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The Cinema Chronicles, Vol. 43: 'Tony' and More · Nashville Movie Dispatch

• 0:19
  Speaker 1: Hey, hey, hey, it's another volume of the Cinema Chronicles
• 0:26
  Speaker 1: right here on Nashville Movie Dispatch. I'm your host... the
• 0:31
  Speaker 1: resident film critic of the National Movie Dispatch, Brandon Vick,
• 0:36
  Speaker 1: member of the Southeastern Film Critics Association, board member of
• 0:39
  Speaker 1: the Music City Film Critics Association. Here we are. Another
• 0:43
  Speaker 1: month has flown by. We are getting to that sweet,
• 0:47
  Speaker 1: sweet smell of fall and football. And I want to say,
• 0:53
  Speaker 1: I guess we're all, I think the world, much less
• 0:57
  Speaker 1: the country, is still mourning because last week was a
• 1:00
  Speaker 1: rough week. Peter Cullen, as you know from The Voice
• 1:05
  Speaker 1: of Optimus Prime, passed away. Tim Curry passed away. And,
• 1:09
  Speaker 1: of course, our beloved and cherished Dolly Parton passed away. So,
• 1:16
  Speaker 1: last week was a bit shitty. So, I'm going to
• 1:19
  Speaker 1: try and cheer you up by talking about Super Troopers
• 1:22
  Speaker 1: 3 later. So, that'll be a hoot. Also, I... I'm
• 1:29
  Speaker 1: not really going to talk about the weather. I just
• 1:31
  Speaker 1: want to say I'm excited about fall. I really can't
• 1:34
  Speaker 1: wait till fall. I wish fall was here now. But
• 1:38
  Speaker 1: I did something the other week and I kind of
• 1:40
  Speaker 1: felt embarrassed. But then things happen. It's just funny how
• 1:43
  Speaker 1: things happen in this world that we live in. I
• 1:47
  Speaker 1: would say about two and a half weeks ago, I
• 1:50
  Speaker 1: was just out of nowhere, had this song like shout, shout.
• 1:57
  Speaker 1: let it all out. And I was singing it all
• 2:00
  Speaker 1: through the house. And my wife and son are pretty, or,
• 2:03
  Speaker 1: you know, are pretty much used to me singing random things.
• 2:06
  Speaker 1: And then they asked, do you know any other words?
• 2:08
  Speaker 1: And I'm like, no, I don't. But, and, um, but
• 2:11
  Speaker 1: I was giving my wife a hard time. I'm like,
• 2:13
  Speaker 1: do you know who sings that? Do you know who
• 2:15
  Speaker 1: sings that? And she's like, what, what are you talking about?
• 2:17
  Speaker 1: And like, I sing it again. I'm like, do you
• 2:18
  Speaker 1: know who you sing that? And I swear to you all.
• 2:22
  Speaker 1: And I told her this, I said, oh, it's the beat.
• 2:26
  Speaker 1: from Doug because I swear that was a song from
• 2:31
  Speaker 1: Doug and I and I mean no one's there to
• 2:37
  Speaker 1: tell me I'm wrong so I'm so sure of myself
• 2:41
  Speaker 1: and thinking oh my wife what a dummy who doesn't
• 2:43
  Speaker 1: know that song from a from a Nickelodeon cartoon but
• 2:49
  Speaker 1: then I start seeing it more and I'm like wait
• 2:51
  Speaker 1: a minute actually, I think that might be a real
• 2:55
  Speaker 1: song that's been played on the radio. And, and about
• 2:59
  Speaker 1: a couple of days later, I tell her, I'm like, Hey,
• 3:02
  Speaker 1: I actually don't think it's from the beats from Doug
• 3:06
  Speaker 1: funny show. And, but I'm like, and, and then she
• 3:10
  Speaker 1: kind of gave me that look. Like I thought it
• 3:12
  Speaker 1: was real. And anyway, I really, really confused everyone, but
• 3:17
  Speaker 1: then here's the kicker. So like, like, I don't know,
• 3:22
  Speaker 1: like a week ago, I'm on my way home from
• 3:27
  Speaker 1: seeing something, and I'm listening, and anyway, I'm just kind
• 3:33
  Speaker 1: of skipping through channels, and I swear to you guys,
• 3:36
  Speaker 1: I flip to a station, and I hear shout, shout,
• 3:41
  Speaker 1: and I'm like, oh my god, it's that song, and
• 3:44
  Speaker 1: I just want y'all to know, it's Tears of Fears
• 3:49
  Speaker 1: by tears for fears. And so, yes, it is a
• 3:54
  Speaker 1: real song, but I love, I could not help but
• 3:58
  Speaker 1: laugh when I heard it and couldn't help but laugh
• 4:00
  Speaker 1: because I was so sure of myself that the beat
• 4:05
  Speaker 1: sang that on Doug Funny's show. And I'm like, oh
• 4:10
  Speaker 1: my gosh, my wife is so clueless. And then the
• 4:13
  Speaker 1: more I thought about it, and I'm talking like hours later,
• 4:15
  Speaker 1: I'm like, you know what? I I think that's, I
• 4:22
  Speaker 1: think that's a real song. And I just, and somehow
• 4:26
  Speaker 1: I have credited the fictitious beat for singing it to me. So,
• 4:33
  Speaker 1: but what are the odds of, I mean, and I'm
• 4:35
  Speaker 1: telling you, I have not thought about this song in
• 4:37
  Speaker 1: years and years and years. And then I start seeing
• 4:40
  Speaker 1: it and I'm so sure of myself. And then lo
• 4:43
  Speaker 1: and behold, literally less than like two weeks later, That
• 4:47
  Speaker 1: damn song is on the radio. I'm telling you, the
• 4:52
  Speaker 1: good Lord was listening, and he was like, hey, hey,
• 4:56
  Speaker 1: you fool. Here it is. And I paid very, very,
• 5:01
  Speaker 1: very close attention because I'm like, if my radio says
• 5:05
  Speaker 1: the beat, I'm going to eat it.
• 5:08
  Speaker 2: I just have to chime in quickly.
• 5:09
  Speaker 1: Yeah, no, go ahead.
• 5:11
  Speaker 2: You know, Disturbed does a cover of that song, too.
• 5:14
  Speaker 1: Of Shout?
• 5:15
  Speaker 2: Yeah, you should.
• 5:15
  Speaker 1: I know they did the Silence song, but I've not
• 5:19
  Speaker 1: heard that.
• 5:20
  Speaker 2: You should check it out. I know how much you
• 5:21
  Speaker 2: love Disturbed.
• 5:22
  Speaker 1: Yeah, well, I think a lot of people should check
• 5:24
  Speaker 1: out the beats and tell me, because is Banging on
• 5:27
  Speaker 1: a Trash Can one, or is that something that Doug
• 5:30
  Speaker 1: Funney did? That's a real one.
• 5:32
  Speaker 2: That's a real one, Banging on a Trash Can and
• 5:35
  Speaker 2: Killer Tofu.
• 5:36
  Speaker 1: Yeah, that's what I started singing, too.
• 5:37
  Speaker 2: And I Need More Allowance.
• 5:40
  Speaker 1: Oh, I forgot about that one.
• 5:40
  Speaker 2: Those are the three beat songs that I remember.
• 5:42
  Speaker 1: The Killer Tofu is the one I started singing, and
• 5:44
  Speaker 1: I started laughing, telling my wife. I'm like, actually, I
• 5:46
  Speaker 1: don't think this song is, but I know this one is.
• 5:49
  Speaker 2: Yeah. You can find that on Spotify, too.
• 5:52
  Speaker 1: By the way. Doug Funnies, or The Beach?
• 5:54
  Speaker 2: Killer Tofu.
• 5:56
  Speaker 1: I also read that Hey Arnold is going to be rebooted.
• 5:59
  Speaker 2: Really?
• 6:00
  Speaker 1: Yeah.
• 6:00
  Speaker 3: Well, it's because it's come back up in the lexicon
• 6:04
  Speaker 3: of America lately, because people, have you not seen the
• 6:07
  Speaker 3: thing about, like, people post the pictures of his house
• 6:12
  Speaker 3: and his room and the city and everything. And like,
• 6:14
  Speaker 3: they're showing love to the artists because they're like, man,
• 6:17
  Speaker 3: if you just look at a frame from Hey Arnold,
• 6:19
  Speaker 3: it's actually pretty cool art. And then people are starting
• 6:24
  Speaker 3: to pull old clips where they're saying, Hey, this was
• 6:28
  Speaker 3: actually a really smart show that had some valuable lessons
• 6:32
  Speaker 3: in it. So it's kind of come back around in
• 6:34
  Speaker 3: the conversation on social media.
• 6:37
  Speaker 1: I'll watch it now.
• 6:38
  Speaker 2: People are like, man, we got to bring this back.
• 6:40
  Speaker 2: We got to cash in on this.
• 6:41
  Speaker 1: I was saying, finally, a reboot worth doing.
• 6:44
  Speaker 2: That's right.
• 6:45
  Speaker 1: So I was embarrassed, but also thought it was funny.
• 6:50
  Speaker 1: But then I was almost blown away. I almost had
• 6:52
  Speaker 1: to park at a gas station to listen to Shout
• 6:55
  Speaker 1: and be like, what are the odds? What are the odds?
• 6:59
  Speaker 1: So anyway, I hope that made everyone feel better after
• 7:03
  Speaker 1: that shitty week last week. But I've got some... I
• 7:08
  Speaker 1: don't want to say good movies to talk about, but,
• 7:12
  Speaker 1: you know, they're interesting. And let's start with the one
• 7:16
  Speaker 1: that is like The Purge, but it's Boinkin'. Let's start
• 7:22
  Speaker 1: with that one. Let's talk about that one next. One
• 7:31
  Speaker 1: night only is what I am referring to. So this
• 7:35
  Speaker 1: is per Rotten Tomatoes Academy Award nominee Monica Barbero. She
• 7:40
  Speaker 1: was nominated in A Complete Unknown, the Bob Dylan pick
• 7:43
  Speaker 1: with Chalamet. She's also in Top Gun Maverick. And BAFTA
• 7:47
  Speaker 1: nominee Callum Turner, which you may remember him from Masters
• 7:51
  Speaker 1: of the Air and Fantastic Beasts franchise. They star as
• 7:55
  Speaker 1: Allie and Owen, two love star strangers who crash into
• 7:58
  Speaker 1: each other in an ever so slightly fictionalized New York
• 8:01
  Speaker 1: City on one night of the year when single people
• 8:04
  Speaker 1: are allowed to have sex. Recently dumped, Owen and Hopeful
• 8:07
  Speaker 1: Romantic Alley might be the only two singles in the
• 8:09
  Speaker 1: city looking for more than just a quick encounter. They
• 8:13
  Speaker 1: both feel a spark when they meet, but a series
• 8:15
  Speaker 1: of missteps and side quests complicate their night, keeping them apart.
• 8:19
  Speaker 1: As they each race toward and away from each other
• 8:21
  Speaker 1: across the city, they just might discover that the one
• 8:24
  Speaker 1: thing they want most is closer than they think. So
• 8:29
  Speaker 1: Will Gluck... who has directed Easy A, fantastic movie with
• 8:33
  Speaker 1: the wonderful Emma Stone, and Anyone But You, if you
• 8:36
  Speaker 1: remember that, with Sidney Sweeney and, you know, that other guy.
• 8:44
  Speaker 1: What is his name? Glenn Powell. Yeah, Glenn Powell. Thank you.
• 8:47
  Speaker 1: He's also directed some other stuff that, honestly, I don't
• 8:50
  Speaker 1: really care about. But these two are proof, these movies,
• 8:55
  Speaker 1: they're proof that he can tell a smart and funny
• 8:57
  Speaker 1: story that has an edge with some kind of meaning.
• 9:00
  Speaker 1: But my question is, where the hell has he gone?
• 9:03
  Speaker 1: Because I think it's a fair question, considering that One
• 9:08
  Speaker 1: Night Only takes a pretty fun, high-concept premise and totally
• 9:13
  Speaker 1: trashes it. The movie just seems it's just misused and
• 9:18
  Speaker 1: it's misguided. Some movies, more than others, require the audience
• 9:23
  Speaker 1: to kind of totally suspend their disbelief and just sit
• 9:27
  Speaker 1: back and enjoy the ride. But when a movie like
• 9:30
  Speaker 1: this one, specifically a rom-com, asks for way more than
• 9:36
  Speaker 1: I think the audience can give, it's less entertaining and
• 9:39
  Speaker 1: more exasperating and exhausting. For starters, I think this needs
• 9:45
  Speaker 1: to be said up front. Turner and Barbaro would never
• 9:47
  Speaker 1: have trouble getting laid. They could go up and down
• 9:52
  Speaker 1: those streets pounding whatever they want. All right, so let's
• 9:56
  Speaker 1: get real about that. But that aside, They're on. chemistry
• 10:00
  Speaker 1: strangely doesn't click all the way, and it doesn't help
• 10:04
  Speaker 1: that they're apart for practically half the movie. Overall, Barbaro
• 10:09
  Speaker 1: seems to be trying a little harder than Turner. She's
• 10:11
  Speaker 1: playing more into the rom-com that the movie is so
• 10:14
  Speaker 1: desperately trying to be. I think Turner, on the other hand,
• 10:18
  Speaker 1: looks simultaneously uncomfortable and sort of dopey, leading to a
• 10:22
  Speaker 1: few unintentional laughs, which isn't quite what you want from
• 10:25
  Speaker 1: your leading man. And the other guys that Allie chooses
• 10:30
  Speaker 1: to spend her time with, there's a fraud guy, there's
• 10:35
  Speaker 1: a rock star guy. I just saw them as annoying,
• 10:38
  Speaker 1: just annoying with predictable outcomes that overstay their welcome. Owen
• 10:43
  Speaker 1: does get a shot with a bartender. a kind of
• 10:49
  Speaker 1: a thirsty bartender, and then a wealthy cougar, but surprised.
• 10:55
  Speaker 1: Those encounters are very similar to Allie's experiences, and all
• 10:58
  Speaker 1: of it's played up for laughs that miss more than
• 11:01
  Speaker 1: they hit. I was listening to a podcast that I
• 11:06
  Speaker 1: like that is hosted by Josh Horowitz called Happy, Sad, Confused,
• 11:10
  Speaker 1: and on that, Barbaro talks about how before she even
• 11:13
  Speaker 1: got the script... that Gluck had told her to watch
• 11:16
  Speaker 1: Uncut Gems, After Hours, and Midnight Run to give off
• 11:21
  Speaker 1: this hectic, chaotic energy that he was wanting to do
• 11:24
  Speaker 1: for this movie in, obviously, New York City. And then,
• 11:33
  Speaker 1: for the record, this is in no way, shape, or
• 11:38
  Speaker 1: form comes even remotely close to those films she watched,
• 11:42
  Speaker 1: and I dare say Gluck wasted her time with it. Additionally,
• 11:46
  Speaker 1: it feels rather obvious that the longer the movie goes,
• 11:50
  Speaker 1: that Gluck is focusing on the wrong stuff. From the
• 11:55
  Speaker 1: characters to their situations, I think what could be more
• 11:58
  Speaker 1: interesting is precisely what we don't get enough of. And really,
• 12:05
  Speaker 1: do we need Allie and Owen to run around the
• 12:08
  Speaker 1: Big Apple for 20 minutes to find a condom? I
• 12:12
  Speaker 1: don't think so. And Also, just so you know, the
• 12:16
  Speaker 1: trouble that they go through to try and find this,
• 12:20
  Speaker 1: because of how important it is, it's really funny how
• 12:23
  Speaker 1: the significance of having this is soon forgotten completely. However,
• 12:28
  Speaker 1: I would have happily watched more of Molly Ringwald, who,
• 12:33
  Speaker 1: you know, The Breakfast Club, Pretty in Pink, she plays
• 12:40
  Speaker 1: Turner's mom, and LeVar Burton reading Rainbow, her lover, I
• 12:46
  Speaker 1: almost would say that they deserve their own spinoff. I
• 12:49
  Speaker 1: want to know more. So this is, so Will Gluck
• 12:55
  Speaker 1: just wants to make movies about relationships, including the wild ones,
• 13:00
  Speaker 1: like in One Night Only. So this is a filmmaker
• 13:02
  Speaker 1: interview from IndieWire, I believe. It says, when the film opens,
• 13:07
  Speaker 1: the law around premarital sex has only been in existence
• 13:09
  Speaker 1: for about three years. It's still new to the characters,
• 13:12
  Speaker 1: and it's also timely, especially as we learn more about
• 13:16
  Speaker 1: the politicians who push through the law and the massive
• 13:19
  Speaker 1: financial windfall they're getting from it. So it says, how
• 13:22
  Speaker 1: did Gluck balance that with the more fizzy treats of
• 13:25
  Speaker 1: its rom-com heart? And he says, a lot, a lot,
• 13:29
  Speaker 1: a lot of thinking, a lot of collaboration, a lot
• 13:32
  Speaker 1: of trying to take it away from politics and making
• 13:34
  Speaker 1: it more social commentary instead of politics. Gluck continues and says,
• 13:38
  Speaker 1: there's many parts you saw in the movie where people
• 13:40
  Speaker 1: talk about it. Pro, anti, I don't want to disappear
• 13:44
  Speaker 1: from it. I want to talk about it, but I
• 13:46
  Speaker 1: don't want to make it the forefront of the movie.
• 13:48
  Speaker 1: I've gotten a lot of feedback that people are surprised
• 13:50
  Speaker 1: at what happens at the end of the movie, especially
• 13:52
  Speaker 1: for a liberal filmmaker, as he says. I tried very
• 13:56
  Speaker 1: hard not to make it political and then make it
• 13:59
  Speaker 1: more about what do humans do when they're faced with
• 14:02
  Speaker 1: any situation. Well, here's the thing. Gluck didn't try that
• 14:07
  Speaker 1: hard to not make it political. Even so, the political
• 14:11
  Speaker 1: undertones and social commentary... is blurted out, and then Gluck
• 14:16
  Speaker 1: just assumes that some graffiti on a wall or a
• 14:19
  Speaker 1: sign in the window will be enough to remind us
• 14:22
  Speaker 1: of One Night Only's relevance to, you know, the current
• 14:26
  Speaker 1: times we're living in. But boy, oh boy, is this
• 14:29
  Speaker 1: not the movie for that. It really feels vague. It's
• 14:32
  Speaker 1: out of place and unnecessary with things getting really awkward
• 14:36
  Speaker 1: towards the end. In a scene involving Turner and Maya Honk,
• 14:41
  Speaker 1: I'm not going to ruin it for you, but you'll
• 14:43
  Speaker 1: know it when you see it. It doesn't, it does
• 14:46
  Speaker 1: not turn out well. So this is per review on RogerEbert.com
• 14:55
  Speaker 1: and it got zero out of five stars. says, unfortunately,
• 15:01
  Speaker 1: Travis Braun's script is nothing but an edgy premise. Think
• 15:05
  Speaker 1: Jacques Chaffer's timer mixed with the purge that exists solely
• 15:09
  Speaker 1: to make milquetoast characters from one slapstick set up to another.
• 15:14
  Speaker 1: It makes nods to the very real horrors of today,
• 15:17
  Speaker 1: like tech bro-backed surveillance capitalism, rampant big pharma advertisements, and
• 15:22
  Speaker 1: fascist police and politicians controlling our bodies without ever taking
• 15:27
  Speaker 1: the time to interrogate any of the sources that have
• 15:30
  Speaker 1: led to our current political climate. It goes on to say,
• 15:34
  Speaker 1: good satire is rooted in the understanding and interrogation of
• 15:38
  Speaker 1: systems of the root causes of its satirical target. This
• 15:42
  Speaker 1: can't be achieved through quippy, outdated pop culture zingers and
• 15:45
  Speaker 1: a handful of references to the country's partisan political tension
• 15:49
  Speaker 1: and single-issue voters, all of which have the sole aim
• 15:53
  Speaker 1: of making you laugh, but don't bother to make you think.
• 15:56
  Speaker 1: Political satire cannot stand up if it doesn't have a spine. So,
• 16:02
  Speaker 1: one night only has enough to worry about before piling
• 16:05
  Speaker 1: on politics, but working with a contrived script, things go
• 16:09
  Speaker 1: straight to goofy instead of comedic, and there is a
• 16:11
  Speaker 1: big distinction between the two that also directly affect your
• 16:16
  Speaker 1: enjoyment of one night only. And for a movie, by
• 16:19
  Speaker 1: the way, that's all about sex, and I think, I'm sure,
• 16:21
  Speaker 1: there are a ton of articles that have come out
• 16:23
  Speaker 1: since then, it's scared to show any of it. All
• 16:27
  Speaker 1: it wants to do is just show a few bare asses.
• 16:30
  Speaker 1: There's a variety piece titled One Night Only. Director Will
• 16:34
  Speaker 1: Gluck cut out so much nudity because people dislike sex
• 16:38
  Speaker 1: on screen. It has him quoted saying it takes you
• 16:40
  Speaker 1: out of the movie. And it says recent studies have
• 16:43
  Speaker 1: found that Gen Z and Gen Alpha don't want to
• 16:47
  Speaker 1: see sex on screen. Was that a concern while making
• 16:50
  Speaker 1: this movie? And Gluck says the answer is 100% yes. Okay.
• 17:22
  Speaker 1: There's another question that's asked, and this is, how does
• 17:24
  Speaker 1: that change your approach as a filmmaker? And Gluck says,
• 17:27
  Speaker 1: once I've learned that, which was all through the editing
• 17:29
  Speaker 1: process for my last movie, I applied it to this movie.
• 17:32
  Speaker 1: But even so, I didn't apply it enough. I cut
• 17:34
  Speaker 1: out so much. There was so much nudity in this movie.
• 17:37
  Speaker 1: That we shot on the streets, I felt we needed
• 17:40
  Speaker 1: to show the world that way. And as we started
• 17:42
  Speaker 1: to show it to audiences, we felt it takes you
• 17:44
  Speaker 1: out of the movie. You're engaged in the characters and
• 17:46
  Speaker 1: what's going on, and then you pan over and there's
• 17:48
  Speaker 1: two naked people having sex. And you watch the audience.
• 17:53
  Speaker 1: It's a physical thing. They turn to who they're with,
• 17:56
  Speaker 1: and the benefit do not nearly outweigh the negatives of it.
• 17:58
  Speaker 1: So we just kept editing it out until we got
• 18:01
  Speaker 1: a balance, and those comments went away. I'm going to
• 18:04
  Speaker 1: tell you, okay, fair enough if that's what you want
• 18:06
  Speaker 1: to do, but that's a big mistake because this is
• 18:10
  Speaker 1: actually the movie's biggest issue to me. It doesn't lean
• 18:13
  Speaker 1: hard enough into its R rating. Be raunchier and I
• 18:17
  Speaker 1: bet it would be funnier. It flirts at being racy,
• 18:20
  Speaker 1: but it can't seal the deal playing it too safe.
• 18:23
  Speaker 1: I was talking to a colleague of mine in one
• 18:26
  Speaker 1: of our advanced screenings, Dom from Geek Vibe Nations, about this,
• 18:30
  Speaker 1: and I love the way he put it. He said,
• 18:31
  Speaker 1: one night only is about repression, yet storytelling-wise, the movie
• 18:37
  Speaker 1: is repressing itself. And I honestly, that's the best way
• 18:45
  Speaker 1: to put it. All of this adding it down to
• 18:48
  Speaker 1: make sure the audience tests are great is... It ruins
• 18:54
  Speaker 1: the movie and ruins what could have been. And honestly,
• 18:57
  Speaker 1: I just think it's a little bit ironic. Don't you think?
• 19:03
  Speaker 1: One Night Only gets a VixFlix rating of 2 out
• 19:06
  Speaker 1: of 5. And coming up next, Super Troopers are back
• 19:11
  Speaker 1: and it's time to go for a stash ride. Per
• 19:22
  Speaker 1: Rod and Tomatoes, everyone's favorite cops are back with a
• 19:25
  Speaker 1: third installment of the cult comedy classic from the Broken
• 19:28
  Speaker 1: Lizard crew, Super Troopers 3. When Farva's wildly over-the-top Indian
• 19:33
  Speaker 1: engagement to Thorny's sister spirals into chaos, the Super Troopers
• 19:37
  Speaker 1: must navigate Thorny's schemes to break up the relationship while
• 19:41
  Speaker 1: trying to crack the pernicious new drug ring, all to
• 19:45
  Speaker 1: save the day and maybe the wedding itself. So, broken
• 19:50
  Speaker 1: lizard has proved they weren't past their prime with quasi
• 19:56
  Speaker 1: for anybody that saw it. It was a movie they
• 19:58
  Speaker 1: did a few years ago that came out on Hulu. Uh, actually, uh,
• 20:02
  Speaker 1: Stoney and I went and interviewed two of them and, um,
• 20:09
  Speaker 1: It was a delightful experience, and we got to see
• 20:12
  Speaker 1: it at the Bell Court the night before, and it
• 20:15
  Speaker 1: was a pretty funny movie. It really kind of showed
• 20:18
  Speaker 1: how they can kind of still kind of formulate what
• 20:24
  Speaker 1: their comedy is and place it in these different situations,
• 20:28
  Speaker 1: and Quasi, I think, is a great example of that,
• 20:30
  Speaker 1: of it being quite successful. Also, if you want to...
• 20:35
  Speaker 1: on NashvilleMovieDispatch.substack.com. There is a Stoney Seas, and it's called
• 20:42
  Speaker 1: The Puddle Cruiser, which is their very first movie. So
• 20:47
  Speaker 1: check that out. So Super Troopers 3 kind of feels
• 20:54
  Speaker 1: like a franchise. Now, I talked about Broken Lizard. I
• 20:58
  Speaker 1: don't think are past their prime. However, I do think
• 21:01
  Speaker 1: as a franchise, Super Troopers is... There's very little here
• 21:06
  Speaker 1: that surprises, and it doesn't offer up too many laughs.
• 21:09
  Speaker 1: So much heavy-handed comedy that's centering around Indian and American
• 21:14
  Speaker 1: families and their cultures with the troopers' hijinks and antics
• 21:18
  Speaker 1: feel more lazy than outrageous. The jokes about age and
• 21:23
  Speaker 1: wanting to feel cool again does feel relevant since I
• 21:26
  Speaker 1: think most of these guys are pushing 60 now. But
• 21:32
  Speaker 1: it's throwaway stuff, and it's pretty much meaningless when I
• 21:36
  Speaker 1: don't think it needed to be. I think there was
• 21:40
  Speaker 1: an opportunity there to kind of dig in a little more.
• 21:42
  Speaker 1: I think the biggest takeaway for me is the potential
• 21:49
  Speaker 1: that Broken Lizard has with this and is just basically squandered.
• 21:53
  Speaker 1: I think there's a variety of interesting elements that this
• 21:56
  Speaker 1: sequel could have gone after in their own comedic style
• 21:59
  Speaker 1: to make this story really count. but it never happens.
• 22:03
  Speaker 1: I think this is just one of those cases where
• 22:06
  Speaker 1: you know what you're getting before you ever even buy
• 22:09
  Speaker 1: a ticket to Super Troopers 3, and I really kind
• 22:12
  Speaker 1: of consider that this is really just only for the
• 22:15
  Speaker 1: most devoted fans. I liked what the IndieWire review said.
• 22:24
  Speaker 1: It says, Comedy movies are a rarity these days, and
• 22:27
  Speaker 1: the mere fact that these friends... Got a chance to
• 22:30
  Speaker 1: make something together is probably worth something. They appear to
• 22:33
  Speaker 1: be having fun, and their most devoted fans probably will too.
• 22:37
  Speaker 1: But if you're on the fence about Super Troopers 3,
• 22:40
  Speaker 1: your memories of the original are almost certainly better than
• 22:45
  Speaker 1: what you can see at the theater. And with that,
• 22:51
  Speaker 1: Super Troopers 3 is getting a VixFlix rating of 2
• 22:55
  Speaker 1: out of 5. And coming up next... We're going to
• 22:59
  Speaker 1: be cooking with Tony and Antonio next. Tony is who
• 23:14
  Speaker 1: I'm talking about. Per IMDb, a 19-year-old Anthony Bourdain travels
• 23:19
  Speaker 1: to Provincetown and stumbles into the chaotic world of a
• 23:22
  Speaker 1: restaurant kitchen, setting off a summer that will shape the
• 23:26
  Speaker 1: course of his life. Before I get into the film itself,
• 23:30
  Speaker 1: I thought it was really cool of what A24 did
• 23:34
  Speaker 1: to kind of hype it up. This is per The
• 23:37
  Speaker 1: Hollywood Reporter. A24 plans free screenings of Anthony Bourdain movie
• 23:41
  Speaker 1: Tony for hospitality workers. It says, ahead of the release
• 23:45
  Speaker 1: of the anticipated movie Tony, A24 has set a series
• 23:48
  Speaker 1: of free advanced screenings for hospitality and food service workers.
• 23:51
  Speaker 1: It says, in partnership with Open Table and Square, the
• 23:54
  Speaker 1: screenings are set up for servers, dishwashers, line cooks, maitre
• 23:58
  Speaker 1: d's and beyond dubbed industry night the advanced screenings will
• 24:02
  Speaker 1: take place and they took place at early august was
• 24:06
  Speaker 1: in 25 cities went from austin to phoenix to philly
• 24:10
  Speaker 1: and each screening was actually hosted by a local chef
• 24:15
  Speaker 1: and it says that staff from across open table squares
• 24:18
  Speaker 1: restaurant network as well as front and back of house
• 24:20
  Speaker 1: workers from other local restaurants are going to be invited
• 24:24
  Speaker 1: I shout this out because one of the cool things
• 24:26
  Speaker 1: was Nashville was a part of the 25 cities. Arnold Mint,
• 24:31
  Speaker 1: who is a chef and author of Family Tie, was
• 24:33
  Speaker 1: the one who hosted that. I just thought that was
• 24:37
  Speaker 1: really cool to do, but I also love that Nashville
• 24:40
  Speaker 1: could be a part of it. As far as Tony
• 24:42
  Speaker 1: the film, it opens with a quote from Kitchen Confidential,
• 24:45
  Speaker 1: which was Bourdain's best-selling memoir, in which the story was
• 24:50
  Speaker 1: taken from. It says, I was, to be frank, a spoiled, miserable, narcissistic, self-destructive,
• 24:57
  Speaker 1: and thoughtless young lout badly in need of a good
• 25:00
  Speaker 1: ass kicking. So right from the start, we're getting a
• 25:04
  Speaker 1: pretty good idea of where young Tony is in his
• 25:06
  Speaker 1: life at this time. And writer-director Matt Johnson, who's had
• 25:09
  Speaker 1: a hell of a year because he is a part
• 25:11
  Speaker 1: of the Nirvana, the band, the show, the movie, doesn't
• 25:14
  Speaker 1: go the conventional biopic route with Tony. this is also
• 25:20
  Speaker 1: from the Hollywood Reporter. It says, Tony was dreamed up
• 25:22
  Speaker 1: at Anthony Bourdain's favorite dive bar from his youth. It says,
• 25:26
  Speaker 1: in the 1970s, a young Anthony Bourdain found himself in
• 25:28
  Speaker 1: the small coastal town of Provincetown, Massachusetts. It's where he
• 25:31
  Speaker 1: spent four summers getting a start in the culinary world
• 25:34
  Speaker 1: as a dishwasher in a local restaurant and graduating to
• 25:37
  Speaker 1: line cook. It says, decades later, screenwriters Todd Bartels and
• 25:42
  Speaker 1: Lou Ho trekked to Provincetown, retracing the steps of the
• 25:45
  Speaker 1: young man who would become a cultural icon and host
• 25:49
  Speaker 1: of the celebrated shows Parts Unknown and No Reservations. The duo,
• 25:53
  Speaker 1: pals from boarding school and later Harvard, wanted to write
• 25:56
  Speaker 1: a movie about Bourdain but didn't want a cradle-to-grave story.
• 26:00
  Speaker 1: They had a hunch a few chapters he wrote in
• 26:02
  Speaker 1: his memoir, Kitchen Confidential, about his summers in Provincetown could
• 26:06
  Speaker 1: be the key. Says the movie started kind of coming
• 26:10
  Speaker 1: together in our minds, says Ho, hours spent in Bourdain's
• 26:13
  Speaker 1: favorite dive bar, Old Colony Tap, and other haunts. So
• 26:20
  Speaker 1: the fact of how this was even, you know, created
• 26:24
  Speaker 1: and kind of this slice of life from a young
• 26:28
  Speaker 1: Tony who is still trying to figure shit out. It's
• 26:32
  Speaker 1: a sensational thing. It's a sensational summertime slice of life
• 26:38
  Speaker 1: depicting on what would become a small yet defining moment
• 26:41
  Speaker 1: in Bourdain's life. It's not about the depression or the
• 26:45
  Speaker 1: tragedy that comes later. Now, I mean, listen, of course,
• 26:49
  Speaker 1: it's on your mind as you watch the film. I mean,
• 26:51
  Speaker 1: how could it not? But Tony is about finding your
• 26:54
  Speaker 1: passion and is a delicious, satisfying meal cooked with resonance, humor, warmth,
• 27:00
  Speaker 1: and heart. Dominic Sessa is phenomenal in his impeccable portrayal
• 27:04
  Speaker 1: of a directionless but defiant young guy searching for a
• 27:08
  Speaker 1: purpose while constantly lying about who he is and what
• 27:11
  Speaker 1: he does. a writer that hasn't written anything. Our buddy
• 27:18
  Speaker 1: Brett and I, we actually were talking about this as
• 27:20
  Speaker 1: we're talking about how kind of this role feels similar
• 27:23
  Speaker 1: to Seth's breakout role in The Holdovers. And I think
• 27:26
  Speaker 1: there's a lot of similarities there. There's the charm. There's
• 27:28
  Speaker 1: this rebellious attitude. There's arrogance, kind of hiding who you
• 27:31
  Speaker 1: really are, which does make, it makes total sense. But
• 27:36
  Speaker 1: I do think at the same time, it's difficult to
• 27:39
  Speaker 1: truly compare the two because Cessa here is playing, I mean,
• 27:43
  Speaker 1: first of all, he's playing a real guy, but he's
• 27:45
  Speaker 1: also embodying a young Bourdain and he's doing it with
• 27:49
  Speaker 1: this kind of tremendous confidence and charisma while also fully
• 27:54
  Speaker 1: expressing Bourdain's shyness and insecurity and readiness. And come to
• 27:59
  Speaker 1: find out, Cessa and Bourdain are pretty similar in real life.
• 28:04
  Speaker 1: This is per Bon Appetit. It says, Inside Tony, the messy, honest,
• 28:09
  Speaker 1: coming-of-age Anthony O'Bourdain biopic everyone's been talking about. And in it,
• 28:13
  Speaker 1: it says, In addition to their unmistakable physical resemblance to
• 28:17
  Speaker 1: each other, there are similarities between Bourdain's and Sess' curcutuous lives.
• 28:23
  Speaker 1: Bourdain stumbled out of an ill-fated college career and into
• 28:27
  Speaker 1: the Culinary Institute of America after that formative Provincetown summer.
• 28:32
  Speaker 1: Riding kitchen confidential, he expected to entertain no more than
• 28:35
  Speaker 1: a few dozen of his chef and cook friends, but
• 28:37
  Speaker 1: it positioned him to become a beloved literary and travel
• 28:41
  Speaker 1: television star, first on a cook's tour, then on no reservations,
• 28:45
  Speaker 1: and finally parts unknown. As a teen, Dominic Sessa believed
• 28:50
  Speaker 1: he was meant to be a hockey-playing New England boarding
• 28:52
  Speaker 1: school student. He earned a scholarship to the prestigious Deerfield
• 28:56
  Speaker 1: Academy and a place on the school's team, only to
• 28:59
  Speaker 1: snap his femur in a pre-season skateboarding accident. He pivoted
• 29:03
  Speaker 1: to the school's theater department, taking on the role of
• 29:06
  Speaker 1: the power mad king Crayon in a production of Antigon.
• 29:12
  Speaker 1: I almost didn't do it because I didn't want a
• 29:14
  Speaker 1: big role, Sessa says. I was so nervous. I distinctly
• 29:17
  Speaker 1: remember I was not the best hockey player. I was
• 29:20
  Speaker 1: always jealous of the kids who scored goals every game.
• 29:22
  Speaker 1: It makes you really fucking cool. When I did Antagon,
• 29:25
  Speaker 1: people came up to me after telling me I was
• 29:28
  Speaker 1: doing something that they wanted to do but didn't have
• 29:31
  Speaker 1: the courage. That was power. It changed my life. In
• 29:34
  Speaker 1: working with screenwriters Todd Bertels and Lou Ho to bring
• 29:37
  Speaker 1: the Tony story to life, director Matt Johnson, who's works
• 29:40
  Speaker 1: include Nirvana, The Band, The Show, The Movie, he also
• 29:43
  Speaker 1: directed Blackberry, capitalized on the parallels between Sessa and Bourdain's paths.
• 29:48
  Speaker 1: He says, Don being from New Jersey, his relationship to education,
• 29:52
  Speaker 1: his relationship to a kind of new film fame that
• 29:54
  Speaker 1: had just discovered him, it ambushed him. The persona that
• 29:57
  Speaker 1: I'm interested in showing is a young man trying to,
• 30:01
  Speaker 1: is a young man trying desperately to seem like an adult.
• 30:04
  Speaker 1: Dom is the reason I made the movie. So it
• 30:08
  Speaker 1: sounds like Sessa was the only guy for the job,
• 30:11
  Speaker 1: and a wonderful job he does. He's also a lucky
• 30:14
  Speaker 1: guy with a stellar supporting cast. Amelia Jones from Coda
• 30:18
  Speaker 1: is Nancy, who would actually go on to play a
• 30:20
  Speaker 1: huge part in Bourdain's life, becoming his wife in 1985,
• 30:23
  Speaker 1: and they would go later on, divorced in 2005. Her
• 30:27
  Speaker 1: role is quite limited in this, but it is vital
• 30:30
  Speaker 1: as far as Tony finding his true calling. Leo Woodall
• 30:34
  Speaker 1: is a lovable chaos and a bad influence on Tony
• 30:37
  Speaker 1: that could have led him down a totally different and
• 30:40
  Speaker 1: destructive path. But he's also hilarious. This is also a reminder.
• 30:47
  Speaker 1: You gotta check out Tuner. Leo Woodall, he is a
• 30:50
  Speaker 1: piano tuner. Also stars Dustin Hoffman, one of the best
• 30:53
  Speaker 1: films of the year. sensational sound design. It's a fantastic tuner.
• 31:01
  Speaker 1: You can buy it and rent it now. Antonio Banderas
• 31:06
  Speaker 1: gives an awards-worthy performance as the deeply humbled Portuguese chef
• 31:10
  Speaker 1: that gives Bourdain his first restaurant gig as a dishwasher.
• 31:13
  Speaker 1: He's not only a mentor to Bourdain, but someone who
• 31:17
  Speaker 1: has more to give on the plate than what he's
• 31:20
  Speaker 1: been doing for quite a long while. The inspiration they
• 31:23
  Speaker 1: give each other is a joy to watch, and the
• 31:25
  Speaker 1: dynamic between Sessa and Banderas is delightful. There's also awesome
• 31:30
  Speaker 1: needle drops throughout, collaborating wonderfully with the hangout vibe of
• 31:34
  Speaker 1: the film. Johnson does a sensational job in keeping Tony
• 31:38
  Speaker 1: honest and tender and engaging. This is via IndieWireReview, titled
• 31:46
  Speaker 1: Dominic Sessa Shines in a brainy, bittersweet coming-of-age comedy that
• 31:50
  Speaker 1: just happens to be about a young Anthony Bourdain. It says,
• 31:55
  Speaker 1: Johnson recognizes how this, at heart, is a coming-of-age story
• 31:59
  Speaker 1: about a rising star who's learning to be unburdened by
• 32:02
  Speaker 1: a future that's better than he could ever imagine. A
• 32:05
  Speaker 1: kid who's learning that no one can become the person
• 32:08
  Speaker 1: they pretend to be without being the person they actually
• 32:12
  Speaker 1: are along the way. Tony struggles for an ending, but
• 32:16
  Speaker 1: it doesn't really need one. The real fun here lies
• 32:19
  Speaker 1: in paving the way to parts unknown. Honestly, for me,
• 32:24
  Speaker 1: it was just a pleasure to see how food changed
• 32:26
  Speaker 1: his life before he used it to change so many others.
• 32:31
  Speaker 1: So we started with a Bourdain quote, so it just
• 32:34
  Speaker 1: feels right to kind of end this on one. I
• 32:36
  Speaker 1: think it really relates to Tony and resonates with us
• 32:39
  Speaker 1: all as we try to find our purpose. It's a
• 32:42
  Speaker 1: quote from Bourdain that says, it isn't always comfortable. Sometimes
• 32:46
  Speaker 1: it hurts. It even breaks your heart, but that's okay.
• 32:49
  Speaker 1: The journey changes you. It should change you. Tony is
• 32:53
  Speaker 1: getting a VixFlix rating of three and a half out
• 32:56
  Speaker 1: of five. And coming up next, Dave Franco and Ice
• 33:01
  Speaker 1: Cube's kid are being little turds.
• 33:05
  Speaker 2: Next.
• 33:17
  Speaker 1: The movie's called Idiots, and per IMDb, it goes something
• 33:21
  Speaker 1: like this. Two rock-bottom drivers transport a wealthy teen to rehab,
• 33:25
  Speaker 1: but their simple job spirals into a chaotic journey of drugs, danger,
• 33:29
  Speaker 1: and crime as their passenger derails their plans. So this
• 33:33
  Speaker 1: was formerly called Shitheads, which I prefer. I understand that
• 33:38
  Speaker 1: it might be tough to market something that has shit
• 33:40
  Speaker 1: in it, but I really appreciate that title. I wish
• 33:46
  Speaker 1: they could have stuck with it. This raunchy buddy comedy
• 33:50
  Speaker 1: from writer-director Macon Blair has an excellent cast that's led
• 33:54
  Speaker 1: by Dave Franco, O'Shea Jackson, and Mason Thames that's unpredictable
• 33:58
  Speaker 1: but uneven throughout. It feels like the tone can never
• 34:02
  Speaker 1: really find its footing as Idiots wants to be funny
• 34:05
  Speaker 1: and shocking as well as have something to say about
• 34:08
  Speaker 1: the super rich and the destruction they cause for kind
• 34:11
  Speaker 1: of the pure fun of it because of really any
• 34:15
  Speaker 1: sort of empathy being lost absolutely devoured by entitlement let's
• 34:19
  Speaker 1: just say the latter isn't really a top concern uh
• 34:23
  Speaker 1: even when it has its laughs the movie stays in
• 34:26
  Speaker 1: a constant battle of keeping up the momentum it's most
• 34:29
  Speaker 1: apparent once we get to its messy third act that
• 34:31
  Speaker 1: brings in peter dinklage who worked with blair on the
• 34:35
  Speaker 1: toxic avenger movie and nicholas braun who i gotta say
• 34:38
  Speaker 1: is outrageous in the very best way um IndieWire's Sundance review,
• 34:45
  Speaker 1: when it first premiered, touches on this very thing regarding
• 34:47
  Speaker 1: momentum and how the character relationships have a big effect
• 34:52
  Speaker 1: on that. It says, a smattering of individual moments achieve
• 34:56
  Speaker 1: the kind of madcap insanity that a movie like this
• 34:59
  Speaker 1: needs for momentum. But Idiots, back then the shitheads, is
• 35:03
  Speaker 1: played by stop and start plotting that does more to
• 35:05
  Speaker 1: stifle its energy than build to it. and its complete
• 35:08
  Speaker 1: disinterest in meaningfully developing the relationship between Mark and Davis,
• 35:12
  Speaker 1: that's Franco and Jackson, makes it hard to feel like
• 35:15
  Speaker 1: this road trip is going anywhere. Not that we ever
• 35:18
  Speaker 1: really know where it's supposed to be going in the
• 35:20
  Speaker 1: first place. It's a credit to Blair's script that Sheridan,
• 35:25
  Speaker 1: that's played by Mason Thames, doesn't seem to learn anything
• 35:28
  Speaker 1: from this misadventure, which would have been fatal to a
• 35:30
  Speaker 1: film that's only held together by its enduring fascination with
• 35:34
  Speaker 1: how some people choose to retain their decency and in
• 35:37
  Speaker 1: a world that rewards the opposite. But he never seems
• 35:40
  Speaker 1: to be much of a real person either, and the
• 35:41
  Speaker 1: shred of humanity the movie wants you to see in
• 35:44
  Speaker 1: him sucks the life out of things just when the
• 35:46
  Speaker 1: story's chaos is peaking. So yeah, I mean, while it's
• 35:51
  Speaker 1: pretty much true about Mark and Davis' relationship, I did
• 35:55
  Speaker 1: still really enjoy the chemistry between Jackson and Franco. I mean,
• 35:59
  Speaker 1: they play two guys who are, I mean, they're polar opposites,
• 36:02
  Speaker 1: yet are pretty similar when it comes to sort of
• 36:04
  Speaker 1: like screwing things up. So you're wanting them to get
• 36:07
  Speaker 1: it right this time, to figure some of their shit
• 36:10
  Speaker 1: out already, knowing that it's not going to be easy.
• 36:13
  Speaker 1: They are fun to be around on Blair's wild and
• 36:16
  Speaker 1: wacky ride. At the same time, Thames of Sheridan comes
• 36:21
  Speaker 1: off as kind of this greedy, selfish little shithead stereotype,
• 36:24
  Speaker 1: but not as a legitimate individual. So I understand about
• 36:27
  Speaker 1: where it seems like he's not really a real person either,
• 36:31
  Speaker 1: but Thames is fine at being basically a straight-up sociopath
• 36:36
  Speaker 1: who is solely there to just be the obstacle in
• 36:39
  Speaker 1: Mark and Davis' way, a problem child, but really that's
• 36:43
  Speaker 1: about it. And that shred of humanity that eventually does
• 36:47
  Speaker 1: come is pretty worthless. As mentioned before, there are some
• 36:52
  Speaker 1: good laughs in this. I will give it that. And
• 36:58
  Speaker 1: it's funny because... Mason Thames is in also a Green
• 37:01
  Speaker 1: Day movie called Nimrods. So he's literally had two movies
• 37:06
  Speaker 1: come out in the same month called Idiots and Nimrods.
• 37:09
  Speaker 1: And I will say the Nimrods is more... That's more...
• 37:16
  Speaker 1: That's got more idiots in it than idiots. But... But anyway,
• 37:23
  Speaker 1: like I said, there is some fun to be had
• 37:25
  Speaker 1: with this one. There are some real ass, but nothing.
• 37:28
  Speaker 1: And I mean... Nothing beats the explosive diarrhea scene that
• 37:34
  Speaker 1: is in this movie. You won't see it coming, but
• 37:38
  Speaker 1: it's damn hilarious. Laugh out loud stuff. It's one of,
• 37:42
  Speaker 1: if not the funniest scene of the year. I almost
• 37:47
  Speaker 1: would tell you to go see it just for that. So,
• 37:51
  Speaker 1: Idiots is getting a VixFlix rating of... Two and a
• 37:59
  Speaker 1: half out of five. And that will do it for
• 38:03
  Speaker 1: this month's The Cinema Chronicles on Nashville Movie Dispatch. Again,
• 38:09
  Speaker 1: check out all of our stuff on NashvilleMovieDispatch.substack.com. There's a
• 38:15
  Speaker 1: Coyote vs. Acme review that I've got up you can
• 38:18
  Speaker 1: check out along with a lot of different things. And also, hey,
• 38:23
  Speaker 1: the podcast. Listen to it. Search National Movie Dispatch. You
• 38:26
  Speaker 1: can get it. You can get that wherever you listen to.
• 38:31
  Speaker 1: We've got a end of Oak Street review out there
• 38:34
  Speaker 1: for the Vix Flix podcast. And we also have for
• 38:37
  Speaker 1: movie review, Rewind podcast, Blazing Saddles and 12 Angry Men.
• 38:43
  Speaker 1: So yeah, nationalmoviedispatch.substat.com. And until next month, just go see
• 38:51
  Speaker 1: a damn movie.