Latest / The Breakfast Club / The Breakfast Club Best Of Episode(Sexyy Red Interview, Chloe Bailey Interview, Grandmaster Flash Interview, What Are Your Turnoffs In Bedroom?)

Transcript

The Breakfast Club Best Of Episode(Sexyy Red Interview, Chloe Bailey Interview, Grandmaster Flash Interview, What Are Your Turnoffs In Bedroom?) · The Breakfast Club

• 0:00
  Speaker 1: A little holiday any other mainstreams media outlet.
• 0:06
  Speaker 2: Breakfast Club, you never come here when it DJ Envy
• 0:14
  Speaker 2: and Charlamagne the guy being here.
• 0:16
  Speaker 3: Next to all of you guys. It's really this.
• 0:18
  Speaker 4: It's one of my favorite shows to do, just because
• 0:20
  Speaker 4: you'll always keeping one.
• 0:22
  Speaker 5: Honey, y'all keep it real. But what better place than
• 0:24
  Speaker 5: than here?
• 0:25
  Speaker 6: I think everybody should go on the Breakfast Club and
• 0:28
  Speaker 6: start out there.
• 0:29
  Speaker 5: You want to shake it up.
• 0:33
  Speaker 7: Right right?
• 0:34
  Speaker 5: Ray yo, Charlemagne, yasy?
• 0:36
  Speaker 8: What up are we live?
• 0:37
  Speaker 5: This is your time to get it off your chest?
• 0:39
  Speaker 5: I gotta indoor pool pool. We want to hear from
• 0:42
  Speaker 5: you on the Breakfast Club.
• 0:44
  Speaker 9: Get on the phone right now here, tell you what
• 0:45
  Speaker 9: it is.
• 0:46
  Speaker 5: We lie hello this what of it? Yo?
• 0:50
  Speaker 9: What's up? It's your boy ding?
• 0:52
  Speaker 7: Go get it off your chest?
• 0:54
  Speaker 9: Didn't go and look, I'd have had a crazy week.
• 0:58
  Speaker 9: And I just want to say that I'm over the
• 1:00
  Speaker 9: data scene right now. I unscrewed this girl out this
• 1:04
  Speaker 9: past week here. It was white. I ain't gonna lie
• 1:07
  Speaker 9: it was whack shot out to Kendrick D. I was
• 1:11
  Speaker 9: on her single show a couple of weeks back there.
• 1:13
  Speaker 9: You know what I'm saying. Put up my little my
• 1:15
  Speaker 9: little spiel passed some shorties hit me up. It was cool.
• 1:19
  Speaker 9: On one that you know, I decided to fire. I
• 1:21
  Speaker 9: was having some good conversation because she was from Atlanta, right,
• 1:25
  Speaker 9: so I got her out. We was chilling. We was talking,
• 1:29
  Speaker 9: I pay for everything right, take care of her, take
• 1:31
  Speaker 9: care of the arrangements, took that a hotel, took careything
• 1:33
  Speaker 9: we did. But she wasn't really giving me the vibe
• 1:36
  Speaker 9: that it was trying to be romantic. It seemed like
• 1:38
  Speaker 9: she was just looking for a trick.
• 1:40
  Speaker 7: Tyler.
• 1:45
  Speaker 9: No, no, no, no.
• 1:45
  Speaker 5: We talked.
• 1:46
  Speaker 9: We talked I for like a good two weeks or
• 1:48
  Speaker 9: so prior to her coming out, right, and we could
• 1:51
  Speaker 9: have starved this there like, hey, like you don't you
• 1:54
  Speaker 9: don't want to do nothing like that.
• 1:55
  Speaker 10: That's cool.
• 1:56
  Speaker 9: You just gotta let me know before I spend all
• 1:58
  Speaker 9: this money, you make all this arrangements that you feel me.
• 2:01
  Speaker 9: I feel like that's it because you're coming out, you're
• 2:03
  Speaker 9: flying out, and I'm taking care of everything. And I
• 2:05
  Speaker 9: told you that, right, and you get here and you're like, oh,
• 2:10
  Speaker 9: I ain't trying to be on that, which is cool.
• 2:12
  Speaker 9: I get that, that's fine, but tell me.
• 2:14
  Speaker 5: Up, I don't what She's not trying to be.
• 2:17
  Speaker 9: On Okay, look, do you want to be a romantic?
• 2:20
  Speaker 9: She aren't trying to like you know what I'm saying, like,
• 2:22
  Speaker 9: you know, trying to pull upon. We just trying to
• 2:23
  Speaker 9: show signs of affection. You feel me like that? You
• 2:26
  Speaker 9: real first look, Look, it ain't the first account. It's
• 2:30
  Speaker 9: just yet first time meeting each other. But we've been talking,
• 2:33
  Speaker 9: we've been establishing each other.
• 2:38
  Speaker 5: To meet that will.
• 2:41
  Speaker 4: Yes, when you meet a person in person, you know
• 2:43
  Speaker 4: you got to feel energy. The energy might not have
• 2:45
  Speaker 4: been right for her, like the phone calls and whatever
• 2:48
  Speaker 4: y'all was doing might have been different than actually meeting
• 2:50
  Speaker 4: each other.
• 2:50
  Speaker 5: You got to do it some time.
• 2:51
  Speaker 11: Sounds like you wanted to prout if you wanted to
• 2:52
  Speaker 11: pay for somebody to get some sex.
• 2:54
  Speaker 7: She wanted.
• 2:56
  Speaker 5: And he said, but you probably seem thurstay. She probably
• 2:58
  Speaker 5: felt you out and think I'm pretty thirsty.
• 3:00
  Speaker 9: Bro, You're right, you're right, you're right. From the girls respective, Yes,
• 3:04
  Speaker 9: that is a free trip. And I wasn't trying to
• 3:06
  Speaker 9: be thirsty. I was very respectful. But because you love
• 3:12
  Speaker 9: the process, I tided the process and think about everything
• 3:15
  Speaker 9: that happen. Looking at my bank acount.
• 3:16
  Speaker 5: I'm like, God, Dad, how much you spend this weekend?
• 3:19
  Speaker 3: Man?
• 3:19
  Speaker 9: I slipped over.
• 3:20
  Speaker 5: G you should have said limits, man, you should well okay.
• 3:25
  Speaker 9: From the lady, from the lady in the house. Okay, Cappuccino,
• 3:30
  Speaker 9: I'm sorry, Cappucino. That's fine.
• 3:32
  Speaker 12: Harangle out.
• 3:32
  Speaker 9: So if you want to get thrown out by a dude, right,
• 3:36
  Speaker 9: are you not?
• 3:37
  Speaker 5: Like?
• 3:37
  Speaker 9: Are you expecting? Are you at least thinking about potentially
• 3:42
  Speaker 9: doing something with this guy.
• 3:43
  Speaker 13: If we have a good conversation over the phone for
• 3:45
  Speaker 13: the for the past two weeks, as you said, maybe
• 3:48
  Speaker 13: and maybe not, because once I get in front of
• 3:49
  Speaker 13: you, you may be a whole different person from what I
• 3:51
  Speaker 13: get over the phone.
• 3:52
  Speaker 5: She said. You might not look at the way you
• 3:53
  Speaker 5: think you look. You may act a little different when
• 3:56
  Speaker 5: we when were you know, face to face.
• 3:58
  Speaker 9: Okay, okay, So I'm so you're saying that I may
• 4:01
  Speaker 9: be overreacting.
• 4:02
  Speaker 11: Yeah, it may be you, tyler, because I ain't like
• 4:06
  Speaker 11: flying me.
• 4:06
  Speaker 5: I ain't giving you nothing. Yeah, I appreciate that you
• 4:08
  Speaker 5: gotta work for this temple free fool. Look, Oh my god.
• 4:12
  Speaker 9: So okay, So okay, to my defense, I wouldn't be
• 4:15
  Speaker 9: wrong for not hitting her back up right.
• 4:18
  Speaker 4: No, well, you'd be letting her know that you only
• 4:20
  Speaker 4: wanted one thing, so her instincts were correct.
• 4:23
  Speaker 5: Ah, okay, Tyler, you call her Tyler. That's his name.
• 4:29
  Speaker 5: That name is Dingo. Oh wait, that's Dingo. Shoot. No,
• 4:32
  Speaker 5: that man boy's real name. Man, that's what it says
• 4:34
  Speaker 5: on this it's that Dingle. His name is Tyler. Today. No,
• 4:38
  Speaker 5: it's not.
• 4:39
  Speaker 11: Get it off your chest eight hundred five eight five
• 4:41
  Speaker 11: one oh five one. If you need the vent phone
• 4:43
  Speaker 11: lines wide open, it's the Breakfast Club. Good morning, the
• 4:46
  Speaker 11: Breakfast Club. Wait, this is your time to get it
• 4:53
  Speaker 11: off your chest. Eight hundred five eight five one o
• 4:55
  Speaker 11: five one. We want to hear from you on the
• 4:57
  Speaker 11: Breakfast Club.
• 5:00
  Speaker 5: Hello, Hello, Hey Leona, get it off your chest.
• 5:04
  Speaker 9: Mama, I just wanted to talk about that. I said,
• 5:08
  Speaker 9: I feel like wom to heal from my past trauma.
• 5:12
  Speaker 7: He said, on say that again, Mama, us women to.
• 5:15
  Speaker 9: Heal from my past trauma.
• 5:17
  Speaker 8: Amen, you ain't lying.
• 5:19
  Speaker 14: Why you say that though, because I'm honestly messing up
• 5:23
  Speaker 14: such a great relationship that I have because of my
• 5:26
  Speaker 14: past trauma and my own into.
• 5:29
  Speaker 9: Carries in the gods.
• 5:30
  Speaker 15: And I really realize this is for us to heal
• 5:34
  Speaker 15: because we are such.
• 5:36
  Speaker 9: A thing that come by often anymore.
• 5:39
  Speaker 4: You is absolutely positively the conversation. You cannot love somebody
• 5:45
  Speaker 4: until you truly love yourself. And you cannot be happy
• 5:47
  Speaker 4: with somebody until you are truly happy with yourself.
• 5:51
  Speaker 5: That's right.
• 5:51
  Speaker 8: And and and I think part one of this is
• 5:54
  Speaker 8: you know it. So now that you know I got
• 5:57
  Speaker 8: an issue, I gotta unpack. You can let him know
• 6:00
  Speaker 8: so they y'all can try to get through this space together.
• 6:02
  Speaker 3: Hopefully you don't ruin a good day.
• 6:04
  Speaker 5: That's right? Hello is DJ Andrew Charlomagne the God?
• 6:08
  Speaker 9: Good morning?
• 6:09
  Speaker 12: What was good?
• 6:11
  Speaker 3: Was good?
• 6:11
  Speaker 12: I feeling this ball.
• 6:12
  Speaker 7: Brother favors o G Robbins bar time.
• 6:16
  Speaker 5: That's go o G.
• 6:17
  Speaker 10: You already don't check it out this bartob listen man.
• 6:21
  Speaker 10: They told me, oh G, just keep the strength and condition.
• 6:24
  Speaker 10: There so many punk thinkings you bound to find the
• 6:26
  Speaker 10: position in. Can I get a soul clap or sody
• 6:30
  Speaker 10: crapping for Benjamin's the architect frame structure connect prepping this project,
• 6:34
  Speaker 10: they upset for God to respect the consistency bar maturity.
• 6:38
  Speaker 10: I came up with flows fighting with act me I
• 6:41
  Speaker 10: get it though they figured I stopped a long time ago.
• 6:44
  Speaker 10: But I'm skaped through. No hype man, nothing back of
• 6:46
  Speaker 10: me up for seven minute set. That a washed drying
• 6:49
  Speaker 10: full them up, not to train, nothing like it a
• 6:51
  Speaker 10: sign for hip hop or ron started kick which most
• 6:54
  Speaker 10: of them get to dasing the work shop. They basic
• 6:57
  Speaker 10: son Sosa sixteens can't be trusted. Let me show you
• 7:00
  Speaker 10: why to vot with the crowd numbers O.
• 7:03
  Speaker 5: G okay okay o G. I got some bars? Oh G,
• 7:07
  Speaker 5: you're ready, I'm ready.
• 7:09
  Speaker 11: Who the hell is this paging me at five forty
• 7:12
  Speaker 11: six in the morning. Cracker doing in and now I'm yawning.
• 7:15
  Speaker 11: Wipe the cold out my eye? See who's paging me this?
• 7:19
  Speaker 5: And why? It's my homie Charlotte from the Breakfast Love
• 7:22
  Speaker 5: to Me.
• 7:22
  Speaker 11: He's in the gambling spot and some dudes just popping
• 7:25
  Speaker 11: him in the back.
• 7:26
  Speaker 5: Damn.
• 7:27
  Speaker 11: Why they try to him in his bunkie, Damn? Why
• 7:29
  Speaker 11: do they try to him in his bunkie?
• 7:31
  Speaker 7: Damn?
• 7:32
  Speaker 5: Why they try to skin him in his bunkie? Damn?
• 7:34
  Speaker 11: Why they try to come in his bunkie?
• 7:38
  Speaker 8: Big?
• 7:39
  Speaker 5: That was crazy for no reason, Yozy.
• 7:41
  Speaker 4: At a time like this, look man, I'm not a toy.
• 7:44
  Speaker 4: I don't play Envy has to stop being gay. He
• 7:47
  Speaker 4: loves crack, broke back Cowboys, Dallas.
• 7:52
  Speaker 7: Yo, y'all, get it off your chest.
• 8:03
  Speaker 11: Eight hundred five eighty five one O five one if
• 8:05
  Speaker 11: you need to hit us up now.
• 8:06
  Speaker 5: It's the Breakfast Club. Good morning, the Breakfast Club. Everybody
• 8:12
  Speaker 5: is DJ n B, Charlomagne the guy. We are the
• 8:15
  Speaker 5: Breakfast Club.
• 8:17
  Speaker 11: We got Nyla hanging with us this morning, and we
• 8:20
  Speaker 11: have a special guest who Charlamagne.
• 8:22
  Speaker 5: Claims is a family.
• 8:23
  Speaker 11: What you saying and we say this all the time
• 8:26
  Speaker 11: because when we announced that your album came out, he
• 8:28
  Speaker 11: didn't even know your album came out.
• 8:29
  Speaker 5: And I forced him a main true.
• 8:31
  Speaker 14: By that is not true, And we played the song.
• 8:37
  Speaker 5: I played the Missy record and Chris Brown record.
• 8:40
  Speaker 11: That morning, but I had to make him download the Reckless.
• 8:44
  Speaker 5: He didn't even know. That's not true.
• 8:45
  Speaker 16: I don't do now.
• 8:45
  Speaker 5: That's right. You said you bought it, right, We don't download,
• 8:48
  Speaker 5: but you said you bought it. Listen in pieces is
• 8:51
  Speaker 5: out right?
• 8:51
  Speaker 7: Now?
• 8:51
  Speaker 5: Okay? Did you buy it all right?
• 8:53
  Speaker 4: Did all your people's online complaining making noise by it?
• 8:57
  Speaker 5: I streamed it Okay, morning.
• 9:00
  Speaker 16: Great, I'm so happy. Like the past two days, I've been.
• 9:03
  Speaker 14: Feeling like great, to be honest, the week and a half,
• 9:06
  Speaker 14: like before, it was like a little rocky, but tour
• 9:09
  Speaker 14: kind of been getting me out the funk because the
• 9:11
  Speaker 14: shows have been amazing. They've all been sold out and
• 9:13
  Speaker 14: everyone singing every lyric to every song. So I'm like,
• 9:16
  Speaker 14: the love is real and real life. So I've been
• 9:19
  Speaker 14: feeling good.
• 9:19
  Speaker 4: Why were you in a funk? I know you wasn't
• 9:21
  Speaker 4: letting these digital heads on the internet gas.
• 9:23
  Speaker 14: I mean like, You're like, we're all humans, so of
• 9:26
  Speaker 14: course some things are gonna bother you. And I think
• 9:28
  Speaker 14: when you put so much time and effort into the
• 9:32
  Speaker 14: art of everything, and it's really a conceptual album.
• 9:34
  Speaker 16: My executive produced it. I produced on.
• 9:36
  Speaker 14: Twelve out of the fourteen songs on there. I had
• 9:38
  Speaker 14: a lot of incredible, amazing talent on the project, so
• 9:42
  Speaker 14: I was just like, it's okay.
• 9:44
  Speaker 16: Come at me, bro, So I'm ready for it's next,
• 9:46
  Speaker 16: to be honest.
• 9:46
  Speaker 5: What's the title mean? In pieces?
• 9:48
  Speaker 16: Yes, so in pieces it's kind of like a double entendre.
• 9:51
  Speaker 14: So in Pieces represents the pieces of my heart that
• 9:55
  Speaker 14: has been left broken from life situations, relationships, things like that,
• 9:59
  Speaker 14: people seven you in the bast and then it also
• 10:01
  Speaker 14: means what's left in pieces is the box that people
• 10:03
  Speaker 14: try to put me in.
• 10:04
  Speaker 16: On who they think Chloe is, and you know, I
• 10:08
  Speaker 16: just have to speak for myself and break through it.
• 10:10
  Speaker 16: That's what it means. It's like the simp side and
• 10:13
  Speaker 16: then the place of powers.
• 10:13
  Speaker 11: It has to be difficult, yeah, because people seen you
• 10:16
  Speaker 11: grow up, so it's like we've seen you as this
• 10:18
  Speaker 11: young girl, so now when you break it out into
• 10:20
  Speaker 11: your own, it has to be difficult for your fans.
• 10:23
  Speaker 11: I guess right, maybe maybe not.
• 10:25
  Speaker 14: I'm really proud of my sister and I because we've
• 10:28
  Speaker 14: been branching out on our own successfully and people are
• 10:30
  Speaker 14: getting to like know who we are individually. And I'm
• 10:33
  Speaker 14: so blessed that I grew up with her in life
• 10:36
  Speaker 14: so we could go through everything together, and it came
• 10:39
  Speaker 14: to a point where we were so dependent on one another,
• 10:41
  Speaker 14: like we were Signamese twins. So what forced us apart
• 10:44
  Speaker 14: was her going to London to shoot Little Mermaid and
• 10:47
  Speaker 14: you know, me being in la and especially with the pandemic,
• 10:49
  Speaker 14: the travel restrictions going to another country was crazy, so
• 10:53
  Speaker 14: as stressful as it was for the both of us.
• 10:55
  Speaker 14: We both had separation anxiety. It like forced us to
• 10:57
  Speaker 14: figure out, Okay, who's Chloe, who's high? So now when
• 11:01
  Speaker 14: we come back together, it's going to be even stronger
• 11:03
  Speaker 14: because now we also have a great sense of self.
• 11:06
  Speaker 4: Did y'all recognize the growth in each other? You and Holly, Like,
• 11:08
  Speaker 4: when y'all finally did get back together, did she see
• 11:10
  Speaker 4: growth in you?
• 11:11
  Speaker 5: Did you see growth?
• 11:11
  Speaker 9: Friend?
• 11:12
  Speaker 16: Yes, the crazy thing is growing up.
• 11:14
  Speaker 14: It was me who was afraid to speak up, so
• 11:16
  Speaker 14: like she would be the one speaking up for me
• 11:18
  Speaker 14: and like she's the a yes, she's the like, don't
• 11:22
  Speaker 14: mess with her, and it would always be me like, oh.
• 11:24
  Speaker 16: My gosh, I like I don't like confrontation things like that.
• 11:27
  Speaker 14: And so because of that, I had to force myself
• 11:31
  Speaker 14: to speak up for myself because I didn't have my
• 11:33
  Speaker 14: sister right there doing it for me. So now I'm
• 11:37
  Speaker 14: very independent and very vocal and I say what I
• 11:41
  Speaker 14: mean and I mean what I say, and she's recognized that.
• 11:44
  Speaker 14: She's like, well, you're like a completely different person. I'm
• 11:47
  Speaker 14: so proud of her because she's confident in who she
• 11:50
  Speaker 14: is as an individual as well, like we both were
• 11:52
  Speaker 14: missing that and now we both found it, so it's
• 11:54
  Speaker 14: like we're stronger.
• 11:55
  Speaker 11: Did that change because you missed your sister or was
• 11:57
  Speaker 11: it a relationship that made you change? It was right
• 11:59
  Speaker 11: in your music that made you say, what was that change?
• 12:02
  Speaker 16: That's a great question. I think it was a combination
• 12:04
  Speaker 16: of everything.
• 12:05
  Speaker 14: I think it got to a point where I realized,
• 12:07
  Speaker 14: if I don't fight for myself, then I'm just gonna
• 12:10
  Speaker 14: be left in the dust. And if I don't speak
• 12:12
  Speaker 14: up for what I want and speak up for who
• 12:14
  Speaker 14: I am as a human being, then like it's just
• 12:17
  Speaker 14: going to fall on deaf ears and clothes mouths don't
• 12:19
  Speaker 14: get fed. So you know, throughout the music, I was
• 12:22
  Speaker 14: finding my strength because I was saying things that I
• 12:24
  Speaker 14: was afraid to say or speak up to certain individuals.
• 12:27
  Speaker 16: And then from there it just grew. From that, it was.
• 12:30
  Speaker 14: Like it just kept growing and growing and now it
• 12:33
  Speaker 14: can't really stop.
• 12:34
  Speaker 17: I feel like, growing up as women were taught to
• 12:37
  Speaker 17: like not be so vocal.
• 12:38
  Speaker 16: So now that you are being vocal, do you.
• 12:40
  Speaker 3: Feel like you're being a like?
• 12:42
  Speaker 17: Do you feel like like you have to turn on
• 12:43
  Speaker 17: a new version of yourself?
• 12:45
  Speaker 16: Absolutely not. It's not about what you say, but how
• 12:48
  Speaker 16: you say it.
• 12:49
  Speaker 14: You can command a room without having to bark so loud,
• 12:52
  Speaker 14: and as long as you believe in what you're saying
• 12:54
  Speaker 14: and you don't change in that for anybody, people will
• 12:58
  Speaker 14: respect you.
• 12:59
  Speaker 5: Was Railway based on a true story. Yes.
• 13:02
  Speaker 14: So I wrote that song with my girl Jossy, and
• 13:05
  Speaker 14: I kept seeing her like three four times that week
• 13:07
  Speaker 14: at every event, and I'm all about signs, like I
• 13:10
  Speaker 14: don't feel there are any coincidences in life, and I
• 13:12
  Speaker 14: was like, so the final place I saw her I
• 13:20
  Speaker 14: signed it to.
• 13:22
  Speaker 3: But I was like, okay.
• 13:23
  Speaker 14: So we passed each other going to the ladies room
• 13:25
  Speaker 14: at the studio.
• 13:26
  Speaker 16: And I was like, I got back in my session,
• 13:28
  Speaker 16: I said. So I texted her. I was like, can
• 13:30
  Speaker 16: you come in here?
• 13:30
  Speaker 14: And she played me a few demos and it was
• 13:32
  Speaker 14: the skeleton of Pray It Away. It was originally called Church.
• 13:35
  Speaker 14: I was like, I'm in love with this because I
• 13:37
  Speaker 14: loved how.
• 13:37
  Speaker 16: Open it was.
• 13:38
  Speaker 14: It was completely raw and honest, and for me, I've
• 13:42
  Speaker 14: always learned to just be the bigger person and turn
• 13:45
  Speaker 14: the other cheek and it's like, sometimes you do want
• 13:48
  Speaker 14: to get down and dirty and get on that person
• 13:50
  Speaker 14: same level, but I will never give anyone that power
• 13:53
  Speaker 14: over me.
• 13:53
  Speaker 16: So it's like, you know, I'm gonna pray it away.
• 13:55
  Speaker 16: So it was quite easy to.
• 13:56
  Speaker 14: Finish out the song because there has been people who
• 13:59
  Speaker 14: have tried me and I love it.
• 14:01
  Speaker 16: I really.
• 14:03
  Speaker 4: When the last time you really wanted a person hurt,
• 14:05
  Speaker 4: because that's what the song is, That's what the.
• 14:07
  Speaker 5: Song is about. You want a person hurt, but didn't
• 14:09
  Speaker 5: having to pray it away.
• 14:09
  Speaker 14: I think the last time I felt like I wanted
• 14:11
  Speaker 14: somebody to hurt five days ago.
• 14:13
  Speaker 5: Yeah, five days she said, how long?
• 14:21
  Speaker 17: Yeah you need hurt though you don't really mean hurt,
• 14:23
  Speaker 17: You just mean like you want them to feel how
• 14:25
  Speaker 17: you feel.
• 14:25
  Speaker 14: Yes, okay, like, but the thing is we never have
• 14:28
  Speaker 14: to do the work like karma speaks for itself true,
• 14:31
  Speaker 14: you know, So never give someone power to.
• 14:34
  Speaker 16: Get you out of your characters.
• 14:35
  Speaker 17: And you've never been like or you don't believe in
• 14:38
  Speaker 17: like Spike, like I got to get my get back.
• 14:40
  Speaker 14: I don't because I don't want it to come back
• 14:42
  Speaker 14: to me in turn. So I just let them dig
• 14:45
  Speaker 14: themselves in a ditch.
• 14:46
  Speaker 5: We come on with Chloe Bailey. When we come back,
• 14:48
  Speaker 5: don't move.
• 14:49
  Speaker 11: It's the Breakfast Club, Good Morning the Breakfast Club NV.
• 14:56
  Speaker 11: Charlamagne the God. We are to Breakfast Club. We have
• 14:59
  Speaker 11: not listen on here. We're still kicking it with Chloe
• 15:01
  Speaker 11: Bailey Nava.
• 15:02
  Speaker 17: So you talked about stepping into your sexuality on the album,
• 15:05
  Speaker 17: and obviously we've been seeing it in the music videos
• 15:07
  Speaker 17: and stuff like that. But swarm that clip that was
• 15:10
  Speaker 17: trending on Twitter. People were making it sound like I'm
• 15:13
  Speaker 17: getting close, like did you see?
• 15:14
  Speaker 3: Did you see?
• 15:15
  Speaker 17: I'm like, what, I guess? I go look at it
• 15:17
  Speaker 17: and then I look and I'm like, it's really not that.
• 15:19
  Speaker 17: It's two seconds, Yeah, it's really not that.
• 15:21
  Speaker 5: Yeah, christ well but that's like ten minutes. Okay, So
• 15:27
  Speaker 5: this is man, y'all. Don't ever think about us, right,
• 15:30
  Speaker 5: never think about us.
• 15:31
  Speaker 14: So, because God is good, lessons are flowing. I'm an
• 15:35
  Speaker 14: actress as well. What I love about acting is that
• 15:37
  Speaker 14: I'm not Chloe whenever I'm playing that certain character and
• 15:41
  Speaker 14: shout out to Donald Glover, Jenny Neighbors, Dominique Fishback and
• 15:44
  Speaker 14: Damnson like we had the best time. And when I
• 15:46
  Speaker 14: was shooting on that set, I fell more in love
• 15:48
  Speaker 14: with acting.
• 15:49
  Speaker 16: I barely wore makeup everything was shot on.
• 15:51
  Speaker 14: Film and music, you win and thrive off of being
• 15:55
  Speaker 14: this image of perfection or whatnot. Like you get clown
• 15:59
  Speaker 14: for messing up or tripping or falling on stage or
• 16:01
  Speaker 14: looking a hot mess on the carpet. But with acting,
• 16:05
  Speaker 14: that's where the beauty is, with all of the flaws
• 16:08
  Speaker 14: and you know, the imperfections and things like that. So
• 16:11
  Speaker 14: I fell in love with the script. Now I totally like,
• 16:15
  Speaker 14: didn't even connect. Oh, I have to do a sex scene.
• 16:17
  Speaker 14: I've never done a sex scene before, And I was like, okay, well,
• 16:20
  Speaker 14: I'm not the focus of the scene. It's really about
• 16:22
  Speaker 14: the shock value of Dre and Khalid watching each other
• 16:26
  Speaker 14: and like you see the obsession between the sister's form
• 16:29
  Speaker 14: at the beginning.
• 16:30
  Speaker 3: It awkward shooting.
• 16:31
  Speaker 16: No, you see me for two seconds in the mirror
• 16:34
  Speaker 16: and and you did not see you did not even
• 16:37
  Speaker 16: see crack.
• 16:38
  Speaker 3: You saw everything.
• 16:39
  Speaker 14: You saw everything that you see from me on stage, Like,
• 16:43
  Speaker 14: let's keep it real.
• 16:44
  Speaker 11: Did you have to call like when you told your dad, hey, dad,
• 16:47
  Speaker 11: this is the scene or you know, how was that
• 16:49
  Speaker 11: conversation The Dad's still gonna be a dad, my daughter's Yeah,
• 16:53
  Speaker 11: I don't care for sure.
• 16:55
  Speaker 14: Yeah, I feel like dads will always look at their
• 16:56
  Speaker 14: little girls like they're still little, and that's totally fine.
• 17:00
  Speaker 14: One thing I will say about my parents is that
• 17:02
  Speaker 14: they know this is our job.
• 17:04
  Speaker 5: And so what was it called? You called the Hey dad,
• 17:06
  Speaker 5: Hi baby? How you feeling? I just shooting?
• 17:08
  Speaker 7: What did you shoot?
• 17:09
  Speaker 1: Go?
• 17:10
  Speaker 3: Okay?
• 17:10
  Speaker 14: So it wasn't about the shoot. It was about when
• 17:12
  Speaker 14: I first got it. And you know when the agents
• 17:15
  Speaker 14: will call and be like congrats, d D da da,
• 17:17
  Speaker 14: And after I got it, I think my dad read
• 17:19
  Speaker 14: the script and he's like, oh.
• 17:20
  Speaker 16: Okay, it's like, yeah, he deleted Twitter. No, it was
• 17:28
  Speaker 16: just me. I had to hop on a flight right
• 17:30
  Speaker 16: after I met you.
• 17:31
  Speaker 4: The intern that doesn't realize how much more money they
• 17:33
  Speaker 4: make you because a two seconds scene caused them to
• 17:37
  Speaker 4: lose their mind. Like that, all that's gonna make other
• 17:39
  Speaker 4: people say is, oh, we gotta get clothe in on movies.
• 17:41
  Speaker 4: We gotta get clothing, gotta get Cloe endorsement deals.
• 17:45
  Speaker 17: I like how you were said it's working. When you say,
• 17:50
  Speaker 17: like acting, you can be imperfect and the music has
• 17:54
  Speaker 17: to be perfect. Why can't you bring the imperfections to
• 17:56
  Speaker 17: the music, Because I think, like, like with Dope about
• 17:59
  Speaker 17: Cardi b is that you could hear she's from the Bronx,
• 18:01
  Speaker 17: you know what I mean, And like the spanglish she
• 18:03
  Speaker 17: uses sometimes like why can't it be both?
• 18:05
  Speaker 16: Well, I do do both.
• 18:07
  Speaker 14: But that's what people ridicule me for being imperfect, not
• 18:10
  Speaker 14: being the type of image they want me to be.
• 18:13
  Speaker 14: People say they want certain things, and then when you
• 18:16
  Speaker 14: do it, that's what they used to.
• 18:17
  Speaker 16: Pick on you.
• 18:18
  Speaker 4: The weirdest thing is when people say things like, she
• 18:20
  Speaker 4: don't know who she is, she's not being herself.
• 18:22
  Speaker 5: You don't know her. Thank you, you don't even know her.
• 18:25
  Speaker 16: I'm sure they'd like me if they meet me. I'm
• 18:26
  Speaker 16: a really nice person.
• 18:29
  Speaker 11: I wanted to ask, you're on a solo out tour. Yeah,
• 18:32
  Speaker 11: does that mean that you're not going to be a
• 18:35
  Speaker 11: special guest or that you are going to be a
• 18:36
  Speaker 11: special guest on somebody else's store coming up?
• 18:39
  Speaker 14: Well, I'm definitely. I'm definitely going to see the show
• 18:43
  Speaker 14: for sure. And it's been exciting, like seeing what I've
• 18:47
  Speaker 14: been doing for myself, Like I've never headlined a solo
• 18:51
  Speaker 14: tour ever sis and I never got to do it
• 18:53
  Speaker 14: from Godly Hour because we were in the midst of
• 18:55
  Speaker 14: a pandemic, So I really didn't know what to expect
• 18:57
  Speaker 14: going into it, Like when I announced it, even for
• 19:00
  Speaker 14: the album Dropped, I was a little nervous, like what
• 19:02
  Speaker 14: people want to come?
• 19:03
  Speaker 16: Things like that.
• 19:04
  Speaker 14: Every night, I'm like telling my god MoMA and my team,
• 19:06
  Speaker 14: I'm like, what do you see out there?
• 19:08
  Speaker 16: Like people out there?
• 19:08
  Speaker 14: Like for some reason, it doesn't click that people are
• 19:11
  Speaker 14: there to see me correct and it's sold out, And
• 19:13
  Speaker 14: I think when you're constantly used to people telling you otherwise,
• 19:17
  Speaker 14: a part of you, as much as you don't want
• 19:19
  Speaker 14: to begins to believe it. But then when I step
• 19:22
  Speaker 14: out on that stage and I see it and I
• 19:24
  Speaker 14: hear it, it's not like people are just watching me
• 19:26
  Speaker 14: being quiet, like they're singing the words back to me.
• 19:29
  Speaker 14: They're giving me that energy and that love.
• 19:31
  Speaker 16: You can't fake that. You can't buy that and make
• 19:35
  Speaker 16: up numbers. You can't do that with that. That's real.
• 19:38
  Speaker 14: So as long as I'm connecting with the ones who
• 19:40
  Speaker 14: love me and I'm doing what makes me happy, that's
• 19:43
  Speaker 14: really all that matters.
• 19:44
  Speaker 4: And it's also okay to have you. People say, don't
• 19:46
  Speaker 4: ask me no Beyonce questions. I love Beyonce. When I'm
• 19:49
  Speaker 4: my own inthity a right, because I mean, I'm sure
• 19:51
  Speaker 4: Kelly Michelle, everybody's gone through that that is stooding next
• 19:54
  Speaker 4: to that great person you called Beyonce's Okay.
• 19:58
  Speaker 14: Yeah, I mean she is Beyonce. Everybody wants to know
• 20:00
  Speaker 14: about her. So I'm just like cool, like I don't
• 20:02
  Speaker 14: really look much into it.
• 20:04
  Speaker 5: Are you gonna be opening up for her? Exactly about Beyonce?
• 20:11
  Speaker 16: My family?
• 20:14
  Speaker 5: Let's practice. Are you gonna be opening up for Beyonce?
• 20:17
  Speaker 14: I plead the fifth don't okay, okay, no, no, no, no no,
• 20:22
  Speaker 14: I'm nice okay, and you're my family, and now I
• 20:26
  Speaker 14: do cuss.
• 20:27
  Speaker 5: Are you gonna be opening up for Beyonce?
• 20:29
  Speaker 3: I don't know.
• 20:33
  Speaker 5: Take that clip and no questions beyond was gonna go everywhere?
• 20:38
  Speaker 3: That would be great.
• 20:39
  Speaker 5: Now with all the critique you get from being.
• 20:41
  Speaker 11: By the Way guy, she said she didn't know. She
• 20:42
  Speaker 11: didn't say no, she said, she says, says she's not
• 20:44
  Speaker 11: we heard, just.
• 20:45
  Speaker 4: Put all the critique you get from being a music
• 20:47
  Speaker 4: artis doesn't make you just want to stay in acting
• 20:49
  Speaker 4: because of because of the freedom that you're getting acting.
• 20:51
  Speaker 14: That's a really great question in this past week that
• 20:55
  Speaker 14: crossed my mind.
• 20:56
  Speaker 3: A few times and.
• 20:57
  Speaker 14: I got over it like two three days ago though,
• 21:00
  Speaker 14: really yeah, And I was like when people make you doubt,
• 21:04
  Speaker 14: and especially as creatives, we already doubt everything we do,
• 21:07
  Speaker 14: so you begin to think like, oh, well, maybe this
• 21:09
  Speaker 14: isn't for me, But then I would be going against
• 21:12
  Speaker 14: the exact reason why God put me here. So why
• 21:17
  Speaker 14: like pray it away, never lessen yourself to please somebody else,
• 21:22
  Speaker 14: And that's an everything.
• 21:24
  Speaker 5: Chloe Bailey, Ladies and gentlemen, thank you for joining.
• 21:26
  Speaker 16: Thank you guys.
• 21:27
  Speaker 3: I love you always.
• 21:28
  Speaker 5: And it's the Breakfast Club. It's Chloe Balley.
• 21:34
  Speaker 2: It's topic time called eight hundred and five five one
• 21:38
  Speaker 2: five one to join into the discussion with the Breakfast Club.
• 21:42
  Speaker 7: Morning.
• 21:43
  Speaker 11: Everybody's the DJ, Envy Charlamagne the guy. We are the
• 21:46
  Speaker 11: Breakfast Club. We get our guest co hosts Claudia Jordan
• 21:49
  Speaker 11: with the murder. And it's Friday, so you know what
• 21:51
  Speaker 11: that means, freaking freaky and freaky Friday. And the freaky freaky,
• 21:55
  Speaker 11: freaky Friday question comes from a white boy rick shout.
• 21:59
  Speaker 11: The white boy Ricky supports me at all my car shows.
• 22:01
  Speaker 11: But the question is, you know he got allegedly got
• 22:03
  Speaker 11: into an incident where he said another woman's name while
• 22:06
  Speaker 11: he was having sex and him and a woman got
• 22:08
  Speaker 11: into an altercation.
• 22:09
  Speaker 5: I'll say allegedly I heard.
• 22:11
  Speaker 11: There's more to the story that I'll let him tell it,
• 22:13
  Speaker 11: but we're taking it away from there and asking what
• 22:15
  Speaker 11: turnoffs in the bed for you, Charloma said.
• 22:18
  Speaker 5: Charlamagne says, nothing. Everything. I don't even when your kids
• 22:22
  Speaker 5: not going to door.
• 22:24
  Speaker 4: You got four, But that's different. That's not a turnoff.
• 22:26
  Speaker 4: And I can say that an interruption. I'm not turned
• 22:29
  Speaker 4: off when they're not going to do it. Just you're interrupted.
• 22:31
  Speaker 5: I got to start back up. It's like you know
• 22:33
  Speaker 5: the car, you gotta.
• 22:33
  Speaker 4: Go interrupted, and turnoff is when you just like turned off.
• 22:37
  Speaker 5: No, no, I'm gonna think. I think.
• 22:39
  Speaker 4: I mean, I haven't experienced this quite quite quite a
• 22:42
  Speaker 4: long time, but yeah, I think older, like Caudia said.
• 22:44
  Speaker 6: Yeah, like if a guy has bad breathing, like let
• 22:47
  Speaker 6: you boobs and then you got anything like that's you
• 22:57
  Speaker 6: Like I like a little bit of a pressure around
• 22:59
  Speaker 6: my neck sometimes right if they do it too hard,
• 23:02
  Speaker 6: like like you're choking a man like I'm a woman,
• 23:04
  Speaker 6: like be gentle with it, like beast.
• 23:07
  Speaker 5: Tell somebody like that look too strong. This isn't for you,
• 23:11
  Speaker 5: This isn't your thing.
• 23:12
  Speaker 11: That would be messed up. You are sexually choked somebody like.
• 23:16
  Speaker 6: It's not supposed to really supposed to be kind of
• 23:18
  Speaker 6: like a fantasy.
• 23:20
  Speaker 5: Somebody up here says something.
• 23:22
  Speaker 4: We was talking and he said that when he's doing it,
• 23:25
  Speaker 4: and the young lady is like, you know, are you
• 23:28
  Speaker 4: there yet?
• 23:29
  Speaker 5: Are you there yet? You know what I mean?
• 23:30
  Speaker 4: Because that shows that she might not be enjoying it,
• 23:32
  Speaker 4: but want to finish.
• 23:35
  Speaker 5: That's to wrap it up music.
• 23:36
  Speaker 4: Yeah, but that's not when you get that, it's like,
• 23:39
  Speaker 4: oh man, but he was having a good time, not
• 23:41
  Speaker 4: for nothing.
• 23:42
  Speaker 11: The person you're talking about is big, you know what
• 23:44
  Speaker 11: I mean? And so you didn't have to say all
• 23:45
  Speaker 11: that you said it. So I'm just saying I say
• 23:47
  Speaker 11: that his name is big Mac could So the person
• 23:50
  Speaker 11: is big.
• 23:50
  Speaker 5: So just imagine, you know, the wait on you and
• 23:52
  Speaker 5: she's like what you man?
• 23:54
  Speaker 3: Right, that's your man?
• 23:57
  Speaker 5: That's why? Why?
• 23:58
  Speaker 4: What?
• 23:58
  Speaker 5: What? What that for? You say?
• 24:00
  Speaker 6: If she's on the bottom, correct, If she's on the bottom,
• 24:02
  Speaker 6: to be it's hard to be on the bottom.
• 24:03
  Speaker 5: Of it from the bar he's behind her. He wasn't
• 24:07
  Speaker 5: on tough for her behind. You can do a badine
• 24:09
  Speaker 5: to wait behind.
• 24:11
  Speaker 6: Sometimes from the back, it really hurts something.
• 24:13
  Speaker 5: You didn't really you really get to it? I said, yes,
• 24:15
  Speaker 5: like I know, right, And you and your.
• 24:19
  Speaker 6: Boys were mad high too, like you meant that.
• 24:24
  Speaker 5: From the back it really hurts.
• 24:26
  Speaker 11: Yeah, let's go to the fool last.
• 24:31
  Speaker 5: You're telling yourself nothing right today? Hello this.
• 24:38
  Speaker 13: Droit.
• 24:39
  Speaker 5: What's up?
• 24:39
  Speaker 9: Bro?
• 24:40
  Speaker 5: What? What are some turnovers in the bedroom for you?
• 24:42
  Speaker 7: Bro?
• 24:43
  Speaker 3: Man?
• 24:43
  Speaker 12: You know when you get the nibble on ear and
• 24:45
  Speaker 12: that hair stink man? Sometimes the hair.
• 24:48
  Speaker 5: The hairstank you said hair, Yeah.
• 24:50
  Speaker 3: You know the hair.
• 24:52
  Speaker 5: You know the oh yeah, yeah, hairstink.
• 24:55
  Speaker 3: You gotta wash the weaves.
• 24:56
  Speaker 5: Ladies, Hello, who's this?
• 24:59
  Speaker 7: What's up? What? What?
• 25:00
  Speaker 5: What turned you off in the bedroom?
• 25:02
  Speaker 4: Fish legs and black pantyhole fish legs and black pantyhole fish.
• 25:06
  Speaker 5: That's a fish? What a fish smell? Yeah?
• 25:10
  Speaker 12: Yeah, flats. So when you take the pant and herds
• 25:17
  Speaker 12: and and then you ad like you're gonna get some
• 25:19
  Speaker 12: fake some fish tackler, that's what I mean. That smells.
• 25:25
  Speaker 4: My daddy said, if it smelled like alone, leave it alone.
• 25:27
  Speaker 4: If it smell like fish, eat all you wish.
• 25:30
  Speaker 3: No No, No, your daddy, So you see you're wrong.
• 25:35
  Speaker 5: Your father told you that.
• 25:36
  Speaker 4: My daddy used to say all the time, smell like alone,
• 25:38
  Speaker 4: leave it alone.
• 25:39
  Speaker 5: If it smell like fish, eat all you would you
• 25:40
  Speaker 5: have throats a lot.
• 25:42
  Speaker 4: No, that's some good advice, think about it.
• 25:47
  Speaker 5: Hello, good morning, good morning.
• 25:51
  Speaker 15: My name is Jasmine.
• 25:52
  Speaker 5: Something your pop say Jasmine?
• 25:54
  Speaker 15: Good morning. So my my biggest turn off is when
• 25:58
  Speaker 15: we're tonguing each other down where hot and heavy in
• 26:00
  Speaker 15: the moment, and then you want a tongue my ear
• 26:04
  Speaker 15: and I'm hearing that like nasty lit back and and
• 26:09
  Speaker 15: all that extra how I'm thirty one.
• 26:14
  Speaker 11: Yeah, because in the twenties, where you where where you
• 26:17
  Speaker 11: you put your tongue on in somebody's that's gross.
• 26:23
  Speaker 5: Everybody tried.
• 26:27
  Speaker 15: I don't care how clean. I don't care how clean
• 26:29
  Speaker 15: you are, how much you wear clean your ears.
• 26:32
  Speaker 1: No.
• 26:33
  Speaker 9: No, which is.
• 26:34
  Speaker 4: Crazy though, because you probably like it in your hang
• 26:38
  Speaker 4: up on the I didn't mean to hang out.
• 26:39
  Speaker 5: I don't know you're gonna go, but you didn't know.
• 26:41
  Speaker 3: You've been doing.
• 26:44
  Speaker 7: It every time.
• 26:47
  Speaker 15: Hello, Okay, what's up?
• 26:52
  Speaker 5: I'm sorry. We just have the butt talks.
• 26:55
  Speaker 11: Friday, we asked you what what is some turnovers in
• 26:57
  Speaker 11: the bedroom for your mama.
• 26:59
  Speaker 15: For me, a turn off is no rhythm except the
• 27:03
  Speaker 15: pubic hair, like that's too nappy, that's not cut and maintain.
• 27:06
  Speaker 15: It's just overall not knowing what you're doing.
• 27:07
  Speaker 9: Because we're too old, not for you, for you not
• 27:10
  Speaker 9: to be noring what you're doing at this point.
• 27:12
  Speaker 5: Well, you men can always learn. Everybody can always learn,
• 27:14
  Speaker 5: and they can cut their pubic here off. But bad rhythm,
• 27:16
  Speaker 5: you can't fix that.
• 27:17
  Speaker 6: Like they have that like that real quick, like that
• 27:19
  Speaker 6: rabbit thing.
• 27:20
  Speaker 10: Yeah, you had to have the ego like they know
• 27:22
  Speaker 10: what they're doing, but they don't please right, So what.
• 27:25
  Speaker 1: Do you do?
• 27:26
  Speaker 5: You're telling me you can't dance?
• 27:27
  Speaker 6: Just say slow down, baby, I'm just slow down, like
• 27:29
  Speaker 6: we're on different rhythms.
• 27:31
  Speaker 5: Hello, Who's this is your boy?
• 27:33
  Speaker 9: Love me from the brond a look at bathing?
• 27:36
  Speaker 5: All right? Love you? So what are some turnofs for you?
• 27:38
  Speaker 14: Bro?
• 27:39
  Speaker 18: It's freaky Friday. So I have the problem I have
• 27:43
  Speaker 18: with Queen. If you don't want a well doubt man,
• 27:46
  Speaker 18: don't sign up for it. I got a hostess woman.
• 27:50
  Speaker 18: It took a three months. We dow the room, she
• 27:54
  Speaker 18: got dressed and walked away after you blew it.
• 27:57
  Speaker 9: After she saw it, She got dressed to walk away
• 28:00
  Speaker 9: after seen at thirteen and a half.
• 28:02
  Speaker 5: So I need you never met Claudia. This our guy,
• 28:05
  Speaker 5: love you Love is his name.
• 28:06
  Speaker 11: He has a thirteen and a half inch penis, right okay,
• 28:09
  Speaker 11: So he says a lot of women are scared of it.
• 28:11
  Speaker 11: So he says, when when when you know women I
• 28:13
  Speaker 11: guess walk away when they see it.
• 28:15
  Speaker 5: That's a turnoff. So technically your penis is the turnof
• 28:17
  Speaker 5: yeah is your is you?
• 28:18
  Speaker 7: Brother?
• 28:18
  Speaker 6: You get me mad at her for that though. She
• 28:20
  Speaker 6: knows her limitations, But then they put restrictions on you,
• 28:24
  Speaker 6: like I can't have I can only make you marry.
• 28:27
  Speaker 4: I don't feel sorry for the woman that I don't
• 28:29
  Speaker 4: feel sorry for you.
• 28:30
  Speaker 5: Sorry, you know how that feels like envy?
• 28:34
  Speaker 7: Man?
• 28:34
  Speaker 5: I have no I don't. I'd be scared you. I
• 28:39
  Speaker 5: have no thirteen and a half inches going in Jesus, Hello,
• 28:43
  Speaker 5: who's this?
• 28:44
  Speaker 9: Heyus an Tom from South Carolina?
• 28:46
  Speaker 5: And so I see you all day.
• 28:48
  Speaker 11: We're talking, uh freaky Friday. We're just asking, you know,
• 28:51
  Speaker 11: what are some turn offs in the baron?
• 28:52
  Speaker 5: Brother? Uh?
• 28:54
  Speaker 18: You know when you're getting it in you hear a
• 28:56
  Speaker 18: fart noise and they come out the one that thinks,
• 28:59
  Speaker 18: not the one that wants.
• 29:00
  Speaker 5: Oh you're talking about I disagree? What what far are
• 29:03
  Speaker 5: you talking about?
• 29:04
  Speaker 7: You like that?
• 29:05
  Speaker 5: I like that? You mean queen for you're talking about fart?
• 29:08
  Speaker 9: Yeah, yeah, maybe the win cold, but I.
• 29:11
  Speaker 5: Ain't wait even a queen for f What do you
• 29:14
  Speaker 5: mean he's talking about fart? Fart? Yeah, you're mistaken quefs
• 29:19
  Speaker 5: for fart.
• 29:19
  Speaker 6: Bro Yeah, pretto much area. That means you've been going fast,
• 29:23
  Speaker 6: you pumped at real fast.
• 29:24
  Speaker 4: But I think he's thinking he's talking about coming out
• 29:26
  Speaker 4: the back end. Man, that's just nasty. I am a
• 29:28
  Speaker 4: member of a tribe called queen. I love a good queen.
• 29:30
  Speaker 4: I don't think you're talking.
• 29:33
  Speaker 6: If a girl farts with you, she don't really like
• 29:35
  Speaker 6: you that much. And best believe, best believe it's coming
• 29:43
  Speaker 6: the group chat. I fought in his face one of
• 29:46
  Speaker 6: my friends that she did that she didn't care about him.
• 29:49
  Speaker 5: You girls are experts.
• 29:51
  Speaker 7: Are holding in that far.
• 29:52
  Speaker 6: We do it our entire life. If far se, she
• 29:54
  Speaker 6: does not care, she don't care.
• 29:55
  Speaker 5: About you at all. She's like, what is that way?
• 29:57
  Speaker 5: That's that? Another way to stay?
• 29:58
  Speaker 7: Wrap it up?
• 29:59
  Speaker 5: To wrap it. Jesus, what's the mall of the story, guys,
• 30:03
  Speaker 5: I don't know. That's Claudia thirteen inches too much? So
• 30:06
  Speaker 5: you got she's still the stuff going that y'all like.
• 30:08
  Speaker 3: Think like what five? Six inches?
• 30:09
  Speaker 5: What do y'all think?
• 30:11
  Speaker 11: Show me?
• 30:11
  Speaker 5: What do you like?
• 30:12
  Speaker 6: Eight?
• 30:13
  Speaker 5: What do I like? What you're talking about? All right?
• 30:15
  Speaker 5: Well that between one and thirteen? No, I don't know
• 30:18
  Speaker 5: what y'all. I think I heard the thirteen half. All right.
• 30:23
  Speaker 11: The Breakfast Club, Good morning, everybody is TJ MV.
• 30:30
  Speaker 5: Charlamagne the God. We are the Breakfast Club. Jess Hilarius,
• 30:32
  Speaker 5: I guess co hosts, and we.
• 30:34
  Speaker 11: Got a special guest in the building, Sexorade.
• 30:37
  Speaker 5: What's up?
• 30:37
  Speaker 11: Yeah?
• 30:38
  Speaker 5: What's up? How are you? First of all, you pregnant,
• 30:40
  Speaker 5: you're blowing up and you still gotta work. So how
• 30:42
  Speaker 5: you feeling this morning?
• 30:46
  Speaker 3: Early?
• 30:46
  Speaker 5: Then your doctor say relax and take it easy. You
• 30:50
  Speaker 5: ain't been listening. I've been seeing you.
• 30:51
  Speaker 11: You've been working, traveling, doing shows, videos.
• 30:55
  Speaker 3: Every time I go to the doctor, they'd be like,
• 30:56
  Speaker 3: you're still working. You need to sit down.
• 30:59
  Speaker 5: Yeah, do you feel you're gonna miss the moment if
• 31:01
  Speaker 5: you don't?
• 31:02
  Speaker 13: You know, if you I gotta get I can't stop work.
• 31:04
  Speaker 13: I gotta get this money. Yeah, work, don't stop bringing
• 31:07
  Speaker 13: absolutely well. When you came in here, I spoke to you,
• 31:10
  Speaker 13: and the first thing you said, no, you can at
• 31:12
  Speaker 13: least look at me. Want to look at you real
• 31:14
  Speaker 13: you ain't gotta mess with me. But y'all, I was
• 31:21
  Speaker 13: gonna say, yeah, no. I spoke to her, and she said,
• 31:27
  Speaker 13: I don't mess with you, Jess, And I said why.
• 31:29
  Speaker 13: She said, could you be sneak this? And I said,
• 31:30
  Speaker 13: all right, tell me what's wrong? Tell me about it?
• 31:32
  Speaker 3: What's up?
• 31:34
  Speaker 7: All right?
• 31:34
  Speaker 3: Let me know why you this? How do you feel
• 31:37
  Speaker 3: like I sneak this? I be, I see everything. I
• 31:40
  Speaker 3: was trying to make sure y'all wouldn't sneak this before
• 31:41
  Speaker 3: I came up here too.
• 31:43
  Speaker 5: What she do? Okay?
• 31:45
  Speaker 3: When I got along, I'll find it for y'all.
• 31:49
  Speaker 5: You just know what it is.
• 31:50
  Speaker 3: You don't remember, maybe I do remember. I ain't got
• 31:52
  Speaker 3: to bring it up though.
• 31:55
  Speaker 5: Let me google. Let me see you gotta really google,
• 31:57
  Speaker 5: just want to see.
• 31:58
  Speaker 13: It'll be a couple of times I didn't seeing you
• 32:00
  Speaker 13: comment under something under the Instagram that got something to
• 32:03
  Speaker 13: me like I'll just be like, why why But I
• 32:07
  Speaker 13: have never.
• 32:09
  Speaker 3: Talking about me before. I see everything. I remember everybody's
• 32:12
  Speaker 3: faces right as you should.
• 32:15
  Speaker 5: So you knew when you saw just last you didn't
• 32:17
  Speaker 5: want to say nothing to her.
• 32:18
  Speaker 3: Yeah, I didn't even know she was gonna be here today,
• 32:20
  Speaker 3: or you wouldn't have can.
• 32:21
  Speaker 5: I mean, I was gonna say, come on.
• 32:23
  Speaker 3: Yo, I was still came.
• 32:26
  Speaker 5: Litten. Let me ask you something.
• 32:27
  Speaker 4: Did anybody trying to talk to you out of having
• 32:28
  Speaker 4: the baby because of the way your career is going?
• 32:31
  Speaker 5: M Was it the label or no?
• 32:33
  Speaker 13: My label said I'm grown, Like, yeah, what what's the
• 32:38
  Speaker 13: baby planned?
• 32:39
  Speaker 7: Yo?
• 32:39
  Speaker 3: I can't ask you no questions with the baby exactly.
• 32:43
  Speaker 3: I can't ask you, you know, I can't ask you.
• 32:45
  Speaker 5: No questions with the baby.
• 32:47
  Speaker 3: Just answered to him.
• 32:48
  Speaker 13: Like, yo, I got some questions, like for real, just
• 32:51
  Speaker 13: answering look over there and ask him you ain't.
• 32:53
  Speaker 5: Got the baby planned?
• 32:56
  Speaker 3: Kind and kind of not. I mean, I was shocked
• 32:59
  Speaker 3: when they happen, but I was I wanted another.
• 33:02
  Speaker 5: Baby though at this time, or you was gonna wait off?
• 33:05
  Speaker 13: I mean, I ain't on my career was finish like
• 33:07
  Speaker 13: I was like that, But I did want the baby
• 33:08
  Speaker 13: because my son he already three so I'm like, I
• 33:11
  Speaker 13: want another baby.
• 33:12
  Speaker 5: When did you realize your career was taken off.
• 33:14
  Speaker 3: When I first dropped pouting Dawn?
• 33:17
  Speaker 13: But I remember back in twenty eighteen you redid but
• 33:21
  Speaker 13: that's a Carlton's one thousand miles. You know you did
• 33:23
  Speaker 13: a thousand drugs. That's that's like the first thing that
• 33:26
  Speaker 13: you really did that got you like on the map though,
• 33:28
  Speaker 13: right online, Charagne, that's call.
• 33:32
  Speaker 5: You did this thing called a thousand jugs, which they
• 33:34
  Speaker 5: didn't even know about.
• 33:36
  Speaker 13: I did my research on you, like I want to.
• 33:40
  Speaker 3: I'm like, man, I ain't had no wrong with her.
• 33:43
  Speaker 3: I used to laugh and heard little videos and all that.
• 33:45
  Speaker 5: I ain't no more. You little video video.
• 33:53
  Speaker 4: That ain't fitin somebody funny. It's a good but not
• 33:57
  Speaker 4: when they get on you. It's so good.
• 33:59
  Speaker 13: I didn't get on a little bit. I just don't
• 34:03
  Speaker 13: agree with everything she's saying.
• 34:04
  Speaker 3: Dude, that's all.
• 34:05
  Speaker 4: When they tried to talk you out of having a baby,
• 34:07
  Speaker 4: what did you say to them?
• 34:09
  Speaker 13: I'm like, I don't like when people do stuff like that,
• 34:11
  Speaker 13: because if I'm happy about my baby, then I don't
• 34:13
  Speaker 13: need nobody in my ear life aboard it.
• 34:15
  Speaker 5: Like I ain't liked it, especially for a career, you
• 34:19
  Speaker 5: know what I mean?
• 34:19
  Speaker 13: Yeah, like I still got a whole life to live, Like,
• 34:22
  Speaker 13: I don't do this for nobody.
• 34:24
  Speaker 5: Were you for me?
• 34:24
  Speaker 4: Were you inspired by other people who like, you know,
• 34:26
  Speaker 4: like Cardi who said I choose the child over No.
• 34:30
  Speaker 3: I ain't think about none of that. It's my life.
• 34:32
  Speaker 3: I don't live for other people. I really don't. I
• 34:34
  Speaker 3: do what I want to do. Who did you listen
• 34:36
  Speaker 3: to growing up?
• 34:37
  Speaker 5: Like?
• 34:37
  Speaker 3: Who inspired you?
• 34:38
  Speaker 5: Yo?
• 34:38
  Speaker 3: You still? Can you please just look at me one time?
• 34:42
  Speaker 7: Oh? She looking at me?
• 34:43
  Speaker 3: All right?
• 34:43
  Speaker 13: It's a video that you that you did where you
• 34:46
  Speaker 13: said the most romantic thing that ever happened to you,
• 34:49
  Speaker 13: that a guy is done is rob somebody and then
• 34:52
  Speaker 13: give you the money. Why was that romantic to you?
• 34:54
  Speaker 13: I did say something about that because okay, what if
• 34:58
  Speaker 13: you were the woman that he robbed?
• 35:02
  Speaker 5: Damn?
• 35:02
  Speaker 3: Okay.
• 35:03
  Speaker 13: I mean not saying like it was right because it
• 35:04
  Speaker 13: was a dude, but I mean, like, when you're risking
• 35:07
  Speaker 13: your life for me, that.
• 35:09
  Speaker 3: Means something to you.
• 35:10
  Speaker 5: Cool. You cannot ask you to.
• 35:17
  Speaker 3: It's lost up.
• 35:23
  Speaker 5: The way.
• 35:23
  Speaker 3: This is all the means I was you.
• 35:25
  Speaker 5: Know, how did you drake? It's so tight.
• 35:28
  Speaker 3: Because he was mean, Like everybody with me except just he.
• 35:35
  Speaker 5: I agree. Now I'm like, damn everybody except for just
• 35:41
  Speaker 5: like that. That's your people, that's your guy, that's your host.
• 35:44
  Speaker 3: Is crazy?
• 35:46
  Speaker 5: Do ak Is get mad at you because you say Ski?
• 35:48
  Speaker 13: No, I didn't even know that's what they be saying.
• 35:50
  Speaker 13: People tell me and they like, they probably gonna use
• 35:52
  Speaker 13: your song to this. What does it mean? What is
• 35:55
  Speaker 13: the meaning behind Ski? Can you apologize to me first?
• 35:58
  Speaker 13: Sex ologize for offending you in any way. I do
• 36:03
  Speaker 13: not have beef with you. I just don't agree with
• 36:06
  Speaker 13: everything you're doing.
• 36:08
  Speaker 5: But I do love.
• 36:09
  Speaker 3: You as an artist.
• 36:10
  Speaker 13: I love you as a woman right because I heard
• 36:12
  Speaker 13: you listening to my songs, and then that's that before
• 36:15
  Speaker 13: and then that's as I've seen you down talking to me.
• 36:19
  Speaker 4: No man, but you have to know, Sexy Red, you
• 36:21
  Speaker 4: are a public figure. Now, people gonna have it.
• 36:25
  Speaker 5: Don't start, don't bring that, don't start right. Okay, let's listen.
• 36:30
  Speaker 5: Let's listen a little wild back.
• 36:32
  Speaker 13: Sexy Red got a lot of attention for saying that
• 36:34
  Speaker 13: she trusted the wrong guy that gave her chlamydia twice,
• 36:38
  Speaker 13: and we know that she has never been shy about
• 36:40
  Speaker 13: the details of her sex life because she told my
• 36:45
  Speaker 13: video guy when he asked her a question about her
• 36:49
  Speaker 13: and we got that we met her, Did I.
• 36:56
  Speaker 4: Say that, what's on your list for this ship?
• 37:02
  Speaker 5: Get a lot of oh you know what?
• 37:04
  Speaker 7: Yeah?
• 37:06
  Speaker 3: That felt like, But who would take that seriously?
• 37:08
  Speaker 5: Can I get that thousand? No?
• 37:10
  Speaker 3: No, I told him I was a liar.
• 37:14
  Speaker 13: But now that you used you see what I said like,
• 37:18
  Speaker 13: it ain't yo, It wasn't like that's not the only
• 37:20
  Speaker 13: clip though, Damn.
• 37:22
  Speaker 5: I thought that was the worst one.
• 37:23
  Speaker 3: I've literally never seen. I ain't terping on my uncle.
• 37:27
  Speaker 3: She she's and none of that is.
• 37:30
  Speaker 5: But how do you expect people not to react and
• 37:33
  Speaker 5: stuff like that?
• 37:33
  Speaker 1: Though?
• 37:34
  Speaker 3: And like she said, she'd be playing you know what
• 37:35
  Speaker 3: I mean?
• 37:36
  Speaker 13: Now, I feel like everybody just be coming down on me,
• 37:39
  Speaker 13: like I don't even to say nothing. They just becoming
• 37:41
  Speaker 13: They be trying to talk about my looks like anything
• 37:43
  Speaker 13: I'll do that. I have never ever came at her looks,
• 37:46
  Speaker 13: so nothing never done that, Sea.
• 37:49
  Speaker 3: I can never say that.
• 37:50
  Speaker 5: I'm just saying, I say, look like sexy red around
• 37:52
  Speaker 5: the eyes.
• 37:53
  Speaker 4: She worked here, and what you meant around the eye
• 37:55
  Speaker 4: you'll see if she walk she would have seen.
• 37:58
  Speaker 5: She had the same glass.
• 38:04
  Speaker 3: Somebody looked like me, like, yeah, I ain't got something.
• 38:07
  Speaker 4: Clearly, don't bother you when they say you and thug
• 38:09
  Speaker 4: are like brothers.
• 38:11
  Speaker 11: Yeah that's well, ladies and gentlemen. Sexy Red team. She
• 38:14
  Speaker 11: has an album Hood Hotest Princess out now. And now
• 38:17
  Speaker 11: that we got everything squashed out, we got more with
• 38:19
  Speaker 11: Sexy Red when we come back.
• 38:20
  Speaker 5: It's the Breakfast Club. Good morning morning everybody.
• 38:22
  Speaker 11: In Steve n V Charlamagne the guy we are the
• 38:25
  Speaker 11: Breakfast Club was still kicking it with Sexy Red.
• 38:27
  Speaker 5: Jess Hilaris as our guest co host. Yess, so do you.
• 38:31
  Speaker 3: Do you know what gender the baby is? Nope, Nope,
• 38:33
  Speaker 3: you don't want to know yet.
• 38:35
  Speaker 5: Okay, you don't believe in baby reveals. I feel like
• 38:37
  Speaker 5: you have a fire gender.
• 38:38
  Speaker 13: Revis I was gonna have a fire gender revieal, but no,
• 38:40
  Speaker 13: I ain't gonna do it.
• 38:41
  Speaker 3: I ain't gonna do it.
• 38:42
  Speaker 5: Yeah, why you don't want to do it?
• 38:43
  Speaker 13: Just because just because like I got too much going on,
• 38:47
  Speaker 13: like my life too busy. I ain't My baby show
• 38:50
  Speaker 13: is gonna be like last minute, like right before I
• 38:53
  Speaker 13: can do.
• 38:53
  Speaker 4: So are you happy sexy red like genuinely, Yeah, Okay,
• 38:58
  Speaker 4: I'm happy.
• 38:59
  Speaker 3: I love money.
• 39:00
  Speaker 5: You gotta love money.
• 39:03
  Speaker 4: You gotta do to get it on February. You love
• 39:05
  Speaker 4: all this you gotta do, That's what I mean.
• 39:09
  Speaker 3: And then I'm always busy.
• 39:11
  Speaker 5: It just be have you adjusted to the fame over all?
• 39:14
  Speaker 13: No, because I still be saying maybe, like you know,
• 39:16
  Speaker 13: they gonna take it in and twisted, like I don't
• 39:18
  Speaker 13: be knowing what to say what, and like I just
• 39:21
  Speaker 13: still feel like I'm just a regular, you know. I
• 39:24
  Speaker 13: don't be feeling like I'm no celibrity and people be
• 39:26
  Speaker 13: putting the cames on my face.
• 39:27
  Speaker 3: I'm like, why was they doing all it? Like they
• 39:29
  Speaker 3: be like this will comes with it.
• 39:30
  Speaker 5: I don't be with all it though? Yeah, was you
• 39:32
  Speaker 5: really drink?
• 39:33
  Speaker 4: That was another thing I saw in there after you
• 39:34
  Speaker 4: about drink? No, see doesn't say she's playing to know
• 39:39
  Speaker 4: what you're playing? TEXTI right, and that y'all they take it.
• 39:42
  Speaker 4: I feel like people say the Internet is too serious.
• 39:43
  Speaker 4: That's why I be messing with y'all.
• 39:45
  Speaker 13: Yeah, I play with your heads like that, y'all not
• 39:47
  Speaker 13: gonna really know what's going on, y'all. Just y'all believe
• 39:50
  Speaker 13: anything y'all see, I don't believe everything I see on
• 39:52
  Speaker 13: in there. I be like, man, this's gotta be fake.
• 39:54
  Speaker 13: I be like, man, I don't believe it until I
• 39:56
  Speaker 13: see the proof. Then I was like, Okay, I believe
• 39:58
  Speaker 13: in it. So what a lot of Do you ever
• 40:01
  Speaker 13: feel a way about seeing little kids online reciting your
• 40:05
  Speaker 13: lyrics or like, you know a lot For this past Halloween,
• 40:08
  Speaker 13: a lot of moms dressed their daughters up as sexy
• 40:10
  Speaker 13: red you know, how do you feel about Does that
• 40:12
  Speaker 13: make you feel a way it was like, cause you're
• 40:13
  Speaker 13: not obligated to be anybody's roll.
• 40:15
  Speaker 3: Mout or do you feel the type of way about it?
• 40:17
  Speaker 1: No?
• 40:17
  Speaker 3: I feel like this this what's up?
• 40:19
  Speaker 13: Like because when I was little, I mean, we looked
• 40:21
  Speaker 13: up to the older girls and stuff, even the ones
• 40:23
  Speaker 13: that was bad, Like just because they do bad stuff.
• 40:26
  Speaker 3: That don't mean like they are a person. Now you
• 40:29
  Speaker 3: know bad.
• 40:29
  Speaker 13: People, we still looked up to them. You know, they
• 40:31
  Speaker 13: was probably talking crazy or they don't mean nothing. They
• 40:34
  Speaker 13: just foc with my personality.
• 40:36
  Speaker 4: I feel like, I think when you come from a
• 40:37
  Speaker 4: certain environment, you learn not to judge people for what
• 40:40
  Speaker 4: they do when they're survival.
• 40:41
  Speaker 13: Yeah, that's what I'm saying, like, I don't be judging nobody.
• 40:44
  Speaker 13: I've been like that though. I just let everybody do
• 40:46
  Speaker 13: them because you never know what they going through. So
• 40:48
  Speaker 13: I'll just be like, maybe they did that for a reason,
• 40:50
  Speaker 13: So I don't get mad at nobody.
• 40:52
  Speaker 4: You got people from your hood leaning on you as
• 40:53
  Speaker 4: far as like financials, like yo, rad, I know you've
• 40:56
  Speaker 4: got to throw me something.
• 40:58
  Speaker 13: I just heard that somebody was in the hood talking
• 41:00
  Speaker 13: stuff about me, talking I ain't putting no guns in
• 41:02
  Speaker 13: the hood, and I ain't doing this and that. I'm like,
• 41:04
  Speaker 13: what I mean, I'll be throwing block parties. Are they
• 41:07
  Speaker 13: having barbecue? Ice cream? Like bouncing out. I'll be doing
• 41:10
  Speaker 13: all kind of stuff for the hood. So I'm like,
• 41:12
  Speaker 13: that's crazy.
• 41:13
  Speaker 5: Why do you want you to put guns in there?
• 41:15
  Speaker 3: They think I'm protect y'all? Get it like I got it?
• 41:18
  Speaker 11: Yeah, rich baby Daddy, was your verse actually longer because
• 41:22
  Speaker 11: it seems like it was short?
• 41:23
  Speaker 5: Yes, it was to Drake cut the verse?
• 41:25
  Speaker 13: Yeah, And he cut pieces up because their beat wasn't
• 41:28
  Speaker 13: even on their beat, it was on another beat. And
• 41:31
  Speaker 13: I had did a verse like a sixteen boy and
• 41:35
  Speaker 13: probably a little hook, and then he cut it up.
• 41:37
  Speaker 3: Chopped it up.
• 41:38
  Speaker 13: He put two different songs together. Really, yeah, it was
• 41:41
  Speaker 13: two different songs that should have been your song. That
• 41:43
  Speaker 13: should have been I just think it would have took
• 41:47
  Speaker 13: off more if it was. It was from this that
• 41:48
  Speaker 13: the number one number.
• 41:51
  Speaker 3: The number one I think Drake Madgen take off.
• 41:53
  Speaker 4: Yeah, I know, I like the record. I love the
• 41:55
  Speaker 4: record actually doing so you saw that and they turning up?
• 42:02
  Speaker 4: Did you see the conversation we had about your lyrics?
• 42:05
  Speaker 14: Right?
• 42:05
  Speaker 4: And I was saying that every generation there's a woman
• 42:08
  Speaker 4: rapper who pushes the boundary of lyrics, Like you're not
• 42:11
  Speaker 4: really doing nothing different than Little Kim was doing, or
• 42:14
  Speaker 4: even Salt and Pepper in the eighties, like everybody sitting
• 42:17
  Speaker 4: edgy for that time.
• 42:19
  Speaker 13: That's all I be saying, Like people be getting on me.
• 42:21
  Speaker 13: But I'd be like, why is that the only thing
• 42:23
  Speaker 13: y'all heard? When I say something about it, they take
• 42:26
  Speaker 13: the part and just that's all she's talking about, Like
• 42:28
  Speaker 13: what that's all y'all got from there?
• 42:30
  Speaker 3: I'd be saying all kind of stuff in myself.
• 42:31
  Speaker 5: I mean, be fair. The hook is called Booty Brown.
• 42:34
  Speaker 5: That is the hook the song.
• 42:36
  Speaker 3: That song was strictly about Poundtown. So that's that's nothing. Yeah,
• 42:40
  Speaker 3: but I have yeah catalog where you're not just talking
• 42:44
  Speaker 3: about Like why do we y'all think I just rap
• 42:46
  Speaker 3: about that all day?
• 42:47
  Speaker 4: Like I understand if that's the only song somebody's heard,
• 42:49
  Speaker 4: I can understand why they come to that conclusion.
• 42:52
  Speaker 3: Do you have a favorite song so far of your
• 42:54
  Speaker 3: own Poundtown? Because he got me out the trenches?
• 42:57
  Speaker 5: Yeah, time got you out the trenches. I love it.
• 43:01
  Speaker 9: I knew.
• 43:01
  Speaker 3: I knew it was though. Like when I recorded I
• 43:03
  Speaker 3: came out the booth, I'm like, this is the one.
• 43:05
  Speaker 3: This is gonna get me out the hood. I told everybody.
• 43:07
  Speaker 5: So when your team heard that hook, what.
• 43:10
  Speaker 3: That was, everybody was laughing.
• 43:11
  Speaker 13: We was all in the studio laughing because I was freestyling.
• 43:14
  Speaker 13: And then they was like be serious, like this ain't serious.
• 43:17
  Speaker 13: You ain't serious.
• 43:18
  Speaker 5: Be serious, And he was like, this is gonna be it.
• 43:19
  Speaker 3: I'm like this, They gonna like it. They gonna trust me,
• 43:22
  Speaker 3: and they like, no, they wouldn't believe in it that song.
• 43:25
  Speaker 13: They was just like, but now they'd be like, Okay,
• 43:29
  Speaker 13: she knows she's strategized, she know what she's talking about.
• 43:31
  Speaker 5: She know what her people like.
• 43:32
  Speaker 4: Now people said that you lead your sex tape on
• 43:34
  Speaker 4: purpose because of because of pie time.
• 43:36
  Speaker 5: You wanted them to show. You wanted them to show
• 43:39
  Speaker 5: you wanted your show what color.
• 43:40
  Speaker 13: No, that was the wakest video, bro. I was tired,
• 43:43
  Speaker 13: I'm fat, pregnant, didn't even feel like doing so that's
• 43:46
  Speaker 13: what I'm like.
• 43:46
  Speaker 3: And then that's the one that leaked all kinds of stuff.
• 43:49
  Speaker 5: About the stuff get leaked in twenty three.
• 43:51
  Speaker 3: I don't know. No, it was in a moment and
• 43:56
  Speaker 3: then set the phone down. But I ain't the one
• 43:59
  Speaker 3: that did it.
• 43:59
  Speaker 13: It was in set the phone down, through it and
• 44:01
  Speaker 13: then you know, and then it had excellently pressed.
• 44:04
  Speaker 5: She said she got all types of work on the phone.
• 44:06
  Speaker 5: You don't delete it now now after that, it's my phone.
• 44:10
  Speaker 3: Don't all got your phone. I don't know why they
• 44:13
  Speaker 3: line I did you know what I'm saying? Man, When
• 44:17
  Speaker 3: I say like, I could really go viral, I could be.
• 44:19
  Speaker 5: Done for reasons like that somebody break into your phone.
• 44:23
  Speaker 3: No, nobody broke it to my phone. I already know
• 44:25
  Speaker 3: what happened. I could really be a start if I
• 44:29
  Speaker 3: post the real stuff.
• 44:30
  Speaker 4: I think you should tell people what happened so it
• 44:32
  Speaker 4: don't happen to other people. I just did you said,
• 44:34
  Speaker 4: you just through the phone and okay, this is what happened.
• 44:37
  Speaker 13: It was on Instagram like a little short clip video
• 44:41
  Speaker 13: like just making me on Instagram and saved it to
• 44:43
  Speaker 13: the phone, then through the phone, but the video still
• 44:46
  Speaker 13: was on my screen and then through the phone and
• 44:49
  Speaker 13: it got excellently pressed like that like sent to public. Yeah,
• 44:54
  Speaker 13: like who's gonna do that on purpose? I was like
• 44:56
  Speaker 13: what and this was the way it is, being like
• 44:58
  Speaker 13: y'all really don't want me to post.
• 44:59
  Speaker 3: The real ones? Man, I turns up.
• 45:01
  Speaker 13: I don't think that you posted it yourself. I don't
• 45:04
  Speaker 13: think you looked at yourself because you you it was
• 45:07
  Speaker 13: it took you a minute to post again like you
• 45:08
  Speaker 13: you didn't go on line.
• 45:10
  Speaker 3: I was like it was a minute.
• 45:13
  Speaker 5: I was, yeah, who just managed yourself?
• 45:16
  Speaker 3: Like well that had happened period. Yeah I ain't the one, daddy,
• 45:20
  Speaker 3: It wasn't me.
• 45:21
  Speaker 5: So somebody did it. Yes it was at no, it
• 45:25
  Speaker 5: was an.
• 45:25
  Speaker 13: Accident, but it still was like you dumb, like pay
• 45:28
  Speaker 13: attention to be smatered you moving too loose.
• 45:31
  Speaker 5: Like yeah, yeah, okay, are you in love now? Sexy?
• 45:37
  Speaker 1: Right?
• 45:38
  Speaker 3: Yeah?
• 45:38
  Speaker 5: With the money is everybody wondering who your maybe daddy is.
• 45:42
  Speaker 9: It might be.
• 45:44
  Speaker 5: No, don't do that. I'm a man. Yea a macular conception.
• 45:52
  Speaker 3: Did you see Charlamagne before he you know, had done?
• 45:56
  Speaker 5: I was tight? Yeah, no, I know not.
• 46:00
  Speaker 3: What you get done.
• 46:04
  Speaker 5: Discoloration at least the skin, really bad discoloration at least
• 46:07
  Speaker 5: the skin. Yeah.
• 46:11
  Speaker 3: Oh, just know what the baby is is?
• 46:15
  Speaker 7: That ain't what it's.
• 46:22
  Speaker 13: Ceremony and still get cheated on. I do it just
• 46:25
  Speaker 13: to do it, like because it looks like it looked
• 46:27
  Speaker 13: like a good time. You'll love in front of everybody.
• 46:30
  Speaker 13: But I feel like that Aliday, is you just confessing
• 46:32
  Speaker 13: your love people. So it's the cheating, Like the cheating
• 46:36
  Speaker 13: people be doing some wrong stuff.
• 46:38
  Speaker 4: You could be in a real relationship with somebody who
• 46:40
  Speaker 4: love you and it might be something fidelity on both sides.
• 46:43
  Speaker 7: It's not.
• 46:44
  Speaker 3: So what's the point of us doing all this in
• 46:45
  Speaker 3: front of people?
• 46:46
  Speaker 13: Like we're gonna be together and not mess with other
• 46:48
  Speaker 13: people like it be married people catchings and stuff that's
• 46:52
  Speaker 13: not right. Yeah, you talk about it, okay, I mean
• 46:59
  Speaker 13: only because I got you don't But I don't be
• 47:00
  Speaker 13: the chieating first.
• 47:02
  Speaker 5: And that don't mean you don't love the person.
• 47:04
  Speaker 3: Right, but they don't. That don't mean like I could
• 47:07
  Speaker 3: be faithful.
• 47:08
  Speaker 13: I could be real fair when I was like, but
• 47:09
  Speaker 13: once you saw me, you not faithful, And it's like,
• 47:11
  Speaker 13: what is we doing? Why I gotta be faithful to you?
• 47:15
  Speaker 11: We got more with Sexy Red. When we come back,
• 47:17
  Speaker 11: don't move. It's the Breakfast Club.
• 47:18
  Speaker 5: Good morning morning.
• 47:19
  Speaker 11: Everybody is dj n V Charlamagne to God, we are
• 47:22
  Speaker 11: the Breakfast Club.
• 47:23
  Speaker 5: Were still kicking it with Sexy Red. Yes, ask number thirteen,
• 47:27
  Speaker 5: number thirty ain't my question. There's rumors that what.
• 47:35
  Speaker 13: This is what they want me ask. There's rumors that
• 47:38
  Speaker 13: you in nl E chop but was a thing for
• 47:40
  Speaker 13: a minute.
• 47:40
  Speaker 5: What happened with?
• 47:41
  Speaker 3: Who made that? Right?
• 47:43
  Speaker 5: I ain't it, Charlamagne. I never thought, why do you
• 47:46
  Speaker 5: think I would do something like that?
• 47:47
  Speaker 9: Why not you?
• 47:49
  Speaker 4: Because I didn't want to ask you about sleeping with somebody?
• 47:51
  Speaker 4: But I remember, I know, I just I know I
• 47:55
  Speaker 4: like to lie too, Sexy. No, I don't be talking
• 47:57
  Speaker 4: about I don't be asking questions like that.
• 48:00
  Speaker 13: Man wouldn't never knowing why would he? I ain't no industry,
• 48:04
  Speaker 13: That's what I want to know. I ain't had six
• 48:06
  Speaker 13: with nobody they be choosing though, for sure. Yeah, if
• 48:12
  Speaker 13: you want people be on the end there trying to
• 48:14
  Speaker 13: she ugly. If based with the sixty red, you can
• 48:17
  Speaker 13: find a sixty red on the block. It didn't be
• 48:19
  Speaker 13: the same in my inbox, and I probably ignored them
• 48:21
  Speaker 13: with somewhere like really choosing for real.
• 48:25
  Speaker 4: I think sexy real being the hood at home cooking,
• 48:29
  Speaker 4: and I think you wanted you a good domesticated woman.
• 48:32
  Speaker 5: That's what I believe you her man clearly do you
• 48:36
  Speaker 5: why she's pregnant now?
• 48:37
  Speaker 3: And he know that.
• 48:38
  Speaker 4: That's what I mean when I say, it's just real.
• 48:40
  Speaker 4: I believe you are who you say you are. But
• 48:42
  Speaker 4: I believe like all of that talking, you ain't you
• 48:46
  Speaker 4: about that with him?
• 48:47
  Speaker 13: That's what I'm saying when people bringing up that stuff
• 48:49
  Speaker 13: about like when I said I had cock comedia, It
• 48:52
  Speaker 13: wasn't my.
• 48:52
  Speaker 3: Fuck be cheating. That ain't my damn fuck.
• 48:56
  Speaker 13: Yeah no, no, no, it was when you said you
• 48:58
  Speaker 13: spent the block on him? It was okay, all right,
• 49:02
  Speaker 13: so all right, I got you, all right, So yeah
• 49:06
  Speaker 13: you locked up.
• 49:07
  Speaker 5: That's when I fed up the free money you got. Yeah,
• 49:10
  Speaker 5: that's by day he gave you.
• 49:12
  Speaker 13: Comedian, she saidst of all is he upset you pregnant?
• 49:19
  Speaker 3: Now, I know that you can't wait to come home
• 49:21
  Speaker 3: to try to get you. Yeah, but he not like
• 49:23
  Speaker 3: trying to fight me.
• 49:24
  Speaker 5: Me and my baby day.
• 49:25
  Speaker 13: We real cool, like okay, he knows like I mean,
• 49:28
  Speaker 13: sometimes people day self a situation like you left me, yeah.
• 49:32
  Speaker 3: With your son.
• 49:33
  Speaker 5: So it's like it's not like he wanted to go.
• 49:35
  Speaker 1: He was.
• 49:36
  Speaker 13: He was doing to make yourself like, you know, when's
• 49:38
  Speaker 13: he coming home? I don't know soon hopefully.
• 49:41
  Speaker 5: That's big chesus you got pregnant while he was locked up. Nah,
• 49:45
  Speaker 5: that's big.
• 49:48
  Speaker 13: We wentn't together though my baby day. He broke up
• 49:50
  Speaker 13: when my son was six months, my son three now,
• 49:53
  Speaker 13: but we always was like still cool. He still was
• 49:56
  Speaker 13: coming off my house. He knew I ain't had no
• 49:58
  Speaker 13: other like I just was to stay at home doing
• 50:01
  Speaker 13: me like before a poundtown drop.
• 50:02
  Speaker 3: I just was at home with my son because I
• 50:04
  Speaker 3: can't do. I got my son all the time.
• 50:06
  Speaker 5: Was he supportive when he was rapping? Was he support Yeah,
• 50:08
  Speaker 5: he was very supportive.
• 50:09
  Speaker 3: He used to get my son whenever I had to
• 50:11
  Speaker 3: show whatever I had to do.
• 50:12
  Speaker 5: Yeah, And what were you doing before you were rapping?
• 50:14
  Speaker 5: Before you decided to rap.
• 50:15
  Speaker 3: I was doing her.
• 50:16
  Speaker 13: Yeah, I used to do her that Saint Louis that
• 50:18
  Speaker 13: I was doing hers installations everything, yeah, braids all that
• 50:24
  Speaker 13: last year I did every show.
• 50:25
  Speaker 5: Me somebody here you did. He was good. Louis was
• 50:33
  Speaker 5: going to Utah.
• 50:34
  Speaker 3: I was a hood of her stuff.
• 50:36
  Speaker 5: Show me.
• 50:36
  Speaker 3: That's how everybody knew me because I was doing everybody heard.
• 50:39
  Speaker 5: I saw you go ahead to start rapping? What made
• 50:41
  Speaker 5: you start rapping?
• 50:41
  Speaker 13: In my baby didd he this one. He was my
• 50:44
  Speaker 13: boyfriend at the time. He had he was cheating on me.
• 50:47
  Speaker 13: He used to my bit first baby. Oh my god,
• 50:49
  Speaker 13: he used to always cheat on me.
• 50:51
  Speaker 5: Is he sick now that now that you're successful? To
• 50:53
  Speaker 5: he call you all the time like hey nah?
• 50:55
  Speaker 13: But he they be in jail like talking about me
• 50:57
  Speaker 13: and stuff, so he heard everything. But nah, he was
• 51:00
  Speaker 13: just cheating on me all the time. And then I
• 51:02
  Speaker 13: had made this song about him because it was just
• 51:05
  Speaker 13: like he was cheat all the time. You know a
• 51:07
  Speaker 13: lot of bitches, but he's one you know that he
• 51:09
  Speaker 13: really liked. I've seen the whims. I'm like, oh, I can't.
• 51:12
  Speaker 13: I hated this was so bad. You ain't nothing, Oh baby,
• 51:15
  Speaker 13: I did That's the point of the store.
• 51:17
  Speaker 7: I did it.
• 51:18
  Speaker 3: I definitely did got pressed. You read down on him
• 51:22
  Speaker 3: on her am, I didn't call my baby daddy so much.
• 51:25
  Speaker 3: I didn't you the key.
• 51:26
  Speaker 11: Cars broke flat tight cause all you done, did you
• 51:31
  Speaker 11: a X or it's call it's property.
• 51:33
  Speaker 3: The worst thing I did got pregnant.
• 51:36
  Speaker 13: I mean, dam because man, my baby daddy. We said
• 51:39
  Speaker 13: we'll never have babies outside of.
• 51:43
  Speaker 3: My only baby daddy. But that was like, that's just.
• 51:46
  Speaker 5: Something we both was like, you did that on purpose.
• 51:48
  Speaker 5: You couldn't wait to tell him.
• 51:49
  Speaker 3: I ain't do that on purpose.
• 51:51
  Speaker 13: I was scared to tell him. Everybody was telling him.
• 51:53
  Speaker 13: I knew I was pregnant, but everybody was already snitching
• 51:55
  Speaker 13: on me. I'm like, no, that's not true.
• 51:57
  Speaker 5: He like, so you're looking at dead in his face. Line,
• 52:00
  Speaker 5: ain't in jail knowing you ain't had a period. In jail,
• 52:03
  Speaker 5: knowing that you ain't have a period.
• 52:05
  Speaker 13: He yeo no, But look, he was my baby daddy.
• 52:09
  Speaker 13: He used to be cheating on me. So I had
• 52:10
  Speaker 13: made this song about him, and then he was like
• 52:14
  Speaker 13: I rapped it to him.
• 52:14
  Speaker 3: He's like, dang, that was hard. So then that's when
• 52:17
  Speaker 3: we would be in the choir around his friends. He like,
• 52:19
  Speaker 3: raped your songs to them, showing me your song. So
• 52:21
  Speaker 3: now I rapped the song. They're like, oh, you actually
• 52:23
  Speaker 3: know how to rap. So I'm like, for real, y'all.
• 52:26
  Speaker 3: Then that's when I just went to the studio and
• 52:27
  Speaker 3: made a real sir.
• 52:28
  Speaker 4: But I'm sure a lot of people in Saint Louis
• 52:30
  Speaker 4: look up to you because they can see themselves.
• 52:32
  Speaker 13: And you know, I'm relatable for real, like just a
• 52:35
  Speaker 13: rag loll girl from the North Side for real.
• 52:37
  Speaker 5: Like when you was on stage barefoot and pregnant doing
• 52:39
  Speaker 5: the chicken aad.
• 52:40
  Speaker 3: My feet was hurt because when you because when she danced,
• 52:45
  Speaker 3: she got he was on you can tell it her,
• 52:46
  Speaker 3: so she like, just do it. I hate wearing Hugh
• 52:50
  Speaker 3: was on stage.
• 52:50
  Speaker 13: I want them to get you some nice red slippers though, Yeah,
• 52:54
  Speaker 13: because you don't know what was going on with these stages.
• 52:56
  Speaker 3: You don't know if they clean these stages. Like no,
• 52:58
  Speaker 3: I'm just saying you're in the.
• 52:59
  Speaker 5: Stage is dirty. The stage, y'all know.
• 53:02
  Speaker 13: Soon as I get on stage, I got my people's
• 53:05
  Speaker 13: right there soon as like as soon as I walk
• 53:06
  Speaker 13: on for me, I sit there and they got the
• 53:10
  Speaker 13: disinfecting wife. Yeah, all my shoes they clean all that. Ye, Like,
• 53:15
  Speaker 13: soon as I got I got videos, soon as I
• 53:16
  Speaker 13: get off stage.
• 53:17
  Speaker 3: They came every time.
• 53:19
  Speaker 5: Well, sexy, we glad that you could join us so much.
• 53:22
  Speaker 5: I'm happy.
• 53:23
  Speaker 13: I'm happy that you did come. I'm mayby that you
• 53:25
  Speaker 13: look she was honest. I'm happy that you was honest.
• 53:28
  Speaker 13: I'm happy that I got you to look at me
• 53:30
  Speaker 13: and all of that. And I appreciate you, man, Yeah,
• 53:32
  Speaker 13: I appreciate you.
• 53:33
  Speaker 5: I've had I me just can't talk about you no more.
• 53:35
  Speaker 5: No ever, she be trolling. She just came being sad.
• 53:42
  Speaker 13: No, she just came up and said, I'll be trolling,
• 53:44
  Speaker 13: like I'm I'm regular that if y'all think this, I'm
• 53:47
  Speaker 13: gonna let you'll think that. I'm just I don't be
• 53:49
  Speaker 13: I don't care. We know nothing of like, yeah, I
• 53:51
  Speaker 13: don't clear rumors like have you heard leave it? That's
• 53:54
  Speaker 13: how you I got you.
• 53:56
  Speaker 4: Yeah, you gotta know me to know me, Like, yeah,
• 53:58
  Speaker 4: that's right, because we don't know none of these people
• 54:00
  Speaker 4: alongline to who give it about their opinion anyway?
• 54:02
  Speaker 14: Right?
• 54:02
  Speaker 13: Who cries about what other people is doing? Is what
• 54:04
  Speaker 13: I'd be wanting to know because I don't. That's what
• 54:06
  Speaker 13: I don't understand. I don't be tripping off with nobody
• 54:08
  Speaker 13: else got going on, because it's like they the ones
• 54:10
  Speaker 13: got to live their life, not me.
• 54:12
  Speaker 3: So I don't That's what I'm saying. I don't be
• 54:13
  Speaker 3: juessus people. I just don't care.
• 54:15
  Speaker 5: You don't like to read you no, okay.
• 54:19
  Speaker 13: Because you wear glasses, so you can't mean.
• 54:28
  Speaker 5: Let's get out of here. Sexy red ladies and gentlemen
• 54:31
  Speaker 5: appreciate you, sexty, don't strange you. It's the breakfast club.
• 54:35
  Speaker 5: Good morning. To make sure you're telling the watch off
• 54:37
  Speaker 5: of Florida Man.
• 54:40
  Speaker 4: The craziest people in America come from the Bronx and
• 54:43
  Speaker 4: all of the Florida Yeah, you are adulty.
• 54:47
  Speaker 19: The Florida man attacked an ATM for a very strange reason.
• 54:51
  Speaker 3: It gave him too much money.
• 54:52
  Speaker 5: Florida man is arrested after that stage. He rigged the
• 54:54
  Speaker 5: door to his home in an attempt to electric hid
• 54:56
  Speaker 5: his pregnant lights.
• 54:57
  Speaker 16: Police arrested and Orlando Man.
• 54:59
  Speaker 5: We're talking of the breakfast club, bitch. You don't here
• 55:02
  Speaker 5: to day with? Shallam hain't the guy? I don't know
• 55:04
  Speaker 5: why y'all keep letting him. Get y'all like this.
• 55:06
  Speaker 4: It ain't me little du ball as y'all donkey here
• 55:08
  Speaker 4: today goes to a thirty eight year old Miami, Florida
• 55:10
  Speaker 4: woman named the Poorah Abraham. Now, what does your uncle
• 55:13
  Speaker 4: Shalla always say about the great state of Florida?
• 55:16
  Speaker 5: Say it with me.
• 55:16
  Speaker 4: The craziest people in America come from the Bronx and
• 55:19
  Speaker 4: all of Florida. And don't assume that Ivy Rivera is
• 55:21
  Speaker 4: from the Bronx just because you know she's not.
• 55:24
  Speaker 5: She's from Brooklyn. Don't til crazy, nonetheless, But that's neither
• 55:27
  Speaker 5: here nor there.
• 55:28
  Speaker 4: Now I think I can confidently say that Zapora is
• 55:30
  Speaker 4: one hundred percent grade a city girl. And you know
• 55:32
  Speaker 4: a city girl gonna do one of two things. She
• 55:34
  Speaker 4: either gonna f on a scamming ass rich aff or
• 55:38
  Speaker 4: she gonna commit a scam herself. See those big burking
• 55:40
  Speaker 4: bags that hold five or six figures don't buy themselves.
• 55:43
  Speaker 5: So a city girl gonna make a way wham bam,
• 55:46
  Speaker 5: thank you scam. And is the poor big Zip twenty
• 55:48
  Speaker 5: eight grams of pure scam made away.
• 55:51
  Speaker 4: Okay, she ain't even naim high, Young Zip wasn't even
• 55:54
  Speaker 4: looking for no new jewels to shine her out. She
• 55:56
  Speaker 4: wasn't looking for no shopping spreees to fly her out.
• 55:59
  Speaker 4: She wasn't in Caliber bath Is trying to buy a house.
• 56:01
  Speaker 4: Young Zip was in Walmart. Okay, Young Zip was in
• 56:05
  Speaker 4: Walmart trying to figure out a way to walk out
• 56:07
  Speaker 4: with eight hundred and fifty dollars worth for items. Eight
• 56:10
  Speaker 4: hundred and fifty dollars worth for items from Walmart. She
• 56:14
  Speaker 4: wasn't trying to scam a new coop with the paper
• 56:16
  Speaker 4: tag same color as the burking bag.
• 56:18
  Speaker 9: No.
• 56:19
  Speaker 5: Eight hundred and fifty dollars a household items from Walmart?
• 56:22
  Speaker 5: And how was she trying to do it with counterfeit bills?
• 56:26
  Speaker 4: Oh boy, see, Young Zip, don't got time for you
• 56:28
  Speaker 4: fake ass holes talking out loud on your fake ass clothes.
• 56:30
  Speaker 4: But she definitely got time was in fake ass bills.
• 56:32
  Speaker 4: Let's go to CBS News Miami for the report.
• 56:34
  Speaker 5: Police a woman is and custodly.
• 56:36
  Speaker 19: She allegedly used then eate counterfeit money at a Walmart
• 56:40
  Speaker 19: and North Miami Beach officers received the report from customer service.
• 56:45
  Speaker 19: They recognized the suspect, Zephorah Abraham, from a prior incident.
• 56:50
  Speaker 19: Abraham also allegedly tried to leave the store with a
• 56:53
  Speaker 19: bin full of items worth more than eight hundred and
• 56:55
  Speaker 19: fifty dollars when stopped by an officer. Please say she
• 56:58
  Speaker 19: tried to eat some of the undrefit money. She's facing
• 57:01
  Speaker 19: felony charges, including grand theft.
• 57:03
  Speaker 4: How the news reporter just all nonchalantly said she used
• 57:07
  Speaker 4: and ate fake money. This is how you know Floyda
• 57:10
  Speaker 4: is nuts. Now, what kind of city girl attempts to
• 57:13
  Speaker 4: have a money fight with fake money? Okay, city girls
• 57:15
  Speaker 4: told broke boys fall back if their money ain't right,
• 57:17
  Speaker 4: so the same rules have to apply for broke girls.
• 57:19
  Speaker 4: Broke girls fall back if your money ain't right, and
• 57:22
  Speaker 4: young Zip, you need to fall all the way back
• 57:24
  Speaker 4: because the only thing worse than no money is fake money. Now,
• 57:27
  Speaker 4: the fact that Zappora tried to eat this money lets
• 57:30
  Speaker 4: me know that she has swallowed worse. Okay, when that's
• 57:34
  Speaker 4: your go to move, and you done swallowed the whole blunt,
• 57:37
  Speaker 4: you done swallowed crack, you done swallowed from heroin, and
• 57:41
  Speaker 4: that poom poom of yours has definitely done been a
• 57:43
  Speaker 4: stash box for all types of narcotics. Okay, your name
• 57:46
  Speaker 4: is a pora, but I bet they call you big
• 57:48
  Speaker 4: zip around the way because you could hide a hole
• 57:51
  Speaker 4: zip of cush in your poom poom. Okay, make the
• 57:53
  Speaker 4: loud pack go from smelling mustag to smelling like the
• 57:56
  Speaker 4: kitchen at Red Lobster knin.
• 57:58
  Speaker 5: Dog would just pass out if you ever got a
• 57:59
  Speaker 5: whift it.
• 58:05
  Speaker 3: It was a display for me.
• 58:07
  Speaker 4: Jesus, look Zapora in the world to TK Kirkland, who
• 58:11
  Speaker 4: raised you. Okay, I love Walmart. If you read my
• 58:13
  Speaker 4: first book, Black Privilege, and you know how much I
• 58:15
  Speaker 4: love Walmart. I consider Walmart holy grounds a cultural institution.
• 58:19
  Speaker 4: When you grow up in a small town in the country,
• 58:21
  Speaker 4: rural America, like I did Monkst Corner, South Carolina, drop
• 58:24
  Speaker 4: on the clues, bump from most corner. Okay, you know
• 58:27
  Speaker 4: there's not much to do except roam around the twenty
• 58:29
  Speaker 4: four hour Walmart. So I consider what you did blasphemous.
• 58:32
  Speaker 4: But we also know that Walmart is usually the first
• 58:36
  Speaker 4: place folks learn to steal from. So I know thirty
• 58:38
  Speaker 4: eight is pretty old for a scam in Miami. By
• 58:40
  Speaker 4: thirty eight in Miami, you know a city girl should
• 58:43
  Speaker 4: be all Madden. Okay, you should be a all Madden.
• 58:45
  Speaker 4: Scamming at the very least all pro. But you moving
• 58:48
  Speaker 4: like a streat rookie because let's just say, you know,
• 58:51
  Speaker 4: let's just say you was a pro. Okay, a pro
• 58:54
  Speaker 4: would no eight hundred and fifty dollars worth of items.
• 58:56
  Speaker 4: You just take that to the self check out, scan
• 58:58
  Speaker 4: a pack of gum about thirty time, so you get
• 59:00
  Speaker 4: a long ass receipt, walk out, greet it. Just go
• 59:03
  Speaker 4: and glance at the receipt. Keep it moving.
• 59:05
  Speaker 16: Wait that sound like you did that before.
• 59:07
  Speaker 4: Never did it, But I guarantee you JT and Young
• 59:10
  Speaker 4: Miami somewhere right now listening to me and they thinking
• 59:12
  Speaker 4: to themselves.
• 59:12
  Speaker 5: Period.
• 59:13
  Speaker 4: Okay, all right, Tree to know what I'm talking about.
• 59:17
  Speaker 4: I'm not saying it's right. I'm just simply saying it's Apora.
• 59:20
  Speaker 4: You're not ever gonna get a crocodile burking from the
• 59:22
  Speaker 4: Everglades moving how you moving?
• 59:23
  Speaker 5: Not to mention those counterfeit bills not dying for you.
• 59:26
  Speaker 4: I know we live in a world where everything is
• 59:28
  Speaker 4: GMO and we all eating fake counterfeit processed everything for
• 59:32
  Speaker 4: the most part.
• 59:33
  Speaker 5: But the attempt to swallow.
• 59:34
  Speaker 4: Two hundred dollars in fake money counterfeit bills, what Haitian
• 59:39
  Speaker 4: woman in Miami. Put that thing on you, put voodoo
• 59:42
  Speaker 4: on you that made you think you have goat and
• 59:45
  Speaker 4: you can eat.
• 59:45
  Speaker 5: Papa. Please give us a peorra Abram. The sweet sounds
• 59:48
  Speaker 5: of the Hamiltons.
• 59:49
  Speaker 3: Oh No, you are the doggee.
• 59:54
  Speaker 5: Of the day, the dogee.
• 1:00:01
  Speaker 7: All the day.
• 1:00:03
  Speaker 11: Yes, indeed, Breakfast Logan more the Breakfast Club. Morning everybody,
• 1:00:14
  Speaker 11: it's DJ Envy Charlamagne to God, we are the Breakfast Club.
• 1:00:17
  Speaker 5: You got a special guest in the building.
• 1:00:19
  Speaker 4: Come on, man, one of the architects of this thing
• 1:00:21
  Speaker 4: we call hip hop man, one of the people who
• 1:00:23
  Speaker 4: helped later foundation for this thing we called hip hop.
• 1:00:26
  Speaker 5: We wouldn't have jobs if it wasn't for this brother.
• 1:00:28
  Speaker 11: R wouldn't be a DJ if it wasn't for this brother,
• 1:00:30
  Speaker 11: and most people out there, most DJs out there wouldn't
• 1:00:33
  Speaker 11: be DJs if it wasn't No, all DJs wouldn't be
• 1:00:37
  Speaker 11: it wasn't for this brother, Ladies and gentlemen, grand Master Flash, welcome, thank.
• 1:00:41
  Speaker 5: You, good morning, black Man, thank you, thank you for
• 1:00:43
  Speaker 5: having me man. I appreciate it. Come on, man, happy
• 1:00:45
  Speaker 5: to have you. Absolutely appreciate this. Man.
• 1:00:48
  Speaker 4: You know, we celebrated the fifty years of hip hop,
• 1:00:50
  Speaker 4: you know, this year and Nby and I was on
• 1:00:53
  Speaker 4: the radio having a conversation and it just felt like,
• 1:00:56
  Speaker 4: you know, the architects, like that era of the eighties,
• 1:00:59
  Speaker 4: you know, wasn't getting honored properly, and none of us
• 1:01:01
  Speaker 4: to hear if that, if that foundation isn't laid, you said,
• 1:01:04
  Speaker 4: the eighties, the seven et the seventies. Yeah, the seventies
• 1:01:06
  Speaker 4: from the beginning, and the eighties I feel like weren't
• 1:01:08
  Speaker 4: getting on it. You know, probably how do you feel
• 1:01:11
  Speaker 4: about that? Grand Master Flash?
• 1:01:13
  Speaker 1: And that's one of the reasons why I feel that
• 1:01:14
  Speaker 1: it's paramount that I do lectures. I do corporate corporate
• 1:01:18
  Speaker 1: towards the lectures, and I've been doing them for private people,
• 1:01:21
  Speaker 1: but now I kind of want to do this for
• 1:01:22
  Speaker 1: the public so they could understand that this thing didn't
• 1:01:25
  Speaker 1: just fall out of a tree. It didn't just go
• 1:01:28
  Speaker 1: from the seventies to where we are. You know, there
• 1:01:31
  Speaker 1: was four DJs that did this. Coolhirk was on the west,
• 1:01:36
  Speaker 1: AB was Bronx River, African Master DJ Breakout was the North.
• 1:01:42
  Speaker 1: I was the East, and pretty much this is how
• 1:01:45
  Speaker 1: it really started. And you got to realize this lady
• 1:01:47
  Speaker 1: and gentlemen. We did this with no Internet, no social media,
• 1:01:51
  Speaker 1: no apps, no quick hardware where it would just work
• 1:01:55
  Speaker 1: a lot of these things. As I was telling you, Envy,
• 1:01:57
  Speaker 1: I had to do this with nothing going into the backs,
• 1:02:00
  Speaker 1: and you know, getting old receivers and old turntables and
• 1:02:03
  Speaker 1: stuff and kind of like jurry rigging my sound system.
• 1:02:06
  Speaker 11: For people listening, when he says the West to south
• 1:02:07
  Speaker 11: and norf he's not talking about West Coast, He's talking
• 1:02:09
  Speaker 11: about New York. The Bronx, the Bronx, Bronx, I want
• 1:02:12
  Speaker 11: to clear it up. And also, you know I was
• 1:02:14
  Speaker 11: talking to of course grandmass Flash behind the scenes. A
• 1:02:16
  Speaker 11: lot of he didn't know, you know, where we had
• 1:02:18
  Speaker 11: the ability to go to these stores and buy equipment.
• 1:02:21
  Speaker 11: He had to actually make it. So his first sound
• 1:02:23
  Speaker 11: system actually came from old cars in the junk yard.
• 1:02:25
  Speaker 11: He would pull the speakers out of the cars in
• 1:02:27
  Speaker 11: the junk yard and make sound systems to play at
• 1:02:30
  Speaker 11: parks and parties and wherever, wherever it was. So you
• 1:02:33
  Speaker 11: had to actually know electronics. And it just wasn't just
• 1:02:36
  Speaker 11: about DJing, right, So what got you into wanting to
• 1:02:40
  Speaker 11: be a DJ? I know you were telling me the
• 1:02:41
  Speaker 11: story behind the scenes that you know, you were just
• 1:02:43
  Speaker 11: intrigued by electronics in your house.
• 1:02:45
  Speaker 5: When your mother and father plugged something in and you
• 1:02:47
  Speaker 5: wanted to understand.
• 1:02:48
  Speaker 11: How it works, you would start effing up the crib
• 1:02:51
  Speaker 11: pretty much to figure it out.
• 1:02:52
  Speaker 1: Yeah, And when I was a toddler, everything in that
• 1:02:55
  Speaker 1: house that was electrical, I was intrigued or how did
• 1:03:00
  Speaker 1: that happen? So I used to screw unscrew the backs
• 1:03:03
  Speaker 1: of the stereo in the living room. My sister's hair dries,
• 1:03:06
  Speaker 1: the table radio, all these things. And also what got
• 1:03:09
  Speaker 1: me into this when I was a toddler, My dad
• 1:03:12
  Speaker 1: was a collector of records. And I'm on this respectable airwaves.
• 1:03:18
  Speaker 1: So I will just say when I got caught touching
• 1:03:22
  Speaker 1: his vinyl as a toddler, he used to heavily repper
• 1:03:26
  Speaker 1: mand me, right, I can say that. And what I
• 1:03:32
  Speaker 1: used to do was a kid, I waited for him
• 1:03:34
  Speaker 1: to go to work, and when the door slammed, I
• 1:03:36
  Speaker 1: went back in that closet and the rule was, you know,
• 1:03:39
  Speaker 1: don't touch the brown box in the living room. And
• 1:03:44
  Speaker 1: I used to watch Dad when he came home from
• 1:03:46
  Speaker 1: work how he operated it. So I figured out how
• 1:03:50
  Speaker 1: to get into this closet where his stuff was, and
• 1:03:53
  Speaker 1: I would take this square thing that had a black
• 1:03:56
  Speaker 1: disc and he would put it in this brown box
• 1:03:59
  Speaker 1: and sound would have come out of it.
• 1:04:01
  Speaker 5: That was probably my first love.
• 1:04:04
  Speaker 1: But then moving forward, guys, when I heard a drum
• 1:04:09
  Speaker 1: break from one of the most important black artists of
• 1:04:14
  Speaker 1: that time, his name was Curtis Mayfield, move on up.
• 1:04:19
  Speaker 5: That break and then you and I can relate here.
• 1:04:23
  Speaker 5: That break was about.
• 1:04:26
  Speaker 1: I'd say, about five minutes of just the drums, and
• 1:04:29
  Speaker 1: I thought all records was like that. So when I
• 1:04:32
  Speaker 1: started collecting my records, the drum break was like five
• 1:04:38
  Speaker 1: ten seconds. So what also got me into the DJing
• 1:04:43
  Speaker 1: is I used to watch the disco DJs like my
• 1:04:46
  Speaker 1: Boyer Flowers, Pete Jones, and I noticed that their transitions
• 1:04:52
  Speaker 1: were glass smooth. But then my boys knocked on my
• 1:04:58
  Speaker 1: door at my mom's house. I said, say, we want
• 1:05:00
  Speaker 1: to take you to this other side of town to
• 1:05:03
  Speaker 1: watch these other DJs. And respectfully, I was wondering, why
• 1:05:11
  Speaker 1: is it that everything that he was doing was a
• 1:05:13
  Speaker 1: train wreck. He was playing the incredible music, had the
• 1:05:18
  Speaker 1: incredible sound system, but why was he playing like that?
• 1:05:22
  Speaker 1: You know, because the rules are the laws, you know,
• 1:05:24
  Speaker 1: especially if you got people on the dance floor. The
• 1:05:26
  Speaker 1: idea is to keep everybody in unison correct. They should
• 1:05:30
  Speaker 1: not be trying to find a beat as you transition.
• 1:05:33
  Speaker 1: So from that point on, it's when I came up
• 1:05:35
  Speaker 1: with the quick mixed theory. You know what mixed theory, well,
• 1:05:40
  Speaker 1: a mathematical perspective. I took sonics and through it out
• 1:05:46
  Speaker 1: the window. Because if I play a song, I hear
• 1:05:49
  Speaker 1: it a certain way. If I put the headphone on
• 1:05:52
  Speaker 1: your ear, you hear it a certain way, and shah,
• 1:05:54
  Speaker 1: you hear a certain way. So I said to myself,
• 1:05:57
  Speaker 1: I'm going to take that out of the equation and
• 1:06:00
  Speaker 1: I'm gonna just collect records from all genres pop, rock, jazz, blues, funk, disco,
• 1:06:05
  Speaker 1: R and B, farign American and just listen to the
• 1:06:09
  Speaker 1: drum break. And I found that, unlike Curtis Mayfield, these
• 1:06:15
  Speaker 1: drum breaks on these other records always always short. That
• 1:06:20
  Speaker 1: made me quite angry. I was disappointed. So in Mom's house,
• 1:06:28
  Speaker 1: I came up with a hand mechanic fingertips to Vinyl
• 1:06:34
  Speaker 1: fingertips to cross vader DJ style that is used by
• 1:06:40
  Speaker 1: every hip hop DJ on Planet Earth and I figured
• 1:06:46
  Speaker 1: out a way of counting the bars as the ten minutes.
• 1:06:49
  Speaker 1: So if you on the floor and I'm playing a
• 1:06:51
  Speaker 1: Michael Jackson drummer break, I'm playing that for ten minutes,
• 1:06:55
  Speaker 1: and I'm gonna flip to a London break or a
• 1:06:58
  Speaker 1: German break or or whatever break in This became the way.
• 1:07:03
  Speaker 1: And then what happened was these incredible people called hip
• 1:07:07
  Speaker 1: hop producers took this style of the seamless loop, and
• 1:07:12
  Speaker 1: I'm going to show you that on the wheels to steal.
• 1:07:15
  Speaker 5: Understand me saying your quick mixed theory turn turned into
• 1:07:20
  Speaker 5: what people called sampling. Basically correct that. So that's exactly
• 1:07:25
  Speaker 5: what it bring it back from the beginning.
• 1:07:27
  Speaker 11: But one thing you learn from this interview with grand
• 1:07:29
  Speaker 11: Master Flash is he's not just a musician when it
• 1:07:32
  Speaker 11: comes to turntables.
• 1:07:33
  Speaker 5: He's actually no disrespect.
• 1:07:35
  Speaker 11: He's a nerd and geek like he wants to understand
• 1:07:38
  Speaker 11: the transitioning records, record players, mixes just and this is
• 1:07:43
  Speaker 11: just having a thirty second conversation with Have I figured
• 1:07:44
  Speaker 11: out O what.
• 1:07:45
  Speaker 5: I found so indressing about this? In the last five.
• 1:07:48
  Speaker 4: Minutes, you explained where DJing started YEP and where hip
• 1:07:51
  Speaker 4: hop production start correct, So people will call you an
• 1:07:54
  Speaker 4: architect and say you wanted to founding positive hip hop.
• 1:07:57
  Speaker 11: That is why, absolutely thank you. We got more with
• 1:08:00
  Speaker 11: the O G grand Master Flash when we come back,
• 1:08:02
  Speaker 11: so don't move. It's the Breakfast Club. Good morning, point everybody,
• 1:08:05
  Speaker 11: it's DJ Envy, Charlamagne, the gud we are the Breakfast
• 1:08:08
  Speaker 11: Club was still kicking it with grand Master Flash. I
• 1:08:11
  Speaker 11: was gonna ask, you know, how do you feel when
• 1:08:13
  Speaker 11: you look at something that you created, right, and you
• 1:08:15
  Speaker 11: created out of love?
• 1:08:16
  Speaker 5: Right.
• 1:08:17
  Speaker 11: You didn't say it was money. You didn't say I
• 1:08:19
  Speaker 11: did this because I wanted money. You said I enjoyed it.
• 1:08:21
  Speaker 11: I love listening to music, I love playing in the park.
• 1:08:24
  Speaker 11: And then you see in this the commercial success of
• 1:08:27
  Speaker 11: hip hop.
• 1:08:27
  Speaker 17: Right.
• 1:08:27
  Speaker 11: I sent Charlamagne something this morning about Chris One saying
• 1:08:30
  Speaker 11: why he didn't want to perform at the Grammys.
• 1:08:32
  Speaker 5: He felt like the Grammy's never respected hip.
• 1:08:33
  Speaker 11: Hop, So why come now, how do you feel when
• 1:08:36
  Speaker 11: you see the commercial success of hip hop and all
• 1:08:38
  Speaker 11: these brothers and sisters making money and all these companies
• 1:08:41
  Speaker 11: making money off of hip hop, But some of the
• 1:08:44
  Speaker 11: founders are not making the money that's deserved because if
• 1:08:47
  Speaker 11: it wasn't for you, guys.
• 1:08:48
  Speaker 1: Nobody wouldn't be able to make that money. That's a
• 1:08:50
  Speaker 1: twofold answer. Just think envy. This thing that I did
• 1:08:55
  Speaker 1: could have missed, and if just all would have missed,
• 1:08:57
  Speaker 1: I wouldn't be here talking to you right now. So
• 1:09:00
  Speaker 1: that's one side of it. It exploded. Like there are
• 1:09:04
  Speaker 1: some companies out there giving away hundreds of thousands of dollars.
• 1:09:07
  Speaker 1: I've seen this on the internet just recently. But they
• 1:09:10
  Speaker 1: are those men that are in a hood that didn't
• 1:09:13
  Speaker 1: have the commercial success. Nobody's saying, hey, here's five hundred
• 1:09:17
  Speaker 1: thousand dollars for you. They're not saying that, Like there
• 1:09:20
  Speaker 1: are those who lost their life that are not even
• 1:09:23
  Speaker 1: here to even enjoy this, and they have families. So
• 1:09:26
  Speaker 1: for me, I have to until God takes me, I
• 1:09:30
  Speaker 1: have to go around and mechanically break this thing down.
• 1:09:36
  Speaker 1: I think that people should interview the producers like that.
• 1:09:40
  Speaker 1: Just that boggles my mind because they're the ones that
• 1:09:45
  Speaker 1: really know how the.
• 1:09:46
  Speaker 5: Record is made.
• 1:09:47
  Speaker 1: They're the one of that stays in the studios for
• 1:09:49
  Speaker 1: two and three days to make sure the record goes
• 1:09:51
  Speaker 1: from start to finish before the masters is handed in,
• 1:09:54
  Speaker 1: you know, So for me, and people should know more
• 1:09:57
  Speaker 1: about Kuherk and their team. They should know who Coke
• 1:10:00
  Speaker 1: the rocket is. Like they're going around saying he was
• 1:10:04
  Speaker 1: a rapper. He said DJ I used to watch him.
• 1:10:09
  Speaker 1: You know what in this Timmy Tim and it's the
• 1:10:10
  Speaker 1: original clock, can't you know? People should know who breakout
• 1:10:13
  Speaker 1: the team is? Barrion, you know, and Bam Body and
• 1:10:17
  Speaker 1: Jazzy J and Grandmaster Flash and Graham was your Theodore?
• 1:10:20
  Speaker 1: Like all these people in all these names, you don't
• 1:10:23
  Speaker 1: hear nothing, Yes, right, talk to about them. When people
• 1:10:29
  Speaker 1: are putting out these press, they're not even coming to ask, well, Flash,
• 1:10:33
  Speaker 1: what do you think? And respectfully, I'm gonna say this.
• 1:10:36
  Speaker 1: For you to really first hand know what this is,
• 1:10:41
  Speaker 1: you have to be at least sixty years old, and
• 1:10:44
  Speaker 1: I'll be kind and say fifty eight fifty seven.
• 1:10:47
  Speaker 5: That means you had a first hand eyeshot of seeing
• 1:10:51
  Speaker 5: us do this.
• 1:10:52
  Speaker 1: If you are thirty or you're a forty and you
• 1:10:55
  Speaker 1: were saying that you are a hip hop extraordinary person,
• 1:10:58
  Speaker 1: nine times out of ten, you ain't talking to Flash,
• 1:11:01
  Speaker 1: you ain't talking to Herk, you ain't talking to Bam.
• 1:11:03
  Speaker 1: You got second hand information, and you gotta realize you're
• 1:11:07
  Speaker 1: feeding the babies incomplete information.
• 1:11:10
  Speaker 5: And this is one of the reasons why.
• 1:11:11
  Speaker 1: Because I tour one hundred and fifty countries a year,
• 1:11:14
  Speaker 1: so financially I'm good. I'm cutting all that in half
• 1:11:17
  Speaker 1: because I gotta go to these universities, I gotta go
• 1:11:20
  Speaker 1: to these YMCAs, and I gotta teach these babies of
• 1:11:23
  Speaker 1: where this thing comes from. Because what saddens mean is this.
• 1:11:26
  Speaker 1: If you are from a black family, you know who
• 1:11:28
  Speaker 1: Miles Davis is. If you're from a white family, you
• 1:11:32
  Speaker 1: know who the Rolling Stones is. Why is this so
• 1:11:34
  Speaker 1: much of a blur of who, what and why we're
• 1:11:36
  Speaker 1: and how when it comes to hip hop?
• 1:11:38
  Speaker 5: Why is that?
• 1:11:40
  Speaker 4: I think we gotta be the generation to do that
• 1:11:41
  Speaker 4: because to your point, if you're sixty years old, now
• 1:11:44
  Speaker 4: you're probably a.
• 1:11:44
  Speaker 5: Grandfather, grandmother.
• 1:11:46
  Speaker 4: Yeah, our grandparents weren't listening to hip hop, you know, Okay,
• 1:11:49
  Speaker 4: But now when we got grandparents and grandfathers, grandparents who
• 1:11:52
  Speaker 4: are listening to hip hop, and then parents who grew
• 1:11:54
  Speaker 4: up in hip hop, they can tell their kids, a
• 1:11:57
  Speaker 4: this is where it started.
• 1:11:58
  Speaker 11: Right Because, like you said, most if you if you're
• 1:12:01
  Speaker 11: in the age of forty to fifty, a lot of them.
• 1:12:03
  Speaker 11: Hip hop started with right, That's where it started from.
• 1:12:09
  Speaker 11: Because even me and like, you know, my parents weren't
• 1:12:11
  Speaker 11: in a hip hop but I was. But the first
• 1:12:12
  Speaker 11: record I ever bought was Run.
• 1:12:14
  Speaker 5: Yeah.
• 1:12:15
  Speaker 4: My dad was seventy something. He didn't he didn't like
• 1:12:17
  Speaker 4: hip hop at the time. He he was like, you
• 1:12:19
  Speaker 4: need to listen to James Brown, Temptations, the original rapper all.
• 1:12:23
  Speaker 4: You know, he didn't know nothing about hip hop. You
• 1:12:26
  Speaker 4: didn't want to hear none of that BacT.
• 1:12:28
  Speaker 1: You know, I think for me and this is such
• 1:12:30
  Speaker 1: a wonderful time period, but just think of it like
• 1:12:33
  Speaker 1: this here, and you know, sometimes this makes me want
• 1:12:35
  Speaker 1: to cry.
• 1:12:36
  Speaker 5: Sometimes is come August, like the mayor gave me.
• 1:12:39
  Speaker 1: August fourth and coo Hurgust August eleventh, Come August twelfth,
• 1:12:44
  Speaker 1: there's gonna be a brand new trend. So we have
• 1:12:46
  Speaker 1: to get it right now as a black art form
• 1:12:50
  Speaker 1: that has done so much for so many people.
• 1:12:52
  Speaker 5: Of course, we have to get it right between now and.
• 1:12:56
  Speaker 1: August eleventh, or it's going to go down in history
• 1:13:00
  Speaker 1: incomplete or incorrect.
• 1:13:01
  Speaker 5: And that scares the crap out of me.
• 1:13:03
  Speaker 4: So it's safe to say you don't believe the DJ
• 1:13:05
  Speaker 4: gets to respect they should when it comes to their country.
• 1:13:08
  Speaker 1: Absolutely not, because especially the hip hop DJ that understands
• 1:13:12
  Speaker 1: the quick mixed steering and the mechanics which I will
• 1:13:14
  Speaker 1: show you, because that led to the sampling, and that
• 1:13:17
  Speaker 1: led to these records being made. And that's what we're celebrating.
• 1:13:20
  Speaker 1: So we're celebrating the entire cake. Well, let's go back
• 1:13:23
  Speaker 1: and celebrate the eggs and the flour in the water
• 1:13:27
  Speaker 1: and the vanilla, how the cake was made.
• 1:13:30
  Speaker 4: The process, the process, you know, of course, you know
• 1:13:33
  Speaker 4: they talk about Grandma's flashing. The Furious Five, you know,
• 1:13:36
  Speaker 4: produced the message, but they said.
• 1:13:38
  Speaker 5: You first DJ'd get a Grammy by the way, But yes,
• 1:13:40
  Speaker 5: but I've read some things where they said you had
• 1:13:42
  Speaker 5: nothing to do with the production of it.
• 1:13:44
  Speaker 1: Okay, I had something to do with all of it,
• 1:13:47
  Speaker 1: because that company chased me to get my group, the
• 1:13:52
  Speaker 1: Serious Five, the whole group. There was the club I
• 1:13:54
  Speaker 1: played called Disco Fever, and I brought hip hop to
• 1:13:58
  Speaker 1: this club and al Abbaatello gave me. I wanted a Saturday,
• 1:14:02
  Speaker 1: he gave me a Tuesday. Of course, so they gave me.
• 1:14:06
  Speaker 1: I called it Terrible Tuesday off night, right. But in
• 1:14:10
  Speaker 1: about two months time I was living that Saturday. Thank you,
• 1:14:15
  Speaker 1: sal You know, so for me the message, probably I
• 1:14:17
  Speaker 1: had least to do with what I had most to
• 1:14:21
  Speaker 1: do with it because it was my group.
• 1:14:23
  Speaker 5: And I'm sure they used your technique, right, yeah, they do.
• 1:14:25
  Speaker 1: They used my technique to make all their records. The
• 1:14:28
  Speaker 1: Message was an original record, but they knew when they
• 1:14:31
  Speaker 1: had the Sugarhill Gang, they heard.
• 1:14:33
  Speaker 5: Of us in the streets.
• 1:14:34
  Speaker 1: The streets was already ringing Grandmaster Flash and the Phurious Five.
• 1:14:38
  Speaker 1: So she used to come to Terrible Tuesdays every Tuesday
• 1:14:43
  Speaker 1: just to see how it was, how it was going down.
• 1:14:46
  Speaker 5: So who is she? Sylvia Robins?
• 1:14:50
  Speaker 1: You know?
• 1:14:50
  Speaker 5: So on Hill. Did I have anything to do with
• 1:14:54
  Speaker 5: that record? Minimal? But I had everything to do with
• 1:14:58
  Speaker 5: it because he needed to have us here we are.
• 1:15:02
  Speaker 5: I want to have one more questions.
• 1:15:03
  Speaker 4: Do you feel about DJs today with the auto mixing
• 1:15:06
  Speaker 4: buttons and the different programs that make it ease the car.
• 1:15:12
  Speaker 7: Right now? Right?
• 1:15:14
  Speaker 1: And you know it is Put it this way, I'm
• 1:15:16
  Speaker 1: a scientist first, I'm a geek first, so I've been
• 1:15:18
  Speaker 1: pushing an envelope for fifty two years, so I respect
• 1:15:22
  Speaker 1: anybody that's doing it, but follow the laws of the
• 1:15:25
  Speaker 1: art transition. I think the things that drive me crazy
• 1:15:28
  Speaker 1: when I go out, which is every now and then envs.
• 1:15:31
  Speaker 1: You know, I'm listening to the DJ and it's the
• 1:15:34
  Speaker 1: train wreck thing, you know, that there really drives me crazy.
• 1:15:38
  Speaker 1: A lot of today's music is really one temple based,
• 1:15:41
  Speaker 1: so it's easy to go from one to the other.
• 1:15:43
  Speaker 1: So how you crashing this record into this record with
• 1:15:46
  Speaker 1: us back? We had to use the pitch quite a
• 1:15:49
  Speaker 1: bit to make this record beat match with the last record.
• 1:15:52
  Speaker 1: Of course, these records here are almost coming out of
• 1:15:55
  Speaker 1: the oven. They're all the same temple almost, So I
• 1:15:58
  Speaker 1: don't understand. Why is it that these people who play
• 1:16:01
  Speaker 1: today don't beat match that?
• 1:16:04
  Speaker 5: There? Makes me totally crazy, and it throws against the
• 1:16:08
  Speaker 5: lords of what we learned. Okay, grand Master Flash, grand
• 1:16:11
  Speaker 5: Master Flash.
• 1:16:12
  Speaker 11: Ladies and gentlemen, make sure you're following them on on Instagram,
• 1:16:14
  Speaker 11: all socials at.
• 1:16:15
  Speaker 4: DJ Flash Forever on all socials at DJ Flash Forever.
• 1:16:20
  Speaker 5: And you just turn around.
• 1:16:21
  Speaker 11: I just want to read the back of your Hoodie
• 1:16:23
  Speaker 11: Man yet, because the Hoodie's monumental says, the first DJ
• 1:16:25
  Speaker 11: to make the turntable an instrument, first DJ to have
• 1:16:28
  Speaker 11: a rapper, first DJ to be in the Rock and
• 1:16:30
  Speaker 11: Roll Hall of Fame, first DJ to be on Sirius XM,
• 1:16:33
  Speaker 11: first DJ to get a Grammy, first DJ to get
• 1:16:36
  Speaker 11: a Polar Prize, Grand Master.
• 1:16:38
  Speaker 5: And the first DJ to give a history lesson about
• 1:16:40
  Speaker 5: DJ and on the breakfast clubs.
• 1:16:41
  Speaker 11: That's right, grand Master, Flash, ladies and gentlemen, it's the
• 1:16:44
  Speaker 11: breakfast Club. Good morning, the breakfast Club, Good morning. Everybody's DJ. Envy,
• 1:16:53
  Speaker 11: Charlamagne the God. We are the Breakfast Club. We'll see
• 1:16:56
  Speaker 11: you guys tomorrow.
• 1:16:57
  Speaker 4: You got a positive Charloman, I do have a positive note.
• 1:17:00
  Speaker 11: Man.
• 1:17:01
  Speaker 4: I want to tell everybody to stop looking for honesty
• 1:17:04
  Speaker 4: from those who constantly lie to themselves.
• 1:17:07
  Speaker 5: Have a blessed breakfast club. Bitches, y'all finished or y'all
• 1:17:10
  Speaker 5: dumb