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One Piece, 850-852 · Spoil Me! One Piece

• 0:02
  Speaker 1: This is an Unspoiled Network podcast.
• 0:06
  Speaker 2: This is spoil Me covering one Piece episodes eight fifty
• 0:14
  Speaker 2: through eight fifty two. I'll be back, Loofy, deadly departure,
• 0:20
  Speaker 2: the Man with a Bounty of a billion, and a
• 0:24
  Speaker 2: hard battle starts Loofy versus Category. In these episodes, Loofy,
• 0:34
  Speaker 2: I mean he's met his match before. This is not
• 0:37
  Speaker 2: the first time that that in particular has happened, but
• 0:42
  Speaker 2: this feels a lot more humiliating somehow. Welcome to spoil Me,
• 1:12
  Speaker 2: Welcome to the show everyone. I am Natasha. Thank you
• 1:16
  Speaker 2: very much to Florian for commissioning this episode. So yeah,
• 1:22
  Speaker 2: I'm going to talk about Lufy and Category out of
• 1:25
  Speaker 2: the gate because it's just it's, you know, the thing
• 1:34
  Speaker 2: in this trio of episodes. When we start these three episodes,
• 1:44
  Speaker 2: Loufy is still with the rest of the straw Hats
• 1:47
  Speaker 2: heading toward the Sonny. They get aboard, and Nami is
• 1:53
  Speaker 2: in the midst of getting the Cola set up for
• 1:57
  Speaker 2: them to do the coup of Burst, and fucking Big
• 2:01
  Speaker 2: Mom is able to just grab the back of the
• 2:05
  Speaker 2: ship and hold it in place, which is really unfair.
• 2:09
  Speaker 2: And I had thought for a moment that the kudibirst
• 2:15
  Speaker 2: had started, and that she was strong enough that she
• 2:18
  Speaker 2: was able to stop the ship from taking off like entirely,
• 2:22
  Speaker 2: which had me very very upset. It turns out it's
• 2:27
  Speaker 2: not that the kudibirst happened. It's that the barrel of
• 2:32
  Speaker 2: cola in the hold got knocked a skew and made
• 2:36
  Speaker 2: it so that when they tried to go, the fuel
• 2:39
  Speaker 2: wasn't there. It was, you know what I'm saying, So
• 2:44
  Speaker 2: thank god, because I really for a second was like,
• 2:48
  Speaker 2: are we doing this that she can that she is
• 2:51
  Speaker 2: strong enough to and you know, considering what we have
• 2:56
  Speaker 2: seen her do, that wouldn't really be out of the question,
• 3:01
  Speaker 2: you know what I'm saying. It didn't seem like unreasonable.
• 3:04
  Speaker 2: I just wasn't really sure if that's what we were
• 3:08
  Speaker 2: gonna go with. I was very relieved that's not how
• 3:13
  Speaker 2: it turned out. And I will say, she's still yelling
• 3:18
  Speaker 2: about her wedding cake holding onto the back of the ship,
• 3:21
  Speaker 2: and Lufy literally just says she's such a pain, which like,
• 3:28
  Speaker 2: is such a great way to minimize this as an enemy, Like,
• 3:37
  Speaker 2: I just really enjoy the fact that it's not that
• 3:41
  Speaker 2: he's afraid of her. It's not that he's like it,
• 3:46
  Speaker 2: just she's cramping his style, and he says something like,
• 3:50
  Speaker 2: you know, you're not gonna be able to stop us
• 3:52
  Speaker 2: from leaving, but yeah, she is like fully waded into
• 3:57
  Speaker 2: the water holding onto them, so they have to get
• 4:01
  Speaker 2: the barrel back into place before they can take off,
• 4:07
  Speaker 2: and it's all like the way that this goes is
• 4:13
  Speaker 2: that we kind of bounce around from one straw hat
• 4:18
  Speaker 2: to another and to carrot as well. We jump around
• 4:22
  Speaker 2: to some of Big Mom's adversaries or not adversaries, her
• 4:26
  Speaker 2: allies and get to see how they're reacting and communicating
• 4:30
  Speaker 2: with each other.
• 4:32
  Speaker 1: But u.
• 4:34
  Speaker 2: Long story short, there comes a point where Loofy is like,
• 4:41
  Speaker 2: there's I'm trying to find the exact spot because he
• 4:46
  Speaker 2: goes into the mirror world because he finally is just like,
• 4:51
  Speaker 2: you know what, I'm gonna deal with this fucking category
• 4:53
  Speaker 2: guy once and for all. And he goes in there
• 4:57
  Speaker 2: and he breaks the mirror and it's a great moment
• 5:02
  Speaker 2: because they are sort of like making fun of him
• 5:06
  Speaker 2: initially like he's doing something really foolish and doesn't understand
• 5:12
  Speaker 2: the implications of it, when really what it is is
• 5:16
  Speaker 2: him doing the you think I'm stuck in here with you,
• 5:20
  Speaker 2: but really you're stuck in here with me kind of thing,
• 5:24
  Speaker 2: and that punching of the glass is actually meant to
• 5:29
  Speaker 2: be the I'm keeping you from getting out. So I
• 5:35
  Speaker 2: loved this in terms of its energy to begin with. However,
• 5:45
  Speaker 2: I wasn't really sure what to expect of him versus
• 5:51
  Speaker 2: category I really didn't know, Like we have been in
• 5:57
  Speaker 2: this situation so far, that has felt very it's felt
• 6:04
  Speaker 2: like very much like a leveling up of all of
• 6:07
  Speaker 2: the baddies. We're entering a whole different skill level, you know.
• 6:15
  Speaker 2: And so a part of me is like loving Lufy's energy,
• 6:21
  Speaker 2: and another part of me is kind of hoping he's
• 6:24
  Speaker 2: wrong and that it's not actually a category second here
• 6:28
  Speaker 2: with him. And then I started to actually like get
• 6:34
  Speaker 2: what I wanted, and then I wanted to be like,
• 6:36
  Speaker 2: I take it back, never mind, I hate this. So
• 6:42
  Speaker 2: what I mean about the it's slightly more humiliating from
• 6:47
  Speaker 2: the beginning of the episode is simply that Lovie has
• 6:52
  Speaker 2: never faced somebody who can basically return every shot like
• 6:59
  Speaker 2: bigger and better and batter. He has faced many enemies
• 7:06
  Speaker 2: who have whooped his ass on the first fight. That
• 7:10
  Speaker 2: is not unusual, but there is something so specifically insulting
• 7:15
  Speaker 2: about someone throwing your own moves back in your face.
• 7:21
  Speaker 2: That is a different thing, and it feels like really tough.
• 7:28
  Speaker 1: It just the.
• 7:32
  Speaker 2: It's like a combo of the fact that he can
• 7:33
  Speaker 2: reproduce Lufy's moves and the fact that he is not
• 7:40
  Speaker 2: even breaking a sweat. It is nothing to him, y'all
• 7:45
  Speaker 2: these attacks that Lufy is Louviy is busting out his
• 7:49
  Speaker 2: number one best shit, you know, and it doesn't like
• 7:58
  Speaker 2: it's not just because kind of Corey can see a
• 8:01
  Speaker 2: little bit into the future. I can't remember how much
• 8:04
  Speaker 2: is it. Like one minute, it was enough to like
• 8:07
  Speaker 2: be quite adequate in a fight, but not enough that
• 8:10
  Speaker 2: you could like avoid catastrophe on a larger basis, you
• 8:15
  Speaker 2: know what I mean. But yeah, it's a there's just
• 8:22
  Speaker 2: a sense of Category all the equivalent of like taking
• 8:28
  Speaker 2: somebody by the forehead and just holding them at arm's
• 8:30
  Speaker 2: length so that their punches can't reach you. Like Lufy's
• 8:33
  Speaker 2: like a six year old trying to fight. Category is
• 8:39
  Speaker 2: absolutely unbothered, to the point that it almost feels like
• 8:44
  Speaker 2: he's half asleep. And I hate watching Lufy scrambling and
• 8:52
  Speaker 2: trying to like make anything happen. It's just so embarrassing.
• 8:59
  Speaker 2: He wants so much for one of his like he
• 9:06
  Speaker 2: calls something. At one point, Category says surprise attack. It's pointless,
• 9:11
  Speaker 2: and I honestly was like, I'm not really sure what's
• 9:13
  Speaker 2: a surprise attack, because you know he's about to attack you.
• 9:18
  Speaker 2: He knows that you know he's about to attack you,
• 9:21
  Speaker 2: So I don't even know why we like would call
• 9:23
  Speaker 2: it that. But you know, that's fine. But that Category
• 9:30
  Speaker 2: can reproduce Luvie's exact attack, and it's triple the size
• 9:35
  Speaker 2: of Louf's. And this fight is very quickly is like
• 9:40
  Speaker 2: just a genuine dick measuring contest, which at a certain point,
• 9:45
  Speaker 2: when Lufy decides to do his like inflated ball hands
• 9:50
  Speaker 2: and there are two of them and he's hovering in
• 9:52
  Speaker 2: the air with two giant balls dangling, I was like, Okay,
• 9:55
  Speaker 2: now the subtext is rapidly becoming text. But I felt
• 10:03
  Speaker 2: like indignant, you know what I'm saying. I felt like,
• 10:06
  Speaker 2: as I was watching it, how dare you? How dare
• 10:11
  Speaker 2: you throw back at him the very thing like that's
• 10:14
  Speaker 2: not allowed? And oh, okay, Seraphim says a few seconds Okay,
• 10:20
  Speaker 2: so like, yeah, it's just enough that in a fight
• 10:23
  Speaker 2: it could be critical, but not so much that there's
• 10:27
  Speaker 2: really anything that you can do in a grander sense.
• 10:35
  Speaker 2: And of course, top off the fact that Lufy is
• 10:38
  Speaker 2: getting fucking cooked here, we've got all of these pirates
• 10:43
  Speaker 2: watching the fight commenting the whole time. Now, there is
• 10:49
  Speaker 2: this one sense in which Lufy isn't beaten, and that
• 10:55
  Speaker 2: is of course, that he's still alive. That's really what
• 10:59
  Speaker 2: Lufy always has going for him is that he's basically indestructible.
• 11:06
  Speaker 1: You know.
• 11:06
  Speaker 2: It's like the one time that we saw a fist
• 11:09
  Speaker 2: go through his chest, that's the closest we've gotten to
• 11:12
  Speaker 2: ever seeing that his body can be harmed. Otherwise, it
• 11:15
  Speaker 2: has felt most of the time like he's just got
• 11:21
  Speaker 2: such insane durability. And it's nevertheless hard to watch him
• 11:28
  Speaker 2: get beat up. But the fact that his body is
• 11:32
  Speaker 2: rubber is doing a lot of heavy lifting all the time,
• 11:36
  Speaker 2: because if there was ever somebody who needed to be
• 11:39
  Speaker 2: more durable, because they are constantly punching outside their weight class,
• 11:43
  Speaker 2: and I mean that in every sense, it is definitely loovy.
• 11:48
  Speaker 2: So this whole thing where he keeps like busting out
• 11:52
  Speaker 2: other moves and doing things that are like, you know,
• 11:57
  Speaker 2: he thinks going to be surprising or just so overwhelming
• 12:02
  Speaker 2: that Category won't be able to cope. It's not just
• 12:06
  Speaker 2: the fact that Category seems unbothered. It's the fact that
• 12:09
  Speaker 2: there's all these pirates watching and for a second they
• 12:14
  Speaker 2: are impressed with what Lufy has just pulled out. So
• 12:19
  Speaker 2: it's almost like you're getting this false gratification for a
• 12:25
  Speaker 2: moment of your audience seeming to be confirming that you're
• 12:29
  Speaker 2: doing well, that you are impressive, that there is something
• 12:36
  Speaker 2: to your attack, and so then to have it be
• 12:40
  Speaker 2: a moment later proved that oh, they only thought that
• 12:44
  Speaker 2: because they didn't know they were worried for Category for
• 12:50
  Speaker 2: a second, but they weren't aware of they have like
• 12:53
  Speaker 2: confidence in Category that he will win. But that doesn't
• 12:56
  Speaker 2: mean that in the moment as the attack is happening,
• 12:59
  Speaker 2: that they aren't going shit, you know. But it's like
• 13:04
  Speaker 2: they are finding out at the same time as Loofy
• 13:08
  Speaker 2: that Category is unmoved and has nothing to worry about here,
• 13:15
  Speaker 2: and so it just kept feeling like, oh, maybe this'll
• 13:19
  Speaker 2: do it because his henchmen are also impressed. And then
• 13:25
  Speaker 2: a second later Oh, they were just impressed because they
• 13:29
  Speaker 2: don't know what they're talking about, because they're dumb dumbs,
• 13:32
  Speaker 2: so they keep interjecting, and I kept being like, maybe now,
• 13:35
  Speaker 2: and even though I knew, because you know, we're too
• 13:39
  Speaker 2: early on in everything for Loufy to beat category. It's
• 13:44
  Speaker 2: not really a thing where Lufy goes up against somebody
• 13:48
  Speaker 2: and wins on the first try, unless it's the very
• 13:53
  Speaker 2: very first of like the low level henchmen in an arc.
• 13:58
  Speaker 2: You know, pretty much we had like with the first henchman,
• 14:04
  Speaker 2: he will be on the first try, but there will
• 14:08
  Speaker 2: always be like that moment where it looks like he's
• 14:11
  Speaker 2: down and then he gets up manages to pull something
• 14:14
  Speaker 2: out and win in the end. But technically it's like
• 14:16
  Speaker 2: within the same fight, I would say, And then the
• 14:19
  Speaker 2: second one, I want to say that it's sort of
• 14:23
  Speaker 2: either drawn out much longer or Lufy has to like
• 14:28
  Speaker 2: regroup and come back. And then the final boss is
• 14:33
  Speaker 2: you know how many times did he have to try
• 14:37
  Speaker 2: against Ste Flamingo? Like that fight seemed to go on
• 14:40
  Speaker 2: for literally three days. I don't even know. So, yeah,
• 14:47
  Speaker 2: so this this whole thing, it's like they keep at
• 14:51
  Speaker 2: least thinking that Lufy's dead, and then Lufy struggles to
• 14:56
  Speaker 2: his feet, and that really, more than anything, they can
• 14:59
  Speaker 2: see that, Like, it's not that Lufy isn't a good fighter,
• 15:02
  Speaker 2: it's just that Category is so out of his league
• 15:06
  Speaker 2: that it doesn't matter that you're a good fighter when
• 15:09
  Speaker 2: you're up against somebody like that. He's in a different echelon.
• 15:15
  Speaker 2: But the thing that impresses them definitely is his resilience
• 15:20
  Speaker 2: and the fact that he just has that indomitable spirit
• 15:24
  Speaker 2: and keeps standing back up. And I don't want to
• 15:29
  Speaker 2: say that, like Katekori's expression never really changes, so I
• 15:35
  Speaker 2: won't go so far as to say that he's impressed necessarily,
• 15:40
  Speaker 2: because I think that's definitely an overstatement. But there is
• 15:44
  Speaker 2: a sense of like, as he's telling Lufy, I can
• 15:47
  Speaker 2: replicate all of your attacks, but everything that I am
• 15:51
  Speaker 2: going to do with that attack is going to be
• 15:55
  Speaker 2: superior to what you can do. That Like, this is
• 16:00
  Speaker 2: not bragging, This is Category saying what the fuck is
• 16:03
  Speaker 2: going on?
• 16:05
  Speaker 1: You know?
• 16:05
  Speaker 2: This is almost feeling like him being like, buddy, why
• 16:10
  Speaker 2: do you keep insisting on doing this to yourself? You're
• 16:13
  Speaker 2: not going to win? And I'm not trying to be
• 16:15
  Speaker 2: mean like I mean, I am going to kill you,
• 16:18
  Speaker 2: but like I'm not trying to be mean about it.
• 16:20
  Speaker 2: It's just what has to happen. And if you would
• 16:24
  Speaker 2: just stop deluding yourself, we could get on with it.
• 16:29
  Speaker 2: And you keep insisting that you stand a chance, and
• 16:33
  Speaker 2: it's tiresome and I just I keep repeating myself and
• 16:38
  Speaker 2: I'm getting bored now, you know. So anyway, Saraphim's durability
• 16:44
  Speaker 2: and sheer bloody minded stubbornness that makes them never give up. Yes,
• 16:50
  Speaker 2: So this ends with the way that this is the
• 16:57
  Speaker 2: loofy got here through a mirror that was on a
• 17:02
  Speaker 2: vanity on the Sunny. I do not remember where this
• 17:07
  Speaker 2: vanity came from, Guys, I know that there's something going
• 17:10
  Speaker 2: on here, but I don't remember either way. The vanity, oh,
• 17:16
  Speaker 2: Seraphim's Nami's room. Okay, the vanity because it is still
• 17:21
  Speaker 2: in position on the ship on the Sunny. This means
• 17:25
  Speaker 2: that they can get right onto the ship if they
• 17:29
  Speaker 2: are able to find a way. I guess the mirror
• 17:34
  Speaker 2: that he broke though, was that one, right? So the
• 17:40
  Speaker 2: way that they're trying to attack is with these fire arrows.
• 17:43
  Speaker 2: And I'm realizing now that like My assumption was that
• 17:46
  Speaker 2: we're firing through the mirror that Brulet is holding up,
• 17:50
  Speaker 2: which will come right inside the Sunny. But now I'm
• 17:55
  Speaker 2: realizing that mirror is the exit that Loofy broke, so
• 18:00
  Speaker 2: the arrows must be coming from a different spot through
• 18:04
  Speaker 2: a different mirror. I'm sorry, guys. This is the only
• 18:08
  Speaker 2: thing about the mirror travel that can get a little
• 18:11
  Speaker 2: bit confusing in my brain is like keeping track of
• 18:13
  Speaker 2: what's where and how all it works. I do really
• 18:16
  Speaker 2: like the mirror world as a conceit like this is
• 18:20
  Speaker 2: one of my favorite little weird things that has been
• 18:23
  Speaker 2: done in the show, is having this like bizarre in
• 18:26
  Speaker 2: between world. But you know, however it works. Suffice to
• 18:33
  Speaker 2: say that there is a way for them to light
• 18:37
  Speaker 2: the Sunny on fire with these arrows. Florence says, yeah,
• 18:40
  Speaker 2: who knows how many mirrors the Sunny has. Saraphim says,
• 18:44
  Speaker 2: they broke the big mirror. They found Anami's room there
• 18:46
  Speaker 2: firing through other mirrors in the locker room sets bathroom
• 18:49
  Speaker 2: that are too small to fit a person through. Gotcha, gotcha, gotcha.
• 18:53
  Speaker 2: So the episode ends with them about to fire these
• 19:00
  Speaker 2: two weird long necks that are like we're trying to
• 19:05
  Speaker 2: do like a sibling rivalry thing with the two of
• 19:08
  Speaker 2: them a little bit. I'll be honest, y'all, these two
• 19:13
  Speaker 2: just freak me out. I don't know what it is.
• 19:16
  Speaker 2: It's not just the long necks, but it's like the
• 19:18
  Speaker 2: long neck in combination with this weird vibe between the
• 19:23
  Speaker 2: two of them. It's really got Sir Seene Jamie for me,
• 19:29
  Speaker 2: like they're secretly fucking And I don't know where I'm
• 19:32
  Speaker 2: getting this, but I definitely am feeling it. And anyway,
• 19:36
  Speaker 2: I just really was like, why do I dislike you
• 19:41
  Speaker 2: too so much? Every time that they have like a
• 19:44
  Speaker 2: moment to themselves on the show, I'm just like, Ugh,
• 19:47
  Speaker 2: get off my screen, you guys. But yeah, they are
• 19:50
  Speaker 2: the ones that are about to fire. They have their
• 19:53
  Speaker 2: arrows knocked and they're ready to go, and Lufy just
• 19:57
  Speaker 2: sits up again. They think he's dead for some and
• 20:00
  Speaker 2: they keep thinking he's dead. Nobody knows how to check
• 20:03
  Speaker 2: a pulse in this universe. And he sits up and
• 20:06
  Speaker 2: just yells no. And it cuts right as he's yelling.
• 20:12
  Speaker 2: It's not even like we cut to them and their
• 20:14
  Speaker 2: faces as they react to him being alive. It's just
• 20:18
  Speaker 2: him yelling and cut. So now we have to like
• 20:24
  Speaker 2: think about our is it possible that they're going to
• 20:27
  Speaker 2: successfully fire next episode? And I mean if they hit
• 20:33
  Speaker 2: the sonny, it all depends how alert everyone is and
• 20:40
  Speaker 2: what room they hit and how likely it is somebody
• 20:45
  Speaker 2: is going to catch it and be able to put
• 20:47
  Speaker 2: the fire out. You know, if they do catch it
• 20:51
  Speaker 2: and they start to understand what's going on, my assumption
• 20:55
  Speaker 2: would be like, now you have to go around and
• 20:57
  Speaker 2: break all the mirrors, right, which talk about bad luck
• 21:01
  Speaker 2: that's going to add up. But setting that aside, now
• 21:06
  Speaker 2: Lufy really has no way to get back on the sunny,
• 21:08
  Speaker 2: which I understand that these mirrors weren't big enough for
• 21:11
  Speaker 2: him to do that in theory, but he is rubber
• 21:14
  Speaker 2: and so I don't know. Sometimes I think that he
• 21:16
  Speaker 2: can squeeze through areas that most people wouldn't be able
• 21:18
  Speaker 2: to squeeze through potentially, So yeah, I don't know what
• 21:25
  Speaker 2: to expect in that arena. But I just wanted to
• 21:28
  Speaker 2: talk about him and Category fighting off the top because
• 21:33
  Speaker 2: it was just a really like we have seen Lofy
• 21:37
  Speaker 2: get his ass kicked before, and honestly, a lot of
• 21:40
  Speaker 2: the time that we want When we watch him get
• 21:42
  Speaker 2: his ass kicked, it's like it serves the function of
• 21:47
  Speaker 2: us getting to see exactly what the baddie is capable of.
• 21:51
  Speaker 2: But often I find it kind of boring to watch
• 21:56
  Speaker 2: because I know that he's not going to win unless
• 22:00
  Speaker 2: the bad he has some really really unique and compelling powers.
• 22:05
  Speaker 2: It's not usually like exciting for me. It's just sort
• 22:10
  Speaker 2: of like, all right, I have to get through this part,
• 22:13
  Speaker 2: you know, and this is a fight. Where initially I
• 22:20
  Speaker 2: was kind of doing the all right, well, we have
• 22:22
  Speaker 2: to get through this and category he like, I didn't
• 22:27
  Speaker 2: feel any particular way about him. He doesn't have a
• 22:29
  Speaker 2: lot of charisma. He seems like he's more sensible than
• 22:34
  Speaker 2: a lot of the other Henchmen children, But otherwise I
• 22:39
  Speaker 2: wasn't really like excited about him. It wasn't until I
• 22:43
  Speaker 2: began to realize that they almost have the exact same
• 22:46
  Speaker 2: power that I started to be like, oh, oh shit.
• 22:50
  Speaker 2: And then I got much more invested. And I will
• 22:55
  Speaker 2: say the one time Lufy says something very specifically like
• 22:58
  Speaker 2: no way does Mochi beat Rubber, and I couldn't help
• 23:04
  Speaker 2: but like laugh a little bit because I understand why
• 23:08
  Speaker 2: he's saying that, and like, probably probably true, but mochi
• 23:14
  Speaker 2: is when it doesn't have that like starchy layer over it, ooh,
• 23:19
  Speaker 2: it is real tough to deal with that is sticky.
• 23:24
  Speaker 2: So I don't know, maybe you know, I'm thinking about
• 23:28
  Speaker 2: how it was dealing with the electricity guy that was
• 23:32
  Speaker 2: putting himself up there as a god and his vulnerability
• 23:37
  Speaker 2: was rubber because Lufi didn't get electrocuted by him, and
• 23:44
  Speaker 2: I can't remember exactly what happened, but I'm wondering if, like,
• 23:49
  Speaker 2: if your power is using mochi and it starts to rain,
• 23:54
  Speaker 2: does that make you dissolve Just water interfere with the
• 23:58
  Speaker 2: effectiveness of his powers, because there are times where the
• 24:02
  Speaker 2: physics of what your weapon is seem to matter, but
• 24:07
  Speaker 2: then there are times where it kind of doesn't. Like,
• 24:10
  Speaker 2: you know, what we've got going on with uh Pedrosperro, Pedrosperro, Pedro, whatever,
• 24:17
  Speaker 2: I'll call him, Pedro. He can make candy on the
• 24:21
  Speaker 2: surface of the ocean and it's not affected at all
• 24:24
  Speaker 2: by being in contact with water. It doesn't matter. So
• 24:29
  Speaker 2: I kind of want the mouchie to have this like
• 24:31
  Speaker 2: vulnerability to water, but I also think that's probably not likely.
• 24:35
  Speaker 2: I don't know. Sorry, Saraphim says, I cannot say you
• 24:41
  Speaker 2: are wrong about their vibe regarding the long necks. I
• 24:44
  Speaker 2: think and like, I appreciate that because there are times
• 24:47
  Speaker 2: where something will leap to mind and I'm like, Natasha,
• 24:50
  Speaker 2: maybe you're thinking that because you're the freak. But sometimes
• 24:54
  Speaker 2: I'm like, no, no, I'm not the problem. Something about
• 24:57
  Speaker 2: this is weird andough. So so I'm going to back
• 25:03
  Speaker 2: up here and talk specifically about our friends doing the
• 25:09
  Speaker 2: Couda burst and escaping. It's really great because like nobody
• 25:13
  Speaker 2: seems aware that they that the ship has any flying
• 25:15
  Speaker 2: capabilities whatsoever, so when they do eventually take off, it
• 25:21
  Speaker 2: is a real shock to everybody. And at one point,
• 25:25
  Speaker 2: fat woman who has the really monotone voice and she's
• 25:28
  Speaker 2: like blue and has the big hat, she's like, they
• 25:30
  Speaker 2: escaped via the air, and somebody on the other end
• 25:34
  Speaker 2: of the line is like what I think it's mont
• 25:36
  Speaker 2: d'Ors is the one that she's talking to, and yeah,
• 25:41
  Speaker 2: this is a there was something really weird that happened here, guys,
• 25:46
  Speaker 2: And this is uh. I get crunchy roll drives me nuts.
• 25:53
  Speaker 2: It's just really not a good platform. It's annoying to
• 25:56
  Speaker 2: me that they have this like choke hold, because it
• 26:00
  Speaker 2: means that they don't have any motivation to improve their product.
• 26:04
  Speaker 2: But I find navigating the site to be very cumbersome.
• 26:09
  Speaker 2: They log me out constantly, and there are weird glitches
• 26:13
  Speaker 2: that happen where things just won't play at all on
• 26:16
  Speaker 2: my television and I have to like delete and redownload
• 26:19
  Speaker 2: the app. It happens so much more than with anything
• 26:21
  Speaker 2: else I use. And then today it did something that
• 26:26
  Speaker 2: I was truly like, what what is that at the
• 26:34
  Speaker 2: end of the first of these three episodes when our
• 26:39
  Speaker 2: friends shoot off and escape. Finally, it then started to
• 26:47
  Speaker 2: play the first episode of the Skypea arc, and like
• 26:54
  Speaker 2: it auto played it, and I don't know, I don't
• 26:58
  Speaker 2: know what happened, but like, there are times where the
• 27:04
  Speaker 2: show will suddenly seem to be like starting in the
• 27:08
  Speaker 2: middle of a story somewhere else and it will be
• 27:12
  Speaker 2: just like a flashback or a maybe a filler episode,
• 27:19
  Speaker 2: you know that we're not actually gonna talk about or whatever.
• 27:22
  Speaker 2: And so I like sat through the first i don't know,
• 27:27
  Speaker 2: like eight minutes of that episode thinking that this was
• 27:31
  Speaker 2: a flashback, because even though it didn't seem relevant. We
• 27:38
  Speaker 2: did just fly away and skypea you can only reach
• 27:45
  Speaker 2: like up in the air, so I almost thought, like,
• 27:49
  Speaker 2: are we gonna hit another sky island now that we
• 27:52
  Speaker 2: did the coupe of verse is like, is this a
• 27:54
  Speaker 2: flashback to remind us that the sky islands exist? Or
• 27:59
  Speaker 2: I was so confused, And then I finally like just
• 28:03
  Speaker 2: clicked and checked the number of the episode, and I
• 28:05
  Speaker 2: was like, what. So I got out of there and
• 28:09
  Speaker 2: I got back to where I was supposed to be.
• 28:12
  Speaker 2: But I just wanted to mention that because it was
• 28:15
  Speaker 2: like just relevant enough that I wasn't sure, you know.
• 28:22
  Speaker 2: So I don't want to skip over what all is
• 28:25
  Speaker 2: going on with Carrot because honestly, it sucks. So we
• 28:32
  Speaker 2: had Pedro who sacrificed himself at the end of the
• 28:36
  Speaker 2: last episode with the dynamite in order to kill Pero,
• 28:41
  Speaker 2: and then there's something kind of weird, and I don't
• 28:45
  Speaker 2: really I don't really get this, but I'm interested with
• 28:50
  Speaker 2: in what you guys are, what your explanation is. No,
• 28:58
  Speaker 2: me and Carrot are on the ship, they're about to leave.
• 29:03
  Speaker 2: They turn and they see like this huge cloud of
• 29:06
  Speaker 2: dust and whatnot, and I think, uh, oh, my god,
• 29:15
  Speaker 2: what I will have somebody's name in my hand, and
• 29:18
  Speaker 2: then all of a sudden, I don't have it anymore.
• 29:21
  Speaker 2: Kadakori suddenly goes wait, no, not now, which I'm not
• 29:28
  Speaker 2: really sure who that was directed at, if it was
• 29:30
  Speaker 2: at Pero or what. But Pero stands up and Nami
• 29:36
  Speaker 2: and Carrot both for a moment think that it's actually
• 29:44
  Speaker 2: Pedro and that he has survived, and then they see
• 29:49
  Speaker 2: that it's Pero and that he like, basically, if he's
• 29:57
  Speaker 2: still alive, then Pedro gave his life for fucking nothing.
• 30:02
  Speaker 2: But then later when Big Mom is crossing the water
• 30:07
  Speaker 2: toward them, there's this whole thing with like, oh, I
• 30:13
  Speaker 2: know there's only one person with that power. Oh, it's him.
• 30:18
  Speaker 2: He survived. Didn't we know that already? It was a
• 30:24
  Speaker 2: really weird moment, y'all, where I was like, did I
• 30:26
  Speaker 2: fucking hallucinate that whole reveal that happened in the first
• 30:30
  Speaker 2: of these three episodes or what? I just like, I
• 30:33
  Speaker 2: don't know if it was that they saw this guy
• 30:35
  Speaker 2: and they they thought like, oh, he's managed to stay
• 30:40
  Speaker 2: alive until this point, but he's about to die. I
• 30:45
  Speaker 2: don't know. I don't know what it is that I'm
• 30:48
  Speaker 2: meant to have thought there, but I really didn't understand
• 30:53
  Speaker 2: why it was. This reveal was treated like this again
• 30:57
  Speaker 2: because we all know, we all saw it. It was
• 31:00
  Speaker 2: like a whole thing. So Florian says, yeah, this is weird.
• 31:06
  Speaker 2: I don't know if this is only anime, and Saraphim says,
• 31:08
  Speaker 2: sounds like it might be an adaptation issue, okay, because
• 31:12
  Speaker 2: like I was just I actually like kind of thought
• 31:18
  Speaker 2: about going back and rechecking, and I was just like, no,
• 31:21
  Speaker 2: I remember that moment. I don't have to check. I
• 31:24
  Speaker 2: just watched it. So anyway, we have flashbacks with Carrot
• 31:31
  Speaker 2: and we find out that like there had been this
• 31:34
  Speaker 2: dude was trying to teach Carot how to sword fight
• 31:37
  Speaker 2: and she just wasn't really great at it, and he
• 31:39
  Speaker 2: was insisting that she needed to apply herself and he
• 31:43
  Speaker 2: was going to be a drill sergeant and eventually make
• 31:46
  Speaker 2: her a good sword fighter. And then Pedro just sort
• 31:52
  Speaker 2: of like chimes in, Hey, sword fighting is not her thing.
• 31:58
  Speaker 2: There are plenty of ways is to be a good fighter.
• 32:01
  Speaker 2: She doesn't need to do sword fighting. If she doesn't
• 32:04
  Speaker 2: like it and she's not good at it, it's fine.
• 32:08
  Speaker 2: And I just really liked this moment because I feel
• 32:11
  Speaker 2: like this is something that inadvertently this show can I
• 32:17
  Speaker 2: feel send kind of like a toxic message a little bit,
• 32:21
  Speaker 2: where it's often feeling like just keep going and never
• 32:25
  Speaker 2: give up, and eventually you have to succeed if you
• 32:28
  Speaker 2: just try hard enough, and it's like, no, no, there
• 32:32
  Speaker 2: are definitely times where sure that's true, but there are
• 32:38
  Speaker 2: also times where you've got to let shit go and
• 32:42
  Speaker 2: see that that's not for you, you know. And I there
• 32:50
  Speaker 2: was this I don't know how many of y'all out
• 32:54
  Speaker 2: there have even heard of this, but a Netflix Christmas
• 32:58
  Speaker 2: movie called Last Christmas, and I was genuinely surprised at
• 33:04
  Speaker 2: how much I enjoyed this. It has what is her name,
• 33:10
  Speaker 2: Amelia Clark Denaris. She plays this like kind of train
• 33:14
  Speaker 2: wreck of a young woman who is trying to kind
• 33:20
  Speaker 2: of get her life together after something that happened to her,
• 33:24
  Speaker 2: but she's not trying that hard and is sort of
• 33:28
  Speaker 2: making everyone around her miserable because she's so unreliable and
• 33:32
  Speaker 2: not really taking responsibility for anything, and she's determined to
• 33:37
  Speaker 2: make it as a singer, and it's very much her
• 33:41
  Speaker 2: clinging to something that had been a dream when she
• 33:44
  Speaker 2: was little that she's refusing to let go of despite
• 33:47
  Speaker 2: the fact that it is very clearly just not going
• 33:50
  Speaker 2: to happen for her. And I am used to these
• 33:55
  Speaker 2: sorts of movies sending a similar message as what one
• 33:59
  Speaker 2: Piece often, which is simply eventually it will happen for
• 34:03
  Speaker 2: you if you just believe, you know. But the eventually
• 34:08
  Speaker 2: conclusion that she does come to is I think it's
• 34:11
  Speaker 2: time to let go of this. That continuing to attempt
• 34:16
  Speaker 2: to do this isn't healthy, not only because I'm putting
• 34:22
  Speaker 2: so much energy into something that isn't going anywhere, but
• 34:25
  Speaker 2: also because just constantly thinking about how you're going to
• 34:30
  Speaker 2: be seen by the folks who are doing the audition
• 34:34
  Speaker 2: it can really wear on your self esteem because showbiz
• 34:38
  Speaker 2: is hard, you know, and there will be some really
• 34:40
  Speaker 2: like harsh commentary and whatnot. And so she gives up
• 34:45
  Speaker 2: and decides like, I'll sing for fun, but I'm not
• 34:48
  Speaker 2: going to try and make that a career anymore. And
• 34:51
  Speaker 2: I just really really appreciated that, because it does feel
• 34:55
  Speaker 2: like we're you know, sold this like dream, and I
• 35:01
  Speaker 2: understand wanting to encourage people to keep pursuing things even
• 35:06
  Speaker 2: after stuff gets hard. Because it is a very human
• 35:11
  Speaker 2: thing that once it gets hard, you immediately are like,
• 35:13
  Speaker 2: never mind, I give up. But there are times where
• 35:17
  Speaker 2: something is just not quite right for you and you
• 35:20
  Speaker 2: want it for maybe the wrong reasons. You want it
• 35:23
  Speaker 2: because you know it would make your parents happy. You
• 35:27
  Speaker 2: want it because your friends are successful in this and
• 35:30
  Speaker 2: you want to do what they do. You know, there's
• 35:33
  Speaker 2: a million reasons that actually are not even about you
• 35:37
  Speaker 2: wanting something. It's you wanting the result of getting the
• 35:40
  Speaker 2: thing more than anything. So the fact that Pedro sees
• 35:48
  Speaker 2: that she has potential, but it's just in a different direction.
• 35:51
  Speaker 2: And it's not just that she is a failure at
• 35:55
  Speaker 2: sword play, but that sword play is simply not her thing.
• 35:59
  Speaker 2: But she is fast and agile, and she does have
• 36:03
  Speaker 2: good instincts, and it's just that we have to employ
• 36:07
  Speaker 2: those the right way. And it was a really nice
• 36:13
  Speaker 2: flashback that was not too syrupy. You know, it wasn't
• 36:18
  Speaker 2: like he did anything like you know, saved her life,
• 36:23
  Speaker 2: for saved the life of a loved warner. It was
• 36:26
  Speaker 2: just the fact that he was patient and saw her
• 36:29
  Speaker 2: and engaged with her on the level she was at
• 36:33
  Speaker 2: and made it her feel like where she was okay,
• 36:37
  Speaker 2: you know, and her dealing with his death is really
• 36:46
  Speaker 2: hard to watch. It's awful. There comes a point where
• 36:50
  Speaker 2: later on, Brooke innocently is just like, oh, by the way,
• 36:57
  Speaker 2: where's Pedro And he doesn't know yet, and it's just like,
• 37:03
  Speaker 2: you know, this scene of Nami going I don't even
• 37:06
  Speaker 2: know how to say this, and we have the rain
• 37:10
  Speaker 2: and the camera sort of pulling out and you know,
• 37:12
  Speaker 2: the whole thing. Now. I will say, guys, for the record,
• 37:17
  Speaker 2: if it turns out that Pedro is still alive after
• 37:21
  Speaker 2: all of this, I will rip my house down, like
• 37:26
  Speaker 2: they better fucking not. We cannot have this really moving
• 37:34
  Speaker 2: scene of Nammy informing them and then Pedro is still alive.
• 37:40
  Speaker 2: I just can't better fucking not. I will be really annoyed.
• 37:44
  Speaker 2: And I know it's foolish of me to even like
• 37:47
  Speaker 2: be thinking that, because I am watching a show where
• 37:51
  Speaker 2: notoriously nobody dies. I get it, I get it. But
• 37:57
  Speaker 2: this this whole moment and how it's handled feels so
• 38:04
  Speaker 2: well done that if it turns out it's all been
• 38:08
  Speaker 2: just to like play on emotions and manipulate me, just
• 38:12
  Speaker 2: to like pull the rug out from under me later
• 38:14
  Speaker 2: and be like psych, I'll be very, very fucking irritated.
• 38:18
  Speaker 2: I'm just saying. Oh, Saraphim went and looked up the
• 38:22
  Speaker 2: thing about them being shocked a second time that Pero
• 38:26
  Speaker 2: was alive. Sarahim says, yeah, looked it up. It's an
• 38:29
  Speaker 2: anime padding issue of them just dragging out the whole
• 38:32
  Speaker 2: scene and splitting up what was one continuous scene. There
• 38:36
  Speaker 2: was no big mom knocking out one of the cola
• 38:39
  Speaker 2: barrels delaying the launch in the manga. Oh oh oh, okay, okay,
• 38:49
  Speaker 2: that makes sense. I like the knocking out and delaying
• 38:53
  Speaker 2: the launch. I think that adds some good tension. So
• 38:56
  Speaker 2: I actually like that, But I do think it's a
• 38:59
  Speaker 2: weird choice to have them spot him that early, if
• 39:05
  Speaker 2: you know what I mean. Like I just it was
• 39:10
  Speaker 2: just a weird direction to take that in if you're
• 39:13
  Speaker 2: going to do that, because that the very nature of
• 39:16
  Speaker 2: a reveal is that it can only really happen one time,
• 39:19
  Speaker 2: So why not just I don't know. Anyway, So were
• 39:28
  Speaker 2: our friends managed to get in the air get away
• 39:33
  Speaker 2: informed about Pedro and then we have this whole scene
• 39:36
  Speaker 2: where Brooke is really taking it hard, crying and saying
• 39:40
  Speaker 2: that if he had just been like better at everything,
• 39:44
  Speaker 2: then Pedro wouldn't be dead. And this is one of
• 39:49
  Speaker 2: those emotions that's so difficult to watch in somebody else,
• 39:54
  Speaker 2: but when it's you, it's really difficult to like not
• 40:00
  Speaker 2: feel that kind of guilt. Last year, like last summer,
• 40:07
  Speaker 2: we had this adorable kitten that we found and you know,
• 40:11
  Speaker 2: we got her spade and we did all the things,
• 40:14
  Speaker 2: and then she got hit by a car and died.
• 40:17
  Speaker 2: And she got hit by a car because she escaped
• 40:20
  Speaker 2: the house while I was the one at home watching her,
• 40:24
  Speaker 2: and she escaped the house every day. We did our best,
• 40:28
  Speaker 2: but she wanted out, and she was really tiny, so
• 40:31
  Speaker 2: it was very, very difficult to like stop her without
• 40:35
  Speaker 2: just stomping on her, and she would get out and
• 40:39
  Speaker 2: immediately climb up a tree and go on the roof
• 40:42
  Speaker 2: where we couldn't reach her. So what we had started
• 40:46
  Speaker 2: to do was simply go inside, and eventually she would
• 40:49
  Speaker 2: get sick of it on the roof and you would
• 40:52
  Speaker 2: go out there and like lure her down and she'd
• 40:55
  Speaker 2: finally be willing to come in because she was stuck
• 40:58
  Speaker 2: on the roof for so long. But as she got older,
• 41:03
  Speaker 2: she began to be able to get back down off
• 41:06
  Speaker 2: the roof on her own. She wouldn't do it, though,
• 41:10
  Speaker 2: for like hours after she had snuck out, so it
• 41:14
  Speaker 2: wasn't like I could just sit outside and wait for
• 41:17
  Speaker 2: her to finally jump down and then grip her up
• 41:20
  Speaker 2: and bring her in. And this night I knew she
• 41:25
  Speaker 2: was outside, but I couldn't reach her. There was simply
• 41:29
  Speaker 2: nothing to be done. I could not catch her, and
• 41:33
  Speaker 2: so I went inside and I was watching TV and
• 41:37
  Speaker 2: my husband came in and his eyes were full of tears,
• 41:40
  Speaker 2: and he had found her in the road. And when
• 41:43
  Speaker 2: I tell you, guys that, I just absolutely fell apart.
• 41:49
  Speaker 2: I have never felt such guilt as I did with
• 41:56
  Speaker 2: her death. It was just overwhelming. And looking back, I
• 42:02
  Speaker 2: can see there was only so much I could have done,
• 42:05
  Speaker 2: you know, But at that moment, it was definitely it's
• 42:12
  Speaker 2: my fault. If I had been more responsible, she'd still
• 42:16
  Speaker 2: be alive. And I could not shake the certainty of
• 42:21
  Speaker 2: that for weeks weeks. There came a point eventually where
• 42:28
  Speaker 2: I stopped saying it out loud because I could see
• 42:33
  Speaker 2: that my husband was getting sick of hearing it. Frankly,
• 42:37
  Speaker 2: but I still definitely took responsibility for her death. And
• 42:45
  Speaker 2: it's just the most awful feeling, you know, like the
• 42:49
  Speaker 2: classic thinking back to all of the things that you
• 42:52
  Speaker 2: could have done differently and how things might have turned out,
• 42:55
  Speaker 2: and you know, and it was just I don't think
• 42:59
  Speaker 2: I've ever had any other like death like that that
• 43:03
  Speaker 2: was on my conscience. So it's the first time I'd
• 43:06
  Speaker 2: ever had experience with that particular type of guilt, and
• 43:09
  Speaker 2: it was just awful. So this like moment with Brooke
• 43:14
  Speaker 2: and the way that he just literally like falls to
• 43:16
  Speaker 2: his knees and starts crying, I was just like, oh, Broke,
• 43:20
  Speaker 2: I've been there, buddy. I really felt for him because,
• 43:23
  Speaker 2: like when I say that I fell to my knees,
• 43:26
  Speaker 2: I did. I'm not exaggerating. It sounds so dramatic, but
• 43:29
  Speaker 2: like I just, you know, I just collapsed. And it
• 43:35
  Speaker 2: made me react quite poorly to jim Bay in a
• 43:40
  Speaker 2: similar way as Brooke does. Now here's the thing. I
• 43:47
  Speaker 2: didn't realize how close we still were too big Mom
• 43:54
  Speaker 2: and the rest of the pirates. I really thought that
• 43:57
  Speaker 2: the Kouda births had gotten us far enough out of
• 43:59
  Speaker 2: their tears that we were going to be okay. And
• 44:06
  Speaker 2: so initially Jimbay being like you need to get it together.
• 44:10
  Speaker 2: I was like, dude, what the fuck? He says something
• 44:14
  Speaker 2: like we can't afford to fall apart right now, and
• 44:19
  Speaker 2: my immediate thought was like, this is the perfect time
• 44:22
  Speaker 2: to fall apart. You're on the ship alone, you're away,
• 44:29
  Speaker 2: Why can't what do you mean? And finally he actually says,
• 44:37
  Speaker 2: we're still in her territory. Pedro sacrificed himself to get
• 44:42
  Speaker 2: y'all out of here. Basically, do you think that he
• 44:46
  Speaker 2: killed himself so that y'all could get caught because you
• 44:49
  Speaker 2: were crying over him? Like, get fucking real? And once
• 44:57
  Speaker 2: he like fully explained it, I was like, okay, you
• 45:01
  Speaker 2: know what, that's fair. But I definitely initially was like,
• 45:04
  Speaker 2: what the fuck, dude? Ew and I loved Brooke being like,
• 45:09
  Speaker 2: what is the matter with you? Brooke is indignant, but
• 45:14
  Speaker 2: then in the end says my deepest apologies. He says
• 45:20
  Speaker 2: something like I see now that I was out of line,
• 45:23
  Speaker 2: which isn't really the way I would phrase it. Usually
• 45:26
  Speaker 2: out of line means that you did something like offensive,
• 45:28
  Speaker 2: which I wouldn't say is what happened here? I would
• 45:31
  Speaker 2: say say that after asking a woman to see her panties,
• 45:36
  Speaker 2: Brooke that's when that would be appropriate. But you know,
• 45:40
  Speaker 2: I digress. So they begin to get it together. Just
• 45:45
  Speaker 2: as surprise, here comes Big Mom literally like walking on
• 45:50
  Speaker 2: the surface of the water, and they're like, how wait what.
• 45:57
  Speaker 2: Carrot says, she's walking on the water, and Jimbae says,
• 46:02
  Speaker 2: don't be ridiculous, that's absurd, And after even though I
• 46:08
  Speaker 2: eventually saw things his way, after having just been annoyed
• 46:11
  Speaker 2: at Jembay for him to tell Carrot she's being ridiculous here,
• 46:15
  Speaker 2: I really was kind of over Jembay. I will not lie, guys.
• 46:18
  Speaker 2: I had a moment of like, fucking shut up, dude,
• 46:21
  Speaker 2: nobody asked you so this, uh, The reveal of Big
• 46:31
  Speaker 2: Mom coming at them, along with everybody else behind her
• 46:36
  Speaker 2: is it was a genuine surprise to me because I
• 46:39
  Speaker 2: just thought that they were Even when he says we're
• 46:41
  Speaker 2: still in her territory, I was like, Okay, well sure,
• 46:45
  Speaker 2: but we're still like in pretty good shape. And then
• 46:49
  Speaker 2: looking over and seeing that she's able to literally walk
• 46:52
  Speaker 2: to their ship, I was like, oh, oh no, And yeah,
• 46:57
  Speaker 2: it turns out that she's not actually walking on water,
• 46:59
  Speaker 2: she's walking on candy. Because Pero is here making his
• 47:04
  Speaker 2: little floating candy walkway that he does, which I maintain
• 47:09
  Speaker 2: is very cool and sucks. Okay, now we're going to
• 47:15
  Speaker 2: go over to what you all already know is my
• 47:19
  Speaker 2: favorite part, and that is Soany and Pudding. I love
• 47:26
  Speaker 2: it so much. I love it so much. It's so stupid,
• 47:33
  Speaker 2: it's so funny. Oh my god. So I had said
• 47:37
  Speaker 2: last time that I like officially really genuinely ship them.
• 47:41
  Speaker 2: I stand by that one hundred percent. And this episode,
• 47:45
  Speaker 2: if anything, because like what had been happening before, was
• 47:51
  Speaker 2: that Pudding was outwardly struggling with her like evil self
• 47:58
  Speaker 2: for evil instincts. In this section, it's not so much
• 48:03
  Speaker 2: that she's not outward because she does say a few
• 48:06
  Speaker 2: things out loud, but it does feel like it's a
• 48:10
  Speaker 2: little bit more internal this time, and she is. She's
• 48:17
  Speaker 2: like much more affected now than she had been by
• 48:24
  Speaker 2: him being nice to her at all. It's she's behaving
• 48:34
  Speaker 2: like Sanji. Anytime that he even like smiles at her,
• 48:39
  Speaker 2: she starts to completely fall apart, and I just like
• 48:46
  Speaker 2: Chaffon says something at one point like you need to
• 48:50
  Speaker 2: stop smiling at her. She obviously cannot handle it. She's
• 48:54
  Speaker 2: about to pass out and Sanji. You know, he can't
• 48:58
  Speaker 2: help it because he's into her, so he's just like, yeah,
• 49:02
  Speaker 2: what am I not? I'm not gonna smile at her.
• 49:04
  Speaker 2: Come on. There's also a mention a few times of
• 49:06
  Speaker 2: the fact that, like, the wedding didn't finish, which I
• 49:11
  Speaker 2: really thought that it had, and that they were like
• 49:13
  Speaker 2: officially married, but evidently shit doesn't work the same way.
• 49:20
  Speaker 2: You know. I think that this is sort of like
• 49:22
  Speaker 2: a translation thing where the way that our weddings work,
• 49:27
  Speaker 2: the words that they said would have signaled the end
• 49:29
  Speaker 2: of the ceremony and that it was completed, but I
• 49:32
  Speaker 2: think that it's not meant to have been that. So
• 49:38
  Speaker 2: we just have the two of them, Like first, she
• 49:41
  Speaker 2: doesn't she's wrapped up completely in this blanket with just
• 49:45
  Speaker 2: her eye poking out, and when Chafon's like, why are
• 49:53
  Speaker 2: you doing that? Just sit up and talk to us,
• 49:56
  Speaker 2: She's like, no, I can't let anybody see me with
• 50:00
  Speaker 2: because if they see us together, we're going to have
• 50:03
  Speaker 2: to explain because they're going to assume that he's my
• 50:07
  Speaker 2: husband and that we're on our honeymoon. And I love
• 50:09
  Speaker 2: Chiffon just being like what people, we're on a flying carpet,
• 50:15
  Speaker 2: it's the three of us, what are you talking about?
• 50:19
  Speaker 2: And she's just like, you never know who's watching, trust me,
• 50:24
  Speaker 2: I know. But as they get closer and closer to
• 50:29
  Speaker 2: the island, they structured things to make it look like
• 50:35
  Speaker 2: First of all, Sanchi is totally hidden and Chiffon is
• 50:41
  Speaker 2: wearing manacles, so it looks like she is under Puddings control.
• 50:50
  Speaker 2: Because apparently like news has traveled already, so folks know
• 50:55
  Speaker 2: that shit has fallen apart and why so put lands
• 51:00
  Speaker 2: and explains to everybody about the hunger pangs, and we
• 51:04
  Speaker 2: really need your help because unless we satisfy Big Mom's appetite,
• 51:09
  Speaker 2: a lot more people are going to die. And everybody
• 51:13
  Speaker 2: is like charmed by her because she's doing her like adorable, innocent,
• 51:18
  Speaker 2: sweet princess act and they're eating it up. And she
• 51:24
  Speaker 2: is able to requisition a bunch of chefs to help
• 51:28
  Speaker 2: them because they're making a very big cake. Reminder, this
• 51:33
  Speaker 2: is not like you know, I'm just gonna pull my
• 51:36
  Speaker 2: kitchen aid out. This is a big fucking project. So
• 51:41
  Speaker 2: these chefs evidently have like heard ahead of time that
• 51:45
  Speaker 2: there is going to be a need for them, and
• 51:47
  Speaker 2: they've gotten themselves in order already and are already like
• 51:53
  Speaker 2: sifting flour and you know, getting the basic stuff set up,
• 51:57
  Speaker 2: but they do not know what the is and Sanji
• 52:03
  Speaker 2: reveals that he has already drawn a diagram of the
• 52:08
  Speaker 2: cake itself and has written a recipe, which one of
• 52:14
  Speaker 2: the chefs is like, how did you do that without
• 52:17
  Speaker 2: even knowing what's in it? You never even tasted the cake,
• 52:22
  Speaker 2: And he says, by its scent, it's Chiffon that he's
• 52:29
  Speaker 2: talking to. And when he says by it sent Chiffon
• 52:32
  Speaker 2: gets this shocked look and then just says, this guy,
• 52:37
  Speaker 2: I really laughed at that. I don't know why, but
• 52:39
  Speaker 2: like this guy is the perfect response. So uh, anyway,
• 52:47
  Speaker 2: this does take me to a weird moment where they're
• 52:55
  Speaker 2: like talking to Sonji about what it is that he
• 52:58
  Speaker 2: needs and he starts listening off a bunch of ingredients
• 53:03
  Speaker 2: and y'all, look, I accept fully that there are going
• 53:07
  Speaker 2: to be plenty of cakes in Japan that are made
• 53:11
  Speaker 2: with different ingredients than what we would be making a
• 53:15
  Speaker 2: cake with, and that's fine, but we already heard very
• 53:20
  Speaker 2: distinctly earlier that this was a chocolate Chiffon cake. So
• 53:26
  Speaker 2: the fact that he is asking for sesame seeds and
• 53:30
  Speaker 2: banana is puzzling the shit out of me. I don't know.
• 53:36
  Speaker 2: Maybe this is supposed to be like the filling. Maybe
• 53:40
  Speaker 2: it's like there's layers and there's something in between the layers,
• 53:43
  Speaker 2: which perhaps could work with banana and chocolate do go together.
• 53:48
  Speaker 2: But it's just, you know, knowing that this is such
• 53:52
  Speaker 2: a specific cake and then him asking for ingredients that
• 53:57
  Speaker 2: feel like that what you know? So I stopped for
• 54:04
  Speaker 2: a second. I was like, uh, weird, but okay, sure,
• 54:11
  Speaker 2: Seraphim says the ingredients he's asking for are for the icing. God,
• 54:19
  Speaker 2: that's even weirder if it were filling. Maybe maybe it's
• 54:24
  Speaker 2: a translation thing and that's what it is.
• 54:27
  Speaker 1: You know.
• 54:29
  Speaker 2: But yeah, in like in the icing, even weirder. But
• 54:36
  Speaker 2: it's fine. What we get is Chiffon, not Cheffon. Pudding.
• 54:43
  Speaker 2: Is like, all right, I'm going to talk to these
• 54:47
  Speaker 2: chefs one at a time and alter their memories so
• 54:53
  Speaker 2: that to them the wedding went off without a hitch.
• 54:57
  Speaker 2: And Big Mom is just angry that the cake was
• 55:00
  Speaker 2: destroyed because it started to rain. But as far as
• 55:04
  Speaker 2: they know, you and I our husband and wife, and
• 55:09
  Speaker 2: there's a very strong sense of that wasn't necessary to
• 55:15
  Speaker 2: the story. Pudding just wants to be married, and so
• 55:19
  Speaker 2: she's being like, well, I had to for very similitude.
• 55:23
  Speaker 2: It was just necessary for our undercover, you know, like
• 55:26
  Speaker 2: uh huh, yeah, sure it was, sweetie, it's fine. Nobody
• 55:30
  Speaker 2: suspects a thing. And what happens later this guy's this
• 55:37
  Speaker 2: was really genuinely so funny because it's just what we've
• 55:42
  Speaker 2: seen happen with fucking Sanji, and it's like happening to
• 55:47
  Speaker 2: a woman about Sonjie is so unexpected, so she's, you know,
• 55:56
  Speaker 2: the two of them are also kind of going back
• 55:58
  Speaker 2: and forth, with each of them being just like like
• 56:00
  Speaker 2: heart eyes about each other. But this one guy is
• 56:04
  Speaker 2: talking about how Putting and Sanji working together as newlyweds
• 56:11
  Speaker 2: is actually really romantic and an unusual situation, and as
• 56:16
  Speaker 2: soon as he says like newlyweds, she gets that look
• 56:19
  Speaker 2: and steam starts coming off her head, and when he
• 56:24
  Speaker 2: says romantic, she bursts into flames. Sonji says, don't embarrass me,
• 56:28
  Speaker 2: I'm shy, but behind him, Putting literally collapses to the
• 56:33
  Speaker 2: ground on fire, and then the guy who's talking to
• 56:37
  Speaker 2: them says, Sanji, your wife fainted and she goes his
• 56:41
  Speaker 2: wife and she like convulses, and then this guy's like
• 56:44
  Speaker 2: your wife, your wife, your wife, and every time he
• 56:49
  Speaker 2: says it, she just like she's like completely convulses again,
• 56:53
  Speaker 2: over and over and Hifan has to be like, stop it,
• 56:57
  Speaker 2: you're killing her. This was really funny, and so yeah,
• 57:07
  Speaker 2: putting is like dancing around and then he says get up,
• 57:11
  Speaker 2: and she says he's bossing me around. Well, I like
• 57:13
  Speaker 2: a man who knows what he wants. And then she
• 57:16
  Speaker 2: stops herself and she's like no, wait, and then she says,
• 57:20
  Speaker 2: don't talk down to me like that again, or I
• 57:23
  Speaker 2: swear I'll skin you. But he does not acknowledge this
• 57:28
  Speaker 2: at all. He continues on talking about the kind of
• 57:31
  Speaker 2: milk they need, and in the background, she's still continuing
• 57:36
  Speaker 2: with her hearts around her, and when he doesn't acknowledge
• 57:40
  Speaker 2: what she said, she calls out, where is it? Because
• 57:44
  Speaker 2: this cracked me up? And I was like, this is
• 57:46
  Speaker 2: going into my personal arsenal. Where is it? Maybe it
• 57:52
  Speaker 2: happens a little bit later because she says something like,
• 57:56
  Speaker 2: why aren't you acknowledging my my It was worded so specifically,
• 58:03
  Speaker 2: I can't paraphrase it. It's not funny. If I paraphrase it,
• 58:07
  Speaker 2: I'll find it. It'll be up here at one point.
• 58:11
  Speaker 2: So yeah, Sonji is talking about how he is going
• 58:14
  Speaker 2: to be able to make a cake that is basically magical,
• 58:18
  Speaker 2: you know, the essence of true sweetness, and that this
• 58:22
  Speaker 2: is going to be like a challenge to his powers
• 58:24
  Speaker 2: as a chef. Ooh, I'm sorry, guys. I rubbed my
• 58:28
  Speaker 2: eyes and I don't know if I had like onion
• 58:31
  Speaker 2: juice on them, but they are burning now. This is
• 58:33
  Speaker 2: killing me. But yeah, they talk about like having to
• 58:36
  Speaker 2: bake the cake and then actually having to wait for
• 58:38
  Speaker 2: it to cool before they can like transport it. That
• 58:43
  Speaker 2: like the acknowledgment of the way that this would actually work.
• 58:48
  Speaker 2: I appreciate it, of course as somebody who bakes myself,
• 58:52
  Speaker 2: who knows that this is correct. But I was like,
• 58:55
  Speaker 2: oh my god, how long would a cake that size
• 58:58
  Speaker 2: take to cool off? I don't think twenty four hours
• 59:01
  Speaker 2: would be enough. Like if we're talking about really we're
• 59:03
  Speaker 2: baking a cake that's the size of it's almost like
• 59:08
  Speaker 2: the size of an ocean liner. You know what I'm saying.
• 59:10
  Speaker 2: It's it's I was going to say a house and
• 59:12
  Speaker 2: it's like so much bigger than a house. But there's
• 59:17
  Speaker 2: a couple of chefs who try to say, like this
• 59:19
  Speaker 2: pace is impossible. There is simply no way, and Chiffon
• 59:23
  Speaker 2: is like, we have to make it possible or people
• 59:27
  Speaker 2: are going to die, and they're like okay. So they
• 59:32
  Speaker 2: all basically do and break and they all head out
• 59:35
  Speaker 2: to do each of their respective tasks. And you know,
• 59:40
  Speaker 2: it's the danger of anything like this where you've established
• 59:44
  Speaker 2: how huge this cake is going to be, but then
• 59:47
  Speaker 2: you have like an individual with just a regular sized
• 59:50
  Speaker 2: bowl and a whisk doing their thing, and I'm just like,
• 59:52
  Speaker 2: this is useless. You're going to accomplish nothing. But yeah,
• 59:58
  Speaker 2: so the the chef's spirit is what Sanji calls it,
• 1:00:05
  Speaker 2: that he is going to prove that he has it
• 1:00:07
  Speaker 2: in him and this cake is going to change everything.
• 1:00:11
  Speaker 2: Even Pudding is talking about how this chocolate is going
• 1:00:15
  Speaker 2: to like change fate itself something like that. So it
• 1:00:21
  Speaker 2: was a very cute. I just really enjoy them. I
• 1:00:24
  Speaker 2: really really ship them. I hope that something happens where
• 1:00:27
  Speaker 2: they can stay together and that she joins the straw hats.
• 1:00:30
  Speaker 2: I don't know, it doesn't seem like it's like likely,
• 1:00:34
  Speaker 2: but I really really really want it, I really do.
• 1:00:39
  Speaker 2: It's super fun as well, her still having this like
• 1:00:42
  Speaker 2: internal conflict. I think it's truly funny. I feel like
• 1:00:46
  Speaker 2: it's the sort of joke that's going to take a
• 1:00:48
  Speaker 2: while to get old because it's just it just it's
• 1:00:52
  Speaker 2: very inconvenient, and that makes it funnier, you know. Anyway, Okay,
• 1:00:58
  Speaker 2: I have to wrap up, but uh, this was a
• 1:01:02
  Speaker 2: fun section and looking forward to seeing how it all goes.
• 1:01:06
  Speaker 2: And I'm I'm glad that like Sanji has something more
• 1:01:10
  Speaker 2: to do now because him just basically being a prisoner
• 1:01:13
  Speaker 2: until his wedding day, you know, like it wasn't like
• 1:01:17
  Speaker 2: he did nothing interesting because what was going on with
• 1:01:19
  Speaker 2: Putting in him discovering the truth about her and everything
• 1:01:22
  Speaker 2: was still interesting, but it did just sort of feel
• 1:01:24
  Speaker 2: like he's out here just cooling his heels. So I'm
• 1:01:27
  Speaker 2: excited that now we have, especially that it's him and
• 1:01:30
  Speaker 2: Putting paired up on a project together that they're like
• 1:01:33
  Speaker 2: jointly invested in. This is great. I love it all right,
• 1:01:38
  Speaker 2: I have to wrap up. Thank you guys again so
• 1:01:40
  Speaker 2: much for listening. I hope you guys are enjoying the coverage.
• 1:01:43
  Speaker 2: Thank you Florian for commissioning and for coming to the live.
• 1:01:45
  Speaker 2: Thank you sarahm for being here, and until next time,
• 1:01:49
  Speaker 2: Delu motherfuckers
• 1:02:20
  Speaker 1: That was an unspoiled network past