Latest / Movie Meltdown / 91.2: Shoot him now! Shoot him now!

Transcript

91.2: Shoot him now! Shoot him now! · Movie Meltdown

• 0:00
  Speaker 1: Are you listening to me? Brian, I promise you nobody's
• 0:05
  Speaker 1: going to hurt you. We're only trying to help you, Brian.
• 0:10
  Speaker 1: Everyone here.
• 0:11
  Speaker 2: I'd like to get my hands on that bastard.
• 0:13
  Speaker 1: The following feature has been rated R by the Motion
• 0:16
  Speaker 1: Picture Association of America. It is intended for mature audiences
• 0:19
  Speaker 1: and parental discretion is advised.
• 0:32
  Speaker 3: It's showtime, folks.
• 0:34
  Speaker 4: Enjoy the show.
• 0:47
  Speaker 2: Hi, this is Tom Adkins, or Detective Ray Cameron. You're
• 0:52
  Speaker 2: listening to Movie Meltdown. Thrill me, baby.
• 0:55
  Speaker 3: Well, that's all right. He's fast asleep.
• 1:00
  Speaker 5: Oh, good.
• 1:02
  Speaker 3: It's lovely and quiet here. Some people might think it's
• 1:06
  Speaker 3: too quiet. Oh, not for me.
• 1:08
  Speaker 6: In our house, the telly's always blaring or the people
• 1:10
  Speaker 6: next door.
• 1:11
  Speaker 3: Are having an argument. It's dreadful. No, you won't hear
• 1:13
  Speaker 3: a sound here. Well, apart from the occasional ghost or poltergeist.
• 1:18
  Speaker 5: Jim.
• 1:20
  Speaker 7: Sorry.
• 1:21
  Speaker 2: Just kidding.
• 1:23
  Speaker 3: You've got a great sense of humour. That's all right.
• 1:27
  Speaker 8: Those sort of things don't bother me.
• 1:30
  Speaker 3: Is there anything I ought to know, Mrs.
• 1:31
  Speaker 8: Lloyd?
• 1:31
  Speaker 5: What?
• 1:33
  Speaker 3: No.
• 1:34
  Speaker 9: About Tara?
• 1:35
  Speaker 5: Oh.
• 1:37
  Speaker 3: You won't even hear him, I hope. He's so tired,
• 1:40
  Speaker 3: he should sleep like a log.
• 1:42
  Speaker 1: That's super.
• 1:44
  Speaker 3: I've left the number of the plover in here by
• 1:46
  Speaker 3: the telephone in case of emergencies, God forbid.
• 1:51
  Speaker 10: Now, don't worry.
• 1:52
  Speaker 4: I'll cope.
• 1:53
  Speaker 3: Yes, of course, but don't hesitate to ring if.
• 1:56
  Speaker 11: Mrs.
• 1:56
  Speaker 3: Lloyd, nothing's going to happen.
• 1:58
  Speaker 8: Don't worry.
• 1:59
  Speaker 3: Now, you go out and enjoy yourself. Yes, come on,
• 2:01
  Speaker 3: worry guts. It's just that I'm not used to leaving it.
• 2:05
  Speaker 3: You've got to get used to it.
• 2:06
  Speaker 4: Come on.
• 2:16
  Speaker 10: Your house is on fire.
• 2:21
  Speaker 12: Your children are.
• 2:28
  Speaker 9: Gone.
• 2:29
  Speaker 8: All but the one who's alone.
• 2:38
  Speaker 12: Ladybird, fly away home.
• 2:45
  Speaker 5: Welcome to Movie Meltdown Sofa Theater. Once again, I am Brian.
• 2:48
  Speaker 8: Hi, I'm still Misty.
• 2:50
  Speaker 4: I am Jerry.
• 2:51
  Speaker 1: I'm Marlena.
• 2:52
  Speaker 5: Alright, and I'll be your psychopath for this episode. There's
• 2:57
  Speaker 5: a whole lot of throwing my name around in this show.
• 2:59
  Speaker 13: You're the psychopath in every episode.
• 3:00
  Speaker 4: What are you talking about?
• 3:01
  Speaker 5: Oh, that's true. This week's Sofa Theater feature is Fright.
• 3:05
  Speaker 5: The year is 1971. Director is Peter Collinson. And the plot,
• 3:11
  Speaker 5: according to our favorite IMDb, the young babysitter Amanda arrives
• 3:15
  Speaker 5: at the Lloyd residence to spend the evening looking after
• 3:18
  Speaker 5: their young son. Soon after the Lloyds leave, a series
• 3:20
  Speaker 5: of frightening occurrences in the gloomy house have Amanda's nerves
• 3:23
  Speaker 5: on edge, and I'll stop there and throw in the
• 3:26
  Speaker 5: spoiler alert, because from there, it goes on to tell
• 3:29
  Speaker 5: you what else happened, so we won't even get into
• 3:31
  Speaker 5: that yet.
• 3:33
  Speaker 8: Alright.
• 3:35
  Speaker 5: Where would you like to begin?
• 3:36
  Speaker 8: I fucking hated this movie.
• 3:39
  Speaker 12: This movie was kind of annoying. It started out to
• 3:41
  Speaker 12: be okay, you know, I kind of I kind of
• 3:43
  Speaker 12: liked it. I was waiting, but as it got further along,
• 3:46
  Speaker 12: I was like, really?
• 3:47
  Speaker 4: Okay, you're serious. This is the fright? This is what's
• 3:51
  Speaker 4: scaring her?
• 3:51
  Speaker 8: And just drawled on forever.
• 3:55
  Speaker 12: Yeah, I drawled on forever, and the characters were stupid
• 3:59
  Speaker 12: and useless.
• 4:00
  Speaker 4: And annoying, and I kind of wanted to see them
• 4:03
  Speaker 4: all die.
• 4:03
  Speaker 3: Yeah.
• 4:05
  Speaker 8: Her constant whimpering at the end. I was like, oh,
• 4:08
  Speaker 8: my God, I want to fucking strangle you.
• 4:11
  Speaker 4: Just kill her, please. Just kill her and get it
• 4:14
  Speaker 4: over with.
• 4:14
  Speaker 8: Her yelling at him. Like, dude, really yelling? That's really
• 4:17
  Speaker 8: what you're going to do to this guy who's going
• 4:18
  Speaker 8: to fucking kill you? You're going to yell at him?
• 4:21
  Speaker 8: Confrontational bitch.
• 4:22
  Speaker 13: You deserve to fucking die.
• 4:24
  Speaker 8: She didn't, though. She ended up being the fucking hero
• 4:27
  Speaker 8: in this set.
• 4:28
  Speaker 4: Yeah.
• 4:29
  Speaker 2: Which is weird.
• 4:31
  Speaker 8: Yeah.
• 4:32
  Speaker 5: That is, let's see, Susan George is our main babysitter girl.
• 4:36
  Speaker 5: She's got an awful cry face. Yeah. I don't think
• 4:42
  Speaker 5: that's what she was hired for.
• 4:44
  Speaker 2: She does.
• 4:45
  Speaker 5: They make use of her attributes midway through the movie. Oh, yeah.
• 4:50
  Speaker 5: And her short skirt. You did like her outfit there, Marlene.
• 4:55
  Speaker 9: Yeah.
• 4:55
  Speaker 8: Saw some booty undercarriage.
• 4:57
  Speaker 4: Yeah, what was that? That was some kind of weird 70s.
• 5:00
  Speaker 8: Sweater dress?
• 5:01
  Speaker 4: Sweater go-go dress.
• 5:03
  Speaker 12: Digging the go-go boots, the big patent leather go-go boots.
• 5:06
  Speaker 9: Who shows up for a fucking babysitter job dressed like
• 5:08
  Speaker 9: a go-go dancer?
• 5:10
  Speaker 4: Well, that was like in the 70s.
• 5:11
  Speaker 5: I don't give a fuck.
• 5:14
  Speaker 9: Women still dress like whores nowadays. I'm not like, oh,
• 5:16
  Speaker 9: I'm going to show a pet. This babysitting job dressed
• 5:19
  Speaker 9: like a $ 2 hooker.
• 5:21
  Speaker 5: I mean, like, books are.
• 5:23
  Speaker 13: Always dressed like sluts. Why not babysit?
• 5:25
  Speaker 5: That's what I'm saying, though. Actually, look at most of
• 5:28
  Speaker 5: the young girls out there. If you ask them to
• 5:29
  Speaker 5: come over to your house, they would probably still come
• 5:32
  Speaker 5: dressed like they do at the mall.
• 5:34
  Speaker 13: They'd probably show up in, like, ridiculously short shorts.
• 5:36
  Speaker 8: Okay.
• 5:38
  Speaker 5: Booty shorts and baby doll tees.
• 5:40
  Speaker 13: I just.
• 5:41
  Speaker 5: You're just old, man. You don't know how them kids dress.
• 5:44
  Speaker 8: I'm just an old lady, I guess.
• 5:48
  Speaker 14: Oh, man.
• 5:48
  Speaker 5: So, yeah, she actually was in, I think she went
• 5:51
  Speaker 5: on to do Straw Dogs after that. So another, sort
• 5:55
  Speaker 5: of in the same situation there. What else have we got? Actually,
• 6:00
  Speaker 5: I think the mother of it is, let's see.
• 6:04
  Speaker 9: Her name is Honor.
• 6:05
  Speaker 5: Yeah, Honor Blackman, who, if I'm not mistaken, was Pussy Galore.
• 6:09
  Speaker 4: Oh, I thought she looked kind of familiar.
• 6:11
  Speaker 1: Mm-hmm.
• 6:12
  Speaker 4: Yeah.
• 6:13
  Speaker 5: Other than that, there's not a whole.
• 6:17
  Speaker 9: Lot.
• 6:17
  Speaker 4: Awesome.
• 6:18
  Speaker 9: What?
• 6:18
  Speaker 5: Yeah.
• 6:20
  Speaker 8: You're so creepy.
• 6:21
  Speaker 4: I'm looking for bond chicks. What do you mean?
• 6:24
  Speaker 8: Are these fruit chicks?
• 6:27
  Speaker 4: No, like early bond chicks. Nobody after Moore. Terry Hatcher? No.
• 6:33
  Speaker 4: Was she in a Roger Moore movie?
• 6:35
  Speaker 9: I don't know.
• 6:36
  Speaker 8: I've never seen a Bond movie. Fuck. I don't know.
• 6:39
  Speaker 4: No, she wasn't. She probably wasn't born yet.
• 6:41
  Speaker 5: I don't know.
• 6:43
  Speaker 8: She was pretty fucking old. Wow.
• 6:47
  Speaker 4: Oh, I don't know.
• 6:48
  Speaker 5: And desperate.
• 6:49
  Speaker 4: Whatever. Regardless. Who cares?
• 6:52
  Speaker 5: So yeah, that's pretty much the recognizable people. The rest
• 6:54
  Speaker 5: of these are, I'm sure, well-known in Britain, but not
• 6:59
  Speaker 5: really recognizable throughout the rest of this.
• 7:01
  Speaker 8: I fucking hate British people.
• 7:02
  Speaker 5: I think that's part of your problem, too, is we
• 7:05
  Speaker 5: all kind of had a lot of bad British moments here.
• 7:08
  Speaker 8: I hate British people. I hate their British teeth and
• 7:10
  Speaker 8: their British accent. I fucking hate kids with British accents.
• 7:13
  Speaker 8: I don't know what it is. I have a fucking
• 7:16
  Speaker 8: three-year-old with British accents.
• 7:17
  Speaker 13: Oh, my fucking God.
• 7:19
  Speaker 4: Which is weird, because most of my family is British.
• 7:21
  Speaker 13: They don't have British accents.
• 7:22
  Speaker 4: Most of your family is British? Yeah.
• 7:23
  Speaker 8: I didn't know that. Yeah.
• 7:26
  Speaker 4: Dads have.
• 7:26
  Speaker 13: Yeah.
• 7:27
  Speaker 4: British and Irish.
• 7:28
  Speaker 5: They've been away long enough to not have the accent.
• 7:31
  Speaker 4: Yeah, well, no.
• 7:32
  Speaker 8: That's why I don't like your dad that much. Does
• 7:33
  Speaker 8: your dad have a British accent?
• 7:35
  Speaker 4: No, no, no. They're not, like, straight-off-the-boat British. They're, like,
• 7:39
  Speaker 4: you know... Great-great-great-grandfather British. Yeah, you can look at them. Hell,
• 7:43
  Speaker 4: they look like... You look at most of my dad's
• 7:46
  Speaker 4: side of the family and they look like the cast
• 7:47
  Speaker 4: from Are You Being Served.
• 7:50
  Speaker 10: Ouch!
• 7:51
  Speaker 12: Yeah, there's a couple Captain Peacocks running around in my family.
• 7:57
  Speaker 5: Wow, last week it was Joni calling out her own
• 7:59
  Speaker 5: family and this week you're taking over.
• 8:02
  Speaker 4: Yeah, so.
• 8:05
  Speaker 5: Oh, man.
• 8:05
  Speaker 4: Fucking British kid.
• 8:08
  Speaker 13: Unless it's S Club 7.
• 8:09
  Speaker 8: Fuck Britain.
• 8:11
  Speaker 9: Yeah.
• 8:12
  Speaker 5: And even they had a couple of scary ones. Oh, man.
• 8:17
  Speaker 8: I love S Club 7.
• 8:19
  Speaker 5: Ain't no party like an S Club party.
• 8:23
  Speaker 4: It's okay. I love Britain. It's alright. You guys are cool.
• 8:28
  Speaker 14: What?
• 8:28
  Speaker 8: You're a kiss-ass.
• 8:31
  Speaker 2: British.
• 8:32
  Speaker 5: For all our British listeners.
• 8:34
  Speaker 9: Do you have a British bike?
• 8:36
  Speaker 4: I've got a British motorcycle, yeah. How can you be
• 8:38
  Speaker 4: talking bad about that?
• 8:39
  Speaker 8: It's easy.
• 8:40
  Speaker 13: I don't feel good.
• 8:41
  Speaker 8: I can talk shit about anything when I feel like
• 8:43
  Speaker 8: I'm going to hurl.
• 8:44
  Speaker 4: What do you want? Okay, all right, whatever.
• 8:47
  Speaker 5: I blame the sandwich more than the movie.
• 8:49
  Speaker 12: Yeah.
• 8:49
  Speaker 8: Dude, that sandwich made me ill. Fucking sandwich.
• 8:55
  Speaker 4: Yeah, when Misty gets sick or upset. You better just
• 8:59
  Speaker 4: watch out. Everybody's fair game.
• 9:01
  Speaker 5: That's true.
• 9:02
  Speaker 8: There will be no survivors.
• 9:04
  Speaker 4: No, there can be only one.
• 9:06
  Speaker 8: Exactly.
• 9:07
  Speaker 5: And it's Misty.
• 9:09
  Speaker 13: Okay, so let's start talking about this movie.
• 9:11
  Speaker 5: Oh, Lord.
• 9:12
  Speaker 8: It was too fucking long.
• 9:15
  Speaker 5: Too long, too British.
• 9:18
  Speaker 8: And not enough.
• 9:19
  Speaker 12: A lot of jump scares that really weren't scary. A
• 9:22
  Speaker 12: lot of things that she was looking at that shouldn't
• 9:24
  Speaker 12: have been scary at all, like water dripping.
• 9:27
  Speaker 4: She was like.
• 9:29
  Speaker 12: And then they focus in on the tap water dripping.
• 9:32
  Speaker 13: And she got attacked by that ferocious shirt.
• 9:35
  Speaker 8: Oh, yeah.
• 9:35
  Speaker 4: Yeah, on the clothesline. It's a shirt.
• 9:40
  Speaker 5: Yeah, I really liked the first half hour or so.
• 9:43
  Speaker 5: I think a lot of that stuff was well put together.
• 9:47
  Speaker 5: I think, again.
• 9:49
  Speaker 12: Yeah, I was trying to set you up for some
• 9:50
  Speaker 12: scary stuff going on, but still.
• 9:53
  Speaker 4: She's just completely fucking useless. She's like a timid bunny
• 9:58
  Speaker 4: rabbit that's scared of.
• 10:00
  Speaker 12: everything you know it's just like the fire's crackling and
• 10:04
  Speaker 12: she freaks.
• 10:04
  Speaker 5: Out you know just what the hell how.
• 10:07
  Speaker 8: Are you even alive and yet the tv blares with
• 10:09
  Speaker 8: sudden screaming and she's just like.
• 10:10
  Speaker 12: Oh yeah and she's absolutely not huh what oh the tv's.
• 10:14
  Speaker 4: On But yet water frightens her.
• 10:17
  Speaker 5: Well, she's very uneven, really. Because, yeah, we get the
• 10:19
  Speaker 5: moments in the beginning where she's freaked out by our guy.
• 10:22
  Speaker 5: But then by the end, she's yelling at him. So
• 10:24
  Speaker 5: she's kind of inconsistent throughout the movie.
• 10:27
  Speaker 13: They just didn't write her character very well, I guess.
• 10:30
  Speaker 5: I don't know. It's weird because I think there's so
• 10:33
  Speaker 5: much other stuff going on that's well-structured. I think the
• 10:36
  Speaker 5: first half of it is set up really well as
• 10:38
  Speaker 5: far as pacing. I think it does have a lot
• 10:41
  Speaker 5: of tension that's built in. A lot of that is
• 10:43
  Speaker 5: due more to the direction. But I think even... As
• 10:45
  Speaker 5: far as just writing, I think the setup on the
• 10:47
  Speaker 5: first half of it is really well done because it
• 10:50
  Speaker 5: gives you this scenario that you go in, you're kind
• 10:53
  Speaker 5: of like the babysitter, you have no idea what's going on.
• 10:55
  Speaker 5: So you don't know what's up with the couple. They
• 10:57
  Speaker 5: seem kind of weird right off the bat, but you
• 10:59
  Speaker 5: don't know what it is. And as they start talking,
• 11:02
  Speaker 5: as it cuts back and forth to them, you learn
• 11:04
  Speaker 5: a little bit more about that. And then they get
• 11:07
  Speaker 5: to the anniversary part, and then you realize, oh, it's
• 11:11
  Speaker 5: a divorce. So now you're like, okay, so the couple's
• 11:13
  Speaker 5: getting divorced?
• 11:14
  Speaker 12: Yeah.
• 11:15
  Speaker 5: But then it cuts away, and it still doesn't really
• 11:16
  Speaker 5: reveal everything. And you go back to the girl, and
• 11:18
  Speaker 5: you see more about her, and you get the traditional
• 11:20
  Speaker 5: boyfriend showing up scenario. And then it cuts back to them,
• 11:23
  Speaker 5: and you learn more about the husband. So it does
• 11:25
  Speaker 5: this really good job of just sort of unfolding the
• 11:27
  Speaker 5: plot for, like, the first half of the movie. And
• 11:30
  Speaker 5: then it sort of, by the time you get, okay,
• 11:32
  Speaker 5: now we know what's going on, that's when it starts
• 11:34
  Speaker 5: to drag. Once the husband enters into the picture, it
• 11:38
  Speaker 5: kind of slows it down. I'm confused.
• 11:40
  Speaker 9: So... They were celebrating her divorce from the first crazy guy?
• 11:45
  Speaker 5: Yes.
• 11:45
  Speaker 9: Okay, because I thought she was already remarried to that guy.
• 11:48
  Speaker 5: They were presenting it to, like, that's the thing. She
• 11:50
  Speaker 5: kept referring to him as her husband, and everybody in
• 11:52
  Speaker 5: town acted like they were married, but everybody also knew
• 11:55
  Speaker 5: the truth because it's a small little village, so everybody
• 11:58
  Speaker 5: was kind of like, that's not her real husband, you know, so...
• 12:01
  Speaker 5: They'd been together for years, it seemed like, but everybody
• 12:04
  Speaker 5: sort of knew the truth because... That's.
• 12:06
  Speaker 13: Probably why that guy wanted to kill her.
• 12:09
  Speaker 2: Probably.
• 12:09
  Speaker 4: This movie can be summed up really easily.
• 12:13
  Speaker 12: It's like a chick that you really want to have
• 12:15
  Speaker 12: sex with really bad, and she's really hot, and you've
• 12:17
  Speaker 12: got that really good build-up, build-up, build-up, build-up, and then
• 12:21
  Speaker 12: it's not so great. in women you can insert guys
• 12:25
  Speaker 12: in there too.
• 12:26
  Speaker 5: Yeah i'm sure it works for the guy either way
• 12:27
  Speaker 5: it's just like it's.
• 12:28
  Speaker 16: Like insert guys in there too there's that build up
• 12:34
  Speaker 16: that tension that this is going to be good this
• 12:36
  Speaker 16: is going to be great and it's good and then
• 12:39
  Speaker 16: and you do get a payoff but.
• 12:41
  Speaker 12: It's kind of like a you know i could have
• 12:42
  Speaker 12: just did this myself kind of payoff so yeah.
• 12:47
  Speaker 13: Oh that's how it goes exactly Well, I think that's
• 12:53
  Speaker 13: I mean, that's kind of the best thing to take
• 12:54
  Speaker 13: from that.
• 12:55
  Speaker 5: I think I ended up liking it a lot more
• 12:56
  Speaker 5: than I expected, but I think it's all due to
• 12:58
  Speaker 5: the direction. I think it's it's this Peter Collinson who
• 13:02
  Speaker 5: actually did a lot of other bigger. This was relatively
• 13:05
  Speaker 5: early on in it, but he ended up doing the
• 13:07
  Speaker 5: the original Italian job he did. And then there were none.
• 13:11
  Speaker 5: He did the spiral staircase. So he ended up doing
• 13:13
  Speaker 5: a lot of bigger projects. And I think, OK, what
• 13:15
  Speaker 5: happened here? Well, to me, from a direction standpoint, I
• 13:20
  Speaker 5: think it's awesome. I think the way he sets up
• 13:23
  Speaker 5: the shots in the beginning, the house looks really creepy.
• 13:26
  Speaker 4: The shots and everything are cool. The house is creepy.
• 13:29
  Speaker 5: Things look great.
• 13:30
  Speaker 4: It's just the characters are funny.
• 13:32
  Speaker 5: Fucking idiot which that's more the writing yeah i mean
• 13:35
  Speaker 5: that's yeah i mean.
• 13:36
  Speaker 12: Is the blood is the british police force really like
• 13:39
  Speaker 12: that is it do they not i mean i know
• 13:41
  Speaker 12: they they're not supposed to carry guns but i mean
• 13:43
  Speaker 12: this is like this is like mayberry i mean we
• 13:46
  Speaker 12: better get the gun.
• 13:47
  Speaker 5: They have one gun they've got one gun for the town.
• 13:51
  Speaker 12: And one guy that can use the gun but apparently
• 13:53
  Speaker 12: he's such a shitty ass fucking shot that he can't
• 13:56
  Speaker 12: hit this guy i've I can't get a clear shot.
• 14:00
  Speaker 4: This guy's head's in the middle of a fucking window.
• 14:02
  Speaker 4: How can you not shoot this guy?
• 14:04
  Speaker 5: And that's the other thing. He's hiding like 40 yards
• 14:07
  Speaker 5: away behind a car. And I'm like, okay, the guy
• 14:09
  Speaker 5: inside the house doesn't have a gun. He's not going
• 14:12
  Speaker 5: to shoot you. You could walk up to the window
• 14:14
  Speaker 5: and when he sticks his head up there, blow a
• 14:15
  Speaker 5: hole in his head.
• 14:16
  Speaker 4: But they're not smart enough to do that.
• 14:18
  Speaker 9: Point blank, dude.
• 14:19
  Speaker 8: Yeah.
• 14:20
  Speaker 9: See, this movie made me realize I would have zero
• 14:23
  Speaker 9: problem emptying a loaded gun into the face of someone
• 14:26
  Speaker 9: who fucking deserved it.
• 14:28
  Speaker 5: That's right.
• 14:30
  Speaker 4: Let me just trick him. Just be like, hey, your
• 14:32
  Speaker 4: pizza's here.
• 14:33
  Speaker 9: And he goes, what?
• 14:34
  Speaker 5: And then you're just like, I like it. I like pizza.
• 14:37
  Speaker 13: All right.
• 14:37
  Speaker 4: Because he's a fucking moron.
• 14:40
  Speaker 5: He's crazy.
• 14:40
  Speaker 4: He has no fucking clue.
• 14:42
  Speaker 12: Maybe in his fucking whacked out reality world, there's a
• 14:45
  Speaker 12: pizza delivery guy.
• 14:46
  Speaker 4: Hey, I am supposed to get a pizza. You know,
• 14:48
  Speaker 4: you can trick these people. They're easy to trick.
• 14:50
  Speaker 5: Do they like pizza? I mean, it's like your fish
• 14:52
  Speaker 5: and chips is here, governor.
• 14:53
  Speaker 4: Yeah, exactly.
• 14:55
  Speaker 5: Come to the door. So, yeah.
• 14:59
  Speaker 4: Who ordered the shepherd's pie?
• 15:00
  Speaker 9: Yeah.
• 15:02
  Speaker 5: By the end of this, yeah, it definitely goes off
• 15:05
  Speaker 5: the rails. And I think really just sort of the last... Basically,
• 15:11
  Speaker 5: they could have had... I still think it could have
• 15:13
  Speaker 5: been a pretty decent, balanced movie had they wrapped it
• 15:16
  Speaker 5: up before the whole standoff. Yeah. I think if it
• 15:20
  Speaker 5: would have been like, you know, he would have... been
• 15:22
  Speaker 5: fighting with the boyfriend she ran out the door the
• 15:24
  Speaker 5: one cop with the gun shot him in the doorway
• 15:26
  Speaker 5: and that was the end of the movie would have
• 15:28
  Speaker 5: been great it would have been good i mean you
• 15:29
  Speaker 5: would have missed out on the i think the the
• 15:31
  Speaker 5: bit with the mirror is fucking creepy and that is
• 15:34
  Speaker 5: sort of the that's sort of the the key to
• 15:36
  Speaker 5: this that's all the advertising that's what brings you in
• 15:39
  Speaker 5: and that part is really creepy so they really just
• 15:42
  Speaker 5: should have worked that in earlier in the movie and
• 15:44
  Speaker 5: then had him just like threatening her and the and
• 15:46
  Speaker 5: the kid with it Midway into the movie and then
• 15:48
  Speaker 5: ended it there because the police standoff part is really
• 15:52
  Speaker 5: where it drags.
• 15:53
  Speaker 4: It drags on. It's aggravating. Yes. It's annoying.
• 15:57
  Speaker 12: You've got them bantering back and forth between them and
• 16:00
  Speaker 12: the psychiatrist who's like, ah, we don't want to, you know,
• 16:04
  Speaker 12: I want to try to save him. And then he's like,
• 16:06
  Speaker 12: I'm not going to be held responsible. And I'm just like,
• 16:08
  Speaker 12: and the police.
• 16:09
  Speaker 8: Some people don't need to be saved.
• 16:10
  Speaker 12: No.
• 16:10
  Speaker 13: Some people need to be killed.
• 16:12
  Speaker 12: Yeah.
• 16:14
  Speaker 13: Fuck him, sorry.
• 16:15
  Speaker 4: Fuck him. No, that's okay. It's completely understandable.
• 16:18
  Speaker 12: There was another point in this movie that's like, the guy,
• 16:21
  Speaker 12: the boyfriend, I don't feel bad about him getting bashed
• 16:24
  Speaker 12: in the face at all.
• 16:25
  Speaker 8: No.
• 16:25
  Speaker 4: Because he's kind of a jackass.
• 16:26
  Speaker 5: He's completely a jackass.
• 16:28
  Speaker 4: Yeah, you want to date rape. That's about all I
• 16:30
  Speaker 4: can say right there.
• 16:31
  Speaker 5: Shut up. Shut up.
• 16:32
  Speaker 12: She's telling him no, no. He's unbuttoning her shirt. She's
• 16:35
  Speaker 12: going no, and he's like, shut up. She's like, I
• 16:38
  Speaker 12: don't want to do it.
• 16:38
  Speaker 4: And he's like, shut up.
• 16:40
  Speaker 5: That's what the chicks like. They like a firm hand.
• 16:43
  Speaker 4: You know you wanted it.
• 16:45
  Speaker 8: That's how you got me.
• 16:47
  Speaker 4: I'm joking. I told you to shut up.
• 16:51
  Speaker 5: He tells you to shut up all the time. You
• 16:54
  Speaker 5: never listen.
• 16:54
  Speaker 4: You were telling me to shut up.
• 16:56
  Speaker 5: Yeah, that's how it works.
• 16:57
  Speaker 4: I was going, stop it.
• 16:59
  Speaker 8: Not on the first day.
• 17:00
  Speaker 10: You shut up.
• 17:02
  Speaker 8: I said, shut up.
• 17:03
  Speaker 5: You're going to fucking do it.
• 17:06
  Speaker 13: This is truth, guys.
• 17:08
  Speaker 8: It is.
• 17:08
  Speaker 4: Yeah, pretty much. She's like, drop them pants.
• 17:15
  Speaker 8: Drop them drawers.
• 17:21
  Speaker 3: Well, that's a good idea. Now we won't be disturbed.
• 17:27
  Speaker 5: Get out.
• 17:29
  Speaker 8: I haven't done anything.
• 17:31
  Speaker 5: Yet.
• 17:32
  Speaker 3: You're not going to either. Look, you can't stay a
• 17:36
  Speaker 3: virgin all your life, you know. How do you know?
• 17:41
  Speaker 3: I might not be one.
• 17:45
  Speaker 1: Ah, well, if you're not, you've got nothing to lose,
• 17:48
  Speaker 1: have you?
• 17:50
  Speaker 5: If you are, well, this is your big chance.
• 17:55
  Speaker 1: With you?
• 17:55
  Speaker 4: That's what I like about you.
• 18:00
  Speaker 3: You're always so hospitable.
• 18:03
  Speaker 8: This movie just goes to show that only homicidal psychopaths
• 18:07
  Speaker 8: wear fucking turtlenecks.
• 18:10
  Speaker 5: And those cool corduroys he had on.
• 18:14
  Speaker 8: Oh, my God. Boyfriend's purple corduroys.
• 18:17
  Speaker 5: They were cool.
• 18:20
  Speaker 4: He looks straight out of a Swedish skiing movie.
• 18:22
  Speaker 5: He kind of did. His little sweater. Even his bad hair.
• 18:26
  Speaker 4: His bad hair. His name was Sven.
• 18:30
  Speaker 5: This is not an advertisement for British people at all.
• 18:32
  Speaker 4: No, not really. I hate to tell you, but... No,
• 18:35
  Speaker 4: not at all. But I don't know. The guy who
• 18:38
  Speaker 4: played the crazy guy was... He was the right amount
• 18:41
  Speaker 4: of crazy.
• 18:42
  Speaker 5: I think he did it... Yeah, he did it in
• 18:44
  Speaker 5: a way that's... To quote Roger, who's not here, he
• 18:47
  Speaker 5: wasn't whoop-whoop crazy. The way that I think he was
• 18:50
  Speaker 5: pretty good was he plays it almost realistic. Like, it
• 18:54
  Speaker 5: is one of those that he just... He gets... and
• 18:57
  Speaker 5: he gets flustered, and he just repeats things, and he
• 19:00
  Speaker 5: does seem like a real-world crazy. It's not, you know,
• 19:04
  Speaker 5: over-the-top movie crazy. It's not like.
• 19:06
  Speaker 4: Sticking Jim Carrey in this role.
• 19:07
  Speaker 5: Yeah, it's like this guy probably would exist and probably
• 19:10
  Speaker 5: would hurt you if you ran into him in the
• 19:12
  Speaker 5: real world because he is fucking delusional, and that's... I
• 19:15
  Speaker 5: don't know.
• 19:16
  Speaker 9: That's the one thing I liked about this movie, aside
• 19:18
  Speaker 9: from the fact that, like, I just... don't want to
• 19:21
  Speaker 9: believe that we live in a world where people are
• 19:22
  Speaker 9: too fucking stupid to just shoot someone in the face
• 19:25
  Speaker 9: if they can and there's a gun holding the gun
• 19:28
  Speaker 9: this guy obviously deserves to be shot in the face
• 19:31
  Speaker 9: clear shot do it i don't want to believe that
• 19:33
  Speaker 9: we live in that world but it was a very
• 19:35
  Speaker 9: realistic movie because this could all happen it's probably happened
• 19:38
  Speaker 9: a million times i've.
• 19:40
  Speaker 8: Got two handguns i would totally shoot somebody in the
• 19:42
  Speaker 8: face She would.
• 19:44
  Speaker 5: That's the thing. This movie has, with the exception of
• 19:47
  Speaker 5: the one cop gun, zero guns. So there's your problem.
• 19:49
  Speaker 5: Move to America and buy a lot of guns. They
• 19:53
  Speaker 5: run up to the door. There's three cops. They're like, well,
• 19:55
  Speaker 5: we can't handle this situation by ourselves. We can't do
• 19:57
  Speaker 5: this on our own.
• 19:58
  Speaker 4: There's three of you.
• 20:00
  Speaker 13: Free of you.
• 20:01
  Speaker 5: And he doesn't even have a gun fucking.
• 20:03
  Speaker 12: Guy and oh well we can't handle it let's wait
• 20:05
  Speaker 12: for backup and i'm like what are they gonna is
• 20:07
  Speaker 12: the real cop gonna show up now the one with
• 20:09
  Speaker 12: the gun the one with the gun yeah and then
• 20:11
  Speaker 12: the cool leather gloves oh yeah because he's got the mullet.
• 20:15
  Speaker 9: Also reason why i don't dig british men either your
• 20:19
  Speaker 9: teeth the teeth.
• 20:21
  Speaker 5: Yeah there were some scary teeth there i'll.
• 20:22
  Speaker 9: Give you that yeah man has to have straight teeth
• 20:25
  Speaker 9: but yeah the whole like.
• 20:27
  Speaker 5: Oh the fake husband's teeth were frightening well.
• 20:31
  Speaker 12: That was another thing too is they're trying to convince
• 20:34
  Speaker 12: the wife that she's just she's stressing over nothing that
• 20:38
  Speaker 12: there's no possible way he would escape there's no possible
• 20:41
  Speaker 12: way he would.
• 20:42
  Speaker 8: Come back this just goes to show that women are
• 20:44
  Speaker 8: just usually right yeah men are dumbasses that won't listen.
• 20:48
  Speaker 12: She was like, I got a telephone call. And the
• 20:50
  Speaker 12: guy was like, well, it could have been anybody. And
• 20:51
  Speaker 12: she's like, but it sounded like a young girl's voice. Well,
• 20:53
  Speaker 12: it could have been a secretary asking for me. But
• 20:56
  Speaker 12: she asked for my specific name.
• 21:00
  Speaker 5: Shut up.
• 21:00
  Speaker 3: Shut up.
• 21:01
  Speaker 4: Shut up.
• 21:02
  Speaker 12: Let me go call the mental institution and we'll put
• 21:05
  Speaker 12: this to rest and you can relax.
• 21:06
  Speaker 4: Whoops, he really did escape. Whoops, he did escape.
• 21:11
  Speaker 12: And after they find out he escaped, they're like, oh, well,
• 21:13
  Speaker 12: he's probably hundreds of miles from here.
• 21:15
  Speaker 4: He never would have Or.
• 21:17
  Speaker 5: At his own house.
• 21:18
  Speaker 9: Why would he possibly go back to the house where
• 21:22
  Speaker 9: his wife and child live?
• 21:25
  Speaker 5: And the woman who put him away lives.
• 21:26
  Speaker 8: Yeah, the woman that put him away lives.
• 21:28
  Speaker 13: Why would he possibly do that?
• 21:29
  Speaker 5: That's absurd.
• 21:29
  Speaker 4: Yeah, because he only tried to kill her the first time.
• 21:31
  Speaker 4: Why wouldn't you move?
• 21:33
  Speaker 5: I know.
• 21:33
  Speaker 14: That's what I'm saying.
• 21:34
  Speaker 13: Fucking move out.
• 21:35
  Speaker 9: I mean, wouldn't it be traumatic to live in that
• 21:37
  Speaker 9: house anyway?
• 21:38
  Speaker 12: It's about as dumb as the family of Michael Myers
• 21:40
  Speaker 12: going back to live at the Michael Myers house.
• 21:42
  Speaker 4: Gee, a lot of people got murdered here, but we're
• 21:44
  Speaker 4: going to live here. We're going to make it our home.
• 21:46
  Speaker 8: Yeah.
• 21:46
  Speaker 4: Fuck a bunch of that.
• 21:47
  Speaker 12: Oh, my God.
• 21:47
  Speaker 4: What's he doing?
• 21:48
  Speaker 5: He's come back.
• 21:49
  Speaker 9: After my dog died when I was little in the backyard,
• 21:52
  Speaker 9: in this little pen that we had beside his house,
• 21:54
  Speaker 9: I couldn't even go there. I can't imagine living in
• 21:56
  Speaker 9: a fucking house where someone tried to kill you or
• 21:59
  Speaker 9: a shitload of people were murdered fuck a bunch of
• 22:02
  Speaker 9: that how retarded are.
• 22:03
  Speaker 5: People very well speaking of the michael myers uh let's
• 22:07
  Speaker 5: talk about the the sort of influence that i guess
• 22:10
  Speaker 5: this had because if somebody out there has a different
• 22:13
  Speaker 5: version feel free to point it out but as far
• 22:15
  Speaker 5: as i know this is the first babysitter crazy guy
• 22:19
  Speaker 5: breaking into a house i mean this this is sort
• 22:22
  Speaker 5: of the one it sort of builds that so unless
• 22:24
  Speaker 5: somebody knows of another one this is uh 1971 so
• 22:27
  Speaker 5: this is seven years before halloween And Halloween is kind
• 22:31
  Speaker 5: of known as the template for all other slasher horror movies.
• 22:35
  Speaker 5: So this is way ahead.
• 22:37
  Speaker 4: Of its time.
• 22:38
  Speaker 12: Well, I think the problem was it was British, so
• 22:40
  Speaker 12: it didn't really show up in the American screen.
• 22:41
  Speaker 5: Pretty much. But I mean, I will give it credit
• 22:44
  Speaker 5: for having this idea because it's not like it's just
• 22:48
  Speaker 5: minorly hinted at it is the exact like blueprint of every,
• 22:53
  Speaker 5: you know, he's, he knows you're alone. I mean, every
• 22:56
  Speaker 5: one of those babysitter in a house gets the cord,
• 22:58
  Speaker 5: gets yanked out, she wanders around in the dark house.
• 23:03
  Speaker 5: The kid comes out and scares her. I mean, there's
• 23:05
  Speaker 5: every little cliche, the boyfriend gets killed. Every one of
• 23:09
  Speaker 5: these little cliche things that have now become like standard
• 23:12
  Speaker 5: in a horror movie. Are in this movie, and as
• 23:15
  Speaker 5: far as I know, this was the beginning of it all, really.
• 23:19
  Speaker 5: So it at least has to be given credit for
• 23:22
  Speaker 5: sort of starting an entire trend of movies.
• 23:25
  Speaker 4: He even has the big... Piece of shattered mirror that
• 23:28
  Speaker 4: looks like a large butcher knife.
• 23:29
  Speaker 5: Mm-hmm. So this is the pre-slash of it.
• 23:33
  Speaker 12: Every time I shatter a mirror, I never can get
• 23:35
  Speaker 12: that butcher knife shape to come out.
• 23:36
  Speaker 4: It's always little pieces.
• 23:38
  Speaker 5: Hollywood.
• 23:38
  Speaker 8: You've broken enough mirrors.
• 23:39
  Speaker 1: I know.
• 23:40
  Speaker 3: God.
• 23:41
  Speaker 5: You need the magic of British cinema. I know.
• 23:43
  Speaker 4: It's something.
• 23:46
  Speaker 9: This should be a lesson to all young girls.
• 23:48
  Speaker 13: Don't ever babysit.
• 23:50
  Speaker 5: It kind of is.
• 23:50
  Speaker 4: If you do, just carry a gun. Yeah.
• 23:53
  Speaker 5: But yeah, I don't know. It is impressive, I guess,
• 23:56
  Speaker 5: that this is sort of where it all began from.
• 23:59
  Speaker 5: Because I will still give credit to Black Christmas, almost,
• 24:03
  Speaker 5: for being more of an inspiration for a lot of
• 24:04
  Speaker 5: the specifics in Halloween. But I don't know. To me,
• 24:08
  Speaker 5: this is, yeah, for as many years ahead of time
• 24:10
  Speaker 5: as this is, it is funny how blueprint it is
• 24:13
  Speaker 5: set up for every baby slasher movie that came after that.
• 24:17
  Speaker 12: It's a bit harder to make this film nowadays because
• 24:19
  Speaker 12: now kids have cell phones so yep what's he gonna
• 24:22
  Speaker 12: do i mean he's gonna have to somehow find a
• 24:24
  Speaker 12: way to scramble the network or some shit like that
• 24:26
  Speaker 12: there's always a way around that let's blanket over the
• 24:29
  Speaker 12: house i can't get a signal she's running around trying
• 24:32
  Speaker 12: to get a signal it's out in.
• 24:33
  Speaker 8: The country you know you don't signal in the country.
• 24:36
  Speaker 5: Oh yeah i guess i guess mandy found a way
• 24:38
  Speaker 5: around that yeah mandy's awesome So it's still, I mean,
• 24:42
  Speaker 5: there's always ways around the cell phone. There's always no
• 24:45
  Speaker 5: signal no matter what.
• 24:46
  Speaker 9: And they always die at convenient times.
• 24:49
  Speaker 4: Yeah, of course.
• 24:51
  Speaker 6: You can make horror film in here. Stop trying to
• 24:54
  Speaker 6: frighten me.
• 24:55
  Speaker 5: I'm not.
• 24:58
  Speaker 3: Yes, you are, peering through that window.
• 25:00
  Speaker 4: What window?
• 25:02
  Speaker 8: What are you talking about?
• 25:03
  Speaker 13: That one.
• 25:04
  Speaker 3: You scared the life out of me and you.
• 25:05
  Speaker 9: Did it deliberately.
• 25:06
  Speaker 10: I didn't.
• 25:09
  Speaker 8: I came straight out to the door.
• 25:11
  Speaker 3: Must have been someone else.
• 25:14
  Speaker 15: Stop it!
• 25:16
  Speaker 8: Well, if it wasn't anybody else, it must be your imagination.
• 25:19
  Speaker 3: I don't imagine things.
• 25:22
  Speaker 16: Typical.
• 25:23
  Speaker 6: This is typical of you, trying to frighten people all
• 25:26
  Speaker 6: the time. You ought to see a psychiatrist.
• 25:29
  Speaker 3: But you're the one who's seeing things.
• 25:31
  Speaker 6: You live in a world of fantasy. I was reading
• 25:34
  Speaker 6: about people like you. They say it's a result of
• 25:36
  Speaker 6: sexual frustration.
• 25:40
  Speaker 5: Here.
• 25:42
  Speaker 1: Well, that's not my fault either.
• 25:45
  Speaker 3: Well, you needn't think I'm going to cure you.
• 25:47
  Speaker 5: I don't know. I think, again, I think that the
• 25:49
  Speaker 5: director is kind of the star of this. I mean,
• 25:51
  Speaker 5: I think that the actors are all right, the ones
• 25:54
  Speaker 5: that aren't really, really annoying. The characters are not good,
• 25:57
  Speaker 5: but the acting's tolerable. The characters are badly written.
• 26:00
  Speaker 12: Yeah, I don't think I can think of a single
• 26:02
  Speaker 12: character that's not annoying with the exception of the killer,
• 26:05
  Speaker 12: or the crazy guy.
• 26:06
  Speaker 4: He's the only one that doesn't annoy the crap out
• 26:08
  Speaker 4: of him.
• 26:09
  Speaker 5: Yeah, and he's just fucking crazy.
• 26:11
  Speaker 4: Because he's playing his role.
• 26:12
  Speaker 5: Yeah.
• 26:13
  Speaker 4: He's the killer.
• 26:14
  Speaker 5: Everybody else is kind of ridiculous.
• 26:15
  Speaker 4: He's fucking crazy.
• 26:17
  Speaker 8: I liked the scene where he was with the other girl,
• 26:20
  Speaker 8: but he kept imagining, he kept flashing that it was
• 26:22
  Speaker 8: his wife. I thought that part was actually kind of
• 26:24
  Speaker 8: well shot. That's one thing I was actually impressed about.
• 26:26
  Speaker 4: Which scene, the bed scene?
• 26:27
  Speaker 13: Yeah, that whole scene when he was dancing with her.
• 26:30
  Speaker 8: You'd see the girl crying, but then it flashed. He'd
• 26:32
  Speaker 8: be imagining it's his wife, and she's laughing and having
• 26:35
  Speaker 8: a good time.
• 26:35
  Speaker 13: But that whole scene was.
• 26:36
  Speaker 12: But yeah, like you said, that was a great, that
• 26:39
  Speaker 12: was a well shot scene that just kind of delves
• 26:41
  Speaker 12: into the craziness of this fucking guy that's.
• 26:44
  Speaker 4: Like, he's still obsessed with his wife.
• 26:47
  Speaker 5: Completely.
• 26:48
  Speaker 4: To the point where he sees the babysitter as her.
• 26:51
  Speaker 5: But yeah, that was well shot. And that's what I
• 26:54
  Speaker 5: think you take from that's the reason to watch this
• 26:56
  Speaker 5: for me is just direction and the way that it
• 26:58
  Speaker 5: looks because I think that even the opening like that
• 27:01
  Speaker 5: creepy song, which we were all creeped out by that song.
• 27:05
  Speaker 5: maybe for different reasons. To me, it's just, it's, uh,
• 27:08
  Speaker 5: it's the same as the closing one. It's that weird
• 27:10
  Speaker 5: caterwalling woman.
• 27:12
  Speaker 4: That was just really just out of place.
• 27:14
  Speaker 5: Well, to me, it reminds me of, uh, the later
• 27:17
  Speaker 5: Marianne faithful stuff where she has that weird, scary voice
• 27:21
  Speaker 5: that it, but to me it fits. It's like, it's,
• 27:23
  Speaker 5: it's out of place, but at the same time, it's,
• 27:25
  Speaker 5: it's creepy, like not good creepy. It's just, it, it's
• 27:29
  Speaker 5: creepy in a weird way that, much like Marianne Faith.
• 27:33
  Speaker 12: I guess just towards the end, I was so annoyed
• 27:35
  Speaker 12: that it came up and I was like, what the.
• 27:37
  Speaker 5: Fuck is this shit? I thought that at the beginning,
• 27:40
  Speaker 5: I was just like, what is this song? But as
• 27:42
  Speaker 5: it goes on, I mean, it's this weird shots of
• 27:44
  Speaker 5: her like walking to the house. So it's all these
• 27:47
  Speaker 5: shots of her out in the woods. And again, that,
• 27:49
  Speaker 5: that in itself right off the bat is really creepy.
• 27:51
  Speaker 5: And then you get to the house and I think
• 27:53
  Speaker 5: the visuals on the house are amazing. I think it's
• 27:55
  Speaker 5: shot with this very claustrophobic feel. It focuses heavy on
• 27:59
  Speaker 5: all the set dressing. So it's like you, He really...
• 28:02
  Speaker 5: This is one of the few times I've noticed a
• 28:04
  Speaker 5: director really making use of the set dressing. He would
• 28:07
  Speaker 5: shoot through the furniture.
• 28:09
  Speaker 4: He would shoot.
• 28:10
  Speaker 5: With stuff sitting on the table in the foreground of
• 28:13
  Speaker 5: the shot. Through the window, through.
• 28:16
  Speaker 4: Weeds, through the trees. Stuff like that.
• 28:19
  Speaker 5: It's all very purposely set up to be where it
• 28:22
  Speaker 5: is and to fit the character in where it is.
• 28:23
  Speaker 5: So again, I think what he does direction-wise is really
• 28:27
  Speaker 5: impressive on this. Enough that it makes me want to
• 28:29
  Speaker 5: go through and watch some of his other stuff.
• 28:31
  Speaker 4: Because I think.
• 28:32
  Speaker 5: Visually, I think he did a great job on this.
• 28:34
  Speaker 5: It's just the other.
• 28:35
  Speaker 12: It's just the characters are stupid.
• 28:37
  Speaker 4: They're idiots and they wouldn't survive in the real world.
• 28:40
  Speaker 12: The chick could have ran out the fucking back kitchen
• 28:43
  Speaker 12: door a hundred times and could have gotten away, but no.
• 28:45
  Speaker 4: She's too stupid. She's going to cower in the corner.
• 28:48
  Speaker 8: He took all the doorknobs off.
• 28:50
  Speaker 4: Oh, did he take all the doorknobs off?
• 28:52
  Speaker 8: I thought he took all the doorknobs off because he
• 28:53
  Speaker 8: kept saying no knobs or something because she was locked
• 28:56
  Speaker 8: in like he was locked in the crazy house.
• 28:58
  Speaker 4: Wasn't he?
• 28:59
  Speaker 5: See, I don't know if he did. I know he
• 29:02
  Speaker 5: was rambling about that. I didn't know if that was
• 29:03
  Speaker 5: just from him being in the crazy house because he
• 29:07
  Speaker 5: doesn't have any doorknobs.
• 29:09
  Speaker 8: Maybe she couldn't get out.
• 29:11
  Speaker 5: I don't know.
• 29:12
  Speaker 12: The doors that she was stumbling around trying to open
• 29:14
  Speaker 12: wasn't the kitchen door. The door to the kitchen was
• 29:17
  Speaker 12: in the living room. Where the boyfriend was laying all
• 29:21
  Speaker 12: bloody in the corner.
• 29:22
  Speaker 8: I don't know.
• 29:23
  Speaker 4: So, either way.
• 29:25
  Speaker 5: I mean, there's just very specific shots. There's the one
• 29:28
  Speaker 5: he keeps going to of the pendulum clock. Yeah. It really,
• 29:32
  Speaker 5: really looks good. And then there's the one of her
• 29:35
  Speaker 5: going down the hallway in the close-up of his face
• 29:38
  Speaker 5: on that corner shot. that's fucking awesome so i mean
• 29:40
  Speaker 5: there's just so many of those that i think make
• 29:44
  Speaker 5: up for you know some of these shortcomings at least
• 29:46
  Speaker 5: enough to watch the movie it doesn't save it i
• 29:49
  Speaker 5: guess overall but I.
• 29:50
  Speaker 8: Was pissed off when she ran out the door and
• 29:52
  Speaker 8: she just stopped long enough for him to grab her
• 29:54
  Speaker 8: and pull her back in. I'm like, bitch, keep running.
• 29:56
  Speaker 5: Just stop. Well, if we want to talk about the
• 29:59
  Speaker 5: problems at the door, okay, so within the mother, they
• 30:02
  Speaker 5: finally get this trade-off going. And they're like, okay, you
• 30:05
  Speaker 5: bring my wife in, I'll let these two go. I'll
• 30:07
  Speaker 5: let the kid go and the babysitter.
• 30:08
  Speaker 8: So.
• 30:09
  Speaker 5: She comes up to the door, and I'm like, have
• 30:10
  Speaker 5: you never been involved in a hostage negotiation? Maybe not.
• 30:13
  Speaker 5: Have you never seen one on TV? Jesus. You don't
• 30:15
  Speaker 5: go in until you get what you want out. It's like,
• 30:18
  Speaker 5: it's at the same time. It's a trade-off.
• 30:20
  Speaker 4: It's not, I just blindly walk in.
• 30:22
  Speaker 8: The other dumb bitch realized. She's like, well, now we're
• 30:24
  Speaker 8: all fucked.
• 30:25
  Speaker 5: Yeah. I mean, even the babysitter was smarter than that.
• 30:27
  Speaker 5: She was like, no, dumbass. So, yeah, mom walks right in.
• 30:31
  Speaker 5: He closes the door and locks it.
• 30:33
  Speaker 12: And what do they give her as a weapon? They
• 30:35
  Speaker 12: give her a fucking tear gas canister. Now, how fucking
• 30:37
  Speaker 12: retarded is that?
• 30:39
  Speaker 4: Tear gas. Okay, I'll pull the pin and drop it
• 30:41
  Speaker 4: while the guy slashes my throat.
• 30:44
  Speaker 5: And the kid's down on the floor.
• 30:45
  Speaker 8: She even managed to fuck that one up.
• 30:47
  Speaker 4: Yeah, she fucked that one up too because she's an idiot. Oh, jeez.
• 30:52
  Speaker 4: Can I talk about the very end of the film?
• 30:55
  Speaker 13: Are you asking my personal permission?
• 30:57
  Speaker 4: I'm asking everybody's permission.
• 30:58
  Speaker 5: Is it cool? If you're ready to... Oh, I'm ready
• 31:00
  Speaker 5: to address the end of the film. I mean, we're
• 31:02
  Speaker 5: right there at that point anyway.
• 31:03
  Speaker 12: Because at the end of the film, I mean, you're
• 31:05
  Speaker 12: at the end of the film where they're arguing and
• 31:07
  Speaker 12: they finally do.
• 31:09
  Speaker 4: The guy gets upset and, you know, you're trying to
• 31:12
  Speaker 4: use this canister. He doesn't even know what it is.
• 31:14
  Speaker 12: He's like, you're trying to use this to hurt me.
• 31:15
  Speaker 12: And he's going nuts. And then he's like, they can
• 31:18
  Speaker 12: take it back. And he throws it. And, of course,
• 31:19
  Speaker 12: it goes off.
• 31:20
  Speaker 4: And they're all like, ah.
• 31:21
  Speaker 12: And, of course, the babysitter is the one who has
• 31:24
  Speaker 12: to go and open the door to get out. So
• 31:26
  Speaker 12: she gets out, and the crazy guy and the wife
• 31:30
  Speaker 12: come out, and the crazy guy comes out with the kid,
• 31:33
  Speaker 12: and the cop's like, I can't take a shot.
• 31:35
  Speaker 4: I might hit the kid. And I'm like going, what
• 31:37
  Speaker 4: the fuck?
• 31:37
  Speaker 5: How can you?
• 31:38
  Speaker 12: You're like, what, 10 feet from the guy, and you
• 31:40
  Speaker 12: might hit the kid? You can't shoot this guy in
• 31:42
  Speaker 12: the shoulder? You can't shoot him in the head? You know,
• 31:45
  Speaker 12: I mean, how shitty of a marksman.
• 31:46
  Speaker 4: Are these guys? They can't even fucking shoot somebody at that,
• 31:49
  Speaker 4: you know, closer range.
• 31:51
  Speaker 5: His mullet was holding him back.
• 31:52
  Speaker 4: I guess. You know what?
• 31:53
  Speaker 12: I wouldn't have questioned it. He's like looking at the
• 31:55
  Speaker 12: captain going, can I shoot him? You know, white question.
• 31:57
  Speaker 4: Just shoot the guy.
• 31:58
  Speaker 8: I would have fucking shot him in the eyeball.
• 32:00
  Speaker 5: He'd be dead already if anybody with any competency was
• 32:03
  Speaker 5: holding that gun.
• 32:04
  Speaker 4: I guess, you know, and.
• 32:07
  Speaker 12: Apparently all the cops over there get is just like
• 32:09
  Speaker 12: one revolver.
• 32:10
  Speaker 4: That's it. They don't have a rifle. They don't have nothing.
• 32:14
  Speaker 5: That's what I was thinking. I was like, for these standoffs,
• 32:17
  Speaker 5: shouldn't they have like a sniper rifle or something?
• 32:19
  Speaker 4: No, they've got nothing. They don't even have a hunting rifle.
• 32:22
  Speaker 5: They don't have a shotgun.
• 32:23
  Speaker 4: He's got one revolver.
• 32:25
  Speaker 5: You know and gloves and gloves he's got his shooting
• 32:28
  Speaker 5: gloves but then the thing that gets me is like
• 32:29
  Speaker 5: well no we might hit the kid so it's too
• 32:32
  Speaker 5: close so what does the guy do with the gun
• 32:33
  Speaker 5: he puts it back in the car yeah what the
• 32:35
  Speaker 5: fuck was that.
• 32:36
  Speaker 4: He was like well I guess I can't use the
• 32:37
  Speaker 4: gun so I'll just put it back in the.
• 32:38
  Speaker 5: Car what kind of cop are you what the fuck
• 32:41
  Speaker 5: you know keep.
• 32:43
  Speaker 12: The guy in your sights But, yeah, towards the very end,
• 32:47
  Speaker 12: you're thinking there's not going to be a payoff because
• 32:49
  Speaker 12: they're not going to shoot this guy.
• 32:50
  Speaker 4: We're all sitting there on the couch yelling, shoot him,
• 32:53
  Speaker 4: fucking shoot him.
• 32:54
  Speaker 12: The lady even gets the kid from him, and they're
• 32:56
  Speaker 12: backing away, and he's standing there with that big piece
• 32:58
  Speaker 12: of broken mirror, and he's like going, he's calling her name,
• 33:02
  Speaker 12: and he's, uh, uh.
• 33:03
  Speaker 4: And you're like, shoot him, shoot him, shoot him. And,
• 33:05
  Speaker 4: of course, the cops don't shoot him. Who shoots him?
• 33:08
  Speaker 13: Fucking crazy-ass babysitter.
• 33:09
  Speaker 4: The babysitter shoots him.
• 33:11
  Speaker 12: And then she cries like a little whiny bitch.
• 33:13
  Speaker 8: I'm so sorry.
• 33:15
  Speaker 9: That's the point where I decided that I have no
• 33:18
  Speaker 9: problem shooting someone if they deserve it.
• 33:20
  Speaker 8: I would fucking apologize.
• 33:21
  Speaker 9: I'd be like, I would have kicked him and been like,
• 33:24
  Speaker 9: in your face, motherfucker.
• 33:26
  Speaker 13: I'd have shot him five more times.
• 33:27
  Speaker 5: You got owned, bitch.
• 33:31
  Speaker 4: But they don't do that. And the cops are kind
• 33:32
  Speaker 4: of looking at each other going, damn, she shot him.
• 33:35
  Speaker 5: Finally, one of us got it together. But they didn't, like,
• 33:37
  Speaker 5: it came out of nowhere. Like, they didn't show her
• 33:39
  Speaker 5: leaving the house. They didn't show her, like, going over
• 33:41
  Speaker 5: by the car. So at the beginning, like, the first
• 33:44
  Speaker 5: time I watched it, I was like.
• 33:45
  Speaker 8: They showed her leaving the house.
• 33:46
  Speaker 4: She was out of the house.
• 33:47
  Speaker 14: She ran out.
• 33:47
  Speaker 5: She was the first one.
• 33:48
  Speaker 4: She just ran out. She fucking hauled ass out of
• 33:49
  Speaker 4: the house because she was.
• 33:50
  Speaker 5: they don't give you any idea that she's going for something.
• 33:53
  Speaker 5: She's got some sort of plan. She just, it's like
• 33:55
  Speaker 5: out of the blue, it just happens, which I guess
• 33:57
  Speaker 5: is what they were going for. They're going for that
• 33:59
  Speaker 5: shock ending.
• 33:59
  Speaker 4: But at the.
• 34:00
  Speaker 5: Same time for a second, I'm just like, wait, the
• 34:02
  Speaker 5: fuck did she get that gun like they didn't show
• 34:04
  Speaker 5: her going to the cop.
• 34:05
  Speaker 12: Car or she didn't have to i put it back
• 34:08
  Speaker 12: in the car she grabbed it off the front seat
• 34:10
  Speaker 12: and capped the guy i.
• 34:10
  Speaker 5: Was like there's only one guns i guess we know
• 34:12
  Speaker 5: where it came from but i was like when did
• 34:14
  Speaker 5: she get to that it's very sort of un yeah
• 34:17
  Speaker 5: it does it's just sort of jarring because you don't
• 34:20
  Speaker 5: know well yeah where she even came from yeah.
• 34:22
  Speaker 12: Expecting the cop to shoot him and even at that
• 34:25
  Speaker 12: point you're you're kind of you're kind of expecting nothing.
• 34:30
  Speaker 9: Yeah.
• 34:30
  Speaker 4: You know, because at that point I was like, well, fuck,
• 34:32
  Speaker 4: they're not going to shoot him. Because she backed away
• 34:34
  Speaker 4: from him.
• 34:35
  Speaker 5: And he drops to his knees. It's like he's given up.
• 34:37
  Speaker 12: And it's a good five minutes, you know, and you're like, well, fuck,
• 34:39
  Speaker 12: this guy's going to get taken back to the mental
• 34:41
  Speaker 12: institution and nothing's going to happen.
• 34:43
  Speaker 4: He's going to break out.
• 34:44
  Speaker 5: Fright two.
• 34:45
  Speaker 12: And then there's going to be a fright two, you know,
• 34:48
  Speaker 12: where he goes after the babysitter and after the wife.
• 34:51
  Speaker 5: And then he finds out she's his sister. Oh, wait, no,
• 34:53
  Speaker 5: it's a whole different movie. So.
• 34:57
  Speaker 4: But yeah, boom, right in the head.
• 34:59
  Speaker 5: And I think that's what it was. I think they
• 35:02
  Speaker 5: were just going for that surprise ending, because I've talked
• 35:05
  Speaker 5: about this the last few of this era. I think
• 35:07
  Speaker 5: every movie at this late 60s into the early 70s
• 35:10
  Speaker 5: time period, it's like, it's a horror movie. We've got
• 35:12
  Speaker 5: to have some sort of shock ending. It wasn't the
• 35:14
  Speaker 5: twist ending that we had to have come 90s. It
• 35:17
  Speaker 5: was like the 70s just had to be something special.
• 35:19
  Speaker 14: Weird.
• 35:19
  Speaker 5: Something abrupt that you're not expecting, and then credits. It's
• 35:22
  Speaker 5: like they love doing that, and that's like two of
• 35:25
  Speaker 5: the British ones in a row we've seen her like that.
• 35:27
  Speaker 5: So definitely it was like a trend in horror movies,
• 35:30
  Speaker 5: and certainly in British horror movies, that, all right, what
• 35:32
  Speaker 5: fucked up way are we going to end this movie?
• 35:34
  Speaker 5: And then just, bam, she just shows up and shoots.
• 35:37
  Speaker 4: Him out of the blue. And there's the credits.
• 35:38
  Speaker 5: Credits, yeah. So more of the crazy caterwauling.
• 35:42
  Speaker 4: And the credits actually ran faster than the pace of
• 35:45
  Speaker 4: most of the movie.
• 35:45
  Speaker 5: Yeah, kind of. Oh man. But it, I don't know.
• 35:48
  Speaker 5: It does what it sets out to do. I think
• 35:51
  Speaker 5: in most of it, it's like it sets up the
• 35:53
  Speaker 5: creepy scenario that, uh, again, his camera work that shot
• 35:56
  Speaker 5: on the landing is amazing. Like when they're getting ready
• 35:58
  Speaker 5: to leave for the whole little night out and she's
• 36:00
  Speaker 5: telling him goodbye, he's like shooting it all from the stairs.
• 36:03
  Speaker 5: Like he's looking down on him. Like he's, you know,
• 36:05
  Speaker 5: the kid looking down, like, like watching them as they leave.
• 36:09
  Speaker 5: It's really well done. And same thing with that. Like
• 36:11
  Speaker 5: when the boyfriend gets it out in the yard, uh, When, like,
• 36:14
  Speaker 5: the camera just sort of steps out from hiding.
• 36:16
  Speaker 4: Yeah.
• 36:16
  Speaker 5: And I guess you're POV at that point, but it's
• 36:19
  Speaker 5: just sort of unnerving. Again, it's like he's looking at it.
• 36:21
  Speaker 5: He's like, holy shit. Like, the character is looking at
• 36:24
  Speaker 5: you as the camera.
• 36:25
  Speaker 4: It's like, oh, fuck.
• 36:27
  Speaker 5: And it just moves in.
• 36:28
  Speaker 4: It's too stupid to realize what's going on. Well, at
• 36:30
  Speaker 4: that point, you're like... you're kind of wondering why is
• 36:33
  Speaker 4: this guy not doing anything he's a fucking moron but then.
• 36:36
  Speaker 12: You realize it's the the uh the ex-husband yeah he's
• 36:39
  Speaker 12: a psycho but when you kind of.
• 36:41
  Speaker 4: Look at him he kind of looks like just a
• 36:42
  Speaker 4: normal average guy.
• 36:43
  Speaker 5: Which is how he gets into the house too which
• 36:45
  Speaker 5: is which is probably why he got to the boyfriend
• 36:47
  Speaker 5: because the boyfriend's kind of like just what are you
• 36:49
  Speaker 5: doing here buddy yeah because.
• 36:51
  Speaker 12: He doesn't look threatening he looks kind of like uh
• 36:54
  Speaker 12: what's his name on the rockford files James Garner.
• 36:56
  Speaker 4: He kind of has this James Garner look about him.
• 36:59
  Speaker 13: He looks like a douchebag wearing a turtleneck.
• 37:01
  Speaker 5: Well, but the escape, for an escape mental patient, he's
• 37:05
  Speaker 5: dressed nicely too.
• 37:06
  Speaker 4: Yeah, he doesn't look like a complete psycho.
• 37:09
  Speaker 5: So that's how he worms his way into the house.
• 37:12
  Speaker 4: He doesn't explode when sunlight hits him.
• 37:14
  Speaker 13: I assume the worst from everybody.
• 37:16
  Speaker 5: Yeah. No, I wouldn't either. But I guess that's why.
• 37:20
  Speaker 5: But I just, that shot again, that's another one of
• 37:22
  Speaker 5: those that the camera work is amazing because I'm just
• 37:24
  Speaker 5: sitting there going, okay this is a fucking creepy shot
• 37:27
  Speaker 5: and you don't even know what it is when you
• 37:28
  Speaker 5: get into it and then by the end you're like
• 37:30
  Speaker 5: holy shit i guess this is the killer and we're
• 37:31
  Speaker 5: looking through his eyes and because.
• 37:33
  Speaker 12: You're the cat and i'm going god what kind of
• 37:35
  Speaker 12: fucking cat is this five foot cat no you hear
• 37:39
  Speaker 12: it you're like that.
• 37:41
  Speaker 5: And then it's moving on the cat i don't know
• 37:44
  Speaker 5: he's a vicious killer he'll step on cats step on
• 37:47
  Speaker 5: the kitty But, yeah, it also does what it's supposed
• 37:51
  Speaker 5: to do in the suggestiveness of it. We don't get
• 37:54
  Speaker 5: any nudity, but there's a hell of a lot of
• 37:56
  Speaker 5: suggestion with her top there.
• 37:58
  Speaker 4: Yeah, there is.
• 37:59
  Speaker 5: She spends about half the movie with her top open.
• 38:01
  Speaker 8: Checking on the kids?
• 38:02
  Speaker 5: Yeah, she doesn't care.
• 38:04
  Speaker 9: Yeah.
• 38:04
  Speaker 5: So, I mean, it definitely plays all the cards it
• 38:06
  Speaker 5: needed to and could get away with in 1971. It's...
• 38:10
  Speaker 5: violent when it can be i guess i mean that
• 38:12
  Speaker 5: towards the end again you go through most of it
• 38:15
  Speaker 5: with no violence but when you get to that last
• 38:16
  Speaker 5: scene and like they're fighting on top of this bloody
• 38:19
  Speaker 5: guy and then she's getting she's slashing his face and
• 38:22
  Speaker 5: that part there probably for the time was sort of
• 38:25
  Speaker 5: you know gratuitous violence and i'm sure somebody was up
• 38:27
  Speaker 5: in arms about that but probably Again, for the time.
• 38:30
  Speaker 5: I think, again, that shot's pretty fucking awesome. So everything
• 38:34
  Speaker 5: visually is amazing, but, yeah, story leaves a lot to
• 38:37
  Speaker 5: be desired.
• 38:37
  Speaker 3: Just a load of gossip. I don't believe a word.
• 38:39
  Speaker 5: No, it's true.
• 38:41
  Speaker 4: Mrs.
• 38:42
  Speaker 1: Lloyd's real husband's in a nut house.
• 38:44
  Speaker 8: He's a nutter.
• 38:45
  Speaker 3: Stop it.
• 38:47
  Speaker 7: That's right.
• 38:47
  Speaker 3: He tried to murder her.
• 38:49
  Speaker 1: That's why they put him away.
• 38:50
  Speaker 5: William, stop it! Hey.
• 38:54
  Speaker 1: Are you all right?
• 38:57
  Speaker 2: I'm sorry.
• 38:58
  Speaker 3: I didn't mean to frighten you.
• 39:03
  Speaker 8: Oh, Chris.
• 39:04
  Speaker 4: Oh, Chris, say you were lying.
• 39:05
  Speaker 13: You were making it all up, weren't you, to front me?
• 39:07
  Speaker 9: Chris, weren't you?
• 39:09
  Speaker 8: Yeah, all right.
• 39:12
  Speaker 9: And it was you at that window, wasn't it?
• 39:15
  Speaker 13: Wasn't it?
• 39:15
  Speaker 5: It's okay.
• 39:20
  Speaker 1: It's all right.
• 39:21
  Speaker 5: But if nothing else, get down, white people. You get
• 39:25
  Speaker 5: some awesome dancing.
• 39:28
  Speaker 4: You get some fucking.
• 39:30
  Speaker 12: organ playing, early 70s kind of jive dancing, fucking what
• 39:37
  Speaker 12: the fuck is going on here type music.
• 39:39
  Speaker 5: I believe, yeah, you stated the obvious. The only thing
• 39:41
  Speaker 5: worse than white people dancing is British white people.
• 39:43
  Speaker 4: The only thing worse than old people dancing was old
• 39:45
  Speaker 4: British people dancing.
• 39:47
  Speaker 5: They're British, they're white, they're old. It is scary.
• 39:50
  Speaker 4: It is on.
• 39:51
  Speaker 5: Lotta, lotta. Yeah, there's some snapping and arms are flailing
• 39:56
  Speaker 5: and legs are flopping. Thumbs and kicking. Yeah, it's one
• 40:00
  Speaker 5: step from thumbs and kicking.
• 40:01
  Speaker 4: I was like, wow, where's this nightclub?
• 40:04
  Speaker 5: Because I would rule.
• 40:06
  Speaker 4: That's right.
• 40:07
  Speaker 5: You would show those old ladies up. Hell yeah. And
• 40:10
  Speaker 5: they'd be like, drop them, Joe. Yeah.
• 40:14
  Speaker 4: I'd be like, the panty dropper's in town.
• 40:16
  Speaker 5: You'd be like, all right. She told me to shut up.
• 40:20
  Speaker 5: I guess I won't do it.
• 40:20
  Speaker 16: Oh, I'm sorry.
• 40:24
  Speaker 4: Oh, Lord.
• 40:25
  Speaker 5: So, yeah, I think that sort of sums it all up,
• 40:29
  Speaker 5: I'd say. It's visually impressive, I'd say. But, yeah, story issues,
• 40:33
  Speaker 5: character development issues, annoyance issues, pacing issues.
• 40:38
  Speaker 8: Yeah.
• 40:39
  Speaker 4: It's things they all try to clear up as time
• 40:42
  Speaker 4: goes on.
• 40:43
  Speaker 5: Not with this movie, but with other movies. Yeah, groundbreaking
• 40:46
  Speaker 5: for what it is. I think it is impressive. And
• 40:48
  Speaker 5: if you're a horror fan or a slasher fan, it's
• 40:51
  Speaker 5: almost worth going back to look at it just because
• 40:53
  Speaker 5: you can't really watch the things that came from it
• 40:56
  Speaker 5: without watching some of the older stuff. This is definitely
• 40:59
  Speaker 5: the kickoff for that type of movie. Again, I think
• 41:03
  Speaker 5: visuals are freaking impressive. That's about it for it. Alright,
• 41:09
  Speaker 5: I guess that will wrap up the old theater here.
• 41:11
  Speaker 5: We will take a break and be back with the
• 41:14
  Speaker 5: rest of the show.
• 41:14
  Speaker 6: Yeah, you know what it's like now, huh?
• 41:17
  Speaker 4: Always locked doors.
• 41:19
  Speaker 8: No handles.
• 41:20
  Speaker 1: No handles.
• 41:28
  Speaker 6: Don't know what it's like.
• 41:30
  Speaker 3: Frightened, huh?
• 41:31
  Speaker 9: I told you, lock doors.
• 41:33
  Speaker 8: I could always lock doors. Why do you send me
• 41:36
  Speaker 8: to lock doors? Lock doors!
• 41:38
  Speaker 16: You sent me there!
• 41:39
  Speaker 9: Let me go!
• 41:40
  Speaker 6: Shoot him now!
• 41:43
  Speaker 4: Shoot him now!
• 42:01
  Speaker 7: I don't think crazy for the darkness We all we
• 42:09
  Speaker 7: need tonight That's.
• 42:11
  Speaker 6: How a rocket rolls Let's fly it.
• 42:24
  Speaker 7: Popcorn freshly popped and buttered.
• 42:27
  Speaker 8: Look good?
• 42:28
  Speaker 7: Sure, it looks good and it tastes even better.
• 42:31
  Speaker 4: Get some now.
• 42:34
  Speaker 7: Jill Johnson is babysitting the children of a young doctor
• 42:37
  Speaker 7: and his wife. They've told her where they'll be when
• 42:41
  Speaker 7: they'll be home. Everything she has to know. Except what
• 42:46
  Speaker 7: to do when a stranger calls.
• 42:50
  Speaker 9: Hello?
• 42:51
  Speaker 17: Why hasn't.
• 42:55
  Speaker 6: Who is this?
• 42:55
  Speaker 8: What do you want?
• 42:59
  Speaker 5: Your blood.
• 43:00
  Speaker 7: When a stranger calls... Leave me alone!
• 43:05
  Speaker 4: Jill, this is Sergeant Sacker. We've traced the call. It's
• 43:08
  Speaker 4: coming from inside the house. You should get out of
• 43:11
  Speaker 4: that house.
• 43:12
  Speaker 7: When a stranger calls... Every babysitter's nightmare becomes real. From
• 43:19
  Speaker 7: Columbia Pictures.
• 43:21
  Speaker 4: Rated R.
• 43:21
  Speaker 7: Under 17. Not admitted without parent.
• 43:24
  Speaker 11: Yo, are you looking for a podcast that breaks movies
• 43:28
  Speaker 11: down like you couldn't believe? I mean, takes them apart
• 43:31
  Speaker 11: piece by piece and analyzes every little thing, getting you
• 43:36
  Speaker 11: the most out of every movie that you ever could. Well,
• 43:39
  Speaker 11: look no further than The Gentleman's Guide to Midnight Cinema
• 43:43
  Speaker 11: with Samurai and Big Willie. These fuckers know how to
• 43:47
  Speaker 11: review movies, or my name ain't the head.
• 43:52
  Speaker 5: You can find the gentleman at ggtmc.com.
• 43:55
  Speaker 8: I love the smell of napalm in the morning.
• 43:57
  Speaker 4: What's part of your problem?
• 44:00
  Speaker 5: You know, you haven't seen enough movies.
• 44:03
  Speaker 4: All of life's riddles are answered in the movies. And now,
• 44:08
  Speaker 4: on with the show. Thank you. You want to know
• 44:35
  Speaker 4: the pattern that has gripped your life Your heart starts pounding.
• 44:42
  Speaker 6: While you're breathing real bright A face chopped white that.
• 44:47
  Speaker 4: Stuns the sight.
• 45:01
  Speaker 5: Alright, we are back and we've got feedback.
• 45:13
  Speaker 8: Yay, feedback.
• 45:14
  Speaker 4: Somebody called?
• 45:15
  Speaker 5: Um... Well, there were these two weirdos in the early
• 45:19
  Speaker 5: last week that called.
• 45:20
  Speaker 4: I don't want to hear that one.
• 45:22
  Speaker 5: I won't make you live through it, but actually it's
• 45:23
  Speaker 5: pretty damn funny. Either way, we try to encourage everyone
• 45:26
  Speaker 5: to call in after the fact. So, hey, this is
• 45:29
  Speaker 5: what other people who weren't at that episode think.
• 45:32
  Speaker 7: Of the movie.
• 45:34
  Speaker 14: Wow, that was pretty geeky right there. Hey, this is Misty.
• 45:38
  Speaker 5: This is Jay.
• 45:39
  Speaker 14: And we called to talk about.
• 45:43
  Speaker 14: Dreamscape, because goddammit, I stayed up until 3 o'clock in
• 45:45
  Speaker 14: the morning watching this movie, so we're going to talk
• 45:48
  Speaker 14: about it. I don't have much to say about it, though.
• 45:51
  Speaker 18: It didn't fuck.
• 45:52
  Speaker 15: No, it's pretty good. Dennis Quaid was a little creepy
• 45:56
  Speaker 15: looking in it. It's smirky creepiness.
• 45:58
  Speaker 14: Yeah, I didn't like that so much. And the other
• 46:00
  Speaker 14: guys out that I was not digging, the whole white
• 46:03
  Speaker 14: collar with the blue shirt and the tie and the jacket,
• 46:06
  Speaker 14: I wanted to punch him in the face.
• 46:07
  Speaker 9: That's good.
• 46:08
  Speaker 14: Long guy.
• 46:09
  Speaker 15: The T-Bird guy?
• 46:10
  Speaker 14: No, not the T-Bird guy. The other bad guy.
• 46:13
  Speaker 15: Oh, the bad guy?
• 46:14
  Speaker 7: Not a bad guy. Oh, the other bad guy.
• 46:16
  Speaker 16: Yeah.
• 46:16
  Speaker 18: Not T-Bird.
• 46:17
  Speaker 8: Yeah, yeah.
• 46:17
  Speaker 15: The other psychic in there was T-Bird. Misty picked that
• 46:20
  Speaker 15: out from the crow.
• 46:23
  Speaker 1: And the.
• 46:24
  Speaker 15: I'm sure they've already talked about it.
• 46:25
  Speaker 1: Yeah, yeah.
• 46:26
  Speaker 15: I'm sure you already talked about it. The annoying little kid.
• 46:28
  Speaker 15: The one with the nightmares is Tina Yeathers. I guess
• 46:33
  Speaker 15: that's her little brother?
• 46:34
  Speaker 14: I would assume so.
• 46:34
  Speaker 4: Yeah.
• 46:36
  Speaker 12: So.
• 46:36
  Speaker 14: And it had Hank from Twin Peaks.
• 46:38
  Speaker 18: Everybody loves Hank.
• 46:38
  Speaker 15: Yeah, everybody loves Hank.
• 46:39
  Speaker 14: He's a jackass, and he's an abusive bastard. But other
• 46:41
  Speaker 14: than that, everybody, I guess, doesn't hate him.
• 46:44
  Speaker 18: Yeah, I don't know.
• 46:45
  Speaker 5: It's a good movie.
• 46:47
  Speaker 4: I thought it was a good movie.
• 46:48
  Speaker 15: It was good for... I'm sure there have been a
• 46:49
  Speaker 15: lot of other movies to copy off of it and
• 46:51
  Speaker 15: clone it, you know, but it's a pretty original movie.
• 46:55
  Speaker 15: You know, it's far from the same.
• 46:59
  Speaker 4: I don't know.
• 46:59
  Speaker 14: And then came Inception, which is a complete ripoff.
• 47:02
  Speaker 8: Yeah, yeah.
• 47:05
  Speaker 14: Alright, I don't think I have anything else. Yeah.
• 47:07
  Speaker 18: We talked about it.
• 47:08
  Speaker 11: Good movie.
• 47:09
  Speaker 14: We played the, hey, what's that person from game, the
• 47:12
  Speaker 14: whole movie.
• 47:12
  Speaker 15: Yeah, pretty much. And I knew he was totally going
• 47:16
  Speaker 15: to do it with that chick in her dream.
• 47:18
  Speaker 14: You totally did.
• 47:19
  Speaker 15: I totally knew it.
• 47:20
  Speaker 14: Alright, I think that's all we have. We called.
• 47:24
  Speaker 1: We called.
• 47:25
  Speaker 14: So, neener neener, and we'll talk to you later.
• 47:28
  Speaker 5: Alright, bye. Bye.
• 47:29
  Speaker 11: Alright.
• 47:31
  Speaker 5: Other than that, we also heard from, uh, Naked Eskimo
• 47:33
  Speaker 5: and Barb. And, um, let me just go ahead and say, guys, uh,
• 47:37
  Speaker 5: I pretty much called it. I decided to warn them
• 47:39
  Speaker 5: ahead of time that having been said, we will get
• 47:43
  Speaker 5: on with the message here.
• 47:44
  Speaker 18: Well, hi, Movie Meltdown. It's Naked Eskimo. Uh, consider this
• 47:50
  Speaker 18: my official bid to get the room on the roster
• 47:55
  Speaker 18: for Movie Meltdown. Uh, Yeah, I absolutely have to hear
• 48:01
  Speaker 18: Misty go off on this movie. I must. After the
• 48:07
  Speaker 18: glory that was Fright Fest, I need more. I need
• 48:12
  Speaker 18: it badly. Barb has something she wishes to add as well. Oh, hi,
• 48:17
  Speaker 18: Movie Meltdown.
• 48:18
  Speaker 14: Oh, hi, Misty.
• 48:20
  Speaker 18: You should really watch The Room. If you like Southland cells,
• 48:25
  Speaker 18: you will love The Room. And you liked Sorority Row,
• 48:33
  Speaker 18: and that was awesome. Not the crappy remake. Okay, bye.
• 48:38
  Speaker 8: Yeah, after watching this trailer for the movie, I'm not
• 48:41
  Speaker 8: sure I can be your friend anymore.
• 48:44
  Speaker 13: You're tearing me apart, Lisa.
• 48:47
  Speaker 8: God, there were some unfortunately ugly people in that movie.
• 48:50
  Speaker 4: What movie?
• 48:51
  Speaker 8: The Room. No, I mean, they're a special kind of hideous.
• 48:55
  Speaker 8: Like the dude, oh my fucking God, he fell off
• 48:58
  Speaker 8: the ugly tree and hit every branch on the way down.
• 49:01
  Speaker 8: He got beat with the ugly stick. And, yeah, horrible things.
• 49:06
  Speaker 4: I don't remember the trailer.
• 49:08
  Speaker 8: I didn't make you watch it.
• 49:09
  Speaker 12: No, I turned around and looked at it for a
• 49:10
  Speaker 12: couple minutes and then went back to whatever I was doing.
• 49:15
  Speaker 8: Yeah, it looked absolutely horrible. I think that if you
• 49:17
  Speaker 8: all decide to do it, I should not be here
• 49:18
  Speaker 8: that weekend.
• 49:20
  Speaker 5: Yeah, hopefully the ugly stick comment will suffice because, yeah,
• 49:24
  Speaker 5: I kind of knew. I could just, what I know
• 49:27
  Speaker 5: of the room, I could tell it was not going
• 49:29
  Speaker 5: to be up Misty's Alley, and I also know her
• 49:31
  Speaker 5: well enough to know you're not going to sucker her
• 49:33
  Speaker 5: into doing it.
• 49:33
  Speaker 8: And I don't like movies with ugly people.
• 49:37
  Speaker 5: Fuck. Please find more pretty people movies.
• 49:40
  Speaker 8: Exactly.
• 49:40
  Speaker 5: And then she will make one of them too.
• 49:42
  Speaker 13: With no British people because British people aren't hot.
• 49:45
  Speaker 8: Fuck. Unless they're in S Club 7.
• 49:47
  Speaker 13: Some British people are. Very few.
• 49:50
  Speaker 4: What about Jason Statham?
• 49:52
  Speaker 13: Is he British, though?
• 49:53
  Speaker 12: Yeah.
• 49:53
  Speaker 13: Is he actually from Canada?
• 49:54
  Speaker 4: I think he is.
• 49:55
  Speaker 9: She's just going to pretend like he's not. Pretend he's
• 49:58
  Speaker 9: from New Jersey.
• 49:59
  Speaker 8: Yeah, usually everybody's from New Jersey. Jersey's not much better.
• 50:02
  Speaker 5: This is the same game she plays with Canadians. If
• 50:06
  Speaker 5: she really likes them, she pretends like they're not from Canada.
• 50:09
  Speaker 1: I know.
• 50:09
  Speaker 9: It's easy to pretend a Canadian's not from Canada.
• 50:12
  Speaker 4: Oh, good lord.
• 50:14
  Speaker 5: What? You've met her before. You know how this operates.
• 50:17
  Speaker 8: There are certain things in Canada that I absolutely love
• 50:20
  Speaker 8: and adore. I mean, Corey Haim, Mark Singer, fucking Big
• 50:22
  Speaker 8: Wolf on campus. Shatner. Yeah, Shatner.
• 50:26
  Speaker 13: But still... What's wrong with Canada?
• 50:28
  Speaker 9: I like Canada.
• 50:29
  Speaker 8: They don't have proper weapons and stuff. They don't have
• 50:33
  Speaker 8: a good army.
• 50:34
  Speaker 5: If we've learned anything from today's episode, yes, it's that
• 50:36
  Speaker 5: they don't have enough guns. I'm sure all Canadians feel
• 50:39
  Speaker 5: the same way.
• 50:40
  Speaker 4: Probably. No, I don't think they do.
• 50:43
  Speaker 13: They don't have racism in Canada.
• 50:45
  Speaker 4: Who cares?
• 50:47
  Speaker 9: I had a roommate who went to Canada and married
• 50:51
  Speaker 9: a girl after he knew her for like three days.
• 50:53
  Speaker 9: And she came back and she's awesome. They've been married
• 50:55
  Speaker 9: for two years now and they're like ridiculously happy. But
• 50:58
  Speaker 9: she was like, I've never, we were talking about racism
• 51:01
  Speaker 9: in Kentucky and stuff like that. She's like, I've never
• 51:04
  Speaker 9: met anyone who's racist before.
• 51:05
  Speaker 13: They've got racism in Canada.
• 51:08
  Speaker 5: They're like, where are you from, Canada? We don't have.
• 51:11
  Speaker 4: Racism in an all white neighborhood.
• 51:13
  Speaker 8: We've got Mounties in Canada. That's what I don't like.
• 51:15
  Speaker 8: I don't like Mounties. When I think Mounties, I think.
• 51:18
  Speaker 8: Brendan Fraser.
• 51:19
  Speaker 5: Sadly, I was like, you're going with that bad Dudley
• 51:22
  Speaker 5: Do-Right movie, aren't you?
• 51:23
  Speaker 4: That's what I think of the old Dudley Do-Right cartoon.
• 51:25
  Speaker 5: The cartoon was one thing. The movie, I like the cartoon.
• 51:28
  Speaker 8: I think of Brendan Fraser, and he's on the list
• 51:30
  Speaker 8: of the five people that I fucking hate.
• 51:32
  Speaker 5: Yeah, can't we kick him out of the country and
• 51:34
  Speaker 5: send him to Britain? Why is he American? I don't
• 51:37
  Speaker 5: want to claim that motherfucker.
• 51:39
  Speaker 8: I want to trade him in for some people. I
• 51:41
  Speaker 8: want to make him Canadian and claim Mark Singer as American.
• 51:46
  Speaker 7: Oh, wow.
• 51:47
  Speaker 5: You are ambassador to the world.
• 51:48
  Speaker 9: I see you're Mark Singer. I'll raise you, Brendan Fraser.
• 51:56
  Speaker 5: Oh, Lord. Ah. So yeah, Misty is difficult to deal with.
• 52:02
  Speaker 5: So I don't know what to tell you guys.
• 52:03
  Speaker 8: Hey, I'm not saying you all can't watch it.
• 52:04
  Speaker 13: Have fun.
• 52:05
  Speaker 8: Knock yourself out.
• 52:06
  Speaker 5: But nobody cares about us. It's all about you. Which
• 52:08
  Speaker 5: even to finish what he was getting to there when
• 52:12
  Speaker 5: he started that message, he sent after last week's, well,
• 52:16
  Speaker 5: the week before last, the last time you were on
• 52:18
  Speaker 5: here with the attacking people at the film festival, Who did.
• 52:22
  Speaker 13: You attack at the film fest?
• 52:23
  Speaker 5: Everybody that walked by.
• 52:25
  Speaker 8: Not physically anybody.
• 52:26
  Speaker 4: No, but.
• 52:27
  Speaker 5: But you threatened a few. But, no.
• 52:29
  Speaker 13: It was mostly that guy across the aisle from us.
• 52:32
  Speaker 5: We all kind of made fun of him. He was
• 52:33
  Speaker 5: asking for it.
• 52:34
  Speaker 8: I fucking hated that guy. He sold me... What he
• 52:37
  Speaker 8: said was the complete series of Big Wolf, but it
• 52:38
  Speaker 8: was not the complete series of Big Wolf on campus.
• 52:40
  Speaker 8: It was 36 episodes out of the 63 episodes I
• 52:44
  Speaker 8: was pissed off.
• 52:44
  Speaker 5: That's near half of a complete series, not a complete series.
• 52:48
  Speaker 5: So I agree.
• 52:49
  Speaker 2: Fuck that guy.
• 52:49
  Speaker 5: He didn't get stupid hair.
• 52:51
  Speaker 9: So.
• 52:51
  Speaker 13: What about the guy that you thought was pretty and
• 52:52
  Speaker 13: you stalked? Oh, he was pretty.
• 52:55
  Speaker 5: But I'm pretty sure he was gay. Anyway.
• 52:57
  Speaker 8: So, is that making me less pretty?
• 52:58
  Speaker 5: I'm not saying there's anything wrong. I'm just saying.
• 53:00
  Speaker 13: He probably likes the ice cream truck song.
• 53:02
  Speaker 5: He probably does, but he probably would prefer Jay as well.
• 53:07
  Speaker 5: I think he was eyeballing you that one.
• 53:09
  Speaker 4: Anyway.
• 53:09
  Speaker 8: You do have a fantastic ass.
• 53:13
  Speaker 5: Don't tell that guy. He'll be all over it. He'll
• 53:16
  Speaker 5: be humping it like it's Marlena.
• 53:17
  Speaker 9: So.
• 53:19
  Speaker 8: often jesus christ people so you started.
• 53:22
  Speaker 9: I mean only if i'm like dancing and i'm like
• 53:25
  Speaker 9: black snake moan and then people think it's okay and then.
• 53:29
  Speaker 8: That's the international signal for humping.
• 53:31
  Speaker 9: I don't know why i say that i do you've
• 53:36
  Speaker 9: seen it i think i'm pretty sure you've all seen
• 53:38
  Speaker 9: it at some point when i'm like i.
• 53:39
  Speaker 5: Think i was ignoring yeah i try to look the
• 53:41
  Speaker 5: other way during dancing.
• 53:43
  Speaker 9: Drinking and getting rowdy and dancing i'm like.
• 53:50
  Speaker 13: Alright, back to me.
• 53:52
  Speaker 5: Anyway, he said he didn't use.
• 53:54
  Speaker 8: I'll just use my sock.
• 53:57
  Speaker 9: What?
• 53:57
  Speaker 4: Oh, God. I don't know. You weren't there for that, Moilena.
• 54:03
  Speaker 5: Which one are you talking about?
• 54:04
  Speaker 4: The crazy sock lady.
• 54:07
  Speaker 5: I'll just use my sock.
• 54:09
  Speaker 4: I'll just use my sock.
• 54:12
  Speaker 5: I love that story.
• 54:14
  Speaker 13: Are you fucking kidding me?
• 54:17
  Speaker 5: These are the people you were hanging out with at
• 54:19
  Speaker 5: the I believe they were still there on Sunday.
• 54:23
  Speaker 9: Who was I hanging out with?
• 54:24
  Speaker 5: The people at the fest. Yeah, you guys at home
• 54:27
  Speaker 5: didn't hear Marlena. She was there shortly on Sunday, but
• 54:31
  Speaker 5: I just made her take pictures most of the day
• 54:32
  Speaker 5: while I was attacking Marcy Darcy. Like, I'm going to
• 54:36
  Speaker 5: go stand by her.
• 54:37
  Speaker 3: You take pictures.
• 54:38
  Speaker 8: All right, back to me being awesome.
• 54:40
  Speaker 4: Back to you.
• 54:41
  Speaker 5: Again, it's all about Misty. So the point being is
• 54:44
  Speaker 5: that whole episode, basically, he didn't even finish. He was
• 54:47
  Speaker 5: midway in, and he already sent us a message here
• 54:50
  Speaker 5: on the Twitter that says, I want a podcast of
• 54:52
  Speaker 5: Misty making fun of people for an hour. Make it happen.
• 54:58
  Speaker 4: Dude, all you gotta do is just strap our recorder
• 55:00
  Speaker 4: to her hip as we go out to the mall.
• 55:02
  Speaker 5: Yeah, I was like, we'll basically put a microphone in
• 55:04
  Speaker 5: front of Misty for an hour and that's what you get.
• 55:07
  Speaker 4: It pretty much is. Dude, we're going to the fair.
• 55:10
  Speaker 10: Holy shit.
• 55:13
  Speaker 5: A fair episode. A state fair episode.
• 55:16
  Speaker 9: That would be a four hour episode.
• 55:19
  Speaker 7: Wow.
• 55:20
  Speaker 8: You're still bringing the recorder, right?
• 55:23
  Speaker 5: I don't know if you guys can handle that.
• 55:25
  Speaker 8: That would give you all enough ammo so that I
• 55:27
  Speaker 8: could miss another week.
• 55:29
  Speaker 4: The amount of ranting that would come out of her. Jeez.
• 55:34
  Speaker 4: I gotta keep you out of fights.
• 55:35
  Speaker 8: Lord.
• 55:37
  Speaker 13: One thing with a recorder is that you don't get
• 55:38
  Speaker 13: me pointing at people.
• 55:40
  Speaker 5: Yeah, we also need video footage of you just pointing
• 55:43
  Speaker 5: and laughing.
• 55:43
  Speaker 9: Yeah.
• 55:44
  Speaker 4: Rolling on the floor laughing. You've gotten better since I've
• 55:47
  Speaker 4: known you.
• 55:47
  Speaker 8: Remember that time we were at Jim Porter's and that
• 55:49
  Speaker 8: couple was dancing and she fell right in front of me?
• 55:51
  Speaker 8: And I pointed and laughed.
• 55:54
  Speaker 12: Yes.
• 55:55
  Speaker 18: Loudly.
• 55:56
  Speaker 5: Yeah.
• 55:56
  Speaker 4: Yeah.
• 55:56
  Speaker 13: I can't do it.
• 55:58
  Speaker 8: And she looked at me. That made me laugh harder.
• 56:02
  Speaker 9: God, you're the world's worst human being.
• 56:07
  Speaker 4: Wow.
• 56:08
  Speaker 8: What did you say?
• 56:11
  Speaker 13: I'm just joking.
• 56:12
  Speaker 9: I said, God, you're the world's worst human being.
• 56:14
  Speaker 12: I know, man.
• 56:14
  Speaker 5: He looked at me.
• 56:15
  Speaker 16: He said, huh?
• 56:16
  Speaker 8: She's like, what are you doing?
• 56:18
  Speaker 9: So cute.
• 56:18
  Speaker 6: God.
• 56:18
  Speaker 5: Oh, God. So. I'm going to throw up.
• 56:20
  Speaker 13: I'm going to throw up.
• 56:31
  Speaker 5: So as vicious as she is, once again, as I've
• 56:34
  Speaker 5: previously stated, it's all on her own terms. So to
• 56:37
  Speaker 5: sum it up, Misty, would you like me to give
• 56:39
  Speaker 5: them the quote that you put on your page today?
• 56:42
  Speaker 5: Because I think it kind of says it all, actually.
• 56:44
  Speaker 8: Okay, sure.
• 56:46
  Speaker 5: It says, I'm selfish, impatient, and a little insecure. I
• 56:49
  Speaker 5: make mistakes, I'm out of control, and at times hard
• 56:52
  Speaker 5: to handle. But if you can't handle me at my worst,
• 56:54
  Speaker 5: then you sure as hell don't deserve me at my best.
• 56:57
  Speaker 5: That was Marilyn Monroe.
• 56:58
  Speaker 8: That was fucking awesome.
• 56:59
  Speaker 5: But I think it's pretty accurate for our own Misty.
• 57:03
  Speaker 4: It is.
• 57:03
  Speaker 5: Basically, if you love Misty, you love her for the
• 57:06
  Speaker 5: way that she is. And the way that she is
• 57:08
  Speaker 5: is the way that she wants to do things. So
• 57:10
  Speaker 5: you can't really make her do anything, I hate to
• 57:11
  Speaker 5: tell you.
• 57:12
  Speaker 6: No, you can't.
• 57:12
  Speaker 5: And that's why.
• 57:13
  Speaker 4: You love her. You can't make her do a damn thing.
• 57:15
  Speaker 5: It's a vicious circle.
• 57:17
  Speaker 4: She's going to do what she wants to do, damn it.
• 57:18
  Speaker 8: Fucking A.
• 57:19
  Speaker 13: If I want to yell at the guy on TV,
• 57:21
  Speaker 13: I'm going to yell at him.
• 57:22
  Speaker 4: You can yell at him on TV from now on.
• 57:23
  Speaker 5: You just do that, honey. It's okay. You do that.
• 57:26
  Speaker 5: You yell at that guy.
• 57:27
  Speaker 4: Just letting you know.
• 57:28
  Speaker 5: If you start some shit at a convention, I might.
• 57:34
  Speaker 4: Not always step in.
• 57:36
  Speaker 13: You would leave me all to myself?
• 57:38
  Speaker 4: I wouldn't leave you all to yourself. But if there's
• 57:40
  Speaker 4: 20 people, I'm going to have to grab you and run.
• 57:42
  Speaker 8: Well, as long as you grab me and run.
• 57:44
  Speaker 4: I can't take on 20 people.
• 57:45
  Speaker 9: Shit.
• 57:46
  Speaker 13: Maybe 10.
• 57:47
  Speaker 4: Maybe 10.
• 57:49
  Speaker 8: Good lord. This is as long as it's not that
• 57:52
  Speaker 8: lady with the sock.
• 57:54
  Speaker 5: All she'd have to do is touch you.
• 57:55
  Speaker 9: Did you see this lady or were you in the
• 57:56
  Speaker 9: bathroom and you overheard it?
• 57:58
  Speaker 8: I had to give her toilet paper so she didn't
• 58:01
  Speaker 8: use her sock.
• 58:02
  Speaker 9: See, you're not all bad.
• 58:03
  Speaker 8: I just didn't want to have to walk on the
• 58:06
  Speaker 8: same floor as P-Sock.
• 58:07
  Speaker 4: Or Poop Sock.
• 58:09
  Speaker 5: And once again, yeah, we're assuming it was P-Sock. I'm
• 58:12
  Speaker 5: not making that assumption myself. I know these people too well.
• 58:15
  Speaker 8: I'm also making the assumption that she hasn't already used
• 58:17
  Speaker 8: her socks.
• 58:17
  Speaker 5: Yeah, this is probably the first time today.
• 58:19
  Speaker 13: Oh, I would be so screwed.
• 58:22
  Speaker 9: I don't usually wear socks.
• 58:25
  Speaker 5: Use your hand. My flip-flop. Well, yeah, I don't want
• 58:28
  Speaker 5: to wear that no more.
• 58:31
  Speaker 8: Oh, God.
• 58:32
  Speaker 5: So yeah, on that note, keep the feedback coming. I
• 58:36
  Speaker 5: can't guarantee you that Misty will appease your pleas, but
• 58:40
  Speaker 5: feel free to make them anyway. The rest of us
• 58:43
  Speaker 5: might be up for something, but... With that one in particular,
• 58:45
  Speaker 5: I don't know. I've heard so much about it myself.
• 58:48
  Speaker 5: I feel like it's almost overdone.
• 58:49
  Speaker 13: Are we back on The Room again?
• 58:50
  Speaker 8: Are we making fun of people?
• 58:52
  Speaker 7: Well, no.
• 58:52
  Speaker 5: We'll always make fun of people. That's not going anywhere.
• 58:55
  Speaker 5: But as far as The Room, you said we can
• 58:57
  Speaker 5: do it without you. But first of all, I think
• 58:59
  Speaker 5: they only want you. And second of all, I feel
• 59:01
  Speaker 5: like I've heard so much from every other show out there.
• 59:04
  Speaker 5: It's sort of redundant at this point.
• 59:05
  Speaker 8: I think if I reviewed the trailer, I'd fucking hate
• 59:09
  Speaker 8: this movie.
• 59:10
  Speaker 5: Well, there you go. That wraps it all up.
• 59:12
  Speaker 12: Yeah, that's kind of what I heard from behind me.
• 59:13
  Speaker 12: I was sitting there on the computer, and I heard,
• 59:16
  Speaker 12: what the fuck? What the fuck is this shit? These
• 59:19
  Speaker 12: fucking people are ugly.
• 59:19
  Speaker 4: I don't want to watch this goddamn show.
• 59:21
  Speaker 8: Fucking movie she suggested we make it a drinking game
• 59:24
  Speaker 8: but I don't drink so that it's like alright first
• 59:27
  Speaker 8: of all I have to watch this shitty ass movie
• 59:28
  Speaker 8: and second of all you'll be able to watch it
• 59:29
  Speaker 8: with a bunch of drunk.
• 59:30
  Speaker 5: Ass people yeah then you're surrounded by drunk people yeah
• 59:33
  Speaker 5: that's not gonna be good especially cause one of them
• 59:35
  Speaker 5: will probably be Roger yeah we.
• 59:37
  Speaker 8: Never know what he's gonna be on anyways.
• 59:39
  Speaker 5: Yeah really so yeah.
• 59:42
  Speaker 4: I don't know if I drink enough cough syrup I
• 59:43
  Speaker 4: could get pretty belligerent.
• 59:46
  Speaker 5: Cough syrup drinking game we'll all be drunk somebody will
• 59:49
  Speaker 5: be pumping Marlena laughing I vote for Joanie.
• 59:54
  Speaker 8: Me too.
• 59:54
  Speaker 4: I vote for Joanie.
• 59:57
  Speaker 5: My money is on Joanie.
• 59:59
  Speaker 8: She seems like a humper.
• 1:00:00
  Speaker 5: Truthfully, I don't even know if you'd have to get
• 1:00:02
  Speaker 5: her liquored up. She might just do it next week.
• 1:00:04
  Speaker 8: No, I'm just kidding.
• 1:00:06
  Speaker 13: Chicago next week.
• 1:00:07
  Speaker 5: I know, and there's a pretty good chance in the
• 1:00:09
  Speaker 5: hotel room she is going to be humping on Marlene.
• 1:00:11
  Speaker 13: Is she going to wear fairy wings while she humps?
• 1:00:13
  Speaker 4: I hope so.
• 1:00:13
  Speaker 8: Because that would be so cute.
• 1:00:15
  Speaker 5: Just around the room, not even at the convention.
• 1:00:17
  Speaker 4: Is she supposed to dress up for the convention?
• 1:00:18
  Speaker 5: I think she's just going to be fluttering around the
• 1:00:20
  Speaker 5: room all night.
• 1:00:20
  Speaker 13: Oh, good lord.
• 1:00:24
  Speaker 8: She's so cute.
• 1:00:27
  Speaker 5: Yeah, I don't know what to tell you on that one. Otherwise,
• 1:00:30
  Speaker 5: aside from the room, send in your suggestions or comments
• 1:00:35
  Speaker 5: again we liked the uh the comments on online i
• 1:00:38
  Speaker 5: don't know if we want to start including the twitter
• 1:00:40
  Speaker 5: comments because we're getting some good ones i don't know.
• 1:00:42
  Speaker 13: If they're really good they're good fuck.
• 1:00:44
  Speaker 5: Yeah okay do you want to hear the one from
• 1:00:46
  Speaker 5: the other day yeah sure uh i don't think he'd
• 1:00:49
  Speaker 5: care but i don't know if i'll give it it's
• 1:00:50
  Speaker 5: on our page anyway so uh the comment we got
• 1:00:53
  Speaker 5: yesterday was as a butt pirate gay homosexual i'll have
• 1:00:57
  Speaker 5: you guys know 80s dennis quaid was hot That was
• 1:01:01
  Speaker 5: our last Twitter comment.
• 1:01:02
  Speaker 8: He had a creepy face, dude. I'm sorry.
• 1:01:05
  Speaker 5: He was smirky.
• 1:01:06
  Speaker 13: It wasn't even a smirk.
• 1:01:07
  Speaker 8: It was like a Joker smile.
• 1:01:10
  Speaker 5: That's his smile, though.
• 1:01:11
  Speaker 8: It was the same smile from Flesh-Eating Mothers.
• 1:01:13
  Speaker 13: That's just creepy.
• 1:01:14
  Speaker 8: Flesh-Eating Mothers was fucking awesome. We should do that movie.
• 1:01:18
  Speaker 5: I'll give him he was in shape. They made use
• 1:01:20
  Speaker 5: of it. Every other scene when he... He was pretty
• 1:01:23
  Speaker 5: damn ripped, especially at a time when he probably had
• 1:01:27
  Speaker 5: to really work out. They didn't have fancy machines back then.
• 1:01:30
  Speaker 8: Oh, do you want to say your other comments about
• 1:01:31
  Speaker 8: Dreamscape now?
• 1:01:33
  Speaker 4: Oh, yeah.
• 1:01:34
  Speaker 12: We posted this on Facebook, but Misty and I both
• 1:01:37
  Speaker 12: made the.
• 1:01:38
  Speaker 4: I noticed it first. Yeah, she noticed it first.
• 1:01:40
  Speaker 5: The observation?
• 1:01:41
  Speaker 4: The observation that when he enters their dream... He does
• 1:01:46
  Speaker 4: it via their colon.
• 1:01:48
  Speaker 8: He goes up their poop tree.
• 1:01:49
  Speaker 4: Yes, that's kind of what it looks like. He's going
• 1:01:51
  Speaker 4: into the colon.
• 1:01:52
  Speaker 8: It's the way that you drink is through your butt.
• 1:01:56
  Speaker 5: Once again, this movie was cutting edge ahead of its
• 1:01:59
  Speaker 5: time because they didn't even have those scopes back then.
• 1:02:03
  Speaker 5: They were really looking into the future because they didn't
• 1:02:06
  Speaker 5: even know what that vision looked like.
• 1:02:07
  Speaker 4: The future is the colon?
• 1:02:08
  Speaker 5: Yeah, pretty much.
• 1:02:09
  Speaker 8: One in the family. Once again, I told you to
• 1:02:15
  Speaker 8: stay out of my dreams and out of my book.
• 1:02:20
  Speaker 5: That's a pretty good rule of thumb.
• 1:02:22
  Speaker 12: I totally knew he was going to do her in
• 1:02:23
  Speaker 12: her dreams.
• 1:02:25
  Speaker 4: I mean, come on. It's not like he really did it,
• 1:02:27
  Speaker 4: you know?
• 1:02:29
  Speaker 5: Dream rape.
• 1:02:30
  Speaker 4: Dream rape.
• 1:02:31
  Speaker 5: We called it last week.
• 1:02:32
  Speaker 8: Dream rape.
• 1:02:32
  Speaker 4: But she didn't say no.
• 1:02:34
  Speaker 8: You didn't tell her to shut up.
• 1:02:37
  Speaker 5: You shut up and do it.
• 1:02:37
  Speaker 4: You just go, shh.
• 1:02:39
  Speaker 5: You just ride this rail. Don't you worry about it.
• 1:02:42
  Speaker 4: Hmm.
• 1:02:42
  Speaker 12: How come that Inya music wasn't playing in the background
• 1:02:46
  Speaker 12: or something?
• 1:02:46
  Speaker 5: Yeah, you would have thought in her dream. She did
• 1:02:48
  Speaker 5: have a drilling dream. You'd think there would have been
• 1:02:50
  Speaker 5: some sort of crazy... Deep forest or some shit like that.
• 1:02:53
  Speaker 5: Tibetan monks?
• 1:02:54
  Speaker 4: Tibetan monks.
• 1:02:55
  Speaker 8: Something.
• 1:02:56
  Speaker 4: Something.
• 1:02:58
  Speaker 5: Wait, I don't... That's more scary. That's more of the
• 1:03:02
  Speaker 5: kid's nightmare.
• 1:03:03
  Speaker 13: Those are the kind of dreams that I have.
• 1:03:04
  Speaker 4: Yeah. Okay, maybe it's more Inya than.
• 1:03:07
  Speaker 5: Don Knotts and Tibetan monks. Yep.
• 1:03:10
  Speaker 8: That kid was ugly in that movie.
• 1:03:12
  Speaker 4: Oh, God, yeah, I heard that, too.
• 1:03:14
  Speaker 5: Leave bumpers on. She's a poor little bumper.
• 1:03:18
  Speaker 4: What was that kid from again?
• 1:03:21
  Speaker 5: He was Tina Yeather's brother.
• 1:03:23
  Speaker 12: Yeah, okay, yeah, I figured that out, but then... Yeah,
• 1:03:26
  Speaker 12: that's what I heard through the movie was her going, God,
• 1:03:28
  Speaker 12: that kid's fucking ugly. Just let the thing get him.
• 1:03:31
  Speaker 12: Just let him kill him.
• 1:03:32
  Speaker 8: Jeez.
• 1:03:33
  Speaker 4: Who wants to fucking help that kid out?
• 1:03:35
  Speaker 5: Why does that not surprise me?
• 1:03:37
  Speaker 8: When I got back in the movie we just watched today,
• 1:03:39
  Speaker 8: I was like, yeah, use the kid as a shield.
• 1:03:41
  Speaker 8: He's fucking ugly anyways.
• 1:03:42
  Speaker 13: And he's British. And he's British.
• 1:03:43
  Speaker 4: And she's like, just throw him at the killer.
• 1:03:45
  Speaker 5: Yeah, that was like five minutes in. And I was like, ah,
• 1:03:49
  Speaker 5: babysitting tips from Misty.
• 1:03:50
  Speaker 8: I don't babysit.
• 1:03:51
  Speaker 13: Last time I babysat my cousin, I locked him in
• 1:03:53
  Speaker 13: a closet until he cried.
• 1:03:55
  Speaker 5: Once again, this is not a shocker.
• 1:03:56
  Speaker 8: Then I said I'm going to figure four leg lock
• 1:03:57
  Speaker 8: until he cried. Back in the day, I could do
• 1:03:59
  Speaker 8: a figure four leg lock because I watched me some wrestling.
• 1:04:02
  Speaker 5: Once again, keep this in mind at the conventions. When
• 1:04:04
  Speaker 5: you're on the floor, she's going to have your leg locked.
• 1:04:07
  Speaker 13: Just keep your children away.
• 1:04:08
  Speaker 4: That too.
• 1:04:09
  Speaker 8: I want people to do that anyways.
• 1:04:13
  Speaker 5: Keep that in mind.
• 1:04:14
  Speaker 13: Kids usually run in fear and scream when they see me.
• 1:04:17
  Speaker 9: And dogs.
• 1:04:18
  Speaker 8: It's just your dog because she's stupid.
• 1:04:20
  Speaker 13: My dog is really smart.
• 1:04:22
  Speaker 8: She knows to fear me seriously all i gotta do
• 1:04:25
  Speaker 8: is look at her dog and she like.
• 1:04:27
  Speaker 10: Cowers my dog loves everybody it was the coolest thing
• 1:04:31
  Speaker 10: i've never seen somebody do that when we first started
• 1:04:33
  Speaker 10: dating she just looked at that dog like and the
• 1:04:35
  Speaker 10: dog just was like holy shit i was like dude
• 1:04:37
  Speaker 10: that's so.
• 1:04:38
  Speaker 4: Fucking cool yeah i scare dogs just by looking at them.
• 1:04:41
  Speaker 5: I'll give you that one i i used to watch
• 1:04:43
  Speaker 5: it on a weekly basis she would come over and
• 1:04:45
  Speaker 5: i'd just be like and then dog would like go
• 1:04:49
  Speaker 5: cringe and hide in the corner give her.
• 1:04:50
  Speaker 8: The eyes give her that fucking look that's the same
• 1:04:53
  Speaker 8: look my mom gave me as a child that's how
• 1:04:55
  Speaker 8: I know how to.
• 1:04:55
  Speaker 13: Do it I used to go sit and cower in a.
• 1:04:57
  Speaker 8: Corner I know how it works.
• 1:04:59
  Speaker 9: My dog loves everybody I mean yesterday like anybody anybody
• 1:05:03
  Speaker 9: walking down the street cause there are a bunch of
• 1:05:05
  Speaker 9: people outside and I'm trying to walk her they're like
• 1:05:07
  Speaker 9: oh my god a doggy and she's all like excited
• 1:05:10
  Speaker 9: it could be like someone anybody.
• 1:05:12
  Speaker 5: But me except for mister.
• 1:05:15
  Speaker 8: That's because of the way I look at her. It's
• 1:05:17
  Speaker 8: not like she doesn't like me because I'm, you know,
• 1:05:19
  Speaker 8: a jerk. Yeah, it's like because I don't like her.
• 1:05:21
  Speaker 12: Yeah, the dog's fine until she gives her this specific look,
• 1:05:25
  Speaker 12: and the dog's like, holy shit.
• 1:05:29
  Speaker 8: Oh, it is on.
• 1:05:30
  Speaker 5: That's my new power.
• 1:05:31
  Speaker 4: Is your dog brown or just shit itself?
• 1:05:34
  Speaker 9: I mean, I can give her that look and she'll, like,
• 1:05:36
  Speaker 9: lay down, but she doesn't, like, cower in fear. I
• 1:05:38
  Speaker 9: guess she knows me well enough to know I'm probably
• 1:05:40
  Speaker 9: not going to eat her soul. I, on the other hand....
• 1:05:45
  Speaker 8: Om nom doggy souls.
• 1:05:46
  Speaker 4: Holy shit.
• 1:05:49
  Speaker 14: Oh, God.
• 1:05:49
  Speaker 5: Oh, Lord.
• 1:05:54
  Speaker 8: I wouldn't want to eat your dog's cell in price.
• 1:05:59
  Speaker 8: Price feels like dog farts.
• 1:06:01
  Speaker 9: Farts are terrible.
• 1:06:03
  Speaker 4: Cheese and liver.
• 1:06:09
  Speaker 9: Well, I take her to my mom's house every day
• 1:06:11
  Speaker 9: and my mom fucking feeds her burritos.
• 1:06:14
  Speaker 13: I'm like, she has allergies.
• 1:06:17
  Speaker 9: Feed her her special food and don't feed her anything else.
• 1:06:19
  Speaker 13: But she gets so hungry.
• 1:06:23
  Speaker 4: Burritos. Hungry for burritos.
• 1:06:25
  Speaker 5: What is wrong with her?
• 1:06:26
  Speaker 4: I don't know.
• 1:06:27
  Speaker 5: She should know by now.
• 1:06:29
  Speaker 4: Any more feedback? Any more fun Twitters?
• 1:06:32
  Speaker 5: That's pretty much it. So, yeah. Feel free to keep
• 1:06:36
  Speaker 5: them coming in, because we do enjoy the feedback. We
• 1:06:39
  Speaker 5: can't guarantee you'll get what you want, but we do
• 1:06:42
  Speaker 5: like hearing from you.
• 1:06:44
  Speaker 3: Don't be shy. We'd like to hear from you.
• 1:06:52
  Speaker 2: So give us a call at 502-365-5565. Or you can
• 1:06:57
  Speaker 2: email us at geeksatmoviemeltdown.com. And just stop by the website
• 1:07:01
  Speaker 2: for our frequent updates. That's moviemeltdown.com.
• 1:07:06
  Speaker 8: Yeah, I'm not sure I could stomach The Room. It
• 1:07:14
  Speaker 8: made me angry just watching the minute-and-a-half trailer. Like I said, though,
• 1:07:16
  Speaker 8: I looked it up. There was two different trailers for
• 1:07:18
  Speaker 8: movies called The Room. The other had a short, but
• 1:07:20
  Speaker 8: special kind of kid in it. Which made the reference
• 1:07:23
  Speaker 8: to sex scenes even more creepy to me, but I
• 1:07:25
  Speaker 8: don't know. I don't want some special helmet and Velcro
• 1:07:29
  Speaker 8: shoe need and love, and I get that enough from you.
• 1:07:34
  Speaker 4: Wow. I don't have a helmet.
• 1:07:37
  Speaker 13: Yes, you do.
• 1:07:38
  Speaker 5: You have like 50 helmets.
• 1:07:39
  Speaker 8: You do.
• 1:07:40
  Speaker 4: Oh, yeah, I do. Global collection.
• 1:07:42
  Speaker 12: I don't have Velcro shoes in there.
• 1:07:46
  Speaker 4: How do you like that?
• 1:07:47
  Speaker 9: I do.
• 1:07:48
  Speaker 8: Me too.
• 1:07:52
  Speaker 9: Misty brings the Velcro shoes, Jay brings the helmet, and
• 1:07:54
  Speaker 9: it's a party.
• 1:07:56
  Speaker 8: Oh, yeah.
• 1:07:56
  Speaker 5: It is a party.
• 1:07:58
  Speaker 13: All right.
• 1:07:59
  Speaker 5: It's time. Is it? Sharktopus countdown!
• 1:08:09
  Speaker 7: I've got a picture called Sharktopus, which comes out September
• 1:08:14
  Speaker 7: 25th on the Sci-Fi Channel.
• 1:08:21
  Speaker 5: God, I feel like I'm going to be sick. All right, good.
• 1:08:24
  Speaker 5: Then read this. Give them the countdown numbers.
• 1:08:28
  Speaker 8: I actually have to read. Is it 41 days, 3 hours,
• 1:08:31
  Speaker 8: 52 minutes, and 20 seconds?
• 1:08:33
  Speaker 5: Oh, yeah. Until the premiere of Sharktopus.
• 1:08:37
  Speaker 4: Yeah, but by the time this airs, it's going to
• 1:08:41
  Speaker 4: be really.
• 1:08:41
  Speaker 5: I don't care. Well, see, luckily, it doesn't matter because
• 1:08:45
  Speaker 5: I added a Sharktopus countdown clock onto our website.
• 1:08:48
  Speaker 4: Holy fucking shit, man. It's like all high-tech and shit.
• 1:08:51
  Speaker 5: Oh, no, it's crappy, but I did it. I pieced
• 1:08:55
  Speaker 5: it together, but it's got a nice little tropical picture there,
• 1:08:58
  Speaker 5: and in my mind, Sharktopus is going to pop up
• 1:09:00
  Speaker 5: out of the water at any given moment. So, yeah,
• 1:09:02
  Speaker 5: go to the website. It's on the homepage there. There's
• 1:09:05
  Speaker 5: a running clock until the premiere of Sharktopus. It's going
• 1:09:09
  Speaker 5: to be awesome.
• 1:09:10
  Speaker 13: I'm going to draw Sharktopus tonight.
• 1:09:12
  Speaker 9: Let's get matching Sharktopus tattoos.
• 1:09:14
  Speaker 5: I was already thinking about one, actually. Yeah, it's going
• 1:09:17
  Speaker 5: to be awesome.
• 1:09:19
  Speaker 9: Do it.
• 1:09:19
  Speaker 4: You can have the whole thing.
• 1:09:20
  Speaker 8: Really? Okay, kids, get out here to go to Ben's.
• 1:09:26
  Speaker 4: It is time for.
• 1:09:27
  Speaker 5: Movie Meltdown's Secret Circle reveal of the next feature after next.
• 1:09:31
  Speaker 5: One and some extra stuff features. Once again, we've always
• 1:09:37
  Speaker 5: got stuff going on just to mix it up and
• 1:09:39
  Speaker 5: bring you some interesting, interesting stuff.
• 1:09:42
  Speaker 8: If you want to call it interesting.
• 1:09:44
  Speaker 5: Oh, I'd say next week's going to be interesting. Next week,
• 1:09:47
  Speaker 5: we are on the road. Road trip to Chicago.
• 1:09:51
  Speaker 4: Going to the Windy City.
• 1:09:52
  Speaker 8: Yeah.
• 1:09:54
  Speaker 4: I am driving the short bus to.
• 1:09:55
  Speaker 5: The Windy City. We are on the short bus.
• 1:09:58
  Speaker 8: We are on the short bus.
• 1:09:59
  Speaker 5: The meltdown short bus, if you will.
• 1:10:01
  Speaker 8: Taking my granny's van.
• 1:10:02
  Speaker 9: Yes.
• 1:10:03
  Speaker 4: Yep.
• 1:10:04
  Speaker 5: So this should be interesting, just locked in a van
• 1:10:06
  Speaker 5: with the rest of these peoples. Mostly Roger.
• 1:10:09
  Speaker 8: If he actually shows up.
• 1:10:10
  Speaker 4: It'll be okay.
• 1:10:11
  Speaker 2: We'll see.
• 1:10:12
  Speaker 8: He'll probably be asleep.
• 1:10:13
  Speaker 12: Yeah, he'll sleep most of the time or play Nintendo.
• 1:10:16
  Speaker 12: You guys can sit back in the back and watch
• 1:10:18
  Speaker 12: a movie.
• 1:10:18
  Speaker 13: I should go buy a DS for this road trip.
• 1:10:21
  Speaker 4: You're going to buy a DS just for the day
• 1:10:22
  Speaker 4: of the road trip?
• 1:10:23
  Speaker 8: Yes.
• 1:10:23
  Speaker 5: She's a big spender.
• 1:10:25
  Speaker 9: I have so much money at my disposal. You do?
• 1:10:28
  Speaker 4: I just don't pay my bills.
• 1:10:30
  Speaker 8: Yeah.
• 1:10:31
  Speaker 5: So yes, next week we will be going to Wizard
• 1:10:33
  Speaker 5: World slash Chicago Comic Con.
• 1:10:35
  Speaker 4: Hell yeah.
• 1:10:36
  Speaker 13: Stalking Shatner.
• 1:10:37
  Speaker 5: Stalking Shatner. Bo Duke. Gonna be tracking down some Adam West.
• 1:10:41
  Speaker 5: Gonna get me some crazy Batman skills. He's gonna teach
• 1:10:45
  Speaker 5: that and I can take over his past. I will
• 1:10:47
  Speaker 5: be the next.
• 1:10:48
  Speaker 8: But Bo Duke's going to be there. And good Lord,
• 1:10:50
  Speaker 8: he is still hot.
• 1:10:51
  Speaker 5: He's pretty awesome.
• 1:10:52
  Speaker 8: Tom Wopat did not age well.
• 1:10:55
  Speaker 13: But still, Luke Duke aged well than Catherine Bach did.
• 1:10:58
  Speaker 8: Oh, yeah.
• 1:10:59
  Speaker 5: She looks... Actually, everybody else. Other than Uncle Jesse.
• 1:11:02
  Speaker 4: Boy, he looked good.
• 1:11:03
  Speaker 12: And those stories about the Catherine Bach photos, I'm pretty
• 1:11:06
  Speaker 12: convinced that my mom got rid of those.
• 1:11:09
  Speaker 4: What was that? My dad apparently got photos of Catherine
• 1:11:12
  Speaker 4: Bach up close. When she was here for Carl Casper.
• 1:11:16
  Speaker 4: She was coming out of the dressing room.
• 1:11:18
  Speaker 5: She was coming out?
• 1:11:20
  Speaker 12: My dad just happened to snap photos maybe from me
• 1:11:23
  Speaker 12: to you really close as she was walking up to
• 1:11:25
  Speaker 12: the stage. He was so obsessed with Catherine Bach that
• 1:11:30
  Speaker 12: I think my mom kind of got pissed off about it,
• 1:11:33
  Speaker 12: and his photos mysteriously disappeared at the photo mat.
• 1:11:36
  Speaker 4: They never got them back.
• 1:11:37
  Speaker 12: Nice.
• 1:11:37
  Speaker 8: Somebody stole them.
• 1:11:39
  Speaker 4: Yeah, somebody stole them. I think what happened was my
• 1:11:41
  Speaker 4: mom went and picked.
• 1:11:41
  Speaker 5: Them up and then took them out.
• 1:11:43
  Speaker 13: That's a little on the crazy side.
• 1:11:45
  Speaker 5: Kind of.
• 1:11:46
  Speaker 8: How dare you?
• 1:11:47
  Speaker 5: You would never.
• 1:11:48
  Speaker 13: You don't fuck with Thai chicks, dude.
• 1:11:49
  Speaker 4: You don't fuck with my mom, either. No, my mom's crazy.
• 1:11:52
  Speaker 8: Your mom's awesome.
• 1:11:53
  Speaker 4: I love your mom.
• 1:11:54
  Speaker 5: She's awesome.
• 1:11:54
  Speaker 8: She made egg rolls yesterday, dude.
• 1:11:56
  Speaker 5: No wonder you love her.
• 1:11:57
  Speaker 13: I love your mom, too.
• 1:11:59
  Speaker 9: I fucking love your mom, too.
• 1:12:00
  Speaker 13: I don't get to see her enough and eat delicious
• 1:12:02
  Speaker 13: egg rolls. I didn't even have to see her. He
• 1:12:04
  Speaker 13: brought them home to me. Oh, I'm jealous.
• 1:12:08
  Speaker 5: So, Chicago.
• 1:12:08
  Speaker 12: You know what sucks is that we don't have a
• 1:12:11
  Speaker 12: table at the Comic Con, so we can sit there
• 1:12:13
  Speaker 12: and make fun of people walking by.
• 1:12:14
  Speaker 5: No, because they'll be stuck there. They won't be able
• 1:12:17
  Speaker 5: to walk around.
• 1:12:18
  Speaker 4: We can walk around and shit.
• 1:12:19
  Speaker 5: We're free to annoy people and make fun of them.
• 1:12:22
  Speaker 4: I guess we'll talk about that.
• 1:12:23
  Speaker 8: Take pictures of their costumes.
• 1:12:24
  Speaker 4: Yeah, we'll talk about it.
• 1:12:25
  Speaker 5: That's the thing. I've got the portable one this year,
• 1:12:28
  Speaker 5: so we'll be able to actually stand there on the
• 1:12:30
  Speaker 5: floor and make fun of people.
• 1:12:31
  Speaker 8: Which I will do.
• 1:12:33
  Speaker 5: Which Misty will do.
• 1:12:34
  Speaker 13: Because my adoring fans love it so.
• 1:12:36
  Speaker 5: Oh, don't they?
• 1:12:38
  Speaker 8: I made my head big.
• 1:12:39
  Speaker 14: Yep.
• 1:12:39
  Speaker 5: So, I don't know.
• 1:12:40
  Speaker 4: Pure fucking gold.
• 1:12:42
  Speaker 5: I've got... That's.
• 1:12:43
  Speaker 8: A butt of Hollywood.
• 1:12:45
  Speaker 4: Kind of Misty's butt.
• 1:12:47
  Speaker 8: My golden butt.
• 1:12:49
  Speaker 4: She spins a web of golden... Hatred.
• 1:12:52
  Speaker 5: Hatred.
• 1:12:53
  Speaker 4: Right out of her ass.
• 1:12:55
  Speaker 5: I really wanted to upload that comment to.
• 1:12:57
  Speaker 13: Facebook, and then my phone died on me.
• 1:12:59
  Speaker 8: Fucker.
• 1:13:00
  Speaker 13: Oh yeah, Chicago is going to be awesome.
• 1:13:02
  Speaker 4: Okay, you're going to visit the alley... Yep. Going to
• 1:13:05
  Speaker 4: go visit Hollywood Mirror.
• 1:13:07
  Speaker 9: Can we go to Jason's home and garden? Nobody cares
• 1:13:10
  Speaker 9: but me, but I care so much.
• 1:13:12
  Speaker 8: Where is that at? Oh, I don't know.
• 1:13:15
  Speaker 5: Chicago.
• 1:13:16
  Speaker 13: Chicago.
• 1:13:16
  Speaker 9: It's not far from the alley in Hollywood Mirror.
• 1:13:19
  Speaker 13: Can we eat at Combo's place? What is it?
• 1:13:22
  Speaker 9: It's a burger place that has hamburgers named after metal bands.
• 1:13:26
  Speaker 5: I think they're pretty cool.
• 1:13:28
  Speaker 9: The hour is, the wait is like hour song.
• 1:13:30
  Speaker 4: Oh, jeez.
• 1:13:32
  Speaker 5: I don't know about that.
• 1:13:33
  Speaker 4: Yeah.
• 1:13:33
  Speaker 5: We're very impatient. Yeah.
• 1:13:35
  Speaker 4: We about had a fit last time. We had to
• 1:13:36
  Speaker 4: stay outside for ice cream.
• 1:13:38
  Speaker 8: For two hours, though.
• 1:13:39
  Speaker 4: Yeah, the guy goes, it'll be 30 minutes.
• 1:13:41
  Speaker 8: And I was like, no, you fucking lied to me.
• 1:13:44
  Speaker 4: Yeah, she did. Once again. You said 30 minutes 20
• 1:13:47
  Speaker 4: minutes ago.
• 1:13:48
  Speaker 5: Misty at her finest. So, yeah, once again, we've got
• 1:13:53
  Speaker 5: a more mobile.
• 1:13:53
  Speaker 8: No, because that would make sense if we said 20 minutes,
• 1:13:56
  Speaker 8: 30 minutes, 20 minutes ago. That would still mean I.
• 1:13:57
  Speaker 4: Have 10 minutes. Whatever.
• 1:13:59
  Speaker 12: You still told the guy you lied to me, which
• 1:14:01
  Speaker 12: the guy didn't have much of a comeback for that.
• 1:14:02
  Speaker 4: He just kind of stuttered and kind.
• 1:14:04
  Speaker 5: Of quickly turned around and ran away. He cowered in
• 1:14:07
  Speaker 5: the corner like a dog.
• 1:14:09
  Speaker 13: But he came back relatively soon.
• 1:14:11
  Speaker 4: He did. That he did.
• 1:14:12
  Speaker 9: All right.
• 1:14:14
  Speaker 5: So, yeah, we've got a more mobile recording unit. So
• 1:14:16
  Speaker 5: we're hopefully going to get a few key sessions out
• 1:14:20
  Speaker 5: in the world there. And at some of these ridiculous
• 1:14:22
  Speaker 5: things we're going to do, we can stop and make
• 1:14:23
  Speaker 5: fun of people, probably. So we'll try to give you
• 1:14:26
  Speaker 5: a complete... The.
• 1:14:28
  Speaker 8: Gay parade's not going to be going on this year,
• 1:14:29
  Speaker 8: is it?
• 1:14:30
  Speaker 5: Oh, God, I hope not. That did cause a traffic. Yeah,
• 1:14:33
  Speaker 5: I don't really care, but it totally jacked up the traffic.
• 1:14:36
  Speaker 5: And we're like, guys, really?
• 1:14:37
  Speaker 8: There's no parking. Do it somewhere else where I'm not at.
• 1:14:41
  Speaker 8: We found a place last year.
• 1:14:42
  Speaker 9: Here it is.
• 1:14:43
  Speaker 8: Gay parade there was no place to.
• 1:14:45
  Speaker 5: Park there's there's a lot of gay people in chicago
• 1:14:47
  Speaker 5: that's cool but on another street where i'm not at
• 1:14:51
  Speaker 5: right now because you i don't care who it is
• 1:14:53
  Speaker 5: you can be the mexican parade there's a whole lot
• 1:14:55
  Speaker 5: of mexicans in chicago too and i can't park there
• 1:14:58
  Speaker 5: either so stop just stop.
• 1:15:00
  Speaker 9: Brian doesn't like gays or mexicans apparently i'm just kidding brian.
• 1:15:05
  Speaker 5: Is He has a gay message. And I hate white people.
• 1:15:11
  Speaker 8: Olé! Hola!
• 1:15:11
  Speaker 13: Como estas?
• 1:15:12
  Speaker 8: Olé!
• 1:15:13
  Speaker 4: Olé!
• 1:15:14
  Speaker 8: Oh, God.
• 1:15:17
  Speaker 4: Oh, God.
• 1:15:19
  Speaker 5: So, yep, that will be next week. Whether or not
• 1:15:22
  Speaker 5: there are gay Mexicans, you'll have to turn in and
• 1:15:24
  Speaker 5: find out. In the following.
• 1:15:27
  Speaker 8: Put the ice cream trucks on. Yes!
• 1:15:30
  Speaker 5: Yay!
• 1:15:31
  Speaker 9: And their blonde highlights in their hair.
• 1:15:33
  Speaker 8: I love that!
• 1:15:34
  Speaker 5: All right. And the following week, we'll be back here,
• 1:15:37
  Speaker 5: I'm assuming, if we all survive Chicago. We will be
• 1:15:39
  Speaker 5: back here.
• 1:15:40
  Speaker 8: I'm going to leave Roger.
• 1:15:41
  Speaker 5: We might ditch Roger somewhere along the way.
• 1:15:43
  Speaker 8: I'll bring Joni back, though. We like her.
• 1:15:44
  Speaker 5: Well, yeah, Joni will come back. So, yeah, we will
• 1:15:46
  Speaker 5: be back in the studio the following week for the
• 1:15:49
  Speaker 5: super special Night of the Creeps episode. I actually have
• 1:15:54
  Speaker 5: an interview to go along with it with Mr. Tom Atkins,
• 1:15:57
  Speaker 5: which was awesome, by the way.
• 1:15:58
  Speaker 8: I like him.
• 1:15:59
  Speaker 4: Didn't he say he wanted to show up?
• 1:16:01
  Speaker 8: Didn't he say he wanted to shoot Keanu Reeves a
• 1:16:03
  Speaker 8: whole bunch?
• 1:16:03
  Speaker 13: Oh, it's not Keanu Reeves, Nicolas Cage.
• 1:16:05
  Speaker 5: I believe he did say he enjoyed shooting Nicolas Cage.
• 1:16:08
  Speaker 5: So you've got to like him for no other reason
• 1:16:10
  Speaker 5: than that alone. Yep, so we will have our interview
• 1:16:13
  Speaker 5: with Tom Adkins, and I just realized today that most
• 1:16:17
  Speaker 5: of the crew has not seen Night of the Creeps,
• 1:16:19
  Speaker 5: which is kind of awesome. So we will get a
• 1:16:21
  Speaker 5: fresh perspective on Night.
• 1:16:23
  Speaker 4: Of the Creeps. I think that's one of those that
• 1:16:24
  Speaker 4: flew under my radar.
• 1:16:26
  Speaker 5: Mine did for a long time. I just ended up
• 1:16:28
  Speaker 5: seeing it in the last year or so. So yeah,
• 1:16:30
  Speaker 5: it'll be good to see what everybody thinks of it.
• 1:16:33
  Speaker 5: All right, anything else to round out this episode?
• 1:16:36
  Speaker 9: If The Drive-Ins has good movies anytime soon, if we
• 1:16:39
  Speaker 9: can all swing it on Saturdays, I think we should
• 1:16:41
  Speaker 9: go do that.
• 1:16:42
  Speaker 8: Cooter's going to be there in September. Fuck yeah.
• 1:16:45
  Speaker 5: Holy shit.
• 1:16:45
  Speaker 8: Cooter.
• 1:16:47
  Speaker 13: Cooter.
• 1:16:47
  Speaker 9: Why?
• 1:16:48
  Speaker 5: Why?
• 1:16:49
  Speaker 8: Cooter's going to be there signing autographs.
• 1:16:51
  Speaker 5: We might be able to get him to sit in
• 1:16:52
  Speaker 5: on the show.
• 1:16:53
  Speaker 4: Actually, we probably might.
• 1:16:55
  Speaker 5: Cooter, would you like to tell us what you thought
• 1:16:57
  Speaker 5: of Night of the Kreeks?
• 1:16:58
  Speaker 8: He's going to be wearing a sleeveless shirt, isn't he?
• 1:17:02
  Speaker 5: Wait, that's not him at all.
• 1:17:03
  Speaker 4: No, that's Roscoe.
• 1:17:04
  Speaker 5: That's Roscoe. Go crying. All right. I guess that rounds
• 1:17:09
  Speaker 5: it out here. Otherwise, that about does it. We will
• 1:17:12
  Speaker 5: return next week. Same geek time, same geek feed. Thanks
• 1:17:15
  Speaker 5: for listening.
• 1:17:16
  Speaker 8: Bye.
• 1:17:17
  Speaker 5: Bye.
• 1:19:14
  Speaker 17: The faceless corpse of a gentleman Dumped out of.
• 1:19:18
  Speaker 5: Sight by the devil's hands A bleeding soul.
• 1:19:24
  Speaker 17: Sent on its way The family's lost and.
• 1:19:28
  Speaker 5: No one's gay A.
• 1:19:30
  Speaker 17: Long lost sheep, refused and alone For silent walls, for
• 1:19:35
  Speaker 17: the silent soul Dreaming within.
• 1:19:39
  Speaker 5: Where the question lies The anchors of silence.
• 1:20:22
  Speaker 8: Don't.
• 1:20:24
  Speaker 3: Shut up. Don't.
• 1:20:31
  Speaker 17: I said shut up.
• 1:20:34
  Speaker 3: Shoot him now.
• 1:20:34
  Speaker 5: Shoot him now.
• 1:20:35
  Speaker 2: This show is a production of Movie Meltdown, produced and
• 1:20:37
  Speaker 2: edited by Brian Renfro, featuring contact music performed by Tamara Deering.
• 1:20:41
  Speaker 2: To help support the show, email producer at moviemeltdown.com for
• 1:20:45
  Speaker 2: ways that you can contribute or advertise with us.