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163: You Got Served REWATCH | Top 10 Saddest Movie Deaths · The Bald Brothers Podcast

• 0:00
  Speaker 1: Alright, what up y'all. Welcome to the Ball Brothers.
• 0:02
  Speaker 2: I'm Kevin Stage Tony Baker.
• 0:03
  Speaker 3: There's a brand new thing we're doing here on the
• 0:06
  Speaker 3: Bald Brothers where we are queuing up old movies and
• 0:11
  Speaker 3: you are more than welcome to drop something you want
• 0:13
  Speaker 3: us to watch in the comments. But for the first
• 0:16
  Speaker 3: twenty four it'll be stuff me and Tony wanted to
• 0:20
  Speaker 3: talk about. And today we are talking You Got Served?
• 0:29
  Speaker 3: All right, tone? Before we begin, we are allowing Tony
• 0:34
  Speaker 3: to do his box office nerd stuff. Domestic global? Was
• 0:39
  Speaker 3: this a surprise letdown? Smash Awards? Give us the skinny
• 0:43
  Speaker 3: on You Got Served?
• 0:44
  Speaker 1: Tone?
• 0:44
  Speaker 4: So, you guys Served came out in two thousand and four.
• 0:48
  Speaker 4: It made forty million dollars domestically, ten million internationally for
• 0:53
  Speaker 4: fifty point eight million dollars gross at the box office.
• 0:57
  Speaker 4: The budget was only eight million dollars, so this movie
• 1:00
  Speaker 4: was a financial success. You always multiply the budget times
• 1:05
  Speaker 4: two point five you get twenty million. Anything beyond that
• 1:08
  Speaker 4: it's cake. So this movie was profitable. You Got Served
• 1:11
  Speaker 4: was a profitable movie.
• 1:12
  Speaker 2: It had.
• 1:13
  Speaker 4: It had a big opening weekend of sixteen million, and
• 1:17
  Speaker 4: it didn't have legs like that. But if you was
• 1:19
  Speaker 4: just for inflation, we look at it, seventy seven million,
• 1:22
  Speaker 4: so nice. Yeah, so you got served to this thing
• 1:24
  Speaker 4: at the box.
• 1:25
  Speaker 1: I felt like it was more of a I didn't
• 1:28
  Speaker 1: see this in theaters. But on the meat did you
• 1:34
  Speaker 1: cut to pull up.
• 1:35
  Speaker 2: For black stuff?
• 1:36
  Speaker 3: Man?
• 1:37
  Speaker 4: I was like, Man, I saw the theater. I said,
• 1:41
  Speaker 4: right up in that theater.
• 1:46
  Speaker 2: Now, the opening dance sequence was dope.
• 1:49
  Speaker 1: Tone, you gotta give it to them, breathe, breath.
• 1:54
  Speaker 2: There was the song choice and the choreography was dope. Man.
• 1:58
  Speaker 2: That's how you open the dance.
• 2:00
  Speaker 3: Absolutely, which brings up my first question before we dive
• 2:02
  Speaker 3: all the way in, where does you got served ranked
• 2:05
  Speaker 3: in the all time dance movies?
• 2:09
  Speaker 2: For you? Dance movies?
• 2:12
  Speaker 3: Man?
• 2:13
  Speaker 2: You know, I've never seen a major dance movie Hit Footnotes.
• 2:17
  Speaker 2: I've never seen it. Really, I've never seen the original
• 2:19
  Speaker 2: or the remake.
• 2:20
  Speaker 1: I feel like I cued it up on one time
• 2:22
  Speaker 1: I was on TV.
• 2:22
  Speaker 2: But I've never remember dancing. Wow, I never seen dirty dance.
• 2:27
  Speaker 3: You can't even speak on this then I might not
• 2:29
  Speaker 3: be able to don't speak on it, man, usually dancing, Man,
• 2:33
  Speaker 3: I'm out.
• 2:33
  Speaker 1: Watch, Y'll watch y'all Dirty dancing. I saw dirty Dancing
• 2:38
  Speaker 1: when Win came out. But let me tell you what.
• 2:41
  Speaker 3: Since we've been doing this, I realized if I seen
• 2:44
  Speaker 3: a movie and I ain't rewatch it, it's like your
• 2:48
  Speaker 3: mind forgets everything but the big things.
• 2:52
  Speaker 1: Like as we rewatch these movies, I'm like, man, I
• 2:54
  Speaker 1: don't remember none of this stuff.
• 2:56
  Speaker 3: But this you got service. Not like that, because I
• 2:57
  Speaker 3: watched this movie a lot of times. You got sir
• 3:01
  Speaker 3: is a guilty pleasure man. So Sonny, they're.
• 3:06
  Speaker 1: Still in our moves?
• 3:09
  Speaker 2: What's so heart broken?
• 3:11
  Speaker 1: He took our moves?
• 3:12
  Speaker 3: Sonny took their moves? Man, do you know what that
• 3:15
  Speaker 3: means in the dance world. With Sonny was Sonny Romeo
• 3:19
  Speaker 3: from Yeah he was Romeo.
• 3:22
  Speaker 2: Here's here's pissed off.
• 3:26
  Speaker 1: Let's let's stop what pissed Tony off about? You got?
• 3:30
  Speaker 2: First of all, they said, Sonny up to let you
• 3:33
  Speaker 2: know that he was Afario.
• 3:34
  Speaker 4: They when the little boy little saint was coming around,
• 3:38
  Speaker 4: he was hating. They did they did like a weird
• 3:41
  Speaker 4: edit job when they cut back.
• 3:43
  Speaker 1: To he was just like.
• 3:52
  Speaker 2: For sure.
• 3:53
  Speaker 3: They said that of smooth, big tough, like y'all pay
• 3:57
  Speaker 3: attention to.
• 3:58
  Speaker 1: This man, slow push man.
• 4:01
  Speaker 2: He gonna do something. He's gonna do something. Look how
• 4:04
  Speaker 2: he's looking.
• 4:04
  Speaker 1: Yeah, for sure.
• 4:06
  Speaker 4: And then oh he did a big surprise. He stole
• 4:09
  Speaker 4: the dance movie and he said, you see it in
• 4:11
  Speaker 4: his face. Then Marcus Houston, he like, all right, man,
• 4:16
  Speaker 4: we do these little drug drop offs together. Like without
• 4:19
  Speaker 4: my partner, we both of y'all was soft. O Marion
• 4:26
  Speaker 4: being there with him for the drug exchange wouldn't have
• 4:29
  Speaker 4: made no goddamn difference.
• 4:32
  Speaker 2: I could see if O Marion was like muscle muscle. No,
• 4:36
  Speaker 2: see if he was like.
• 4:37
  Speaker 4: He had he had, they was gonna get both of
• 4:41
  Speaker 4: y'all whether he answered the phone or not, y'all was
• 4:45
  Speaker 4: gonna get got that.
• 4:46
  Speaker 1: I told I wrote that down in my notes. I said, no, no,
• 4:49
  Speaker 1: Marion wasn't gonna be no hell. It was over there.
• 4:53
  Speaker 1: They stopped.
• 4:54
  Speaker 4: Houston didn't even fight back. They flipped his little empty
• 4:58
  Speaker 4: bag up and with the workers that bag looking empty,
• 5:01
  Speaker 4: his head, whatever that product was, I was like, what
• 5:04
  Speaker 4: they the envelope?
• 5:05
  Speaker 1: He had three pieces of note but paper in the bag.
• 5:09
  Speaker 1: He tossed him up.
• 5:10
  Speaker 3: When they tossed the bag like that, it was like
• 5:13
  Speaker 3: it was like Bobby Schmirder's hat.
• 5:17
  Speaker 2: He beat the ship out of him.
• 5:19
  Speaker 1: Oh heaven was by the way.
• 5:21
  Speaker 4: Yeah, they're playing the knives doing shout the Niles. They
• 5:23
  Speaker 4: playing the Nile song. You're getting started theirs up, y'all tomorrow,
• 5:27
  Speaker 4: not having the time. It's like like you ain't get Yeah,
• 5:30
  Speaker 4: he ain't we at the day at the daddy, you
• 5:33
  Speaker 4: answer that phone?
• 5:34
  Speaker 2: Don't you answer that phone?
• 5:36
  Speaker 1: Yeah, they began, you really turned my phone off?
• 5:38
  Speaker 2: He out they getting stomped out the bag up.
• 5:42
  Speaker 1: That was about the way.
• 5:44
  Speaker 2: We ain't crew, We ain't nothing, man. You let me
• 5:47
  Speaker 2: get stumped out.
• 5:48
  Speaker 5: He was with you, was with my sister or nigga
• 5:50
  Speaker 5: god man, shut up and for me, like you know
• 5:57
  Speaker 5: we we just were talking.
• 5:58
  Speaker 2: You're not gonna be telling me turned my phone off. No,
• 6:03
  Speaker 2: that's gonna drive my coochie. Yeah. I can already see
• 6:06
  Speaker 2: you about to be a problem.
• 6:07
  Speaker 4: Laid on down the line. Man, you're trying to run me.
• 6:10
  Speaker 4: You're trying to But you young tone.
• 6:13
  Speaker 1: He was like eighteen.
• 6:15
  Speaker 3: This is forty eight year old forty nine year old
• 6:17
  Speaker 3: toe at this point for sure, but young.
• 6:19
  Speaker 2: Young, and she was cute.
• 6:20
  Speaker 4: I been like her, but I would have went to
• 6:24
  Speaker 4: the bathroom like what's up, yo?
• 6:27
  Speaker 1: We got it, but they ain't. Never got stumped out.
• 6:30
  Speaker 2: He had no idea, you know, he was getting stumped out.
• 6:32
  Speaker 1: Stumped out is crazy.
• 6:34
  Speaker 2: He got stumped out.
• 6:35
  Speaker 1: They stepped on his dancing knee.
• 6:37
  Speaker 4: But I refuse to believe that the only reason they
• 6:40
  Speaker 4: never got stumped out is because.
• 6:42
  Speaker 3: Oh man, it's two of them. Oh yeah, it's like,
• 6:44
  Speaker 3: we can't get it. There's eight of us, so it's
• 6:47
  Speaker 3: got to be eight to one.
• 6:48
  Speaker 1: Race IoT. But once we have two, we got sixteen.
• 6:53
  Speaker 2: It's two of them.
• 6:54
  Speaker 1: And also he walked in the hallway.
• 6:55
  Speaker 3: It was pitch black in there. You should have known
• 6:58
  Speaker 3: something was up his street. His awareness was on zero.
• 7:01
  Speaker 2: He was looking.
• 7:02
  Speaker 4: Man, I can see why they got got Man, the dancers, socking.
• 7:08
  Speaker 1: Mouth dancers should not be drug dealers.
• 7:13
  Speaker 3: Those two things are very far on the spectrum of
• 7:17
  Speaker 3: like personality. If you would dance, you an artist, you like,
• 7:20
  Speaker 3: I'm done with the dance. Cue up the drug drop bro.
• 7:25
  Speaker 2: And dancers can fight for sure. That type of body
• 7:28
  Speaker 2: control and movement. Man, they got some hands, but he
• 7:30
  Speaker 2: ain't even try to administer that.
• 7:32
  Speaker 1: He didn't throw one punch. It's like he slipped on
• 7:34
  Speaker 1: a banana pill.
• 7:36
  Speaker 3: Bad went up commenced to beat down, and then he
• 7:39
  Speaker 3: was like, oh, Marion, this is It would have.
• 7:43
  Speaker 2: Been more believable if they just took it at gunpoint,
• 7:45
  Speaker 2: because that's what stoney.
• 7:54
  Speaker 4: You kick his legs, so you gotta rehabilitate the legs
• 7:57
  Speaker 4: for his dance moves.
• 7:59
  Speaker 1: It's not supposed to be funny. But when his knee
• 8:01
  Speaker 1: kept getting hurt during the tren he was like, he
• 8:06
  Speaker 1: was trying to dance.
• 8:09
  Speaker 4: In the rain, little montage, Lee, Am I gonna make
• 8:17
  Speaker 4: it a time y'all before the end of the movie.
• 8:19
  Speaker 2: Am I gonna be able to? Am I gonna be
• 8:22
  Speaker 2: able to make the dance final? Oh?
• 8:25
  Speaker 1: My god?
• 8:27
  Speaker 3: I was crying laughing. Gold Mouth was running the drug.
• 8:32
  Speaker 2: Gold Mouth was running might gonna get my corn breade?
• 8:35
  Speaker 1: That's what he went to jail in life for.
• 8:37
  Speaker 3: He was running drugs for dancing kids dancing also as
• 8:41
  Speaker 3: a drug dealer. Man, drug muling children should not be
• 8:45
  Speaker 3: that big of a part of your business, right because.
• 8:48
  Speaker 1: You're like, oh my, how dare you get me? He's seventeen.
• 8:50
  Speaker 3: Man, you got no security. Every drug dealer knows you're
• 8:56
  Speaker 3: moving drugs or money. You gotta you gotta send some
• 8:59
  Speaker 3: muscle with him. You have a loan dancer or two
• 9:02
  Speaker 3: dancers who just running drugs. You shouldn't be selling drugs.
• 9:05
  Speaker 1: No drugs. They like, hey, what you want to do? Hey,
• 9:10
  Speaker 1: breed it in, breed out.
• 9:13
  Speaker 2: No, man, we ain't doing that ship.
• 9:15
  Speaker 1: What kind of drugs are you running?
• 9:16
  Speaker 3: Man?
• 9:18
  Speaker 1: It's like gold mouth lock in twin. Too much of
• 9:22
  Speaker 1: your business relies on dance feeds his business bible.
• 9:26
  Speaker 3: My favorite say is what he was like, you don't
• 9:28
  Speaker 3: give him my money, you never walk let alone dance again.
• 9:32
  Speaker 2: He was like, ah ma, knee, how'd you know? And
• 9:39
  Speaker 2: the whole just this is the whole. I'm not talking
• 9:41
  Speaker 2: to you again. There we not nothing. Well, I wouldn't
• 9:45
  Speaker 2: fuck it that.
• 9:46
  Speaker 1: You better that day, my sister.
• 9:49
  Speaker 3: Mario cap socking Marcus Houston out. Man, he's sucking out
• 9:54
  Speaker 3: in the dinner. Every he got punching the mouth and
• 9:59
  Speaker 3: his knee hurt.
• 10:00
  Speaker 2: He was like.
• 10:02
  Speaker 3: A man.
• 10:13
  Speaker 2: That movie was cheesy. Man. Then when they lost to
• 10:15
  Speaker 2: the Spiky Head White Crew, you suckers got served like,
• 10:19
  Speaker 2: come on, man, cut it off.
• 10:22
  Speaker 3: Steve harry Man, y'all got your tail whopped. That's what happens, man.
• 10:27
  Speaker 3: Sometimes you got the tail whopped you gotta come back
• 10:29
  Speaker 3: here and do it again.
• 10:32
  Speaker 1: This is mister Rodd's neighborhood.
• 10:33
  Speaker 2: Yah, I'm not gonna have no Shenanig is here?
• 10:38
  Speaker 3: Did she? I love at the end when little Kim
• 10:43
  Speaker 3: is there gorgeous by the way, Yeah, shout out to
• 10:47
  Speaker 3: the poster.
• 10:48
  Speaker 1: Uh, little Kim. When they was like, well, we can't
• 10:50
  Speaker 1: get in because the rules, she was like, no rules.
• 10:53
  Speaker 1: You know, I like it.
• 10:54
  Speaker 3: How I never had a conversation with little Kim. How
• 10:58
  Speaker 3: they want to know how you like it? You know
• 11:00
  Speaker 3: I like it just street. I have no idea how
• 11:04
  Speaker 3: you like.
• 11:05
  Speaker 1: One.
• 11:06
  Speaker 3: If little kids like absolutely rules, you know, I'm a
• 11:10
  Speaker 3: big fan of rules. Actually, so everything they said in
• 11:13
  Speaker 3: the dance by laws, we're gonna we're gonna stick with
• 11:15
  Speaker 3: the bye laws.
• 11:16
  Speaker 4: Take heed to the bylaws, and we're just gonna do
• 11:19
  Speaker 4: it by the book.
• 11:21
  Speaker 2: Movies over, guys. She walks back to hud Man.
• 11:27
  Speaker 3: No straight hood and also now there's no rules. Oscar,
• 11:37
  Speaker 3: who eve been talking about since the first second? Who
• 11:39
  Speaker 3: is my brother Oscar? He used to be my cousin.
• 11:41
  Speaker 3: He used to be working, but now he mysterically appeared
• 11:45
  Speaker 3: for our breakdancing segment. He just happened to be at
• 11:48
  Speaker 3: the dance. We're supposed to we're.
• 11:49
  Speaker 2: Supposed to be excited as all the old man. They
• 11:52
  Speaker 2: got him, y'all never.
• 11:54
  Speaker 1: Seen him before.
• 11:55
  Speaker 2: They need him, Like, come on, who is this kid?
• 11:59
  Speaker 2: The one had to kill? Went a little boy, just.
• 12:02
  Speaker 1: Little say let's kill this little kid.
• 12:05
  Speaker 4: And they kept bringing him around so all this get attacked. Man,
• 12:08
  Speaker 4: it's like my little brother though.
• 12:10
  Speaker 3: Yeah, they went to the hospital. Uh Duran violated all
• 12:16
  Speaker 3: kind of hippo laws.
• 12:17
  Speaker 1: Hippo laws. Don't die because you die, your hippos still
• 12:21
  Speaker 1: go if you die. There was like, are you family,
• 12:23
  Speaker 1: like we just like his family.
• 12:25
  Speaker 3: No, you're not hipp a violation, hipp of hippa Get
• 12:29
  Speaker 3: the hell out of here.
• 12:29
  Speaker 2: Kids.
• 12:30
  Speaker 3: He was like, well, I guess if you're just like family,
• 12:33
  Speaker 3: I'll tell you he died, you know, hipp a hippop.
• 12:36
  Speaker 1: We couldn't bring him back allegedly, allegedly you.
• 12:39
  Speaker 4: Know, y'all, not his family. Where is his family, by
• 12:41
  Speaker 4: the way, but that's neither here nor there.
• 12:43
  Speaker 2: We went into his lungs.
• 12:45
  Speaker 1: It was bullets in there.
• 12:46
  Speaker 2: We couldn't get him out in time. That little boy dead.
• 12:50
  Speaker 4: That little boy diad y'all, So you can go ahead
• 12:54
  Speaker 4: and punch the wall, knock the pictures off the wall.
• 12:56
  Speaker 4: I'm gonna go back in here and look at his
• 12:57
  Speaker 4: dead body. He did y'all, So y'all do it for him.
• 13:03
  Speaker 1: We gotta do it for a little saint.
• 13:05
  Speaker 2: Whatever y'all got, going do it for him.
• 13:08
  Speaker 1: Then we gotta get together, because this is what little
• 13:09
  Speaker 1: saint would have wonted. What little saint don't care.
• 13:12
  Speaker 4: Let's say, just wanted to be in the group. He
• 13:14
  Speaker 4: didn't care who the leader, woul care what y'all was doing.
• 13:16
  Speaker 4: Dance well, I just want to hang with y'all. And
• 13:19
  Speaker 4: then he got clapped. I was like, man, why y'all
• 13:21
  Speaker 4: kill this little boy?
• 13:23
  Speaker 1: Hey, we go. He was just trying to Hey, y'all
• 13:25
  Speaker 1: don't want you to hang around with these people.
• 13:26
  Speaker 3: They never showed the people just they never showed him
• 13:30
  Speaker 3: get shot.
• 13:30
  Speaker 2: Nothing felt dangerous in this movie.
• 13:33
  Speaker 3: When that bag flew up and Golden Mouth grabbed that need,
• 13:36
  Speaker 3: there was no real curious business it was. There was
• 13:39
  Speaker 3: not an ounce of grit in this movie. They lost
• 13:42
  Speaker 3: the Remember they lost the dance thing, and then they
• 13:45
  Speaker 3: was like we were finish.
• 13:46
  Speaker 1: Who he lost five thousand dollars next?
• 13:48
  Speaker 2: See that's where they had the real conversation. See, we
• 13:52
  Speaker 2: got to come up with they always let's go to
• 13:55
  Speaker 2: the basketball court and had a real conversation. The took
• 13:58
  Speaker 2: back and forth.
• 13:59
  Speaker 4: It's your line, so on, gonna pass you the ball,
• 14:01
  Speaker 4: all right, passed me the ball back from my line.
• 14:04
  Speaker 1: They took the five thousand from us. Check up. We
• 14:07
  Speaker 1: got it to the drug run right now.
• 14:08
  Speaker 3: After basketball, just dancing, basketball and drum.
• 14:13
  Speaker 2: That was it.
• 14:14
  Speaker 1: You got served.
• 14:15
  Speaker 2: I did like. I like the grandmother.
• 14:19
  Speaker 1: L Jean back u Jean Smit the third.
• 14:21
  Speaker 2: That's who. That's who was the scene stealer. She, the grandmother,
• 14:25
  Speaker 2: was the scene stealer.
• 14:27
  Speaker 1: She got him together. I love I loved her.
• 14:30
  Speaker 2: She was adorable.
• 14:31
  Speaker 3: Man.
• 14:31
  Speaker 1: I forgot his mom even existed. They showed up.
• 14:34
  Speaker 2: Jack back up Jack very final.
• 14:37
  Speaker 3: I was like, hell, They said, man, we got money
• 14:40
  Speaker 3: for two days of jackade and that's it.
• 14:42
  Speaker 4: So here like, look I do y'all little silly movie man,
• 14:45
  Speaker 4: but I'm only giving y'all one day.
• 14:47
  Speaker 2: All ship, all right? Can we split the difference?
• 14:52
  Speaker 4: Grandmother was, hey, yeah, ask her for big bread. Man,
• 14:56
  Speaker 4: go to your grandmother for bread. He's living on so security.
• 15:00
  Speaker 1: Man, watch out, man, I want like two grand Yeah.
• 15:04
  Speaker 2: Grandma, you got some all right, baby, let me see
• 15:06
  Speaker 2: what I got in the cookie.
• 15:07
  Speaker 1: Jail two grand break.
• 15:09
  Speaker 4: I would feel terrible as my grandmother for money. Man,
• 15:12
  Speaker 4: She's barely hanging on.
• 15:14
  Speaker 1: And then the white people took it.
• 15:17
  Speaker 4: Sucker's got served, spiky man ultimate g Oh my god.
• 15:24
  Speaker 1: Oh it was terrible, but I love it, man, big corner.
• 15:28
  Speaker 1: I love it man to this day. Went with Yes
• 15:32
  Speaker 1: went on.
• 15:32
  Speaker 3: Mariam's team was was obviously messing up where Nigga like
• 15:37
  Speaker 3: show they couldn't dance good without each other.
• 15:40
  Speaker 1: They was like dang, y'all finished.
• 15:44
  Speaker 2: Just not nailing it. It was just not coming together
• 15:48
  Speaker 2: in the core.
• 15:51
  Speaker 3: And we gotta come together. You and David Man they
• 15:54
  Speaker 3: were Rico, I can't remember what his name is, a
• 15:57
  Speaker 3: beach k. They was each trying to recruit him. He
• 16:00
  Speaker 3: was like, man, nah, it's.
• 16:01
  Speaker 1: Just not the same.
• 16:02
  Speaker 4: It's not the same. Man, Loyalty you got to mean something, then,
• 16:05
  Speaker 4: little Saintan Now I've been raising them on my own.
• 16:07
  Speaker 4: He's not mine, but you know it's like both of us.
• 16:11
  Speaker 2: That's what it is.
• 16:12
  Speaker 3: Man.
• 16:12
  Speaker 2: We a crew man, Man join me. Noa, I can't
• 16:15
  Speaker 2: do it.
• 16:15
  Speaker 1: You can't do it, man, I can't pick side.
• 16:18
  Speaker 3: I need you to come to the steaks for them
• 16:20
  Speaker 3: felt high, like the crew coming together. You can't talk
• 16:24
  Speaker 3: to my like uh o, Marion and Jennifer Freeman. There
• 16:28
  Speaker 3: was life or there was Rummy and Juliet. You're talking
• 16:31
  Speaker 3: to my sister. You ain't my boy? What you man?
• 16:37
  Speaker 3: You got holes? He was like, oh, they was like no,
• 16:40
  Speaker 3: you got you got hos.
• 16:42
  Speaker 2: Keep it.
• 16:42
  Speaker 3: You got the double line up. You know anybody double
• 16:45
  Speaker 3: line up, got holes? You dancing and you got the.
• 16:47
  Speaker 2: Two brains cons man.
• 16:50
  Speaker 3: It was so dead serious. Fine, I'll stop seeing him.
• 16:54
  Speaker 2: Good Grandma.
• 16:56
  Speaker 1: That's how you're gonna be baby.
• 16:59
  Speaker 4: Steaks that solid you Jenkins monro don't you don't you
• 17:05
  Speaker 4: talk to that girl like that?
• 17:07
  Speaker 1: He was super misogynistic, he was.
• 17:09
  Speaker 4: And then when you know it's all good, all y'all
• 17:12
  Speaker 4: get together, he's standing there watching them kiss. That's just weird.
• 17:16
  Speaker 4: I'm like, all right, looking just scram I don't want
• 17:21
  Speaker 4: nobody watching me kiss at all.
• 17:24
  Speaker 2: I watch child.
• 17:25
  Speaker 1: I don't want to kiss her now, Like that's your sensence.
• 17:27
  Speaker 4: Like he was like only like kissing at a wed
• 17:30
  Speaker 4: kiss the bride, Like all y'all, y'all can turn around.
• 17:34
  Speaker 1: Wait, So if you get remarried and it's like kissing
• 17:36
  Speaker 1: bride time.
• 17:36
  Speaker 4: You ain't gonna want everybody to look away in that moment,
• 17:39
  Speaker 4: especially the reverend. He's gonna be standing right there, his
• 17:42
  Speaker 4: nostrils right in between our lips.
• 17:45
  Speaker 2: He's gonna be right there.
• 17:46
  Speaker 1: I ain't gonna hold you.
• 17:47
  Speaker 3: It was a little I felt a little awkward when
• 17:49
  Speaker 3: when I got married. That's the first time it was cool.
• 17:52
  Speaker 3: It was like I get to kiss. But the second
• 17:55
  Speaker 3: time in Mexico, I was like, are y'all.
• 17:57
  Speaker 4: Was like, yeah, you know, I don't want nobody they're
• 18:00
  Speaker 4: watching me kiss, especially undivided attention.
• 18:04
  Speaker 2: It's cool.
• 18:05
  Speaker 4: We do a little quick smooth hervey, I see you around,
• 18:08
  Speaker 4: but now the focus like you may kiss the bride.
• 18:11
  Speaker 2: Everybody like, that's gonna be Josh snood, oh job, We're
• 18:16
  Speaker 2: gonna be right there watching them.
• 18:17
  Speaker 3: I'm gonna put glasses on. I'm actually never seen Josh
• 18:21
  Speaker 3: kissing Mark.
• 18:22
  Speaker 4: I'm pulling the telescope back. You may kiss the brown beloved.
• 18:28
  Speaker 4: I'm zooming in on their lips. I'm taking pictures of
• 18:32
  Speaker 4: every breath. Look at Josh kissing y'all.
• 18:38
  Speaker 1: You doing amazing, sweetie.
• 18:39
  Speaker 2: That's gonna be my new profile fit.
• 18:41
  Speaker 3: Matter of fact, Josh, I'm gonna take the ipadget your grandma,
• 18:46
  Speaker 3: break the full eyepad for pictures.
• 18:48
  Speaker 1: When you go to kissing mama, be like, look at
• 18:50
  Speaker 1: flick at my baby. It's just so sweet.
• 18:54
  Speaker 2: Hold on, wait, do it again?
• 18:55
  Speaker 1: Hold on the iPads facing me, y'all.
• 18:58
  Speaker 2: That lip, the lips shut it?
• 19:00
  Speaker 1: Hold on, how I how'd I turn it around? My
• 19:02
  Speaker 1: have Oh that's we kiss her again?
• 19:05
  Speaker 2: Baby?
• 19:05
  Speaker 1: Yeah, it was my young gud.
• 19:08
  Speaker 3: One time we took Jason to his homegirl's about mitzvah,
• 19:10
  Speaker 3: and one of the grandma's was recording the whole that
• 19:12
  Speaker 3: she had the phone up wasn't recorded. She's just holding
• 19:16
  Speaker 3: it time even listens like, look, look she's from ten minutes.
• 19:23
  Speaker 2: Nothing. She thought she was getting the footage of her life.
• 19:28
  Speaker 1: She was like and then when she was done, she
• 19:31
  Speaker 1: was like all the stuff was over. She was doing
• 19:38
  Speaker 1: was too funny.
• 19:40
  Speaker 2: She was trying to make she thought she was capturing
• 19:43
  Speaker 2: the moment. She was like smiling too, Like.
• 19:47
  Speaker 3: How people always are they hold this? What the motion
• 19:52
  Speaker 3: they're feeling they're holding it? Yeah, yeah, that's it, that's it.
• 19:59
  Speaker 3: My grandma always looks over her glasses at the I path.
• 20:06
  Speaker 2: That's how, that's how you do it.
• 20:08
  Speaker 3: Go ahead, Yeah, then they immediately look at it.
• 20:14
  Speaker 2: That's good.
• 20:18
  Speaker 4: It's just getting nothing dog, no storing space.
• 20:29
  Speaker 2: Oh man, that's just precious.
• 20:32
  Speaker 1: Oh my god.
• 20:37
  Speaker 3: I also thought it was really funny the steaks was like,
• 20:41
  Speaker 3: oh what they get at the en fifty thousand dollars
• 20:44
  Speaker 3: and being in a music video that wouldn't even do nothing.
• 20:47
  Speaker 3: Now I'm not nothing fifty thousand? Like how many you
• 20:49
  Speaker 3: got to pay the crew? Oh? Pay your dance? What's
• 20:52
  Speaker 3: Sonny wrong? Remember Sonny's beef early on was like we
• 20:57
  Speaker 3: win five. Me and Marion and Marcus Houston split the half.
• 21:02
  Speaker 3: They put the bread up and y'all split the other half,
• 21:04
  Speaker 3: and Sonny was like, nah man split it all the
• 21:06
  Speaker 3: way and it was like.
• 21:07
  Speaker 1: No, we ain't chipp in right, I'm like, Sonny had
• 21:10
  Speaker 1: a good point.
• 21:11
  Speaker 3: Sonny was, nah man, Sonny ain't chip in. Oh he
• 21:15
  Speaker 3: they Marcus Houston and Omarrod, so they lose, they.
• 21:19
  Speaker 2: Give you get more money on the put up.
• 21:21
  Speaker 3: Yeah, Sonny was like, all right, I'm giving your dance
• 21:24
  Speaker 3: moves to the whites.
• 21:25
  Speaker 1: Then damn, all they had to do was split it evenly.
• 21:28
  Speaker 1: I feel like, at least let them get their money back.
• 21:30
  Speaker 3: Yeah, for sure, because they Marcus Uson and Moron was like,
• 21:32
  Speaker 3: we're gonna keep extra on the underneath and then split.
• 21:35
  Speaker 3: At least let me get my recoop and then we
• 21:37
  Speaker 3: split it even recoes get the recoop.
• 21:40
  Speaker 1: Because Sonny wanted it.
• 21:41
  Speaker 3: Both ways, because now if we lose, you don't Because
• 21:44
  Speaker 3: when they lost the next time, they didn't come to
• 21:46
  Speaker 3: the crew like y'all chip in. They was like, we
• 21:47
  Speaker 3: ran drugs for this, y'all, y'all, we ran drugs, and
• 21:52
  Speaker 3: I got my grandma's money for this.
• 21:54
  Speaker 1: Let me at least get my my piece.
• 21:56
  Speaker 2: And those are the biggest stakes for me. The grandmother's money.
• 21:59
  Speaker 4: Way more than the drug I was like, man, it's
• 22:01
  Speaker 4: your grandmother's money, man. Yeah, their money don't be coming
• 22:04
  Speaker 4: around when you old.
• 22:06
  Speaker 1: No, man, you on a fixed income.
• 22:07
  Speaker 3: Yeah, how long I take your grandma to come up
• 22:09
  Speaker 3: with two grand Sure she can four seventeen a month.
• 22:12
  Speaker 2: Come on, man, that's a.
• 22:13
  Speaker 1: Lot of world. Is original.
• 22:14
  Speaker 2: She still looked, she still look active.
• 22:17
  Speaker 1: Yeah, but I don't know, you know what I'm saying.
• 22:18
  Speaker 2: You just I just assume you on their fixed income.
• 22:21
  Speaker 3: That money spent like white diamonds too. You gave white
• 22:24
  Speaker 3: Donalds to the white boys. Ain't have to struggle for
• 22:28
  Speaker 3: the five ground man. They just went to their dad
• 22:31
  Speaker 3: and let me get.
• 22:31
  Speaker 2: The five grand Yeah, they had it.
• 22:33
  Speaker 3: But Grandma was like, man, this is from nineteen eighty eight, right,
• 22:36
  Speaker 3: because I believe in you.
• 22:37
  Speaker 4: I believe in you. I'm just saving this for a
• 22:40
  Speaker 4: rainy day. For a rainy day, then boom.
• 22:42
  Speaker 3: So let's go. Before we finish up on this, I
• 22:45
  Speaker 3: gotta ask sadest deaths in movie history?
• 22:49
  Speaker 2: Wait, did they win five thousands and fifty thousand?
• 22:52
  Speaker 1: The last so?
• 22:53
  Speaker 3: So early on, I think when they first went to
• 22:55
  Speaker 3: get the White Boys, it was it was five and
• 22:58
  Speaker 3: I think they had two. Maybe a Marion had like
• 23:01
  Speaker 3: fifteen hundred. Marcus used to had like two. And then
• 23:03
  Speaker 3: Grandma came in on the back end.
• 23:05
  Speaker 1: But the big big thing that was fifty plus the
• 23:10
  Speaker 1: music video.
• 23:11
  Speaker 2: Okay, so that was that was the big.
• 23:14
  Speaker 1: And then you forgot. Steve Harvey saved the day.
• 23:16
  Speaker 2: Oh yeah, he smoothed everything.
• 23:18
  Speaker 3: He came over like, yeah, man, why were you at
• 23:20
  Speaker 3: when I was running drugs for years?
• 23:23
  Speaker 2: Man?
• 23:23
  Speaker 1: Steve Harvey, let you run drug man.
• 23:26
  Speaker 2: About time and you the main connect. Everybody to respect you.
• 23:29
  Speaker 2: When I was getting my.
• 23:31
  Speaker 3: Bags, don't worry about him. The police guy who never talked,
• 23:35
  Speaker 3: he took care of that.
• 23:36
  Speaker 2: They rapped. They wrapped everything up, real.
• 23:38
  Speaker 3: Smooth and wrapped it up, removed the whole stakes of
• 23:42
  Speaker 3: the movie. The drug money guy is the state. He
• 23:46
  Speaker 3: was like, but don't tell them, y'all. They got to
• 23:48
  Speaker 3: learn they listen. That was ridiculous.
• 23:50
  Speaker 1: What the hell are you talking about?
• 23:52
  Speaker 3: What survey says keep the drugs.
• 23:56
  Speaker 2: In keep the drugs was the stake.
• 23:59
  Speaker 1: The drugs was the stakes.
• 24:02
  Speaker 4: But Steve Harvey told you, Jennifer Freeman, he was talking, Uh,
• 24:08
  Speaker 4: what's it, Jennifer Freeman.
• 24:09
  Speaker 2: I think it was. It was one of the girls
• 24:11
  Speaker 2: in there. It had to be here. Yeah, maccan good
• 24:13
  Speaker 2: was great and there by the way.
• 24:16
  Speaker 4: Yeah, but I mean for her character, for her character
• 24:18
  Speaker 4: is yeah, them annoying girls like that.
• 24:20
  Speaker 1: Yeah, I'm fine, I'm all right.
• 24:23
  Speaker 2: I mean she is she is? My name is Yeah,
• 24:28
  Speaker 2: that was good Man. Shut the hell up? All right?
• 24:30
  Speaker 1: Top five?
• 24:31
  Speaker 3: Wait, do you when I said you to, do you
• 24:33
  Speaker 3: have these my questions and Stuffcause I don't know if
• 24:36
  Speaker 3: you cut up on the answers on the underneath.
• 24:40
  Speaker 1: We have time left? How many time?
• 24:41
  Speaker 6: Josh a great, big time big now, Oh buckle, I got,
• 24:51
  Speaker 6: I got some of these questions.
• 24:53
  Speaker 4: Let me see what the dance movies type dance movies?
• 24:57
  Speaker 1: You are you in on this?
• 24:58
  Speaker 4: Uh?
• 24:59
  Speaker 2: What you got?
• 25:01
  Speaker 3: Well?
• 25:01
  Speaker 1: This got all my notes?
• 25:04
  Speaker 3: All right, Well let's queue up top ten saddest movie
• 25:09
  Speaker 3: deaths in history.
• 25:10
  Speaker 2: Off the top of your tell you, I'll tell you what.
• 25:14
  Speaker 3: Oh hell, no, man, we got to do it for
• 25:17
  Speaker 3: Little saintan Tom it is in man.
• 25:22
  Speaker 1: You ain't ranking Little Satan.
• 25:24
  Speaker 4: No, it was sad, no disrespect to Little Saint at all,
• 25:28
  Speaker 4: Little Saints, great God.
• 25:29
  Speaker 2: Ge Baby was made breaking them.
• 25:33
  Speaker 3: G Baby is above Little Saint for sure, for sure,
• 25:35
  Speaker 3: But little Saint he ain't top ten sad as that man.
• 25:38
  Speaker 1: He was innocent child, he was. It was like we call.
• 25:42
  Speaker 2: Baby coop, but I felt like it was forced and
• 25:45
  Speaker 2: we didn't see it.
• 25:46
  Speaker 3: Yeah, jeep, baby, we saw G Baby. That's what I'm saying.
• 25:51
  Speaker 3: G Baby is might be I'm.
• 25:56
  Speaker 4: And that was unexpected, Like really, yeah, I'm trying to think.
• 25:59
  Speaker 4: Is okay we're talking about G Baby and Horrorball horrible.
• 26:03
  Speaker 1: You should have to tell that.
• 26:05
  Speaker 2: I mean, I just know.
• 26:06
  Speaker 3: Man, if you don't know why I say G Baby,
• 26:08
  Speaker 3: where that's from, you shouldn't be close your eyes and
• 26:11
  Speaker 3: close your laptop if you don't know who G Baby was.
• 26:14
  Speaker 4: For some reason, man, little Saint's death just didn't resonate. Man,
• 26:18
  Speaker 4: you got Probably it's probably because we didn't see nothing.
• 26:22
  Speaker 4: We didn't see him getting chased down, we didn't see
• 26:24
  Speaker 4: the shoot that. We didn't see nothing. We didn't see
• 26:26
  Speaker 4: him in the hospital. You know what I'm saying.
• 26:27
  Speaker 1: We never saw him do the bad stuff.
• 26:29
  Speaker 2: That's what I'm saying.
• 26:30
  Speaker 1: You never saw like gangsters like heaven was my way.
• 26:33
  Speaker 3: It was one of the people jumping mar what you doing.
• 26:38
  Speaker 1: Okay, let's just go band from band top.
• 26:40
  Speaker 2: Okay, Saddest movie death, saddest movie death.
• 26:43
  Speaker 1: Okay, queue it up off the top.
• 26:46
  Speaker 2: I'm gonna do. Move.
• 26:49
  Speaker 1: Foster is up there, Okay, move Foster.
• 26:53
  Speaker 2: And the Lion King come on. That's an epic, eternal
• 26:57
  Speaker 2: for sure, sad death. Absolutely, a lot of people just
• 27:00
  Speaker 2: can't handle it to this day.
• 27:02
  Speaker 3: I think Lion King ninety four, Yeah, ninety four, I
• 27:08
  Speaker 3: was eleven.
• 27:09
  Speaker 1: Josh was one, This was one.
• 27:11
  Speaker 4: In ninety Josh was one, nah, summer summer in ninety four.
• 27:20
  Speaker 1: Just crossed over. Okay, when your birthday June sixth, nineteen ninety.
• 27:26
  Speaker 2: Three, I think I think the Lion King came out.
• 27:31
  Speaker 1: I think it did too.
• 27:32
  Speaker 3: But Foss is up there, yeah for sure, for real. Okay,
• 27:35
  Speaker 3: so m Foss number one. Okay, G Baby Okay. Because
• 27:40
  Speaker 3: the kids in Harball was already going through enough. Man,
• 27:42
  Speaker 3: it was like, it's tough for us. We're trying to
• 27:45
  Speaker 3: make it. We're trying to you know what I'm saying.
• 27:47
  Speaker 3: Keanu Reeves, Michael B. Jordan couldn't play. He Michael Jordan
• 27:52
  Speaker 3: was like almost just like Wallace. He was trying to
• 27:56
  Speaker 3: be good. He does a good job of like Streak.
• 28:00
  Speaker 3: He not really supposed to be a street kid, but
• 28:02
  Speaker 3: he ends up having to be. But when he was sad.
• 28:05
  Speaker 3: But when G Baby, when they was holding G Baby,
• 28:07
  Speaker 3: man watch out, I was like, I didn't see that
• 28:11
  Speaker 3: death coming at all. I was just like, and they
• 28:16
  Speaker 3: sat in G Baby's death for a minute and you
• 28:20
  Speaker 3: got to hold him with the blood and G Baby
• 28:23
  Speaker 3: was funny.
• 28:23
  Speaker 1: He was like the mascot of the team.
• 28:26
  Speaker 4: So when he that's how that's how you do it,
• 28:29
  Speaker 4: that's how you.
• 28:31
  Speaker 2: You you established a little kid, that's how.
• 28:34
  Speaker 1: You do it.
• 28:34
  Speaker 2: Yeah, like little Saint fel Force.
• 28:38
  Speaker 3: It was forced, but you know what I'm saying, But
• 28:40
  Speaker 3: you had to do it for a little saying, because
• 28:42
  Speaker 3: you got to come together, y'all.
• 28:44
  Speaker 1: Man, Okay, you're up there, all right?
• 28:47
  Speaker 4: Ricky boys and boys and Ricky's death and boys in
• 28:52
  Speaker 4: the Hood. Man, Ricky was that shit hurt.
• 28:56
  Speaker 3: He was so oblivious to the level of danger that
• 28:59
  Speaker 3: was right around the corner they walking through.
• 29:01
  Speaker 2: The I get the snacking.
• 29:06
  Speaker 1: Yeah yeah, yeah, but.
• 29:07
  Speaker 3: I ain't gonna be doing no scratch all no. And
• 29:10
  Speaker 3: the thing was Ricky repers. This is why John Singleton
• 29:13
  Speaker 3: is the genius. Him and Trey both represented like they
• 29:18
  Speaker 3: post to escape the hood. But Ricky is like the
• 29:22
  Speaker 3: families ticket out. Tray's kind of like caught between good
• 29:26
  Speaker 3: and bad. Ricky is like, bro, I'm usc So when
• 29:30
  Speaker 3: he died, not only was it sad, then his mom
• 29:34
  Speaker 3: is immediately mad at.
• 29:35
  Speaker 1: Double that whole, that whole.
• 29:39
  Speaker 2: I love it when you lose the character. And yeah
• 29:44
  Speaker 2: that was a big city.
• 29:46
  Speaker 1: Yeah.
• 29:46
  Speaker 4: Not only did he die, we see him get gunned down.
• 29:50
  Speaker 4: They carrying his body around, They take his body to
• 29:53
  Speaker 4: the crib and put him on the count on the places.
• 29:55
  Speaker 2: See the mother of his kid come in react to that.
• 29:59
  Speaker 2: You see the mama.
• 30:00
  Speaker 4: You see how she responds to dough boy on the death.
• 30:03
  Speaker 4: Then you see after man, after math, the tray going
• 30:07
  Speaker 4: across the street.
• 30:07
  Speaker 2: Nea long trailer, what's going on? She confuse, I think
• 30:11
  Speaker 2: something happened to Rink.
• 30:12
  Speaker 1: We was in there with them.
• 30:14
  Speaker 4: That that whole death scene felt real because it was
• 30:19
  Speaker 4: a lot of chaos right behind.
• 30:20
  Speaker 1: It felt like it hapening.
• 30:22
  Speaker 4: It felt like it was and the consequence is stacked
• 30:24
  Speaker 4: on top of that. That's a great depth for sure.
• 30:28
  Speaker 3: All Right, I'm gonna go. We said move Fosse by
• 30:37
  Speaker 3: Ricky Baker.
• 30:38
  Speaker 1: I'm ana go, I'm ana go. Iron Man.
• 30:42
  Speaker 3: When Tony Stark said I am iron Man, and when
• 30:49
  Speaker 3: Spider Man was there.
• 30:52
  Speaker 2: Spider Man is not the guy that fucked me up.
• 30:54
  Speaker 2: Everybody saying him, what what was it?
• 30:57
  Speaker 4: It was Pepper Ah, oh, yeah, because the Spider Man
• 31:03
  Speaker 4: iron Man relationship was too quick. Yeah, for sure, Like
• 31:07
  Speaker 4: they didn't spend even though even though he was crying
• 31:10
  Speaker 4: and he was emotional, we really didn't have that time
• 31:13
  Speaker 4: spend with them.
• 31:14
  Speaker 2: Pepper and Tony.
• 31:17
  Speaker 4: When she came up because even even Rody held it together,
• 31:20
  Speaker 4: and I expect that from the soldier.
• 31:23
  Speaker 2: He held it together. And then then there's let's forced
• 31:26
  Speaker 2: Spider Man in on this, and he was like super emotional.
• 31:29
  Speaker 2: I get he's young.
• 31:30
  Speaker 1: He was.
• 31:30
  Speaker 2: He was Pepper rose up us talking to him.
• 31:34
  Speaker 4: You can tell she was trying to be strong for
• 31:36
  Speaker 4: him even though she knew he was he was dying.
• 31:39
  Speaker 3: And I think what hit me the most is we
• 31:43
  Speaker 3: was with that group for a long time and he
• 31:47
  Speaker 3: was the leader.
• 31:48
  Speaker 1: Flawed.
• 31:49
  Speaker 2: Oh yeah, that's what makes him even better.
• 31:51
  Speaker 3: So Kobe ac cards. Even though I was on his
• 31:53
  Speaker 3: side on that one, I think that was no. No,
• 31:55
  Speaker 3: I was on capside. Oh no, I was on capside
• 31:59
  Speaker 3: because he was. He was feeling guilty. But what they
• 32:01
  Speaker 3: what they did, but I understood, which is fair.
• 32:03
  Speaker 1: Yeah.
• 32:04
  Speaker 3: Now I was on his side when it was like, nigga,
• 32:06
  Speaker 3: we gotta kill Bucky.
• 32:08
  Speaker 1: Oh I don't care about man, watch out.
• 32:13
  Speaker 2: He was like, you gotta understand, that's my boy from
• 32:15
  Speaker 2: high school.
• 32:15
  Speaker 1: Winter sold your high school.
• 32:17
  Speaker 4: Can say the twenties, the more the thirties for wherever
• 32:19
  Speaker 4: the fuck you from.
• 32:21
  Speaker 3: Kill my mom like my parents is one thing, but
• 32:25
  Speaker 3: you killed my mom kill my dad.
• 32:27
  Speaker 1: Okay, he sells weapons. My mom is my mom, she
• 32:31
  Speaker 1: cutting orange slices, sandwiches.
• 32:34
  Speaker 3: You can't kill mama stock And then this be like,
• 32:37
  Speaker 3: oh you was mine, messed up.
• 32:38
  Speaker 1: I got to kill you.
• 32:40
  Speaker 2: It was fair.
• 32:41
  Speaker 1: Yeah, And they was jumping in and stuff.
• 32:43
  Speaker 4: They jumped him, he was shill each other king.
• 32:48
  Speaker 3: I was like, yeah, man, so but when he died,
• 32:53
  Speaker 3: I was like, dangn because he not only did he die,
• 32:58
  Speaker 3: It's one thing to die, but the sacrifice death, like
• 33:02
  Speaker 3: I sacrificed myself for the greater good.
• 33:05
  Speaker 4: Yeah, I'm sad. I cried because it was tough, man Like.
• 33:12
  Speaker 4: I go back to that scene and watching it. It
• 33:14
  Speaker 4: was just that that interaction between Tony and Pepper and
• 33:19
  Speaker 4: he just like and he didn't say a lot. He
• 33:21
  Speaker 4: was just fading out and she was just like and
• 33:23
  Speaker 4: she was trying to hold it together. And then when
• 33:25
  Speaker 4: his light went out and she broke, I was just like, yeah, man,
• 33:34
  Speaker 4: you know what I'm saying.
• 33:35
  Speaker 2: Yeah, yeah, all right, you're up another sad death.
• 33:40
  Speaker 1: Yeah, you know, it.
• 33:43
  Speaker 4: Was a sad death to call me off guard counter
• 33:45
  Speaker 4: but it was stupid, but it was still a great
• 33:47
  Speaker 4: emotional scene. Four brothers when the youngest brother Jack, Yeah,
• 33:56
  Speaker 4: Jack Jack died and four brothers. That was like, and
• 34:01
  Speaker 4: they was all out there and just like they were
• 34:04
  Speaker 4: just feeling it.
• 34:06
  Speaker 2: He was dumb for going out there, but.
• 34:08
  Speaker 1: But he was dumb. That's like that was part of
• 34:10
  Speaker 1: his character. He was young and brackless.
• 34:12
  Speaker 4: And trying to be like y'all went out there on
• 34:15
  Speaker 4: the snowball fight they called him.
• 34:20
  Speaker 2: He was just like he was struggling. He was trying
• 34:22
  Speaker 2: to survive. Yeah, he was like, come.
• 34:24
  Speaker 4: On, man, come on, and he's just just a responsible everybody.
• 34:28
  Speaker 4: I was just like, damn man. I like when when
• 34:33
  Speaker 4: Mark Wallsberg shot that dude in the head. After that,
• 34:37
  Speaker 4: he was just like, man, who said you man, it's
• 34:39
  Speaker 4: victim sweet. He was like okay, He's like, thank God,
• 34:42
  Speaker 4: Oh no, I don't thank god, you can think Victor sweet.
• 34:45
  Speaker 4: I was like, hell yeah, great line too. That line
• 34:48
  Speaker 4: was great God.
• 34:49
  Speaker 1: I was like, hey, man, don't bring me into this.
• 34:52
  Speaker 2: You thought she was off the hook. Watch you got
• 34:55
  Speaker 2: to go. Yeah. So that was that was one.
• 34:58
  Speaker 1: I'm gonna go Mia and best Man.
• 35:02
  Speaker 3: Boris' chestnut breaking down from the point of view of
• 35:06
  Speaker 3: the grave. Man, I was like, I was in that
• 35:10
  Speaker 3: theater that was inside outside tears because he was he
• 35:16
  Speaker 3: was feeling it like he was.
• 35:20
  Speaker 1: I was there with him, you know what I mean.
• 35:24
  Speaker 2: That was a tough one. That was tough.
• 35:30
  Speaker 3: I was like, Lord Mia and she was like again
• 35:34
  Speaker 3: not perfect, flawed, but she was a sweetheart.
• 35:37
  Speaker 1: He was sweet man. She had the cancer.
• 35:40
  Speaker 3: And then and then Morris, he was handsome and he
• 35:45
  Speaker 3: was like, I'm gonna be ugly for now.
• 35:46
  Speaker 1: But even as at his ugliest, he's still with MOR's chestnut.
• 35:49
  Speaker 2: Man.
• 35:50
  Speaker 3: You know what I'm saying, like, how do you get
• 35:51
  Speaker 3: to be as handsome as Worri's chesting?
• 35:53
  Speaker 2: What an ugly cries?
• 35:55
  Speaker 1: Ugly boy?
• 35:56
  Speaker 3: You you Josh got so many pictures of me from
• 36:02
  Speaker 3: the grief sucks toward tone.
• 36:03
  Speaker 1: I just be.
• 36:07
  Speaker 3: It's because you try to hold you, you try to
• 36:09
  Speaker 3: hold your cry in. That's what make you ugly man.
• 36:11
  Speaker 3: And there's one more from my last shop. I'm just like,
• 36:22
  Speaker 3: it's just ugly. Was still masculine.
• 36:27
  Speaker 1: Watch out, nigga, he.
• 36:30
  Speaker 4: Back again those More's chestnut even though he didn't die, Yeah,
• 36:33
  Speaker 4: he was alive.
• 36:34
  Speaker 1: And take it twice on the list you got any more.
• 36:38
  Speaker 2: I got, I'm gonna go with you know, a death.
• 36:45
  Speaker 4: It's a couple of deaths and saving Private rhyme that
• 36:48
  Speaker 4: goat me.
• 36:49
  Speaker 3: Oh man, okay, you know that's my movie. It's by
• 36:52
  Speaker 3: the way, we don't have enough coming to be a
• 36:57
  Speaker 3: speaking of saving private rhyme, we don't have enough coming
• 37:02
  Speaker 3: to vage.
• 37:04
  Speaker 4: And in saving Private Ryan, when the medic dies, uh,
• 37:12
  Speaker 4: when he died, because he's.
• 37:13
  Speaker 2: Just trying to He's still trying to function and do stuff. Man,
• 37:17
  Speaker 2: it was like a slow, a slow death.
• 37:20
  Speaker 1: I was just like.
• 37:24
  Speaker 2: And then then when uh, Tom Hanks dies, Tom.
• 37:29
  Speaker 3: Hanks, when Tom Hanks has the when he's dying and
• 37:35
  Speaker 3: he got the little side arm, pink.
• 37:39
  Speaker 2: Pink, and then the tank and then he tells his
• 37:45
  Speaker 2: name man.
• 37:47
  Speaker 1: And then you cut to Matt Damon, old young.
• 37:51
  Speaker 3: I said, I knew he wasn't gonna make it, but
• 37:54
  Speaker 3: when he died, I was just like, damn man.
• 37:58
  Speaker 4: Because they was driving off one by I won on
• 38:00
  Speaker 4: this mission, and I was just like, I felt every
• 38:03
  Speaker 4: loss in the.
• 38:04
  Speaker 2: Y for sure, and I was just like that for sure.
• 38:07
  Speaker 4: All and I would hate to to carry that baggage
• 38:13
  Speaker 4: for sure.
• 38:13
  Speaker 2: Matt Damon had to carry after that.
• 38:15
  Speaker 4: Because he didn't even want that No he never asked
• 38:19
  Speaker 4: for it, but he still got to carry that.
• 38:21
  Speaker 2: Yes, like, man, they died trying to save me. Yes, yes,
• 38:26
  Speaker 2: and only like two of them survived.
• 38:28
  Speaker 3: Who it was Ed burns oh In the stupid nigga
• 38:32
  Speaker 3: who got everybody killed?
• 38:35
  Speaker 1: Man, watch out man. I hated that. All right, I'm
• 38:40
  Speaker 1: gonna go.
• 38:46
  Speaker 2: Let mean, let me, let me, let me check my notes.
• 38:50
  Speaker 2: And also another one shoot Tom Hanks in Philadelphia. That
• 38:55
  Speaker 2: was tough. He died off was.
• 38:59
  Speaker 1: Like, how does remind me of his death? Yeah, yeah,
• 39:03
  Speaker 1: we know, we know about the situation.
• 39:06
  Speaker 4: Just saying his goodbye to everybody, and it was just
• 39:08
  Speaker 4: like you're saying goodbye to his his his companion Antonio
• 39:12
  Speaker 4: been Derris and then you know him having that conversation
• 39:15
  Speaker 4: with Denzel.
• 39:16
  Speaker 3: It was just like, yeah, damn, man, I remember that.
• 39:22
  Speaker 3: It ain't going I'm gonna go animalistic. When when Will
• 39:27
  Speaker 3: Smith's dog died and I'm legend that was a tonge
• 39:30
  Speaker 3: when they when they cut to the dog, it's not
• 39:34
  Speaker 3: funny because you know, once he realized the dog is
• 39:39
  Speaker 3: trying to be good, but the inner zombie is just like,
• 39:44
  Speaker 3: I gotta kill you. And when they go away from
• 39:47
  Speaker 3: the dog into Will's eyes and he's looking off and
• 39:51
  Speaker 3: you see his.
• 39:52
  Speaker 1: Eyes fill with tears. I was like, man, because that
• 39:57
  Speaker 1: was all he had.
• 39:59
  Speaker 4: Before I saw that movie, I was like, please Donna
• 40:02
  Speaker 4: let this dog. But you know, I was like, please
• 40:07
  Speaker 4: don't let this dog. And I knew once he got
• 40:09
  Speaker 4: caught in that trap and the dog bailed him ound,
• 40:12
  Speaker 4: I knew right then and there, Yeah, I was like,
• 40:15
  Speaker 4: we're gonna lose the dog. Yeah, show enough, show god
• 40:20
  Speaker 4: damn enough. Another another sad death scene for me was
• 40:26
  Speaker 4: Malcolm x Oh, that gets me every time.
• 40:31
  Speaker 1: Get your hand out of my pocket.
• 40:33
  Speaker 4: Because it was not only that, not only is it true,
• 40:37
  Speaker 4: not only that, it was the way he smiled at
• 40:40
  Speaker 4: his killer right before they was.
• 40:43
  Speaker 2: On the other He was on a different path. Man,
• 40:46
  Speaker 2: He smiled at his killers. He knew what it was.
• 40:48
  Speaker 2: He's still like.
• 40:51
  Speaker 4: And then tough because even when he left the house
• 40:56
  Speaker 4: and the change is gonna come and they going to
• 40:59
  Speaker 4: I was just like, man, we go.
• 41:00
  Speaker 2: That's why I don't like watching movie. Y'all, be like,
• 41:02
  Speaker 2: watch Selena for what.
• 41:07
  Speaker 4: I know, she gets killed, Man, why do I want
• 41:10
  Speaker 4: to Why do I want to see her living and
• 41:13
  Speaker 4: smiling and enjoying life that she should and then I
• 41:16
  Speaker 4: know what's gonna happen.
• 41:18
  Speaker 2: And y'all want me to take this, I'm not doing
• 41:22
  Speaker 2: it all right?
• 41:24
  Speaker 1: Where we at eight?
• 41:26
  Speaker 2: I lost track.
• 41:28
  Speaker 1: I think that might be eight. I'm gonna go. I'm
• 41:34
  Speaker 1: gonna go inadamant object.
• 41:37
  Speaker 3: Wilson when nah man Tom Hanks made me something for
• 41:44
  Speaker 3: a volleyball.
• 41:45
  Speaker 1: With a blood face.
• 41:48
  Speaker 3: When Wilson died though he dies, man, he did, he
• 41:51
  Speaker 3: was missing.
• 41:52
  Speaker 2: He's still out there nose he.
• 41:54
  Speaker 1: Died to Tom, that's death for verbial movie death.
• 42:01
  Speaker 3: Tom Hanks sold it like Wilson was Atson who drowned
• 42:05
  Speaker 3: in the ocean.
• 42:06
  Speaker 1: Like he was crying. I'm like, am my trip because
• 42:09
  Speaker 1: I really am.
• 42:10
  Speaker 3: Like they spent so much time together, him and Wilson
• 42:14
  Speaker 3: was that's man. He talking to Wilson like, so, man,
• 42:16
  Speaker 3: I I'm good at fishing, Willie.
• 42:18
  Speaker 1: You know what I'm saying.
• 42:19
  Speaker 3: You want I got this fish going when he was
• 42:22
  Speaker 3: like it was like just out of his reach.
• 42:25
  Speaker 1: And that's the crazy thing about acting like.
• 42:28
  Speaker 3: I suspended so much disbelief that I'm feeling bad for
• 42:32
  Speaker 3: a man who lost the ball, and you feel like, man, yo,
• 42:35
  Speaker 3: that's your whole world.
• 42:36
  Speaker 2: That was That was Wilson was everything well.
• 42:39
  Speaker 3: The way he was screaming out the name wicking well
• 42:43
  Speaker 3: sign same emotion.
• 42:45
  Speaker 1: I felt it.
• 42:47
  Speaker 2: Wilson was alive all right. Man.
• 42:49
  Speaker 1: Then bing Bong.
• 42:52
  Speaker 3: Inside out, bing Bong memories, bing Bong is fading.
• 42:58
  Speaker 1: But then he's telling you it's gonna be okay. He
• 43:01
  Speaker 1: was like, na, man, you know she's growing up.
• 43:04
  Speaker 2: I did my job.
• 43:05
  Speaker 1: I was all His stuff was turning gray. He died,
• 43:11
  Speaker 1: He died, bing Bong died. I was okay bing Bong.
• 43:17
  Speaker 3: Then I was in there, like, why am I tearing
• 43:19
  Speaker 3: up at the imaginary friend.
• 43:22
  Speaker 1: He was like, no, no, that's okay.
• 43:24
  Speaker 5: Man.
• 43:26
  Speaker 3: Oh and Coco, oh yeah, the Coco coefficient is sadder
• 43:31
  Speaker 3: because of the song.
• 43:32
  Speaker 2: Oh man, remember remember.
• 43:34
  Speaker 1: Me with her? And then that's the first time she talked.
• 43:37
  Speaker 2: It's like she came back, she came back to who
• 43:39
  Speaker 2: she once was.
• 43:40
  Speaker 3: Well, if I see her nest Dela cruise boy, it's
• 43:43
  Speaker 3: me and you are next stuff.
• 43:44
  Speaker 1: Remember that was a great villain twist.
• 43:46
  Speaker 2: I love that.
• 43:48
  Speaker 1: That was a great because he had all the stuff.
• 43:51
  Speaker 1: It's town. His area was popping. He had lights and stuff.
• 43:56
  Speaker 1: And after out here.
• 43:57
  Speaker 3: Alone, all written written, all the songs and de la
• 44:02
  Speaker 3: Cruise was smiling as the hero and the Milly.
• 44:04
  Speaker 1: He didn't change, he kept he was just like to live,
• 44:11
  Speaker 1: ain't got no shoes on? All right, man?
• 44:15
  Speaker 2: Any more?
• 44:16
  Speaker 4: Close it out with Patrick Swayze and ghost Wow. When
• 44:21
  Speaker 4: he when he finally left at the end, Yeah, yeah.
• 44:26
  Speaker 4: I was like, especially when I watched it after losing
• 44:28
  Speaker 4: the ring, when I went back and watched it, because
• 44:31
  Speaker 4: before I was just like, man, but now can you
• 44:34
  Speaker 4: lose somebody?
• 44:35
  Speaker 2: Then you watch ghost Man, it'd be hitting. He was
• 44:40
  Speaker 2: he was.
• 44:40
  Speaker 4: Talking to her and she could see him finally and
• 44:42
  Speaker 4: he was just talking to it. He was just like
• 44:43
  Speaker 4: hell man, you know, saying goodbye, and then he was
• 44:47
  Speaker 4: just like he was hopeful about where he was going
• 44:49
  Speaker 4: and just like he wasn't all sad.
• 44:51
  Speaker 2: He was just like, man, this is this is great man. Man,
• 44:55
  Speaker 2: oh for.
• 44:56
  Speaker 1: You, yes, I am before two.
• 44:58
  Speaker 2: To that that that go tough. Yeah, oh.
• 45:05
  Speaker 1: Oh Victor, oh man.
• 45:08
  Speaker 3: I hated the penguin for that. I understood, but I
• 45:13
  Speaker 3: was like, yo, man, you wiling. I hated that there
• 45:18
  Speaker 3: you wild man.
• 45:19
  Speaker 2: I didn't think it was gonna happen me neither.
• 45:22
  Speaker 3: But once you you saw the twinkle in the penguin's eye.
• 45:28
  Speaker 1: Man, that's a world class performance.
• 45:31
  Speaker 2: That's performance was fantastic.
• 45:35
  Speaker 1: Yeah, for sure, for sure.
• 45:38
  Speaker 3: And he had way more time though he had with
• 45:41
  Speaker 3: eight episodes.
• 45:44
  Speaker 1: There's only one.
• 45:45
  Speaker 3: It's only been one so far, but he had eight
• 45:48
  Speaker 3: episodes of time.
• 45:50
  Speaker 2: I thought Danny DeVito was a great he was.
• 45:52
  Speaker 1: He was great. He was like a nasty penguin.
• 45:54
  Speaker 4: He was gross, but he was They made him too
• 45:58
  Speaker 4: gross moment wise, man.
• 46:01
  Speaker 3: Colin Ferrell was like his penguin was like, I'll do
• 46:04
  Speaker 3: whatever I have to survive. Now that I've survived the killing,
• 46:09
  Speaker 3: Victor was like, now I'm on my way to being
• 46:12
  Speaker 3: like a king pin. Like this is the transition from
• 46:15
  Speaker 3: like he made all the move because he was about
• 46:17
  Speaker 3: to die every other episode.
• 46:19
  Speaker 2: Yeah, he was. His life was always on.
• 46:21
  Speaker 3: He was like he and he got mad lucky a
• 46:24
  Speaker 3: few times. I was like he's and I know he's
• 46:28
  Speaker 3: getting the eight episode, but I don't know how he's
• 46:30
  Speaker 3: gonna make it.
• 46:31
  Speaker 1: Man, Victor was stuttering and stuff, and he was like
• 46:34
  Speaker 1: I got to do it. I got to kill your
• 46:36
  Speaker 1: I did not want it.
• 46:37
  Speaker 2: I was like, please, man, watch it's over with.
• 46:41
  Speaker 1: It was tough.
• 46:42
  Speaker 2: That was big tail.
• 46:43
  Speaker 3: Oh, yeah, all right, man, that's enough. Put in the comments.
• 46:47
  Speaker 3: Anything you want us to watch, we may listen. We
• 46:49
  Speaker 3: may not because there's some stuff me and Tony want
• 46:52
  Speaker 3: to watch. But you're more than welcome to suggests with
• 46:55
  Speaker 3: stuff to us. If we keep seeing a lot of
• 46:56
  Speaker 3: things suggested, we'll probably we.
• 46:57
  Speaker 2: Were watching Selena.
• 47:00
  Speaker 1: Would you watch this track too?
• 47:02
  Speaker 2: Sold?
• 47:02
  Speaker 1: But I mean to talk.
• 47:04
  Speaker 2: About it's still fresh in my brain.
• 47:06
  Speaker 3: All right, then I'll rewatch it. Make it three hundred
• 47:09
  Speaker 3: and seventeen. All right, y'all, See y'all next time.