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Transcript

Road Trips with Kathleen Turner · Movie Meltdown

• 0:00
  Speaker 1: Shit the bed.
• 0:01
  Speaker 2: Howdy, folks.
• 0:02
  Speaker 1: Come on in.
• 0:15
  Speaker 3: From the wicks of them fancy britches and sassy little hairdos,
• 0:19
  Speaker 3: y'all ain't from around here, are ya? This is Sid Hagan,
• 0:23
  Speaker 3: you're fucking around with Movie Meltdown.
• 0:25
  Speaker 4: Why don't you just take your mama home some chicken,
• 0:28
  Speaker 4: and then I won't have to stuff my boot all
• 0:30
  Speaker 4: up in your ass.
• 0:31
  Speaker 1: This episode is rated M for Misty.
• 0:42
  Speaker 3: Yes, that's right, this is a Misty episode, so it
• 0:44
  Speaker 3: will be laced with profanity even more than usual. If
• 0:47
  Speaker 3: you're not comfortable with this level of profanity, perhaps this
• 0:50
  Speaker 3: isn't the episode for you. But we have many other
• 0:52
  Speaker 3: episodes to choose from that do not feature Misty, and
• 0:55
  Speaker 3: will probably be far less offensive. Okay, maybe. With that
• 0:59
  Speaker 3: having been said, on with the show.
• 1:11
  Speaker 5: It's showtime, folks.
• 1:14
  Speaker 3: Enjoy the show.
• 1:17
  Speaker 5: Our nuclear reactor pumping out one.
• 1:20
  Speaker 6: Million kilowatts of power.
• 1:47
  Speaker 7: Five more cooling in the containment chamber.
• 1:48
  Speaker 8: To your stations.
• 1:49
  Speaker 3: We have a movie meltdown.
• 1:51
  Speaker 2: I'm not bad. I'm just drawn that way.
• 2:04
  Speaker 3: What's up?
• 2:05
  Speaker 7: Welcome to Movie Meltdown. I'm Brian.
• 2:06
  Speaker 2: I'm Misty.
• 2:08
  Speaker 9: And I'm Jay.
• 2:09
  Speaker 7: And we're coming to you live via digital recording with
• 2:11
  Speaker 7: our wrap-up of this year's Days of the Dead in Indianapolis.
• 2:15
  Speaker 2: Hells yeah, we are.
• 2:16
  Speaker 7: So we are recapping all the fun that was Indianapolis
• 2:21
  Speaker 7: and the creepiness of Days.
• 2:22
  Speaker 3: Of the Dead.
• 2:23
  Speaker 2: Did we go last year? Did I go last year?
• 2:26
  Speaker 7: I don't know what you did. I'm pretty sure I
• 2:27
  Speaker 7: was there last year.
• 2:28
  Speaker 2: I can't remember if this was the first year at
• 2:30
  Speaker 2: the new venue or.
• 2:31
  Speaker 7: I think so. I don't remember any of the Days
• 2:35
  Speaker 7: of the Dead being there.
• 2:38
  Speaker 2: It wasn't a bad place. It was just like.
• 2:40
  Speaker 7: It's just different. It's readjusting ourselves. We go to so
• 2:44
  Speaker 7: many of these and we get used to our specifics
• 2:47
  Speaker 7: of how they run and once in a while they
• 2:50
  Speaker 7: mix it up. We move the dog's dish and we
• 2:52
  Speaker 7: get all confused and stuff.
• 2:54
  Speaker 3: Parking was okay.
• 2:56
  Speaker 7: Yeah, surprisingly. It's just a big old ordeal. But, would
• 3:03
  Speaker 7: you like to discuss your activities? You saw Edward Furlong
• 3:09
  Speaker 7: 10 seconds in. You were like, and there's Edward Furlong.
• 3:13
  Speaker 2: A greasy little.
• 3:15
  Speaker 2: Creasy little dooder that he is just wandering around.
• 3:18
  Speaker 7: Just hanging out.
• 3:19
  Speaker 9: Still looks kind of like a high school kid.
• 3:22
  Speaker 7: Yeah. He might be shrinking as time goes on.
• 3:25
  Speaker 2: Him and Sid Haig both shrinking.
• 3:28
  Speaker 9: Yeah.
• 3:29
  Speaker 2: When deleting stature.
• 3:31
  Speaker 7: Sid's getting up there. So he's still fighting it though, man.
• 3:34
  Speaker 7: He is out in the world. He's cruising around by himself.
• 3:37
  Speaker 7: Just like. Getting back to his table. He had a keeper,
• 3:40
  Speaker 7: didn't he?
• 3:41
  Speaker 2: That was a person yelling at people.
• 3:42
  Speaker 7: I don't know if he did. Eventually, I think that
• 3:43
  Speaker 7: guy just came up and was like, why don't these
• 3:45
  Speaker 7: idiots get out of his way? Don't they know this
• 3:46
  Speaker 7: is a dig? Clear a path. Everybody, move. That's essentially
• 3:52
  Speaker 7: what he did.
• 3:52
  Speaker 11: Move, bitch.
• 3:53
  Speaker 7: Get out the way. She looks lovely. We didn't really
• 4:01
  Speaker 7: want to get involved in her whole life. She has
• 4:03
  Speaker 7: a lot of guns on these days. Tragedy has ensued.
• 4:07
  Speaker 2: According to her, was it Twitter? her twitter account i
• 4:09
  Speaker 2: think so she does have a twitter page apartment complex
• 4:12
  Speaker 2: or her apartment i don't know if it's specifically her apartment.
• 4:15
  Speaker 7: Her whole world caught.
• 4:17
  Speaker 2: On fire so she's been like i think she's been
• 4:19
  Speaker 2: doing like some uh gofundme account and i think she's
• 4:22
  Speaker 2: been doing unless she's done more conventions to try to
• 4:25
  Speaker 2: like rebuild her life and whatnot but.
• 4:28
  Speaker 7: Yeah it's kind of sad that's why i was like.
• 4:30
  Speaker 2: I don't i don't know yeah i was like i
• 4:32
  Speaker 2: don't know that we.
• 4:33
  Speaker 7: Want to talk right now it's just gonna be sad
• 4:35
  Speaker 7: and i'll feel sad for you and I am $ 4,
• 4:37
  Speaker 7: so I can't give you any money, so now I'll
• 4:40
  Speaker 7: feel bad. So, like, let's just wait. Maybe down the line.
• 4:43
  Speaker 7: Maybe some other time when you feel better. So, give
• 4:46
  Speaker 7: to Cheryl and Ben, I suppose. She's rebuilding her life.
• 4:50
  Speaker 2: I mean, seriously. Hasn't she offered enough to us, you know?
• 4:55
  Speaker 7: Just for being gorgeous. Super gorgeous. In that time capsule
• 5:00
  Speaker 7: that is Twin Peaks era. That's really all you need
• 5:03
  Speaker 7: is just Audrey in her outfit.
• 5:05
  Speaker 3: Being gorgeous.
• 5:06
  Speaker 2: She's just dreaming.
• 5:07
  Speaker 7: Being kind of a jerk and yet somehow still like
• 5:09
  Speaker 7: super awesome.
• 5:10
  Speaker 8: Yeah.
• 5:12
  Speaker 2: We saw Alicia Witt who I was trying to I
• 5:14
  Speaker 2: couldn't I told boyfriend I'm like oh Alicia Witt's gonna
• 5:16
  Speaker 2: be there and he's like who's she? What has she done?
• 5:19
  Speaker 7: No offense, Alicia, he can't remember most things, so it's okay.
• 5:22
  Speaker 9: We're punching ahead a lot.
• 5:24
  Speaker 2: Yeah, well, me, I'm like, what the fuck has she done?
• 5:26
  Speaker 7: Well, it is one of those, it's a weird pull,
• 5:28
  Speaker 7: because I feel like even people that know her probably
• 5:30
  Speaker 7: know her from such drastically different things that, like, you're
• 5:33
  Speaker 7: not going to have one universal, like, oh yeah she
• 5:36
  Speaker 7: was you know not everybody's gonna have that.
• 5:38
  Speaker 2: Four rooms with the duct tape on her boobies and
• 5:42
  Speaker 2: she was the little kid from dune.
• 5:44
  Speaker 7: Of course again i feel like that's a real specific
• 5:47
  Speaker 7: pool that a handful of geeks out there would be
• 5:51
  Speaker 7: like yeah obviously but most people on the street aren't
• 5:55
  Speaker 7: gonna get that like little girl from dune a million
• 5:58
  Speaker 7: years ago that now they're remade once and they're remaking
• 6:01
  Speaker 7: again and So I think we're losing that little girl
• 6:03
  Speaker 7: from Dune reference as time goes on. But for some people,
• 6:08
  Speaker 7: she's still the little girl from Dune. We also ran
• 6:12
  Speaker 7: into your bestest friend.
• 6:13
  Speaker 2: Which one?
• 6:14
  Speaker 7: Alyssa Rose.
• 6:16
  Speaker 2: I saw her from a distance. I didn't approach her.
• 6:18
  Speaker 7: You walked right past her table. You didn't tackle her
• 6:20
  Speaker 7: or anything. You were like, let's catch.
• 6:22
  Speaker 2: Up from last time we saw each other. I saw
• 6:23
  Speaker 2: her cleavage.
• 6:24
  Speaker 10: That's all you need.
• 6:25
  Speaker 7: And the face.
• 6:26
  Speaker 2: She lives with that face.
• 6:28
  Speaker 7: That face?
• 6:28
  Speaker 2: Yep, that's her face.
• 6:29
  Speaker 7: I just showed it to her right now.
• 6:32
  Speaker 2: It doesn't need to be shown.
• 6:34
  Speaker 7: It's just the face.
• 6:35
  Speaker 2: Either you know the face or you don't know the face.
• 6:37
  Speaker 7: You know the face and you live in horror or
• 6:40
  Speaker 7: you're skipping through life not really aware of the evil
• 6:44
  Speaker 7: that is the face.
• 6:46
  Speaker 11: Judy.
• 6:48
  Speaker 9: You make my kid watch out.
• 6:50
  Speaker 7: Isn't she traumatized enough for God's sakes?
• 6:54
  Speaker 2: Such a good movie.
• 6:55
  Speaker 7: We saw Nick Stahl. He was cool.
• 7:00
  Speaker 2: He was there.
• 7:01
  Speaker 7: I kind of want to. He seems like he's a
• 7:02
  Speaker 7: cool dude.
• 7:03
  Speaker 2: I was kind of bummed that he didn't have any carnivals.
• 7:05
  Speaker 7: Yeah. See, again, like, not everybody. That's another one of
• 7:08
  Speaker 7: those you're losing. Like, the handful of people that thought
• 7:10
  Speaker 7: that was awesome, which didn't seem to be HBO. Or
• 7:14
  Speaker 7: was that Showtime? I can't remember.
• 7:16
  Speaker 2: Either way.
• 7:16
  Speaker 7: Either way, whatever network that was that bailed on him.
• 7:19
  Speaker 2: Fuckers. Could have at least finished the arc.
• 7:22
  Speaker 7: Finish out a season and wrap this thing up. But, yeah. So, that.
• 7:27
  Speaker 7: It kind of sucked.
• 7:28
  Speaker 2: Even my dentist was talking to me. I had to
• 7:31
  Speaker 2: go see my dentist again.
• 7:32
  Speaker 7: Your dentist has become like a regular character on this show.
• 7:35
  Speaker 2: Because I broke a tooth. I didn't break it on purpose.
• 7:38
  Speaker 2: Intentionally I had to go see my dentist.
• 7:39
  Speaker 7: That's her story, but I don't know if anybody out
• 7:41
  Speaker 7: there is buying it if you know her relationship with
• 7:43
  Speaker 7: this dentist.
• 7:43
  Speaker 2: I have no relationship with my dentist other than he
• 7:45
  Speaker 2: fixes my teeth and is handsome. That's the extent of it.
• 7:48
  Speaker 2: That is the full extent of our professional relationship. That
• 7:52
  Speaker 2: was our discussion while I was waiting to be numbed.
• 7:58
  Speaker 7: How often do you use that in a sentence.
• 8:01
  Speaker 2: We were talking about carnival because apparently my shirt reminded
• 8:03
  Speaker 2: him of those we're on a ouija board shirt and
• 8:05
  Speaker 2: i'm like it's a kind of belief but whatever dude.
• 8:07
  Speaker 7: I guess the font i don't know i saw that
• 8:10
  Speaker 7: on the side of a cart rolling by one time
• 8:13
  Speaker 7: on the way to a.
• 8:15
  Speaker 2: Freak show have you seen this show carnival like it
• 8:17
  Speaker 2: was like the like the latest greatest newest i'm like yeah.
• 8:20
  Speaker 7: He's a little behind the times he's like he's.
• 8:23
  Speaker 2: Like, I don't know that you're thinking of the same
• 8:24
  Speaker 2: one I'm thinking of.
• 8:25
  Speaker 7: I'm like, he just got out of the joint, man.
• 8:26
  Speaker 7: Cut him some slack. He's behind the times.
• 8:28
  Speaker 2: I'm like, it's got Clancy Brown. He's like, I don't
• 8:31
  Speaker 2: know who that is.
• 8:31
  Speaker 10: Damn it.
• 8:34
  Speaker 2: And I'm like, it's Clancy Brown. He's like, well, he
• 8:35
  Speaker 2: was also in Shawshank Redemption. I'm like, I haven't seen that.
• 8:38
  Speaker 2: He's like, how have you not seen Shawshank Redemption?
• 8:40
  Speaker 7: You two are not connecting. I don't know about this.
• 8:42
  Speaker 2: I'm like, Clancy Brown. He's like, well, he's really good
• 8:44
  Speaker 2: in Shawshank Redemption. I'm like, He's also the voice of
• 8:47
  Speaker 2: SpongeBob SquarePants' Mr.
• 8:49
  Speaker 11: Krabs.
• 8:50
  Speaker 7: That's what I was like. I'm like, how does anyone
• 8:52
  Speaker 7: in the world not know Mr. Krabs at this point
• 8:53
  Speaker 7: in life? SpongeBob has been around a long time. It's
• 8:57
  Speaker 7: taken over most people's lives growing up. You have to
• 9:00
  Speaker 7: know Mr.
• 9:00
  Speaker 2: Krabs.
• 9:00
  Speaker 7: Get this together.
• 9:01
  Speaker 2: But anyways, had Nick Stahl had anything from Carnival there?
• 9:04
  Speaker 2: Is it Carnival or Carnival?
• 9:07
  Speaker 7: I think that's one of those people just, you go here.
• 9:11
  Speaker 7: I think it was Carnival, but... I've always heard Carnival.
• 9:15
  Speaker 7: professionally i thought they like pushed it as carnival but
• 9:18
  Speaker 7: i'm assuming you can skate by on whichever pronunciation you want.
• 9:22
  Speaker 2: Really but uh yeah if he had had anything there
• 9:24
  Speaker 2: from carnival i would have i would have considered the
• 9:26
  Speaker 2: purchase because i didn't buy anything i bought i made
• 9:29
  Speaker 2: a purchase and a half we're trying.
• 9:32
  Speaker 9: To control ourselves no it was it was it was
• 9:34
  Speaker 9: a full.
• 9:35
  Speaker 2: Purchase but no because i only bought half of the
• 9:37
  Speaker 2: other part because it was like two bags for five
• 9:39
  Speaker 2: dollars and i only bought one of the bags so
• 9:42
  Speaker 2: One bag for $ 2, which is a scam, but apparently.
• 9:44
  Speaker 7: You're just cheating.
• 9:45
  Speaker 2: I know. But who else did we see there? You
• 9:48
  Speaker 2: said you saw Shatner, but I didn't see Shatner.
• 9:50
  Speaker 7: Oh, yeah, when I was going to secure our location
• 9:53
  Speaker 7: for our guest this week. And when I was rounding
• 9:56
  Speaker 7: the corner to come back to where you were, yeah,
• 9:58
  Speaker 7: here comes Shatner just coming. along, telling a story like
• 10:02
  Speaker 7: he does, because he's always talking and telling stories. So
• 10:05
  Speaker 7: whoever his handler dude was that was leading him to,
• 10:08
  Speaker 7: I don't know, give a talk or go to the bathroom,
• 10:11
  Speaker 7: whatever the hell he was doing, he was just like
• 10:13
  Speaker 7: midway into the story and just going at it. So
• 10:15
  Speaker 7: I'm just like, all right, Shatner, you be you. Keep
• 10:18
  Speaker 7: on trucking. And he did, right on past.
• 10:20
  Speaker 2: Who else did we see? It was quite an impressive
• 10:24
  Speaker 2: array of people at this convention.
• 10:25
  Speaker 7: Yeah. Michael Biehn was there.
• 10:27
  Speaker 2: Kathleen Turner was there.
• 10:29
  Speaker 7: No, we're getting there.
• 10:32
  Speaker 2: Sergeant Slaughter was there.
• 10:34
  Speaker 9: He still looks the same after all these years.
• 10:36
  Speaker 7: He's always been old.
• 10:37
  Speaker 9: No, I mean, he's not been old. I mean, he's older,
• 10:40
  Speaker 9: but he doesn't look like he's gotten old.
• 10:44
  Speaker 2: Like I said, I think he started off old.
• 10:45
  Speaker 7: Yeah, I think that's it, because somehow he was like...
• 10:47
  Speaker 7: 40 when we were kids.
• 10:51
  Speaker 3: He still looks 40.
• 10:52
  Speaker 7: That's what I'm saying. He might have aged a few years.
• 10:55
  Speaker 7: He might be in his 50s now, which is a
• 10:56
  Speaker 7: good trick considering the decades have gone by in the meantime.
• 11:00
  Speaker 7: That's a pretty good trick.
• 11:02
  Speaker 9: Mustache still looks the same.
• 11:03
  Speaker 7: His chin still looks the same.
• 11:05
  Speaker 9: That little slit of a mouth that he's got still
• 11:07
  Speaker 9: looks the same.
• 11:08
  Speaker 7: My question is, do you have a Sergeant Slaughter conspiracy theory?
• 11:13
  Speaker 7: Have they secretly replaced Sergeant Slaughter?
• 11:17
  Speaker 2: I do not have a conspiracy on this one. Of
• 11:19
  Speaker 2: all my conspiracies, this is not one of them because
• 11:21
  Speaker 2: it's not one of the things I've ever put any
• 11:22
  Speaker 2: thought into.
• 11:24
  Speaker 7: As we were road tripping today, we covered a few
• 11:26
  Speaker 7: conspiracy theories of people that may have been dead and replaced.
• 11:30
  Speaker 3: So, you know.
• 11:31
  Speaker 2: That's my Scott Weiland theory. I'm pretty sure.
• 11:34
  Speaker 7: Sometimes you gotta avril the people and replace them and
• 11:37
  Speaker 7: keep their career going, you know.
• 11:39
  Speaker 3: Well, here's the thing.
• 11:40
  Speaker 9: He looks better than Iron Sheik. Well. How many years
• 11:43
  Speaker 9: ago did we see Iron Sheik? Iron Sheik was falling apart.
• 11:47
  Speaker 7: And that's sad, because Iron Sheik's... It's been a long
• 11:49
  Speaker 7: time ago.
• 11:50
  Speaker 9: It's sad the amount of... Well, because I really don't
• 11:52
  Speaker 9: give a shit about wrestling. I never did growing up.
• 11:55
  Speaker 9: Whenever the wrestling came on TV, I went outside and played.
• 11:58
  Speaker 9: Because cartoons were over with. But I knew who the
• 12:00
  Speaker 9: Iron Sheik was. But to go back and read his background,
• 12:03
  Speaker 9: it's actually kind of sad, you know?
• 12:05
  Speaker 2: Do you know the background, or are you just going
• 12:08
  Speaker 2: to leave us hanging on that? You've got to look
• 12:10
  Speaker 2: it up yourself.
• 12:11
  Speaker 10: No, he was.
• 12:11
  Speaker 7: This is some homework, kids.
• 12:13
  Speaker 3: See, I.
• 12:15
  Speaker 9: I don't remember if he was Iraqi or Iranian, but
• 12:18
  Speaker 9: he was an Olympic wrestler. And then he realized, oh,
• 12:22
  Speaker 9: he came to the United States. Came to the United States. And,
• 12:26
  Speaker 9: of course, what he gets pin and hold is the
• 12:29
  Speaker 9: bad Middle Eastern guy.
• 12:31
  Speaker 7: You're definitely going to be a villain, especially in the 80s.
• 12:33
  Speaker 7: You're definitely going to be a villain.
• 12:34
  Speaker 9: Yeah, he was the villain, but he was actually a
• 12:36
  Speaker 9: pretty nice guy.
• 12:38
  Speaker 2: Kind of turned him into a dick, though, because he
• 12:39
  Speaker 2: was like.
• 12:41
  Speaker 9: That wasn't him. That was his handlers. The last time
• 12:44
  Speaker 9: that was like, delete the photo. Delete it now! That
• 12:47
  Speaker 9: wasn't him.
• 12:48
  Speaker 7: A convention many, many years ago that we went to.
• 12:51
  Speaker 7: He was sitting at his table and some random dude
• 12:54
  Speaker 7: was taking pictures of him at his table without his permission.
• 12:57
  Speaker 7: And his handler got a little aggressive about it.
• 13:03
  Speaker 2: I think there was somebody else that I was excited
• 13:04
  Speaker 2: to see. I'd be like, oh my god, look at
• 13:05
  Speaker 2: that person, look at that person.
• 13:06
  Speaker 10: And I can't remember who it was.
• 13:08
  Speaker 9: Godzilla.
• 13:09
  Speaker 7: Godzilla. New Godzilla. Not original Godzilla.
• 13:12
  Speaker 2: On fire Godzilla.
• 13:13
  Speaker 7: Rest in peace original Godzilla.
• 13:14
  Speaker 9: Not brand new Godzilla.
• 13:15
  Speaker 3: Well, new word.
• 13:16
  Speaker 7: On fire Godzilla.
• 13:17
  Speaker 2: That's what they had him listed as.
• 13:18
  Speaker 9: Yeah, he was the fire Godzilla.
• 13:19
  Speaker 7: Burning Godzilla.
• 13:21
  Speaker 10: Burning Godzilla.
• 13:21
  Speaker 2: I was close.
• 13:23
  Speaker 7: We saw Michael Biehn. His wife. I've seen him many
• 13:26
  Speaker 7: times over the years.
• 13:27
  Speaker 2: The Biehn's behind, I don't know.
• 13:28
  Speaker 7: Michael Biehn, I believe.
• 13:29
  Speaker 13: Biehn?
• 13:30
  Speaker 2: Like, like, like kidney beans? Lima beans?
• 13:34
  Speaker 7: You can ask him next time you see him.
• 13:37
  Speaker 2: Garbanzo beans?
• 13:39
  Speaker 7: Newt was there. For a while, Newt wasn't doing stuff anymore,
• 13:43
  Speaker 7: so I think she's... Or hadn't for years, and then
• 13:45
  Speaker 7: started doing them, I think, a few years ago, but
• 13:48
  Speaker 7: did not. She's another one of those that kind of...
• 13:52
  Speaker 7: Really great performance as a kid, and then went, you know,
• 13:54
  Speaker 7: this is just not really for me. I believe she's
• 13:57
  Speaker 7: a teacher now.
• 13:58
  Speaker 10: Yeah.
• 13:59
  Speaker 7: Just kind of got out of the business other than
• 14:01
  Speaker 7: the occasional convention.
• 14:02
  Speaker 2: A lot of kid actors probably shouldn't have made that call.
• 14:06
  Speaker 7: A lot of them just.
• 14:07
  Speaker 2: Edward Furlong?
• 14:08
  Speaker 7: It's a.
• 14:11
  Speaker 7: I'm leaving Edward out of this. But yeah, it's a
• 14:13
  Speaker 7: rough life, rough career to get into. So, you know,
• 14:17
  Speaker 7: sometimes you want to make that call and be like,
• 14:19
  Speaker 7: I don't think I want to get involved. This is
• 14:21
  Speaker 7: a whole lot to deal with. And I just want
• 14:23
  Speaker 7: to go to grade school, man. Go eat my sandwich
• 14:27
  Speaker 7: at lunch.
• 14:28
  Speaker 2: Have my nap time.
• 14:29
  Speaker 10: Yeah.
• 14:31
  Speaker 7: Come home and watch cartoons.
• 14:32
  Speaker 3: I don't want to have to go to work. Shit,
• 14:33
  Speaker 3: I'm a kid.
• 14:35
  Speaker 14: Oh, yeah.
• 14:35
  Speaker 7: Do you want to tell them about your purchase?
• 14:37
  Speaker 2: I did buy a purchase today. I can't remember the
• 14:39
  Speaker 2: guy's name. What's his name, boyfriend?
• 14:42
  Speaker 3: I don't know.
• 14:43
  Speaker 7: Just because it's, like, again, a special level of, like,
• 14:46
  Speaker 7: dorky horror person. Like, you have to be, like, several
• 14:49
  Speaker 7: levels of dorky horror person to, like, fully embrace how
• 14:53
  Speaker 7: awesome this is.
• 14:55
  Speaker 2: I saw it. I'm like, because most of the movies,
• 14:56
  Speaker 2: I'm like, I've seen this shit. I've seen that. I've
• 14:59
  Speaker 2: been to enough conventions. I mean, I've seen a lot
• 15:00
  Speaker 2: of the stuff.
• 15:01
  Speaker 9: Well, the name of it is One Man Riot, but
• 15:06
  Speaker 9: I think his name's Marty because it says Marty Riot McEwen.
• 15:11
  Speaker 2: But it's Riot, R-I-E-T, if you go to look for
• 15:13
  Speaker 2: him in any kind of online location.
• 15:18
  Speaker 10: Yeah.
• 15:19
  Speaker 2: One Man Riot, R-I-E-T.
• 15:21
  Speaker 9: He's on the Instagram.
• 15:23
  Speaker 7: I try to explain to people after you've seen so
• 15:26
  Speaker 7: many different conventions, especially when you get into sub-genres of
• 15:30
  Speaker 7: here's horror and you have tons of... After a while,
• 15:32
  Speaker 7: I've seen so many tables and so many things. And
• 15:36
  Speaker 7: there's so many movies that I do want, but I
• 15:38
  Speaker 7: don't have money for. So I just try not to
• 15:40
  Speaker 7: look at them anymore because it's frustrating. So I just
• 15:42
  Speaker 7: try to not overly immerse myself into, ooh, look at that.
• 15:46
  Speaker 2: Ooh, look at that.
• 15:46
  Speaker 7: Because it's too much. You don't have any room for stuff.
• 15:49
  Speaker 7: I don't have any room for it. And I don't
• 15:51
  Speaker 7: have any money for it. It has not stopped me yet.
• 15:53
  Speaker 7: At this point, yeah, Misty still looks for her stuff.
• 15:56
  Speaker 7: But it's occasionally you're walking by and you're like, whoa, whoa, whoa.
• 16:00
  Speaker 7: I haven't seen that before. What is that?
• 16:01
  Speaker 2: And I saw it. And it was like a beacon.
• 16:04
  Speaker 2: And I was drawn. I'm following it to you. Because
• 16:06
  Speaker 2: this guy had the most glorious collection. It was like
• 16:10
  Speaker 2: black light, like the black light posters.
• 16:13
  Speaker 7: Velvet.
• 16:14
  Speaker 2: But there's not really velvet. It's like flock. Black light posters,
• 16:18
  Speaker 2: but they're all horror movies. Like horror movie posters. Like
• 16:21
  Speaker 2: they had like Beetlejuice and he had.
• 16:24
  Speaker 7: But they were like original art versions of it. Because
• 16:27
  Speaker 7: it wasn't just like the original poster. Like he had
• 16:30
  Speaker 7: done his own artwork in that.
• 16:32
  Speaker 9: It's really good.
• 16:33
  Speaker 7: Yeah.
• 16:33
  Speaker 9: And he had what? Return of the Living Dead. He
• 16:36
  Speaker 9: had like Nightmare on Elm Street, Friday the 13th.
• 16:40
  Speaker 2: Did he have an Evil Dead?
• 16:41
  Speaker 9: He had an Evil Dead.
• 16:44
  Speaker 2: Just a whole variety. Did you already say the.
• 16:48
  Speaker 7: Friday the 13th?
• 16:49
  Speaker 3: Yes, I did.
• 16:50
  Speaker 9: But the one that drew you in.
• 16:51
  Speaker 2: He had like a smaller size, like almost 8 by 10,
• 16:55
  Speaker 2: maybe a little bit smaller.
• 16:56
  Speaker 9: More like 10 by 10.
• 16:58
  Speaker 2: That's not square.
• 16:59
  Speaker 10: No.
• 17:01
  Speaker 2: But anyways, it's a smaller size version and it's The
• 17:05
  Speaker 2: Lost Boys. But, like, it's all the bad vampires. Like, it's, like, David.
• 17:10
  Speaker 2: I can't for the life of me remember the other.
• 17:12
  Speaker 7: Other guy and other guy and other guy.
• 17:14
  Speaker 2: Alex Winter's character. And that one Brooke guy. And the
• 17:19
  Speaker 2: guy who passed away already. But it's all, it's, like, it's, like,
• 17:22
  Speaker 2: the cutesy style. It's, like, ridiculously cute. We have seen
• 17:27
  Speaker 2: him at conventions before. Because he does, like, the Halloween, like,
• 17:29
  Speaker 2: the Valentine.
• 17:30
  Speaker 7: They're like the old school style of Valentine's.
• 17:33
  Speaker 9: From back in the day.
• 17:34
  Speaker 3: Yeah, like the old 1920s.
• 17:35
  Speaker 2: But it's like with horror, like, you know, like with war, like,
• 17:39
  Speaker 2: like Freddy and like Jason and Pinhead and Sam from
• 17:42
  Speaker 2: Trick or Treat. And there's an Elvira and it's just
• 17:46
  Speaker 2: all like the retro style, like because of the old
• 17:49
  Speaker 2: Valentine's that you would see. But it's black light poster, flocked,
• 17:55
  Speaker 2: with the flocking in it. And it's, oh, it's the
• 17:58
  Speaker 2: cutest goddamn thing I've ever seen in my entire life.
• 18:00
  Speaker 2: I saw it and I was just like, I need
• 18:01
  Speaker 2: that in my life.
• 18:03
  Speaker 9: And then you bought a bag.
• 18:04
  Speaker 2: I bought a bag. Because he had these bags, he
• 18:07
  Speaker 2: even made these bags, and they were like, it looks
• 18:10
  Speaker 2: like an old school trick or treat bag. But it's
• 18:12
  Speaker 2: got Sam from Trick or Treat on it. And I
• 18:16
  Speaker 2: had to have it, and oh my god.
• 18:17
  Speaker 9: Yeah, two for five, and you had to be difficult
• 18:19
  Speaker 9: and only want one.
• 18:20
  Speaker 2: I only want one! What am I going to do
• 18:21
  Speaker 2: with two?
• 18:23
  Speaker 7: Double fist trick-or-treating. More for me!
• 18:27
  Speaker 2: I'm going to lose it. I don't lose things. I
• 18:31
  Speaker 2: temporarily misplace them, but I don't lose them.
• 18:35
  Speaker 7: But it was awesome. I would hang it with my
• 18:38
  Speaker 7: old-school Blacklight poster of that King Cobra wrapped around the
• 18:41
  Speaker 7: planets of the universe.
• 18:42
  Speaker 3: Oh.
• 18:43
  Speaker 7: That was still maybe the most epic Blacklight poster I'd
• 18:46
  Speaker 7: ever seen, and it hung in my room for years.
• 18:48
  Speaker 2: Apparently, he also does commission work for regular black velvet paintings.
• 18:52
  Speaker 7: So if you'd like to commission him to do a
• 18:54
  Speaker 7: version of us in Blacklight so we could have our
• 18:56
  Speaker 7: own show version, I'm assuming this isn't happening. But feel
• 19:00
  Speaker 7: free to get this ball rolling.
• 19:02
  Speaker 2: Apparently, he also does tattoo work in Nashville, I think.
• 19:05
  Speaker 2: I think that's where he's from is Nashville. And from
• 19:08
  Speaker 2: what I've seen on his Instagram page, it does absolutely
• 19:10
  Speaker 2: amazing work. I love this guy's art. He's fantastic. I
• 19:14
  Speaker 2: think his website is onemanriot.com. R-I-E-T. Fantastic shit. Check it out, dude.
• 19:22
  Speaker 9: One Man Riot.
• 19:23
  Speaker 2: I love it. Like I said, it was only $ 10
• 19:27
  Speaker 2: for a black light poster of the Lost Boys. And
• 19:32
  Speaker 2: it's a small, manageable size, too, so if you don't
• 19:34
  Speaker 2: have that much room, Much like me, I have this problem.
• 19:37
  Speaker 2: I have a lot of shit. I have little wall
• 19:38
  Speaker 2: space left. So this, to me, is the perfect size.
• 19:43
  Speaker 7: We were discussing this earlier on the car ride, which
• 19:45
  Speaker 7: is none of us ever want to have to paint again.
• 19:48
  Speaker 7: So my strategy was for you. keep buying stuff, keep
• 19:51
  Speaker 7: hanging stuff on the walls. Eventually, you'll cover so much
• 19:54
  Speaker 7: of the wall, you don't need to paint again because
• 19:56
  Speaker 7: you'll never see anything behind there.
• 19:58
  Speaker 9: He does some pretty awesome tattoo work, too.
• 20:00
  Speaker 2: I told you, right?
• 20:01
  Speaker 9: Yeah, I'm looking at his tattoo work right now. Some
• 20:05
  Speaker 9: of it's done in the cutesy style. Some of it's
• 20:07
  Speaker 9: done in just kind of a normal style.
• 20:09
  Speaker 2: He had a very graffiti style, too.
• 20:10
  Speaker 7: Yeah.
• 20:11
  Speaker 9: But, I mean, his Phantom of the Opera looks fucking awesome.
• 20:17
  Speaker 2: Totally pimping this guy's stuff.
• 20:18
  Speaker 9: Really, really good.
• 20:20
  Speaker 2: He's one of the few people that I was just like,
• 20:23
  Speaker 2: I don't buy a lot of stuff anymore at conventions.
• 20:27
  Speaker 2: I usually don't. Yeah, I mean, and I've always liked
• 20:33
  Speaker 2: Days of the Dead because it's one of those They
• 20:35
  Speaker 2: have cool stuff. They have great names. But it hasn't...
• 20:38
  Speaker 2: I don't know if it's just... Hasn't caught on as
• 20:41
  Speaker 2: well as some of them. Because it never seems... There's
• 20:44
  Speaker 2: people there. But it's... You're never like, oh my god.
• 20:48
  Speaker 9: You're not assholes to elbows.
• 20:50
  Speaker 2: Yeah, because I get very stressed. And I have very
• 20:53
  Speaker 2: bad anxiety. And at some conventions, I just can't handle.
• 20:56
  Speaker 2: Because it's just... It's too much.
• 20:59
  Speaker 9: It's very claustrophobic.
• 21:01
  Speaker 2: And while, yes, there are... I mean, there was quite
• 21:02
  Speaker 2: a few people there today. But it seemed manageable and
• 21:05
  Speaker 2: it didn't seem like it was out of control. They've
• 21:07
  Speaker 2: always seemed like it's like, I don't know how they
• 21:09
  Speaker 2: do things different, what they do.
• 21:11
  Speaker 7: That's what I was going to say. It's also... He
• 21:13
  Speaker 7: does Black Mask Company.
• 21:16
  Speaker 9: It's a brainchild of him and steviepmask.com. I've got their
• 21:21
  Speaker 9: sticker on my fucking welding hood. Yeah, that's who they are.
• 21:26
  Speaker 7: Yeah, I think that's a big part of it is
• 21:27
  Speaker 7: like the managing of Everything of the way you lay
• 21:30
  Speaker 7: it out, the way you set things up, the way
• 21:32
  Speaker 7: you run the whole show, the way you manage the crowd.
• 21:35
  Speaker 7: It keeps things from getting out of control, which you keep. Again,
• 21:39
  Speaker 7: you go to a lot of shows, you see things
• 21:41
  Speaker 7: done wrong equally as much as you see them right.
• 21:43
  Speaker 2: You see things done wrong a lot more than you
• 21:46
  Speaker 2: see things done right.
• 21:47
  Speaker 7: It's good to see when somebody does it the right way.
• 21:52
  Speaker 7: Bonus points for that. So we will get back to
• 21:55
  Speaker 7: the big finale with the other special guest from this event.
• 21:59
  Speaker 7: But before that, we also haven't heard you on the
• 22:03
  Speaker 7: show for a little while because you were touring the country.
• 22:06
  Speaker 2: We went on Grand Adventures.
• 22:08
  Speaker 7: You had several that have movie tie-ins and other random
• 22:13
  Speaker 7: Hollywood-related festivities. So do you want to recap some of
• 22:17
  Speaker 7: your favorite events of your trips?
• 22:19
  Speaker 2: Oh, it was a grand adventure. It was two and
• 22:22
  Speaker 2: a half weeks long. My boyfriend likes to say it
• 22:23
  Speaker 2: was a month. It was two and a half weeks.
• 22:25
  Speaker 7: It seemed like it was a month. You kept posting
• 22:26
  Speaker 7: pictures on Facebook. I was just like, I don't think
• 22:29
  Speaker 7: they're coming back. I think this is just it. We're
• 22:31
  Speaker 7: just going to get Facebook feed from here on out.
• 22:33
  Speaker 2: It's weird because when you're in the middle of it,
• 22:35
  Speaker 2: you're like, this has been moving on forever. But as
• 22:38
  Speaker 2: soon as you get back, you're like, how did we
• 22:39
  Speaker 2: ever fucking leave? It was like, was this a fever dream?
• 22:42
  Speaker 2: Because it was, like I said, it was just, there
• 22:44
  Speaker 2: was just so much.
• 22:44
  Speaker 10: Yeah.
• 22:47
  Speaker 2: The first couple days we didn't really do like a
• 22:49
  Speaker 2: whole lot that would be like movie geek related we
• 22:51
  Speaker 2: went to like oklahoma and like hey.
• 22:54
  Speaker 9: There's a whole movie called oklahoma we got stuck in
• 22:57
  Speaker 9: a pretty huge rainstorm we got well all the flooding
• 22:59
  Speaker 9: in oklahoma we got stuck in that almost uh amarillo
• 23:05
  Speaker 9: smells like cow shit yeah we were in amarillo for
• 23:07
  Speaker 9: a while visitants of friends uh and then that long
• 23:11
  Speaker 9: drive from amarillo to vegas.
• 23:14
  Speaker 2: Um Vegas is always an extravaganza.
• 23:16
  Speaker 9: Vegas is always Vegas.
• 23:17
  Speaker 2: It's always an event. It's always....
• 23:20
  Speaker 10: Yeah.
• 23:20
  Speaker 2: Again, it's one of those things where I thought it
• 23:23
  Speaker 2: would be... We've been before, so I knew what to
• 23:26
  Speaker 2: expect this time. But the first time we went, I
• 23:28
  Speaker 2: was so prepared to be overwhelmed. And it really wasn't
• 23:31
  Speaker 2: that bad because the first time we went was off-season.
• 23:34
  Speaker 2: A little bit more on-season this year. It's a little
• 23:36
  Speaker 2: bit more stressful. But there's two things that takes me
• 23:40
  Speaker 2: to Vegas. I could probably do without... I don't care
• 23:42
  Speaker 2: about the casinos.
• 23:43
  Speaker 7: Again, most of what's in Vegas, I kind of don't
• 23:46
  Speaker 7: care about. Of all the places I want to go,
• 23:48
  Speaker 7: it's pretty far down on the list, except for one
• 23:51
  Speaker 7: of your things.
• 23:54
  Speaker 2: The one, we went and saw Penn and Teller again.
• 23:57
  Speaker 7: I'd go to see Penn and Teller.
• 23:58
  Speaker 2: I adore Penn and Teller. Usually, I don't care for magicians,
• 24:02
  Speaker 2: but he juggles, and it's fantastic, and they're so fucking funny,
• 24:05
  Speaker 2: and he's so delightful, and they still go out after
• 24:08
  Speaker 2: their shows and take pictures and autograph for everybody who
• 24:11
  Speaker 2: wants it, which is like Who fucking does that?
• 24:14
  Speaker 7: Not everybody. Especially not everybody that's reached sort of the
• 24:17
  Speaker 7: level of fame and success that they have.
• 24:20
  Speaker 9: They'll stand out there and talk to their fans and
• 24:22
  Speaker 9: sign autographs until everybody's gotten an autograph.
• 24:26
  Speaker 10: You know.
• 24:28
  Speaker 2: They'll be out there.
• 24:29
  Speaker 7: And Penn has really long arms, so he can take
• 24:31
  Speaker 7: selfies pretty well.
• 24:31
  Speaker 2: I know, which is awesome because the first time we went,
• 24:33
  Speaker 2: he wouldn't do it because that was Teller's thing. Teller
• 24:35
  Speaker 2: would take the selfies. So he didn't want to be
• 24:37
  Speaker 2: like Teller. But then he's like, I was listening to
• 24:39
  Speaker 2: his podcast. That's one of the few podcasts, the only
• 24:41
  Speaker 2: podcast I listen to.
• 24:42
  Speaker 7: She's branching out, guys. Look, she's listening to a podcast.
• 24:45
  Speaker 2: Listening to a podcast. Listening to Penn Sunday School. But
• 24:49
  Speaker 2: he's decided he has a new autograph. He's changed his autograph,
• 24:52
  Speaker 2: which apparently threw his whole, like, management team into a
• 24:56
  Speaker 2: tizzy because you're not allowed to change your autograph when
• 24:58
  Speaker 2: you've already been in the business for so many fucking years.
• 25:00
  Speaker 2: But I had to go get his new autograph, and
• 25:02
  Speaker 2: apparently he's decided he'd like the selfie now, which is
• 25:04
  Speaker 2: good because he has, like, these, like, ten-foot-long arms. So, yeah,
• 25:08
  Speaker 2: he took, like, a whole series of, like, progressively closer
• 25:11
  Speaker 2: and closer until it's just our noses in the photo.
• 25:14
  Speaker 2: It's just fantastic. And I think I stepped foot in
• 25:18
  Speaker 2: an actual casino.
• 25:19
  Speaker 7: That's for the best, really.
• 25:21
  Speaker 2: I mean, the first time we went, I think I
• 25:23
  Speaker 2: lost $ 7 to the extent.
• 25:25
  Speaker 9: Yeah, yeah.
• 25:26
  Speaker 2: But this time we didn't even walk into a casino,
• 25:28
  Speaker 2: did we?
• 25:29
  Speaker 9: No, no, we didn't.
• 25:30
  Speaker 2: We walked down Fremont Street, which the only reason we
• 25:32
  Speaker 2: went to Fremont Street pretty much was to go to
• 25:34
  Speaker 2: Evil Pie.
• 25:36
  Speaker 7: Which is, again, based on your photos, the greatest place
• 25:39
  Speaker 7: on Earth.
• 25:39
  Speaker 2: It's the best. Legit the most delicious pizza I have
• 25:42
  Speaker 2: ever consumed in my entire life.
• 25:44
  Speaker 7: I've been oddly obsessed with Evel Knievel most of my life.
• 25:47
  Speaker 13: Who hasn't?
• 25:48
  Speaker 7: So, you know, I'm drawn to that as a concept anyway. Plus,
• 25:52
  Speaker 7: who doesn't love pizza? So, this all sounds like the
• 25:55
  Speaker 7: best place on Earth. It's good pizza, too.
• 25:57
  Speaker 2: It's fucking amazing. And like I said, the entire decor
• 26:00
  Speaker 2: is like 70s, it's mostly 70s Evel Knievel stuff and
• 26:05
  Speaker 2: Some other random 70s things, but mostly Evil Knievel.
• 26:08
  Speaker 9: That and skateboard stickers. It's like heavy Evil Knievel, but
• 26:12
  Speaker 9: it's also heavy skateboard and punk influence, too. So there's
• 26:15
  Speaker 9: usually punk rock playing on them.
• 26:19
  Speaker 7: And on a related note, recently I just stumbled upon...
• 26:23
  Speaker 7: Playing on cable with Eva Knievel. And god damn, I
• 26:26
  Speaker 7: love that movie.
• 26:27
  Speaker 2: It's a great movie.
• 26:28
  Speaker 7: It is so insane and completely ridiculous.
• 26:30
  Speaker 9: Every time he slaps that kid.
• 26:32
  Speaker 1: Awesome.
• 26:32
  Speaker 9: That always cracks me up.
• 26:34
  Speaker 7: That's the way to kick off the movie, too. First
• 26:36
  Speaker 7: thing that happens, like, I'm going to go in and
• 26:37
  Speaker 7: slap this kid. And then he gives him, you know,
• 26:40
  Speaker 7: toys and money. And, you know, he's a great guy.
• 26:43
  Speaker 7: But he also likes to smack a kid every once
• 26:44
  Speaker 7: in a while.
• 26:45
  Speaker 2: Sometimes you just got to. There's a giant statue. It's
• 26:48
  Speaker 2: not really a giant. I guess it's a life-size evil
• 26:50
  Speaker 2: statue in the back of it. And it's just... It's amazing.
• 26:53
  Speaker 2: Like I said, if it wasn't for Evil Pie and
• 26:58
  Speaker 2: Penn & Teller, I would have no reason to go to.
• 27:00
  Speaker 7: So it's two out of two of your reasons, or
• 27:02
  Speaker 7: maybe the only reasons.
• 27:03
  Speaker 3: I would go to Vegas.
• 27:05
  Speaker 2: Oh, you might also... Like I said, Fremont Street is... Well,
• 27:08
  Speaker 2: and Hooker's.
• 27:10
  Speaker 7: That's a given, obviously.
• 27:11
  Speaker 2: But past several brothels. Not in Vegas, but like.
• 27:16
  Speaker 7: Just on the outskirts of Vegas, where there are no laws. Yeah.
• 27:20
  Speaker 2: But, yeah, Fremont Street is like a world unto itself.
• 27:24
  Speaker 2: It's very much the tourist street.
• 27:26
  Speaker 7: Yeah.
• 27:26
  Speaker 2: Because it's closed off. You can't drive down it. But
• 27:29
  Speaker 2: there are circles in the road, and that's where the
• 27:32
  Speaker 2: entertainers are. And people who go out there in an
• 27:34
  Speaker 2: attempt to get your money. But they stay in their circle,
• 27:37
  Speaker 2: and they're not like magicians. We had a fucking mime.
• 27:41
  Speaker 2: There was half-naked people.
• 27:44
  Speaker 7: I mean, it's Vegas. Everywhere you go is half-naked people. Yeah.
• 27:47
  Speaker 2: I mean, there was a girl, she had the whole
• 27:50
  Speaker 2: nun outfit, but she was topless.
• 27:53
  Speaker 9: That was about it.
• 27:54
  Speaker 7: Yeah, it was just a habit. But then she had pasties,
• 27:56
  Speaker 7: didn't she?
• 27:57
  Speaker 9: Or did she have electrical tape? I can't remember.
• 28:00
  Speaker 2: It was some variety of something sticking on her nipples.
• 28:02
  Speaker 9: Then you had the old lady.
• 28:05
  Speaker 3: The really old lady.
• 28:08
  Speaker 7: Yeah, you're selling me.
• 28:09
  Speaker 4: All right.
• 28:10
  Speaker 2: I didn't see her.
• 28:11
  Speaker 9: You didn't see the old lady?
• 28:12
  Speaker 7: I don't think.
• 28:12
  Speaker 2: I don't remember. Maybe I blocked it out.
• 28:14
  Speaker 8: Yeah.
• 28:15
  Speaker 2: And there was the legless woman who was out, like,
• 28:17
  Speaker 2: dancing in the street on her arms, trying to get, like,
• 28:19
  Speaker 2: she was out, again, in her circle.
• 28:21
  Speaker 9: Yeah.
• 28:21
  Speaker 2: But, yeah, and there's just some, in every circle, there's somebody.
• 28:24
  Speaker 2: And I'm not sure how the whole, according to the pen.
• 28:26
  Speaker 7: There's a magician.
• 28:27
  Speaker 9: There's a guy who does juggling.
• 28:30
  Speaker 8: Yeah.
• 28:31
  Speaker 7: I'm going by your story. So, to clarify, if they
• 28:33
  Speaker 7: haven't been there, they've painted a circle. How much bigger
• 28:36
  Speaker 7: than a person is this circle?
• 28:38
  Speaker 2: I would say if you held your arms out in
• 28:40
  Speaker 2: both directions.
• 28:41
  Speaker 9: Yeah, it's probably about... Maybe a four foot radius?
• 28:44
  Speaker 3: Yeah, four foot radius.
• 28:45
  Speaker 7: And they're supposed to stay in that circle.
• 28:47
  Speaker 9: They have to stay in that circle.
• 28:48
  Speaker 2: I like this.
• 28:49
  Speaker 7: I like having a force field to keep the weird
• 28:51
  Speaker 7: characters away from you, but you can still watch and
• 28:53
  Speaker 7: be entertained if you want to be.
• 28:54
  Speaker 2: And there's also people that sit there and make the flowers.
• 28:58
  Speaker 9: Out of corn husks or something like that.
• 29:01
  Speaker 2: They make baskets and corn flowers.
• 29:03
  Speaker 9: But then they've got the bars that are right on
• 29:05
  Speaker 9: the street. So the seats are right there, and then
• 29:08
  Speaker 9: you've got girls that are dancing on the bar.
• 29:10
  Speaker 2: They're not in circles.
• 29:11
  Speaker 7: They're not in circles.
• 29:12
  Speaker 9: They're on the bar. And then you've got, there's a
• 29:15
  Speaker 9: couple of.
• 29:17
  Speaker 2: There's zip lining that goes down the middle of it.
• 29:19
  Speaker 9: There's zip lining that's going on above your head, and
• 29:21
  Speaker 9: then there's like three stages. Three stages where they've got
• 29:26
  Speaker 9: stuff going on. Yeah, sometimes they have concerts.
• 29:29
  Speaker 2: With really bad music when we were there.
• 29:31
  Speaker 7: Yeah. Vegas, it's not necessarily the classiest place, but it's something.
• 29:37
  Speaker 2: It's entertaining, and like I said, it's... I mean, I
• 29:40
  Speaker 2: think it's, that's where I enjoy. I don't like, I
• 29:42
  Speaker 2: don't like gambling. It's like walking around and looking at
• 29:44
  Speaker 2: people and being like, ooh.
• 29:45
  Speaker 7: Look at that weirdo. And that's what they say about us, too.
• 29:49
  Speaker 7: So it's fine. It's a give and take.
• 29:51
  Speaker 2: Like I said, all kinds of stuff just going on
• 29:53
  Speaker 2: out there. But, yeah, Penn & Teller. Yeah, I can't even...
• 29:59
  Speaker 2: They've made movies, so that's kind of movie related.
• 30:02
  Speaker 7: They've definitely made their own movie and then Penn's.
• 30:05
  Speaker 10: In a lot of stuff.
• 30:05
  Speaker 7: If you go back, it's weird going back. You'll be like, wait,
• 30:11
  Speaker 7: is that Penn Jillette? There's just random movies from the
• 30:15
  Speaker 7: 80s that you're like, hey, that cab driver, is that
• 30:18
  Speaker 7: Penn Jillette? Just random bit parts that he just was.
• 30:22
  Speaker 2: Looking for work back in the day. Everybody has their
• 30:24
  Speaker 2: one weird celebrity crusher they can't really explain. I can
• 30:27
  Speaker 2: try to explain it, but he juggles.
• 30:29
  Speaker 7: But just that doesn't clarify for most people probably.
• 30:32
  Speaker 2: Just yeah to me that's reason enough but uh yeah
• 30:37
  Speaker 2: he's they're just yeah and.
• 30:40
  Speaker 7: Actually hear teller talk he doesn't do it in the
• 30:42
  Speaker 7: show but.
• 30:44
  Speaker 2: When you're outside he's like talking to everybody yeah.
• 30:46
  Speaker 7: I mean he he does it's just not part of
• 30:48
  Speaker 7: the act the part of the act itself is him
• 30:52
  Speaker 7: not talking so but yeah on the context of their
• 30:55
  Speaker 7: show now like he's Again, he doesn't talk within the show,
• 30:59
  Speaker 7: but when people need him to, they're like, go whisper
• 31:02
  Speaker 7: how your trick works to that guy. And then he
• 31:04
  Speaker 7: goes over and does it. So you know he does talk,
• 31:07
  Speaker 7: it's just not part of the act.
• 31:09
  Speaker 2: Let's see, and then we left Vegas. We were leaving
• 31:13
  Speaker 2: Las Vegas, which is also a movie tie-in.
• 31:17
  Speaker 7: I thought we were going to bust into some Sheryl
• 31:19
  Speaker 7: Crow right now.
• 31:19
  Speaker 2: Isn't there a leaving Las Vegas movie?
• 31:21
  Speaker 3: There is.
• 31:22
  Speaker 7: Do you want to drink to yourself to death? If
• 31:25
  Speaker 7: you were Nicolas Cage, you would want to drink yourself
• 31:27
  Speaker 7: to death.
• 31:28
  Speaker 2: No, not so much. I'm not Nicolas Cage. Thank God!
• 31:31
  Speaker 8: I'm leaving Las Vegas Life's.
• 31:38
  Speaker 11: Too bright Pump, sweat, blackjack on a Saturday night I'm leaving.
• 31:47
  Speaker 1: Las Vegas Even for a day Hungry?
• 31:55
  Speaker 13: Thirsty?
• 32:07
  Speaker 5: The refreshment stand is open with everything to satisfy your
• 32:11
  Speaker 5: taste buds. Here's the menu. The hottest, freshest, crunchiest popcorn.
• 32:16
  Speaker 5: Each kernel popped to its fullest with that real movie
• 32:19
  Speaker 5: time taste. Cold drinks. You'll find your favorite ice cold,
• 32:23
  Speaker 5: tasty and thirst quenching. And hot dogs, hamburgers and candy too.
• 32:28
  Speaker 5: Now a short intermission so you'll have time to make
• 32:31
  Speaker 5: your selection before the show begins.
• 32:39
  Speaker 4: The world's largest bourbon festival, Bourbon and Beyond, will make
• 32:42
  Speaker 4: its anticipated return to Louisville, Kentucky, Friday, September 20th through Sunday,
• 32:46
  Speaker 4: September 22nd. Expanding to three days full of incredible music,
• 32:50
  Speaker 4: unique culinary events, and unmatched experiences from the region's best
• 32:54
  Speaker 4: distilleries at the new Highland Festival Grounds and Kentucky Expo Center.
• 32:59
  Speaker 4: In addition to an unforgettable lineup of bourbon and chefs,
• 33:01
  Speaker 4: the weekend also includes musical performances with a unique mix
• 33:04
  Speaker 4: of rock, roots, bluegrass, and folk, headlined by Foo Fighters,
• 33:08
  Speaker 4: Robert Plant and the Sensational Space Shifters, the Zac Brown Band,
• 33:12
  Speaker 4: John Fogerty, Daryl Hall and John Oates, and ZZ Top
• 33:15
  Speaker 4: celebrating their 50th anniversary. Additional acts include Nathaniel Reitliff and
• 33:19
  Speaker 4: the Night Sweats, Trey Anastasio Band, Leon Bridges, The Flaming Lips,
• 33:23
  Speaker 4: Alison Krauss, Ethan Sharp and the Magnetic Zeros, Live, Grace Potter,
• 33:28
  Speaker 4: Little Steven and the Disciples of Soul, and Joan Jett
• 33:30
  Speaker 4: and the Blackhearts, just to name a few. In total,
• 33:33
  Speaker 4: more than 45 artists will play on three stages, including
• 33:36
  Speaker 4: the side-by-side Oak and Barrel main stages, and a bluegrass
• 33:39
  Speaker 4: stage that will be curated by the genre's leading authority,
• 33:42
  Speaker 4: The Bluegrass Situation. To find out more details and order tickets,
• 33:46
  Speaker 4: go to bourbonandbeyond.com and start planning your musical weekend getaway today.
• 33:55
  Speaker 7: Ha ha ha ha ha ha!
• 33:57
  Speaker 5: Lee, we're doing all we can for you.
• 34:00
  Speaker 7: We're trying to bring you back down to normal size.
• 34:03
  Speaker 3: You do think I'm a freak, don't you?
• 34:05
  Speaker 7: But you know, to me, you're the freak.
• 34:07
  Speaker 9: The one who's different.
• 34:09
  Speaker 15: I'm not growing.
• 34:10
  Speaker 10: You're shrinking.
• 34:11
  Speaker 4: He started as a normal human being.
• 34:16
  Speaker 9: But now, each day, he doubles in size.
• 34:19
  Speaker 3: Where will it stop?
• 34:21
  Speaker 12: The amazing, colossal man.
• 34:25
  Speaker 7: Colonel, he's been reported in Las Vegas.
• 34:27
  Speaker 8: Impossible.
• 34:27
  Speaker 16: How can it walk 120 miles in only an hour?
• 34:30
  Speaker 3: Impossible?
• 34:30
  Speaker 6: Not when you're 60 feet tall.
• 34:32
  Speaker 12: The amazing, colossal man.
• 34:35
  Speaker 6: In the mood for hot coffee? When you are, nothing
• 34:38
  Speaker 6: else will satisfy. Coffee has a flavor, an aroma, a
• 34:41
  Speaker 6: deep-down satisfying goodness all its own. And our coffee has
• 34:45
  Speaker 6: something extra. The care with which we brew and serve it.
• 34:48
  Speaker 7: We should have our coffee. I know you like coffee.
• 34:55
  Speaker 15: Oh my God, is this a segue to something?
• 34:57
  Speaker 10: What?
• 34:58
  Speaker 7: You don't want to run out to Heine Brothers right now?
• 35:01
  Speaker 15: Actually, now that you mention it, I'm drinking some fine
• 35:03
  Speaker 15: coffee here, but I feel like enjoying a nice hot
• 35:07
  Speaker 15: cup from my local Heine Brothers might actually be an
• 35:09
  Speaker 15: even better idea.
• 35:10
  Speaker 7: Well, really, you don't even have to leave the house.
• 35:12
  Speaker 7: You could just have it ordered right to your doorstep.
• 35:16
  Speaker 9: Really?
• 35:16
  Speaker 7: Yeah.
• 35:17
  Speaker 15: I can do that now?
• 35:17
  Speaker 7: It's not just something you can do. You can also
• 35:20
  Speaker 7: get a deal from your friends at Movie Mountain.
• 35:23
  Speaker 3: No way. Movie Meltdown? That's the show we're on, right?
• 35:26
  Speaker 7: Yeah, this one right now.
• 35:27
  Speaker 3: Oh, that's awesome.
• 35:28
  Speaker 15: Hey, insert a sound of me kicking over this table
• 35:30
  Speaker 15: with this substandard coffee.
• 35:33
  Speaker 17: There.
• 35:33
  Speaker 3: Right there.
• 35:34
  Speaker 15: Yeah, you heard it. And then let's run out, jump
• 35:38
  Speaker 15: in the car, and then screech sound effect as we
• 35:40
  Speaker 15: head on down to our local Heine Brothers.
• 35:43
  Speaker 2: There.
• 35:47
  Speaker 14: Man.
• 35:48
  Speaker 3: Subtle. Subtle segue.
• 35:50
  Speaker 7: I want to tell you about the Heine Brothers coffee subscription.
• 35:53
  Speaker 7: Wherever you are, home, work, or out on the road,
• 35:57
  Speaker 7: you deserve great coffee. And the Heine Brothers subscription plan
• 36:00
  Speaker 7: gives you top quality, organic, fair trade coffee delivered right
• 36:04
  Speaker 7: to your home or office automatically. You select the frequency,
• 36:08
  Speaker 7: the quantity, and the variety of coffee, and Heine Brothers
• 36:11
  Speaker 7: will take care of the rest, shipping included. So just
• 36:14
  Speaker 7: order online at heinebrotherscoffee.com slash subscription and use the offer
• 36:17
  Speaker 7: code MELTDOWN for $ 5 off any gift subscription. And if
• 36:21
  Speaker 7: you're not familiar with Honey Brothers Coffee or the spelling
• 36:24
  Speaker 7: or any of that that might make it a little harder,
• 36:26
  Speaker 7: just go to MovieMeltdown.com and look on the right-hand side
• 36:28
  Speaker 7: of the page and you'll find a link to take
• 36:30
  Speaker 7: you right to HoneyBrothersCoffee.com. That's right, the Meltdown Caffeinated Movie
• 36:34
  Speaker 7: Geeks are hooking you up, so get your subscription started today.
• 36:38
  Speaker 13: Hi, this is John Waters and you're listening to Movie Meltdown.
• 36:48
  Speaker 13: You better keep listening or I'll have you killed.
• 36:54
  Speaker 2: It's part of your problem, you know.
• 37:07
  Speaker 10: You haven't seen enough movies.
• 37:08
  Speaker 6: All of life's riddles are answered in the movies.
• 37:13
  Speaker 5: And now, on with the show.
• 38:12
  Speaker 2: But then from Vegas, we went to L.A.
• 38:15
  Speaker 7: All right.
• 38:17
  Speaker 2: Because, I mean, I had one specific purpose. I wanted
• 38:21
  Speaker 2: to go to Chris Cornell's grave. That was my.
• 38:24
  Speaker 7: Dreams of how luxurious and lush it's going to be
• 38:27
  Speaker 7: when you get there. I'm jumping ahead. Go ahead. Continue
• 38:30
  Speaker 7: with your story.
• 38:31
  Speaker 2: Because I love Chris Cornell. I mean, my heart still
• 38:38
  Speaker 2: hurts today. From that one. That one hurt.
• 38:40
  Speaker 14: Yeah.
• 38:41
  Speaker 7: That was rough.
• 38:42
  Speaker 2: That, you know. So I'm like, okay, we're going out
• 38:45
  Speaker 2: that way. We're going to go to LA. I want
• 38:47
  Speaker 2: to go to Chris Cornell's grave. And it's like, oh,
• 38:49
  Speaker 2: you have all these beautiful monuments and you have all
• 38:51
  Speaker 2: these beautiful, like, the landscaping and all, like, flowers. Then
• 38:57
  Speaker 2: you get to Chris Cornell's grave. And it's a tiny
• 39:01
  Speaker 2: headstone about.
• 39:02
  Speaker 7: It is surprisingly small. Like, I know people who have
• 39:05
  Speaker 7: bigger headstones than that.
• 39:05
  Speaker 2: It's like the size of this placemat that we have
• 39:07
  Speaker 2: right here. This placemat. And then just a big old
• 39:11
  Speaker 2: rectangle of gravel.
• 39:13
  Speaker 7: More gravel than I expected, too. Even when you described it,
• 39:16
  Speaker 7: I thought maybe just the outline of how big a
• 39:19
  Speaker 7: casket usually is. No, no. It's much bigger than that.
• 39:22
  Speaker 18: It's like a double double wide yeah he's got a
• 39:25
  Speaker 18: double wide sure and then like just gravel for no
• 39:29
  Speaker 18: not even especially really well maintained like yeah not like
• 39:32
  Speaker 18: artistically put together like there's some sort of reasoning and
• 39:35
  Speaker 18: aesthetic purpose.
• 39:37
  Speaker 7: Behind it no i mean maybe he had some reason
• 39:40
  Speaker 7: did he come up.
• 39:41
  Speaker 2: With this plan i don't know when i was complaining
• 39:44
  Speaker 2: to boyfriend about just how fucking depressing it was He
• 39:47
  Speaker 2: looked it up, and, like, shortly after he was buried,
• 39:50
  Speaker 2: it was just grass. It was, like, his headstone and grass.
• 39:54
  Speaker 2: It looked like a regular old headstone. But then, like,
• 39:57
  Speaker 2: I read a thing about it. They had, like, had to, like,
• 40:00
  Speaker 2: section it off for a while. Like, people were, like,
• 40:02
  Speaker 2: they were worried people were going to, like, get into it.
• 40:04
  Speaker 2: Because there was, like, this whole thing about how maybe.
• 40:07
  Speaker 7: More conspiracies.
• 40:09
  Speaker 2: Yeah, which is... This one, actually, if you actually dig
• 40:11
  Speaker 2: into it, does have a little bit of viability. But
• 40:13
  Speaker 2: they had to, like, chain it off and, like, so...
• 40:16
  Speaker 2: But I'm like, first of all, what good is it
• 40:19
  Speaker 2: going to do to dig him up? He's fucking cremated.
• 40:21
  Speaker 7: You can't. So you say, but maybe you're part of
• 40:25
  Speaker 7: the conspiracy.
• 40:26
  Speaker 2: Anyway, so yeah, we were at the cemetery and then
• 40:29
  Speaker 2: we're like, well, fuck, we're already here. And I look
• 40:31
  Speaker 2: over and I'm like, well, fuck, there's Anton Yelchin's right there.
• 40:35
  Speaker 2: You know, we were in like the celebrity part.
• 40:37
  Speaker 3: Oh, Anton.
• 40:38
  Speaker 2: That's one of the most tragic fucking stupid ways to die.
• 40:41
  Speaker 2: And I'm just because I mean, he was so talented.
• 40:45
  Speaker 7: Previous episode just going on and on about how awesome
• 40:48
  Speaker 7: he is in green room and so many other movies.
• 40:51
  Speaker 2: That was a great movie but yeah that one just
• 40:54
  Speaker 2: how that's such a fucking stupid way to die that's
• 40:58
  Speaker 2: not even like i'm just like how that's like really
• 41:01
  Speaker 2: you get crushed by your own fucking car it kind
• 41:04
  Speaker 2: of sucks that's so horrible and.
• 41:06
  Speaker 7: Being as young as he was and as talented as
• 41:08
  Speaker 7: he was it's like it's such a waste it's yeah
• 41:11
  Speaker 7: it's a shame.
• 41:12
  Speaker 2: Yeah he was so just He was so adorable and
• 41:15
  Speaker 2: just so talented.
• 41:16
  Speaker 7: And, you know... And has an impressive headstone.
• 41:19
  Speaker 2: Yeah, he has a fucking life-size fucking bronze statue of himself. Like,
• 41:25
  Speaker 2: within spitting distance of Chris Cornell's tiny.
• 41:29
  Speaker 7: Gravel farm.
• 41:31
  Speaker 2: I'm like, really? You know, it's like, maybe that's just...
• 41:34
  Speaker 2: I don't know. I mean, he wasn't really an extravagant,
• 41:37
  Speaker 2: you know. I mean, I don't know Chris Cornell. I
• 41:40
  Speaker 2: don't know jack shit about him as a person. I
• 41:42
  Speaker 2: never met the guy. i don't know i mean maybe
• 41:45
  Speaker 2: we all feel like we do a little bit through
• 41:46
  Speaker 2: his music but we don't know him but he wasn't
• 41:50
  Speaker 2: really like a fancy guy no i wouldn't say so
• 41:52
  Speaker 2: so maybe i could i wouldn't even be okay with
• 41:55
  Speaker 2: like the small little but the fucking pile of gravel
• 41:59
  Speaker 2: what the fuck is this i don't know what's going
• 42:02
  Speaker 2: on with that but then we were trying to like
• 42:04
  Speaker 2: like findagrave.com trying to figure out who else we can
• 42:08
  Speaker 2: find and we were like Like, Alfred Hitchcock was supposed to...
• 42:11
  Speaker 2: I think we found him. My other main goal was
• 42:16
  Speaker 2: Darren McGavin's there.
• 42:17
  Speaker 3: Yep, definitely.
• 42:18
  Speaker 7: Need to see Darren McGavin.
• 42:19
  Speaker 2: So that one, we were, like, looking at the coordinates,
• 42:21
  Speaker 2: trying to, like, map our way there. And then we
• 42:24
  Speaker 2: were trying to find a vampire.
• 42:26
  Speaker 3: Of course.
• 42:27
  Speaker 2: And for the life of us, we were kind of like, findagrave.com
• 42:32
  Speaker 2: does not have her physical location. So I'm like, all right, well,
• 42:35
  Speaker 2: after we find Darren McGavin... boyfriend's in the car trying
• 42:38
  Speaker 2: to figure there's very little fucking phone service in the
• 42:42
  Speaker 2: middle of the cemetery.
• 42:43
  Speaker 9: Which is weird.
• 42:47
  Speaker 7: It's like who's.
• 42:47
  Speaker 2: Making phone calls from there well.
• 42:49
  Speaker 17: No I mean maybe more than you realize it's not
• 42:53
  Speaker 17: like we're in a fucking like Bermuda Triangle it's not
• 42:57
  Speaker 17: like we're surrounded by mountains it's right in the fucking
• 43:01
  Speaker 17: middle of fucking LA.
• 43:02
  Speaker 7: Is it a dead zone it.
• 43:05
  Speaker 2: Apparently is oh yeah nice So yeah, I find Darren McGavin's,
• 43:10
  Speaker 2: which kind of sucks because the way the sun was
• 43:12
  Speaker 2: coming down at that point, I couldn't get a good
• 43:13
  Speaker 2: picture because it was behind the headstone. But Darren McGavin's
• 43:17
  Speaker 2: a fucking icon. You can't not go to his.
• 43:20
  Speaker 7: He's amazing.
• 43:20
  Speaker 2: He is. So as I'm going back to the car,
• 43:23
  Speaker 2: I'm like, oh shit, there's a vampire right there.
• 43:26
  Speaker 7: It gives me a little comfort to know they're hanging
• 43:28
  Speaker 7: out together.
• 43:29
  Speaker 2: Were they friends in the real world?
• 43:31
  Speaker 13: Yeah.
• 43:32
  Speaker 7: I don't know, but they seem like, you know, the
• 43:34
  Speaker 7: Night Stalkers hanging out with Vampyr. It seems all right.
• 43:37
  Speaker 7: It seems like it all goes together.
• 43:38
  Speaker 2: And like, if you're standing at Chris's pile of rocks,
• 43:41
  Speaker 2: they're like diagonal to the left-hand side is Toto. So
• 43:45
  Speaker 2: you can see Toto.
• 43:46
  Speaker 7: That seems good, too. We all need Toto hanging out.
• 43:48
  Speaker 2: Like, if you're facing, like, the road, there's Toto here.
• 43:51
  Speaker 2: If you're facing the lake, because there's a lake on
• 43:53
  Speaker 2: the other side, that's where Anton is. Anton's also facing
• 43:56
  Speaker 2: the lake. But then we found Judy Garland.
• 44:00
  Speaker 7: Is he skipping rocks? He's got a whole supply of
• 44:02
  Speaker 7: them right there.
• 44:04
  Speaker 2: Dude, seriously.
• 44:06
  Speaker 7: Judy Garland.
• 44:08
  Speaker 2: You can't skip gravel rocks. They're not flat. They're just gravel.
• 44:12
  Speaker 7: Anton's pretty talented.
• 44:13
  Speaker 8: He was talented.
• 44:14
  Speaker 2: He could probably make it work. Him and Chris probably
• 44:16
  Speaker 2: could have worked on that a little bit together. Maybe
• 44:18
  Speaker 2: they're all hanging out. We found Judy Garland. She's in
• 44:20
  Speaker 2: the mausoleum. There's a lot of mausoleums.
• 44:25
  Speaker 7: Get me one of them mausoleums.
• 44:27
  Speaker 2: I can't remember. We saw Cecil B. Demented.
• 44:29
  Speaker 7: I mean, I was just discussing John Waters earlier. So,
• 44:34
  Speaker 7: you know, it's usually the way I process it now.
• 44:37
  Speaker 7: But Cecil B. DeMille is also very awesome and groundbreaking.
• 44:41
  Speaker 7: And I'm not trying to.
• 44:42
  Speaker 2: Be disrespectful about Chris's pile of rocks. I'm just very confused.
• 44:46
  Speaker 7: Again, if it had a specific reason, if it was
• 44:49
  Speaker 7: something that he, like, specifically laid out beforehand that, like,
• 44:52
  Speaker 7: you know, when I die and this is, you know,
• 44:54
  Speaker 7: some sort of meaning that it has to me, like,
• 44:56
  Speaker 7: it'd be fine, I guess. But since, like, even you're
• 44:58
  Speaker 7: a fan and you don't know anything about that, I
• 45:00
  Speaker 7: don't know. It seems like if you put it out
• 45:02
  Speaker 7: there more to the fans, it wouldn't be such a
• 45:04
  Speaker 7: weird question that it's allowed.
• 45:06
  Speaker 2: Maybe I'm specifically a fan of the music. I don't
• 45:09
  Speaker 2: know the guy. You know, I don't know what his
• 45:12
  Speaker 2: personal request would have been.
• 45:14
  Speaker 9: Yeah, you know, I mean, maybe he just didn't want
• 45:16
  Speaker 9: anything big.
• 45:18
  Speaker 2: But even still, if it had just been, like, grass,
• 45:20
  Speaker 2: I would have been okay with it.
• 45:23
  Speaker 9: I don't know why they put gravel down there.
• 45:25
  Speaker 7: I have no idea.
• 45:27
  Speaker 9: It was kind of odd, but when we looked it up,
• 45:32
  Speaker 9: they had grass there at one point. And at one point,
• 45:35
  Speaker 9: they had all kinds of stuff around his gravestone. Like flowers. Flowers,
• 45:40
  Speaker 9: a guitar, all kinds of stuff. And then when we went,
• 45:44
  Speaker 9: it was just maybe they were cleaning stuff up.
• 45:46
  Speaker 13: I don't know.
• 45:47
  Speaker 9: You never know. I mean, his wasn't as extravagant as Yeltsin's.
• 45:51
  Speaker 2: Anton.
• 45:52
  Speaker 9: Anton Yelchin.
• 45:53
  Speaker 10: Yeah.
• 45:54
  Speaker 9: And it definitely wasn't as extravagant as, which Ramone was that?
• 46:00
  Speaker 7: Was it Dee Dee? No. Dee Dee?
• 46:02
  Speaker 3: Jody?
• 46:02
  Speaker 2: Dee Dee?
• 46:03
  Speaker 4: Joey?
• 46:03
  Speaker 2: Joey?
• 46:05
  Speaker 9: Hold on.
• 46:08
  Speaker 2: Yeah, because like also like.
• 46:10
  Speaker 9: Right next to him.
• 46:11
  Speaker 2: Not right next, I'd say like maybe 20 feet away.
• 46:13
  Speaker 9: Well, yeah, you couldn't see it because it looked like
• 46:15
  Speaker 9: it was right next to him.
• 46:17
  Speaker 7: But yeah.
• 46:17
  Speaker 9: It was so fucking huge.
• 46:20
  Speaker 2: But who else did we see? Who else's headstones? Did
• 46:22
  Speaker 2: we see anybody else's?
• 46:23
  Speaker 9: Johnny Ramone. Johnny Ramone's.
• 46:27
  Speaker 7: Fucking huge.
• 46:29
  Speaker 9: It's like life-size.
• 46:30
  Speaker 7: So he's a neighbor to Chris Cornell.
• 46:33
  Speaker 2: Yeah, he's life-size from the thighs up, but fucking Anton
• 46:36
  Speaker 2: Yelchin's the entire body. And it looks good.
• 46:40
  Speaker 7: You know?
• 46:41
  Speaker 11: Yeah.
• 46:41
  Speaker 2: I mean, again, because he died young. So, I mean,
• 46:43
  Speaker 2: you get to have a good looking bust when you're,
• 46:45
  Speaker 2: you know. That's so fucking sad. But then after we
• 46:49
  Speaker 2: left there, I had to do like the nerdy stuff
• 46:52
  Speaker 2: because we were in L.A. So, God damn it, I'm
• 46:54
  Speaker 2: going to go to where Guns N' Roses film their shit.
• 46:56
  Speaker 2: You know, I'm going to go to the fucking corner
• 46:58
  Speaker 2: where Axl gets off the fucking bus.
• 47:00
  Speaker 12: Wait a minute.
• 47:00
  Speaker 9: Now, where do we have dinner first?
• 47:02
  Speaker 2: Well, I was going to get the Guns N' Roses
• 47:04
  Speaker 2: stuff covered first and then work my way through other
• 47:06
  Speaker 2: stuff we did.
• 47:06
  Speaker 11: Okay, okay.
• 47:08
  Speaker 2: The corner where Axel gets off the bus in Welcome
• 47:10
  Speaker 2: to the Jungle. Because I mean, that was, I had
• 47:12
  Speaker 2: already been thinking of that one. But I mean, because
• 47:15
  Speaker 2: my original plan when I was 12 years old was
• 47:17
  Speaker 2: I was going to go to LA, marry Axel Rose,
• 47:19
  Speaker 2: we were going to eat food at the fucking Rainbow,
• 47:22
  Speaker 2: because it's in all, not in all their videos, but
• 47:23
  Speaker 2: it's in several of their videos, and it's like a
• 47:25
  Speaker 2: big place, you know, where they hung out there and
• 47:29
  Speaker 2: all that. So yeah, we went to the corner where
• 47:31
  Speaker 2: Axel got off the goddamn bus in the very opening
• 47:34
  Speaker 2: scene of Welcome to the Jungle, right across, like, like,
• 47:37
  Speaker 2: here's the corner, like, right across the street, is in
• 47:39
  Speaker 2: the video, also, Welcome to the Jungle, where Slash is, like,
• 47:42
  Speaker 2: kind of passed out, sitting on the, like, street in
• 47:45
  Speaker 2: front of, like, the glass front store that has all
• 47:48
  Speaker 2: the TVs. Did you see the picture I posted of him?
• 47:51
  Speaker 7: Probably.
• 47:52
  Speaker 2: Anyway, so, yeah, there's, now it's, like, a vintage clothing store, and, like,
• 47:56
  Speaker 2: the TVs are gone. Like, how are you not, like,
• 47:59
  Speaker 2: you could, like, that should be, like, promotion right there.
• 48:03
  Speaker 10: You know?
• 48:04
  Speaker 2: So, yeah. I sat in the same vicinity that Slash
• 48:07
  Speaker 2: sat while he was passed out.
• 48:09
  Speaker 7: As you got over there, did you have, like, a
• 48:11
  Speaker 7: piece of straw in your mouth? I did not.
• 48:16
  Speaker 2: They don't have straw in L.A., and I didn't bring
• 48:18
  Speaker 2: it with me from Indiana.
• 48:18
  Speaker 7: You'd have to be riding in on the bus with it.
• 48:20
  Speaker 2: I mean, all, like, the bench is different, and, like,
• 48:24
  Speaker 2: the street signs are different, but it's the same, you know,
• 48:27
  Speaker 2: it's the same fucking corner.
• 48:28
  Speaker 7: Spirit of Axel is everywhere, man.
• 48:30
  Speaker 10: So, yeah.
• 48:31
  Speaker 2: Earlier that evening, we did eat at the Rainbow Barn Grill,
• 48:33
  Speaker 2: which is the most expensive fucking grilled cheese sandwich I've
• 48:36
  Speaker 2: ever eaten in my entire life.
• 48:38
  Speaker 7: But was it that good?
• 48:39
  Speaker 2: It was okay. I mean, literally, for, like, I had
• 48:42
  Speaker 2: a grilled cheese sandwich as far as you had what?
• 48:46
  Speaker 7: I think I had a turkey sandwich.
• 48:47
  Speaker 9: I had a club.
• 48:49
  Speaker 3: Didn't I?
• 48:51
  Speaker 11: Yeah.
• 48:51
  Speaker 2: It was over $ 50.
• 48:52
  Speaker 3: Jesus.
• 48:56
  Speaker 7: And this didn't come with, like.
• 49:00
  Speaker 2: I didn't get a lap dance from Axl Ernie.
• 49:01
  Speaker 7: Gold or sexual favors or anything else that came with it?
• 49:04
  Speaker 7: You already passed it in Las Vegas.
• 49:06
  Speaker 2: It was an $ 11 bar fee. I had, like, a
• 49:09
  Speaker 2: fucking Coke. Why am I getting charged a bar fee?
• 49:11
  Speaker 9: Because you didn't drink.
• 49:13
  Speaker 2: Is that how it works?
• 49:13
  Speaker 3: I don't know.
• 49:14
  Speaker 2: I mean, the place was cool as shit to be
• 49:15
  Speaker 2: in there. It was dark like a fucking cave. it
• 49:17
  Speaker 2: was red like most of the lights were red and
• 49:19
  Speaker 2: there was just like the walls were covered in pictures
• 49:22
  Speaker 2: of like celebrities and.
• 49:23
  Speaker 9: Like tiny booths and stuff like that it.
• 49:26
  Speaker 2: Was it was just but it was a fucking rock
• 49:28
  Speaker 2: star place you know definitely a rock star place But yeah,
• 49:32
  Speaker 2: so I was like, that was part of my thing.
• 49:33
  Speaker 2: I wanted to go. I wanted to eat. I was like,
• 49:36
  Speaker 2: we're going to LA. We're going to do Guns N'
• 49:37
  Speaker 2: Roses things. We're going to go to the fucking Rainbow
• 49:39
  Speaker 2: Bar and Girl. I'm going to go see the Whiskey
• 49:41
  Speaker 2: A Go-Go. I didn't go in there because their shirts
• 49:44
  Speaker 2: were stupid. We went by the Roxy, you know, went
• 49:48
  Speaker 2: to the Troubadour. Again, I walked in long enough to
• 49:50
  Speaker 2: buy a shirt there because at least the Troubadour, I
• 49:53
  Speaker 2: got to at least go buy a shirt. It was
• 49:54
  Speaker 2: like 20 bucks. You can't fucking hardly buy a t-shirt
• 49:56
  Speaker 2: for 20 bucks anymore. But, uh, their shirts were cool. But,
• 50:00
  Speaker 2: you know, like, the basic rock star things, you know,
• 50:02
  Speaker 2: and all the, you know, like, hardcore Guns N' Roses
• 50:06
  Speaker 2: nerd fan things. And then, uh, somewhat tied to other
• 50:10
  Speaker 2: movie nerd things, Corin Nemec, who I adore more than
• 50:16
  Speaker 2: most people.
• 50:18
  Speaker 7: If you're not one of those people, go look him up.
• 50:22
  Speaker 7: Figure out what he was in.
• 50:23
  Speaker 2: He's fucking Parker Lewis. Parker Lewis can't lose.
• 50:27
  Speaker 7: You might be following him on Instagram.
• 50:29
  Speaker 8: Who knows?
• 50:30
  Speaker 2: He is one of the most entertaining Instagrams. He is
• 50:32
  Speaker 2: such a nerd. He's always posting little cartoon emojis of himself.
• 50:35
  Speaker 2: He's got his dog. He's a cool dude. But apparently
• 50:41
  Speaker 2: he does graffiti. so i messaged him on the twitter
• 50:45
  Speaker 2: i didn't i posted on his page i'm just like
• 50:46
  Speaker 2: dude i'm gonna be in la i'm a fan i
• 50:48
  Speaker 2: just want to delete you know where where could i
• 50:50
  Speaker 2: see your art while i'm in town i'm just you
• 50:54
  Speaker 2: know i'm a big nerd pretty much so he like
• 50:57
  Speaker 2: messaged me back he's like well it's here and here
• 50:59
  Speaker 2: you know i guess like he just gave me like
• 51:00
  Speaker 2: i mean i'm sure there's more locations of it out
• 51:02
  Speaker 2: there but i guess he gave me like a well
• 51:05
  Speaker 2: this is like within a block of each other so
• 51:08
  Speaker 2: He didn't have me running all over town. He gave
• 51:10
  Speaker 2: me a very easy locale. It's right off Melrose or something.
• 51:13
  Speaker 2: I went there and my boyfriend dropped me off on
• 51:16
  Speaker 2: the middle of the street and I had to walk
• 51:17
  Speaker 2: down alleys in LA by myself.
• 51:20
  Speaker 9: You're not that dangerous.
• 51:21
  Speaker 2: You don't know you weren't there.
• 51:23
  Speaker 9: I went behind a couple of the alleys.
• 51:25
  Speaker 7: It must be dangerous. There's graffiti.
• 51:28
  Speaker 3: Oh, my.
• 51:29
  Speaker 9: It's like the highlands.
• 51:31
  Speaker 7: Someone will snatch my purse.
• 51:32
  Speaker 3: It's the highlands.
• 51:34
  Speaker 2: I probably left my purse in the car. I might
• 51:36
  Speaker 2: have had my phone on me this time.
• 51:37
  Speaker 7: Were you clutching your pearls the whole time?
• 51:40
  Speaker 2: Because when your boyfriend drops you off on the corner of, like,
• 51:42
  Speaker 2: Sunset in the middle of L.A. and you forget your
• 51:44
  Speaker 2: phone in the car, that is a real fucking, oh,
• 51:46
  Speaker 2: my God, I'm going to shit myself moment. Because you're like,
• 51:48
  Speaker 2: I'm going to die.
• 51:49
  Speaker 9: Because I went to call her and the fucking phone
• 51:51
  Speaker 9: rings in my glove box. And I sat there and
• 51:54
  Speaker 9: I shook my head. I was like, you've got to
• 51:55
  Speaker 9: be fucking kidding me. Out of all the places to
• 51:59
  Speaker 9: fucking forget your phone in the middle of goddamn L.A. So, luckily,
• 52:03
  Speaker 9: I circle around the block and park and my car
• 52:06
  Speaker 9: is not too hard to see, so.
• 52:07
  Speaker 2: I just stood where you dropped me. I'm like, eventually
• 52:11
  Speaker 2: he'll come back to where I am.
• 52:12
  Speaker 7: I waited.
• 52:13
  Speaker 9: Luckily, I've got a pretty decent sense of direction.
• 52:17
  Speaker 7: Luckily, some guy came up and was like, hey, you
• 52:20
  Speaker 7: new in town? He was like, I got some change.
• 52:23
  Speaker 2: I got some change. If I had some more change,
• 52:26
  Speaker 2: I could buy me a cheeseburger.
• 52:29
  Speaker 7: That is actually what you heard.
• 52:30
  Speaker 2: That's the most panhandled I got in all of L.A.
• 52:34
  Speaker 7: Which is good because I get more than that here.
• 52:36
  Speaker 2: A very vague, hey, if you got some change, I
• 52:39
  Speaker 2: could get me a cheeseburger. Considering the amount of homeless
• 52:44
  Speaker 2: people we saw and the amount of tents of homeless people, yeah,
• 52:47
  Speaker 2: we didn't get any.
• 52:48
  Speaker 9: It's pretty sad out there. They've got a pretty big
• 52:51
  Speaker 9: homeless epidemic going on. And a lot of it's like.
• 52:54
  Speaker 9: A lot of it's like kids, like teenagers. Again, that's the.
• 52:58
  Speaker 7: Dream of every kid.
• 52:59
  Speaker 16: I'm going to move to Hollywood and be a big star.
• 53:01
  Speaker 16: Or OD on the street. 98% of those kids are
• 53:05
  Speaker 16: not the ones that become big stars. There's like a
• 53:07
  Speaker 16: little fraction that go get regular jobs and just, it sucks.
• 53:11
  Speaker 7: And now I live here.
• 53:11
  Speaker 14: Oh, well.
• 53:12
  Speaker 7: And then the rest of them are out in tents
• 53:14
  Speaker 7: on the side of the road.
• 53:15
  Speaker 9: Or like you said, OD in the street. Or OD
• 53:17
  Speaker 9: in the street, which is what we saw.
• 53:19
  Speaker 10: Yeah.
• 53:20
  Speaker 2: I didn't have my body poking sticks, so I was
• 53:22
  Speaker 2: not prepared.
• 53:23
  Speaker 13: Uh-oh.
• 53:24
  Speaker 7: Why did you leave the house without your body tokens?
• 53:26
  Speaker 9: You know, we don't know if they were dead or not.
• 53:28
  Speaker 9: But chances are they probably were pretty close. I'm pretty
• 53:31
  Speaker 9: sure they got Narcan'd.
• 53:32
  Speaker 2: Yeah, because we were walking to the boyfriend's dinner. And
• 53:35
  Speaker 2: as we're walking down the street in Chinatown in L.A., like,
• 53:38
  Speaker 2: here comes, like, at least two ambulances coming towards us.
• 53:42
  Speaker 7: I'm like, oh.
• 53:43
  Speaker 9: That person was sitting on the sidewalk when we walked
• 53:46
  Speaker 9: past them. And they were not moving. And then we
• 53:49
  Speaker 9: came back and they were still not moving. And they
• 53:52
  Speaker 9: called the ambulance.
• 53:52
  Speaker 7: The ambulance was... I don't know.
• 53:55
  Speaker 9: Did they move when the... I don't know.
• 53:57
  Speaker 2: By then the crowd got too thick so I couldn't
• 53:58
  Speaker 2: really see. And then you were wanting your rice. So
• 54:00
  Speaker 2: we kind of like, well, food first. But yeah, back
• 54:04
  Speaker 2: to what I was talking about. Corin Nemec and his...
• 54:09
  Speaker 2: For an actor doing graffiti, it was pretty.
• 54:11
  Speaker 7: Yeah, you showed me pictures. It's surprisingly well done. In general,
• 54:16
  Speaker 7: when I see, mostly in our town where People just, like,
• 54:19
  Speaker 7: spray some random lines and pretend like they're a graffiti artist.
• 54:22
  Speaker 7: And it's sad. That's my thing. I'm like, if you
• 54:24
  Speaker 7: want to do graffiti, that's fine, but at least be good. Like,
• 54:28
  Speaker 7: get some practice in and go, like, actually put something
• 54:31
  Speaker 7: good up, which is what his are. Like, his are
• 54:33
  Speaker 7: really well done.
• 54:34
  Speaker 9: A lot of the art over there was full-on just
• 54:38
  Speaker 9: fucking mind-blowing graffiti.
• 54:40
  Speaker 2: And his is, like, it's in the alley. It's on
• 54:43
  Speaker 2: the back of, like, there's a couple stores that his, like,
• 54:46
  Speaker 2: I don't remember the name of his, where he told
• 54:48
  Speaker 2: me the name of the place where it was. But
• 54:50
  Speaker 2: like I said, the art itself was amazing. Most of
• 54:53
  Speaker 2: it was off Melrose.
• 54:54
  Speaker 9: Yeah, two of them were off Melrose.
• 54:56
  Speaker 2: I'm sure.
• 54:57
  Speaker 9: Was that the only two we went to go see
• 54:58
  Speaker 9: were the two off Melrose?
• 54:59
  Speaker 2: It was behind American Vintage on Curson and Melrose and
• 55:02
  Speaker 2: behind Posers on Melrose near Vista. That's what he texted.
• 55:05
  Speaker 2: That's what he messaged me.
• 55:06
  Speaker 7: She's reading her tweet from Coronemic, so be jealous. He
• 55:11
  Speaker 7: tweeted right at her.
• 55:12
  Speaker 2: Yeah, directly at my name. But apparently his street tag name,
• 55:16
  Speaker 2: because apparently he doesn't sign them with his name, obviously.
• 55:19
  Speaker 3: Nobody does.
• 55:19
  Speaker 9: I'm Parker Lewis.
• 55:22
  Speaker 2: But his name's like Pike or something. So if you
• 55:24
  Speaker 2: see any Pike graffiti.
• 55:25
  Speaker 9: Piker Lewis.
• 55:30
  Speaker 2: But yeah, so what else? Did we do anything else
• 55:32
  Speaker 2: in LA?
• 55:34
  Speaker 9: We tried to get next to the Hollywood sign and
• 55:36
  Speaker 9: realized that you can't get anywhere even close to the
• 55:38
  Speaker 9: Hollywood sign.
• 55:40
  Speaker 2: Tried to go up to the observatory, but you have
• 55:41
  Speaker 2: to pay like $ 8 to park, and I'm just like.
• 55:43
  Speaker 9: Okay, parking, if you've never been to LA, parking is
• 55:46
  Speaker 9: fucking goddamn ridiculous.
• 55:48
  Speaker 7: Here's a big surprise. Traffic sucks, parking non-existent. So, yeah,
• 55:51
  Speaker 7: you never saw that coming.
• 55:53
  Speaker 9: Yeah, well, you know, the traffic was bad, but it
• 55:56
  Speaker 9: wasn't as bad as I thought it was going to be.
• 55:59
  Speaker 9: I thought it was going to be a lot worse
• 56:01
  Speaker 9: than what it was. But when you've driven in Bangkok traffic,
• 56:06
  Speaker 9: everything is not as bad as Bangkok traffic.
• 56:09
  Speaker 2: Did we do anything else in LA? We did the Velveteria.
• 56:12
  Speaker 9: Yes, we did the Velveteria.
• 56:14
  Speaker 7: That's very fitting for, again, for people who know our taste.
• 56:19
  Speaker 2: We saw Lucy.
• 56:20
  Speaker 9: Yeah, we looked down and there's Lucy.
• 56:21
  Speaker 7: Lucy is on display. Again, if you're listening over many
• 56:26
  Speaker 7: years now, you know Lucy. She's a legend in her
• 56:30
  Speaker 7: own right. This guy had a big framed face.
• 56:32
  Speaker 2: Picture talking about like the harry dean stanton fest yeah
• 56:36
  Speaker 2: and there's lucy sitting there and i'm.
• 56:37
  Speaker 7: Just like a couple of years ago yeah if you
• 56:40
  Speaker 7: went to harry dean stanton fest in the kentucky theater
• 56:43
  Speaker 7: where they have it every year the whole lobby was
• 56:45
  Speaker 7: set up as a show of nothing but black velvet
• 56:48
  Speaker 7: paintings of harry dean stanton and all these different roles
• 56:51
  Speaker 7: or just him and his personal life and like They
• 56:53
  Speaker 7: were amazing, and it was awesome, and who doesn't want
• 56:55
  Speaker 7: a black velvet painting of Harry Dean Stanton?
• 56:57
  Speaker 2: Because this guy had several of them at the Velvet Trophy.
• 56:59
  Speaker 2: It's the same guy who brought them.
• 57:01
  Speaker 7: Yeah, he pretty much got all the artists, I guess,
• 57:03
  Speaker 7: I mean, there might have been, I think there was
• 57:05
  Speaker 7: at least somebody from the area that had done a
• 57:07
  Speaker 7: few of them, but a lot of them, this guy
• 57:09
  Speaker 7: came from LA, where he runs this entire museum of
• 57:12
  Speaker 7: black velvet paintings.
• 57:13
  Speaker 2: Oh, it was so delightful.
• 57:14
  Speaker 7: And set up the whole thing for, yeah, for when
• 57:17
  Speaker 7: Lucy did the show there.
• 57:18
  Speaker 9: He didn't have all of his stuff out. He has
• 57:21
  Speaker 9: a vast collection of velvet paintings but because the space
• 57:26
  Speaker 9: he's in he's in chinatown uh it's a.
• 57:29
  Speaker 2: Much smaller place than what he had moved from he
• 57:31
  Speaker 2: had like a larger place so like when you walk
• 57:33
  Speaker 2: in there's like literally.
• 57:34
  Speaker 17: Like you have to like you can like just stack
• 57:36
  Speaker 17: something like go flip through the paintings.
• 57:38
  Speaker 9: Yeah yeah he's got him kind of i've.
• 57:40
  Speaker 7: Kind of wondered like looking at his photos because he
• 57:43
  Speaker 7: always has new stuff coming in and new specific themed
• 57:46
  Speaker 7: shows and i'm like If he's still keeping them every time, like,
• 57:49
  Speaker 7: where are they going? Like, there's only so much.
• 57:52
  Speaker 9: He's got a warehouse or something. You'd have to, yeah.
• 57:53
  Speaker 9: He says he kind of cycles through stuff. He takes
• 57:56
  Speaker 9: things off the wall and puts them up.
• 57:57
  Speaker 3: And stuff like that.
• 57:58
  Speaker 2: And he will tell stories. And he's interesting. He was
• 58:02
  Speaker 2: an interesting guy.
• 58:02
  Speaker 7: Yeah, he's an interesting guy. So, what's that called again?
• 58:05
  Speaker 2: That's the Velveteria.
• 58:06
  Speaker 7: So, definitely go hit that up.
• 58:08
  Speaker 2: We also hit up the, do you have any more
• 58:10
  Speaker 2: to add about the Velveteria? Oh, no.
• 58:13
  Speaker 9: We hit up Chinatown and we hit up Little Tokyo.
• 58:16
  Speaker 2: Oh.
• 58:17
  Speaker 3: And what?
• 58:18
  Speaker 2: The Museum of Death.
• 58:19
  Speaker 9: The Museum of Death. Yeah, we went to the Museum
• 58:22
  Speaker 9: of Death on my birthday.
• 58:23
  Speaker 7: That seems fitting, sure.
• 58:26
  Speaker 9: So, that's pretty awesome. They don't really let you take
• 58:29
  Speaker 9: pictures there, so no pictures of the Museum of Death.
• 58:33
  Speaker 7: Just know there was death.
• 58:34
  Speaker 2: Lots of it.
• 58:35
  Speaker 9: And a museum of it.
• 58:36
  Speaker 2: Well, because when you first walk in, you have the
• 58:38
  Speaker 2: serial killer room, which has a lot of memorabilia and collections.
• 58:42
  Speaker 2: letters scattered throughout the place there's like letters and like.
• 58:46
  Speaker 9: Artwork that they've sent um and then that kind of
• 58:49
  Speaker 9: leads into an area of uh executions where.
• 58:52
  Speaker 2: They have video like live third world live obviously but
• 58:55
  Speaker 2: like yeah they have running video.
• 58:57
  Speaker 9: Of like like third world executions.
• 59:00
  Speaker 2: And it's not fucking around they are fucking brutal well.
• 59:04
  Speaker 9: I mean it's life. That's what happens in other countries.
• 59:08
  Speaker 9: But don't go in.
• 59:09
  Speaker 2: There thinking they're going to sugarcoat it.
• 59:10
  Speaker 7: In any way.
• 59:11
  Speaker 2: No.
• 59:11
  Speaker 9: Well, you know, here's the thing. You know, we live
• 59:14
  Speaker 9: in a very sheltered country. So you get to see
• 59:19
  Speaker 9: how things really go on in other countries where people
• 59:22
  Speaker 9: get dragged out in the middle of the street, stripped
• 59:24
  Speaker 9: naked and stoned to death with large rocks. Or they
• 59:28
  Speaker 9: get their heads cut off. or their hands cut off,
• 59:31
  Speaker 9: or get shot in front of a big group of people.
• 59:35
  Speaker 9: That's shocking to us. Well, some of us. But it's
• 59:40
  Speaker 9: kind of an everyday occurrence for some people.
• 59:43
  Speaker 7: Depending on where you are.
• 59:44
  Speaker 9: Depending on where you're from. It's kind of not very uncommon.
• 59:50
  Speaker 9: But then it goes into the autopsy room.
• 59:53
  Speaker 2: Which, I mean, I watch a lot of stuff, and
• 59:55
  Speaker 2: it takes a lot to make me kind of like, Yeah.
• 59:58
  Speaker 9: Misty kind of was like, alright, alright.
• 1:00:01
  Speaker 2: They're showing live... Again, I keep wanting to say live.
• 1:00:04
  Speaker 2: They're showing actual footage of.
• 1:00:06
  Speaker 9: They're like autopsy videos.
• 1:00:09
  Speaker 7: How do they do them?
• 1:00:11
  Speaker 2: Instructional videos.
• 1:00:12
  Speaker 9: Yeah, it's like instructional videos on autopsies.
• 1:00:15
  Speaker 2: I could not do that.
• 1:00:16
  Speaker 9: Cut people open, pulling out their organs.
• 1:00:18
  Speaker 2: Plugging up orifices.
• 1:00:21
  Speaker 7: Sometimes, these are things you gotta do.
• 1:00:23
  Speaker 2: All the.
• 1:00:25
  Speaker 2: Like, everything else doesn't bother me. Like, the tools and, like,
• 1:00:28
  Speaker 2: the equipment.
• 1:00:29
  Speaker 8: Yeah.
• 1:00:29
  Speaker 2: But when you actually see it, I'm just like, okay.
• 1:00:31
  Speaker 9: Because that's, yeah, you're like, well, yeah, you're like, oh,
• 1:00:33
  Speaker 9: that's actually, that was a person.
• 1:00:35
  Speaker 2: You know, and that's, I don't know. I guess I'm
• 1:00:39
  Speaker 2: so used to, like. What you're seeing is a reenactment.
• 1:00:44
  Speaker 7: Again, we watch tons of horror movies. When you know
• 1:00:47
  Speaker 7: it's special effects and sometimes you're like, oh, that.
• 1:00:50
  Speaker 4: Looks super realistic.
• 1:00:51
  Speaker 7: But when it is real, it changes the game.
• 1:00:54
  Speaker 2: We see faces actually getting peeled.
• 1:00:56
  Speaker 7: And I'm just like, whoa. It's a little different.
• 1:00:59
  Speaker 2: It takes a lot to get me to that. I
• 1:01:01
  Speaker 2: wasn't like, oh my god, I'm going to throw up.
• 1:01:03
  Speaker 2: I'm just like, okay, I'm going to go to the
• 1:01:04
  Speaker 2: next part. I can look at this case over here.
• 1:01:07
  Speaker 9: I think the biggest thing is just how rough they
• 1:01:09
  Speaker 9: are with the damn body. I'm like, I mean, you're dead,
• 1:01:13
  Speaker 9: of course.
• 1:01:13
  Speaker 2: You gotta work this elbow and you gotta work this.
• 1:01:16
  Speaker 9: Holy shit, man. They're rolling them over and, you know,
• 1:01:21
  Speaker 9: I was like, damn.
• 1:01:23
  Speaker 10: All right.
• 1:01:23
  Speaker 9: Well, you know what? Just fucking cremate me because I
• 1:01:26
  Speaker 9: don't want any of that shit.
• 1:01:27
  Speaker 2: But yeah, and then it goes into like a lot
• 1:01:28
  Speaker 2: of like, again, a lot of the. You know, more
• 1:01:32
  Speaker 2: things that happen in other countries. And, like, you end
• 1:01:34
  Speaker 2: up with the section that's all drinking the Kool-Aid.
• 1:01:41
  Speaker 10: Oh, the Jim Jones.
• 1:01:42
  Speaker 2: You end up with that, and you end up with
• 1:01:43
  Speaker 2: the others. The whole room that's, like, devoted to the.
• 1:01:46
  Speaker 9: Manson family.
• 1:01:47
  Speaker 8: No.
• 1:01:49
  Speaker 2: The Nike people.
• 1:01:51
  Speaker 3: Oh, yeah.
• 1:01:52
  Speaker 9: The Branch Davidians.
• 1:01:53
  Speaker 1: Yes.
• 1:01:54
  Speaker 11: Yeah.
• 1:01:55
  Speaker 7: Brought to you by Nike.
• 1:01:56
  Speaker 2: Well, because they have, like, this whole display room set
• 1:01:58
  Speaker 2: up that it's, like, two bunk beds with, like.
• 1:02:01
  Speaker 7: People all.
• 1:02:01
  Speaker 9: Dressed in the actual, I don't know if it was
• 1:02:04
  Speaker 9: the actual clothing.
• 1:02:05
  Speaker 2: I think some of it was.
• 1:02:07
  Speaker 9: They've got, I'll tell you what, the Museum of Death's
• 1:02:09
  Speaker 9: got a lot of actual stuff. Just right offhand that
• 1:02:15
  Speaker 9: I can think right now, the lead singer for Christian Death,
• 1:02:21
  Speaker 9: which I cannot remember his damn name.
• 1:02:23
  Speaker 7: What is his name?
• 1:02:24
  Speaker 2: Because they had like a whole section devoted to him. Yeah.
• 1:02:27
  Speaker 2: Which we tried to find him at the graveyard, but
• 1:02:29
  Speaker 2: he was in one of the mausoleums that was locked
• 1:02:31
  Speaker 2: up because we got there kind of late.
• 1:02:32
  Speaker 13: Yeah.
• 1:02:33
  Speaker 2: Roz Williams.
• 1:02:34
  Speaker 7: Roz Williams.
• 1:02:35
  Speaker 8: Okay.
• 1:02:36
  Speaker 7: So, I don't know.
• 1:02:39
  Speaker 9: I guess he was friends with the guys who ran
• 1:02:43
  Speaker 9: the Museum of Death, but they actually have like the
• 1:02:47
  Speaker 9: cabinet door handle that he hung himself off of and
• 1:02:52
  Speaker 9: I mean, they've got.
• 1:02:55
  Speaker 9: Shit.
• 1:02:57
  Speaker 7: G.G.
• 1:02:57
  Speaker 3: Allen.
• 1:02:58
  Speaker 9: They've got a lot of G.G. Allen shit.
• 1:03:00
  Speaker 2: They had the clothes he was like.
• 1:03:01
  Speaker 3: He was.
• 1:03:01
  Speaker 9: Wearing when he died, yeah. So, they have... Apparently, he
• 1:03:07
  Speaker 9: was friends with them, too. So, they've got a lot
• 1:03:09
  Speaker 9: of his stuff.
• 1:03:10
  Speaker 7: So, the moral is, don't be friends with these guys.
• 1:03:13
  Speaker 9: Well, I think they had already... We're like, well, we're
• 1:03:16
  Speaker 9: going to donate our stuff once we kick off, you know? So,
• 1:03:19
  Speaker 9: you guys get it all.
• 1:03:20
  Speaker 2: It was just... Like I said, there was a lot
• 1:03:21
  Speaker 2: of letters from serial killers, like people, like Jeffrey Dahmer,
• 1:03:25
  Speaker 2: you know. I don't think it was somebody who actually,
• 1:03:29
  Speaker 2: it was some lady he was writing to about how
• 1:03:31
  Speaker 2: her letters was the only thing that got him through
• 1:03:34
  Speaker 2: the day, you know. And I'm just like, I didn't
• 1:03:37
  Speaker 2: save you from that guy or beat the shit out
• 1:03:39
  Speaker 2: of you today.
• 1:03:40
  Speaker 10: No.
• 1:03:40
  Speaker 7: Jeffrey was a complicated dude.
• 1:03:42
  Speaker 2: But, yeah, they had letters, they had art, and there's
• 1:03:45
  Speaker 2: just so much stuff. They had a whole room devoted
• 1:03:48
  Speaker 2: to Manson.
• 1:03:48
  Speaker 8: Yeah.
• 1:03:49
  Speaker 2: Some of his art and stuff like that, and stuff
• 1:03:51
  Speaker 2: that he had made, and some of the, like, there
• 1:03:53
  Speaker 2: was this huge quilt on the wall. Boyfriend walked by it, like.
• 1:03:57
  Speaker 1: Several times.
• 1:03:57
  Speaker 2: He's like, oh, well, it's got swastikas on it.
• 1:03:59
  Speaker 8: Jesus.
• 1:04:00
  Speaker 2: Because it was made by the girls.
• 1:04:04
  Speaker 7: Yeah.
• 1:04:05
  Speaker 2: And they're just like, I didn't realize there were swastikas
• 1:04:08
  Speaker 2: all over it. And I'm like.
• 1:04:09
  Speaker 9: Well, I mean, when you're right up close to it,
• 1:04:11
  Speaker 9: you don't really see it until you back up. They
• 1:04:15
  Speaker 9: had some stuff on the Black Dahlia murder.
• 1:04:17
  Speaker 2: They had OJ stuff.
• 1:04:19
  Speaker 9: They had some of OJ stuff, yeah.
• 1:04:20
  Speaker 7: All kinds of stuff.
• 1:04:21
  Speaker 9: I think that was the end of pretty much what
• 1:04:25
  Speaker 9: we did in L.A.
• 1:04:27
  Speaker 2: Was it?
• 1:04:28
  Speaker 18: Yeah.
• 1:04:29
  Speaker 2: Yeah, I think it was.
• 1:04:30
  Speaker 7: Well, that's what I thought was our tie-in for this,
• 1:04:33
  Speaker 7: because you've got your whole trip to Hollywood and all
• 1:04:36
  Speaker 7: your crazy Hollywood tie-in stories. And this week at Days
• 1:04:39
  Speaker 7: of the Dead, we talked with a Hollywood A-lister. Yay!
• 1:04:43
  Speaker 7: I mean, back in the day.
• 1:04:44
  Speaker 2: Not Edward Furlong?
• 1:04:45
  Speaker 7: There was not Edward Furlong. No offense, Edward, but let's
• 1:04:49
  Speaker 7: not even pretend. Back in the day, there was no
• 1:04:52
  Speaker 7: bigger female lead than Kathleen Turner. So the fact that
• 1:04:56
  Speaker 7: we could convince her to sit down and talk for
• 1:04:58
  Speaker 7: a few minutes was kind of awesome. So I think
• 1:05:02
  Speaker 7: we're going to get to our special guest right now
• 1:05:04
  Speaker 7: and go sit down with Miss Kathleen Turner.
• 1:05:29
  Speaker 11: All right.
• 1:05:30
  Speaker 7: Well, I usually try to start early on and kind
• 1:05:32
  Speaker 7: of get a sense of how people got to, you know,
• 1:05:35
  Speaker 7: what they were interested in and what led them to
• 1:05:36
  Speaker 7: the industry they work in. And usually it's pretty early on.
• 1:05:41
  Speaker 7: They kind of attach themselves to their fandom. But from
• 1:05:45
  Speaker 7: what little I know, your family was a little different.
• 1:05:48
  Speaker 7: Was the arts not encouraged for you?
• 1:05:51
  Speaker 10: No, no one in my family had ever been in
• 1:05:53
  Speaker 10: liberal arts. Or should I say performing arts? Yeah.
• 1:05:56
  Speaker 3: Yeah.
• 1:06:00
  Speaker 10: No, heaven's to bet you when I went, I was
• 1:06:02
  Speaker 10: at high school in London. And I moved there, well,
• 1:06:05
  Speaker 10: we all moved there from Caracas, Venezuela. And it was
• 1:06:09
  Speaker 10: already in my mind that, you know, I wanted to act. But,
• 1:06:13
  Speaker 10: of course, when I got to London and saw the
• 1:06:16
  Speaker 10: theater there, well, that was it. I was a goner,
• 1:06:20
  Speaker 10: you know. I think the first night I was in London,
• 1:06:23
  Speaker 10: I snuck out of the hotel and got a really
• 1:06:26
  Speaker 10: cheap ticket, you know, up in the gods in the
• 1:06:28
  Speaker 10: theater room. And it just hit me, well, I could
• 1:06:35
  Speaker 10: make my living doing this. I guess it never quite
• 1:06:38
  Speaker 10: occurred to me that way before.
• 1:06:39
  Speaker 7: I think that's, yeah, that's a defining moment for everybody.
• 1:06:43
  Speaker 10: We knew that we all had to make our way.
• 1:06:45
  Speaker 10: We didn't have any money or anything, so we were
• 1:06:47
  Speaker 10: all going to have to pay our rent. But thinking, oh,
• 1:06:50
  Speaker 10: my God, I could pay my rent this way.
• 1:06:52
  Speaker 7: It's better than most jobs out there, I suppose.
• 1:06:55
  Speaker 10: I love it.
• 1:06:57
  Speaker 7: So were you initially drawn to just like theater?
• 1:06:59
  Speaker 12: Oh, yes.
• 1:07:00
  Speaker 7: Or was it, were you like growing up, were you
• 1:07:01
  Speaker 7: into film as well? It was all theater?
• 1:07:03
  Speaker 10: No, I grew up mostly in Venezuela and everything, so
• 1:07:06
  Speaker 10: there was very little in English. And I took a
• 1:07:09
  Speaker 10: couple of years to speak Spanish well enough to really
• 1:07:12
  Speaker 10: be able to watch films. No, I've always been a reader, honestly.
• 1:07:17
  Speaker 10: But then I moved to New York, you know, right after...
• 1:07:21
  Speaker 10: I finished college. Well, hell, my car was packed already.
• 1:07:25
  Speaker 10: They gave me the diploma. I said, send it to
• 1:07:27
  Speaker 10: my mother. Thank you.
• 1:07:28
  Speaker 7: You're ready to go.
• 1:07:29
  Speaker 10: I was ready. And then, I don't know, in the
• 1:07:32
  Speaker 10: first year, it took about six months to get an
• 1:07:36
  Speaker 10: off-Broadway play. Or rather, I should say off-off. And then
• 1:07:40
  Speaker 10: about ten months to get a soap opera. And then
• 1:07:45
  Speaker 10: in eleven months, I was on Broadway in Gemini. So,
• 1:07:49
  Speaker 10: I was racing to the studio at 6 o'clock in
• 1:07:52
  Speaker 10: the morning and then racing to the theater at 6
• 1:07:55
  Speaker 10: o'clock at night. And when you're 22, you can do
• 1:07:58
  Speaker 10: that stuff. Yeah. It was great. It was absolutely great.
• 1:08:02
  Speaker 7: Again, there's not as much going on with that anymore,
• 1:08:04
  Speaker 7: but that is such a training ground for actors.
• 1:08:06
  Speaker 10: It was good training for camera. I'd never done any
• 1:08:08
  Speaker 10: camera work.
• 1:08:09
  Speaker 2: Yeah.
• 1:08:09
  Speaker 7: So as you moved into, like, were you specifically looking
• 1:08:12
  Speaker 7: to move towards film eventually?
• 1:08:14
  Speaker 10: No, I always thought film kind of happened to me. Well,
• 1:08:18
  Speaker 10: there were these three casting directors, these three women. There
• 1:08:21
  Speaker 10: was one great, you know, sort of the grand dame
• 1:08:24
  Speaker 10: of casting directors at that time named Marion Dowdy, I think, yes.
• 1:08:28
  Speaker 10: And she had three protégés. And they, unbeknownst to me,
• 1:08:34
  Speaker 10: they evidently had a bet on who would get me
• 1:08:37
  Speaker 10: in the first film, you know. I guess that's productive
• 1:08:42
  Speaker 10: for you, at least. Yeah, Wally Nesita won because she
• 1:08:45
  Speaker 10: cast Bite.
• 1:08:47
  Speaker 7: I mean, that sort of launched you so far ahead.
• 1:08:51
  Speaker 7: It's a leading role in what became a really big movie.
• 1:08:54
  Speaker 10: Yeah, they were pretty scared. you know i think it
• 1:08:57
  Speaker 10: was fox yeah they were pretty scared about oh no
• 1:09:02
  Speaker 10: why oh heck anyway who knows um it was long
• 1:09:06
  Speaker 10: enough ago um yeah i mean to risk so much
• 1:09:09
  Speaker 10: on a complete unknown but then bill had only done
• 1:09:12
  Speaker 10: one film and hadn't come out yet that was altered
• 1:09:15
  Speaker 10: states yeah So, really, he wasn't unknown, too, at that point,
• 1:09:19
  Speaker 10: as far as they were concerned.
• 1:09:21
  Speaker 7: And then, like, that's really the first feature directing for
• 1:09:25
  Speaker 7: Lawrence Kasdan.
• 1:09:25
  Speaker 10: What I found out years later, really, was that George Lucas,
• 1:09:32
  Speaker 10: who was the ultimate producer, was the one who said, uh-uh,
• 1:09:37
  Speaker 10: it's these two. I mean, I've always had to... When
• 1:09:41
  Speaker 10: I finally got to meet him, I finally got to
• 1:09:44
  Speaker 10: thank him.
• 1:09:44
  Speaker 7: Yeah.
• 1:09:45
  Speaker 10: Yeah.
• 1:09:46
  Speaker 7: Yeah, he definitely was already working. Yeah, okay, I didn't
• 1:09:48
  Speaker 7: even write him to that point, but yeah.
• 1:09:50
  Speaker 10: Well, Larry had written for him, right?
• 1:09:52
  Speaker 8: Yeah.
• 1:09:53
  Speaker 10: So they knew each other well.
• 1:09:54
  Speaker 7: And then what were you like, as you got into
• 1:09:57
  Speaker 7: that role, again, it's such a different kind of a role,
• 1:10:00
  Speaker 7: specifically for like a woman in that time period. Like
• 1:10:04
  Speaker 7: you didn't see a lot of female leads at that point.
• 1:10:07
  Speaker 10: Well, you're talking about a body, yeah. Well, not only that,
• 1:10:11
  Speaker 10: I think that, you know, it was really a breakthrough
• 1:10:14
  Speaker 10: on sexuality in film. Yeah. We never had anything quite
• 1:10:17
  Speaker 10: like it. And I think we were very brave.
• 1:10:22
  Speaker 7: Yeah, definitely.
• 1:10:23
  Speaker 10: Yeah, it was kind of like, well, either they'll love
• 1:10:25
  Speaker 10: us or I'll never work again.
• 1:10:26
  Speaker 7: Just, I had a few to hit, so I wanted
• 1:10:30
  Speaker 7: to jump around. I was always a huge fan of
• 1:10:33
  Speaker 7: Romancing the Stone. That's, Such a big ordeal to get
• 1:10:36
  Speaker 7: involved in just as far as so much action. And
• 1:10:39
  Speaker 7: were you prepared for going into that much physical shit?
• 1:10:42
  Speaker 7: I mean, at least you grew up in a different climate.
• 1:10:45
  Speaker 10: Before I got rheumatoid arthritis, I was a really serious
• 1:10:51
  Speaker 10: athlete and loved it. Loved throwing myself around. I mean,
• 1:10:55
  Speaker 10: they had to stop me from doing stunts, you know.
• 1:10:58
  Speaker 10: Michael had to say, no, no, the insurance. Oh, shucks.
• 1:11:03
  Speaker 10: They wouldn't let me swing across the gorge, you know.
• 1:11:07
  Speaker 10: No fun. And then we kept losing taste because I'd
• 1:11:11
  Speaker 10: crack up. I'd be laughing when I was supposed to
• 1:11:13
  Speaker 10: be terrified, you know. But I was having a ball.
• 1:11:16
  Speaker 10: And I grew up in South America, so yeah. It
• 1:11:19
  Speaker 10: was very comfortable for me, kind of a little bit
• 1:11:22
  Speaker 10: of going home. And Michael needed another, you know, person
• 1:11:26
  Speaker 10: who was bilingual because he had most of the actors,
• 1:11:30
  Speaker 10: several of the actors, didn't speak English really. And I
• 1:11:34
  Speaker 10: don't know how he thought he was going to direct them. Well,
• 1:11:38
  Speaker 10: that was... Still Robert Zemeckis.
• 1:11:40
  Speaker 7: Yeah, that's again pretty early for him. Was he prepared
• 1:11:44
  Speaker 7: for everything you guys had to do?
• 1:11:45
  Speaker 10: Bob Zemeckis, yes. Yeah, he had it all planned out.
• 1:11:49
  Speaker 10: He had all the camera work plotted out. I just
• 1:11:51
  Speaker 10: don't think he had any idea what was going to
• 1:11:53
  Speaker 10: happen with the acting. He's kind of one of those
• 1:11:56
  Speaker 10: directors out of UCLA film school, you know, are so
• 1:12:00
  Speaker 10: fascinated by the camera and then turn to you and go, Okay,
• 1:12:04
  Speaker 10: you do what you do now.
• 1:12:08
  Speaker 7: Yeah. I mean, that's kind of what Lucas was sort
• 1:12:10
  Speaker 7: of known for. He was way more concerned with setting
• 1:12:13
  Speaker 7: up the blocking and everything. And then, okay, now you
• 1:12:16
  Speaker 7: guys act.
• 1:12:17
  Speaker 10: Right, right.
• 1:12:19
  Speaker 7: And then, I mean, that was such an amazing sort
• 1:12:22
  Speaker 7: of chemistry between you and Michael Douglas. So is it
• 1:12:25
  Speaker 7: something that was there?
• 1:12:26
  Speaker 10: Quite honestly, yeah. Yeah, no, we hit it off right off.
• 1:12:29
  Speaker 10: But it was honestly Danny DeVito, too.
• 1:12:31
  Speaker 7: I mean, don't forget.
• 1:12:32
  Speaker 10: He was in all three films I directed, War of
• 1:12:35
  Speaker 10: the Roses. And so really kind of after hours, Danny
• 1:12:39
  Speaker 10: and Michael were the oldest of friends. They roomed together
• 1:12:43
  Speaker 10: when they first went to New York. And so they
• 1:12:46
  Speaker 10: kind of let me into their club. So even if
• 1:12:49
  Speaker 10: we weren't in scenes and everything together with Danny much,
• 1:12:53
  Speaker 10: I mean, we did get some, of course, but there was,
• 1:12:58
  Speaker 10: it was just such a camaraderie. It was just, I mean,
• 1:13:01
  Speaker 10: those guys just, We're so tight, you know, and they
• 1:13:05
  Speaker 10: let me in the club. It was really fun.
• 1:13:09
  Speaker 7: And then how different is it, like, again, you go
• 1:13:11
  Speaker 7: through the first two movies there and then change gears
• 1:13:15
  Speaker 7: and have Danny come in and change?
• 1:13:17
  Speaker 10: I try to change gears every film.
• 1:13:19
  Speaker 2: Yeah, yeah.
• 1:13:19
  Speaker 10: So, well, which makes it difficult sometimes, I think, for
• 1:13:24
  Speaker 10: people to put my body of work together, you know,
• 1:13:26
  Speaker 10: because if you really look at the filmography, uh, each
• 1:13:32
  Speaker 10: film is almost directly the opposite of the one before.
• 1:13:35
  Speaker 7: Yeah.
• 1:13:36
  Speaker 10: So after body, he came the man with two brains,
• 1:13:39
  Speaker 10: which is a comedy and a spoof. Right.
• 1:13:43
  Speaker 7: Carl Reiner.
• 1:13:43
  Speaker 11: Yeah.
• 1:13:44
  Speaker 10: And then, oh, genius. He's a, I love him. So,
• 1:13:48
  Speaker 10: and then, um, came romancing.
• 1:13:51
  Speaker 3: Yeah.
• 1:13:52
  Speaker 10: Uh, and then crimes of passion. And I have to
• 1:13:55
  Speaker 10: tell you that like, um, My God, we were all
• 1:13:59
  Speaker 10: very upset. I was going to do Crimes of Passion.
• 1:14:01
  Speaker 10: I said, no, no, no. It's Ken Russell.
• 1:14:03
  Speaker 7: Yeah.
• 1:14:04
  Speaker 10: I want to work with Ken Russell. Now, Anthony Perkins
• 1:14:07
  Speaker 10: was less than optimal, but anyway, the point being that
• 1:14:12
  Speaker 10: each one is quite different to the one before. So
• 1:14:15
  Speaker 10: I will run into people who say, you know, they
• 1:14:18
  Speaker 10: say I loved Pritzy's Honor. I say, well, thank you.
• 1:14:22
  Speaker 10: Did you see Accidental Tours? Oh, God, yes, I loved
• 1:14:24
  Speaker 10: Accidental Tours. Okay. Okay. and it's like they don't connect
• 1:14:28
  Speaker 10: them up because I don't do the same character or
• 1:14:32
  Speaker 10: style all the time which to me is the point for.
• 1:14:36
  Speaker 7: You I mean if nothing else it makes it more
• 1:14:37
  Speaker 7: interesting but definitely for somebody to then like take in
• 1:14:40
  Speaker 7: all of your work it's not just you like which
• 1:14:44
  Speaker 7: is something that becomes difficult like you look at even
• 1:14:47
  Speaker 7: some really big actors and sometimes they just play themselves
• 1:14:50
  Speaker 7: and that's what they do but yeah if you can
• 1:14:53
  Speaker 7: kind of adapt and move on it's interesting it's fun
• 1:14:57
  Speaker 7: To really do something different, had you ever done voiceover
• 1:15:00
  Speaker 7: work before Jessica Rapp?
• 1:15:02
  Speaker 10: Well, I did for like, oh, I'd recorded some books,
• 1:15:06
  Speaker 10: I think, and BBC used to bring me over to
• 1:15:09
  Speaker 10: do some radio drama.
• 1:15:12
  Speaker 7: Yeah.
• 1:15:13
  Speaker 10: But nothing like this. Nothing like matching my voice and
• 1:15:17
  Speaker 10: creating the face and the breath of a cartoon. Yeah.
• 1:15:23
  Speaker 10: You know, it was really most interesting. I mean, Bob
• 1:15:25
  Speaker 10: used to send me sort of videos of different stages
• 1:15:31
  Speaker 10: they were at you know when they were just doing
• 1:15:33
  Speaker 10: the line filming and how they would place a structure
• 1:15:38
  Speaker 10: so that Bob had a focus and all this stuff
• 1:15:43
  Speaker 10: but then when it got down to really I mean
• 1:15:45
  Speaker 10: the body was pretty well determined and everything but you
• 1:15:47
  Speaker 10: can't finish the face and I thought you know when
• 1:15:50
  Speaker 10: I I said my god you're making her boobs so
• 1:15:52
  Speaker 10: huge I said you know what why don't we put
• 1:15:55
  Speaker 10: in some big breaths like i have them bounce you
• 1:16:00
  Speaker 10: know so i got to do stuff.
• 1:16:02
  Speaker 7: Like that fans thank you i'm sure yes there are
• 1:16:05
  Speaker 7: a lot of jessica rabbits here today it is amazing
• 1:16:07
  Speaker 7: how much how much it's still kind.
• 1:16:10
  Speaker 10: Of my goodness a lot of guys yeah.
• 1:16:13
  Speaker 7: Several yeah well then uh one of the other ones
• 1:16:17
  Speaker 7: and i actually talked to to john waters about a
• 1:16:20
  Speaker 7: year or so ago so we he was they were
• 1:16:22
  Speaker 7: about to re-release serial mom so he went into a
• 1:16:24
  Speaker 7: lot of that but i guess what was What was
• 1:16:26
  Speaker 7: your take on Serial Mom? It's, again, a very different
• 1:16:29
  Speaker 7: role for you than what you've done.
• 1:16:30
  Speaker 10: I laughed every day. It was a little difficult to read.
• 1:16:36
  Speaker 10: When I started to read it, you know, John said
• 1:16:38
  Speaker 10: it to me. I live in New York always. And
• 1:16:40
  Speaker 10: I started to read it. I got to about where
• 1:16:42
  Speaker 10: she pulls the liver out, and I went, oh, I
• 1:16:44
  Speaker 10: don't think so.
• 1:16:45
  Speaker 7: Uh-uh, uh-uh, uh-uh.
• 1:16:47
  Speaker 10: I put it down. And then I went back to it.
• 1:16:50
  Speaker 10: I don't know why. And I just kept reading until
• 1:16:54
  Speaker 10: she bashed the woman's head in. Come on, come on.
• 1:16:56
  Speaker 10: And I put it down again and then I went
• 1:16:59
  Speaker 10: back to it again. So finally I thought, okay, there's
• 1:17:01
  Speaker 10: something happening here that I can't just dismiss it. So
• 1:17:04
  Speaker 10: I called John and said, I need to know how
• 1:17:07
  Speaker 10: you're going to shoot this. Because it could be a
• 1:17:10
  Speaker 10: gore fest or it could be a great comedy.
• 1:17:12
  Speaker 7: Yeah, on the page it could read very different than
• 1:17:15
  Speaker 7: what we got.
• 1:17:15
  Speaker 10: Yes, yes. And so he jumped on a train and
• 1:17:18
  Speaker 10: came up to New York to convince me. how he
• 1:17:21
  Speaker 10: was going to shoot it, and I said, well, okay then.
• 1:17:24
  Speaker 10: And it was as funny as I thought it could be.
• 1:17:26
  Speaker 7: He's amazing as a person. How is he as a
• 1:17:29
  Speaker 7: director to work with?
• 1:17:30
  Speaker 10: You know, well, as a person, and it crosses into
• 1:17:35
  Speaker 10: as a director, obviously, he has the most extraordinary gift
• 1:17:39
  Speaker 10: of taking, essentially, what could be very unattractive people and
• 1:17:44
  Speaker 10: making you care about them. I don't mean just physically,
• 1:17:48
  Speaker 10: I mean.
• 1:17:49
  Speaker 7: They're written to be horrible sometimes.
• 1:17:51
  Speaker 10: Yeah, Beverly is really not your shiny, you know. But
• 1:17:59
  Speaker 10: he thought I could, you know, pull it off and
• 1:18:02
  Speaker 10: be this absolutely loving, conservative mother, you know, who just
• 1:18:08
  Speaker 10: saw this as quite righteous. And I gotta say, I just...
• 1:18:13
  Speaker 10: We lost so many takes with one of us laughing.
• 1:18:15
  Speaker 10: It was just.
• 1:18:18
  Speaker 7: The other thing I'd seen, I know early on, you'd
• 1:18:21
  Speaker 7: always been compared a lot to a young Laura McCall.
• 1:18:24
  Speaker 10: Oh, when we met each other, you should have heard
• 1:18:27
  Speaker 10: that one.
• 1:18:27
  Speaker 7: Yeah, and then what was your comment to her?
• 1:18:30
  Speaker 10: Well, she said, I went over to introduce myself because
• 1:18:35
  Speaker 10: I don't play these games of who's going to break first.
• 1:18:38
  Speaker 10: I just went right over and said, I'd love to
• 1:18:41
  Speaker 10: meet you. My name's Kathleen Turner. And she said, oh, yes.
• 1:18:45
  Speaker 10: She said, I hear you're the young me. I went, no, that's...
• 1:18:50
  Speaker 10: not possible. There is no one. You are unique. But
• 1:18:55
  Speaker 10: then we started this game because we'd run into each
• 1:18:58
  Speaker 10: other a lot, you know, around the theaters and stuff.
• 1:19:01
  Speaker 10: And I'd say, good evening, Ms. Picard. And she'd say,
• 1:19:04
  Speaker 10: good evening, Ms. Turner. And I'd say, how are you
• 1:19:06
  Speaker 10: this evening? She said, very well, thank you. It was
• 1:19:10
  Speaker 10: like a how low can you go game. And we left.
• 1:19:14
  Speaker 7: Yeah. But that's what I mean. Maybe not quite as specific,
• 1:19:19
  Speaker 7: but I did want to ask you, like at this point,
• 1:19:21
  Speaker 7: what do you think of... Like the new crop of
• 1:19:25
  Speaker 7: young actresses out there. Who is kind of moving into
• 1:19:27
  Speaker 7: like that impressive stage?
• 1:19:28
  Speaker 10: I don't know. You know, I really hate to name
• 1:19:31
  Speaker 10: names and stuff. I just don't think it's fair.
• 1:19:33
  Speaker 3: Yeah.
• 1:19:33
  Speaker 10: And I'm bound to forget someone.
• 1:19:35
  Speaker 7: Or just things that you liked, you know, recent performances.
• 1:19:40
  Speaker 10: Well, there are many. There are many I like. No,
• 1:19:43
  Speaker 10: I really don't like to name names. I don't think
• 1:19:45
  Speaker 10: it's fair.
• 1:19:46
  Speaker 7: Yeah. Well, I mean, I think what's really interesting that's changing,
• 1:19:49
  Speaker 7: and this is having just seen Booksmart, it's like we're
• 1:19:52
  Speaker 7: seeing such a great new crop of female directors coming out.
• 1:19:55
  Speaker 10: Well, not enough.
• 1:19:56
  Speaker 7: Yeah, but I mean, it's making a movement.
• 1:20:00
  Speaker 10: The greatest real advance has been in digital photography and editing.
• 1:20:06
  Speaker 10: So that, I mean, instead of having to have the
• 1:20:09
  Speaker 10: hundreds of thousands of dollars you need to have a
• 1:20:11
  Speaker 10: Panamision camera, you can indeed, you know, for much less money,
• 1:20:16
  Speaker 10: have extraordinary quality filmmaking. And the problem, I mean, now
• 1:20:21
  Speaker 10: the festivals are growing in importance and all of this
• 1:20:25
  Speaker 10: is good. The problem is still, the bottleneck is still distribution,
• 1:20:30
  Speaker 10: which is controlled still by the studios. Now, when we
• 1:20:34
  Speaker 10: break that, you know, then we'll have a wave of
• 1:20:39
  Speaker 10: filmmaking that can get out to the public. I love
• 1:20:42
  Speaker 10: to go to be on a jury on festivals and stuff, yeah?
• 1:20:45
  Speaker 8: Yeah.
• 1:20:46
  Speaker 10: And so I get to see extraordinary things that will
• 1:20:49
  Speaker 10: never get to the public.
• 1:20:51
  Speaker 7: Oh, yeah.
• 1:20:53
  Speaker 10: And which I'm very glad I could see. Yeah.
• 1:20:57
  Speaker 7: I mean, that's changing so much. Like the industry, just
• 1:21:00
  Speaker 7: from the technical part of it, has changed so much
• 1:21:02
  Speaker 7: in the last 20 years.
• 1:21:04
  Speaker 10: It opens it up so much to people. I mean,
• 1:21:06
  Speaker 10: you really couldn't make a film without a hell of
• 1:21:09
  Speaker 10: a lot of money. Yeah. people and crew before and
• 1:21:14
  Speaker 10: now you.
• 1:21:14
  Speaker 7: Can independent films looked like independent films even in the
• 1:21:19
  Speaker 7: 80s and early.
• 1:21:19
  Speaker 10: 90s no now you wouldn't necessarily know.
• 1:21:21
  Speaker 7: Now you can shoot on your iPhone and put it
• 1:21:23
  Speaker 7: in theaters and it's well there's a few trying that
• 1:21:27
  Speaker 7: now so if you're into experimental it's getting close but
• 1:21:30
  Speaker 7: yeah so Well, as far as, you know, is there
• 1:21:33
  Speaker 7: anything you want to tell people that you're working on or,
• 1:21:35
  Speaker 7: you know, tell people to go find a book out
• 1:21:38
  Speaker 7: there or stuff that you've got?
• 1:21:39
  Speaker 10: Oh, well, as I say, I do most of my
• 1:21:41
  Speaker 10: time reading, but I'll tell you, I did in the fall,
• 1:21:44
  Speaker 10: I shot a show for Dolly Parton's series Heartstrings. Yeah.
• 1:21:51
  Speaker 10: And so each show is, each little movie is based
• 1:21:55
  Speaker 10: on one of her songs. And so she asked me
• 1:21:58
  Speaker 10: to do Au Bon, who's a, She called me up.
• 1:22:02
  Speaker 10: She said, now, these songs are real important to me.
• 1:22:05
  Speaker 10: She said, you know, old bones. She lived up the mountain.
• 1:22:11
  Speaker 10: And we kids, we just thought she was a witsy woman. But,
• 1:22:13
  Speaker 10: you know, of course, she wasn't really. Anyway, and she
• 1:22:17
  Speaker 10: went on to tell me. So I said, well, yeah,
• 1:22:20
  Speaker 10: you know. I mean, I never thought of playing a hillbilly,
• 1:22:23
  Speaker 10: a mountain hillbilly or anything. But, oh, my goodness. I
• 1:22:29
  Speaker 10: had five layers of age makeup on and body padding.
• 1:22:32
  Speaker 10: And I swear, it took an hour and a half
• 1:22:34
  Speaker 10: to get that shit off my face. Oh, I'm sorry.
• 1:22:36
  Speaker 10: I can't say that.
• 1:22:36
  Speaker 2: Oh, you can.
• 1:22:37
  Speaker 10: Oh, okay, good. And I'm glad it took that long because,
• 1:22:40
  Speaker 10: I mean, you couldn't rip it off anyway. But it
• 1:22:43
  Speaker 10: was sweet and fun. And it really, I got to
• 1:22:47
  Speaker 10: tell you, I love that woman's view of America. I mean,
• 1:22:50
  Speaker 10: she just thinks that the good, you know, will be
• 1:22:54
  Speaker 10: done goodbye and the bad will not. Yeah.
• 1:22:57
  Speaker 7: I mean, she's another one of those that, like, is
• 1:22:59
  Speaker 7: such a– she has a distinctive voice in songwriting, but
• 1:23:03
  Speaker 7: then everything else she's attached to. She's just got such
• 1:23:06
  Speaker 7: a– and it is interesting, again, coming from the hills
• 1:23:09
  Speaker 7: like she did. Like, again, it could be a different thing,
• 1:23:12
  Speaker 7: but I think much like the John Waters, she puts
• 1:23:14
  Speaker 7: a good spin on it.
• 1:23:14
  Speaker 10: I'll tell you one story she told me. She said
• 1:23:17
  Speaker 10: that she was up visiting old bones once because they
• 1:23:24
  Speaker 10: was 12, so she was always hungry. And Bones would
• 1:23:27
  Speaker 10: give her a cookie or something. And one time old
• 1:23:30
  Speaker 10: Bones said, Miss Dolly, you are anointed. So I went home.
• 1:23:37
  Speaker 10: I said to my mama now, Mama, what's anointing? And
• 1:23:41
  Speaker 10: she said, well, that means it's by God. So you see,
• 1:23:44
  Speaker 10: old Bones was the first one to know. Isn't that sweet?
• 1:23:49
  Speaker 7: And that opened up, yeah, the rest of the world.
• 1:23:52
  Speaker 10: Yeah.
• 1:23:53
  Speaker 2: All right.
• 1:23:53
  Speaker 7: Well, anything else you want to share with people?
• 1:23:55
  Speaker 10: Oh, well, also now I'm doing Michael Douglas' very bad
• 1:23:58
  Speaker 10: ex-wife on the Kaminsky Method. Chuck Lorre wrote me in there. And,
• 1:24:03
  Speaker 10: I mean, it's as if, you know, they hadn't died
• 1:24:06
  Speaker 10: at the end of War of the Roses. You know,
• 1:24:07
  Speaker 10: this is still going strong, guys.
• 1:24:09
  Speaker 7: The chemistry and the fighting.
• 1:24:11
  Speaker 9: Is still there.
• 1:24:12
  Speaker 10: I tell you, we have such fun.
• 1:24:15
  Speaker 7: Well, that's awesome. All right. Well, thank you for joining us.
• 1:24:17
  Speaker 10: My pleasure. All right.
• 1:24:18
  Speaker 7: Thank you.
• 1:24:19
  Speaker 3: Thank you.
• 1:24:47
  Speaker 2: Miss Jessica Rabbit.
• 1:24:48
  Speaker 7: Jessica Rabbit.
• 1:24:49
  Speaker 3: She was.
• 1:24:49
  Speaker 2: It's such a great movie. That movie is like aged
• 1:24:52
  Speaker 2: tremendously well.
• 1:24:54
  Speaker 10: Yeah.
• 1:24:55
  Speaker 7: Again, it is one of those. I mean, I guess
• 1:24:56
  Speaker 7: it helps because half of it is in cartoon land.
• 1:25:00
  Speaker 7: But being a period piece, like it is almost something
• 1:25:03
  Speaker 7: set in the real world. Like it was telling that
• 1:25:07
  Speaker 7: story of when California wasn't connected to the rest of
• 1:25:11
  Speaker 7: the world by a highway. And when the whole country
• 1:25:14
  Speaker 7: started changing, when you saw highways... just sort of changing
• 1:25:18
  Speaker 7: that mentality of being able to drive. It's not like
• 1:25:20
  Speaker 7: one little street from here to there going from small
• 1:25:23
  Speaker 7: town to small town. Like it really did revolutionize the
• 1:25:26
  Speaker 7: whole country and travel. And as someone who just drove
• 1:25:30
  Speaker 7: across the country, you know, like it really changed the
• 1:25:33
  Speaker 7: way everything happened. So especially adding a nice, like organized
• 1:25:36
  Speaker 7: crime angle to it and like people scamming to get
• 1:25:40
  Speaker 7: money off of the system. Like it's, it's a fascinating
• 1:25:42
  Speaker 7: story that like is only like, livened up by adding
• 1:25:46
  Speaker 7: a bunch of cartoon characters to it. So, yeah, Who
• 1:25:48
  Speaker 7: Framed Roger Rabbit is an amazing film.
• 1:25:51
  Speaker 2: Like I said, and considering how old it is now,
• 1:25:54
  Speaker 2: it still fucking looks good. It has held up remarkably.
• 1:25:57
  Speaker 2: It looks amazing. I don't think they could make that
• 1:25:59
  Speaker 2: movie today.
• 1:26:00
  Speaker 7: Probably not, and if they did, it would look really
• 1:26:02
  Speaker 7: bad CG, where that was those, like, not really early, early,
• 1:26:08
  Speaker 7: but it's still pretty early even for, like, blue screen technology. So...
• 1:26:11
  Speaker 7: When they've started working in the blue screen background and
• 1:26:15
  Speaker 7: then finding a way to put real props in the
• 1:26:17
  Speaker 7: scene with the actors and then animate over top of them,
• 1:26:21
  Speaker 7: that's all amazing watching that now.
• 1:26:24
  Speaker 9: Well, see, for you guys, it's Who Framed Roger Rabbit,
• 1:26:27
  Speaker 9: but for me, it's Jewel of the Nile and Romancing
• 1:26:32
  Speaker 9: the Stone.
• 1:26:33
  Speaker 7: That's what I said.
• 1:26:34
  Speaker 2: In the mid-' 80s.
• 1:26:35
  Speaker 7: Romancing the Stone was one of those I saw on
• 1:26:37
  Speaker 7: cable and was just like, what is this? This is awesome.
• 1:26:40
  Speaker 7: I never saw it. It's so much fun.
• 1:26:43
  Speaker 9: Oh, my God. It was during the whole time of
• 1:26:45
  Speaker 9: when the Indiana Jones and all the adventure movies came out.
• 1:26:50
  Speaker 7: But all the others sucked, and this one didn't. Most
• 1:26:53
  Speaker 7: of them did suck. Yeah. Because you were like, yeah,
• 1:26:55
  Speaker 7: this is a ripoff. This one wasn't trying to be
• 1:26:57
  Speaker 7: a ripoff. It just had an adventurous kind of a guy,
• 1:27:00
  Speaker 7: but it was set in modern day, more or less,
• 1:27:02
  Speaker 7: and it was really well-developed characters, too, because it's not
• 1:27:06
  Speaker 7: really about him. Joan is the main character. It really
• 1:27:11
  Speaker 7: does center around her and what she does. does throughout
• 1:27:14
  Speaker 7: the movie is the through line, and Jack's just kind
• 1:27:18
  Speaker 7: of there.
• 1:27:19
  Speaker 9: And I think that's what my mom recognized her for.
• 1:27:22
  Speaker 7: Yeah, it's kind of unusual, especially for early 80s, you know,
• 1:27:25
  Speaker 7: to be having a strong female lead, you know?
• 1:27:27
  Speaker 9: Yeah, because my mom asked what we were doing this week,
• 1:27:29
  Speaker 9: and I showed her, and she was like, oh, oh,
• 1:27:30
  Speaker 9: Kathleen Turner, she's famous!
• 1:27:33
  Speaker 7: That's what I said when I was like, hey, I
• 1:27:35
  Speaker 7: can actually sit down. All right, let's do this. So
• 1:27:37
  Speaker 7: I was... I was pretty thrilled to put that together.
• 1:27:40
  Speaker 7: So a big thank you to Kathleen for sitting down
• 1:27:43
  Speaker 7: and being part of the show. All right. Anything else
• 1:27:47
  Speaker 7: going on for you?
• 1:27:49
  Speaker 9: We didn't do anything really movie related in San Diego,
• 1:27:51
  Speaker 9: did we?
• 1:27:52
  Speaker 11: No.
• 1:27:53
  Speaker 9: You saw some beach squirrels out there.
• 1:27:55
  Speaker 2: Beach squirrels. Holy shit. Beach squirrels. I didn't know that
• 1:27:57
  Speaker 2: was a thing. And we were walking along in Carlsbad, California.
• 1:28:00
  Speaker 2: I'm walking on the beach because there's the ocean and
• 1:28:02
  Speaker 2: I'm walking towards the garbage can to throw away my
• 1:28:05
  Speaker 2: paper plate that had my fucking peanut butter sandwich with
• 1:28:07
  Speaker 2: my Doritos. Holy shit there's squirrels on the beach And
• 1:28:12
  Speaker 2: they're everywhere And I'm like.
• 1:28:15
  Speaker 7: They got little sunglasses on and little beach towels.
• 1:28:18
  Speaker 2: Dude Right by the sidewalk there was this big cluster
• 1:28:20
  Speaker 2: of rocks That went all the way down to the
• 1:28:22
  Speaker 2: beach Fucking little squirrels everywhere One of them only had three.
• 1:28:25
  Speaker 7: Legs And he was the most adorable He was.
• 1:28:28
  Speaker 2: Because everybody knows that animals are cuter When they are
• 1:28:31
  Speaker 2: missing a limb If they miss two, holy shit, it's
• 1:28:34
  Speaker 2: beyond ridiculous. But don't go out and maim your animal
• 1:28:36
  Speaker 2: just because I said less legs is cuter.
• 1:28:38
  Speaker 7: Just be nicer to the ones that are missing.
• 1:28:40
  Speaker 2: One. Exactly, they have a rough life. I mean, this
• 1:28:42
  Speaker 2: guy was pretty fat, so he obviously didn't have.
• 1:28:44
  Speaker 10: It too rough.
• 1:28:45
  Speaker 7: Well, again, then everybody's like, look how cute he is,
• 1:28:47
  Speaker 7: and they gave him food, so he's eating Big Macs
• 1:28:49
  Speaker 7: on the beach.
• 1:28:50
  Speaker 9: Down in San Diego, we back up Highway 1.
• 1:28:55
  Speaker 2: San Diego was the most aggressively we got panhandled the
• 1:28:57
  Speaker 2: whole time. Hey, you got any money?
• 1:28:59
  Speaker 3: Yeah.
• 1:29:00
  Speaker 2: I'm like, well, I'm just walking down the street.
• 1:29:02
  Speaker 7: Yeah.
• 1:29:02
  Speaker 2: Hey, you got any money? I'm like, what even like,
• 1:29:04
  Speaker 2: you know, nice.
• 1:29:06
  Speaker 7: Which is like abrupt.
• 1:29:07
  Speaker 9: Yeah. I can fit into San Diego pretty good.
• 1:29:11
  Speaker 7: So.
• 1:29:12
  Speaker 9: If I learn to speak Spanish.
• 1:29:14
  Speaker 2: You get yelled at for not answering people. Yeah.
• 1:29:18
  Speaker 9: Some lady thought I worked at a street vending booth
• 1:29:21
  Speaker 9: and she started yelling at me about how something works.
• 1:29:24
  Speaker 9: She's like, why is he ignoring me? And the other
• 1:29:27
  Speaker 9: lady's like, what? I was like, huh? It's like, he
• 1:29:30
  Speaker 9: doesn't work here. It's like, oh.
• 1:29:35
  Speaker 7: Well, you better get back to work then. You found
• 1:29:38
  Speaker 7: yourself a job and you didn't even know it.
• 1:29:40
  Speaker 2: Then we went to the nightmare that is San Francisco.
• 1:29:42
  Speaker 2: I would never want to go back there again. Well,
• 1:29:47
  Speaker 2: we did our, I guess the movie's geekiest thing we
• 1:29:49
  Speaker 2: did in San Francisco.
• 1:29:50
  Speaker 9: Alcatraz.
• 1:29:51
  Speaker 2: I wasn't where I was going, but okay. I was
• 1:29:53
  Speaker 2: going with Chinatown.
• 1:29:53
  Speaker 10: Oh, yeah, yeah.
• 1:29:54
  Speaker 7: Chinatown.
• 1:29:55
  Speaker 9: Big Trouble Little Chinatown.
• 1:29:56
  Speaker 7: I mean, you know, Chinatown's a movie.
• 1:29:59
  Speaker 9: Big Trouble Little Chinatown.
• 1:30:01
  Speaker 7: Escape from Alcatraz.
• 1:30:02
  Speaker 9: These are all movies.
• 1:30:03
  Speaker 13: Yeah.
• 1:30:04
  Speaker 2: You know, to Alcatraz, there was a lot of people.
• 1:30:06
  Speaker 2: We were on a boat. We were on a boat.
• 1:30:08
  Speaker 9: Yeah, we were on a boat.
• 1:30:09
  Speaker 7: Did you cram your face through the side of the
• 1:30:10
  Speaker 7: wall like Clint Eastwood?
• 1:30:11
  Speaker 1: I don't know.
• 1:30:12
  Speaker 9: There's a shit ton of people that go to Alcatraz
• 1:30:15
  Speaker 9: every year. I'll tell you that. Missy did a really
• 1:30:17
  Speaker 9: good job of cropping everybody out of the damn pictures
• 1:30:20
  Speaker 9: that she took. Because there is a lot of people
• 1:30:22
  Speaker 9: and there are boats landing like every half hour full
• 1:30:25
  Speaker 9: of people. And it was just, it's a, yeah.
• 1:30:31
  Speaker 7: Wow.
• 1:30:32
  Speaker 9: There's a lot of people. Just driving through San Francisco
• 1:30:36
  Speaker 9: too is very, uh.
• 1:30:38
  Speaker 2: Clusterfucky?
• 1:30:39
  Speaker 7: Uh, yeah.
• 1:30:42
  Speaker 3: You know.
• 1:30:42
  Speaker 2: Something I never want to do.
• 1:30:43
  Speaker 9: A lot of, a lot of Construction was going on and.
• 1:30:47
  Speaker 2: Oh, we didn't talk about where we stayed when we
• 1:30:49
  Speaker 2: were in L.A. Oh, yeah.
• 1:30:52
  Speaker 9: That's right. I forgot about that.
• 1:30:53
  Speaker 2: You never even got the picture photoed up, did you?
• 1:30:55
  Speaker 9: No, I don't. It's still on my phone.
• 1:30:56
  Speaker 7: I didn't even think about it.
• 1:30:58
  Speaker 9: I keep forgetting.
• 1:31:00
  Speaker 2: Because you can't tell from the photo the significance that
• 1:31:03
  Speaker 2: it has.
• 1:31:04
  Speaker 3: Nope.
• 1:31:05
  Speaker 7: Actually, hold on. That is a motel.
• 1:31:06
  Speaker 10: Hold on a second. You talk about.
• 1:31:11
  Speaker 9: Finding parking in San Francisco is just as bad as
• 1:31:16
  Speaker 9: trying to find parking in L.A., only a little bit worse,
• 1:31:20
  Speaker 9: because they do have free parking spots in certain areas,
• 1:31:24
  Speaker 9: but the free parking is far away from anything you
• 1:31:26
  Speaker 9: even want to see.
• 1:31:28
  Speaker 7: Well, of course. That's why it's free.
• 1:31:29
  Speaker 11: Yeah.
• 1:31:30
  Speaker 9: That's why it's free. So everything near where you want
• 1:31:32
  Speaker 9: to see, parking meters are generally like, oh, jeez, they're
• 1:31:37
  Speaker 9: like a dollar for like 15 minutes. You know, some
• 1:31:41
  Speaker 9: shit like that.
• 1:31:41
  Speaker 10: It's expensive.
• 1:31:42
  Speaker 7: Sounds like a bargain, sure.
• 1:31:44
  Speaker 11: Yeah, yeah.
• 1:31:45
  Speaker 1: Uh-huh.
• 1:31:48
  Speaker 9: That's the hotel we stayed at.
• 1:31:49
  Speaker 7: Okay.
• 1:31:54
  Speaker 2: I was looking at hotels on Hotels.com and I saw
• 1:31:57
  Speaker 2: this one and I'm like, first of all, it was
• 1:31:59
  Speaker 2: a cheap hotel.
• 1:32:00
  Speaker 7: Dirt cheap?
• 1:32:01
  Speaker 2: It was dirt cheap.
• 1:32:02
  Speaker 9: Because we're cheap.
• 1:32:04
  Speaker 2: And as I was reading the reviews and they were like,
• 1:32:08
  Speaker 2: This is the hotel from the Dirty Deeds Done Dirt
• 1:32:09
  Speaker 2: Cheap album. I don't know why they're not selling that more.
• 1:32:12
  Speaker 2: Why are they not advertising that this is the fucking
• 1:32:15
  Speaker 2: hotel from ACDC's Dirty Deeds Done Dirt Cheap? Why is
• 1:32:20
  Speaker 2: that not your fucking main selling point?
• 1:32:23
  Speaker 9: Well, here's one of the main reasons. One, because it's
• 1:32:25
  Speaker 9: in Pico Riviera, which is a high, high Latino community.
• 1:32:32
  Speaker 9: So generally, white people don't go in Pico Riviera.
• 1:32:36
  Speaker 2: I'm looking at the album cover right now.
• 1:32:38
  Speaker 7: There's a bunch of white people there.
• 1:32:39
  Speaker 10: Look at them.
• 1:32:40
  Speaker 9: How many fucking years ago was that? A long damn
• 1:32:43
  Speaker 9: time ago. A whole bunch of white people on that cover.
• 1:32:49
  Speaker 9: If you're in Pico Riviera and you're white.
• 1:32:51
  Speaker 2: I'm kind of bummed now because according to this album,
• 1:32:53
  Speaker 2: they have waterbeds.
• 1:32:54
  Speaker 10: What?
• 1:32:56
  Speaker 7: You kind of missed your window on the waterbeds.
• 1:32:58
  Speaker 2: King-size waterbeds. We're head at Angel's Hotel.
• 1:33:01
  Speaker 7: Wait a minute, wait a minute, wait a minute.
• 1:33:02
  Speaker 2: That's the lobby.
• 1:33:04
  Speaker 9: Where's the lobby? Oh, that is the lobby, isn't it?
• 1:33:07
  Speaker 9: Who the fuck's got a Citroen? Do they even bring
• 1:33:12
  Speaker 9: Citroens here?
• 1:33:12
  Speaker 2: Apparently they did for the Dirty Deeds Done Dirt Cheap
• 1:33:16
  Speaker 2: album cover.
• 1:33:16
  Speaker 7: Oh, I see.
• 1:33:17
  Speaker 3: Waterbed.
• 1:33:18
  Speaker 9: Yeah, you know, they probably had problems with that.
• 1:33:21
  Speaker 7: Probably.
• 1:33:22
  Speaker 9: And they moved the sign, too. The sign wasn't on
• 1:33:24
  Speaker 9: the lobby. Now it's out. Because the sign that was
• 1:33:28
  Speaker 9: on the lobby is now further out.
• 1:33:31
  Speaker 2: But it's the same place.
• 1:33:32
  Speaker 9: It's the same place, yeah. And really, Pico Riviera is
• 1:33:36
  Speaker 9: actually kind of a, I thought it was kind of
• 1:33:38
  Speaker 9: a neat little town. I mean, it's still part of LA,
• 1:33:41
  Speaker 9: but yeah, if you're scared of being a minority, you
• 1:33:48
  Speaker 9: probably shouldn't go there. But, you know, if you used
• 1:33:51
  Speaker 9: to be in a minority, then it's not that big
• 1:33:53
  Speaker 9: a deal. Best donuts ever. Best donuts ever. Yeah, because
• 1:33:57
  Speaker 9: I think they've only got like a 4% Only 4%
• 1:34:00
  Speaker 9: of the population in Pico Rivera is white. So, what
• 1:34:04
  Speaker 9: was the name of the donut place?
• 1:34:07
  Speaker 7: Yum Yum Donuts?
• 1:34:08
  Speaker 9: Or Yum Yum Donut Shop?
• 1:34:10
  Speaker 8: Yes.
• 1:34:11
  Speaker 9: Is that a franchise?
• 1:34:12
  Speaker 2: I have no idea, but Yum Yum Donut Shop, at
• 1:34:15
  Speaker 2: least the one in Pico Rivera, or down the street
• 1:34:17
  Speaker 2: from our hotel if it's actually fucking delicious.
• 1:34:20
  Speaker 9: Is it Pico Rivera or Pico Riviera?
• 1:34:22
  Speaker 7: Whatever.
• 1:34:23
  Speaker 2: I don't know, but the package says fabulous.
• 1:34:27
  Speaker 7: It must be fabulous.
• 1:34:31
  Speaker 9: Maybe it is Pico Rivera. All this time I've been
• 1:34:33
  Speaker 9: calling it Riviera. I am so just not even right.
• 1:34:39
  Speaker 7: Well, you know what?
• 1:34:39
  Speaker 9: I don't pronounce things right most of the time. But
• 1:34:42
  Speaker 9: it's like right next to East LA.
• 1:34:45
  Speaker 2: Went to Chinatown where they had a huge statue of
• 1:34:47
  Speaker 2: Bruce Lee.
• 1:34:47
  Speaker 7: Which was an extravaganza.
• 1:34:49
  Speaker 9: Well, yeah, it's Chinatown.
• 1:34:52
  Speaker 3: That's awesome.
• 1:34:54
  Speaker 2: Trying to make sure I got everything covered because I
• 1:34:55
  Speaker 2: don't want a missing thing too awesome. I did walk
• 1:34:57
  Speaker 2: down the street and I saw Only two stars because
• 1:35:00
  Speaker 2: I didn't walk down the streets of L.A. because parking sucks,
• 1:35:04
  Speaker 2: so boyfriend wasn't going to park and walk somewhere. So
• 1:35:06
  Speaker 2: I only saw two stars worth mentioning. I passed by
• 1:35:11
  Speaker 2: Tom Jones, the star, and George A.
• 1:35:13
  Speaker 7: Ramirez.
• 1:35:14
  Speaker 9: Well, like I said, parking is like, what, a dollar
• 1:35:16
  Speaker 9: for 15 minutes?
• 1:35:17
  Speaker 2: If you could even find parking.
• 1:35:18
  Speaker 9: If you could even find a fucking meter. Anywhere near
• 1:35:21
  Speaker 9: where we wanted to go was already filled up. And
• 1:35:25
  Speaker 9: they are very militant about parking. Towing people off as
• 1:35:28
  Speaker 9: soon as their time runs out. So, you know, it
• 1:35:33
  Speaker 9: was a lot of me just, you know, kind of
• 1:35:34
  Speaker 9: drive by and then dropping her off and then circling
• 1:35:37
  Speaker 9: the block and picking her up.
• 1:35:39
  Speaker 7: You know.
• 1:35:40
  Speaker 9: Having a, like.
• 1:35:41
  Speaker 2: I had to get my squish pennies, goddammit.
• 1:35:42
  Speaker 13: Yeah.
• 1:35:43
  Speaker 9: Having to park in areas that weren't actually parking areas.
• 1:35:45
  Speaker 9: Pretending like I was looking at my phone trying to
• 1:35:47
  Speaker 9: figure out where to go.
• 1:35:48
  Speaker 2: Yeah. I just want to say that roads all across
• 1:35:51
  Speaker 2: the country suck, so anybody who wants to bitch about
• 1:35:53
  Speaker 2: Indiana can fuck off, because you know what? We just
• 1:35:56
  Speaker 2: drove to California, so roads suck everywhere.
• 1:36:00
  Speaker 9: Anywhere there's a big city, it's going to suck. It's
• 1:36:03
  Speaker 9: going to suck worse.
• 1:36:04
  Speaker 2: We drove through the middle of goddamn nowhere, and roads
• 1:36:06
  Speaker 2: still sucked.
• 1:36:08
  Speaker 9: It sucks worse if you've got a slam dirt nasty
• 1:36:11
  Speaker 9: car with coilovers.
• 1:36:16
  Speaker 7: So, in addition to Kathleen, thank you to Days of
• 1:36:19
  Speaker 7: the Dead for letting us come hang out and be
• 1:36:21
  Speaker 7: part of the show. They've got, I'd say, you know,
• 1:36:25
  Speaker 7: come back next year. Like, you know, I tell people
• 1:36:27
  Speaker 7: with a lot of these places we go. But this one,
• 1:36:29
  Speaker 7: you don't even have to wait that long because they've
• 1:36:31
  Speaker 7: lined up a whole series of them.
• 1:36:33
  Speaker 2: They're everywhere now.
• 1:36:34
  Speaker 7: So, they're, yeah.
• 1:36:35
  Speaker 2: They were even in Vegas when we were in Vegas.
• 1:36:37
  Speaker 2: We almost went.
• 1:36:38
  Speaker 7: They're following you.
• 1:36:39
  Speaker 2: Because we almost went because it had somebody's boyfriend we
• 1:36:43
  Speaker 2: actually got excited about for like five minutes, but I
• 1:36:44
  Speaker 2: knew it wasn't going to last.
• 1:36:46
  Speaker 9: Well, no, I still would have been excited about it.
• 1:36:48
  Speaker 1: I just.
• 1:36:50
  Speaker 9: We were in Vegas, and I figured we were trying
• 1:36:52
  Speaker 9: to set some other stuff up because I was meeting
• 1:36:54
  Speaker 9: some guys from the Element group.
• 1:36:55
  Speaker 2: So instead of going to the convention, we spent the
• 1:36:57
  Speaker 2: entire afternoon driving around taking photos of Elements.
• 1:37:02
  Speaker 9: Which is mostly just my car.
• 1:37:04
  Speaker 7: Which is a vehicle, if you're not familiar with it.
• 1:37:06
  Speaker 3: It's a car.
• 1:37:08
  Speaker 2: Yeah, him and some guy that we just met driving
• 1:37:10
  Speaker 2: around taking pictures of the two of their cars together.
• 1:37:13
  Speaker 9: In different spots in.
• 1:37:16
  Speaker 7: We talk about a lot of dorky things. That's equally
• 1:37:19
  Speaker 7: as dorky as the rest of the stuff we do.
• 1:37:21
  Speaker 9: It's car dork stuff.
• 1:37:22
  Speaker 7: It's a different mode, but equally as dorky. So yes,
• 1:37:28
  Speaker 7: they followed you to Vegas. We were just in Indianapolis.
• 1:37:31
  Speaker 7: They're coming to Louisville.
• 1:37:33
  Speaker 2: Are they going to be in Atlanta too?
• 1:37:34
  Speaker 7: They're going to be in Charlotte. They're going to be
• 1:37:36
  Speaker 7: in Dallas. They're going to be in Chicago and eventually
• 1:37:39
  Speaker 7: back in Atlanta. So yeah, they are always working on
• 1:37:42
  Speaker 7: another one. So go to days of the dead.com and
• 1:37:46
  Speaker 7: see which city you need to go to and what
• 1:37:48
  Speaker 7: guests are going to be there. All that aside, it's
• 1:37:51
  Speaker 7: been a great day. So we got to go see
• 1:37:54
  Speaker 7: celebrities and hang out with the superstar and.
• 1:37:57
  Speaker 2: Bought some cool, awesome lost boys art.
• 1:37:59
  Speaker 7: Bought some cool artwork, went to the bookstore. Of course, anytime,
• 1:38:04
  Speaker 7: anytime we're out in the world, we start looking for
• 1:38:06
  Speaker 7: bookstores and which that just means I can go buy toys.
• 1:38:09
  Speaker 7: And so I, again, I have to buy small toys,
• 1:38:12
  Speaker 7: but I, Legos. I'm looking for Legos is what I'm saying.
• 1:38:16
  Speaker 7: Minifigures is all I can afford. They have giant sets too,
• 1:38:19
  Speaker 7: but I can't do those.
• 1:38:20
  Speaker 3: So just a.
• 1:38:21
  Speaker 7: Few minifigures at a time. I'm making progress.
• 1:38:24
  Speaker 3: All right.
• 1:38:25
  Speaker 7: Well, I'd say that is the way to cap off
• 1:38:27
  Speaker 7: this awesome day. Otherwise, that about does it we will
• 1:38:30
  Speaker 7: return next time same geek feed thanks for listening bye
• 1:38:33
  Speaker 7: y'all see ya.
• 1:38:35
  Speaker 14: You had plenty money 1922 you let other.
• 1:38:40
  Speaker 11: Women make a fool.
• 1:38:43
  Speaker 3: Of you.
• 1:38:50
  Speaker 14: Why don't you do.
• 1:38:54
  Speaker 8: Right Like some other man do Get out.
• 1:39:07
  Speaker 11: Of here Give me some money too You're sitting down
• 1:39:22
  Speaker 11: and wondering what it's all about If you ain't got
• 1:39:29
  Speaker 11: no money they will put.
• 1:39:32
  Speaker 2: You out Why don't you.
• 1:39:35
  Speaker 8: Do right Like some other.
• 1:39:41
  Speaker 1: Man do Get out of here Get me some money
• 1:39:59
  Speaker 1: too Now.
• 1:40:04
  Speaker 12: If you had prepared twenty years ago You wouldn't be
• 1:40:14
  Speaker 12: a wanderer now from door to door.
• 1:40:18
  Speaker 10: Why don't you do Like some other.
• 1:40:25
  Speaker 1: Man do Get out of here Get me some money.
• 1:40:32
  Speaker 14: Too Get out of here. Get me some money too.
• 1:40:56
  Speaker 3: Why don't you do the life like some other man?
• 1:41:37
  Speaker 9: What did you misread?
• 1:41:40
  Speaker 2: You get excited about people that you think are going
• 1:41:41
  Speaker 2: to be like.
• 1:41:42
  Speaker 7: At the next one coming up, and it's the one
• 1:41:44
  Speaker 7: after that.
• 1:41:45
  Speaker 2: Because you see it and you're like, okay, coming up,
• 1:41:48
  Speaker 2: coming up. Oh, wait, no.
• 1:41:49
  Speaker 9: Well, I usually don't know.
• 1:41:50
  Speaker 3: You guys tell me.
• 1:41:51
  Speaker 9: And then for the rest of the week, I still
• 1:41:53
  Speaker 9: don't know until we're there.
• 1:41:54
  Speaker 7: And then you're there and you're like, who's that?
• 1:41:56
  Speaker 9: I'm like, who is this again?
• 1:41:57
  Speaker 7: Damn it, we already covered this.
• 1:42:00
  Speaker 2: Welcome to my life.
• 1:42:03
  Speaker 9: And again, it's not because... They're not important.
• 1:42:07
  Speaker 7: No, no.
• 1:42:07
  Speaker 9: Or the movies aren't important.
• 1:42:08
  Speaker 7: That's never the case.
• 1:42:10
  Speaker 9: I've just been hit in the head a whole lot.
• 1:42:11
  Speaker 7: Brain doesn't work exactly normal.
• 1:42:14
  Speaker 11: It's okay.
• 1:42:14
  Speaker 9: It's traumatic brain injuries.
• 1:42:16
  Speaker 2: Well, if you'd quit running about at the mouth like
• 1:42:18
  Speaker 2: you do.
• 1:42:20
  Speaker 9: Stop hitting me.
• 1:42:20
  Speaker 7: He's having enough problems.
• 1:42:22
  Speaker 9: Don't make it worse.
• 1:42:25
  Speaker 2: Domestic abuse is never okay.
• 1:42:27
  Speaker 3: Yeah, we're just joking.
• 1:42:28
  Speaker 7: It's not really a thing.
• 1:42:29
  Speaker 3: Don't do that.
• 1:42:30
  Speaker 7: In any direction. Guys, girls, leave each other alone.
• 1:42:32
  Speaker 2: Unless he's snoring really loud.
• 1:42:34
  Speaker 7: That's between you guys. I'm staying out of this.
• 1:42:38
  Speaker 2: He doesn't remember.
• 1:42:39
  Speaker 9: I just wake up sore the next day. I get
• 1:42:44
  Speaker 9: beat in my sleep.
• 1:42:47
  Speaker 3: This episode is a production of Movie Meltdown. Produced and
• 1:42:50
  Speaker 3: edited by The Oddity Studios. With the opening music performed
• 1:42:53
  Speaker 3: by The Empires. For more on how to sponsor or
• 1:42:55
  Speaker 3: support the show, Email producer at moviemeltdown.com.
• 1:42:59
  Speaker 8: Talk hard!
• 1:43:06
  Speaker 7: This program is a proud member of the Battleship Pretension Fleet.