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KILLER CARGO - Act Two · Table Read

• 0:03
  Speaker 1: Killer Cargo, part one, recap. Uh, excuse me, allow me
• 0:09
  Speaker 1: to translate. Poor flight attendant Anita. Her overbearing billionaire boss, Daria,
• 0:14
  Speaker 1: made her work on Christmas Eve. At least her lover,
• 0:17
  Speaker 1: Captain Charles, was there, but we all knew he was
• 0:20
  Speaker 1: never going to leave his wife. Oh yeah, there's douchey
• 0:23
  Speaker 1: co-pilot named Kevin, too. I'm also aboard the Gulfstream G650.
• 0:30
  Speaker 1: A scientist, his helper, a dickhead bodyguard, and a creepy
• 0:33
  Speaker 1: man-sized container. In case you're wondering, it's me. I'm in
• 0:41
  Speaker 1: the container. And surprise, I got out of their stupid
• 0:44
  Speaker 1: little box. I was starving. So I noshed on the captain.
• 0:47
  Speaker 1: Anita was better off without him anyway. That scientist who
• 0:50
  Speaker 1: sold me out to the highest bidder, silly man-child, and
• 0:53
  Speaker 1: I topped it all off with the big burly guy. Mmm,
• 1:01
  Speaker 1: tentacle-licking good. However, Anita and that idiot Kevin were a
• 1:05
  Speaker 1: little more resourceful than I thought they'd be. They managed
• 1:08
  Speaker 1: to land the plane and trap me inside. But I'm
• 1:11
  Speaker 1: only getting started. Fuck my throat. Oh, God. Exterior, Gulfstream 650,
• 1:26
  Speaker 1: Branson Airport, night. Kevin runs to the panel near the
• 1:30
  Speaker 1: nose and works the pad. From the ground, Anita watches
• 1:33
  Speaker 1: in shock as the beast's mutant arms twist and prod
• 1:36
  Speaker 1: in a crisp body, devouring the man from the inside out.
• 1:41
  Speaker 1: Then the door shuts, and it's all gone. Like it
• 1:45
  Speaker 1: never happened.
• 1:48
  Speaker 2: Can it get out?
• 1:51
  Speaker 3: I don't know.
• 1:51
  Speaker 1: I don't think so. But how did it get out
• 1:54
  Speaker 1: in the first place? Never taking her eyes off the
• 1:56
  Speaker 1: Gulfstream's door.
• 1:58
  Speaker 4: I caught one of the guys going through a bunch
• 1:59
  Speaker 4: of stuff. Maybe he did it?
• 2:02
  Speaker 1: And where is he?
• 2:03
  Speaker 5: Dead.
• 2:05
  Speaker 4: They're all dead.
• 2:06
  Speaker 1: She turns to face him.
• 2:09
  Speaker 4: It got smaller when Cliff shot it.
• 2:10
  Speaker 2: Yeah, yeah, I saw that too.
• 2:12
  Speaker 4: Do you have a gun?
• 2:13
  Speaker 6: Do I look like a guy who would have a gun?
• 2:15
  Speaker 4: Then we need to get away from here.
• 2:17
  Speaker 1: Duh. Let's go inside and I'll call the police.
• 2:21
  Speaker 5: Shit.
• 2:22
  Speaker 3: Shit.
• 2:23
  Speaker 1: Don't have my phone.
• 2:24
  Speaker 6: Where is it?
• 2:25
  Speaker 1: Kevin points at the plane. Anita wobbles a smile, holding
• 2:29
  Speaker 1: up her handbag.
• 2:30
  Speaker 4: I even have a charger.
• 2:32
  Speaker 1: Motioning toward the airport terminal. After you.
• 2:36
  Speaker 3: Kevin? Yeah.
• 2:37
  Speaker 4: Thanks.
• 2:39
  Speaker 7: I only saved you because I didn't want you to
• 2:40
  Speaker 7: be here stuck with Cliff.
• 2:42
  Speaker 1: Let me do that again.
• 2:46
  Speaker 7: I only saved... Wait, wait, what was that again?
• 2:48
  Speaker 1: I only saved you, you want me to hit the U?
• 2:50
  Speaker 6: Yeah, yeah, I only said you because I didn't want
• 2:52
  Speaker 6: to get stuck here with Cliff.
• 2:53
  Speaker 1: I didn't say a line reading.
• 3:03
  Speaker 6: There's no way to start act.
• 3:08
  Speaker 2: Two!
• 3:09
  Speaker 4: No, no, thank you for that.
• 3:10
  Speaker 3: Thank you, I love it.
• 3:11
  Speaker 1: I'm just totally joking. Thank you guys.
• 3:15
  Speaker 4: Thanks.
• 3:17
  Speaker 7: I only saved you because I didn't want to be
• 3:19
  Speaker 7: stuck here with Cliff.
• 3:20
  Speaker 1: He winks.
• 3:22
  Speaker 4: A simple you're welcome would have sufficed.
• 3:24
  Speaker 7: Let's get away from this fucking death plane before you
• 3:27
  Speaker 7: get a.
• 3:27
  Speaker 1: Chance to repay me.
• 3:29
  Speaker 4: That's the smartest thing that's ever come out of your mouth.
• 3:32
  Speaker 1: They hightail it into the building, under the sign, Welcome
• 3:36
  Speaker 1: to the Ozarks. Interior, Branson Airport, Terminal, Night. The cracker
• 3:42
  Speaker 1: barrel of airports, done up in all its Christmas finery,
• 3:45
  Speaker 1: old-timey log cabin crap everywhere. complete with a Bass Pro
• 3:49
  Speaker 1: Shop General's store and Henry Sullinger's saloon. Between the late
• 3:53
  Speaker 1: hour and the holiday, it's closed. Empty except for fake trees,
• 3:58
  Speaker 1: split-rail craftsmanship, and moonshine jugs. Lots of places for monsters
• 4:03
  Speaker 1: to hide. Anita nods at a wooden sign pointing in
• 4:07
  Speaker 1: various directions at airport-y things, one of them being restrooms.
• 4:10
  Speaker 4: I'll be in there.
• 4:12
  Speaker 1: She gestures towards the ladies' room. INTERIOR SALOON NIGHT whistling
• 4:18
  Speaker 1: along to the Muzak version of Santa Baby. Madge, the
• 4:22
  Speaker 1: cleaning woman, 57, a prisoner to hard times and an
• 4:26
  Speaker 1: even harder head, pushes her trash cart through the employee
• 4:29
  Speaker 1: side door. The wheel sticks in the doorway.
• 4:33
  Speaker 2: Son of a bitch!
• 4:35
  Speaker 1: Throwing a small tantrum, she rams the cart into the
• 4:38
  Speaker 1: wall a few times. This actually works, and the cart
• 4:41
  Speaker 1: pops into the... Interior, Employee Hallway, Night. She releases a
• 4:46
  Speaker 1: gummy smile and lumbers towards the terminal. Interior terminal, night.
• 4:52
  Speaker 1: Kevin lurks behind a small Bass Pro Shop Christmas tree.
• 4:55
  Speaker 1: It's kind of cute, with tiny fishing rods, bear traps,
• 4:58
  Speaker 1: and hunting rifle ornaments. He watches the cleaning lady leave
• 5:02
  Speaker 1: and slips into the... Interior employee hallway, night. Through the
• 5:07
  Speaker 1: unlocked door. Interior women's restroom, night. Under fluorescent lights, Anita
• 5:13
  Speaker 1: whips out her phone. She dials Miss Jagoda. Interior, Gulfstream G800.
• 5:19
  Speaker 1: Main cabin, night. No popcorn machines or animal print carpet
• 5:23
  Speaker 1: on this plane's utilitarian interior. Daria chews on a manicured nail,
• 5:28
  Speaker 1: surrounded by her bodyguard trio. Her phone buzzes. This time,
• 5:33
  Speaker 1: she picks up on the first ring.
• 5:35
  Speaker 6: Hey, you guys okay?
• 5:37
  Speaker 4: Um, it's Kevin and me. We're the only ones left.
• 5:40
  Speaker 1: Cliff? Cliff? Interior, women's restroom, night. Anita recoils at his name.
• 5:47
  Speaker 3: No.
• 5:48
  Speaker 1: Inner cut.
• 5:50
  Speaker 3: Oh, my goddess.
• 5:51
  Speaker 1: She places a hand to her heart center.
• 5:55
  Speaker 3: Where is it?
• 5:57
  Speaker 4: Where is what?
• 5:59
  Speaker 5: The cargo.
• 6:00
  Speaker 4: Oh, it's still on the plane. It's trapped.
• 6:03
  Speaker 2: I think.
• 6:03
  Speaker 3: Okay, okay, good. The most important thing is that you're safe.
• 6:08
  Speaker 3: According to tracking, you landed in Branson, Missouri, BBG. Is
• 6:11
  Speaker 3: that correct? Yes. Hey, hold on.
• 6:14
  Speaker 1: Daria mutes her phone and addresses someone offscreen.
• 6:16
  Speaker 6: Tell Captain Riley BBG's been confirmed.
• 6:18
  Speaker 1: A dark suit moves towards the cockpit. Daria unmutes. Back
• 6:23
  Speaker 1: to Anita.
• 6:24
  Speaker 2: I'm en route.
• 6:25
  Speaker 3: I've already alerted the authorities. You don't have to do
• 6:27
  Speaker 3: a thing, but hang tight. Remember, we've set our intentions.
• 6:31
  Speaker 3: Everything will be fine.
• 6:33
  Speaker 1: Daria hangs up. Interior, women's restroom, night. Knock, knock. Kevin
• 6:40
  Speaker 1: peeks in, wearing a Santa hat. You decent?
• 6:42
  Speaker 4: What are you doing, stalker?
• 6:45
  Speaker 1: Is that any way to talk to Santa? He holds
• 6:47
  Speaker 1: up a bottle of Jack Daniels.
• 6:49
  Speaker 4: Where'd you get that?
• 6:51
  Speaker 1: I have my ways.
• 6:52
  Speaker 4: Great. I'm stuck here with a thief.
• 6:54
  Speaker 1: Ah, you are stuck here with an opportunist. And you're welcome.
• 6:58
  Speaker 1: She turns and inspects her mascara-soaked face. Pulls out her
• 7:01
  Speaker 1: makeup bag. Gets to work.
• 7:06
  Speaker 4: Did you see anyone?
• 7:07
  Speaker 1: A cleaning lady. Do you think we should tell her?
• 7:10
  Speaker 5: Tell her what?
• 7:11
  Speaker 3: What?
• 7:11
  Speaker 4: That there's a blood-sucking monster on our plane? Good point.
• 7:17
  Speaker 1: Did you call the police?
• 7:17
  Speaker 4: I called Miss Jagoda. She's already called them. And she's coming.
• 7:21
  Speaker 4: All we have to do is wait for help.
• 7:23
  Speaker 1: He holds out his arm.
• 7:25
  Speaker 7: Then let's get fuzzy.
• 7:30
  Speaker 1: Interior terminal night. Madge pushes her trash cart past a
• 7:34
  Speaker 1: 40-foot-tall Christmas tree, which dominates the middle of the expansive room.
• 7:39
  Speaker 1: She stops and takes it in.
• 7:41
  Speaker 2: Next year, I'll have my own damn tree. Fuck you, Junior.
• 7:48
  Speaker 1: Oh my goodness. She spits on the ground and moves
• 7:52
  Speaker 1: on to the general store. Exterior, Gulfstream G650ER, night. The
• 7:59
  Speaker 1: airplane shines in the night, dead quiet. A minuscule thread
• 8:04
  Speaker 1: worms its way out the door and sucks back in.
• 8:09
  Speaker 1: Interior terminal, night. Kevin and Anita hunker down next to
• 8:13
  Speaker 1: the huge window that overlooks the runway. Kevin pours the
• 8:17
  Speaker 1: bourbon into two ice-filled rocks glasses. He extends a tumbler
• 8:21
  Speaker 1: to Anita, who shakes her head no.
• 8:23
  Speaker 4: I need to keep my head.
• 8:25
  Speaker 1: Kevin shrugs. I don't want to lose mine. He holds
• 8:28
  Speaker 1: up his glass for a toast. Here's to surviving the holidays.
• 8:32
  Speaker 4: So far.
• 8:33
  Speaker 7: I'd like to thank Mr. Sullinger's Saloon for the refreshments.
• 8:37
  Speaker 1: They acknowledge the rustic facade of the airport bar.
• 8:40
  Speaker 5: And a special thank you to Shock. You've made this
• 8:43
  Speaker 5: situation almost bearable.
• 8:46
  Speaker 1: You hear. Kevin drains his glass. They sit in stunned silence.
• 8:51
  Speaker 1: Kevin breaks first. Hey, I'm sorry about Charles. She scans
• 8:56
  Speaker 1: his face. Does he know?
• 8:57
  Speaker 4: Yeah, me too.
• 9:01
  Speaker 1: I know that you two are... He sticks his right
• 9:04
  Speaker 1: index finger into the little circle he made with his
• 9:06
  Speaker 1: left thumb and forefinger. The international sign for screwing.
• 9:12
  Speaker 4: God, you are such a child.
• 9:15
  Speaker 1: What did you see in him?
• 9:17
  Speaker 4: Shut up.
• 9:17
  Speaker 6: It wasn't even cool.
• 9:19
  Speaker 2: Such a dork.
• 9:20
  Speaker 4: I said shut up.
• 9:21
  Speaker 1: She picks up the second tumbler of Jack and... And
• 9:24
  Speaker 1: on top of it, he was married. Launches the contents
• 9:27
  Speaker 1: in his face. Bourbon drips off Kevin's nose. Well, this
• 9:34
  Speaker 1: is the thanks I get for saving your life.
• 9:36
  Speaker 4: You deserve that.
• 9:38
  Speaker 1: I actually wanted to know.
• 9:39
  Speaker 4: It doesn't matter.
• 9:41
  Speaker 1: She exhales.
• 9:43
  Speaker 2: Because he's dead.
• 9:45
  Speaker 1: Kevin reaches into his jacket pocket, retrieving a pack of
• 9:48
  Speaker 1: Marlboro Light 100s and an engraved Zippo lighter that says,
• 9:52
  Speaker 1: light him up. Right then, Mads trolls by with her
• 9:56
  Speaker 1: wheeled trash can.
• 9:57
  Speaker 2: Hey, you can't smoke in the heat.
• 10:00
  Speaker 1: She jabs a weary finger in the direction of the tarmac.
• 10:04
  Speaker 2: Out there.
• 10:06
  Speaker 1: Yes, ma'am. He stands up and saunters to the exit.
• 10:09
  Speaker 1: Anita looks over her shoulder and darts after him.
• 10:12
  Speaker 4: I'm coming too!
• 10:14
  Speaker 1: Exterior airport ramp night. With the G650... aka Betty, in
• 10:20
  Speaker 1: the distance. Kevin hands Anita a cigarette. She accepts. He
• 10:25
  Speaker 1: offers the Zippo. She nods at the engraving.
• 10:28
  Speaker 4: Light him up? Wow, how'd you come up with that?
• 10:32
  Speaker 1: He ignores her sarcasm.
• 10:33
  Speaker 3: Thanks.
• 10:35
  Speaker 1: She leans into, inhales, and breaks into a maniacal coughing fit.
• 10:42
  Speaker 7: I didn't know you smoked.
• 10:45
  Speaker 1: With a twisted grin, he flicks the lighter closed and
• 10:47
  Speaker 1: slides it back into his jacket pocket. She shakes her head.
• 10:52
  Speaker 4: I thought today would be a good day to start.
• 10:57
  Speaker 1: She tries another puff. Nope.
• 11:01
  Speaker 4: A good day to stop.
• 11:04
  Speaker 1: She hands Kevin the cigarette like it were a dirty diaper.
• 11:07
  Speaker 1: He crushes it under his shoe. The steam from their
• 11:10
  Speaker 1: breath mingles in the brisk night air. She shivers and
• 11:13
  Speaker 1: he slides off his coat. Here. She issues a half-assed, No,
• 11:18
  Speaker 1: I couldn't. while he drapes it over her shoulders. Take it, really.
• 11:25
  Speaker 1: Anita shoves her arm into the sleeves and stands a
• 11:28
  Speaker 1: little closer to him. Her face lights up, and then
• 11:33
  Speaker 1: she remembers. The plane. Parked right in front of them
• 11:37
  Speaker 1: with a fucking demon trapped inside. Kevin must have read
• 11:41
  Speaker 1: her mind.
• 11:42
  Speaker 7: I say we call an Uber and give old Branson,
• 11:45
  Speaker 7: Missouri the Kevin treatment.
• 11:48
  Speaker 1: She shakes her head.
• 11:49
  Speaker 5: Mr.
• 11:49
  Speaker 4: Goat is on her way.
• 11:50
  Speaker 1: Well, I hope she hurries the fuck up.
• 11:53
  Speaker 4: You've got booze, ambiance, and a Santa hat. What else
• 11:56
  Speaker 4: could you possibly want?
• 11:57
  Speaker 1: He nods at the plane.
• 11:59
  Speaker 7: To get away from that thing.
• 12:01
  Speaker 1: Interior, back hallway, night. Madge wheels the full trash cart
• 12:06
  Speaker 1: through a depressing yellow corridor. Cheap fluorescent bulbs flicker. She
• 12:10
  Speaker 1: smacks the heavy exit door and sticks her head out. Exterior,
• 12:14
  Speaker 1: alley behind the airport, night. Looking for the damn brick
• 12:19
  Speaker 1: that keeps the door open. There it is, nearly three
• 12:22
  Speaker 1: feet away.
• 12:23
  Speaker 2: How many times did I tell him to leave?
• 12:27
  Speaker 1: Keeping one leg in the doorway, she stretches with the
• 12:30
  Speaker 1: other one.
• 12:31
  Speaker 2: The brick?
• 12:33
  Speaker 1: She almost has it. There, her toe makes contact.
• 12:37
  Speaker 2: Where I can get it.
• 12:39
  Speaker 1: Her foot pulls the brick to the door, and she
• 12:41
  Speaker 1: shoves it in the doorway, assuring her re-entrance into the building. Asshole.
• 12:48
  Speaker 1: She wheels the cart down the dark alley. The adjacent
• 12:51
  Speaker 1: runway gives off what little light there is.
• 12:54
  Speaker 2: Course the light's still out.
• 12:57
  Speaker 1: She looks over her shoulder and shivers from the willies.
• 13:01
  Speaker 1: Ahead of her is the dumpster. Something rustles it. She
• 13:06
  Speaker 1: jumps straight up in the air, yelping.
• 13:10
  Speaker 2: Fucking raccoons. Gonna give me a heart attack.
• 13:18
  Speaker 1: Grabbing the varmint stick the cleaning crew uses just for
• 13:21
  Speaker 1: such an occasion, she bangs on the side of the dumpster.
• 13:24
  Speaker 5: Bang, bang, bang.
• 13:26
  Speaker 2: Come on out, you heathen.
• 13:31
  Speaker 1: She pokes her head into it.
• 13:33
  Speaker 2: Come on out. Yee.
• 13:35
  Speaker 1: Her git bounces off the metallic walls. Nothing but trash
• 13:39
  Speaker 1: and quiet. Shrugging, she heaves a garbage bag into the dumpster.
• 13:45
  Speaker 1: A small creature jumps out, knocking her over. The bulk
• 13:47
  Speaker 1: of her weight lands on her wrist. Madge cradles her arm.
• 13:54
  Speaker 1: She gets up the nerve to inspect it, and her
• 13:56
  Speaker 1: hand juts at an odd angle in her wrist. It's
• 14:00
  Speaker 1: broke AF.
• 14:01
  Speaker 4: Ha ha ha.
• 14:03
  Speaker 1: A rotund raccoon stands on the dumpster, cussing her out.
• 14:07
  Speaker 1: The dumpster bandit freezes, its eyes tracking something behind Madge.
• 14:13
  Speaker 1: It scurries away as fast as its chubby little legs
• 14:15
  Speaker 1: will move.
• 14:16
  Speaker 2: That's right, you piece of fuck. You better run, you
• 14:20
  Speaker 2: broke my second arm.
• 14:24
  Speaker 1: Moaning, Madge gets to her feet and tucks her wounded
• 14:26
  Speaker 1: arm against her chest.
• 14:29
  Speaker 2: What a shit night.
• 14:34
  Speaker 1: She turns to grab another bag of trash with her
• 14:36
  Speaker 1: good hand and is face to face with the alien.
• 14:42
  Speaker 1: Madge's mouth opens and no scream comes. The creature now
• 14:47
  Speaker 1: stands over five feet tall. Hundreds of gray, gelatinous fibers
• 14:52
  Speaker 1: flow around its body like a funhouse Medusa. With her
• 14:56
  Speaker 1: broken hand, Madge clutches her chest. Turns out... It wasn't
• 15:01
  Speaker 1: a raccoon that finally gave her that heart attack. The
• 15:04
  Speaker 1: beast's mouth pulsates with the woman's fibrillating.
• 15:12
  Speaker 1: The beast's mouth pulsates with the woman's fibrillating heart as
• 15:16
  Speaker 1: if it's mocking her. Interior. Terminal. Night. Kevin and Anita
• 15:23
  Speaker 1: lounge in front of the huge window, eyes glued to
• 15:26
  Speaker 1: the skies, waiting for Daria's arrival.
• 15:29
  Speaker 5: So?
• 15:30
  Speaker 4: What were you planning on doing tomorrow?
• 15:32
  Speaker 1: Past tense.
• 15:34
  Speaker 4: Okay. What are you doing tomorrow?
• 15:36
  Speaker 1: I was planning on doing a little of this. He
• 15:39
  Speaker 1: holds up his glass and drains it.
• 15:42
  Speaker 4: That's sad.
• 15:43
  Speaker 1: No more sad than what or who you were planning
• 15:46
  Speaker 1: on doing. Fuck you. Come on, come on. Have a
• 15:50
  Speaker 1: drink with me.
• 15:50
  Speaker 4: I don't drink.
• 15:52
  Speaker 5: At all? Nope.
• 15:53
  Speaker 1: How did I not know this? She shrugs.
• 15:57
  Speaker 4: You never asked.
• 15:58
  Speaker 1: Are you drunk or something?
• 16:01
  Speaker 4: Or something.
• 16:03
  Speaker 1: How long? Sighing out her last nerve.
• 16:07
  Speaker 2: How long what?
• 16:08
  Speaker 1: Have you not had a drink? It's been three years.
• 16:12
  Speaker 1: Kevin nods. Oh, I get it now. Get what?
• 16:19
  Speaker 7: What you see. I mean, what you saw in Charles.
• 16:23
  Speaker 7: You traded one vice for another. You got daddy issues.
• 16:28
  Speaker 1: Anita fumes.
• 16:29
  Speaker 3: What?
• 16:30
  Speaker 1: Will you shut the fuck up? Sure. They sit in
• 16:33
  Speaker 1: awkward silence. The timeless Christmas classic, The Chipmunk Song, assaults
• 16:38
  Speaker 1: them from a hidden speaker. Daria owes us big time.
• 16:42
  Speaker 4: Yeah, she does.
• 16:44
  Speaker 7: My Christmas wish is that she blows up old Betty.
• 16:46
  Speaker 1: With that thing on it.
• 16:48
  Speaker 5: I highly doubt Daria will willfully blow up her plane.
• 16:51
  Speaker 1: As long as that thing is still on it, it
• 16:53
  Speaker 1: seems like the best way to get rid of it. Exterior,
• 16:55
  Speaker 1: alley behind the airport, night. A gore-covered tentacle tugs the
• 17:00
  Speaker 1: brick inside the building. The door slams shut. Interior, terminal, night.
• 17:07
  Speaker 1: Decorum be damned. Kevin now drinks from the bottle. So,
• 17:13
  Speaker 1: why aren't you a pilot? He takes another swig. Hello? Um...
• 17:19
  Speaker 1: A deep breath. I, uh.
• 17:23
  Speaker 4: I burned a very important bridge.
• 17:25
  Speaker 1: Oh, let me guess. That bridge was married and.
• 17:29
  Speaker 5: And the bridge's very powerful wife made the FAA pull
• 17:33
  Speaker 5: my license Daria promised to help me get reinstated if
• 17:37
  Speaker 5: I worked.
• 17:38
  Speaker 7: For her for a year We've been working together for
• 17:40
  Speaker 7: three I know She half laughs.
• 17:45
  Speaker 5: But hey, I get to fly on a gorgeous, blood-soaked plane.
• 17:49
  Speaker 1: Motioning to the dog-patch Christmas wonderland around them.
• 17:52
  Speaker 4: To exotic locales.
• 17:55
  Speaker 1: Kevin guzzles more bourbon and burps Oh.
• 18:01
  Speaker 4: And you still have your license.
• 18:03
  Speaker 1: It's a man's world, baby. Bzzz. A text from Daria.
• 18:09
  Speaker 4: She'll be here in 20.
• 18:09
  Speaker 5: Sweet.
• 18:12
  Speaker 1: Drains the bottle.
• 18:13
  Speaker 4: Let's get you some coffee.
• 18:15
  Speaker 1: Interior airport duct system. Night. Alien POV. At the end
• 18:21
  Speaker 1: of a dark tunnel, golden light radiates. Beckoning. It slides
• 18:26
  Speaker 1: toward the wafting rays.
• 18:29
  Speaker 3: Nearer.
• 18:30
  Speaker 1: The percolating energy becomes more vibrant. Stronger. Slithering out of
• 18:35
  Speaker 1: the duct opening. Right above the towering Christmas tree's star. Interior,
• 18:42
  Speaker 1: general store, night. Anita presses start on the coffee machine
• 18:46
  Speaker 1: while Kevin staggers, rattling a rack of Ozark-themed coffee mugs. Oh, snap.
• 18:53
  Speaker 4: Your drunk ass needs food, too.
• 18:55
  Speaker 1: Anita sizes up an assortment of overpriced packaged foods.
• 18:59
  Speaker 4: Huh. Cheez-Its or muffins?
• 19:02
  Speaker 1: She holds them up. What do you think?
• 19:05
  Speaker 4: That's why I'm asking. I don't know.
• 19:07
  Speaker 3: Cheese me!
• 19:10
  Speaker 1: He jogs backward, going long. Anita hurls a small bag
• 19:15
  Speaker 1: of Cheez-Its at him. Kevin leaps into the air, crashing
• 19:18
  Speaker 1: into a table of Branson sweatshirts. He lies motionless.
• 19:23
  Speaker 3: Kevin?
• 19:23
  Speaker 5: Kevin?
• 19:24
  Speaker 1: His arm shoots up with the bag of chips. Against
• 19:27
  Speaker 1: her will, a laugh escapes. What a fucking idiot.
• 19:34
  Speaker 2: Oh, boy.
• 19:37
  Speaker 1: A green-gray limb shoots out of the Christmas tree, knocking
• 19:40
  Speaker 1: the bag out of Kevin's hand. It punches through the wall. Whack!
• 19:45
  Speaker 1: Kevin's hand is still intact. Drunks and fools, he is blinded.
• 19:51
  Speaker 1: The tentacle is stuck. To free itself, the alien pulls
• 19:54
  Speaker 1: the 40-foot tree off its center. It sways, teetering, tottering,
• 20:01
  Speaker 1: before finally crashing into the ground. Pine needles and broken
• 20:05
  Speaker 1: ornaments erupt all over the main room. Giant tree limbs
• 20:09
  Speaker 1: block the entrance to the gift shop. What the?
• 20:12
  Speaker 2: Get up!
• 20:13
  Speaker 1: Kevin rolls, attempting to stand upright. Kevin!
• 20:16
  Speaker 2: God damn it!
• 20:17
  Speaker 1: She scans the room.
• 20:20
  Speaker 2: Where'd it go?
• 20:21
  Speaker 1: Kevin crawls her way.
• 20:22
  Speaker 2: Get up!
• 20:24
  Speaker 1: She runs to Kevin and pulls him to his feet.
• 20:26
  Speaker 1: You saved me. He leans in for a hug. She grimaces.
• 20:30
  Speaker 7: My hat!
• 20:31
  Speaker 1: He swills around, the Santa hat nowhere to be seen.
• 20:35
  Speaker 4: Leave it.
• 20:35
  Speaker 2: We gotta go.
• 20:35
  Speaker 3: Now!
• 20:35
  Speaker 1: Now! Over Kevin's shoulder, the alien rises behind him, now
• 20:41
  Speaker 1: over seven feet tall. The monster's arms flail about, a
• 20:46
  Speaker 1: grotesque version of an inflatable tube manor to used car lot.
• 20:50
  Speaker 1: Anita shoves Kevin behind the self-checkout counter, diving behind him.
• 20:55
  Speaker 1: An alien limb hammers into the back. Kevin and the
• 20:59
  Speaker 1: dog gather, eyes wide. The hideous slurp, slurp, slurping, just
• 21:04
  Speaker 1: on the other side of the counter. Kevin releases a
• 21:08
  Speaker 1: juicy burp into Anita's face. Even in her terror, the
• 21:13
  Speaker 1: repeated bourbon grosses her out.
• 21:15
  Speaker 4: Come on, man.
• 21:17
  Speaker 1: She frantically waves her hand in front of her face,
• 21:20
  Speaker 1: trying to clear the smell. The slurping stops. No noise
• 21:26
  Speaker 1: except the gurgling coffee pot. She peeks out. The creature
• 21:31
  Speaker 1: lurches toward the coffee station, ducking back. Anita points at
• 21:35
  Speaker 1: the evergreen barricaded exit. Kevin's head vibrates in agreement. It
• 21:41
  Speaker 1: turns out that adrenaline works way better than coffee. Christmas tree.
• 21:47
  Speaker 1: They stalk through the cumbersome tree branches. Limbs scratch their
• 21:50
  Speaker 1: faces and grab at their clothes. Strings of lights wrap
• 21:53
  Speaker 1: around their legs and ankles. Trying to navigate the forest,
• 21:57
  Speaker 1: they separate. Anita's head swivels around. Where's Kevin? Everything looks
• 22:03
  Speaker 1: like an alien arm. Something grabs the sleeve of her jacket.
• 22:08
  Speaker 1: False alarm. Just a tree limb. Swallowing her panic, she
• 22:13
  Speaker 1: pads along, carefully moving the branches out of her way.
• 22:17
  Speaker 1: Anita spies Kevin ahead and edges toward him. She reaches out,
• 22:23
  Speaker 1: touches his hand. He swings around. She presses her finger
• 22:28
  Speaker 1: to her lips and points at an exit sign glowing
• 22:30
  Speaker 1: through the conifer nightmare. One of the branches slithers next
• 22:34
  Speaker 1: to his shoulder. At Anita's terrified glance, his mouth drops open.
• 22:41
  Speaker 1: His eyes beg the question, is it the creature? Anita
• 22:45
  Speaker 1: answers with a horrified nod.
• 22:48
  Speaker 3: She breathes. One.
• 22:50
  Speaker 1: He shakes his head.
• 22:52
  Speaker 3: No.
• 22:53
  Speaker 4: Two.
• 22:55
  Speaker 1: He relents. Okay. Three. The two of them crash out
• 23:00
  Speaker 1: of the tree, while tentacles, still tangled, thrash around. Anita
• 23:05
  Speaker 1: and Kevin spill out into the main room, covered in
• 23:08
  Speaker 1: pine sap and broken ornaments.
• 23:11
  Speaker 6: Come on!
• 23:12
  Speaker 1: He yanks her to the service entrance of Interior Employee Hallway, night.
• 23:17
  Speaker 1: The auto lights flood on. They scamper to the... Interior saloon, kitchen, night.
• 23:24
  Speaker 1: Kevin slides a large butcher's knife from a block.
• 23:26
  Speaker 4: You think that's going to help?
• 23:28
  Speaker 1: It's better than nothing.
• 23:30
  Speaker 4: Give me one then.
• 23:31
  Speaker 1: He hands her a tiny paring knife.
• 23:33
  Speaker 3: Really?
• 23:34
  Speaker 1: But she does slide it into her jacket pocket, just
• 23:37
  Speaker 1: in case.
• 23:39
  Speaker 2: It's bigger.
• 23:40
  Speaker 1: My knife? I know, get over it.
• 23:42
  Speaker 2: No, that thing! Why is it bigger?
• 23:45
  Speaker 1: I don't want to know.
• 23:45
  Speaker 5: Come on!
• 23:47
  Speaker 1: He creeps into interior saloon, night. Dark and quiet, the
• 23:53
  Speaker 1: chairs hang upside down on the tables, ready for the
• 23:56
  Speaker 1: cleaning crew. Kevin bumps into a table, and a casket
• 24:00
  Speaker 1: of chairs crashes to the ground. They stand stock still.
• 24:06
  Speaker 3: Sorry.
• 24:08
  Speaker 1: Anita puts her finger to her lips. They continue their
• 24:11
  Speaker 1: trek through the room, rattling the front door. The door's
• 24:16
  Speaker 1: barred shut.
• 24:16
  Speaker 2: It can't get in.
• 24:17
  Speaker 1: Anita hisses at him.
• 24:18
  Speaker 2: My god, you're so fucking loud.
• 24:19
  Speaker 3: Shh, shh, shh.
• 24:22
  Speaker 1: Silence. Then the back service door opens and shuts with
• 24:31
  Speaker 1: a bang. Their eyes lock and they hightail it. Interior
• 24:39
  Speaker 1: saloon behind the bar, night. Crouching on the floor, heads
• 24:44
  Speaker 1: close to each other, afraid to breathe, hearts thumping in
• 24:48
  Speaker 1: their ears, the ears that scan for thee. Slurp. Slurp.
• 24:55
  Speaker 3: Slurp.
• 24:57
  Speaker 1: It's in the room. Face to face with the liquor well.
• 25:02
  Speaker 1: Kevin slides out a bottle of cheap vodka. Leaning his
• 25:05
  Speaker 1: head back, he pours it into his mouth. Anita shakes
• 25:09
  Speaker 1: her head and mouths. What are you doing? He whispers back.
• 25:15
  Speaker 5: Giving up.
• 25:18
  Speaker 1: She puts her hand on the bottle and pulls it away.
• 25:22
  Speaker 1: He yanks it back. Yes, I am! Furious, she jerks
• 25:27
  Speaker 1: it with such force that vodka sloshes out the top
• 25:30
  Speaker 1: and splashes the alien that's hovering over them. The creature
• 25:35
  Speaker 1: recoils with a metallic screech. At the exact instant, the
• 25:38
  Speaker 1: boom of an incoming aircraft shakes the room. The creature
• 25:43
  Speaker 1: throws an arm at a nearby vent, yanking the cover off.
• 25:46
  Speaker 1: It glides inside, and the flick of a grizzly limb
• 25:49
  Speaker 1: vanishes from sight. Kevin and Anita huddle, oblivious.
• 25:56
  Speaker 4: That story is plain. Be quiet. Wait, I don't hear
• 26:00
  Speaker 4: it anymore.
• 26:02
  Speaker 6: Do you hear it?
• 26:03
  Speaker 1: Nothing but the engine outside.
• 26:05
  Speaker 3: Fuck it.
• 26:06
  Speaker 1: I can't stand this. He jumps up.
• 26:08
  Speaker 6: Come on and get me!
• 26:11
  Speaker 1: He looks around.
• 26:13
  Speaker 2: It's gone.
• 26:14
  Speaker 1: Anita gets up too.
• 26:16
  Speaker 4: Let's go.
• 26:17
  Speaker 1: No, ma'am.
• 26:18
  Speaker 7: I am done with this.
• 26:20
  Speaker 2: Done? What are you talking about?
• 26:21
  Speaker 1: There are other jobs, Anita. I'm out of here.
• 26:23
  Speaker 4: But I told her we'd stay put. No, you told
• 26:26
  Speaker 4: her you'd stay put.
• 26:28
  Speaker 2: Don't leave.
• 26:29
  Speaker 4: She'll help us.
• 26:29
  Speaker 1: What's she gonna do? She can't stop that thing either.
• 26:32
  Speaker 4: She'll bring firepower. All her guys are armed.
• 26:35
  Speaker 1: Then let them deal with it. Anita gnaws at her thumbnail.
• 26:39
  Speaker 1: You don't owe her anything. You can just leave, you know.
• 26:43
  Speaker 1: She looks at him. Really looks at him. It pains her. But....
• 26:48
  Speaker 4: Remember the bridge's wife?
• 26:50
  Speaker 1: It hits him. Oh, man. It was Daria? Anita nods.
• 26:56
  Speaker 4: Yeah. She's holding my license hostage. One word from her,
• 27:01
  Speaker 4: and I'll be reinstated.
• 27:03
  Speaker 1: No job's worth this.
• 27:05
  Speaker 4: Flying is the only thing I've ever wanted to do.
• 27:09
  Speaker 4: I made up my mind. I'm staying.
• 27:11
  Speaker 1: Well, I'm not.
• 27:12
  Speaker 2: Am I a chicken shit?
• 27:13
  Speaker 1: You better fucking believe it.
• 27:16
  Speaker 6: But I'll work at Denny's before I die for this bullshit.
• 27:18
  Speaker 1: Kevin walks out from behind her, the butcher's knife in hand. Kevin. Yeah?
• 27:25
  Speaker 4: Are we even then?
• 27:27
  Speaker 5: Even?
• 27:28
  Speaker 1: A flash of hurt crosses his face. Yeah, I guess so.
• 27:33
  Speaker 1: He leaves her alone.
• 27:37
  Speaker 4: You don't need him. Yet to Daria. That's all you
• 27:41
  Speaker 4: have to do.
• 27:43
  Speaker 1: Anita closes her eyes, takes a deep breath in, and
• 27:46
  Speaker 1: blows out a long exhale. Ujjayi style.
• 27:57
  Speaker 4: Everything will be fine. Everything will be fine.
• 28:02
  Speaker 1: She scans the room. Shiny darkness. That's all.
• 28:08
  Speaker 4: Did I get that breathing? Is that okay?
• 28:13
  Speaker 1: Interior ticket area, night. Kevin jogs along the garish carpet,
• 28:19
  Speaker 1: the butcher's knife at the ready. He makes it to
• 28:21
  Speaker 1: the interior back hallway, night. Fluorescent lights buzz overhead. Kevin
• 28:28
  Speaker 1: stalks along, looking over his shoulder every few seconds. He
• 28:32
  Speaker 1: comes to the exit door. Interior saloon, night. Anita edges
• 28:38
  Speaker 1: out of the bar, through the interior, saloon, kitchen, night.
• 28:44
  Speaker 1: Pitch black. She places one foot in. The auto light
• 28:48
  Speaker 1: blasts on. She jumps and swings around, a sad little
• 28:52
  Speaker 1: paring knife in her hand. Exterior, alley behind the airport, night.
• 28:59
  Speaker 1: Kevin sticks his head out. It is very dark out there.
• 29:04
  Speaker 1: He taps his chest. No jacket, No phone. No lighter.
• 29:10
  Speaker 3: Shit.
• 29:12
  Speaker 1: He looks back at the creepy hallway and then forward
• 29:14
  Speaker 1: into the shady-ass alley. Fuck it. He steps out. The
• 29:19
  Speaker 1: door slams behind him. He tries the door.
• 29:24
  Speaker 3: Locked.
• 29:25
  Speaker 1: Giving his eyes a minute to adjust, he notices the
• 29:27
  Speaker 1: bloody paw prints on the alley floor. A la Indiana Jones.
• 29:32
  Speaker 1: You chose poorly. The exit gate comes into view. just
• 29:38
  Speaker 1: past the dumpster. Interior, saloon, hallway, night. Anita peeks her
• 29:45
  Speaker 1: head out of the doorway, into the interior terminal, night.
• 29:50
  Speaker 1: She edges around the fallen Christmas tree branches. The paring
• 29:54
  Speaker 1: knife glints in the twinkling lights. The outside flame shuts
• 29:58
  Speaker 1: off its engine. other than Nat King Cole hearkening the
• 30:01
  Speaker 1: Herald Angels.
• 30:03
  Speaker 3: Quiet.
• 30:05
  Speaker 1: A sudden thud and a duct tubing above her. She
• 30:08
  Speaker 1: looks up, and then to the door. Through the terminal window,
• 30:12
  Speaker 1: Anita sees her. Daria. Anita sprints to the exit. Exterior
• 30:19
  Speaker 1: airport ramp, night. Surrounded by her bodyguards, Daria strides with
• 30:24
  Speaker 1: such nonchalance that it is almost shocking. Still gripping the
• 30:28
  Speaker 1: wee knife, Anita hurdles toward Daria and company. The bodyguards
• 30:33
  Speaker 1: train their weapons.
• 30:34
  Speaker 2: Drop it!
• 30:35
  Speaker 1: Anita halts and raises her hands.
• 30:37
  Speaker 6: I said drop it!
• 30:39
  Speaker 2: Drop what?
• 30:40
  Speaker 6: You're holding a knife, sweetie.
• 30:42
  Speaker 3: Oh!
• 30:43
  Speaker 1: Oh. The knife falls with a pathetic clink.
• 30:49
  Speaker 4: Oh, come here.
• 30:51
  Speaker 1: Daria holds out her arms and Anita races to her.
• 30:54
  Speaker 1: Daria enfolds her in a big hug. Anita sobs and
• 30:58
  Speaker 1: snots into Daria's cashmere hoodie.
• 31:00
  Speaker 2: Shh, shh, shh, shh. Oh, you poor thing. Shh, shh, shh.
• 31:07
  Speaker 2: It was horrible.
• 31:09
  Speaker 6: Oh, honey, where's Kevin? I thought you said Kevin was
• 31:12
  Speaker 6: with you.
• 31:14
  Speaker 4: He took off.
• 31:15
  Speaker 1: Took off?
• 31:17
  Speaker 3: Where?
• 31:17
  Speaker 7: How long ago?
• 31:19
  Speaker 4: Right when you landed. He just said he was done. Okay.
• 31:23
  Speaker 6: Which way did he go, honey?
• 31:25
  Speaker 4: Um, I think he went through the ticket area. I
• 31:28
  Speaker 4: don't know.
• 31:30
  Speaker 1: Over Anita's shoulder, Daria nods at her right-hand man, Gunner, 37.
• 31:35
  Speaker 1: The enormous man strides toward the building. Interior alley, behind
• 31:40
  Speaker 1: the airport, night. Kevin forces himself into the corridor. Gags
• 31:45
  Speaker 1: a little. Oh. That's me. Go ahead. He gags a little. Oh. God,
• 31:56
  Speaker 1: what is that smell? Where the gag is a little.
• 31:58
  Speaker 2: Oh, nice.
• 31:59
  Speaker 1: Was it not highlighted? No, it's not. I highlighted it. No,
• 32:04
  Speaker 1: I was just like... No, because I highlighted... Can I move?
• 32:11
  Speaker 6: Can I move into another position? I'm just messing with you.
• 32:16
  Speaker 1: I'm just messing with you.
• 32:17
  Speaker 3: I'll get it done.
• 32:19
  Speaker 1: Interior, alley, behind the airport, night. Kevin forces himself into
• 32:24
  Speaker 1: the corridors. gags at him oh god what oh what
• 32:32
  Speaker 1: is that smell kevin tiptoes along butchers knife scraping almost
• 32:38
  Speaker 1: in the dumpster he trips over something face planting he
• 32:43
  Speaker 1: finds himself eyeball to eyeball with madge's ravaged face oh
• 32:50
  Speaker 1: her skin resembles petrified wood with most of it pulled
• 32:54
  Speaker 1: inside the holes where her eyes and mouth used to be.
• 32:59
  Speaker 1: And then faints. A few seconds later, the door opens,
• 33:08
  Speaker 1: dousing Kevin's unconscious body with light. Gunner fills the doorway.
• 33:13
  Speaker 1: He leans down and pats Kevin's face. Come on, wake up.
• 33:18
  Speaker 1: Kevin's eyes flutter. Gunner's massive mug comes into focus. Kevin
• 33:23
  Speaker 1: throws his arms around the bodyguard's shoulders.
• 33:25
  Speaker 4: Oh, thank God you're here!
• 33:27
  Speaker 1: Get off me! Gunner yanks Kevin's arms down and slaps
• 33:30
  Speaker 1: him this time.
• 33:31
  Speaker 3: Ow!
• 33:31
  Speaker 2: I need you to come with me.
• 33:33
  Speaker 4: Mr.
• 33:34
  Speaker 2: Golder wants you to make a statement.
• 33:36
  Speaker 3: What did he say? That's a misprint. Hold up.
• 33:41
  Speaker 1: No, no, no.
• 33:42
  Speaker 6: You did it right. It was me.
• 33:44
  Speaker 3: That shouldn't be bodyguard one.
• 33:45
  Speaker 6: That should be gunner.
• 33:46
  Speaker 3: Gotcha. Why?
• 33:47
  Speaker 4: I was like, I guess I'm here.
• 33:49
  Speaker 3: Cool. No, that's me.
• 33:52
  Speaker 1: That's me.
• 33:52
  Speaker 3: Sorry.
• 33:53
  Speaker 1: Can you take some gunner yanks Kevin's arm? Gunner yanks
• 33:57
  Speaker 1: Kevin's arm down and slaps him this time.
• 34:00
  Speaker 5: Ow!
• 34:01
  Speaker 1: I need you to come with me. Mr. Gutter wants
• 34:03
  Speaker 1: you to make a statement. Just get me the fuck
• 34:05
  Speaker 1: out of here. Kevin gets to his feet, snagging the
• 34:09
  Speaker 1: knife lying beside him. He points in Madge's direction. Ever
• 34:12
  Speaker 1: seen anything like that? Gunner barely glances at her destroyed corpse.
• 34:16
  Speaker 1: We'll take care of everything. You're safe now. Kevin holds
• 34:20
  Speaker 1: his hands out like a baby.
• 34:21
  Speaker 2: Hold me.
• 34:23
  Speaker 1: Gunner ignores him and motions toward the partially open door.
• 34:27
  Speaker 1: He had the foresight to wedge it open.
• 34:29
  Speaker 2: After you.
• 34:31
  Speaker 1: Gunner stops him on his way in, acknowledging Kevin's knife.
• 34:34
  Speaker 1: I'll take that from you. You don't need it anymore.
• 34:37
  Speaker 1: I'd feel better if I kept it. We have the
• 34:39
  Speaker 1: weaponry to contain it, and that knife won't help. I
• 34:42
  Speaker 1: don't want you to accidentally hurt yourself. Good point. You
• 34:47
  Speaker 1: get it?
• 34:48
  Speaker 5: Knife, point.
• 34:50
  Speaker 1: Tough crowd. Kevin hands the knife to Stone-faced Gunner, who
• 34:55
  Speaker 1: slides it into his belt loop. He holds the door
• 34:57
  Speaker 1: for Kevin.
• 34:58
  Speaker 4: I hope you guys know what you're doing.
• 35:00
  Speaker 1: They enter.
• 35:01
  Speaker 3: We do.
• 35:03
  Speaker 1: The door shuts behind them with a bang. Exterior, airport, ramp, night.
• 35:09
  Speaker 1: Daria addresses the two remaining bodyguards.
• 35:12
  Speaker 6: Get the pod off of Betty and bring it out here.
• 35:15
  Speaker 1: Without a word, they jog to the death plane.
• 35:18
  Speaker 4: Wait, the pod, why do you want the pod?
• 35:20
  Speaker 2: What are you doing?
• 35:21
  Speaker 6: Taking care of things, just like I said I would.
• 35:23
  Speaker 6: Everything's going to be fine now.
• 35:26
  Speaker 4: No, we need to get on Wilma.
• 35:28
  Speaker 1: She gestures to the Gulfstream G-800.
• 35:31
  Speaker 4: And leave now.
• 35:32
  Speaker 6: As soon as I have the project back in my possession,
• 35:35
  Speaker 6: we'll leave.
• 35:36
  Speaker 1: Anita's face contorts.
• 35:38
  Speaker 2: The project?
• 35:40
  Speaker 4: You call that thing a project?
• 35:42
  Speaker 1: Daria shoots her a warm smile.
• 35:44
  Speaker 3: Dear, I spent close to a billion dollars on that thing.
• 35:49
  Speaker 3: I'm not leaving it here.
• 35:50
  Speaker 2: It's a fucking monster!
• 35:52
  Speaker 6: Aren't we all a little monstrous?
• 35:56
  Speaker 5: I'm not pulling the heads off of people and sucking
• 35:59
  Speaker 5: their bodies dry!
• 36:01
  Speaker 6: Have you ever killed a bug? How many chickens have
• 36:04
  Speaker 6: you eaten?
• 36:05
  Speaker 4: Or cows.
• 36:07
  Speaker 6: It's not the same thing!
• 36:09
  Speaker 2: It is to the cow!
• 36:11
  Speaker 1: Anita's mouth falls open.
• 36:14
  Speaker 3: My love, I know this is disconcerting, but there's a
• 36:18
  Speaker 3: beautiful reason I acquired this magnificent creature.
• 36:22
  Speaker 1: Her eyes sparkle with excitement. It will save the world.
• 36:26
  Speaker 4: Oh my god, you're crazy. No, no, no, no, I'm not.
• 36:31
  Speaker 2: I'm trying to help.
• 36:34
  Speaker 1: Off Anita's confused look.
• 36:35
  Speaker 2: Really?
• 36:37
  Speaker 3: It consumes the energy from living creatures and reconfigures it
• 36:41
  Speaker 3: for its own use.
• 36:43
  Speaker 6: It could be the answer to the energy crisis.
• 36:49
  Speaker 4: Said the woman with two jets. And what you just
• 36:53
  Speaker 4: described is what we do. I don't follow. We eat
• 36:58
  Speaker 4: things and then get energy from them?
• 37:02
  Speaker 6: You're right.
• 37:02
  Speaker 4: There isn't a difference. Except for the whole.
• 37:05
  Speaker 1: She waves her hands around.
• 37:07
  Speaker 4: Arm thing!
• 37:07
  Speaker 2: Okay, I'm sorry.
• 37:11
  Speaker 6: I wasn't making myself clear. There is a big difference.
• 37:16
  Speaker 6: We don't have the ability to grow and heal ourselves
• 37:19
  Speaker 6: in real time. It could mean the end of disease.
• 37:24
  Speaker 6: We could cure our own cancer.
• 37:27
  Speaker 4: Okay, yeah, that's great and all, but just how big
• 37:29
  Speaker 4: is this thing gonna get? And will it try to
• 37:32
  Speaker 4: eat all of us? Also, it doesn't seem like it
• 37:35
  Speaker 4: wants to stay in its little coffin.
• 37:37
  Speaker 6: We think it was offline too long. It won't happen again.
• 37:41
  Speaker 1: Bodyguards one and two shuffle over, carrying the blood-splattered pod.
• 37:46
  Speaker 6: You guys could have at least wiped.
• 37:48
  Speaker 3: It off first.
• 37:50
  Speaker 1: Sorry, boss. I'll get a towel.
• 37:54
  Speaker 6: Don't worry about it. Just bring out the generator.
• 37:58
  Speaker 2: Yes, ma'am.
• 38:00
  Speaker 1: He takes off. Daria claps her hands in glee, then
• 38:05
  Speaker 1: focuses on Captain Riley 43, the pilot of the G-800, a.k.a. Wilma.
• 38:11
  Speaker 1: He's been silent and glancing over his shoulders this whole time.
• 38:15
  Speaker 3: Captain Riley.
• 38:16
  Speaker 1: Mouth agape, he stares at the gory sarcophagus.
• 38:19
  Speaker 6: Captain Riley!
• 38:20
  Speaker 3: Yeah, yeah.
• 38:21
  Speaker 1: Uh, I mean, yes, ma'am.
• 38:24
  Speaker 6: Please prepare Wilma for takeoff. As soon as we load
• 38:26
  Speaker 6: the pod.
• 38:27
  Speaker 7: You can leave.
• 38:28
  Speaker 3: The pod?
• 38:30
  Speaker 1: Daria's eyes narrow, boring into his dumbfounded face. Right. Sorry.
• 38:35
  Speaker 1: Copy that. Captain Riley retreats to Wilma.
• 38:39
  Speaker 4: How do you go from this meat-soaked container.
• 38:43
  Speaker 1: She gestures at it.
• 38:45
  Speaker 4: To harnessing this great power?
• 38:48
  Speaker 3: We have scientists standing by.
• 38:51
  Speaker 1: Ready to work on it.
• 38:56
  Speaker 4: So you don't know?
• 38:57
  Speaker 6: Well, not yet, but I hold the intention that we will.
• 39:02
  Speaker 4: This is absolute insanity.
• 39:04
  Speaker 3: No, no, this is doing something. Everyone just stands around,
• 39:08
  Speaker 3: wringing their hands. I'm actually doing something. Uh-huh.
• 39:13
  Speaker 1: Bodyguard 2 returns with a solar-powered generator and connects it
• 39:16
  Speaker 1: to the pod. It haunts to life.
• 39:19
  Speaker 2: Now what?
• 39:19
  Speaker 6: I think you'll like my plan.
• 39:22
  Speaker 2: It's a win-win.
• 39:24
  Speaker 1: In the distance, Gunner pushes Kevin out of the terminal
• 39:26
  Speaker 1: and toward them. Kevin weighs with them.
• 39:30
  Speaker 6: Oh, he's such an idiot.
• 39:32
  Speaker 1: Anita flinches, but doesn't disagree with her. Gunner and Kevin arrive.
• 39:37
  Speaker 1: Miss me? Anita shoots him a weak smile. Gunner shifts
• 39:41
  Speaker 1: in his Italian loafers.
• 39:43
  Speaker 3: Hey, Anita.
• 39:44
  Speaker 1: You're looking good. Tension in the air.
• 39:47
  Speaker 4: Oh, thanks, Gunner. You've... You look good too.
• 39:52
  Speaker 1: Kevin looks between them, then wrinkles his disgusted nose.
• 39:56
  Speaker 3: Ew.
• 39:57
  Speaker 7: Him too?
• 39:58
  Speaker 6: Just stop.
• 40:00
  Speaker 1: Anita ignores this comment, but notices Kevin's butcher's knife in
• 40:03
  Speaker 1: Gunner's belt loop.
• 40:05
  Speaker 4: I thought you left.
• 40:06
  Speaker 7: I tried to, but I got stuck in the alley
• 40:08
  Speaker 7: and your boy here saved me.
• 40:10
  Speaker 1: I think I know why it's got bigger.
• 40:13
  Speaker 6: Remember the cleaning lady? Kevin, I need your participation.
• 40:19
  Speaker 1: Participation?
• 40:21
  Speaker 5: Yes.
• 40:23
  Speaker 3: Gunner, may I see your weapon?
• 40:25
  Speaker 1: Gunner hands it to her.
• 40:27
  Speaker 4: You may want to cover your ears.
• 40:30
  Speaker 1: They all follow her advice and... Bang! Daria shoots Kevin
• 40:35
  Speaker 1: in the stomach. He crumbles over in a heap. No!
• 40:39
  Speaker 4: What did you do?
• 40:42
  Speaker 1: Daria gives the pistol back to Gunner.
• 40:45
  Speaker 2: Get him in the pod, please. What are you doing? Kevin!
• 40:50
  Speaker 1: Bodyguard one and bodyguard two drag poor Kevin to the pod.
• 40:54
  Speaker 1: Bodyguard one opens the hatch. Now we see why it
• 40:57
  Speaker 1: is six feet long and three feet wide. It's the
• 41:00
  Speaker 1: perfect size for an adult male.
• 41:02
  Speaker 6: Stop!
• 41:03
  Speaker 1: They toss Kevin inside. He groans, but doesn't move.
• 41:08
  Speaker 2: What is happening right now?
• 41:11
  Speaker 6: I told you, win-win. He's bait.
• 41:13
  Speaker 3: Now come on, we don't have much time. No.
• 41:16
  Speaker 4: I'm not leaving him.
• 41:17
  Speaker 1: Gunner presses his pistol to Anita's head. Yes, you are.
• 41:21
  Speaker 4: I don't know why you're so upset.
• 41:22
  Speaker 6: You've told me a million times what a pain in
• 41:25
  Speaker 6: the ass he is.
• 41:26
  Speaker 4: I don't want you to kill him.
• 41:28
  Speaker 6: You don't have to endure any more of his chauvinistic comments.
• 41:32
  Speaker 6: No more mansplaining. Plus, we needed the bait.
• 41:35
  Speaker 1: Move, Anita. He shoves the gun into her ribs, pushing
• 41:39
  Speaker 1: her to follow Daria. Anita wheels around, her eyes full
• 41:43
  Speaker 1: of lust. She presses her body against his.
• 41:46
  Speaker 4: I've thought about our night a lot. You want to
• 41:48
  Speaker 4: get together later for a... redo?
• 41:53
  Speaker 1: Frozen by her attention, Gunner nods and swallows.
• 41:57
  Speaker 3: Hard.
• 41:58
  Speaker 1: Anita leans in, kissing his neck, and swipes the butcher's
• 42:02
  Speaker 1: knife from his belt. Daria watches Anita race toward the pod.
• 42:08
  Speaker 1: She shakes her head.
• 42:10
  Speaker 6: I swear, every single one of your brain cells is
• 42:12
  Speaker 6: in the head of your dick.
• 42:14
  Speaker 1: Gunner darts after Anita.
• 42:16
  Speaker 6: And don't shoot her! I need her to fly Betty!
• 42:19
  Speaker 1: End of part two.