Latest / The Chris and Mike Show / #121 - A Tribute to Ozzy Osbourne

Transcript

#121 - A Tribute to Ozzy Osbourne · The Chris and Mike Show

• 0:19
  What up dude? What's up, man?
• 0:24
  I had to do some jamming for Ozzy.
• 0:27
  That's cool. That's going to be one of your
• 0:42
  verse riffs. Right on.
• 0:47
  And I'm the asshole that makes you redo that every?
• 0:50
  Week I've been. Meaning to tell you why, Because
• 0:54
  that looks awesome. On the podcast.
• 0:58
  It doesn't work for the short SO.
• 1:00
  I. Haven't figured out a way to
• 1:02
  save yours. I don't think there is a way so.
• 1:05
  I you talking about? You talking about the
• 1:06
  background? Yeah.
• 1:08
  I'm not doing it to be a Dick. I.
• 1:10
  Love it. And I'll tell you why, like at
• 1:12
  the end of the show, when the screen would go black.
• 1:16
  Now your background or our background, the one that you
• 1:19
  put. On our background.
• 1:21
  Is that's what they see while they listen to listen to your
• 1:24
  saying now. That's cool.
• 2:00
  You can sing over any of that, but.
• 2:02
  That. All those together is going to
• 2:05
  be one song. Just so you know, we've been
• 2:08
  recording for about 2 1/2 minutes.
• 2:13
  There you go, world. There's some new music that
• 2:15
  we've promised you for a while. I really do play my guitar.
• 2:19
  Hello everyone here we'll send you off with some.
• 2:38
  Did you ever hear back from Rick?
• 2:41
  I did not. We talked to Rick boys and
• 2:44
  girls. Rick is the the Blades player
• 2:46
  that completed the the Nemesis lineup.
• 2:50
  He he did a random text yesterday.
• 2:51
  Hi, Rick said he's been loving the show and he's down to help
• 2:57
  us put some of our original music back, recording it, get it
• 3:03
  back down recorded so we can stick it in all the platforms
• 3:08
  that music's allowed to be on now that wasn't available to us
• 3:11
  back in 1993 to whenever we were done.
• 3:15
  So that's kind of cool. So we're white.
• 3:17
  We we pitched the option. He could come on today, but
• 3:19
  unfortunately he had to do a meeting or something, go to work
• 3:22
  and he wasn't sure if he'd get off so.
• 3:24
  He did tell us he was going to come on, we're going to make it
• 3:26
  happen and he's offered up his services of any kind.
• 3:32
  However, he can be of help, which is in true Rick fashion.
• 3:34
  That's one of the reasons why we love him.
• 3:39
  Our commitment right now is definitely to re record the two
• 3:42
  songs that you hear every week at the beginning and the end of
• 3:45
  the show. So absolutely, if, if and
• 3:47
  probably about four more that that I feel as the vocalist and
• 3:51
  and lyricist of those songs that are still relevant today, which
• 3:55
  is maybe a little bit self-serving, but you know,
• 4:00
  they're good songs. They they've stood the test of
• 4:02
  time lyrically for sure. Music is music.
• 4:05
  And then the beat behind them all or I was just driving an
• 4:08
  amazing because Mike and Scott and Rick, you know, created some
• 4:12
  badass music to support my vulnerable lyrics and all that
• 4:17
  kind of fun stuff. So, you know, it's going to be
• 4:18
  fun. And now that we got him kind of
• 4:21
  back in the game because it was touch and go for a while there,
• 4:23
  because, you know, we didn't know, you know.
• 4:26
  Well, the one thing that I'll say is until I went back and
• 4:31
  listened to those songs as a listener and not a player,
• 4:35
  right, I didn't realize a lot of the cool shit that Rick did
• 4:38
  because I was concentrating on what I was doing, you know?
• 4:41
  Yeah. Oh yeah.
• 4:43
  I mostly listen to you and Scott for cues, you know, within the
• 4:47
  song. If I ever forgot where I was at
• 4:49
  or how many times something had went around, there was always
• 4:52
  little cues there. But.
• 4:53
  Sure. He played a lot of harmony that
• 4:57
  I didn't realize, like Envision. Instead of playing the same
• 5:01
  notes I was playing, he would play like 1/3 or 1/5, you know,
• 5:04
  to build a chord instead of just playing in unison is what they
• 5:10
  would call it if you're playing the same note, you know.
• 5:13
  Yeah, he was a talented individual for sure.
• 5:15
  And at his audition, after it was all said and done, when we
• 5:20
  were having an haunt about it that I remember hearing Carrie
• 5:23
  from the other room saying that is the best you guys have ever.
• 5:25
  Sounded as a fan. We didn't even see her all we
• 5:28
  heard that we just heard. Her.
• 5:30
  She's like, that is literally the best you have ever sounded
• 5:33
  ever and. That was it.
• 5:34
  There you go. And Kerry was, Kerry was there
• 5:37
  the entire time because we rehearsed in Scott's living room
• 5:40
  for the most part. So she heard every single
• 5:42
  practice. She heard every single song.
• 5:45
  Every single performance. Right and and I mean heard every
• 5:49
  single discussion. I don't call them arguments
• 5:51
  heard you know, I remember we were wrote.
• 5:53
  I wrote a song called I Don't Know Why, which is about my
• 5:55
  encounter with Rodger Klein from back then The Refreshments and
• 5:59
  now the Peacemakers, that that there was disturbance in his
• 6:04
  band of time, the refreshments. And I sided with with the
• 6:06
  drummer, but he and I had a little conflict during a show
• 6:11
  and whatnot and he doesn't remember which, you know,
• 6:13
  whatever. I wrote a song about it, so
• 6:15
  that's why I remember. I'm sure he remembered it at the
• 6:18
  time. Yeah.
• 6:19
  So I, I there was a, there's a lyric that I would say over and
• 6:23
  over towards just the GM parts as I, I don't fucking remember
• 6:29
  now, but but Kerry, I remember Kerry chiming or Scott chiming
• 6:31
  in saying you're singing that way too much.
• 6:33
  And Kerry's like, shut up. They just let him be.
• 6:39
  Because she had a good ear for what?
• 6:43
  I guess she just had a good ear for music because there's no
• 6:46
  other way to put it, you know? She knew what was cool and what
• 6:49
  people would latch onto and what they wouldn't.
• 6:51
  I remember that moment. Yeah, it was.
• 6:53
  It was I. Think Bring it back.
• 6:54
  Right. And I think I was thinking it's
• 6:56
  are you ever, will you ever be? Will you ever be?
• 6:59
  Are you going to ever be Ever. Be, but it was totally necessary
• 7:02
  for the context. Of dynamical, right, right.
• 7:06
  It was, it was dynamic, Yeah, yeah.
• 7:08
  But it was. It was.
• 7:11
  I used to refer to our songs as roller coaster rides because.
• 7:13
  Do you remember that beat? Not to interrupt you, but do you
• 7:15
  remember that beat? Underneath that?
• 7:17
  It was just fucking pounding, man.
• 7:19
  Yeah, Oh yeah. The whole thing was driving,
• 7:21
  man. Because it was.
• 7:22
  It was an angry song. That particular moment I I
• 7:25
  remember that moment in the song with the drums just he was
• 7:28
  slamming his bass drum and his Toms constantly.
• 7:31
  Yeah, and I was just like, will you ever be?
• 7:33
  Will you ever be? Will you ever be shot Is fine.
• 7:41
  That's the direction that band was headed because those are the
• 7:44
  songs that we were writing after Freeman Vision Listen to Your
• 7:48
  Sin, because that music was pretty much done when you was
• 7:51
  in. Those were the songs that the
• 7:54
  four of us were writing together for the first time.
• 7:57
  Intervention of Vine. I don't know why.
• 8:01
  Vision. No, Vision was one of yours.
• 8:02
  I don't know why. Lost in the world.
• 8:07
  Fuck. Never you never again.
• 8:09
  I don't remember. I don't know if that was one of
• 8:10
  ours or not. There's.
• 8:11
  That was, yeah, I remember that one too.
• 8:13
  That was a cool guitar part that I'm not sure I even remember.
• 8:16
  Yeah, and I still have, I still have all there.
• 8:18
  So, so we had a guest on but I couldn't find him.
• 8:22
  He he's from the UK and I'm sure he's mourning the loss of the
• 8:25
  legendary Ozzy Osbourne today, which I mean.
• 8:27
  As we all are. We all knew it was coming and
• 8:29
  like, it's, it's, I mean, you know, it's, it's, it's not like
• 8:33
  Ozzy lived a very healthy lifestyle.
• 8:37
  Pretty much the polar opposite of that.
• 8:39
  You know, but I was, I was, I was in a real estate class today
• 8:43
  learning how to how to better position myself with, with
• 8:47
  people going through divorce. And I looked at my phone and and
• 8:51
  it was weird because it was Neanderthal.
• 8:52
  Neanderthal's page came up. If you don't know Neanderthal,
• 8:55
  he's a he's a diss jockey in Arizona for years.
• 8:57
  Paul Marshall. Now he's in California and he
• 8:58
  syndicates over four or five different stations.
• 9:01
  All his posts said sad day, Ozzy.
• 9:04
  And I knew you just, you knew, right?
• 9:06
  He could have just put Ozzy down and I would have known because
• 9:10
  it's it's, it's it's ironic to me that everything's being
• 9:13
  posted, Ozzy Osbourne, Ozzy Osbourne, blah, blah, blah.
• 9:15
  But I mean, all you have to do is say Ozzy.
• 9:17
  But I'll tell you what, it's just like when I got to stop
• 9:20
  saying that, I'm driving myself nuts the next time I say, But I
• 9:23
  tell you what, smack me like virtually.
• 9:26
  Excuse me? OK.
• 9:28
  It was the same way when Eddie died to anybody that ever played
• 9:31
  a guitar, right? I can imagine what the people
• 9:34
  who worship not worship, but you know what I mean.
• 9:36
  The people that worship Hendrix as a musician.
• 9:39
  Musician, right? We looked up to Eddie as an
• 9:42
  innovator, a guy who taught us about tone, you know, the
• 9:45
  playing was granted. He was one of the best players
• 9:49
  in the world. You don't even need to talk
• 9:51
  about that. It's everything else that he
• 9:52
  did. You know, he always had a smile
• 9:54
  on his face. He loved playing.
• 9:56
  That was the key right there. I saw Van Halen three times, and
• 10:01
  all three times that man had a smile on his face.
• 10:03
  From the time he hit the stage until the time he left.
• 10:07
  You could tell he's just a big kid up there.
• 10:09
  He enjoyed every moment and I always tried to remember that
• 10:13
  and emulate it. You know, we're having a good
• 10:15
  time here. This is fun.
• 10:16
  We chose to do this. So with that said, I haven't
• 10:19
  been able to say anything but excuse me.
• 10:22
  Two weeks ago, 3 weeks ago now, kid that I went to school with
• 10:27
  played in a band over in Peoria who was super well known.
• 10:30
  They were getting ready to open up for Theory of a Dead Man.
• 10:33
  Oh nice. But they played a gig down in
• 10:35
  the Ozarks and after the gig, I guess he was driving home and he
• 10:39
  was the only one in the car and I don't know what happened, but
• 10:42
  unfortunately lost his life. Monster bass player, better
• 10:47
  human being. He was just one of those guys
• 10:49
  that I spent a lot of time with Pete when we were mixing our
• 10:53
  first demo. You remember, remember when I
• 10:55
  flew back here to hook up with Bob, the guy that taught me how
• 10:59
  to play? Well, he was playing in a band
• 11:01
  with Pete at the time, so he was at the studio.
• 11:03
  And you know, that was in our early 20s.
• 11:07
  So that was our partying days and we did a lot of that.
• 11:10
  There was a bar behind it and just had a lot of really good
• 11:14
  conversations about life and music and just definitely want
• 11:18
  to give him a shout out. And that's a bummer.
• 11:22
  It it sucks to lose not only a musician, but somebody that
• 11:26
  brought that much good into the music scene.
• 11:28
  You know, he was one of those guys that not only played in the
• 11:30
  band, but he did what he could for the community of music to
• 11:34
  keep it going and thriving. And you should have seen the
• 11:36
  crowds they were drawing. Man, it was outstanding.
• 11:40
  And this was recent. Yeah, within the last few weeks,
• 11:43
  unfortunately. Was he?
• 11:44
  Was he who you talked about coming on the show?
• 11:46
  No, that's my buddy Gary Romero. I would have gladly had Pete on
• 11:50
  the show. They were so busy.
• 11:51
  I was kind of waiting for the weather to turn, you know, when
• 11:54
  they weren't in their busy season.
• 11:56
  They're one of the most sought after cover bands in this area
• 11:59
  for. Sure.
• 12:00
  Oh wow, that's outstanding. You don't open up for theory of
• 12:03
  a dead man by accident. No, no.
• 12:07
  So they're going to pursue on. I went to school with their
• 12:10
  drummer too. So shout out to Gary.
• 12:12
  Sorry for your loss, man Bummer. We all went to school together.
• 12:16
  We all started playing at the same time.
• 12:18
  It's just one of those things that it really hits you, man, to
• 12:22
  enjoy every day. You know, don't sweat the small
• 12:24
  stuff. As Chris says at the end,
• 12:26
  tomorrow's a better day. Just go to bed.
• 12:30
  Things will look up. Because you never know, you
• 12:33
  know? I always make the joke today
• 12:35
  could be the last day and people think that's morbid.
• 12:38
  It's not. I enjoy living more than I've
• 12:40
  ever in my entire life. So when you hear me say things
• 12:43
  that sound like they're self deprecating, it's just to remind
• 12:46
  me that life is fragile, man. Well, it's everybody.
• 12:50
  It's kind of like, and we lost Malcolm Jamal.
• 12:52
  We, I say we the world lost Malcolm Jalt.
• 12:55
  Oh my God, Malcolm. Malcolm Jamal Warner.
• 12:58
  Which, which I was like when I first saw that, I was like,
• 13:01
  well, how do you accidentally drown?
• 13:02
  And somebody, my friend Steve Chen, he's like, well, we think
• 13:05
  he hit his head. I'm like, Oh, that makes sense.
• 13:06
  Because really I, I, you know, that just baffled my mind when I
• 13:09
  read that accidental drowning. I'm like, you know, I don't, and
• 13:12
  I wasn't saying it to be a Dick, but it's kind of like, how do
• 13:14
  you accidentally die and why you drown?
• 13:16
  And that's, you know, that's one of the ways.
• 13:19
  And I didn't realize post Cos because, you know, I, I didn't
• 13:26
  was a big Cosby Show fan. I wasn't a big Malcolm Jamal
• 13:30
  Warner fan because none of the stuff.
• 13:32
  No, I watched it on the fringes like.
• 13:34
  Right, exactly I've. Seen it.
• 13:35
  I know who he is. Yeah, but some of the stuff that
• 13:38
  I saw posted about him once, once he passed, some of the
• 13:40
  videos he made and reels he made about his family and and his
• 13:43
  outlook on life and what he was doing.
• 13:44
  He had a podcast that was kind of highlighting the different
• 13:48
  parts of the black community. Because you know, the the world
• 13:51
  just shows US1 part, right? That's like the world shows
• 13:54
  shows the same with with all communities, right?
• 13:56
  They don't focus on them, the totality of them.
• 13:59
  They focus on these little pockets that they want to pick
• 14:01
  and choose from. Either good or bad, We're going
• 14:04
  to highlight the good or we're going to highlight the bad.
• 14:06
  So that was cool that he was bringing some, some awareness to
• 14:10
  all the different levels of of the black community, as he
• 14:12
  called it. And he just seemed like a
• 14:14
  genuine human. I didn't, you know, Again, I
• 14:16
  didn't follow his career because I was never really big Cosby
• 14:18
  Show fan. Well, I would hope that that's
• 14:20
  something that we're doing here is showing people that, you
• 14:24
  know, there's another way or side to look at things.
• 14:27
  Right. Yeah, absolutely, absolutely.
• 14:31
  And that's what so he had that impact and that some, like I
• 14:33
  said, some of the so my, my acquaintances on Facebook
• 14:41
  basically drop some stuff and it's like, yeah, he's, he's, he
• 14:45
  had a, he had a really solid impact, which is cool.
• 14:48
  That's awesome. It's always nice to hear when
• 14:51
  somebody has success like that, that, that when they kind of
• 14:55
  what we would consider fade from the public spotlight, they
• 14:58
  continue to do good. Because, you know, his checks
• 15:00
  just kept rolling in when you're on a show like that.
• 15:03
  I mean, unless he was completely stupid, he was set up for life
• 15:07
  so he could have done whatever he wanted with his life.
• 15:09
  And it's cool that, you know, like I said, we're trying to do
• 15:13
  here, at least he was trying to spread some kind of positivity.
• 15:17
  And and that's that's really the wrong word.
• 15:20
  You just put you put it into a picture pretty well in that we
• 15:25
  want to make sure that people don't look at life as just a
• 15:30
  little tiny microcosm, you know, Right, right.
• 15:33
  Like you hear people say the black community, it's like, what
• 15:37
  is that? They're, they're people, man.
• 15:39
  Yeah, let's. Let's forget about that
• 15:42
  bullshit. We're all human beings.
• 15:43
  Right. But that's just that was the
• 15:45
  focus of his podcast. Because that's awesome, right?
• 15:47
  Because the lack of right, we've all we've talked about it and a
• 15:50
  lot of the world has realized it that journalism is no longer
• 15:53
  journalism. It's it's entertainment,
• 15:55
  correct? And because it's entertainment,
• 15:57
  you're not, you're not really speaking truths anymore.
• 16:00
  You're making shit up that you rely on, you know, the people
• 16:04
  that read it to call you out or there's true or not because you
• 16:08
  just want somebody to click the headline so that.
• 16:10
  They are no different than what we're doing right here.
• 16:12
  They're trying to get people to watch and entertain or not
• 16:15
  entertain. They're getting, they're trying
• 16:17
  to get people to watch and consume the message that they're
• 16:20
  putting out there. Right.
• 16:21
  Yeah. I mean, we're guilty of it, too.
• 16:23
  We wouldn't be doing this if there's no other reason to do it
• 16:25
  than to try to be successful in getting your message out there,
• 16:29
  right? Right.
• 16:30
  But I will say this, our approach is different than most
• 16:33
  podcasts because they're doing it organically.
• 16:35
  We're not. We're not feeding people
• 16:37
  bullshit. We're feeding people the things
• 16:40
  that interest. The best of our knowledge at the
• 16:42
  time. Right.
• 16:43
  Exactly. And so, but that's the thing,
• 16:45
  right. Like we don't like, we don't
• 16:48
  speculate anything for the most part it's stuff you've listened
• 16:51
  to, read or watched. The same with myself.
• 16:53
  And it's conversations that, right or wrong, it's
• 16:56
  conversations we have and. But one of the constructive
• 17:00
  positive things that I've heard about us is how we keep things
• 17:05
  flowing right. I've heard that multiple times
• 17:06
  I've. Heard that too, yeah.
• 17:07
  So the reason that Chris and I are successful at doing that is
• 17:12
  because when we were writing songs together, we literally had
• 17:14
  to make decisions in seconds or minutes, otherwise you would
• 17:19
  never get anything done, right? So we did.
• 17:22
  He just said it earlier. We didn't say at practice and
• 17:25
  argue I don't want you to do that there.
• 17:27
  You're doing that too long there.
• 17:28
  It was more like I don't think that really sounds that great
• 17:32
  for the song. And then everybody had to pause
• 17:34
  and say does it or doesn't, right.
• 17:37
  If three other if Scott and you and Rick automatically said we
• 17:42
  think it sounds great, I'm like, OK, just an idea.
• 17:46
  I'm going to side with the majority, right?
• 17:49
  You guys hear something that I don't.
• 17:50
  I'll come around to your side, I'm sure, or I'll keep arguing
• 17:53
  my point. Yep.
• 17:55
  That wasn't an argument, it was a debate.
• 17:58
  Absolutely. About what's best for the song.
• 18:01
  Right, right. Because that was the thing we
• 18:02
  wanted to put our best foot forward in the product we were
• 18:04
  creating. We wanted to be able to play it
• 18:07
  night after night, day after day.
• 18:09
  And I don't, I don't personally, I never really grew tired of any
• 18:12
  of our stuff because. I just thought about that the
• 18:14
  other day. It's funny you say that.
• 18:16
  Right. Nor did I, because it was for
• 18:18
  me. It lyrically was all personal,
• 18:20
  right? Whether you knew it or not.
• 18:22
  Like, you didn't realize I never dropped acid, you know, but I, I
• 18:26
  still was able to write a song like listen to your Sin, which
• 18:29
  has the elements and the visualizations of that.
• 18:32
  But that's something I learned in college when I was going to
• 18:34
  journalism school. I wondered, you know, to be a
• 18:37
  writer. So I had a teacher who was
• 18:40
  called descriptive writing and he taught me how to paint those
• 18:43
  pictures with words. And that just that's how music
• 18:45
  worked for me and carried it through with all the different
• 18:48
  elements of. Your lyrics were very visual
• 18:51
  after the music was set to it, for sure.
• 18:54
  I mean, for the listener, you knew what you were trying to
• 18:56
  convey from the get go. But for the listener, if they
• 18:59
  just read those lyrics on a page, it would still mean
• 19:03
  something to them because they were great lyrics, right?
• 19:05
  They're going to take something out of it.
• 19:07
  But then you hear it like a song like Intervention Divine, when
• 19:11
  you hear that message delivered with that music in that dynamic.
• 19:15
  Holy shit, that song impressed me and I'm the one that was
• 19:18
  there to write it, you know? And that was a poem.
• 19:21
  That was a poem, man. That was a poem.
• 19:23
  I was in. That thing became a beast.
• 19:25
  Though, Dude, yeah, it did. It was, it was, it was.
• 19:27
  I actually, it wasn't plagiarism, but it was just, it
• 19:30
  was. I was in a scene in one of my
• 19:32
  acting classes and, and some of the lyric in that song I wrote
• 19:37
  based on that scene. I don't remember it now, but.
• 19:40
  But if I looked at the lyrics, I could pull it out.
• 19:42
  But it was the first time I ever had to do a scene with a
• 19:46
  partner, right? Because it was my first real
• 19:48
  acting pursuit, right? And it was, I don't remember
• 19:54
  what it is now. I can see it in my head.
• 19:55
  I can see that the lady in my head, she was, she was probably
• 19:58
  15 years old and a really nice, nice person and, and rehearsed
• 20:02
  it and did some improvising shit because there was a the teacher,
• 20:06
  the instructor handed us these scenes like this is what you're
• 20:08
  going to do. So we didn't, she didn't want us
• 20:11
  picking things that, you know, whatever.
• 20:13
  Well, there's a, there was a part in the scene where we were
• 20:15
  supposed to kiss and she wasn't comfortable that I was like, I'm
• 20:17
  fine, I don't give a shit, you know?
• 20:20
  But the way that we improvise that and just the way that scene
• 20:23
  was, it was cool because it taught me that part of life, you
• 20:26
  don't have to do exactly what is written down to have it be
• 20:29
  effective. As long as you're putting
• 20:32
  everything that you have into whatever you're doing.
• 20:35
  Even that 15 minute scene was effective.
• 20:38
  And even the instructor, Bev, said that was more effective
• 20:42
  because we didn't kiss because the way that we had tweaked it
• 20:45
  to make it that much more of a, of an awkward element, it just
• 20:50
  carried through really cool. Which, you know, that was a
• 20:53
  fucking squirrel tangent. We're here to talk about Ozzy.
• 20:56
  Let's talk about Ozzy, Mike. No, that song was awesome.
• 21:00
  So here's the thing. I just so so Ozzy passed away
• 21:03
  today. This is July 22nd and we record
• 21:05
  our shows on Tuesdays and Fridays.
• 21:06
  So my time just comes out. He will have been will have been
• 21:10
  pass for you know what couple weeks.
• 21:13
  But here's the thing. OK?
• 21:15
  But there's people watching live.
• 21:17
  On YouTube, absolutely hello people watching live.
• 21:19
  So we're going to I'm going to I'm going to dive into Rolling
• 21:21
  Stones top 20 essential Ozzy Osbourne songs and I don't agree
• 21:24
  with them. I do not agree with these Ozzy
• 21:27
  Osbourne's 20 essential. Songs I rarely agree with
• 21:29
  Rolling Stone. That's good.
• 21:32
  Number and I, I don't. And because they don't do it in,
• 21:34
  in here 20, they don't say which is number 1 and which is #20 So
• 21:40
  we're just going to say #1 I'm going to go down Black Sabbath.
• 21:43
  Black Sabbath from 1970, which to me that introduced the world
• 21:50
  to Black Sabbath. Oh, for sure.
• 21:52
  So and that changed the trajectory of heavy metal as
• 21:57
  because heavy metal wasn't a thing back then.
• 22:00
  No, they invented heavy metal for sure, right?
• 22:02
  That's where they tried to be a Blues band and no one was
• 22:06
  listening, so they turned their amps up so the people couldn't
• 22:08
  talk while they were playing. That's a true story.
• 22:11
  Right, so it was, it was it was the the birth of heavy metal and
• 22:15
  and it has never I I think it'd be hard pressed to find somebody
• 22:19
  to argue that. So I'll agree with that one.
• 22:21
  Absolutely paranoid. Oh yeah, every guitar player in
• 22:26
  the world learned Paranoid. Right, and I'm doing this this
• 22:28
  morning #3 Iron Man. Oh yeah, I.
• 22:31
  Remember the man before you learned Paranoid?
• 22:34
  I remember the video on MTV with with the trippy background right
• 22:38
  the the the neon green. What do they call it?
• 22:42
  Saint Christopher's cross? It was upside down spinning.
• 22:44
  Right, right with the watercolor art.
• 22:47
  Right, going in the background, right.
• 22:49
  Oh my God, you know, Black Sabbath Satanic.
• 22:53
  You know, hide your children. They were marketing before KISS
• 22:57
  was marketing. Right, right.
• 22:59
  Changes from from Black Sabbath song changes, which the first
• 23:03
  time I heard changes was actually at his No More Tours
• 23:06
  tour, which was recorded live for Live and loud.
• 23:10
  That's the first time I ever heard changes, believe it or
• 23:12
  not. That's the first time I ever saw
• 23:14
  Ozzy is on that tour. Wait on, that's the first time I
• 23:16
  saw him as well. Nice.
• 23:19
  Yeah. Makes the Amphitheatre, 2000.
• 23:21
  People Peoria, IL Yeah, the Amphitheatre.
• 23:26
  I saw Pantera there twice and they tore that place apart.
• 23:29
  What a great place to see a band like that because it's nice and
• 23:32
  tight sound. Well, and and see what what blew
• 23:35
  my mind now looking back on it then thinking going then it did,
• 23:39
  you know, I mean, we got tickets the day of the show and it was
• 23:41
  general mission and we worked our way up to like, you know,
• 23:43
  probably 10 people from the stage.
• 23:44
  And you couldn't do that nowadays day of the show.
• 23:48
  It's impossible. But the fact that if you look at
• 23:50
  that now that where they played, where he played, it was the
• 23:53
  opening leg of the tour for no more tours, no more No More
• 23:56
  Tears tour, but to play at the at the Mesa Amphitheater.
• 24:01
  I mean, this is a guy who. That's a warm up show for sure.
• 24:04
  Right. It's like I sell out Dodger.
• 24:06
  Stadium and and, you know, Madison Square Garden right out
• 24:10
  of my mouth. And I'm playing this little
• 24:12
  podunk place in Mesa, AZ. But you know, you know, we would
• 24:16
  have done the same thing. Sure, you always want to play
• 24:18
  your first show, intimate venue, make sure everything's going to
• 24:23
  work. Yep, Yep.
• 24:25
  What's next? So I think so.
• 24:26
  He probably did some kind of little club tour like that.
• 24:29
  Sabbath. Bloody Sabbath, yeah.
• 24:33
  Metallica covered that one. Right on.
• 24:35
  I don't know why? I'm sorry.
• 24:37
  I don't. I don't know.
• 24:38
  I don't know. I don't know.
• 24:39
  I don't know. Great riff.
• 24:42
  Yeah. That riff is like our Freeman
• 24:45
  riff. It's simple and effective.
• 24:47
  Yeah, yeah. So he, he told the planet Rock.
• 24:51
  Ozzy did that. I'm not the kind of guy.
• 24:52
  I'm a dyslexic fucking rock and roller.
• 24:55
  So I don't know, is me saying don't ask me questions.
• 24:58
  I don't know. You got to believe in someone.
• 25:00
  He sings over a crisp guitar riff, asking who is right,
• 25:04
  asking me who to follow. Don't ask me.
• 25:06
  I don't know. That's such a great song.
• 25:10
  And then. And then what?
• 25:11
  Which a lot of people are going to.
• 25:13
  Yeah. Oh yeah, which a lot of people
• 25:15
  are going to say this launched his solo because it was his
• 25:18
  first solo hit and it crazy train.
• 25:20
  Yep, there you go. And you have to say it.
• 25:22
  And you, you, you know that song from the first riff, kind of
• 25:26
  like, you know, Sweet Child to mine, right?
• 25:27
  There's certain. What's that instrument they use
• 25:29
  at the beginning of the song? That's how you know it's all
• 25:33
  drummers know what that is. But it's a percussion
• 25:35
  instrument, and if used right, it's effective.
• 25:38
  And he used it very effectively because that's what you hear
• 25:41
  first in Crazy Train. Yeah.
• 25:43
  Yeah, the video was cool too. Black and white.
• 25:46
  You know, he was, he was heavily intoxicated, still kind of in
• 25:51
  not very healthy, but. Had his eye makeup like raccoon
• 25:54
  eyes and a spiky hair. Yep, there was.
• 25:58
  Oh yeah, 1980 man. He embraced the hair metal.
• 26:02
  Mr. Crowley, the next. I just heard that today.
• 26:07
  I did. Why?
• 26:07
  When I came home from the office, I put on my ultimate
• 26:10
  Aussie. Me too.
• 26:10
  Yeah. Yeah, I see.
• 26:12
  And this I never liked this song Suicide solution I.
• 26:15
  Love that song. Yeah, I, I never liked it.
• 26:17
  It was just one of those songs I just don't like, you know?
• 26:19
  It's an anti suicide song. Oh, I know.
• 26:22
  Yeah, I know what it's about. I just, I just, it's just never,
• 26:25
  I just never gravitated towards that, you know, for whatever
• 26:28
  reason. I don't know why.
• 26:30
  Flying high again. Oh, yeah.
• 26:32
  Now. Now what?
• 26:33
  Are you trying? To say nothing, man, I will.
• 26:37
  This is this is this is my first Aussie story, right?
• 26:40
  OK, this is so my, my introduction to Ozzy Osbourne,
• 26:42
  my brother, his friend Brendan, myself and this guy and his
• 26:46
  other friend named Pat. We were in my elementary school
• 26:49
  parking lot and I think it was Brendan's, you know, 1970
• 26:54
  orange, K5, Bronco, blazer, whatever, right?
• 26:57
  Orange, you know, white top. They were, they had Ozzy on the
• 27:03
  cassette and and Over the Mountain came on and that was
• 27:08
  the first time I ever took a hit off a joint.
• 27:11
  Sweet. So we basically smoked a joint
• 27:13
  while listening to Ozzy. No better way to hear Ozzy.
• 27:18
  I'm going back home and I felt like I was walking on the moon,
• 27:23
  you know, I had. To I remember when marijuana did
• 27:25
  that to me. Had to walk past the parent, the
• 27:30
  parent, you know. And I don't remember what she
• 27:32
  said, but I acknowledge, my brother said I know.
• 27:34
  She probably sounded like she was a mile away.
• 27:36
  Right and and delayed response and got our money.
• 27:40
  Proceeded to go 711 and and munch it away.
• 27:44
  That's my first ever introduction to Ozzy Osbourne.
• 27:47
  Seeing when somebody thinks of somebody being high.
• 27:51
  If you see somebody high for the first time, second time, maybe
• 27:54
  even in their first year of smoking marijuana, and that is
• 27:58
  your impression of people getting high, I understand why
• 28:01
  you're confused. Right, Right.
• 28:03
  Because the first time, you just described the first time
• 28:06
  perfectly. You feel like you're walking on
• 28:07
  the moon. Yeah, it's the greatest feeling
• 28:10
  ever. And you got to hear Ozzy at the
• 28:12
  same time. Right, right.
• 28:15
  And you know. So my introduction to Ozzy was
• 28:19
  art. Well, I think he's still my mom
• 28:21
  and dad's mailman, Mr. Mark Brewer.
• 28:24
  We were jamming out tunes in his room one day.
• 28:28
  We're probably junior high high school.
• 28:30
  OK. And I think it was the fact that
• 28:32
  he didn't like the live album. I don't think it wasn't that he
• 28:35
  didn't like Ozzy, but it was the Randy Rhodes Ozzy Osbourne
• 28:39
  tribute album. Yeah, yeah, yeah.
• 28:41
  He just flipped it to me and he's like here, man.
• 28:44
  Maybe it was like meant to be, you know, fate.
• 28:47
  I had recently started playing guitar and you never know why
• 28:50
  things happen, but he's like here.
• 28:51
  I don't really care for this. I think you'll enjoy it.
• 28:55
  So I've popped that in the cassette player and holy shit,
• 28:58
  man, I got to hear Randy Rhodes and really listen to him for the
• 29:01
  first time. And in a live setting where
• 29:03
  people, you know, like myself, are able to cut loose as a
• 29:06
  player, you don't always play the same solos when you're live
• 29:09
  is on the record. A lot of times you don't even
• 29:12
  play the same rhythm. You throw little things in
• 29:14
  there. And he did a lot of that.
• 29:16
  And it gave me ideas of what to do in between the beats, you
• 29:22
  know? Yeah, music happens in between
• 29:24
  the beats. It's the silence that actually
• 29:26
  makes the music. People don't realize that if you
• 29:28
  just kept playing straight through and there was no breaks,
• 29:31
  it wouldn't be music, right? Yeah.
• 29:34
  So Mozart taught us that, that it's the silence, it's the
• 29:38
  notes, it's the silence in between the notes that actually
• 29:40
  makes the music. It's how long you pause and
• 29:43
  where your brakes are, right? Yeah, I'm Speaking of tribute.
• 29:47
  I lost my virginity to Ozzy Osbourne's tribute album.
• 29:50
  That's awesome. That's a better story than mine.
• 29:55
  I think we're probably lighting our farts on fire in junior high
• 29:58
  or something like. That so next one, which is
• 30:01
  which, which to me was it epitomized It epitomized him at
• 30:06
  the time for me, because it was this song was so dark, but it
• 30:09
  was so it was so, so eerie and storytelling vibe that it it
• 30:15
  hunked, it hooked me like because once, once once I heard
• 30:20
  over the mountain right then it's like, OK, I got to buy
• 30:22
  this. I got to buy the cassette, you
• 30:24
  know, sure got it. Diary of a Mad Men.
• 30:27
  What a fucking epic song dude. Another Randy Rhodes.
• 30:31
  Beautiful. Yeah, this is funny, too.
• 30:35
  Once, while Rhodes was taking a classical guitar lesson.
• 30:37
  You're going to like this, Osbourne ambled in and asked
• 30:40
  what he was playing, as he later told the magazine Revolver.
• 30:45
  Mozart, Rhodes said. Right, we're nicking it, Osborne
• 30:49
  replied. Worked.
• 30:50
  We can't nick Mozart, Rhodes said.
• 30:52
  They worked on it basis. Bob Daisy wrote some lyrics
• 30:55
  reflecting a nervous breakdown. He had had a 16 and Osborne
• 30:58
  channeled the words into a Munch like scream.
• 31:02
  By the time Randy had finished messing around with it, there
• 31:05
  was hardly any work, any Mozart left.
• 31:09
  That would be me. How can I wreck this?
• 31:11
  But that's the thing. So you said.
• 31:13
  That's why I thought that was a good thing to read, because
• 31:15
  that's a great story. You reference Mozart?
• 31:17
  Yeah, that was a. Great story man, Randy was a
• 31:19
  huge lover of classical and anybody who is a lover of music
• 31:23
  is, and anybody who is a player that doesn't study or at least
• 31:27
  appreciate classical music, you're doing yourself a
• 31:30
  disservice. Well, classical music is
• 31:32
  awesome. I had it on Monday at the
• 31:33
  office. It was just me and Christy, the
• 31:37
  she's like helps Nick run the whole thing and it was rare.
• 31:40
  It was just her and I, So I put on she can't hear.
• 31:42
  She's got a hearing aid. So I usually put on like Alter
• 31:44
  Bridge station or something Rocky when it's just me, but
• 31:48
  actually put on, I put on Mozart's station and just it was
• 31:52
  it's it's amazing how. As a musician, the appreciation
• 31:56
  you have for it when you hear it is just mind blowing.
• 31:59
  Yeah, because if you ever just sit down and listen to classical
• 32:02
  music, like just turn the world off, you'll be amazed at the
• 32:06
  sounds they can create. Yes, with such a massive, you
• 32:10
  know, amount of musicians in the orchestra and just it's, it
• 32:13
  fills the space like you wouldn't believe.
• 32:16
  So that's, that's what it does for me, dude.
• 32:19
  As a musician, it makes me realize how simplistic and you
• 32:23
  know, as cool as what I think I do, when I hear that music, I'm
• 32:27
  like, whoa, you know, we're super simple here.
• 32:30
  If we go to 6-8 time, people freak out or three, four or
• 32:33
  something, you know, right. They're playing in multiple time
• 32:36
  signatures within the same measure sometimes.
• 32:38
  Yeah. But I agree with what you said,
• 32:42
  the fullness of the sound and what they can create with the
• 32:45
  percussion and the all the way down to the chimes and the
• 32:49
  triangle and you know, just outstanding.
• 32:52
  Well, I mean, it's like what Metallica did with with Michael
• 32:54
  Kamen, you know, beautiful. Yeah.
• 32:56
  I mean and. The second one is good too, but
• 32:58
  that first one, like you said on the last show, it shocked the
• 33:02
  world. It's like, wow, Metallica is
• 33:04
  powerful. Yeah, when you when you hear
• 33:06
  Metallica in an elevator, it's it's, it's a little ridiculous,
• 33:11
  but but it shows you that, that the ability of that's there
• 33:14
  because of of how they they didn't.
• 33:16
  And again, we talked about it last show, they didn't realize
• 33:20
  how they were writing. They just thought it sounded
• 33:21
  cool, which I think a lot of musicians don't have that.
• 33:25
  I can't, can't read music. So I just I play by ear.
• 33:27
  I couldn't tell you what we're doing sound right.
• 33:30
  It's just, it's what feels good at what feels right at what's
• 33:33
  what sounds good. And it's filling the space and
• 33:36
  you know, so next one bark at the moon. 01 of the hardest
• 33:41
  songs to play on guitar ever. Really.
• 33:43
  Oh yeah, Well, Jake was the master.
• 33:46
  Jake got screwed because he came in after Randy Rhodes and those
• 33:50
  are huge shoes to fill. But I challenge anyone to come
• 33:54
  on here and tell me that Jakey Lee was not one of the greatest
• 33:56
  guitar players Ozzy ever had because his rhythm work was so
• 34:01
  unique. It was hard to put your finger
• 34:03
  on how he played because he did things.
• 34:07
  That was just, I did the same thing.
• 34:11
  However, he learned to play was out of the ordinary, right?
• 34:14
  The way I learned to play was out of the ordinary because I
• 34:16
  was by myself a lot. I think he was by himself a lot,
• 34:19
  too. You learn to fill in spaces that
• 34:23
  people who just grow up playing organized, structured music, or
• 34:27
  they start off playing in a band right away.
• 34:30
  They don't do those things because they're used to just
• 34:32
  holding down the rhythm or whatever.
• 34:35
  Bark at the Moon is moving #1 the tempo is way up there, and
• 34:40
  it's a constant pedal tone on the A string, like alternate
• 34:44
  picking all the time. And then you're playing this
• 34:47
  huge full chord underneath it at the same time, like he's
• 34:51
  stabbing at the beats underneath it, but he's always keeping that
• 34:56
  A string going all the time. Interesting.
• 35:01
  So then we got shot in the dark. Ultimate send album.
• 35:06
  Which he hated. I remember, I remember.
• 35:07
  You know why? Because he wasn't.
• 35:09
  I just read that he wasn't involved in almost zero of that.
• 35:14
  Bob Daisley and Jakey Lee wrote that whole album because Ozzy
• 35:17
  was in rehab. He came in and most of the music
• 35:20
  was done. I love that album, but I
• 35:23
  understand why he doesn't like it because I think he was forced
• 35:27
  into here's what we have and we need to get it out because you
• 35:31
  got to get out on the road, you know, blah blah blah.
• 35:33
  Yeah. He wasn't in a position to be
• 35:38
  the guy who could say, I'm going to take another year and rewrite
• 35:42
  this the way I would like it. Well, and he wrote in the liner
• 35:46
  notes that I laugh so much every time I see the video for the
• 35:48
  song Shot in the dark. I looked like a tattooed truck
• 35:51
  driver in a sequin dress. That one was ridiculous.
• 35:56
  Videos were definitely 80s cheesy.
• 35:58
  Oh, but but ultimate sin is I see I that's one of the albums
• 36:02
  I've listened to like I listened to it I what when I was doing
• 36:04
  yard work the other day because. I love the album.
• 36:06
  Yeah. I'm a huge Jakey Lee fan.
• 36:08
  His work in Badlands is another one people should go check out.
• 36:11
  It's hard to find now, but he was a monster player that just
• 36:15
  didn't get the credit he deserved because he was in the
• 36:18
  shadows of reindeer. Yeah, yeah, this is a really
• 36:22
  good song too. And it's a duet.
• 36:25
  Close my eyes forever. With I just heard that too
• 36:27
  today. Do you know that that was an
• 36:30
  accident that that song was ever done?
• 36:32
  They were both recording in the same studios.
• 36:35
  Just, you know, they had like a studio A, studio B.
• 36:39
  They got all fucked up one night and went in the studio together
• 36:42
  and hammered that song out. Nice.
• 36:44
  Yeah, so. I think that was Ozzy's only
• 36:47
  number one single. We'll look that up when we're
• 36:50
  done. So Lita Ford's first concert was
• 36:52
  singing Black Sabbath at age 13 and 71.
• 36:54
  That I'm reading the the notes on this.
• 36:56
  Nearly two decades later, after she established herself with the
• 36:59
  Runaways and as a solo artist, she found herself jamming and
• 37:02
  getting drunk with Sabbath's lead singer and his wife at her
• 37:04
  new house. There was a little side room
• 37:07
  with a guitar and a keyboard. And we started messing around,
• 37:09
  singing, playing, and we wrote close My Eyes Forever.
• 37:13
  She once recalled. The song features Forge Spyder,
• 37:15
  a guitar playing, and the two artists share vocals about
• 37:18
  contemplating love and eternity. Next thing I know, the sun was
• 37:21
  coming up, she recalled. I looked at him and I went, uh
• 37:24
  oh, we're in trouble. Sharon had been waiting all
• 37:26
  night. But then we had this hit song.
• 37:31
  It peaked #8 on Billboard's pop chart. close My Eyes Forever.
• 37:36
  OK. So you're close, and then and.
• 37:39
  Then this is only top ten single.
• 37:41
  Maybe because here's so well, I don't know, we're going to I
• 37:43
  because I could've swore patient #9 debuted at #1 but maybe that
• 37:48
  was the album this one, this and this is the cool thing about
• 37:52
  Ozzy. If if if you followed his career
• 37:54
  like like Black Sabbath, right? They hit the scene and boom
• 37:57
  world changed, right? Crazy Train hit the scene, boom
• 38:01
  world change right And then this song, Mama, I'm Coming Home,
• 38:04
  boom world change. It's like he got.
• 38:07
  He reestablished himself as a true rock'n'roll legend because.
• 38:12
  He had to keep reinventing himself because he almost became
• 38:15
  a parody of himself. Right, especially in the 80s.
• 38:19
  That's it right there. The 80s and the early 90s, he
• 38:22
  really had to keep struggling to reinvent himself.
• 38:25
  And I agree with you, man. It's fascinating the way he did
• 38:27
  it. Yeah, yeah.
• 38:29
  And then so this that this part of it, he talks, he wrote it.
• 38:34
  This is this song actually is the one and only time that one
• 38:39
  of his solo tunes enter the Top 40.
• 38:41
  He wrote it with Zack Wyden, Lemmy.
• 38:44
  Everyone thinks it's about my mother, Osborne, Soul planet
• 38:46
  rock, but it's not. I call my wife Sharon.
• 38:48
  Mama. I had the idea for this.
• 38:50
  And Lemmy wrote the lyrics in about 3 hours.
• 38:53
  The song became a main stand MTV and helped Osborne win over an
• 38:56
  entirely new audience, which we just said remained part of his
• 39:00
  live shows. I mean, he played his last show
• 39:02
  ever. He played it.
• 39:03
  And I, I didn't realize that he was, it was his Mama was Sharon.
• 39:06
  I did. So that's cool.
• 39:08
  Another, another figured it out watching The Osbournes 'cause
• 39:11
  you hear him call her that all the time.
• 39:14
  I thought it was about his mother too till I started
• 39:16
  watching The Osbournes and I'm like, oh, he calls Sharon Mama
• 39:19
  I. Didn't think about that.
• 39:20
  No next one. I don't want to change the
• 39:24
  world. What a great song.
• 39:26
  Yeah, let me wrote the lyrics and and and see this this I
• 39:32
  mean, here's the power of Ozzy. Tell me I'm a sin.
• 39:35
  And I got news for you. I spoke to God this morning and
• 39:37
  he don't like you. That's.
• 39:39
  Such a great lyric. That's so Lemmy too.
• 39:43
  Yeah, Yep. But that's the that's yeah,
• 39:48
  just. And then, of course, the the the
• 39:50
  mainstay of that album. No more tears.
• 39:53
  You know, that video was great too.
• 39:56
  Great video. That was a band that that was a
• 40:00
  force to be reckoned with, man. I, I saw him twice with Zach and
• 40:05
  I think Newstead was playing bass one time.
• 40:09
  And Rob, actually I did. I saw him with both Metallica
• 40:13
  bass players. I saw him with Newstead once and
• 40:15
  I saw him with Rob Trujillo once.
• 40:17
  Oh wow. And Tommy Aldridge was playing
• 40:19
  drums for most of it. I mean, you just couldn't find a
• 40:22
  better band. Yeah.
• 40:25
  Gotcha. Next one I just want you another
• 40:29
  another. Oh yeah, you can feel the
• 40:31
  emotion in that song. From Osmosis, I don't ask much,
• 40:35
  I just want you Dreamer 2001 released at Dreamer.
• 40:43
  That's a good one. And people say Dreamers like
• 40:46
  Ozzy's is is like Ozzy's imagine from from John Lennon.
• 40:50
  I can see that. Osborne said he takes that as a
• 40:52
  compliment. I would too.
• 40:54
  It's got the gentle piano line, George Martin esque
• 40:57
  orchestrations. That's where he lived out his
• 41:01
  fantasies of becoming his, you know, part of his favorite band,
• 41:03
  which was The Beatles. It's a great.
• 41:06
  I'm just a dreamer. I dream my life away.
• 41:08
  I'm just a dreamer who dreams of better days.
• 41:10
  Just like The Beatles song, you know it's cool.
• 41:14
  That's a good song for. Sure, it is a great song.
• 41:16
  And then and see, This is why I don't necessarily agree with us,
• 41:18
  because now it's patient #9 good song, really good song.
• 41:21
  That's right. But but oh, there's there's the
• 41:27
  other, there's another track on on on patient number 90.
• 41:33
  Fuck, I can't think of the name now, but but the lyric is it's
• 41:36
  just one of those days where I don't believe in Jesus.
• 41:38
  So if if you, if you just hear that line, you think, oh, you
• 41:43
  know, he's fucking slamming God again, but he's not.
• 41:45
  He's just the the lyrics. It's just he's the song is about
• 41:48
  you. Just you have a shitty day and
• 41:49
  it's just, it's today's just one of those days.
• 41:52
  I just, I just don't believe in Jesus.
• 41:53
  When you see, you know, 75 kids drown in a, in a massive flood
• 41:58
  in Texas. Like it's hard to have faith if
• 42:00
  you're a Christian because where are you God?
• 42:04
  You're letting 75 children ages, you know, 7 to 11 die in a
• 42:08
  flood, right. So that's like when that the,
• 42:12
  the one song I, I, I, I think, what is it?
• 42:14
  The window of hell, whatever that one song I wrote about the
• 42:16
  guy. That was another one we wrote
• 42:19
  together. Yeah, that thing, that thing
• 42:21
  wrote itself. Yeah, but that dude took his
• 42:23
  daughter to the desert, you know, and to burner under the
• 42:27
  preclusive. You're going to go see Santa
• 42:28
  Claus. That's those elements where.
• 42:31
  But that song could have been taken out of context.
• 42:33
  Very. Sure, sure.
• 42:34
  But but again, when I'm going with that, that's one of those
• 42:36
  contexts where you, you, you have to read the lyric to
• 42:43
  understand as best you can what, what the lyricist is portraying,
• 42:48
  you know, So the, I'm going to look up the fucking lyrics of
• 42:51
  that song. That's driving me nuts now.
• 42:54
  Well, I'm thinking if you don't understand what the song's about
• 42:57
  and you have a bad interpretation of it, don't
• 42:59
  listen to that song anymore. Don't, don't, don't chastise the
• 43:03
  songwriter and make your own opinion as to what songs are
• 43:07
  about negatively. Yeah, there's no need for that.
• 43:11
  Just don't listen to it, you know?
• 43:12
  Yeah, because you probably. Don't know what the song's about
• 43:15
  anyway. Right, It's called One of Those
• 43:16
  Days. And Eric Clapton played on it
• 43:19
  and then patient #9 patient, Yeah, patient #9 played, had
• 43:22
  Jeff Beck on it. And then Jeff Beck, he passed
• 43:24
  away right shortly after that album was.
• 43:26
  Released, it is a great song. Yeah, yeah.
• 43:30
  But the two this I like go. Ahead.
• 43:32
  I like the Post Malone song on there too.
• 43:35
  Which one was that? I don't know, you got the tracks
• 43:39
  up there. Yeah, Jeff, Jeff, Jeff, Mike,
• 43:41
  Derek, Zach. I just heard him.
• 43:45
  Dark side Blues Maybe no. Oh, maybe it's not on that
• 43:50
  album. Maybe it's on.
• 43:50
  I don't think it's on. Maybe that was just a single.
• 43:53
  OK yeah, but One of those days, impatient #9 are are the 2 songs
• 43:59
  I like on that now. Take one back on it.
• 44:02
  Yeah, yeah, I was one catalog. That was from 2019.
• 44:08
  OK, gotcha. That's a great song.
• 44:12
  So I just I want to open up his his songs because there's so
• 44:17
  many songs listen missed. I bet that's the problem with
• 44:20
  Ozzy dude. There's He's so he has so many
• 44:22
  good songs, man. Yeah, not very many of them are
• 44:25
  bad. No, so so ultimate sin.
• 44:31
  Thank God for the bombs. One of my.
• 44:33
  On. That one.
• 44:34
  I just heard that today too. That's what people I don't want
• 44:41
  to think a lot of people under realize that.
• 44:42
  I mean I'm making a broad statement there, but Ozzy was
• 44:46
  very in tune with what was going on around him in the world.
• 44:49
  Thank God for the Bomb is an anti nuclear weapon song but
• 44:55
  it's. The wall had just come down when
• 44:57
  he wrote that. Right.
• 44:58
  But it's also, he's basically saying like, thank God for the
• 45:02
  bomb, because if we didn't have the threat of using the bomb,
• 45:05
  all chaos could ensue in the world.
• 45:07
  Correct. So that was the thing.
• 45:09
  Yeah. So the ultimate saying, thank
• 45:10
  God for the bomb Killer Giants. Great song.
• 45:12
  There's another, right? There's another track that
• 45:16
  nobody ever talks about that's a killer Ozzy song, no pun
• 45:19
  intended. No, it is though.
• 45:21
  It is though, lightning striking, shot in the dark full
• 45:25
  for you just OK, that's ultimate sin.
• 45:28
  So right there, there's more often than not good.
• 45:31
  There's no filler on that album. No.
• 45:34
  Bark at the moon. We're at bark at the moon now.
• 45:36
  Bark at the moon. You're no different than me.
• 45:38
  That's a great song, right? Rock'n'roll Rebel.
• 45:41
  Another great song. Waiting for Darkness, that was
• 45:44
  an E. That was an EP.
• 45:47
  Dude. That's 8 songs.
• 45:47
  The other ones on there now you see it now you don't.
• 45:50
  Center of Eternity and Slow down.
• 45:53
  But you have you have 5 of the 8 songs you can just, you know,
• 46:00
  kill. Yeah, yeah.
• 46:02
  No rest for the wicked miracle man crazy babies, demon alcohol,
• 46:07
  Devil's daughter, breaking all, breaking all the rules, Fire in
• 46:10
  the sky. Holy shit.
• 46:12
  I love. Fire another another great slow
• 46:15
  dynamic build up. Oh yeah.
• 46:18
  Just just a great album. Fire in the Sky, man, now your.
• 46:21
  Castles are burning. Just and then then we got Diary
• 46:26
  of a Madman, which which Over the Mountain, Flying high again,
• 46:29
  You can't Kill Rock'n'roll Believer Little Dolls.
• 46:32
  I wasn't into that tonight, wasn't into that song.
• 46:34
  Yeah, Diver Man, but again as AEP 8 tracks and you have at
• 46:38
  least six of those tracks held up.
• 46:41
  Those were considered full length albums back then though,
• 46:44
  right? Right then, no more tears, Mr.
• 46:49
  Tanker Train. Great song, Desire.
• 46:52
  Great song, Hellraiser. I don't want to rule the world
• 46:55
  no more. Let me, wrote Hellraiser too.
• 46:58
  Tommy time after time See, This is why I'm saying those twenty
• 47:00
  time after time. Great song mom, I'm coming home.
• 47:04
  Great song send. There was no filler on No more
• 47:07
  tears. No zombies song every.
• 47:08
  Song was like. No.
• 47:10
  That's a great riff. Right.
• 47:14
  Just. Do the zombie stomp.
• 47:16
  Who gets away with that other than Oz?
• 47:18
  Nobody, nobody, Blizzard of Oz, you have, I don't know, great
• 47:23
  song, crazy train, great song, goodbye to romance.
• 47:26
  I, I don't, I don't love that song.
• 47:28
  See, and I don't that's a weird thing.
• 47:30
  I just, I, I mean, I, I from a music standpoint, I see what you
• 47:34
  do because Randy's on it and and his guitar sounds are fantastic
• 47:37
  And, but I just. I like that melody.
• 47:40
  I just never felt it. So those are two songs on the
• 47:43
  album. I just don't.
• 47:43
  I don't. I've never really liked.
• 47:44
  What's the other one? Oh, yeah.
• 47:46
  Suicide Solution. But Steal away the night, Mr.
• 47:50
  Crowley. Revelation.
• 47:52
  You know, I just fucking did. Just talk to the dead, you know?
• 47:58
  Mr. Crowley, I love. This osmosis if you don't know
• 48:01
  what Mr. Crowley is about boys and girls, just Google Mr.
• 48:03
  Crowley, the original Mr. Crowley.
• 48:05
  And Aleister Crowley. Yeah, it's, it's interesting
• 48:09
  Osmosis again. Just Perry Mason.
• 48:12
  Only Ozzy could get away with that, right?
• 48:15
  I just want you Ghost behind Thunder Underground.
• 48:18
  Thunder Underground. See you on the other side.
• 48:22
  Listen to that. Right, see you on the other side
• 48:24
  tomorrow. Denial, my little man, and my
• 48:27
  just see you on the other side, man.
• 48:31
  Old LA tonight. Just another great album, man.
• 48:36
  Just another great album. He knew how to make a good
• 48:40
  album. He knew how to put a great band
• 48:42
  together. Yeah, and we already talked
• 48:44
  about patient #9 yeah, I just, there's so many other songs that
• 48:54
  could be in that top 20. I mean, the man was one of he
• 48:57
  was 25% of inventing heavy metal.
• 49:00
  Yeah, he was when without his voice.
• 49:03
  I don't think you created heavy metal.
• 49:05
  I don't think. I don't think.
• 49:06
  He had one of the most unique voices ever in the history of
• 49:09
  the world. I know, I know.
• 49:10
  And just, you know, from other Sabbath singers, I don't think
• 49:12
  you've put Ronnie James Dio and as as the original lineup for
• 49:15
  Black Sabbath. It doesn't, it doesn't
• 49:17
  breakthrough like it did with Ozzy because it is, you know his
• 49:20
  voice. You can't mistake his voice and
• 49:22
  you know his name. Like you don't have to say Ozzy
• 49:24
  Osbourne. It's just Ozzy.
• 49:25
  You say, Ozzy, everybody knows. I'll tell you how powerful it
• 49:28
  is. One of my friends that just
• 49:31
  isn't a huge fan of heavy metal is a huge Ozzie fan.
• 49:35
  Like hit her super hard, right? That's how unique his voice was,
• 49:42
  was it? It really spoke to people who
• 49:44
  would generally not listen to that kind of music because it
• 49:46
  was so unique. You want to say that he really
• 49:51
  wasn't a singer, but he was in an odd way, because it was
• 49:56
  pleasing to the ear in the weirdest way possible.
• 50:01
  On paper, he shouldn't have been a singer.
• 50:03
  You know, he didn't have a huge range, but it was that.
• 50:07
  You just hit the nail on the head, man.
• 50:09
  It was his, the uniqueness of his voice that just drew people
• 50:14
  in. And he was such a lovable
• 50:17
  character once you got past the fact that he wasn't trying to
• 50:20
  woo everyone into Satan. That was such.
• 50:25
  Well, those people were fucking stupid.
• 50:27
  Yeah. And then he he released the
• 50:28
  album in 2010 called Scream That I, I there's nothing on there
• 50:32
  that I recognize. So obviously I didn't, I didn't
• 50:34
  gravitate. That's a great album at all.
• 50:36
  I think that was Gus G on guitar if I remember right.
• 50:39
  What are the songs on that album?
• 50:41
  I gotta go back to it. Where'd it go?
• 50:43
  Where'd it go? You've heard scream because of.
• 50:46
  Oh yeah. Oh yeah, I've heard.
• 50:47
  Yeah, I've heard scream for sure.
• 50:54
  Recording this home studio in LA.
• 50:58
  It doesn't say oh, Kevin. Produced by him and Kevin Chunko
• 51:03
  Cunko. It doesn't say who the guitarist
• 51:06
  is on it. Who?
• 51:07
  Oh, here we go. The drop down menu.
• 51:09
  Gus G. Yep, you're right.
• 51:10
  Gus GI. Know my eyes, A guitar player.
• 51:14
  Yep, let's see. That was not one of his better
• 51:22
  picks in my opinion. Just my opinion.
• 51:25
  Yeah, Black Rain, 2007. That's a great album too.
• 51:31
  Not going away. I don't want a black Rain 11
• 51:36
  silver here for you, the almighty lay your world trap
• 51:42
  door after. I haven't.
• 51:42
  I've never heard that one. I'll have to listen to it.
• 51:46
  I don't think I I just put a bunch of them on my phone maybe
• 51:50
  six months ago and the last two that you mentioned I had never
• 51:54
  heard either. Yeah, ordinary man.
• 51:56
  I've heard that. I've heard that's the one that
• 51:58
  post Malone's on Ordinary man. OK, no rest for the wicked, of
• 52:04
  course. Yeah, Miracle man crazy baby is
• 52:06
  bloodbath that. Was miracle man.
• 52:08
  Yeah, Demon alcohol, we talked about that.
• 52:10
  What was that? Jerry Falwell, right?
• 52:13
  Miracle man, Yeah. No Jimmy.
• 52:16
  Jimmy. He got busted with his pants
• 52:19
  down. Little Jimmy, Center.
• 52:23
  And then when he when, Yeah. And when he introduces it on
• 52:26
  Jimmy who? The fuck was that?
• 52:30
  I don't know. I know I fucking Jimmy somebody.
• 52:32
  He's dead now. Yeah, but it was funny when he
• 52:35
  went on Live and Loud. He's like all these people think
• 52:38
  you listen to the likes of Ozzy Oz when you're as fuck going to
• 52:40
  go to hell. God, I don't believe in that,
• 52:43
  you know? But you went to Cash, you know,
• 52:45
  whatever, he Mumbles. Swagger, swag Jimmy Swagger.
• 52:48
  Swagger. I just know him as little Jimmy
• 52:51
  Sinner because that's what Ozzy dubbed him.
• 52:53
  You know, that was the brilliance of Ozzy though.
• 52:57
  It's like nothing's taboo, man. Oh, you're a man of the Lord,
• 53:00
  are you? How come you're fucking that
• 53:01
  prostitute? And then and then of course,
• 53:04
  Live and Loud, which was got to be one of the best live albums
• 53:07
  ever. And he was at I think to me that
• 53:11
  was he was, he was sober. He was clean for the he was a
• 53:14
  very long time, right? He's like, he hit his stride.
• 53:18
  That's what what what propelled him to kind of he reinvented
• 53:21
  himself again, like we talked about, and I mean, just the, the
• 53:24
  songs, the intro, which is badass and you got paranoid.
• 53:26
  This is how it started. Paranoid.
• 53:28
  I don't want to change the world desire Mr. Crowley.
• 53:31
  I don't know. Road to Nowhere another
• 53:33
  fantastic song. Why Road to no No is not in in
• 53:36
  Rolling Stones top 20s beyond me that.
• 53:38
  Should have been there over patient #9.
• 53:41
  That's an autobiography. Yes.
• 53:43
  Right yes. Flying high again.
• 53:46
  Zach Wylde solo suicide solution.
• 53:48
  Goodbye to Romance. Shot in the dark.
• 53:50
  No more tears. Miracle Man Randy Castillo's
• 53:53
  drum solo. We've talked about Randy before
• 53:55
  on the show. Amazing human and drummer.
• 53:57
  Yeah, rest in peace. Right then war pigs because he
• 53:59
  brings he brings Sabbath back on stage.
• 54:02
  No, I that wasn't that yet he waited till Black Sabbath and
• 54:05
  changes so war pigs and then bark at the moon Mama, I'm
• 54:08
  coming home crazy train. And then he brings Black Sabbath
• 54:11
  on stage and does Black Sabbath and and changes and that's the
• 54:15
  first time I heard changes and I was like, wow, that's that's
• 54:17
  amazing. Now also live and loud is when
• 54:20
  he bought when he brought Jack, his son at the time on stage,
• 54:24
  put him on his shoulders and brought him out.
• 54:26
  And that to me all the all the fucking nonsense that people
• 54:31
  said about Ozzy being Satanist and evil and dark and blah blah
• 54:35
  blah. Right when he comes out on stage
• 54:37
  with this kid on his shoulders, it's just like everybody just
• 54:39
  shut up. Just.
• 54:40
  Don't. Well, just the fact that they
• 54:42
  did a show together for that long and you could tell that the
• 54:46
  love was genuine. And then Jack and Ozzy went on
• 54:49
  to do Ozzy and Jack's detour where the road trip.
• 54:52
  That was great road trip. Great show.
• 54:54
  And then him and Kelly did something together too.
• 54:56
  If I remember right. I know they recorded a song
• 54:59
  together. Yeah, yeah.
• 55:01
  And then? So they were always together.
• 55:03
  How bad their dad could he have been if his kids wanted to be
• 55:06
  around him all the time? Right, right.
• 55:08
  Exactly. You're stupid.
• 55:12
  They are Ozzy Live in 2012. I think it's just a compilation
• 55:15
  of of live songs, which is, I don't know.
• 55:17
  I don't know, crazy trained believer, Mr. Crowley.
• 55:20
  Flan high again. Revelations.
• 55:22
  Steal away the night. Suicide, Steal away the night.
• 55:24
  Another fucking good song, man. That's Tommy Aldridge on drums
• 55:27
  too, and that's a great drum song.
• 55:29
  It's a great song Undercover. Now I have this one because I
• 55:31
  was intrigued by it because all it is is cover songs.
• 55:36
  You ever heard that one? 2005 Undercover it's.
• 55:40
  I tried to listen to it. It's hard, I know.
• 55:43
  And I must have picked the wrong couple songs to listen to
• 55:46
  because I wasn't real crazy about Ozzy's version of whatever
• 55:49
  I was listening to. Do you have the track listing
• 55:51
  there? I do Rocky Mountain way.
• 55:53
  That might have been the first one, I wasn't a big fan of that.
• 55:55
  No, it didn't work in my life. Mississippi Queen that don't
• 56:00
  work. For me either.
• 56:01
  Woman, 21st century something. That's the doors, right, isn't
• 56:07
  it? I don't know, because it's cut
• 56:09
  off. It's it's not 21 Century Fox.
• 56:11
  It's the lyrics cut off 2120 first century Schnitzel
• 56:14
  schnitzoid man Schnitzelman sunshine of your love, for what
• 56:19
  it's worth. How could that work?
• 56:20
  How does he do? Sunshine of your love.
• 56:22
  He can't. Mississippi Queen all the young
• 56:26
  dudes fire dinner with with Ozzy and and Sharon go now for what
• 56:32
  it's worth working class hero and it's my life.
• 56:34
  I just it it it didn't work. I mean, I think those are some
• 56:37
  of his favorite songs that he. Shouldn't that's what I exactly?
• 56:40
  Is that where you get out of that?
• 56:41
  That's totally what I got out of it, totally what I got out.
• 56:44
  And he wouldn't touch The Beatles because The Beatles were
• 56:45
  his. Like you don't fuck with The
• 56:48
  Beatles. I love Ozzy, but yeah, those I
• 56:51
  tried to listen. Now that you mentioned it, I
• 56:53
  tried to listen to Mississippi Queen.
• 56:54
  And what was the first one? Oh, I've long since passed.
• 56:58
  Anyway, yeah. I tried to listen to the first
• 57:00
  two and I just, I was like, no, that ain't going to work.
• 57:03
  No, it just it and I tried, I wanted to, I wanted to like it
• 57:06
  because I was like, oh, this would be a cool take, you know,
• 57:09
  And then the rest of the stuff is all these different little
• 57:11
  live junkets and and little, you know, oh.
• 57:15
  It was the Joe Walsh 1, Rocky Mountain Wayne.
• 57:17
  How can you? How can you hear that other than
• 57:19
  Joe Walsh? Oh, you can't.
• 57:21
  You just can't. He owns that song.
• 57:23
  Totally, totally. And then the essential Aussie.
• 57:26
  This is the one I play more than anything because it truly has
• 57:29
  everything you could ever want. Crazy, that's the one I
• 57:32
  gravitate towards. Too crazy training, Mr. Crowley.
• 57:35
  I don't know, Suicide Solution, Goodbye to Romance, Over the
• 57:38
  Mountain, Flying High Again, Diver, Madman, Paranoid.
• 57:41
  That's just the first 9 tracks. Bark at the Moon, You're No
• 57:45
  Different Than Me, Rock'n'roll Rebel.
• 57:47
  Crazy, Another great song. Rock'n'roll Rebel and You're No
• 57:50
  Different Than Me. Both of those should have been
• 57:52
  the top. 20 right? Both Jakey Lee too.
• 57:56
  Crazy babies. For my Jake.
• 57:59
  Crazy Babies, Miracle Man. Fire in the Sky.
• 58:02
  Ironically enough, I was introduced to Fire in the Sky
• 58:05
  off this compilation album because I didn't.
• 58:08
  I never, I don't recall ever hearing it prior to, but
• 58:10
  obviously I did at some point in time because I had that record.
• 58:12
  Too, That was on No rest for the wicked.
• 58:14
  Right, right. Oh yeah, I listen to every track
• 58:16
  on that one. Zach blew me away when I heard
• 58:18
  him the first time. That riff for Miracle Man is
• 58:22
  outstanding. Yeah, breaking all the rules,
• 58:26
  Mama. I'm coming home, Desire no more
• 58:29
  tears, Time after time, road to nowhere.
• 58:31
  I don't want to change the world.
• 58:33
  Perry Mason, I just want you Thunder underground, See you on
• 58:37
  the other side. Great song has such relevance
• 58:39
  right now on my post. Today was the end of that
• 58:42
  outstanding when I put his, when I posted about him, I had that
• 58:46
  song as the music behind it. Because that's just, you know.
• 58:49
  Every time I hear that song, I think about everybody that is
• 58:52
  not with me anymore that ever taught me anything.
• 58:55
  You know, that's what I think about when I hear.
• 58:57
  It's just like, yeah, hopefully we do.
• 59:01
  Gets me through, gets me through Dreamer and no easy way.
• 59:05
  That's the essential Ozzy Osbourne great if you want.
• 59:07
  If you don't have any any like real collection of Ozzy, that's
• 59:10
  a great collection just to get because you have pretty much
• 59:13
  everything. Yeah, if you only if you like
• 59:16
  the ones that everybody else likes.
• 59:18
  That's a great album for sure. Like Chris and I are, we're into
• 59:22
  the deep cuts and you know, we don't think that there is a lot
• 59:25
  of filler on Ozzy albums. But I agree with you, if you're
• 59:28
  just somebody who's a fringe Ozzy fan, that essential album
• 59:32
  is the definitely the best. And it's the one I gravitate
• 59:34
  towards the most too, because there's just such a variety on
• 59:38
  there of his history. From Randy Rhodes to Zack Wylde
• 59:42
  to Jakey Lee, you hear everything from the early 80s to
• 59:46
  the 90s to present day. It is a great album.
• 59:50
  Yeah, so the other thing that he's known for, right?
• 59:56
  You had Lollapalooza, right? And then you had Oz Fest.
• 59:59
  So Lollapalooza was all the. I saw him twice at Oz Fest and.
• 1:00:03
  Then you had and you had Oz Fest, and that started in the
• 1:00:06
  90s. Scott and I went once all.
• 1:00:09
  Right. And that was busy.
• 1:00:10
  With him one time. That's cool.
• 1:00:11
  And that was that was Sharon's doing.
• 1:00:13
  Because he wasn't, he wasn't. He wasn't drawing like he was.
• 1:00:16
  So she's like, let's do this. Let's figure out how to get
• 1:00:19
  seats. People in the seats and and.
• 1:00:22
  And it was such a cool concept, dude, because you had the big
• 1:00:25
  stage where you had like Rob Zombie at the time and Slipknot
• 1:00:30
  and. System of a down.
• 1:00:31
  System of the Down. Rage Against the Machine.
• 1:00:34
  All the big bands of the time, but then about, you know, 203
• 1:00:39
  hundred yards away you would have a side stage where you
• 1:00:42
  would see bands like, and I'm going to get this wrong, but it
• 1:00:45
  would be more like the Goo Goo Dolls were coming up at the time
• 1:00:50
  and you know, bands of that stature before they became big.
• 1:00:53
  It was just like a medium sized venue where maybe a couple 1000
• 1:00:57
  people would see the side stage. It was really cool.
• 1:01:00
  You got to see like 20 bands for what 8 hours or something?
• 1:01:06
  The show was all day. It started at like 1:00 in the
• 1:01:09
  afternoon or 3:00 in the afternoon and it didn't end till
• 1:01:12
  midnight. So you were there for like 9 or
• 1:01:14
  10 hours? Yeah, exactly.
• 1:01:18
  And I, I mean, that kind of set up the way to do festivals too,
• 1:01:21
  for the, you know. And for the people that don't
• 1:01:23
  know, Sharon was Ozzy's manager who was his wife, and she has
• 1:01:28
  been touted as being one of the shrewdest business women out
• 1:01:32
  there as far as knowing how the business works.
• 1:01:34
  Her dad was the president of the label that Black Black Sabbath
• 1:01:39
  was signed to at the time. Right.
• 1:01:42
  So she understood how the business worked from a very
• 1:01:45
  young age and yeah, obviously was very good at what she did
• 1:01:48
  because she kept Ozzy financially solvent for his
• 1:01:52
  entire life. Right and and now right, he's
• 1:01:55
  going to be one of those artists that lives on infamy because
• 1:01:59
  his. Catalog is right legendary.
• 1:02:01
  Right. And he's in, he's in the.
• 1:02:03
  I forget what it is, but. He's in the Rock and Roll Hall
• 1:02:05
  of Fame twice, right? Black right with the name.
• 1:02:08
  Right, but remember the the the Ozzie and the Jack and Ozzie
• 1:02:11
  detour where they went to the to the underground archives?
• 1:02:15
  Yes. Crazy Trains in there, The
• 1:02:17
  original recording of Crazy Train, 'cause they played it,
• 1:02:19
  Yeah, I mean that. How cool is that?
• 1:02:21
  Right for somebody who who grew up dirt poor in a fucking.
• 1:02:26
  Dark and that the whole world said was trying to introduce
• 1:02:28
  devil worship to the planet. Right.
• 1:02:32
  And how's he close every show? Thank you.
• 1:02:34
  I love you. God bless you all.
• 1:02:35
  Good night. Every every night, like just I
• 1:02:38
  love you all. God bless you.
• 1:02:40
  Yeah, yeah. There was this.
• 1:02:41
  There was a thing backstage at the at his final concert, that
• 1:02:46
  Youngblood, that kid coming up from the UK, right?
• 1:02:48
  I'm trying to get him on the show but he's not responding to
• 1:02:51
  me. Hey, come on man. 21 countries.
• 1:02:54
  Right. Ozzy gave him one of his crosses
• 1:02:56
  and so Youngblood had one made and was giving it, giving it to
• 1:03:00
  Ozzy. So that was a cool little moment
• 1:03:02
  behind behind the behind the scenes with him and Sharon
• 1:03:06
  Youngblood. Now, the reason I bring that up,
• 1:03:08
  there's other stuff going around where it's it's got to be a
• 1:03:11
  generator shit where he's like he can't talk and move.
• 1:03:13
  And how they they stripped of the music away from the vocals.
• 1:03:16
  And it's like the real the real Ozzy at that concert was
• 1:03:22
  somebody who was coherent and aware and he was having a
• 1:03:25
  conversation. Youngblood Sharon was next to
• 1:03:27
  him. He was sitting down obviously
• 1:03:28
  because the parking, the accident when he broke his back
• 1:03:30
  on the ATV accident on his in his English England.
• 1:03:33
  I remember. That.
• 1:03:35
  Right. That's what they kind of point
• 1:03:37
  toward that caused the problem because then they got back
• 1:03:39
  surgery. Back surgery for someone like
• 1:03:42
  Ozzy who spent an entire lifetime and then some
• 1:03:46
  destroying his body, right? Let's be honest, the dude
• 1:03:49
  inhaled no question, smoked and no question.
• 1:03:52
  I mean. It's a wonder to deny.
• 1:03:54
  That no, absolutely not. You know he'd be like fuck
• 1:03:57
  rock'n'roll. Let's do some more.
• 1:03:59
  Right. But that's the thing so that
• 1:04:01
  that like any any tragic bone break when you're old, let's say
• 1:04:09
  Ozzy's old, he was 76. So this was 73 ish when it
• 1:04:12
  happened, maybe 7070 ish when it happened.
• 1:04:15
  You break your back and then you have to go get surgery on your
• 1:04:19
  back. That just opens a whole cannibal
• 1:04:21
  bass, no question. And so and so in 19, he said
• 1:04:23
  that when he's when he was diagnosed with Parkinson's
• 1:04:25
  disease, that that kind of changed everything with him
• 1:04:32
  because you have the back issue, then you have Parkinson's
• 1:04:36
  disease. And so I mean, where you going
• 1:04:37
  to go? You know what I mean?
• 1:04:38
  I didn't, I always didn't expect them to be around very much
• 1:04:42
  longer. But today was just like, wow,
• 1:04:44
  really? It was way quicker than I had
• 1:04:46
  anticipated. I wish I had saved it, man.
• 1:04:50
  Sammy Hagar's statement was the best, he said.
• 1:04:54
  For someone who knew that he was that close to death, and I'm
• 1:04:57
  paraphrasing, to have played that show however many days ago
• 1:05:02
  it was, was a true testament to how loyal and appreciative he
• 1:05:08
  was of the fans that gave him the life that he had for all
• 1:05:13
  those years. He basically said the way that
• 1:05:16
  Ozzy went out will never be done again.
• 1:05:19
  Nobody has that kind of class. Yeah.
• 1:05:23
  I agree with him, I really do. Because the one thing that you
• 1:05:26
  just said that people don't know if they've never been to an Ozzy
• 1:05:29
  concert is he literally said exactly what Chris just said
• 1:05:33
  every night, thousands and thousands of times.
• 1:05:37
  And he meant it. When you heard him say I love
• 1:05:41
  you all, you really knew somehow that he really did appreciate
• 1:05:45
  the fact that you were there on a level that you never heard
• 1:05:48
  from any other artist. I did.
• 1:05:50
  I saw him five times. And at the end of every show,
• 1:05:53
  when he did what you said, I felt it in my heart.
• 1:05:57
  You could feel it coming out of his voice.
• 1:05:59
  I love you all. So this wasn't a.
• 1:06:01
  Fate. No, not at all.
• 1:06:03
  So this is what Sammy said. I can't say enough about how
• 1:06:06
  impressed, inspired, and touched I am about the Back to the
• 1:06:09
  Beginning event. Especially Ozzy, Bill, Tony, and
• 1:06:12
  Geezer. They just did it.
• 1:06:15
  They fucking crushed it. And let's not forget about the
• 1:06:17
  musicians that showed up and gave it up for the right
• 1:06:20
  reasons. And by the way, if you didn't
• 1:06:22
  know this, it raised $150 million. 190.
• 1:06:26
  OK, my bad, $190 million for Birmingham Hospital.
• 1:06:31
  It's right. It's it's yeah, it's the single
• 1:06:34
  highest grossing charitable concert in the history of the
• 1:06:36
  world. And that money they Right.
• 1:06:39
  And that money will have such a. Dramatic impact on for years and
• 1:06:43
  years and years to come. He continues to say.
• 1:06:46
  As for me being asked to be a part of this event, I'm I.
• 1:06:49
  It meant the world. What a horrible doing it.
• 1:06:53
  Right, you meant the world, and actually doing it in real time
• 1:06:57
  is something I'll never forget. How about extra?
• 1:07:01
  The extra love and respect for Sharon and Tom Morello and all
• 1:07:04
  the technicians, crew, security and the fans that made this
• 1:07:07
  event not just happen, but made it one of the greatest
• 1:07:09
  rock'n'roll events of all time. Thank you to all, Sammy Hagar.
• 1:07:12
  The fact that Sammy called out Tom Morello tells you how
• 1:07:15
  instrumental he was in helping get that thing arranged.
• 1:07:18
  Because the one thing that people don't realize about music
• 1:07:22
  and musicians as we live all over the world, right?
• 1:07:26
  But there's people like Chris and I who know other people
• 1:07:29
  through the fringes. And Tom Morello knows people
• 1:07:32
  through the fringes on a level that we can't even imagine.
• 1:07:35
  And what he does is he picks up a cell phone and goes, hey,
• 1:07:39
  Slash, what are you doing? It's Tom Morello.
• 1:07:40
  Yeah, Hey, we need to meet in England at whatever date because
• 1:07:44
  Ozzy's OK. I'll be there.
• 1:07:46
  OK, next. Time.
• 1:07:46
  Yeah, exactly it. Wasn't a question.
• 1:07:48
  Name Setfield. What are you doing?
• 1:07:49
  Tom Morello here. Oh, hey, Tom, what are you
• 1:07:51
  doing? Hey, you need to meet me in
• 1:07:52
  England because Ozzy request. OK, I'll be there.
• 1:07:55
  That's who Tom Morello was. Just so people know he's got the
• 1:07:59
  connections because. Oh, go ahead.
• 1:08:03
  No, I've just, I've just, I've just, I just fuck.
• 1:08:06
  Where is it? I just, I jumped online and
• 1:08:09
  there's this image that somebody created with AI.
• 1:08:12
  I'll put it on our page. I'm going to put on my right
• 1:08:14
  now. Ozzy, Ron and James Gio, Lemmy
• 1:08:17
  and Renny Rhodes sitting at the table with whiskey and smoking,
• 1:08:20
  laughing and smiling. I hope they are.
• 1:08:22
  I really do. I hope Jimmy's there and Janice
• 1:08:25
  and yeah, let's put a band together.
• 1:08:30
  That's that's cool, man. That's really cool.
• 1:08:34
  And it's it's, it's, it's an AI thing, I'm sure.
• 1:08:36
  But it's fucking badass, man. That's awesome.
• 1:08:39
  I'm going to put on the Christian mic show right now.
• 1:08:42
  Those guys are awesome. Yeah, that's one of those
• 1:08:46
  things, man. If you know anybody's belief
• 1:08:49
  about the the afterlife and things like that, it's
• 1:08:51
  everybody's own, sure, you know, And it would.
• 1:08:54
  We don't know. We don't know.
• 1:08:56
  Nobody knows. Only thing you can be you can be
• 1:08:58
  a Bible thump of Christian walk and.
• 1:09:00
  I don't care. You don't know.
• 1:09:02
  Right. You don't know you.
• 1:09:03
  Don't know and thank and thankfully, here's a pun that
• 1:09:07
  I'll throw out there. Thank God you don't know because
• 1:09:09
  it means you're. Still.
• 1:09:10
  Alive, right? Right.
• 1:09:13
  I'm so happy that I'm sitting here on a Tuesday night talking
• 1:09:15
  to my brother. You know, I hope that continues
• 1:09:18
  for many years to come, but you just never know.
• 1:09:20
  And the last few weeks and actually the last year has
• 1:09:24
  really taught me because I have a good friend who's lost way too
• 1:09:28
  many family members. It just shows you.
• 1:09:31
  It's like the things that people really hold dear and I, I don't
• 1:09:37
  have a lot of good examples and I don't want to degrade anybody
• 1:09:40
  anyway, but the way that I look at life is a lot of things that
• 1:09:44
  people really hold dear. I could give a shit less about
• 1:09:47
  in the past is the first one right?
• 1:09:50
  And what people think about me is right up there too.
• 1:09:53
  You said it best. 100 years ago when we started this podcast, I,
• 1:09:57
  I tried to pay my bills with other people's opinions and that
• 1:10:00
  didn't work out too well. So I could give a shit.
• 1:10:03
  That's what people think of me. And you were?
• 1:10:07
  Just not sweating this ball stuff.
• 1:10:09
  Yeah, and aside from my group text from my family, you were
• 1:10:12
  the second person I said that Ozzy.
• 1:10:13
  Ozzy is no longer with us today. Thank you.
• 1:10:18
  Yeah, yeah. And then what was ironic then?
• 1:10:20
  Then Jake sends a message. Dude, Ozzy's dead.
• 1:10:23
  I'm like, I know, dude. He's like on my bed.
• 1:10:30
  I'm like, did you see the group text?
• 1:10:32
  William Richard Carr just messaged us.
• 1:10:34
  Sorry guys, I know I did not make it home in time but would
• 1:10:39
  have been a little crazy this week.
• 1:10:40
  I got to pull a double tomorrow and should be normalizing by the
• 1:10:43
  end of the week. Now what should you guys
• 1:10:45
  schedule like? But let me know and we'll make
• 1:10:46
  sure we can be there for you. I'm watching you guys right now.
• 1:10:49
  Hi Rick, we just read your text message to the world.
• 1:10:51
  Hey. Brother, you made it live on the
• 1:10:55
  show. You did.
• 1:10:56
  So so Tuesday's at three. Yeah, Tuesday's at 3:00 PM,
• 1:11:00
  Right. But I think we're booked.
• 1:11:01
  I have to look at the calendar. Friday's is wide open, Rick, so
• 1:11:04
  anytime. Except for August 1st, we can
• 1:11:06
  only do one show, August 1st. Right.
• 1:11:08
  Because the second I have birthday and I'm moving into the
• 1:11:10
  casino for three days. There you go have birthday, but
• 1:11:13
  anytime on on on Fridays after 9:30 after 10:30 AM because we
• 1:11:18
  have the rest of the day free if we want it.
• 1:11:20
  Yes, you can. Come on.
• 1:11:22
  Except for August 1st. Right, except for August 1st.
• 1:11:24
  But if you just shoot, shoot me a, I'll shoot you a text if I
• 1:11:27
  got available and we'll figure it out.
• 1:11:28
  And we're looking forward. To doing it, man yeah, yeah, I
• 1:11:31
  really want to rehash what he remembers about the old days
• 1:11:34
  and. Move forward.
• 1:11:37
  No, I just want to, I want to get our music down.
• 1:11:40
  I mean, it sucks we we can't do it without Scott, but I just, I
• 1:11:44
  want to get them down. I want to.
• 1:11:44
  We learned, yeah, we learned how to, to upload to Apple.
• 1:11:48
  So we're going to, we're going to get what Freeman uploaded to
• 1:11:50
  Apple just and do it under Scott as a dedication to Scott just to
• 1:11:54
  get that out there. Yes, we're going to find
• 1:11:56
  somebody to program those drums just like he played them.
• 1:11:59
  Yeah, maybe we should. We should hit Lemoyne.
• 1:12:01
  That's my thought. I yeah, that would be cool.
• 1:12:04
  Yeah, he would like. A credit.
• 1:12:05
  I think he'd do it. He digs our music.
• 1:12:07
  I think he'd do it. I think he would too.
• 1:12:09
  Yeah, we'll give him. $100 to to to produce us.
• 1:12:14
  We won't give him 50 grand like he could have been Black Album
• 1:12:16
  for. We'll give him 100 bucks some.
• 1:12:19
  More We want it done tomorrow. You'll get produced your credit,
• 1:12:23
  man. Of course he will.
• 1:12:25
  Yeah, yeah. I'd be honored if he'd do it.
• 1:12:29
  Yeah, his stuff's blowing up, too.
• 1:12:31
  Oh, I see. Every time I turn around, I'm
• 1:12:32
  seeing something about that song.
• 1:12:34
  It's so damn catchy, dude. Right?
• 1:12:36
  It gets stuck in my head. Yeah.
• 1:12:38
  It's crazy. I'm gonna, I'm gonna out, I'm
• 1:12:40
  gonna out myself. Lemoyne, OK?
• 1:12:41
  I wanna hate and I'm I guarantee he's the same way 'cause he
• 1:12:44
  wrote it and he had to hear it a million times.
• 1:12:46
  And musicians can talk to each other this way.
• 1:12:48
  I wanna hate that fucking song, I do.
• 1:12:53
  But it's so catchy it just gets stuck.
• 1:12:55
  And that's why I want to hate it because every time I hear it, it
• 1:12:58
  gets stuck in my head and I can't stop singing it, which is
• 1:13:01
  why people love it. So kudos to you brother.
• 1:13:04
  That's a great. Song Yep, Yep, Yep.
• 1:13:12
  So yeah, let's get Rick on. Let's jam my music and shit and.
• 1:13:17
  We're literally the Blues Brothers.
• 1:13:19
  We're putting the band back together.
• 1:13:20
  Yes, we are yes, we are. So we've we've gone over all of
• 1:13:25
  Ozzy's catalog. We've got what we thought, what
• 1:13:28
  we think of the the best songs. You know anything else you want
• 1:13:32
  to touch it? There was oh, here, here, here
• 1:13:34
  we go this so we'll get out of music.
• 1:13:35
  So you remember the the the my truck rubbing against that
• 1:13:38
  idiot's car right up in months park.
• 1:13:41
  I told you about that, right? Yeah.
• 1:13:43
  OK, so I got the police report, OK.
• 1:13:48
  He has the police report, ladies and gentlemen, He's grabbing it
• 1:13:50
  off his office. Desk here.
• 1:13:52
  The one that's claiming damages? Yes.
• 1:13:56
  Hired a lawyer. The police report vehicle 2,
• 1:14:01
  which is mine. I'm sorry.
• 1:14:04
  Vehicle 2 was parked at the southeast closest pump to the
• 1:14:09
  fueling station when when I entered and tried to navigate
• 1:14:12
  through a highly congested parking lot, vehicle two rubbed
• 1:14:18
  against the bumper of vehicle 1 Fender.
• 1:14:22
  That's the whole report. That's it.
• 1:14:23
  The benefit of what this gave me was the person's name, her
• 1:14:28
  criminal record, of which one is for insurance fraud.
• 1:14:32
  Oh, isn't that fantastic? And 2424 April of 2024, she was
• 1:14:40
  charged with insurance fraud along with all other laundry
• 1:14:43
  list of of past disorderly conducts, convictions, things
• 1:14:46
  like that. What's even more fun is my
• 1:14:49
  daughter being my daughter because she just has this innate
• 1:14:52
  ability to to go down the rabbit holes found her Facebook page
• 1:14:56
  found her Instagram page the day of the accident.
• 1:14:59
  She actually posted a video of herself.
• 1:15:04
  The, the opening up part of the video was a lawyer, basically,
• 1:15:08
  oh, you ever been in an accident, you know, car crash,
• 1:15:11
  blah, blah, blah, whatever you need a lawyer, click here.
• 1:15:14
  And then it has the, the mile marker for Muns Park coming up.
• 1:15:18
  And then she, she pans the, the manufactured home they were
• 1:15:21
  staying at for the weekend at Muns Park and how life was
• 1:15:24
  grand. Two days later, she was at some
• 1:15:27
  Oceanside resort in San Diego. Because then the following day,
• 1:15:30
  her son graduated from the United States Marine Corps.
• 1:15:37
  Insurance fraud. I took all that documentation
• 1:15:40
  and I sent it to the claims adjuster.
• 1:15:42
  When I opened up the file, they paid her $1500.
• 1:15:44
  I'm like for what? They paid her. $15109 for that
• 1:15:49
  and I have I have a guy that I sold a house to.
• 1:15:53
  He runs a bike shop in Colorado, at least he did forever.
• 1:15:55
  And I'm talking you build the motorcycle from the ground up.
• 1:15:58
  He's that guy. He looked at the picture, the
• 1:16:01
  picture that I posted on Facebook and text me car cleaner
• 1:16:04
  5 minutes. I'll get that off carb cleaner.
• 1:16:09
  The extent of the damage of this lady's car would have been
• 1:16:11
  resolved within 5 minutes with carburetor cleaner.
• 1:16:14
  Don't even need a Body Shop. Don't even need a Body Shop so
• 1:16:17
  how she plucked 1500 bucks is beyond me.
• 1:16:20
  Well, I told you this, I saw the picture.
• 1:16:22
  I'm a fucking idiot, and I knew it was an easy fix.
• 1:16:24
  Like I said, it sucks if it was you, but there's no dent,
• 1:16:29
  there's no damage, there's no break.
• 1:16:31
  There's, you know, like you said, that that guy who knows
• 1:16:33
  what he's talking about said we'll buffer out with some
• 1:16:36
  carpet cleaner. A 2015 Nissan Sentra that has a
• 1:16:40
  salvage title. So her claim of you just win my
• 1:16:43
  $9000 paint job lie. And then what's best about this
• 1:16:47
  woman her little her little bio on Facebook.
• 1:16:51
  What's it say I heart God? Oh, of course she.
• 1:16:54
  Does she also has a video why she's in church and she's
• 1:16:57
  panning in the pews because she's obviously Catholic?
• 1:17:00
  No nothing wrong with that but she's panning as people go down
• 1:17:03
  the aisle for mass. So not only is she a God lover,
• 1:17:08
  she's a warrior, Catholic and a a father or a mother to a
• 1:17:12
  marine. I respect that part.
• 1:17:14
  Sure, she's lying piece of shit. Yeah, 100%.
• 1:17:19
  Who just I'm like, really? I don't understand people, man.
• 1:17:24
  I don't know what I told you, that's why I stay inside a lot.
• 1:17:26
  Right. And what sucks is it's going to
• 1:17:27
  make my insurance go up higher because she took advantage of
• 1:17:30
  the situation. So I'm hopefully, I'm hoping
• 1:17:31
  that that my auto insurance, which is AAA, they will go after
• 1:17:35
  her for insurance fraud. I have her home.
• 1:17:37
  They do. I have her home address too.
• 1:17:39
  So I was thinking about when I'm out showing houses just doing a
• 1:17:41
  drive by and if she's out front take a video.
• 1:17:43
  Well, she obviously didn't learn her fucking lesson because she
• 1:17:45
  here she is what, less than a year later trying to do the same
• 1:17:48
  bullshit again? A.
• 1:17:49
  Little over a year, because it was.
• 1:17:50
  It was April 24th. Now it's July 2014.
• 1:17:53
  Months, ten months still, you would have thought that if you
• 1:17:58
  got away with it once, right, you wouldn't you know, she was
• 1:18:02
  close to not getting away with it the first time.
• 1:18:04
  So she's. Imagine how stupid.
• 1:18:07
  Imagine how many packages of blueberry pie Oreos you could
• 1:18:10
  buy with $1500. Are those delicious?
• 1:18:12
  Oh. My God, dude, yeah, Oh my God.
• 1:18:14
  I got to get some. I forgot.
• 1:18:16
  About them it it tastes like blueberry pie, man.
• 1:18:18
  Oh, I want one. Even Nikki was.
• 1:18:21
  Like I'll buy some for my upcoming trip.
• 1:18:24
  Oh, she liked them too. Oh, she was like holy shit, they
• 1:18:26
  they went over so well. My broker Nick bought them for a
• 1:18:30
  class we had last week so we could all enjoy the broker the
• 1:18:35
  the Oreo cookies. I'm going to read some of her
• 1:18:37
  stuff. This would be fun.
• 1:18:40
  This is the real role relevant show you have.
• 1:18:44
  OK, I'm not going to I won't. I also have her Social Security
• 1:18:46
  number, her home address and her birthday which made.
• 1:18:48
  That off the show. I will.
• 1:18:49
  I will. She does have a placard, a honey
• 1:18:53
  cat placard card. Of course she does salvage title
• 1:19:00
  so it's not even a brand new car.
• 1:19:02
  Real quick, let me tell you about this guy that has a
• 1:19:05
  handicap placard title in a lifted truck the other day.
• 1:19:08
  That was special. Not kidding, You can't make this
• 1:19:11
  shit up. Dude, I remember I didn't.
• 1:19:15
  I didn't print that out. Scott has sent me that in a
• 1:19:18
  screenshot. See if I can find it real quick.
• 1:19:23
  That's. Fucking crazy man.
• 1:19:25
  But what's what's, what's crazy about it is just just how how
• 1:19:34
  she tries to pretend. Well, that's what those people
• 1:19:39
  do, because they don't want to work.
• 1:19:41
  I know it's just. You know that's what it is.
• 1:19:43
  She's playing the system right. Yeah, I told, I told Nikki and
• 1:19:47
  Sky. I'm like, she's she's a a female
• 1:19:49
  version of Frank Gallagher from Shameless.
• 1:19:51
  Yeah, there you go. At least he was a lovable, funny
• 1:19:54
  character though. Right.
• 1:19:56
  What the hell would I do with this stuff, man?
• 1:19:58
  I don't remember where I put it. I'll, I'll save it for next
• 1:20:01
  time. It'll be a nice little thing.
• 1:20:02
  Next time. Read her Criminal Criminal
• 1:20:06
  activity. You find your way into some
• 1:20:10
  unique situations, I'll. Give you that and it's just, you
• 1:20:14
  know, the the guy was supposed to come do the sidewalk.
• 1:20:16
  This is another situation with me.
• 1:20:18
  Remember the contractor, Fidel that just you know, so a couple
• 1:20:22
  weeks ago I was like, dude, just little man trips fell off the
• 1:20:24
  sidewalk and into the dirt part. I'm like, dude, I called him up.
• 1:20:27
  You just need to at least come do my concrete, man.
• 1:20:29
  I already paid you for it. At least just come do the
• 1:20:31
  concrete. Be a human, come do the
• 1:20:32
  concrete. Then we'll work out a payment
• 1:20:33
  plan for the rest of the money you owe me.
• 1:20:35
  So he's all on board, right? Texting Monday, blah, blah,
• 1:20:39
  blah. Couldn't get there.
• 1:20:40
  It was too late in the day. So Friday comes, he's like, you
• 1:20:43
  know, I'm, he starts texting in the morning.
• 1:20:44
  I got this, this and this. We're going to take care of it.
• 1:20:46
  I'm like, all right, cool. You know, 5:00 he's still not
• 1:20:49
  here, hasn't, hasn't responded to text, hasn't responded to
• 1:20:52
  phone calls. I even sent a video.
• 1:20:54
  Then I'm going to drop that just calls him out again.
• 1:20:57
  Nothing, nothing. And I'm really, it's, I don't
• 1:21:01
  get it, man. I just don't get it.
• 1:21:05
  It's hard to get people to want to work anymore, man.
• 1:21:08
  Well, it's hard to get people to work when they steal your money
• 1:21:10
  and then make all these stories about it and then and you know.
• 1:21:13
  Like, well, you know, that's that guy's MO.
• 1:21:15
  I mean, you're not the first person he fucking did that to.
• 1:21:17
  That's. For sure.
• 1:21:19
  No. And and he's not, he's not going
• 1:21:21
  to be able to get a contractor's license ever again.
• 1:21:24
  Like it's like, so you think you at least want to, you know, try
• 1:21:29
  to make up for it. But no, no, absolutely not.
• 1:21:34
  Can't fix stupid, as Ryan White says.
• 1:21:36
  He cannot fix stupid. So there you go.
• 1:21:39
  Long live Ozzy Osbourne. He'll be forever remembered
• 1:21:42
  because airwaves and SiriusXM has a whole, their channel is
• 1:21:45
  nothing but tribute to Ozzy, which was cool until they
• 1:21:48
  started stopping the music and having people calling them with
• 1:21:51
  stories, which I get, but you just you know, I mean, I listen
• 1:21:55
  to Ozzy Osbourne. I mean, he's on almost every
• 1:21:57
  playlist I have, you know, because he's just because it's
• 1:22:00
  Ozzy, right? So it's not, it's not a sad day
• 1:22:03
  because we all knew it was coming.
• 1:22:04
  And I don't, I don't get why people are like, oh, you know,
• 1:22:07
  this one's hard. Well, I get it's hard, but
• 1:22:10
  unless you know the person, unless he's with you every
• 1:22:12
  single walking part of your life, like it's got to be hard
• 1:22:14
  for Jack and Sharon, of course, you know, and Kelly and all the
• 1:22:20
  grandkids and the. People that played in his band
• 1:22:23
  and worked on his Rd. crew. Those people, yes, it's a hard
• 1:22:27
  day. He was the boss.
• 1:22:28
  That's what Zach called him. Yeah, you and I, we didn't know
• 1:22:31
  the man. We, we love his music.
• 1:22:33
  We love his. He's one of the reasons I played
• 1:22:35
  music for sure. I.
• 1:22:37
  Never met him. I'm not crying.
• 1:22:40
  No, you know, not to say that we're not.
• 1:22:42
  You know, we're bummed because it's Ozzy, because the world now
• 1:22:46
  just got a little quieter. Yeah, there's not.
• 1:22:49
  There's not. There's one less person to give
• 1:22:53
  the middle finger to. The people that think that
• 1:22:55
  they're living their life the right way.
• 1:22:57
  I'm going to say it like that. Yeah, that's a good.
• 1:22:59
  That's a. Good.
• 1:22:59
  I'm that same person. I'm going to call you on your
• 1:23:01
  bullshit. Why do you think you're right?
• 1:23:04
  You're not right? No, you're just living your way,
• 1:23:06
  the way you see things through your perspective.
• 1:23:09
  And that's fine as long as you don't try and push it on me.
• 1:23:12
  That was agreed, right? That's how he lived his life.
• 1:23:16
  You can do whatever you want, but you're not going to push
• 1:23:17
  your bullshit on me because that's what it is.
• 1:23:20
  It's bullshit. It's just an ideology that you
• 1:23:23
  carry around. We're all doing the same thing.
• 1:23:28
  All right. This is how we're going to wrap
• 1:23:29
  today up after the, the, the, the standard.
• 1:23:34
  Hey, if you're feeling bad, you know, somebody miss you,
• 1:23:37
  somebody's going to miss you, somebody's going to love you.
• 1:23:39
  Don't leave a hole in somebody's heart because you took the
• 1:23:41
  coward's way out. You know, go to sleep, take a
• 1:23:43
  breath, meditate, journal, journaling.
• 1:23:47
  Worse wonders if you're in, if you're depressed.
• 1:23:49
  So write your thoughts down, you know, talk to somebody.
• 1:23:52
  Tomorrow will be a better day. We promise you that, OK?
• 1:23:55
  Then you'll go back and look at those later and have a different
• 1:23:58
  perspective on you'll. You'll understand.
• 1:24:00
  I agree with you because I wrote a lot of stuff down during that
• 1:24:03
  time. No, Yeah, see.
• 1:24:05
  And I journaled for years. So we're going to leave you with
• 1:24:09
  this voices. 1000 thousand voices.
• 1:24:12
  Which being the time has passed for choices.
• 1:24:15
  Golden days are passing over. Yeah.
• 1:24:17
  I can't seem to see you, baby, Although my eyes are open wide.
• 1:24:21
  But I know I'll see you once more When I see you.
• 1:24:24
  I'll see you on the other side with that boys and girls.
• 1:24:27
  Ozzy Osbourne. You'll be you'll be missed.
• 1:24:29
  And by quiet, I meant you won't have his little media drops and
• 1:24:34
  his little quirks in the world anymore.
• 1:24:37
  His music will live on forever and ever.
• 1:24:40
  But it is. It is a sad day for the heavy
• 1:24:43
  metal world and the rock odds have called him home.
• 1:24:46
  So nothing but love and peace for the Osborne family.
• 1:24:49
  And you know, thank you for everything you did for the world
• 1:24:52
  of music, Ozzy. You're appreciated.
• 1:24:53
  And just for the world in general, for sure.
• 1:24:55
  Yeah, yeah, just in general, man.
• 1:24:58
  My brother, I love you. Love you too man.
• 1:25:00
  William Richard Carter, the Third.
• 1:25:02
  Thanks for chiming in man. We'll talk to you soon.
• 1:25:06
  Peace, brother. You will go behind your eyes, be
• 1:25:38
  yourself and meet yourself. Take a moment, listen till you
• 1:25:44
  see him watch your battle and see you watch your battle.
• 1:25:50
  But you fuck will put you back to your.
• 1:27:16
  Come down here, we haven't bounced all these things in sand
• 1:27:20
  and he's fun fighting. Wait for the dead.
• 1:27:26
  When he's closer, I've been. Hit, but in the wind he went.
• 1:27:31
  No quizzes, we don't play in fire.
• 1:27:34
  And he took your grin on the almighty day.
• 1:27:39
  You got a dream through in your life to keep our soul in every
• 1:27:47
  day. Take the trail behind your eyes.
• 1:27:52
  Feel the soul evolution now. Yeah, yeah, yeah, yeah, yeah,
• 1:28:02
  yeah, yeah. Take a moment.
• 1:28:05
  We can see you. See him fight the battle into
• 1:28:10
  you more clear. You gotta, you gotta.
• 1:28:39
  You gotta, you gotta, you gotta.