Latest / 70 80 / SETTANTAxOTTANTA: 1954. Nasce l’Eurovisione. E tutti si chiedono di chi è la musica della sigla

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SETTANTAxOTTANTA: 1954. Nasce l’Eurovisione. E tutti si chiedono di chi è la musica della sigla · 70 80

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  I'm with journalist Enzo Mauri, who introduces
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  the current topic. Good morning, today I'm going
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  to talk about an important musical track. It's
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  probably one of the most famous songs in the
• 1:15
  history of television. We're talking about the
• 1:18
  Eurovision theme, which in 2024 turned off the
• 1:21
  70 candles. In the early 50s, the term Eurovision
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  represented a real neologism. The idea came to
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  the London Journalist Evening Standard, George
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  Campy. George Campy was already famous for being
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  the first to give the news that the BBC would
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  broadcast on TV the coronation of Queen Elizabeth
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  on June 2, 1953. The word Eurovision was used
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  for the first time by the London journalist in
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  his 1951 article on European television. The
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  BBC entered in 1954. as a TV expert, George Kempif
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  dissuaded in the first place from using the word
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  Eurovision, in which case he preferred TV and
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  European exchanges. This last definition, too
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  long and far -reaching for the journalistic language,
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  was eventually abandoned. Founded in 1954 with
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  a residence in Geneva, Eurovision was born as
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  an international organization of coordination
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  between European countries, an integral part
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  of the European Union of Radio -Diffusion. The
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  first broadcast in Eurovision took place on June
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  6, 1950, and the original title consisted of
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  a static image with a blue background. In the
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  center was the emitting logo, in our case the
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  RAI. Arranged in a circle, there were 12 stars
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  represented by points from which the broken lines
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  were radially expanded. In the spaces between
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  the stars arranged in a clockwise direction,
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  there were the yellow letters of the Eurovision
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  writing. Although it entered the collective imagination
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  of entire generations, it is not clear who chose
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  the music that accompanied the Eurovision transmissions.
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  The Tedeum H146 Re for Chorus and Orchestra is
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  a work of the French composer of the Baroque
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  period Marc Antoine Charpentier. The composition
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  is in the form of Tedeum, Tedeum Laudamus, we
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  say Tedeo, that is, a liturgical Catholic hymn
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  of praise and thanksgiving, composed between
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  the 4th and 5th century. The work was written
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  in Paris probably between 1688 and 1689, when
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  the composer was a music teacher in the Jesuit
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  college near at the church of San Luis de Ground
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  and still today sung on occasion of particular
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  celebrities. For years and still, the music of
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  Eurovision has accompanied historical transmissions
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  such as Games Without Borders, the Golden Tent,
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  the Siena Pagio, the Serremo Festival and the
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  Eurovision Song Contest. Thank you Denzo Mauri
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  for the modern theme. See you at the next episode
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