Transcript

Turning Red · Verbal Diorama

1:40
Hi
1:40
everyone.
1:41
I'm
1:41
Em,
1:41
and
1:41
welcome
1:42
to
1:42
bubble
1:42
diorama,
1:43
episode
1:43
282,
1:45
turning
1:45
red.
1:46
This
1:46
is
1:46
the
1:46
podcast
1:47
that's
1:47
all
1:47
about
1:47
the
1:47
history
1:48
and
1:48
legacy
1:48
of
1:48
movies
1:49
you
1:49
know
1:49
and
1:49
movies
1:50
you
1:50
don't.
1:50
That'll
1:51
never
1:51
not
1:51
be
1:52
your
1:52
ride
1:52
or
1:52
die.
1:53
Welcome
1:53
to
1:54
Verbal
1:54
Diorama.
1:54
Whether
1:55
you
1:55
are
1:55
a
1:56
brand
1:57
new
1:57
listener,
1:57
whether
1:57
you
1:58
are
1:58
a
1:58
regular
1:58
returning
1:59
listener,
2:00
thank
2:00
you
2:00
for
2:00
being
2:01
here.
2:01
Thank
2:01
you
2:01
for
2:01
choosing
2:01
to
2:02
listen
2:02
to
2:02
this
2:02
podcast.
2:03
I'm
2:03
so
2:04
happy
2:04
to
2:04
have
2:04
you
2:04
here
2:05
for
2:05
the
2:05
history
2:06
and
2:06
legacy
2:06
of
2:07
Turning
2:07
Red.
2:08
And
2:09
a
2:09
huge
2:09
happy
2:10
new
2:10
year
2:10
to
2:11
you
2:11
all.
2:11
It
2:11
is
2:12
now
2:12
2025,
2:13
and
2:14
because
2:14
it's
2:14
the
2:14
start
2:14
of
2:14
2025,
2:15
that
2:16
means
2:16
a
2:17
huge
2:17
welcome
2:18
to
2:18
Animation
2:19
Season
2:19
2025.
2:21
This
2:21
is
2:21
the
2:21
fifth
2:22
annual
2:22
Animation
2:23
Season.
2:24
It
2:24
is
2:24
a
2:24
celebration
2:25
of
2:25
animation
2:26
in
2:26
all
2:27
forms.
2:27
Traditional,
2:28
2D,
2:28
hand
2:28
drawn,
2:29
stop
2:29
motion,
2:30
CGI.
2:31
A
2:31
mix
2:31
of
2:32
all
2:32
of
2:32
the
2:32
above,
2:33
featuring
2:34
some
2:34
of
2:34
the
2:35
greatest
2:35
animation
2:36
studios
2:36
of
2:36
all
2:37
time.
2:37
I've
2:38
covered
2:38
on
2:38
this
2:38
podcast,
2:39
movies
2:39
by
2:40
Leica,
2:40
Aardman,
2:41
Disney
2:41
Dreamworks,
2:42
Pixar,
2:43
Studio,
2:43
Ghibli,
2:44
Cartoon
2:44
Saloon,
2:45
even
2:46
the
2:46
studios
2:46
that
2:46
no
2:47
longer
2:47
exist,
2:48
like
2:48
Fox
2:48
Animation,
2:49
Don
2:49
Bluth
2:50
Studios
2:51
Animation
2:51
is
2:52
not
2:52
just
2:52
for
2:53
children.
2:53
Animation
2:53
is
2:54
not
2:54
a
2:54
genre.
2:55
It
2:55
is
2:55
the
2:55
perfect
2:56
art
2:56
form.
2:56
It
2:57
is
2:57
capable
2:57
of
2:57
depicting
2:58
anything
2:59
and
2:59
anyone
3:00
without
3:00
the
3:01
limitations
3:01
of
3:01
live
3:02
action
3:02
cinema.
3:03
This
3:03
is
3:03
one
3:03
of
3:03
the
3:04
reasons
3:04
why
3:04
animation
3:04
season
3:05
is
3:05
so
3:05
important
3:06
to
3:07
me,
3:07
especially
3:07
because
3:08
I
3:08
want
3:08
to
3:08
highlight
3:09
incredible
3:10
animated
3:10
films
3:11
that
3:11
you
3:11
may
3:11
have
3:12
discounted
3:12
for
3:13
whatever
3:13
reason,
3:14
but
3:14
you're
3:14
missing
3:15
out
3:15
on
3:15
some
3:16
incredible
3:16
visuals
3:17
and
3:17
storytelling.
3:18
And
3:18
that's
3:19
why
3:19
I
3:19
love
3:19
to
3:19
do
3:19
this
3:20
animation
3:20
season
3:21
every
3:21
January
3:21
and
3:22
February.
3:23
And
3:23
this
3:23
year,
3:24
even
3:24
if
3:24
I
3:24
do
3:24
say
3:25
so
3:25
myself,
3:25
there
3:25
are
3:26
some
3:26
absolute
3:26
doozies
3:27
in
3:27
the
3:27
schedule.
3:28
Movies
3:29
I
3:29
get
3:29
asked
3:29
about
3:30
when
3:30
I'm
3:30
doing
3:31
animated
3:32
cult
3:32
favorites,
3:33
Oscar
3:33
nominees,
3:34
Oscar
3:35
winners,
3:36
movies
3:36
that
3:37
I
3:37
think
3:37
deserve
3:38
a
3:38
bit
3:38
more
3:38
love.
3:39
And
3:39
Turning
3:40
Red
3:40
is
3:41
one
3:41
such
3:41
movie.
3:42
But
3:43
as
3:43
Always.
3:43
I'm
3:44
hugely
3:44
grateful
3:44
to
3:45
everyone
3:45
who
3:45
listens
3:45
to
3:46
this
3:46
podcast
3:46
and
3:47
has
3:47
continued
3:47
to
3:47
listen
3:48
to
3:48
and
3:48
support
3:48
this
3:48
podcast.
3:49
This
3:50
podcast
3:50
is
3:50
almost
3:50
six
3:51
years
3:51
old.
3:51
It
3:51
turns
3:52
six
3:52
next
3:52
month
3:53
in
3:53
February.
3:54
I
3:54
have
3:55
now
3:55
achieved
3:55
over
3:56
280
3:56
episodes
3:57
on
3:57
this
3:57
podcast
3:58
and
3:58
I
3:59
honestly
3:59
could
3:59
not
3:59
do
3:59
it
4:00
without
4:00
the
4:00
continued
4:01
support
4:01
of
4:02
everyone
4:02
listening.
4:03
2025
4:04
is
4:04
here.
4:05
Bizarrely,
4:06
time
4:06
just
4:06
keeps
4:07
ticking
4:07
away.
4:08
But
4:09
we
4:09
were
4:09
all
4:09
a
4:10
teenager
4:10
once.
4:11
We
4:11
may
4:11
not
4:11
want
4:11
to
4:12
remember
4:12
those
4:12
times,
4:13
but
4:13
we
4:13
were
4:13
all
4:14
13
4:15
once
4:15
upon
4:15
a
4:15
time.
4:16
And
4:16
we
4:16
all
4:17
know
4:17
what
4:17
an
4:17
absolute
4:18
hellscape
4:18
it
4:19
was
4:19
to
4:20
be
4:20
a
4:20
teenager.
4:21
Now,
4:22
I
4:22
can't
4:22
comment
4:22
on
4:22
the
4:23
experience
4:23
of
4:23
being
4:23
a
4:24
13
4:24
year
4:24
old
4:24
boy
4:25
because
4:25
I
4:26
never
4:26
was
4:26
a
4:26
13
4:27
year
4:27
old
4:27
boy.
4:27
However,
4:28
I
4:28
was
4:29
once
4:29
a
4:29
13
4:29
year
4:30
old
4:30
girl.
4:30
And
4:31
this
4:31
movie
4:31
to
4:31
me
4:32
just
4:32
encapsulates
4:33
everything
4:34
I
4:34
felt
4:35
about
4:35
being
4:35
a
4:36
13
4:36
year
4:36
old
4:36
girl
4:37
in
4:37
the
4:37
90s.
4:38
But
4:39
without
4:39
further
4:40
ado,
4:41
let's
4:41
jump
4:41
into
4:41
the
4:42
first
4:42
episode
4:43
of
4:43
Animation
4:44
Season
4:44
2025
4:45
of
4:45
Verbal
4:45
Diorama.
4:46
In
4:46
2025,
4:48
it's
4:48
time
4:48
for
4:48
the
4:49
red
4:49
peony
4:49
to
4:50
bloom.
4:50
Here's
4:51
the
4:51
trailer
4:51
for
4:52
Turning
4:52
red.
7:14
Meilin
7:19
Lee.
7:19
A
7:19
confident
7:19
and
7:20
ambitious
7:20
13
7:20
year
7:21
old
7:21
Chinese
7:22
Canadian
7:22
girl
7:23
is
7:23
navigating
7:24
adolescence
7:24
in
7:24
Toronto.
7:25
May
7:26
struggles
7:26
to
7:26
balance
7:27
her
7:27
responsibilities
7:28
as
7:28
a
7:28
dutiful
7:29
daughter
7:29
to
7:29
her
7:29
overprotective
7:30
mother,
7:30
Ming,
7:31
with
7:31
her
7:31
growing
7:32
desire
7:32
for
7:32
independence.
7:33
One
7:34
day,
7:34
Mei
7:35
discovers
7:35
she
7:35
transforms
7:36
into
7:36
a
7:36
giant
7:37
red
7:37
panda
7:37
whenever
7:38
she
7:38
experiences
7:39
strong
7:39
emotions,
7:40
a
7:40
phenomenon
7:41
tied
7:41
to
7:41
a
7:41
mystical
7:42
family
7:42
curse.
7:43
Initially
7:44
mortified
7:44
by
7:44
her
7:45
newfound
7:45
condition,
7:46
Mei
7:46
learns
7:47
to
7:47
embrace
7:47
her
7:47
Panda,
7:48
finding
7:49
joy
7:49
and
7:49
confidence
7:50
in
7:50
her
7:50
unique
7:50
abilities.
7:51
As
7:52
Mei
7:52
and
7:52
her
7:52
friends
7:53
embark
7:53
on
7:53
fundraising
7:54
schemes
7:54
to
7:55
attend
7:55
the
7:55
4
7:55
TAM
7:56
concert,
7:56
her
7:57
favorite
7:57
boy
7:57
band,
7:58
tensions
7:59
rise
7:59
between
7:59
May's
8:00
personal
8:00
desires
8:01
and
8:01
her
8:01
mother's
8:02
strict
8:03
expectations.
8:05
Let's
8:05
run
8:05
through
8:05
the
8:06
cast
8:06
of
8:06
this
8:06
movie.
8:07
We
8:07
have
8:07
Rosalie
8:08
Chang
8:08
as
8:09
Meilin
8:09
Lee,
8:10
Sandra
8:10
oh
8:11
as
8:11
Ming
8:11
Lee,
8:12
Eva
8:13
Morse
8:13
as
8:13
Miriam
8:14
Mendelsohn,
8:15
Mitreyi
8:16
Ramakrishnan
8:17
as
8:17
Priya
8:17
Mandal,
8:18
Hyen
8:19
park
8:19
as
8:20
Abby
8:20
Park,
8:21
Orion
8:21
Lee
8:22
as
8:22
Jin
8:22
Lee,
8:23
Wai
8:24
Ching
8:24
Ho
8:24
as
8:25
Wu
8:25
Tristan,
8:26
Alaric
8:27
Chen
8:27
as
8:27
Tyler
8:28
Wen
8:28
Baker
8:29
and
8:30
James
8:30
Hong
8:30
as
8:31
Mr.
8:31
Gao
8:32
turning
8:33
red
8:33
has
8:33
a
8:33
screenplay
8:34
by
8:34
Julia
8:34
Cho
8:35
and
8:35
Domee
8:35
Shi,
8:36
a
8:36
story
8:37
by
8:37
Domee
8:37
Shi,
8:38
Julia
8:38
Cho
8:39
and
8:39
Sarah
8:39
Stryker,
8:40
and
8:41
was
8:41
directed
8:41
by
8:42
Domee
8:42
Shi
8:43
So
8:44
as
8:44
I
8:44
mentioned,
8:44
this
8:44
is
8:45
the
8:45
first
8:45
episode
8:45
of
8:46
animation
8:46
season
8:46
2025
8:48
and
8:48
like
8:49
last
8:49
year,
8:49
I'm
8:50
starting
8:50
with
8:50
a
8:50
Pixar
8:51
movie.
8:52
Last
8:52
year
8:52
I
8:53
started
8:53
with
8:54
Wally
8:55
and
8:55
some
8:55
of
8:55
the
8:55
crew
8:55
on
8:56
this
8:56
movie
8:56
started
8:57
out
8:57
on
8:57
Wall
8:58
E.
8:58
This
8:59
one
8:59
is
8:59
more
8:59
modern.
9:00
It
9:00
came
9:00
out
9:00
during
9:01
the
9:01
Pandemic
9:01
and
9:01
it
9:02
suffered
9:02
commercially
9:03
for
9:03
that.
9:04
But
9:05
cards
9:05
on
9:05
the
9:05
table,
9:06
Turning
9:06
Red
9:06
is
9:07
very
9:07
much
9:07
my
9:07
movie
9:08
because
9:08
I,
9:09
like
9:09
49.6%
9:11
of
9:11
the
9:11
world's
9:11
population,
9:12
have
9:13
experience
9:13
being
9:14
a
9:14
teenage
9:14
girl
9:15
starting
9:15
puberty,
9:16
getting
9:17
my
9:17
first
9:17
period
9:18
and
9:18
feeling
9:19
like
9:19
a
9:19
disgusting
9:19
red
9:20
beast.
9:21
Turning
9:21
Red
9:21
was
9:22
the
9:22
last
9:22
of
9:22
the
9:22
Pixar
9:23
pandemic
9:23
movies
9:23
that
9:24
ended
9:24
up
9:24
on
9:24
Disney
9:24
plus
9:25
instead
9:25
of
9:26
getting
9:26
a
9:26
full
9:27
cinema
9:27
release.
9:28
But
9:28
none
9:28
of
9:28
them,
9:29
Onward,
9:30
Soul
9:30
and
9:30
Luca,
9:31
suffered
9:32
financially
9:32
as
9:32
much
9:33
as
9:33
Turning
9:33
Red
9:33
did.
9:34
Now,
9:34
the
9:35
fact
9:35
that
9:35
Lightyear
9:36
came
9:36
out
9:36
a
9:36
few
9:37
months
9:37
later
9:38
and
9:38
made
9:38
ten
9:39
times
9:39
as
9:39
much
9:39
money
9:40
always
9:40
felt
9:41
like
9:41
a
9:41
bit
9:41
of
9:41
a
9:41
travesty
9:42
to
9:42
me
9:42
because
9:42
this
9:43
movie,
9:43
in
9:44
my
9:44
humble
9:44
opinion,
9:45
is
9:45
way
9:46
better
9:46
than
9:46
Lightyear.
9:47
Turning
9:48
Red
9:48
deserves
9:48
better.
9:49
Turning
9:49
Red
9:50
gets
9:50
to
9:51
kick
9:51
off
9:51
Animation
9:52
Season
9:52
2025
9:53
in
9:53
style.
9:54
We
9:54
get
9:54
to
9:54
embrace
9:55
the
9:55
Panda
9:56
Four
9:56
Town
9:56
forever,
9:57
with
9:57
the
9:57
four
9:58
in
9:58
forever
9:58
being
9:58
the
9:59
number
9:59
four,
9:59
because
9:59
that's
10:00
how
10:00
we
10:00
did
10:00
it
10:00
in
10:01
the
10:01
early
10:01
2000s.
10:02
And
10:03
at
10:03
the
10:03
heart
10:03
of
10:03
this
10:03
movie
10:04
is
10:04
writer
10:05
director
10:05
Dongmi
10:06
Shi.
10:06
She
10:07
was
10:07
born
10:07
in
10:07
China.
10:07
She
10:08
immigrated
10:08
to
10:08
Canada
10:09
with
10:09
her
10:09
parents
10:09
when
10:09
she
10:10
was
10:10
2
10:10
years
10:10
old.
10:11
Like
10:11
Mei,
10:12
she's
10:12
an
10:12
only
10:12
child.
10:13
She
10:13
interned
10:14
at
10:14
Pixar
10:14
in
10:15
2011
10:15
after
10:16
graduating
10:16
from
10:16
Sheridan
10:17
College
10:17
and
10:18
after
10:18
being
10:18
her
10:18
high
10:19
school's
10:19
vice
10:19
president
10:20
of
10:20
the
10:20
Anime
10:21
Club,
10:22
Obviously.
10:22
She
10:23
also
10:23
uploaded
10:23
her
10:24
fan
10:24
artwork
10:24
to
10:24
DeviantArt.
10:26
She
10:26
was
10:26
initially
10:27
turned
10:27
down
10:27
for
10:27
a
10:27
Pixar
10:28
internship,
10:29
but
10:29
applied
10:30
again
10:30
on
10:30
the
10:30
advice
10:30
of
10:31
her
10:31
father
10:31
and
10:32
got
10:32
the
10:32
internship
10:33
and
10:33
was
10:33
eventually
10:34
offered
10:34
a
10:34
full
10:34
time
10:35
job
10:35
at
10:35
the
10:35
studio.
10:36
The
10:36
first
10:36
movie
10:37
she
10:37
worked
10:37
on
10:38
was
10:38
Inside
10:39
out
10:39
as
10:39
a
10:39
storyboard
10:40
artist.
10:41
She
10:41
also
10:41
worked
10:42
as
10:42
a
10:42
story
10:42
artist
10:43
on
10:43
the
10:43
Good
10:43
Dinosaur
10:44
Toy
10:44
Story
10:45
4
10:45
and
10:45
as
10:45
additional
10:46
story
10:46
artist
10:46
on
10:47
Incredibles
10:47
2.
10:48
But
10:48
her
10:49
passion
10:49
project
10:49
was
10:50
none
10:50
of
10:50
those
10:50
Things.
10:51
It
10:51
was
10:52
Bao.
10:53
She
10:53
started
10:54
sketching
10:54
Bao
10:55
in
10:55
2014
10:56
and
10:56
began
10:56
working
10:56
on
10:57
it
10:57
as
10:57
a
10:57
side
10:58
project.
10:58
She
10:59
based
10:59
it
10:59
on
10:59
her
11:00
experiences
11:00
of
11:01
growing
11:01
up
11:01
as
11:01
an
11:01
only
11:02
child
11:03
and
11:03
being,
11:03
quote,
11:04
an
11:04
overprotected
11:05
little
11:05
steamed
11:06
bun.
11:06
End
11:07
quote.
11:07
She
11:08
was
11:08
also
11:08
inspired
11:08
by
11:08
traditional
11:09
dark
11:09
folk
11:10
tales
11:10
and
11:10
children's
11:11
stories,
11:11
as
11:12
well
11:12
as
11:12
Studio
11:13
Ghibli's
11:13
My
11:14
Neighbors,
11:14
the
11:14
Yamadas
11:15
and
11:15
Spirited
11:16
Away.
11:16
Bao
11:17
was
11:17
pitched
11:18
to
11:18
Pete
11:18
Docter
11:19
and
11:19
approved
11:19
as
11:20
a
11:20
Pixar
11:20
short
11:20
in
11:21
2015,
11:22
making
11:22
she
11:23
the
11:23
first
11:23
woman
11:24
to
11:24
direct
11:24
a
11:24
short
11:24
film
11:25
for
11:25
Pixar,
11:26
the
11:26
first
11:26
time
11:27
in
11:27
35
11:27
shorts
11:28
for
11:28
the
11:28
studio.
11:29
Bao
11:30
premiered
11:30
at
11:30
the
11:30
Tribeca
11:31
film
11:31
festival
11:32
in
11:32
April
11:32
2018,
11:33
featured
11:34
before
11:34
Incredibles
11:35
2
11:35
in
11:35
cinemas,
11:36
and
11:37
she
11:37
also
11:37
became
11:38
the
11:38
first
11:38
woman
11:39
of
11:39
color
11:39
to
11:39
win
11:39
the
11:40
Academy
11:40
Award
11:41
for
11:41
Best
11:41
Animated
11:42
short
11:42
film
11:43
for
11:43
Bao.
11:44
But
11:45
Donu
11:45
Xi
11:45
wasn't
11:46
done
11:46
with
11:46
those
11:47
firsts.
11:47
On
11:47
31st
11:48
October
11:49
2017,
11:50
she
11:50
was
11:50
invited
11:50
to
11:50
pitch
11:51
three
11:51
ideas
11:52
to
11:52
Pixar.
11:52
After
11:53
the
11:53
success
11:53
of
11:54
Bao,
11:54
all
11:55
were
11:55
coming
11:55
of
11:55
age
11:56
stories
11:56
centered
11:56
on
11:56
teenage
11:57
girls,
11:57
and
11:58
the
11:58
winning
11:58
pitch
11:59
was
11:59
about
11:59
magical
12:00
puberty,
12:01
centered
12:01
around
12:01
a
12:02
Chinese
12:02
Canadian
12:03
mother
12:03
and
12:03
daughter,
12:04
and
12:04
Pete
12:05
Docter,
12:05
as
12:05
Pixar's
12:06
new
12:06
chief
12:06
creative
12:07
officer,
12:08
wanted
12:08
more
12:08
stories
12:09
from
12:09
personal
12:09
experiences
12:10
and
12:11
from
12:11
minority
12:12
groups.
12:12
This
12:13
shift
12:13
started
12:14
with
12:14
Luca,
12:15
which
12:15
had
12:15
long
12:15
been
12:15
seen
12:16
as
12:16
a
12:16
metaphor
12:16
for
12:17
not
12:17
only
12:17
puberty
12:18
and
12:18
feeling
12:18
like
12:18
an
12:19
outsider,
12:19
but
12:20
also
12:20
the
12:20
experience
12:21
of
12:21
being
12:22
lgbtq.
12:23
Director
12:24
Enrico
12:24
Casarosa's
12:25
biographical
12:26
coming
12:26
of
12:26
age
12:26
story
12:27
was
12:27
never
12:27
seriously
12:28
discussed
12:29
as
12:29
being
12:29
a
12:29
canonically
12:30
queer
12:30
story
12:31
during
12:31
the
12:31
making
12:32
of
12:32
Luca,
12:33
but
12:33
it's
12:33
since
12:34
being
12:34
adopted
12:34
as
12:34
such
12:35
by
12:35
the
12:35
LGBTQ
12:36
community.
12:37
And
12:37
even
12:37
if
12:38
it's
12:38
not
12:38
canonically
12:39
queer,
12:39
if
12:40
it
12:40
speaks
12:40
to
12:40
queer
12:41
people,
12:41
then
12:42
it
12:42
speaks
12:42
to
12:43
queer
12:43
people.
12:44
But
12:44
Luca
12:44
really
12:45
heralded
12:45
the
12:45
change
12:46
for
12:46
more
12:46
biographical
12:47
stories,
12:48
and
12:48
the
12:48
product
12:48
of
12:49
that
12:49
change,
12:50
led
12:50
by
12:50
Domee
12:51
Shi,
12:51
which
12:51
was
12:52
then
12:52
called
12:52
Red,
12:53
was
12:53
announced
12:54
in
12:54
May
12:54
2018
12:55
as
12:55
the
12:55
first
12:56
full
12:56
length
12:56
Pixar
12:57
movie
12:57
to
12:58
be
12:58
solely
12:58
directed
12:59
by
12:59
a
12:59
female
12:59
director
13:00
and
13:01
a
13:01
woman
13:01
of
13:01
color.
13:02
The
13:02
film's
13:02
lead
13:03
creative
13:03
team
13:04
would
13:04
also
13:04
be
13:04
the
13:04
first
13:05
all
13:05
female
13:06
team
13:06
for
13:06
Pixar,
13:07
including
13:07
producer
13:08
Lindsay
13:08
Collins,
13:09
who
13:09
joined
13:09
the
13:10
studio
13:10
in
13:10
1997
13:11
and
13:11
co
13:12
produced
13:12
Wally,
13:13
produced
13:13
Finding
13:14
Dory,
13:14
and
13:15
also
13:15
production
13:15
designer
13:16
Rona
13:16
Liu,
13:17
who'd
13:17
worked
13:17
with
13:18
Domee
13:18
Shi
13:18
On
13:19
Bao,
13:19
they
13:20
were
13:20
all
13:20
encouraged
13:21
to
13:21
tap
13:21
into
13:21
their
13:22
tween
13:22
selves
13:22
and
13:22
embrace
13:23
those
13:23
beautifully
13:24
blundering
13:25
memories,
13:25
those
13:26
cringy
13:26
crushes
13:27
and
13:27
those
13:27
adolescent
13:28
obsessions.
13:29
The
13:30
look
13:30
of
13:30
Turning
13:31
Red
13:31
would
13:31
take
13:31
the
13:31
symbolism
13:32
of
13:32
the
13:32
Chinese
13:33
culture
13:33
Domee
13:34
Shi
13:34
grew
13:34
up
13:34
with,
13:35
as
13:35
well
13:35
as
13:35
the
13:35
anime
13:36
she
13:36
watched
13:36
and
13:37
the
13:37
manga
13:37
she
13:37
drew
13:38
and
13:38
loved
13:38
as
13:38
a
13:39
child,
13:39
as
13:40
well
13:40
as
13:40
the
13:40
awkward
13:41
hormones
13:41
growing
13:42
up
13:42
lusting
13:43
after
13:43
boy
13:44
bands
13:44
and,
13:45
well,
13:46
all
13:46
the
13:46
red
13:47
Red
13:48
would
13:48
mean
13:48
more
13:49
than
13:49
the
13:49
obvious
13:49
period
13:50
talk.
13:50
Red
13:51
is
13:51
the
13:51
main
13:51
color
13:52
of
13:52
both
13:52
the
13:52
Canadian
13:53
and
13:53
Chinese
13:54
flags.
13:54
Red
13:55
is
13:55
also
13:55
a
13:55
lucky
13:56
color
13:56
in
13:56
China,
13:57
associated
13:57
with
13:58
good
13:58
fortune
13:58
and
13:59
joy.
13:59
A
14:00
hong
14:00
bao,
14:01
a
14:01
red
14:01
envelope
14:01
stuffed
14:02
with
14:02
money,
14:02
is
14:02
the
14:03
usual
14:03
gift
14:03
in
14:03
Chinese
14:04
communities
14:05
for
14:05
Chinese
14:06
New
14:06
Year,
14:06
birthdays,
14:07
marriages
14:08
and
14:08
other
14:08
special
14:08
occasions,
14:09
as
14:10
well
14:10
as
14:10
the
14:10
red
14:11
panda
14:11
native
14:12
to
14:12
China.
14:13
They
14:13
are
14:13
cute,
14:13
they
14:14
are
14:14
cuddly
14:14
and
14:15
fluffy,
14:15
they're
14:16
very
14:16
close
14:16
to
14:16
their
14:17
mothers,
14:17
they
14:17
sleep
14:18
all
14:18
day
14:18
and
14:18
they
14:19
eat
14:19
food
14:19
that's
14:19
not
14:20
nutritious
14:20
enough
14:20
for
14:21
them,
14:21
just
14:22
like
14:22
teenagers.
14:23
The
14:23
team
14:23
studied
14:24
red
14:24
pandas
14:25
at
14:25
the
14:25
San
14:25
Francisco
14:26
Zoo,
14:26
where
14:26
a
14:26
red
14:27
panda
14:27
was
14:28
named
14:28
May
14:28
Lee
14:29
in
14:29
honor
14:29
of
14:30
the
14:30
main
14:30
character
14:30
in
14:31
Turning
14:31
Red
14:31
on
14:32
the
14:32
movie's
14:32
day
14:32
of
14:33
release.
14:34
Some
14:34
of
14:34
the
14:34
other
14:35
title
14:35
ideas
14:35
for
14:36
the
14:36
movie
14:36
include
14:37
Primal
14:38
of
14:38
Life,
14:39
Bet
14:39
on
14:39
Red
14:40
Red
14:40
Reflections,
14:42
Peony
14:42
Blossom,
14:43
Panda
14:44
Prime
14:44
Red
14:45
and
14:45
Redder
14:46
the
14:46
Red
14:46
Inside,
14:47
PMS
14:48
Panda
14:49
Mayhem
14:49
Story,
14:50
Big
14:50
Burden,
14:51
Notorious
14:52
rpg,
14:53
Red
14:54
Panda
14:54
Girl
14:55
and
14:55
and
14:56
a
14:56
Panda.
14:57
I'm
14:57
actually
14:58
a
14:58
big
14:58
fan
14:58
of
14:58
Notorious
14:59
rpg.
15:00
I
15:00
think
15:00
that's
15:00
a
15:00
great
15:01
title.
15:02
The
15:02
movie
15:02
takes
15:02
place
15:03
in
15:03
Toronto,
15:03
but
15:03
it
15:03
was
15:04
actually
15:04
San
15:04
Francisco's
15:05
Chinatown
15:06
that
15:06
served
15:07
as
15:07
a
15:07
design
15:07
inspiration.
15:08
And
15:09
while
15:09
the
15:09
production
15:09
visited
15:10
several
15:10
Chinese
15:11
temples
15:11
for
15:11
design
15:12
inspiration
15:12
for
15:12
the
15:12
Li
15:13
family
15:13
temple,
15:14
it
15:14
was
15:14
the
15:14
Bok
15:15
Kai
15:15
Temple
15:15
in
15:16
Marysville,
15:16
California
15:17
that
15:17
served
15:18
as
15:18
the
15:18
main
15:18
point
15:18
of
15:19
reference
15:19
for
15:19
for
15:19
the
15:20
Li
15:20
family
15:20
temple.
15:21
Built
15:22
in
15:22
1880,
15:23
it
15:23
is
15:23
the
15:23
only
15:24
in
15:24
situ
15:24
19th
15:25
century
15:26
Chinese
15:26
temple
15:27
in
15:27
the
15:27
United
15:27
States
15:28
that
15:28
is
15:28
still
15:28
active.
15:30
And
15:30
this
15:30
movie
15:31
is
15:31
also
15:31
set
15:32
in
15:32
2002.
15:33
When
15:34
phones
15:34
flipped,
15:35
you
15:35
burned
15:36
CDs
15:36
for
15:36
friends
15:37
and
15:37
yes,
15:38
Tamagotchis
15:39
was
15:39
still
15:39
a
15:39
thing.
15:40
It
15:40
was
15:40
coming
15:40
to
15:40
the
15:41
end
15:41
of
15:41
being
15:41
a
15:41
thing.
15:42
But
15:42
looking
15:42
after
15:43
virtual
15:43
pets
15:43
was
15:44
literally
15:44
your
15:44
first
15:45
attempt
15:45
at
15:45
keeping
15:45
something
15:46
alive.
15:46
And
15:47
they
15:47
died
15:47
really
15:48
easily.
15:48
Mine
15:49
did
15:49
anyway,
15:49
except
15:50
mine
15:50
was
15:50
never
15:51
an
15:51
official
15:51
Tamagotchi.
15:52
But
15:52
yes,
15:53
I
15:53
had
15:53
flip
15:54
phones
15:54
and
15:55
I
15:55
still
15:55
have
15:55
CDs
15:56
that
15:56
my
15:56
friends
15:57
burned
15:57
for
15:57
me
15:58
all
15:58
those
15:58
years
15:58
ago
15:59
because
15:59
I
16:00
just
16:00
do
16:00
not
16:00
want
16:00
to
16:00
get
16:01
rid
16:01
of
16:01
them.
16:01
I
16:01
do
16:01
not
16:01
want
16:02
to
16:02
throw
16:02
them
16:02
away
16:02
because
16:03
they
16:03
are
16:03
so
16:03
nostalgic.
16:04
The
16:05
design
16:05
team
16:05
turned
16:06
to
16:06
the
16:06
2D
16:06
look
16:07
of
16:07
anime
16:08
as
16:08
the
16:08
driving
16:08
stylistic
16:09
force
16:09
for
16:09
turning
16:10
red.
16:10
This
16:11
meant
16:11
tweaking
16:11
the
16:12
hyper
16:12
realistic
16:13
norm
16:13
at
16:13
Pixar
16:14
to
16:14
fit
16:14
their
16:14
vision,
16:15
bending
16:15
the
16:16
way
16:16
they
16:16
did,
16:16
modeling,
16:17
shading
16:17
and
16:17
lighting
16:18
to
16:18
be
16:18
more
16:18
graphic.
16:19
Using
16:20
anime
16:20
influences
16:21
like
16:21
Doraemon,
16:22
sailor
16:22
moon,
16:23
ranma,
16:24
1/2
16:24
fruits
16:25
basket
16:25
and
16:25
inuyasha.
16:27
My
16:27
neighbor
16:27
Totoro's
16:28
Totoro
16:29
inspired
16:29
the
16:30
look
16:30
of
16:30
red
16:31
Panda
16:31
Mei
16:32
and
16:32
unsurprisingly,
16:33
Studio
16:33
Ghibli
16:34
also
16:34
inspired
16:35
the
16:35
delicious
16:35
looking
16:36
food
16:36
that
16:36
Mei's
16:37
father
16:37
is
16:37
cooking.
16:38
They
16:38
learned
16:39
on
16:39
Bao
16:39
about
16:40
the
16:40
textual
16:40
and
16:41
light
16:41
response
16:41
to
16:41
the
16:42
food.
16:42
The
16:42
shape
16:43
can
16:43
be
16:43
stylized,
16:44
but
16:44
the
16:44
shading
16:44
response
16:45
has
16:45
to
16:45
be
16:45
realistic.
16:46
Meat
16:47
needs
16:47
to
16:47
look
16:48
like
16:48
meat.
16:48
The
16:49
way
16:49
the
16:49
light
16:49
passes
16:49
through
16:50
leaves
16:50
has
16:50
to
16:50
look
16:51
real
16:51
in
16:51
order
16:51
for
16:52
viewers
16:52
to
16:52
have
16:53
that
16:53
connection
16:53
that
16:54
this
16:54
is
16:54
food
16:55
that
16:56
and
16:56
they
16:56
slather
16:56
everything
16:57
in
16:57
oil.
16:57
And
16:58
when
16:58
they
16:58
can't
16:58
do
16:59
that
16:59
on
16:59
lettuce
17:00
for
17:00
example,
17:00
they
17:01
use
17:01
what
17:01
the
17:02
food
17:02
ad
17:02
industry
17:03
does
17:03
and
17:03
saturate
17:04
the
17:04
colors
17:04
so
17:05
the
17:05
lettuce's
17:05
green
17:06
was
17:06
greener
17:07
than
17:07
lettuce
17:07
usually
17:08
is
17:08
and
17:09
added
17:09
a
17:09
bright
17:10
white
17:10
watery
17:11
gloss
17:11
to
17:11
evoke
17:12
freshness.
17:13
The
17:13
cultural
17:14
consultants
17:14
for
17:14
the
17:14
food
17:15
in
17:15
the
17:15
film
17:15
was
17:15
Gold
17:16
House,
17:16
a
17:17
non
17:17
profit
17:17
organization
17:18
that
17:18
specializes
17:19
in
17:19
promotion
17:20
of
17:20
East
17:20
Asian
17:21
and
17:21
Pacific
17:21
cultures,
17:22
who
17:22
explained
17:23
the
17:23
first
17:23
immigrants
17:24
in
17:24
Toronto's
17:25
Chinatown
17:26
weren't
17:26
just
17:26
Cantonese,
17:27
but
17:28
Tai
17:28
Chanese.
17:29
And
17:29
so
17:29
they
17:29
went
17:29
with
17:30
culturally
17:30
accurate
17:31
foods
17:31
like
17:32
eel,
17:32
rice,
17:32
snow
17:33
peas,
17:33
steamed
17:34
fish
17:34
and
17:34
seafood
17:35
soup.
17:36
They
17:36
studied
17:36
the
17:36
watercolors
17:37
and
17:37
shape
17:38
language
17:38
of
17:38
anime
17:39
and
17:39
also
17:40
referenced
17:40
live
17:41
action
17:41
films,
17:42
especially
17:42
Edgar
17:43
Wright's
17:43
Scott
17:43
Pilgrim
17:44
vs.
17:44
The
17:44
World,
17:45
which
17:45
is
17:45
also
17:45
set
17:46
in
17:46
Toronto,
17:47
which
17:47
is
17:47
also
17:47
heavily
17:48
influenced
17:48
by
17:49
anime
17:49
and
17:49
video
17:50
games.
17:51
The
17:51
entire
17:52
process
17:53
required
17:53
significant
17:54
software
17:54
retooling
17:55
and
17:55
changes
17:56
in
17:56
order
17:57
to
17:57
translate
17:57
the
17:57
graphic
17:58
anime
17:58
style
17:59
into
18:00
computer
18:00
generated
18:01
graphics.
18:02
This
18:02
included
18:03
changing
18:03
the
18:03
tone
18:03
of
18:04
pastel
18:04
backdrops
18:05
to
18:05
help
18:05
the
18:05
figure
18:06
stand
18:06
out,
18:06
adding
18:07
color,
18:07
variety
18:08
and
18:08
staining
18:08
to
18:09
the
18:09
materials,
18:10
making
18:10
the
18:10
Chinatown
18:11
buildings
18:11
appear
18:12
chunky
18:12
with
18:13
pointy
18:13
rooftops
18:14
that
18:14
resembled
18:14
cat
18:14
ears
18:15
and
18:15
producing
18:16
a
18:16
pink
18:16
mist
18:17
cloud
18:17
to
18:17
heighten
18:18
fantasy
18:19
scenes
18:19
for
18:20
more
18:20
graphic
18:20
expressiveness
18:21
of
18:21
characters.
18:22
Eyes,
18:23
size
18:23
and
18:24
shape
18:24
were
18:24
altered
18:25
and
18:25
stars
18:26
added.
18:27
The
18:27
biggest
18:28
part
18:28
of
18:28
the
18:28
movie,
18:28
of
18:29
course,
18:29
was
18:29
Panda,
18:30
Mei
18:30
Mei's
18:31
alter
18:31
ego.
18:32
And
18:32
Panda
18:32
May
18:33
had
18:33
her
18:33
own
18:33
set
18:34
of
18:34
unique
18:34
problems.
18:35
This
18:35
was
18:36
a
18:36
new
18:36
beast.
18:36
Excuse
18:37
the
18:37
pun.
18:38
Even
18:38
though
18:38
Pixar
18:39
had
18:39
long
18:39
before
18:40
conquered
18:40
fur
18:41
with
18:41
Monsters
18:41
Inc.
18:42
And
18:42
improved
18:43
it
18:43
exponentially
18:44
ever
18:44
since.
18:45
At
18:45
first,
18:45
working
18:46
with
18:46
Huge
18:47
and
18:47
Fluffy
18:48
seemed
18:48
counterintuitive
18:49
and
18:49
the
18:49
chunky,
18:50
adorable
18:50
shape
18:51
was
18:51
awkward.
18:52
Pandemey's
18:53
movements
18:53
and
18:53
facial
18:54
Expressions
18:54
had
18:54
to
18:54
be
18:55
carefully
18:55
considered
18:56
while
18:56
maintaining
18:57
her
18:57
appearance
18:57
and
18:58
character
18:58
as
18:59
Mei.
18:59
They
19:00
actually
19:00
shrunk
19:00
Panda
19:01
Mei
19:01
10
19:01
to
19:02
15%
19:02
in
19:03
interior
19:03
spaces
19:04
so
19:04
she
19:04
could
19:04
move,
19:05
interact
19:05
and
19:06
not
19:06
intersect
19:07
with
19:07
other
19:07
parts
19:07
of
19:08
the
19:08
set.
19:09
And
19:09
the
19:09
reason
19:10
Panda
19:10
Ming
19:11
is
19:11
so
19:11
large
19:11
and
19:12
basically
19:12
becomes
19:12
a
19:13
Kaiju
19:13
is
19:14
because
19:14
her
19:14
emotions
19:15
have
19:15
been
19:15
suppressed
19:15
for
19:16
so
19:16
long
19:16
and
19:17
are
19:17
so
19:17
out
19:17
of
19:17
control
19:18
and
19:18
her
19:18
panda
19:19
is
19:19
huge
19:19
and
19:20
destructive.
19:21
Ming
19:21
is
19:21
very
19:22
traditional
19:22
Chinese.
19:23
Her
19:23
clothing
19:23
and
19:24
jewelry
19:24
is
19:24
traditional
19:25
and
19:25
mirrors
19:26
her
19:26
own
19:26
mother's
19:27
traditional
19:27
style,
19:28
which
19:28
demonstrates
19:29
the
19:29
influence
19:29
her
19:30
mother
19:30
had
19:30
on
19:30
her
19:31
and
19:31
the
19:31
expectations
19:32
of
19:32
her
19:32
mother
19:33
passed
19:33
down
19:33
to
19:34
her,
19:34
which
19:34
she
19:34
is
19:34
now
19:35
trying
19:35
to
19:35
pass
19:35
down
19:36
to
19:36
May.
19:37
And
19:37
obviously
19:38
much
19:38
of
19:38
this
19:38
production
19:38
took
19:39
place
19:39
with
19:39
people
19:40
working
19:40
remotely
19:40
during
19:41
the
19:41
COVID
19:41
19
19:42
pandemic,
19:42
including
19:43
some
19:43
of
19:43
the
19:44
voice
19:44
work.
19:44
They
19:45
did
19:45
regular
19:45
zoom
19:46
chats
19:46
and
19:46
coffee
19:47
breaks
19:47
once
19:47
or
19:47
twice
19:48
a
19:48
week
19:48
to
19:48
keep
19:48
the
19:48
crew
19:49
connections
19:49
going.
19:50
These
19:50
chats
19:51
included
19:51
dogs,
19:52
cats,
19:52
kids
19:53
and
19:53
babies.
19:54
Visual
19:54
effects
19:55
supervisor
19:55
Danielle
19:56
Feinberg
19:57
became
19:57
a
19:57
mother
19:57
to
19:57
twins
19:58
during
19:58
production
19:59
and
19:59
being
19:59
able
20:00
to
20:00
work
20:00
from
20:00
home
20:01
during
20:01
that
20:01
period
20:02
was
20:02
time
20:03
with
20:03
her
20:03
children
20:03
that
20:04
you
20:04
just
20:04
can't
20:04
get
20:05
back.
20:06
16
20:06
year
20:07
old
20:07
Rosalie
20:07
Chiang,
20:08
who
20:08
played
20:08
May
20:09
coincidentally
20:10
once
20:10
gave
20:10
a
20:10
presentation
20:11
on
20:11
red
20:11
pandas
20:12
to
20:12
her
20:13
fifth
20:13
grade
20:13
class
20:14
four
20:15
years
20:15
prior.
20:15
She
20:16
just
20:16
started
20:16
her
20:17
acting
20:17
career
20:17
when
20:17
she
20:18
was
20:18
given
20:18
the
20:18
chance
20:18
to
20:19
try
20:19
out
20:19
for
20:19
the
20:20
part.
20:21
She
20:21
was
20:21
invited
20:22
to
20:22
an
20:22
in
20:22
person
20:22
interview
20:23
at
20:23
Pixar's
20:24
Emeryville
20:24
offices
20:25
after
20:25
using
20:26
her
20:26
mother's
20:26
iPhone
20:27
to
20:27
audition
20:27
when
20:28
she
20:28
was
20:28
12
20:28
years
20:29
old.
20:29
Because
20:30
she
20:30
was
20:30
local,
20:31
she
20:31
was
20:31
hired
20:31
to
20:32
record
20:32
scratch
20:33
vocals
20:33
which
20:34
are
20:34
short
20:34
term
20:34
audio
20:35
tracks
20:35
that
20:35
will
20:35
eventually
20:36
be
20:36
replaced
20:36
by
20:37
a
20:37
professional
20:37
voice
20:38
actor.
20:38
It's
20:39
a
20:39
common
20:39
practice
20:40
in
20:40
animated
20:41
filmmaking
20:41
because
20:42
the
20:42
process
20:42
is
20:43
often
20:43
years
20:43
long
20:44
and
20:44
involves
20:45
a
20:45
huge
20:45
team
20:45
of
20:45
producers,
20:46
writers,
20:47
animators,
20:48
and
20:48
you
20:48
have
20:49
various
20:49
script
20:49
revisions,
20:50
visual
20:51
renderings
20:52
and
20:52
multiple
20:52
of
20:52
the
20:53
steps
20:53
of
20:53
the
20:53
process
20:53
that
20:54
can
20:54
change.
20:55
The
20:55
productions
20:55
hired
20:56
temporary
20:56
voices
20:57
to
20:57
help
20:57
find
20:58
the
20:58
character
20:59
before
20:59
a
20:59
professional
21:00
comes
21:00
in.
21:01
After
21:01
auditioning
21:02
professional
21:02
actors
21:03
for
21:03
May,
21:04
Domee
21:04
Shi
21:05
and
21:05
Lindsey
21:05
Collins
21:06
discovered
21:06
that
21:06
they
21:06
had
21:07
already
21:07
fallen
21:07
in
21:08
love
21:08
with
21:08
Rosalie
21:09
Chiang's
21:09
scratch
21:09
vocals
21:10
and
21:10
they
21:10
couldn't
21:11
imagine
21:11
anyone
21:12
else
21:12
playing
21:12
May
21:13
even
21:13
after
21:14
listening
21:14
to
21:14
a
21:14
number
21:15
of
21:15
auditions.
21:16
Chiang
21:16
was
21:17
natural
21:17
dorky
21:18
and
21:18
they
21:18
just
21:18
felt
21:19
she
21:19
embodied
21:20
Mei.
21:20
They
21:21
brought
21:21
the
21:21
matter
21:21
to
21:22
the
21:22
attention
21:22
of
21:22
Pete
21:23
Docter,
21:23
the
21:23
chief
21:23
creative
21:24
officer
21:24
of
21:24
Pixar,
21:25
who
21:25
personally
21:26
gave
21:26
his
21:26
approval
21:27
for
21:27
Chiang
21:28
to
21:28
play
21:28
the
21:28
movie's
21:29
protagonist.
21:30
To
21:30
tell
21:30
Chiang
21:31
that
21:31
she'd
21:31
actually
21:32
been
21:32
cast
21:32
as
21:32
May
21:33
for
21:33
the
21:33
movie,
21:34
she
21:34
and
21:34
Collins
21:35
brought
21:35
in
21:35
a
21:35
camera
21:35
crew
21:36
during
21:36
a
21:37
day
21:37
of
21:37
line
21:37
reading
21:38
at
21:38
the
21:38
beginning
21:38
of
21:38
2020,
21:39
telling
21:40
Chiang
21:41
it
21:41
was
21:41
for
21:41
a
21:41
behind
21:41
the
21:42
scenes
21:42
documentary,
21:43
but
21:43
instead
21:44
they
21:44
filmed
21:45
Line
21:45
reading
21:45
a
21:46
new
21:46
page
21:46
of
21:46
script
21:47
with
21:48
she
21:48
reading
21:49
as
21:49
Ming
21:49
Mei's
21:50
mother,
21:50
who
21:50
tells
21:51
Qiang
21:51
as
21:52
Mei
21:52
that
21:52
she'd
21:53
got
21:53
the
21:53
part
21:53
of
21:53
Mei
21:54
for
21:54
real.
21:55
It
21:55
would
21:55
be
21:55
the
21:56
final
21:56
time
21:56
that
21:57
she
21:57
and
21:57
Collins
21:58
saw
21:58
Chiang
21:58
in
21:58
real
21:59
life.
21:59
Because
22:00
then
22:00
the
22:00
pandemic
22:01
happened
22:01
and
22:01
to
22:02
keep
22:02
production
22:02
going,
22:03
everyone
22:03
went
22:04
to
22:04
work
22:04
from
22:05
home
22:05
and
22:05
Pixar
22:06
sent
22:06
Chiang
22:07
some
22:07
audio
22:07
equipment,
22:08
but
22:08
it
22:08
took
22:09
up
22:09
so
22:09
much
22:09
room
22:09
in
22:09
her
22:10
house
22:10
that
22:10
her
22:10
parents
22:11
had
22:11
to
22:11
fashion
22:11
a
22:12
makeshift
22:12
recording
22:13
studio.
22:14
And
22:14
when
22:14
it
22:14
came
22:15
to
22:15
casting
22:15
Mei's
22:16
mother,
22:17
Ming,
22:17
Sandra
22:18
oh
22:18
was
22:18
Domee
22:19
Shi's
22:19
number
22:20
one
22:20
choice
22:20
for
22:21
me.
22:21
She
22:22
was
22:22
most
22:22
famous
22:22
for
22:22
Grey's
22:23
Anatomy,
22:23
which
22:24
earned
22:24
her
22:24
a
22:24
Golden
22:24
Globe,
22:25
a
22:25
Screen
22:26
Actors
22:26
Guild
22:26
Award,
22:27
and
22:27
five
22:27
consecutive
22:28
Primetime
22:29
Emmys
22:29
for
22:30
Best
22:30
Supporting
22:30
Actress
22:31
in
22:31
a
22:31
drama.
22:32
And
22:32
also
22:32
Killing
22:33
Eve
22:33
as
22:33
the
22:33
titular
22:34
eve.
22:35
In
22:35
2018,
22:36
O
22:36
became
22:37
the
22:37
first
22:37
actress
22:38
of
22:38
Asian
22:38
descent
22:39
to
22:39
be
22:39
nominated
22:39
for
22:40
the
22:40
Primetime
22:40
Emmy
22:41
award
22:41
for
22:41
Outstanding
22:42
Lead
22:42
Actress
22:43
in
22:43
a
22:43
Drama
22:43
series
22:44
for
22:44
Killing
22:45
Eve,
22:45
and
22:45
she
22:45
also
22:46
became
22:46
the
22:46
first
22:46
woman
22:47
of
22:47
Asian
22:47
descent
22:48
to
22:48
win
22:48
two
22:49
Golden
22:49
Globes.
22:50
Sandra
22:51
oh
22:51
is
22:51
awesome,
22:52
but
22:52
they
22:52
also
22:53
wanted
22:53
someone
22:53
who
22:53
could
22:54
be
22:54
a
22:54
nurturing,
22:55
loving
22:55
mother,
22:56
but
22:56
also
22:56
sharp
22:57
and
22:57
intimidating.
22:58
And
22:58
honestly,
22:58
I
22:59
think
22:59
Sandra
22:59
oh
23:00
absolutely
23:00
kills
23:00
it
23:01
in
23:01
this
23:01
movie.
23:01
I
23:02
want
23:02
her
23:02
to
23:02
be
23:03
my
23:03
mother,
23:03
but
23:03
I
23:04
also
23:04
don't
23:04
want
23:05
her
23:05
to
23:05
be
23:05
my
23:06
mother.
23:06
But
23:06
one
23:07
of
23:07
the
23:07
things
23:07
that
23:07
I
23:07
think
23:08
really
23:08
sticks
23:08
out
23:08
for
23:09
me
23:09
in
23:09
this
23:09
film
23:09
is
23:10
something
23:11
else
23:11
that
23:11
we
23:11
did
23:12
in
23:12
the
23:12
early
23:12
2000s
23:13
and
23:14
also
23:14
in
23:14
the
23:14
90s
23:15
as
23:15
well,
23:15
and
23:16
that
23:16
was
23:16
boy
23:16
bands.
23:17
And
23:17
just
23:18
like
23:18
May,
23:19
I
23:19
was
23:19
obsessed
23:20
with
23:20
certain
23:20
boy
23:21
bands,
23:21
starting
23:22
with
23:22
New
23:23
Kids
23:23
on
23:23
the
23:23
Block,
23:24
then
23:24
Backstreet
23:25
Boys,
23:25
Boyzone.
23:26
I
23:27
was
23:27
never
23:27
really
23:27
into
23:27
take
23:28
that,
23:28
NSYNC
23:29
A1
23:30
5.
23:31
I
23:31
still
23:32
enjoy
23:32
the
23:32
music
23:32
as
23:33
well.
23:33
I
23:33
never
23:34
did
23:34
like
23:34
Westlife.
23:35
My
23:35
crushes.
23:36
There
23:37
was
23:37
no
23:37
Robert,
23:38
but
23:39
Nick
23:39
Carter
23:39
from
23:39
the
23:40
Backstreet
23:40
Boys,
23:40
Ronan
23:41
Keating
23:41
from
23:42
Boiseau,
23:42
and
23:42
Richie
23:43
Neville
23:43
from
23:43
five.
23:45
And
23:45
I
23:45
guess
23:45
it
23:45
was
23:46
always
23:46
the
23:46
cute
23:46
blonde
23:47
guys
23:47
that
23:47
teenage
23:48
me
23:48
liked.
23:49
I'm
23:49
not
23:49
really
23:49
so
23:50
much
23:50
into
23:50
blonde
23:50
guys
23:51
these
23:51
days,
23:52
but
23:53
I
23:53
had
23:54
the
23:54
posters.
23:54
I
23:54
went
23:55
to
23:55
concerts.
23:56
My
23:56
first
23:56
concert
23:57
was
23:57
a
23:57
Boyzone
23:58
concert
23:58
with
23:58
my
23:59
best
23:59
friend
23:59
at
23:59
the
23:59
time,
23:59
Lisa.
24:00
Lisa.
24:01
And
24:01
I
24:01
loved
24:01
Boyzone.
24:02
I
24:03
know
24:03
Lisa
24:03
sometimes
24:03
has
24:04
listened
24:04
to
24:04
this
24:04
podcast
24:05
in
24:05
the
24:05
past,
24:05
so.
24:05
Hi
24:06
Lisa,
24:06
if
24:06
you're
24:07
listening,
24:07
my
24:08
Backstreet
24:08
Boys
24:09
bestie
24:09
was
24:10
my
24:10
friend
24:10
Aisha.
24:11
We
24:12
never
24:12
went
24:12
to
24:12
see
24:12
them,
24:13
but
24:13
Aisha
24:14
and
24:14
I
24:14
talked
24:14
about
24:15
the
24:15
Backstreet
24:15
Boys
24:16
all
24:16
the
24:16
time.
24:17
Basically,
24:17
what
24:18
I'm
24:18
saying
24:18
is
24:19
boy
24:19
bands
24:19
and
24:20
the
24:20
love
24:20
of
24:20
boy
24:21
bands
24:21
fostered
24:21
genuine
24:22
friendships
24:22
for
24:23
me
24:23
as
24:23
a
24:23
teenager.
24:24
One
24:24
of
24:25
the
24:25
many
24:25
reasons
24:25
Turning
24:26
Red
24:26
speaks
24:27
to
24:27
young
24:27
teenage
24:27
me
24:28
and
24:28
the
24:28
experience
24:29
of
24:29
so
24:29
many
24:29
young
24:29
women
24:30
who
24:31
grew
24:31
up
24:31
in
24:31
the
24:31
90s
24:32
and
24:32
the
24:32
2000s,
24:33
just
24:33
like
24:34
May,
24:35
the
24:35
immigrant
24:36
experience,
24:36
obviously
24:37
I
24:37
have
24:37
zero
24:37
experience
24:38
with.
24:38
But
24:39
being
24:39
a
24:39
teen
24:39
girl
24:40
obsessed
24:40
with
24:40
boy
24:41
bands,
24:41
yep,
24:42
that
24:42
was
24:43
me.
24:44
But
24:44
despite
24:45
the
24:46
way
24:46
that
24:46
this
24:46
movie
24:47
gets
24:47
boy
24:47
bands,
24:48
absolutely
24:49
100%
24:49
correct
24:50
is
24:51
the
24:51
fact
24:51
that
24:52
this
24:52
movie
24:52
hits
24:53
me
24:53
hard
24:53
by
24:54
speaking
24:54
to
24:54
the
24:54
experience
24:55
of
24:55
literally
24:56
half
24:56
of
24:56
the
24:56
population.
24:57
So
24:57
the
24:58
fact
24:58
is,
24:58
directed,
24:59
written
24:59
by
24:59
and
24:59
produced
25:00
by
25:00
a
25:00
team
25:00
of
25:00
women,
25:01
the
25:01
first
25:01
all
25:01
female
25:02
senior
25:02
team
25:02
at
25:02
Pixar
25:03
just
25:03
makes
25:04
so
25:04
much
25:04
sense
25:04
because
25:05
this
25:05
is
25:05
a
25:06
movie
25:06
by
25:06
women,
25:07
for
25:07
women
25:08
predominantly.
25:09
But
25:09
it's
25:09
also
25:10
a
25:10
coming
25:10
of
25:10
age
25:10
story
25:11
about
25:11
a
25:11
young
25:11
girl
25:12
who
25:12
turns
25:12
into
25:12
a
25:12
red
25:13
panda.
25:13
And
25:14
honestly,
25:14
if
25:14
you
25:15
can
25:15
relate
25:15
to
25:15
Bruce
25:15
Banner
25:16
becoming
25:16
Hulk
25:16
when
25:17
he's
25:17
angry,
25:18
then
25:18
you
25:19
can
25:19
relate
25:19
to
25:19
being
25:20
an
25:20
awkward
25:20
teen
25:21
with
25:21
all
25:21
sorts
25:21
going
25:22
on
25:22
in
25:22
your
25:22
body.
25:23
Even
25:23
Pete
25:24
Docter
25:24
described
25:25
May's
25:25
situation
25:25
in
25:26
the
25:26
movie
25:26
as
25:27
the
25:27
Hulk,
25:28
but
25:28
cuter
25:29
when
25:29
presenting
25:29
it
25:30
at
25:30
D23
25:31
in
25:31
2021.
25:33
And
25:34
let's
25:34
just
25:34
talk
25:34
about
25:34
the
25:35
giant
25:35
red
25:35
panda
25:35
in
25:36
the
25:36
room.
25:36
Periods.
25:38
For
25:38
such
25:38
a
25:38
long
25:38
time
25:39
it
25:39
was
25:39
taboo
25:40
to
25:40
talk
25:40
about
25:41
periods,
25:42
despite
25:42
the
25:42
fact
25:42
that
25:43
almost
25:43
every
25:43
female
25:44
goes
25:44
through
25:45
it.
25:45
It
25:45
was
25:45
so
25:46
taboo
25:46
that
25:46
it
25:46
was
25:47
only
25:47
almost
25:47
40
25:48
years
25:48
ago
25:48
in
25:49
1985,
25:50
when
25:50
Courteney
25:51
Cox,
25:52
then
25:52
advertising
25:52
Tampax
25:53
tampons,
25:54
uttered
25:54
the
25:54
word
25:55
period
25:55
on
25:56
tv.
25:56
She
25:57
was
25:57
the
25:57
first
25:57
person
25:57
to
25:58
say
25:58
that
25:58
word
25:58
on
25:58
American
25:59
TV.
26:00
It
26:00
was
26:00
only
26:00
2017
26:01
when
26:01
body
26:02
form
26:02
replaced
26:03
the
26:03
blue
26:03
liquid
26:04
used
26:04
to
26:04
simulate
26:05
period
26:05
blood
26:06
in
26:06
ads
26:06
with
26:07
a
26:07
more
26:07
realistic
26:08
red
26:08
liquid.
26:09
And
26:09
even
26:09
then
26:09
I
26:10
remember
26:10
that
26:10
being
26:10
met
26:11
with
26:11
disgust
26:12
and
26:12
shame,
26:12
even
26:13
from
26:13
actual
26:14
women.
26:14
The
26:15
stigma
26:15
around
26:16
periods
26:16
is
26:17
still
26:17
there.
26:17
It's
26:17
getting
26:18
better,
26:18
but
26:18
it's
26:18
still
26:19
there.
26:19
The
26:20
notion
26:20
that
26:20
pads
26:20
are
26:21
unhygienic,
26:22
which
26:22
has
26:22
led
26:22
to
26:22
some
26:23
supermarkets
26:23
rebranding
26:24
the
26:24
feminine
26:25
hygiene
26:25
aisle
26:26
to
26:26
period
26:26
products,
26:27
which
26:28
also
26:28
makes
26:28
it
26:28
inclusive
26:29
because
26:29
non
26:30
binary
26:30
people
26:31
also
26:31
get
26:31
periods
26:32
and
26:32
so
26:32
do
26:32
trans
26:33
men.
26:33
Nothing
26:34
about
26:34
periods
26:35
is
26:35
unhygienic.
26:36
If
26:36
you
26:37
have
26:37
a
26:37
tween
26:37
girl
26:38
in
26:38
your
26:38
life,
26:39
talk
26:39
openly
26:40
and
26:40
honestly
26:40
about
26:41
menstruation.
26:42
Periods
26:42
are
26:43
normal.
26:44
Let's
26:44
stamp
26:45
out
26:45
these
26:45
taboos
26:46
like
26:47
giant
26:47
red
26:47
pandas.
26:48
The
26:49
fact
26:49
this
26:49
movie
26:49
has
26:50
that
26:50
analogy
26:51
and
26:51
it
26:51
uses
26:51
it
26:52
so
26:52
openly
26:52
and
26:52
honestly
26:53
and
26:54
features
26:54
pads
26:55
so
26:55
prominently
26:56
in
26:56
a
26:56
mainstream
26:56
Pixar
26:57
movie
26:57
is
26:58
frankly
26:58
about
26:59
damn
26:59
time
27:00
and
27:00
the
27:00
studio
27:00
heads
27:01
at
27:01
Pixar.
27:01
Embracing
27:02
this
27:02
very
27:02
normal
27:03
part
27:03
of
27:03
life
27:03
for
27:04
so
27:04
many
27:05
is
27:05
really
27:05
refreshing
27:06
because
27:07
if
27:07
you
27:07
don't
27:07
experience
27:08
it,
27:09
chances
27:09
are
27:09
you
27:10
know
27:10
someone
27:10
who
27:11
will,
27:11
who
27:12
does,
27:12
or
27:13
who
27:13
has.
27:13
And
27:14
that
27:14
also
27:15
may
27:15
be
27:15
one
27:15
of
27:15
those
27:16
reasons
27:16
that
27:16
this
27:16
movie
27:17
didn't
27:17
seem
27:17
to
27:17
do
27:18
very
27:18
well,
27:18
and
27:19
that
27:19
this
27:19
movie
27:20
doesn't
27:20
seem
27:20
to
27:21
resonate
27:21
with
27:21
so
27:22
many
27:22
people.
27:22
Because
27:23
maybe
27:23
people
27:24
find
27:24
that
27:24
particular
27:25
topic
27:25
alienating,
27:26
but
27:26
them's
27:27
the
27:27
facts
27:27
of
27:28
life.
27:29
So
27:29
if
27:29
it's
27:30
something
27:30
that
27:30
you
27:30
are
27:31
personally
27:31
afraid
27:32
of
27:32
or
27:32
ashamed
27:33
of
27:33
or
27:33
worried
27:34
about,
27:35
do
27:35
your
27:35
research.
27:36
If
27:37
you
27:37
don't
27:37
want
27:37
to
27:37
watch
27:38
this
27:38
movie
27:38
because
27:38
of
27:39
that
27:39
reason,
27:39
maybe
27:40
ask
27:40
yourself,
27:40
well,
27:41
what
27:41
am
27:41
I
27:41
so
27:42
afraid
27:42
of
27:42
about
27:42
a
27:43
completely
27:43
normal
27:43
thing
27:44
that
27:44
happens
27:44
to,
27:45
like
27:45
I
27:46
said,
27:46
a
27:46
lot
27:46
of
27:47
people
27:47
in
27:47
this
27:47
world?
27:48
And
27:48
if
27:48
Turning
27:49
Red
27:49
does
27:49
anything,
27:50
as
27:50
far
27:50
as
27:50
I'm
27:51
concerned,
27:51
not
27:52
only
27:52
does
27:52
it
27:52
give
27:53
you
27:53
that
27:53
picture
27:53
perfect
27:54
moment
27:55
in
27:56
a
27:56
teenager's
27:56
life
27:57
and
27:57
makes
27:58
it
27:58
fun
27:58
and
27:59
funny
27:59
and
28:00
honest
28:00
and
28:00
approachable,
28:01
it
28:02
also
28:02
takes
28:02
this
28:03
topic
28:03
that
28:03
some
28:04
see
28:04
still
28:05
as
28:05
taboo
28:06
and
28:06
makes
28:06
it
28:06
very
28:07
normal
28:07
by
28:08
making
28:08
it
28:08
mystical.
28:09
Which
28:10
is
28:10
strange,
28:11
but
28:12
it
28:12
works.
28:13
Speaking
28:14
of
28:14
normal
28:14
but
28:15
mystical,
28:15
let's
28:16
move
28:16
on
28:16
to
28:16
the
28:17
obligature
28:17
Keanu
28:18
reference
28:18
for
28:18
this
28:18
episode,
28:19
and
28:19
if
28:19
you
28:19
don't
28:19
know
28:19
what
28:20
that
28:20
is,
28:20
it's
28:20
where
28:21
I
28:21
try
28:21
and
28:21
link
28:21
the
28:21
movie
28:22
that
28:22
I'm
28:22
featuring
28:23
with
28:23
Keanu
28:23
Reeves.
28:24
Now
28:24
this
28:24
is
28:25
obviously
28:25
a
28:25
very
28:25
tricky
28:26
one
28:26
because
28:27
Keanu
28:27
Reeves,
28:28
although
28:29
I
28:29
expect
28:29
a
28:30
lot
28:30
of
28:30
people,
28:30
had
28:31
a
28:31
crush
28:31
on
28:31
him
28:31
in
28:31
2002,
28:32
myself
28:33
included,
28:33
I
28:34
didn't
28:34
really
28:34
want
28:34
to
28:34
go
28:35
down
28:35
that
28:35
route
28:35
because
28:36
as
28:36
far
28:36
as
28:37
May's
28:37
concerned,
28:38
her
28:38
crush
28:39
is
28:39
Robert
28:40
from
28:40
Four
28:41
Town.
28:41
But
28:42
then
28:42
I
28:42
found
28:42
this
28:42
really
28:43
wonderful
28:44
slash
28:44
weird
28:45
link
28:45
to
28:46
the
28:46
movie,
28:46
and
28:47
that
28:47
is
28:47
that
28:48
there
28:48
is
28:49
a
28:49
fur
28:49
suitor
28:50
called
28:50
Keanu
28:51
the
28:51
Red
28:51
Panda
28:52
who
28:52
lives
28:53
in
28:53
Chattanooga,
28:54
Tennessee.
28:55
He
28:55
is
28:55
the
28:55
self
28:56
proclaimed
28:56
local
28:57
furry
28:57
community
28:58
leader
28:58
for
28:58
the
28:58
Chattanooga
28:59
the
28:59
Nougat
28:59
area
29:00
and
29:00
when
29:00
he's
29:01
not
29:01
a
29:01
red
29:01
panda,
29:02
he's
29:02
James
29:03
Lavelle
29:03
Thompson.
29:05
Now
29:05
he's
29:05
also
29:06
been
29:06
accused
29:07
of
29:07
degree
29:08
fraud
29:08
and
29:08
spreading
29:09
misinformation
29:10
about
29:10
the
29:10
pandemic.
29:11
So
29:11
really
29:12
he's
29:12
not
29:13
particularly
29:13
someone
29:14
that
29:14
I
29:14
wanted
29:14
to
29:14
mention
29:15
because
29:16
Keanu
29:17
Reeves
29:17
is
29:17
of
29:17
course
29:18
the
29:18
best
29:18
of
29:18
men.
29:19
However,
29:19
it
29:19
is
29:20
the
29:20
easiest
29:20
way
29:20
to
29:20
link
29:21
Keanu
29:21
Reeves
29:22
to
29:22
this
29:22
movie
29:23
which
29:23
has
29:23
a
29:23
red
29:24
panda
29:24
in
29:24
it,
29:25
by
29:25
mentioning
29:26
Keanu
29:26
the
29:26
Red
29:26
Panda
29:27
who
29:27
is
29:28
the
29:28
self
29:28
proclaimed
29:29
local
29:29
furry
29:29
community
29:30
leader
29:30
for
29:30
Chattanooga.
29:32
And
29:32
as
29:32
I
29:33
mentioned,
29:33
the
29:34
boy
29:34
band
29:34
connection
29:35
is
29:35
so
29:35
good.
29:36
And
29:36
it's
29:37
even
29:37
better
29:37
when
29:37
you
29:38
consider
29:38
that
29:39
the
29:39
people
29:39
behind
29:40
the
29:40
songs
29:41
of
29:41
Four
29:42
Town
29:42
are
29:42
not
29:43
actually
29:43
a
29:43
boy
29:44
band
29:44
themselves,
29:45
but
29:45
it
29:45
is
29:45
Billie
29:46
Eilish
29:46
and
29:46
her
29:47
brother
29:47
Phineas
29:47
O'Connell.
29:48
They
29:49
wrote
29:49
the
29:49
songs,
29:50
performed
29:51
by
29:51
May's
29:52
favorite
29:52
band,
29:52
Four
29:53
Town.
29:53
The
29:54
titles
29:54
of
29:54
the
29:54
tracks
29:55
in
29:55
all
29:55
of
29:55
their
29:55
early
29:56
2000s
29:56
glory
29:57
are
29:57
one
29:57
true
29:58
love,
29:58
you
29:59
Know
29:59
what's
29:59
up
30:00
and
30:00
Nobody
30:00
but
30:01
you.
30:01
Obviously
30:02
the
30:02
U
30:02
is
30:03
always
30:03
the
30:03
letter
30:04
U
30:04
and
30:04
not
30:04
the
30:04
word
30:05
u.
30:05
Phineas
30:06
sings
30:06
on
30:07
the
30:07
tracks
30:07
and
30:07
voices
30:08
Jesse,
30:08
one
30:09
of
30:09
the
30:09
members
30:09
of
30:09
the
30:09
band.
30:10
It's
30:10
remarkable
30:11
really,
30:11
that
30:12
neither
30:12
were
30:12
old
30:12
enough
30:13
to
30:13
remember
30:13
true
30:14
90s
30:15
2000s
30:15
boy
30:15
band
30:16
culture,
30:16
and
30:17
yet
30:17
the
30:17
songs
30:17
are
30:18
pitch
30:18
perfect.
30:19
Domi
30:20
Sheen
30:20
managed
30:20
to
30:20
get
30:20
Billie
30:21
Eilish
30:21
and
30:22
Phineas
30:22
O'Connell
30:22
aboard
30:23
when
30:23
Eilish
30:24
was
30:24
starting
30:25
to
30:25
come
30:25
to
30:25
fame
30:26
at
30:26
the
30:26
start
30:26
of
30:26
production
30:27
and
30:27
the
30:28
songs
30:28
were
30:28
recorded
30:29
in
30:29
late
30:29
2020.
30:30
The
30:31
rest
30:31
of
30:31
four
30:31
town
30:32
consisted
30:32
of
30:33
Jordan
30:33
Fisher,
30:34
Josh
30:34
Levi,
30:35
Grayson
30:35
Villanueva
30:36
and
30:37
Topher
30:37
no.
30:38
The
30:39
song
30:39
Nobody
30:40
like
30:40
you
30:40
was
30:40
released
30:41
on
30:41
25
30:42
February
30:43
2022,
30:43
two
30:44
weeks
30:44
before
30:44
the
30:44
film's
30:45
release,
30:45
and
30:45
peaked
30:46
number
30:46
49
30:47
on
30:47
the
30:47
Billboard
30:48
Hot
30:48
100.
30:49
The
30:49
song
30:49
was
30:50
nominated
30:50
for
30:50
a
30:50
Grammy
30:51
Award
30:51
for
30:51
Best
30:52
Song
30:52
Written
30:52
for
30:52
Visual
30:53
Media.
30:53
It
30:54
would
30:54
lose
30:55
to
30:55
Lin
30:55
Manuel
30:56
Miranda's
30:56
We
30:57
Don't
30:57
Talk
30:57
About
30:57
Bruno,
30:58
which
30:58
is
30:58
interesting
30:59
because,
31:00
well,
31:00
I
31:00
can't
31:01
talk
31:01
about
31:01
it
31:01
just
31:02
now.
31:02
Four
31:03
Town
31:03
is
31:03
called
31:04
Four
31:04
Town
31:05
despite
31:05
having
31:05
five
31:06
members
31:07
purely
31:07
because
31:08
four
31:08
is
31:08
an
31:08
unlucky
31:09
number
31:09
in
31:09
Chinese
31:10
culture
31:10
and
31:10
the
31:11
production
31:11
team
31:11
knew
31:12
that
31:12
this
31:12
would
31:12
add
31:12
to
31:13
Ming's
31:13
distrust
31:14
of
31:14
the
31:14
music.
31:15
It
31:15
was
31:15
important
31:16
that
31:16
the
31:16
movie
31:16
took
31:17
the
31:17
boy
31:17
band
31:17
seriously
31:18
and
31:19
not
31:19
treat
31:19
them
31:19
as
31:19
a
31:20
throwaway
31:20
thing
31:20
because
31:21
for
31:21
the
31:21
fans
31:21
of
31:21
these
31:22
boy
31:22
bands
31:22
they
31:23
are
31:23
most
31:23
definitely
31:24
not
31:24
a
31:24
throwaway
31:25
thing.
31:26
The
31:27
score
31:27
was
31:27
by
31:28
Ludwig
31:28
Goransson
31:29
in
31:29
his
31:29
first
31:30
animated
31:30
film
31:30
project
31:31
and
31:31
was
31:32
recorded
31:32
within
31:32
a
31:33
two
31:33
week
31:33
period
31:34
after
31:34
COVID
31:34
19
31:35
lockdown
31:36
relaxations.
31:38
Special
31:39
screenings
31:39
of
31:39
Turning
31:40
Red
31:40
were
31:40
held
31:40
in
31:41
Toronto
31:41
on
31:41
8
31:42
March
31:42
2022
31:43
and
31:43
in
31:43
London
31:44
on
31:44
21
31:45
February
31:46
2022.
31:47
On
31:47
1
31:48
March
31:49
2022
31:49
it
31:49
had
31:50
its
31:50
debut
31:50
at
31:51
Hollywood's
31:51
El
31:51
Capitan
31:52
Theatre.
31:53
Now
31:54
Walt
31:54
Disney
31:54
Studios
31:55
initially
31:56
planned
31:56
for
31:56
it
31:56
to
31:57
be
31:57
released
31:57
in
31:57
theaters
31:58
in
31:58
the
31:58
United
31:59
States
31:59
on
31:59
11
32:00
March
32:01
2022
32:02
after
32:03
soul
32:03
and
32:03
Luca
32:04
were
32:04
given
32:04
direct
32:05
to
32:05
streaming
32:05
premieres
32:06
on
32:06
Disney
32:07
because
32:07
of
32:07
the
32:07
pandemic.
32:08
A
32:09
Pixar
32:09
Source
32:09
confirmed
32:10
in
32:10
June
32:11
2021
32:12
that
32:12
Turning
32:13
Red
32:13
would
32:14
be
32:14
released
32:14
in
32:15
theaters
32:16
on
32:16
7
32:17
January
32:18
2022.
32:19
However,
32:19
its
32:20
theatrical
32:20
premiere
32:21
was
32:21
canceled
32:22
for
32:22
a
32:22
direct
32:22
to
32:23
streaming
32:23
release
32:23
on
32:24
Disney
32:24
as
32:25
a
32:25
Disney
32:25
original
32:26
due
32:26
to
32:27
the
32:27
increase
32:27
of
32:27
the
32:28
COVID
32:28
19
32:29
omicron
32:29
variant
32:30
at
32:30
the
32:30
time.
32:31
It
32:31
did
32:31
debut
32:32
in
32:32
cinemas
32:32
in
32:33
other
32:33
countries
32:33
in
32:33
2022
32:34
including
32:35
Bulgaria,
32:36
Czech
32:36
Republic,
32:37
Poland,
32:37
Romania,
32:38
Turkey,
32:39
United
32:40
Arab
32:40
Emirates,
32:41
Vietnam,
32:41
Australia
32:42
and
32:42
New
32:42
Zealand.
32:43
On
32:44
5
32:44
December
32:45
2023,
32:46
it
32:46
was
32:46
announced
32:46
that
32:47
Turning
32:47
Red,
32:48
Soul
32:48
and
32:48
Luca
32:49
would
32:49
finally
32:50
get
32:50
a
32:50
theatrical
32:51
release
32:51
in
32:51
the
32:51
United
32:52
states
32:52
in
32:52
early
32:53
2024,
32:54
with
32:54
Turning
32:55
Red
32:55
being
32:55
released
32:56
on
32:56
9th
32:57
February
32:57
2024.
32:58
Turning
32:59
Red
32:59
also
33:00
released
33:00
here
33:00
in
33:00
the
33:00
UK
33:01
on
33:01
9th
33:02
February
33:03
2024
33:03
alongside
33:04
releases
33:05
in
33:05
Mexico
33:05
and
33:06
Spain
33:07
when
33:07
it
33:07
did
33:08
actually
33:08
go
33:09
direct
33:09
to
33:09
streaming
33:10
on
33:10
Disney
33:10
plus
33:10
as
33:11
a
33:11
Disney
33:11
original
33:12
title,
33:12
Turning
33:13
Red
33:13
was
33:13
streamed
33:14
in
33:14
2.5
33:15
million
33:15
US
33:15
households
33:16
over
33:16
its
33:17
opening
33:17
weekend,
33:18
at
33:18
the
33:18
time
33:19
the
33:19
most
33:19
ever
33:19
for
33:20
a
33:20
Disney
33:20
plus
33:21
original
33:21
title,
33:22
and
33:22
became
33:22
the
33:22
second
33:23
most
33:23
watched
33:23
movie
33:24
on
33:24
US
33:24
streaming
33:25
services
33:25
in
33:26
2022
33:27
with
33:27
11.4
33:28
billion
33:29
minutes
33:29
viewed.
33:30
For
33:30
the
33:30
limited
33:31
release
33:31
it
33:31
did
33:32
have
33:32
in
33:32
cinemas
33:33
across
33:33
the
33:33
world,
33:34
it
33:34
would
33:34
return
33:35
$1.4
33:35
million
33:36
domestically
33:37
in
33:37
the
33:37
US
33:38
and
33:36
$20.4
33:39
million
33:40
internationally,
33:41
for
33:41
a
33:41
total
33:41
worldwide
33:42
gross
33:42
of
33:39
$21.8
33:42
million.
33:45
Now
33:46
its
33:46
budget
33:47
was
33:47
$175
33:49
million,
33:50
so
33:51
it
33:52
kind
33:52
of
33:52
didn't
33:52
really
33:53
make
33:54
any
33:54
of
33:54
its
33:54
money
33:55
back
33:55
and
33:55
technically
33:56
it
33:56
is
33:56
seen
33:56
as
33:57
one
33:57
of
33:57
the
33:57
biggest
33:58
flops
33:58
ever.
33:58
But
34:00
but
34:01
Turning
34:02
Red
34:02
did
34:02
receive
34:02
critical
34:03
acclaim
34:04
on
34:04
Rotten
34:04
Tomatoes.
34:05
It
34:05
has
34:05
a
34:05
95
34:06
rating,
34:07
with
34:07
the
34:07
consensus
34:08
reading
34:08
heartwarming,
34:09
humorous,
34:10
beautifully
34:10
animated
34:11
and
34:11
culturally
34:11
expansive,
34:12
Turning
34:13
Red
34:13
extends
34:14
Pixar's
34:14
long
34:14
list
34:15
of
34:15
family
34:15
friendly
34:16
triumphs.
34:16
It
34:17
did,
34:17
however,
34:17
receive
34:18
a
34:18
particularly
34:19
scathing
34:19
review
34:19
from
34:20
CinemaBlend's
34:20
Sean
34:21
O'Connell,
34:22
who
34:22
suggested
34:22
the
34:22
movie's
34:23
focus
34:23
on
34:23
a
34:23
Chinese
34:24
Canadian
34:24
teenage
34:25
girl
34:25
to
34:26
be
34:26
limiting
34:26
to
34:26
the
34:27
audience
34:27
at
34:27
large.
34:28
Quote
34:29
by
34:29
rooting
34:29
Turning
34:30
Red
34:30
very
34:30
specifically
34:31
in
34:31
the
34:31
Asian
34:32
community
34:32
of
34:32
Toronto,
34:33
the
34:33
film
34:34
legitimately
34:34
feels
34:34
like
34:35
it
34:35
was
34:35
made
34:35
for
34:35
Domee
34:36
Shi's
34:36
friends
34:36
and
34:37
immediate
34:37
family
34:37
members,
34:38
which
34:38
is
34:39
fine,
34:39
but
34:39
also
34:40
a
34:40
tad
34:40
limiting
34:40
in
34:41
its
34:41
scope,
34:41
unquote.
34:43
Social
34:43
media
34:44
found
34:44
this
34:44
review
34:45
and
34:45
immediately
34:46
called
34:46
it
34:46
racist
34:46
and
34:47
sexist,
34:47
with
34:48
even
34:48
lead
34:48
actress
34:49
Rosalie
34:49
Chiang
34:50
highlighting
34:50
there
34:50
was
34:50
a
34:51
coming
34:51
of
34:51
age
34:51
story
34:52
and
34:52
relatable
34:53
to
34:53
everyone
34:53
in
34:53
some
34:54
capacity,
34:54
regardless
34:55
of
34:55
your
34:55
culture.
34:56
As
34:56
a
34:56
result,
34:57
CinemaBlend's
34:57
editor
34:58
in
34:58
chief
34:58
Mac
34:59
Rawdon
34:59
pulled
34:59
O'Connell's
35:00
review
35:01
and
35:01
apologized
35:01
publicly
35:02
for
35:02
it,
35:03
and
35:03
that
35:03
the
35:03
site
35:03
had
35:04
failed
35:04
to
35:04
properly
35:05
edit
35:05
the
35:05
review
35:05
before
35:06
posting.
35:07
O'Connell
35:07
also
35:08
posted
35:08
his
35:09
own
35:09
apology
35:09
for
35:10
the
35:10
review.
35:11
Turning
35:11
Red
35:12
was
35:12
also
35:12
nominated
35:13
for
35:13
Best
35:13
Animated
35:14
Feature
35:14
at
35:15
the
35:15
Academy
35:15
Awards,
35:16
Best
35:16
Animated
35:17
film
35:17
at
35:17
the
35:17
BAFTAs,
35:18
and
35:18
the
35:18
best
35:19
Animated
35:19
Feature
35:20
Film
35:20
at
35:20
the
35:20
Golden
35:20
Globes.
35:21
It
35:21
would
35:22
lose
35:22
to
35:22
Guillermo
35:22
del
35:23
Torres
35:23
Pinocchio
35:24
for
35:24
all
35:24
three,
35:25
that
35:25
is
35:25
episode
35:26
239
35:27
of
35:27
this
35:27
very
35:27
podcast.
35:28
It
35:28
was
35:29
also
35:29
nominated
35:29
for
35:30
seven
35:30
Annie
35:30
Awards
35:31
and
35:31
also
35:31
lost
35:31
the
35:32
majority
35:32
of
35:32
those
35:33
also
35:33
to
35:33
Pinocchio.
35:34
But
35:34
we
35:34
don't
35:35
mind
35:35
because
35:35
Pinocchio
35:36
is
35:37
pretty
35:37
much
35:37
a
35:37
masterpiece.
35:39
Domy,
35:39
she
35:39
told
35:40
Polygon
35:40
in
35:40
an
35:40
interview
35:41
quote,
35:41
the
35:42
red
35:42
panda
35:42
is
35:43
a
35:43
metaphor
35:43
not
35:43
just
35:44
for
35:44
puberty,
35:45
but
35:45
also
35:45
what
35:45
we
35:45
inherit
35:46
from
35:46
our
35:46
mums
35:47
and
35:47
how
35:47
we
35:48
deal
35:48
with
35:48
the
35:48
things
35:48
that
35:49
we
35:49
inherit
35:49
from
35:50
them.
35:51
Turning
35:52
red
35:52
is
35:52
a
35:53
huge
35:53
step
35:53
forward
35:54
for
35:54
female
35:54
representation
35:55
on
35:55
screen,
35:56
and
35:56
it
35:56
works
35:56
hard
35:57
to
35:57
destigmatize
35:58
and
35:58
have
35:59
a
35:59
frank
35:59
conversation
36:00
about
36:00
the
36:00
experiences
36:01
of
36:01
women
36:02
and
36:02
girls.
36:03
Which
36:03
brings
36:03
me
36:03
to
36:04
why
36:04
animation
36:05
season
36:05
is
36:05
so
36:06
important.
36:06
Animation
36:07
is
36:07
a
36:07
powerful
36:08
tool.
36:08
Not
36:09
only
36:09
is
36:09
it
36:09
a
36:09
beautiful
36:10
medium
36:10
of
36:10
filmmaking,
36:11
it
36:11
can
36:12
also
36:12
help
36:12
in
36:12
our
36:13
processing
36:13
of
36:13
difficult
36:14
subjects.
36:15
Subjects
36:15
that
36:15
live
36:16
action
36:16
filmmaking
36:17
may
36:17
find
36:17
too
36:18
harsh
36:18
or
36:18
real
36:19
to
36:19
handle
36:20
in
36:20
a
36:20
way
36:20
that
36:20
is
36:21
palatable.
36:22
Animation
36:22
is
36:23
a
36:23
universal
36:23
language.
36:24
It's
36:24
understood
36:25
by
36:25
small
36:25
children
36:26
all
36:26
the
36:26
way
36:26
up
36:26
to
36:27
elderly
36:27
people.
36:28
Talking
36:29
to
36:29
family
36:29
members
36:29
about
36:30
puberty,
36:31
growing
36:31
apart,
36:32
growing
36:32
up
36:33
or
36:33
intergenerational
36:34
trauma
36:34
may
36:35
be
36:35
difficult,
36:36
but
36:36
watching
36:36
an
36:36
animated
36:37
movie
36:37
together
36:38
and
36:38
experiencing
36:39
those
36:39
common
36:39
human
36:40
emotions
36:41
is
36:41
simple.
36:42
It's
36:42
easy
36:42
and
36:42
it's
36:43
immersive.
36:44
Using
36:44
metaphors
36:45
for
36:45
extreme
36:46
emotions
36:46
isn't
36:47
new,
36:47
but
36:48
just
36:48
like
36:48
other
36:48
Pixar
36:49
movies
36:49
like
36:50
Coco
36:50
is
36:51
a
36:51
palatable
36:51
way
36:52
to
36:52
introduce
36:52
children
36:52
to
36:53
death
36:53
and
36:53
what
36:53
death
36:54
means
36:55
and
36:55
inside
36:55
out,
36:56
giving
36:56
personality
36:57
to
36:57
our
36:57
emotions.
36:58
Turning
36:59
red
36:59
takes
36:59
something
37:00
normal
37:00
and
37:00
makes
37:01
it
37:01
magical
37:02
and
37:02
let's
37:02
be
37:02
honest,
37:03
it's
37:03
rubbish
37:03
to
37:03
go
37:03
through.
37:04
But
37:04
that
37:05
feeling
37:05
doesn't
37:05
last
37:06
that
37:06
long
37:06
and
37:06
periods
37:07
just
37:07
become
37:08
a
37:08
normal,
37:09
everyday
37:09
part
37:09
of
37:10
being
37:10
a
37:10
person
37:10
with
37:10
a
37:11
uterus.
37:11
As
37:11
is,
37:12
trust
37:12
me,
37:12
the
37:12
disdain
37:13
for
37:13
whatever
37:13
gender
37:14
you
37:14
happen
37:14
to
37:14
fancy
37:14
until
37:15
a
37:15
certain
37:15
point
37:15
in
37:16
time
37:16
when
37:16
they're
37:17
all
37:17
you
37:17
can
37:17
think
37:17
about.
37:18
Everyone
37:19
talks
37:19
about
37:19
embracing
37:20
your
37:20
inner
37:20
child,
37:20
remembering
37:21
how
37:21
it
37:21
felt
37:22
to
37:22
be
37:22
a
37:22
kid
37:23
the
37:23
first
37:23
time
37:23
you
37:23
met
37:24
Santa
37:24
Claus
37:24
and
37:24
sat
37:25
on
37:25
his
37:25
lap,
37:25
or
37:26
the
37:26
first
37:26
time
37:26
the
37:26
tooth
37:27
fairy
37:27
visited.
37:28
But
37:28
no
37:28
one
37:28
ever
37:29
tells
37:29
you
37:29
to
37:29
embrace
37:30
your
37:30
teenage
37:30
years.
37:31
The
37:31
zits,
37:32
the
37:32
awkwardness.
37:33
Maybe
37:33
you
37:33
wore
37:33
braces
37:34
and
37:34
you
37:34
hated
37:34
them,
37:35
the
37:35
bad
37:36
fashion
37:36
choices,
37:37
feeling
37:37
out
37:37
of
37:37
place
37:38
at
37:38
school
37:38
or
37:39
misunderstood
37:39
by
37:39
your
37:40
family.
37:40
It's
37:41
hard
37:41
to
37:41
look
37:41
back
37:42
on
37:42
those
37:42
years
37:42
with
37:43
fond
37:43
memories,
37:44
but
37:45
they
37:45
were
37:45
formative
37:45
to
37:46
you,
37:46
becoming
37:46
the
37:47
hopefully
37:47
well
37:48
grounded
37:48
individual
37:48
you
37:49
are
37:49
today.
37:50
I
37:50
can
37:51
understand
37:51
the
37:51
concern
37:51
about
37:52
parents
37:52
maybe
37:52
wanting
37:53
to
37:53
have
37:53
these
37:53
conversations
37:54
that
37:54
out
37:54
puberty,
37:55
hormones,
37:56
etc
37:56
with
37:56
their
37:56
children
37:57
on
37:57
their
37:57
own
37:57
terms
37:58
and
37:58
in
37:58
their
37:58
own
37:58
time.
37:59
But
37:59
so
37:59
many
38:00
parents
38:00
just
38:00
don't
38:00
know
38:01
how
38:01
to
38:01
broach
38:01
the
38:01
subject.
38:02
How
38:03
open
38:03
to
38:03
be.
38:04
I
38:04
think
38:04
I
38:05
might
38:05
have
38:05
benefited
38:06
from
38:06
watching
38:06
a
38:06
movie
38:06
like
38:07
this
38:07
as
38:07
a
38:07
teenager
38:08
and
38:08
just
38:08
being
38:08
able
38:08
to
38:09
ask
38:09
the
38:09
questions
38:10
and
38:10
not
38:10
be
38:11
so
38:11
ashamed
38:11
about
38:11
it
38:12
all.
38:12
And
38:13
it's
38:13
still
38:13
a
38:13
shame
38:14
that
38:14
needs
38:14
to
38:14
be
38:15
addressed.
38:16
I've
38:16
seen
38:17
criticisms
38:17
about
38:17
this
38:18
movie's
38:18
lack
38:18
of
38:18
metaphorical
38:19
focus,
38:20
especially
38:20
when
38:20
May
38:21
embraces
38:21
her
38:22
panda
38:22
at
38:22
the
38:22
end,
38:23
but
38:23
to
38:23
be
38:23
honest,
38:23
I
38:23
don't
38:24
think
38:24
it
38:24
needs
38:24
to
38:24
be
38:24
taken
38:25
so
38:25
literally.
38:26
Mei
38:26
respects
38:27
her
38:27
family
38:27
and
38:28
her
38:28
culture,
38:28
but
38:29
she
38:29
chooses
38:29
to
38:29
take
38:29
a
38:30
different
38:30
path
38:30
to
38:30
her
38:31
mother,
38:31
aunts
38:32
and
38:32
grandmother.
38:33
She's
38:33
expected
38:33
to
38:34
renounce
38:34
the
38:34
panda
38:35
because
38:35
that's
38:35
tradition,
38:36
but
38:37
traditions
38:37
don't
38:37
always
38:38
need
38:38
to
38:38
be
38:38
followed,
38:39
and
38:39
as
38:39
a
38:39
Chinese
38:40
Canadian
38:40
girl
38:41
growing
38:41
up
38:41
in
38:42
Canada
38:42
as
38:42
opposed
38:42
to
38:43
China,
38:43
she
38:43
can
38:44
respect
38:44
her
38:44
heritage
38:45
and
38:45
go
38:45
her
38:46
own
38:46
way.
38:47
Feeling
38:47
trapped
38:48
by
38:48
parental
38:48
expectations
38:49
is
38:49
also
38:49
a
38:49
pretty
38:50
universally
38:50
understood
38:51
theme.
38:51
All
38:52
parents
38:52
want
38:52
the
38:53
best
38:53
for
38:53
their
38:53
children
38:53
to
38:54
do
38:54
better
38:54
than
38:54
they
38:55
did.
38:55
I
38:55
don't
38:56
have
38:56
children,
38:56
but
38:56
I've
38:56
fallen
38:57
into
38:57
the
38:57
same
38:57
traps
38:58
that
38:58
many
38:58
do
38:58
for
38:58
my
38:59
nieces
38:59
and
38:59
nephews,
39:00
having
39:00
expectations
39:01
that
39:01
one
39:01
day
39:01
they'll
39:02
become
39:02
astronauts,
39:03
doctors,
39:03
or
39:03
theoretical
39:04
physicists
39:05
because
39:05
I
39:05
never
39:06
achieved
39:06
any
39:06
of
39:06
those
39:07
things.
39:07
So
39:07
of
39:07
course
39:08
I
39:08
want
39:08
them
39:08
to.
39:09
If
39:09
they
39:10
don't,
39:10
and
39:10
they're
39:10
happy
39:11
doing
39:11
whatever
39:11
it
39:11
is
39:11
they
39:12
end
39:12
up
39:12
doing,
39:13
then
39:13
of
39:13
course
39:13
I'll
39:13
be
39:13
happy
39:14
with
39:14
that.
39:14
But
39:14
similarly,
39:15
if
39:15
they
39:15
need
39:15
my
39:15
assistants
39:16
to
39:16
get
39:16
into
39:16
Oxbridge,
39:17
then
39:18
of
39:18
course
39:18
I'll
39:18
do
39:19
it.
39:20
I've
39:20
seen
39:20
a
39:20
lot
39:21
of
39:21
discourse
39:21
online
39:21
about
39:22
this
39:22
movie,
39:22
especially
39:23
on
39:23
Reddit
39:23
with
39:24
people
39:24
merely
39:24
hating
39:25
on
39:25
it.
39:25
Maybe
39:26
I'm
39:26
biased
39:27
as
39:27
a
39:27
person
39:27
who
39:28
just
39:28
got
39:28
this
39:28
movie,
39:29
but
39:29
I
39:29
also
39:29
love
39:30
the
39:30
unique
39:30
animation
39:31
style,
39:31
the
39:31
anime
39:32
influences,
39:32
the
39:33
clear
39:33
homage
39:33
to
39:34
Studio
39:34
Ghibli,
39:34
and
39:34
the
39:35
passion
39:35
behind
39:35
the
39:36
scenes.
39:36
Is
39:37
Ming
39:37
Yi
39:37
a
39:37
bit
39:38
much?
39:38
Yeah,
39:39
she's
39:39
the
39:39
exaggerated
39:40
mother
39:41
slash
39:41
villain
39:41
and
39:42
it
39:42
doesn't
39:42
always
39:42
work,
39:43
but
39:43
parents
39:44
do
39:44
embarrass
39:44
us,
39:45
and
39:45
in
39:45
our
39:45
minds
39:46
as
39:46
a
39:46
teenager,
39:46
it
39:46
is
39:47
way
39:47
worse
39:48
than
39:48
it
39:48
actually
39:48
is.
39:49
Domee
39:49
Shi
39:50
is
39:50
a
39:50
talented
39:51
filmmaker,
39:51
an
39:52
inspiration
39:52
to
39:52
all
39:52
us
39:53
nerdy
39:53
girls
39:54
who
39:54
maybe
39:54
daydreamed
39:55
a
39:55
little
39:55
too
39:55
much
39:55
when
39:56
we
39:56
were
39:56
teenagers.
39:57
She's
39:57
co
39:57
directing
39:58
Elio
39:58
for
39:58
Pixar
39:59
next
39:59
and
39:59
that
39:59
comes
40:00
out
40:00
next
40:00
year.
40:02
I
40:02
also
40:02
love
40:02
the
40:02
period
40:03
2002
40:04
setting,
40:04
but
40:04
again,
40:04
that's
40:05
not
40:05
going
40:05
to
40:05
work
40:05
for
40:05
anyone
40:06
born
40:06
in
40:06
the
40:07
2000s.
40:08
All
40:08
in
40:08
all,
40:09
Turning
40:09
Red
40:09
may
40:10
not
40:10
be
40:10
your
40:10
favorite
40:10
Pixar
40:11
movie,
40:11
and
40:11
it's
40:12
certainly
40:12
not
40:12
mine
40:13
because
40:13
that's
40:14
still
40:14
the
40:14
Incredibles.
40:15
But
40:15
it's
40:15
a
40:16
step
40:16
in
40:16
the
40:16
right
40:16
direction
40:17
for
40:17
a
40:17
studio
40:17
that
40:17
has
40:18
seemingly
40:18
lost
40:18
its
40:19
way
40:19
a
40:19
little
40:19
from
40:19
the
40:20
halcyon
40:20
days
40:21
of
40:21
Toy
40:22
Story,
40:22
Wall
40:22
E,
40:23
Inside
40:23
Out
40:23
Monsters
40:24
Inc.
40:24
And
40:24
Coco.
40:25
Personal
40:26
stories
40:26
might
40:26
be
40:27
personal,
40:27
but
40:28
they're
40:28
also
40:28
relatable.
40:29
And
40:29
Turning
40:30
Red
40:30
really
40:30
struggled
40:31
without
40:31
getting
40:31
that
40:32
cinema
40:32
release.
40:33
It
40:33
may
40:33
have
40:33
been
40:33
a
40:33
risk
40:34
for
40:34
Pixar,
40:34
but
40:34
Pixar
40:35
should
40:35
take
40:35
more
40:36
risk,
40:36
as
40:36
should
40:37
Hollywood
40:37
in
40:37
general.
40:38
Let's
40:38
be
40:38
honest,
40:39
puberty
40:39
might
40:40
be
40:40
the
40:40
one
40:40
most
40:41
relatable
40:41
thing
40:41
that
40:42
humans
40:42
go
40:42
through.
40:43
Turning
40:43
Red
40:44
would
40:44
be
40:44
remarkable
40:45
just
40:45
for
40:45
that
40:45
one
40:45
fact
40:46
alone.
40:46
And
40:47
yet
40:47
here
40:47
we
40:47
also
40:48
are
40:48
with
40:48
Pixar's
40:48
first
40:49
solo
40:49
female
40:49
director,
40:50
first
40:50
female
40:51
director
40:51
of
40:51
color,
40:52
first
40:52
Asian
40:53
led
40:53
story
40:53
by
40:53
Pixar,
40:54
and
40:54
Pixar's
40:55
first
40:55
all
40:55
female
40:56
senior
40:56
production
40:56
team.
40:57
Turning
40:58
Red
40:58
breaks
40:58
barriers.
40:59
It's
40:59
a
40:59
story
41:00
about
41:00
Asian
41:00
families,
41:01
Asian
41:01
cultures
41:02
with
41:02
Asian
41:02
representation
41:03
on
41:03
and
41:04
off
41:04
screen,
41:05
but
41:05
it
41:05
remains
41:06
a
41:06
universally
41:07
understood
41:08
story.
41:09
I
41:09
relate
41:09
to.
41:09
May
41:10
I
41:10
weirdly
41:11
also
41:11
relate
41:11
to
41:11
Ming
41:12
just
41:12
wanting
41:12
to
41:12
protect
41:13
her
41:13
child.
41:14
We've
41:14
all
41:14
had
41:14
weird
41:15
crushes
41:15
and
41:15
drawn
41:16
those
41:16
horrible,
41:17
awful,
41:17
sexy
41:17
things.
41:18
I
41:18
like
41:18
boys
41:19
and
41:19
loud
41:19
music.
41:20
I
41:20
like
41:20
Joy
41:21
rating.
41:21
Deal
41:22
with
41:22
it.
41:22
But
41:22
also
41:23
everyone
41:24
go
41:24
home,
41:24
where
41:24
are
41:25
your
41:25
parents?
41:25
And
41:26
put
41:26
some
41:26
clothes
41:26
on.
41:27
Thank
41:28
you
41:28
for
41:28
listening.
41:28
As
41:28
always,
41:28
I
41:29
would
41:29
love
41:29
to
41:29
hear
41:29
your
41:29
thoughts
41:29
on
41:30
Turning
41:30
Red.
41:31
Thank
41:31
you
41:31
for
41:31
your
41:32
continued
41:32
support
41:32
of
41:33
this
41:33
podcast
41:33
and
41:34
once
41:34
again,
41:35
Happy
41:35
New
41:36
Year
41:36
to
41:36
you
41:36
all.
41:37
If
41:38
you
41:38
want
41:38
to
41:38
get
41:38
involved
41:39
and
41:39
you
41:39
want
41:39
to
41:39
help
41:40
this
41:40
podcast
41:40
grow,
41:41
you
41:41
can.
41:42
You
41:42
could
41:42
leave
41:43
a
41:43
rating
41:43
or
41:43
review
41:43
wherever
41:44
you
41:44
found
41:44
this
41:44
podcast.
41:45
You
41:45
can
41:46
find
41:46
me
41:46
on
41:46
social
41:47
media,
41:47
I
41:47
am
41:47
@VerbalDiorama,
41:49
on
41:49
Twitter,
41:49
Facebook,
41:50
Instagram
41:50
threads,
41:51
Blue
41:51
sky
41:51
and
41:51
Letterboxd.
41:52
You
41:53
can
41:53
find
41:53
posts,
41:54
you
41:54
can
41:54
share
41:54
posts,
41:54
you
41:55
can
41:55
like
41:55
posts.
41:56
It
41:56
all
41:56
helps.
41:57
Or
41:57
you
41:57
can
41:57
simply
41:58
tell
41:58
your
41:58
friends
41:59
and
41:59
family
41:59
about
41:59
this
42:00
podcast
42:01
if
42:01
you
42:01
like
42:01
this
42:02
episode
42:02
on
42:02
Turning
42:02
Red.
42:03
I've
42:03
also
42:03
done
42:03
previous
42:04
episodes
42:04
on
42:05
a
42:05
few
42:05
different
42:05
Pixar
42:06
movies
42:06
actually,
42:06
but
42:06
the
42:07
two
42:07
that
42:07
I
42:07
thought
42:07
most
42:08
feel
42:08
like
42:09
companions
42:09
for
42:10
this
42:10
episode,
42:11
probably
42:11
episode
42:12
75,
42:12
which
42:12
is
42:12
on
42:13
Coco,
42:13
and
42:14
episode
42:14
188,
42:15
which
42:15
is
42:16
on
42:16
Inside
42:17
Out.
42:18
So
42:18
the
42:18
next
42:18
episode
42:19
we
42:20
talk
42:20
about
42:20
Bruno?
42:21
No,
42:22
no,
42:22
no.
42:23
Or
42:23
maybe
42:23
we
42:23
do
42:24
because
42:25
it's
42:25
time
42:26
for
42:26
more
42:26
generational
42:27
trauma
42:28
with
42:28
Disney's
42:29
Encanto
42:30
coming
42:30
up
42:31
next.
42:31
This
42:31
animation
42:32
season
42:33
I've
42:33
done
42:33
a
42:33
Pixar
42:34
movie,
42:34
so
42:34
it
42:35
makes
42:35
sense
42:35
to
42:35
do
42:35
a
42:36
Disney
42:36
movie
42:36
next.
42:37
Join
42:37
me
42:38
next
42:38
week
42:38
for
42:38
the
42:39
history
42:39
and
42:39
legacy
42:40
of
42:40
Encanto.
42:42
Now,
42:42
this
42:42
podcast
42:43
is
42:43
free
42:43
and
42:43
it
42:43
always
42:44
will
42:44
be
42:44
free.
42:45
However,
42:45
it
42:45
is
42:46
not
42:46
free
42:46
to
42:46
make
42:46
a
42:46
podcast.
42:47
I
42:48
rely
42:48
on
42:49
the
42:49
incredibly
42:50
generous
42:50
support
42:51
of
42:51
some
42:51
wonderful
42:51
people
42:52
who
42:52
support
42:52
this
42:53
podcast
42:53
financially.
42:54
Now,
42:54
you
42:54
are
42:55
under
42:55
no
42:55
obligation
42:56
to
42:56
do
42:56
the
42:56
same.
42:57
However,
42:57
if
42:58
you
42:58
do
42:58
have
42:58
some
42:58
spare
42:59
pennies
42:59
and
43:00
you
43:00
do
43:00
get
43:00
value
43:01
out
43:01
of
43:01
what
43:01
I
43:01
do
43:02
on
43:02
Verbal
43:02
Diorama
43:03
you
43:03
can
43:04
support
43:04
the
43:04
show
43:05
financially
43:06
in
43:06
one
43:06
of
43:06
two
43:06
ways.
43:07
You
43:07
could
43:07
go
43:07
to
43:07
verbaldiorama.com
43:08
tips
43:09
and
43:10
give
43:10
a
43:10
one
43:10
off
43:10
tip.
43:11
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43:11
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43:11
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43:11
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43:12
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43:12
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43:13
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43:14
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43:14
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43:14
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43:14
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43:15
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43:15
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43:16
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43:16
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43:16
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43:16
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43:17
They
43:18
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43:24
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43:25
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43:25
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43:25
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43:26
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43:26
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43:27
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43:27
So,
43:28
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43:28
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43:29
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43:29
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43:30
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43:30
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43:30
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43:31
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43:31
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43:32
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43:32
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43:33
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43:33
Rhino,
43:34
Philip
43:34
K,
43:35
Adam,
43:35
Elaine,
43:36
Kyle,
43:36
and
43:36
Aaron.
43:37
That's
43:38
not
43:38
Aaron
43:39
T
43:39
or
43:40
Aaron
43:40
Z,
43:40
by
43:41
the
43:41
way.
43:41
They're
43:41
like
43:42
really
43:42
talented
43:42
too.
43:43
If
43:43
you
43:43
want
43:44
to
43:44
get
43:44
in
43:44
touch
43:44
with
43:44
me,
43:45
you
43:45
can.
43:45
You
43:46
can
43:46
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43:46
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43:49
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43:49
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43:49
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43:49
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You
43:49
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43:50
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43:50
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43:50
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43:51
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43:52
You
43:52
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43:52
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43:52
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43:52
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43:54
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43:54
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43:54
can
43:55
find
43:55
me
43:55
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43:55
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43:55
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43:56
@verbaldiorama
43:57
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43:57
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43:57
can
43:57
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43:58
me
43:58
on
43:58
there.
43:59
You
43:59
can
44:00
also
44:00
find
44:00
my
44:00
stuff@filmstories.co.uk
44:02
you
44:02
can
44:02
check
44:03
out
44:03
the
44:03
magazine,
44:03
and
44:04
you
44:04
can
44:04
check
44:04
out
44:04
online
44:05
articles.
44:06
And
44:06
finally.