Latest / The Bootleg Kev Podcast / #385 - J Stone

Transcript

#385 - J Stone · The Bootleg Kev Podcast

0:00
Speaker 1: Hey, what up is jastone? You already know what's cracking? Man?
0:03
Speaker 1: We out here, We outside man, shout out the boutleg
0:05
Speaker 1: care We out here on the podcast West West.
0:12
Speaker 2: All right yo man Bootleg Cap Podcast special guests in here.
0:15
Speaker 2: His new album drops November twenty second. Yes, sir, the Definition.
0:19
Speaker 3: Of Success, Definition of Success.
0:21
Speaker 2: And this ends the series.
0:23
Speaker 3: Yeah, this is the final chapter.
0:25
Speaker 2: How many is it? Four or five albums?
0:27
Speaker 3: Four? This is the fourth, the fourth year, well, the
0:29
Speaker 3: fourth this is definition.
0:31
Speaker 2: This is the fourth Definition.
0:32
Speaker 1: Yeah, but like probably like the sixth seven projects since I.
0:36
Speaker 3: You know, I mean since you start.
0:38
Speaker 2: Yeah. Yeah, we got Jaystone in the building.
0:40
Speaker 3: Man, welcome Yeah, Man, I'm in here. Man, what's up? Kid?
0:43
Speaker 2: Welcome back?
0:43
Speaker 1: Man, Man, come on, man, welcome back. It's a new plaque.
0:46
Speaker 2: Yeah, we got a new spot. Man were here. Hey,
0:49
Speaker 2: So talk to me, like for you, why was it
0:52
Speaker 2: time to kind of like put a bow on the series,
0:55
Speaker 2: because you're kind of known for the Definition series, Like
0:58
Speaker 2: it's something that kind of started, gave you the original idea. Fact,
1:02
Speaker 2: why put a bow on it? Why was it time?
1:06
Speaker 1: I just felt like, you know, this is the time,
1:10
Speaker 1: and you know, a point in time in my life.
1:11
Speaker 1: You feel me where I'm on some different shit. Bro,
1:14
Speaker 1: I ain't thinking the same Harry Sink the same. You
1:17
Speaker 1: feel me like I'm on some success ship. Bro, this
1:20
Speaker 1: is this is the time now, you feel me like,
1:23
Speaker 1: so that's just what I'm on.
1:26
Speaker 2: I somehow feel like when we talk about La Rap,
1:30
Speaker 2: you're always overlooked.
1:33
Speaker 1: Yeah, man, when they mentioned La Rap, man, they need
1:35
Speaker 1: to mention me more.
1:36
Speaker 3: You feel me.
1:36
Speaker 2: I feel like they don't. And I always tell this
1:39
Speaker 2: to people, like you've done such a great job of
1:41
Speaker 2: like like kind of just flying under the radar, becoming
1:45
Speaker 2: a millionaire off of an independent catalog, like doing shit
1:49
Speaker 2: that most rappers can't do. Yeah, dropping when you.
1:52
Speaker 1: Want, Yeah, and I'm you know, I'm good with that.
1:54
Speaker 1: You feel me like I don't really need I don't
1:57
Speaker 1: really need like props from the majors or none of that,
1:59
Speaker 1: because I'm solidified already. You feel me like real motherfucker's
2:03
Speaker 1: fuck with me, you know what I mean, Like the
2:05
Speaker 1: real cats in the industry fuck with me.
2:07
Speaker 3: Bro.
2:07
Speaker 1: Like so at the end of the day, it's like
2:09
Speaker 1: I ain't really looking for no validation, But at the
2:12
Speaker 1: same time, it's like, don't forget about me. I'm over
2:14
Speaker 1: here running these crazy laps.
2:16
Speaker 3: You feel me?
2:16
Speaker 2: Yeah, and you you're like a very much like you
2:20
Speaker 2: know at this point man, like in La hip hop,
2:26
Speaker 2: you're you're a figure man.
2:28
Speaker 1: Man, Man, don't count me out. Count me in for sure.
2:31
Speaker 1: Like add that up, y'all did the wrong total. Add
2:33
Speaker 1: that up, burn money, don't work over here, man, count
2:35
Speaker 1: that over?
2:36
Speaker 3: You feel me?
2:36
Speaker 2: I was gonna say for you, was there ever any
2:40
Speaker 2: opportunities that came up that you passed on or that
2:42
Speaker 2: you didn't decide to go with when it comes to
2:44
Speaker 2: like maybe taking a direction or step in the direction
2:48
Speaker 2: of being more on a major situation or a bigger
2:50
Speaker 2: distribution situation.
2:52
Speaker 3: Yeah, damn there. You know.
2:54
Speaker 1: I didn't set I DIDNET sat with Labels bro, I
2:56
Speaker 1: didn't sat with I sat with rock Nation, you know
2:59
Speaker 1: what I mean. I sat down or a rap a lot,
3:02
Speaker 1: you know what I mean? Yeah, shout out for sure,
3:05
Speaker 1: shout out to Trade, you know what I mean, Shout
3:07
Speaker 1: out to Jay Prince. I sat down. We had a conversation.
3:09
Speaker 1: We talked about the vision you feel me, and he
3:12
Speaker 1: asked me, like what I wanted to do. He was
3:15
Speaker 1: ready to do everything that I wanted to do.
3:16
Speaker 3: You feel me.
3:17
Speaker 1: But like whoever kind of was like middle man in
3:20
Speaker 1: the situation, I don't think he knew like that they was,
3:24
Speaker 1: you know, talking the way that they was talking because
3:26
Speaker 1: I had a conversation with Jay Prince, so that wasn't
3:29
Speaker 1: the conversation we had when I talked to the you know,
3:32
Speaker 1: the middle man's and all that you feel me, so
3:35
Speaker 1: it was just something different, you feel me. So I
3:37
Speaker 1: just tried to stay independent, you know what I mean,
3:39
Speaker 1: until I can holler at the boss man you feel
3:42
Speaker 1: me myself on the boss man tip?
3:44
Speaker 2: Yeah, not, I mean that. I think that's because what
3:46
Speaker 2: are you doing? Toune core distric kid? How are you
3:48
Speaker 2: putting out your ship right now?
3:49
Speaker 1: Man?
3:49
Speaker 3: I'm strictly independent.
3:51
Speaker 2: Man.
3:51
Speaker 1: It's twenty five eight, no breaks, man.
3:53
Speaker 2: No, but you gotta obviously you got to music out
3:55
Speaker 2: of course. So like what service do you use?
3:58
Speaker 1: I don't use no service. I am the service is man,
4:00
Speaker 1: So you don't have it. I'm putting my ship out, man.
4:02
Speaker 2: You're putting your ship directly on the DSPs. Yeah, okay,
4:05
Speaker 2: that's great.
4:05
Speaker 1: No, I ain't doing it myself, but you know, I
4:07
Speaker 1: don't want to give away.
4:08
Speaker 2: Well because like a lot because like you know, for
4:10
Speaker 2: people who don't know, there's like distruct kid and tune corps,
4:12
Speaker 2: which in my opinion, make it very easy to be independent.
4:15
Speaker 1: For sure, let me not pay producers. Shout out the
4:18
Speaker 1: tone cor shout out the tone Core. I've been rocking
4:21
Speaker 1: with them since day one.
4:23
Speaker 2: Because you're still fully independent. All you're doing is paying
4:26
Speaker 2: them at one time feet.
4:27
Speaker 1: And giving and giving everybody what they entitled to. Yeah,
4:31
Speaker 1: you can do splits, right exactly, you can do that now.
4:33
Speaker 2: Yeah, because that's the one thing is like when you're
4:35
Speaker 2: an independent artist, I'm sure it can get really really like, yeah,
4:39
Speaker 2: overwhelming to get taken care of.
4:42
Speaker 3: Got to get taken care of. Feature all right, I
4:46
Speaker 3: had anything.
4:47
Speaker 2: To do, let me break you off.
4:48
Speaker 3: Here's your points, Yeah for sure.
4:50
Speaker 1: Yeah, but you know, but that's what the majors don't do,
4:53
Speaker 1: you know, they don't. Yeah, they rather they're rather they're
4:56
Speaker 1: rather buy your percentages out real nice checke.
4:59
Speaker 2: Well, and they'd rather like dick you around as if
5:02
Speaker 2: you're a writer or a producer. There's a reason you.
5:04
Speaker 1: Can get the same. You can get the percentages but
5:06
Speaker 1: not get the money on.
5:08
Speaker 2: And it takes forever, you know, I just saw Internet Money.
5:11
Speaker 2: The dude who runs Internet Money was saying, like, I'm
5:13
Speaker 2: gonna start calling some of these major labels out because
5:15
Speaker 2: you guys over a year past doing some of my
5:17
Speaker 2: producers like fees.
5:19
Speaker 1: Like it's like, yeah, after a while, you look around
5:21
Speaker 1: and you'd be like, man, the numbers don't add up.
5:23
Speaker 1: Some ain't adding up. The numbers ain't adding up, you
5:25
Speaker 1: feel me. But like when you when you don't see
5:28
Speaker 1: that dash board, when you really don't see the actual
5:31
Speaker 1: numbers and where they're going. You know, they say numbers
5:34
Speaker 1: don't lie, that's a lie. Numbers lie too for you.
5:37
Speaker 2: Do you notice, like because I always try to look
5:40
Speaker 2: at you know. I talked to Parico about this a
5:42
Speaker 2: little bit, but he's like, look, now that I'm independent
5:44
Speaker 2: and I'm off rock Nation, he's been leveling up because
5:47
Speaker 2: he could drop on every once and he was like,
5:48
Speaker 2: now when I drop, it's almost like the stock market,
5:52
Speaker 2: like I put some new shit out and everything else
5:54
Speaker 2: spikes up like catalog.
5:55
Speaker 3: Yeah.
5:56
Speaker 1: Yeah, So that's the beauty of it. Just keep on
5:59
Speaker 1: being consistent. You can't just drop a project and then
6:02
Speaker 1: wait two three years and drop another project. Like That's
6:06
Speaker 1: why I really didn't want to tell nobody because you know,
6:08
Speaker 1: motherfucker's be you know, watching how do my little shit?
6:11
Speaker 1: And yeah, you feel me, But I ain't gonna lie.
6:14
Speaker 1: As soon as the ball drop I dropped January first,
6:17
Speaker 1: I'm dropping the project. February fourteenth, I'm dropping another project.
6:21
Speaker 1: March whenever I'm dropping another project. Like, right, you've been
6:25
Speaker 1: on it, bro, I'm dropping twelve albums next year. Bro,
6:28
Speaker 1: So next year, I'm dropping twelve albums, one each month.
6:31
Speaker 2: How much music right now are you sitting on? Uh?
6:36
Speaker 3: Unlamited? Bro?
6:37
Speaker 1: I can't even really imagine how much music I got
6:39
Speaker 1: because I still got old stuff from me and Nip
6:42
Speaker 1: we did back in the day in two thousand and
6:44
Speaker 1: six and beyond.
6:45
Speaker 3: You feel me like you.
6:47
Speaker 2: Like, what do you do with that? With those records?
6:49
Speaker 3: Uh?
6:50
Speaker 2: Just do you just keep them? Is there?
6:52
Speaker 1: You know? Me and I have always had conversations about
6:54
Speaker 1: just you know, running the music up first, running up
6:57
Speaker 1: what we got now, and then you know, just built
6:59
Speaker 1: that cat and then like introduce him to the old ship.
7:02
Speaker 1: But that was when I didn't have a crazy catalog,
7:05
Speaker 1: you feel me, So you know, yeah, I got a
7:07
Speaker 1: crazy catalog now, so we can kind of like bring
7:10
Speaker 1: up them old MySpace mixtapes and crazy yeah you know
7:14
Speaker 1: what I mean, a lot of unreleased shit.
7:17
Speaker 2: So yeah, yeah, I was gonna say for you, like, uh,
7:20
Speaker 2: you know, we talked about the LA conversation. Who are
7:25
Speaker 2: some of the up and coming LA artists that are
7:27
Speaker 2: outside of the camp that you're just a fan of
7:30
Speaker 2: that you're just like, yo, I see what you're doing.
7:32
Speaker 2: There's there's so many new guys that are doing their thing.
7:35
Speaker 3: X Force.
7:37
Speaker 1: I ain't gonna cap I'm gonna give it to us
7:39
Speaker 1: whole summer right now, because you know, a lot of
7:42
Speaker 1: motherfuckers don't want to mention his name.
7:43
Speaker 3: They don't want to really number Yeah, you feel me.
7:47
Speaker 3: And I know a lot of guys I know, yeah,
7:48
Speaker 3: I know.
7:49
Speaker 1: They see little Bro, you feel me, but they gonna
7:50
Speaker 1: act like they don't. That's what they do, you feel me.
7:53
Speaker 1: They gonna wait to something big happening and everybody else
7:56
Speaker 1: is on to it, and then they gonna want to
7:58
Speaker 1: fuck with him.
7:59
Speaker 2: But hey, he does have the song underrated for a
8:01
Speaker 2: reason because he is an underrated guy. It's so crazy,
8:04
Speaker 2: like he's doing numbers that most artist.
8:07
Speaker 1: I be feeling like that underrated should be like an understatement.
8:10
Speaker 2: Yeah for sure, you know those dope have you guys
8:14
Speaker 2: got to work it all.
8:15
Speaker 1: Nah, But we be chopping up about doing music, you know.
8:17
Speaker 2: I mean he's a good kid man.
8:19
Speaker 1: It ain't nothing to do nothing. That's easy, man, Yeah,
8:21
Speaker 1: that's easy.
8:21
Speaker 2: You feel We had trade the truth up here a
8:23
Speaker 2: couple of weeks ago, and he had alluded to the
8:25
Speaker 2: fact that you guys have an unreleased project somewhere.
8:28
Speaker 3: Yeah we got we got me and Trey got music.
8:31
Speaker 2: Yeah.
8:31
Speaker 3: Yeah.
8:32
Speaker 2: I didn't realize because he was telling us like how
8:35
Speaker 2: he has like unreleased albums with so many people.
8:38
Speaker 1: And I was just like, damn, Like that's one motherfucker.
8:41
Speaker 1: I know that his work ethnic is crazy. Bro, Like
8:44
Speaker 1: he had dropped a project.
8:45
Speaker 2: On his phone. He's like, bro, I got album with
8:47
Speaker 2: this person.
8:47
Speaker 3: He got songs where everybody.
8:48
Speaker 1: I don't know if you heard, like you know, because
8:50
Speaker 1: he do the im owns like you know, he got
8:53
Speaker 1: he got the series of that ship.
8:54
Speaker 3: You feel me.
8:55
Speaker 2: I think he's working on a new one.
8:56
Speaker 3: I don't think you heard that one.
8:58
Speaker 2: Bro. No, he didn't play me that one, but he
9:00
Speaker 2: play me some other ship. He played me some crazy ship.
9:02
Speaker 1: You should have had him play that the latest I'm
9:04
Speaker 1: on he been see I'm saying too.
9:07
Speaker 3: No, he talked about it a little bro he got
9:09
Speaker 3: he got a lot of motherfuckers on there. Bro, they
9:11
Speaker 3: almost want to get on that.
9:13
Speaker 2: You should, someone should do like a West Coast version
9:17
Speaker 2: of that, try to unify the city.
9:21
Speaker 1: That's what I'm saying. We need to do something because
9:22
Speaker 1: we ain't really got too much going on out here
9:24
Speaker 1: like that. You Yeah, I think we need another uh
9:28
Speaker 1: not a we are the world, but uh now do
9:30
Speaker 1: we do something like that for la? What's that record
9:32
Speaker 1: that Ice Cube did? I mean easy he did what
9:35
Speaker 1: uh he did with yo yo.
9:38
Speaker 3: He deal with.
9:38
Speaker 1: Everybody like all the rapper I feel ten minutes songs,
9:43
Speaker 1: ten minute song bro politics, Yeah, ice t you too
9:49
Speaker 1: were bringing you back outside you too because I know
9:51
Speaker 1: you got something to say. Spill some game to these youngsters, man,
9:53
Speaker 1: they need it now.
9:54
Speaker 2: I think it'd be dope too, because like you said,
9:56
Speaker 2: like you know, I think Big Sean did something like that.
9:58
Speaker 2: He had a bunch of people. He did the Detroit
9:59
Speaker 2: for Style or Cipher and it half. Yeah, there was
10:02
Speaker 2: like twelve Detroit rappers and like a lot of them
10:04
Speaker 2: that was.
10:05
Speaker 1: On his latest album, right, but did he do a
10:07
Speaker 1: video to it?
10:07
Speaker 2: No, but because a lot of the guys had issues
10:09
Speaker 2: with each other. But at the end of the day,
10:11
Speaker 2: it was kind of dope because you you might have
10:13
Speaker 2: heard songs two guys on the song that you wouldn't
10:15
Speaker 2: have that.
10:16
Speaker 1: You would have never heard before. Yeah, but see, only
10:19
Speaker 1: like people like Big Sean can do that. Everybody can't,
10:21
Speaker 1: you know what I mean. Everybody don't got pulled like
10:23
Speaker 1: that in the city. You feel me, So it gotta
10:24
Speaker 1: be somebody that you know, the city respect.
10:28
Speaker 2: That shouldn't be hard. Yeah, there's the idea. Someone go
10:30
Speaker 2: execute it all right there it is. Who's on any
10:34
Speaker 2: features on the album?
10:37
Speaker 1: Yeah, we got some features on the album. We got
10:40
Speaker 1: we got on the album. Man, I got a I
10:43
Speaker 1: got Nick Bucks shout out the Nick Buck and.
10:45
Speaker 2: He just got shot too, right, Yeah, I think.
10:48
Speaker 1: He shout out to my brother. Y'all talked to him,
10:51
Speaker 1: great dude.
10:52
Speaker 2: We went to Harlem and hung out with him.
10:53
Speaker 1: Yeah, yeah, real nigga, man, for sure. I got a
10:56
Speaker 1: song with him. I got a record with being Trey
11:02
Speaker 1: feel Me on the same record. Yeah, on he Town Bob.
11:04
Speaker 1: I'm always out there, so you know, I gotta show
11:07
Speaker 1: my little la h town love you feel me?
11:11
Speaker 3: What else?
11:11
Speaker 1: I got domb you and I got domb you tell me?
11:14
Speaker 1: Damn man meeting it? Hit boy and uh d.
11:18
Speaker 2: H really big hit? Yeah?
11:21
Speaker 3: Wait no hit boy?
11:22
Speaker 2: Well you said I thought you said b H yeah.
11:25
Speaker 3: Bh Oh you think I'm thinking big here? Yeah? Nah
11:27
Speaker 3: boss all yeah.
11:29
Speaker 1: I got a record with him too. I got a
11:31
Speaker 1: record with big Hit. Yeah, big hit going in. Yeah.
11:34
Speaker 3: I like that energy.
11:35
Speaker 1: How motherfucker can just come home and just act like
11:39
Speaker 1: you ain't even been to jail, like you ain't didding
11:40
Speaker 1: no time. Bro.
11:41
Speaker 2: His son got all the IL beats ready to just
11:44
Speaker 2: ready to come. Bro.
11:45
Speaker 1: That reminds me of how I was when I was
11:47
Speaker 1: fresh out, you know what I mean, Like I hit
11:49
Speaker 1: the ground running.
11:50
Speaker 2: I think two is inspiring because it's like, no matter
11:52
Speaker 2: what situation you're put in, like it ain't never too.
11:54
Speaker 3: Late to like nah, it's never too late.
11:57
Speaker 2: Yeah, Like this is a second like because I remember
11:59
Speaker 2: this is second go with the rap game in terms
12:01
Speaker 2: of like us seeing him because you know when.
12:03
Speaker 1: Man, a lot of billionaires didn't get that billion until
12:05
Speaker 1: it was about forty or fifty.
12:07
Speaker 2: That's facts.
12:08
Speaker 1: You know what I mean, so it don't limit yourself
12:11
Speaker 1: doing nothing, man, I don't think nobody should ever limit
12:13
Speaker 1: theyself doing nothing. Sure, you gotta keep this shit going
12:16
Speaker 1: because you never know.
12:17
Speaker 2: You never know, man, Like most like you said, most
12:20
Speaker 2: people kind of hit that success stride in their forties
12:22
Speaker 2: or fifties.
12:22
Speaker 1: Yeah, and then you gotta, you gotta, you know, you
12:25
Speaker 1: gotta kind of take his situation and kind of look
12:28
Speaker 1: at it too, like maybe he had to go through that.
12:31
Speaker 2: To get to the mental space.
12:33
Speaker 1: Yeah, you could win, yeah, exactly. Now Now now now
12:36
Speaker 1: look where his look where it's focused at.
12:38
Speaker 3: Now you feel me?
12:39
Speaker 2: So tell me about this record. It's You Nip produced
12:43
Speaker 2: by hit.
12:44
Speaker 3: Boy, produce by hit Boy.
12:45
Speaker 2: Oh yeah, it's only album.
12:48
Speaker 3: It's on ALB.
12:50
Speaker 1: I'm low key ready to drop that right now, you
12:52
Speaker 1: feel me, But you know, I'll let you all wait
12:55
Speaker 1: for it.
12:55
Speaker 3: Man, let y'all.
12:57
Speaker 2: Was this a record you guys? Because I always had
12:59
Speaker 2: heard about the hit Boy Nip set. I think it
13:03
Speaker 2: was like the session that Racks in the Middle was recorded.
13:07
Speaker 2: Was this something you guys worked on when he was alive.
13:10
Speaker 3: Around that time?
13:11
Speaker 1: Yeah, there's something that we worked on in twenty eighteen.
13:15
Speaker 3: You feel me and.
13:18
Speaker 1: You know, we just spiced up the beat just a
13:20
Speaker 1: little bit, right, you know what I mean, because it's
13:22
Speaker 1: twenty twenty three now, of.
13:23
Speaker 3: Course, so you know he made it make sense.
13:26
Speaker 2: I really excited anytime we got new Nipsey coming.
13:29
Speaker 3: Nah, for sure.
13:31
Speaker 2: I know last time when you came on the show,
13:33
Speaker 2: you had dropped tidbits that may or may not have
13:36
Speaker 2: gotten you in trouble about there being a Nipsey hustle.
13:38
Speaker 1: Now, I didn't give me a joe, but that shit
13:40
Speaker 1: hit the blog that went everywhere and then and then
13:43
Speaker 1: I was just the only thing.
13:44
Speaker 2: And then there was people who were like, yeah, right,
13:47
Speaker 2: he's lying, Like I'm like, bro, like if anybody would know,
13:49
Speaker 2: it might be him, Like.
13:50
Speaker 3: Yeah, you feel me, Like come on man.
13:52
Speaker 1: And then all I said was like, bro, got so
13:55
Speaker 1: much music, Like, I'm pretty sure it's beshow.
13:57
Speaker 3: Gonna be another Niput?
13:58
Speaker 2: Is there an update there?
14:00
Speaker 1: I mean, shit, what's you think, bro? You don't think it's.
14:02
Speaker 2: Gonna have to be another nip album, man, because like
14:05
Speaker 2: you said, you you get so much unreleased music. It
14:07
Speaker 2: just has to be done the right way.
14:09
Speaker 1: That's the only thing is, Yeah, it ain't gonna get
14:11
Speaker 1: put out, just because because I because you.
14:13
Speaker 2: Know, right, because I almost think like when Pop passed,
14:16
Speaker 2: there was like a couple of them albums that were rough. Yo,
14:21
Speaker 2: we got to stop the interview to tell you about
14:23
Speaker 2: our folks at my bookie. That's right, man, it is
14:25
Speaker 2: betting season right now. We got football, we got basketball.
14:28
Speaker 2: NBA is underway. That boy women ya is looking crazy.
14:31
Speaker 2: Put all your money on him to win Rookie of
14:34
Speaker 2: the Year, all right, do it at my bookie right now.
14:37
Speaker 2: Go to my bookie. All right. When you sign up
14:39
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Speaker 2: the first like one or two do you remember me?
17:26
Speaker 2: And then the one that had h the acoustic Thug's
17:31
Speaker 2: mansion on it was hard?
17:33
Speaker 3: Oh, which which one was?
17:35
Speaker 2: Better Days was fire? Better Days had some ship. But
17:38
Speaker 2: then there was like the ship that like he was
17:41
Speaker 2: working with like artists he would have never have worked
17:43
Speaker 2: with him when he was alive.
17:44
Speaker 1: Yeah, bro, Like what was that he had like a
17:47
Speaker 1: song with eminem and uh bro eminem bit the whole
17:50
Speaker 1: album bro he produced and because you bro, you had
17:58
Speaker 1: to get used to hearing pop on em and it was.
18:00
Speaker 2: More like some mash up like ship. Yeah, that's right,
18:02
Speaker 2: it was.
18:03
Speaker 1: That's that's that's all it was, you know what I mean.
18:05
Speaker 1: Like I'm a Pock fan, I'm an M and M fan,
18:07
Speaker 1: you know what I mean. But to hear Pac on
18:10
Speaker 1: an M and M B bro, it just kind of
18:12
Speaker 1: it wasn't I wasn't ready.
18:13
Speaker 3: I wasn't ready for it.
18:14
Speaker 2: It was just it was a little weird for sure.
18:16
Speaker 2: It'd be like if it would have been dope, if
18:18
Speaker 2: like some of the og producers was working with came
18:22
Speaker 2: and took some of those stems, curated something.
18:25
Speaker 3: Did it the right way, Dazzy producing production. You know
18:27
Speaker 3: what I'm saying, that's the right way to do it.
18:29
Speaker 3: Super Fly, bring Dash super Fly in there.
18:31
Speaker 1: You feel me maybe, d Yeah, you feel me and yeah,
18:34
Speaker 1: Drake can do the mixing even Quick too quick and
18:38
Speaker 1: you feel me quick going come on, man, Quick could
18:40
Speaker 1: have did that whole album.
18:41
Speaker 2: Crazy and it would have been more. It would have
18:43
Speaker 2: been more like, uh, you know, it would have sounded
18:46
Speaker 2: like a Tupac album.
18:47
Speaker 1: Nah, I definitely would have sound quick and uh dog
18:51
Speaker 1: pound on it like crazy for sure.
18:53
Speaker 2: Man. You know it's crazy too, Like obviously you're a
18:55
Speaker 2: big pock FuG life too. Uh. It's kind of crazy
18:59
Speaker 2: to see there's finally, like all these years later, someone
19:03
Speaker 2: got arrested for his death.
19:05
Speaker 3: What's that Tupac's death.
19:07
Speaker 1: Man, that's shit crazy, bro, And then we still don't
19:10
Speaker 1: even know, we still don't even know what to believe, man, you.
19:13
Speaker 2: Know, I mean, and that's the thing is like it feels,
19:16
Speaker 2: I mean, look as like a fan. I mean, you
19:18
Speaker 2: don't want to ever see anybody go to jail.
19:21
Speaker 3: But like but why but why so long though, like
19:24
Speaker 3: like this that's why. That's what.
19:26
Speaker 1: That's what seemed tricky is like you've been hearing the
19:28
Speaker 1: same story all along, all along, all along, like whyle
19:31
Speaker 1: y'all wait, this guy was doing all these interviews and
19:35
Speaker 1: he'd been doing interview.
19:38
Speaker 2: I think I think he's done so many interviews that
19:41
Speaker 2: had finally like come a fu like bro, yeah, your
19:43
Speaker 2: time Las Vegas metros like like radar where they're like wait,
19:47
Speaker 2: this guy's wait what like we should go see if
19:50
Speaker 2: this is because because I always tell people like the
19:52
Speaker 2: Tupaca they.
19:53
Speaker 3: Probably pinched them, you know what I mean, just.
19:55
Speaker 1: To just to get some more information.
19:58
Speaker 2: Right And and to me, the Twop Biggi murders were
20:01
Speaker 2: very different, Like the Tupac murder was some retaliation ship
20:04
Speaker 2: that really wasn't didn't have it was some street ship
20:07
Speaker 2: that that popped off in one night, as opposed to
20:09
Speaker 2: like the Biggie ship was like a hit. And depending
20:12
Speaker 2: on who you listen to, like the l a p
20:15
Speaker 2: D off duty cops might have been involved, Like I
20:17
Speaker 2: don't think the LAPD wanted to solve the Biggie murder
20:20
Speaker 2: because it would have made them look crazy. The Tupac
20:22
Speaker 2: murder was just like, you know, Orlando Anderson died and
20:28
Speaker 2: that was who everybody was saying it was, you know,
20:30
Speaker 2: the guy behind it. So this dude's been doing all
20:32
Speaker 2: these interviews. Motherfuckers gotta stop to sell snitching.
20:34
Speaker 1: Bro crazy bro like people were just just just just.
20:39
Speaker 2: Literally snitch on themselves just for the views.
20:43
Speaker 3: Man, for real, It's crazy.
20:45
Speaker 1: You see you've seen that interview with No Jumper when
20:47
Speaker 1: he question and he said, he's like all right, So,
20:54
Speaker 1: I mean, you know, he didn't know how to have.
20:58
Speaker 2: He was. He was supposed to come on the show
21:00
Speaker 2: earlier this morning, but we rescheduled. I didn't know because
21:04
Speaker 2: he I didn't know. I had him come early because
21:06
Speaker 2: I don't know. I don't know LA politics. If you
21:09
Speaker 2: guys get along, I don't know.
21:11
Speaker 3: No, that's all good, you feel me.
21:12
Speaker 2: No, But you know, I don't know if I ra
21:14
Speaker 2: two La rappers in the same day.
21:16
Speaker 1: The earth is breaking out, nigga, The earth is my turf.
21:19
Speaker 3: I love that, you know what I mean.
21:20
Speaker 1: I go anywhere, I'll walk anywhere if I run it
21:23
Speaker 1: or whoever is gonna be what is gonna be, if
21:25
Speaker 1: it's respect or respect, if it ain't it ain't you
21:27
Speaker 1: know what I mean?
21:28
Speaker 2: That clip was very funny though. You see that clip.
21:32
Speaker 2: Xport was just like Adam asked him if he was
21:35
Speaker 2: involved in some shootout on the video, and he just
21:36
Speaker 2: looked at him like this. Yeah, it's like damn, And
21:41
Speaker 2: I think you've shown like I gave you perhaps last time,
21:44
Speaker 2: like when you and t Rel did that interview on
21:46
Speaker 2: No Jumper that was like a big deal.
21:47
Speaker 3: Yeah, for sure.
21:48
Speaker 1: I went, I went out of town. I was somewhere
21:50
Speaker 1: out of town. I ran in to one of his
21:52
Speaker 1: homies and shit, he like, yeah, man from whover Man,
21:54
Speaker 1: I've seen that video you deal with my homie?
21:57
Speaker 3: Feel me now?
21:58
Speaker 2: I just think that ship should be like an example.
22:00
Speaker 1: For exactly so you see, like the difference in a
22:06
Speaker 1: respect level, you feel me? Like, yeah, I think like
22:08
Speaker 1: because I told him, I'm like, you know, motherfucker's either
22:10
Speaker 1: gonna hate it or love it.
22:11
Speaker 3: He like both. He like they gonna hate it or
22:14
Speaker 3: they gonna love it. You know what I mean. Like
22:16
Speaker 3: it is what it is. But so what you feel me?
22:18
Speaker 2: Yeah, I just think it's like it's important to be
22:20
Speaker 2: able to show people like, you know, we can't break
22:23
Speaker 2: the cycle.
22:24
Speaker 1: And some of my homies knew who he was. Like
22:25
Speaker 1: when I let the homies know, like you feel me,
22:27
Speaker 1: like they knew who he was?
22:28
Speaker 3: Yeah, I mean yeah, man, you know great guy. So Louke.
22:34
Speaker 2: So next year for sure, twelve albums for.
22:37
Speaker 3: Sure, already already put it.
22:38
Speaker 1: See one thing about me once I started out all right,
22:42
Speaker 1: So I got my January album ready okay, so that's
22:44
Speaker 1: ready mix a massive ready.
22:47
Speaker 2: So we're going from November twenty second to the January.
22:49
Speaker 3: Album straight into the January album.
22:52
Speaker 2: Damn you ain't playing?
22:53
Speaker 3: Yeah, And I thought about it.
22:55
Speaker 1: I'm like, damn, I need to give you know, successful
22:57
Speaker 1: time to breathe, you feel me.
23:00
Speaker 3: And all that.
23:01
Speaker 1: But like you know, with the game right now, bro,
23:04
Speaker 1: the years it's gonna be a new year.
23:07
Speaker 2: Music industry kind of resets for people who don't know.
23:09
Speaker 1: That's what I'm saying. So it's really all on like
23:11
Speaker 1: who gonna who go? Who's gonna go to hard? As
23:13
Speaker 1: soon as the bar drop? So that's why I say
23:16
Speaker 1: when the bar drop I dropped January first.
23:19
Speaker 2: Oh that's when that I'm's dropping.
23:21
Speaker 1: Yeah, oh ship okay right away right away? Bro, No,
23:25
Speaker 1: I ain't giving nobody no room Bro, no breathing room, Bro,
23:28
Speaker 1: I'm not playing. I love it Yeah, twenty five eight,
23:31
Speaker 1: No brakes for real man the flesh.
23:33
Speaker 2: I love it man for you have you obviously nip?
23:37
Speaker 2: You guys just did a adope show? Was it at
23:39
Speaker 2: the Roxy? You guys all did? Uh?
23:42
Speaker 1: Rock l raised a little bit more bigger than I
23:46
Speaker 1: was the rock he Lray. We was going to originally
23:48
Speaker 1: do it at the Roxy, but been too small exactly
23:52
Speaker 1: we needed we needed a little bit more expansive.
23:54
Speaker 2: But obviously he was so good at like curating artists,
23:56
Speaker 2: bringing you know, artists onto the to the team. Is
24:00
Speaker 2: that something you want to do as well? Put the
24:03
Speaker 2: CEO hat on eventually.
24:05
Speaker 3: And definitely.
24:08
Speaker 1: For sure, you know, like I said, you know when
24:10
Speaker 1: when the when the when the year dropped? I'm also
24:13
Speaker 1: going to announce you know what I mean a couple
24:15
Speaker 1: of my artists.
24:15
Speaker 2: Oh so you've already.
24:16
Speaker 1: Done I've been doing music with a yeah, because you
24:18
Speaker 1: know they they gonna drop two?
24:21
Speaker 2: And is that is that twenty five eight?
24:23
Speaker 1: It's twenty five eight? Yeah, no breaks for sure? So
24:26
Speaker 1: I got I got a good I got I got
24:28
Speaker 1: some good management going on, some marketing, you feel me?
24:32
Speaker 1: PRS Yeah, we locked in. Man, you feel me You're
24:37
Speaker 1: going to take this label ship to another level.
24:39
Speaker 2: Yeah. You had to have learned so much too, just
24:40
Speaker 2: being around everybody you've been around to where you can
24:43
Speaker 2: kind of like apply so much of the game that
24:44
Speaker 2: you've gotten over the years.
24:45
Speaker 1: Yeah, you got to think about it like we grew up.
24:47
Speaker 1: We grew up. We grew up watching you know, the Masterpiece,
24:53
Speaker 1: you know what I mean.
24:53
Speaker 3: The the the Easy Ease.
24:56
Speaker 1: The sug Knights, the Jermaine Dupriez. You feel what I'm saying,
24:59
Speaker 1: like they have the CEO mentality. You know what I'm saying.
25:01
Speaker 1: That's why I just did the soundtrack for the movie
25:04
Speaker 1: Bomb Peace. I just saw that exactly, so you know,
25:07
Speaker 1: I grew up. You know death bro saying all the soundtracks,
25:10
Speaker 1: what above the Rim Society sound Come on, Bro.
25:14
Speaker 2: I don't even know what's going on soundtracks anymore because
25:16
Speaker 2: that soundtracks back in the day, That's.
25:17
Speaker 1: What I'm saying. So I'm trying to bring that back.
25:20
Speaker 1: You feel me like we got a good LA movie
25:23
Speaker 1: going on, all right. Let me put some LA music
25:25
Speaker 1: behind it, you feel me. Let me make the soundtrack
25:27
Speaker 1: for it. Let me grab some artists from here, from there, curating, Yeah,
25:31
Speaker 1: curiate the whole soundtrack.
25:33
Speaker 2: Nah, that's the I mean shit, the last time someone
25:35
Speaker 2: did that and killed it, I think it was Black Panther.
25:38
Speaker 1: Black Panther, Kenchamar killed that. Man, shout out, that was
25:41
Speaker 1: a good album. Sob RB on there.
25:43
Speaker 2: Oh yeah, Mazzi was on there.
25:45
Speaker 3: Mazzi was on there. I'm like, oh, yeah, we're looking good. Yes.
25:48
Speaker 2: And that was like twenty seventeen or eighteen like so
25:51
Speaker 2: like it was I was like, finally Mazzi is getting
25:54
Speaker 2: like a look.
25:54
Speaker 1: And that was like that was like it wasn't a
25:57
Speaker 1: Kendrick Lamar album, but that.
25:58
Speaker 2: Was like it was about as much more.
26:00
Speaker 3: He didn't put out an album. You have to be like, alright,
26:03
Speaker 3: it was.
26:03
Speaker 2: Kind of like Eminem's eight Mile. It was like, it's
26:05
Speaker 2: kind of like Eminem. This is about as close to
26:07
Speaker 2: eminem album as you can get. Like Kendrick's fingerprints all
26:09
Speaker 2: over the album.
26:10
Speaker 1: That A Mile soundtrack was crazy.
26:13
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29:12
Speaker 1: Who crazy that shit puts some motherfuckers on the map.
29:16
Speaker 1: I ain't gonna lock that was on there, That's what
29:19
Speaker 1: I'm saying. That was one of my favorite albums. I
29:22
Speaker 1: mean songs bro like I had just got out of
29:26
Speaker 1: I had just got out of jail.
29:27
Speaker 3: Bro, they just released me.
29:28
Speaker 1: They're like, hey, you're going home, so right when they
29:31
Speaker 1: call my name, you feel me I'll took a pics.
29:33
Speaker 1: I'm washing my hands. I get jumped on my way out.
29:36
Speaker 3: You feel me.
29:37
Speaker 1: Somebody from moving, somebody from Inglewood. They jumped me on
29:40
Speaker 1: my way out.
29:41
Speaker 3: You feel me? It was cool. I wasn't tripping. You
29:42
Speaker 3: feel me like it wasn't.
29:44
Speaker 1: Yeah, it wasn't nothing like I laughed on my way out,
29:46
Speaker 1: like good looking.
29:47
Speaker 3: You feel me? Feel me?
29:49
Speaker 1: So as soon as I came home, Bro, you know
29:52
Speaker 1: what was playing with Wayinster Bro feel me? So, I'm like,
29:56
Speaker 1: oh yeah, this something for the streets. That great, So
29:58
Speaker 1: you gotta think about it. The streets was It wasn't
30:02
Speaker 1: nothing for the streets around that time. It was and yeah,
30:07
Speaker 1: and even though you had Snoop at that time, like
30:09
Speaker 1: Snoop was still doing Snoop was fucking with Pharrell.
30:13
Speaker 3: Pharrell was elevating his sound.
30:15
Speaker 2: You feel me so like Snoop wasn't doing like like
30:18
Speaker 2: Gangster Ship at the time, he was doing like big
30:20
Speaker 2: hit records. He was doing dropping like a Tide and beautiful.
30:24
Speaker 1: In two thousand and two, we was in the streets, bro,
30:27
Speaker 1: We was in the streets. So anything that related to
30:30
Speaker 1: us we gravitated too.
30:33
Speaker 3: Bro.
30:33
Speaker 1: That's why the streets ate all that gu on the
30:35
Speaker 1: ship up, brocause niggas was really in the streets two
30:37
Speaker 1: thousand and two.
30:38
Speaker 3: It was really we was.
30:39
Speaker 2: Outside for we're people like in LA because I didn't
30:42
Speaker 2: live in l A at the time. But when like
30:44
Speaker 2: fifty in the game had their split, did like LA
30:47
Speaker 2: fans choose up? Bro.
30:49
Speaker 1: It's funny that you brought that up, bro, because I
30:52
Speaker 1: remember one time we was out, Me and Nip was
30:55
Speaker 1: supposed to open up my mob d you know what
30:57
Speaker 1: I mean, And we had just seen game like fifteen
31:00
Speaker 1: minutes before we went to the hotel. You feel me
31:04
Speaker 1: with them, so we just chopping it up about music whatever.
31:07
Speaker 3: Boom.
31:07
Speaker 1: So we get to the Higher Hotel, you know that's
31:10
Speaker 1: across the street from the House of Blues. You know yeah,
31:15
Speaker 1: Mob Deep had a show. That's when they was signing
31:17
Speaker 1: the gu and you feel Me. So they had a
31:19
Speaker 1: show at the House of Blues and me and it
31:21
Speaker 1: was opening up for our Deep. So you know, we
31:24
Speaker 1: was fucking with this manager dude named mad and you
31:27
Speaker 1: know he was linked in with them.
31:29
Speaker 3: You feel me.
31:29
Speaker 1: So we go to the hotel. We up and there, Bro,
31:33
Speaker 1: it's like it's like fifty niggas from New York.
31:36
Speaker 3: You know what I mean.
31:37
Speaker 1: All in the hallway, you feel me. They get a call,
31:39
Speaker 1: like a game downstairs.
31:41
Speaker 3: You feel me.
31:42
Speaker 1: So these niggas go downstairs. They like a hundred deep. Now,
31:45
Speaker 1: I'm like, goddamn niggas coming out of hotel rooms everywhere. Bro,
31:49
Speaker 1: niggas marching downstairs, like you feel me. So you know
31:55
Speaker 1: it was just like a little standoff or whatever. You
31:57
Speaker 1: feel me. I tell Nip, I'm like, hey, Nip, what's up, nigga?
32:01
Speaker 3: What you want to do? Like, because you see what's
32:02
Speaker 3: going on? He like, you feel me?
32:03
Speaker 1: We just gonna we just gonna do us, bro. Like
32:07
Speaker 1: Gang walked up to me. He like he asked me,
32:09
Speaker 1: though he didn't ask, Nip. He asks he asked me.
32:12
Speaker 1: He like, hey, y'all with them niggas. I'm like, no,
32:15
Speaker 1: I'm with the sixties. Like he still remember that shit
32:18
Speaker 1: still to this day. You feel me like, like, Nigga,
32:21
Speaker 1: I'm with the sixties. He's like all right for sure,
32:23
Speaker 1: and then he walked away. You feel me. Then Sug
32:26
Speaker 1: pull up. Sug pull up in a red Beamer jump out.
32:29
Speaker 1: He walked right up the Nip.
32:30
Speaker 3: He like, Nip, what up?
32:31
Speaker 1: He like shit, you know, you see what's going on?
32:34
Speaker 1: He like, shit, Nigga, what's up?
32:36
Speaker 3: You feel me? And then and then Nigga, the police
32:39
Speaker 3: pull up.
32:39
Speaker 1: So yeah, soon the police shut Yeah you pull up
32:43
Speaker 1: and hopped out Bro in the middle of traffic. Bro
32:46
Speaker 1: on subset and the red Beamer Nigga with the red
32:49
Speaker 1: tints jump out, like what's happening?
32:52
Speaker 3: Like you feel me?
32:53
Speaker 1: But he walked right up. He walked right up to
32:55
Speaker 1: me and nip you feel me? Like, what's up? He
32:57
Speaker 1: like shit, you know I left, sug know was going on?
33:00
Speaker 1: He like, Nigga, what's up?
33:01
Speaker 3: You feel me?
33:02
Speaker 2: What Sugar? They're like on behalf of game? Or was
33:05
Speaker 2: he there on behalf of.
33:06
Speaker 3: Man on behalf of whatever we said? It was on?
33:11
Speaker 3: Like he understood the assignment.
33:13
Speaker 2: You feel you guys have a good relationship with Sugar.
33:16
Speaker 1: Hell yeah, yeah, hell yeah, he'll see me and nip
33:18
Speaker 1: out a lot.
33:19
Speaker 3: You feel me.
33:20
Speaker 1: He has slide us a few bucks, you feel me
33:21
Speaker 1: to go fuck with them in different clubs and ship.
33:23
Speaker 2: Shout the Sugar man shot you just starting podcast?
33:26
Speaker 3: Yeah yeah, I'm fucking with it.
33:28
Speaker 2: It's called the collect Calls, I think.
33:30
Speaker 3: Yeah, shout Sugar yeah.
33:32
Speaker 2: I'm like, more people need to do podcasts from jail
33:35
Speaker 2: if they.
33:35
Speaker 1: Can, if they can, Max B come on, man, you
33:38
Speaker 1: know I got a record with Max B.
33:40
Speaker 3: Right yeah, oh that's hard. Yeah the wave God shout
33:43
Speaker 3: for sure.
33:44
Speaker 2: I think he'll be out soon too.
33:46
Speaker 3: Saying that, Yeah, he come on.
33:47
Speaker 1: You always got to have faith, man, because even even
33:50
Speaker 1: even even even if the outside thinking you or anybody
33:54
Speaker 1: thinking you can't, come on, have that faith, bro, You're
33:56
Speaker 1: gonna come on for sure.
33:57
Speaker 3: Yeah.
33:57
Speaker 2: He's got a voicemail on a Kanye album.
34:00
Speaker 3: Yeah, so major shot.
34:02
Speaker 2: Hey, Max a lot man.
34:04
Speaker 3: Come on. Yeah for sure.
34:06
Speaker 1: As far as with that, far as with the harmonizing
34:09
Speaker 1: in your music, for sure, Like he was.
34:11
Speaker 2: Like one of the first dudes man, like for real,
34:13
Speaker 2: it was like that was considered a rap. Obviously T
34:16
Speaker 2: Pain was around, but like exactly the real like I mean,
34:19
Speaker 2: Bone Thugs, the Ogs.
34:21
Speaker 3: I got number one when harmony Yeah, but like.
34:25
Speaker 2: Just in terms of the street ship, it was like
34:26
Speaker 2: really like Max B was probably I mean he was
34:29
Speaker 2: before a Future is, before all those guys. Yeah.
34:31
Speaker 3: In fact, he was.
34:32
Speaker 2: Doing a lot of that ship early man. Yeah, shot
34:35
Speaker 2: to him. Man, all right, So the new album's coming
34:36
Speaker 2: out on the twenty second, and then you're dropping on.
34:39
Speaker 3: The first, dropping on the first, bro.
34:42
Speaker 1: So we got two albums on may Back Music January first.
34:45
Speaker 1: Soon as a bar drop I dropped. So that's the
34:48
Speaker 1: name of the album, may Back Music, No may Back Season,
34:51
Speaker 1: I said, back music, Yeah, shouts the Rick Ross shot
34:53
Speaker 1: the Ross back season, may Back Season.
34:56
Speaker 2: You ever regret buying your Mayback?
34:58
Speaker 1: I thought about it, and then I'm like, nah, I
35:01
Speaker 1: don't what's the insurance payment on that thing? You know,
35:04
Speaker 1: just a little pretty penny, you feel me? But it
35:08
Speaker 1: was times while I was ryding with no assurance what
35:10
Speaker 1: Rick Ross saying, I'm like, Hi, nigga got all these
35:14
Speaker 1: m's and Ryan with no assurance, Nigga, no tags. But
35:17
Speaker 1: I know what that feel like, bro, trust me, I know,
35:20
Speaker 1: I know, I know what it feels like.
35:21
Speaker 3: You feel me, you got it?
35:22
Speaker 2: You don't have it? So you've written with no insurance
35:24
Speaker 2: on the Maybe.
35:24
Speaker 1: I've had before a year, That's fucking yeah, I have
35:27
Speaker 1: before in La. But I'm glad it didn't cost me.
35:30
Speaker 1: For sure, glad it didn't cast it.
35:32
Speaker 2: Is the Mayback heavier than six thousand pounds? It's not,
35:35
Speaker 2: is it. I'm just thinking for tax persons.
35:37
Speaker 1: But see, but no, but see, you gotta think about
35:38
Speaker 1: that too, for bulletproof purposes too, because I know you
35:42
Speaker 1: want to throw that on there.
35:43
Speaker 3: You feel me?
35:44
Speaker 1: But like that motherfucker, it's gonna be heavy.
35:47
Speaker 2: Shout out to uh to the Mayback Man, So Mayback
35:49
Speaker 2: season The first Definition of Success November twenty second.
35:55
Speaker 1: Yeah, November twenty second Definition of Success. The final chapter
36:00
Speaker 1: were closing it out.
36:01
Speaker 2: Nipple be on their bun be traded Truth, I Forgot.
36:05
Speaker 3: Nick Bucks.
36:09
Speaker 1: Exhibit exhibit and Butch Cassidy on the same record, You
36:12
Speaker 1: feel Me sounds great.
36:14
Speaker 2: That sounds like two thousand and two.
36:16
Speaker 1: That's what I'm saying, you feel Me. I had to
36:17
Speaker 1: give them that classic.
36:18
Speaker 2: West Coast Cassidy. Man, Can you hear that?
36:21
Speaker 1: I had to give them that West Coast Cassidy on
36:23
Speaker 1: the podcast Classic Vibe.
36:24
Speaker 3: Yeah man, get.
36:27
Speaker 1: Yeah, bro, because you know they got they got stories, Bro,
36:30
Speaker 1: They didn't been around the game.
36:31
Speaker 2: The fool's voices are so hard.
36:34
Speaker 1: I just want to know what it was like behind
36:35
Speaker 1: the scenes in them studio sessions, bro, because the music,
36:38
Speaker 1: you know, the music was good.
36:39
Speaker 2: You hear those guys were very much like a big
36:42
Speaker 2: part of like post death throw Snoop albums.
36:45
Speaker 1: Yeah for sure, you know, because I felt like when
36:48
Speaker 1: when when when when Snoop wasn't working with like Dazz
36:51
Speaker 1: and Superfly, he would go work with them and get
36:54
Speaker 1: that sound too, You know what I mean?
36:56
Speaker 2: What was that to do? Nocturnal was hard too?
36:57
Speaker 3: Yeah, not turn it was hard man, not turn Man.
37:00
Speaker 2: Damn out to l a man, love love, And we
37:03
Speaker 2: gotta work on one of these. We are the world LA.
37:05
Speaker 1: Records, That's what I'm saying. Man, we gotta, we gotta,
37:07
Speaker 1: we gotta lift each other up.
37:08
Speaker 3: Man. We can't let a slip like that for sure.
37:10
Speaker 3: You know.
37:11
Speaker 1: Ain't nobody else letting their slip. We can't let our slip.
37:14
Speaker 1: All the politics funk, all that bullshit, my nigga, I.
37:17
Speaker 2: Love that attitude. Uh, there's gonna be a.
37:19
Speaker 3: Lot you lot attitude, but man power to it.
37:23
Speaker 2: Hey, we'll see if it works out. Twenty twenty four,
37:25
Speaker 2: you're gonna be getting flooded with Jay Stone.
37:28
Speaker 1: Flooded for sure for sure. And they better they better
37:31
Speaker 1: recognize it. They're gonna like they don't see it, ek me,
37:34
Speaker 1: but they're gonna have to.
37:35
Speaker 3: They're gonna have.
37:35
Speaker 2: To buy all your albums on iTunes when you drop.
37:38
Speaker 3: They're gonna have to give me minds bro.
37:40
Speaker 2: Yeah, and I always like to make sure you cop
37:42
Speaker 2: the fucking album on iTunes.
37:44
Speaker 3: Yeah it helps, Yeah, for sure.
37:46
Speaker 2: All the streaming ship Spotify is doing cool.
37:49
Speaker 1: You feel me with like Jay Cole said, man, he
37:51
Speaker 1: don't know who the fuck buying all them damn albums,
37:54
Speaker 1: but shout out to the people that are doing it.
37:55
Speaker 2: You feel me like, I appreciate you pulling up Jaystone
37:59
Speaker 2: new album Away.
38:00
Speaker 3: West West Man, Boom fire Yo.
38:03
Speaker 2: We're wrapping up an interview, man. Of course, we want
38:05
Speaker 2: to shout out to our family at Hardean Baby Hardean,
38:07
Speaker 2: Las Vegas, celebrating their seventh birthday this month, So happy
38:12
Speaker 2: birthday to Hardean. I want to give a shout out
38:14
Speaker 2: to the whole family over there. When you're in Las Vegas,
38:17
Speaker 2: you got to pull up to Harden and tell them
38:18
Speaker 2: that the Bootleg cap podcast says you they're gonna take
38:20
Speaker 2: care of you. It is the craziest selection of premium
38:23
Speaker 2: cannabis in the country, all under one roof. You walk
38:27
Speaker 2: in and it's just a five beautiful bud tenders, amazing smoke.
38:32
Speaker 2: Just the illis merch. You know what I'm saying. Hey,
38:35
Speaker 2: it's right in Las Vegas, right in Sin City. So
38:37
Speaker 2: you land in Vegas, you're about to go gamble with
38:38
Speaker 2: your boys. You get into that cab, you say, take
38:41
Speaker 2: me to Hardean. They're gonna know exactly where to take you.
38:42
Speaker 2: All right, shout out to Hardean, go follow them Harden
38:45
Speaker 2: Underscore Las Vegas, or go to the website Hardeanlasvegas dot
38:48
Speaker 2: com