Transcript

5.23.25 · Country Weekly

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Speaker 1: Now it's time to catch up with Country Weekly, where
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we check out news and gossip from the world of
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country music. I'm your host, Ken Dawkins, and I will
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be reading from various sources found online. As a reminder,
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RADIOI is a reading service intended for people who are
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blind or have other disabilities that make it difficult to
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read printed material. We'll begin with the first article, dated
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May nineteenth from countrynow dot com. Country music icon Alan
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Jackson confirms end of touring career. Alan Jackson is officially
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hanging his hat on his touring career. The country music
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icon performed his final road show over the weekend at
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Milwaukee's Feiser Forum in front of the sold out crowd
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of fourteen thousand fans. Jackson confirmed that this was, in
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fact his last show on the road. All may have
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heard that I'm kind of winding down. In fact, this
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is my last road show of my career, he said
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from the stage, and the audience roared with applause. You're
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all gonna make me tear up here now, the legendary
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singer songwriter admitted. He then let fans in on a
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little secret, revealing that they are planning a big finale
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show in Nashville next summer sometime. While details surrounding the
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finale are yet to be announced, it sounds like it's
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going to be a show to remember. We just felt
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like we had to end it all where it all started,
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and that's in Nashville, Tennessee music city, where country music lives.
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I gotta do the last one there, he said later,
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adding this is the last one out on the road
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for me. The Country Music Hall of Famer told fans
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it was a long, sweet ride and he's really lived
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in the American dream for sure. So Blessed. Jackson's show
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in Milwaukee was one for the books. He treated the
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capacity crowd to performances of nearly two dozen hits, including
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its five o'clock Somewhere, Remember When Gone Country, Living On Love,
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and more. Alan Jackson is one of the greatest country
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artists of all time. Of course, he is known for
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his simple yet impactful songwriting. He sold nearly sixty million
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albums worldwide and released over sixty singles, including fifty that
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reached the top ten and thirty five that hit number one,
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twenty six of which top Billboard charts. Over the course
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of his career, He's earned more than one hundred and
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fifty major music industry awards. In twenty nineteen, the superstar
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revealed that he's living with the neurological condition. Sharcott Marie
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Tooth donated a portion of each ticket sold to the
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CMT Research Foundation. In total, the tour helped raise more
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than two point two five million through direct donations, matching gifts,
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related efforts, and other revenue inspired by Jackson and the tour,
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all while bringing career a greater awareness and understanding to
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the disease the genetic that I inherited from my daddy.
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There is no cure for it, but it's been affecting
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me for years, Jackson shared during a deeply personal interview
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with The Today Show. And it's getting more and more obvious,
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and I know I'm stumbling around on stage now. I'm
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having a little trouble balancing even in front of the microphone,
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and so I just feel very uncomfortable through it all,
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the Georgia native has remained positive. I just have to
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thank you all for supporting my music all these years,
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coming to the shows, buying the records and having a
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good time with us. Jackson shared, I'm so fortunate, so lucky.
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Next Scotty McCreary talks joining forces with Hoody and the
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Blowfish for summertime anthem. Scotty McCreary is kicking off summer
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with a bang. Literally. The country Star just dropped the
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newest single, Bottle Rockets, featuring a legendary band, Hoody and
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the Blowfish, and it's already shaping up to be a
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warm weather staple. The upbeat track blends McCreary's smooth Southern
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drawl with the group's signature sound led by Darius Rucker. Together,
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they've created a feel good anthem to captures the essence
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of summertime as teenagers, when it was all fun and
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there were no responsibilities in sight. Bottle Rockets was written
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during a trip to the mountains of North Carolina by
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McCreary alongside Brent Anderson, Derek George, Jeremy Bussy, Monty Criswell,
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Frank Rogers, and Bobby Hamrick. The members of The Hoody
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and Blowfish themselves, including Darius Rucker or Mark Bryan, Dean Felber,
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and John Jim jim Sonafield, they also had a hand
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in the creative processes. They recorded a new version of
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their mega hit Hold my hand for the track. While
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reflecting on this serene writing session, North Carolina native McCreary
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remembers talking about past summers and the soundtracks of those
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warm weather months. With Hooty and the Blowfish being a
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staple act of South Carolina, McQuary admitted their music was
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among the most popular in their neighboring states. Darius has
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been a friend now for a long time, so I
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was hopeful that maybe they would want to do this.
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But you never know, especially when the song probably means
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so much to them, McCrary told Country Now. But I
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nervously texted them and he got back to me and said,
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we'd love to do it. The song turned out better
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than my wildest dreams. McCrary takes the lead on Bottle Rockets,
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offering a celebration of youthful freedom, of freedom and small
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town memories that are made during those fleeting summers when
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the days stretched on forever. For McCreary, that feeling is
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rooted in his upbringing in the Carolinas, especially the last
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summer he had before real responsibilities kicked in. I was
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talking about my last summer with no job. I didn't
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have a learner's permit, but my buddies did. So they
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were driving everywhere and hitting the beach, no responsibilities, as like, man,
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I just remember that. Everybody's like, oh, these are the
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golden days. It was like, oh, well whatever, but man,
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those were good times, he explained. The song taps into
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the universal feelings of young love and intoxicating feeling of
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the new found freedom that comes with turning seventeen. With
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Hoody in the Blowfish soundtracking, so many summertime memories for
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McCreery and fans everywhere, the track felt like a full
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circle moment. Mccrury added, Hoody was on the radio, Hoody
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was on our playlist and stuff, so this was just
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a natural tie in to have them as part of
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the song. The American idol Alum sets the tone with
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his signature baritone vocals, lighting up the relatable, narrow a narrative.
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As Hoody and the Blowfish enter on the chorus, they
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bring a heavy dose of nostalgia with their warm harmonies.
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Bottle rockets in the sky, barefoot in the sand, Bonfire
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in her eyes, cold beer in the can, moonlight on
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the waves, or kiss in the dark, or smile on
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her face when she made me breakout my guitar and
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play as McQuary delivers this before Hooty and the Blowfish
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joined to sing in the lines from their beloved tune
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Hold My Hand, Hold My Hand. Next week, Scotty McCreary
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will head overseas to the United Kingdom for five headlining
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shows across Belfast, Glasgow, Birmingham, Manchester and London, with Kaylee
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Hammock as his opening act. He will then return to
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the States, starting with a show in Nashville's Grand Old
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Opry on June fourth, followed by an appearance at CMA
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Fest and Nissan Stadium on June fifth. McQuary has also
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several fair and festival dates booked throughout this summer. Next
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Morgan Wallen set lists superstar debut seven new songs at
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sand in My Boots Festival. Morgan Wallen wasted no time
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diving into his just release I'm the Problem album during
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his inaugural Sand in My Boots Festival in Gulf Shor's, Alabama,
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where he debuted seven brand new songs off the project.
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Closing out the sold out festival. On Sunday May eighteenth,
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Morgan Wallen delivered his first official headline show of the
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year this also appearance perfectly correlated the release or with
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the release of his new album, which became the most
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stream country album of the year on Apple, Spotify, and
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Amazon within hours of its May sixteenth release. The superstar
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made his grand entrance his signature Broadway Girls walk Out,
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shared a few words with the festivalgoers, and then promptly
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began the twenty three song set list. Explained to the
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sea of forty thousand fans that the idea to put
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his own festival together has been thrown around for a
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long time now. Eventually he found the right partner and
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right people to collaborate with, and after a lot of
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hard work and time, he and his team developed the
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Sand in My Boots Festival with a star studded multi
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genre lineup. Throughout the night, he delivered the live debut
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of new tracks I'm the Problem, Kick Myself, Don't We
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I'm a Little Crazy, I Got Better, Superman, and Just
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in Case. In addition to his recent releases, Morgan Wallen
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celebrated his career hits and fan favorites like You Proof,
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Cover Me Up, more Than My Hometown, Whiskey Glasses, and more.
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Of course, he also made sure to include the song
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that inspired the name of the festival, sand in My Boots.
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Those in attendance got to experience his music with two
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very special surprise guests, Bailey Zimmerman and Ernest. Half Way
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through the set, Zimmerman joined him in performance the five
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times platinum hit Up Down off his album and If
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I Know Me, while Ernest had hit the stage for
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their platinum certified collaboration Cowgirls off twenty twenty three's One
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Thing at a Time project. The final performance of the
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weekend came to a close with Morgan Wallen delivering his
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break through twenty eighteen hit The Way I Talk. He
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made sure to thank his fans for their massive support
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throughout his career before exiting the stage. Thank each and
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every one of you guys for making this possible, for
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supporting me, for supporting my new album. I love each
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and every one of you all. Next, Ella Langley celebrates
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her biggest headlining show to date and credits hard work
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and God's Plan. Ella Langley was already on a streak
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of career milestones, and she just added an the other
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one to the list. One week after becoming the most
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awarded artist of the sixtieth ACM Awards, The songstress played
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her biggest headlining show to date on Thursday. Langley took
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the stage in front of an entirely sold out crowd
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of four thousand fans at the Complex. She was tapped
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as the headliner for the benefit concert supporting the Ron
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McBride Foundation, with all proceeds going toward the after school
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programs for at risk youth in Title I Schools. In
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a new video from the show that has surfaced on TikTok,
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Langley appeared to be incredibly moved by the massive turnout.
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She introduced herself to all the new fans in the
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room and then made it clear that she hasn't gotten
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this far by accident. Instead, She's found success as a
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result of hard work and God's plan. Standing at the
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mic with her stunning red guitar and hand. Donning a
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white flowery dress and black knee high boots, the Alabama
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native went on to reflect on the all dream come
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true moments she had just one week prior to Texas.
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During the twenty twenty five ACM Awards, Langley took home
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an impressive five trophies and delivered some standout performances. Even
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though I feel like I've worked my tail off. It's
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crazy when you're not invited somewhere and then somehow you're
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the most nominated, and you're like, what's this stuff all along?
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Are you lying to me? Langley said, earning cheers from
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the crowd. There's just been nuts, really nuts. I feel
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like my feet haven't touched the ground since last week.
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Langley expressed her gratitude to all the fans who helped
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turn the Salt Lake City Show into such a memorable
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night tonight. Like I said, this is the biggest headlining
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show I've ever done in my career. We put this
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show on sale, and I mean you literally sold it
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out within an hour. So thank you. As she introduced
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her next song of the night, Girl You're Taking Home,
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Langley once again expressed how much she values hearing her
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fans singing her songs back to her every night. I
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know that these songs might mean something to some of you,
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but you all singing them back means the whole damn
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world to me. This next song is a personal one
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off the record I put out last year. I used
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to hate singing it, and then I didn't hate singing it.
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Now I hate singing it again. This one's called Girl
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You're Taking Home. This incredibly sad ballad finds Ella Langley
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telling a story of heartbreak and jealousy from the perspective
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of someone who feels replaced by a new love in
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their ex's life. The narrator struggles with wondering what the
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new girl has and what she doesn't see is her
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former partner treating his new girl the way Langley's character
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always wanted to be treated. With pure sadness in her voice,
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Langley asks, if I was good enough to be your
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last call, why is she the one you call your
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mama about after seeing all the ps I saw? Why
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is she the one who sees your best side? Now?
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If I am the first thing on your mind the
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second she lets go, then why ain't I the girl
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You're taken home? Girl You're Taking Home? As one of
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many deeply personal stories that appears on Ella Langley's twenty
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twenty four is Still hung Over project, This album also
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inspired the name of her most recent sold out headline run,
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which wrapped up in April. She just announced a few
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additional dates that will take place this October across Texas.
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Fans can catch her performing throughout the summer on Riley
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Green's Damn Country Music Tour, with dates running from May
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twenty ninth through ti August. She will also join select
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dates on Morgan Wallen's I'm the Problem track. Now we
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travel over to people dot com Country. The first article
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dated May twentieth, New Country Music Hall of Fame exhibits
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spotlights Dolly Parton's guts and grit. Dolly Parton's vast and
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enduring career is now the subject of a museum exhibit
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in Nashville, and the Country Icon showed up on Monday
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night to christen the new attraction. I think it's wonderful
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that I have been able to see my little girl
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dreams come true. Pardon seventy nine told several hundred invited
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guests during the opening reception at the Country Music Hall
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of Fame and Museum. She was, of course talking about
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her life packed with groundbreaking accomplishments in every decade, but
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she might as well have been talking about the exhibit
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as well. With artifacts and storytelling, it exquisitely shows how
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no one has proven more formidable in any of the
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roles she's undertaken songwriter, artist, actor, producer, entrepreneur and philanthropist,
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and no one has come any further or worked any
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harder than Parton to achieve her success. It's a long
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way from the top of the Smoky Mountains to the
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top of the world, she said during her remarks, and
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I'm so grateful because it didn't come without sacrifice. She
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quoted from the twoenty eleven songs the Sacrifice, set to
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be part of a score and her upcoming Broadway bound
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musical Hello, I'm Dolly. Grindstones and Rhindestones have made up
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my life. And you ask was it worth the sacrifice? Well,
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I reckon it was because I'm here tonight, Parton answered, adding,
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and I'm thankful for every person that's ever helped me.
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More than anything, though, it's her own grit that powered
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her trajectory from her humble beginnings, and that's the story
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of the exhibit she's chosen to tell. People just think
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it was very easy for that. She's so talented and
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so charismatic, says exhibit curator Michael McCall, the museum's associate
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director of Editorial. But she had to fight every single
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step of the way against somebody who told her not
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to do that. The battle began on her youngest days,
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as we know, growing up in the backwoods of East Tennessee,
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is one of twelve children, the daughter of a sharecropper
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and a homemaker. Her vocal talents were identified early on,
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and a musician uncle took her under his wing. As
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the exhibit shows, they teamed up to score her first
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major victory, a debut on the Grand Old Opry when
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she was only thirteen. I sang a George Jones song
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and got an encore. She recalled, and a quote featured
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in the exhibit, I thought, boy, this was just great.
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Then I got another encore, and I thought that was
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even greater. As the exhibit reveals, Parton continued to defy
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the word as she faced obstacle after obstacle, even long
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after she'd achieved stardom. Naysayers arrived at nearly every step.
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When she decided to enter her professional partnership with Porter Wagoner,
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a bigger star at the time, when she chose to
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bring pop sounds into her country music, when she set
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her sights on acting, and when she wanted to start
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her East Tennessee theme park, Dollywood. Among the hardest pushes
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against the McCall notes were efforts to get her to
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abandon her singular fashion sense. He quotes influential producer Cheded
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Atkins' early council, you got to tone it down. People
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aren't going to take you seriously. Years later, Atkins came
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back to Partner with his tail between his legs. Pigs.
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Aren't you glad you followed my advice? Even now, McCall
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reveals Parton hears comments about her appearance. She told the curator,
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they still fight me about how I look. They still think, well,
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you're older now, you should just tone it down, She goes,
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I'm not going to tone it down now. A lavish
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selection of Parton's sanctorial style is on display in the exhibit,
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all adorning custom made mannequins, many provided by the entertainer
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herself to accommodate her bountiful figure. Among the highlights of
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sherbert orange polyester sheath dress she wore on the cover
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of her nineteen sixty seven album debut, The Cowgirl Outfred,
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she wore in the fantasy sequence in the nineteen eighty
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hit comedy nine to Five, and the turquoise fringed swede
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skirt and LeMay top that she wore to be inducted
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into the Country Music Hall of Fame. Also back in
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nineteen ninety nine. Other one of a kind artifacts are
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sure to capture visitor's attention, including the original pencil written
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lyrics to Joelene, the portable cassette recorder that Parton used
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to first record that song and I Will Always Love You,
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and Parton's personal script for Best Little Whorehouse in Texas.
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McCall was able to confirm one of the many famous
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tales told about Partner to have reached mythological height. She
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did indeed accidentally smash her car into RCA's now legendary
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Studio B when she arrived for her first recording session
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there in nineteen sixty seven. Not only that, says McCall,
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but she goes, I still have the keys hanging from
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their same keyring, adorned with the leather Dolly strapped. A
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set of Chevy station wagon keys is now part of
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the exhibit. The wall, which sustained a nick was soon
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dubbed the Great Wall of Dolly by Atkins, and, according
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to McCall, clearly the museum has benefited from Parton's pension
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to hold on to keepsakes. Her expansive wardrobe and other
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possessions are now preserved in storage in Nashville and at Dollywood,
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and that's where Parton also will be drawing from her
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own museum, she made clear during her remarks Monday night,
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housed in what will become her Storyteller Hotel in downtown Nashville.
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It's set to open next spring, she said. So I'm
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sure that the Country Music Hall of Fame and We're
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going to be good neighbors. Carden said, adding with a chuckle.
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I did kind of cheat them a bit. I held
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on to some of my major things, but I was
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happy to share the exhibit. Dolly parton Journey of a
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Seeker continues through September twenty twenty six, and his entry
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included with the price of museum admission. A companion book
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that features historical photographs and artifacts from the exhibits available
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on the museum's website and add its store next. Tricia
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Yearwood says she never wrote her own songs because of
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one thing a man said to her at age nineteen.
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It's been more than forty years since Tricia Yearwood's songwriting
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aspirations were derailed by a single throwaway comment, but now
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she's making up for lost time. The Country Star sixty
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is set to release her latest album, The Mirror in July,
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and the record marks the first of her career that
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she's co written herself. In an appearance on The Today
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Show on Friday, May sixteenth, year would explain that she'd
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long avoided writing songs of her own because some guy
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once told her in college she was not a songwriter.
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Bless his art. I'm sure he probably wouldn't even remember
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ever saying it, but I was nineteen years old, and
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I gave him a bunch of poetry. Everybody in Nashville's
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writing I was in college, recalled the star who graduated
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from Belmont University. He just said, yeah, you're a good singer,
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but you're really not a writer. And I just let
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it be the truth for forty years. Yerwood said she
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finally gained some new perspective upon turning sixty in September.
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I had this kind of a aha moment. I turned
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sixty last year, and I highly recommend it. Everything sort
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of opened up, she said. I just thought, that doesn't
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have to be the truth about me just because somebody
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says it, and I started writing for me. That she's
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in love with the boys, singer told host Jenna bush
18:36
Hager and Aaron Andrews that she didn't ever intend to
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make a record, but the more she wrote, the more
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confidence she gained in her abilities. People in my life
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said you should make a record of this, and so
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here we are. It's crazy, she said. For the last
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thirty years, I could always go that's a really personal song,
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but I didn't write it, so it's not about me.
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And now everything has a little piece of me in it.
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She continued, I always felt as an artist I had
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chose songs that I made mine. They were mine when
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I was done with them. But it's just another layer
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when you actually have a hand in writing the song.
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The Mirror is set for release on July eighteenth, and
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Yearwood has so far released the songs The Wall or
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The Way Over and Bringing the Angels. She teased Bringing
19:15
the Angels on an Instagram post on May ninth, revealing
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she wrote the track with her sister Beth Bernard, plus
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bridget Tatum and Leslie Satcher. They told me I wasn't
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a songwriter, so I turned around and co wrote a
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whole album, she captained in the post here what has
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co written a pair of songs over the years with
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her husband Garth Brooks, whom she married in two thousand
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and five. They co wrote the song for the Last
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Time on her twenty nineteen album Let's Be Frank, and
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they also share credits on what I'm Thankful For, the
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Thanksgiving song off their joint twenty sixteen holiday record. Now
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we waddle on over to Savingcountry music dot com. With
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the first article, dated May twentieth, George Strait addresses how
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long he could continue to perform Alan Jackson's recent retirement
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met message that we told you about earlier means that
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there's one last country legend out there on the road,
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and Mike may one wonder how long can we expect
20:07
to see George Straight out there playing shows for audiences.
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It turns out George Strait has been thinking about that himself.
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Granted Straight officially went on his farewell Cowboy Rides Away
20:17
too We're Back in twenty thirteen fourteen, but ever since
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he's continued to play anywhere from half a dozen to
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upwards of twenty shows per year with his Las Vegas residencies.
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So even though full blown tours are a thing of
20:29
the past, King George has remained present in the live setting.
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But it may not be that way forever. Not a
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recent show at Lincoln Financial Field in Philadelphia. On May tenth,
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the seventy three year old George Straight addressed just how
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much longer we might be able to see him perform live,
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and in a rather poignant and touching way, I have
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maybe five good years to sing my songs for you folks.
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But hell, it's been around fifty now, and I still
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love it just as much as I ever did. When
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I hear Old John Michael on my name, and I
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walk through those curtains and I see your smiling face
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says my feet don't touch the ground until I walk
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back out get on that bus. I don't know how
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many more years I can do this. I figure a few.
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I do want you to know, though, when I do
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walk off a stage and I'm settled and far away
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from all of this, you won't be far away. I'll
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still hear your screams and cheers in my mind, and
21:16
I will always remember you. Straight statement includes reflections to
21:20
the lyrics of his song I'll Always Remember You. Of course,
21:23
Willie Nelson is still out there touring at age At
21:25
ninety two, George Jones, Merle Hagger and others continued to
21:28
tour right up until their deaths. If we get another
21:31
five good years from George Strait, we'll take it. But
21:34
as he's already proven, staying away from the stage is
21:36
not something George Strait is good at, or many country
21:38
legends they were born to do it. Next, Casey Musgraves
21:43
moves to Lost Highway and maybe back to her roots.
21:48
You can almost forget that. When Casey Musgraves came out
21:51
in twenty twelve with her debut single, Merry Go Round,
21:54
she was considered the cool artist of mainstream country, and
21:56
with her first two albums, same trailer, different park and
21:59
pageant material, and even her very casey Christmas album, she
22:03
presented as a neo traditionalist in country. However, kitchy in aspect.
22:07
Her big breakout Golden Hour, also included some of this sound,
22:11
even it was also her transition into more pop material.
22:15
In fact, Casey Musgraves was never really meant to be
22:17
a creature of music row in Nashville. Allays just kind
22:20
of happened that that way. When she initially signed her label,
22:23
it was with Lost Highway Records, which was UMG, Nashville's
22:26
alt country label, so to speak, where less commercial and
22:29
Americana acts like Hayes Carroll and Ryan Bingham were stable,
22:34
but then Lost Highway folded. Musgraves was moved to the
22:37
much more mainstream oriented Mercury Nashville and was marketed through them. Recently,
22:42
it was announced that Lost Highway was being recommissioned, and
22:45
even more recently that Casey Musgraves was named the label's
22:48
new flagship artist. She even released her version of Lost
22:51
Highway song written by Leon Payne and popularized by Hank Williams.
22:55
It recalls Casey's traditional country roots, but Casey's album Starcrost
23:00
and the slightly more focsy Deeper Well from twenty twenty
23:03
four tell a different story. Musgraves moved away from co
23:07
writers and producers Shane mcinally and Josh Osborne, who helped
23:10
craft her kitchee traditional country sound, and Musgraves found a
23:13
decidedly more indie rock aspect in producers Ian Fitchick and
23:17
Daniel Tashun. These projects pulled Casey Musgraves away from her
23:21
country fandom, and frankly haven't really expanded the audience into
23:24
the indie world. Even some of Casey's strongest supporters called
23:28
them a slight disappointment, though Deeper Well did find a
23:31
more favorable reception than Starcross, and saw the return of
23:34
Shane mcinally and Josh Osborne on the album's biggest song,
23:38
The Architect, which won a Grammy. Maybe Casey Musgraves has
23:42
gotten the hint that the world wants her is a
23:44
bit more of her country influences compared to her last
23:46
couple of projects, and if she's reading the tea leaves,
23:49
she would know that's where the public's appetite is at
23:51
the moment. In a recent feature in The Hollywood Reporter,
23:54
Casey Musgraves stated, from the age of seven eight years old,
23:58
I was singing all the country standards and classics, Hank Williams,
24:01
Patsy Klein, Loretta Lynn, Hank Snow, Cyndy Walker. It is
24:04
just such a part of me. I can't escape it
24:06
even if I wanted to, And it really feels so
24:08
good wholeheartedly, and to embrace that sound because I'm always
24:11
listening to what that kind of thing is. There may
24:14
be a misconception that country music is easy to replicate.
24:17
When you look at the bones of traditional country, the structure,
24:19
the sounds, the subject matter, it's not easy to replicate.
24:23
It comes across as very simple and the best country
24:25
music is. But it's full of so many layers of
24:28
hard and real life, real stories, and there's a lot
24:30
of restraint. Really good traditional country music. There's a lot
24:34
of space for the lyrics, the story, for the heartbreak,
24:36
and the texture. I really appreciate that about the era
24:40
of country music. It paints a picture, but it's subtle
24:42
and it's simple. Not only does this quote feel like
24:45
Casey Musgraves explaining some of her most fundamental influences, it
24:49
feels like Musgraves explaining that country music isn't just something
24:52
you can declare you want to make without a deeper
24:54
understanding of what it is, something that feels it needs
24:56
to be underscored in this moment when it seems everyone
24:59
and their mother wants to county. There's also plenty of
25:02
talk pushing boundaries and taking risks in country in the
25:04
Hollywood Reporter feature, something that has colored Casey's career throughout
25:08
the years. I don't think any of us should expect
25:11
the next Casey Musgraves project to be traditional country, but
25:14
she does say in the article, I've been feeling really
25:17
good playing around with some more I want to say traditional,
25:20
but at the same time, there always has to be
25:21
a modern edge there in some way, there has to
25:24
be a balance between tradition and future. It's that edge
25:27
she found between traditional and future that made early Casey
25:30
Musgraves so compelling and influential on a lot of other performers.
25:34
If she could find that edge again, says Saving Country Music,
25:37
perhaps she could get back to the sound that netted
25:39
her eight Grammy Awards and helped offer a counterbalance during
25:42
the bro country era and eventually pulled the genre away
25:46
from the ills of the twenty tens. Perhaps on Lost Highway,
25:50
Musgraves can find that alt country magic once again. Now
25:54
we hop on down to the boot dot com. With
25:56
the first article published May twentieth, Eric Church Dolly Parton
26:00
get a spotlight on new Time one hundred Philanthropy List.
26:04
Dolly Parton and Eric Church are two of the people
26:07
to place on Time Magazine's inaugural Time one hundred Philanthropy List,
26:11
which was published on Tuesday. Church and Partner are the
26:14
only two list makers representing the country genre, and the
26:17
two stars come from different generations in styles within the format,
26:21
but both are recognized not only for their commitment to
26:24
philanthropy but also their respective visionary approaches to shaping the
26:27
future of giving. According to the magazine, partnered a spot
26:31
in the Titans category of the Time one hundred lists,
26:33
and her accolade spotlights her decades long track record of
26:36
giving back. It also notes of special focus on her
26:40
home state of Tennessee, often through the Dollywood Foundation, and
26:43
her efforts on both the national and international scale. Hurricane
26:48
relief efforts are also a major reason why Church made
26:51
Times list. Named in the Trailblazer's section, Eric Church gets
26:54
a spotlight for his commitment to helping people living in
26:56
the region of North Carolina where he grew up after
26:59
it was wrapped by storms. The Concert for Carolina, a
27:02
benefit concert the church organized with Luke Combs, raised a
27:06
wapping twenty four million, five hundred thousand towards relief efforts,
27:09
and the two stars earned the CRS twenty twenty five
27:12
Artist Humanitarian Award in recognition for their efforts. Since then,
27:16
Church has continued to have a presence in the area,
27:18
launching a new building initiative aimed at restoring communities and
27:22
creating new homes for families displaced by the storms, and finally,
27:26
the Boot has come up with the ten best Country
27:29
Songs for the summer of twenty twenty five. The ten
27:33
best country songs according to the Boot. Number ten Hardy
27:37
Favorite Country Song. The first lyrics to Hardy's favorite country
27:40
song are literally summertime. Number nine Dirk Spentley She Hates Me.
27:45
Number eight Shaboozi's Good News. It's a slow start of
27:48
the lyrics are a bit heavy than your original or
27:50
the usual typical summer song. Number seven Bailey Zimmerman featuring
27:55
Luke Combe's back Up Plan. Number six, according to the Boot,
27:59
Worst Way from Briley Green. The number five country song
28:03
for the summer, Megan Moroney and Kenny Chesney's you Had
28:06
to Be There. Number four Scotty mc creery featuring Hooty
28:09
and the Blowfish Bottle Rockets, which we earlier spoke about.
28:12
Number three Russell Dickerson Happened to Me. Number two Tucker
28:17
Wetmore three two one. It's his first country hit and
28:20
the number one country song for this summer. Meghan Maroney's
28:23
m I O. K. Says the Boot, Well says me.
28:27
This concludes the reading of Country Weekly for this week.
28:29
If you have any comments or suggestions about our program,
28:33
kindly call us at eight five nine four two two
28:36
six three nine zero. Thank you for joining me and
28:39
on behalf of everyone here at Radio E. This is
28:41
Ken Dawkins, wishing you a great day