Latest / The Bootleg Kev Podcast / #395 - Pusha Rod & Gudda Brvckin

Transcript

#395 - Pusha Rod & Gudda Brvckin · The Bootleg Kev Podcast

• 0:00
  Speaker 1: Yo yo yo. What it do? Man? This shit boy
• 0:01
  Speaker 1: push a ride here with my dog, got a Bracken.
• 0:04
  Speaker 2: Yeah, we on a Bootleg CAV podcast.
• 0:06
  Speaker 1: This is a bootleg ass nigga himself. He can't even
• 0:09
  Speaker 1: say it right. Are you on a bootleg CAV podcast?
• 0:11
  Speaker 1: You feel me? Fuck with us?
• 0:13
  Speaker 3: About to get into another interview brought to you by
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• 0:23
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• 0:29
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• 0:32
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• 0:36
  Speaker 3: is Bootleg. Let's get to the interview Bootleg CAB podcast. Man,
• 0:43
  Speaker 3: we got some special guests in the building.
• 0:45
  Speaker 1: Push a rid hell yeah, hell yeah.
• 0:48
  Speaker 3: Gut A Bracken is here. What's up man?
• 0:52
  Speaker 1: Man? You know man, just honored to be here. keV,
• 0:54
  Speaker 1: how you being brother?
• 0:55
  Speaker 3: I'm good, brother, So tell me why you were with.
• 0:57
  Speaker 3: This is your artist right here right, he's making noise
• 0:59
  Speaker 3: in the city.
• 1:00
  Speaker 1: Yeah, this is my young nigga, gut of Bracken. He's
• 1:02
  Speaker 1: out here doing this thing. You got a project on
• 1:04
  Speaker 1: the way, just trying to come, you know, start it
• 1:06
  Speaker 1: off right, shake some hands, kiss some babies, let everybody
• 1:09
  Speaker 1: know who I'm fucking with right now, and we.
• 1:11
  Speaker 3: Have a freestyle coming.
• 1:12
  Speaker 1: Yeah, he talking that shit for sure. For sure.
• 1:15
  Speaker 3: Man, For people who don't know who you are, Rod,
• 1:18
  Speaker 3: obviously you've been a part of pushing for people who
• 1:21
  Speaker 3: don't know. Pushing the label is kind of what introduced
• 1:25
  Speaker 3: the world to YG ty dollars sign and you go
• 1:29
  Speaker 3: on and on right, Yeah, so you've been apart. Give
• 1:32
  Speaker 3: me your history, like, cause you've been with YG's from
• 1:35
  Speaker 3: the beginning.
• 1:36
  Speaker 1: Yeah, you go back to any YG video. I'm in
• 1:38
  Speaker 1: every video. I've been with bros Since the beginning. I've
• 1:40
  Speaker 1: known him since we're like twelve years old.
• 1:42
  Speaker 3: Right, So you like kind of give me like like
• 1:46
  Speaker 3: a rundown of just kind of like your history with him,
• 1:48
  Speaker 3: Like what did it when it comes to the music industry.
• 1:51
  Speaker 1: Yeah, So, like on a music industry side, I like
• 1:54
  Speaker 1: to call myself a professional homie from the way that
• 1:57
  Speaker 1: I started off with YG because at the beginning, I
• 2:00
  Speaker 1: was doing anything, I was answering phone calls I was
• 2:02
  Speaker 1: passing out flyers, I was giving out mixtapes. I was
• 2:05
  Speaker 1: driving to shows. I'm driving across the state to different shows.
• 2:08
  Speaker 1: Whatever it took till my homies get to the next level.
• 2:11
  Speaker 1: That's what I was on. So I wouldn't call myself
• 2:14
  Speaker 1: like a day to day assistant or assistant.
• 2:17
  Speaker 3: You were like a utility knife professional. Whatever you need
• 2:20
  Speaker 3: me to.
• 2:20
  Speaker 1: Do, whatever you need you feel me, I beat somebody up.
• 2:23
  Speaker 1: I'm married for that too.
• 2:25
  Speaker 3: You know it's crazy too, because I think a lot
• 2:26
  Speaker 3: of people don't really like people know why G outside
• 2:30
  Speaker 3: of LA is just like YG, He's been around for
• 2:32
  Speaker 3: so long. But like the early YG mixtape era was like,
• 2:37
  Speaker 3: I didn't live in LA at the time. I think
• 2:39
  Speaker 3: at the time that was going on, I was living
• 2:41
  Speaker 3: in Vegas, but I heard it was just like crazy, Yeah,
• 2:45
  Speaker 3: that was a different era. That was a different time, man.
• 2:47
  Speaker 1: We had these streets of LA really in a choke code,
• 2:51
  Speaker 1: and honestly it was just about unity and trying to
• 2:54
  Speaker 1: bring people together. We had this park we just called
• 2:56
  Speaker 1: push a Park, which is Stocker Park that's on like
• 2:58
  Speaker 1: Lebray and Stocker, and we just to invite everybody from
• 3:02
  Speaker 1: the city up there. To come fuck with the pushes,
• 3:04
  Speaker 1: and it's like, if you're up here and you're fucking
• 3:06
  Speaker 1: with us, if you got an issue with somebody, y'all
• 3:07
  Speaker 1: gonna handle.
• 3:08
  Speaker 3: That was just like kind of like running simultaneously with
• 3:10
  Speaker 3: the Jerk era, or towards the end of the Jerk era.
• 3:14
  Speaker 1: You're talking about Benja. Yeah, I'm talking about that guy.
• 3:17
  Speaker 3: No, no, no, I'm not even saying that. I said the
• 3:19
  Speaker 3: Jerk era, it was an era of La music, of course,
• 3:22
  Speaker 3: you know what I'm saying, like because I feel like
• 3:23
  Speaker 3: you guys kind of like I came like.
• 3:26
  Speaker 1: You know, it's so crazy because a lot of the
• 3:28
  Speaker 1: ship I was doing.
• 3:29
  Speaker 3: Just Benja kesher astray.
• 3:32
  Speaker 1: I didn't say because I've seen Bro on Instagram talking
• 3:35
  Speaker 1: ship like it and it's like, Bro, I.
• 3:37
  Speaker 3: Don't even know to him, I didn't know he was
• 3:39
  Speaker 3: a thing. Still he's not. Yeah, wasn't he fucking t nashe?
• 3:43
  Speaker 1: Nah? It was the other one Legacy out Legacy.
• 3:45
  Speaker 3: Good for him, man, Yeah, yeah, the Lights was taking
• 3:48
  Speaker 3: down to Nash. Yeah.
• 3:49
  Speaker 1: It's crazy because like for a while, Legacy like put
• 3:53
  Speaker 1: New Boys ship on the back burner to focus on
• 3:55
  Speaker 1: Tanasha in her career, right before she took off. Some
• 3:58
  Speaker 1: crazy New Boys were a wave.
• 4:00
  Speaker 2: Bro.
• 4:00
  Speaker 3: You go to Legacy was a way you could go
• 4:02
  Speaker 3: to hot topic and get it.
• 4:04
  Speaker 1: He was producing rapping and he was like.
• 4:07
  Speaker 3: They introduced him tight colorful jeans to the world.
• 4:09
  Speaker 2: Bro.
• 4:10
  Speaker 3: Them things was tight tight jeans.
• 4:12
  Speaker 1: A little different, you know, but no.
• 4:14
  Speaker 3: But so like like the pushing ink shit was like bubbling,
• 4:18
  Speaker 3: I feel like at the tail end of that, and
• 4:19
  Speaker 3: then you guys kind.
• 4:20
  Speaker 2: Of took it.
• 4:20
  Speaker 1: It was really all around the same time. Like when
• 4:23
  Speaker 1: I was in high school. That's like when Jerkin was
• 4:25
  Speaker 1: cracking and I used to throw parties. I used to
• 4:28
  Speaker 1: do this thing called club Kids with like twan wiz
• 4:30
  Speaker 1: kid Casey, and we used to throw like these high
• 4:32
  Speaker 1: school parties and had like two three thousand kids come that. Yeah,
• 4:37
  Speaker 1: we gave the New Boys. They first show CALLI Swag District.
• 4:40
  Speaker 1: They first showed like a lot of.
• 4:42
  Speaker 3: Audio push out of the price, shout out the price,
• 4:45
  Speaker 3: that's the Yeah. So when did you guys realize that
• 4:49
  Speaker 3: like what you were doing was like actually starting to
• 4:53
  Speaker 3: kind of like you know, work.
• 4:56
  Speaker 1: Bro, I'll be lying to you. Don't realize it is
• 4:58
  Speaker 1: a movement into his like already exactly you don't even
• 5:02
  Speaker 1: realize you're living through history until.
• 5:04
  Speaker 3: You look back.
• 5:04
  Speaker 1: You started sitting down talking about the things y'all did
• 5:07
  Speaker 1: and things like that, Like damn, we really just changed
• 5:09
  Speaker 1: the culture. But we didn't even know what we were
• 5:11
  Speaker 1: doing change the culture. We were just trying to have
• 5:13
  Speaker 1: fun and put our music. Like, like for a long time,
• 5:17
  Speaker 1: LA was like kind of like a no man's land,
• 5:19
  Speaker 1: a little dead for sure. So it was like, sure,
• 5:22
  Speaker 1: we wanted people to respect what we were talking about,
• 5:24
  Speaker 1: what we were bringing. So like, in order to get
• 5:28
  Speaker 1: the respect of the world, you got to get it
• 5:29
  Speaker 1: in your backyard first. So like we made sure we
• 5:31
  Speaker 1: had to respect in LA to make sure we go
• 5:33
  Speaker 1: to these other places. Everybody championed us.
• 5:35
  Speaker 3: Who was like the first push it inc Like, was
• 5:39
  Speaker 3: it Tied or was it yg who was kind of the.
• 5:41
  Speaker 1: The founding three members is Ace Obama, YG PC.
• 5:47
  Speaker 3: Okay, and then Tybe came a part of it.
• 5:49
  Speaker 1: Yeah, big B rest in peace, Big b Big b
• 5:52
  Speaker 1: brought in Tie. Anybody in Mustard?
• 5:55
  Speaker 3: Oh shit, is it true?
• 5:56
  Speaker 1: Mustard's first beat ever was Patty Cake. Yeah, Brose, He's
• 6:00
  Speaker 1: told me that was the first no cap Like Mustard
• 6:02
  Speaker 1: didn't used to produce. He was a DJ but bro
• 6:05
  Speaker 1: for a long time, and this before I was an
• 6:07
  Speaker 1: a n R like YG and Mustard was so tied
• 6:09
  Speaker 1: of everybody sending them the same beat over and over,
• 6:12
  Speaker 1: over and over. It's like everybody was trying to put
• 6:16
  Speaker 1: him into a certain box or a certain type of
• 6:19
  Speaker 1: style music, and they were trying to figure out how
• 6:21
  Speaker 1: to get out of it. So Mustard ducked off paid
• 6:24
  Speaker 1: attention for a while, him and Mike Free created a
• 6:27
  Speaker 1: sound like Mike Free actually taught Mustard how to produce, right.
• 6:30
  Speaker 3: People don't know that Mike Free is a very underrated
• 6:34
  Speaker 3: guy in LA for sure.
• 6:37
  Speaker 1: But yeah no, and then Mustard just took what Mike
• 6:40
  Speaker 1: Free gave him and just enhanced that to the next
• 6:43
  Speaker 1: level because he understood it from a different realm. Like
• 6:47
  Speaker 1: you're a DJ, you know, like now you.
• 6:49
  Speaker 3: Know what what's to make to make people dance.
• 6:52
  Speaker 1: And what you're looking for for a certain type of
• 6:54
  Speaker 1: hour in that party. And it's like, I feel like
• 6:56
  Speaker 1: that's where a lot of producers are slacking now.
• 6:59
  Speaker 3: For sure, because they're like it's just stuck in the
• 7:01
  Speaker 3: house playing Fortnite, jerking off and making beats.
• 7:03
  Speaker 1: No energy, no nothing, they just making on a computer
• 7:08
  Speaker 1: watching porn. But it's like she ain't really in your face,
• 7:11
  Speaker 1: shake and ask how you feel it?
• 7:12
  Speaker 3: Yeah, damn so obviously, Uh for you, you've turned being
• 7:19
  Speaker 3: a professional homie into being an r at Innerscope.
• 7:24
  Speaker 1: I was at school football. I was at Interscope for
• 7:27
  Speaker 1: about eight years. While there, I signed people like money
• 7:29
  Speaker 1: Bag Yo, Rich the Kid. Aaron Ray did Drezy's first
• 7:34
  Speaker 1: albums Hard Super slept Man. It was her first.
• 7:39
  Speaker 3: Mitch shout to Mitch. That's my guy. That's my easy
• 7:41
  Speaker 3: homie man.
• 7:42
  Speaker 1: Mitch out here killing it.
• 7:43
  Speaker 3: Mitch is incredible and every time I see his Instagram
• 7:46
  Speaker 3: it makes me feel really bad about my body.
• 7:48
  Speaker 1: Man, Mitch just had a baby shut out, Mitch.
• 7:52
  Speaker 3: Shout to Mitch. Mitch is a real one, very slept
• 7:55
  Speaker 3: on artist. He killed it. What's it the Red Tape
• 7:59
  Speaker 3: the ship he has on.
• 8:00
  Speaker 1: I know, Oh my god.
• 8:01
  Speaker 3: Yeah, Hey, that's like low key, like might be like
• 8:04
  Speaker 3: my second favorite YG album that's on Spotify.
• 8:07
  Speaker 1: That's five.
• 8:08
  Speaker 3: The Red Tape is so good.
• 8:09
  Speaker 1: Red Tape was just a vibe. It was fun. It
• 8:11
  Speaker 1: wasn't it was no bars, no, like he was just
• 8:14
  Speaker 1: having fun with music.
• 8:16
  Speaker 3: Was hard shout to h to the homie j waves
• 8:19
  Speaker 3: to be over there with mention a man shots of
• 8:21
  Speaker 3: those guys. So yeah, so you so you when you
• 8:24
  Speaker 3: say because a lot of people don't understand what A
• 8:25
  Speaker 3: and R does and when they say, well, you signed
• 8:28
  Speaker 3: somebody to the label, give us like a like what
• 8:30
  Speaker 3: does that mean? Exactly?
• 8:32
  Speaker 1: So, like you look for talent, You search and you
• 8:35
  Speaker 1: find talent, then you try to bring that talent to
• 8:37
  Speaker 1: the label, and then you try to help that artist
• 8:40
  Speaker 1: who already had some going get to that next level
• 8:43
  Speaker 1: or understand themselves more, understand like what's the message that
• 8:46
  Speaker 1: they're trying to feed off to the world, Like, And
• 8:48
  Speaker 1: it's so fucked up because I feel like it's not
• 8:50
  Speaker 1: a lot of real A and rs no more, because
• 8:52
  Speaker 1: everybody want to sign somebody that's already on based off
• 8:56
  Speaker 1: analytics versus you're going to find the artists who believe
• 8:59
  Speaker 1: in Are you find somebody when it's first starting, like
• 9:01
  Speaker 1: oh I can see that your directory or where that
• 9:04
  Speaker 1: can go? Like for me is I've never signed an
• 9:07
  Speaker 1: artist who had like a crazy ass deal where every
• 9:11
  Speaker 1: lady was fighting for him. I fought for the artists
• 9:13
  Speaker 1: who I personally believed in.
• 9:14
  Speaker 3: Yeah, it's like whoever the an r is at uh.
• 9:17
  Speaker 3: I won't even say never mind bad example, well not
• 9:19
  Speaker 3: a bad example, but I won't say. But yes, you're right, like, hey,
• 9:22
  Speaker 3: congratulations you signed that TikToker? Yeah, or just like you know,
• 9:27
  Speaker 3: fucking if you signed sexy Red, congrats, she's the hottest
• 9:30
  Speaker 3: bit alive.
• 9:31
  Speaker 1: Man shout out Gamma.
• 9:33
  Speaker 3: Shot to Gamma, Gamma's fucking They got Usher and they
• 9:37
  Speaker 3: got Rick Ross and they got French Montana and very Jackson.
• 9:40
  Speaker 1: He knows Larry Jackson man putting it together over there.
• 9:44
  Speaker 1: Respect to everything he's doing again one.
• 9:45
  Speaker 3: Hundred per sexy Red. I didn't see that was a
• 9:49
  Speaker 3: bad example, but yeah, like yeah sign sexy Red.
• 9:51
  Speaker 1: Of course. You know why'd you got a new single
• 9:55
  Speaker 1: job with sexy Red real soon? Stay tuned.
• 9:57
  Speaker 3: I saw that shot the video. How was it having
• 9:59
  Speaker 3: a pregnant secon she read in the hood over there?
• 10:01
  Speaker 1: But that's it, honestly, bro, I ain't been a bombiting
• 10:04
  Speaker 1: in a minute, like.
• 10:06
  Speaker 3: Was the pregnant hottest chick on the planet.
• 10:08
  Speaker 1: Yeah, And it was like Nigga was over there. We
• 10:10
  Speaker 1: pulled up first, I got seen the address, I get
• 10:13
  Speaker 1: sit the a pull up to this house. Ain't nobody there.
• 10:15
  Speaker 1: I'm like, what the fuck is going on? Calling everybody?
• 10:18
  Speaker 1: Then it like nigga be in the alley, nigg go
• 10:20
  Speaker 1: to the alley, Nigga. All you see is nigga red everywhere.
• 10:23
  Speaker 1: All right, I'm comfortable now, all right, where the homies at.
• 10:25
  Speaker 1: But it was cool. It was a dope video. The
• 10:28
  Speaker 1: homegirl Minchi. She's from l A. She does sexy red
• 10:31
  Speaker 1: styling and ship, so shout out to her. Sexy Red
• 10:34
  Speaker 1: came through and it's crazy because she's still humble and
• 10:39
  Speaker 1: you appreciate that. Like people get to exactly crocs, crocs,
• 10:45
  Speaker 1: she like, ship, y'all got my y'all showing my feet. Well,
• 10:48
  Speaker 1: if y'all ain't showing my feet, I ain't putting these
• 10:50
  Speaker 1: heels on. I said, you got it?
• 10:51
  Speaker 3: Yeah. Now she came in did my club and crocs
• 10:53
  Speaker 3: last week.
• 10:54
  Speaker 1: Like I fuck with her energy. Like a lot of
• 10:57
  Speaker 1: people say a lot of things. She anything that's all
• 11:02
  Speaker 1: you feel me? Like, that's like if that's.
• 11:04
  Speaker 3: She'sn't apologetically herself exactly and it's not an image or nothing.
• 11:07
  Speaker 3: It's like she's just that's who she is.
• 11:09
  Speaker 1: Like, did you with it? You don't. She don't give
• 11:12
  Speaker 1: a fuck.
• 11:12
  Speaker 3: That's why she's winning more people like that for you
• 11:16
  Speaker 3: being somebody from l A and being a part of
• 11:18
  Speaker 3: like YG's crew, who's in my opinion, the biggest LA
• 11:22
  Speaker 3: rapper we've had and since the game, I mean or
• 11:26
  Speaker 3: Nip Obviously, I think Nip got the flowers nationally worldwide
• 11:30
  Speaker 3: unfortunately once he passed. But YG is like the face
• 11:34
  Speaker 3: of LA rap since it was the game and then
• 11:36
  Speaker 3: YG is hard look at her. You know what I'm saying,
• 11:39
  Speaker 3: What do you think has been to disconnect as to
• 11:41
  Speaker 3: why there isn't more superstars out of LA.
• 11:46
  Speaker 1: I feel like the disconnect for la is.
• 11:48
  Speaker 3: And by the way, Dose you cats from l A
• 11:49
  Speaker 3: shout out cat sometimes be just like I literally was
• 11:55
  Speaker 3: having this conversation.
• 11:57
  Speaker 1: I was having this conversation with good To the other
• 11:59
  Speaker 1: night like out Dose is she from the city. But
• 12:03
  Speaker 1: I feel like a lot of us we get too
• 12:05
  Speaker 1: scared to move outside at the box or think outside
• 12:08
  Speaker 1: the box. And we're from LA. Niggas get rich and
• 12:11
  Speaker 1: move here. Niggas get rich and they want to come
• 12:15
  Speaker 1: to Hollywood Hills. Like when you from LA and you
• 12:17
  Speaker 1: get rich, where do you go?
• 12:18
  Speaker 3: Vegas?
• 12:19
  Speaker 1: The tax, tax money, not at all. But it's like,
• 12:23
  Speaker 1: so I feel like it's a hard it's a hard
• 12:25
  Speaker 1: pill to swallow there. But more artists from here just
• 12:28
  Speaker 1: need to get out and try different things and try
• 12:30
  Speaker 1: to go fuck with people on the other side of
• 12:32
  Speaker 1: the world. Because when the artists in Detroit get cracking
• 12:35
  Speaker 1: in Detroit, you see him in Detroit, you see him
• 12:38
  Speaker 1: in Atlanta, in New York, and then you see him
• 12:40
  Speaker 1: come to here out here. Three months sure, for sure
• 12:43
  Speaker 1: we get cracking. Oh yeah, we're doing a tour from
• 12:46
  Speaker 1: San Diego to fucking Washington, the Phoenix maybe, you know,
• 12:51
  Speaker 1: and then and then we're gonna try to do that
• 12:54
  Speaker 1: same tour in three months, six months. But these other
• 12:57
  Speaker 1: people from these others, Bro, they're trying and they're getting
• 12:59
  Speaker 1: out of their state. So that every LA artist out there,
• 13:02
  Speaker 1: and Rouchie tell you, bro, like me and Rouchie argue
• 13:05
  Speaker 1: about this all the time, get the fuck out of
• 13:07
  Speaker 1: l A, go see some ship, go move around. You
• 13:10
  Speaker 1: are life that.
• 13:11
  Speaker 3: Yeah, Rouchie needs to move to Atlanta for like a year.
• 13:13
  Speaker 1: Hey, man, I might move back to Lanta for a year.
• 13:16
  Speaker 3: Shout to Ruccie Man. I love Rucie Man. Rucie's one
• 13:18
  Speaker 3: of the ones facts for sure, shout to Rooch, Big
• 13:22
  Speaker 3: Rooch Dog. The guy travels with a bong yo.
• 13:25
  Speaker 1: He the only person I know still smoke Swishers And
• 13:27
  Speaker 1: it's crazy.
• 13:28
  Speaker 3: Well, he's the only person I know that has a
• 13:30
  Speaker 3: bong with him.
• 13:30
  Speaker 1: Every back, everywhere, everywhere.
• 13:32
  Speaker 3: I'm like, broh, And it ain't even a small bong.
• 13:36
  Speaker 3: This motherfucker got a three foot bong on him at
• 13:39
  Speaker 3: all times, like moving around like it's like cheaching chong ship.
• 13:43
  Speaker 3: It's It's crazy. Yeah. I think the other thing too,
• 13:46
  Speaker 3: do you feel like do you feel like another thing
• 13:50
  Speaker 3: LA has going against it is that there's so many
• 13:52
  Speaker 3: politics in the streets that maybe at times can prevent
• 13:55
  Speaker 3: artists from working together.
• 13:56
  Speaker 1: I don't down't believe that. And the reason I say
• 14:00
  Speaker 1: I don't believe that it is because look, pay attention
• 14:02
  Speaker 1: to Yg and nip right, they moved around together everybody.
• 14:08
  Speaker 3: Now you like, I'm not the most educated on all
• 14:11
  Speaker 3: of the street politics. Did Yg did his neighborhood beef
• 14:16
  Speaker 3: with Nipsey's neighborhood though? It's bloods and cribs, right, But
• 14:20
  Speaker 3: I think that like as don't matter.
• 14:21
  Speaker 1: It's still like that's what I'm saying like people get
• 14:24
  Speaker 1: too jaded to lost and shit like.
• 14:26
  Speaker 3: But isn't it more in LA, Because I do think
• 14:29
  Speaker 3: that the outsider perspective of bloods and cribs from l
• 14:31
  Speaker 3: A are if it's a blood or a crib is
• 14:33
  Speaker 3: beef when there are blood sets that beef with blood
• 14:37
  Speaker 3: sets crip sets to beef. I mean, the biggest shit
• 14:40
  Speaker 3: in LA is like the hoovers versus sixties, you know
• 14:42
  Speaker 3: what I'm saying, Like, and they're technically it's not a
• 14:44
  Speaker 3: blood versus crypt thing, So I guess like that that
• 14:47
  Speaker 3: I think with YG and Nip, was it a little
• 14:49
  Speaker 3: easier for them to nah?
• 14:51
  Speaker 1: I don't think it was. I don't think so, because
• 14:53
  Speaker 1: it's like, even if it wasn't Yg, it's about the
• 14:57
  Speaker 1: people we be around with, right because YG and blood,
• 14:59
  Speaker 1: he hain't out with all bloods. They see a cryp.
• 15:02
  Speaker 1: He hang around with a lot of different crips, a
• 15:03
  Speaker 1: lot of different neighborhood crypt cards. So I'm from Swans.
• 15:08
  Speaker 1: Nip might have been having some people from East Coast
• 15:10
  Speaker 1: with him, or like YG got homie like baby Dot
• 15:14
  Speaker 1: from Inglewood families and Nip might have so and so
• 15:18
  Speaker 1: from nine to oh with him like it's like I
• 15:21
  Speaker 1: really believe.
• 15:21
  Speaker 3: So they kind of showed people it's bigger than the program.
• 15:24
  Speaker 1: I really believe everything is bigger than the program. It's
• 15:27
  Speaker 1: how you look at it. Like if you're gonna be
• 15:28
  Speaker 1: part of that program, like shout out to you, go
• 15:31
  Speaker 1: be that. But if you a man first, and you
• 15:33
  Speaker 1: carry yourself like a man, no matter what hood you from,
• 15:35
  Speaker 1: what hood you in, people don't respect you, Like I
• 15:39
  Speaker 1: don't be in my my enemies hoood like doing no
• 15:42
  Speaker 1: stupid shit. But bro, like, people see me move around
• 15:44
  Speaker 1: La nine time nine ten, I'm by myself with one
• 15:47
  Speaker 1: other person. I'm not traveling around with thirty niggas, but
• 15:50
  Speaker 1: everybody in La know where I'm from. But it's how
• 15:52
  Speaker 1: I carry myself as a man. I feel like, And
• 15:55
  Speaker 1: a lot of people don't understand how to carry theyself
• 15:57
  Speaker 1: like a man or really be scary, so they only
• 16:01
  Speaker 1: move around when they move around with their hood, or
• 16:02
  Speaker 1: they only talk when they got thirty niggas with them.
• 16:05
  Speaker 1: But it's like shit, I done pulled up to the
• 16:09
  Speaker 1: six Ols to go meet nip or bh by myself.
• 16:13
  Speaker 1: I done pulled up on six fifth and Madden to
• 16:15
  Speaker 1: meet bh By myself. For me and YG, we don't
• 16:18
  Speaker 1: need thirty niggas. But it's like, if BH came to
• 16:21
  Speaker 1: the East Side, to the Swans, he gonna have the
• 16:23
  Speaker 1: same respect like I done haved. Like, Bro, you gotta
• 16:27
  Speaker 1: think like back in the day, Bro, we shot a video.
• 16:29
  Speaker 1: YG shot a video in the school yards hood TC
• 16:32
  Speaker 1: from schoolyard, but we had the Jungles there, the Swans there, TC.
• 16:38
  Speaker 1: She's great, man, that's my brother. We were literally just
• 16:40
  Speaker 1: talking shit on DM like the morning before last. But yeah, Bro,
• 16:45
  Speaker 1: it's like I think it's more in the person and
• 16:48
  Speaker 1: how the person got respecting their neighborhood and how they
• 16:51
  Speaker 1: carried themselves. Like if your homies respect you, your homies
• 16:55
  Speaker 1: gonna respect whoever you bring over there. But if your
• 16:57
  Speaker 1: homie look at you like you a mark nigga, when
• 16:59
  Speaker 1: you bring some right over there, they're gonna show that
• 17:01
  Speaker 1: you the mark right like. And I feel like that's
• 17:03
  Speaker 1: what LA really is. Like of course there's gang ship,
• 17:07
  Speaker 1: of course there's politics, but everything comes as a man
• 17:10
  Speaker 1: or as a woman, how you respect yourself.
• 17:12
  Speaker 3: I just feel like other cities don't have that extra layer.
• 17:15
  Speaker 3: Everyone's got hoods and everyone's got problems like you know, fuck.
• 17:18
  Speaker 1: No, bro, that's but that'd be the smoking mirror.
• 17:20
  Speaker 3: But I feel like even like Detroit, like it used
• 17:22
  Speaker 3: to be the East Side versus West Side thing, which
• 17:24
  Speaker 3: is still obviously issues with a lot of people in Detroit,
• 17:27
  Speaker 3: but a lot of that shit got put to the side.
• 17:29
  Speaker 3: Now you're seeing people from Detroit work together.
• 17:31
  Speaker 1: That also seeing other people get in the middle of it,
• 17:34
  Speaker 1: like nigga, I'm not standing for that, like skill a
• 17:36
  Speaker 1: baby niggas skill a baby a baby an, I'm not
• 17:41
  Speaker 1: gonna be in the middle of that. I'm a squash
• 17:42
  Speaker 1: it because I'm a real nigga. I respect both of those.
• 17:45
  Speaker 1: And I feel like if more artists or more people
• 17:49
  Speaker 1: carry themselves like that, you'll see less shit like that.
• 17:52
  Speaker 1: But bro, like people, I hear it all the time,
• 17:55
  Speaker 1: like la gang is, la gang that, But it's like, Bro,
• 17:58
  Speaker 1: there's gangs anywhere. For sure. If I go to Atlanta,
• 18:01
  Speaker 1: I'm not going to the South side of Atlanta by myself.
• 18:04
  Speaker 1: If I don't know nobody from the South side Atlanta,
• 18:06
  Speaker 1: who's gonna move around with me? I'm not scary, No,
• 18:09
  Speaker 1: but you're not stupid, not stupid. Yeah, I got I
• 18:12
  Speaker 1: got one hundred thousand dollars worth of jewelry. On why
• 18:15
  Speaker 1: am I going to fucking hang out in Harlem?
• 18:18
  Speaker 3: Well we should, we should, Uh, we should leave that
• 18:21
  Speaker 3: jewelry at home.
• 18:21
  Speaker 4: Man.
• 18:22
  Speaker 3: No, don't go to Atlanta with a hundred grand jewelry.
• 18:25
  Speaker 1: But that's what I'm saying. But don't go to Atlanta
• 18:26
  Speaker 1: with a hundred granded jelry. But the Atlanta person come
• 18:28
  Speaker 1: to LA with a hundred grand jurry you robbed? Like,
• 18:31
  Speaker 1: come on, Bro, I feel like it goes same for
• 18:33
  Speaker 1: staying whatever state, with every city you in. If you
• 18:36
  Speaker 1: got respect.
• 18:37
  Speaker 3: For sure, and if you move, got to move the
• 18:40
  Speaker 3: right way, man, exactly. So how did you find got
• 18:42
  Speaker 3: a Bracken man?
• 18:43
  Speaker 1: Actually we from the same area. I'm from seventy seventh Street.
• 18:46
  Speaker 1: He from eighty fourth Street though, you know, but all
• 18:49
  Speaker 1: blocks is the same way out the Swans. I've been
• 18:52
  Speaker 1: knowing Bro for a while. I've been seeing him rapped
• 18:55
  Speaker 1: for a while, But I never wanted to be that
• 18:57
  Speaker 1: person who like, oh yeah, I'm a sign him put
• 19:00
  Speaker 1: on my young homie, er young nigga from my hood
• 19:02
  Speaker 1: to make sure it like Bro, that shit corny, Like
• 19:04
  Speaker 1: I care about music and I care about art and
• 19:07
  Speaker 1: I saw this young nigga actually care about his music
• 19:10
  Speaker 1: and care about art. When I opened my studio two
• 19:12
  Speaker 1: years ago, I opened the doors up to like five
• 19:17
  Speaker 1: or six of my young homies, or not even my
• 19:19
  Speaker 1: young homies, my homies from my hood, and told him, look, Bro,
• 19:23
  Speaker 1: I got a studio. The door's open.
• 19:25
  Speaker 3: If we ain't booked to come record, you can.
• 19:27
  Speaker 1: Come record any day. I got four rooms. I know
• 19:30
  Speaker 1: all four ain't gonna be booked every day. All you
• 19:32
  Speaker 1: gotta do is bring your own engineer. I give you
• 19:34
  Speaker 1: a free room, bring your engineer. With this nigga, he
• 19:37
  Speaker 1: record himself, He shoot videos, he edited videos, He just
• 19:41
  Speaker 1: cover art. He does anything digital. Anything you ask him
• 19:44
  Speaker 1: to do for his own career, he can do it.
• 19:46
  Speaker 3: So you're saving a lot of money.
• 19:48
  Speaker 1: Not just saving a lot of money. He understands a
• 19:50
  Speaker 1: lot of money. He is. He understands himself as a brand,
• 19:53
  Speaker 1: and if you can't get his brand right, he'll figure
• 19:55
  Speaker 1: out figure out his own brand. And that made me
• 19:58
  Speaker 1: fuck with Bro a lot more.
• 19:59
  Speaker 3: You're at in your own videos and stuff.
• 20:01
  Speaker 1: If the editor don't get it right. Here, I'm editing
• 20:03
  Speaker 1: my own video every time.
• 20:06
  Speaker 3: Look that's so important though, because like.
• 20:08
  Speaker 2: Name on video. I got out that I didn't.
• 20:09
  Speaker 1: Edit, but you add an editor, but you added to
• 20:12
  Speaker 1: the editor I edited. He technically that he got that credit.
• 20:16
  Speaker 3: I just get his ro. It's important because you know,
• 20:22
  Speaker 3: reels and YouTube shorts and all. This ship is so important.
• 20:24
  Speaker 3: It's like if you if you don't know how to
• 20:26
  Speaker 3: edit your own ship like that, then you're fucking way behind.
• 20:28
  Speaker 3: Exactly if you got to wait for another person to
• 20:31
  Speaker 3: send you a little real for your ig or your
• 20:33
  Speaker 3: your fucking your YouTube short, then like, bro, what are
• 20:36
  Speaker 3: you doing?
• 20:36
  Speaker 1: Bro? Hello, there's no excuses either.
• 20:39
  Speaker 4: I know at first though I didn't know how to
• 20:40
  Speaker 4: work TikTok or none of that ship. I used to
• 20:42
  Speaker 4: be on my ass like bro, that's some ship you
• 20:44
  Speaker 4: really got to get into because if you don't do
• 20:46
  Speaker 4: that ship like, you're not gonna follow with the algorithm
• 20:49
  Speaker 4: on me.
• 20:49
  Speaker 2: So I had to get into that ship too. That
• 20:51
  Speaker 2: was crazy.
• 20:52
  Speaker 3: It's important, man, It's it's like people. I think people
• 20:55
  Speaker 3: used to fight TikTok because it came off like a
• 20:57
  Speaker 3: corny thing to do, but now it's like, if.
• 21:00
  Speaker 1: You get it, it's great.
• 21:02
  Speaker 3: Same thing with YouTube shorts of reels. It's all the
• 21:04
  Speaker 3: same shit, bro. This is all I mean. You just
• 21:07
  Speaker 3: got to get into that algorithm and keep putting shots up.
• 21:10
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  Speaker 3: get back to the interview for sure. So what do
• 24:40
  Speaker 3: you Obviously you got music out. I mean I've seen
• 24:44
  Speaker 3: a lot of your shit. I was just talking to
• 24:45
  Speaker 3: the homie about you. Me and Head were talking about
• 24:47
  Speaker 3: you like three or four weeks ago. We're just talking
• 24:49
  Speaker 3: about like new La guys, what give me kind of
• 24:53
  Speaker 3: like what you got going on right now?
• 24:55
  Speaker 2: Right now?
• 24:55
  Speaker 4: I'm working on a project, well my project. I just
• 24:57
  Speaker 4: finished my project, but like that shit crazy. I was
• 25:00
  Speaker 4: working on that ship for like a whole year, Like
• 25:02
  Speaker 4: that was my first time working on the project that long.
• 25:06
  Speaker 2: It got the.
• 25:07
  Speaker 4: Babystone gorillas on it, and they got earl swavi r
• 25:09
  Speaker 4: I p uh. It got other features, but I don't
• 25:12
  Speaker 4: want to say no names got big features probably.
• 25:15
  Speaker 3: How big big big, like a big big bank.
• 25:18
  Speaker 2: Big, not big bank big. After that I got featured
• 25:22
  Speaker 2: big bank big.
• 25:23
  Speaker 3: Probably can he just because because you could? He just
• 25:27
  Speaker 3: get the YG feature for free. Yeah, but like it's
• 25:30
  Speaker 3: about timing. It's about timing. You don't want to get
• 25:33
  Speaker 3: it just to get it. You got to get it
• 25:34
  Speaker 3: when it's right.
• 25:35
  Speaker 4: Like yeah, that's what I told I don't I'm not
• 25:38
  Speaker 4: the type of nigga that I know y G.
• 25:41
  Speaker 2: You know YG. So it's like it's nothing.
• 25:44
  Speaker 1: Yeah.
• 25:44
  Speaker 3: It's so funny because I work with artists and they're
• 25:46
  Speaker 3: like like, hey man, you you you know so and
• 25:48
  Speaker 3: so on trying. I'm like, bro, what them I look
• 25:50
  Speaker 3: like sending you sending your record off to this? You
• 25:53
  Speaker 3: want me to cash in that favor now? Or when
• 25:55
  Speaker 3: you got some real ship going on?
• 25:57
  Speaker 2: You want you want the artist to fuck with you,
• 25:59
  Speaker 2: like like.
• 26:00
  Speaker 3: It's gonna happen on his own.
• 26:02
  Speaker 1: Everything with me is about being organic.
• 26:04
  Speaker 2: Bro.
• 26:04
  Speaker 1: I ain't get this far because I went to school.
• 26:07
  Speaker 1: I ain't get this far because this or that, Bro,
• 26:11
  Speaker 1: I got this far by being organic, really trusting the vision,
• 26:14
  Speaker 1: trusting my plans, staying dedicated. And it's like, those are
• 26:17
  Speaker 1: the things I'm trying to put back in.
• 26:18
  Speaker 3: You got on your project. Nah no okay, I feel
• 26:21
  Speaker 3: you shout it out Maji in the freestyle the yeah.
• 26:26
  Speaker 1: But it's also part about developing the artist. Is like,
• 26:29
  Speaker 1: all right, having an artist who's developing around artists who've
• 26:32
  Speaker 1: made it or had somewhat of level of success and
• 26:35
  Speaker 1: having him be able to have conversations in regular places
• 26:38
  Speaker 1: with them to understand versus just oh yeah, let's take
• 26:41
  Speaker 1: a picture for the ground, like nah, these is my homies.
• 26:44
  Speaker 1: It's gonna come sit at the studio, Like Bro, we
• 26:46
  Speaker 1: had asat Ferd came out here from New York, came
• 26:50
  Speaker 1: to hang with me. Nigga. We only talked for like
• 26:52
  Speaker 1: fifteen minutes, he said, in the studio with this nigga
• 26:54
  Speaker 1: for like three hours listening to his album, listen to
• 26:57
  Speaker 1: other records, talking to him about being an artist, talking
• 26:59
  Speaker 1: to him about coming to New York. And it's like
• 27:02
  Speaker 1: that's the type of ship that I want, get I
• 27:04
  Speaker 1: don't want Oh yeah, I'm cool with so Top on
• 27:07
  Speaker 1: his son, No, that's gonna happen exactly. Yeah, I want
• 27:10
  Speaker 1: the real ship. So it's like when the fancy and
• 27:12
  Speaker 1: then they go do their research and go pay attention, like,
• 27:15
  Speaker 1: oh he deserved that, not just because he's standing next
• 27:18
  Speaker 1: to this. Ain't no industry plant.
• 27:20
  Speaker 3: I was gonna ask you, like uh being ah, there's
• 27:24
  Speaker 3: there's a lot of dope energy out of l A
• 27:25
  Speaker 3: right now yourself. Three baby we talked about has got
• 27:28
  Speaker 3: a big record. Zoe Simon's killing it, like who's uh, like,
• 27:33
  Speaker 3: who are who are some of the upcoming LA artists
• 27:35
  Speaker 3: that you just really like, you know, kudos, I see
• 27:38
  Speaker 3: what you're doing. I'm a fan, Like maybe I'll end
• 27:40
  Speaker 3: up working together as any anybody who comes to mind
• 27:43
  Speaker 3: Gorillas they're on your project, they're killing.
• 27:46
  Speaker 2: Well, people on our project. I got. I got records
• 27:49
  Speaker 2: with all the.
• 27:50
  Speaker 4: Babys on Gorillas though, is amazing, crazy, big sad, big,
• 27:58
  Speaker 4: big dope.
• 28:00
  Speaker 2: Yo.
• 28:00
  Speaker 3: Wiley's just like one record away like from like really
• 28:03
  Speaker 3: like he got a couple already, but he's he's capable
• 28:09
  Speaker 3: of just having a number, like yeah, he's crazy. Cana's great,
• 28:17
  Speaker 3: Hey Canon, somebody went lived in Atlanta for a little
• 28:19
  Speaker 3: bit and built with all the DJs in Florida, Atlanta
• 28:22
  Speaker 3: and all that.
• 28:23
  Speaker 1: Yeah yeah, bro, Like it's like when I be looking
• 28:26
  Speaker 1: at this ship, like, bro, when somebody trying to become president,
• 28:30
  Speaker 1: right for like two years straight, they going state to state,
• 28:35
  Speaker 1: city to city shaking hands, kissing babies, doing all this
• 28:39
  Speaker 1: to be in your face so that you care or
• 28:42
  Speaker 1: you think that they care. Niggas gotta treat your music
• 28:45
  Speaker 1: the same way. But when we first came, like, bro,
• 28:49
  Speaker 1: why'd you went on to a mac Miller?
• 28:52
  Speaker 3: Oh yeah, I remember, I got a couple of why'd
• 28:54
  Speaker 3: you incidents to ask you about. We probably had one
• 28:57
  Speaker 3: song he was not allowed to perform in Phoenix Stuf.
• 29:01
  Speaker 1: We're not gonna talk about that.
• 29:02
  Speaker 4: We were.
• 29:03
  Speaker 3: I was there. I hosted the concert.
• 29:04
  Speaker 1: But listen, you were there that day.
• 29:07
  Speaker 3: Okay. So I was at the Celebrity Theater with a
• 29:09
  Speaker 3: bitch that was not my girl at the time, and
• 29:12
  Speaker 3: I was I was. I hosted this YG concert. It's
• 29:15
  Speaker 3: on YouTube. It's at the Celebrity Theater. It's the most
• 29:20
  Speaker 3: struggle whack ass, local crooked ass promoters of all time
• 29:24
  Speaker 3: because they had one hundred and fifty local artists opening up.
• 29:27
  Speaker 3: So YG's on so late, bro like, and it wasn't
• 29:29
  Speaker 3: even y'all's fault. It was because there was so many
• 29:32
  Speaker 3: so when why By the time YG gets on, the
• 29:34
  Speaker 3: crowd is so annoyed, pissed off.
• 29:37
  Speaker 1: Like I've never I never saw an opener list for show.
• 29:42
  Speaker 3: It was insane. After that, I literally said, guys, you
• 29:46
  Speaker 3: guys got me fucked up. If you ain't gonna walk
• 29:47
  Speaker 3: out there and introduce all these people like, tell me,
• 29:50
  Speaker 3: I'll go on stage three times. I already got paid. Nonetheless,
• 29:54
  Speaker 3: someone starts banging on in the crowd, throwing up some
• 29:57
  Speaker 3: ship that I have. I'm not privy to what it meant,
• 30:00
  Speaker 3: but Wygi and Mustard did not take too kindly to it.
• 30:03
  Speaker 1: Rest in peace, slimp Fox Honey, Slim.
• 30:05
  Speaker 3: Fox Hunter did not take too kindly to a rest
• 30:07
  Speaker 3: in peace. And then shit just starts getting thrown. And
• 30:11
  Speaker 3: at the time, there's these metal laptop stands called uber
• 30:16
  Speaker 3: stands that were very heavy, and DJ Mustard took the
• 30:20
  Speaker 3: uber stand and I remember just seeing it like, oh,
• 30:25
  Speaker 3: it chucked it at somebody in the crowd. It was
• 30:27
  Speaker 3: fucking insane. It's on YouTube, you could go watch it. It
• 30:30
  Speaker 3: was a world's early world star hit.
• 30:32
  Speaker 1: That's when I used to have here, and.
• 30:34
  Speaker 3: At that time it kind of fucked up YG in.
• 30:36
  Speaker 1: Phoenix, bro, just in Phoenix, Bro, that shit fucked. Like
• 30:40
  Speaker 1: this be the thing people don't realize.
• 30:41
  Speaker 3: Like also, I don't think a lot of people know
• 30:43
  Speaker 3: Las Vegas Metro wasn't fucking YG for a long time.
• 30:46
  Speaker 3: I still don't know if they are, by the way.
• 30:47
  Speaker 1: Them incidents like that last for so long.
• 30:52
  Speaker 3: Because WHYGI should have had a residency by now in Vegas.
• 30:55
  Speaker 3: But there's a reason why he hasn't, right, he's he's
• 30:57
  Speaker 3: not necessarily that the Las Vegas Metro don't look too
• 31:00
  Speaker 3: find at a certain point in time, they have.
• 31:03
  Speaker 1: A shout out, shout out to Las Vegas in Vegas,
• 31:06
  Speaker 1: shout out to Dre's shout out.
• 31:09
  Speaker 3: But there's a list in Vegas. So Mazzi's on that list.
• 31:13
  Speaker 3: But why just because of the game.
• 31:15
  Speaker 1: But you know, it's so fucked up because like even
• 31:18
  Speaker 1: with the last ship we got banned from Vegas for
• 31:20
  Speaker 1: like there's no like I don't understand what with this
• 31:24
  Speaker 1: thing with fans, Like why a fan can harass you
• 31:28
  Speaker 1: and get away with it? Like and that's the part,
• 31:30
  Speaker 1: like of this music industry. Like it's like, you can
• 31:33
  Speaker 1: follow me for twenty minutes straight. You can call me
• 31:36
  Speaker 1: all types of bitches, all types of holes. You can
• 31:39
  Speaker 1: aggravate me, nigga, you can stand do whatever you want to.
• 31:44
  Speaker 1: You can get in my face, spit at me whatever.
• 31:46
  Speaker 1: As soon as I quote unquote as the talent or
• 31:50
  Speaker 1: the act try to defend myself, then it's a lawsuit,
• 31:53
  Speaker 1: of course, But fortunate, Like I don't I just don't understand,
• 31:56
  Speaker 1: Like you got gloves for if Gloves hit them, it's
• 31:59
  Speaker 1: still a lawsuit.
• 32:01
  Speaker 3: I mean, yeah, I guess you're right. Look like Gloves
• 32:05
  Speaker 3: could just shake the ship out of somebody.
• 32:06
  Speaker 1: Bro, If Gloves does this, somebody's going to the hospital.
• 32:10
  Speaker 3: Hey, I gotta ask you this question because you're a
• 32:12
  Speaker 3: Rams fan.
• 32:14
  Speaker 1: Shout out the Rams. Shout out the Rams, Shout out
• 32:17
  Speaker 1: the Rams. Just curious, Shout out the Rams.
• 32:19
  Speaker 3: Shout out to the Rams. But I'm just wondering, Like
• 32:21
  Speaker 3: what I appreciate about Gloves is like he never changed teams.
• 32:25
  Speaker 3: He's been a Niner fan the whole time.
• 32:26
  Speaker 1: So let me explain something to y'all. Man, And so
• 32:29
  Speaker 1: why talk about the Niners?
• 32:30
  Speaker 3: Why do you talk about the nine?
• 32:31
  Speaker 1: I heard n Let's talk about the Niners, right, What
• 32:34
  Speaker 1: what did the Niger do to Kaepernick with the the
• 32:36
  Speaker 1: Niginer do.
• 32:37
  Speaker 3: The Crabs Tree? What the tree?
• 32:41
  Speaker 1: They traded cab Tree when he don't fire?
• 32:44
  Speaker 3: Bro, We.
• 32:46
  Speaker 1: Like crab Tree deserve not to get He didn't deserve
• 32:48
  Speaker 1: to get traded at number.
• 32:50
  Speaker 3: One in the whole fucking league.
• 32:52
  Speaker 1: Number one.
• 32:52
  Speaker 3: He was a number three on a good team.
• 32:56
  Speaker 1: What about what about the running back at the time?
• 32:58
  Speaker 3: You don't even know his name. Were you a Niner
• 33:00
  Speaker 3: fan at the time?
• 33:01
  Speaker 1: I was going to them games and ship?
• 33:06
  Speaker 3: Listen, Bro, you're my Frank Gore? Yes, Frank Gore played
• 33:09
  Speaker 3: there for like twelve years.
• 33:11
  Speaker 1: Bro, what do you mean? What are you?
• 33:12
  Speaker 3: What are we talking about?
• 33:13
  Speaker 1: Talking about the Niners? Man? Is an organization? Just ship?
• 33:16
  Speaker 1: Just ship. You don't agree with the ship as organizations.
• 33:19
  Speaker 3: All you gotta do is say the Rams came back
• 33:21
  Speaker 3: to LA, were from LA. We changed teams, because that's
• 33:24
  Speaker 3: what happened.
• 33:25
  Speaker 1: L A all day. I'm a Rams.
• 33:28
  Speaker 3: Fan, Yeah right, okay, he shouts fan. Been that way
• 33:32
  Speaker 3: the whole.
• 33:33
  Speaker 1: Looking all gloves teams like he's a Clippers fan.
• 33:36
  Speaker 2: He's fun.
• 33:36
  Speaker 1: That's an original, man, No original, San Diego man, No
• 33:40
  Speaker 1: imad San Diego Clippers fan. Right, that's a confused I
• 33:45
  Speaker 1: respect it. Shout out gloves shot the gloves man, a
• 33:48
  Speaker 1: real Niner fan. Shout out the Rams one last time.
• 33:52
  Speaker 1: The Niners want to ring. Hope, I hope y'all make
• 33:54
  Speaker 1: it the Super Bowl this year.
• 33:55
  Speaker 3: I'm not a Niner fan.
• 33:57
  Speaker 1: Who's your team?
• 33:58
  Speaker 3: Arizona?
• 33:58
  Speaker 1: Oh, we just kicked this ship, thank god, because we're.
• 34:00
  Speaker 3: Trying to get the number one pick. I was so
• 34:02
  Speaker 3: glad you guys won.
• 34:03
  Speaker 1: Oh my man, hell you like the cars.
• 34:05
  Speaker 3: I'm from Arizona. Man, it's easy everything. You're still a friend.
• 34:08
  Speaker 3: You've been this in the super Bowl. You know who?
• 34:09
  Speaker 3: I fucking just met at Dre's and took a picture
• 34:11
  Speaker 3: with Santonio Holmes at Cocksucker. He was out of bounds.
• 34:14
  Speaker 3: I told him, I said, you were fucking out.
• 34:17
  Speaker 1: Hey, broy ya ain hash big being got into.
• 34:21
  Speaker 3: That car this year, though, shot to Big Ben Man.
• 34:24
  Speaker 3: He's a rapist, Yeah, Ben Ben, rapeless burger. You know
• 34:27
  Speaker 3: what I'm saying.
• 34:28
  Speaker 2: I don't even know what you're talking about. That ain't
• 34:29
  Speaker 2: our quarterback? No moreout?
• 34:31
  Speaker 3: Yeah, can't you pick? It's a fucking bum?
• 34:32
  Speaker 4: Yeah, had the bus were seven to four, didn't we
• 34:35
  Speaker 4: send y'all.
• 34:36
  Speaker 2: Don't y'all got to elp.
• 34:37
  Speaker 3: Us No, not this year. I don't think we've played
• 34:39
  Speaker 3: youall this year.
• 34:39
  Speaker 1: One last time, y'all want to ring, So I don't care.
• 34:42
  Speaker 3: I want to lose every game.
• 34:43
  Speaker 1: One last time y'all want to ring. Never it never happened.
• 34:46
  Speaker 3: We're the clippers of the NFL bootlet keV here eight
• 34:49
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• 36:46
  Speaker 3: dot com. And when you're in Vegas, make sure you
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• 36:50
  Speaker 1: Baby. Yeah, I'm a Lakers fan though, nah see nah,
• 36:56
  Speaker 1: I wouldn't say.
• 36:59
  Speaker 3: At least we've been to two Super Bowl. No, we've
• 37:00
  Speaker 3: been to one Super Bowl. The NFC champions list, bro
• 37:02
  Speaker 3: the Clippers.
• 37:03
  Speaker 1: The Clippers haven't even made it to Western Commons, so
• 37:06
  Speaker 1: it's a little different.
• 37:07
  Speaker 3: So so the Lions are the Clippers of the NFL.
• 37:11
  Speaker 1: Yeah, it's a little different, you know, but you know,
• 37:14
  Speaker 1: shout out to all the l a niggas on the Clippers.
• 37:16
  Speaker 3: So let's get back to so shout out to YG obviously.
• 37:20
  Speaker 1: Shout out Westbrook, shout out James Alredy.
• 37:22
  Speaker 3: How how hard was it? Because there was a stigma that,
• 37:26
  Speaker 3: like YG was just trouble, and I know it affected
• 37:29
  Speaker 3: his pockets for a while, But I feel like you
• 37:31
  Speaker 3: guys have gotten on the other side of that for
• 37:32
  Speaker 3: the last five or six years very very successfully. But
• 37:35
  Speaker 3: there was that era but with Mac, with Mac Miller,
• 37:40
  Speaker 3: you know what I'm saying, Like, who was what someone
• 37:42
  Speaker 3: else was on that tour? Was it Transport?
• 37:44
  Speaker 1: The transporter?
• 37:45
  Speaker 3: So random?
• 37:46
  Speaker 1: That was? You know, it's so crazy, bro, that was
• 37:48
  Speaker 1: one of the my favorite Travisporters. Three guys, Yeah, three guys.
• 37:52
  Speaker 2: I thought, Man, what's that song they used to have?
• 37:55
  Speaker 1: They had a lot of hits.
• 37:58
  Speaker 4: They make it rain he goes before the Migo was
• 38:02
  Speaker 4: like one person I never.
• 38:03
  Speaker 1: Making like La shit.
• 38:04
  Speaker 3: They had one hundred bpm shit going up out here. Yeah,
• 38:07
  Speaker 3: but I was I'm wondering, like, what did y'all like,
• 38:10
  Speaker 3: was there a certain point in time where like you
• 38:12
  Speaker 3: guys had to like really be like, hey, we got
• 38:13
  Speaker 3: to chill with the overreacting or because the brand is legit,
• 38:18
  Speaker 3: Like I feel like Whygi's done such a good job
• 38:20
  Speaker 3: of transforming his brand to being like high fashion, Like
• 38:23
  Speaker 3: he moves like a superstar now and not like a
• 38:26
  Speaker 3: fucking gang member from LA.
• 38:28
  Speaker 1: I just feel like you know, you get to a
• 38:29
  Speaker 1: point and you start seeing things for what it is
• 38:32
  Speaker 1: like and you have to move a little different for
• 38:35
  Speaker 1: the respect because it's like you can get people from
• 38:38
  Speaker 1: other states, they get taught the same shit. For sure,
• 38:40
  Speaker 1: can wear rags, they can do all this shit, but
• 38:42
  Speaker 1: because they're not from LA, it's like it's part of
• 38:46
  Speaker 1: the art. But because we're from LA, it's like, oh,
• 38:50
  Speaker 1: they're really that. It's like, I don't know that shit.
• 38:53
  Speaker 1: That shit just be kind of crazy to me because
• 38:55
  Speaker 1: I'll be listening to records and be like, bro, that
• 38:57
  Speaker 1: nigga said way crazier shit than we said on Super Whoop,
• 39:00
  Speaker 1: and it's like wow. But it's just I feel like
• 39:04
  Speaker 1: it's the world stigma because it's like when you think
• 39:06
  Speaker 1: about gangster, you think about the West Coast, like so
• 39:10
  Speaker 1: it's like you just automatically attach his name to whatever
• 39:16
  Speaker 1: has came from the West Coast and then it's like,
• 39:18
  Speaker 1: well he was.
• 39:19
  Speaker 3: He was, like I mean listen, y'all was moving around fucking.
• 39:22
  Speaker 1: But this the thing though, But what we You gotta
• 39:25
  Speaker 1: ask yourself, right, well we how man?
• 39:28
  Speaker 3: How many deep? But what we?
• 39:32
  Speaker 1: But what were we looking for?
• 39:33
  Speaker 2: Trouble?
• 39:34
  Speaker 1: But y'all but think about this though, how many people
• 39:38
  Speaker 1: young Jez move around with idea this? When YG signed
• 39:41
  Speaker 1: a Young Jesus and we moved to Atlanta, we thought
• 39:43
  Speaker 1: that we moved around deep he was moved around with
• 39:45
  Speaker 1: a hundred people everywhere he went. So it's like, but
• 39:49
  Speaker 1: because we from LA, it's a different stigma.
• 39:52
  Speaker 3: No, for sure, for sure, but like.
• 39:54
  Speaker 1: At the same time, I just think, like, bro, even
• 39:56
  Speaker 1: if you look back and look at all them incidents,
• 39:58
  Speaker 1: like we know who we are and when we come
• 40:00
  Speaker 1: from we never looked for trouble. But if you came
• 40:02
  Speaker 1: to us with it, like I think too, like we're
• 40:04
  Speaker 1: supposed to do turn.
• 40:05
  Speaker 3: He's in a position now where he's kind of like, hey, bro,
• 40:08
  Speaker 3: Like this dude is, like I said, the biggest LA
• 40:10
  Speaker 3: rapper we've had in the last ten years.
• 40:14
  Speaker 1: Relevant for sure, you.
• 40:16
  Speaker 3: Know what I'm saying. So I think it's like when
• 40:18
  Speaker 3: you think of YG, I think like he's he gets
• 40:20
  Speaker 3: held to an unfair standard here sometimes amongst like some
• 40:24
  Speaker 3: of the young like generation, I feel like it's easy
• 40:27
  Speaker 3: to hate on why G at a point be like
• 40:28
  Speaker 3: why ain't you Like, I'm like, bro, hy G has
• 40:30
  Speaker 3: been holding this shit down for.
• 40:33
  Speaker 1: Year outside though not on it, and like I was,
• 40:36
  Speaker 1: like for real holding it down, like it's not like
• 40:39
  Speaker 1: he switched up and started doing like weird pop shit,
• 40:42
  Speaker 1: Like no, this is like this guy's been the same
• 40:45
  Speaker 1: for sure, and you can go buy his clothes as zoomies.
• 40:48
  Speaker 3: You know who else can say that?
• 40:50
  Speaker 4: You know?
• 40:51
  Speaker 1: But you know, they don't talk about that he had
• 40:53
  Speaker 1: a collection in Barney's. They don't talk about that. It's like,
• 40:56
  Speaker 1: what type of LA dude you know has real LA
• 40:59
  Speaker 1: clothes being so in Barney's. But people don't. They don't
• 41:03
  Speaker 1: put that up like oh, I can't believe why g
• 41:06
  Speaker 1: had showing Barneys, Like oh yeah, so he is also
• 41:10
  Speaker 1: involved in such a sea.
• 41:11
  Speaker 3: That was I mean, were you who was when he
• 41:14
  Speaker 3: when he got shot? Were you there?
• 41:16
  Speaker 1: Nah?
• 41:16
  Speaker 4: Me?
• 41:16
  Speaker 1: And Mustard wasn't there, but we had found out and
• 41:19
  Speaker 1: we went straight to the hospital.
• 41:21
  Speaker 3: Man, it's been a scary time.
• 41:23
  Speaker 1: Bro in La crazy. That was a crazy mom. But
• 41:26
  Speaker 1: I still say that to say is like I don't
• 41:29
  Speaker 1: just put.
• 41:29
  Speaker 3: That on La no. But I mean, if we think
• 41:32
  Speaker 3: about the incidents that have happened with hip hop artists
• 41:35
  Speaker 3: in the last six seven years, a lot of them
• 41:38
  Speaker 3: have happened here not all of them.
• 41:44
  Speaker 1: Yeah, but it's like, in what situation.
• 41:48
  Speaker 3: I mean, there's plenty of situations. So many people got
• 41:51
  Speaker 3: in Like there's so many rappers I know that have
• 41:53
  Speaker 3: been robbed that the blogs don't know about.
• 41:55
  Speaker 1: It when thousand percent but you know the crazy shit,
• 41:58
  Speaker 1: I know so many rappers who go to a line
• 42:00
  Speaker 1: get ribbed. They ain't, they ain't no blogs to New
• 42:05
  Speaker 1: York and get rabbed, robbed downstairs at the studio. It
• 42:09
  Speaker 1: happens everywhere. It's like, Bro, I don't think it's an
• 42:12
  Speaker 1: l A.
• 42:12
  Speaker 2: I think it.
• 42:12
  Speaker 3: I think what it is is here everyone's hanging out
• 42:15
  Speaker 3: in the same on the same fucking street for the
• 42:17
  Speaker 3: most part. So like you're a jack boy, you know
• 42:19
  Speaker 3: where to hang out at. You know what I'm saying.
• 42:20
  Speaker 3: Like Atlanta's so like.
• 42:22
  Speaker 1: Oh, it's the same ship because it's like this, look, bro,
• 42:25
  Speaker 1: how many people get killed at the Lenox Mall? How
• 42:27
  Speaker 1: many people get ribbed? So but Lenox Mall, Lenox Mall
• 42:34
  Speaker 1: isn't Lenox Mall isn't in the hood. That's the suburbs, right.
• 42:37
  Speaker 1: That's like niggas getting robbed at the Beverly Center.
• 42:40
  Speaker 3: Or getting robbed.
• 42:41
  Speaker 1: It's the same shit, you feel me, just like because
• 42:44
  Speaker 1: it's Hollywood. It's like this whole stigma bro that gets
• 42:48
  Speaker 1: sucked up. It's like, bro, when you come to l A,
• 42:50
  Speaker 1: we got downtown, we got La, we got Hollywood, the Valley.
• 42:54
  Speaker 1: I'm not even talking about the valley. Shout out to
• 42:56
  Speaker 1: the valley though, but we got l A, we got downtown,
• 42:58
  Speaker 1: and we got Hollywood. When you go to these other places,
• 43:01
  Speaker 1: you got the city and you got downtown. Right, that's
• 43:03
  Speaker 1: it suburbs. But yeah, for sure you feel me. So
• 43:06
  Speaker 1: it's like, where is it happening that we're the star.
• 43:10
  Speaker 1: But it's like, bro niggas getting robbed in New York
• 43:12
  Speaker 1: and Tribeca niggas getting ribbed outside the Supreme.
• 43:15
  Speaker 3: You just don't hear about it exactly for sure. All Right,
• 43:19
  Speaker 3: So your album's on the way. What's you got a
• 43:25
  Speaker 3: name of the album?
• 43:26
  Speaker 2: Tell them my side of town, all right?
• 43:29
  Speaker 3: Coming from soon East, coming soon, very very very soon,
• 43:35
  Speaker 3: probably like a week or two, oh ship Okay, And
• 43:38
  Speaker 3: then you and your studios called Creative.
• 43:40
  Speaker 1: Creative Sounds just had our two year anniversary. It was
• 43:44
  Speaker 1: fucking crazy. I had g herbo O, g Z, Babystone, Gorillas,
• 43:48
  Speaker 1: Roochie and get a brack and perform in my parking.
• 43:51
  Speaker 3: Lot, and you can tell me why. G album's on
• 43:55
  Speaker 3: the way soon. Yge Red single on the way soon.
• 43:58
  Speaker 1: Very very soon, Sexy Red single come before this this
• 44:01
  Speaker 1: this interview.
• 44:02
  Speaker 3: Drive Okay, well, I mean the video shot that means
• 44:04
  Speaker 3: it's time. It's go time.
• 44:06
  Speaker 1: Same for good every every video shot you know.
• 44:08
  Speaker 3: There it is and he's editing them himself. Smart guy.
• 44:12
  Speaker 3: Hey man, all your artists out there, take a page
• 44:14
  Speaker 3: out of his book. Stop fucking depending on other people.
• 44:17
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• 44:18
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• 44:20
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