Latest / Table Read / KILLER CARGO - Act 1

Transcript

KILLER CARGO - Act 1 · Table Read

• 0:00
  Speaker 1: Okay, one, two, three.
• 0:02
  Speaker 2: Table read, Killer Cargo.
• 0:06
  Speaker 3: Yeah, that was excellent.
• 0:07
  Speaker 4: Thank God.
• 0:09
  Speaker 1: Let's do it.
• 0:11
  Speaker 4: Let's do it.
• 0:12
  Speaker 5: Killer Cargo, written by Heather Foster. After a luxury jet's
• 0:17
  Speaker 5: secret cargo turns out to be a murderous alien, a
• 0:20
  Speaker 5: trampy flight attendant must destroy it before it devours the world. Interior,
• 0:26
  Speaker 5: Gulfstream 650ER Cockpit Night. Super, Springfield, Missouri. Kevin Powers, 35,
• 0:34
  Speaker 5: cock of a walk wannabe, rests in the co-pilot seat.
• 0:37
  Speaker 5: State-of-the-art flat screens blaze across his douchey face. He gazes
• 0:42
  Speaker 5: at the lights illuminating the runway against the inky black sky.
• 0:46
  Speaker 5: Kevin loves this job, mostly because he feels it makes
• 0:49
  Speaker 5: him better than everyone else. He does dig the view, though.
• 0:53
  Speaker 5: Right outside the door, Anita Fitzgerald, 28, hardworking, poised with
• 0:57
  Speaker 5: a sprinkle of daddy issues... bends over, buffing a minuscule
• 1:01
  Speaker 5: smudge out of the hand-carved mahogany wood. Kevin twists around
• 1:05
  Speaker 5: to watch her work. This view's pretty terrific, too.
• 1:08
  Speaker 3: Hey, Anita. Did you have a chance to think about
• 1:11
  Speaker 3: that charity dinner?
• 1:13
  Speaker 5: She straightens, turns, and challenges his ogling.
• 1:16
  Speaker 6: I believe I'm busy that night.
• 1:18
  Speaker 3: I didn't say what night it was.
• 1:19
  Speaker 5: Anita's way out of his league, but Kevin's the only
• 1:23
  Speaker 5: one who doesn't seem to know this. She shoots him a,
• 1:26
  Speaker 5: you poor thing, smirk.
• 1:28
  Speaker 1: Kevin.
• 1:29
  Speaker 6: I said I'm busy.
• 1:30
  Speaker 5: The sound of footsteps pulls her attention to the main door.
• 1:33
  Speaker 5: Her eyes crinkle into a genuine smile.
• 1:36
  Speaker 6: Oh, good evening, Captain.
• 1:38
  Speaker 5: Charles Song, 53, Silver Fox, steps in, removes his cap,
• 1:42
  Speaker 5: and gallantly nods to her.
• 1:44
  Speaker 1: Good evening, Anita. And Merry Christmas.
• 1:48
  Speaker 6: Merry Christmas, sir.
• 1:50
  Speaker 5: He presses by. She inhales him as he pauses.
• 1:54
  Speaker 4: Smells good.
• 1:56
  Speaker 5: Captain Charles enters the cockpit and places his leather travel
• 1:59
  Speaker 5: bag into his cubbyhole Merry Christmas, Kevin.
• 2:03
  Speaker 3: Merry Christmas, Captain Pre-flight is complete.
• 2:06
  Speaker 5: Charles takes his seat in the captain's chair Thank you
• 2:09
  Speaker 5: He proceeds to check Kevin's work.
• 2:12
  Speaker 1: Ah, Christmas Eve And here we are At least it's
• 2:16
  Speaker 1: a short flight Well, I'll be back home nestled in
• 2:20
  Speaker 1: with Mrs. Claus before I know it Are you going
• 2:23
  Speaker 1: to your folks tomorrow?
• 2:25
  Speaker 5: A flicker of hesitation crosses Kevin's face. He was planning
• 2:28
  Speaker 5: on getting drunk all day.
• 2:29
  Speaker 3: Alone.
• 2:31
  Speaker 4: Uh, yeah, Mom's, uh, making a ham.
• 2:34
  Speaker 5: Good.
• 2:35
  Speaker 1: You're smart to enjoy your folks while they're still here.
• 2:39
  Speaker 1: I miss mine every day.
• 2:42
  Speaker 4: I plan on it, sir.
• 2:43
  Speaker 5: Desperate to stop this Norman Rockwell bullshit.
• 2:45
  Speaker 3: Why do you think it's so important that we're flying tonight?
• 2:48
  Speaker 1: Our job is to fly the plane, not ask questions.
• 2:52
  Speaker 5: You know that.
• 2:53
  Speaker 4: Of course. And Kevin? Yes, sir?
• 2:56
  Speaker 1: I smell cigarettes on you again. Please refrain from smoking
• 3:01
  Speaker 1: before we fly.
• 3:03
  Speaker 4: Yes, sir. It won't happen again.
• 3:04
  Speaker 1: See that it doesn't.
• 3:06
  Speaker 5: Thanks to the dark of night, Captain Charles misses Kevin's
• 3:09
  Speaker 5: eye roll. Exterior, Gulfstream, 650ER, night. The sleek jet glistens
• 3:15
  Speaker 5: on the twinkling airstrip. Parked at the base of its stairs,
• 3:19
  Speaker 5: a six-foot-by-three-foot frosted fiberglass sarcophagus rests on a gurney. Frowning,
• 3:24
  Speaker 5: Cliff Krantz, 42, a giant man in a $ 6, 000 Brunello
• 3:29
  Speaker 5: Cuccinelli suit, the heavy, gives an unimpressed nod.
• 3:33
  Speaker 4: That's it?
• 3:34
  Speaker 5: If Idris Elba had an exact opposite, Idris Bowman, 49,
• 3:38
  Speaker 5: would be it.
• 3:40
  Speaker 4: Yes.
• 3:46
  Speaker 1: Perfect.
• 3:47
  Speaker 5: Wiping sweat off his brow, Idris peers at his Apple
• 3:50
  Speaker 5: Watch and then back at the man-sized container.
• 3:53
  Speaker 2: We really need to get this plugged back in.
• 3:57
  Speaker 4: No one's stopping you.
• 3:58
  Speaker 5: Arnie Heim, 27, a gangly, goofy fucker in a cheap
• 4:01
  Speaker 5: velour tracksuit waves.
• 4:03
  Speaker 1: Hi, I'm Arnie.
• 4:04
  Speaker 4: Don't care.
• 4:06
  Speaker 5: Soliciting Cliff for help with the pod.
• 4:09
  Speaker 4: Would you mind? You made it this far. I'm only
• 4:11
  Speaker 4: here to make sure you don't fuck up.
• 4:13
  Speaker 2: It's a bit heavy.
• 4:15
  Speaker 4: Use your legs.
• 4:16
  Speaker 2: Right.
• 4:18
  Speaker 5: Idris looks at Arnie.
• 4:19
  Speaker 3: Okay, on three.
• 4:24
  Speaker 2: One, two, three.
• 4:29
  Speaker 5: Arnie lifts his end with ease. Idris lifts up and
• 4:32
  Speaker 5: the container thuds to the ground.
• 4:34
  Speaker 4: What the fuck?
• 4:36
  Speaker 3: Sorry, I lost my grip. I told you, it's heavy.
• 4:41
  Speaker 5: Move. He pushes Idris away, searching the end of the vessel.
• 4:46
  Speaker 4: All your brilliant minds and nobody made a handle?
• 4:49
  Speaker 2: It wasn't created to be moved.
• 4:56
  Speaker 5: Cliff heaves the container up. Underneath the pod, we see
• 5:00
  Speaker 5: a tiny, tiny hole.
• 5:03
  Speaker 4: Let's go.
• 5:04
  Speaker 5: Arnie and Cliff wedge the pod into the plane. Idris
• 5:08
  Speaker 5: hurries after them. Interior, Gulfstream, 650 ER, main cabin, night.
• 5:13
  Speaker 5: Anita greets the passengers with her work smile.
• 5:16
  Speaker 6: Welcome, gentlemen. We've prepared a place in the back. Follow me, please.
• 5:22
  Speaker 5: Rich woodwork gleams in soft, low light. Rows of buttery leather.
• 5:26
  Speaker 5: Cream-colored seats beckon over exotic animal print rugs. Large oval
• 5:30
  Speaker 5: windows line the craft's walls. With a ceiling tall enough
• 5:34
  Speaker 5: that the two big guys don't have to hunch over,
• 5:37
  Speaker 5: and a width of nearly nine feet, maneuvering the container
• 5:40
  Speaker 5: is much easier here than up the stairs.
• 5:43
  Speaker 6: There are two lavatories, one here and one aft.
• 5:46
  Speaker 2: Aft?
• 5:47
  Speaker 3: Back.
• 5:49
  Speaker 6: We don't say back on a plane.
• 5:52
  Speaker 4: Is it bad luck or something?
• 5:55
  Speaker 6: Um, it's taken from sailing. From ships.
• 6:00
  Speaker 4: Oh, what's in there?
• 6:03
  Speaker 5: He points to a small room next to the cockpit.
• 6:05
  Speaker 6: Crew quarters. Anyway, the other restroom is in the plane's
• 6:10
  Speaker 6: aft through the galley.
• 6:12
  Speaker 5: She gestures to a well-stocked restroom complete with a huge
• 6:15
  Speaker 5: picture window. Arnie stops to gawk and then whistles.
• 6:21
  Speaker 1: What a view to take a dump.
• 6:23
  Speaker 4: It's a bathroom, you fucking moron. Keep moving.
• 6:29
  Speaker 5: They continue their trek through the jet. Interior, Gulfstream 650 ER,
• 6:34
  Speaker 5: living room slash bedroom, night. A plush sofa faces a
• 6:39
  Speaker 5: 60-inch flat screen. An old-fashioned popcorn machine stands tethered in
• 6:42
  Speaker 5: the corner. Once again, Arnie pauses to take it in.
• 6:46
  Speaker 4: Nice. Go! Jeez.
• 6:50
  Speaker 2: Cliff's right, Arnie. Time is of the essence.
• 6:53
  Speaker 5: Idris wrings his sweaty hands, his face carrying the word
• 6:56
  Speaker 5: expression of an expectant father. They keep moving. Interior, Gulfstream 650ER, cockpit, night.
• 7:04
  Speaker 5: Through the windscreen, runway lights outline their path as Captain
• 7:07
  Speaker 5: Charles and Kevin prepare for takeoff.
• 7:10
  Speaker 1: Left and right.
• 7:11
  Speaker 4: Clear.
• 7:12
  Speaker 5: Gulfstream 255, Tango, Yankee, runway 25, clear for takeoff.
• 7:16
  Speaker 1: Runway 25 clear for takeoff, Gulfstream 255 Tango Yankee.
• 7:21
  Speaker 5: With a cheesy wink to Kevin.
• 7:24
  Speaker 1: Here's mud in your eye.
• 7:27
  Speaker 5: Charles pushes the throttle. Interior, Gulfstream 650 ER galley. A
• 7:32
  Speaker 5: few minutes later, a pulsing hum radiates from the pod.
• 7:36
  Speaker 5: Idris double-checks the milky sarcophagus. Everything seems to be working.
• 7:41
  Speaker 5: Cliff towers in the doorway.
• 7:43
  Speaker 4: Where did this thing come from? Not here.
• 7:47
  Speaker 5: Idris slides past him. Cliff grimaces at the strange container
• 7:52
  Speaker 5: and follows the quirky little man, leaving the pod alone.
• 7:57
  Speaker 5: A hiss seethes under the noise of the jet engine.
• 8:03
  Speaker 5: Air oozes into that tiny hole in the bottom. Interior
• 8:09
  Speaker 5: Gulfstream 650ER main cabin night. A nervous silence hangs over
• 8:14
  Speaker 5: the men. Arnie's knees bounce, freeing boyish energy. He springs
• 8:18
  Speaker 5: up and paces the aisle. Arnie inspects a handsome wooden console,
• 8:23
  Speaker 5: roots inside it.
• 8:25
  Speaker 4: Score.
• 8:26
  Speaker 5: It's a liquor cabinet, stocked with rows and rows of
• 8:29
  Speaker 5: spiritus polish vodka. He holds up a bottle.
• 8:32
  Speaker 4: Hey, is this stuff any good?
• 8:34
  Speaker 5: Reading the label.
• 8:35
  Speaker 3: Damn, 190 proof?
• 8:38
  Speaker 4: Put it back, you aren't guests. Bro. Do it, bro.
• 8:43
  Speaker 5: Arnie sets the bottle on the console.
• 8:44
  Speaker 3: Chill.
• 8:45
  Speaker 5: Cliff rises.
• 8:47
  Speaker 4: When I get back, I want to hear nothing but quiet.
• 8:50
  Speaker 5: Cliff moves towards the interior galley night. From the doorway,
• 8:55
  Speaker 5: Cliff glares at the pod. Something about it gives him
• 8:58
  Speaker 5: the creeps. He scurries around it like a kid afraid
• 9:01
  Speaker 5: of a closet monster into the laboratory and slides the
• 9:04
  Speaker 5: door closed. The door's lock clicks. Unattended, the container purrs
• 9:10
  Speaker 5: in the galley. And then, From within. Interior hallway next
• 9:17
  Speaker 5: to the cockpit, night. Anita knuckles a tap on the
• 9:21
  Speaker 5: door before entering. The interior, cockpit, night. She peeks her
• 9:26
  Speaker 5: head in.
• 9:27
  Speaker 2: Gentlemen, need anything?
• 9:29
  Speaker 4: Nothing for me, hon.
• 9:31
  Speaker 5: She rubs the bridge of her nose with her middle finger.
• 9:33
  Speaker 1: Do we have any more of that Jamaican Blue Mountain coffee?
• 9:38
  Speaker 6: Oh, of course. However, it'll take a little bit longer.
• 9:42
  Speaker 6: I need to grind some beans.
• 9:45
  Speaker 5: I'd love some. Anita leaves the room. Interior galley night.
• 9:51
  Speaker 5: The bathroom door creeps open and Cliff's broad face pokes out.
• 9:55
  Speaker 5: Did he hear something? He stares down at the container
• 9:59
  Speaker 5: in front of him. and peers into its milky plexiglass.
• 10:02
  Speaker 5: Guess not. Shuddering from a heebie-jeebie attack, Cliff bolts out
• 10:07
  Speaker 5: of the room. The pod sits alone again. Through its
• 10:12
  Speaker 5: cloudy cover, a vague shadow ripples. Interior Cockpit Night. Charles
• 10:19
  Speaker 5: glances at his watch.
• 10:21
  Speaker 1: I'm gonna see a man about a horse. Betty's in
• 10:25
  Speaker 1: your control.
• 10:26
  Speaker 4: My control.
• 10:27
  Speaker 5: Charles moves out. As soon as he's out of sight,
• 10:30
  Speaker 5: Kevin mocks him.
• 10:31
  Speaker 4: I'm gonna see a man about a horse.
• 10:33
  Speaker 3: What a fucking douchebag.
• 10:38
  Speaker 5: Interior galley, night. A few minutes later, the gurgle of
• 10:43
  Speaker 5: the coffee pot. Anita stares off, her mind a million
• 10:46
  Speaker 5: miles away. Behind her, a stem in the color of
• 10:50
  Speaker 5: mildewed clay finds a small hole in the pond's latch.
• 10:54
  Speaker 5: It pokes through, pulsing at its tiny tip. Interior, main cabin, night.
• 11:01
  Speaker 5: Captain Charles strides by the seated men, barely acknowledging them. Interior, galley, night.
• 11:08
  Speaker 5: Charles shuts the door behind him, towering over Anita. The
• 11:12
  Speaker 5: stem snaps back into the.
• 11:13
  Speaker 2: Pond, unseen.
• 11:15
  Speaker 1: May I be of service?
• 11:17
  Speaker 5: She doesn't turn around.
• 11:18
  Speaker 6: Took you long enough.
• 11:24
  Speaker 5: He spins her, pulling her into him. No time to waste.
• 11:29
  Speaker 5: He ravishes her breasts while she works his manhood. This
• 11:36
  Speaker 5: isn't the first time they've fucked in this kitchen. Interior, pod, night.
• 11:43
  Speaker 5: Seen through the frosted pane, Captain Charles flips Anita around,
• 11:46
  Speaker 5: taking her from behind. He breathes into her ear.
• 11:51
  Speaker 1: Let me grind that bean. Sweet Jesus.
• 11:57
  Speaker 5: In the pod. From an alien POV, golden trails of
• 12:02
  Speaker 5: energy spurt off the lover's grinding bodies. This energy-filled light
• 12:06
  Speaker 5: floats into the pod. Whatever is in there slurps its approval.
• 12:16
  Speaker 5: Interior galley night. Unbeknownst to the screwing couple, the gray-green
• 12:21
  Speaker 5: fiber stretches out of the pod lock again, a throbbing
• 12:25
  Speaker 5: knob now at its tip. Interior cockpit night. Kevin checks
• 12:30
  Speaker 5: his watch. He mutters.
• 12:33
  Speaker 3: Prostate issues, Grandpa?
• 12:35
  Speaker 5: Interior galley night. Charles and Anita mash away, locked in
• 12:40
  Speaker 5: a grunting rhythm.
• 12:41
  Speaker 4: God, this feels good!
• 12:47
  Speaker 5: Behind them, the foreign organ rocks from side to side,
• 12:50
  Speaker 5: growing longer and longer. The lovers whisper.
• 12:57
  Speaker 6: Tell me how much.
• 13:00
  Speaker 5: Baby, you know.
• 13:01
  Speaker 3: No, no, no, tell me.
• 13:04
  Speaker 5: This is all I think about.
• 13:07
  Speaker 6: Tell me you love me.
• 13:10
  Speaker 1: Sure, yeah.
• 13:11
  Speaker 3: Tell me.
• 13:13
  Speaker 5: I love you.
• 13:16
  Speaker 6: I love you, too. I can't wait for us to
• 13:19
  Speaker 6: be together.
• 13:27
  Speaker 2: Good morning. Interior, main cabin, night.
• 13:33
  Speaker 5: Three men in different stages of boredom. Arnie whines.
• 13:36
  Speaker 4: I can't believe you guys won't let me at least
• 13:39
  Speaker 4: play Candy Crush. You were never here. You can go
• 13:43
  Speaker 4: without your phone for an hour, God.
• 13:45
  Speaker 5: Defeated, Arnie takes a deep breath.
• 13:48
  Speaker 3: That coffee smells good. And I don't even like coffee.
• 13:52
  Speaker 5: Idris inhales.
• 13:54
  Speaker 4: It sure does.
• 13:55
  Speaker 3: Do you think I could get a Coke?
• 13:57
  Speaker 4: Will it make you shut up?
• 13:58
  Speaker 3: Yeah!
• 13:59
  Speaker 5: Arnie rockets up.
• 14:01
  Speaker 2: Would you mind getting me a coffee, Arnie?
• 14:03
  Speaker 3: Sure thing, Idris.
• 14:04
  Speaker 5: Interior, living room slash bedroom, night. Arnie revels in the
• 14:08
  Speaker 5: trappings of the billionaire rich. He sniffs out the flat
• 14:11
  Speaker 5: screen's remote and clicks it on. Thousands of movies at
• 14:15
  Speaker 5: his disposal. He selects the old Steve McQueen movie, The Blob.
• 14:19
  Speaker 5: The melodramatic score covers Anita and Charles banging away on
• 14:23
  Speaker 5: the other side of the door.
• 14:24
  Speaker 3: Classic.
• 14:29
  Speaker 5: Stretching out on the sofa, the light of the horror
• 14:31
  Speaker 5: flick washes over his simple face. Artie jumps up to
• 14:35
  Speaker 5: investigate the street vendor popcorn machine in the corner. His
• 14:38
  Speaker 5: sleuthing uncovers oil and kernels in a nearby cabinet. He
• 14:42
  Speaker 5: pours them into the kettle, very satisfied with himself, and
• 14:46
  Speaker 5: switches it on. Interior cockpit night. Kevin checks his watch again.
• 14:51
  Speaker 3: What is taking that geezer so long?
• 14:54
  Speaker 5: Interior galley night. Charles plows into Anita. What? Nearly there, driving, thrusting.
• 15:02
  Speaker 5: Behind the lovers, the strange tendril pushes at the latch.
• 15:05
  Speaker 5: Anita moans.
• 15:08
  Speaker 6: Tell me, tell me.
• 15:09
  Speaker 5: Pulsing in time with them, the stem reaches.
• 15:12
  Speaker 4: I love you.
• 15:15
  Speaker 3: Stretching.
• 15:17
  Speaker 4: Almost there.
• 15:19
  Speaker 2: Say, Olivia.
• 15:21
  Speaker 5: Charles moans in ecstasy. So close.
• 15:25
  Speaker 4: Almost there.
• 15:28
  Speaker 2: Almost. Say it.
• 15:30
  Speaker 1: Come on, baby.
• 15:31
  Speaker 3: Say it.
• 15:35
  Speaker 1: I can't yet.
• 15:36
  Speaker 2: No.
• 15:37
  Speaker 5: Oh, Reed. Anita has her pants up in one cat-like mood.
• 15:42
  Speaker 1: Oh, come on.
• 15:44
  Speaker 5: Don't be like that.
• 15:45
  Speaker 3: I can't leave her now.
• 15:47
  Speaker 6: You're never going to leave her.
• 15:49
  Speaker 5: She huffs out, slamming the door behind her. Charles bellows
• 15:53
  Speaker 5: a half-hearted plea, but doesn't follow her.
• 15:55
  Speaker 4: It's Christmas!
• 15:57
  Speaker 5: A tentacle slides around Charles' throat and pulls with such
• 16:01
  Speaker 5: strength that his head tears away from his body. A
• 16:05
  Speaker 5: volcano of blood.
• 16:05
  Speaker 3: Rushes into his.
• 16:09
  Speaker 4: Neck.
• 16:09
  Speaker 1: I don't know.
• 16:10
  Speaker 3: Sure.
• 16:10
  Speaker 1: Yeah.
• 16:11
  Speaker 2: Interior, living room slash bedroom, night.
• 16:23
  Speaker 5: Anita storms in, cheeks flushed from sex and rage. Her
• 16:27
  Speaker 5: eyes land on the cheesy horror film on the screen.
• 16:31
  Speaker 2: What are you doing?
• 16:32
  Speaker 5: Arnie clicks the TV off.
• 16:33
  Speaker 2: Nothing, sorry.
• 16:35
  Speaker 5: She continues through the cabin.
• 16:37
  Speaker 3: Can I get a Coke?
• 16:42
  Speaker 6: Will you give me a moment? My apologies.
• 16:45
  Speaker 3: Oh, sure, I'll just get it myself.
• 16:47
  Speaker 5: She waves but keeps moving. The waterworks are on their
• 16:50
  Speaker 5: way and she doesn't want the knuckle-dragger to see her cry. Pop, pop, pop.
• 16:56
  Speaker 5: Popcorn kernel bursts in the kettle. Now for that coke. Whistling,
• 17:01
  Speaker 5: Arnie glides the galley door open. Interior, front, nose, laboratory, night.
• 17:09
  Speaker 5: Anita throws her heartbroken self inside, finally alone. The tears come,
• 17:14
  Speaker 5: glaring at herself in the mirror.
• 17:18
  Speaker 6: You dumbass!
• 17:20
  Speaker 5: Spits at her reflection, and then quickly wipes it off.
• 17:24
  Speaker 3: Another holiday alone.
• 17:26
  Speaker 5: Dabbing a little water on her face, she inhales a deep,
• 17:30
  Speaker 5: cleansing breath.
• 17:33
  Speaker 2: You're a walking cliché.
• 17:34
  Speaker 5: Knock, knock.
• 17:36
  Speaker 3: If you think you can just say you're sorry.
• 17:38
  Speaker 5: She jerks the door open. Kevin.
• 17:41
  Speaker 3: Great.
• 17:42
  Speaker 5: Oh.
• 17:43
  Speaker 3: Sorry for what?
• 17:45
  Speaker 4: Nothing.
• 17:46
  Speaker 3: Bad time of the month?
• 17:47
  Speaker 5: She spews a disgusted sigh.
• 17:49
  Speaker 6: What do you want?
• 17:52
  Speaker 5: Where's Charleston?
• 17:53
  Speaker 6: How would I know?
• 17:54
  Speaker 2: And who's flying the plane?
• 17:55
  Speaker 3: It's fine. I turned on George. I need to use
• 17:57
  Speaker 3: the can.
• 17:59
  Speaker 2: What are you, five?
• 18:00
  Speaker 6: You can't hold your bladder for an hour?
• 18:03
  Speaker 3: Maybe it's not my bladder.
• 18:05
  Speaker 4: Ugh, gross.
• 18:07
  Speaker 3: You forgot your license, right?
• 18:09
  Speaker 6: I'm short a few hours, but.
• 18:10
  Speaker 3: Well, here's your chance to get some time.
• 18:15
  Speaker 5: Fine. They trade places.
• 18:18
  Speaker 2: Excuse me.
• 18:20
  Speaker 5: Interior, galley, night. Arnie slides the door open to absolute carnage.
• 18:29
  Speaker 5: Gore on every surface. It's even dripping off the ceiling.
• 18:33
  Speaker 5: Arnie has seen a lot in his young life, but
• 18:35
  Speaker 5: nothing like a small green blob about the size of
• 18:38
  Speaker 5: an iPhone sprawls on Charles' chest. Rippling out of the
• 18:42
  Speaker 5: creature are hundreds of stems. They roll and lurch into
• 18:46
  Speaker 5: every hole of the captain's body. Arnie's jaw unhinges to
• 18:50
  Speaker 5: release a full-throated scream.
• 19:00
  Speaker 1: The little whippers just killed me.
• 19:06
  Speaker 5: Interior cockpit night. Anita in Charles' seat. Cry singing.
• 19:11
  Speaker 6: Blue Christmas without you.
• 19:21
  Speaker 5: Interior hallway next to the cockpit. Night. Kevin grimaces on
• 19:26
  Speaker 5: the other side of the door.
• 19:27
  Speaker 4: Cringe.
• 19:39
  Speaker 5: This chick is definitely going through some shit. Interior cockpit night.
• 19:47
  Speaker 5: Kevin sticks his head in.
• 19:48
  Speaker 4: Wow, you are a terrorist.
• 19:50
  Speaker 1: Singer.
• 19:51
  Speaker 5: Anita wipes her wet face.
• 19:54
  Speaker 6: How was your little potty break?
• 19:56
  Speaker 3: Well, it all worked out in the end.
• 19:58
  Speaker 4: Ew!
• 19:59
  Speaker 5: He grins.
• 20:01
  Speaker 3: You are extra cranky tonight.
• 20:03
  Speaker 4: You mean bitchy? You said it, not me.
• 20:05
  Speaker 3: I thought you wanted to fly.
• 20:07
  Speaker 4: I do, but.
• 20:09
  Speaker 3: But what?
• 20:10
  Speaker 1: Nothing.
• 20:11
  Speaker 5: They sit in stony silence.
• 20:14
  Speaker 3: This whole night's been weird, don't you think? I'm ready
• 20:17
  Speaker 3: for a drink.
• 20:18
  Speaker 2: What's new?
• 20:19
  Speaker 3: What does that mean?
• 20:21
  Speaker 5: Her condescending hand pats his shoulder.
• 20:24
  Speaker 6: I'll go check on Charles.
• 20:26
  Speaker 5: He waits until she's gone.
• 20:28
  Speaker 3: It's definitely that time of the month.
• 20:36
  Speaker 5: Interior main cabin night. Arnie's muffled scream pierces the closed door.
• 20:46
  Speaker 5: Cliff and Idris lock eyes.
• 20:47
  Speaker 4: Idris!
• 20:48
  Speaker 2: Idris!
• 20:50
  Speaker 5: Cliff jumps up, but Idris holds out his arm, shaking
• 20:53
  Speaker 5: his head no. Don't move.
• 20:54
  Speaker 2: He got out!
• 20:55
  Speaker 6: Idris, he got out!
• 20:58
  Speaker 5: Idris creeps to the doorway and whispers through it.
• 21:01
  Speaker 2: Arnie, listen to me. Be quiet. You are only attracting
• 21:08
  Speaker 2: attention to yourself.
• 21:11
  Speaker 3: Okay, Tristan.
• 21:13
  Speaker 2: Find a place to hide and stay still.
• 21:18
  Speaker 4: We have to land the plane. What?
• 21:21
  Speaker 2: You heard me.
• 21:22
  Speaker 4: No.
• 21:23
  Speaker 3: You have to deliver.
• 21:25
  Speaker 4: That was the deal.
• 21:27
  Speaker 2: Then we're all going to die.
• 21:32
  Speaker 5: Interior Galley Knight. The smooth, faceless organism turns, and for
• 21:37
  Speaker 5: a split second, it takes on Charles' features. It beholds
• 21:42
  Speaker 5: Arnie with a crooked grin. Alien POV. Golden energy swirls
• 21:47
  Speaker 5: around the man-boy's stupefied face. Interior living room slash bedroom.
• 21:53
  Speaker 4: Night.
• 21:54
  Speaker 5: Pop. Pop.
• 21:56
  Speaker 4: Pop.
• 21:57
  Speaker 5: The kettle brims with popcorn. Arnie dies behind the machine
• 22:01
  Speaker 5: and makes himself as small as he can. Eyes squeeze tight.
• 22:06
  Speaker 2: Squish.
• 22:08
  Speaker 5: The creature snakes to the top of the machine. The
• 22:10
  Speaker 5: heat from the glass sizzles its skin. The creature releases
• 22:14
  Speaker 5: a yip and slithers away. The machine starts to smoke. Interior,
• 22:23
  Speaker 5: main cabin, night. Anita smooths herself down, donning her professional persona.
• 22:29
  Speaker 5: She notices Cliff and Idra standing. Their attention fixed on
• 22:32
  Speaker 5: the closed bedroom door.
• 22:34
  Speaker 2: Is there a problem, gentlemen?
• 22:36
  Speaker 5: Cliff puts his finger to his lips.
• 22:40
  Speaker 2: What's going on?
• 22:41
  Speaker 5: Shut up, she heartens.
• 22:44
  Speaker 2: Charles is back there.
• 22:46
  Speaker 5: Idris meets Cliff's gaze, but they don't look at her.
• 22:50
  Speaker 5: That's all she needs to know. She flies to the door,
• 22:53
  Speaker 5: opens it. Interior, living room slash bedroom, night. Night. Through
• 22:58
  Speaker 5: the haze, Charles's crumpled, headless body.
• 23:04
  Speaker 4: Charles!
• 23:05
  Speaker 5: Something snakes to the side of her. Arnie jumps out
• 23:08
  Speaker 5: from behind the popcorn machine.
• 23:10
  Speaker 6: Get out of here!
• 23:14
  Speaker 5: And shoves her back into the main cabin. He's right
• 23:17
  Speaker 5: behind her when, thwack! An alien limb rips through Arnie's stomach.
• 23:24
  Speaker 5: His wide eyes fix on Idris.
• 23:27
  Speaker 2: Idris!
• 23:28
  Speaker 5: The appendage wraps around his body, wrenching it back. And
• 23:33
  Speaker 5: then Arnie is gone. Cliff slams the door shut. Interior,
• 23:39
  Speaker 5: main cabin, night. Scoops up the hysterical Anita. She kicks
• 23:43
  Speaker 5: and punches him to no avail.
• 23:47
  Speaker 4: Charles! Charles!
• 23:49
  Speaker 6: Put me down!
• 23:51
  Speaker 5: Cliff marches her into the interior flight crew quarters, night,
• 23:55
  Speaker 5: and tosses her into the chairs.
• 23:57
  Speaker 4: Stay here.
• 23:58
  Speaker 1: What is that thing?
• 23:59
  Speaker 4: Oh, my God.
• 24:01
  Speaker 3: Charles!
• 24:02
  Speaker 4: I don't know.
• 24:03
  Speaker 5: She wails.
• 24:05
  Speaker 2: Look at me.
• 24:08
  Speaker 4: I'm on it.
• 24:10
  Speaker 1: Cliff!
• 24:11
  Speaker 6: What is that thing?
• 24:12
  Speaker 4: I don't know. But you need to get your shit together.
• 24:16
  Speaker 2: Crick it off.
• 24:17
  Speaker 6: Okay.
• 24:19
  Speaker 5: She manages a nod.
• 24:20
  Speaker 4: And wipe that snot off your face.
• 24:22
  Speaker 5: She flips him off.
• 24:24
  Speaker 4: That's my girl.
• 24:27
  Speaker 5: Oh. Interior, main cabin, night. Cliff returns to find Idris, frozen,
• 24:34
  Speaker 5: staring at the door. An awful slurping noise at the
• 24:37
  Speaker 5: other side. Slurping, slurping, slurping.
• 24:43
  Speaker 2: Arnie, what are you doing? I shouldn't have agreed to
• 24:46
  Speaker 2: do this. This is all my fault.
• 24:49
  Speaker 4: Well, get it under control. Tell me what to do
• 24:51
  Speaker 4: to stop it. I don't know.
• 24:54
  Speaker 2: What do you mean? What do you mean you don't know?
• 24:57
  Speaker 2: I don't know how to stop it.
• 24:59
  Speaker 4: How did you ever have it under control?
• 25:02
  Speaker 2: It came to us this way. The vacuum of space
• 25:06
  Speaker 2: served as a sort of sedation, and it was always contained.
• 25:12
  Speaker 5: He glowers at Idris.
• 25:14
  Speaker 4: You short-sighted fucker.
• 25:18
  Speaker 2: I don't know.
• 25:23
  Speaker 5: Interior, cockpit, night. An endless ebony night extends beyond Kevin's silhouette.
• 25:29
  Speaker 4: Oh, I should have asked for coffee.
• 25:31
  Speaker 5: He stretches, cracks his neck, yawns. Interior, flight crew quarters, night.
• 25:40
  Speaker 5: Anita's shaky hands fumble her phone. She manages to dial
• 25:44
  Speaker 5: Miss Jagoda. She presses the phone to her ear and waits.
• 25:48
  Speaker 5: Two rings. Interior, hospital room, night. Super, Kansas City, Missouri.
• 25:56
  Speaker 5: A girl, seven-ish, wearing a headscarf and too many IVs,
• 26:01
  Speaker 5: sits up in her bed. She cradles an exquisitely gift-wrapped box.
• 26:06
  Speaker 3: For me?
• 26:08
  Speaker 5: Daria Jagoda, 32, halfway through her Christmas charity work, smiles
• 26:13
  Speaker 5: at the sweet girl.
• 26:14
  Speaker 4: Happy holidays.
• 26:16
  Speaker 5: The little one lifts the lid, and her innocent face
• 26:19
  Speaker 5: breaks into a giant grin.
• 26:21
  Speaker 4: How did you know?
• 26:23
  Speaker 5: I have my ways. Daria's phone buzzes in her $ 1, 200
• 26:28
  Speaker 5: cashmere hoodie's pocket. She slides it out. Anita.
• 26:33
  Speaker 2: I'll be right back, dear.
• 26:35
  Speaker 5: Beaming, the girl holds up a gorgeous pink dress against
• 26:38
  Speaker 5: her frail body. Daria throws her a kiss and exits.
• 26:42
  Speaker 1: Is that why you're wearing pink today, too?
• 26:43
  Speaker 5: Yes. That's awesome. Interior hospital hallway night. Three oversized bodyguards
• 26:51
  Speaker 5: in dark suits hover around the doorway. One of them
• 26:54
  Speaker 5: holds a red and white Santa bag brimming with holiday-themed treasures.
• 26:59
  Speaker 5: Daria strides past them, taking the call.
• 27:02
  Speaker 4: Anita! Hello, my darling.
• 27:05
  Speaker 5: Hi, Daria. Sorry to bother you.
• 27:08
  Speaker 6: We have an issue.
• 27:11
  Speaker 2: Issue?
• 27:13
  Speaker 5: Interior in flight crew quarters night. Anita swallows her terror
• 27:16
  Speaker 5: and collects herself.
• 27:18
  Speaker 1: With a Shipment?
• 27:21
  Speaker 5: Inner cut. Daria lowers her voice, very concerned.
• 27:25
  Speaker 4: What happened?
• 27:26
  Speaker 2: There was some thing in that pod.
• 27:28
  Speaker 5: It was some kind of creature.
• 27:30
  Speaker 6: And it got out.
• 27:33
  Speaker 5: Daria lets out a long, troubled breath.
• 27:37
  Speaker 4: Oh, sweetie. First and foremost, is everyone okay?
• 27:41
  Speaker 5: Anita shakes her head, forgetting that Daria can't see her.
• 27:47
  Speaker 1: Anita?
• 27:49
  Speaker 5: Dearest. Daria snaps at one of the suits, motioning for
• 27:52
  Speaker 5: him to distribute the rest of the presents. She returns
• 27:55
  Speaker 5: to the call. Anita's face breaks.
• 27:58
  Speaker 6: No, no, everyone's not okay.
• 28:02
  Speaker 5: Charles, he... Daria's hand goes to her mouth.
• 28:05
  Speaker 2: Oh no, you poor thing. What a nightmare.
• 28:08
  Speaker 5: Anita quietly sobs.
• 28:11
  Speaker 6: What is that thing?
• 28:13
  Speaker 5: Daria's eyes narrow.
• 28:15
  Speaker 4: Listen to me.
• 28:16
  Speaker 5: Have Kevin land immediately.
• 28:19
  Speaker 4: I'll track you, but confirm your location as soon as
• 28:21
  Speaker 4: you land.
• 28:22
  Speaker 5: Anita nods her head.
• 28:24
  Speaker 2: Copy that.
• 28:25
  Speaker 5: Daria strains to hear. Hello? On the other end, Anita's
• 28:30
  Speaker 5: eyes dart around the room.
• 28:33
  Speaker 3: Anita!
• 28:34
  Speaker 6: Yeah, yeah, sorry.
• 28:35
  Speaker 4: Yes, yes.
• 28:36
  Speaker 6: Copy that.
• 28:37
  Speaker 5: Daria's voice drips with concern.
• 28:39
  Speaker 2: It's going to be okay.
• 28:41
  Speaker 5: I'm holding the intention that everything will be fine.
• 28:44
  Speaker 2: Let's say it together.
• 28:46
  Speaker 5: Anita glances around, slightly embarrassed. Everything will be fine.
• 28:53
  Speaker 3: Good, good.
• 28:54
  Speaker 4: I'll be with you soon.
• 28:56
  Speaker 5: Anita?
• 28:57
  Speaker 2: Yes?
• 28:59
  Speaker 5: Don't forget your Ujjayi breathing. It's very calming in high-stress situations.
• 29:04
  Speaker 5: Daria hands her phone to a bodyguard. Anita frowns at
• 29:07
  Speaker 5: the phone before stuffing it into her pants pocket and
• 29:09
  Speaker 5: sneaking out. She ducks into the interior cockpit night, off
• 29:15
  Speaker 5: her rattled face. What's going on?
• 29:18
  Speaker 6: Um, I spoke to Ms.
• 29:19
  Speaker 5: Tagoda.
• 29:20
  Speaker 6: She said we need to land the plane.
• 29:22
  Speaker 3: We're only 40 minutes out.
• 29:24
  Speaker 4: Now.
• 29:25
  Speaker 5: She checks a map screen.
• 29:27
  Speaker 6: We could land at BBG. It's almost underneath us.
• 29:29
  Speaker 3: There's nothing there. It's Branson, Missouri.
• 29:33
  Speaker 6: Our cargo, it got out.
• 29:36
  Speaker 3: What is it, like a tiger or something? I don't
• 29:38
  Speaker 3: know what it is. I don't know.
• 29:40
  Speaker 6: I hope i'm asleep and this is the most fucked
• 29:41
  Speaker 6: up nightmare i've ever had but charles is.
• 29:46
  Speaker 5: She shrieks.
• 29:49
  Speaker 3: Take us down or i will okay okay okay we'll
• 29:52
  Speaker 3: land in bbg into his headset This is Gulfstream 25
• 29:57
  Speaker 3: Tango Yankee. We need emergency clearance to land at ETA
• 30:01
  Speaker 3: four minutes.
• 30:04
  Speaker 4: I saw that.
• 30:06
  Speaker 2: I was hoping no one else would notice. It's one
• 30:08
  Speaker 2: more five.
• 30:11
  Speaker 1: Okay.
• 30:14
  Speaker 3: This is Gulfstream 255 Tango Yankee. We need emergency clearance
• 30:17
  Speaker 3: to land ETA four minutes.
• 30:19
  Speaker 5: He waits.
• 30:21
  Speaker 3: Repeat, this is Gulfstream 255 Tango Yankee.
• 30:24
  Speaker 4: We need to land now.
• 30:26
  Speaker 3: Hello, is anyone there?
• 30:28
  Speaker 5: Kevin checks his watch. It's 11.13 p.m.
• 30:31
  Speaker 3: The tower's probably closed.
• 30:32
  Speaker 6: We're coming anyway.
• 30:34
  Speaker 5: He shrugs and presses the yoke forward. Interior, main cabin, night.
• 30:39
  Speaker 5: Haze from the burning popcorn rolls under the door.
• 30:42
  Speaker 4: Fucking hell.
• 30:44
  Speaker 5: Hundreds of tiny tentacles explore the sides of the door.
• 30:48
  Speaker 5: Looking for a way out, they feel around. taking hold.
• 30:52
  Speaker 4: Crack!
• 30:53
  Speaker 5: It rips the door off its track. The door disappears
• 30:57
  Speaker 5: into the bedroom, revealing a room shrouded in fog. Cliff
• 31:02
  Speaker 5: slides a Ruger SR-22 from his shoulder holster. He peers
• 31:05
  Speaker 5: into the room. Across the sofa sprawls Arnie's mangled, husked body.
• 31:11
  Speaker 5: Idris staggers back, terrified. He never takes his eyes off
• 31:15
  Speaker 5: the dark lump that was Arnie.
• 31:17
  Speaker 4: He moans. I failed him. We don't have time for
• 31:21
  Speaker 4: that bullshit. Shove it deep down, Doc.
• 31:25
  Speaker 5: Cliff creeps backwards, away from the bodies, scanning for anything
• 31:29
  Speaker 5: that moves. Nothing. Then, he sees it. Hiding in the smoke. Something... Something...
• 31:41
  Speaker 5: Hiding in the smoke. Something resembling a translucent disease spider.
• 31:47
  Speaker 5: Slithers across the ceiling, pulled along by hundreds of legs.
• 31:52
  Speaker 5: Alien POV. View from above. A crying man in a chair.
• 31:58
  Speaker 5: Energy crackles throughout the room. But bold lines float from
• 32:02
  Speaker 5: the man's head. Main cabin. The creature warms towards Idris.
• 32:08
  Speaker 5: Cliff's mouth falls open, terrified. He whispers.
• 32:12
  Speaker 4: It's coming at you.
• 32:13
  Speaker 5: Idris doesn't move. Idris! It slinks closer.
• 32:19
  Speaker 4: Closer.
• 32:20
  Speaker 3: Get up!
• 32:21
  Speaker 5: Idris weeps.
• 32:24
  Speaker 4: Idris!
• 32:25
  Speaker 5: The creature dangles from above, and then.
• 32:29
  Speaker 5: Plop. It falls on him.
• 32:32
  Speaker 2: Is there something on my head?
• 32:41
  Speaker 5: Cliff nods in horror. Idris doesn't fight back as the
• 32:45
  Speaker 5: alien glob slurps and sucks and pulls and rips. The
• 32:49
  Speaker 5: skin from Idris's scalp dissolves in batches, pieces of his
• 32:53
  Speaker 5: skull exposed. Appendages burrow into Idris's slumped body, draining every
• 33:00
  Speaker 5: bit of life force from him.
• 33:02
  Speaker 3: Womp, womp, womp.
• 33:05
  Speaker 5: The fire alarm bleats out. Oxygen masks fall from the ceiling.
• 33:10
  Speaker 5: The bouncing, flailing tubing moves like the horrible creature's limbs.
• 33:15
  Speaker 5: The alien scurries away. Interior, cockpit, night. A master warning
• 33:21
  Speaker 5: light flares. An oxygen mask jangles in front of Kevin's
• 33:25
  Speaker 5: concerned face.
• 33:26
  Speaker 3: A fire? Jeez, what the hell's going on?
• 33:29
  Speaker 5: Anita ignores him. She's trying to dissociate, but it's really
• 33:32
  Speaker 5: hard with the alarm and Kevin's yammering.
• 33:35
  Speaker 3: Anita, I need you to check it out.
• 33:37
  Speaker 5: He snaps in front of her face.
• 33:39
  Speaker 3: Hey, get up and go see what's going on.
• 33:42
  Speaker 6: You want me to go out there?
• 33:43
  Speaker 3: Yeah, I'm the pilot and I'm ordering you.
• 33:46
  Speaker 1: But.
• 33:46
  Speaker 2: Oh, but what?
• 33:47
  Speaker 4: But what, huh? You can't because you're a girl?
• 33:49
  Speaker 3: Is that what you were going to say? No.
• 33:53
  Speaker 4: It was.
• 33:55
  Speaker 3: Get up and do your fucking job.
• 33:57
  Speaker 6: You haven't seen it. You don't know what.
• 33:59
  Speaker 2: It's a fire on a plane!
• 34:02
  Speaker 5: Fine! Rising, her shaky legs plead with her not to
• 34:06
  Speaker 5: do this. Interior, main cabin, night. Cliff backs up. Where
• 34:12
  Speaker 5: is that fucker?
• 34:14
  Speaker 4: Mwah, mwah, mwah.
• 34:17
  Speaker 5: The fire alarm rattles his skull. He tiptoes back. One
• 34:23
  Speaker 5: step at a time.
• 34:27
  Speaker 4: Mwah.
• 34:29
  Speaker 5: Interior, flight crew quarters, night.
• 34:32
  Speaker 4: Made it.
• 34:36
  Speaker 5: Sliding in, Cliff shuts the door and looks down at
• 34:39
  Speaker 5: his piss-soaked pants.
• 34:41
  Speaker 4: Calm down, pussy.
• 34:46
  Speaker 5: He presses his ear against the door. All he can
• 34:49
  Speaker 5: hear is that damn alarm. Interior, main cabin, night. Anita
• 34:54
  Speaker 5: stalks through the smoke.
• 34:56
  Speaker 3: Womp, womp, womp.
• 35:00
  Speaker 5: Idris's... Idris's caved-in head slumps back on his shoulders. His dead,
• 35:13
  Speaker 5: open eyes stare at her. The plane, making its quick descent,
• 35:17
  Speaker 5: lurches Idris's body at her. She slaps her hand over
• 35:21
  Speaker 5: her mouth to keep from screaming. She calms herself before
• 35:25
  Speaker 5: taking two more steps. When? Something grabs her from behind.
• 35:31
  Speaker 5: It's Cliff. He forces her into the tiny room. Interior.
• 35:37
  Speaker 5: Flight crew quarters. Night. Cliff wheels around and shoves Anita
• 35:41
  Speaker 5: into the chair.
• 35:43
  Speaker 4: What are you doing?
• 35:44
  Speaker 6: Kevin made me check on the fire.
• 35:46
  Speaker 4: Stay here. You don't need to be walking around with
• 35:48
  Speaker 4: that thing out there.
• 35:49
  Speaker 5: This is exactly what she wanted to hear.
• 35:52
  Speaker 6: Thank you.
• 35:56
  Speaker 5: She motions for him to leave.
• 35:58
  Speaker 6: I'll open the door when you get back.
• 36:00
  Speaker 4: I'm not going out there.
• 36:01
  Speaker 6: Cliff, it's a fire on a plane.
• 36:04
  Speaker 4: Yeah, it's just smoke from that stupid popcorn machine.
• 36:07
  Speaker 6: You don't know that.
• 36:08
  Speaker 4: We'll be down soon. Try to relax. But... I said
• 36:12
  Speaker 4: shut up.
• 36:13
  Speaker 3: No, you didn't.
• 36:14
  Speaker 6: You said relax. I.
• 36:17
  Speaker 5: He points his gun at her.
• 36:18
  Speaker 4: I said shut up.
• 36:21
  Speaker 5: Okay. Interior cockpit night. Surrounded by the Ozark Mountains, the
• 36:28
  Speaker 5: faint lights of Branson Airport, BBG, emerge. Kevin wipes his
• 36:33
  Speaker 5: brow and checks his watch.
• 36:34
  Speaker 3: What is taking so long?
• 36:36
  Speaker 5: He grabs a handset. Interior, main cabin, night. Through the
• 36:41
  Speaker 5: PA system, Kevin's voice fills the smoky plane.
• 36:45
  Speaker 4: Flight crew, prepare for landing.
• 36:47
  Speaker 5: Interior, flight crew quarters, night. Over the speaker.
• 36:50
  Speaker 3: Anita, come to the cockpit.
• 36:52
  Speaker 5: Anita rolls her eyes.
• 36:53
  Speaker 6: Oh, now he wants me to come to the cockpit.
• 36:56
  Speaker 5: She rises from her seat, but Cliff pushes her down again.
• 37:00
  Speaker 4: Day put.
• 37:01
  Speaker 6: Am I a prisoner?
• 37:02
  Speaker 4: I'm trying to keep you alive, dumbass.
• 37:05
  Speaker 5: Interior, cockpit, night. The jet touches down in a flawless landing.
• 37:10
  Speaker 2: Ladies and gentlemen, I give you.
• 37:12
  Speaker 5: With a flourish of his arm.
• 37:14
  Speaker 4: Perfection!
• 37:16
  Speaker 5: Exterior, Branson Airport, BBG.
• 37:19
  Speaker 4: Ramp, night.
• 37:21
  Speaker 5: Gleaming and pristine, the Gulfstream's sleek exterior belies the bloodbath inside. Interior, cockpit, night.
• 37:30
  Speaker 5: Kevin scrambles out of his seat. On second thought, he
• 37:33
  Speaker 5: grabs the handset again. Interior, flight crew quarters, night. Over
• 37:38
  Speaker 5: the loudspeaker.
• 37:39
  Speaker 2: Okay, we're here.
• 37:40
  Speaker 3: I'm going to check out on the fire and open
• 37:41
  Speaker 3: the exits.
• 37:42
  Speaker 5: Cliff shakes his head.
• 37:44
  Speaker 4: Great. Another moron.
• 37:46
  Speaker 5: He holds up his gun, opens the door, steps out. Interior,
• 37:52
  Speaker 5: outside the cockpit door, night. Cliff presses his face against
• 37:56
  Speaker 5: the door. The faintest whisper.
• 38:00
  Speaker 4: Kevin, can you hear me? Yeah, man, what the fuck
• 38:05
  Speaker 4: is going on?
• 38:08
  Speaker 5: Interior, cockpit, night. Kevin opens the door. The bellowing of
• 38:12
  Speaker 5: the fire alarm follows Cliff in. Cliff slams the door
• 38:16
  Speaker 5: shut behind him, muffling the assault of ringing.
• 38:19
  Speaker 3: Where's Anita? Is the fire in the galley?
• 38:22
  Speaker 5: Cliff sighs. He numbers off on his fingers.
• 38:25
  Speaker 4: One, don't care about the fire. Two, that thing is loose. Three,
• 38:29
  Speaker 4: everyone but Anita, you, and me is dead.
• 38:32
  Speaker 5: Kevin hesitates before offering his brilliant response.
• 38:37
  Speaker 2: Shit.
• 38:42
  Speaker 4: I'm going to pick up Anita, and we're going to
• 38:44
  Speaker 4: get off the plane. Wait, wait, wait, wait, wait.
• 38:46
  Speaker 5: Kevin scans the cockpit for a possible weapon. Nothing but
• 38:50
  Speaker 5: the fire extinguisher. He clutches it to his chest.
• 38:53
  Speaker 4: You don't need that.
• 38:55
  Speaker 3: It's something.
• 38:56
  Speaker 5: Cliff relents.
• 38:57
  Speaker 4: Whatever.
• 38:58
  Speaker 5: And puts a meaty paw on Kevin's shoulder.
• 39:01
  Speaker 4: Let me go first.
• 39:03
  Speaker 5: With a series of sacking up breaths, Cliff's out the door.
• 39:07
  Speaker 5: Interior hallway next to the cockpit, night. Kevin cowers behind
• 39:12
  Speaker 5: the massive man. Cliff lightly taps on the crew door
• 39:15
  Speaker 5: with the gun.
• 39:16
  Speaker 4: We're leaving.
• 39:18
  Speaker 5: Anita appears, ready, purse on her shoulder. a thump to
• 39:22
  Speaker 5: the right of Cliff. He spins, wielding the.
• 39:25
  Speaker 2: 22.
• 39:25
  Speaker 5: The incessant bleeding of the fire alarm makes it impossible
• 39:28
  Speaker 5: to hear anything else. Kevin peeks out from behind Cliff's
• 39:22
  Speaker 5: giant back. Everything seems fine. Rich woodwork. Leather. Blood. Pieces
• 39:25
  Speaker 5: of Idris's head. Shh! To release the exit door, they
• 39:49
  Speaker 5: need to press the button at the top right. It's
• 39:52
  Speaker 5: only a few feet away, but it might as well
• 39:54
  Speaker 5: be miles. The creature crawls out of Idris's chest. Now
• 40:00
  Speaker 5: the size of a Labrador retriever.
• 40:02
  Speaker 4: Oh, fuck.
• 40:04
  Speaker 5: The creature snaps a melty Idris face his way. Kevin
• 40:07
  Speaker 5: doesn't move. He contemplates fainting. Anita's screams bring him back.
• 40:13
  Speaker 1: One scream.
• 40:14
  Speaker 3: One scream.
• 40:15
  Speaker 1: One scream.
• 40:17
  Speaker 5: Anita's scream brings him back. Cliff, seeing an opportunity, nabs
• 40:26
  Speaker 5: Anita by her hair.
• 40:28
  Speaker 4: Kevin, all distracted. You grab the door.
• 40:30
  Speaker 5: Wait, wait, what?
• 40:31
  Speaker 4: Distracted? Yeah.
• 40:32
  Speaker 5: He grins down at Anita.
• 40:34
  Speaker 4: Come on, gorgeous. You know what it's like to be
• 40:36
  Speaker 4: a piece of meat, don't you?
• 40:38
  Speaker 5: Cliff directs her body towards the creature.
• 40:40
  Speaker 3: What are you doing?
• 40:41
  Speaker 5: Let go of me! She slaps at his giant arm,
• 40:44
  Speaker 5: trying to break free.
• 40:45
  Speaker 4: Let go of her, man! Don't worry about her. She's
• 40:48
  Speaker 4: busy serving dinner. Get the door.
• 40:51
  Speaker 2: Cliff, stop it!
• 40:53
  Speaker 4: On the count of three, hit the door.
• 40:55
  Speaker 5: Anita thrashes, desperate.
• 40:57
  Speaker 1: One.
• 40:57
  Speaker 2: No, let go of me!
• 40:59
  Speaker 4: Two.
• 41:00
  Speaker 5: Kevin stands frozen. Come on, nod if you're with me.
• 41:03
  Speaker 5: Kevin slowly nods. Decision made.
• 41:06
  Speaker 4: Three.
• 41:07
  Speaker 5: Kevin smashes the fire extinguisher into Cliff's skull.
• 41:10
  Speaker 4: Oh, what the fuck?
• 41:12
  Speaker 5: Cliff releases Anita, bringing his hand to the back of
• 41:15
  Speaker 5: his head. Blood rushing from his scalp. He staggers, desperately
• 41:20
  Speaker 5: trying to stay upright. Kevin kicks him on top of
• 41:24
  Speaker 5: the monster.
• 41:25
  Speaker 1: Ah!
• 41:26
  Speaker 5: Cliff clambers backward in sheer panic. Kevin smacks the exit
• 41:31
  Speaker 5: door pad. The door whirs in response. Cliff empties his
• 41:35
  Speaker 5: weapon into the creature. The alien's body absorbs the bullets,
• 41:45
  Speaker 5: immediately shrinking to the size of a large house cat.
• 41:49
  Speaker 5: Out of ammo, Cliff throws the useless gun at the monster. What? What? What? What? What?
• 41:56
  Speaker 2: What?
• 42:24
  Speaker 5: Before Cliff's mouth can release its little yowl. The creature
• 42:28
  Speaker 5: plunges another appendage down his throat. The door and exit
• 42:33
  Speaker 5: stairs finish their automated unfurling. Kevin reaches for Anita.
• 42:37
  Speaker 4: Come on!
• 42:38
  Speaker 5: She grabs his hand, and he yanks her out the
• 42:40
  Speaker 5: door and down the stairs. End of part one. Excellent job.
• 42:46
  Speaker 5: I got a couple things.