Latest / Old Time Mystery Radio | Old Time Radio / Crime Classics - ”James Evans, Fireman%3B How He Extinguished a Human Torch” (Old Time Radio, 1954)
Transcript
- 0:02Speaker 1: Good evening. This is Crime Classics. I am Thomas Hyland
- 0:07Speaker 1: with another true story of crime. Listen going to the
- 0:15Speaker 1: fire in eighteen twenty six, a team of horses pulling
- 0:18Speaker 1: the fire into of the Norwich Union Boys firehouse. Arriving
- 0:25Speaker 1: at a fire, the Norwich Union Boys doing what they'd
- 0:30Speaker 1: best like to do, snuffing out fires in Manchester, England.
- 0:37Speaker 1: There goes one of the Norwich Union Boys right into
- 0:40Speaker 1: the thick of it, where smoke and flame is the
- 0:42Speaker 1: dancest chopping things, the way he was taught to do.
- 0:47Speaker 1: The trouble is he was a novice. He hadn't learned
- 0:49Speaker 1: to discriminate. H help me, help me, yes, sir, tonight,
- 0:58Speaker 1: my report to you one James Evans fireman, how he
- 1:03Speaker 1: extinguished a human torch.
- 1:05Speaker 2: Crime Classics a series of true crime stories taken from
- 1:09Speaker 2: the records and newspapers of every land. From every Time,
- 1:13Speaker 2: your host each week, mister Thomas Highland, connoisseur of crime,
- 1:17Speaker 2: student of violence and teller of murders. Now once again
- 1:22Speaker 2: mister Thomas Hyland.
- 1:42Speaker 1: The civic minded people called Manchester Cottonopolis, but those who
- 1:47Speaker 1: could never forget the Peterloo massacre called it the city
- 1:50Speaker 1: of orphans, among other epithets, some in Gaelic. This massacre,
- 1:55Speaker 1: you'll remember, was simply a matter of shooting and riding
- 1:57Speaker 1: down and thereby slaughtering some foul and citizens who gathered
- 2:01Speaker 1: in a park to protest the corn laws. Mary Warden's
- 2:05Speaker 1: mother and father had the distinction of being trampled to
- 2:08Speaker 1: death by the same cavalryman, and on Mary Warden's tenth
- 2:12Speaker 1: birthday too. And what happened to Mary Warden is this.
- 2:16Speaker 1: She was removed immediately to mother Winnie Penn's Souls Harbor orphanage,
- 2:22Speaker 1: where she spent the next six years learning to be
- 2:24Speaker 1: a drudge.
- 2:26Speaker 3: Then one day, that one there Winnie Penn, Mary Warden, Ay,
- 2:32Speaker 3: if that be her name.
- 2:33Speaker 4: She's scraped for you and cook and on her keep.
- 2:36Speaker 5: Of their dexterity.
- 2:38Speaker 6: Tell me that with the needle, her fingers fly like
- 2:41Speaker 6: a dooty bed.
- 2:43Speaker 5: How old be she?
- 2:45Speaker 4: She passed for twenty, couldn't she?
- 2:48Speaker 5: But she's only sixteen?
- 2:51Speaker 4: What do you say, mister Price.
- 2:53Speaker 5: A call her to the wire. Let me have a look.
- 2:55Speaker 4: At the Mary, Mary Warden.
- 3:00Speaker 6: Come stop twisting your hair, Mary, and stand you still.
- 3:09Speaker 6: Here's a gent thinking of taking her away from us.
- 3:13Speaker 5: Would you like to go with me? Child? Dyle shine?
- 3:20Speaker 4: Ain't me today?
- 3:21Speaker 6: Mary? Well, come you here, bend your head close and
- 3:26Speaker 6: I'll tell you a thing that it'll take away your shining.
- 3:29Speaker 5: No, Mary, you old crows.
- 3:35Speaker 4: Fit for the stage years.
- 3:37Speaker 6: I'm Mary.
- 3:41Speaker 4: We will miss.
- 3:43Speaker 7: Her, my bed, my head close, you'll try to stretch
- 3:47Speaker 7: my ear from my head, you old golly knacker.
- 3:50Speaker 6: Them that don't appreciate the gentle and the loving kindness.
- 3:54Speaker 7: Mister, take me away from heir.
- 3:58Speaker 5: You want to go away with me?
- 4:00Speaker 7: A busket out of here before she whips the skin
- 4:03Speaker 7: fair off me.
- 4:05Speaker 5: I ask you something, gild.
- 4:06Speaker 7: A busket out of here with me.
- 4:10Speaker 5: With me, yes, sir, Winnie Penn.
- 4:14Speaker 4: Then that don't appreciate she wants to go with me
- 4:18Speaker 4: twenty pounds same as the rest.
- 4:21Speaker 5: Twenty pounds. That's more than I I.
- 4:24Speaker 7: Want to go away, sir with you, Sir, I wouldn't
- 4:27Speaker 7: go with anybody else.
- 4:29Speaker 5: Do you know, Oh? Do you now?
- 4:33Speaker 4: Oh?
- 4:34Speaker 8: Yes, yes.
- 4:44Speaker 1: So it was that Mary Warden was indentured to Thomas
- 4:47Speaker 1: Price at the wage of four pounds a year. Mary
- 4:51Speaker 1: would be free to go her own way at the
- 4:52Speaker 1: age of twenty one. That is, if mister Price did
- 4:56Speaker 1: not find her for not obeying him, and whatever was
- 4:58Speaker 1: his whim and he was nothing if not whimsical. Now,
- 5:03Speaker 1: while mister Price was situating Mary in the back room
- 5:06Speaker 1: of his factory, seeing that she was comfortable in her
- 5:09Speaker 1: new position and all, and let's look in on the
- 5:11Speaker 1: firehouse of the Norwich Union Boys. A young man, James
- 5:15Speaker 1: Evans my name, has just passed all the tests in
- 5:18Speaker 1: order to become a fireman.
- 5:19Speaker 5: Oh, here are.
- 5:20Speaker 9: Your buttons, saddi chief, and here your bat sadisea.
- 5:27Speaker 5: And you must keep.
- 5:27Speaker 10: Them polished all the time, sir. And notice the raised
- 5:31Speaker 10: figures on button and Budge crouched panther for always alert,
- 5:36Speaker 10: the rules for courtesy, the coiled serpent for neatness. Yes, sir,
- 5:40Speaker 10: and you're one of us, a Norridge Union Boy.
- 5:44Speaker 5: Chief. Yes Evans, thank you for everything.
- 5:47Speaker 9: And I want to tell you this that it is
- 5:49Speaker 9: an honor to serve under the greatest netman in the business.
- 5:52Speaker 10: Have your buttons thwn on, Evans, come back and we'll
- 5:55Speaker 10: have a game.
- 5:55Speaker 5: Oh yes, sir, h.
- 6:20Speaker 3: Do you of course we do buttons anything in the
- 6:23Speaker 3: line of clothes and buttons and fabrics.
- 6:25Speaker 5: I want these it soon on.
- 6:27Speaker 3: Oh, then it's a farm and you are not. It's
- 6:30Speaker 3: union boy, Ah, Mary, Mary, this one's a not age
- 6:37Speaker 3: union boy and he needs his buttons so too.
- 6:40Speaker 5: You just go through that gate, sair. Mary. I'll saw
- 6:42Speaker 5: him in ance, and twelve buttons.
- 6:45Speaker 3: Is the farthing gian Sir, I'll be backing the first
- 6:50Speaker 3: And Mary, hey to me when you're done.
- 7:07Speaker 7: Tirdy, tirdy for picking up for me.
- 7:11Speaker 11: M m, they're all over the floor, let me.
- 7:27Speaker 7: Prombly, fingers tremble.
- 7:30Speaker 5: Give them to me, Give them to me. Oh, they're chill.
- 7:36Speaker 7: And your hands so warm.
- 7:39Speaker 5: Then meet me tonight.
- 7:42Speaker 7: Where the river Midlock turns left past Crawley's landing at
- 7:46Speaker 7: twelve o'clock. You want me to sneak out?
- 7:49Speaker 9: Do you not?
- 7:50Speaker 5: Does not your father let you? Oh?
- 7:52Speaker 7: My father, I'm an indentured servant.
- 7:55Speaker 5: I am, oh my.
- 8:10Speaker 1: And James Evans sensitive boy was lost forever, this poor
- 8:15Speaker 1: and beautiful girl no better than a slave, And all
- 8:18Speaker 1: day long his hands felt the touch of her hands,
- 8:21Speaker 1: and all day long he remembered the scent and texture
- 8:24Speaker 1: of her golden hair as she leaned to bite off
- 8:27Speaker 1: the thread. Suddenly life became complicated, a life that before
- 8:32Speaker 1: this meeting had only poles and nets and ladders and
- 8:34Speaker 1: hooks and solidarity meetings and hoses and hound mascots. Now
- 8:39Speaker 1: suddenly there was a woman that night by the river.
- 8:45Speaker 5: How did you get out?
- 8:46Speaker 7: As he slipt? The stole keys from him?
- 8:49Speaker 9: Poor Mary, Poor poor Mary?
- 8:53Speaker 7: Then what will you do for your poor Mary?
- 8:57Speaker 5: My poor Mary?
- 9:00Speaker 7: I am yours?
- 9:01Speaker 5: What shall I do for you?
- 9:03Speaker 7: Go to him who's bought me? And offering the price
- 9:06Speaker 7: he paid, pay off your indenture twenty pounds? Oh do
- 9:12Speaker 7: you have all that much money?
- 9:14Speaker 5: It's all I have.
- 9:15Speaker 7: Oh, then you'll be penniless, and I will, but with
- 9:19Speaker 7: our love will be richer than that dicky harness.
- 9:22Speaker 9: Yes, and I have a good job, and I'll make
- 9:25Speaker 9: you a good home. And then put your hand in mine. Mary, Mary, pretend,
- 9:35Speaker 9: pretend what that I've paid mister Price, and you no
- 9:39Speaker 9: longer belong to him, and that your fancies are free?
- 9:42Speaker 5: Yet you can think of no one but me. Oh, Mary,
- 9:48Speaker 5: cannot pretend it.
- 9:49Speaker 7: When it's reality.
- 9:51Speaker 5: Tomorrow I will go to him.
- 9:54Speaker 7: Then perhaps tomorrow it will be reality.
- 10:13Speaker 5: No, but no, mister Price, what's the matter with you? Farm?
- 10:17Speaker 3: And you can't take over an answer? Why she's a
- 10:20Speaker 3: good girl, and she sows like a cherub, and she
- 10:22Speaker 3: scrubs like an angel. And besides, I have a contract
- 10:25Speaker 3: with Mother Winnie Pen and I have no intention pounds,
- 10:28Speaker 3: not an hundred.
- 10:29Speaker 9: But she's not meant to be indentured, not such as
- 10:32Speaker 9: she is louly? Is she darbling while laughter? At such
- 10:38Speaker 9: a time?
- 10:38Speaker 5: While laughter? You love her? You love her truly?
- 10:43Speaker 3: And without tell me, sir, what a love of the
- 10:47Speaker 3: poets sweet and soaring, or a pitying glove like some
- 10:51Speaker 3: month for them funny?
- 10:53Speaker 5: Or is my lover? And I wish to purchase her
- 10:56Speaker 5: out of bondage? Then let me tell you, sir, it
- 10:58Speaker 5: will never be for myself. I have plans.
- 11:02Speaker 3: When she can sole nimbly as I like, and when
- 11:05Speaker 3: she cooks with smiling skillet as I like, and she
- 11:09Speaker 3: keeps house in a manner neatly, then I could do
- 11:12Speaker 3: worse than to take her as a wife. And what
- 11:14Speaker 3: do you say to that young fireman?
- 11:16Speaker 5: A pox to you, a.
- 11:30Speaker 7: Pox to him.
- 11:31Speaker 5: That's exactly what I told him.
- 11:32Speaker 7: She wants to marry me.
- 11:34Speaker 5: That's exactly what he told me.
- 11:35Speaker 7: I wouldn't marry him if they were Lord Duncan and.
- 11:38Speaker 5: All his born. Well, then here's what he could do.
- 11:40Speaker 9: Simply keep you indebted to him for as long as
- 11:42Speaker 9: he wants, by finds by whatever.
- 11:45Speaker 5: I'd go to the courts and they would uphold him
- 11:47Speaker 5: and not you.
- 11:48Speaker 7: Then what will you do for me?
- 11:51Speaker 5: Pretend what?
- 11:53Speaker 9: There's a world, a wonderful world. When you pretend, then
- 11:57Speaker 9: anything can be us for as long as long as
- 12:00Speaker 9: you pretend, James, I do it all the time, James,
- 12:03Speaker 9: I pretend that you were mine.
- 12:07Speaker 5: Pretending is James?
- 12:08Speaker 7: When I leave you, when I return to my straw
- 12:11Speaker 7: on the draft, shall I pretend it's a palace bed
- 12:14Speaker 7: warm by a fire of burning oak. And shall I
- 12:17Speaker 7: pretend that mister Price is a prince?
- 12:20Speaker 5: What would you have me do of him? How you
- 12:24Speaker 5: have your buttons? James, Yes I have.
- 12:27Speaker 7: Therefore you have a good head upon you and a
- 12:30Speaker 7: strong back.
- 12:31Speaker 5: I'm not a Junian boy, Oh yes you are.
- 12:34Speaker 7: They make a plan and follow it. Rid me of him.
- 12:38Speaker 5: I will swear it. I swear it, James.
- 12:43Speaker 7: Yes, let's pretend there is no mister Price. Let's pretend
- 12:47Speaker 7: I'm free for a while.
- 12:49Speaker 1: For a little while, And there where the river Medlock
- 13:02Speaker 1: turned left past Crowley's landing, the cricket sang, and the
- 13:06Speaker 1: lovers spoke of love and made promises.
- 13:10Speaker 5: A way to rid him is already forming in my.
- 13:13Speaker 1: Brain, which is the way the evening went. You are
- 13:47Speaker 1: listening to Crime Classics and your host, Thomas Hyland. Teenage
- 13:53Speaker 1: existence is often fraught with emotional pitfalls what could be
- 13:57Speaker 1: more intense? For example, and a bitter and disagreement about
- 14:00Speaker 1: which teenage girls should lend what to whom?
- 14:03Speaker 2: Tomorrow Night on most of these same stations follow these
- 14:07Speaker 2: latest doings on Junior Miss, starring Barbara Whiting as Judy Graves.
- 14:12Speaker 2: It's Junior Miss, the same fine and flighty young lady
- 14:16Speaker 2: that Sally Benson created in her own CBS radio series,
- 14:20Speaker 2: Remember Judy and the Terrible Wardrobe Tension. Tomorrow Night now
- 14:26Speaker 2: once again Thomas Hyland and the second act of Crime
- 14:29Speaker 2: Classics and his report to you on James Evans Fireman,
- 14:34Speaker 2: How he extinguished a human torch.
- 14:55Speaker 1: To settle any arguments. It was Van der Heide who
- 14:58Speaker 1: in sixteen hundred seven invented the hose. A year later
- 15:02Speaker 1: he stumbled upon the principle of the suction pipe, and
- 15:05Speaker 1: putting the two together, it enabled the fire engine to
- 15:08Speaker 1: be some distance away from both the fire and the
- 15:11Speaker 1: source of water. Before vander Hide, the fires were fought
- 15:16Speaker 1: with squeezing streams of water from leather bags. It should
- 15:19Speaker 1: be said that in this era things mostly burned to
- 15:22Speaker 1: the ground. In the era we are concerned with the
- 15:26Speaker 1: eighteen twenties, the city of Manchester depended upon three Newsham
- 15:30Speaker 1: fire engines, manned by three fire companies respectively. And the
- 15:35Speaker 1: company that was wanted most was the Norwich Union Boys.
- 15:39Speaker 1: And the most recent recruit of this crack company was
- 15:42Speaker 1: the crack youth named James Evans. He knew a lady
- 15:47Speaker 1: on bent Farthington Street who sold ducks.
- 15:51Speaker 8: Is a plump wood, James Ladd enough meat and fatty
- 15:54Speaker 8: on him for bread and spooning, Sophy, pluck him for
- 15:57Speaker 8: you before you can say, Jack Renison saved him for you?
- 16:00Speaker 8: Id did knowing?
- 16:02Speaker 5: As are you like your bird? Come fride, Sophie. What
- 16:05Speaker 5: you want James, lad a favor?
- 16:08Speaker 3: No?
- 16:09Speaker 8: What could a handsome lad like you be wanting? With
- 16:12Speaker 8: twelve buttons, a gleam and a badge of shining? What
- 16:16Speaker 8: could you be wanting?
- 16:17Speaker 5: Lad? There's a girl?
- 16:19Speaker 8: Ah, then you'll be needing another duck and you have
- 16:23Speaker 8: no money to pay poor Sophie, and you're going to
- 16:27Speaker 8: stand and wheedle and make poor so that at all,
- 16:31Speaker 8: and you don't want something from poor Sophie, and for
- 16:35Speaker 8: which you're not going to pay her, in.
- 16:37Speaker 9: Fact, is what I want. I'm going to pay you,
- 16:39Speaker 9: good boy. Here's a girl and she's indentured to mister Price.
- 16:43Speaker 8: Now which mister Price?
- 16:45Speaker 5: May that be the cloth man in Marsden Square? Know him?
- 16:49Speaker 8: Boys a pigeon nana about?
- 16:50Speaker 9: Go to him, Sophie and ask whether you can borrow
- 16:53Speaker 9: this girl of his, this Mary Wharton, for the day
- 16:56Speaker 9: for some work you need done.
- 16:58Speaker 8: What kind of work will that be?
- 17:00Speaker 9: Cleaning? Sort in the feathers for ticking and pillows? And
- 17:03Speaker 9: I'll give you the money to pay him, will you
- 17:06Speaker 9: do it? Go to him, Irah for today and keep
- 17:10Speaker 9: it your house tonight and deliver her back tomorrow.
- 17:13Speaker 8: And money to keep my mouth shut for whatever's going
- 17:16Speaker 8: to happen.
- 17:18Speaker 5: It's ten pounds for all of it.
- 17:20Speaker 8: You're a one nincha gimes.
- 17:22Speaker 5: Will you do it? A course?
- 17:25Speaker 7: A course, dear ladder course?
- 17:50Speaker 5: Now then you see how it's done. Yes, And let's
- 17:54Speaker 5: see you do it. Now here's the cloth.
- 17:57Speaker 3: Put the thread through here and there, then loop over
- 18:03Speaker 3: and then through here and there, loop then right through here.
- 18:09Speaker 3: The machine is ready to sew.
- 18:11Speaker 7: Now you do it, Mary, well, I want to mister Price.
- 18:22Speaker 5: Eh, good, good, good, good.
- 18:24Speaker 3: You've done it, girl. You know how to make a
- 18:27Speaker 3: single thread chain on a sewing machine. I'm glad I
- 18:31Speaker 3: am a Mary.
- 18:32Speaker 7: Yes, mister Price.
- 18:34Speaker 3: Your fingers will not be stuck with holes anymore.
- 18:38Speaker 5: The reason I bought this machine.
- 18:40Speaker 7: You're concerned for my fingers, mister Price.
- 18:43Speaker 5: For your fingers and your hands and your air.
- 18:48Speaker 7: What are you trying to say to me, mister Price?
- 18:52Speaker 3: You're comely. I noticed this first when you were behind
- 18:56Speaker 3: the wire. Mother Winnie pens.
- 18:58Speaker 7: But I'm just an dent should maid, sir? And the
- 19:02Speaker 7: way you speak to me as if I were a
- 19:04Speaker 7: maid who's being.
- 19:06Speaker 5: Wooed, Mary Mary.
- 19:11Speaker 3: Docsanagees once none to day, I know, mister Price. Hey,
- 19:17Speaker 3: now last, good Morrow, Antisophium. We've met enough without your beds.
- 19:20Speaker 3: But carry off what.
- 19:22Speaker 8: I didn't climb these stairs for just a selling No, indeed.
- 19:26Speaker 7: Hello, lass, Hello, I heard that.
- 19:29Speaker 8: You were a one for cleaning.
- 19:31Speaker 5: Oh what's this? What's this?
- 19:33Speaker 8: I need a cleaning girl, I do, oh, and of
- 19:37Speaker 8: money to pay for her a pound till tomorrow morning.
- 19:40Speaker 3: Oh ah, well, a pound's a pound, and in the
- 19:43Speaker 3: pockets it sound, I always thinks.
- 19:46Speaker 5: What do you say, girl? What do you say? Mary?
- 19:49Speaker 7: Whatever you want?
- 19:51Speaker 3: And tomorrow when you come back, we can take up
- 19:54Speaker 3: the conversation we were having.
- 19:57Speaker 8: Yes, here's the pound, then, mister.
- 19:59Speaker 3: Pry, I have a good cleaning for Auntie Sophie.
- 20:03Speaker 11: Girl.
- 20:03Speaker 7: Well, will indeed come along, loss, Auntie Sophie. Yes, Lass,
- 20:17Speaker 7: James Evans sent you to me, La La, to take
- 20:22Speaker 7: me away for a night and a day. Lo no long,
- 20:26Speaker 7: He's a one, isn't he? Loll loll him and his
- 20:31Speaker 7: twelve brass buttons. Oh my, I sewed them all on,
- 20:36Speaker 7: all of them, Oh my, ducks.
- 20:42Speaker 8: And bitches, bitches and duc supermar.
- 21:02Speaker 1: That night, that very night, fire fire, fire in the
- 21:08Speaker 1: cloth factory of mister Price. How it started, No one knew,
- 21:11Speaker 1: but the hue and cry went up, fire high, and
- 21:17Speaker 1: there was flame and smoke and shouts of alarm. And
- 21:21Speaker 1: first on the scene, you guessed it, the Norwich Union Boys.
- 21:26Speaker 1: And first running up the steps, you guessed it. James
- 21:30Speaker 1: Evans acts in hand, first in the factory loft. The
- 21:36Speaker 1: vision obscured. He went to work, very good boy with
- 21:41Speaker 1: the acts.
- 21:41Speaker 10: Help me, help me.
- 21:43Speaker 5: Mister Price caught on fire. Help me, where are you hurt?
- 21:48Speaker 12: Me?
- 21:48Speaker 10: Help me?
- 22:10Speaker 1: They saved most of the factory. The Norwich Union Boys
- 22:13Speaker 1: did the fustian vats, the sewing machine and the main bales.
- 22:17Speaker 1: The one thing they didn't save, which lowered their score
- 22:20Speaker 1: considerably was mister Price. He was found in some ashes
- 22:25Speaker 1: with an axe wound in his head. Then suddenly everyone
- 22:28Speaker 1: turned on the Norwich Union Boys careless with the acts.
- 22:32Speaker 1: They were called wanton and worse murderers. So an investigation
- 22:37Speaker 1: was held and it was soon determined that James Evans
- 22:41Speaker 1: was the fireman shopping closest to where the body was found.
- 22:44Speaker 5: And then what happened?
- 22:45Speaker 9: Well, Chief, it was smoky and the flames were fairly
- 22:48Speaker 9: looking at me buttons.
- 22:49Speaker 10: And Rossiter says he heard someone cry out as if
- 22:53Speaker 10: to say, help me, help me.
- 22:55Speaker 5: There was such clamor and excitement, Chief mums Le.
- 22:57Speaker 10: Lassiter said he thought he saw through the smoke, of course,
- 23:03Speaker 10: human torch.
- 23:05Speaker 5: Possibly, when you admit it, it is.
- 23:07Speaker 10: Possible that there was an outcry, and it is possible
- 23:10Speaker 10: that there was a human toil, yes, sir. And you
- 23:14Speaker 10: also must admit it that you were close by wielding
- 23:18Speaker 10: the acts.
- 23:18Speaker 5: Yes, sir.
- 23:19Speaker 10: Therefore it is possible that you delivered the ax blow
- 23:22Speaker 10: which found its mark in mister Price's head.
- 23:26Speaker 5: Yes, sir. There is a noise, you know, a nasty noise.
- 23:32Speaker 10: People speak of the Norwedge Union boys and sneer people
- 23:37Speaker 10: speak of wanton murder.
- 23:40Speaker 5: Yes, sir.
- 23:41Speaker 10: Therefore, for the good of the Norwedge Union, you understand.
- 23:46Speaker 10: Therefore I must report this to the police and hand
- 23:49Speaker 10: you over to the sir.
- 23:50Speaker 9: Yes, it was an accident. I admit I felt mister Price. Oh,
- 23:56Speaker 9: I thought he was a flaming bale of rags, and
- 23:59Speaker 9: I took it the bad part to chop it apart
- 24:02Speaker 9: from the good part, as I'd been taught. I must
- 24:05Speaker 9: tell you, sir, I put out the fire. If the
- 24:09Speaker 9: fire happened to be a human torch and I could
- 24:11Speaker 9: not know it, then if it happened to be a torch, well, sir,
- 24:14Speaker 9: I put it out as I'd been taught.
- 24:17Speaker 7: Oh Now, And.
- 24:31Speaker 1: Two weeks later in court that was the boy's defense.
- 24:34Speaker 1: And while he said it, I.
- 24:36Speaker 5: Was putting out a fire.
- 24:37Speaker 1: And while he said it. He looked so handsome standing there,
- 24:40Speaker 1: and so brave, twelve brass buttons and his shining badge,
- 24:44Speaker 1: with a shaft of morning sun twisting through his curls.
- 24:48Speaker 1: The stance he took, he seemed somehow a symbol, as
- 24:51Speaker 1: if he stood between a hungry fire and a helpless child,
- 24:55Speaker 1: and if he had but to wish it, the fire
- 24:57Speaker 1: would go out like that. As a matter of fact,
- 25:01Speaker 1: just after the jury brought him the verdict, the judge
- 25:04Speaker 1: made a statement.
- 25:05Speaker 12: I must commend the gentlemen of the jury for the
- 25:08Speaker 12: verdict they have rendered. Not guilty, they have said James Evans,
- 25:14Speaker 12: approach the bench closer, boy, boy, fireman. I imagine often
- 25:30Speaker 12: what it is to face the flames. Sometimes, e sometimes
- 25:35Speaker 12: I must tell you this. When I hear the clangor
- 25:38Speaker 12: of the fire engine, I hasten to where the conflagration is,
- 25:42Speaker 12: and I stand and watch the consuming as the tongues of.
- 25:46Speaker 5: Flame leap up, leap up.
- 25:49Speaker 13: He what a brave man you must be to walk
- 25:52Speaker 13: into those infernos. I know you must be brave, for
- 25:55Speaker 13: I only stand and watch an eye shiver. Ha, how
- 26:00Speaker 13: it must be to be like you are the hero
- 26:03Speaker 13: of the flame master of it, slayer of it. You
- 26:08Speaker 13: are a hero boy, and that you Oberzellous, have made
- 26:13Speaker 13: a mistake and put X to a human being should
- 26:16Speaker 13: not be held against you. If you will approach yet closer,
- 26:21Speaker 13: I will shake your hand.
- 26:39Speaker 1: And later the judge, Judge Wilcox was his name, married
- 26:44Speaker 1: the two lovers, James Evans and Mary Warden, and became
- 26:48Speaker 1: a great friend of the family. The three of them
- 26:50Speaker 1: would sit there in front of the fireplace and just
- 26:53Speaker 1: stare at the flames for hours.
- 27:11Speaker 2: In just a moment, Thomas Hyland will tell you about
- 27:13Speaker 2: next week's crime classic, James Evans. Tonight's Crime Classic was
- 27:18Speaker 2: adapted from the original court reports and newspaper accounts by
- 27:22Speaker 2: Morton Fine and David Friedkin. The music was composed and
- 27:26Speaker 2: conducted by Bernard Hermann, and the program is produced and
- 27:30Speaker 2: directed by Elliot Lewis. Thomas Hyland is portrayed on radio
- 27:34Speaker 2: by lou Merrill. In Tonight's story, Alistair Duncan was heard
- 27:38Speaker 2: as James, Betty Harford as Mary, and Ben Wright as
- 27:41Speaker 2: mister Price. Featured in the cast were Paula Wenslow, Florence Walcott,
- 27:45Speaker 2: and Richard Peel. Bob Lamann speaking here again is Thomas Hyland.
- 27:50Speaker 1: Next week Rome, Italy in the year fifteen hundred. At
- 27:55Speaker 1: that time a girl's brother did a favor, a big favor.
- 27:59Speaker 1: But it wasn't easy. It's listed in my file, says
- 28:03Speaker 1: Chaserer Borgia, his most difficult murder. Thank you good night.
- 28:10Speaker 2: We can tell you in a great many words, or
- 28:12Speaker 2: in just three words, what makes CBS radio news first
- 28:16Speaker 2: and foremost with most Americans. Let's do it the short
- 28:19Speaker 2: way this time. Those three words or names rather are Murrow, Thomas,
- 28:23Speaker 2: and Trout, because Edward R. Murrow, Lowell Thomas, and Robert
- 28:27Speaker 2: Trout are just three of the reporters you hear regularly
- 28:30Speaker 2: at the Star's address. Because American knows and trusts these
- 28:34Speaker 2: men and the great CBS Radio newsroom that backs them
- 28:37Speaker 2: up with a worldwide network of reporting. America listens most
- 28:41Speaker 2: to CBS Radio for its news as well as its entertainment.
- 28:52Speaker 2: America listens most to the CBS Radio network
- 29:16Speaker 5: No