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The Breakfast Club BEST OF - 90s Stars - Jasmine Guy, Morris Chestnut, Jaleel White + More · The Breakfast Club

• 0:00
  Speaker 1: Good Usa yo yo yo yo yo yo yo yo
• 0:03
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:05
  Speaker 1: yo yo yo yo yo yo yo yo yo.
• 0:06
  Speaker 2: Yo yo yo Jess, Hilarry ass Semarini.
• 0:09
  Speaker 3: It's Thursday. Hopefully you had an amazing Christmas. Hopefully it
• 0:13
  Speaker 3: was with some family. Hopefully you got a chance to
• 0:15
  Speaker 3: rest a little bit. Today's show is all about nineties
• 0:18
  Speaker 3: stars all right now. Charlamagne will lie, he will say
• 0:21
  Speaker 3: he looks like this guy, but he'll be joining us
• 0:23
  Speaker 3: this morning.
• 0:24
  Speaker 2: The real Morris Chestnut will be in the building.
• 0:26
  Speaker 3: Also Jasmine Guy and Kadeem Hardison, our guy, Julia White and.
• 0:30
  Speaker 2: Also Rosee Bardez.
• 0:32
  Speaker 3: Yes, it's all about nineties stars all on today's show,
• 0:35
  Speaker 3: So don't go anywhere.
• 0:36
  Speaker 2: Get your ass up. It's the Breakfast Club. Good morning,
• 0:39
  Speaker 2: ready right ray Yo, Charla Magne, Daffy, what up are
• 0:43
  Speaker 2: we lying?
• 0:43
  Speaker 4: This is your time to get it off your chest?
• 0:45
  Speaker 2: I got an indoor pool, door pool. We want to
• 0:48
  Speaker 2: hear from you on the Breakfast Club.
• 0:49
  Speaker 5: We can get on the phone right now.
• 0:51
  Speaker 6: He'll tell you what it is.
• 0:52
  Speaker 7: We lie.
• 0:53
  Speaker 2: Hello, who's this going on?
• 0:55
  Speaker 5: In great day? The money from truly?
• 0:58
  Speaker 2: Yeah, what's up? Dame Philly get it off your chest, you.
• 1:00
  Speaker 5: Know, real fast. I'm gonna get this south to wait
• 1:02
  Speaker 5: for v because I'm a truck driver.
• 1:04
  Speaker 8: Man, he hugged the horm but he's breaking up.
• 1:07
  Speaker 2: Yeah, we ain't hit a horme. Man, you got to
• 1:08
  Speaker 2: do the time.
• 1:09
  Speaker 4: Want it again. If you need to hear, you blow
• 1:11
  Speaker 4: you hear?
• 1:12
  Speaker 5: Hey, y know Charlie that you guys chill.
• 1:16
  Speaker 4: I want you to go.
• 1:17
  Speaker 2: You don't want to call up here talking about you
• 1:19
  Speaker 2: want to blow for invY. That was like something that
• 1:21
  Speaker 2: she was calling out. Man, we know what you man,
• 1:24
  Speaker 2: you know, don't let him take our joil.
• 1:26
  Speaker 5: But look, hey, yo, but Charlotte made I wanted to
• 1:28
  Speaker 5: give you flowers, you know, the mental health and all that.
• 1:31
  Speaker 5: And my cousin is actually Rachel, Rachel Edwards. I want
• 1:35
  Speaker 5: to get versed out out too. She was like, I
• 1:37
  Speaker 5: want you want to call it up When I was working.
• 1:38
  Speaker 2: Up there, Oh man, I was with Rachel last night.
• 1:41
  Speaker 4: Rachel.
• 1:41
  Speaker 2: We was out last night. I love Rachel my heart.
• 1:45
  Speaker 5: We had thanks again and she was was all together
• 1:49
  Speaker 5: with Jamaica. You know what I mean, Rachel?
• 1:51
  Speaker 1: You hey, oh yeah, yeah, I've had I've had Rachel's
• 1:54
  Speaker 1: mama's oxtails before.
• 1:56
  Speaker 5: Yeah, Joe, you should have saw, man. She looked like
• 1:59
  Speaker 5: she cooked, like she was cooking and cooking for orphaned.
• 2:02
  Speaker 5: That's what she do.
• 2:03
  Speaker 4: That's that's what's up.
• 2:05
  Speaker 9: Man.
• 2:05
  Speaker 5: And I ran in the I ran in the death
• 2:08
  Speaker 5: before pr Man around twenty twenty. I don't know if
• 2:12
  Speaker 5: you remember. I was a dude from Kelly and you
• 2:15
  Speaker 5: was like, you probably brought these flying roachures in Paly
• 2:18
  Speaker 5: with you.
• 2:18
  Speaker 4: Oh my god, no, I don't remember that.
• 2:20
  Speaker 2: You're you bought roaches.
• 2:21
  Speaker 9: I don't remember.
• 2:23
  Speaker 5: It would be bigger. It would be bigger as flying
• 2:25
  Speaker 5: roaches in pr that was running from them.
• 2:28
  Speaker 10: Oh my god, no, I don't remember that. It sounds
• 2:31
  Speaker 10: like something I said.
• 2:32
  Speaker 5: Oh my god, no, but you I ain't gonna lie.
• 2:35
  Speaker 5: You was cool as hell. I thought you would have
• 2:37
  Speaker 5: been boogie or something. No, never that you was cool
• 2:40
  Speaker 5: as hell.
• 2:41
  Speaker 4: Thank you.
• 2:41
  Speaker 5: Yeah, yeah, man, I thought that. That's all I wanted
• 2:44
  Speaker 5: to say.
• 2:45
  Speaker 4: Man, we appreciate my brother.
• 2:46
  Speaker 5: I thought that I got through.
• 2:47
  Speaker 9: Man.
• 2:48
  Speaker 5: I love y'all though, Man, listen to y'all every day.
• 2:50
  Speaker 1: In the morning, I will I will have a good one.
• 2:54
  Speaker 6: Brother.
• 2:55
  Speaker 4: Hello, who's this?
• 2:56
  Speaker 3: Heys Neil up Neil to get it off your chest.
• 3:01
  Speaker 6: I'm so mad. Over the weekend, I ordered from mac
• 3:06
  Speaker 6: and I ordered to sign up and that's cocaine.
• 3:09
  Speaker 4: I love this kissed me.
• 3:13
  Speaker 2: What is she saying about cop with that baby in
• 3:15
  Speaker 2: the background? She said, coach? She wanted a coach a
• 3:17
  Speaker 2: jacket and its too it's too too big. We'll stop
• 3:21
  Speaker 2: ordering from Timu. You want to you want to buy.
• 3:23
  Speaker 11: That coat for six It was from Macon and I'm
• 3:26
  Speaker 11: so mad because I usually don't even buy stuff that's expensive.
• 3:31
  Speaker 5: I wanted to treat myself.
• 3:32
  Speaker 4: What's it called from? Who? What's it called? What's called
• 3:35
  Speaker 4: maca makay? What's that?
• 3:37
  Speaker 6: Just?
• 3:38
  Speaker 10: You mean micah m I c A s.
• 3:41
  Speaker 6: No macad m A m A c k A.
• 3:46
  Speaker 10: I don't know what that is? Okay, how much was
• 3:47
  Speaker 10: that coat?
• 3:50
  Speaker 4: No?
• 3:54
  Speaker 12: You just spent eight ninety on a coat and you
• 3:56
  Speaker 12: just had cyberdals and black Friday.
• 3:58
  Speaker 10: It's eight hundred and ninety, yes, eight ninety.
• 4:03
  Speaker 12: Pea cod I know, But what kind of code is it?
• 4:06
  Speaker 12: Is a bubble cold the trench coat?
• 4:07
  Speaker 4: What is it?
• 4:08
  Speaker 6: It's a it's a suffer.
• 4:10
  Speaker 12: You bought a puffer for one thousand dollars a puppet
• 4:13
  Speaker 12: where you live at.
• 4:15
  Speaker 2: Wow, what that puffy?
• 4:16
  Speaker 12: You think that puffa gonna keep you warm in these
• 4:18
  Speaker 12: New York streets.
• 4:21
  Speaker 2: That's crazy. It's too small. You could have brought. You
• 4:26
  Speaker 2: could have brought two north faces.
• 4:28
  Speaker 12: Right amount of man, put a hoodie under it and
• 4:31
  Speaker 12: wed proud a thousand all investments.
• 4:33
  Speaker 6: That what I was thinking.
• 4:34
  Speaker 1: Oh yeah, but I love you.
• 4:40
  Speaker 4: You might even want to rob you for that cold.
• 4:45
  Speaker 2: Get it off your chest.
• 4:46
  Speaker 3: Eight hundred five eighty five one O five one. If
• 4:48
  Speaker 3: you need to vent, hit this up now. It's the
• 4:49
  Speaker 3: Breakfast Club.
• 4:50
  Speaker 4: Good morning, the Breakfast Club. This is your time to
• 4:57
  Speaker 4: get it off your chest, whether you're mad or black.
• 5:00
  Speaker 3: I hate the way that you walk, the way that
• 5:01
  Speaker 3: you talk, I hate the way that you jet everything.
• 5:04
  Speaker 3: When he is best, call up now eight hundred five one.
• 5:09
  Speaker 4: Not just me, I'm with the coach of philing.
• 5:11
  Speaker 6: Hello, who's this yoldest Rode from New Orleans?
• 5:15
  Speaker 2: Rob from New Orleans?
• 5:16
  Speaker 4: What's up? And get it off your chest?
• 5:17
  Speaker 6: What's that? And good morning fella? Good morning, good morning,
• 5:19
  Speaker 6: Brother's club, good morning, selling man, good morning, good morning,
• 5:23
  Speaker 6: good morning Jess, good morning, Envy. I want to get
• 5:26
  Speaker 6: up my test man. This is my first year amiversary
• 5:29
  Speaker 6: when I got married one year ago today.
• 5:31
  Speaker 10: Congratulations, congratulations, sir.
• 5:34
  Speaker 6: Thank you, thank you. I want to give a shock
• 5:36
  Speaker 6: to my wife's jazz sleep right now. So when she
• 5:38
  Speaker 6: went up, you know we're our we're our behind. So
• 5:41
  Speaker 6: I woke up there to get off my test. I
• 5:44
  Speaker 6: love your baby, happy first year anniverstity.
• 5:46
  Speaker 2: But y'all doing today anything?
• 5:48
  Speaker 6: Man, We better have a whole day. Whatever she want
• 5:50
  Speaker 6: to do today, dedicate to her. So we about to
• 5:52
  Speaker 6: be about to do whatever whenever she get up. We
• 5:54
  Speaker 6: want to have a whole day, wine and dine whatever
• 5:56
  Speaker 6: she want to do. So it's it's it's up, it's up.
• 6:00
  Speaker 6: I woke up just to do this. I said my
• 6:02
  Speaker 6: love for five club this morning to do this. This
• 6:04
  Speaker 6: is this is the first thing when she wake up
• 6:06
  Speaker 6: this morning. I'm gonna play this in the morning at sixteen.
• 6:08
  Speaker 4: Oh, you got a whole day plan?
• 6:11
  Speaker 6: Yeah, yeah, yeah, I got a whole day. I got
• 6:12
  Speaker 6: a whole day plan. We took the day off today.
• 6:15
  Speaker 6: We got our day cause we bring on baby girl
• 6:17
  Speaker 6: to day camp. And we started with the Brothers Club.
• 6:20
  Speaker 6: We ending. We ended with whatever whatever we do, we're
• 6:23
  Speaker 6: gonna do what. You know, I just want to shout
• 6:25
  Speaker 6: out my baby girl, happy one year at the bresh
• 6:27
  Speaker 6: of my baby.
• 6:27
  Speaker 2: All right, brother, have a go with manutager your day.
• 6:29
  Speaker 6: Yes, sir, appreciate y'all.
• 6:31
  Speaker 3: Get it off your chest. Eight hundred and five eight
• 6:33
  Speaker 3: five one o five one. If you need to vent,
• 6:34
  Speaker 3: hit us up now. It's the Breakfast Club.
• 6:36
  Speaker 4: Good morning, the Breakfast Club. Morning.
• 6:40
  Speaker 3: Everybody is DJ Envy Jess Hilarious, Charlamage the Guy. We
• 6:44
  Speaker 3: are the Breakfast Club and we got a special guest
• 6:46
  Speaker 3: in the building, the legendary Jasmine Guy. Welcome back, Good morning.
• 6:50
  Speaker 2: How you feeling.
• 6:51
  Speaker 10: I felt great.
• 6:52
  Speaker 13: I love doing your show the last time and I
• 6:57
  Speaker 13: got a lot of positive feedback.
• 7:00
  Speaker 4: You come on.
• 7:01
  Speaker 10: It was a different kind of interview though than there you.
• 7:05
  Speaker 13: My daddy was like you were a little too comfortable,
• 7:09
  Speaker 13: like they were at your house. Champagne, right, yes, champagne
• 7:14
  Speaker 13: whatever that was.
• 7:16
  Speaker 10: I didn't even like it, and I was drinking that.
• 7:19
  Speaker 13: But my father said that you would put more in
• 7:22
  Speaker 13: when I was looking at Kadeen.
• 7:26
  Speaker 10: That's what he said.
• 7:27
  Speaker 13: He said, whenever you looked at Kadeen, he poured more
• 7:30
  Speaker 13: in there. So I'm I'm thinking I'm just drinking one
• 7:32
  Speaker 13: glassy swaanty whatever.
• 7:42
  Speaker 10: But I'm drinking anyway, seven o'clock in the morning. Embarrassing,
• 7:45
  Speaker 10: is that you talking? He was just sitting back there.
• 7:49
  Speaker 10: I'm just laughing.
• 7:52
  Speaker 13: No, No, it was good because you ask questions that
• 7:55
  Speaker 13: people don't usually ask. You know, we get the same
• 7:58
  Speaker 13: questions over and over actually about a different world.
• 8:02
  Speaker 4: And you've done so much more since since.
• 8:04
  Speaker 1: Absolutely, like right now, you want your first Emmy this year,
• 8:08
  Speaker 1: that's congratulations.
• 8:10
  Speaker 10: Went for the Chronicles of Jessica Woo. Yes, that was
• 8:14
  Speaker 10: a trip.
• 8:14
  Speaker 13: So I was going to Mexico to hang out with
• 8:17
  Speaker 13: my girlfriends, and I land and I get all these
• 8:22
  Speaker 13: texts from people saying congratulation on your Emmy nomination, and
• 8:26
  Speaker 13: I really thought people would messing with me.
• 8:29
  Speaker 10: I didn't even call them back. I said whatever.
• 8:33
  Speaker 13: I wasn't even and then when I realized I really
• 8:37
  Speaker 13: had been nominated, I.
• 8:39
  Speaker 10: Thought it was for the show Harlem.
• 8:41
  Speaker 13: Okay, Chronicles of Jessica Woo I had done. True, it
• 8:45
  Speaker 13: was before COVID. It was a long time ago, and
• 8:49
  Speaker 13: I only worked on it for a day. It was
• 8:51
  Speaker 13: a very interesting project to me because the production company
• 8:57
  Speaker 13: was a couple, a small black production company. The superhero
• 9:02
  Speaker 13: in the piece had autism, but her powers that whatever
• 9:07
  Speaker 13: put her on.
• 9:07
  Speaker 10: The spectrum made her a superhero.
• 9:10
  Speaker 13: Their daughter had an autistic child anyway, So I said, well,
• 9:14
  Speaker 13: I'll do it because I know after this they're going
• 9:16
  Speaker 13: to need distribution. And who knew that's what you know.
• 9:21
  Speaker 13: What I'm saying, my love for them and what I
• 9:26
  Speaker 13: know about, you know, pitching ideas. You're gonna need a name.
• 9:29
  Speaker 13: I know I've heard it all, and I said, well,
• 9:32
  Speaker 13: I'll be your name. This is gonna be good. And
• 9:34
  Speaker 13: it was a short series, like a wepisode series.
• 9:38
  Speaker 10: The other Oscar.
• 9:40
  Speaker 13: Nomination I got was also from an independent black company
• 9:44
  Speaker 13: and it was my nephew, Emmett. And I played em
• 9:48
  Speaker 13: Matill's aren't on the night that he was taken from
• 9:51
  Speaker 13: their home, and I was like, oh, I do not
• 9:55
  Speaker 13: want to go to Mississippi. And I'm telling you we
• 9:57
  Speaker 13: stayed right down the street from when he got abducted.
• 10:02
  Speaker 2: Missisippi still got that same energy.
• 10:04
  Speaker 10: Thank you.
• 10:06
  Speaker 13: I was gonna say, I felt ghosts, you know, And
• 10:09
  Speaker 13: I did it, and they got nominated for an Oscar night.
• 10:12
  Speaker 13: When the director called me, he was a graduate student
• 10:15
  Speaker 13: from NYU Film School. His mentors with Spike Lee and
• 10:19
  Speaker 13: Casey Lammon's right beautiful brother, the and the crew and everybody.
• 10:24
  Speaker 13: I had a great artistic experience. But when he told me,
• 10:28
  Speaker 13: you know, we got nominated for an Oscar thought he
• 10:31
  Speaker 13: was messing with me.
• 10:33
  Speaker 1: That says a lot though, like about how you know,
• 10:35
  Speaker 1: I guess black actors and actresses are conditioned in Hollywood
• 10:39
  Speaker 1: that when they get told that they're even nominated, they
• 10:41
  Speaker 1: don't believe it.
• 10:43
  Speaker 13: But when you ignored long enough, you got the message.
• 10:46
  Speaker 13: I got the message. If you're not nominating a different world.
• 10:51
  Speaker 13: Debbie Allen, Susan fails our wardrobe department, any other actor
• 10:56
  Speaker 13: on that show. I stopped focusing on y'all giving me
• 10:59
  Speaker 13: my props. I know who gives me my props. And
• 11:03
  Speaker 13: I told the actors, I said, we just got to
• 11:06
  Speaker 13: be good, you know, forget all these accolades or whatever.
• 11:09
  Speaker 13: They obviously do you know how many times they said
• 11:13
  Speaker 13: to me, even on I think I did Dennis Miller,
• 11:16
  Speaker 13: remember Dennis Milana talk show. He started with, so how
• 11:20
  Speaker 13: does it feel being between number one and three? And
• 11:24
  Speaker 13: I was stunned because I just sat down. You know,
• 11:27
  Speaker 13: you come out all cute, and what I was like
• 11:30
  Speaker 13: he said that wasn't a good lead in question.
• 11:32
  Speaker 10: I said, no, it wasn't.
• 11:33
  Speaker 2: You're talking about Cogye and Tears.
• 11:35
  Speaker 13: Everybody said we were number two because we came between them, okay,
• 11:39
  Speaker 13: and that was the first question.
• 11:40
  Speaker 10: That was the message.
• 11:41
  Speaker 13: That was the message that we got as actors as
• 11:44
  Speaker 13: you know, performers, and we never got our props for
• 11:50
  Speaker 13: not just the acting, but it was Debbie Allen, Susan
• 11:54
  Speaker 13: fails me.
• 11:55
  Speaker 10: Three black women in charge of that show. You know
• 11:59
  Speaker 10: what I mean. We could have been on.
• 12:00
  Speaker 13: The cover of Essence, and I just knew who really
• 12:04
  Speaker 13: saw us and who really understood us.
• 12:08
  Speaker 10: It's the same way you said, just look, okay.
• 12:11
  Speaker 13: So Carcy Warner, our producers also produced a show with
• 12:17
  Speaker 13: Whoop the Goldberg called Bagdad, Cafe Grace, under Fire in
• 12:21
  Speaker 13: the Roseanne Show and the Cosm of Show right, so
• 12:24
  Speaker 13: we're one of five.
• 12:26
  Speaker 10: They never asked us to do anything.
• 12:29
  Speaker 13: They asked Roseanne Barr to sing the national anthem, in
• 12:32
  Speaker 13: which she grabbed her crotch because she can't sing.
• 12:35
  Speaker 10: But we got five singers on our show.
• 12:37
  Speaker 4: That's crazy.
• 12:37
  Speaker 13: You could have had don me Kree, you know, never,
• 12:41
  Speaker 13: I don't know. I just got things we got things
• 12:44
  Speaker 13: on our own, and I never felt a part of
• 12:47
  Speaker 13: that network.
• 12:48
  Speaker 10: Then when I.
• 12:49
  Speaker 13: Saw what happened with Friends, I was like, yo, that
• 12:53
  Speaker 13: would have helped us. It would have helped us with
• 12:55
  Speaker 13: work after the show. It would have given us some props,
• 13:00
  Speaker 13: you know, that we could have used for future projects.
• 13:04
  Speaker 13: I pitched a lot. I have my own production company
• 13:07
  Speaker 13: after a Different World. All of my projects were rejected,
• 13:11
  Speaker 13: but then I started to see them.
• 13:13
  Speaker 4: That was wow. You know what I mean.
• 13:15
  Speaker 10: It's like a bad relationship.
• 13:17
  Speaker 13: After a while, you gotta understand, Okay, I ain't what
• 13:20
  Speaker 13: you want.
• 13:21
  Speaker 4: All right.
• 13:21
  Speaker 2: We got more with Jasmine Guy. When we come back,
• 13:23
  Speaker 2: do move.
• 13:24
  Speaker 4: It's to Breakfast Club.
• 13:25
  Speaker 2: Good Morning.
• 13:25
  Speaker 1: Breakfast Club was saying it was such a privacy in
• 13:29
  Speaker 1: the nineties, so to get those stories from that era
• 13:32
  Speaker 1: when she talks about you and talk and just your friendship,
• 13:35
  Speaker 1: just that friendship of black Hollywood.
• 13:37
  Speaker 4: It's just like.
• 13:38
  Speaker 13: Man and now I was like privileged enough to hang
• 13:41
  Speaker 13: with them because there's so much younger than me.
• 13:44
  Speaker 10: You know, it was just easy.
• 13:46
  Speaker 13: You know, her birthday party and we went to the Dragonfly,
• 13:51
  Speaker 13: which was funk night that night.
• 13:56
  Speaker 10: I liked me some funk, obviously, I'm like, it's funck night.
• 14:00
  Speaker 12: I can fly.
• 14:01
  Speaker 13: But and you know, accepting of me because well, I'm
• 14:06
  Speaker 13: sixty two. So when I'm on the show, I'm twenty five,
• 14:09
  Speaker 13: twenty six, twenty seven.
• 14:10
  Speaker 10: They eighteen nineteen.
• 14:12
  Speaker 13: Now it's not a big deal. But back then, I
• 14:15
  Speaker 13: wasn't hanging out with no you know. I remember I
• 14:18
  Speaker 13: went to a restaurant with Cree and as we were
• 14:21
  Speaker 13: walking to the restaurant, she said, do they card?
• 14:25
  Speaker 10: I said card?
• 14:26
  Speaker 13: I mean I never I had never been carded because eighteen,
• 14:30
  Speaker 13: you know, I said, how old are you? She said,
• 14:33
  Speaker 13: I just turned eighteen. I said, what the hell am
• 14:36
  Speaker 13: I doing hanging out with? Are you kidding me? Kadem too,
• 14:43
  Speaker 13: I saw them as kids, I like grown ass man
• 14:46
  Speaker 13: when I was young, thirty thirty two. But now that
• 14:52
  Speaker 13: they have embraced me, I appreciate it because they kept
• 14:56
  Speaker 13: me current and kept me interested because they, Jada and Cree,
• 15:01
  Speaker 13: are out the box thinkers. They bring creative ideas to
• 15:04
  Speaker 13: the table that I never would have thought of. And
• 15:07
  Speaker 13: I love that and and of course you know, keeps
• 15:11
  Speaker 13: me laughing.
• 15:11
  Speaker 4: What about Pawk?
• 15:13
  Speaker 10: And I would like that too? He always had ideas.
• 15:16
  Speaker 13: I felt so unaccomplished, you know, because he would say
• 15:21
  Speaker 13: something and then do it. I would tell him an
• 15:24
  Speaker 13: idea and not write it and not finish it, or
• 15:28
  Speaker 13: it's still like on my shelf. Mostly I wanted him
• 15:31
  Speaker 13: to know that I felt he was a great actor.
• 15:35
  Speaker 13: And I heard the murmurings of oh, he's just being
• 15:38
  Speaker 13: himself or whatever. They're just writing on his fame as
• 15:41
  Speaker 13: a rapper. I said, everybody that raps ain't acting on there.
• 15:45
  Speaker 13: There were a lot of rappers that had movies that
• 15:48
  Speaker 13: man can act. Yeah, I mean his performances were after
• 15:53
  Speaker 13: Chang and I just wanted him to know that and
• 15:56
  Speaker 13: not listen to that.
• 15:57
  Speaker 1: Well, you were afraid during that time, like when you
• 15:59
  Speaker 1: took poking after he got you feel like, what have
• 16:01
  Speaker 1: they come looking for him?
• 16:03
  Speaker 13: And yeah, there were times because of the the regularity
• 16:08
  Speaker 13: of my going in and out of my apartment, I
• 16:12
  Speaker 13: felt like it would be easy if I had been
• 16:15
  Speaker 13: on the radar for anybody to you know, follow me
• 16:18
  Speaker 13: or come up. And so there was that. And I
• 16:21
  Speaker 13: didn't live in a secured building like a doorman building,
• 16:25
  Speaker 13: and I was scared of the like I had never
• 16:30
  Speaker 13: seen a real bullet wound, just you know, on TV
• 16:34
  Speaker 13: like NHYPD Blue and when I played a badass in
• 16:37
  Speaker 13: this movie. But I was concerned about that, you know,
• 16:40
  Speaker 13: actually caring for the wounds and making sure he was
• 16:43
  Speaker 13: gonna be Okay, n he should have been in the
• 16:47
  Speaker 13: hospital for at least two or three more days on antibiotics.
• 16:51
  Speaker 2: Everybody has walked out.
• 16:52
  Speaker 3: He signed himself out, so you had to help him
• 16:53
  Speaker 3: out and help meet and help him get himself back together.
• 16:55
  Speaker 13: But he when he left Bellevue, he went to his
• 16:59
  Speaker 13: girlfriends and he realized it was equally accessible.
• 17:04
  Speaker 10: He just felt like a sitting duck in the hospital.
• 17:07
  Speaker 1: Yeah, I'm sure you talk about this on since this
• 17:09
  Speaker 1: is my last question, Like when's the last time you
• 17:10
  Speaker 1: spoke to him, like before you die, you remember the
• 17:14
  Speaker 1: last conversation in your head or the last time you
• 17:16
  Speaker 1: saw him?
• 17:16
  Speaker 13: And I was visiting a Feini and Stone Mountain when
• 17:20
  Speaker 13: they had a house there and he came through. Now
• 17:22
  Speaker 13: this is after he had been in prison for eleven months. Okay,
• 17:26
  Speaker 13: I've seen him for a while. Yeah, Star, I saw
• 17:29
  Speaker 13: him at the house. That was the last time.
• 17:31
  Speaker 2: Do you remember the conversations? Personal?
• 17:33
  Speaker 13: It was just like hey, you know, and he was
• 17:35
  Speaker 13: like I'm strong, now because he was infirmed. So he
• 17:39
  Speaker 13: wanted me to see his you know, little prism push
• 17:42
  Speaker 13: up muscles, knuckles were all black from doing it on
• 17:47
  Speaker 13: you know he wanted.
• 17:48
  Speaker 10: I was like, yeah, you look good.
• 17:51
  Speaker 13: And then he went out with his friends and you know,
• 17:53
  Speaker 13: I hung out with a fainting The thing that really
• 17:56
  Speaker 13: hurt my feelings about him getting shot like that he
• 18:00
  Speaker 13: was with me.
• 18:00
  Speaker 10: I thought I was helping and go.
• 18:03
  Speaker 4: To the next part of his life, like grow.
• 18:07
  Speaker 13: I was like, we're gonna go to prison and then
• 18:09
  Speaker 13: get shot again. And I knew that second shooting wasn't.
• 18:14
  Speaker 13: The wounds he had the first time were in his.
• 18:16
  Speaker 10: Appendages, not in his lungs. I'm so disappointed. Yeah, and
• 18:24
  Speaker 10: he told me he was gonna it wasn't gonna make
• 18:27
  Speaker 10: it past twenty five. I always thought he was just
• 18:29
  Speaker 10: talking all the time.
• 18:31
  Speaker 13: That's legend put that in the book. I was like,
• 18:34
  Speaker 13: I'm not writing a book about you. Stop telling me that.
• 18:40
  Speaker 13: I'd be like, I'm never telling anybody anything about this experience.
• 18:46
  Speaker 13: I thought it was ridiculous for him to say he
• 18:48
  Speaker 13: wasn't gonna live past twenty five.
• 18:51
  Speaker 10: I treated him like I treated my little cousins that
• 18:54
  Speaker 10: make these statements about life. Yeah, so that hurt.
• 18:59
  Speaker 2: I can't wait people to your story. You lived a life, guy,
• 19:01
  Speaker 2: and I got to watching him since this Sunday, March
• 19:04
  Speaker 2: twenty four.
• 19:05
  Speaker 4: Always Pleasure. I love you so much.
• 19:08
  Speaker 2: You are a cultural icon. We appreciate you so much,
• 19:11
  Speaker 2: we value you.
• 19:12
  Speaker 4: Just thank you, Always you.
• 19:14
  Speaker 2: It's Jazmin guy. It's the Breakfast Club.
• 19:16
  Speaker 4: Good morning morning.
• 19:18
  Speaker 3: Everybody is the j en Vy, Jess hilarious, Charlomagne the guy.
• 19:22
  Speaker 3: We are the Breakfast Club. Jess is all maternity leave,
• 19:25
  Speaker 3: so long the ross filling in and we got some
• 19:27
  Speaker 3: special guests in the building. Yes, indeed we have Morris Chestnut.
• 19:30
  Speaker 3: He's here, and we have Amaya Coronalvy. Did I say
• 19:33
  Speaker 3: your name right?
• 19:36
  Speaker 4: Why the fun?
• 19:38
  Speaker 2: I gotta start like this, Emma. Does Charlomagne look anything
• 19:42
  Speaker 2: like Morris? Ches here to talk reasonable doubt?
• 19:47
  Speaker 3: I want to start there because he's been talking so
• 19:49
  Speaker 3: much he thinks he's more reasonable doubt. After that, and
• 19:52
  Speaker 3: then I know the reasonable doubt does look anything.
• 19:56
  Speaker 8: I knew this was gonna come up. I was prepared
• 19:59
  Speaker 8: for this. You would I've heard squint your eyes a
• 20:01
  Speaker 8: little bit down.
• 20:02
  Speaker 4: Here's the couple.
• 20:04
  Speaker 14: One eye couple, both eyes, both beautiful chocolate bald headed men.
• 20:09
  Speaker 2: I see that, Yes, you see a resemblance.
• 20:12
  Speaker 8: And that what I just thought, Okay.
• 20:17
  Speaker 4: Scared in the factory model.
• 20:20
  Speaker 2: Just the fact, Scar, I.
• 20:23
  Speaker 3: Said, Now, does it bother you when when this this
• 20:28
  Speaker 3: brother over here that looks nothing like you claims.
• 20:30
  Speaker 12: That he's you.
• 20:31
  Speaker 2: For his birthday, he post pictures.
• 20:32
  Speaker 4: Of you, just not telling you.
• 20:34
  Speaker 9: Somebody came to me on the streets. I said, no,
• 20:38
  Speaker 9: I wasn't on the street.
• 20:39
  Speaker 4: You're right.
• 20:39
  Speaker 9: I was at a hotel or sat the valet and
• 20:41
  Speaker 9: one of the values said, that's what he said.
• 20:43
  Speaker 2: He said, he looked like Charlemagne, he said, he.
• 20:45
  Speaker 4: Said, Charlemagne.
• 20:47
  Speaker 9: I don't know if he was trolling dim.
• 20:53
  Speaker 4: Glasses.
• 20:55
  Speaker 9: I know he didn't have glasses, you know, but it
• 20:57
  Speaker 9: did happen. It did happen, y'all, didn't.
• 21:00
  Speaker 1: That an't the way, y'all?
• 21:06
  Speaker 8: Fantastic?
• 21:07
  Speaker 2: What roles excite you nowadays?
• 21:09
  Speaker 4: Marsh You've been in the game so long, you know
• 21:12
  Speaker 4: what this role did excite me? It really did? You know?
• 21:15
  Speaker 4: The one thing I love?
• 21:17
  Speaker 9: First of all, she's incredible, I mean, she's incredible at
• 21:20
  Speaker 9: what she does. Incredible actress. I mean she's incredible. But
• 21:24
  Speaker 9: the whole production, so the production starts, you know, with
• 21:27
  Speaker 9: ONX Collective. We have you know, black female executives there,
• 21:31
  Speaker 9: and then of course Carrie Washington's company is producing Street
• 21:36
  Speaker 9: Simpson Streets producing it top not there, Ram and Mohammad,
• 21:40
  Speaker 9: black female showrunner. All the scripts were on time before.
• 21:44
  Speaker 9: I've never gotten scripts on the show like that this early.
• 21:48
  Speaker 9: I would get a script like we was. We would
• 21:50
  Speaker 9: be on the second day of an episode and get
• 21:53
  Speaker 9: a script for the next episode that normally never happens.
• 21:56
  Speaker 9: So everything was topping. I didn't working with her in
• 21:57
  Speaker 9: the cast. This role did.
• 22:00
  Speaker 3: Now for people that don't know what is reasonable doubt about,
• 22:03
  Speaker 3: because you're on season two. So if they don't know
• 22:06
  Speaker 3: what is it about, break it down.
• 22:07
  Speaker 14: You know, it's about this high powered, you know, black
• 22:10
  Speaker 14: female attorney, you know, who is about her business. You know,
• 22:13
  Speaker 14: she handles all of her business when she's when she's
• 22:16
  Speaker 14: in the office, when she's in court, you know, but
• 22:18
  Speaker 14: she's trying to juggle it. You know, she's a mother,
• 22:19
  Speaker 14: she's a wife, and sometimes you know, some of the.
• 22:22
  Speaker 8: Balls drop out of the air, you know what I mean.
• 22:24
  Speaker 14: She fails at times and she makes questionable decisions, makes
• 22:28
  Speaker 14: mistakes at times, you know, but it's about this woman.
• 22:31
  Speaker 8: It's about this marriage, this black marriage.
• 22:34
  Speaker 9: You know.
• 22:34
  Speaker 14: We get to see them trying to figure it out.
• 22:36
  Speaker 14: We get to see them making mistakes. We get to
• 22:38
  Speaker 14: see them, you know, really living their life in this
• 22:41
  Speaker 14: way that we don't often get to see on television.
• 22:43
  Speaker 14: Along with the courtroom drama of it all, you know,
• 22:46
  Speaker 14: we get to see her really in her element. Because
• 22:49
  Speaker 14: the show is loosely based on Sean Holly. Yeah, she's
• 22:53
  Speaker 14: a very high powered defense attorney in La you know,
• 22:56
  Speaker 14: and so we have all of those elements. It's a
• 22:59
  Speaker 14: good blend of the courtroom drama with the character driven
• 23:03
  Speaker 14: kind of piece.
• 23:03
  Speaker 4: You say, half of that business in court? Is that
• 23:06
  Speaker 4: all the business?
• 23:07
  Speaker 14: I mean, she does what she got to do anywhere,
• 23:09
  Speaker 14: anywhere and everywhere.
• 23:11
  Speaker 4: Did you see with Sean at all?
• 23:13
  Speaker 10: Yes?
• 23:14
  Speaker 4: Oh yeah.
• 23:14
  Speaker 14: Before we started filming, we you know, she invited me
• 23:16
  Speaker 14: to her home and you know, we sat and we
• 23:18
  Speaker 14: talked for hours. You know, I got to really pick
• 23:20
  Speaker 14: her brain about how she chooses the cases.
• 23:23
  Speaker 8: That she decides to take on, because.
• 23:25
  Speaker 14: That's the thing you know, we really I think nailed
• 23:28
  Speaker 14: that in the show with the kinds of cases that
• 23:30
  Speaker 14: Jacks chooses to accept can sometimes cause issue with her
• 23:34
  Speaker 14: friends or her family. You know, why are you not
• 23:36
  Speaker 14: defending black women? Why did you choose to defend this
• 23:38
  Speaker 14: this man? And that's what Sean is about, you know,
• 23:41
  Speaker 14: And that's something that I admired or wanted to know
• 23:43
  Speaker 14: a little bit more about what goes into her selecting
• 23:46
  Speaker 14: the kind of cases that she chooses to represent.
• 23:48
  Speaker 2: Is it hard to leave your character on set?
• 23:50
  Speaker 8: Is it hard? No?
• 23:52
  Speaker 14: No, I've learned how to just make the separation. I've
• 23:56
  Speaker 14: learned how to make the separation, and especially with someone
• 23:58
  Speaker 14: like Jack's, you know, she she has a lot going on,
• 24:01
  Speaker 14: you know, so I'm faithful to just leave that there
• 24:03
  Speaker 14: and go home to normalcy.
• 24:05
  Speaker 6: You know.
• 24:05
  Speaker 1: I wanted to ask actors, like, when you have to
• 24:07
  Speaker 1: play a traumatic scene, right, like.
• 24:08
  Speaker 2: When Ricky gets killed in Boys in the Hood.
• 24:10
  Speaker 1: Being that they play that so much on TV, does
• 24:13
  Speaker 1: that trigger you when you see it?
• 24:14
  Speaker 9: Like, do you feel that doesn't trigger me? One thing
• 24:17
  Speaker 9: that did trigger me when I did The First Best Man.
• 24:20
  Speaker 9: It was the first time that I had to be
• 24:22
  Speaker 9: such an emotional spacially. When I did the wedding scene.
• 24:24
  Speaker 9: That was crying, and I had to be in an
• 24:26
  Speaker 9: emotional space for so long. That triggered me for just
• 24:29
  Speaker 9: even thinking about it for at least at least five
• 24:33
  Speaker 9: to seven years.
• 24:34
  Speaker 4: When y'all get the TV.
• 24:35
  Speaker 9: Show, see I see, I had already, you know, as
• 24:39
  Speaker 9: an actor, I had grown and I kind of let
• 24:41
  Speaker 9: some stuff. You know, it's you know, as actors, you know,
• 24:44
  Speaker 9: we use our trauma in our pain to get there.
• 24:47
  Speaker 9: So I you know, I kind of worked on that,
• 24:50
  Speaker 9: but it triggered me for a long time on the
• 24:52
  Speaker 9: first Best Man.
• 24:53
  Speaker 2: Because you ever get tired of it? Because Boys of
• 24:55
  Speaker 2: the Hood was so long ago.
• 24:56
  Speaker 3: Did you ever realize how impactful that was going to
• 24:59
  Speaker 3: be when you when you shot it?
• 25:00
  Speaker 4: I didn't. I didn't.
• 25:01
  Speaker 9: I had no clue because when I when I, I mean,
• 25:04
  Speaker 9: I was a lead in the movie that nobody knew
• 25:06
  Speaker 9: who I was, and no one knew who Cuba was.
• 25:09
  Speaker 9: You know, people knew who Ice Cube was. Angela wasn't Angela,
• 25:13
  Speaker 9: Nia wasn't Nia. I mean, everybody was, you know, just
• 25:16
  Speaker 9: popping off. So I didn't think it was gonna be
• 25:18
  Speaker 9: that big.
• 25:19
  Speaker 1: Now, that's interesting what you said about the Best Man
• 25:21
  Speaker 1: because to being a role when the TV show came
• 25:24
  Speaker 1: where in that iteration of it, you know your wife
• 25:26
  Speaker 1: was deceased. Yes, you had to tap into that emotion
• 25:30
  Speaker 1: of being a man who lost their wife.
• 25:33
  Speaker 4: How did you leave that at home?
• 25:34
  Speaker 9: Well, so it's uh, leave that on the set round? Yeah, yeah,
• 25:38
  Speaker 9: so it's okay. So so that was the first best
• 25:41
  Speaker 9: man I had that. So the second best man was
• 25:43
  Speaker 9: tough because she was battling cancer and I had to
• 25:45
  Speaker 9: do a lot of emotional scenes then. So I've just
• 25:48
  Speaker 9: learned to manage kind of those emotions. I've learned to
• 25:53
  Speaker 9: deal with some of that trauma in a different way now.
• 25:56
  Speaker 4: And actually it's actually acting.
• 25:58
  Speaker 9: It's pretty much therapeutic because you're able to release certain things.
• 26:02
  Speaker 4: And so over the years, that's that's what's happened. Were
• 26:04
  Speaker 4: you a fan of Reasonable Doubt?
• 26:05
  Speaker 2: Season one?
• 26:07
  Speaker 4: I was, because I literally I was on it.
• 26:09
  Speaker 9: I was playing a Saturday basketball game and one of
• 26:11
  Speaker 9: one of the guys there he was like, oo, he said,
• 26:13
  Speaker 9: we normally after we play, he's you know, we talk
• 26:16
  Speaker 9: about stupid stuff, dude, stuff in the gym or whatever.
• 26:18
  Speaker 9: And then he just said, hey, have you guys seen
• 26:20
  Speaker 9: the show Reasonable Doubt? And I knew about the show
• 26:22
  Speaker 9: because I knew Elie was on it, I knew Amians.
• 26:25
  Speaker 9: I hadn't seen it yet. He was like, man, it
• 26:27
  Speaker 9: was just so odd to hear him say that on
• 26:30
  Speaker 9: the court, you know what I'm saying, And so he said,
• 26:32
  Speaker 9: you got to check it out. So yeah, So before
• 26:33
  Speaker 9: I did the show, I was definitely fan because I
• 26:35
  Speaker 9: watched it because he told me to.
• 26:36
  Speaker 10: And what was harder for you?
• 26:37
  Speaker 11: Because Jackson's different season one versus season two, what was
• 26:41
  Speaker 11: the harder draw for you as an actress, like pulling
• 26:43
  Speaker 11: from the experiences. Was it harder for season one or
• 26:45
  Speaker 11: harder for season two for you?
• 26:47
  Speaker 14: I think I would definitely say season two, just because
• 26:51
  Speaker 14: of you know, she's showing a lot more vulnerability as
• 26:54
  Speaker 14: a result of what happened in season one. Yes, you know,
• 26:56
  Speaker 14: so that just it required just like Morris was, you know,
• 27:00
  Speaker 14: I got to pull from some of those places, you know,
• 27:02
  Speaker 14: that kind of thing. So it was more of a
• 27:05
  Speaker 14: challenge in that way. You know, I had to decide
• 27:07
  Speaker 14: to open myself up.
• 27:09
  Speaker 3: We got more with Morris, Chesnut and Miati. When we
• 27:12
  Speaker 3: come back, She don't move. It's to Breakfast Club, Good Morning.
• 27:14
  Speaker 2: Owning Everybody.
• 27:14
  Speaker 3: It's DJ Envy, Jess Hilarius, Charlamagne, the Guy we Are
• 27:18
  Speaker 3: the Breakfast Club were still kicking it with Morris Chestnut
• 27:21
  Speaker 3: and Miati Coronaldi. Of course, Reasonable Doubt Season two is
• 27:24
  Speaker 3: on Hulu everywhere. Now, Emma, you started off in soap operas.
• 27:28
  Speaker 3: Most people never leave that soap opera world, but you did.
• 27:31
  Speaker 3: So break down the soap opera world and what got
• 27:33
  Speaker 3: you in the soap opera I will first I want
• 27:35
  Speaker 3: to know how you got into acting. Because you're a
• 27:37
  Speaker 3: military child. Usually that means you're traveling all over the place.
• 27:40
  Speaker 3: Your parents are heavy into education. What got you into acting?
• 27:43
  Speaker 14: From the start, it was something that I always loved.
• 27:46
  Speaker 14: I always loved, but I didn't know that it could
• 27:49
  Speaker 14: be a choice to be a career, you know. And
• 27:52
  Speaker 14: for a long time, it was just fun, just a hobby.
• 27:56
  Speaker 14: And I thought that I had it planned, doubt. I
• 27:57
  Speaker 14: was going to go to law school. I was going
• 27:59
  Speaker 14: to be a lawyer. My father wanted me to go
• 28:01
  Speaker 14: to the military, but I said, Okay, I think I'm
• 28:04
  Speaker 14: gonna be a lawyer. But in high school I had
• 28:06
  Speaker 14: a girlfriend who also wanted to be a lawyer, and
• 28:09
  Speaker 14: we had our whole plan. It was gonna be Cornaldi
• 28:11
  Speaker 14: and Sweeny Incorporated, you know. But I realized, thankfully before
• 28:15
  Speaker 14: you know, graduation, Okay, no, I don't really want to
• 28:18
  Speaker 14: be a lawyer. I'm not trying to go to law
• 28:19
  Speaker 14: school like she was taking it serious and fill out
• 28:21
  Speaker 14: these SATs.
• 28:22
  Speaker 8: I'm like, am I doing all that?
• 28:23
  Speaker 2: Is she a lawyer?
• 28:23
  Speaker 6: Now?
• 28:24
  Speaker 14: She's a lawyer now? So we went in the right path.
• 28:27
  Speaker 14: I realized, No, I think I just I like the drama.
• 28:29
  Speaker 14: I like the suits and you know, all of that
• 28:31
  Speaker 14: in the courtroom. And so that's the moment when I
• 28:33
  Speaker 14: knew and I kind of started pursuing it at that point.
• 28:36
  Speaker 14: And this was in I graduated high school in Jersey.
• 28:39
  Speaker 14: My last two years were out there in Kansas. I
• 28:42
  Speaker 14: was all over the place, and then went back to
• 28:44
  Speaker 14: Jersey and really started studying and back and forth up
• 28:47
  Speaker 14: here to New York all my off off off Broadway
• 28:50
  Speaker 14: classes and all of that.
• 28:52
  Speaker 8: And then that was it.
• 28:53
  Speaker 2: That was it.
• 28:53
  Speaker 14: And my first role was that that role in Young
• 28:57
  Speaker 14: and Arrest, and that was because that was my showing.
• 29:00
  Speaker 14: She said to her, you know, that was me making it.
• 29:04
  Speaker 14: She says, you got to get him younger. Directed run
• 29:06
  Speaker 14: the restless until Victor I said Hi. And so the
• 29:09
  Speaker 14: bitter sweet moment about that for me is because my
• 29:12
  Speaker 14: mom passed before that happened, before she got to see
• 29:15
  Speaker 14: And so as soon as I got on the set,
• 29:16
  Speaker 14: I said, Victor, I just got to tell you know,
• 29:18
  Speaker 14: my mom just loves you so.
• 29:20
  Speaker 8: And that was a small that was a really small role.
• 29:22
  Speaker 14: And I think that's how I the reason why didn't
• 29:24
  Speaker 14: get caught up in it and staying there because it
• 29:26
  Speaker 14: was a small role, but it was truly one of
• 29:29
  Speaker 14: the most meaningful ones to me to this day because
• 29:31
  Speaker 14: of that.
• 29:32
  Speaker 1: Wow, that's so alarmed for your first your first scene,
• 29:35
  Speaker 1: Mars is a sex scene. Do you ever have to
• 29:40
  Speaker 1: tell these studios not to not to objectify you?
• 29:43
  Speaker 2: Because we heard MEPhI Man.
• 29:44
  Speaker 1: Once said he always, you know, pushed back against his
• 29:47
  Speaker 1: sex symbol status. You ever have to tell these studios like, look,
• 29:50
  Speaker 1: you know, I know I'm Mars chestnut.
• 29:51
  Speaker 2: You can't be.
• 29:55
  Speaker 10: Explained, we would know the difference.
• 29:57
  Speaker 2: Do you ever feel like it being objectified maybe is
• 29:59
  Speaker 2: a better question.
• 30:00
  Speaker 4: I don't see that that way. You know.
• 30:01
  Speaker 9: It's almost like because people sometimes they ask me, they say,
• 30:05
  Speaker 9: do you get mad when people call you Ricky all
• 30:07
  Speaker 9: the time, and people see me on the street, and honestly,
• 30:10
  Speaker 9: the one thing about me is that I have never
• 30:12
  Speaker 9: ever forgotten where I come from, right, and and when
• 30:16
  Speaker 9: I was an actor, just starting out, trying to get
• 30:18
  Speaker 9: an agent, just trying to get a part, just say oh,
• 30:21
  Speaker 9: just please, somebody cast me.
• 30:22
  Speaker 4: I just want to be seen. I want to be
• 30:24
  Speaker 4: known so I can get more work.
• 30:25
  Speaker 9: And so it just so happens that that role that
• 30:29
  Speaker 9: I was dying to get to be able to get
• 30:31
  Speaker 9: more work was a role that it was.
• 30:34
  Speaker 4: It was.
• 30:34
  Speaker 9: It was a blessing that it's still relevant and people
• 30:37
  Speaker 9: still refer to it to this very day. So now
• 30:41
  Speaker 9: just because people say Ricky almost every day, I'm not
• 30:43
  Speaker 9: going to turn around and say, oh, man, I hate
• 30:44
  Speaker 9: when people call me Ricky.
• 30:46
  Speaker 4: Because I was so I would desire it so much.
• 30:49
  Speaker 9: So to your question about you know, studios, I don't
• 30:53
  Speaker 9: think they objectify me.
• 30:55
  Speaker 4: I think that.
• 30:57
  Speaker 9: I've been in the business a long time and they
• 31:00
  Speaker 9: the younger Morris would not have imagined that he would
• 31:03
  Speaker 9: be here to this very single.
• 31:04
  Speaker 4: Day after all these years.
• 31:07
  Speaker 9: So I'm just I'm just blessed and and I'm very
• 31:11
  Speaker 9: appreciative of the fact that they still want to cast
• 31:14
  Speaker 9: me because in our industry, you know, no one really
• 31:18
  Speaker 9: retires from our industry. Our industry retires us the phone
• 31:21
  Speaker 9: stops ringing. So as long as the phone is still ringing,
• 31:24
  Speaker 9: I'm gonna keep picking up. And I appreciate it.
• 31:25
  Speaker 1: But it's one thing to be a great actor what
• 31:27
  Speaker 1: you are, but it's another to be considered a heart drop. Right,
• 31:29
  Speaker 1: It's only like kind of like it's like Denzel Mars,
• 31:32
  Speaker 1: who else punts in that lane historically?
• 31:39
  Speaker 2: Michael B. Jordan's Michael, Yeah, he was.
• 31:42
  Speaker 4: Trying to say that, I know.
• 31:45
  Speaker 10: From Queen Sugar, Dark Skin. Queen Sugar.
• 31:51
  Speaker 2: Is the he's there.
• 31:54
  Speaker 4: Where we're at right now.
• 31:55
  Speaker 10: But I think, honestly, you did.
• 31:58
  Speaker 11: It's y'all level of It's like maybe two or three
• 32:00
  Speaker 11: that are to go to mainly you though, like you
• 32:03
  Speaker 11: get you do get a lot of the posts and
• 32:05
  Speaker 11: stuff online. A lot of them comes from Charlomy's Instagram.
• 32:08
  Speaker 9: Shut up, I think to the answer to that question
• 32:12
  Speaker 9: is for me, I don't. I don't focus on it
• 32:15
  Speaker 9: because you know, it's it's this is the type of industry.
• 32:19
  Speaker 9: There's you know, there's there's there's gonna be somebody else tomorrow.
• 32:22
  Speaker 9: There's gonna be somebody else the next day. So I
• 32:25
  Speaker 9: just focused. Honestly, I just try to focus on doing
• 32:28
  Speaker 9: the best job I can as an actor with these
• 32:30
  Speaker 9: job and if that comes with it, I'm appreciative of it.
• 32:32
  Speaker 9: If that's what people say, I'm appreciative of that. But
• 32:35
  Speaker 9: I don't I don't focus on that. I just have
• 32:37
  Speaker 9: to focus on the work because that's gonna keep me
• 32:39
  Speaker 9: here longer than being a You know, if people consider
• 32:42
  Speaker 9: sex and more.
• 32:43
  Speaker 3: The real more is shutting up. Was the sexiest man
• 32:45
  Speaker 3: alive in twenty fifteen? Reason I got to say that
• 32:47
  Speaker 3: because sometimes he puts his face there and ask like.
• 32:49
  Speaker 4: I've never done that.
• 32:50
  Speaker 1: But if you wanted to call him the sexiest man alive,
• 32:52
  Speaker 1: that's fine.
• 32:53
  Speaker 2: If you want to use me to do that, I've
• 32:56
  Speaker 2: never done that, y'all want y'all, I'm going to ask,
• 33:04
  Speaker 2: how does your wife deal with it all?
• 33:05
  Speaker 3: You know, with women hollering when you're allowed in the comments,
• 33:09
  Speaker 3: how does she how does she handle it?
• 33:10
  Speaker 6: Well?
• 33:11
  Speaker 4: I mean, my wife is a star in our family
• 33:13
  Speaker 4: for sure.
• 33:13
  Speaker 9: I mean she's the one that h I mean, she's
• 33:17
  Speaker 9: a star in the family, and she does and I'm
• 33:19
  Speaker 9: a homebody.
• 33:20
  Speaker 4: I'm home all the time.
• 33:21
  Speaker 9: And honestly, the older I've gotten, you know, I mean,
• 33:25
  Speaker 9: she's she's just not even. She's not stressed by it.
• 33:28
  Speaker 9: She's not even. She's just not she's not really interested
• 33:31
  Speaker 9: in the industry. She's it's like we've been together a
• 33:34
  Speaker 9: long long time and so you know, she knows what
• 33:37
  Speaker 9: it is. You know, I'm not going nowhere. Hopefully she's
• 33:40
  Speaker 9: not going anywhere. But uh, it's she's she's cool with it.
• 33:43
  Speaker 9: What about your kids, that's a that's an interesting question.
• 33:46
  Speaker 9: We've never really had the conversation about it. My son
• 33:49
  Speaker 9: has made has made comments about it.
• 33:51
  Speaker 2: Does he have jokes?
• 33:53
  Speaker 4: No, No, he doesn't. He doesn't. He doesn't. He doesn't
• 33:55
  Speaker 4: have jokes.
• 33:56
  Speaker 9: He doesn't have jokes about it. Well, so that's a
• 34:02
  Speaker 9: good question we have. We have my son, and my
• 34:06
  Speaker 9: son's twenty six years old right now. You know, he
• 34:10
  Speaker 9: just turns tow seven, and we just basically have a
• 34:13
  Speaker 9: lot of father son conversations, and my conversations are more
• 34:17
  Speaker 9: gears towards preparing him for life and trying to get
• 34:22
  Speaker 9: him to see the world from different perspectives, primarily from
• 34:26
  Speaker 9: a from a business perspective, a young man who's gonna
• 34:30
  Speaker 9: be taking care of a family perspective. And he'll make
• 34:33
  Speaker 9: comments just in terms of when I'm trying to explain
• 34:37
  Speaker 9: certain things to him how things go in life.
• 34:40
  Speaker 4: He feels.
• 34:42
  Speaker 9: Sometimes he'll make a comment like, well, you haven't had
• 34:46
  Speaker 9: to deal with such and such because such and such.
• 34:48
  Speaker 9: You know, but you know, and I keep having to
• 34:50
  Speaker 9: tell him. I keep it happen to remind him that,
• 34:53
  Speaker 9: you know, I you know, I slept in the room
• 34:55
  Speaker 9: with my brother till we went to college, and we
• 34:58
  Speaker 9: couldn't even open the door was so tight in the
• 35:00
  Speaker 9: room we have bunk beds with put the bunk bed down.
• 35:02
  Speaker 9: We couldn't even open the door. So I didn't. I didn't.
• 35:05
  Speaker 9: I wasn't born into this, you know. And so there's
• 35:08
  Speaker 9: a lot of discipline and hard work. So that has
• 35:11
  Speaker 9: and a blessing you know, from God. But discipline, hard
• 35:14
  Speaker 9: work that has me where I am today.
• 35:17
  Speaker 3: All Right, we got more with Morris Chestnut and Miyazi Carnaldi.
• 35:20
  Speaker 2: When we come back, don't move. It's to breakfast club,
• 35:22
  Speaker 2: Good morning. Everybody is the j n V. Jess Soliris, Charlomagne.
• 35:26
  Speaker 3: To God, we are the Breakfast Club Law on the roster,
• 35:28
  Speaker 3: filing in for Jess, and we're still kicking it with
• 35:31
  Speaker 3: Miati Cornality and Morris Chestnut. Of course, reasonable Doubt. Season
• 35:35
  Speaker 3: two is on Hulu now, Charlamage, What.
• 35:38
  Speaker 2: Did y'all two learn from each other on set?
• 35:40
  Speaker 4: Oh?
• 35:40
  Speaker 8: Well, I would say I definitely learned.
• 35:43
  Speaker 4: You know.
• 35:43
  Speaker 14: When they asked me how I felt about Morris coming
• 35:45
  Speaker 14: on to the show number one, I was just excited.
• 35:48
  Speaker 14: I mean, it's Morris the Chestnut, you know. I mean,
• 35:51
  Speaker 14: it's true, you know, just it's just he brings a
• 35:53
  Speaker 14: level of professionalism and ease, but yet very just approachable
• 36:02
  Speaker 14: and and and kind and giving, you know what I mean,
• 36:05
  Speaker 14: in a way that you just may not expect for
• 36:07
  Speaker 14: someone who's been in the business for so long, for
• 36:10
  Speaker 14: someone who knows that they have this particular status, you
• 36:13
  Speaker 14: know what I mean. But but he didn't have any
• 36:15
  Speaker 14: of that, you know, So I definitely just appreciated and
• 36:19
  Speaker 14: respected that you know about you and I.
• 36:22
  Speaker 9: Appreciate So the one thing you know, on a set,
• 36:25
  Speaker 9: the number one on the call sheet is the heartbeat
• 36:28
  Speaker 9: of the set. The set goes, how the number one
• 36:30
  Speaker 9: goes If the number one is not feeling good today.
• 36:32
  Speaker 9: The set's not gonna have a good day. If the
• 36:34
  Speaker 9: number one is not a good person, it's not a
• 36:36
  Speaker 9: set that you want to be on. She is literally
• 36:40
  Speaker 9: one of the best number ones and that I've.
• 36:42
  Speaker 4: Ever worked with.
• 36:43
  Speaker 9: She she I mean, this is is so hard because
• 36:46
  Speaker 9: when you're when you're when you come to a set,
• 36:48
  Speaker 9: you know, we have the scenes, we have our lines,
• 36:50
  Speaker 9: and we and we have to worry about our character.
• 36:52
  Speaker 9: And she knew everybody's name on the set, everybody's name.
• 36:56
  Speaker 9: And I've been on set. I've been on set right
• 36:58
  Speaker 9: now for six months. I still on even probably about
• 37:00
  Speaker 9: seven names out of like one hundred people. And that
• 37:03
  Speaker 9: was just so impressive to me. And it was really
• 37:07
  Speaker 9: she was really inspiring to me just to see how
• 37:09
  Speaker 9: she was doing that. And she made me mad one
• 37:11
  Speaker 9: day because I always like to be when they call
• 37:13
  Speaker 9: us to set, I like to be the first one there.
• 37:15
  Speaker 9: And she beat me one time. I said, oh, I
• 37:16
  Speaker 9: can't have that. I cannot have her beat me to
• 37:19
  Speaker 9: set because I gotta be there. Yeah, I said, I got,
• 37:21
  Speaker 9: I can have that. So she's just in everything that
• 37:24
  Speaker 9: she does, and she with all of that, you know,
• 37:27
  Speaker 9: she had her daughter there. She's taking care of her daughter.
• 37:29
  Speaker 9: She has, you know, she's carrying the load on this show.
• 37:31
  Speaker 9: She did it so gracefully, eloquently and just an incredible actress.
• 37:35
  Speaker 4: So I just have a huge She's inspiring.
• 37:38
  Speaker 2: Now, was there somebody you talking about?
• 37:40
  Speaker 4: Number ones?
• 37:40
  Speaker 3: Is there somebody that you say, no matter how much
• 37:42
  Speaker 3: they pay you, you without saying names, that you just won't
• 37:45
  Speaker 3: do a movie with them because they just don't act, right?
• 37:47
  Speaker 14: Oh No, No.
• 37:51
  Speaker 3: No, theod because someone popped into my head.
• 37:56
  Speaker 8: But I don't that's just based off of what you hear.
• 37:58
  Speaker 4: I don't know, you know what I mean.
• 37:59
  Speaker 5: I don't.
• 37:59
  Speaker 8: I can't jump someone based on that. So no, I
• 38:01
  Speaker 8: wouldn't say that.
• 38:02
  Speaker 3: Morrison, Oh oh yeah, I have I have one, you know.
• 38:09
  Speaker 9: Yeah, he doesn't. I'm not sure if he's I don't
• 38:12
  Speaker 9: think he's done anything too much lately. But yeah, it's Yeah.
• 38:16
  Speaker 9: It can be a really, really really bad set. It's
• 38:19
  Speaker 9: just not a good it's not a working it's not
• 38:22
  Speaker 9: a free working environment to be an artist when you
• 38:26
  Speaker 9: have everyone walking on eggshells and this person just dictates
• 38:32
  Speaker 9: the whole mood, just the of the set, and it
• 38:35
  Speaker 9: just makes it so challenging, not even to just do
• 38:38
  Speaker 9: your job just to even be there, because we spend
• 38:42
  Speaker 9: twelve thirteen hours a day. It's like a family. You know,
• 38:46
  Speaker 9: you spend more time on a set than you do
• 38:48
  Speaker 9: your family.
• 38:48
  Speaker 10: So yeah, I mean, I say, I have a question
• 38:51
  Speaker 10: for you.
• 38:51
  Speaker 11: I had heard Eric Alexander talk about how when black
• 38:54
  Speaker 11: women play strong roles on TV, it boxes them in.
• 38:57
  Speaker 11: It's like a good thing because your representation, but it
• 38:59
  Speaker 11: can be a bad and because it boxes you into this,
• 39:01
  Speaker 11: like you always have that power, you always have to
• 39:03
  Speaker 11: be tough and rough.
• 39:04
  Speaker 10: Do you think about that when you're picking roles?
• 39:06
  Speaker 11: I know, because Jackson's becoming a household now household emaw,
• 39:09
  Speaker 11: like people love the show. Do you think about that?
• 39:11
  Speaker 11: Do you think how that will affect you? Has that
• 39:13
  Speaker 11: been you know, something you and your team I talked about.
• 39:16
  Speaker 14: You know, I understand what she's saying about that because
• 39:18
  Speaker 14: that is you know, it's it's almost can even be
• 39:21
  Speaker 14: a stigma even that's placed upon us as black women.
• 39:24
  Speaker 14: But it's not something that I think about because there's
• 39:27
  Speaker 14: an element of it.
• 39:28
  Speaker 8: That is true. It's there.
• 39:29
  Speaker 4: We are strong.
• 39:30
  Speaker 14: We've had to be strong for so long for so
• 39:32
  Speaker 14: many reasons, So you know, it's not something that I
• 39:35
  Speaker 14: feel like I have to lead with or something that
• 39:37
  Speaker 14: I have to be cognizant of, because I don't. It doesn't,
• 39:42
  Speaker 14: it doesn't. It doesn't bother me in that way, you
• 39:45
  Speaker 14: know what I mean? And so I think I do
• 39:47
  Speaker 14: choose roles, not necessarily. If I see a role and
• 39:51
  Speaker 14: it says, Okay, she's a strong woman, that would have
• 39:53
  Speaker 14: you You know, I know, I'm going to put my
• 39:54
  Speaker 14: own spin on it, and I may not feel like
• 39:57
  Speaker 14: she's strong in the way that they think she's strong,
• 40:00
  Speaker 14: you know what I mean, So I can make a
• 40:01
  Speaker 14: different interpretation, interpretation on it.
• 40:04
  Speaker 4: Gotcha, I know y'all got to go. So I got
• 40:06
  Speaker 4: my final question.
• 40:07
  Speaker 1: Other than when I'm around Mark my, do you ever
• 40:10
  Speaker 1: walk in the room and say I'm the most handsome man?
• 40:14
  Speaker 4: No?
• 40:15
  Speaker 14: No, did say that one day when we were.
• 40:24
  Speaker 2: That I don't want to. You're in the family Feud video, right,
• 40:27
  Speaker 2: Jaycon's family?
• 40:28
  Speaker 10: Yes?
• 40:28
  Speaker 4: How was how were you casting for that?
• 40:29
  Speaker 2: Are you cool with the family?
• 40:31
  Speaker 14: Ava a direct?
• 40:35
  Speaker 8: I think that's how we met.
• 40:36
  Speaker 10: We met at.
• 40:39
  Speaker 4: Yeah, yeah, we did. It was when you were there.
• 40:45
  Speaker 10: I didn't.
• 40:45
  Speaker 8: I didn't.
• 40:49
  Speaker 4: I was like five years yeah.
• 40:51
  Speaker 14: Something like that, young watching the movie or something and
• 40:55
  Speaker 14: the fight it was, that's what it was.
• 40:58
  Speaker 8: But yeah, that's how that came about. But Abe was
• 41:00
  Speaker 8: the director.
• 41:01
  Speaker 2: Yeah, Astu. Well, we appreciate you. I know you guys
• 41:02
  Speaker 2: got a run Doubt.
• 41:04
  Speaker 9: I want to say something to you guys. I really
• 41:05
  Speaker 9: appreciate what you guys are doing for the culture. I mean,
• 41:08
  Speaker 9: I see the guests you guys have on to see
• 41:09
  Speaker 9: the topics that you guys talk about, and I appreciate
• 41:13
  Speaker 9: what you guys doing because, especially now in our community,
• 41:15
  Speaker 9: you talk about therapy a lot.
• 41:17
  Speaker 4: I love that you.
• 41:17
  Speaker 9: Guys bring up a current topic, current event, topics, politics,
• 41:21
  Speaker 9: and so you guys are I was really excited to
• 41:24
  Speaker 9: come back because I've been here before, but I was
• 41:25
  Speaker 9: really excited to come back because I appreciate you guys,
• 41:28
  Speaker 9: what you guys are doing for the culture.
• 41:29
  Speaker 4: So thank you, guys.
• 41:30
  Speaker 2: Thank you very much much.
• 41:31
  Speaker 3: Reasonable Doubt Season two is out now on Hulu. Ladies
• 41:34
  Speaker 3: and gentlemen, it's the Breakfast Club. It's Mores Chesnut and
• 41:36
  Speaker 3: Emma Yati Coronali.
• 41:37
  Speaker 2: Thank you so much. Close the Breakfast, Good.
• 41:40
  Speaker 4: Morning, it's time for Donkey.
• 41:41
  Speaker 2: It's a read. But you're so good at charlamade. Wants
• 41:46
  Speaker 2: charlamadel Man.
• 41:50
  Speaker 10: Who do you give a dusky O to day? To them?
• 41:52
  Speaker 1: Yes, don'gy to Dayvid goes to a twenty one year
• 41:54
  Speaker 1: old woman named Juniper Bryson, and she's been charged with
• 41:57
  Speaker 1: the sale our purchase of a child and she is
• 42:00
  Speaker 1: currently being held on the thirty thousand dollar bond because
• 42:02
  Speaker 1: she tried to sell her house on Facebook.
• 42:06
  Speaker 4: Let's go to ABC thirteen Eye Witness News for the report.
• 42:08
  Speaker 8: Please she led us on to believe that we were chosen.
• 42:12
  Speaker 7: Wendy Williams and her husband were one of many families,
• 42:14
  Speaker 7: according to court records, hopeful to be the parents of
• 42:17
  Speaker 7: this beautiful baby boy born on September twenty fourth. The
• 42:20
  Speaker 7: only difference between Williams and the other families is she
• 42:23
  Speaker 7: was in the delivery room with twenty one year old
• 42:26
  Speaker 7: Juniper Bryson. Williams didn't know Bryson, neither did the other
• 42:29
  Speaker 7: prospective parents. They just responded to Facebook posts asking for
• 42:33
  Speaker 7: someone to adopt Bryson's baby. Bryson chose Williams, she believes,
• 42:37
  Speaker 7: because she was local and Bryson went into labor early.
• 42:40
  Speaker 7: She stayed at the hospital for three days with Bryson
• 42:42
  Speaker 7: and the newborn who tested positive for drugs, munting to
• 42:45
  Speaker 7: court records. But then Williams says she started getting messages
• 42:49
  Speaker 7: on Facebook from people saying Bryson was trying to sell
• 42:52
  Speaker 7: the baby. After finding out what she did, Williams contacted
• 42:55
  Speaker 7: CPS and police were called. Investigators obtained conversations with at
• 42:59
  Speaker 7: least seven people on social media where they say Bryson
• 43:02
  Speaker 7: was asking for money in exchange for the baby, including
• 43:06
  Speaker 7: this one where she says, quote, I'd ask for a
• 43:08
  Speaker 7: minimum of one hundred and fifty bucks up front.
• 43:11
  Speaker 4: That's it, one hundred and fifty.
• 43:13
  Speaker 2: I gotta get a discount if the baby test positive
• 43:15
  Speaker 2: for drugs.
• 43:16
  Speaker 1: Okay, sot a meth, little crack baby. I'm not paying
• 43:18
  Speaker 1: one hundred and fifty Yeah, one hundred dollars. That's fit
• 43:20
  Speaker 1: nothing more than nothing less. Now, look, she's twenty one
• 43:22
  Speaker 1: years old, and I have a theory that after the
• 43:24
  Speaker 1: year two thousand, they really just started making any old
• 43:27
  Speaker 1: kind of human. Okay, I think God sold the company
• 43:29
  Speaker 1: the company that makes humans. God sold it. Let them
• 43:32
  Speaker 1: keep the name of the designs, but the ingredients don't
• 43:34
  Speaker 1: hit the say. Now, don't get me wrong, I'm not
• 43:36
  Speaker 1: gonna sit here and act like the humans.
• 43:37
  Speaker 2: I grew up with was much better.
• 43:38
  Speaker 1: Okay, I grew up in the era where some humans
• 43:40
  Speaker 1: would have babies and then throw the babies in a dumpsterum. Okay,
• 43:43
  Speaker 1: Tupac wrote a whole song about it, Brenda's Got a Baby,
• 43:45
  Speaker 1: and that was based on a true story. So I'm
• 43:47
  Speaker 1: not gonna sit here and act holy at it now.
• 43:49
  Speaker 1: But this is exactly why women should be able to
• 43:52
  Speaker 1: have abortions if they want one. Okay, Texas has some
• 43:55
  Speaker 1: of the strictest abortion laws in the country. Abortion is
• 43:57
  Speaker 1: completely banned, except for limited circumstances. This twenty one year
• 44:00
  Speaker 1: old girl has to carry the term. She reaches out
• 44:03
  Speaker 1: to a family connection asking if they know any families
• 44:05
  Speaker 1: looking to adopt.
• 44:06
  Speaker 2: Imagine looking for a plug for adoption. That's what she did.
• 44:09
  Speaker 4: She was looking for a plug for adoption, an adoption booster.
• 44:13
  Speaker 1: But exactly and she didn't even go about the process
• 44:16
  Speaker 1: of doing the adoption right, so she ended up putting
• 44:18
  Speaker 1: her baby on Facebook marketplace. You can buy a furniture
• 44:21
  Speaker 1: home to core rugs and newborn babies all on Facebook
• 44:24
  Speaker 1: Marketplace now. I asked Lauren Lorossa earlier if there was
• 44:30
  Speaker 1: any newborn babies on Facebook marketplace. I just asked you
• 44:32
  Speaker 1: to look. I don't know. Maybe this is normal and
• 44:34
  Speaker 1: we don't know about it.
• 44:35
  Speaker 11: I ain't see none. I also checked sheen a baby baby,
• 44:38
  Speaker 11: come get this baby. I checked TMU for baby daddy.
• 44:40
  Speaker 11: I ain't seen none of them available.
• 44:42
  Speaker 1: Okay, okay, Now what's interesting to me about this situation
• 44:45
  Speaker 1: is Juniper posted in a Facebook group aimed at connecting
• 44:48
  Speaker 1: birth mothers with prospective adoptive parents. So you know, she
• 44:53
  Speaker 1: indicated that she was located in Houston, but willing to
• 44:56
  Speaker 1: travel if an arrangement could be made.
• 44:58
  Speaker 4: This poor girl really thought that this is how this works.
• 45:02
  Speaker 1: Okay, I just get in a Facebook group with mothers
• 45:04
  Speaker 1: looking to be adoptive parents, and I sell this seven
• 45:07
  Speaker 1: pounds four houns born to a joy to the highest bidder.
• 45:10
  Speaker 1: She was literally at the hospital waiting for the highest bidder.
• 45:13
  Speaker 1: You had to pay extra for the placenta, but she
• 45:16
  Speaker 1: would sell you the newborn below market rate. Now authorities
• 45:19
  Speaker 1: were notified after social media users raise concerns about the
• 45:22
  Speaker 1: legitimacy of the adoption. I've never claimed to be the
• 45:24
  Speaker 1: highest graded weed in the dispensary, but unless something has
• 45:27
  Speaker 1: changed drastically in the world. No adoptions happen on Facebook.
• 45:30
  Speaker 1: You just heard Lauren say, you can't go on Facebook
• 45:33
  Speaker 1: marketplace Okay.
• 45:34
  Speaker 4: To buy a baby.
• 45:35
  Speaker 1: They don't have no babies for sale, and you don't
• 45:37
  Speaker 1: get paid for adopting a child. And it's illegal to
• 45:40
  Speaker 1: receive payment for putting a child up for adoption. So
• 45:42
  Speaker 1: it's nothing left to see here, folks. Please give Juniper
• 45:46
  Speaker 1: Bryceon of Houston, Texas the biggest Hea hull. Now, just
• 45:53
  Speaker 1: you know, hypothetically, if you were to buy a new barn,
• 45:58
  Speaker 1: where would you want it from?
• 45:59
  Speaker 4: Timo? Was I probably go sen Geene?
• 46:04
  Speaker 10: Right?
• 46:04
  Speaker 11: Yeah, I feel like I know more people who've ordered
• 46:06
  Speaker 11: off machine, so my baby would be legit.
• 46:08
  Speaker 4: Yeah.
• 46:09
  Speaker 1: And then you know what, Timu, if they show you
• 46:11
  Speaker 1: the picture of the baby, the baby ain't gonna look
• 46:12
  Speaker 1: the way it looks and when you get it.
• 46:14
  Speaker 11: Yeah, I feel like Sheen, you can like you know,
• 46:16
  Speaker 11: how you wait until you post photos of your baby
• 46:18
  Speaker 11: to all the all the the features and all that coming.
• 46:21
  Speaker 10: How they be waiting.
• 46:22
  Speaker 11: But Sheen, I think they would show you all that,
• 46:24
  Speaker 11: like you would get the before, the after, you get
• 46:26
  Speaker 11: to know who the.
• 46:26
  Speaker 1: Dad is, all that you don't want a little Ti
• 46:28
  Speaker 1: MoU face baby, little t move face baby, and be
• 46:32
  Speaker 1: where you order it from, forever, forever twenty one.
• 46:36
  Speaker 2: Where you get your wakes from.
• 46:37
  Speaker 4: That's all I get in.
• 46:37
  Speaker 11: Oh, it's from a nature of savage artistry. You know,
• 46:40
  Speaker 11: custom unit, custom a unit.
• 46:42
  Speaker 1: Don't never order a baby from that. Don't ever order
• 46:48
  Speaker 1: up baby from there.
• 46:49
  Speaker 11: She don't make baby, she makes beautiful units.
• 46:52
  Speaker 10: Busy. I know that's right. The girls from Delaware get
• 46:54
  Speaker 10: busy with the hands.
• 46:55
  Speaker 4: All right, Well, thank you for that. Donkey to day
• 47:00
  Speaker 4: Breakfast Club Morning.
• 47:03
  Speaker 3: Everybody's DJ Envy Jess, Hilarryous, Charlamagne and the guy. We
• 47:07
  Speaker 3: are the breakfast Club Laurna Rosa filling in for jests.
• 47:10
  Speaker 3: And we got a special guest in the building. Yes,
• 47:12
  Speaker 3: indeed we got Jalil White.
• 47:14
  Speaker 2: Welcome.
• 47:14
  Speaker 4: What's up, fact, How you feeling man? I'm doing great, man,
• 47:17
  Speaker 4: I rear a good man.
• 47:18
  Speaker 1: Good to see you, Bron'll see you, brother. You got
• 47:19
  Speaker 1: your new book, Growing Up Arcle, a memoir. I've always
• 47:23
  Speaker 1: loved your story, though, because you know you already a
• 47:25
  Speaker 1: pitted me of taking advantage of a moment. He's an opportunity, right,
• 47:28
  Speaker 1: because you were so only supposed to be on one episode,
• 47:30
  Speaker 1: the episode How'd that Happen Again?
• 47:35
  Speaker 15: Charlamagne, I was I was just a black kid at
• 47:37
  Speaker 15: one of the Sega Jackson start.
• 47:38
  Speaker 4: It really wasn't that deep.
• 47:40
  Speaker 15: My dad told me that I could get one of
• 47:41
  Speaker 15: anything whenever I got a job, because I was resisting
• 47:44
  Speaker 15: going on auditions. At this point, I was all five
• 47:47
  Speaker 15: foot four of me, was ready to play basketball.
• 47:48
  Speaker 4: We all getting basketball talks at some boy.
• 47:51
  Speaker 15: And I wasn't booking jobs at age twelve too much
• 47:54
  Speaker 15: because a lot of the stereotypical roles.
• 47:56
  Speaker 4: I just wasn't fitting it. My profile I had, like I.
• 47:59
  Speaker 15: Said, at braceist on five four, and I saw this
• 48:02
  Speaker 15: audition come through and I was like, I can get
• 48:04
  Speaker 15: the shot.
• 48:05
  Speaker 4: What was it? What was it? What did it say?
• 48:07
  Speaker 15: The description I included in the book was just, you know,
• 48:10
  Speaker 15: nerdy character. As a matter of fact, I was described
• 48:12
  Speaker 15: as a Rick Moranis type. So that just shows you
• 48:15
  Speaker 15: what the writer's room was already doing the cast of
• 48:18
  Speaker 15: the Black Kid and asking for Rick Morani's type. So
• 48:20
  Speaker 15: I actually read that literally, and then I went and
• 48:23
  Speaker 15: got the Best of Saturday Night Live VHS tape that
• 48:26
  Speaker 15: we had in our house and I found Ed Grimley
• 48:28
  Speaker 15: and I basically was doing a black kid's version of
• 48:31
  Speaker 15: Ed Grimley, and it wasn't really a good impersonation, quite frankly,
• 48:34
  Speaker 15: but because nobody thought that was my inspiration, it became mine.
• 48:38
  Speaker 2: Did you get the second genesis? I was just always curious,
• 48:42
  Speaker 2: did you want to act?
• 48:44
  Speaker 4: Acting was just something that I just didn't after.
• 48:46
  Speaker 15: I mean doing this, I was three, So you know,
• 48:49
  Speaker 15: did you want to do anything that your parents got
• 48:51
  Speaker 15: you started when.
• 48:51
  Speaker 4: You were three?
• 48:52
  Speaker 15: It was just it just came naturally. I didn't resist it,
• 48:54
  Speaker 15: and I enjoyed it. Of course, you always joined and
• 48:56
  Speaker 15: enjoyed getting a day off of school to go someplace
• 48:58
  Speaker 15: and and yeah, exactly and have some fun. But as
• 49:02
  Speaker 15: I got to be around the age of twelve, I
• 49:04
  Speaker 15: didn't really want to act more.
• 49:05
  Speaker 4: I wanted to play play basketball.
• 49:07
  Speaker 15: But once I got the show, then I started getting
• 49:10
  Speaker 15: reps in at a different pace. And now, once you
• 49:13
  Speaker 15: get reps in, you prove yourself good at something proficient,
• 49:16
  Speaker 15: Like I remember the exact episode where I'm like.
• 49:19
  Speaker 4: Oh, this is fun and this audience is my toy.
• 49:22
  Speaker 15: And the episode is called the Big Fix where I
• 49:24
  Speaker 15: took Lower on a date for the first time because
• 49:27
  Speaker 15: Eddie needed to pay off a bet and I leveled
• 49:30
  Speaker 15: this French restaurant.
• 49:32
  Speaker 4: Now, before we get to episode.
• 49:33
  Speaker 15: Yeah, that's the first episode where I'm like, I can
• 49:36
  Speaker 15: hear the audience different. I can see it in my
• 49:37
  Speaker 15: eyes when I watched the episode.
• 49:39
  Speaker 3: Before we get into that part of it. Is it
• 49:41
  Speaker 3: true that you tried out for Rudy Huxtable that boy?
• 49:43
  Speaker 2: Yeah, I did the root.
• 49:44
  Speaker 4: That's the naint. Rudy was poor boy.
• 49:45
  Speaker 2: Oh wow, it was poor boy.
• 49:48
  Speaker 15: So there was a debate there, and you know, he
• 49:50
  Speaker 15: obviously went out over the network at the end, and.
• 49:53
  Speaker 4: And Kisha got the roll. How did you get Oh,
• 49:55
  Speaker 4: it came down to me and her. That's it.
• 49:57
  Speaker 15: They auditioned us all day. I actually never forget that audition.
• 50:00
  Speaker 15: They always bring in like two or three options for
• 50:02
  Speaker 15: each role. But they put us in one room.
• 50:05
  Speaker 4: For like several hours and kept paring us.
• 50:07
  Speaker 15: And going in and out, and then at the end
• 50:09
  Speaker 15: they said, hey, listen, we are pressed for time, so
• 50:11
  Speaker 15: we will take you. You, you, and you and the
• 50:13
  Speaker 15: rest of you. Thank you for coming out. So you
• 50:15
  Speaker 15: had all these crying kids just pouring out of that
• 50:18
  Speaker 15: building that had been there all day.
• 50:20
  Speaker 4: And I remember my mom was like she just had a.
• 50:22
  Speaker 15: Huge reaction to that. She was like, do you ever
• 50:24
  Speaker 15: react like that to losing an audition?
• 50:26
  Speaker 4: Again?
• 50:26
  Speaker 2: Are you crying?
• 50:27
  Speaker 1: Oh?
• 50:27
  Speaker 15: We every I mean, that's a cold way to lose
• 50:29
  Speaker 15: a job when you're seven years old.
• 50:31
  Speaker 10: Did you really understand it to be picked right in front?
• 50:34
  Speaker 15: And I've been right in front because generally it happened.
• 50:36
  Speaker 15: You know, your agent will call you or your agent
• 50:38
  Speaker 15: didn't call you. And my mom was never the type
• 50:40
  Speaker 15: to call the agent also and be like did we
• 50:42
  Speaker 15: or did we not get the job?
• 50:43
  Speaker 4: And a lot of parents do that.
• 50:44
  Speaker 11: But did you really understand at seven years old, like,
• 50:46
  Speaker 11: oh my god, I'm losing this job? This is like
• 50:48
  Speaker 11: what this could be?
• 50:49
  Speaker 4: Well?
• 50:49
  Speaker 10: Were you were just like a kid and it was
• 50:51
  Speaker 10: like no, so you cried like what did you think?
• 50:53
  Speaker 4: No, Well, we were supposed to move to New York. Oh,
• 50:56
  Speaker 4: so they were.
• 50:56
  Speaker 15: They had already talked to my parents through our agent
• 50:59
  Speaker 15: and everything, and my dad was trying to figure out
• 51:01
  Speaker 15: because he was just graduating from dental school.
• 51:04
  Speaker 4: At the time.
• 51:04
  Speaker 15: My dad was trying to figure out how to do
• 51:07
  Speaker 15: this from New York. They had practically said the job
• 51:09
  Speaker 15: is yours and then a little girl came walking in.
• 51:11
  Speaker 4: Damn.
• 51:12
  Speaker 15: I mean they do that kind of stuff all the
• 51:13
  Speaker 15: time now that I'm adult and I know that, but
• 51:15
  Speaker 15: at the time, it was just it was just very shocking.
• 51:17
  Speaker 15: And then you've become a big fan of the show, right,
• 51:20
  Speaker 15: so you're looking at the show and it's like, oh, man,
• 51:22
  Speaker 15: that could have been me.
• 51:24
  Speaker 4: You're doing that, But that passes too.
• 51:26
  Speaker 2: Especially when you end up with your own iconic role
• 51:29
  Speaker 2: in the future.
• 51:29
  Speaker 4: Right. I didn't even look at it that way, seriously,
• 51:31
  Speaker 4: I just during that time show.
• 51:33
  Speaker 15: I'm telling you, man, it's wild to watch fame now
• 51:36
  Speaker 15: because everybody kind of believes like they can have a
• 51:38
  Speaker 15: famous moment and it should come easy to them.
• 51:41
  Speaker 4: But back then, like you know, if you.
• 51:43
  Speaker 15: Got a chance to meet Magic Johnson, you got a
• 51:45
  Speaker 15: chance to meet Chatty Jackson in person. They were inaccessible,
• 51:48
  Speaker 15: they were all talented, they were you know, there was
• 51:52
  Speaker 15: an aura.
• 51:52
  Speaker 4: Literally.
• 51:53
  Speaker 15: I remember the time I met Michael Jordan for the
• 51:55
  Speaker 15: first time and he crept up behind me at the
• 51:56
  Speaker 15: Magic Johnson Midsummer Nights Classic, and it's just like he
• 51:59
  Speaker 15: literally had like this little glow around him, this black
• 52:02
  Speaker 15: Jesus glow around him, and and it's different now, it
• 52:05
  Speaker 15: really is.
• 52:05
  Speaker 4: So you didn't think you could be that. You see
• 52:07
  Speaker 4: what I'm saying now, I don't think that.
• 52:08
  Speaker 2: I don't think there is real celebrity now.
• 52:10
  Speaker 15: Oh now, no celebrity has completely been deluded. Yeah, it
• 52:13
  Speaker 15: really is. I'll disagree and say, there's still some people
• 52:16
  Speaker 15: who have it.
• 52:17
  Speaker 4: I can you know, I can see it.
• 52:18
  Speaker 15: There's some people where they walk in and they have
• 52:20
  Speaker 15: that natural it factor where it's like, okay, you just
• 52:22
  Speaker 15: you affect the room, you know what I'm saying. Like
• 52:24
  Speaker 15: even when Will Smith used to come in or the
• 52:26
  Speaker 15: NBA All Star Games, when Will was in the room,
• 52:28
  Speaker 15: it was just different.
• 52:29
  Speaker 2: That's just arato.
• 52:30
  Speaker 15: Yeah that's exactly so. But that's but that's traditional celebrity
• 52:34
  Speaker 15: this stuff. Now, like I said, it's just it can
• 52:35
  Speaker 15: feel real temporary and it's like you ain't got the
• 52:37
  Speaker 15: it factor, but you got the light on.
• 52:39
  Speaker 10: You did.
• 52:40
  Speaker 3: The cast like you because you went from just supposed
• 52:43
  Speaker 3: to be one episode to taking over the whole thing.
• 52:47
  Speaker 3: So did they like it? There had to be some
• 52:49
  Speaker 3: resentment a little bit. It's like Lord nerdy kid coming
• 52:51
  Speaker 3: in here, Like I said, it was, it was. It
• 52:53
  Speaker 3: was weird at first.
• 52:54
  Speaker 15: The kids and I we worked it out the easiest
• 52:56
  Speaker 15: because they had to hear a lot of.
• 52:58
  Speaker 4: Things that some of their parents who even saying.
• 53:00
  Speaker 15: And you know, when you're a kid and you're hearing
• 53:01
  Speaker 15: what your parents are saying, you're just gonna follow suit that.
• 53:04
  Speaker 4: But Darius and Kelly and I we became brothers and sisters.
• 53:07
  Speaker 4: That's our puberty.
• 53:08
  Speaker 15: So I just feel like the division really kind of
• 53:09
  Speaker 15: took place more along the lines of the adults were
• 53:12
  Speaker 15: the adults and the kids were the kids.
• 53:14
  Speaker 1: You would think that at some point in life people
• 53:16
  Speaker 1: would understand that y'all are a team and it doesn't
• 53:18
  Speaker 1: matter who the star of the team is if the
• 53:20
  Speaker 1: team is winning.
• 53:22
  Speaker 4: Yeah, but the magic words you say is you would.
• 53:24
  Speaker 2: Think, yeah, yeah, but I would it.
• 53:25
  Speaker 4: I mean, after all of these years, we haven't learned that.
• 53:27
  Speaker 2: Even when you use the Shaq and Kobe.
• 53:28
  Speaker 15: Example like that's you know, you can't change the way
• 53:31
  Speaker 15: people are gonna think when they when they're coming from
• 53:32
  Speaker 15: a place of ego. You know, I did a lot
• 53:34
  Speaker 15: to extend our run because the reality was.
• 53:37
  Speaker 4: She was about to get canceled. I know, but that
• 53:39
  Speaker 4: in fact, I get it.
• 53:40
  Speaker 15: You can say that I don't need to to lean
• 53:43
  Speaker 15: in on that, you know, but you know, whether if
• 53:45
  Speaker 15: it was keeping my hair to cut the same way.
• 53:47
  Speaker 15: I mean, it got to the point where I was
• 53:48
  Speaker 15: sick of my own haircut or staying out of the gym,
• 53:51
  Speaker 15: not working out, you know that sucked and playing basketball
• 53:54
  Speaker 15: and finally in my scene they change the pants. Yeah,
• 53:56
  Speaker 15: they maybe change in the final season. It was like,
• 53:58
  Speaker 15: no more jeans. He doesn't wear any gens. So I
• 54:00
  Speaker 15: was doing things that was.
• 54:04
  Speaker 5: You.
• 54:08
  Speaker 4: I read that about to get messed. What was your bulge.
• 54:14
  Speaker 2: About this out.
• 54:17
  Speaker 4: Talk over you?
• 54:18
  Speaker 11: I mean, he wants to talk about your balls. I
• 54:20
  Speaker 11: want to be I want you said were coming. I
• 54:23
  Speaker 11: was getting there. I was one little fishing statement. You
• 54:25
  Speaker 11: jumped to the bulge, did go ahead? You jumped on
• 54:28
  Speaker 11: down his fins, go ahead.
• 54:29
  Speaker 4: To work it out. When we come to the package.
• 54:34
  Speaker 2: Regular it's crazy, y'all. Don't get to sit here.
• 54:37
  Speaker 4: He gives it off waiting for that off back to
• 54:43
  Speaker 4: the bulls. That James bottom line, they just said no
• 54:46
  Speaker 4: jeans in the final season.
• 54:48
  Speaker 2: They didn't tell you why they said no jeans in
• 54:49
  Speaker 2: the final.
• 54:53
  Speaker 11: Ball can tell you that it was getting a little
• 54:55
  Speaker 11: awkward to see the bulge.
• 54:56
  Speaker 10: That's what the pote said.
• 54:57
  Speaker 4: Jesus, they said, no jeans.
• 55:00
  Speaker 10: Do they come to your parents and say that or
• 55:02
  Speaker 10: did they come directly to you.
• 55:03
  Speaker 15: Know at that point, I mean, come on, I'm on
• 55:04
  Speaker 15: saying I'm taking I'm getting notes from producers and you.
• 55:07
  Speaker 1: Know that's a funny ass note to tell somebody that's.
• 55:12
  Speaker 10: An uncomfortable note.
• 55:14
  Speaker 4: We don't know.
• 55:15
  Speaker 11: I feel like you said it in private, like you
• 55:17
  Speaker 11: pulled my family to the side and we have a
• 55:19
  Speaker 11: very closed discussion.
• 55:21
  Speaker 4: Talk about your son's bultit wild Bright.
• 55:25
  Speaker 3: We got more with Julio White, a k a. Steve
• 55:28
  Speaker 3: Kele when we come back, don't move. It's to Breakfast Club.
• 55:30
  Speaker 3: Good morning morning everybody, Iss dj Envy, Jess, Hilarrys Charlamage
• 55:34
  Speaker 3: the guy we are the breakfast Club law La Rosa filing.
• 55:37
  Speaker 2: And for Jess was still kicking it with Jalio White.
• 55:40
  Speaker 2: You know, Steve Erkele.
• 55:41
  Speaker 3: Now we were talking about when you were turning into
• 55:42
  Speaker 3: the star. Right, So at first you didn't have a
• 55:45
  Speaker 3: dress room. Now you got the biggest dress room. So
• 55:48
  Speaker 3: how was that change?
• 55:51
  Speaker 4: Money?
• 55:51
  Speaker 2: I'm so money change.
• 55:52
  Speaker 15: Well, the thing about money, which was cool is that
• 55:54
  Speaker 15: my mom was so petrified the show would get canceled anyway,
• 55:58
  Speaker 15: that she never bought a new car for the first
• 56:00
  Speaker 15: four seasons of the show.
• 56:02
  Speaker 4: You know, my mom was that.
• 56:03
  Speaker 15: I think that's why I'm so passionate about the protective
• 56:06
  Speaker 15: job that my parents did. They did so much to
• 56:09
  Speaker 15: try to keep me attached to normal life, right, you know,
• 56:13
  Speaker 15: they didn't get new cars themselves.
• 56:15
  Speaker 4: My mom demanded that I went to public school. I
• 56:17
  Speaker 4: went to public school.
• 56:18
  Speaker 15: During the entire time, but they't but we didn't have
• 56:23
  Speaker 15: cell phones. We didn't have all we had cell phone
• 56:25
  Speaker 15: but they were big bricks at that time, but we
• 56:27
  Speaker 15: didn't have smartphones to invade the privacy to that degree
• 56:30
  Speaker 15: and let everybody know.
• 56:31
  Speaker 4: What school he goes to, at least on a nationwide level.
• 56:33
  Speaker 15: So you know, I would pop into school like every
• 56:35
  Speaker 15: two weeks to three weeks, and you know, that was
• 56:38
  Speaker 15: something I actually enjoyed doing, kind of like a magic
• 56:40
  Speaker 15: trick because I could go in and I could take tests,
• 56:42
  Speaker 15: I could raise my hand, I could answer answer questions
• 56:44
  Speaker 15: from the teacher, and my peers are looking at me like,
• 56:46
  Speaker 15: how do you know this stuff? It's like I study
• 56:48
  Speaker 15: on set too. How was school did you ever get
• 56:50
  Speaker 15: bullied because people.
• 56:51
  Speaker 4: Looked at you.
• 56:51
  Speaker 2: You know, that's the whole thing. There's the whole thing.
• 56:54
  Speaker 15: It was like the first school I was attending at
• 56:57
  Speaker 15: the time, I was the only black kid at the
• 56:58
  Speaker 15: entire school, which was our we two. It was half Asian,
• 57:01
  Speaker 15: it was half white, and now it's sense taking over
• 57:03
  Speaker 15: all Asian. When I'd go back and past that school,
• 57:06
  Speaker 15: and you know, that's all, you know, the usual stuff.
• 57:09
  Speaker 15: Can I touch your hair and you know, not getting
• 57:11
  Speaker 15: invited to buy Mitzvah's and all that kind of stuff.
• 57:13
  Speaker 15: And then that all changed as soon as I got
• 57:14
  Speaker 15: on the show. Hey you want to go to the
• 57:16
  Speaker 15: Laker game with me? And you know, my mom wants
• 57:18
  Speaker 15: your agent number. She thinking about putting me in the business.
• 57:20
  Speaker 15: And now I'm suddenly so popular. So I left that
• 57:22
  Speaker 15: school and then I went to what I like to call, like,
• 57:24
  Speaker 15: you know, the Joe Clark School, the lean on Me Light.
• 57:27
  Speaker 15: In that case, I was just I stood out a
• 57:29
  Speaker 15: little too much and it also raised my hand too much.
• 57:32
  Speaker 15: And I had a teacher that liked me, and I
• 57:33
  Speaker 15: liked this last of the two. And you know at
• 57:36
  Speaker 15: schools like that, they don't like those kind of relationships.
• 57:38
  Speaker 15: So ran into problems there. And then my mom found
• 57:42
  Speaker 15: the school that was the porch that was just warm
• 57:45
  Speaker 15: enough for me. And in three bear story analogy and
• 57:48
  Speaker 15: and now was South Pasadena High School, and they kind
• 57:50
  Speaker 15: of had to sprinkle everybody.
• 57:51
  Speaker 4: It was Asian, it was Mexican, it was black. It
• 57:52
  Speaker 4: was wonderful.
• 57:53
  Speaker 15: And I had a great principal named Ben Rameirez may
• 57:56
  Speaker 15: he rest in peace, who just you know, kind of
• 57:58
  Speaker 15: went out of his way to make sure that I
• 57:59
  Speaker 15: was always welcome on camp.
• 58:00
  Speaker 11: So, because even in your book you talk about having
• 58:03
  Speaker 11: your dressing room kind of like set up like aress.
• 58:06
  Speaker 4: Room, My dreasu room was cool addressing you.
• 58:08
  Speaker 10: Really wanted to go to the NBA like that was
• 58:10
  Speaker 10: like brill.
• 58:10
  Speaker 4: It was about going to NB I was a huge
• 58:11
  Speaker 4: I mean listen, if you grew up in the nineties,
• 58:13
  Speaker 4: the NBA just this was different.
• 58:14
  Speaker 12: Man.
• 58:15
  Speaker 4: It landed on your life.
• 58:17
  Speaker 15: Man, it was it was everything got so I, you know,
• 58:20
  Speaker 15: I once I started gaining some influence, you know, you
• 58:22
  Speaker 15: could do certain things. And the set decorator for our
• 58:24
  Speaker 15: show transformed the second room in my dressing room into
• 58:28
  Speaker 15: an actual NBA locker room. So I had all the
• 58:31
  Speaker 15: different lockers and you know, that's where I would change
• 58:34
  Speaker 15: and get ready for the show.
• 58:36
  Speaker 1: Wow, you know what I wanted to did the cast
• 58:38
  Speaker 1: members on Family Matters? Was it a level of hate and.
• 58:41
  Speaker 2: Jealousy and envyingus inviianis Indianists are?
• 58:45
  Speaker 1: Yeah, it was.
• 58:46
  Speaker 4: You know what I mean? Your chance to get him
• 58:49
  Speaker 4: up are in hindsight? Were you really difficult to work?
• 58:53
  Speaker 13: No?
• 58:54
  Speaker 2: Absolutely not. You know because Reginald Johnson said that.
• 58:57
  Speaker 15: Okay, okay, so let me make it easy for you.
• 59:00
  Speaker 15: How come you never heard that from the kids? Kelly
• 59:02
  Speaker 15: speaks Arius is everywhere is everywhere? How come you never
• 59:05
  Speaker 15: heard of real again?
• 59:06
  Speaker 6: Yeah?
• 59:06
  Speaker 4: You know, when you when you leave a show.
• 59:08
  Speaker 15: First of all, the difference between movie started and TV
• 59:10
  Speaker 15: startum is when your movie start, you still star, even
• 59:13
  Speaker 15: if you don't have a movie out. When you a
• 59:15
  Speaker 15: TV star, unless you're on TV.
• 59:16
  Speaker 4: You're not a starting. And that's just the way the
• 59:18
  Speaker 4: business treats.
• 59:18
  Speaker 15: So I think people go through a lot of personal
• 59:20
  Speaker 15: trauma sometimes after a show is gone off the air, divorces, investments,
• 59:24
  Speaker 15: maybe they go right, et cetera, et cetera. And it
• 59:26
  Speaker 15: causes people to look back on things with kind of
• 59:28
  Speaker 15: a jaded look, and it was like, man, we had fun.
• 59:31
  Speaker 4: We did.
• 59:31
  Speaker 15: Even the pictures I picked out for the book. You know,
• 59:33
  Speaker 15: I wanted to show pictures of us chilling. You know,
• 59:36
  Speaker 15: I wanted to show me, Reggie and Darius, you know,
• 59:39
  Speaker 15: chilling in Paris when we shot two episodes in Paris.
• 59:41
  Speaker 4: We're the only black show to ever shoot in Europe.
• 59:44
  Speaker 4: That was a big deal.
• 59:45
  Speaker 1: You know.
• 59:45
  Speaker 4: We had this I'll never forget.
• 59:46
  Speaker 15: We had this giant, twelve thousand dollars meal at the
• 59:49
  Speaker 15: top of the Eiffel Tower.
• 59:51
  Speaker 4: As a cast.
• 59:52
  Speaker 15: Oh, I'm glad you asked. My mom took that bill
• 59:55
  Speaker 15: and handed the production because she had the cloud.
• 59:57
  Speaker 4: To do that. But Joe Bury's there, Reggie there, Well,
• 1:00:00
  Speaker 4: we was balling at the top. But again you balling.
• 1:00:03
  Speaker 15: So you know, it's almost kind of like when you
• 1:00:04
  Speaker 15: hear Scotti Pittman talking about the Bulls.
• 1:00:06
  Speaker 4: Now, it's like, Scotty, you can't say nothing nice about
• 1:00:08
  Speaker 4: the bulls?
• 1:00:10
  Speaker 12: Have you?
• 1:00:10
  Speaker 4: He was rock stars? You and Mike didn't kick it
• 1:00:13
  Speaker 4: at all?
• 1:00:14
  Speaker 6: You should That's how.
• 1:00:15
  Speaker 10: You remember it.
• 1:00:15
  Speaker 11: Have you recently talked to any casts, because I know
• 1:00:17
  Speaker 11: Joe Marie pay and like she had come out and
• 1:00:19
  Speaker 11: said that you guys had a little whatever.
• 1:00:21
  Speaker 4: That's what you fight each other.
• 1:00:23
  Speaker 10: Yeah, Like, can you first of all clarify that story
• 1:00:25
  Speaker 10: because that's just a while.
• 1:00:27
  Speaker 4: No, there's just there's nothing to clarify.
• 1:00:29
  Speaker 15: I'm talking about a coworker of over thirty years ago,
• 1:00:32
  Speaker 15: and I was a miner.
• 1:00:33
  Speaker 4: You don't think if there was any validity of that,
• 1:00:34
  Speaker 4: they wouldn't have come out.
• 1:00:36
  Speaker 10: I'm like, wow, so nothing happened.
• 1:00:38
  Speaker 14: I mean.
• 1:00:40
  Speaker 4: No, but I'm not I'm not getting in it back
• 1:00:42
  Speaker 4: and forth.
• 1:00:43
  Speaker 15: I'm sorry, I'm just doing too good getting it back
• 1:00:45
  Speaker 15: and forth, you know, with a woman who's over seventy
• 1:00:47
  Speaker 15: and I've been kind of like mentally ingrained.
• 1:00:49
  Speaker 4: To not fight with my elders, Like, all right, that's
• 1:00:52
  Speaker 4: the way you saw it. Cool, it is what it is.
• 1:00:54
  Speaker 11: Well, she recently said on the stage, I think where
• 1:00:56
  Speaker 11: I forget where they were at, but the cast was there.
• 1:00:58
  Speaker 11: You weren't there, and she said that, like, you know,
• 1:01:00
  Speaker 11: she wished that you were there, and if you were there,
• 1:01:02
  Speaker 11: she would hug you, and she kind of you know
• 1:01:04
  Speaker 11: that whole thing.
• 1:01:05
  Speaker 10: So have y'all talked or why.
• 1:01:07
  Speaker 15: Does what she have to say hold so much more
• 1:01:09
  Speaker 15: validity than what my other cast members have to say,
• 1:01:12
  Speaker 15: I'm just curious.
• 1:01:13
  Speaker 10: I think, oh, I think that the age thing does
• 1:01:15
  Speaker 10: play a factor. What you say, you know what I mean?
• 1:01:17
  Speaker 10: I think that definitely plays a factor as well.
• 1:01:19
  Speaker 11: But I think she's one of the first people that alleged,
• 1:01:22
  Speaker 11: like the bad stuff that I saw come out and
• 1:01:25
  Speaker 11: be like, man, we should just hug it out.
• 1:01:27
  Speaker 10: I wanted to know. It made me wonder like, have
• 1:01:28
  Speaker 10: y'all talked, like what changed?
• 1:01:30
  Speaker 15: So the people that I talked to regularly is Kelly
• 1:01:33
  Speaker 15: and Darius Neggain. I don't call them Laura Netty, so
• 1:01:35
  Speaker 15: I you know, I called Kelly about this book, you know,
• 1:01:38
  Speaker 15: and we spoke.
• 1:01:38
  Speaker 4: Extensively, and you know, Kelly called me two weeks ago.
• 1:01:41
  Speaker 4: But it's weird for us. By the way.
• 1:01:42
  Speaker 15: Also when we go out and eat or anything like that.
• 1:01:45
  Speaker 15: You know, we like little back rooms and stuff like
• 1:01:47
  Speaker 15: freak out exactly if people saw if people saw me
• 1:01:49
  Speaker 15: and Kelly just at Crustaceans in Beverly Hills, what it
• 1:01:52
  Speaker 15: tends to turn into a big Hey, can I get
• 1:01:54
  Speaker 15: a selfie?
• 1:01:55
  Speaker 2: Fast?
• 1:01:55
  Speaker 4: So you know, data, so you know, we keep it private.
• 1:02:05
  Speaker 15: But I have a very good relationship with all the
• 1:02:07
  Speaker 15: cast members who've ever wanted a relationship with me beyond
• 1:02:10
  Speaker 15: the show, and I don't have anything negative to say
• 1:02:13
  Speaker 15: about Reggie when people ask me who is your favorite
• 1:02:15
  Speaker 15: scene partner? I'm like the chemistry I had with Reginald
• 1:02:18
  Speaker 15: vel Johnson. I remember the episode where it clicked for us,
• 1:02:22
  Speaker 15: It's called Box Card Blues, when we were stuck in
• 1:02:24
  Speaker 15: the train together all these cows and Steve is just
• 1:02:27
  Speaker 15: getting on his nerves, and you know, Reggie just couldn't
• 1:02:30
  Speaker 15: look at me without breaking up, without you know, without
• 1:02:32
  Speaker 15: breaking character, and we just we developed this amazing chemistry.
• 1:02:35
  Speaker 15: But adults are adults and they're going through adult things too.
• 1:02:38
  Speaker 15: And also I'm a kid, so you know what I'll
• 1:02:40
  Speaker 15: tell you one way, maybe I could have been annoying.
• 1:02:42
  Speaker 15: I dribbled my basketball everywhere. If I was in school,
• 1:02:45
  Speaker 15: did you let what need you all said?
• 1:02:47
  Speaker 4: Boom boom? Basketball? Basketball? Basketball? But adults get annoyed when
• 1:02:50
  Speaker 4: a kid is just dribbling and bouncing the ball all
• 1:02:52
  Speaker 4: over the place. Is that difficult old you to talk
• 1:02:55
  Speaker 4: about thirteen fourteen years old?
• 1:02:57
  Speaker 1: Yeah, that's what I'm saying. I would feel like adults
• 1:03:00
  Speaker 1: would have a little bit more.
• 1:03:01
  Speaker 15: I'm approaching it from a very self where you know standpoint.
• 1:03:05
  Speaker 15: So I'm like, okay, yeah, no, that's and I remember
• 1:03:07
  Speaker 15: Joyce Web, one of our script supervisors, be like, oh
• 1:03:10
  Speaker 15: here it comes with the basketball, just like okay, you know.
• 1:03:14
  Speaker 15: I'm like, but if that's that translates twenty five years
• 1:03:17
  Speaker 15: later to being difficult, I'll take it.
• 1:03:19
  Speaker 3: We got more with Julia White when we come back.
• 1:03:21
  Speaker 3: It's the Breakfast Club. Good Morning, the Breakfast Club.
• 1:03:27
  Speaker 4: Warning.
• 1:03:27
  Speaker 3: Everybody is dj n V Jess hilarious, charlamage the guy
• 1:03:31
  Speaker 3: we are the Breakfast Club Lord and the Rosa filling
• 1:03:33
  Speaker 3: in for Jess. We're still kicking it with Julia White
• 1:03:35
  Speaker 3: aka Steve Erkle. Now let's talk about your first kiss.
• 1:03:40
  Speaker 3: Let's talk about your first kiss, because everybody you're getting
• 1:03:44
  Speaker 3: arrested and nowadays if that was.
• 1:03:45
  Speaker 1: So because he's a guy, oh and only they don't
• 1:03:48
  Speaker 1: do that to guy exactly. So break down your first kiss,
• 1:03:50
  Speaker 1: seventeen years old on set.
• 1:03:52
  Speaker 4: He's ahead of me on this one.
• 1:03:54
  Speaker 5: No.
• 1:03:54
  Speaker 15: We had a we had a scene man where you know,
• 1:03:57
  Speaker 15: Steve and Eddie get hot at the dice table and
• 1:03:59
  Speaker 15: they're rolling to die and this woman is supposed to
• 1:04:02
  Speaker 15: give me a kid just planting on on me before
• 1:04:03
  Speaker 15: my last dice roll, and during rehearsals all week, she had.
• 1:04:07
  Speaker 4: Just pretty much given me a pack.
• 1:04:08
  Speaker 15: It was just a pack, yeah, because you just go
• 1:04:10
  Speaker 15: through the motions, but with that hot live studio audience there, man,
• 1:04:13
  Speaker 15: she just yeah, she gave me the whole she bang.
• 1:04:15
  Speaker 15: And so when I pulled back, this was your first time,
• 1:04:17
  Speaker 15: because yeah, I had never kissed the girl.
• 1:04:19
  Speaker 10: I said, how did you know what to do?
• 1:04:21
  Speaker 6: I did.
• 1:04:21
  Speaker 4: I wasn't. First of all, I wasn't even planning for that.
• 1:04:23
  Speaker 15: I know you're supposed to put your lips together, but
• 1:04:24
  Speaker 15: I didn't know that anything else was really supposed to
• 1:04:26
  Speaker 15: happen to them.
• 1:04:27
  Speaker 4: I wasn't. I wasn't seasoned it was.
• 1:04:31
  Speaker 15: And so she does it, and my whole my thinking
• 1:04:35
  Speaker 15: at the time was do not break character, do not
• 1:04:37
  Speaker 15: ruin a good take. You know, That's what you just
• 1:04:39
  Speaker 15: kind of taught as as a comedic actor and as
• 1:04:42
  Speaker 15: a kid. And so when I went to my dressing room,
• 1:04:45
  Speaker 15: I just kind of involuntarily tears start coming down my
• 1:04:47
  Speaker 15: face because I was just like, that was weird. And
• 1:04:49
  Speaker 15: then my dad corners me and he's like, what's wrong.
• 1:04:51
  Speaker 15: Exact the producer comes back, like what's wrong? And it
• 1:04:53
  Speaker 15: was just like, you know, like she put her tongue
• 1:04:55
  Speaker 15: in my mouth.
• 1:04:57
  Speaker 2: I'm surprised your mother, and you know, it was so funny.
• 1:05:00
  Speaker 15: Everybody says that, but it was like my father was
• 1:05:02
  Speaker 15: present and was dealing with the issue, so there was
• 1:05:05
  Speaker 15: no reason to inject. And once it was revealed what happened,
• 1:05:09
  Speaker 15: they all started laughing.
• 1:05:10
  Speaker 2: Not the mento movement, my dad, my dad, my dad's left.
• 1:05:16
  Speaker 4: No, do not find this woman, do not troll this
• 1:05:19
  Speaker 4: woman at all.
• 1:05:21
  Speaker 15: No, I'm serious, because it's like that's one of the
• 1:05:22
  Speaker 15: things that I'm very protective of is we have to
• 1:05:25
  Speaker 15: embrace what double standards were, leave them in the past.
• 1:05:28
  Speaker 4: But it's okay, like I can laugh at it.
• 1:05:30
  Speaker 15: I'm saying, like from the time that it happened to
• 1:05:33
  Speaker 15: my dad and the executi producer coming in to me
• 1:05:35
  Speaker 15: walking back out on stage to do now the next.
• 1:05:37
  Speaker 4: Scenes, even the crew Hot five, she put it on
• 1:05:40
  Speaker 4: your young fellow. You hung in there, you did your thing,
• 1:05:42
  Speaker 4: and it was like it was very clear to me.
• 1:05:44
  Speaker 15: All the signals that I was getting was that might
• 1:05:47
  Speaker 15: have been yucky the way it went down, but apparently
• 1:05:50
  Speaker 15: I'm going to get a lot.
• 1:05:51
  Speaker 4: More of that. So Cheesemo says, yeah, okay, all right,
• 1:05:53
  Speaker 4: go with the flow.
• 1:05:54
  Speaker 1: What about the trauma you went through because it was
• 1:05:55
  Speaker 1: immediately after that scene they told you that you can't
• 1:05:57
  Speaker 1: wear pants anymore.
• 1:05:58
  Speaker 4: You know what, I see, I see how you're doing.
• 1:06:02
  Speaker 4: You'll be here. We tip your waitresses.
• 1:06:07
  Speaker 11: I know in the book you talk about the meeting
• 1:06:09
  Speaker 11: that you had with the exact about the remaker to
• 1:06:12
  Speaker 11: spin off the reboot. Your version that you wanted to happen,
• 1:06:16
  Speaker 11: in my opinion, was way better. I don't know if
• 1:06:18
  Speaker 11: you want to say it, want people to read the book,
• 1:06:19
  Speaker 11: but was way better than what they had pitched to
• 1:06:22
  Speaker 11: you than you Will we ever get that, and can you?
• 1:06:24
  Speaker 10: Could you do that on your own?
• 1:06:26
  Speaker 1: Listen?
• 1:06:26
  Speaker 4: First of all, you can't do it on your own.
• 1:06:28
  Speaker 6: You know.
• 1:06:28
  Speaker 15: That's the thing about television that people have to respect.
• 1:06:31
  Speaker 15: It's the only art form I feel that still has gatekeeping,
• 1:06:34
  Speaker 15: still very.
• 1:06:35
  Speaker 4: Much in place.
• 1:06:36
  Speaker 15: And you can either be bitter about it or you
• 1:06:37
  Speaker 15: can fight the good fight and look for the person
• 1:06:39
  Speaker 15: that's gonna be your champion.
• 1:06:40
  Speaker 4: That's just it is what it is.
• 1:06:42
  Speaker 15: I was never offered a reboot. I always want to
• 1:06:43
  Speaker 15: make that very clear, and even my vision for the
• 1:06:45
  Speaker 15: show that I have.
• 1:06:46
  Speaker 4: It's not about me.
• 1:06:47
  Speaker 15: It's about three dimensional characters that would actually resonate and
• 1:06:51
  Speaker 15: translate in twenty twenty four. Because I worked for the
• 1:06:54
  Speaker 15: producers who coined the phrase jump the shark. Bonsie jumped
• 1:06:57
  Speaker 15: the shark, You jumped over a shark, right, those are
• 1:07:00
  Speaker 15: my producers, the exact same producers, So you're not going
• 1:07:03
  Speaker 15: to invite me to jump the shart again. I was
• 1:07:05
  Speaker 15: offered a blind contract and half my pay of what
• 1:07:09
  Speaker 15: I got for the last episode, and there was no
• 1:07:11
  Speaker 15: consideration given to the adults that actually have such a
• 1:07:15
  Speaker 15: large opinion over what terms they would return to. I'm
• 1:07:18
  Speaker 15: like the way they were being discussed was, well, you know,
• 1:07:21
  Speaker 15: Harrod and Carl will come by and they'll visit the
• 1:07:23
  Speaker 15: new family every now and then, Like Hollywood doesn't really.
• 1:07:27
  Speaker 15: They engage talent when they need talent, they pay talent
• 1:07:31
  Speaker 15: when they need talent. And this isn't even a black thing.
• 1:07:33
  Speaker 15: I don't want this to turn into a black thing.
• 1:07:36
  Speaker 15: I'll hear guys like Chris Pine or whatever, who's you know,
• 1:07:38
  Speaker 15: He's like, I don't know what they're going to do
• 1:07:40
  Speaker 15: next with Star Trek, Like I love playing the character,
• 1:07:42
  Speaker 15: but when they call me.
• 1:07:43
  Speaker 4: They called me, so I'd.
• 1:07:45
  Speaker 15: Love the opportunity to make the show that I envisioned.
• 1:07:48
  Speaker 15: That was never turned down. It was never pitched. I
• 1:07:50
  Speaker 15: was just offered a blind contract and around that they
• 1:07:54
  Speaker 15: were going to develop the reboots.
• 1:07:56
  Speaker 2: Now, you never there. I was watching an interview you did,
• 1:07:58
  Speaker 2: and you said you never got invited. None of the
• 1:08:00
  Speaker 2: Hollywood parties.
• 1:08:01
  Speaker 4: No, no, I mean I didn't.
• 1:08:03
  Speaker 15: I would do a lot of nice parties, but not
• 1:08:05
  Speaker 15: none of the like the stuff that started gaining a
• 1:08:07
  Speaker 15: lot of steam on on on social media, like you
• 1:08:10
  Speaker 15: know the Rock Nation brunch or or obviously you know
• 1:08:13
  Speaker 15: you're talking about my man, you know, the Diddy parties
• 1:08:15
  Speaker 15: or whatever.
• 1:08:16
  Speaker 4: Like Noah, nothing organically not did you used to get invited?
• 1:08:20
  Speaker 4: You got to calm down, You.
• 1:08:21
  Speaker 2: Got you gotta go.
• 1:08:24
  Speaker 4: You gotta calm down.
• 1:08:26
  Speaker 2: You just around.
• 1:08:28
  Speaker 15: We just we're going to slow it down for a second,
• 1:08:31
  Speaker 15: you know what I'm saying. So sometimes you can just
• 1:08:32
  Speaker 15: be driving too fast. You're not paying attention to the
• 1:08:35
  Speaker 15: to the you know, speed, to the speed exactly. We're
• 1:08:39
  Speaker 15: in a thirty five zone right now.
• 1:08:40
  Speaker 4: What happened to Julia?
• 1:08:41
  Speaker 6: Man?
• 1:08:42
  Speaker 4: How Judy just walked up stairs.
• 1:08:43
  Speaker 15: Talked about it, So I know there were a multitude
• 1:08:46
  Speaker 15: of factors that went into her departure from the show
• 1:08:49
  Speaker 15: that I blame all on her mother. But as a performer,
• 1:08:53
  Speaker 15: they weren't giving her storylines. She wasn't the best at
• 1:08:55
  Speaker 15: delivering a joke.
• 1:08:56
  Speaker 4: You know.
• 1:08:57
  Speaker 15: Sometimes they would give her material and it would just
• 1:08:59
  Speaker 15: fall flat. And if you fall flat and run through,
• 1:09:02
  Speaker 15: they're gonna rewrite you. And you know, we're kids back there,
• 1:09:04
  Speaker 15: so you know, kids, that's the thing. You can't roast
• 1:09:06
  Speaker 15: each other nowadays, at least not in public. But trust me,
• 1:09:09
  Speaker 15: kids are still roasting each other. That's never going to
• 1:09:11
  Speaker 15: go away, right, So you know, we'd be sitting in
• 1:09:13
  Speaker 15: the background and they're like, and.
• 1:09:14
  Speaker 4: She blows the layup. You know.
• 1:09:15
  Speaker 12: It was just like.
• 1:09:19
  Speaker 15: You know, and it's just like, you know, you can
• 1:09:21
  Speaker 15: only mess up so much and be arrogant about it
• 1:09:24
  Speaker 15: in the Fird code in the Mercedes Too before somebody
• 1:09:27
  Speaker 15: says enough of this, you know, And in this situation,
• 1:09:30
  Speaker 15: I really felt like, you know, Jamie was born to
• 1:09:32
  Speaker 15: a mother who put herself before her daughter, and she
• 1:09:35
  Speaker 15: had ideas of grandeur that weren't necessarily very realistic, and
• 1:09:38
  Speaker 15: it sucks for Jamie that she has to wear that
• 1:09:40
  Speaker 15: scarlet letter for the rest of her life. And I
• 1:09:42
  Speaker 15: hope that Jamie finds peace outside of show business. To
• 1:09:45
  Speaker 15: be quite honest, you know, this show business can start
• 1:09:47
  Speaker 15: to make you think that this is the only way
• 1:09:49
  Speaker 15: to make money, this is the only way to live,
• 1:09:51
  Speaker 15: Like if it didn't I talk about that with Jonathan
• 1:09:53
  Speaker 15: Brandis because he passed away and he took his life
• 1:09:56
  Speaker 15: and I just I was very close to him at
• 1:09:58
  Speaker 15: that particular time, and I saw some of someone that
• 1:10:00
  Speaker 15: was really putting too much emphasis on what this business meant.
• 1:10:04
  Speaker 11: To his existence on her For one, Myra Michelle Thomas, Yes,
• 1:10:10
  Speaker 11: every time that girl, I know, I was going to say,
• 1:10:12
  Speaker 11: every time you talk about her, it's very emotional for you,
• 1:10:14
  Speaker 11: and like I feel that that's your girl, right Or
• 1:10:17
  Speaker 11: was I want to know off off camera when you
• 1:10:20
  Speaker 11: guys developed your relationship that we didn saw on camera
• 1:10:22
  Speaker 11: because it was so believable, what was that off camera relationship?
• 1:10:26
  Speaker 10: Like and like building that for the characters on camera?
• 1:10:28
  Speaker 10: Like how did you guys cause you were so young?
• 1:10:30
  Speaker 14: Dad?
• 1:10:30
  Speaker 12: No, just you know.
• 1:10:31
  Speaker 15: Michelle started off playing malcol Jamal Warner's girlfriend on The
• 1:10:35
  Speaker 15: Cosby Show, so she was always older than me. So
• 1:10:37
  Speaker 15: even though she was so small and bubbly and you know, big,
• 1:10:40
  Speaker 15: but she was I looked at her like a little sister.
• 1:10:43
  Speaker 4: I'm like a big sister. Yeah.
• 1:10:44
  Speaker 15: We just had this amazing chemistry. My mama loved her too,
• 1:10:47
  Speaker 15: so that always that that made things easy. And she
• 1:10:51
  Speaker 15: just made it her business to always want to always
• 1:10:53
  Speaker 15: want to hook me up with somebody. And she introduced
• 1:10:55
  Speaker 15: me to Martha's Vineyard, you know, spending summers there, and
• 1:10:59
  Speaker 15: we just had an amazing chemistry. She was just and
• 1:11:00
  Speaker 15: she was just down.
• 1:11:02
  Speaker 4: Like everybody knew Michelle.
• 1:11:03
  Speaker 15: Everybody knew Michelle in the music business, everybody music just
• 1:11:06
  Speaker 15: everywhere we went, people loved Michelle. And unfortunately she passed
• 1:11:10
  Speaker 15: away to summit cancer and that was just a very
• 1:11:13
  Speaker 15: emotional time because we just knew what she was going
• 1:11:15
  Speaker 15: through as an actress. So during the time when she
• 1:11:18
  Speaker 15: went out, I just I wish that there have been
• 1:11:20
  Speaker 15: some better opportunities for her, you know what I'm saying, Like.
• 1:11:22
  Speaker 1: We want people to buy the book Growing Up Oracle,
• 1:11:24
  Speaker 1: but you know, it is it is interesting to see
• 1:11:26
  Speaker 1: how much of the love y'all created off camera.
• 1:11:29
  Speaker 6: Yeah, no, it was.
• 1:11:30
  Speaker 4: It was real love man like you know, I get it.
• 1:11:33
  Speaker 15: Yes, it was bumpy in the beginning, especially with the
• 1:11:35
  Speaker 15: adults and uh and and the parents were some of
• 1:11:38
  Speaker 15: the kids.
• 1:11:38
  Speaker 4: But that's my puberty.
• 1:11:40
  Speaker 6: You know.
• 1:11:40
  Speaker 15: Darius is out here while in the times, and you
• 1:11:42
  Speaker 15: know he and I we slide each other's dms.
• 1:11:45
  Speaker 4: But that's my brother.
• 1:11:46
  Speaker 15: I mean, we've all had, you know, brothers or whatever,
• 1:11:49
  Speaker 15: frat brothers or college friends, you know, bugging out or whatnot.
• 1:11:52
  Speaker 15: But you don't abandon that cat. You still take it
• 1:11:54
  Speaker 15: as call and y'all just laugh it off. And that's
• 1:11:56
  Speaker 15: what my relationship is with with Kelly and Darius. It's
• 1:11:58
  Speaker 15: very brotherly and says, you know, I'll always defend our
• 1:12:02
  Speaker 15: entire cast actually for the.
• 1:12:03
  Speaker 4: Work that we did. That's what it is.
• 1:12:04
  Speaker 3: Well, Jalil White, ladies and gentlemen, growing a pleasure with
• 1:12:07
  Speaker 3: my brother out right now makes you pick it up.
• 1:12:09
  Speaker 2: Breast cloud now good morning pointing.
• 1:12:12
  Speaker 3: Everybody is dj En v Jesse, hilarious, charlamage the guy
• 1:12:16
  Speaker 3: we are the breakfast club.
• 1:12:17
  Speaker 2: Or leave us on a positive note.
• 1:12:18
  Speaker 1: The positive note is simply this man reminds yourself that
• 1:12:20
  Speaker 1: winning an argument, are proving your point really gets you
• 1:12:23
  Speaker 1: nowhere in the long run, win through your actions, not
• 1:12:27
  Speaker 1: your words.
• 1:12:28
  Speaker 2: Have a blessed day, Breakfast Club.
• 1:12:29
  Speaker 4: It is you don't finish, So y'all done.