel. Now, some women who were
- 1:02:34Speaker 1: staying there they had lost their homes like in the
- 1:02:37Speaker 1: Blitz and things like that, but they could afford to
- 1:02:41Speaker 1: just move in and stay this hotel for as long
- 1:02:45Speaker 1: as they liked. Right. Olive was sixty nine years old
- 1:02:51Speaker 1: and punctual to a tea. She was never late with
- 1:02:55Speaker 1: a bill. She stuck to her routine, and she was
- 1:02:59Speaker 1: always considerate and compassionate to others, which even for a
- 1:03:05Speaker 1: lady of her standing, like from being that little bit
- 1:03:08Speaker 1: higher class, from being wealthy. You know, she was always
- 1:03:13Speaker 1: offering a helping hand when it was needed. Now she's
- 1:03:18Speaker 1: also always draped in finery, expensive jewelry and clothes. She's
- 1:03:26Speaker 1: got furs, diamonds, the lot. Like, she's pretty decent for
- 1:03:33Speaker 1: a high society lady in fairness, and you can tell
- 1:03:37Speaker 1: that she's well to do by the way she carries
- 1:03:40Speaker 1: herself and buy her just like very clearly rich attire.
- 1:03:47Speaker 1: So he Key's at the hotel and he's being flashy,
- 1:03:51Speaker 1: a charmer swave, some might say in some women, like
- 1:03:56Speaker 1: some residents, they see right through him, right, they see
- 1:03:59Speaker 1: right was bullshit. Others not so much, Like some people
- 1:04:06Speaker 1: just see him as like he's just some dude. It's fine.
- 1:04:10Speaker 1: And so Olive starts chatting to him because she thinks
- 1:04:14Speaker 1: he's a businessman who can help her out with her
- 1:04:17Speaker 1: invention false nails. He tells her that he can improve
- 1:04:23Speaker 1: her idea and sell it and that he's got a
- 1:04:26Speaker 1: prototype at his workshop in Crawley. So like they've been
- 1:04:31Speaker 1: chatting for a while, there's been like a rapport building
- 1:04:34Speaker 1: and he's like, yeah, let me show you this, because
- 1:04:37Speaker 1: like he's not flirting with her, he's not acting out
- 1:04:40Speaker 1: with her. He's just you know, oh, a business proposition.
- 1:04:44Speaker 1: Let's do this. So on the eighteenth of February nineteen
- 1:04:49Speaker 1: forty nine, he drives her to the storeroom and like
- 1:04:54Speaker 1: it's on a construction yard in Crawley, and this is
- 1:04:59Speaker 1: a fancy lady dicked out with fuzzs and heels like,
- 1:05:05Speaker 1: if you're ever gonna notice somebody at a construction yard,
- 1:05:08Speaker 1: it's gonna be the lady and the diamonds and the
- 1:05:12Speaker 1: fur Okay, I feel like we're gonna notice that. So
- 1:05:18Speaker 1: he tells her to go into the storeroom. He's right
- 1:05:21Speaker 1: behind her, so as she steps in, he walks behind
- 1:05:26Speaker 1: her and shoots her in the back of the head. Yes,
- 1:05:30Speaker 1: with doctor Arthrobald Henderson's revolver. He strips her of her finery,
- 1:05:37Speaker 1: of her valuables, and then puts her in a drum
- 1:05:41Speaker 1: ful of acid. He does take the fur coat with him.
- 1:05:46Speaker 1: He does take that, but you know, it's dirty. There's
- 1:05:50Speaker 1: a bit of blood, some dust, probably some brain matter
- 1:05:53Speaker 1: on it, and so he needs to get it cleaned
- 1:05:57Speaker 1: if he wants to flog it, or you know, if
- 1:05:59Speaker 1: you want to give it to his girlfriend. Now with
- 1:06:02Speaker 1: the eggs, previous victims, I mean, they're all crowns of convenience, right,
- 1:06:06Speaker 1: They're all to suit him. It's not for a love
- 1:06:08Speaker 1: of killing, it's for greed. It's for money. And he
- 1:06:12Speaker 1: picks people typically who don't have a huge social circle,
- 1:06:17Speaker 1: people who it wouldn't be surprising if you know, they
- 1:06:20Speaker 1: weren't around or seen on the daily you know. And
- 1:06:25Speaker 1: that's probably his biggest mistake here, one of there's a
- 1:06:30Speaker 1: lot of mistakes here. It's just one fuck up after
- 1:06:33Speaker 1: another at this point. So the very next morning, when
- 1:06:38Speaker 1: the prompt and punctual widowed Urantakin doesn't show up for breakfast,
- 1:06:43Speaker 1: it's noticed if all I've ever intended to miss a meal,
- 1:06:49Speaker 1: especially something like breakfast or like a lunch with the ladies,
- 1:06:54Speaker 1: like she would get that information to them beforehand, like
- 1:06:57Speaker 1: that is something she did. She was very up on etiquette.
- 1:07:02Speaker 1: And so people are like a bit weird that she's
- 1:07:06Speaker 1: not there, like it's odd not to see her and
- 1:07:10Speaker 1: for no one to know why she's not there. And
- 1:07:14Speaker 1: it's so noticeable that John George Haig even asks Constance Lyne,
- 1:07:20Speaker 1: another resident in the hotel, if she has seen Olive. Now. Constance,
- 1:07:26Speaker 1: who's also a sixty nine year old widow, fucking hated
- 1:07:30Speaker 1: John George Haig. She thought he was a sneaky, sleeky,
- 1:07:35Speaker 1: conniving weasel, and so like her hackles are up and
- 1:07:40Speaker 1: she goes to investigate, and she sees that Olive's bed
- 1:07:44Speaker 1: hasn't been slept in so feeling very suspicious, she reports
- 1:07:50Speaker 1: her disappearance to the police. Now, being a high class lady,
- 1:07:56Speaker 1: the widow of a military hero and staying in a
- 1:08:00Speaker 1: prominent hotel in London, the police actually investigate. They talked
- 1:08:06Speaker 1: to the ladies who would have met Olive for tea,
- 1:08:09Speaker 1: They check to the owner and the staff of the hotel,
- 1:08:12Speaker 1: and they even look into the guests. So it's not
- 1:08:17Speaker 1: long before they discover that Haig was in arrears up
- 1:08:20Speaker 1: until a few days prior. Like the owner starts telling
- 1:08:25Speaker 1: them that, you know, she was always very prompt, she
- 1:08:28Speaker 1: always paid everything like then and there she never had
- 1:08:33Speaker 1: a debt. And John, on the other hand, he would
- 1:08:38Speaker 1: have to be chased for every bill, and he was
- 1:08:41Speaker 1: often just like often in arrears and then he would
- 1:08:45Speaker 1: just suddenly find a lump some from somewhere pay it
- 1:08:48Speaker 1: off and then the process would start again. And there's
- 1:08:52Speaker 1: also a lot of chat that John and Olive had
- 1:08:55Speaker 1: lunch the very day she went missing. One of the
- 1:09:00Speaker 1: things the bobbys found odd is that the hotel hosts
- 1:09:03Speaker 1: mainly widows, and then this motherfucker's there. On the twenty
- 1:09:09Speaker 1: eighth of February nineteen forty nine, detectives take him down
- 1:09:13Speaker 1: to the station for questioning, and he goes with them
- 1:09:16Speaker 1: because they're like, hey, we've got some questions. Can you
- 1:09:18Speaker 1: help us with this, And he's like, sure, I'll definitely
- 1:09:22Speaker 1: come help you. But it does not go the way
- 1:09:26Speaker 1: they think it'll go. Now they had discovered like his
- 1:09:29Speaker 1: history of like fraud and theft, and they're like, Okay,
- 1:09:33Speaker 1: this dude is clearly suspicious. Let's get him down. And
- 1:09:38Speaker 1: the first thing he does is admit to robbing olive
- 1:09:43Speaker 1: Like he's saying that he stole her coat and her jewelry. Basically,
- 1:09:49Speaker 1: they had searched and found like the dry cleaning slip
- 1:09:52Speaker 1: for the coat. They collected the coat, and then they
- 1:09:55Speaker 1: found her jewelry and a bunch of other stuff in
- 1:09:58Speaker 1: his attache case, along with and I shit you not
- 1:10:02Speaker 1: papers regarding the Hendersons and the mix Ones. Their investigation
- 1:10:09Speaker 1: also leads them to the Crawley storeroom, which, lets we forget,
- 1:10:14Speaker 1: did not have a drain or a manhole, So instead
- 1:10:21Speaker 1: of disposing of the remains in a semi reasonable fashion,
- 1:10:28Speaker 1: like instead of actually disposing, what heg did was just
- 1:10:36Speaker 1: pour the corpse go onto rubble in the construction yard.
- 1:10:45Speaker 1: And so as they are, you know, searching, they find
- 1:10:49Speaker 1: like on the rubble, twenty eight pounds of body fat,
- 1:10:55Speaker 1: human body fat, a partial foot, a hatpin, some gallstones,
- 1:11:04Speaker 1: and dentures, dentures that all lives dentists is able to
- 1:11:09Speaker 1: identify as hers. So he ends up confessing, right, he
- 1:11:17Speaker 1: confesses to the whole thing because he doesn't understand the
- 1:11:21Speaker 1: law like they basically misunderstood law and body evidence. He's like,
- 1:11:27Speaker 1: no body, no crime, corpus s delecte, So corpus s deelectay.
- 1:11:34Speaker 1: What it means is like the body of the crime.
- 1:11:38Speaker 1: It's like the basic proof that a crime actually happened.
- 1:11:43Speaker 1: It does not mean a literal dead body, except for
- 1:11:47Speaker 1: those times where there is in fact a literal dead body.
- 1:11:52Speaker 1: It's basically just about the evidence that ties you to
- 1:11:55Speaker 1: the crime. And so HeiG confesses to the whole thing
- 1:12:00Speaker 1: places dates because he thinks they cannot prosecute him without
- 1:12:06Speaker 1: an actual whole human corpse, as if he doesn't have
- 1:12:11Speaker 1: a whole ass paper trail behind him. When it clicks
- 1:12:17Speaker 1: that he can be convicted of the crimes that he committed,
- 1:12:21Speaker 1: he starts asking about broad more the infamous mental institution
- 1:12:27Speaker 1: or lunatic asylum depending on the era we're talking about,
- 1:12:32Speaker 1: like the famous English mental institution. He's like, how often
- 1:12:38Speaker 1: do people get released from there? And then he starts
- 1:12:42Speaker 1: acting a little bit crazy. He starts like rewriting his
- 1:12:47Speaker 1: own history. He's like he was killing his victims and
- 1:12:51Speaker 1: drinking their blood, that he was full of blood lust
- 1:12:54Speaker 1: and he just needed his blood thirst quenched, like he's
- 1:12:59Speaker 1: the vamp of Red rinding up there. And he's like,
- 1:13:02Speaker 1: oh no, the South Kensington vampire Getty fuck Poal. He
- 1:13:08Speaker 1: says that this was his motivation for murderer, a thirst
- 1:13:13Speaker 1: for blood, not his greed. It's such a lazy trek
- 1:13:19Speaker 1: as well though. He's like, oh no, I'm crazy now.
- 1:13:24Speaker 2: No.
- 1:13:26Speaker 1: So he goes to court at loser sizes and it
- 1:13:30Speaker 1: took the jury a grand total of seventeen minutes to
- 1:13:35Speaker 1: find him guilty, and the judge, mister Justice Humphries, sentenced
- 1:13:41Speaker 1: him to death and he was hanged on the tenth
- 1:13:47Speaker 1: of August nineteen forty nine by famous executioner Albert pierpont.
- 1:13:56Speaker 2: So.
- 1:13:57Speaker 1: Before we go, John George had claimed that he had
- 1:14:01Speaker 1: three more victims. Now, there was not enough invo to
- 1:14:05Speaker 1: confirm this. But he confessed to killing a girl from
- 1:14:09Speaker 1: Eastbourne in Sussex, killing a woman from Hammersmith in London,
- 1:14:15Speaker 1: and killing a young man named Max. He doesn't say
- 1:14:19Speaker 1: from where, Like he doesn't say like this is maybe
- 1:14:23Speaker 1: like the body with the car, Like he just says
- 1:14:26Speaker 1: he's killed them, but there's nothing really else there. Now
- 1:14:30Speaker 1: he could have confessed to killing these as a sort
- 1:14:32Speaker 1: of oh my blood lust, but also he could have
- 1:14:37Speaker 1: stolen from them if they had something of value to him.
- 1:14:43Speaker 1: But yeah, he is hanged by the neck until dead
- 1:14:47Speaker 1: on the tenth of August nineteen forty nine, and then
- 1:14:52Speaker 1: his body yeah well yeah, So when it came to
- 1:14:57Speaker 1: executions in England, is especially in sort of the mid
- 1:15:02Speaker 1: twentieth century, like their bodies were handled in this sort
- 1:15:09Speaker 1: of standardized manner and it was basically part of the
- 1:15:14Speaker 1: Capital Punishment Amendment Act of eighteen sixty eight, so they
- 1:15:19Speaker 1: would not be returned to families, like if you were
- 1:15:22Speaker 1: an executed criminal, your body would not be returned and
- 1:15:26Speaker 1: like in Wandsworth Prison where John George Haig was executed,
- 1:15:32Speaker 1: like his body would have been buried in an unmarked
- 1:15:36Speaker 1: grave like in the prison, Like that's what they did
- 1:15:39Speaker 1: and so that was sort of very common there. So
- 1:15:43Speaker 1: I know what happened in Wandsworth, Pentonville and strange ways. Now,
- 1:15:50Speaker 1: there is a thing that happened after nineteen forty nine,
- 1:15:54Speaker 1: which was, like in nineteen forty nine the Royal Commission
- 1:15:58Speaker 1: on Capital Punishment was set up, and so this ran
- 1:16:01Speaker 1: between like forty and fifty three, so over the next
- 1:16:05Speaker 1: four years, and it recommended that cremation should be considered
- 1:16:10Speaker 1: like instead of like being buried within the prison walls. Now,
- 1:16:15Speaker 1: this didn't come into play till later, so he would
- 1:16:18Speaker 1: have just been executed and then buried in an unmarked grave,
- 1:16:22Speaker 1: which is like, I think, fine, if you've been convicted
- 1:16:26Speaker 1: and are definitely guilty of murdering six people, you know
- 1:16:30Speaker 1: at least. But yeah, so ends the story of John
- 1:16:36Speaker 1: George Haig, a murderer with surprisingly three names. Most of
- 1:16:41Speaker 1: them do like three names. If they were junior it's
- 1:16:45Speaker 1: even worse. Just one of those things.
- 1:16:48Speaker 2: No.
- 1:16:49Speaker 1: One of the reasons why I wanted to cover this
- 1:16:50Speaker 1: story for nineteen forties crime is that the last like
- 1:16:55Speaker 1: two terrible tales of nineteen forties crime that we've covered,
- 1:17:01Speaker 1: they had no resolution. There was no person caught for
- 1:17:06Speaker 1: the Crime, nobody sort of faced that judgment, and I
- 1:17:10Speaker 1: think it's good to know that sometimes the villain does
- 1:17:14Speaker 1: get their comeuppance. And it's nice to have something finished
- 1:17:18Speaker 1: and sealed and closed, you know, and it's just there,
- 1:17:24Speaker 1: and I think that's very good. Now. I want to
- 1:17:29Speaker 1: everyone to appreciate how many jokes I didn't make during
- 1:17:31Speaker 1: this episode because I have such gallows humor, and I
- 1:17:35Speaker 1: listened to True Crime to relax. But says me who
- 1:17:42Speaker 1: when I was doing the texta kind of Moonlight Murders,
- 1:17:44Speaker 1: was very aware of just how large my kitchen windows are.
- 1:17:48Speaker 1: Her and I'm here at night going I don't like
- 1:17:51Speaker 1: the sound of that. When it's probably just like the
- 1:17:54Speaker 1: neighborhood cat that likes to hang out outside. I started
- 1:17:59Speaker 1: feeling it, so I feel like it's a rot off
- 1:18:01Speaker 1: my own back at this point. But yeah, if you've
- 1:18:05Speaker 1: made it this far, I'm feeding a cat that isn't mine.
- 1:18:10Speaker 1: I get tickets to the Bill fa Show, Come and
- 1:18:13Speaker 1: see me. It'll be fun, and yeah, there's gonna be
- 1:18:19Speaker 1: There's gonna be a jebber jabber happening, just some gibber
- 1:18:23Speaker 1: jabber fun. And I think I think you're gonna be
- 1:18:26Speaker 1: into it. But you know what it's time for is
- 1:18:31Speaker 1: recommendations time for reading. You're gonna be shocked. I'm gonna
- 1:18:39Speaker 1: recommend the talented Mesta Ripley for watching The Seven Dials Mystery.
- 1:18:48Speaker 1: I love me some Agatha Christie. I was eating My
- 1:18:51Speaker 1: World's Originals. I was watching my Agatha Christie. I had
- 1:18:55Speaker 1: a great time. It's something I actually really love is
- 1:18:59Speaker 1: when they do that little flip where they change the
- 1:19:02Speaker 1: story enough, just enough, Because if you've read the books
- 1:19:06Speaker 1: and you've like seen all of the stuff for years,
- 1:19:09Speaker 1: it's good to have just a little flip. I don't
- 1:19:14Speaker 1: need it to be the most like correct adaptation at
- 1:19:19Speaker 1: this point, because there's been so many. I don't mind
- 1:19:23Speaker 1: a little creativity as long as it stays true to, like,
- 1:19:29Speaker 1: you know, the core of Christie, you know what I mean. Anyway,
- 1:19:33Speaker 1: So listening, I've been listening to Blondie this week. I
- 1:19:38Speaker 1: don't know why I've decided that one of Blondie's songs
- 1:19:42Speaker 1: is gonna be my karaoke song just because it's short.
- 1:19:48Speaker 1: But that's that. So with that, I am going to
- 1:19:53Speaker 1: bid you good night. Adios au revoir avenazen my Friends
- 1:20:00Speaker 1: by by