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Quick Slip In, Quick Slip Out · Yo Gavel Gavel! - Court TV Commentary

• 0:03
  This is a Bramble Jam podcast this week on your gabble gabble. If you
• 0:15
  and your roommate disagree on the rent but you're not on the least, do
• 0:18
  you have to pay up? Judge Faith, it's a new lease on justice.
• 0:21
  And if you go to a recording studio and they don't give you the
• 0:24
  masters, do you get the money back or are you mastered out of I
• 0:27
  don't know, Judge Faith. Huh, real people o cases they just as
• 0:32
  this is yabble. U wait a week? Double the faith? We double
• 0:38
  faith. I think we double faith. You've got to have faith. I
• 0:42
  like it, dude, I do too. But this is typically why we
• 0:45
  talk out of time. But you know what, literally the one high that
• 0:48
  we didn't text each other and the reality is is that I mean in the
• 0:51
  steady rotation mathis Judy Jerry, Judge Joe Brown, People's Court personally hot bench
• 1:02
  judge of eight for both of us one eighth times one eighth. That's one
• 1:07
  sixty fourth. The chances are one in sixty four that that would happen.
• 1:10
  Do you do America's Court? Oh no, no, Ross nine wow,
• 1:15
  one man. The odds are just you know what, faith has enough to
• 1:22
  go around. That's right, that's yeah. The TV Patreon bonus episode where
• 1:26
  we share with you the love of Jesus Christ. What are you doing right
• 1:32
  now? I didn't mean it. I mean, but you do mean the
• 1:34
  love of Jesus. Though you took it in a different direction. I felt
• 1:38
  like I was saying something inappropriate about judge faith, were making it like a
• 1:44
  witness thing. Both are not what I was intending. No, but if
• 1:48
  you want to know about Jesus, I mean your case, your faith case
• 1:53
  sounds a little bit more in depth. In my faith case, mine's a
• 1:57
  run of the mill rental apartment, rental situation, you know, a roommate
• 2:04
  here there, here there that, Yeah, exactly, Well, I can
• 2:07
  go first. So I just said all that. Your case sounds more detailed,
• 2:14
  more interesting, and you you want to go first, I don't know,
• 2:16
  you go first. And also we're going to be doing another one of
• 2:21
  these tomorrow, tomorrow, more rable fests. Nothing like kicking robes out of
• 2:25
  the closet. Oh, we should bring the robes. Were you not going
• 2:30
  to bring the rope? I didn't think about it. We haven't worn them
• 2:31
  in so long. We've got but we've got it. Where are they?
• 2:34
  They got to be in the you know, the one area with all the
• 2:37
  one clothing. They're not. It's not done there. This is a new
• 2:39
  new bit. We could maybe check the old old bit. No one knows
• 2:44
  what we're talking about. The one area and we got two we got one
• 2:47
  area, we got two bits and four two go all right? Uh so
• 2:53
  let me introduce you to Catherine and Monique. Oh please do. Catherine and
• 2:59
  Monique are best friends or were best friends. You know what I will say.
• 3:02
  The one thing that bumps me out about doing this show is so many
• 3:07
  friendships lost. Well as someone who loves my friends, yes, of course,
• 3:10
  but also like I always wonder how close these people were to be sure,
• 3:14
  they always say like we were like sisters, we were like brothers.
• 3:16
  I just don't believe them. Have you ever lost a good friend? Uh?
• 3:21
  Like not like dad were with disagreements like something like that. My best
• 3:28
  friend in middle and high school we had a pretty big falling out and we
• 3:31
  still keep in touch and on occasion, but we were no longer best friends.
• 3:37
  Okay, sure, ye did you ever have Yeah you did. I
• 3:38
  had a buddy in high school who I kid you not? On two or
• 3:44
  three different occasions when I would like a girl, he would make a move
• 3:49
  and he would end up kissing him. Wow. It happened two or three
• 3:53
  different times, and it occurred to me after like the second time, I
• 3:55
  was like, he might not be a good friend. He might be a
• 4:00
  good friend, but you moved pretty slow. Yeah, of course you moved
• 4:01
  pretty slow and kind of creepy and that and that. At some point,
• 4:05
  maybe he's just trying to save this one. Well, the problem was the
• 4:10
  problem is a kiss dating, goodbye, And he's true, he kissed dating.
• 4:14
  My incident is a little too personal to talk about, but it's hysterical.
• 4:21
  I can't go into the story unfortunately, even on a bonus set,
• 4:24
  but ask me after we turn that off, and I will be glad.
• 4:26
  I will do that. Okay, go ahead, Nique and Catherine Catherine.
• 4:30
  Uh So, Catherine starts and says, and she's suing Monique for three thousand
• 4:34
  and fifty dollars in unpaid rent and a broken t D. That's a lot.
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  Do we know the split there? Financially we don't split and uh yeah,
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  I will just keep keep it moving. So she said that they split
• 4:48
  rent on a townhouse, and Faith said okay, so it was you and
• 4:53
  it was Monique, and Catherine goes, no, no, no, it
• 4:56
  was me and my four kids. And Faith's like, okay, so you
• 5:00
  and your four kids and Monique split a townhouse. That was it, she
• 5:03
  goes, And and my male friend and like a mailman, like a mailman,
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  the mail man. Yes, she had the maleman. That pose tool
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  would ring every morning. No, she Faith for breakfast. Who is that?
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  That's Monique or Catherine. I don't know. It's good either way,
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  it's spot on. Uh. So Faith says, okay, a male friend,
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  and she said, yeah, the father of my children. She doesn't
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  ever call she doesn't she doesn't ever call him her boyfriend or her husband or
• 5:34
  her significant other. Just my friend. That is the father of all four
• 5:38
  of my kids. That is what she said. That's what she says.
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  Good for you, good for you, whatever, whatever. That that's arrangement.
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  And we are friends and occasionally we get together, get together only reproduction
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  only. That's it. That's right. And well, I'll call you my
• 5:55
  male friend, can call me your female friend, and we'll just live happily.
• 5:59
  Ever sept I guess. So Faith is like, okay, did he
• 6:01
  pay part of the rent, and Catherine says, well, he gave me
• 6:05
  money for our half of the rent, and Faith says, so this was
• 6:12
  a fifty to fifty split, and she says, yes, fifty percent was
• 6:17
  paid by me, fifty percent by Monique. And Faith is like, she
• 6:23
  literally stops and goes, I'm just trying my best to understand this. You,
• 6:27
  your four children, and the father of those children. Six people are
• 6:31
  paying for half the rent and Monique over here is paying the other half of
• 6:35
  the rent. And Catherine is like, yes, that is the agreement.
• 6:41
  And then she says and you're suing her. And Catherine's like, yes,
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  I'm suing her because I always paid my half and she didn't. Okay did
• 6:48
  she pay? Like I don't know, like one seventh, we'll get there.
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  Monique says, well, the agreement, the agreement, as I understood,
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  it didn't include the baby. It was me, Catherine and her four
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  kids, and those are like my god kids, and so I'm fine with
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  the kids. It doesn't bother me. And it was split eight hundred for
• 7:09
  me, eight hundred for Catherine. And that was fine with me. That
• 7:11
  that arrangement was fine. But once the once the mailman, the mailman who
• 7:15
  rings twice. Yes, she Faith says, okay, Well you didn't know
• 7:19
  the baby daddy was going to be there, and she says, no,
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  I didn't, and then one day he came over and and he never left.
• 7:26
  That's exactly right. Well, have I got a twist for you?
• 7:29
  Faith asked for the lease, and on the lease, Monaque's Monaque. Monaque's
• 7:32
  not a person. Monique's name is not on the lease. Catherine's name is
• 7:38
  on the least interesting and the baby daddy's name is on the lease. Wow,
• 7:42
  Monique's names not on the lease, So face like, what's going on?
• 7:46
  This guy wasn't even supposed to be living here, according to me.
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  His name's on the originally the original lease for the townhouse. Catherine says,
• 7:54
  only we had to use his name. Uh, Monique's credit wasn't credit situation,
• 7:59
  and so we just had an agreement. But it's actually, yes,
• 8:03
  the father of my kids, she just says, uses a pronoun. She
• 8:07
  just says he like she never says my boyfriend. She never says his name.
• 8:09
  This guy is just you know, fathering these four kids and living with
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  them, but not getting the credit for doing anything. Uh. She his
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  name's on the least and my name's on the least and Monique's like, look,
• 8:22
  I didn't have a problem with the kids. I didn't know that his
• 8:22
  name was on the least. I didn't know any of that. But when
• 8:26
  he came in, I just thought, you know, I was, you
• 8:28
  know, I was upset. Of course, so he and then she said
• 8:33
  her quote, is he slick moved in? He slick moved in? I
• 8:37
  don't. I don't. I'm not familiar with which is exactly what we talked
• 8:41
  about. He would come over occasionally spend the night, and then all of
• 8:43
  a sudden, he came one time and he did not slick moved in.
• 8:46
  Slick moved in. It was a slick move in like that phrase. Yeah,
• 8:50
  I'm gonna use that as often as I can. You're gonna slick move
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  in, just like uh oh, hold you to it, like oh I
• 8:56
  got a box of Lucky Tim's gonna slick move in, slick move in on
• 8:58
  those like get charms. Was that if this was on TV, that would
• 9:03
  have been There is no cereal in that move at all. That was pouring
• 9:09
  the milk. It was just a dash, That's right, man. I
• 9:13
  can't even replicate that. What has happened for the listeners out there. So
• 9:18
  uh uh he slick moves in and then uh he shows up one day,
• 9:24
  he doesn't leave. And then she goes, Okay, Catherine, did Monique
• 9:28
  ever come to you and go, look, he's gonna live here. We
• 9:31
  should just split the rent three ways instead of two ways. Katherine's like,
• 9:35
  no, never, ever, ever, And then Monique starts arguing, like,
• 9:39
  I can't talk to talk to Catherine. She's like a child. Catherine
• 9:41
  starts popping back and forth faith to gabble and says, I know y'all are
• 9:48
  from Atlanta, but that ain't how it's going down, And the course of
• 9:52
  course, the crowd goes, I know y'all are from Atlanta. So she's
• 9:56
  hating on Atlanta. She's hating on on the at L and says, that's
• 10:00
  the house going to go down. Judge faith defense, I'm very interested in
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  what you have to say. Next. I think she's from Atlanta. Faith
• 10:09
  is no, I don't know, okay in judge based defense Atlanta go ahead,
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  Yeah, there's a while. All I'm gonna say is I think she's
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  from Atlanta. Oh no, no, here we go. Catherine says,
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  I got I got I got an eviction notice. She says, I got
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  an eviction notice on my door because I didn't know Monique wasn't paying the rent
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  and faith to it. Wait a minute, why is Monique paying the landlord
• 10:41
  separately? And she said that was just part of our agreement. She would
• 10:43
  pay uh, you know, her half straight to them. But even though
• 10:48
  she wasn't on the lease, we never get to the Yeah, exactly,
• 10:50
  that's interesting. And Monique's like, look, talking to her is like a
• 10:54
  child. It's impossible. I just can't deal with this anymore. Catherine's like,
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  I got the eviction notice on the door. We're getting evicted, and
• 10:58
  outside is a big giant moving truck and she's trying to slick move her stuff
• 11:03
  out before I get home. That's interesting. So you can slick move in
• 11:07
  and out all of a sudden, you know, the lucky Charms replaced with
• 11:11
  you know, Raisin bran. You're slick moving out, absolutely sick moving out.
• 11:16
  Although I went on a Raisin brand. There's a lot of sugar on
• 11:20
  there's raisins, a lot of sugar on them. That's exactly what imagine my
• 11:24
  surprise when I just try to eat a box of Raisins no sugar to be
• 11:28
  found, just just choice the point chewy badness. That's just chose, that's
• 11:33
  just old grapes. So then Monique pops up and says, I was paying
• 11:37
  utilities every month. The water bill is five hundred dollars a month. Faith
• 11:41
  was like, well, you did move in with six other people, and
• 11:45
  I want to get this straight. You agreed to pay the utilities, and
• 11:48
  they both nod their head. Yes, that's a lot of water. It's
• 11:52
  a lot of water, even for six people, that's a lot of water.
• 11:54
  They're they're just having a full on water party every day. I mean,
• 11:56
  I'm like, I got four people in my house. I mean not
• 12:01
  even one hundred dollars. Like, there's seven people, five hundred dollars.
• 12:03
  You are, like you are full risky business, slip and slide down the
• 12:07
  hall every day. What type of toilet do they use? Oh yeah no
• 12:11
  no no, it's just it's a ten gallante. Yeah, every time you
• 12:16
  flush it like you're killing fish. It's like you're just hours. So uh,
• 12:22
  she agreed to pay the utilities, but stop paying uh for the rent
• 12:26
  because she was upset about the dad moving in. Faith is now ready to
• 12:30
  rule. Wow, yeah, ready to rule. Did we ever get to
• 12:33
  the TV? This isn't all caps at the bottom after Faith's ruling. I
• 12:39
  want to be clear, we never want to talk about the TV after after
• 12:43
  the narrator brings it up, It's never brought up again. Don't talk about
• 12:48
  it, Catherine, don't talk about it. Faith isn't talking about that TV
• 12:50
  is just in the wind. So okay, I'm still believe it or not?
• 12:54
  What foggy on these details? Rent? Unpaid rent? Yeah ah,
• 13:03
  I'm gonna go with nothing. Why the deal was unfair to begin with?
• 13:09
  Yeah, you and Faith are locked in. She says, you have an
• 13:11
  illegal agreement here. It's not a legal agreement. And because of that,
• 13:16
  you can't go after her for money that she's nowhere on this lease. You
• 13:20
  deceive the company by sub letting your lease out without letting them know. But
• 13:26
  she was also paying the company, that's right. But that's the wild part.
• 13:31
  And she was paying all the utilities. So Faith's like, no judgment
• 13:33
  in favor of the defendant. That's crazy and all done. Faith wins the
• 13:37
  day every day. That's exactly right. Faith wins, hope, hope,
• 13:41
  love. Have you heard about those faith in today? At least today this
• 13:46
  show, Yes, Faith, because because we're double up on the Faith,
• 13:50
  I want to introduce you to Judge Faith. Is she from Atlanta? I
• 13:54
  actually think she's from New York. They say it in the intro. Sorry,
• 13:58
  I always skip the intro Aside from Ross, of course, just with
• 14:03
  Justice, it's not a foreign concept. I want to ask you to to
• 14:05
  Terrys Terrence Bennetts for you to say Terrence, Terrence Bennett. Okay, Bennette.
• 14:13
  One thousand dollars is what he's suing for for studio time plus twelve hundred
• 14:20
  dollars for master recordings. Oh wow, he's suing so for a total of
• 14:24
  exactly right. He's suing Howard Moore, who might be a little bit less
• 14:31
  by the end of the show. Terrence met Howard in April. That means
• 14:35
  nothing to me. I don't know when this was shot, but I did
• 14:39
  want you to know that information because I know it. I've got it.
• 14:43
  Terrence manages a rap artist. Now. Terrence is new to the game.
• 14:48
  This is his first new artist that he knew him a little bit. I
• 14:52
  think it's a little bits. He's new to the game. This is his
• 14:56
  very first artist. He's wanting to do everything right, you know what I'm
• 15:01
  and uh, they're doing some stuff. This is a little bit foggy,
• 15:05
  but uh, this artist was a rap and some song. I guess you
• 15:09
  could just say rapping was out there rapping. He is a rap as a
• 15:16
  song. They dropped a beat, dropped a beat, and Howard, here's
• 15:22
  this rapped song, and it's like, this is good stuff. So he
• 15:26
  goes up. He goes up to Terrence. Howard does and says, hey,
• 15:31
  you manage this, fellow. I would love nothing more than to record
• 15:39
  one song completely for free. I love this song. And so that's kind
• 15:43
  of how they get in. That's how they get in, right. But
• 15:48
  then things get a little foggy because from there, you know, he wants
• 15:52
  to use Howard to to to record the whole album. Okay, So Howard
• 15:58
  says, I've got us recording studio. It's going to be sixty dollars per
• 16:03
  hour. Okay. Terrence says that that included mixing and mastering their a document.
• 16:08
  No, there's not a document for anything ever in any scenario. So
• 16:15
  they agree, they go in, they record a handful of sessions. The
• 16:21
  sessions ended up costing one thousand dollars. So however, many hours. That
• 16:26
  is is how God did it. And they recorded ten songs. Ten songs,
• 16:29
  okay, So Terrence starts to get some like rough tracks, some demos
• 16:37
  of what they have. Do you know what I mean to kind of show
• 16:41
  what is what is going to be sounded like? Blah blah blah before going
• 16:42
  to mastering. So he gets eight of the ten songs, is what he
• 16:47
  says. Howard pushes back against that, and we don't want any pushback,
• 16:49
  but a little pushback here. He says, all the songs are in dropbox.
• 16:55
  He could have found him, he didn't. We don't really get how
• 16:56
  it's just a producers, the manager. Howard's just here to produce song,
• 17:00
  how and a freebie. So Terrence then, you know, time goes by
• 17:07
  and he's trying to get in contact with Howard about the mastering process. Now
• 17:14
  Terrence again said that the mastering was going to be included. Howard, you
• 17:18
  know, doesn't really say much about that. But he's trying to get in
• 17:21
  contact with Howard. Hey, how's the mastering going. Blah blah blah,
• 17:23
  got not hearing anything, just ghosting him. As the kids say, it
• 17:30
  was a slick move rap song. It was a slick move out if you
• 17:33
  will, and so Howard's not responding. Terrence then goes to the recording studio
• 17:40
  that they recorded in and says, hey, like, can I just get
• 17:44
  the like the the songs so that I can go get them mastered at this
• 17:48
  point, because I don't even think Howard's going to do this thing, and
• 17:51
  they're like, oh, you're Howard's client. Howard owes us money, so
• 17:56
  we're not going to be able to release these files to you until Howard pays
• 18:02
  us, or you know, we figure out of some other It wasn't howard
• 18:07
  studio. Howard was renting. That's exactly out. Howard was renting it for
• 18:10
  sixty dollars an hour. So they then he then Terrence didn't brings a text
• 18:15
  message up, gives the phone to Judge Faith and in the text we see
• 18:22
  lots of texts from Terrence to Howard, Hey, what's going on? What's
• 18:26
  the update? Hey, how are the songs coming along? Blah blah blah.
• 18:29
  And finally he's like, hey, can you send me the the stems,
• 18:33
  the like the raw files so I can take those raw files all the
• 18:37
  different tracks, send them to somebody else to get mastered and we get a
• 18:42
  text from Howard that says, listen, man, I got a lot going
• 18:48
  on in my life right now. I'll send you a refund. You could
• 18:51
  take it and do something else, go get go recorded again, whatever.
• 18:53
  I can't do this right now. So he says he'll send him a refund.
• 18:57
  That's what he says, Judge Faith fail. Well, yeah, if
• 19:02
  he's gonna send him a refund, then it's Terrence getting his money. Here's
• 19:04
  the question though. So he's suing for one thousand dollars for the recording session,
• 19:10
  but they did that, yeah, and then he's suing for twelve hundred
• 19:15
  extra dollars that it's gonna take to now master. He gets to twelve not
• 19:19
  the thousand. He gets to twelve hundred, he doesn't get the thousand Faith's
• 19:25
  swaps that what Faith they recorded, but he didn't get. He didn't finish
• 19:30
  the songs. Okay, So because they're gonna have to go and record again
• 19:37
  because they can't if he doesn't get any of the twelve hundred, even for
• 19:38
  the Masters, even though Howard said he would reimburse him. No, Howard
• 19:42
  said he would reimburse them for the recording session so they can go and record
• 19:45
  somewhere else. I was under the impression and maybe I wasn't listening well,
• 19:48
  and I'm really sorry. No, it's I was in the impression. Howard
• 19:52
  was saying, I'll give you a refund because I'm not gonna be able to
• 19:55
  master him. No, no, no, that's fair. The problem is
• 19:57
  is the five. The thing that Faith couldn't figure out is why can't we
• 20:03
  get the files? So, judging by the text where he says I'll send
• 20:07
  you a refund for recording, Faith infers that either he doesn't know where the
• 20:11
  files are, he can't get the files whatever. That's why he's going to
• 20:15
  give a refund, turnover and switch. So go record it somewhere else and
• 20:19
  then do it. You can get a master in whatever. What if he
• 20:22
  shows up later has the originals masters and makes a ton of money. Wow,
• 20:26
  he got off just a thousand bucks. Howard's just streets ahead. We
• 20:32
  did everybody. We will be back tomorrow at Bramblefest for a live gavel.
• 20:37
  Judge Faith will not be one of the judges. We guarantee it. We
• 20:41
  guarantee it. We're all judge Faith there, Judge, We're Faith there.
• 20:45
  Until then, maybe the first to wish you all rise yo. Gabble Gabbles
• 20:52
  a bramble Jam podcast recorded live in Greenville, South Carolina, at the Bramble
• 20:56
  Jam Podcast Network Studios. It's produced by Brandon Gray. For more information,
• 21:02
  you can go to Brainblejam podcast dot com slash gabble. You're about to hear
• 21:14
  some ads that helped keep the lights on here in the old studio. Thanks
• 21:19
  for listening or don't listen. It's really up to you. At this point.
• 21:23
  It is at the end of the show. I mean, you're listening
• 21:26
  to me Hi. But here they come. I promised they're coming. Yep,
• 21:30
  here they are. Happy Day.