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Sherlock Holmes Radio The Terrifying Cats Basil Rathbone, Nigel Bruce, Tom · Meine Liebe zu Hörspielen

0:01
Speaker 1: And now I'm sure our good friend doctor Watson is
0:03
ready for us.
0:04
Speaker 2: Let's go in and join.
0:06
Speaker 3: Come in, Ah, there you are, mister Bartell.
0:10
Speaker 1: Good evening doctor. Are you already with the night's new
0:12
sheerlock Ons adventure?
0:13
Speaker 2: I am ready? If you are the boy? How would
0:16
you like to hear a story that took place in Italy?
0:18
In Italy, say you?
0:20
Speaker 1: And the Great cherlock Holm certainly did get around?
0:23
Speaker 2: What took you there? Doctor?
0:24
Speaker 4: We've gone to Rome to investigate the sudden death of
0:27
Cardinal Tosca, an inquiry which I may tell you, mister Bartell,
0:30
was carried out by Holmes at the express desire of
0:33
his Holiness, the.
0:34
Speaker 2: Pope, Say, doctor, that sounds like a well known o
0:37
mister Bartell. That's the story that I'm afraid I can
0:39
never tell you.
0:40
Speaker 4: However, tonight's adventure took place a few days after Holmes
0:44
had brought his case to a satisfactory, though somewhat terrifying conclusion.
0:48
I suggested to the great Man that a short holiday
0:50
would be good for us before returning to England, and
0:53
so we spent some happy days browsing among the architectural
0:56
treasures of old Rome.
0:57
Speaker 2: The Colosseum, the.
0:58
Speaker 4: Baths of Caracalla, the Forum, the wonderful ruins on the
1:02
Palatine Hill. I couldn't drag homes away from the mister Bartel,
1:06
and at nighttime he was able to indulce to his
1:08
heart's content, his great love of music. Finally, it was
1:12
two nights before we were to sail for England. I
1:14
remember we went to the opera house to hear the
1:16
famous Italian soprano Gina Valcazy singing bared his immortal l traviata.
1:22
I can hear that exquisite voice now, mister Bartel, as
1:25
Holmes and I seated in a box, listened spelled down
1:28
to the great Valcazy singing her last day.
1:52
Speaker 2: What a voice, Watson, what a magrificent boy, Yes it is, Holmes.
1:55
Speaker 4: A pity though, that most opera stars who seeing at
1:57
Nightingale seemed to have the figures of.
1:59
Speaker 2: An usually well fed powder pigeons. Poor woman, she must
2:03
weigh at least twenty stone. Nevertheless, you mustn't refer to
2:06
her as poor, my dear chap. Despite her somewhat unfortunate proportions,
2:10
Signora Gildavalkse remains one of the greatest and wealthiest of
2:13
contemporary supanos. Listen to real clause, I say, I'm not
2:20
admitial second uncore, you might as well go back to
2:22
addressing room. Now the opera's almost over.
2:24
Speaker 4: Why are we going back to the addressing because during
2:26
the last intervision I received a note from her requesting
2:29
my attendance.
2:29
Speaker 2: Oh what did the notes say? Well, it seems that
2:31
the lady is not too popular with certain numbers of
2:33
the opera company. Well, I had no wish to become
2:35
entangled in any opera clashed temperaments, I confess I find
2:40
myself not a little interested in meeting the lady. She's
2:43
interesting an uncore, Are.
3:00
Speaker 4: You really going back to her dressing a summons from
3:04
you know these years no more to be disobeyed than
3:07
our royal command.
3:20
Speaker 5: I must ask you, gentlemen, not to stand upside laval.
3:23
Speaker 2: Cases dressing room.
3:25
Speaker 5: We permit on our strangers, particularly foreigners.
3:28
Speaker 2: That the Senora has requested our presents. May I ask who.
3:31
Speaker 5: You are permitting me to introduce myself? Gentlemen, I am
3:35
Armando Bellini, Inspector of Police.
3:37
Speaker 2: My name is homes Sheila comes and this is my friend,
3:39
doctor Watson. Sure lack of homes. But this is a
3:43
great honor.
3:44
Speaker 5: Allow me to apologize here in the opera house.
3:47
Speaker 2: We have to be so careful.
3:49
Speaker 5: You understand that of be intrigues, there are so many.
3:52
But send your homes and his friend. I am so
3:56
happy to meet you both at headquarters. I hear wonderful
4:00
reports of your work and the guidenal Tosca.
4:03
Speaker 2: I shoul prefer not to mention that unfortunate matter, Inspector,
4:05
except on the conditions of extreme privacy.
4:07
Speaker 4: Are quite so, and behind the scenes that the opera
4:10
is not the most secluded place.
4:13
Speaker 5: Please to forgive me. You are waiting to see laval Cases.
4:17
She is still on the stage. She has requested your presence.
4:20
You say in your hand, yes.
4:21
Speaker 2: I trust the meeting is to be a social and
4:23
not a professional one.
4:24
Speaker 4: Where sailing for England in a couple of days, and
4:27
you came to hear the great Arcsa singer before you left.
4:30
Most understand a magnificent voice. Inspector, Yes, a doctor and
4:36
still well. I am a devote opera over myself. Yet
4:41
I cannot help but feel it's a futuralizer.
4:43
Speaker 2: With those who can add the youth and youth into
4:46
a great voyage. That's true truth in your But where
4:49
can you find such a combination? I have found it
4:53
here in the opera. There is a girl. She is
4:55
my protegee. Someday I hope she will be my wife.
5:00
Speaker 5: The moment she is only understudying labar Casey. If she
5:04
should ever get to the opportunity of seeing her her place,
5:07
then a new star will be born.
5:09
Speaker 2: Really, what's her name? Lisa Bordoni.
5:12
Speaker 5: She has but recently come to Rome from Milano, where
5:15
she studied with the great Alfaerra. Confidentially, I think that
5:19
lab Casey is so jealous of all that.
5:22
Speaker 2: Here is Lisa now, and that.
5:24
Speaker 4: Is her brother with her, Lisa Karma pleaser to join us,
5:28
by George, What a beautiful girl?
5:31
Speaker 2: What is it? Amando?
5:32
Speaker 5: Permit me to present the famous English detective Senior Shelackholmes
5:38
and his friend, doctor waw Do you do?
5:39
Speaker 2: How do you do, young lady? Glad to meet you both.
5:42
This is my brother Walley.
5:43
Speaker 3: I do. I certainly feel that I know a lot
5:45
about you two gentlemen. No, I can't tell you how
5:48
many times I've read your stories, Doctor Watson.
5:50
Speaker 5: In Liza, I'm very flattered, Lisa Karama, we were just
5:54
saying that a youth and a beauty combine with the
5:57
voice Liza, our future hope and the opera.
6:01
Speaker 2: Your they will comely, Sam Mia, Your they will come soon.
6:06
Speaker 6: I hope you're right, Armando, But as long as I
6:08
understandy Gina Valcazy, I don't see when I'll get my chance.
6:12
Speaker 2: She's disgustingly healthy. If you're brought my saying so, young lady,
6:15
your name is BORDONI you and your brother don't sound
6:18
at the least Italian.
6:18
Speaker 3: We're not, mister Holmes, We're American. But to succeed in
6:22
Italian opera, my sister has found that an Italian name
6:24
is essential, so the Bordon family became the Bordonis.
6:29
Speaker 6: In any case, my real name is Lizzie Borden.
6:32
Speaker 2: I'm here you, mister Holmes, is a famous detective. We'll
6:35
see that I had to change my name. I can
6:36
well understand who was Lizzie boy Well, my never are
6:39
one of the greatest and most successful of murderesses, who
6:43
wilted enacts with incredible dexterity. I've often regretted that I
6:46
listen Tibet instead of America at the time of that
6:48
particular case in your arms.
6:50
Speaker 5: I do not understand the you Anglo saxons to me,
6:54
and murderous is a murderous?
6:56
Speaker 4: Now when you speak of a greatness in women, I feel.
7:00
But here comes Ginovar Casey. Now I will introduce you.
7:02
Speaker 6: Many times, but I tell you will not know. I
7:04
want to send outside by dressing room. Send them away,
7:07
letter Kasey, is a time.
7:08
Speaker 4: Buddy you wish to see, Senior shell uck home said
7:11
the famous detective here.
7:12
Speaker 2: Has a come here in answer to your request.
7:15
Speaker 5: Please up, permit me to present him. And also is
7:18
a friend doctor Watts. How are you dosingta to meet you?
7:22
Speaker 2: Senor da case And now perhaps if we may come
7:24
into your dressing room and confer privately? What would love?
7:28
Speaker 6: But please you have to say it to a detective,
7:30
I mean not the police, as perro gokay, hold of you.
7:37
Speaker 2: The grab She slammed the door in my face. Wa
7:52
waiter sus and you bring me a small coffee? Please?
7:56
You very pleasant dining here on the hotel teress and
7:59
has confess this.
8:00
Speaker 4: Is amazingly warm, considering yesterday snow yes its later. I
8:05
suggest we pay another.
8:06
Speaker 2: Visit to the opera, and again about cases, saying 'l
8:08
Dan Rigoletto up on my soul, Homes.
8:10
Speaker 4: It seems to me that you're astonishingly caresual after the
8:13
way that woman insulted you last night, slamming the door
8:16
in your faces.
8:16
Speaker 2: If you were a tradesman, shocking, what would you have
8:19
me do, my dear chap, force my way into a
8:21
into a room, demand an apology, or have my friend
8:24
challenge her to a duel in order to avenge my honor. Oh,
8:28
don't try to be funny, Homes. You know perfectly well
8:30
what I mean. The lady asks you to come and
8:32
see her, and when you do, she pretends she's never
8:34
heard of you.
8:35
Speaker 4: And here it is nearly twenty four hours later, and
8:37
you've done absolutely nothing about it.
8:39
Speaker 2: Dear old Watson nearly quite upset over the affair, aren't
8:43
you well? If it will make you any happier, let
8:45
me tell you what I have done something about it.
8:47
I'm delighted to hear it. What This morning I was
8:50
able to obtain a specimen about our cases handwriting from
8:53
an autographed picture in the possession of Inspector Biline. I
8:57
compared the writing with that on the note and I
9:00
that I received in the box last night it was
9:02
that it was the same, proving that the message I
9:05
received was authentical. In that case, why did she snub
9:08
you like that? Well? Something was to fight her, I
9:10
suppose something or someone who was standing at the dressing
9:14
room door with us. Well, who was the respecta Bellini,
9:18
Lisa Bordoni and her brother. Therefore, we may assume that
9:22
love Alcaze had no wish to recognize me, and they
9:24
are presents. But if you think that, hold, why haven't
9:26
you been in touch with her today? She may be
9:28
in some dreadful Nay, if she is, she can find
9:31
me easily enough. I meanwhile, I'm perfectly happy to pet alone.
9:34
The last few weeks have been sufficiently strenuous without becoming
9:36
involved in some fresh case. My so homes, you must
9:39
be tired. I've never known you to be so indifferent
9:41
to a case. Great Scott, while it's Watson. Look walking
9:45
towards Signora vel CAZy herself and judging from the latest expression,
9:49
she seems to be in some distress. Could you mean, Sigela,
9:53
I'm not to speak. This is my colleague, doctor Watson.
9:56
How do you do? First?
9:58
Speaker 6: I must apologize for not yeah, the last night it
10:01
would have been a dangerous If that casey, I'd acknowledged
10:04
that she had to communicate with you.
10:05
Speaker 2: That's just what my friend assumed. Adams speak quite felly
10:08
nas and no one can overhear us. See ROMs. I
10:12
am being persecuted.
10:14
Speaker 6: My life is in a danger.
10:15
Speaker 2: You want to save me?
10:17
Speaker 6: See season and now to day tragedy as a struck
10:21
my sister, my beloved Bella lies on your death from
10:25
a murderous attack, an attack that was immense for me.
10:28
Speaker 2: Good Lord, what happened, madam? If you will please to
10:30
keep it.
10:31
Speaker 6: Quiet, a little lot of jazy speak, will.
10:33
Speaker 2: I learn what happened? I'm sorry, madam.
10:36
Speaker 6: The morning, this is the morning always myself take my
10:40
dog for a walk. But this is the morning I
10:42
feel the trace of a cold. I asked my sister
10:45
to take the dog for a walk. Please do understand
10:47
that my sater is a very.
10:48
Speaker 2: Much like me in the pianos, I understand, Senora, Please continue.
10:51
She woke alone in the park.
10:53
Speaker 6: From nowhere her husband came gallop and the rider though
10:57
pase how much I learned from the traces in the snow.
10:59
Speaker 2: When I got to find that was she able to
11:01
tell you who the horseman was No, she cannot speaks
11:04
to you.
11:05
Speaker 6: They say at the hospital that her skull is a
11:08
fractured that she may not leave in your arms.
11:12
Speaker 2: That attack, it was immense for me.
11:15
Speaker 6: You must have protected me.
11:16
Speaker 2: I shall do everything in my No, what's wrong, madam?
11:22
Somewhere that is the cat?
11:24
Speaker 4: I know me.
11:26
Speaker 2: I cannot stand right me. I'll make it go away.
11:33
Speaker 6: Please, I gotta say someone even thing now.
11:40
Speaker 2: It must be your imagination. I am sorry to make
11:48
such a scene, but I cannot appear to be near
11:51
a cat. I cannot tell you what it DoD to me.
11:56
May it sound no, No, not at all, Senora. Such
12:00
a condition is quite common. In fact, I believe medical
12:02
science has given it a name. It's known as Alora Povia.
12:05
Whatever it is it called. It make me ill. I
12:08
must go to my room. I cannot stand much more,
12:11
my poor I imagine with your sister death door, Signora,
12:15
you will not sing tonight, sing your arms.
12:18
Speaker 6: I love her very much, but even as sister is
12:21
only a sister, my art is my life. In an hour, singer,
12:25
I sing Hilda in a rigoletto. You will attend the performance,
12:30
and afterwards you will tell a love at Casey, how she.
12:32
Speaker 2: May trap this devil who seek to destroyer?
12:35
Speaker 4: Oh Holmes, it's after nine point thirty. We've missed quite
12:51
a lot of the opera. How they was going to above?
12:53
Speaker 2: Now just been time to hear at our case he
12:56
sing the incomparable kronomy let's slip in the quite as
13:00
we can. Seems to me we should have been in
13:02
our box from the beginning of a performance. She asked
13:04
you to keep an eye on chan. But it occurred
13:07
to me that an attack on her during the performance
13:09
was unlikely, and that our time might be more profitably
13:11
spent thinking inquiries of the writing academy. She drew a blank.
13:14
We fell no trace of that mysterious writer. No, but
13:17
at least we tried. Here we are, let's stand at
13:20
the back of the theater forty minutes, Great Scott, that
13:33
isn't our cases singing. It's the understudy. But helese protaghe
13:37
the American girl. He's a Bodoni. What a beautiful life one,
13:40
but with a beautiful, wonderful range. But yeah, we have
13:44
no time to listen to her. Now we must go
13:46
to the dark cases dressing them at once. We know
13:49
she left the theater tonight with the intention of singing,
13:51
I'm very much afraid there's the devil's work of what Watson?
14:10
Why on earth doesn't she answer? Listen? Cats inside her
14:15
dressing room. Come on, Watson, lock pt your shoulder to it.
14:18
Come on, help me, Come on? What's more? Come on?
14:22
Speaker 4: Now?
14:22
Speaker 2: What's there? Fights? Cout? She's unconscious, Watson, See what you
14:27
can do for her. She must have think of the fights. Yes,
14:30
some fiend knowing her deadly fear of cats as lucks
14:32
her in here with half a dozen nothings shore shore
14:35
on shore. Her eyes are opening homes. She's coming to
14:42
sor Varse. Her lips are moving. She's trying to speak,
14:45
sor tell me who did this to you? Hu, greats heavens.
14:52
Her voice is gone. I've known many vicious crimes in
14:56
my lifetime, Watson, but to murder her voice, a boy
15:00
that was one of the treasures of the world, is
15:02
as by a killing as I've ever encountered.
15:13
Speaker 1: Doctor Watson will tell you the rest of his story
15:15
in just a few seconds. And right now would be
15:17
a wonderful time to try a glass of Petrie California
15:20
port in the evening after dinner, well, anytime you're taking
15:25
things easy, is the perfect time for petre Port. Petre
15:29
Port is a rich red wine, the kind of wine
15:32
you like to sip slowly so you won't miss a
15:34
drop of its truly fine flavor. I'm not kidding when
15:38
I say you owe it to yourself and your family
15:41
to try petri Port. In fact, you should try pet
15:44
Report and Petrie Muscatel. So don't buy one, buy two,
15:49
buy both Port and Muscatel. Just be sure you get Petrie,
15:53
because Petree wine is always good wine.
15:58
Speaker 2: Well, Dr Watson saw the great.
15:59
Speaker 1: Opera They gonna lost her voice when someone locked in
16:01
a room full of cats?
16:02
Speaker 2: Huh, what did you?
16:04
Speaker 4: And Sharlock Holmes dough We took Senior Valcazy back to
16:07
her hotel at once and saw that she was properly
16:09
taken care of.
16:09
Speaker 2: How did the understudy, Lisa Bordoni make out? Doctor?
16:12
Speaker 4: The tragedy that overtook Clark Valcazy gave her her great chance.
16:16
She received a tremendous ovasion at the close of the performance,
16:19
and it seemed certain that another star had been born.
16:22
But let me tell you the story just as it happened,
16:24
mister Bartel. A little later that night, Holmes and I
16:27
were once again standing on the balcony of our hotel,
16:30
watching a crowd of people that had assembled in the colture.
16:35
You see that crowd, Watson, Yes, I suppose they've come
16:37
here to proclaim the news stuff.
16:38
Speaker 2: Oh no, my dear fellow, that crowd isn't planning a celebration.
16:41
Look at them and listen to their angry murmuring her afraith,
16:44
there's going to be trouble. R. I don't like to
16:45
look at it. Oh. Here comes Lisa Bord and his
16:47
brother Wally. What trumk, sir, mister Holmes, mister Holt, You've
16:51
got to do something. What's happened? Well?
16:52
Speaker 3: Somehow the story about the cats and lave val Casey's
16:54
dressing room is spread the crowd outside her, saying that
16:57
my sister Lisa planned the whole thing so that she
16:59
could sing all Casey's part in.
17:00
Speaker 2: The opportunity of her sister.
17:01
Speaker 3: Now in a room at the hotel here, I managed
17:04
to get her away from the crowd and I locked
17:05
her in.
17:06
Speaker 2: But the mob, I'm frightened. Ah. Here comes the official
17:09
representative of law and daughter and inspected bilin Waale. Where
17:12
is Lisa? I was just telling mister Holmes that I'd
17:14
locked her in a room and that crowd's in a
17:16
dangerous mood. Belina, what precautions you're taking?
17:19
Speaker 5: I ever thrown a card on of police around the hotel.
17:21
The mob is getting out of her hand, and Lisa
17:24
must be protected. As a matter of fact, the situation
17:27
is even worse than.
17:28
Speaker 2: The crowd knows.
17:29
Speaker 5: I have just been thought that Lava Case's twin sister,
17:32
Bella died.
17:33
Speaker 2: In the hospital to night, that I had some murder charge.
17:36
If the crowd knew about that, I tremble to think
17:39
what might happen? Did you see that.
17:42
Speaker 4: Casey's sister was a twin inspector in your homes? She
17:47
was a horror exactly double in everything but voice.
17:50
Speaker 2: Indeed, how very illuminating. If you don't mind, I s
17:53
I have a few words in private with my friend
17:54
doctor Watson excuses for a moment. What do you make
17:58
of at homes? Why are you a check? Well?
18:00
Speaker 4: The American girl seemed very charming and all that, but
18:02
she might have done it. It had to be either her,
18:05
her brother, or the inspector himself. They all had a
18:08
motive for wanting lav bel CAZy to lose her voice.
18:11
But I must say I can't understand the motive behind
18:13
the murder of her to insist.
18:15
Speaker 2: I think I can give you the answer to that
18:16
question in a very few minutes. But meanwhile, the mob
18:19
gets uglier and uglier. The only way to avert violence, Watson,
18:23
is to give them quick proof and a certainty of conviction,
18:25
and just go back to Bilini and the young American,
18:27
and I want to keep an eye on them. Meanwhile,
18:29
I want you to slip out and get me a cat.
18:32
Cat fo You'll find out soon enough. What kind of
18:35
a cat?
18:36
Speaker 3: Oh?
18:36
Speaker 2: Any kind? But hurry, Come on, kittie, kitty, Come on, kitty.
18:53
There's a good kitty.
18:54
Speaker 7: Yeah, yeah, here, what you're doing a hotel kas Seor
19:00
you want to play with my cat?
19:01
Speaker 2: Oh? Is he your cat? Charming little fellow. I'd like
19:04
to borrow him for a little while. Why you want
19:07
to borrow my cat? Why? I thought i'd take him
19:09
up to my hotel room and have a little game
19:10
with him. I'm not some old socks he can play with.
19:14
Speaker 7: Deal the English at a crazy race. My cat does
19:18
not like to play with the old socks.
19:20
Speaker 2: Look here, he has fifty lire for you.
19:22
Speaker 7: Oh no, no, no, I tell you my cat does
19:25
not like to play with the old socks. My cat
19:28
would stay here and you can keep it your money.
19:30
Speaker 2: I give you a halfred a leer so that you
19:33
may stuff my cat full of old socks. No, no,
19:36
give me back my cat. Oh that crazy is with you.
19:39
You'll get it back there. Stuff him, stub him, the
19:41
crazy englishman. He's stealing my cart.
19:57
Speaker 4: Well, I've got a cat for your homes but I
20:00
wish you tell me what we're doing outside val CAS's
20:02
door with it.
20:03
Speaker 2: I'm going to try an experiment. You open her bedroom
20:07
doors softly, so slip the cat in so and close
20:16
the door. Homes Man, what the places you think you're doing?
20:22
You don't drive her mad.
20:23
Speaker 7: I think not.
20:23
Speaker 2: Listen and watch through the keyhole if you can Holmes voice,
20:33
it's come back. Yes, I thought it might.
20:35
Speaker 4: I can see her through the keyhole. She's picking the
20:38
cat up by the scruff of its neck. She's walking
20:41
toward the.
20:41
Speaker 2: Balconyes, and towards the crowds down below. An excellent opportunity
20:44
for a public confession. Come on, come up, what do
20:47
you want? I charge you with the murder of your sister,
20:50
the great singer about Kissy.
21:08
Speaker 5: If there was a magnificence inior homes a magnifson. The
21:12
way you force her to confess on the balcony in
21:14
a full side of the.
21:15
Speaker 2: Mark, and so you saved Lisa.
21:18
Speaker 6: I can't thank you enough, mister Holmes, No can I,
21:21
though I still don't see how you guessed.
21:23
Speaker 2: She looked so much like a sister that she fool
21:26
even me her understand Yes, it was an extremely cunning plot,
21:29
mister Donay. The real Valcase sent me that note last night.
21:32
When I met her at the dressing room door, she
21:34
denied having sent for me because the three of you
21:37
were there, I suppose as she suspected one of us. Oh, yes, obviously,
21:40
and Lida no doubt. She told her twin sister, Bella
21:43
and about having sent me the message, and also announced
21:45
her intention of coming to see me. Bella saw her
21:47
opportunity murdered. Lavalcase assumed her identity, and to give added
21:52
realism to her role, followed through with her sister's plans
21:55
by coming to see me today.
21:57
Speaker 3: But I still don't understand this business, mister Holmes. Why
22:00
did the twin sister lock herself in her dressing room
22:02
and fill it with cats.
22:03
Speaker 2: What did it accomplish? It gave me the chance to sing,
22:06
That's true, which is why Watson felt certain the criminal
22:10
must be you, your brother, or senor Belline. But you see,
22:14
the episode of the cats accomplished one other thing. It
22:17
made it plausible that the great Falcase should never sing again.
22:21
To whose advantage would that be an impostor, of course,
22:24
a person or a twin sister who could not sing,
22:27
and who must surely end her sister's great things. Exactly,
22:29
my dear fellow. As soon as I knew they were
22:31
twin sisters and everything, but voyce it became more than
22:35
a possibility. It became probability. But it had to be tested.
22:39
That's why I sent for the cat, Watson. When the sister,
22:41
thinking herself unobserved, exhibited no terror for cats, well it
22:45
became a certain day on my soul. This is as
22:47
fantastic a plot as ever. We've met a diabolical plan, Watson,
22:51
and I'm only thankful, Miss Boudonney that we were able
22:54
to expose it before the crowd reached you tonight. I
22:56
don't know what I can ever do to repay you,
22:58
mister Holmes. Oh that would be hard, my dear. A
23:00
box of cuff and garden for your London debut would
23:02
be well an ample repayment. And from what I hear
23:05
of your reception in Brigolletto tonight, I shan't have to
23:07
wait very long for that rewards.
23:12
Speaker 7: Excuse me, please, All over the hotel I look up
23:16
for my cat, I say to myself, jeez, he's stealing
23:21
my cat. He's picked up alder. You arrassed him. He
23:24
tried to bribe him, and he run away from my
23:26
cat and feeling full of old English salt.
23:29
Speaker 2: Oh Goshi, we are.
23:43
Speaker 1: Doctor id you like to have a picture of you
23:45
running away with that fellow's cat?
23:46
Speaker 2: On dear, you a cat stealer? You know a bit funny,
23:51
mister Bartle. Believe me, it was most.
23:53
Speaker 1: Embarrassing, I know, but it was all for a good cause,
23:55
and I think you were splendid about the whole thing.
23:58
Speaker 2: Uh.
23:59
Speaker 1: Incidentally, how do you having to look for a cat
24:01
in the hotel kitchen? There's usually one round the back
24:03
door of a kitchen. Haven't you ever wandered well the
24:06
backstage in the hotel?
24:08
Speaker 2: Fascinating?
24:09
Speaker 1: Of course I have, but I've never been in a
24:11
hotel kitchen, then where were you and the wine sell it?
24:14
Speaker 2: I should have known, I guess, doctor.
24:16
Speaker 1: I like to look at bottles of Petrie wine because
24:18
when I see a Petrie wine, I know I'm looking
24:21
at a good wine. And Petrie wine is good because
24:24
of the Petrie family. The Petrie family first started making
24:27
fine wine before the beginning of this century generations ago.
24:32
Since then, wine making has been their heritage, hand it
24:35
on down from father to son. So you can take
24:38
it for granted that the Petrie family really knows how
24:41
to turn luscious, sun ripened grapes into clear, fragrant, delicious wine.
24:47
And you can take it for granted too, that the
24:49
name Petrie on a bottle of wine is more than
24:51
a trademark.
24:52
Speaker 2: It's the personal assurance of.
24:54
Speaker 1: The Petrie family that every drop of wine in that
24:57
bottle is good wine. You just can't go wrong with
25:00
Patrick wine because Patrie took time to bring you good wine. Well,
25:06
doctor Watson, what story are you planning to tell us
25:08
next week?
25:09
Speaker 4: Next week, mister Bartel, and I'm going to tell you
25:11
a strange adventure that Holmes and I had many many
25:13
years ago.
25:14
Speaker 2: It concerns a young Girl, the.
25:16
Speaker 4: Mutilation of her doll, and the tragedy that overtook a
25:19
certain wise woman from the mountains.
25:36
Speaker 1: Tonight Sherlock Holmes Adventure was written by Dennis Green and
25:40
Anthony Boucher, and was suggested by an.
25:42
Speaker 2: Incident in this Arthur.
25:44
Speaker 1: Conan Doyle story. The Adventure of Black Peter Music is
25:48
by Dean Fossler. Mister Rathbonne appears through the courtesy of
25:53
Metro Goldwyn Mayer, and Tonight Doctor Watson was played by
25:57
mister Eric Snood, who substituted for Miss Nigel Bruce. Mister
26:01
Bruce is scheduled to return to the program next week.
26:10
The Petrie Wine Company of San Francisco, California invites you
26:14
to tune in again next week, same time, same station.
26:18
Speaker 2: Sherlock Holmes comes to you from our Hollywood studios.
26:26
Speaker 1: This is Harry Bartel saying good night for the Petrie family.