Latest / Daily Classic Sci Fi Books / 08 - The Time Machine - H G Wells
Transcript
- 0:00Speaker 1: Chapter eight. I found the Palace of green porcelain when
- 0:05Speaker 1: we approached it about noon, deserted and falling into ruin.
- 0:09Speaker 1: Only ragged vestiges of glass remained in its windows, and
- 0:13Speaker 1: great sheets of the green facing had fallen away from
- 0:16Speaker 1: the corroded metallic framework. It lay very high upon a
- 0:20Speaker 1: turfy down and looking northeastward. Before I entered it, I
- 0:24Speaker 1: was surprised to see a large estuary, or even creek,
- 0:27Speaker 1: where I judged Wandsworth and Battersea must have once been.
- 0:32Speaker 1: I thought, then, though I never followed up the thought
- 0:35Speaker 1: of what might have happened, or might be happening to
- 0:39Speaker 1: the living things in the sea. The material of the
- 0:43Speaker 1: palace proved on examination to be indeed porcelain, and along
- 0:48Speaker 1: the face of it I saw an inscription in some
- 0:51Speaker 1: unknown character. I thought rather foolishly that Weena might help
- 0:57Speaker 1: me to interpret this, but I only learned that that
- 1:00Speaker 1: the bare idea of writing had never entered her head.
- 1:04Speaker 1: She always seemed to me, I fancy, more human than
- 1:07Speaker 1: she was, perhaps because her affection was so human. Within
- 1:13Speaker 1: the big valves of the door, which were open and broken,
- 1:16Speaker 1: we found instead of the customary hall, a long gallery
- 1:21Speaker 1: lit by many side windows. At the first glance I
- 1:25Speaker 1: was reminded of a museum. The tiled floor was thick
- 1:29Speaker 1: with dust, and a remarkable array of miscellaneous objects was
- 1:33Speaker 1: shrouded in the same gray covering. Then I perceived, standing
- 1:38Speaker 1: strange and gaunt in the center of the hall, what
- 1:41Speaker 1: was clearly the lower part of a huge skeleton. I
- 1:45Speaker 1: recognized by the oblique feet that it was some extinct
- 1:48Speaker 1: creature after the fashion of the megatherium. The skull and
- 1:53Speaker 1: upper bones lay beside it in the thick dust, and
- 1:56Speaker 1: in one place, where rain water had dropped through a
- 1:59Speaker 1: leak in the room, the thing itself had been worn away.
- 2:03Speaker 1: Further in the gallery was the huge skeleton barrel of
- 2:06Speaker 1: a brontosaurus. My museum hypothesis was confirmed. Going towards the side,
- 2:13Speaker 1: I found what appeared to be sloping shelves, and clearing
- 2:17Speaker 1: away the thick dust, I found the old familiar glass
- 2:20Speaker 1: cases of our own time. But they must have been
- 2:24Speaker 1: air tight, to judge from the fair preservation of some
- 2:28Speaker 1: of their contents. Clearly we stood among the ruins of
- 2:32Speaker 1: some latter day South Kensington. Here apparently was the palaeontological section,
- 2:39Speaker 1: and a very splendid array of fossils. It must have
- 2:42Speaker 1: been though the inevitable process of decay, that had been
- 2:46Speaker 1: staved off for a time, and had, through the extinction
- 2:49Speaker 1: of bacteria and fungi, lost ninety nine hundreds of its force,
- 2:55Speaker 1: was nevertheless, with extreme sureness, if with extreme slowness, at
- 2:59Speaker 1: work again upon all its treasures. Here and there I
- 3:03Speaker 1: found traces of the little people in the shape of
- 3:05Speaker 1: rare fossils, broken to pieces, or threaded in strings upon reeds,
- 3:11Speaker 1: and the cases had in some instances been bodily removed
- 3:15Speaker 1: by the morlocks. As I judged, the place was very silent,
- 3:20Speaker 1: the thick dust deadened our footsteps. Weena, who had been
- 3:24Speaker 1: rolling a sea urchin down the sloping glass of a case,
- 3:27Speaker 1: presently came as I stared about me, and very quietly
- 3:31Speaker 1: took my hand and stood beside me. And at first
- 3:36Speaker 1: I was so much surprised by this ancient monument of
- 3:39Speaker 1: an intellectual age, that I gave no thought to the
- 3:43Speaker 1: possibilities it presented. Even my preoccupation about the time machine
- 3:48Speaker 1: receded a little from my mind. To judge, from the
- 3:52Speaker 1: size of the place, this palace of green porcelain had
- 3:56Speaker 1: a great deal more in it than a gallery of paleontology,
- 4:00Speaker 1: possibly historical galleries. It might be even a library. To me,
- 4:06Speaker 1: at least in my present circumstances, these would be vastly
- 4:10Speaker 1: more interesting than this spectacle of old time geology. In
- 4:13Speaker 1: decay exploring, I found another short gallery running transversely to
- 4:18Speaker 1: the first. This appeared to be devoted to minerals, and
- 4:22Speaker 1: the sight of a block of sulfur set my mind
- 4:25Speaker 1: running on gunpowder. But I could find no saltpeter, indeed
- 4:30Speaker 1: no nitrates of any kind. Doubtless they had deliquesce ages ago.
- 4:36Speaker 1: Yet the sulfur hung in my mind and set up
- 4:40Speaker 1: a train of thinking. As for the rest of the
- 4:43Speaker 1: contents of that gallery, though on the whole they were
- 4:46Speaker 1: the best preserved of all I saw, I had little interest.
- 4:50Speaker 1: I am no specialist in mineralogy, and I went on
- 4:53Speaker 1: down a very ruinous aisle running parallel to the first
- 4:56Speaker 1: hall I had entered. Apparently this section had been devoted
- 4:59Speaker 1: to natural history, but everything had long since passed out
- 5:03Speaker 1: of recognition. A few shriveled and blackened vestiges of what
- 5:08Speaker 1: had once been stuffed animals, desiccated mummies, and jars that
- 5:13Speaker 1: had once held spirit. A brown dust of departed plants.
- 5:17Speaker 1: That was all. I was sorry for that, because I
- 5:21Speaker 1: should have been glad to trace the patent readjustments by
- 5:24Speaker 1: which the conquest of animated nature had been attained. Then
- 5:28Speaker 1: we came to a gallery of simply colossal proportions, but
- 5:32Speaker 1: singularly ill lit, the floor of it running downward at
- 5:36Speaker 1: a slight angle from the end at which I entered.
- 5:39Speaker 1: At intervals, white globes hung from the ceiling, many of
- 5:43Speaker 1: them cracked and smashed, which suggested that originally the place
- 5:47Speaker 1: had been artificially lit. Here I was more in my element,
- 5:51Speaker 1: for rising on either side of me were the huge
- 5:54Speaker 1: bulks of big machines, all greatly corroded and many broken down,
- 6:00Speaker 1: some still fairly complete. You know, I have a certain
- 6:04Speaker 1: weakness for mechanism, and I was inclined to linger among these,
- 6:09Speaker 1: the more so as for the most part they had
- 6:11Speaker 1: the interest of puzzles, and I could make only the
- 6:15Speaker 1: vaguest guesses at what they were. For I fancied that
- 6:19Speaker 1: if I could solve their puzzles, I should find myself
- 6:22Speaker 1: in possession of powers that might be of use against
- 6:25Speaker 1: the Morlocks. Suddenly, Weena came very close to my side
- 6:30Speaker 1: so suddenly that she startled me. Had it not been
- 6:33Speaker 1: for her, I do not think I should have noticed
- 6:36Speaker 1: that the floor of the gallery sloped at all. Footnote.
- 6:40Speaker 1: It may be, of course, that the floor did not slope,
- 6:42Speaker 1: but that the museum was built into the side of
- 6:45Speaker 1: a hill. Editor. The end I had come in at
- 6:49Speaker 1: was quite above ground, and was lit by rare slit
- 6:52Speaker 1: like windows. As you went down the length, the ground
- 6:56Speaker 1: came up against these windows, until at last there was
- 6:59Speaker 1: a pit like the area of a London house before each,
- 7:03Speaker 1: and only a narrow line of daylight at the top.
- 7:07Speaker 1: I went slowly along, puzzling about the machines, and had
- 7:11Speaker 1: been too intent upon them to notice the gradual diminution
- 7:15Speaker 1: of the light until Weena's increasing apprehensions drew my attention.
- 7:21Speaker 1: Then I saw that the gallery ran down at last
- 7:25Speaker 1: into a thick darkness. I hesitated, and then as I
- 7:29Speaker 1: looked round me, I saw that the dust was less
- 7:32Speaker 1: abundant and its surface less. Even further away towards the dimness,
- 7:38Speaker 1: it appeared to be broken by a number of small,
- 7:40Speaker 1: narrow footprints. My sense of the immediate presence of the
- 7:45Speaker 1: morlocks revived. At that I felt that I was wasting
- 7:48Speaker 1: my time in the academic examination of machinery. I called
- 7:52Speaker 1: to mind that it was already far advanced in the afternoon,
- 7:56Speaker 1: and that I had still no weapon, no refuge, and
- 8:00Speaker 1: no means of making a fire. And then down in
- 8:04Speaker 1: the remote blackness of the gallery, I heard a peculiar
- 8:07Speaker 1: pattering and the same odd noises I had heard down
- 8:11Speaker 1: the well. I took Weena's hand, then struck with a
- 8:16Speaker 1: sudden idea, I left her and turned to a machine,
- 8:20Speaker 1: from which projected a lever not unlike those in a
- 8:23Speaker 1: signal box. Clambering up the stand and grasping this lever
- 8:27Speaker 1: in my hands, I put all my weight upon its sideways. Suddenly, Weena,
- 8:32Speaker 1: deserted in the central aisle, began to whimper. I had
- 8:36Speaker 1: judged the strength of the lever pretty correctly, for it
- 8:39Speaker 1: snapped after a minute's strain, and I rejoined her with
- 8:43Speaker 1: a mace in my hand, more than sufficient, I judged
- 8:46Speaker 1: for any morlock's skull I might encounter. And I longed
- 8:50Speaker 1: very much to kill a morlock, or so very inhuman
- 8:54Speaker 1: you may think to want to go killing one's own descendants.
- 8:58Speaker 1: But it was impossible, somehow to feel any humanity in
- 9:02Speaker 1: the things. Only my disinclination to leave Weena and a
- 9:08Speaker 1: persuasion that if I began to slake my thirst for murder,
- 9:12Speaker 1: my time machine might suffer, restrained me from going straight
- 9:15Speaker 1: down the gallery and killing the brutes. I heard, well,
- 9:20Speaker 1: mace in one hand and Weena in the other. I
- 9:23Speaker 1: went out of that gallery and into another and still
- 9:26Speaker 1: larger one, which, at the first glance reminded me of
- 9:30Speaker 1: a military chapel hung with tattered flags. The brown and
- 9:35Speaker 1: charred rags that hung from the sides of it I
- 9:37Speaker 1: presently recognized as the decaying vestiges of books. They had
- 9:42Speaker 1: long since dropped to pieces, and every semblance of print
- 9:46Speaker 1: had left them. But here and there were warped boards
- 9:49Speaker 1: and cracked metallic clasps that told the tale well enough.
- 9:54Speaker 1: Had I been a literary man, I might perhaps have
- 9:57Speaker 1: moralized upon the futility of all ms ambition. But as
- 10:01Speaker 1: it was, the thing that struck me with the keenest
- 10:04Speaker 1: force was the enormous waste of labor to which this
- 10:07Speaker 1: somber wilderness of rotting paper testified. At the time, I
- 10:12Speaker 1: will confess that I thought chiefly of the philosophical transactions
- 10:17Speaker 1: and my own seventeen papers upon physical optics. Then, going
- 10:24Speaker 1: up a broad staircase, we came to what may once
- 10:27Speaker 1: have been a gallery of technical chemistry. And here I
- 10:31Speaker 1: had not a little hope of useful discoveries. Except at
- 10:35Speaker 1: one end, where the roof had collapsed, this gallery was
- 10:38Speaker 1: well preserved. I went eagerly to every unbroken case, and
- 10:43Speaker 1: at last, in one of the really air tight cases,
- 10:46Speaker 1: I found a box of matches. Very eagerly I tried them.
- 10:51Speaker 1: They were perfectly good, they were not even damp. I
- 10:55Speaker 1: turned to weena dance. I cried to her in her
- 10:58Speaker 1: own tongue, for now I had a weapon, indeed, against
- 11:01Speaker 1: the horrible creatures we feared. And so, in that derelict museum,
- 11:07Speaker 1: upon the thick soft carpeting of dust, to Ween, as
- 11:10Speaker 1: huge delight, I solemnly performed a kind of composite dance,
- 11:15Speaker 1: whistling the land of the leal as cheerfully as I could.
- 11:19Speaker 1: In part it was a modest can can, in part
- 11:22Speaker 1: a step dance, in part a skirt dance, so far
- 11:26Speaker 1: as my tail coat permitted, and in part original. For
- 11:30Speaker 1: I am naturally inventive, as you know now, I still
- 11:34Speaker 1: think that for this box of matches to have escaped
- 11:37Speaker 1: the wear of time for immemorial years was most strange.
- 11:42Speaker 1: As for me it was a most fortunate thing. Yet
- 11:46Speaker 1: oddly enough I found a far unlikelier substance, and that
- 11:51Speaker 1: was camphor. I found it in a sealed jar that,
- 11:55Speaker 1: by chance, I suppose had been really hermetically sealed. I
- 11:59Speaker 1: fancied at first that it was paraffin wax, and smashed
- 12:03Speaker 1: the glass accordingly, But the odor of camphor was unmistakable.
- 12:08Speaker 1: In the universal decay, this volatile substance had chanced to survive,
- 12:14Speaker 1: perhaps through many thousands of centuries. It reminded me of
- 12:19Speaker 1: a Sepia painting I had once seen, done from the
- 12:21Speaker 1: ink of a fossil bellumnite that must have perished and
- 12:24Speaker 1: become fossilized millions of years ago. I was about to
- 12:28Speaker 1: throw it away, but I remembered that it was inflammable
- 12:32Speaker 1: and burned with a good bright flame, was in fact
- 12:36Speaker 1: an excellent candle, and I put it in my pocket.
- 12:40Speaker 1: I found no explosives, however, nor any means of breaking
- 12:43Speaker 1: down the bronze doors. As yet, my iron crowbar was
- 12:48Speaker 1: the most helpful thing I had chanced upon. Nevertheless, I
- 12:52Speaker 1: left that gallery greatly elated. I cannot tell you all
- 12:56Speaker 1: the story of that long afternoon. It would require a
- 13:00Speaker 1: great effort of memory to recall my explorations in at
- 13:03Speaker 1: all the proper order. I remember a long gallery of
- 13:08Speaker 1: rusting stands of arms, and how I hesitated between my
- 13:12Speaker 1: crowbar and a hatchet or a sword. I could not
- 13:16Speaker 1: carry both, however, and my bar of iron promised best
- 13:19Speaker 1: against the bronze gates. There were numbers of guns, pistols,
- 13:24Speaker 1: and rifles, and most were masses of rust. But many
- 13:28Speaker 1: were of some new metal, and still fairly sound. But
- 13:33Speaker 1: any cartridges or powder there may once have been had
- 13:37Speaker 1: rotted into dust. One corner I saw was charred and shattered, perhaps,
- 13:43Speaker 1: I thought, by an explosion. Among the specimens. In another
- 13:47Speaker 1: place was a vast array of idols Polynesian, Mexican, Grecian, Phoenician,
- 13:53Speaker 1: every country on Earth, I should think. And here, yielding
- 13:58Speaker 1: to an irresistible impulse, I wrote my name upon the
- 14:01Speaker 1: nose of a stea tight monster from South America that
- 14:04Speaker 1: particularly took my fancy. As the evening drew on my interest, Waned,
- 14:11Speaker 1: I went through gallery after gallery, dusty, silent, often ruinous.
- 14:17Speaker 1: The exhibit sometimes mere heaps of rust, and late nite
- 14:20Speaker 1: sometimes fresher. In one place, I suddenly found myself near
- 14:25Speaker 1: the model of a tin mine, and then, by the
- 14:27Speaker 1: merest accident, I discovered in an air tight case two
- 14:32Speaker 1: dynamite cartridges. I shouted eureka and smashed the case with joy.
- 14:38Speaker 1: Then came a doubt. I hesitated. Then, selecting a little
- 14:44Speaker 1: side gallery, I made my essay. I never felt such
- 14:48Speaker 1: a disappointment as I did in waiting five ten, fifteen
- 14:53Speaker 1: minutes for an explosion that never came. Of course, the
- 14:58Speaker 1: things were dummies, as I might of guess from their presence.
- 15:02Speaker 1: I really believed that had they not been so, I
- 15:05Speaker 1: should have rushed off incontinently and blown sphinx bronze doors,
- 15:10Speaker 1: and as it proved my chances of finding the time
- 15:13Speaker 1: machine all together into non existence. It was after that
- 15:19Speaker 1: I think that we came to a little open court
- 15:21Speaker 1: within the palace. It was turfed and had three fruit trees.
- 15:26Speaker 1: So we rested and refreshed ourselves. Towards sunset, I began
- 15:31Speaker 1: to consider our position. Night was creeping upon us, and
- 15:36Speaker 1: my inaccessible hiding place had still to be found. But
- 15:40Speaker 1: that troubled me very little, now I had in my
- 15:43Speaker 1: possession a thing that was perhaps the best of all
- 15:46Speaker 1: defenses against the Morlocks. I had matches. I had the
- 15:51Speaker 1: camphor in my pocket too, if a blaze were needed.
- 15:55Speaker 1: It seemed to me that the best thing we could
- 15:57Speaker 1: do would be to pass the night in the open,
- 16:00Speaker 1: protected by a fire. In the morning there was the
- 16:04Speaker 1: getting of the time machine. Towards that As yet I
- 16:07Speaker 1: had only my iron mace. But now, with my growing knowledge,
- 16:13Speaker 1: I felt very differently towards those bronze doors. Up to
- 16:17Speaker 1: this I had refrained from forcing them, largely because of
- 16:21Speaker 1: the mystery on the other side. They had never impressed
- 16:25Speaker 1: me as being very strong, and I hoped to find
- 16:28Speaker 1: my bar of iron not altogether inadequate for the work.
- 16:34Speaker 1: End of Chapter eight