Latest / I Am All In with Scott Patterson / I Already Set 'Em Aside (S2 E3, "Red Light on the Wedding Night")

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I Already Set 'Em Aside (S2 E3, "Red Light on the Wedding Night") · I Am All In with Scott Patterson

• 0:00
  Speaker 1: I Am all in. Oh, let's just I Am all
• 0:17
  Speaker 1: in with Scott Patterson and I Hurt Radio Podcasty everybody,
• 0:21
  Speaker 1: Scott Patterson and this is the I Am All In
• 0:25
  Speaker 1: Podcast with my Heart Radio and one eleven Productions. And
• 0:28
  Speaker 1: we are joined by the ball Club Riley Pelusis. Did
• 0:36
  Speaker 1: I know Riley Pellusis is joining us? Danielle Romo, Oh
• 0:43
  Speaker 1: my god, this episode I have to ask you guys.
• 0:45
  Speaker 1: I know I'm jumping in, but so for Scott and
• 0:48
  Speaker 1: Danielle specifically, was it did you? Were you shocked? Like,
• 0:55
  Speaker 1: because you guys have you haven't seen it Scott since
• 0:57
  Speaker 1: you did it and Danielle never seen it, So like,
• 0:59
  Speaker 1: what did you guys think of the end? I thought
• 1:01
  Speaker 1: it was really kind of predictable the whole thing. It
• 1:05
  Speaker 1: was a little ham handed in my estimation. It kind
• 1:10
  Speaker 1: of lacked the I don't know, it lacked the style
• 1:13
  Speaker 1: and the wit structurally speaking, and then it's just like
• 1:16
  Speaker 1: they wanted to tie it up real fast in one episode.
• 1:19
  Speaker 1: So I saw it all coming. I saw coming from
• 1:21
  Speaker 1: a mile away, and I guess that's just TV, right.
• 1:24
  Speaker 1: I don't understand TV the way I understand film. Um,
• 1:29
  Speaker 1: So it was a fun ride, No question, I enjoyed it.
• 1:33
  Speaker 1: You weren't shocked when she ran in and was like,
• 1:35
  Speaker 1: puck backs, pack backs, Well, no, I was shocked. It
• 1:38
  Speaker 1: took her that long to say anything. I liked how
• 1:41
  Speaker 1: she ran and said pack your bags, pack your bags,
• 1:43
  Speaker 1: and let's get out of here. It's like wow, um,
• 1:47
  Speaker 1: But I think you know, they made him. They made
• 1:49
  Speaker 1: Max look as drab as they could possibly make him
• 1:52
  Speaker 1: in the wardrobe department. With that, you know, he looked
• 1:54
  Speaker 1: like a high school kid. He looked like kind of
• 1:56
  Speaker 1: a a high school kid who was unsure of himself
• 1:58
  Speaker 1: with the wide color shirt and and and the drab
• 2:02
  Speaker 1: and he slouched a little. He's such a good actor
• 2:04
  Speaker 1: that he made himself like that, right, because when he's
• 2:07
  Speaker 1: wearing the school uniform in the suit, he's looking kind
• 2:10
  Speaker 1: of kind of great, right, spectacular, But he looked a
• 2:12
  Speaker 1: little I don't know, when they got home and he's
• 2:17
  Speaker 1: untucking that shirt not he lives there, and you're like, yeah, yeah,
• 2:20
  Speaker 1: it's a whole different guy. And so that's that's Brenda
• 2:23
  Speaker 1: maybeen in the wardrobe department, you know, just just nailing
• 2:27
  Speaker 1: it right, because that's that's a whole conversation, right, there
• 2:30
  Speaker 1: with the creators, like, how do we make this guy
• 2:32
  Speaker 1: look a little schlumpy and like maybe not so appealing,
• 2:35
  Speaker 1: even though it's hard to make Scott Cohen look not appealing.
• 2:39
  Speaker 1: Buddy duddy, Yeah, he wasn't so sure of himself, and
• 2:43
  Speaker 1: that's in the dialogue. But I just I thought it
• 2:45
  Speaker 1: was very well executed. But I saw it coming a
• 2:48
  Speaker 1: mile away, you know, Yeah, yeah, did you? Yeah? I
• 2:51
  Speaker 1: totally saw it coming from a mile away. Part of
• 2:53
  Speaker 1: me wishes that it was on their wedding day that
• 2:57
  Speaker 1: she was like, let's go instead of like the week
• 2:59
  Speaker 1: of for you know, like just for the drama factor.
• 3:03
  Speaker 1: But yeah, I saw that coming because then there's no
• 3:06
  Speaker 1: coming back from that. Now the door is a little
• 3:08
  Speaker 1: bit open. I know he's gonna feel burned and horrible
• 3:10
  Speaker 1: with the door. They didn't get that far right, they
• 3:13
  Speaker 1: didn't get so pregnant in the process. I mean it
• 3:15
  Speaker 1: was pretty pretty pregnant a couple of days before and
• 3:18
  Speaker 1: she bails, But yeah, leave him at the altar would
• 3:21
  Speaker 1: have been like, you know, there's no coming back from this.
• 3:23
  Speaker 1: But he might come back from this. I don't know
• 3:25
  Speaker 1: if does he. I don't know. I actually am trying
• 3:28
  Speaker 1: to remember, yeah, Riley thoughts impressions. I think, I think
• 3:32
  Speaker 1: that's so mean to do it the day of I
• 3:35
  Speaker 1: know what happens, but I know Daniel wants drama. It
• 3:38
  Speaker 1: just seems so cruel. It's savage. Um no, but Lorela
• 3:45
  Speaker 1: is savage like that. That's her, you know, that's her.
• 3:50
  Speaker 1: That's the thing. That's the line he goes, can you
• 3:52
  Speaker 1: think about yourself? Can you not think about yourself for
• 3:55
  Speaker 1: a couple of seconds out of the day, I think
• 3:57
  Speaker 1: of somebody else, like boom, that was them to kill
• 4:00
  Speaker 1: or blow? That was so aggressive that wow, And you know,
• 4:03
  Speaker 1: I kind of don't blame him. Um, I knew they
• 4:07
  Speaker 1: were doomed when she called Christopher, oh god, which I
• 4:11
  Speaker 1: thought Christopher couldn't have been more charming and perfect? Yeah? Actually,
• 4:16
  Speaker 1: yeah he was great. It wasn't he great in that scene? Yeah? Perfect?
• 4:19
  Speaker 1: He was great in that scene. And it's not hard
• 4:21
  Speaker 1: to do. So let me ask you that, Like, he's
• 4:24
  Speaker 1: obviously supposed to be on the phone with her, So
• 4:27
  Speaker 1: where is is he in a room by himself? Is
• 4:30
  Speaker 1: he probably doing it with her? Though? No? No, no,
• 4:33
  Speaker 1: no no no. If it depends on if if she
• 4:38
  Speaker 1: has already filmed her side of it, and maybe he
• 4:41
  Speaker 1: gets the audio from her from what she did, so
• 4:45
  Speaker 1: he can, you know, but it's usually just a stand
• 4:48
  Speaker 1: in or somebody reading or the script supervisor reading the
• 4:51
  Speaker 1: lines from because he would never see that, like, actually,
• 4:56
  Speaker 1: is it back and forth? Because it would be impossible. No,
• 5:00
  Speaker 1: it's not necessary. Those are the type. Yeah, and then yeah,
• 5:06
  Speaker 1: it's but there's no reason to have two people doing
• 5:09
  Speaker 1: at the same time now to be ridiculous. All right,
• 5:11
  Speaker 1: we're already across the street, go ahead, or you know what,
• 5:14
  Speaker 1: we got a little No, we got a wiring problem.
• 5:16
  Speaker 1: We're gonna have to stop it, right, But yeah, he was.
• 5:20
  Speaker 1: That was a really good because you know, Emily tells
• 5:23
  Speaker 1: that story and then they're all calling their significant others
• 5:27
  Speaker 1: and she calls Christopher. Yeah that. I mean, look, she
• 5:31
  Speaker 1: was done way before that. I mean she was done
• 5:34
  Speaker 1: in the in the bedroom when she saw Max vying
• 5:38
  Speaker 1: for some kind of parental power and authority, like what
• 5:41
  Speaker 1: about Dean and Rory kissing outside? I mean, well, what's
• 5:44
  Speaker 1: my role here? And I'm thinking this guy's coming on
• 5:47
  Speaker 1: glued real fast here. I mean he's not even in yet,
• 5:51
  Speaker 1: and he wants, you know, he wants to take over
• 5:53
  Speaker 1: he wants some authority, and it's like and she made
• 5:56
  Speaker 1: the most salient point of their entire relationship, which is
• 6:01
  Speaker 1: she's already grown up. She's I mean, she's fully cooked.
• 6:04
  Speaker 1: I mean, there's nothing, there's nothing for you to do
• 6:05
  Speaker 1: except you know, make the the garlic bread and and
• 6:10
  Speaker 1: be my be my sex slave, fella, my old man.
• 6:18
  Speaker 1: I can't wrap my head around them. Like doing it
• 6:22
  Speaker 1: that still wigs me out, takes me back to that
• 6:25
  Speaker 1: weird shirtless scene. Well, okay, so here's the thing. The
• 6:28
  Speaker 1: imbalance for me is it's almost like, you know, she's
• 6:34
  Speaker 1: more aggressive, she's more manly than he is, almost on
• 6:39
  Speaker 1: a certain level. You know, you don't because she's quite
• 6:42
  Speaker 1: a substantial presence. I mean, Lauren Graham herself, right, She's
• 6:47
  Speaker 1: she's a powerful that's a powerful person, and and that
• 6:50
  Speaker 1: character is a powerful person, right with even with all
• 6:54
  Speaker 1: the insecurities and you know, temporary flights of fancy and
• 6:59
  Speaker 1: you know, visiting the insanity every once in a while.
• 7:04
  Speaker 1: But I think you're right. I think you're right. Though
• 7:07
  Speaker 1: she's it doesn't feel like it's a good match because
• 7:10
  Speaker 1: he seems overpowered you and I see what you think intellectually,
• 7:16
  Speaker 1: they're there. I think intellectually they're both there, and it's
• 7:20
  Speaker 1: a it's a ping pong match. And he might be
• 7:22
  Speaker 1: a little even more on the nerdy side, right, and
• 7:25
  Speaker 1: she's supposed to be some kind of a nerd right,
• 7:27
  Speaker 1: not as much as him obviously because he went and
• 7:29
  Speaker 1: got his degrees in a teaching degree and what whatnot. Um,
• 7:32
  Speaker 1: But yeah, don't they don't seem well matched physically to me.
• 7:35
  Speaker 1: It's even personality wise. He just seems like a push
• 7:38
  Speaker 1: over to her. Yeah, I can't put my finger on
• 7:42
  Speaker 1: but I think you're right. I think what you're saying
• 7:44
  Speaker 1: is accurate. Something is off. It's the Jerry Seinfeld thing, like,
• 7:48
  Speaker 1: what's wrong? Were there now? Jerry? She's just too nice?
• 7:51
  Speaker 1: You know, I can't there's nothing dirty about her, you know, Yeah,
• 7:55
  Speaker 1: you know she might be too nice for her. He
• 7:58
  Speaker 1: doesn't push back on her enough, even though he was
• 8:01
  Speaker 1: aggressive in this episode that you only think of yourself
• 8:03
  Speaker 1: and kind of that bedroom little tiff argument. But when
• 8:08
  Speaker 1: he tries to push back, it seems too much. It
• 8:11
  Speaker 1: seems out of character. When I do it, it's that's
• 8:14
  Speaker 1: who I am, that's my It's also just too soon.
• 8:18
  Speaker 1: They got engaged a witty too soon. Yeah, because if
• 8:23
  Speaker 1: Dean is schooling Max Medina like Dean knows more, it's weird.
• 8:29
  Speaker 1: I liked, I liked. I like Dean in this episode.
• 8:32
  Speaker 1: I thought it was super cool, great scenes, great, right
• 8:35
  Speaker 1: and great, really funny stuff. But you know, advising him
• 8:38
  Speaker 1: on the how they these people are? Um? But it's god.
• 8:43
  Speaker 1: I just, I just I just had a thought. I
• 8:44
  Speaker 1: lost it? What was it? Hang on? Observed Brazil. Hello Brazil.
• 8:49
  Speaker 1: We do like your jacket today. You know you're wearing
• 8:53
  Speaker 1: your eye am all in hat. I didn't that it? Now?
• 9:00
  Speaker 1: Where do they get it? You know what? I've got
• 9:01
  Speaker 1: my hat on. And if I were at a ballgame
• 9:04
  Speaker 1: or something or a soccer match watching my son, I
• 9:07
  Speaker 1: guess i'd have a steaming hot mug. You can get
• 9:12
  Speaker 1: this hat and this mug at my fan threads dot com.
• 9:17
  Speaker 1: I love it. Actually, the mug is legit. I'm not
• 9:19
  Speaker 1: gonna lie. I love both. I wear the hat out.
• 9:22
  Speaker 1: I wear the hat out to my birthday party. Danielle.
• 9:25
  Speaker 1: Do I have to pay for the mug or do
• 9:26
  Speaker 1: we get it for free? I have to pay for it, right,
• 9:29
  Speaker 1: we can get it for free for you. We just
• 9:30
  Speaker 1: have to pay shipping. I love it. Oh the perks
• 9:38
  Speaker 1: of working on this. I got a receipt? What did
• 9:41
  Speaker 1: I just pay for? Did I pay for this stuff?
• 9:43
  Speaker 1: Is it coming out of my end? There? Like you
• 9:46
  Speaker 1: keep in track for sure, we'll charge you back on that. Yeah. Okay, wait,
• 9:53
  Speaker 1: so let's talk more about Dean. So I liked him
• 9:56
  Speaker 1: in this episode two, and you know, he fits in
• 10:00
  Speaker 1: better with them well now that he knows the drill
• 10:05
  Speaker 1: and he's finally in a scene where he's like when
• 10:08
  Speaker 1: we first met him, he's in control and he's cool,
• 10:11
  Speaker 1: and he's he's just calm about everything and he's accepting
• 10:15
  Speaker 1: of everything. That's the first time i've you know, I
• 10:18
  Speaker 1: liked him in the beginning when he was a little
• 10:20
  Speaker 1: aloof and a little mysterious um, and then he kind
• 10:23
  Speaker 1: of lost that. But of course, you know he gets
• 10:25
  Speaker 1: he gets into that the chainsaw that is the Gilmore girls, right,
• 10:29
  Speaker 1: and it gets chewed up a little bit. Which is
• 10:32
  Speaker 1: wearing the necklace. I don't remember the necklace this time,
• 10:37
  Speaker 1: but he was he was doling out the good advice
• 10:39
  Speaker 1: to old Max, you know, like watching he I mean,
• 10:43
  Speaker 1: he knows them both, like you don't know what you're
• 10:46
  Speaker 1: you don't know what you're walking into. Pal But okay,
• 10:49
  Speaker 1: So the point I was gonna make is is what's
• 10:52
  Speaker 1: what's interesting is when you compare Luke and Max, right,
• 10:58
  Speaker 1: Luca's a known come on to those two, they know
• 11:01
  Speaker 1: if it's it's she's layalized, not losing any bit of
• 11:06
  Speaker 1: familiarity or any there's no real life change for her
• 11:10
  Speaker 1: if Luke comes into the scene, because they're so usy,
• 11:13
  Speaker 1: he's just there, right. The pancake ordering is the perfect examp,
• 11:17
  Speaker 1: perfect example. And he and he knows, he knows his boundaries,
• 11:20
  Speaker 1: he knows he's he's helped raise Rory too. He's cared
• 11:24
  Speaker 1: and he's not going to buy for power. He doesn't
• 11:26
  Speaker 1: want it right, and Max is like, and so really,
• 11:30
  Speaker 1: you know, Laurel I wakes up Roy and says, you know, uh,
• 11:34
  Speaker 1: there's a boy in my bed, in the whole thing,
• 11:36
  Speaker 1: but there's a boy in my room and all this stuff.
• 11:38
  Speaker 1: She's realizing what she's gonna lose. She's gonna lose that
• 11:41
  Speaker 1: intimacy with Rory. She's gonna lose. And again she stops
• 11:46
  Speaker 1: worrying about emptiness syndrome and what's going to happen, and
• 11:50
  Speaker 1: she sees all that, She sees the sea of possibilities.
• 11:52
  Speaker 1: Maybe with Luke, maybe with Christopher who knows, but not
• 11:55
  Speaker 1: this guy. She realizes she never bothered when you show
• 11:59
  Speaker 1: up a six in the morning, or you let yourself
• 12:01
  Speaker 1: into the house, or any of it. And I do
• 12:04
  Speaker 1: think the pancakes scene was so telling because they had
• 12:08
  Speaker 1: to change for Max. They're like, no, will wait, uh,
• 12:14
  Speaker 1: Like it threw them off their rhythm, and he even
• 12:16
  Speaker 1: acknowledges it, like my rhythm might be different than yours.
• 12:19
  Speaker 1: But you're just like, dude, what like they need their pancakes.
• 12:25
  Speaker 1: And you you were so funny in that scene because
• 12:27
  Speaker 1: it looks like I can't make more. Well that's you know,
• 12:30
  Speaker 1: that's just what I do. And then when they finally
• 12:33
  Speaker 1: order them, do you still have them? And you're like,
• 12:35
  Speaker 1: I already put him aside? So good. So they've got
• 12:39
  Speaker 1: that flow, they've got that familiarity. It is not a
• 12:43
  Speaker 1: big stretch to have Luke come into her life. He's
• 12:47
  Speaker 1: established that over the years. Poor Max, Poor Max, he
• 12:53
  Speaker 1: never had a chance to poor boy, he never had
• 12:56
  Speaker 1: a chance. Still, great hair, great hair, He's a handsome dude.
• 13:00
  Speaker 1: It's going back on what you said. I was really
• 13:03
  Speaker 1: intrigued by how you're saying. Luke doesn't even need to
• 13:07
  Speaker 1: have sort of power over them or her because he
• 13:11
  Speaker 1: doesn't care. And what's so interesting is I feel like
• 13:13
  Speaker 1: he has that power because he doesn't care. But he
• 13:18
  Speaker 1: he always is right, even with her, right right exactly.
• 13:22
  Speaker 1: But he can exert an opinion which may come off
• 13:27
  Speaker 1: as a authority, but it's not like he's grabbing for it.
• 13:29
  Speaker 1: It's not like he's demanding it. And that's a big deal.
• 13:33
  Speaker 1: I mean, that is just a bridge too far in
• 13:34
  Speaker 1: a relationship, even one that is supposed to be as
• 13:38
  Speaker 1: heartfelt and deep as as as Max and Laurel I.
• 13:41
  Speaker 1: And he's flipping out in her bedroom in the first night,
• 13:44
  Speaker 1: he's their second night, he's are wanting power over Rory
• 13:46
  Speaker 1: and it's like, what are you doing? It was it
• 13:49
  Speaker 1: was it was a bad move. It was too much
• 13:53
  Speaker 1: as a guy, what do you shut up? What are
• 13:54
  Speaker 1: you do when you're blowing it? And she's like, you know,
• 13:57
  Speaker 1: taking it back and trying to sit an the thing.
• 14:00
  Speaker 1: She's trying to save him from destroying the relationship. But
• 14:03
  Speaker 1: it's too late. Cats out of the bag can't unring
• 14:06
  Speaker 1: a bell. And he was ringing the bells all through
• 14:08
  Speaker 1: that episodes, like each scene was so important, The breakfast
• 14:12
  Speaker 1: at the diner, that scene, Dean knowing more, Emily at
• 14:17
  Speaker 1: the bachelorette party, explaining how you should feel the week
• 14:22
  Speaker 1: of your wedding. That was the best for me. That
• 14:24
  Speaker 1: was the best scene in the whole I mean, besides
• 14:26
  Speaker 1: the Luke scenes. Let's not be silly, let's not kid ourselves,
• 14:30
  Speaker 1: but the Emily scene was brilliant. That was brilliant, brilliantly
• 14:35
  Speaker 1: delivered and uh, really impactful. And you could just see
• 14:38
  Speaker 1: Laurel I just like, wow, you know she's right so
• 14:44
  Speaker 1: one time, so one time her mother got to speak
• 14:47
  Speaker 1: uninterrupted listen to and it impacted everybody and the way
• 14:51
  Speaker 1: the friends like Emily, you know what I mean, Like
• 14:54
  Speaker 1: we all know lord la has her drama, but of
• 14:56
  Speaker 1: course Michelle, that's his bestie, but they like her. The
• 15:02
  Speaker 1: only thing that was funny, I don't know if you
• 15:04
  Speaker 1: guys know that fully stands out to me how old
• 15:06
  Speaker 1: the cell phones are. And then did you guys see
• 15:08
  Speaker 1: Rory's like a O L pager, like the flip phone,
• 15:12
  Speaker 1: flip phone, It doesn't feel dated too often, but the phones,
• 15:16
  Speaker 1: you're like Oh my god. They did mention the word
• 15:19
  Speaker 1: gay in a somewhat derogatory sense at one point in
• 15:25
  Speaker 1: the show, which right now wouldn't fly. You know, yeah,
• 15:28
  Speaker 1: there's a few things we we have another show we
• 15:31
  Speaker 1: work on about Beverly Hills nine o two and oh,
• 15:33
  Speaker 1: and that came up in there. There's some things that
• 15:35
  Speaker 1: were acceptable at the time that are not acceptable. And
• 15:39
  Speaker 1: it was, you know, and and unique dancing up there.
• 15:42
  Speaker 1: He needed to move his thing, right, Melissa said, Oh,
• 15:44
  Speaker 1: he needed to move his thing, his his stuff or
• 15:47
  Speaker 1: what did she say? He needed to move? I don't
• 15:48
  Speaker 1: want it to be X rated. I thought dancing was
• 15:50
  Speaker 1: pretty solid. He's got move, slap him or I will.
• 15:58
  Speaker 1: And now they're all hung over the next day and
• 16:01
  Speaker 1: again so much. It's like and and Max isn't even
• 16:04
  Speaker 1: even in sync with the hangover. And he had one too,
• 16:07
  Speaker 1: but he had a lighter one because he didn't drink
• 16:09
  Speaker 1: as much. So he's not even in he's speaking too loud.
• 16:11
  Speaker 1: She's like everything. It's like, give the guy some bad shirts,
• 16:16
  Speaker 1: make him slouch, you know, make him inappropriate, make him
• 16:20
  Speaker 1: vibe for power, I mean talk about blowing up a
• 16:22
  Speaker 1: character and whatever. He sort of got dork here and
• 16:25
  Speaker 1: dork he did. I mean, they just did. They ruined him.
• 16:28
  Speaker 1: It's like, that's it. Here's no coming back for that guy. Yeah,
• 16:31
  Speaker 1: because at first I did, I mean back if we
• 16:33
  Speaker 1: look back on the first day they met at Chiltern,
• 16:37
  Speaker 1: he was so dreamy and you you liked them, and
• 16:41
  Speaker 1: then as it went on, you're like, look, they did
• 16:47
  Speaker 1: a nice run, you know they did. Yeah for them, Yeah, hey,
• 16:51
  Speaker 1: for Max and Morla, you know, seriously. And that she
• 16:53
  Speaker 1: called Christopher and not Luke, well mm hmmm mmm m m.
• 17:01
  Speaker 1: I did not like that. My only thought is that
• 17:05
  Speaker 1: you knew everything, so she can't really call and tell
• 17:08
  Speaker 1: you she's at her bachelor et. I think she called
• 17:11
  Speaker 1: me and did dad, It would be far too suggestive, totally,
• 17:15
  Speaker 1: I like you, Yeah, she couldn't do that, So she
• 17:18
  Speaker 1: had to call somebody who was who knew her better
• 17:21
  Speaker 1: than anybody and was just a friend. And interesting that
• 17:24
  Speaker 1: Christopher called Rory to say, something's up with your mom
• 17:27
  Speaker 1: watch calling me on her bachelorette party. Right, I mean,
• 17:30
  Speaker 1: he's still the dad. He's still you know, he's still
• 17:33
  Speaker 1: you know, a valued member of that family, even though
• 17:36
  Speaker 1: he's not there every day. So and it gave Roy
• 17:38
  Speaker 1: that inkling of like, oh maybe not yeah, totally um yeah,
• 17:46
  Speaker 1: interesting episode, interesting episode, how they disposed of Mac. What's
• 17:51
  Speaker 1: the name of the episode again? Red? What is it
• 17:53
  Speaker 1: called red light? And what? Oh it's called red Light
• 17:56
  Speaker 1: on the wedding night, Red red Light on the wedding Night. Perfect.
• 18:00
  Speaker 1: And then it's also you know, acknowledging that there's the
• 18:02
  Speaker 1: stoplight that went in. Yeah, that's good. Oh my god.
• 18:06
  Speaker 1: Did you guys all notice the background actors so much
• 18:08
  Speaker 1: more now after we talked to Carol V Now I'm
• 18:11
  Speaker 1: like noticing the background actor. I always focus on them.
• 18:15
  Speaker 1: It's like, don't screw it up. And they're all so good.
• 18:19
  Speaker 1: Weren't they all so good? It's doing something that's a
• 18:23
  Speaker 1: hard job to concentrate for that long and that many
• 18:26
  Speaker 1: takes and keep repeating and repeating and repeating. All right, everybody,
• 18:36
  Speaker 1: we're back from a little break. I got a little sweaty,
• 18:38
  Speaker 1: so I had to change my shirt. Uh I have
• 18:41
  Speaker 1: I was. I'm so obsessed with this episode that I
• 18:44
  Speaker 1: went back and I watched it again, and I found
• 18:47
  Speaker 1: a couple of very interesting things. There are some tidbits,
• 18:51
  Speaker 1: and there are some some production gaffs and I know,
• 18:56
  Speaker 1: I know the fan base loves this stuff. They traffic
• 19:00
  Speaker 1: this stuff, and it's really and you know, now I'm
• 19:02
  Speaker 1: I'm such a fan at this point. I'm like really
• 19:05
  Speaker 1: hunting for things, you know, like you guys with the
• 19:06
  Speaker 1: clown pillow that never done. So now I got a
• 19:09
  Speaker 1: couple of things, and I'm pretty proud that I you know,
• 19:13
  Speaker 1: and I want to learn him on it. And you
• 19:14
  Speaker 1: guys don't know what I'm gonna say. Okay, so there's
• 19:20
  Speaker 1: there's there's actually three things, and I'm going to start
• 19:22
  Speaker 1: with the lesser and then end with the big macgilla,
• 19:26
  Speaker 1: which is like kind of a huge thing and we
• 19:28
  Speaker 1: can really bat it around. So the first thing, the
• 19:30
  Speaker 1: first thing is this, uh and if Eastern could queue
• 19:34
  Speaker 1: up the Babette line red hot Poker during the stoplight dedication,
• 19:41
  Speaker 1: seen you got that Easton? Yeah, okay, so we'll just
• 19:47
  Speaker 1: keep it going here. Hey, uh, two camels walk into
• 19:50
  Speaker 1: a bar and they were they sassafras juice. Uh. Anyway,
• 19:57
  Speaker 1: so listen after Babette's line red hot poker, right, you know,
• 20:03
  Speaker 1: you get a red hot poker up here, you know what?
• 20:06
  Speaker 1: They go over to Laura Laone Suki and our sound
• 20:10
  Speaker 1: guy Dennis. Dennis is on his knees right behind Lauren,
• 20:17
  Speaker 1: fully visible, fully visible way. I love these kind of things.
• 20:24
  Speaker 1: And that guy, let me tell you something that Dennis,
• 20:26
  Speaker 1: it was the hardest working sound guy in the business,
• 20:30
  Speaker 1: um because he you know, at the time, he was
• 20:32
  Speaker 1: like I think he was in his fifties or his sixties,
• 20:35
  Speaker 1: late fifties maybe early sixties, and still had all this
• 20:38
  Speaker 1: great energy and optimism and he loved coming to work
• 20:41
  Speaker 1: and he loved he just loved being there. Now, can
• 20:43
  Speaker 1: you explain how that would happen? Because you need to
• 20:47
  Speaker 1: capture Babbett's line. He couldn't figure out how to capture
• 20:51
  Speaker 1: Babbett's line clean without getting behind Laurel. I thinking he
• 20:57
  Speaker 1: was hidden by Laura Leone Suki and with the boom
• 21:00
  Speaker 1: mic you know like that everyone by a boom or
• 21:05
  Speaker 1: does anyone wear a mic pack with like a mike
• 21:07
  Speaker 1: hidden in there? Get? I get they wanted Yes, I
• 21:10
  Speaker 1: think everybody in that scene had the pack, had their
• 21:13
  Speaker 1: mic pack right, and they have the little tiny invisible
• 21:16
  Speaker 1: mike right here right there, but they want they need
• 21:19
  Speaker 1: to cover it also for what they call background tone
• 21:23
  Speaker 1: and room tone and all that stuff. All that even
• 21:26
  Speaker 1: the tone has to match. So if somebody's speaking on
• 21:29
  Speaker 1: a line you don't have the proper room tone and
• 21:31
  Speaker 1: editing you cut to a scene, Well, well we can't
• 21:33
  Speaker 1: use that. We've got to use the mic. The mic
• 21:36
  Speaker 1: pack thing. It's gonna sound different. It's not the sound
• 21:39
  Speaker 1: won't match the tone of the sound. That's specific. Yeah. So, um,
• 21:47
  Speaker 1: that's so everything's got to be covered by mike pack
• 21:49
  Speaker 1: and by by um what do they call there's a
• 21:53
  Speaker 1: term for it that escapes me. Now, Um, gosh, it's
• 21:56
  Speaker 1: it'll come to me and I'll just blurt it out.
• 21:58
  Speaker 1: It will shock everybody. We do a show, we do
• 22:01
  Speaker 1: a show like this with Jenny Garth and Tory Spelling
• 22:03
  Speaker 1: all about Beverly Hills nine o two and now, and
• 22:06
  Speaker 1: Jenny Garth finds a boom mic in almost every apisode.
• 22:13
  Speaker 1: It's like she loves it. It's the hardest job in
• 22:16
  Speaker 1: the world being a boom guy. That I mean, their
• 22:18
  Speaker 1: arms just gets their shoulders get so tired because they're
• 22:21
  Speaker 1: like this. They're standing on apple boxes above us because
• 22:26
  Speaker 1: you know, they try to stand at our level and
• 22:28
  Speaker 1: get the boom mic in the right position. But it's
• 22:31
  Speaker 1: always Dennis, can you can you stand on an apple box?
• 22:34
  Speaker 1: And then they've got to sort of balance themselves and
• 22:36
  Speaker 1: can you stand on another apple box? How long they
• 22:38
  Speaker 1: could hold that? Because sometimes my arm gets soreed just
• 22:41
  Speaker 1: taking something out. Oh they're there for hours doing that.
• 22:45
  Speaker 1: Oh my goodness. And they're sweat You can see them,
• 22:48
  Speaker 1: like their arms shaking and their sweating, and they're just
• 22:50
  Speaker 1: focusing and that, you know, and they don't want to
• 22:52
  Speaker 1: mess up the scene at all because you know, let's
• 22:55
  Speaker 1: see what happened. Oh there it is, yeah there and okay, okay,
• 22:58
  Speaker 1: so we gotta get to Babbett's line watching it now. Okay,
• 23:04
  Speaker 1: so Dennis is not there now, okay's best start talking now.
• 23:09
  Speaker 1: When they when they go back to the two shots
• 23:12
  Speaker 1: of Lauren and Suki and Lauren and Melissa, he's gonna
• 23:16
  Speaker 1: he's going to appear there you you, Sam is there?
• 23:23
  Speaker 1: He is there, he is. There's Dennis, my buddy. It's
• 23:28
  Speaker 1: actually amazing. How did you not just yeah straight up
• 23:35
  Speaker 1: with the headphones on production gearh my god? Wait now
• 23:40
  Speaker 1: when he goes and look? Okay, so now they went
• 23:43
  Speaker 1: back and he's gone, right, So we'll put that on
• 23:46
  Speaker 1: the Instagram. For anyone. It's God. That just goes to
• 23:51
  Speaker 1: show you how difficult it is to shoot a show.
• 23:55
  Speaker 1: I think they referred to as here's the term ambient sound.
• 23:59
  Speaker 1: Them being sound has to match what's the guy's name? Again?
• 24:02
  Speaker 1: We got to try to Dennis, I forget. I think
• 24:05
  Speaker 1: it was um mix something we'll find good Irish name.
• 24:11
  Speaker 1: I think Dennis trying to find him. Oh my god,
• 24:16
  Speaker 1: I can't wait for what's next. If that was the
• 24:18
  Speaker 1: small one. All right, now, Eastern, I want you to
• 24:20
  Speaker 1: queue up for me if you would, good sir, uh
• 24:23
  Speaker 1: the diner scene when when Max comes into the diner,
• 24:31
  Speaker 1: when you're like you a great brown but like that,
• 24:34
  Speaker 1: I want you to queue it up to the scene,
• 24:36
  Speaker 1: to the part of the scene where um, I bring
• 24:40
  Speaker 1: the coffee cups. Okay, so this was earlier in the episode.
• 24:44
  Speaker 1: It was a little I think it was earlier in
• 24:45
  Speaker 1: the episode. Yeah, yeah, And I think you guys are
• 24:49
  Speaker 1: going to really like this one. Okay, here we are,
• 24:52
  Speaker 1: here we are, and let's move it forward. And cups
• 24:56
  Speaker 1: are coming in and there's there's cups. Those are three
• 25:00
  Speaker 1: cups right there, and then Luke makes a little speech.
• 25:05
  Speaker 1: Now watch the cups. Watch what happens to the cups. Ready,
• 25:08
  Speaker 1: here we go, Magic, magic, Magic, it's coming. Wait till
• 25:13
  Speaker 1: Luke walks away. Here we go. Luke's about to walk away,
• 25:17
  Speaker 1: and then he's still talking. Luke is still going boom,
• 25:27
  Speaker 1: blue cups. They're blue. Now, hang on, keep going, keep going.
• 25:36
  Speaker 1: You would love Now they're red again, They're red. It happened.
• 25:50
  Speaker 1: I don't know what happens. Happened where you suddenly switched
• 25:54
  Speaker 1: out to blue cups and didn't you realize it? Oh man?
• 26:00
  Speaker 1: You know, oh my god. First of all, did were
• 26:03
  Speaker 1: you in Easton and cahoots? Because like, did you because
• 26:06
  Speaker 1: we did not know you were going to talk to
• 26:07
  Speaker 1: us about this? I no, no, no, we're not in cahoots. No.
• 26:10
  Speaker 1: I just texted him right before we came on. Can
• 26:12
  Speaker 1: you just make sure you cue up these scenes and
• 26:14
  Speaker 1: have them ready so you know you're aware of these
• 26:17
  Speaker 1: three scenes. Easton's our engineer, and he's just ready with these.
• 26:22
  Speaker 1: They're quite high deaf here on the zoom. You know,
• 26:25
  Speaker 1: I don't know how that could happen. I'm trying to
• 26:28
  Speaker 1: think of a scenario where could there ever have been
• 26:30
  Speaker 1: a rehearsal that you shoot where they may be shot
• 26:35
  Speaker 1: and then when you actually did it for real, you
• 26:37
  Speaker 1: switched out the color of the cups. I can't even
• 26:39
  Speaker 1: figure out why. I don't know. It's just one of
• 26:42
  Speaker 1: those things. Yeah, it's just one of these. Yeah. There's
• 26:45
  Speaker 1: so much going on on that set in terms of props,
• 26:48
  Speaker 1: especially in the diner. There's a million props. There's a
• 26:51
  Speaker 1: million things to take keep track of, you know, the
• 26:53
  Speaker 1: script script supervisor supposed to be on top of that,
• 26:55
  Speaker 1: the prop guys are on top of it. Sometimes that happens.
• 26:58
  Speaker 1: Sometimes that happens, yes, and there is a but it's
• 27:04
  Speaker 1: kind of magical, you know. It goes from it's like
• 27:08
  Speaker 1: this heightened reality where the cups are red and then
• 27:10
  Speaker 1: they're blue, and then they're red. It's like, what's happening? God,
• 27:13
  Speaker 1: I can't wait for the next one. That's wonderful. All right,
• 27:17
  Speaker 1: all right, so well, I mean, I mean, don't give
• 27:20
  Speaker 1: me the credit. It happened on you know, they did
• 27:25
  Speaker 1: um Okay, the last one, which I think is really huge.
• 27:34
  Speaker 1: I think it's a massive symbol. Okay, And this is
• 27:38
  Speaker 1: gonna be a little more serious, but Eastern, if you would, sir,
• 27:44
  Speaker 1: queue up the very last part of the final scene
• 27:48
  Speaker 1: where they pull up to the to the stoplight. Yes,
• 27:53
  Speaker 1: here we go, and they're coming in and I want
• 27:56
  Speaker 1: you guys to see if you can, and I'll tell
• 28:00
  Speaker 1: you when to look for it. M hmm. Okay. So
• 28:03
  Speaker 1: they're running away from she's running laurealized, running away from Max.
• 28:08
  Speaker 1: They're coming through the empty town. They're coming And isn't
• 28:12
  Speaker 1: it interesting that's there stopped at the corner of Luke
• 28:18
  Speaker 1: Steiner right now. I want to now wait for the
• 28:22
  Speaker 1: wide shot, wait for the winde shot. She's running away
• 28:26
  Speaker 1: from Max and maybe the door is opened to Luke's
• 28:31
  Speaker 1: Oh my god, did you see the door? That was
• 28:34
  Speaker 1: almost scary. I mean I got goose bumps. The door
• 28:38
  Speaker 1: was wide open. The door was wide open. It was
• 28:42
  Speaker 1: six it's five am, six am. The door is wide open.
• 28:48
  Speaker 1: It's like, come on in. There's the symbolism of being
• 28:53
  Speaker 1: stopped at the stop light saying like, hold up, girl,
• 28:59
  Speaker 1: you don't need to run out of town. There's your
• 29:02
  Speaker 1: solution exactly. That's what the scene is telling. Well done.
• 29:10
  Speaker 1: Door is wide open. Yes, just come inside, Just come inside,
• 29:18
  Speaker 1: pull over and come inside. There you go. How to
• 29:23
  Speaker 1: give it to you? I really do. That was very enjoying.
• 29:26
  Speaker 1: Not bad, and I agree with the symbolism. It's huge
• 29:30
  Speaker 1: because they pay it way too much attention to detail
• 29:33
  Speaker 1: for that to not be a detail. Would we would
• 29:36
  Speaker 1: the kids call that an easter egg? Daniel, that is
• 29:40
  Speaker 1: the correct usage of easter egg. Well done, Amy, well done,
• 29:46
  Speaker 1: My god, Scott, you got to try and do this
• 29:49
  Speaker 1: every episode. I'm gonna try. I don't know if I
• 29:52
  Speaker 1: can want. I don't know if I can find the
• 29:54
  Speaker 1: gems every episode. People will help us to. I might
• 29:57
  Speaker 1: need to start staffing up on my like you guys,
• 30:01
  Speaker 1: you know you. I mean, I need a staff of
• 30:04
  Speaker 1: people looking at com Hopefully people will start um messaging
• 30:08
  Speaker 1: us so much stuff. They're hidden messages in these shows.
• 30:12
  Speaker 1: It makes me want to start our whole podcast over this, right,
• 30:17
  Speaker 1: imagine what we potentially missed. I feel like we have
• 30:20
  Speaker 1: to go back and we're mucking around with clown pillows
• 30:23
  Speaker 1: all over the place. But what else are we missing? What?
• 30:26
  Speaker 1: Ex week we're just like, hello, everybody, this is Gilmore
• 30:29
  Speaker 1: Girl's season one Everisode one. This could you know it
• 30:34
  Speaker 1: creates the show could be doling out and these hidden
• 30:37
  Speaker 1: messages the meaning of life itself that we're not paying
• 30:41
  Speaker 1: attention that was legit rad Eastern. Excellent work, excellent, excellent, Raaston,
• 30:46
  Speaker 1: thank you so much. And that's all I got. I mean,
• 30:49
  Speaker 1: that's it. That's that's why I wanted to come back
• 30:52
  Speaker 1: and reconvene. And no, we are way here for stoplight
• 30:56
  Speaker 1: symbolism and finding what was his name, Dennis spot Dennis.
• 31:07
  Speaker 1: It's like that Saturday Night Live, but back in the seventies.
• 31:10
  Speaker 1: Find the popes in the pizza. Find the pope in
• 31:12
  Speaker 1: the pizzas. Find the popes in the pizza. Oh, I've
• 31:17
  Speaker 1: been sent a message. Yeah, we have surprised for you.
• 31:21
  Speaker 1: We have someone surprising you from the bachelorette party. Are
• 31:25
  Speaker 1: you what are you talking about? Well, I mean there
• 31:29
  Speaker 1: was some there's some famous faces, as we say in
• 31:33
  Speaker 1: that in that bachelorette party. Bar. Would you call that
• 31:37
  Speaker 1: a bar? Club? I guess we're a club. I mean
• 31:40
  Speaker 1: it's a Yeah, it's a club. So do you want
• 31:43
  Speaker 1: to bring in our friend? Who is it? So? Straight
• 31:48
  Speaker 1: from the Bachelorette Party portraying Janet Jackson. The actress's name
• 31:54
  Speaker 1: is Jasmine. Have her here? Oh? Good god, relive the
• 31:59
  Speaker 1: bachelorett party memory, jas Many, Hi, Jasmine, Hello, how are
• 32:09
  Speaker 1: you doing I'm well, thank you. Nice to see you.
• 32:14
  Speaker 1: Get to see you as well. What a great episode.
• 32:18
  Speaker 1: Oh nice, it's a long time ago. That's twenty years ago.
• 32:23
  Speaker 1: It's a long time ago. Well, it's nice, it's nice
• 32:25
  Speaker 1: to meet you. Um. I just saw the episode for
• 32:28
  Speaker 1: the first time, and you played which character in the
• 32:31
  Speaker 1: in the club scene? I think I was like Janet Jackson, Jackson,
• 32:36
  Speaker 1: Janet Jackson. Um. Okay, so let's get into this. How
• 32:40
  Speaker 1: did you hear about this particular acting opportunity and howd
• 32:45
  Speaker 1: you heard of Gilmore Girls prior to filming it? Um?
• 32:51
  Speaker 1: I got the job through my management team at the time,
• 32:54
  Speaker 1: the Literarious Group and Mars and you know who was
• 32:58
  Speaker 1: with Yellow Rules. I think at that time this is
• 33:01
  Speaker 1: like two thousand correct, yes, well this would be two
• 33:05
  Speaker 1: thousand and one season two thousand and one. Yeah, I
• 33:08
  Speaker 1: was with that particular team of people, and I had
• 33:13
  Speaker 1: heard of it. I believe it was on kt LH
• 33:16
  Speaker 1: channel five, but I hadn't seen it, and so um,
• 33:20
  Speaker 1: when I went to the audition show, wasn't really familiar
• 33:22
  Speaker 1: with this show. But like a lot of times, you know,
• 33:26
  Speaker 1: actors are not familiar with every show they're appearing. So
• 33:30
  Speaker 1: when I was told that they wanted to see me.
• 33:33
  Speaker 1: I was like, awesome, but they wanted it a character.
• 33:36
  Speaker 1: They wanted like a Celebriting impersonation. And I think Janet
• 33:40
  Speaker 1: Jackson was popular at the time, really popular. So I
• 33:43
  Speaker 1: had my someone to call, my lover outfit and they
• 33:47
  Speaker 1: picked me and I got I got shows. That's exciting. Yeah,
• 33:52
  Speaker 1: it was, It really was. That's really exciting. Wow. Um,
• 33:56
  Speaker 1: But you knew did you know about the stature of
• 33:58
  Speaker 1: the show at that point? It had gotten so many
• 34:00
  Speaker 1: great reviews and it was kind of a little bit
• 34:03
  Speaker 1: on the radar of the entertainment business at that time. Yes,
• 34:08
  Speaker 1: it was really popular, yet it was Yeah, it happened fast.
• 34:12
  Speaker 1: Yeah yeah, wow, So that was exciting. To tell me
• 34:16
  Speaker 1: about the first day of filming. Did you did you
• 34:18
  Speaker 1: do a wardrobe session with Brenda and the whole thing
• 34:23
  Speaker 1: years ago? Twenty years ago, twenty years ago? Yeah, I
• 34:26
  Speaker 1: most definitely. M had to do, um um a custom
• 34:33
  Speaker 1: check to make sure that I wasn't wearing certain colors
• 34:38
  Speaker 1: and that it wouldn't clash with anybody else's right. Yeah. There,
• 34:41
  Speaker 1: it's very very specific. Yeah. So what was the Queen
• 34:46
  Speaker 1: Victoria's set like, uh, and What stood out to you
• 34:50
  Speaker 1: if you don't remember it was I think it was
• 34:52
  Speaker 1: a nightclub scene, all right, something like that. What I
• 34:56
  Speaker 1: remember the most about that wear took the episode because
• 34:59
  Speaker 1: I knew some of the other performers that were appearing,
• 35:03
  Speaker 1: Dolly Leave. I worked at the Queen Mary at the time.
• 35:07
  Speaker 1: I think I was still working at a club on
• 35:09
  Speaker 1: Sunda monicable of our tol Peanuts. I don't think it
• 35:12
  Speaker 1: exists anymore, but it was right um between Crescent Heights
• 35:16
  Speaker 1: and and Fair Facts, and I would appear there, and
• 35:22
  Speaker 1: I knew a couple of the other girls that appeared
• 35:24
  Speaker 1: and some of the other nightclubs and throughout Los Angeles,
• 35:27
  Speaker 1: and so that was very um but you knew each other. Yeah,
• 35:32
  Speaker 1: all right, well that makes for a fun day of shooting.
• 35:35
  Speaker 1: There's that iconic sort of moment where you're dancing. We're
• 35:40
  Speaker 1: pretty sure because that would it looked like Janet Jackson
• 35:43
  Speaker 1: with with the Uma Thurman was perfect from pulp Fiction
• 35:47
  Speaker 1: and then Michelle So that was a kind of a
• 35:50
  Speaker 1: cool moment to be dancing with them. No, it was
• 35:53
  Speaker 1: a really a great time for me. Um. Just in general,
• 36:00
  Speaker 1: I was I was working a lot at that time,
• 36:03
  Speaker 1: and when I got the job was a surprise. I
• 36:06
  Speaker 1: mean they all are at the end of the day,
• 36:08
  Speaker 1: but that particularly when they were like, oh they want you,
• 36:11
  Speaker 1: and I was like, oh, that's wonder phone. So you know,
• 36:14
  Speaker 1: I showed up and it was just really pleasant set.
• 36:17
  Speaker 1: That's what I remember the most. It was really pleasant,
• 36:20
  Speaker 1: easy set toward Yeah, it always was. It was nice
• 36:24
  Speaker 1: and easy. And so do you remember dancing with Johnny
• 36:28
  Speaker 1: Truesdale on stage? I don't know, yes, yeah, I think
• 36:34
  Speaker 1: you get up there and you're you're dancing around with
• 36:36
  Speaker 1: you unique and who all was in there? So it
• 36:39
  Speaker 1: was Janet Jackson and Luma Thurman, May West, Riley and Daniel.
• 36:45
  Speaker 1: Can you guys remember all the characters that were in
• 36:48
  Speaker 1: that club, Celine Dion and it was pretty like. The
• 36:55
  Speaker 1: thing I love about the scene is that all the
• 37:00
  Speaker 1: were a lie and her friends made total perfect sense
• 37:02
  Speaker 1: to be there. But having Emily Gilmore, who I don't
• 37:04
  Speaker 1: know if you've seen the show, but she plays loyalized
• 37:06
  Speaker 1: mother and she's very proper and very so she's in
• 37:10
  Speaker 1: that club and it's just like made it that much
• 37:13
  Speaker 1: better ordering her drinks from Maywest. Yeah, So you've played
• 37:19
  Speaker 1: a broad range of characters. Let me read off the
• 37:21
  Speaker 1: list of characters that you have played. It's very impressive.
• 37:24
  Speaker 1: Diana Ross, Tina Turner, Janet Jackson. Who's your favorite? Well,
• 37:31
  Speaker 1: I used to um, they're all my favorite because they
• 37:33
  Speaker 1: all bring, you know, different elements to the table. But
• 37:37
  Speaker 1: I used to work at a club on Las Ariannaga
• 37:39
  Speaker 1: when it used to be the restaurant row called the
• 37:42
  Speaker 1: Kaja Fall, and so that's where I really got to
• 37:45
  Speaker 1: exercise and learn exercise my craft and learn um uh
• 37:50
  Speaker 1: you know, how to create those uh wonderful the essence
• 37:55
  Speaker 1: of those wonderful people. And um, a lot of times
• 37:59
  Speaker 1: people she came to see me perform, Like I met
• 38:02
  Speaker 1: Grace Jones. She came to Lakaja Phone when I've performed there. Um,
• 38:07
  Speaker 1: oh my god, I met Grace. I met Grace Jones
• 38:10
  Speaker 1: a long time ago. Yeah, she actually came to see
• 38:12
  Speaker 1: the show. She's she's a she's a fantastic Yeah, she's
• 38:17
  Speaker 1: a great person to hang out with. And then um,
• 38:22
  Speaker 1: you know, after after, you know, while I was doing that,
• 38:25
  Speaker 1: I started auditioning for like TV shows. So my first
• 38:28
  Speaker 1: TV shows with John Larra kat So I did the
• 38:32
  Speaker 1: show for a few seasons and then the hits just
• 38:36
  Speaker 1: kept on coming. Shortly after I did um give those girls?
• 38:42
  Speaker 1: I did um? What was that movie for? Yo? Version
• 38:46
  Speaker 1: like a couple of years later, Steve Correll. Yeah, so
• 38:50
  Speaker 1: it's been a it's been funny. Can you sing? So
• 38:53
  Speaker 1: when you're portraying those Tina Turner, Janna Jackson, do you
• 38:56
  Speaker 1: sing as well? I think? But I live thinking and
• 39:00
  Speaker 1: I'm God and got when I'm doing my celebrity. Mine
• 39:02
  Speaker 1: is more the essence, right, It's the moves, It's it's
• 39:05
  Speaker 1: the persona right. You know some awesome artists that you
• 39:10
  Speaker 1: can actually see right and you know performance right right right? Um?
• 39:16
  Speaker 1: So wow, So you're so that takes acting skills for
• 39:19
  Speaker 1: you to to to really get into the skin of
• 39:22
  Speaker 1: another performer, another person and bring it to left. Yeah,
• 39:26
  Speaker 1: it's it's a whole process. Yeah, it's a total. Yeah.
• 39:29
  Speaker 1: You need to be you know, you know, you need
• 39:31
  Speaker 1: to learning mannerisms. You want to make sure you know
• 39:34
  Speaker 1: their music and your style history about right, you know,
• 39:39
  Speaker 1: you know, just um, you know you want to study
• 39:42
  Speaker 1: your character, study the character. So did you take acting
• 39:46
  Speaker 1: classes and I work with acting coaches. Yes, I've taken
• 39:50
  Speaker 1: some classes interesting oftentimes on various sets. They've been generous
• 39:55
  Speaker 1: and they would provide coaching for me. So I have
• 40:00
  Speaker 1: out a private coaching on different on different jobs. Who
• 40:05
  Speaker 1: who do you remember from the set, if anybody do
• 40:08
  Speaker 1: you remember? Do you remember Kelly Bishop or Lauren or
• 40:12
  Speaker 1: daughter and the main daughter and the main mother? Oh
• 40:15
  Speaker 1: so so so Emily and Rory so so, Alexis Bloodell
• 40:19
  Speaker 1: and Kelly Bishop. Yeah, yeah, the main mother because she
• 40:23
  Speaker 1: was like a single mother. Lauren, that's Lauren Graham. Yeah,
• 40:26
  Speaker 1: oh yeah, yeah, Laura Lai. Yeah, I remember the single
• 40:30
  Speaker 1: mother and the daughter. Right, all right? Interesting? Interesting? So
• 40:34
  Speaker 1: you did that gig and then after that gig, was
• 40:39
  Speaker 1: it easier for you to get work because you had
• 40:42
  Speaker 1: that on your resume and people took notice of and say, oh,
• 40:44
  Speaker 1: you were on Gilmore Girls. Will you know? I don't
• 40:47
  Speaker 1: even know, because to be honest, that particular show I
• 40:50
  Speaker 1: didn't have I don't even know if I had a
• 40:51
  Speaker 1: name or our lines on this show, like I was
• 40:55
  Speaker 1: a guest star or co star. It was more you
• 40:58
  Speaker 1: stood out because of who you were portraying. Yeah, I
• 41:03
  Speaker 1: had nothing to do what I said or did. Really,
• 41:05
  Speaker 1: I mean, most none of them had lines other than Maywest.
• 41:09
  Speaker 1: It was more the presence and that you were Janet
• 41:12
  Speaker 1: and dancing with the waiter headlines, the waiter headlines. Yeah, yeah,
• 41:18
  Speaker 1: so I wouldn't. I don't. I don't know if they
• 41:20
  Speaker 1: would have seen me. And oh my god, we gotta
• 41:23
  Speaker 1: we gotta have jacks from that particular show, right, But
• 41:27
  Speaker 1: I think it looks good on my resume. I was
• 41:30
  Speaker 1: even today when I say that people like you were
• 41:32
  Speaker 1: and I was like, well, I didn't have any lines
• 41:35
  Speaker 1: when I was on the show, embellish, Come on, you
• 41:37
  Speaker 1: had a speech, you got cut you know, I had
• 41:39
  Speaker 1: hold ten ten scenes I filmed with Luke and Laureline
• 41:43
  Speaker 1: and where you know, and they just you know, of
• 41:45
  Speaker 1: course sometimes these things happen in the business. They end
• 41:48
  Speaker 1: up on the cutting room floor. But it was gonna
• 41:51
  Speaker 1: be my big shot. It's gonna make a break. Yeah,
• 41:55
  Speaker 1: that's that's thing. And uh, you know, and they owe
• 41:58
  Speaker 1: me and I'm sure they'll call you anyway. Even when
• 42:00
  Speaker 1: I got the call, but that you know, you guys
• 42:03
  Speaker 1: were interested in him. I was like, what did I
• 42:05
  Speaker 1: actually do on the show? And I was thinking, how
• 42:09
  Speaker 1: sweet to want to remember me twenty years later for
• 42:12
  Speaker 1: basically for effortlessly doing very little right right, right, right right. Well, Jasmine,
• 42:18
  Speaker 1: it has been a blast talking to thanks for joining us. Um,
• 42:22
  Speaker 1: this was thoroughly enjoyable, and uh, you know, we loved
• 42:26
  Speaker 1: watching that episode and we particularly love watching that scene.
• 42:29
  Speaker 1: We're breaking it down right now, and it was it
• 42:31
  Speaker 1: was a lot of fun, uh to watch it. I
• 42:34
  Speaker 1: wish I was there filming it wasn't you know. I
• 42:37
  Speaker 1: wasn't in the scene, but at least I get to
• 42:39
  Speaker 1: see it. So thank you for your contribution to the show,
• 42:42
  Speaker 1: and thanks for coming on. We really appreciate it. Thank
• 42:45
  Speaker 1: you for having me. Okay, Jasmine, alright bye. I love
• 42:50
  Speaker 1: in that scene that Michelle was invited to the bachelorette park, Well,
• 42:55
  Speaker 1: of course, I mean, you know, he's he's got to
• 42:58
  Speaker 1: be there and been that Michelle. I mean, I know
• 43:01
  Speaker 1: we mentioned it, but that Michelle invites Emily like that
• 43:05
  Speaker 1: is so classic. But what a world that Jasmine occupies.
• 43:10
  Speaker 1: I mean, it's isn't it interesting how they the work
• 43:13
  Speaker 1: that they put into that to be so exacting with
• 43:17
  Speaker 1: every move and every you know, And she said, it's
• 43:20
  Speaker 1: like getting the essence of somebody. It's like character acting
• 43:23
  Speaker 1: and sane, didn't Janet Jackson wasn't as prominent, but the
• 43:27
  Speaker 1: Uma Thurman from Pulp Fiction literally had it down perfect,
• 43:33
  Speaker 1: just the whole, not just the dance to that, but
• 43:36
  Speaker 1: like the body language, and you're like, WHOA got is legit?
• 43:42
  Speaker 1: Fascinating subculture. It's a fascinating subculture. Well, she was fun.
• 43:48
  Speaker 1: That's a great scene and perfect that that's where they
• 43:50
  Speaker 1: had the bachelorette party. Um, what else do we need
• 43:54
  Speaker 1: to unpack here? Well? I love Emily that she says,
• 43:57
  Speaker 1: if you say you're going to have a party at
• 43:59
  Speaker 1: eight o'clock, we hear it moralized, Like I don't even
• 44:03
  Speaker 1: invite you. You gotta keep that tension. You gotta keep
• 44:08
  Speaker 1: that tension between mother and daughter. You gotta do it. Um.
• 44:12
  Speaker 1: I love the tailor stuff. I think it's it's it's
• 44:15
  Speaker 1: it's some of the first I mean, it's it's the
• 44:18
  Speaker 1: first time. Was it is it the first time that
• 44:20
  Speaker 1: Luke has really popped a tailor? It's not the first time,
• 44:23
  Speaker 1: the most noticeable really because I think there was that
• 44:26
  Speaker 1: time in the town meeting where you got you know
• 44:30
  Speaker 1: about the reenactor. Yeah alright, alright, but I really like
• 44:33
  Speaker 1: me watching the episode before we came on the air.
• 44:37
  Speaker 1: I really It was really felt so assaulted that a
• 44:40
  Speaker 1: traffic light was going up outside my diner because it's
• 44:42
  Speaker 1: such a sleepy little town. What do you need to
• 44:45
  Speaker 1: traffic It's so stupid. Right sign is giant yellow sign?
• 44:51
  Speaker 1: I mean it said everything about what's wrong with that
• 44:55
  Speaker 1: is like, and we have time to stop light the
• 45:00
  Speaker 1: oldest member of our our town to get across the street.
• 45:05
  Speaker 1: I mean, how Finn was that? That was a tough
• 45:09
  Speaker 1: scene too, because there's so much background and lower Lie
• 45:13
  Speaker 1: and uh Suki have their conversation going, and then you're
• 45:18
  Speaker 1: having your sort of going at Taylor all in the
• 45:21
  Speaker 1: same scene, and it's just like, oh my god, and
• 45:25
  Speaker 1: I think, Sukie, I think I'm sorry. Go ahead, now,
• 45:28
  Speaker 1: go ahead, Danielle, you were going to say something. I
• 45:31
  Speaker 1: was waiting for my chance to talk about Michelle after
• 45:33
  Speaker 1: The Bachelor at party because that was my favorite scene.
• 45:38
  Speaker 1: We can go out of order, go to it. So
• 45:41
  Speaker 1: afterwards when everyone's hungover and this is my favorite lines,
• 45:44
  Speaker 1: I'm saying it early, but he goes, I feel like
• 45:47
  Speaker 1: crap on toast and I literally belly laughed. I was like,
• 45:51
  Speaker 1: I love him so so do I I deeply love
• 45:54
  Speaker 1: that character. I just He's the He's the greatest. If
• 46:00
  Speaker 1: Max is waiting for you outside, if you don't slep
• 46:04
  Speaker 1: in like well, it really is like such the best
• 46:09
  Speaker 1: part of it, the best part of it. Oh my god,
• 46:11
  Speaker 1: we didn't talk about the huppa. Oh my god. Should
• 46:15
  Speaker 1: take a break. We gotta take a break, take a break. Yeah,
• 46:19
  Speaker 1: I gotta get my guitar too, because I gotta get
• 46:20
  Speaker 1: ready for I gotta bone up for Riley. Oh yeah,
• 46:26
  Speaker 1: because we're gonna you know, Riley, it's all different now,
• 46:29
  Speaker 1: we're gonna bombard pop culture. Were bombard, and I feel
• 46:33
  Speaker 1: that it's in the offing. It's it's like, right there,
• 46:35
  Speaker 1: it's breathing down our necks. We're not trying to throw
• 46:40
  Speaker 1: you off your game at all, not at all. We're
• 46:42
  Speaker 1: just we're just only a little bit, a little bit,
• 46:47
  Speaker 1: all right. I gotta get the guitar. Hang on, okay, everybody,
• 46:54
  Speaker 1: we're back and we're gonna get into a little bit
• 46:57
  Speaker 1: of huppa conversation here, like what, Oh my god, that
• 47:01
  Speaker 1: was shocking. I didn't realize it came that earlier, or
• 47:04
  Speaker 1: it was a very surprising appearance of of Luke with
• 47:08
  Speaker 1: a hippa and that you Luke put his sort of
• 47:11
  Speaker 1: like his own sort of angst sadness over the marriage
• 47:15
  Speaker 1: aside to make her that extraordinary gift that's hands down
• 47:20
  Speaker 1: going to be the best gift she's ever received. Right,
• 47:23
  Speaker 1: And he's so casual. But I saw a picture of it,
• 47:25
  Speaker 1: a carved that it's gotta go, you like goats. Yeah,
• 47:28
  Speaker 1: I'm not going, I'm gonna you gotta go, you know,
• 47:30
  Speaker 1: And didn't you think very intentional the scene of the
• 47:34
  Speaker 1: backs of you, your back and Lauren's back. So Luke
• 47:38
  Speaker 1: and lore Lye with the yeah, they're just they're basically
• 47:43
  Speaker 1: just hitting me in the face with it. You know.
• 47:47
  Speaker 1: It's not subtle. It's like the carved to goat, carved
• 47:55
  Speaker 1: to go. No big deal. Let's stand under the hoopa together,
• 47:59
  Speaker 1: Let's have our let's have our scene where we're talking
• 48:02
  Speaker 1: about the right wand and marriage and how it should
• 48:06
  Speaker 1: be you know a certain way and feel a certain way,
• 48:09
  Speaker 1: and yeah, it just changes you. But you know, let's
• 48:13
  Speaker 1: go back to the not to go away from the hope.
• 48:15
  Speaker 1: We're going to return to the hupet real quick. But
• 48:17
  Speaker 1: Suki got even with me a little bit, didn't she.
• 48:19
  Speaker 1: She shut me up. Well when I was ranting about marriage. Yeah,
• 48:24
  Speaker 1: when at the at the at the light Sarah stop
• 48:26
  Speaker 1: light ceremony, right, She's like, you called me crotchety man.
• 48:30
  Speaker 1: We're going away from you now, crotchety man. Right, So
• 48:33
  Speaker 1: she got she got even, she got even interesting sort
• 48:37
  Speaker 1: of that she kind of calls you out and she
• 48:40
  Speaker 1: sort of has been in always a loving way. I
• 48:43
  Speaker 1: think she genuinely likes Luke a lot, but she is like,
• 48:49
  Speaker 1: I'm not listen to because that's her girl. He's messing with,
• 48:52
  Speaker 1: he's getting in her head. You think Luke was doing
• 48:54
  Speaker 1: it on purpose? Do you think he was being manipulative? Well,
• 48:57
  Speaker 1: obviously you know her better than any one, and you
• 49:00
  Speaker 1: know she's not going to marry this dude, right. But
• 49:03
  Speaker 1: I think that was an unconscious attack on marriage. He
• 49:07
  Speaker 1: didn't even know why he was saying that. I mean exactly.
• 49:11
  Speaker 1: How about when Max comes into the diner and you're like, oh, hey,
• 49:14
  Speaker 1: they're good, buddy Brown, you do right? You just think
• 49:19
  Speaker 1: that holds things a joke and it's not gonna work
• 49:21
  Speaker 1: the lunch menu because we only a breakfast. You're just like,
• 49:26
  Speaker 1: get out of here. There, there's some insecurity there, because
• 49:29
  Speaker 1: why else would he go on a rand about marriage
• 49:31
  Speaker 1: at the ceremony at the supple, right, he sort of
• 49:35
  Speaker 1: flexes with Max. But then yeah, because I think he's
• 49:39
  Speaker 1: I think that's the first time we see him, not
• 49:41
  Speaker 1: the first time, it's the only time in that episode
• 49:43
  Speaker 1: where he's really irritated about it. He's not irritated in
• 49:46
  Speaker 1: front of her and the diner. He's not irritated the Max.
• 49:50
  Speaker 1: He's irritated in character as a as an owner who's
• 49:54
  Speaker 1: out of sync with how my two girls order and
• 49:58
  Speaker 1: eye rolls and like, are you kidding me with this?
• 50:00
  Speaker 1: I right, well, and yeah, I mean I totally agree
• 50:03
  Speaker 1: with you. And when she asked you if you're going
• 50:05
  Speaker 1: to come to the wedding, you blow it off. It's
• 50:07
  Speaker 1: in a stack of papers. That's why the hoopa was
• 50:10
  Speaker 1: so surprising, because you've made this beautiful gift that actually
• 50:15
  Speaker 1: acknowledges this wedding. That's a hell Mary. That's like I'm
• 50:20
  Speaker 1: throwing an eight yard bomb. I hope she catches it
• 50:22
  Speaker 1: for the touchdown for Team Luke. You know, it's like
• 50:26
  Speaker 1: he he really is, like it's unexpected how he I mean,
• 50:32
  Speaker 1: if he if it's conscious and he's manipulative um and
• 50:36
  Speaker 1: he's trying to get her off of Max, and and
• 50:39
  Speaker 1: it's not subconsciousness, not just coming out out of sheer frustration.
• 50:43
  Speaker 1: Doesn't even understand why he's saying these things. Then it's
• 50:46
  Speaker 1: you know, it's equally as interesting. But um, that hope
• 50:49
  Speaker 1: of thing. Wow, what a hail Mary, though, I mean,
• 50:52
  Speaker 1: how do you? How do you not love a person
• 50:56
  Speaker 1: that does some makes that kind of a gesture. Who's
• 50:59
  Speaker 1: got the most to lose? He's she knows how he feels, right,
• 51:04
  Speaker 1: She's not an idiot. She knows exactly how he feels.
• 51:07
  Speaker 1: And the like I said in previous UH episodes, his
• 51:13
  Speaker 1: only move, his only chance to get her is to
• 51:16
  Speaker 1: dismiss it. It's a foregone conclusion and act like he's
• 51:20
  Speaker 1: supportive and good luck. I don't think he you Luke
• 51:27
  Speaker 1: puts her first, so unlike Max, who's making it like
• 51:33
  Speaker 1: where's my keys? And what's my role? And I'm supposed
• 51:36
  Speaker 1: to parent? Rory you who she knows this is painful,
• 51:41
  Speaker 1: make her not just an amazing gift, but in a
• 51:44
  Speaker 1: gift for the wedding. Who's the better man? Yep, who's
• 51:49
  Speaker 1: the most selfless man? Exactly, which is why she bailed,
• 51:53
  Speaker 1: because she knows, not that Max sucks or anything, He's
• 51:56
  Speaker 1: just not right for her. He was justifiably set. I
• 52:01
  Speaker 1: don't blame him because it's like considerament. So he got
• 52:05
  Speaker 1: nervous because he may be figured she didn't love him
• 52:10
  Speaker 1: as the way he wanted to be loved, Like why
• 52:15
  Speaker 1: am I here asking for the keys? Like what is
• 52:17
  Speaker 1: going on? You know? And it's like he was justified
• 52:21
  Speaker 1: and he and he popped at her. So that really
• 52:24
  Speaker 1: just shows how hurt he was knowing that this thing
• 52:27
  Speaker 1: is going off the rails. It also just keeps making
• 52:30
  Speaker 1: me think about like when Richard was in the hospital
• 52:33
  Speaker 1: that Luke steps up, tells her to get in the
• 52:36
  Speaker 1: car handles, everything stays about. It's just Luke is. It's
• 52:41
  Speaker 1: so clear he's always going to do what's best for her,
• 52:47
  Speaker 1: whether she that, whether they're dating or whether they're just friends,
• 52:53
  Speaker 1: it doesn't matter to him. Yeah, so's I don't know
• 52:58
  Speaker 1: if he's a better man. I me take that back.
• 53:00
  Speaker 1: I don't want to say that I'm the better man
• 53:02
  Speaker 1: than Max, but I think maybe he's obviously, you know,
• 53:04
  Speaker 1: obviously the better man for her. Yeah, And it's like
• 53:08
  Speaker 1: they don't even try to make us wonder it's like,
• 53:12
  Speaker 1: now they're they're punching us in the face with it.
• 53:14
  Speaker 1: It's it's not subtle. Do you guys see me just spit?
• 53:19
  Speaker 1: Did you see the spit? Sorry, I'm sorry, perfect moment. Look,
• 53:26
  Speaker 1: we gotta keep it in the podcast we got that's yeah,
• 53:28
  Speaker 1: Oh yeah, you can keep the spinning. That might be
• 53:30
  Speaker 1: the first projectile that is visible. I actually think it was.
• 53:35
  Speaker 1: I don't remember. Anyone's spitting or sitting is so not cool. Well,
• 53:40
  Speaker 1: we're gonna have to help coronavirus. Yeah, no, that's very true. Sneezing,
• 53:45
  Speaker 1: coughing and spitting. What do you care how many houses
• 53:48
  Speaker 1: you have? You can contaminate one house and go to
• 53:49
  Speaker 1: the other one. Yeah, coughing went out. No, no, it's
• 53:54
  Speaker 1: not it's not in jogue anymore. We don't cough. We
• 53:58
  Speaker 1: don't sneeze. Remember when we've sneeze and you used to
• 54:01
  Speaker 1: say bless you and now pops knees and you're like,
• 54:03
  Speaker 1: I'm addie. You're like, don't do it, don't do it,
• 54:09
  Speaker 1: or you just throw a bag over their head and
• 54:11
  Speaker 1: contain it. Right, Oh my god, Riley, get your eye.
• 54:16
  Speaker 1: Am all in anti sneeze bag? Just use the hat
• 54:20
  Speaker 1: to fit over. Is it time for pop culture? With
• 54:30
  Speaker 1: Riley Pelusis it sure is? And speaking of spitting mut spit,
• 54:34
  Speaker 1: these facts throw it down all right? Here we go.
• 54:43
  Speaker 1: We might need to soften that a little bit, just
• 54:45
  Speaker 1: so I can hear Riley hell Man, I just want
• 54:47
  Speaker 1: to play my guitar. Everybody's always going down on me. Man,
• 54:51
  Speaker 1: I thought I was the show. Here we Go is
• 54:55
  Speaker 1: putting together wedding invitations, and Laura I says, okay, um,
• 54:58
  Speaker 1: what is love? Is it the morning in the evening star? Uh?
• 55:01
  Speaker 1: Roy says Sinclair Lewis. She reads another line and Roy
• 55:04
  Speaker 1: says Lord Byron Harry Sinclair Lewis was an American writer
• 55:08
  Speaker 1: and playwright. In he became the first American to win
• 55:10
  Speaker 1: the Nobel Prize in Literature. Byron was an American English poet,
• 55:15
  Speaker 1: pure politician, and leading figure in the Romantic movement. Byron
• 55:19
  Speaker 1: had a pet bear that he would walk around Cambridge's
• 55:21
  Speaker 1: campus on a leash. Laura LII follows up with Byron
• 55:25
  Speaker 1: and Lewis together again. This is a reference to the
• 55:27
  Speaker 1: comedy team of Dean Martin and Jerry Lewis. Yeah, Martin
• 55:31
  Speaker 1: was terrified of closed in spaces. He flat out refused
• 55:34
  Speaker 1: to ride an elevator and once he actually went out
• 55:37
  Speaker 1: of his way to walk eighteen flights of stairs instead.
• 55:39
  Speaker 1: Totally understand because I don't go in elevators here. They
• 55:42
  Speaker 1: were huge. Martin and Lewis were like rock stars. They
• 55:46
  Speaker 1: were huge. There were sex symbols. Both of them were Jerrenny.
• 55:51
  Speaker 1: People were trying to rip their clothes off. I'm not
• 55:53
  Speaker 1: kidding the Dean Martin was a babe, but not Yeah, no,
• 55:57
  Speaker 1: they loved him. He did all those wacky movies. Well
• 56:00
  Speaker 1: maybe that was Laura Leon Rory see Max sleeping on
• 56:04
  Speaker 1: the couch during the movie, and they've worn him out.
• 56:06
  Speaker 1: Laura Lie says, well, we are Electoral Woman and Dinah Girl.
• 56:09
  Speaker 1: Elector Woman and Dinah Girl is a live action science
• 56:11
  Speaker 1: fiction children's television series nineteen seventy six, Cyndi Lauper actually
• 56:15
  Speaker 1: saying the show's theme song, and although said to be
• 56:18
  Speaker 1: a teenager Judy Strangers, Dina Girl was only two years
• 56:22
  Speaker 1: younger than Electoral Woman Deetre Hall. A show I have
• 56:25
  Speaker 1: never heard of, like, never heard of any Yeah, I
• 56:30
  Speaker 1: had never heard of it. Max is in the Max
• 56:34
  Speaker 1: Another show, Max in the Hospital tending to his brother
• 56:36
  Speaker 1: when they asked why he decided to leap over the
• 56:38
  Speaker 1: parking meter, Max says he's the middle child. Laura Lie
• 56:41
  Speaker 1: says poor jan. Jan Brady was portrayed by Eve Plum
• 56:44
  Speaker 1: in the TV series as well as The Brady Girls
• 56:46
  Speaker 1: Get Married, The Brady Brides, A Very Brady Christmas, and
• 56:49
  Speaker 1: The Bradies. Jan, being the middle child of six, always
• 56:52
  Speaker 1: did her best to stand out and be her own person.
• 56:56
  Speaker 1: A few famous Jam quotes are Marcia Marsha Marsha Marsia
• 57:02
  Speaker 1: and she said, glasses, Oh no, Mom, not glasses, they'll
• 57:05
  Speaker 1: make me look absolutely positively goofy and the wig episode.
• 57:09
  Speaker 1: Don't be silly, it's a wig. Oh yeah, that's right.
• 57:12
  Speaker 1: She got the dark wig because she wanted to like
• 57:15
  Speaker 1: look different even though she was blonde, very black wig.
• 57:19
  Speaker 1: I love everything Brady Bunch, didn't I tell you guys
• 57:23
  Speaker 1: that I'm afraid I can't look Barry Williams in the eyes.
• 57:25
  Speaker 1: I mean, I don't want to. We won't bring that
• 57:27
  Speaker 1: up again. It was it was he is he dreaming
• 57:29
  Speaker 1: to you? Uh, like was dreaming, but he just isn't
• 57:34
  Speaker 1: Greg Brady anymore. So for me, it's like I can't,
• 57:37
  Speaker 1: I cannot I can't do it. In the Independence in kitchen,
• 57:42
  Speaker 1: Suki is describing her hangover like a baseball the size
• 57:45
  Speaker 1: of a candalope in your head. Laura Liz says, good one.
• 57:47
  Speaker 1: So he says what Lorrel says, because of baseball can
• 57:50
  Speaker 1: only be one size. So if you're Yogi Barra type thing.
• 57:53
  Speaker 1: So Lawrence Peter Yogi Barrow was an American professional baseball
• 57:56
  Speaker 1: catcher who later took on the roles of manager and coach.
• 58:00
  Speaker 1: Bara played in more World Series games than any player
• 58:03
  Speaker 1: in the Major League history. I think he's got eight
• 58:06
  Speaker 1: World Series rings. Eight that's crazy. Maybe more. Yeah, And
• 58:11
  Speaker 1: he's famous for malapros and there thank you that way.
• 58:19
  Speaker 1: That one right, his famous one of his famous baseball's
• 58:24
  Speaker 1: half mental are. Another one is when you come to
• 58:32
  Speaker 1: a fork in the road, take it. Oh my god,
• 58:37
  Speaker 1: I could read those all day. So Rory and Dean
• 58:42
  Speaker 1: are talking about what movie they're gonna watch, and Rri
• 58:43
  Speaker 1: says we can watch Holy Girl and tape again, and
• 58:46
  Speaker 1: Dean says Life of Brian. So Holy Girl. British comedy
• 58:50
  Speaker 1: star filming John Klice, Eric Idle and Graham Chapman, led Zeppelin,
• 58:54
  Speaker 1: Pink Floyd and Genesis all contributed to this movie's budget
• 58:58
  Speaker 1: and the clapping of coconuts, which is my favorite. The
• 59:01
  Speaker 1: clapping of coconuts together came from the fact that the
• 59:03
  Speaker 1: group did not have enough money in the budget to
• 59:05
  Speaker 1: afford actual horses. Life of Brian nineteen seventy nine British
• 59:10
  Speaker 1: comedy film, also starring and written by the comedy group
• 59:13
  Speaker 1: Monty Python. When Brian appears nude in front of the
• 59:17
  Speaker 1: huge crowd, Graham Chapman was actually nude in front of
• 59:19
  Speaker 1: two thousand people. Oh yeah, those those guys weren't shy.
• 59:23
  Speaker 1: They were not cheaking of food. We didn't even talk
• 59:25
  Speaker 1: about Kirk wanting to be the photographer and submitting the
• 59:30
  Speaker 1: nude shot. Anyway, keep going right, and he was wearing
• 59:40
  Speaker 1: a speedop so it's okay. Lorea l talks about how
• 59:42
  Speaker 1: different her night is with Max in her bed. Lorea
• 59:45
  Speaker 1: l I says, no, we're not dying, but the life
• 59:47
  Speaker 1: we had is going to morph into this like mutation
• 59:49
  Speaker 1: that we could never possibly have conceived. Roy says, like
• 59:52
  Speaker 1: giant ants and them. So Them is a nineteen form
• 59:55
  Speaker 1: and black and white science fiction monster film. The flamethrowers
• 59:58
  Speaker 1: used in the movie were entered World War Two weapons
• 1:00:01
  Speaker 1: and were loaned by the U. S. Army. The film
• 1:00:05
  Speaker 1: made the fineless villains come to life using combination of
• 1:00:08
  Speaker 1: animatronics and puppetry. Yeah, that's interrupting a heck of a
• 1:00:13
  Speaker 1: way to describe Max and Jesus, Like he's a plague.
• 1:00:18
  Speaker 1: There's a plague in the house. Basically, like if you
• 1:00:22
  Speaker 1: didn't know it was over by then, I mean, Jesus,
• 1:00:26
  Speaker 1: your battery powered right, Like what's going on? It's like,
• 1:00:30
  Speaker 1: what a way? I mean? Man, did that guy fall
• 1:00:33
  Speaker 1: from a lofty height? Didn't he? He fell from the
• 1:00:36
  Speaker 1: tops of Mount Olympus down into hades Man Max, Max,
• 1:00:43
  Speaker 1: Laura Leon Rory recite quotes from the movie Billy Jack
• 1:00:46
  Speaker 1: as they watched with Moss. Laura Lee says, how fast
• 1:00:48
  Speaker 1: do you learned? Billy Jack? Billy Jackson one Western and
• 1:00:52
  Speaker 1: second of four films centering on the character Billy Jack,
• 1:00:54
  Speaker 1: starring Tom Woughlin and Dolora's Taylor. Initially, the movie was
• 1:00:58
  Speaker 1: a dud at the box office, so Tom Laughlin set
• 1:01:01
  Speaker 1: up a rerelease in nineteen. This time it was an
• 1:01:04
  Speaker 1: enormous hit, and Quentin Tarantino and Brad Pitt Somebody's favorite
• 1:01:09
  Speaker 1: watch this movie, watched the watch this movie at Tarantino's
• 1:01:14
  Speaker 1: house to prepare for filming Once upon a Time in Hollywood,
• 1:01:16
  Speaker 1: which he got in hit. No problem, not Tarantino, I
• 1:01:23
  Speaker 1: mean if he has to be there at the Queen
• 1:01:26
  Speaker 1: Victoria Suki says you need to struck Tony Tony Manero
• 1:01:30
  Speaker 1: when she's taking about the show, which is a Saturday
• 1:01:32
  Speaker 1: Night Fever reference. So Saturday Night Fever is n American
• 1:01:37
  Speaker 1: dance film. Tony, played by John Travolta, ran two miles
• 1:01:41
  Speaker 1: a day and danced for three hours to get in
• 1:01:43
  Speaker 1: shape for this film, and the end he dropped twenty
• 1:01:45
  Speaker 1: pounds and filming was almost interrupted when a local mafia
• 1:01:49
  Speaker 1: group tried to extort protection from the crew. In fact,
• 1:01:52
  Speaker 1: the nightclub where they filmed was shot and hit with
• 1:01:55
  Speaker 1: a fall up small fireball. Right, can you do a
• 1:02:00
  Speaker 1: classic line from Saturday Night Weaver, He touched my hair.
• 1:02:06
  Speaker 1: Don't touch my hair. I worked on it for an hour.
• 1:02:09
  Speaker 1: Don't touch my hair. He hit my hair, MA, don't
• 1:02:15
  Speaker 1: hit my hair. And wait wait wait, and and and
• 1:02:20
  Speaker 1: the local mafia trying to extort money protection protection from
• 1:02:26
  Speaker 1: you know, people do that if you're shooting on location
• 1:02:30
  Speaker 1: and they know that they if they're knowledgeable, they know
• 1:02:33
  Speaker 1: that they can turn their you know, they've plugging their
• 1:02:36
  Speaker 1: electric guitars and start blasting away, knowing that they're going
• 1:02:38
  Speaker 1: to come over. The production is gonna come over and
• 1:02:40
  Speaker 1: pay him two or fifty to shut up. Constant happens constantly. Yeah, yeah,
• 1:02:46
  Speaker 1: music blaring? Could you turn it off? Well, you know,
• 1:02:49
  Speaker 1: I'm relaxing. Oh my god. Yeah, so somebody's shooting a
• 1:02:55
  Speaker 1: movie in your neighborhood. Just just make all kinds of
• 1:02:57
  Speaker 1: noise and you can make a couple of my neighbor
• 1:03:00
  Speaker 1: it all the time, Kirby, Your enthusiasm is like constantly,
• 1:03:03
  Speaker 1: yeah really, oh yeah, did you guys not watch the
• 1:03:06
  Speaker 1: first one? It's all the Brentwood Country Mark. Wait a minute,
• 1:03:08
  Speaker 1: oh one of your houses in Brentwood. Okay, it's a rental.
• 1:03:12
  Speaker 1: It's a rental guy doing very well. It's an apartment.
• 1:03:15
  Speaker 1: It's a rental apartment. Rank the music, and I would
• 1:03:20
  Speaker 1: never do that to Larry Larry David. No, I love
• 1:03:22
  Speaker 1: that theme song. No, okay. Max is worried about his
• 1:03:28
  Speaker 1: role in Rory's life the plague. Max Loralai says, oh, Max,
• 1:03:31
  Speaker 1: Roy's very low maintenance kind of like that robot kid
• 1:03:34
  Speaker 1: in AI, only way less Mother Obsessed so AI is
• 1:03:39
  Speaker 1: a two thousand one American science fiction drama film written
• 1:03:41
  Speaker 1: directed by Steven Spielberg. In order to further his non
• 1:03:44
  Speaker 1: human appearance, each day before filming, any exposed skin, face, arms, hands,
• 1:03:49
  Speaker 1: in et cetera was shaved and given more plastic look
• 1:03:53
  Speaker 1: in order to keep the film's PG thirteen rating. A
• 1:03:55
  Speaker 1: building resembling a male part was digitally moved from the
• 1:04:00
  Speaker 1: Rouge City set, and Drew Lost studied peacocks and my
• 1:04:04
  Speaker 1: movements for his role as Giggelo. Joe, Christopher and Laura
• 1:04:10
  Speaker 1: Lee are going back on fourth on the phone when
• 1:04:12
  Speaker 1: they're talking at Queen Victoria, and Christopher lists off all
• 1:04:16
  Speaker 1: the different music and artists that Max might have on
• 1:04:24
  Speaker 1: It was just Chriss, says Bono. Maybe Brian Ferry, a
• 1:04:28
  Speaker 1: young Tom Waits. Are we talking? A dozen soundtracks, a
• 1:04:30
  Speaker 1: few beatles of Bob Dylan, Atlanta's Morrisette, Dave Matthews, and
• 1:04:34
  Speaker 1: you have one of Vista Social Club. So some of
• 1:04:37
  Speaker 1: these hits going in that order of Vertico. In two
• 1:04:40
  Speaker 1: thousand four, Slave to Love Nive, I hope that I
• 1:04:43
  Speaker 1: don't fall in love with You nineteen seventy three, Here
• 1:04:46
  Speaker 1: Comes the Sun nineteen sixty nine, Knocking on Heaven's Door
• 1:04:48
  Speaker 1: nineteen nine, Ironic nine, Crash Into Me nineteen ninety six,
• 1:04:53
  Speaker 1: and Enya seven chan chan And that is your pop culture. Yeah, yeah,
• 1:05:08
  Speaker 1: so quickly before we run out of time. My quote.
• 1:05:11
  Speaker 1: I guess if you can find that one person you
• 1:05:13
  Speaker 1: know who's willing to put up with all your crap
• 1:05:16
  Speaker 1: and doesn't want to change you or dress you, or
• 1:05:18
  Speaker 1: you know, make you eat French food, then marriage can
• 1:05:20
  Speaker 1: be all right. But that's only if you find that
• 1:05:22
  Speaker 1: person that's you, Luke, that's your favorite line? Yeah, I
• 1:05:28
  Speaker 1: like that, the freaking mouthful and it's not even funny.
• 1:05:31
  Speaker 1: Well it doesn't have to be funny to be my favorite. Yeah,
• 1:05:35
  Speaker 1: you're right. It's called best lines. Jesus, it's like twenty lines.
• 1:05:38
  Speaker 1: That's not is that one line? It's one sentence? Well,
• 1:05:42
  Speaker 1: it's one read it again, favorite lines. I guess if
• 1:05:49
  Speaker 1: you can find that one person you know who's willing
• 1:05:51
  Speaker 1: to put up with all your crap and doesn't want
• 1:05:53
  Speaker 1: to change you or dress you, or you know, make
• 1:05:56
  Speaker 1: you eat French food, then marriage can be all right.
• 1:05:58
  Speaker 1: But that's only if you find that first, and I
• 1:06:00
  Speaker 1: also find that funny that line two sentences. I don't
• 1:06:03
  Speaker 1: know if they're quality. Let's listen where that's going to
• 1:06:07
  Speaker 1: be under review. That we respect that you submitted that,
• 1:06:10
  Speaker 1: but we're gonna put that under review. It's two sentences.
• 1:06:13
  Speaker 1: It's too it's too long. You can do that, all right,
• 1:06:15
  Speaker 1: all right, all right, Danielle. Okay, so I said my
• 1:06:19
  Speaker 1: Michelle line already, but I have another one from Suki.
• 1:06:22
  Speaker 1: And this is when they're going into the club and
• 1:06:25
  Speaker 1: Rory gets in and she goes dungish on cutie. You
• 1:06:33
  Speaker 1: gotta pay attention to to McCarthy man. She's quick with
• 1:06:36
  Speaker 1: the she's lightning. Mine comes from a bet when she
• 1:06:41
  Speaker 1: says she can't make the bachelor party, and she says, yeah,
• 1:06:43
  Speaker 1: we'll stick your hand down the front of some guys
• 1:06:45
  Speaker 1: pant for me, would you? And then she says and
• 1:06:50
  Speaker 1: then Laurel I says like a good looking guy or
• 1:06:52
  Speaker 1: a cute can she goes our stripper and she goes
• 1:06:55
  Speaker 1: whatever that makes me realize we have to announce our
• 1:07:01
  Speaker 1: next Hang on a second, what about me? I don't
• 1:07:03
  Speaker 1: get to do my favorite favorite line. Of course you do,
• 1:07:05
  Speaker 1: but this moment is perfect for announcing the Friends Giving guest.
• 1:07:11
  Speaker 1: Because somebody's sticking their hands down to pants of a stripper.
• 1:07:13
  Speaker 1: What are you talking about? How's that a perfect moment?
• 1:07:16
  Speaker 1: It's Sally Strother I forgot it's Sally. Sally is gonna
• 1:07:24
  Speaker 1: be joining us? November eleventh, Virtual Live podcast Friends Giving
• 1:07:31
  Speaker 1: November eleven, five pm Pacific, eight pm Eastern Sally Strothers,
• 1:07:36
  Speaker 1: Jackson Douglas, Grantly Phillips, and Emily Corona. Boy, it's getting
• 1:07:43
  Speaker 1: crowded hot in here, it's getting hot. It's getting crowded.
• 1:07:46
  Speaker 1: Looped live dot com, looped live dot com. That's where
• 1:07:50
  Speaker 1: you get the tickets. Looped live dot com, l O
• 1:07:53
  Speaker 1: O p e d live dot com. First I thought
• 1:07:56
  Speaker 1: Daniel said Luke Live. I was like, true, yeah Live.
• 1:08:03
  Speaker 1: Well it's it's again Michelle. It's Michelle. If you don't
• 1:08:07
  Speaker 1: slap him, I will bet he's the best. Next week,
• 1:08:17
  Speaker 1: the road trip to Harvard. That's right as that's where
• 1:08:20
  Speaker 1: they're going now that they jumped in the Oh my god,
• 1:08:23
  Speaker 1: she gets stopped at the stop, like perfect ending, And
• 1:08:28
  Speaker 1: that's sort of another iconic Gilmore image, like you on
• 1:08:31
  Speaker 1: the bench with the three girls then stuck at that
• 1:08:33
  Speaker 1: it's in the opening credits. I believe. Yeah, you know.
• 1:08:37
  Speaker 1: I counted how many cuts the girls got in the
• 1:08:40
  Speaker 1: open I watched the opening credits, so I analyze the
• 1:08:42
  Speaker 1: opening credits. So it's Laura, it's Lauren first, she has
• 1:08:46
  Speaker 1: six photos. She has six spliced edited photos to introduce
• 1:08:51
  Speaker 1: her character. Six and Rory's and all of them. And
• 1:08:55
  Speaker 1: then Rory is next, she has five and Laura and
• 1:09:00
  Speaker 1: Lauren is in all of those but one. So the
• 1:09:03
  Speaker 1: first so ten, the first ten out of eleven images
• 1:09:06
  Speaker 1: associated with that show those two dropping good knowledge, good knowledge.
• 1:09:11
  Speaker 1: I usually click skip it. And then and then Suki
• 1:09:15
  Speaker 1: gets one shot, and then I think Michelle gets on.
• 1:09:19
  Speaker 1: I get one shot with Lauren, and it's say she
• 1:09:23
  Speaker 1: comes up and says coffee, coffee, coffee, and the first
• 1:09:25
  Speaker 1: time they keep the same thing the whole seven years
• 1:09:28
  Speaker 1: they changed. I'm getting to that. And then and then
• 1:09:31
  Speaker 1: when we get to finally we get to the last two,
• 1:09:33
  Speaker 1: we get to Kelly, Bishop and Ed they each get
• 1:09:35
  Speaker 1: two shots. Oh yeah, but then they did change it, yes,
• 1:09:40
  Speaker 1: because um, people join, well yeah, people joined, and then um,
• 1:09:48
  Speaker 1: you know, cast numbers changed, like you got one too,
• 1:09:51
  Speaker 1: You get a cast number one main cast members whatever.
• 1:09:55
  Speaker 1: So those numbers changed. The one and the two don't
• 1:09:57
  Speaker 1: change the but the but the other. Some people get promoted,
• 1:10:00
  Speaker 1: other people get demotive people on the call sheet? Correct? Correct?
• 1:10:07
  Speaker 1: Where were you? I think? I think I started out
• 1:10:11
  Speaker 1: as six on the call sheet and then I became
• 1:10:15
  Speaker 1: Did you ever get up to number three? I was
• 1:10:17
  Speaker 1: number three? Yeah, I think for the last But what
• 1:10:19
  Speaker 1: do they do with ed Herman? Because he would be
• 1:10:21
  Speaker 1: like special or something. He would be tenth on the
• 1:10:26
  Speaker 1: call sheet. He's too special, I think, I don't know.
• 1:10:30
  Speaker 1: I'll look on I'll look on an old script. That's
• 1:10:32
  Speaker 1: sort of an interesting to look at the scripts I got.
• 1:10:37
  Speaker 1: I got all these, you know, I have thousands of scripts.
• 1:10:41
  Speaker 1: Try and get one for the virtual event for sure. Sorry,
• 1:10:45
  Speaker 1: it's just like it's I'll do it. I'll try, you
• 1:10:48
  Speaker 1: know what. Before we go, I do have one question.
• 1:10:50
  Speaker 1: Have you guys eaten all that gum come we're talking about?
• 1:10:56
  Speaker 1: Remember when you moved into your house and the owner
• 1:10:59
  Speaker 1: left gum behind the owner of my house, So you
• 1:11:04
  Speaker 1: bought your new house and you told us on the
• 1:11:07
  Speaker 1: air that the owner left like a huge Oh yeah,
• 1:11:11
  Speaker 1: we went through that. We went through that, I said,
• 1:11:17
  Speaker 1: I showed up at the gym or at the golf
• 1:11:19
  Speaker 1: course or something with a huge like wad and like cheek.
• 1:11:24
  Speaker 1: Did you choot gum when you played baseball? Or tobacco?
• 1:11:28
  Speaker 1: Not even allowed to choose. Of course everybody chewed tobacco.
• 1:11:31
  Speaker 1: Here's the reason you chew tobacco is in the beginning
• 1:11:34
  Speaker 1: of the season. It's cold. It is when you're playing.
• 1:11:37
  Speaker 1: It's not warm. It's very cold. And like if you
• 1:11:39
  Speaker 1: go to Syracuse and play at the beginning of the
• 1:11:41
  Speaker 1: season of Rochester's freezing, it can be snow. Yeah, gets
• 1:11:45
  Speaker 1: you kind of gets you high, it does. I'm surprised
• 1:11:49
  Speaker 1: they allow it. Seems like a drug. It's not good
• 1:11:51
  Speaker 1: for you. I mean you burn, I burn a hole
• 1:11:53
  Speaker 1: in my cheek. You can get like mouth camp. Yeah,
• 1:11:56
  Speaker 1: it's not good stuff. But we used to we used
• 1:11:58
  Speaker 1: to um, you know, we used to wrap it in
• 1:12:01
  Speaker 1: bubblegum to lessen the severity of it. Uh yeah, So
• 1:12:12
  Speaker 1: we're chewing and spitting, chilling and spitting, waiting for our
• 1:12:16
  Speaker 1: opportunity in the cold weather, wearing tight baseball suits. Thank you.
• 1:12:22
  Speaker 1: The hell of a way to make a living road
• 1:12:25
  Speaker 1: trip to Harvard a better way to make a living
• 1:12:30
  Speaker 1: there is. Thanks everybody. Uh we we really appreciate the
• 1:12:34
  Speaker 1: downloads and the attention, the emails keeping coming. We're having
• 1:12:37
  Speaker 1: a blast. Um. Thank you, Danielle Romo, Thank you, Riley Pelusis,
• 1:12:41
  Speaker 1: Thank you Amy Sugarman. Um the ball Club as I
• 1:12:46
  Speaker 1: refer to them, the Council, the style counsel. Oh yeah,
• 1:12:50
  Speaker 1: virtual Thanksgiving. Okay, let's uh, let's give a shout out
• 1:12:54
  Speaker 1: to Sally Struthers who's joining us, and Grantly Phillips and
• 1:12:57
  Speaker 1: Jackson Douglas and Emily Coroda No. Number eleven at looped
• 1:13:02
  Speaker 1: live dot com for tickets looped live dot com, l
• 1:13:06
  Speaker 1: O p E d Live dot com. We are having
• 1:13:11
  Speaker 1: a virtual event. Can I please give a shout out
• 1:13:15
  Speaker 1: to the awesome person on Instagram that wrote in the
• 1:13:18
  Speaker 1: comments I was today years old when I realized that
• 1:13:21
  Speaker 1: Jackson's real name is jack I love that person so anyway,
• 1:13:29
  Speaker 1: so get your tickets now at looped live dot com,
• 1:13:32
  Speaker 1: we have pretty awesome merch and I gotta tell you
• 1:13:37
  Speaker 1: I love drinking out of this cup. It's a very
• 1:13:39
  Speaker 1: attractive cup on any color table. By the way. Also,
• 1:13:43
  Speaker 1: November nine one, I'm gonna be down in Houston, Texas,
• 1:13:46
  Speaker 1: at the Bayous City Comic Con. So go to Biou
• 1:13:50
  Speaker 1: City Comic Con dot com and uh and get your
• 1:13:54
  Speaker 1: tickets there. I'd love to see everybody, and that's gonna
• 1:13:56
  Speaker 1: be a I am Scott Patterson and this is the
• 1:13:59
  Speaker 1: I Am All In Podcast. I Heart Radio one eleven productions.
• 1:14:04
  Speaker 1: Be safe. Everyone got one. Hey everybody, and don't forget
• 1:14:36
  Speaker 1: Follow us on Instagram at I Am all In Podcast
• 1:14:40
  Speaker 1: and Emailie at Gilmore at I heart radio dot com.
• 1:14:45
  Speaker 1: Oh you gil More fans. If you're looking for the
• 1:14:46
  Speaker 1: best cup of coffee in the world, go to my
• 1:14:49
  Speaker 1: website from my company scott ep dot com, s CEO T. T.
• 1:14:53
  Speaker 1: Y P dot com, scott ep dot com Grade one
• 1:14:56
  Speaker 1: Specialty Coffee