Latest / Great Detectives of Old Time Radio Volume 2|Mystery Audio Dramas / Police Headquarters: Red Dugan Murder and Laundry Trucknapping (EP1226)

Transcript

Police Headquarters: Red Dugan Murder and Laundry Trucknapping (EP1226) · Great Detectives of Old Time Radio Volume 2|Mystery Audio Dramas

• 0:28
  Welcome to the Great Detectives of Old Time Radio from Boise, Idaho. This
• 0:33
  is your host, Adam Graham. If you have a comment, send it
• 0:37
  to me Box thirteen at Great Detectives dot net and follow us on Twitter at
• 0:43
  Radio Detectives. Well, before we do get started, I want to encourage
• 0:48
  you, if you have not already, to pick up your copy of my
• 0:54
  first detective novel, Slime Incorporated. Listener Pam McCall picked up a copy and
• 1:00
  it pretty well, and I really think if you like detective fiction, you'll
• 1:04
  enjoy this particular story. So it's available both as a paperback and for the
• 1:08
  kindle. Also a Great Detectives dot net. I have my review of the
• 1:15
  Poiro telefilm Missus McGinty's Dead, and you can check that out at Great Detectives
• 1:22
  dot net. You can subscribe to all of our articles or your kindle and
• 1:27
  try that out for two weeks free. Just search for Great Detectives of Old
• 1:32
  Time Radio in the Kindle store. Well, we're going to bring you the
• 1:37
  oldest program we have ever done. There are a few things that are known
• 1:42
  about Police Headquarters. It was a thirty nine episode series that was done by
• 1:49
  Bruce ELL's production. Longtime listeners will recognize Bruce Els as a name that was
• 1:56
  behind the Adventures of Frank Race, which we played about a year ago.
• 2:00
  Police Headquarters was syndicated to NBC stations out on the West Coast, and it
• 2:07
  was done in nineteen thirty two, which is far earlier than anything else we
• 2:13
  ever did. When I listened to the first episode, I thought this probably
• 2:17
  would not be a fit for the show, since the mystery seemed to be
• 2:21
  resolved fairly quickly and almost seemed to go the route of a typical crime drama
• 2:27
  which was more focused on the criminal than the police. But I decided to
• 2:31
  give the series a complete listen through and actually found that for its era,
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  it actually works pretty well. Each episode was fifteen minutes long, which I
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  think kind of balanced some of the pacing issues that nineteen thirty's radio drama had
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  in a half hour format or even in the serial format where it could tend
• 2:54
  to drag along. Each episode of Police Headquarters was a self contained show which
• 3:00
  alled to pretty good pacing. And we're going to play this series before we
• 3:06
  get to drag Nap because I wanted to give a flavor of what a attempt
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  at a police procedural, and I think a pretty good one, looked like
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  before drag Nat came along, and you'll definitely hear a few of those classic
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  thirties touches. So we're going to go ahead and play episode one. In
• 3:23
  episode two, the Red Dugan murder and the laundry truck napping. Please headquarters?
• 4:13
  What that? That's the second arc conected with homicide homicide Captain York Rob
• 4:25
  Bugan was jospin kill? Yeah? What did it happened? Tom? Who's
• 4:29
  this talking wrong? On the offs on the boat? Okay? Ryan,
• 4:32
  let anyone out of the joint till I get there. Oh, get a
• 4:40
  car round to the front and a couple of men from the Detective Bureau sending
• 4:43
  a general call to surround Tom Cotsonaires was joint and hold any suspicious looking who's
• 4:46
  that try to slip through? Rob Dugan has just been dumped af. I'm
• 5:00
  like, come on, I'll get back there on the sidewalk. Come on,
• 5:01
  get those people out of that door. Come on, open up here,
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  open up? Where's he Ryan in the backroom? Captain, he's dead?
• 5:09
  Where's cutting arrows? He's back there too? Well, don't let him
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  slip out this will be just about the last gang killing in his place,
• 5:15
  the old man said, the pad lock him. If anything else happened down
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  here here, let me shut to this door. Come on, help me
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  here, Come on, get back there, Come on back up, back
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  cut there, Come on there, stay on the door. Ryan. Hey,
• 5:28
  what's this bunch of rats doing here? You told me to hold them,
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  Captain? Oh, so they're the guys that were here when Dugan was
• 5:33
  killed. Eh, A fine looking bunch. All right, Just keeping where
• 5:38
  the ard of the wagon gets here, we'll sift him out. Donald Headquarters,
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  Yes, sir, who calls you in from the beach? Cutting arrows?
• 5:44
  Okay, I'll stroll in the backroom and just see what's going on.
• 5:47
  Whoa, Captain York. I'm glad you're here. Yeah. I'll bet where's
• 5:55
  Dugan right there behind your tip knife in the back? Eh? Who did
• 6:02
  it? I don't know, Captain York. All right, one of the
• 6:06
  waiters came back here in pound? Was he back here alone? Oh?
• 6:11
  Nick Denesko? Was we did that dirty little snake? Eh? When did
• 6:15
  he get out of prison? I don't know, Captain, No, I
• 6:17
  suppose not. How along was Nick with him? Oh? One? And
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  then Nick left. Yeah, anybody see dooking alive after Nick left him?
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  No, Captain, this knife has Nick Denesco's initials on it? Is it?
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  His? Well looks very much like it. Captain, know any reasons
• 6:34
  for Nick killing him? I don't know. I'll listen cutting errors. I've
• 6:40
  got orders to pat like you're dump the next time there's trouble down here,
• 6:43
  you'd better give us your help on this case. Come on now, maybe
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  the old man is so easy on you. I want to do what's right,
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  Captain. I don't want the boys chilling one another in my place.
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  I am trying to run a nice place. They can't run a nice place.
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  Several liquor to a bunch of rats. Reason what Nick Denesco have for
• 7:00
  killing Dougan? Well, maybe it was over Nick's old girl, Yes see,
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  Captain. After Nick went to prison, Dugan stole his girl. So
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  when Nick got out, he looked Dugan up and knifed him in the back.
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  Eh. Yeah, nobody saw him do it. Don't make any difference
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  where this gal live named Sadie. She's living with Big Jim Diamond right now.
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  So she bounced Duggan too, Eh, going in for heavy money playing
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  around with big Jim Diamond. Eh, well, we look her up.
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  Unless I miss my guest, we'll find Nick hiding around somewhere near Yes,
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  sir, I've got a hunch that Nick feeded right to sadies place. He
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  wants her to bring up. Let me in. Who is it? It's
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  me? Nick? Same after me? Hey, can't you understand they're after
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  me? What? Cot me? Inside? Heady? Tom York is right
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  behind me. I killed the man, baby, I too. You kill
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  the man, Nick? Why you'll know why I killed him? I slipped
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  up on him. He was half drunk. I slipped up on him,
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  and so you were still anomer day man. No. I never loved anyone
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  but you Nick. You know that. I can't put that line over on
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  the y stand with Jim Diamond right now. I know that, but I
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  don't care, Sabe. They've gotta hide me. You've gotta hide me,
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  do you hear? I can't hide your hicks? Tom, you orcle come
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  up here the first thing. I know that, But you gotta give me
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  an alibi. You gotta tell Captain York that I've been right here playing tirds
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  since eleven o'clock. You go through, why Sady? You got your bags
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  packed. Yeah, I'm leaving Jim. Nick. He beats me. He
• 9:00
  beats me something terrible. Look look at there. Okay. Can you give
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  me an alibi, sady? And when things blow over, we go away
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  together. See, yeah, we'll go away together. Me and I don't
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  be a rough little store pigeons. Aw. I'm not so bad, Sadie.
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  And I've always loved you, honest. Yeah, Shady, you got
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  a gun on the table. Why why there's what it's been line on the
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  radiator. Well, it's just been fired. Smell the powder, Sady.
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  I'll tell you the truth. Nick. Jim came home tonight and tried to
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  beat me up. I got this gun to scare him. You you'll killed
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  him? Now? Why you're scared in that's all? Chase me into the
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  next room there, and I sat two shots over his head through the window.
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  He got scared and left. I gotta get out of here before he
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  comes back. That's tell me, all lady. Oh you get me sure?
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  You? God? They give me that alibi? All right? Listen
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  to me a little laughs. What time did you kill Duban? About about
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  that half an hour ago at twelve thirty hmm, it's one now, anybody
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  see you do it. No, but my knife. They'll find that.
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  Sure, that's all right. You can tell him you lost that. Yeah,
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  yeah, that's it. I lost it. And listen to me.
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  You've you've been here since eleven o'clock tonight. Yeah, yeah, I've been
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  here since eleven o'clock tonight. I'll tell Tommy your scept that I called you
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  over here, that I was afraid of Jim, but I wanted you to
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  protect me. Yeah, that's it. That'll be a good story. That'll
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  give you an alibi. Yeah. Yeah, But tom will find this gun
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  and you'll want to know about it. Yeah, I got it. We'll
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  tell him that I was afraid of Jim and I called you over here to
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  protect me. Why you were here? Jim came in, he was drunk,
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  and you fired two shots through the window and the next room to scare
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  him. Yeah that's it. If that'll stop me, get Anyboddy calls now
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  if you up care in a minute, Captain Yorkat no fool sady. You'll
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  have to go easy with him. I know how to handle him. Stout
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  right now, all right, you've got to act like nothing it happened.
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  Help in the kitchen and start making some Sandwichies, don't come in this room
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  till I call you. I'll handle the captain, okay, all right,
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  beat it to the kitchen, all right, all right, keep your shirt
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  on. Hello, Hello, flat food? If I come in, Sadie,
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  help yourself, copper the doors open. Getting kind of richie since you've
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  been associating with Jim Diamond. Eh oh, I've been doing all right.
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  Sure, leave it to you, Sadie. Leave it to you, all
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  right. Stop beating on the bush. What do you want? Sit down,
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  Sadie, don't get so happy. We're gonna have a nice long chalk
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  all right, Captain, you better sit down too. I know what you
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  want to talk to me about, and I'll give you the lowdown and the
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  whole thing. Nick came up. Oh so that's the way it was.
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  Eh, All right, Sadie, you can go, thanks, Captain.
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  They can come out now, Nick. Ladies told me all about it.
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  Hello, Captain. I was wondering if was out here with Sadie. Where
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  is she? She took her bags and left. Told me all about it
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  though, Eh, all about what all about? Where you was all evening
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  and what you was doing? Yeah, what's wrong? I was just about
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  to make a mistake, Nick, A terrible mistake. Eh. Yeah,
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  you know, Nick, I was just about to make the mistake of trying
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  to pin the killing of Rod Dugan under you on me. Yeah, funny
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  is this? And Sadie tells me you've been here since eleven o'clock. Yeah,
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  that's right. And Dugan wasn't bumped off until about twelve thirty. Yeah.
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  Yeah, I almost pull a boat of that time, Nick. Yeah.
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  Sadie tells me she called you over here tonight to protect her from Jim
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  Diamond. Yeah that's right, Captain. She tells me that Jim beat her
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  up. Did she show you the bruises? Yeah? He must have beat
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  her up something terrible. Dot. I shouldn't imagine that you like it,
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  Nick, seeing as how you're stuck on Sadie. I don't. Sady tells
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  me Jim came up here tonight. Yeah, that's right. How was he
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  feeling, Oh he was drunk. Stadie says, you and him had some
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  trouble. Yeah. He starts getting tough and I told him to get out.
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  He didn't want to go, so so I got Sadie's gun just to
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  scare him, and tells him I'm going to kill him if he don't beat
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  it. And what did he do? He got tough and I I bust
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  a couple of caps right over his head, just to scare him. I
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  see. And what did Jim do? He beat it out the door,
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  running like blazes. Oh I see. Oh by the way, Nick,
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  where are the bullets from your gun? Go? Eh? Uh? Through
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  an open window? It was in the next room, this room over here.
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  Yeah, come over here, Nick, I want to show you something.
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  Mhmm. But that look. Look who's lying on the bed ship j
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  dang sure ruts Jim Diamond. And he's dead head You heard me, He's
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  dead, killed by bullets from that gun. Are you killed him because he
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  was beating up on your girl? Oh no, I didn't. Actually,
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  I didn't own the light of it, your dirty rats. I didn't kill
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  him. I wasn't even here. I wasn't even here. Don't know where
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  were you I would Oh? Oh my god? Please ad quarters? Okay,
• 15:05
  Captain hello, Tim, cancel or pick up on Dick Denesco for that
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  Dugan killen. He just confessed. Captain York, Please headquarters, Police headquarters.
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  Just a minute. A connect to the detective euro The text of your
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  Captain Clark Stephen Day seven Palm Avenue. I want someone out here right away,
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  one two seven Palm Avenue. What's wrong with todayday? My son Stephen
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  has not been kidnapped? Kid napped? How long ago? I don't know.
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  We just discovered it. Oh, don't stand there talking, Get out
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  and do something. Radio patrol will be there in two minutes. Haven't search
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  the grounds and I'll be right out. Radio. Get a couple of cars
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  to one two seven Palm Avenue on a kidnapping I get captain, do it
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  from my identification. Tell him to meet me out in front of a short
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  call car. That's a good thing you got here, Captain. Your men
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  have been trampling all over the yard and hedges, but they haven't found anything.
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  Oh I do all right, keep your shirt on. This is Captain
• 17:17
  de Widow, the Identification Jury. How do you know who discovered that your
• 17:19
  son was missing? I did? How long ago? About five minutes before
• 17:22
  I called you? That was fifteen minutes ago, about two thirty this morning?
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  Right, Well, I suppose so I was asleep at the time.
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  What woke you up? The telephone had kept ringing and ringing until I had
• 17:32
  to get up and answer it. Don't you keep a butler? Yes,
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  but this was Jovis night off? Okay, who was on the phone?
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  Some man? He said he wanted to speak to Steve, your son.
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  Yes. I told him to call back in the morning, but he was
• 17:42
  insistent. I went up to Steve's room, but he wasn't in. I
• 17:45
  noticed that the bed had been slept in, but I was too sleepy to
• 17:48
  look around. I went to the extentson in the hall and told the man
• 17:51
  that Steve wasn't in. What did he say? He said he knew down
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  well that Steve wasn't in because he been kidnapped. He said to me to
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  sit tight and not say anything and wait for a phone call, and then
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  he hung up. Well can I see the room surely right this way?
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  Oh, don't make too much noise, please, Steve's mother is asleep and
• 18:08
  I don't want to frighten that. That's all right, mister Day. We
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  won't make any more noise than we have to. Thank you right up these
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  stairs. By the way, did you recognize the voice on the other end
• 18:26
  of the wire. No, but come to think of it, it did
• 18:30
  sound a bit familiar. But then I can't be sure. Here, this
• 18:33
  is a room. Where's the light switch? Right here? That's better.
• 18:38
  Look at the window, French. Well, he slept in his bed,
• 18:44
  all right. Much of a struggle, two of them, No violence,
• 18:52
  there's no blood. What's this mm? Floral form? Probably held him in
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  bed till it got him down. Do you think he'll find him? Captain.
• 19:03
  I'll pay anything to get him back. His mother. She's not well.
• 19:07
  This shock is liably well. We'll do all we can. The thing
• 19:11
  for you to do is to play ball with us instead of the kidnappers.
• 19:15
  Stall him along and make him think you've got to have time to get the
• 19:17
  ransom doll. Oh, by the way, how much did they want?
• 19:21
  Well, they didn't say. A man who called up set to wait for
• 19:23
  a phone call. Oh that's good. I probably called back. I do
• 19:26
  it finally, Prince, Yeah, not many. Hey, jimmy this window
• 19:30
  and let the boy down this colors? Oh, mister Day, how old
• 19:33
  was your son? He was twenty? All right, let's work fast.
• 19:37
  Now. I want some pictures of him, a racient ones, the good
• 19:38
  ones, the ones that looked like him. Yes, I want a list
• 19:41
  of his friends, the list of your friends, and a list of your
• 19:42
  servants. I'll get them right away. Oh, by the way, what's
• 19:45
  the name of your butler? How long you had him? Why? He's
• 19:48
  been with us about two months. The name is Jobs. This is regular
• 19:52
  day off. Yes, he usually visits his sister. She lives somewhere down
• 19:56
  on the East fourth. I believe, all right, and get me those
• 19:59
  pictures this one okay, yeah, okay, give me the test board.
• 20:08
  Hell all this is Captain Clark Police Department. Yeah. I want a phantom
• 20:12
  circuit set up on this number and run into headquarters right away. Speed's important.
• 20:17
  It's a kidnapping. Well, here are a couple of pictures, and
• 20:19
  here's a list of friends whom Steve invited to a party last month. Good.
• 20:23
  When will this butler Viers be back tomorrow morning or rather this morning?
• 20:27
  I want to talk to him when he comes in. So, uh,
• 20:32
  where did he work before he started working for you? He'd been out of
• 20:34
  work for several months. He was driving for a laundry company. So you
• 20:40
  gave him a job as a butler. Well maybe someday you guys have learned
• 20:44
  to look into a man's past before you take him on. Oh finish frenchy,
• 20:48
  Yeah, you don't think that John Tader thinking my business when I don't
• 20:52
  know I find out. Come on, Frenchie, that's all we gonna do.
• 20:56
  Let's go downstairs. But captain me, is that all you're going to
• 21:02
  do? That's all right now. I've ordered your phone tapped. Whenever it
• 21:04
  rings, they drop a fallen headquarters and we will listen in. You stay
• 21:07
  by the phone and stall the guy. Tell him you want assurance that they've
• 21:11
  got the boy or something. That'll give us time to trace the call and
• 21:14
  get a radio card down on it. Hey, it's all right, and
• 21:18
  remember you're going to play ball with us. If you get a note or
• 21:22
  a telegram, notify me right away. Oh of course, by all means
• 21:25
  that's all. Just take it easy and don't worry. We'll keep in touch
• 21:27
  with him. So long. Find anything French, Oh, a couple of
• 21:33
  prints and a couple of buttons. Buttons look like they've been torn off in
• 21:36
  the struggle. Good. Anything else, well, I'll send a couple of
• 21:38
  boys out in the morning for footprints. They should find some dandies at the
• 21:41
  foot of that treillers want me to drive Yeah, ready on, Yeah,
• 21:52
  we better keep this thing on the cover of a few hours. I think
• 21:56
  we can work better at the snatches. Don't get all excited. Yeah,
• 22:00
  thirty six one three six got a three twenty seven three month for disturbance calling
• 22:06
  fifty five five five on the vacant lot of Mountain turner streets that run.
• 22:14
  The boy's pretty busy today. Yeah, attention in all cars broadcast number twenty
• 22:18
  one regarding a stolen car. This is a hot one. Boys, two
• 22:22
  yeggs stole a laundry truck abop ten thirty to night license two three nine one
• 22:27
  seven six's fauldrey truck. That's a good one. Hey, that boy won't
• 22:33
  get for I do it? Turn in here? What four? This all
• 22:37
  night filling station is just a block from the day residents. Travel is't very
• 22:40
  heavy night, especially about this hour. We'll see if the attendant so,
• 22:42
  how many cars coming down this way from the day house, Yes, sir,
• 22:48
  fill it up? No? No, how long have you been on
• 22:52
  duty, buddy? Since eleven? Many cars come past year after Tuesday between
• 22:56
  two and three only three? No service for you? What they look like?
• 23:00
  Two small sedans in a laundry truck. A laundry truck? Huh?
• 23:03
  Notice what's company? No super And I thought it was kind of funny for
• 23:07
  a laundry truck to be running around at two thirty in the morning. You're
• 23:08
  a right buddy. It is funny calling Captain Clark for forty three oh their
• 23:12
  yachtlne. Capn Clark just had a call to the day house. Came from
• 23:15
  a pay station at four to three, Oh Williams. Four to three,
• 23:19
  Oh Williams, it's a drug store. Pick it up. Ninety one and
• 23:22
  ninety two kidnapping suspect. There you are. Our friends have called and four
• 23:26
  or three Old Williams is near Fourth Street and Daves Butler has a sister who
• 23:30
  lives on Fourth and Daves Butler used to drive a truck for a laundry and
• 23:33
  a laundry truck is stolen and one was seen. Come on, come on,
• 23:36
  come on, let's get going. Come on, there's the drugster.
• 23:48
  The radio boys are over on the curb. I'll talk all good, I'll
• 23:51
  see the druggist. Well, what's going on around here? Captain? After
• 23:56
  kidnapping suspect? You see the guy used the phone little while And what do
• 24:00
  he look like? He was about medium bill go complected rather swarthy head him
• 24:06
  the stage. I believe good. Maybe I'll bring him in and let you
• 24:07
  identify him. Franchie, Franchie, yeah, yeah, coming right in.
• 24:15
  What did the boys have to say? Both cars came down on this place
• 24:18
  from different directions, but they didn't see anyone. How long were they making
• 24:22
  a call? One minute flat? And the guy couldn't have gotten far away?
• 24:23
  Maybe he lives around here close? Hey, doc, did you ever
• 24:27
  see a fellow before? He was in about two thirty five? And use
• 24:30
  the phone? Why so we used it twice? Huh, that proves he
• 24:34
  does live around here somewhere outside benchy. Give the two patrol cars position at
• 24:38
  each end of the street. We'll park our car on the fourth street side
• 24:41
  and wait for something to happen. Mmm. Have I been asleep, Blonde?
• 25:04
  Oh? Couple hours. I'll let you sleep you needed it. And
• 25:08
  what time is it about, Bloom? Do you have any breakfast? Not
• 25:15
  since I bite around six this morning. I've been keeping an eye on the
• 25:18
  street. I don't think the clock there it is? That's it is?
• 25:22
  Sure of shooting the laundry truck two three nine one seven six, that's it.
• 25:27
  M stopping right in front of that hotel. All right? You beat
• 25:32
  around at the back of the place. I'll take her. One of them
• 25:33
  staying in the car, I'll take care of him. You got the other
• 25:36
  one, Well, that's the laundry business. No, you don't put him
• 25:51
  up, he say, worry Rachel, yap out of you? Now that's
• 25:55
  part of yours too, All right back in the truck you yeah, put
• 25:57
  him on? What is announcer? So you thought you could pull a snatch
• 26:02
  and get away with it? Huh? Why you name all? You can't
• 26:03
  around of you guys like a bill collector. It comes your buddy, not
• 26:08
  one, yeap out of you. Now you're dragging the laundry bag, is
• 26:12
  he? So you got young Day in that bag? All right? Up
• 26:18
  with him? A dirty kidnaping? I got your down the rights, not
• 26:19
  me, officer. How what do you mean? I'm Stephen Dave Junior,
• 26:22
  the guy that was kidnapped. Where's Jarvis upstairs? Your fellow officer collared him
• 26:26
  trying to beat it down the fire escape. He's bringing him down. Oh
• 26:30
  that was another one too, Java sister, she engineered the whole deal.
• 26:33
  Captain de Witches knocked her cold and the harry. Yeah, I'll go up
• 26:37
  and get that dame. You don't have to Captain No, No, she's
• 26:41
  in the bag. Police Headquarters. Okay, Captain hello, Kim, cancel
• 26:59
  that cup on the laundry truck. And the kidnappers of Young Day, Captain
• 27:03
  Clark's bringing them in, Yeah, in a laundry truck. Leice Headquarters at
• 28:14
  the welcome back. Well, both plots were fairly clever. I think the
• 29:04
  second one a little more than the first. You really get a little bit
• 29:10
  of a hint of the overall nineteen thirties era officers referring to places as joints,
• 29:18
  and just a few other things that make it feel more like you're watching
• 29:22
  a gangster movie, though it really culminates in the when you get to capture
• 29:30
  at the end of the second episode. But overall, I thought these were
• 29:33
  pretty good, particularly when we're listening to eighty two year old programming. So
• 29:38
  I hope you enjoyed it, and we'll be listening next week as we continue
• 29:44
  on with Police Headquarters. And for listener comments, today, we just have
• 29:48
  a tweet from David who says glad to discover radio at Radio Detectives. Good
• 29:55
  show plus genial host, Thanks well, thank you so much, David,
• 29:59
  and I appreciate you listening out there, and you can follow us on Twitter
• 30:03
  at Radio Detectives and become one of our friends on Facebook. Also, I
• 30:08
  do want to I do want to encourage you to come back on Monday as
• 30:15
  we resume with yours truly Johnny Doller. And as I said before, we'll
• 30:18
  be back on Saturday with two more episodes of Police Headquarters. In the meantime,
• 30:23
  send your comments to Box thirteen at Great Detectives dot net, follow us
• 30:27
  on Twitter, Radio Detectives, and become one of our friends on Facebook,
• 30:33
  Facebook dot com, Slash Radio Detectives. But from Boise, Idaho, this
• 30:36
  is your host, Adam Grahamson and off