Latest / Get Into Gate: A Stargate Podcast / Episode 326: Sabotage (SG-U 1.16)

Transcript

Episode 326: Sabotage (SG-U 1.16) · Get Into Gate: A Stargate Podcast

• 0:00
  Speaker 1: Current FTL jump will take us between galaxies. Any hope
• 0:04
  Speaker 1: of rescuing Chloe Armstrong, Eli Wallace or Lieutenant Matthew Scott.
• 0:08
  Speaker 2: Is Destiny's FTL drive and power reserves and nowhere near
• 0:12
  Speaker 2: one hundred percent. Destiny will eventually drift the rest of
• 0:15
  Speaker 2: the way, but our bones will be dust by then.
• 0:17
  Speaker 3: What if we can increase the FTL's efficiency. Mister Brodie's right,
• 0:20
  Speaker 3: So am I the only one here thinks we shouldn't
• 0:22
  Speaker 3: be screwed around with ancient drive technology?
• 0:24
  Speaker 2: And then we'll bring aboard to someone else that does.
• 0:25
  Speaker 3: I'm on the Perry.
• 0:26
  Speaker 2: She requires a respirator.
• 0:27
  Speaker 4: I'll be fine.
• 0:28
  Speaker 5: Also brief you on how to cope with your host disabilities.
• 0:30
  Speaker 4: I'm going home.
• 0:32
  Speaker 3: I'm really here.
• 0:34
  Speaker 2: You sure are.
• 0:35
  Speaker 4: We have a lot of lost time to make up
• 0:36
  Speaker 4: for you.
• 0:37
  Speaker 3: Get rid of the ugly chair.
• 0:40
  Speaker 2: I think there was an explosion in the FTL drashing
• 0:43
  Speaker 2: more home.
• 0:45
  Speaker 3: Don't you understand out? Oh that planet could have been
• 0:50
  Speaker 3: all that bad.
• 0:50
  Speaker 1: It's good because if we don't get the FTL drive fixed,
• 0:53
  Speaker 1: that's where we'll all be going.
• 0:54
  Speaker 3: Hey, math boy, you had a thing for him.
• 0:58
  Speaker 6: Oh.
• 0:58
  Speaker 2: Doctor Perry's concluded that the explosion may be to our advantage.
• 1:02
  Speaker 3: Without the worn out drive, Destiny should be able to
• 1:04
  Speaker 3: make it across the void, So it has to be
• 1:06
  Speaker 3: done money a robot we found already programmed to begin
• 1:10
  Speaker 3: the repairs.
• 1:11
  Speaker 1: Maybe I'd like to see the planet where I might
• 1:12
  Speaker 1: have to raise our child? Oh, shut it down?
• 1:16
  Speaker 3: Most likely. Family can't any clue how I felt about you.
• 1:21
  Speaker 3: I thought you felt sorry for me. Would you like
• 1:23
  Speaker 3: to come in? Yeah, I'm sorry, I'm so. I can't
• 1:26
  Speaker 3: do this.
• 1:26
  Speaker 4: It's me.
• 1:27
  Speaker 3: Both know it's a bit more complicated than that.
• 1:29
  Speaker 7: They know we're out here.
• 1:31
  Speaker 1: The alien managed to broadcast it. An attack will happen
• 1:34
  Speaker 1: at any moment of First you have.
• 1:36
  Speaker 8: To say that she had.
• 1:38
  Speaker 3: Doctor Franklin just woke. I think he knows what's going on,
• 1:41
  Speaker 3: and I think he was trying to say that it should.
• 1:42
  Speaker 8: Be him go home.
• 1:47
  Speaker 1: What's our status?
• 1:48
  Speaker 3: He's a bitterly to say. But it looks like we're
• 1:50
  Speaker 3: going to make it across and now it's time to go.
• 1:52
  Speaker 3: It's not a very nice thing to say, but I
• 1:54
  Speaker 3: do hope you need my help again.
• 1:55
  Speaker 2: Well, I'm not above arranging that, you know, by money.
• 2:01
  Speaker 3: Welcome back, come out, No, no, no, I've got a better one.
• 2:12
  Speaker 3: I got a better one ready read it. You haven't
• 2:14
  Speaker 3: Tinny shays to you with this yet?
• 2:17
  Speaker 9: Yeah?
• 2:17
  Speaker 3: But after last Waiters, there's no rules anymore.
• 2:24
  Speaker 5: Franklin.
• 2:28
  Speaker 3: Is this the turtle? Yeah, the green turtle guy, Franklin,
• 2:34
  Speaker 3: I might say this and the chipmunk voice.
• 2:35
  Speaker 5: Later every day.
• 2:43
  Speaker 10: Here he comes with all his friends. God, stories, God, Frank,
• 3:02
  Speaker 10: come in play.
• 3:07
  Speaker 4: It's Franklyn.
• 3:13
  Speaker 6: I have coming to my house. Ys, Frank Glenn.
• 3:16
  Speaker 4: Now you're doing.
• 3:19
  Speaker 3: Wow's check out like white noise. Welcome to play school
• 3:26
  Speaker 3: with Fine. I'll play the grown up version. Are you happy?
• 3:32
  Speaker 8: Now?
• 3:33
  Speaker 3: Are you happy? I did it? It's just bell cliche?
• 3:37
  Speaker 8: But you know, sermon, my.
• 4:03
  Speaker 3: Telling you all, it's.
• 4:09
  Speaker 5: Sabotage.
• 4:13
  Speaker 3: All Right, I'm done. I'll see you next week. What
• 4:20
  Speaker 3: are you looking for? Synopsis? Do you want to use
• 4:25
  Speaker 3: the Prime one? Shall we blaspheme? Yeah, let's blaspheme. This
• 4:28
  Speaker 3: week's a chance to tell Prime to themselves. Yeah, and
• 4:32
  Speaker 3: we're going to read this off Prime one of the Great. Yeah,
• 4:35
  Speaker 3: how's this Prime one of the Great? Right? Because I
• 4:38
  Speaker 3: know you're listening. I know you're listening. Are you eating? Yes? Sorry?
• 4:42
  Speaker 3: On Mike, they're pretty good. They're good. So I've been
• 4:47
  Speaker 3: getting into some anime lately, so I found it the
• 4:49
  Speaker 3: best way to the best way to watch that is
• 4:52
  Speaker 3: crunchy Roll. So originally I found out that it's like
• 4:56
  Speaker 3: the MGM thing where you've got to buy Prime and
• 4:58
  Speaker 3: then you've got to get the crunchy Roll subscription inside Prime.
• 5:01
  Speaker 3: So I got a thirty day free Prime, and then
• 5:04
  Speaker 3: that gave me a week free crunchy Roll. But since
• 5:07
  Speaker 3: then I found out that you can actually just get
• 5:10
  Speaker 3: your crunchy Roll subscription through YouTube. So guess what Prime month?
• 5:15
  Speaker 3: Three month is up? You out, and I'm going to
• 5:17
  Speaker 3: go get another three week old Country Roll on YouTube
• 5:20
  Speaker 3: and then I'll give YouTube my eleven ninety nine a month.
• 5:25
  Speaker 5: That was Bezos. Yeah, he's upset. I will say that
• 5:29
  Speaker 5: I saw a tweet a couple of weeks ago from
• 5:32
  Speaker 5: someone I'd never seen before, and they said, hey, look,
• 5:33
  Speaker 5: you know we were really good there for you know,
• 5:36
  Speaker 5: six weeks, so how long it had been.
• 5:38
  Speaker 3: We've quietened off a little bit. Let's not do it.
• 5:40
  Speaker 5: Let's rage back in. And I don't know whether maybe
• 5:42
  Speaker 5: just by seeing that tweet that my algorithms are fired
• 5:46
  Speaker 5: back up again and I'm seeing so many more, and
• 5:50
  Speaker 5: I'm also seeing a lot more Amazon MGM Studios tweets.
• 5:53
  Speaker 5: And then again, it doesn't matter what it is, it's
• 5:56
  Speaker 5: hammering stopped.
• 5:58
  Speaker 3: I upset that Pope come on taking over times Square
• 6:01
  Speaker 3: took got more media coverage than Stargate taking over Times Square. Yeah,
• 6:06
  Speaker 3: that's because it was like the ten year anniversary of
• 6:08
  Speaker 3: Pokemon Go. So so apparently Times Square went black, like
• 6:14
  Speaker 3: every single screen went black for like five seconds, and
• 6:16
  Speaker 3: then there was like some Pokemon thing with mewtwo popping up. Now,
• 6:19
  Speaker 3: don't get me wrong, I'm an absolute Pokemon cuck. I'm
• 6:23
  Speaker 3: gonna have to at some point by a switch to
• 6:25
  Speaker 3: so that I can play the new Window ways when
• 6:26
  Speaker 3: it comes out later this year. But yeah, like Pokemon Go,
• 6:34
  Speaker 3: I gave up on a long, long, long time ago.
• 6:38
  Speaker 5: I through all this though, the save Stargate storm, as
• 6:42
  Speaker 5: it's been happening over the last six or seven weeks,
• 6:44
  Speaker 5: Amazon decided to drop in you know, I mean, they've
• 6:47
  Speaker 5: dropped a bunch of different movies and TV shows.
• 6:49
  Speaker 3: One of them though, being l what's that? Oh, it's
• 6:53
  Speaker 3: interesting you haven't heard of it. Legally Blonde in my
• 6:57
  Speaker 3: Brain series in my brain. I just saw the letter,
• 6:59
  Speaker 3: L like, yeah, right, sorry, yes, and I'm thinking hang on.
• 7:03
  Speaker 5: So, so we were led to believe the Stargate Giro series,
• 7:08
  Speaker 5: which they've never haven't said they're not going to do Starga.
• 7:11
  Speaker 5: They just said they're not going to do what Giro
• 7:13
  Speaker 5: was hoping to do because they were worried that it
• 7:15
  Speaker 5: was only going to be for the existing fans and
• 7:18
  Speaker 5: not be able to target anyone new.
• 7:20
  Speaker 3: And I'm like, we're worried.
• 7:21
  Speaker 5: That's so interesting that you're basing that off the back
• 7:24
  Speaker 5: of one cinematic film, two straight the DVD movies, and
• 7:28
  Speaker 5: seventeen seasons of TV show over the course of what
• 7:32
  Speaker 5: seventeen years ninety four to what twenty eleven or so,
• 7:36
  Speaker 5: I guess by the time it's a huge risk.
• 7:39
  Speaker 3: But instead, what are they going to do.
• 7:40
  Speaker 5: They're gonna give us a prequel series to two comedy
• 7:44
  Speaker 5: movies from two thousand and one and I want to
• 7:46
  Speaker 5: say two thousand and maybe four, if not three. So
• 7:50
  Speaker 5: what let's even say three hours and thirty minutes worth
• 7:54
  Speaker 5: of content that hasn't been around for twenty two years
• 8:00
  Speaker 5: at minimum, and all of a sudden they're going to
• 8:02
  Speaker 5: be okay, I'm sure l didn't cost as much as
• 8:04
  Speaker 5: what they worried Stargate was going to, but that wasn't
• 8:07
  Speaker 5: as much of a risk of like, oh well, we're
• 8:09
  Speaker 5: only that now appealing to the existing fans.
• 8:12
  Speaker 3: However, the are you talking about? What's what's her name again?
• 8:15
  Speaker 3: The chick from Linggol with aspoon with a knife. Billionaire? Yeah, yeah, billionaires,
• 8:21
  Speaker 3: billionaires is billionaire, That's what it is. That's she Hey,
• 8:25
  Speaker 3: look good ones, she's a great producer. But I'm saying trafficker.
• 8:29
  Speaker 3: She went to Reese with her spoon without any children.
• 8:37
  Speaker 3: It was better in my head. Yeah, well we'll workshop it.
• 8:39
  Speaker 3: We'll come back to it. But obviously, like she obviously
• 8:42
  Speaker 3: went to some billionaire club and saw bezos and was
• 8:47
  Speaker 3: like remember that, remember them bend and snap and whatever?
• 8:50
  Speaker 5: Said that was I am curious because of course, that
• 8:52
  Speaker 5: first movie started with this woman who was just like
• 8:55
  Speaker 5: glitz no way through off the back of her looks
• 8:57
  Speaker 5: and sort of like ditziness and then spid read through
• 9:00
  Speaker 5: her way to becoming a law student. So when you
• 9:03
  Speaker 5: make a prequel series based on that character, is it
• 9:06
  Speaker 5: just her kicking about or is she like dabbling in
• 9:09
  Speaker 5: legal issues therefore undoing and retconning that movie, which apparently
• 9:13
  Speaker 5: I give a shit about dabbling illegal things.
• 9:16
  Speaker 3: But you know what I mean though, like that's but
• 9:17
  Speaker 3: also like the movie started when she was what like
• 9:19
  Speaker 3: a college I'm saying sophomore.
• 9:22
  Speaker 5: So what I want to know about this chick was
• 9:24
  Speaker 5: just hanging about going to parties in high school. Who
• 9:25
  Speaker 5: gives a and calling it l like that means something? Yeah.
• 9:29
  Speaker 3: See.
• 9:29
  Speaker 9: They also is the criminal justice system. The people are
• 9:32
  Speaker 9: represented by two separate and equally important groups I believe
• 9:36
  Speaker 9: to investigates and the district attorneys who prosecute the offenders.
• 9:40
  Speaker 3: The pre penis when I sent him the clip of
• 9:47
  Speaker 3: Jamie Lee Curtis and Marishka Hargate talking to each other
• 9:51
  Speaker 3: about how great Laura Orders for You is over here?
• 9:55
  Speaker 3: Are You're a big S for You fan? I love
• 9:57
  Speaker 3: Laura Order, but S for You is probably the special
• 10:00
  Speaker 3: victims he loves. He wants to be special puppy.
• 10:04
  Speaker 5: I think I like id Eliot Stabler and Olivia Benson
• 10:08
  Speaker 5: really was going to her name Elliott No no.
• 10:11
  Speaker 3: No, that was their partner.
• 10:11
  Speaker 5: Really just take it to the to the heinous, they
• 10:14
  Speaker 5: take it.
• 10:15
  Speaker 3: They take it to the heynous. You know, I just
• 10:17
  Speaker 3: love seeing bad people open up the henous till it prolapsed,
• 10:22
  Speaker 3: didn't they? What this is the old one? What law
• 10:27
  Speaker 3: and order.
• 10:49
  Speaker 11: Commit I'm going to clean this up and bring it
• 10:57
  Speaker 11: back to Stargate by doing something.
• 10:59
  Speaker 3: I've got to give to Hello, I'm going to give
• 11:01
  Speaker 3: you guys got presents? Give it to me, baby, Oh yeah,
• 11:06
  Speaker 3: give it to me. Don't you teld to film this? Well?
• 11:09
  Speaker 5: I just thought we would film it, So Mattie, fire
• 11:10
  Speaker 5: up that phone. Stop googling things that no Google, I have.
• 11:14
  Speaker 3: A screenshot for you, but I'll fire up my Samsung.
• 11:17
  Speaker 3: Great people, I'm Mitchell. How many double and tondres are
• 11:27
  Speaker 3: you going to give me right now? Like? Come on?
• 11:30
  Speaker 3: Oh yeah? For any is this going on Patreon and
• 11:31
  Speaker 3: going on socials? Okay? Because I'm just I'm just filming
• 11:34
  Speaker 3: the lolly jars. People know the lollies that we've been
• 11:36
  Speaker 3: eating on shirt shirt from Lincoln who went to a convention.
• 11:41
  Speaker 5: There's one as well, dude, So we've all got shirt
• 11:45
  Speaker 5: black shirts with.
• 11:46
  Speaker 3: A giant SG that looks I wish I had his name.
• 11:54
  Speaker 3: He's your brother. I'll do something about it another time.
• 11:56
  Speaker 5: But a guy that Lincoln sees at super and overs
• 12:00
  Speaker 5: put these together for Link and the get into gates.
• 12:04
  Speaker 3: So you didn't just buy these from a from a booth.
• 12:06
  Speaker 3: These were especially done for us. Well they well these
• 12:09
  Speaker 3: were done for you.
• 12:10
  Speaker 5: I don't know if that was especially done for us,
• 12:11
  Speaker 5: but like yes that Lincoln got, like he went sourced
• 12:14
  Speaker 5: this guy out because you know, he does really good work.
• 12:16
  Speaker 5: So these are and it's big too, like a massive
• 12:20
  Speaker 5: SGC logo, Like you're not trying.
• 12:21
  Speaker 3: To hide that right wearing that. Let's let's all strip
• 12:25
  Speaker 3: off and do it. These these are better made than
• 12:28
  Speaker 3: our patreons obviously. You know we need one.
• 12:34
  Speaker 5: I want to get another ship just says save Stargate,
• 12:37
  Speaker 5: you know, like the hashtag saved Target just to wear
• 12:39
  Speaker 5: because like I was doing stuff for Origin last week
• 12:41
  Speaker 5: and like that would have been really cool just to
• 12:42
  Speaker 5: like wear that on the field at some point just
• 12:44
  Speaker 5: to save Actually SGC logo, I mean.
• 12:47
  Speaker 3: It was pretty close to like the big three D
• 12:49
  Speaker 3: one that's like behind him's desk.
• 12:51
  Speaker 5: Yeah, it might be a little bit more colored briefing desk.
• 12:54
  Speaker 3: You know what, Holy I am going to google this,
• 12:58
  Speaker 3: So thank you Lincoln. Thanks. Yeah, unreal, that's what I'm like.
• 13:03
  Speaker 5: It looks like there's more than one shirt left in
• 13:04
  Speaker 5: the bag, but I think he said I didn't take
• 13:06
  Speaker 5: mine out, so he got one for past three, one
• 13:09
  Speaker 5: for recent, one for himself. So yeah, boy, unless there's more,
• 13:13
  Speaker 5: I don't know who knows.
• 13:15
  Speaker 3: It's very generous. I mean, yeah, this is this. I'm
• 13:17
  Speaker 3: on the Stargate Command fandom wiki thing and pretty close.
• 13:22
  Speaker 3: That looks like it to me. If anything, the shirt
• 13:24
  Speaker 3: looks better because it's got the little the yellows around
• 13:27
  Speaker 3: the SGC, so it helps it stand out. You know
• 13:29
  Speaker 3: what Hammond would say to that off, it's a yeah,
• 13:35
  Speaker 3: I checked that out. There's the big three deal, you
• 13:38
  Speaker 3: know what.
• 13:40
  Speaker 9: Yeah, one of them has finally snapped us in the asson.
• 13:50
  Speaker 3: That was that was not from Stargate though surely that's
• 13:52
  Speaker 3: what something else it was what snapped Hammond in the ass?
• 13:58
  Speaker 3: Tiny riding? Did it really message in a bottle?
• 14:04
  Speaker 8: Oh?
• 14:04
  Speaker 3: Missage a bottle?
• 14:05
  Speaker 8: Snap him in the yse finally snapped us in the.
• 14:14
  Speaker 3: Yeah, look check this out. You can see it in
• 14:16
  Speaker 3: the background. Sweet hell Yeah, oh yeah, nice. I think
• 14:23
  Speaker 3: that's the best shirt Stargate shirt I have near.
• 14:27
  Speaker 5: You know, I can't find the one with us on it.
• 14:29
  Speaker 5: I haven't been able to find it at least six months.
• 14:32
  Speaker 5: I reckon one day it was in my boot and
• 14:34
  Speaker 5: then I might have accidentally donated it with a bunch
• 14:36
  Speaker 5: of other clothes, which, you know what, someone else out there,
• 14:39
  Speaker 5: very very lucky.
• 14:41
  Speaker 3: Sit on your face. You can sit on their face.
• 14:43
  Speaker 3: She used it, You used it. Yeah, and then I
• 14:47
  Speaker 3: threw it through the stargate and hit her kneel on
• 14:50
  Speaker 3: the shoulder. That a little bit, come rag, That's awesome.
• 14:56
  Speaker 5: I love that.
• 14:58
  Speaker 3: Sorry, my friend. Yes, as an episode of Stargate. Just
• 15:05
  Speaker 3: because we're talking about streaming services, I just want to
• 15:06
  Speaker 3: point out the formerly great people at STAN that used
• 15:10
  Speaker 3: to stream Stargate because you guys went on a weird tangent.
• 15:13
  Speaker 3: We're trying to listening, we're trying to trigger me the
• 15:18
  Speaker 3: other day and popped up with their new additions to
• 15:21
  Speaker 3: stand Now, see if you can figure out the connective
• 15:24
  Speaker 3: tissue between these films that STAN has just added to
• 15:27
  Speaker 3: the catalog, these games that this one's going to didn't mate.
• 15:31
  Speaker 3: This is a gimme. Batman Begins, The Dark Knight, The
• 15:36
  Speaker 3: Dark Knight Rises, Interstellar Inception, Yeah, Dunkirk, those are all
• 15:44
  Speaker 3: the films that are all.
• 15:50
  Speaker 6: I am Mark.
• 15:54
  Speaker 3: Michael Kaine, and now then you s.
• 16:00
  Speaker 6: Going to go and see how to see that I
• 16:03
  Speaker 6: love me some Greek mythology, never seen Dunkirk.
• 16:09
  Speaker 4: Not interested.
• 16:11
  Speaker 5: You wouldn't because you're films it period pieces and things
• 16:16
  Speaker 5: told nonlinear.
• 16:17
  Speaker 3: Yeah, not even not even. I didn't even get the first.
• 16:20
  Speaker 5: Time that I was really I actually really want to
• 16:22
  Speaker 5: watch it again because I'm.
• 16:23
  Speaker 3: Like, oh, oh right, I will say I will frustrating.
• 16:28
  Speaker 3: I said this here or somewhere went out chats, but tenant,
• 16:32
  Speaker 3: I didn't hate it.
• 16:34
  Speaker 5: You high as a kite, maybe sugar, maybe you just yeah,
• 16:41
  Speaker 5: I meant to say that last week. I want to
• 16:42
  Speaker 5: point out last week that was not a drunken recorded episode.
• 16:46
  Speaker 5: We we got a little weird at the end there.
• 16:48
  Speaker 5: We I got a little weird at the end there.
• 16:51
  Speaker 5: And I felt like last week it was just a
• 16:53
  Speaker 5: little there was just.
• 16:54
  Speaker 3: A little mad did Yeah. I mean I was doing
• 16:58
  Speaker 3: I was just collectively we sharing the blame. Yeah, the
• 17:03
  Speaker 3: capital w W, the royal WI. Sure, okay, I mean
• 17:09
  Speaker 3: I like that you're willing to take that heat for me.
• 17:11
  Speaker 5: Heat to Rivalry episode sixteen of S g U season
• 17:19
  Speaker 5: one sabotage thanks to Prime and with crew members stranded,
• 17:25
  Speaker 5: Destiny continues to cross from the present galaxy into the
• 17:29
  Speaker 5: next one. Unable to alter the Destiny's course, Doctor Rush
• 17:33
  Speaker 5: calculates the Destiny will fall short of making it to
• 17:36
  Speaker 5: the next galaxy, stranding them in Definitely.
• 17:41
  Speaker 3: Is it just me that doesn't like the Destiny? Yeah, no, no,
• 17:44
  Speaker 3: we've said this before. We all, yeah, Destiny, because remember
• 17:48
  Speaker 3: there was I brought up that thing about how there
• 17:49
  Speaker 3: was that early pisod of Voyage the Voyager, and I'm like, no,
• 17:54
  Speaker 3: it's voyager.
• 17:57
  Speaker 5: Jesus to where was one? It was a it was
• 18:00
  Speaker 5: an earlier what was one?
• 18:02
  Speaker 3: That was eighteen minutes of rambling spoken about star Trek there.
• 18:05
  Speaker 5: Enough, Yeah, directed by Peter Dell. It was written by
• 18:11
  Speaker 5: a what what let me? Barbara?
• 18:17
  Speaker 3: No, I'm not going to be able to find that
• 18:19
  Speaker 3: a woman from your emancipation? Oh yeah, a woman? Oh no,
• 18:25
  Speaker 3: you need chik when he's talking to his wife the
• 18:27
  Speaker 3: first time, Well that's it, you know that you use
• 18:31
  Speaker 3: that home now.
• 18:32
  Speaker 5: Maddie was high on sugar the other week again and
• 18:35
  Speaker 5: message me when he was watching The Phantom right to
• 18:38
  Speaker 5: the end and the like last like villain of the
• 18:41
  Speaker 5: film is played by Carrie I can't even pronounce his
• 18:44
  Speaker 5: last name, and Maddie rather than he just yeah, and
• 18:48
  Speaker 5: he goes, oh, the guy from Emancipation. If anything, it's
• 18:53
  Speaker 5: the guy from Mortal Kombat. Shut the fuck up.
• 18:55
  Speaker 3: Yeah, good point. Yeah, but there's how many Mortal Kombat movies?
• 18:57
  Speaker 3: But there's only one Emancipation? Thank god? Well technically there's two.
• 19:03
  Speaker 3: Oh no, I'm going to get her. That's three. If
• 19:05
  Speaker 3: I talk about that, it's a bit too early for that.
• 19:08
  Speaker 3: I'm just talking about there's there's another episode of sci
• 19:10
  Speaker 3: fi that what's her name? The close this girl was
• 19:21
  Speaker 3: on Fire? Who was the wrote earlier those episodes of
• 19:26
  Speaker 3: Stargate Will Harry and Sure, the one the one who
• 19:30
  Speaker 3: looked like my mum, Catherine Powers. Catherine Powers, when you
• 19:34
  Speaker 3: say the girl's on fire does not look like a
• 19:37
  Speaker 3: black woman? Yeah, but when no, she doesn't look like
• 19:40
  Speaker 3: Alicia Keys. When Catherine Powers wrote that episode, I brought
• 19:43
  Speaker 3: up this girl was on Fire. Catherine Powers wrote Emancipation,
• 19:47
  Speaker 3: and she also, several years before that, wrote an episode
• 19:50
  Speaker 3: of a different sci fi franchise that is almost you
• 19:54
  Speaker 3: already brought this up. Yeah, Well, I'm just saying that's
• 19:57
  Speaker 3: is that what Barbara? Well, no, no, I'm I said.
• 20:01
  Speaker 3: There was only one emancipation, but technically there's two, and
• 20:03
  Speaker 3: it's called Code of Honor. But it's very much emancipation
• 20:07
  Speaker 3: with a different Instagram filter on it. I didn't say it.
• 20:10
  Speaker 3: I didn't say it. You can't be Okay, give me
• 20:14
  Speaker 3: a box a shame. Put the Chipmunk on and give
• 20:16
  Speaker 3: me a box a shame. I will say whatever you
• 20:17
  Speaker 3: want right now. Okay, Brendan knows way more about Stargate
• 20:20
  Speaker 3: than I do. Okay, put the Chipmunk voice on. Brenda
• 20:24
  Speaker 3: knows way more worse than h That's good. It's very dry.
• 20:37
  Speaker 3: Sorry about that, mate, Please keep it going.
• 20:40
  Speaker 6: Brendan knows ray all that star Gate that I do.
• 20:48
  Speaker 3: This is this is untenable.
• 20:54
  Speaker 4: Bleeding do it bleeding? Do its bleeding?
• 20:57
  Speaker 3: Dire?
• 20:59
  Speaker 4: I said, I good.
• 21:01
  Speaker 3: I don't mind that. It's good. Eight.
• 21:03
  Speaker 5: It was funny this episode right because when we spoke
• 21:07
  Speaker 5: about it in the last podcast about it was for
• 21:10
  Speaker 5: me first time the way that the previous week again
• 21:13
  Speaker 5: had ended, it was like, holy shit, they've actually done this,
• 21:16
  Speaker 5: and everything up until that point was trying to tell
• 21:19
  Speaker 5: me is the first time this is a really big
• 21:21
  Speaker 5: problem that is not going to be easily solved.
• 21:23
  Speaker 3: What do you mean by this?
• 21:25
  Speaker 5: Them being stuck on the on the planet two episodes
• 21:28
  Speaker 5: ago now and then last week it was like, here's
• 21:30
  Speaker 5: some quick mumbo jumbo in the first ten minutes, because
• 21:33
  Speaker 5: obviously we can just like jumbo, we can just go
• 21:38
  Speaker 5: and do something that we've never done before in this
• 21:40
  Speaker 5: series in particular, and it'll be so easy. We just
• 21:42
  Speaker 5: need to make it back after a couple hours be
• 21:43
  Speaker 5: a big deal, and then mean more. They get out
• 21:45
  Speaker 5: from their underground cabin prison in two separate groups, Greer
• 21:50
  Speaker 5: and the rest.
• 21:51
  Speaker 3: And they also go, you know, just gating around looking
• 21:55
  Speaker 3: for behind it all the white people got away, he would,
• 22:00
  Speaker 3: what is it? They thought I was dead? Sir? I
• 22:03
  Speaker 3: think you want but you know, sure, is this a
• 22:07
  Speaker 3: black thing? And of course the black guys the first
• 22:10
  Speaker 3: one to die.
• 22:10
  Speaker 5: And then it ends and it's like no, they are left,
• 22:14
  Speaker 5: and we're on our way to another galaxy. And we've
• 22:17
  Speaker 5: already told you. Once we're on our way, there is
• 22:20
  Speaker 5: a section. Once we get certain distance away from this galaxy,
• 22:24
  Speaker 5: there is no jumping on from any gate. Even if
• 22:26
  Speaker 5: they managed to get to the one whatever, they're gone,
• 22:29
  Speaker 5: and then very early on in this episode, the gate
• 22:33
  Speaker 5: fires up and they just walk on through and they're like,
• 22:37
  Speaker 5: what are you doing here?
• 22:39
  Speaker 3: Super easy. We even picked up Russia's glasses while we
• 22:45
  Speaker 3: were away. Here go, and it was just.
• 22:47
  Speaker 5: Like, yeah, what do you mean, I thought you I
• 22:49
  Speaker 5: thought you open it up for us. No, And it
• 22:51
  Speaker 5: was like that again, very not so much a niche reference,
• 22:55
  Speaker 5: but if you know it, you know it. It's the
• 22:57
  Speaker 5: Simpsons episode where they're telling Bible stories and it's where
• 23:00
  Speaker 5: it was what's what's the one with the guy David
• 23:03
  Speaker 5: and Goliath and Ralph was that thing and he gets
• 23:06
  Speaker 5: killed by Goliath and then at the end of the
• 23:09
  Speaker 5: episode he shows up and kills Goliath with like throws
• 23:13
  Speaker 5: his like headstone into Goliath and then kills him. And
• 23:16
  Speaker 5: then Bart says to Ralph, Ralph, I thought you were dead.
• 23:18
  Speaker 5: He goes nope, and that was it. There was no explanation,
• 23:22
  Speaker 5: like we had seen him be killed and he shows
• 23:24
  Speaker 5: up and goes no, And that's what this was.
• 23:27
  Speaker 3: There was an episode and half of their their fucked yeah.
• 23:30
  Speaker 5: They were at the end of two episodes ago and
• 23:33
  Speaker 5: last week we spent forty two minutes telling you how
• 23:35
  Speaker 5: they were promising that they were not going to be
• 23:38
  Speaker 5: by the end of it, and then telling you no,
• 23:40
  Speaker 5: they're double fucked. And that's why she Oh, I can
• 23:46
  Speaker 5: start reading this now because I need to get out
• 23:48
  Speaker 5: of this weird situation.
• 23:49
  Speaker 9: And she.
• 23:52
  Speaker 3: Hello, how how long do you think they'd have to be? Yeah? Stuck.
• 23:56
  Speaker 5: I was thinking about that before, before.
• 24:00
  Speaker 3: Eli and Matt were like, we can just we can
• 24:03
  Speaker 3: just start without Chloe, right, She's oh, definitely, she's surfing
• 24:06
  Speaker 3: the Crimson wave. We are judging by your theory that
• 24:09
  Speaker 3: he's severely closeted homosexual not long. Yeah, true. And you
• 24:15
  Speaker 3: know Eli's got a pretty face. So one of them
• 24:18
  Speaker 3: has finally snapped us in the ass. Im a boob.
• 24:25
  Speaker 3: Listen to this bit work better with the same amount
• 24:27
  Speaker 3: of power five percent to do it. Actually, we don't
• 24:31
  Speaker 3: know how the engines work at all.
• 24:33
  Speaker 5: We could just make things worse.
• 24:34
  Speaker 2: Mister Brodie's right, So.
• 24:36
  Speaker 3: Am I the only one here who thinks we shouldn't
• 24:37
  Speaker 3: be screwed around with ancient drive technology Unless we have
• 24:40
  Speaker 3: a clue about what we're doing.
• 24:41
  Speaker 2: We'll bring aboard to someone else that does. I can
• 24:43
  Speaker 2: think of two or three people off.
• 24:44
  Speaker 3: The top of my head, mandatating.
• 24:51
  Speaker 5: Obviously had someone who's had some awfuard experience with.
• 24:54
  Speaker 3: Yeah, maybe someone who's someone who's really flood experience, someone
• 25:00
  Speaker 3: who's who's fluent in ancient who could like maybe someone
• 25:04
  Speaker 3: who lived with the ancients for a while. What do
• 25:06
  Speaker 3: you say when you work backwards with technology, you reverse engineering? Yeah?
• 25:09
  Speaker 5: Reverse Like she has dealt with more advanced ancient technology
• 25:13
  Speaker 5: than this, right, Yeah, probably.
• 25:16
  Speaker 3: Better the most recent Stargate. I'm not that upset with it.
• 25:25
  Speaker 5: But at the same time, this is where the crossoverness
• 25:28
  Speaker 5: of these shows and movies and stuff, it's a.
• 25:30
  Speaker 3: Little Maybe maybe Destiny should have been a Furling ship. Yeah,
• 25:37
  Speaker 3: maybe that's what should have been the reason the reason
• 25:39
  Speaker 3: the Furlings disappeared so long ago is.
• 25:42
  Speaker 5: Because everything's written in girl yeah.
• 25:45
  Speaker 3: Fun girls. Yeah, and instead of these blue guys are
• 25:47
  Speaker 3: the feelings. They do look like fun girls, especially in
• 25:52
  Speaker 3: Chloe's around.
• 25:54
  Speaker 5: Absolutely, I know one of they shuddering in the tank
• 25:56
  Speaker 5: that's been so sassy.
• 25:58
  Speaker 3: Yeah. Yeah, what you're saying before about the like the
• 26:00
  Speaker 3: Simpsons reference and stuff that reminded me of future Arma.
• 26:02
  Speaker 3: When there's like a couple of episodes where like the
• 26:04
  Speaker 3: entire Planet Express crew is like on the ship and
• 26:07
  Speaker 3: they go just like spiraling down crash land onto a planet.
• 26:10
  Speaker 3: The ship is just like a crumpled tin can and
• 26:12
  Speaker 3: then Ben it just like kicks the door open and
• 26:14
  Speaker 3: they will just walk out whistling and it's never addressed again.
• 26:18
  Speaker 3: So yeah, because they didn't really dress it in this episode,
• 26:20
  Speaker 3: did they where it's like, oh, we thought you gave
• 26:22
  Speaker 3: us the information to help us get back here, and
• 26:24
  Speaker 3: they're like nope. Next scene and that's it. I'm like,
• 26:28
  Speaker 3: what did did I miss something? Luckily, Lieutenant James was
• 26:31
  Speaker 3: taken over by an alien and sabotage the ship. But
• 26:36
  Speaker 3: to do so, we don't have to bring it up.
• 26:37
  Speaker 3: We don't have to bring it up. But what what
• 26:42
  Speaker 3: help did they get? They're like Eli was talking about
• 26:46
  Speaker 3: I thought they were like, I thought you guys helped
• 26:48
  Speaker 3: us out to get here, and they're like nope. But
• 26:51
  Speaker 3: all Lieutenant is it because Lieutenant Haning sabotaged the ship
• 26:55
  Speaker 3: and the ship dropped out of FTL and it was
• 26:57
  Speaker 3: within range of the gate still ra that's the only
• 27:01
  Speaker 3: reason she didn't that she didn't.
• 27:04
  Speaker 5: Have I guess like calling a phone. It's like oh,
• 27:07
  Speaker 5: they're getting a busy signal because they're an FTL and
• 27:09
  Speaker 5: they like we're doing last week they dropped out.
• 27:10
  Speaker 3: They're like, oh ship, we can ring through.
• 27:13
  Speaker 5: But like, yeah, who knows how much longer that was gonna.
• 27:16
  Speaker 3: Since you guys brought her up, not me, since you
• 27:21
  Speaker 3: guys brought up Lieutenant James. How do you think Rush
• 27:26
  Speaker 3: felt when he could have gotten Lieutenant James but he
• 27:31
  Speaker 3: got Camille Ray instead. Now me, i'd be happy because
• 27:34
  Speaker 3: it's it's me Nah, But Rush and Camille aren't exactly besties.
• 27:43
  Speaker 3: They probably was well and if you think about it,
• 27:47
  Speaker 3: my wife Dan against I can only do anal. Yeah,
• 27:51
  Speaker 3: it's not And you know, Amanda Perry, you're on the
• 27:55
  Speaker 3: other side of the universe. You're not cheating, you're out
• 27:58
  Speaker 3: of the postcode. Amanda Harry could only down somewhere it's reversed.
• 28:04
  Speaker 3: Perry could only be a starfish. That's all she knows.
• 28:08
  Speaker 3: So that she's she's she's been in a wheelchair hoists
• 28:15
  Speaker 3: for that, Matthew, But she's what she operating the She's
• 28:18
  Speaker 3: not going to know how to bend legs. We don't
• 28:19
  Speaker 3: know what that was going to hers is willing to
• 28:22
  Speaker 3: do but she didn't have the hoist, is what I'm saying.
• 28:24
  Speaker 3: She's never had to operate a body on its own.
• 28:26
  Speaker 3: She doesn't have the hoists. She's used to pulling leather four,
• 28:29
  Speaker 3: not lifting her leg and putting it behind her head.
• 28:32
  Speaker 3: She's not gonna know how to do that. You can
• 28:33
  Speaker 3: do it, That's what I mean. She's just going to
• 28:37
  Speaker 3: be She's basically going to be a doll five thousands.
• 28:40
  Speaker 3: Are you just suggesting that Russia's racist? No, I'm just
• 28:44
  Speaker 3: saying No. I'm saying, if you had the choice between
• 28:49
  Speaker 3: having some fun with Lieutenant fun bags body and having
• 28:53
  Speaker 3: fun with Camille Ray's body, you two are obviously going
• 28:57
  Speaker 3: to choose. You're choosing fun bags over Milan. You are
• 29:06
  Speaker 3: you are absolutely using fun bags over wait, wait, wait,
• 29:10
  Speaker 3: wait for it to be worth it, to be worth it,
• 29:11
  Speaker 3: to be worth it. You're choosing fun bags over a
• 29:15
  Speaker 3: fortune cookie. Hey, that's racist, absolutely racist. Ah, you're sure.
• 29:24
  Speaker 3: Second Lieutenant Vanessa James sucking twenty four Special Forces.
• 29:29
  Speaker 1: My good, Vanessa's got this buddy, unless she shines like
• 29:34
  Speaker 1: a mink.
• 29:35
  Speaker 3: How do I tell them that?
• 29:36
  Speaker 1: Because of the unfreezing process, I have now inner monologue,
• 29:41
  Speaker 1: I hoop I didn't say that out now, just now.
• 29:46
  Speaker 5: I can and will kick your ass just the double one,
• 29:50
  Speaker 5: triple down on that joke of the so good please
• 29:53
  Speaker 5: give us aust the powers for excellent.
• 29:57
  Speaker 3: So it's a bit of a long one here, but
• 29:58
  Speaker 3: it's it's some trivia that I found with this, so
• 29:59
  Speaker 3: that and it is going to be so angry about ah,
• 30:02
  Speaker 3: because it's going to be woke. The direction towards the
• 30:06
  Speaker 3: character doctor Amanda Perry garnered controversy on two fronts. Some
• 30:11
  Speaker 3: were critical of the characters rather insensitive description, particularly that
• 30:15
  Speaker 3: the disabled character quote is physically useless end quote, as
• 30:20
  Speaker 3: well as insinuating that disabled people are not able to
• 30:23
  Speaker 3: have an intimate relationship. That's not what he said. He
• 30:25
  Speaker 3: said her abilities.
• 30:28
  Speaker 2: There are certain disabilities of which you should be made.
• 30:31
  Speaker 3: I think there was some things that were cut. I
• 30:33
  Speaker 3: think there because there was a sex scene that was cut. Apparently,
• 30:37
  Speaker 3: well that's what he gets into. In addition, in addition,
• 30:42
  Speaker 3: L no, no, it was a sex scene between Amanda
• 30:48
  Speaker 3: and Rush because according to this. In addition, LGBT writes critics, well,
• 30:53
  Speaker 3: that should be LGBTQ. But LGBT no, I don't think
• 30:57
  Speaker 3: you had been added at that point. But this is
• 30:59
  Speaker 3: from the from the wiki. LGBT Rights criticized the use
• 31:03
  Speaker 3: of Camille's Ray's body for heterosexual sex. The actual sex
• 31:08
  Speaker 3: was cut from the episode. However, actress MiG Nah has
• 31:12
  Speaker 3: responded more favorably to the controversy, citing that numerous past
• 31:15
  Speaker 3: examples where the body swapping has led to sex before,
• 31:19
  Speaker 3: such as the swapping between Everett Young and Colonel Telford,
• 31:22
  Speaker 3: citing that by that time there was an understanding that
• 31:25
  Speaker 3: during the swap you quote forfeit your right to your
• 31:28
  Speaker 3: body at that point end quote, and that if this
• 31:31
  Speaker 3: was the case, then to her, this would be part
• 31:34
  Speaker 3: of sort of a prejudicial not to do that with
• 31:37
  Speaker 3: your gay character. Producers of Stargate Universe have since apologized
• 31:41
  Speaker 3: and clarified that Perry's character description was not their own.
• 31:43
  Speaker 3: I don't know how that works, but that are you
• 31:46
  Speaker 3: putting your hand on a person. Perry's character description was
• 31:50
  Speaker 3: not their own, but that of an external casting agency
• 31:52
  Speaker 3: and was never meant to be made public. They have
• 31:54
  Speaker 3: also emphasized the equal role Ray's relationship has in the
• 31:58
  Speaker 3: series to that of a heterosexual relationship. Okay, one, what
• 32:02
  Speaker 3: else is boring? One?
• 32:03
  Speaker 5: Where was the reverse thing when Camille went into the
• 32:07
  Speaker 5: body of I mean, we could presume a straight person,
• 32:10
  Speaker 5: we could presume we don't know, yes, right to use
• 32:13
  Speaker 5: that body for homosexual and if we're going to put
• 32:16
  Speaker 5: labor right. Yeah, I reach a point number two, which
• 32:21
  Speaker 5: might not have been as much of a thing they
• 32:23
  Speaker 5: talked about back when the episode aired.
• 32:26
  Speaker 3: Isn't the person on.
• 32:27
  Speaker 5: The inside more important about what the body on the
• 32:29
  Speaker 5: outside suggests?
• 32:30
  Speaker 3: Yeah?
• 32:31
  Speaker 5: Isn't she on the internally identifying as a heterosexual and
• 32:37
  Speaker 5: she might be in the body of a woman who
• 32:40
  Speaker 5: is otherwise homosexual, but she identifies as heaterosexual. So therefore
• 32:45
  Speaker 5: I think how she identifies is more important. Isn't that
• 32:48
  Speaker 5: what we're going through at the moment? Not more for
• 32:51
  Speaker 5: that shit?
• 32:51
  Speaker 3: I wonder if this was a twenty ten situation where
• 32:53
  Speaker 3: they're going, oh, okay, trying to stand up for gay rights,
• 32:57
  Speaker 3: this lesbian woman body was subjected to a penis something
• 33:03
  Speaker 3: that she does not like. I guess the flips of
• 33:04
  Speaker 3: me for your guys situation like, okay, well, if you
• 33:07
  Speaker 3: guys are in the Stargate program, you switched bodies with
• 33:10
  Speaker 3: a gay man, and then you get your body back
• 33:12
  Speaker 3: and your hole has been prolapsed. Are you gonna be
• 33:15
  Speaker 3: upset about it? You know what I mean? And I
• 33:18
  Speaker 3: think I think Nah said it perfectly. Is we already
• 33:23
  Speaker 3: talked about that. You knock up a few chicks? Yeah, problem,
• 33:28
  Speaker 3: I think, Yeah, you're you're not going to sign up
• 33:30
  Speaker 3: to be part of the Stone program unless you're willing
• 33:33
  Speaker 3: to be like, yeah, you can do whatever my body
• 33:35
  Speaker 3: when I'm not there, you can do whatever you want.
• 33:36
  Speaker 3: And I've said many of that. It's me, I've said
• 33:40
  Speaker 3: many of that. On a Friday, I'm just I'm just
• 33:42
  Speaker 3: gonna I'm just gonna lie down and close my eyes.
• 33:44
  Speaker 3: You can just do whatever you want. Just don't wake me,
• 33:46
  Speaker 3: you know what I mean, don't So Yeah, I think
• 33:52
  Speaker 3: the difference with this is this is the first time
• 33:55
  Speaker 3: that someone is having sex in someone else's body on death.
• 34:01
  Speaker 3: Normally it's the people from Destiny going home for a party,
• 34:06
  Speaker 3: whereas this time it's one of the one of the
• 34:08
  Speaker 3: Destiny people's bodies. And technically none of the people on
• 34:11
  Speaker 3: Destiny may like they may not have all signed onto
• 34:14
  Speaker 3: the that aspect of using their body. But I think
• 34:19
  Speaker 3: if you're gonna allow uswap bodies with someone, it's got
• 34:21
  Speaker 3: to be fair play. It's got to be with we're
• 34:22
  Speaker 3: gonna swap bodies. You can do whatever you want a body.
• 34:24
  Speaker 3: I can do whatever I want to Because remember the
• 34:27
  Speaker 3: Kino that I mentioned where Chloe's the how would you
• 34:32
  Speaker 3: say it? Chloe was host to Lieutenant Kelly Keino and
• 34:37
  Speaker 3: she said, I'm not allowed to affect any relationships on board.
• 34:42
  Speaker 3: That's fine, but so essentially Amanda Perry would have to
• 34:47
  Speaker 3: sign that same contract. I mean, what do you define
• 34:50
  Speaker 3: by what? It was the phrase something to do. It's like,
• 34:55
  Speaker 3: I can't relationship, But does that mean, like, you know,
• 34:59
  Speaker 3: if if Lieutenant Kelly was in Chloe's body and pretended
• 35:04
  Speaker 3: to be Chloe and Matt, that would be affecting the relationship.
• 35:09
  Speaker 3: But by Rush having sex with Camille's body with Amanda
• 35:13
  Speaker 3: Perry in it, is that affecting any relationships? Yeah, because
• 35:18
  Speaker 3: every time Camille comes in the room he gets a
• 35:20
  Speaker 3: hard one. Well he did. He did appear to be
• 35:24
  Speaker 3: flaccid at the end of the Yeah. Anyway, I've seen
• 35:28
  Speaker 3: you at TETs, but I wish i'd seen fun bags instead. Absolutely, yeah, absolutely, yeah.
• 35:35
  Speaker 3: So I just think it's really interesting and again it's
• 35:38
  Speaker 3: you know, like you were saying, Mitch, it's like, we
• 35:40
  Speaker 3: haven't seen the the the homosexual version of this because
• 35:47
  Speaker 3: you know, Robert Cooper's a homophobe. Oh right, Like we
• 35:52
  Speaker 3: haven't seen the male Yeah. But also I think they've
• 35:55
  Speaker 3: also hidden behind find the hack that I'm pretty sure
• 35:58
  Speaker 3: I looked it up a while ago. And as of
• 36:00
  Speaker 3: like when this these shows were airing, like twenty ten,
• 36:03
  Speaker 3: Don't Ask, Don't Tell was still in effect. So as
• 36:05
  Speaker 3: far as military personnel and concerned, that was a very
• 36:10
  Speaker 3: touchy area.
• 36:10
  Speaker 5: Yeah, so I can get away with it here because
• 36:12
  Speaker 5: Camille is not a member of the military.
• 36:13
  Speaker 3: Yeah, but as far as but again, it's also a
• 36:16
  Speaker 3: bunch of straight men writing lesbians, whereas they're not going
• 36:19
  Speaker 3: to write to male Did they air that episode what
• 36:24
  Speaker 3: like you said that there was a sex scene Originally,
• 36:26
  Speaker 3: I don't know.
• 36:27
  Speaker 5: They just said it was cut they filmed it, because
• 36:29
  Speaker 5: otherwise it doesn't match up with what we got ordered,
• 36:31
  Speaker 5: he say, unless.
• 36:32
  Speaker 3: It was a bonus feature like a scene in the
• 36:34
  Speaker 3: then he's just here.
• 36:38
  Speaker 5: We were like, you know, she says, hey, let's and
• 36:41
  Speaker 5: he stops it.
• 36:42
  Speaker 3: Honestly, I thought it was because how like how close
• 36:48
  Speaker 3: they are to the top of the hierarchy. That's why
• 36:51
  Speaker 3: I think it was. If it was Lieutenant James, he
• 36:53
  Speaker 3: would have been more tempted. And there's no direct train
• 36:58
  Speaker 3: of command because she's mill Terry. He's science so yeah,
• 37:02
  Speaker 3: and civilian. So I think I think it's okay for
• 37:04
  Speaker 3: like it. Morally, I think it's better for Chloe and
• 37:09
  Speaker 3: Matt than it is for Chloe and fun Bag sorry
• 37:12
  Speaker 3: Matt and fun Bags, because they're both in the military
• 37:15
  Speaker 3: and there's a chain of command there. I thought you're
• 37:18
  Speaker 3: talking about on the Stones. Oh yeah, yeah, but yeah, yeah,
• 37:22
  Speaker 3: we said, I know, you mean, like, yeah, he like
• 37:26
  Speaker 3: he has to work very closely with That was my
• 37:28
  Speaker 3: first Yeah, yes, the kind of yeah, they'll do a
• 37:32
  Speaker 3: mutiny together. Yeah, there was. I almost feel like this
• 37:35
  Speaker 3: could have been a two part because I almost would
• 37:36
  Speaker 3: have loved to have because it did say like at
• 37:38
  Speaker 3: one point it was like three weeks later, so Camille
• 37:41
  Speaker 3: was in Amanda Perry's body for three weeks. Yeah, oh yeah.
• 37:43
  Speaker 3: So it's like I almost would have liked an entire
• 37:45
  Speaker 3: episode on Destiny, but then an entire episode of Sharon
• 37:50
  Speaker 3: and and Camille at home and MiG Nah and Camille
• 37:54
  Speaker 3: being able to explore being in a disabled person's body,
• 37:57
  Speaker 3: because I think that would have been you reckon. See.
• 38:00
  Speaker 3: To me, it wasn't enough because it was like, oh,
• 38:02
  Speaker 3: they made a joke while she was eating and she
• 38:04
  Speaker 3: almost choked. Oh, let's just focus on eating. And then
• 38:07
  Speaker 3: like me, it doesn't know how to eat, like hey, hey, hey, yeah,
• 38:14
  Speaker 3: what's what's what's her book?
• 38:15
  Speaker 5: Eating with me?
• 38:16
  Speaker 8: Now?
• 38:16
  Speaker 3: What was it eating me now? But then the next
• 38:22
  Speaker 3: scene is like she she sends, she sends Sharon away
• 38:27
  Speaker 3: to go and do some shopping or whatever because Sharon
• 38:30
  Speaker 3: needs a break. And then you've been good, Oh I
• 38:34
  Speaker 3: locked my keys in my car? Does that? Did that
• 38:37
  Speaker 3: stop you from having a mobile phone in your pocket?
• 38:39
  Speaker 6: Like?
• 38:40
  Speaker 3: What are we? What are we talking about? It was
• 38:42
  Speaker 3: a weird and you get the Yeah, you managed to
• 38:45
  Speaker 3: get your keys out of your car somehow. So why
• 38:47
  Speaker 3: don't you just call me like and say, hey, I
• 38:49
  Speaker 3: lock the keys in the car. Is that what she said? Happened? Yeah?
• 38:52
  Speaker 3: I thought she said I'd just but it was so close, Sharon.
• 38:56
  Speaker 3: The reason Sharon took so long is because she locked
• 38:58
  Speaker 3: the keys in the car. Yeah, yeah, I get that.
• 39:03
  Speaker 3: You know that's the show tooant Kelly, the Camille's going
• 39:07
  Speaker 3: through some ship, right, Yeah, And it was obviously a
• 39:10
  Speaker 3: very like hey, very sacrificial, very selfless, three.
• 39:13
  Speaker 5: Weeks from her, but the two scenes were so close
• 39:18
  Speaker 5: to each other where she's like, just go, I'll be fine,
• 39:20
  Speaker 5: and because I didn't see the help, we didn't see
• 39:22
  Speaker 5: the helper yet, and I'm like, okay, well, something bad's
• 39:24
  Speaker 5: gonna happen. When you're like just go, she's like, I
• 39:27
  Speaker 5: don't even have to go here, I can go. She's like, no,
• 39:28
  Speaker 5: just go out for an hour. I'll be fine. I'm like, well,
• 39:31
  Speaker 5: clearly something's going to go wrong. And then we see
• 39:33
  Speaker 5: the help and I'm like, okay, know, she'll be fine.
• 39:34
  Speaker 5: She's I just needed to get out of here, like
• 39:36
  Speaker 5: she just needs an hour to herself.
• 39:37
  Speaker 3: Jesus Christ.
• 39:38
  Speaker 5: I'm just and then two hours and then she's like
• 39:41
  Speaker 5: oh it felt like seventeen seconds of screen time.
• 39:44
  Speaker 10: Yeah, yeah, thank.
• 39:45
  Speaker 3: God for hours. Yeah, you could have one hour.
• 39:49
  Speaker 5: But then when she's like, I lot my keys in
• 39:51
  Speaker 5: the car and I'm like, oh, well that sounds like
• 39:53
  Speaker 5: horse shit.
• 39:55
  Speaker 3: And it's like Camille was still home with the care. Yeah,
• 39:59
  Speaker 3: the care could have called someone help. The military showed
• 40:02
  Speaker 3: up when it was time for it to come home.
• 40:03
  Speaker 3: They could have at least called the military and say, hey,
• 40:05
  Speaker 3: we think Sharon might be in trouble. She was headed
• 40:07
  Speaker 3: to this stalk and you have someone just swing by
• 40:09
  Speaker 3: and have a look at her, you know what I mean.
• 40:10
  Speaker 3: Like there's a thousand different things, So that just that
• 40:13
  Speaker 3: just seemed really lame. And if anything, what I really
• 40:16
  Speaker 3: would have loved to explore is Camille, isn't that body
• 40:19
  Speaker 3: for three weeks? Like I even would be so good
• 40:24
  Speaker 3: just to have three weeks off, just literally knowing you
• 40:28
  Speaker 3: can go back. Literally it's so hard if you had
• 40:30
  Speaker 3: to stay there. Yeah, but it's also like no, because
• 40:34
  Speaker 3: she couldn't breathe no.
• 40:36
  Speaker 5: Yeah, Like I found it was weird for it to
• 40:38
  Speaker 5: be this episode because it had nothing to do with
• 40:40
  Speaker 5: with that character.
• 40:41
  Speaker 3: I think it was to do with Rush.
• 40:43
  Speaker 5: Actually, when we're saying Amanda right and she said, how
• 40:46
  Speaker 5: are you going without your coffee', is like, oh man,
• 40:48
  Speaker 5: I miss it so bad, And I thought, yeah, what
• 40:51
  Speaker 5: that would be such a show. We've already talked about
• 40:53
  Speaker 5: it on like a sex level with Telford and all that,
• 40:56
  Speaker 5: like suddenly going from being himself to waking up and he's,
• 41:00
  Speaker 5: you know, having sex with his colleagues wife. But like
• 41:03
  Speaker 5: if you were Rush and you're back on Earth kicking
• 41:06
  Speaker 5: about the Pentagon, you're drinking a coffee, you're actually tasting it,
• 41:09
  Speaker 5: You're feeling all energized and awake, and then you had
• 41:11
  Speaker 5: a little like five seconds going back to the Destiny
• 41:14
  Speaker 5: then back to the Pentagon, and you'd go from being
• 41:17
  Speaker 5: like physically well to just feeling like so drained in
• 41:20
  Speaker 5: a moment, like.
• 41:22
  Speaker 3: Hangover sort of thing. You know. Do you know what
• 41:24
  Speaker 3: I do is I you know, Camille's head of HR,
• 41:27
  Speaker 3: so I would secretly cross. I'm like, can I get
• 41:29
  Speaker 3: someone on the stones who's lactose in tolerant? And then
• 41:33
  Speaker 3: I would I would, I would stone back and I
• 41:35
  Speaker 3: would just have the biggest milkshake and follow it up
• 41:39
  Speaker 3: with like a grilled cheese.
• 41:40
  Speaker 5: Yeah, drank a later a custard yeah yeah, I don't
• 41:44
  Speaker 5: like custods.
• 41:45
  Speaker 3: Yeah, well then don't get a banana split someday and
• 41:49
  Speaker 3: uh and then just stone back home. That'd be yeah,
• 41:53
  Speaker 3: because you never have to meet that person really.
• 41:54
  Speaker 5: And I kind of I kind of feel bad for
• 41:57
  Speaker 5: for not so Mu's James, but I guess maybe the
• 42:00
  Speaker 5: maybe the actress Julia.
• 42:01
  Speaker 3: Julia and Julia Julie Benson.
• 42:03
  Speaker 5: And the fact that like she's been who she's been,
• 42:06
  Speaker 5: which you know, we haven't gotten to know her very
• 42:09
  Speaker 5: well yet. And then at the start, she it's almost
• 42:11
  Speaker 5: like she just wants to get off the ship at
• 42:13
  Speaker 5: that point, and she said, well I still be able
• 42:14
  Speaker 5: to see my family.
• 42:15
  Speaker 3: Yes, I'll do it, I'll do it, trying to prove
• 42:18
  Speaker 3: herself to young Yeah. Yeah, yeah, She's like, I want
• 42:21
  Speaker 3: to be I want to be helpful. I can go
• 42:23
  Speaker 3: I know in this scientific situation, me as a military person,
• 42:26
  Speaker 3: as a lieutenant, I'm going good to anybody. Here's a
• 42:28
  Speaker 3: body that we're willing and able to do it. I
• 42:30
  Speaker 3: think it was great. Yeah, I think that it was
• 42:34
  Speaker 3: great that she just couldn't do it, Like it really
• 42:37
  Speaker 3: set up the idea of what Amanda must must go
• 42:40
  Speaker 3: through on a daily basis. What I would have liked
• 42:43
  Speaker 3: to have seen is more exploration of Camille going through
• 42:47
  Speaker 3: it in terms of on a three week situation, Like
• 42:51
  Speaker 3: why was it there at no point someone swapped out
• 42:54
  Speaker 3: and Amanda was in a different body, or you know,
• 42:57
  Speaker 3: they could have they could have easily been a line
• 42:59
  Speaker 3: that said, we don't really want to do that. Because
• 43:01
  Speaker 3: it's it's someone else having to stone into Amanda's body
• 43:05
  Speaker 3: and having a battery actually could actually be bad for
• 43:07
  Speaker 3: Amanda's health, like her body's health of someone trying to
• 43:10
  Speaker 3: like like what happened with Lieutenant James, so like for
• 43:14
  Speaker 3: for Amanda's like she stopped breathing for a moment the
• 43:18
  Speaker 3: stone or whatever. Yeah, so it could actually do long
• 43:21
  Speaker 3: term damage to Amanda's body. So we don't want to
• 43:24
  Speaker 3: have her jumping in, jumping out, and then Camille being like, no, no,
• 43:27
  Speaker 3: I'm I'm willing to go through three like she's willing
• 43:31
  Speaker 3: to go through that, that level of discomfort and trying
• 43:35
  Speaker 3: to adapt to Amanda's body to be able to spend
• 43:38
  Speaker 3: three weeks at home. She's like, no, like, I can
• 43:40
  Speaker 3: do this. I'm going to do this just so that
• 43:42
  Speaker 3: I can spend time with Like I just I think
• 43:45
  Speaker 3: I would have liked to explore a little bit more
• 43:47
  Speaker 3: of that. I felt that part of it was rushed.
• 43:49
  Speaker 3: I think there was all the Amanda stuff on the
• 43:51
  Speaker 3: ship was great, and I loved the physicality that Amanda
• 43:54
  Speaker 3: had with her hands, and then mick Nah was able
• 43:56
  Speaker 3: to bring that when she first someone on the stones
• 44:00
  Speaker 3: from the point of view of someone else on the
• 44:03
  Speaker 3: on Destiny. So again, so from Eli's point of view, Yeah,
• 44:09
  Speaker 3: the camera showed ming Nah coming in the room. Correct, Yes, Amanda,
• 44:13
  Speaker 3: because we've only seen that on Earth when like we
• 44:15
  Speaker 3: saw like Telford's reflection in Young and all that kind
• 44:17
  Speaker 3: of stuff. Yeah, which I wish they had have done
• 44:20
  Speaker 3: more of that. Yeah, so then you can kind of
• 44:22
  Speaker 3: as the viewer, you going, oh, yeah, this is Yeah.
• 44:25
  Speaker 3: It makes me wonder if if maybe it's just because
• 44:28
  Speaker 3: so early in the show people hadn't really established their
• 44:31
  Speaker 3: characters yet, so it's hard to emulate a character you
• 44:34
  Speaker 3: don't know whereas I think the actress who plays Amanda
• 44:37
  Speaker 3: Perry brought in this because obviously if she's yeah, been
• 44:40
  Speaker 3: in a wheelchair since she was eight or whatever. She said,
• 44:43
  Speaker 3: she's almost like a child in the way like she
• 44:45
  Speaker 3: doesn't have that that motor moto hand eye coordination motor mobile.
• 44:50
  Speaker 3: Like she's playing around with that like a little kid
• 44:53
  Speaker 3: would like getting to getting used to hands works in
• 44:59
  Speaker 3: a or jam and just push against it for thirty seconds. Yeah,
• 45:03
  Speaker 3: this is the nineties when we did that iPad. Yeah,
• 45:09
  Speaker 3: I feel like that's kind of what's happening with her. Like, yeah,
• 45:12
  Speaker 3: she doesn't know what to do with the muscles. Yeah
• 45:14
  Speaker 3: she's forgotten, which yeah, I guess that gave Mina something
• 45:17
  Speaker 3: to work with, Whereas yeah, I guess other people haven't
• 45:20
  Speaker 3: really haven't really taken the time to explore that. So yeah,
• 45:23
  Speaker 3: I actually would have really loved to have seen more
• 45:25
  Speaker 3: of that exploration of being in such a different body.
• 45:29
  Speaker 3: But again, it's like they also then fell back on
• 45:31
  Speaker 3: that on that whole thing with when Lieutenant James couldn't
• 45:36
  Speaker 3: do it or whatever. Then Young has that meeting with
• 45:40
  Speaker 3: and there's just like it's like it's like you're at
• 45:42
  Speaker 3: a brothel and there's eight women lined up and they're like, which,
• 45:45
  Speaker 3: not that I've ever been in that situation, but it's
• 45:48
  Speaker 3: so I wouldn't I wouldn't know, but it's like, dudes, Yeah,
• 45:51
  Speaker 3: where are the dudes? Where's you know? What if you
• 45:53
  Speaker 3: can't change? What if? What if Grea wanted to be like, oh,
• 45:56
  Speaker 3: I'll jump into Mena Perry's body, can't you know what
• 45:58
  Speaker 3: I mean? So it is still a little bit sort
• 46:01
  Speaker 3: of cis heteronormative in all that kind of situation, but
• 46:04
  Speaker 3: it's twenty ten.
• 46:05
  Speaker 5: But imagine that same conversation going down where it isn't
• 46:07
  Speaker 5: like Greer's body or something, and she's like come inside,
• 46:10
  Speaker 5: and he's like, yeah, okay, because we're just hanging out.
• 46:13
  Speaker 5: And then when she's trying to plant one on him,
• 46:15
  Speaker 5: he's like, oh no, it's because my It's like I
• 46:20
  Speaker 5: went just went through that thing with my wife again.
• 46:22
  Speaker 5: That's that's the only reason. Yeah, it's not that you're
• 46:25
  Speaker 5: that would absolutely take you. It's not that you're this
• 46:27
  Speaker 5: six foot five black guy. Yeah, I would nothing to do.
• 46:32
  Speaker 3: I would be the bottom. It's actually be way more
• 46:34
  Speaker 3: interested in trying to not be homophobic. Yeah, while it
• 46:40
  Speaker 3: which you know, is fully trying to make it with Rush,
• 46:43
  Speaker 3: He's like, na, bro, it's sweet.
• 46:45
  Speaker 5: Yeah, it's like we're not bring I'm married to one
• 46:49
  Speaker 5: person forever. Yeah, Like, oh this thing, I can't even
• 46:52
  Speaker 5: can't even take it off.
• 46:54
  Speaker 3: Lincoln quoted it years ago. Remember he was talking about
• 46:56
  Speaker 3: that movie was a poorly or whatever, that alien movie
• 46:58
  Speaker 3: with Pah.
• 46:59
  Speaker 7: Yeah.
• 46:59
  Speaker 3: Yeah, is like everybody on my planet's gay or no,
• 47:01
  Speaker 3: everyone in my plans bisexual or something like that ones.
• 47:04
  Speaker 8: Yeah.
• 47:04
  Speaker 3: Yeah, So I'm just like I'm like, yeah, like that'd
• 47:06
  Speaker 3: be way more exciting to explore that kind of ship.
• 47:09
  Speaker 3: And yeah, it's like, I mean, it's a bad get
• 47:13
  Speaker 3: some comedy out of that. Yeah, it's a bad example
• 47:16
  Speaker 3: because we know what YouTube got up to in high school.
• 47:18
  Speaker 3: But it's like, okay, well if Mitch, if Sarah and
• 47:22
  Speaker 3: Brendan swat bodies, here we go, you and Brennan all
• 47:26
  Speaker 3: the time. But what's your point? Who's the top and
• 47:30
  Speaker 3: who's the bottom? But there's also there's like, Brendan, if
• 47:33
  Speaker 3: bandana was in Mitch's body, are you going to hit that?
• 47:35
  Speaker 3: You know what I mean? Like it wouldn't make any
• 47:38
  Speaker 3: difference exactly, not getting any anyway, well done, well done,
• 47:46
  Speaker 3: Yeah you would, So what if you would hang on?
• 47:50
  Speaker 3: Sorry I think it was me. And when Brennan's and
• 47:56
  Speaker 3: Brennan's body and Mitch's in Mitch's body, then Brendan gets
• 47:59
  Speaker 3: some Yeah god, I'm glad we clarified that. And what
• 48:03
  Speaker 3: if what if what if bandana was in Reese's body?
• 48:06
  Speaker 3: Banana was in Raese's body? Yeah, because it is, it is.
• 48:09
  Speaker 3: We wouldn't have much fun laughing toot you and Brendan
• 48:14
  Speaker 3: because because my brother's body. Yeah, that's what I mean.
• 48:19
  Speaker 3: You're a sick, sick puppy. What if you're having sex
• 48:23
  Speaker 3: with a with a man, it's not incess, Well, it
• 48:24
  Speaker 3: is incest, but you can't have an incest baby out
• 48:26
  Speaker 3: of it because you're both dudes.
• 48:28
  Speaker 5: Yeah, that's why we would draw the line. Oh, we
• 48:30
  Speaker 5: could reproduce everything else is above.
• 48:32
  Speaker 3: Yeah. Nah, I'm just throwing stuff out there, guys.
• 48:35
  Speaker 5: No, No, we don't like what you're throwing out of it.
• 48:41
  Speaker 3: It would stink. If if Brendane it would stink, that
• 48:44
  Speaker 3: would absolutely stick. Yeah. Recently White's once if if at
• 48:50
  Speaker 3: all doesn't brush his teeth dirty bastard. I had an
• 48:56
  Speaker 3: issue with the writing this episode, Barbara Old Babs once
• 49:05
  Speaker 3: Like at the end, they're like, oh, the attacks imminent,
• 49:08
  Speaker 3: it's about to happen. But it's been three weeks. How
• 49:12
  Speaker 3: was it gone from the sabotage that Tits McGee did
• 49:17
  Speaker 3: was three weeks ago. Yeah, we only just figured it out.
• 49:21
  Speaker 3: So we're like, oh, they're going to attack any minute,
• 49:23
  Speaker 3: so we're handing out guns to everybody. Where's the timeframe
• 49:26
  Speaker 3: in that? There was no, there's nothing that make and
• 49:29
  Speaker 3: we just happened to be right that the second we
• 49:31
  Speaker 3: were There's like, it's not like we dropped out of
• 49:33
  Speaker 3: FTL or anything like that. We were just we left
• 49:36
  Speaker 3: the galaxy. They were like, they're coming, and then they're here.
• 49:39
  Speaker 3: It's like, how there wasn't I think if the if
• 49:43
  Speaker 3: the three weeks later had been cut and it all
• 49:46
  Speaker 3: happened within a day or whatever, Yeah, yeah, I'd buy it.
• 49:49
  Speaker 3: But it's been three weeks. Yeah, are we missing something? Yeah?
• 49:53
  Speaker 3: I don't know that.
• 49:54
  Speaker 5: Just they're like, over the last three weeks, there's been
• 49:57
  Speaker 5: thirty six minutes of important stuff going on.
• 49:59
  Speaker 3: Yeah, we reckon.
• 50:01
  Speaker 5: We've only got about six more minutes of important stuff
• 50:03
  Speaker 5: before this problem is solved.
• 50:05
  Speaker 3: Because they dialed the gate. Who they dialed Destiny, dialed
• 50:10
  Speaker 3: the stargate back to where Elion that came from, and
• 50:14
  Speaker 3: then the ships were there. Okay, so how they well
• 50:17
  Speaker 3: I think they're figuring that they're I'm just trying to
• 50:19
  Speaker 3: figure that when when Rush said, like a subspace communication,
• 50:23
  Speaker 3: So the subspace communication came through the stargate and that's
• 50:28
  Speaker 3: how they found them. Could maybe or did because because
• 50:33
  Speaker 3: they were on the planet where the James, but that
• 50:36
  Speaker 3: was three weeks ago. Yeah yeah, yeah, So the only
• 50:38
  Speaker 3: thing it could have been was if Eli and his
• 50:42
  Speaker 3: group were on the planet Rush was on where that
• 50:44
  Speaker 3: down shuttle was from the Eiffel sixty five people if
• 50:47
  Speaker 3: that was transmitting a subspace signal and then it went
• 50:54
  Speaker 3: through and when Eli dialed and they came through, the
• 50:57
  Speaker 3: subspace signal was then coming out of destiny and gave
• 51:00
  Speaker 3: them a position to triangulate and then the ship's rocked up.
• 51:03
  Speaker 3: That's the only way that I could see. Yeah, they
• 51:05
  Speaker 3: didn't say that, but yeah, we're writing.
• 51:07
  Speaker 5: It for Yeah.
• 51:08
  Speaker 3: I just remember Rush saying something about local signal. Yeah,
• 51:13
  Speaker 3: and I'm like okay, because he said they don't have
• 51:14
  Speaker 3: the trackers anymore, like there were there were trackers in
• 51:17
  Speaker 3: Russia's body and that's how they'd been tracking them in
• 51:19
  Speaker 3: the past. But he cut it out. So yeah, he
• 51:22
  Speaker 3: did say something about us, because I did rewind it
• 51:24
  Speaker 3: and then watch it again, something about a subspace signal.
• 51:26
  Speaker 3: But yeah, that's the only the only way that I
• 51:28
  Speaker 3: could figure out who it would work maybe.
• 51:31
  Speaker 5: Like for me, it was a little bit of last
• 51:33
  Speaker 5: week and then this where they're like, oh, we'll just
• 51:35
  Speaker 5: go back to that planet and we'll play with that
• 51:37
  Speaker 5: ship and then you never know what's going to happen.
• 51:38
  Speaker 5: I'm like this, I feel like shit. That was the
• 51:40
  Speaker 5: first fourteen. Why I've always appreciated the the isolation of
• 51:44
  Speaker 5: this show and and and a threat level on these
• 51:48
  Speaker 5: people and how hopeless their situation is is that this
• 51:51
  Speaker 5: will feels so bit. They're so far away from home
• 51:55
  Speaker 5: and the universe is so massive, and yet in the
• 51:59
  Speaker 5: last maybe just the first half of this episode or
• 52:02
  Speaker 5: the last episode and a half is making all this
• 52:05
  Speaker 5: feel a little bit smaller, like, Oh, let's just go
• 52:07
  Speaker 5: back there. I'm like, but you've it just seems so
• 52:10
  Speaker 5: easy now, like to be able to do that. I
• 52:12
  Speaker 5: kind of liked what it was the first fourteen where
• 52:15
  Speaker 5: it almost felt like we were going galaxy the galaxy already,
• 52:18
  Speaker 5: because we were like, hey, once we're gone, we are gone.
• 52:20
  Speaker 3: We have no way back, and very much giving Harry
• 52:24
  Speaker 3: and people are always saying space is so big again.
• 52:27
  Speaker 5: I mean, maybe i'ld feel differently about it the next
• 52:29
  Speaker 5: couple of episodes, or maybe this is almost the new
• 52:32
  Speaker 5: norm and they make what they've done, the changes or
• 52:35
  Speaker 5: shifts that they've made the last episode and a half
• 52:40
  Speaker 5: feel threatening as much as they did the first four were.
• 52:43
  Speaker 3: So we're heading into a new galaxy now, like we've
• 52:45
  Speaker 3: left that galaxy and we're now in the void in
• 52:47
  Speaker 3: between the two galaxies.
• 52:50
  Speaker 5: Like visually, I don't like when there was that shot
• 52:51
  Speaker 5: where you were behind the ship and you could see
• 52:54
  Speaker 5: the new galaxy off in the distance. Yeah, And then
• 52:57
  Speaker 5: at one stage I must have seventy thirty for a second,
• 53:00
  Speaker 5: and the first time they did it where they were
• 53:01
  Speaker 5: almost looking it might have been like the top down
• 53:04
  Speaker 5: or they were front looking backwards and there was a
• 53:06
  Speaker 5: bit of a glow behind I'm like, what what was that?
• 53:09
  Speaker 3: What's behind them?
• 53:10
  Speaker 5: And then the second time they I'm like, oh shit, no,
• 53:12
  Speaker 5: that's the other galaxy. Yeah, Like they've only just left it,
• 53:15
  Speaker 5: so we're still like got the the cluster is such
• 53:18
  Speaker 5: a huge part of the observable space in.
• 53:21
  Speaker 3: Front of them or behind them.
• 53:23
  Speaker 5: So I don't know, I've just probably never seen, you know,
• 53:26
  Speaker 5: if you look at Star Wars or any other show
• 53:28
  Speaker 5: where it's like, oh, galaxy, it's like, oh they've off.
• 53:30
  Speaker 5: You're either in the middle of nothing this and you
• 53:31
  Speaker 5: can see a galaxy off in the distance. Yeah, never like, oh,
• 53:34
  Speaker 5: we're just kind of away from the galaxy. We just
• 53:38
  Speaker 5: left the galaxy. It should be a little closer in
• 53:41
  Speaker 5: the revision mirror than what.
• 53:42
  Speaker 3: But I guess it was showing.
• 53:43
  Speaker 5: What did they say? At one point they when they
• 53:45
  Speaker 5: stopped and they were like where it like, or maybe
• 53:49
  Speaker 5: when they were calculating before they'd stopped, but they were
• 53:52
  Speaker 5: calculating that they were going to fall short, and they
• 53:54
  Speaker 5: go how far will we be away?
• 53:56
  Speaker 3: And it was like, oh, I thought it was like
• 53:58
  Speaker 3: five hundred thousand, but it was at fifty thousand.
• 54:00
  Speaker 5: Either way, the idea of we're going to drop out
• 54:02
  Speaker 5: fifty thousand light years short and they're like, oh, that's
• 54:04
  Speaker 5: in their couple of percent, and I'm like, what the fuck? Yeah,
• 54:08
  Speaker 5: that's how far?
• 54:09
  Speaker 3: Like I've got all the Milky Way galaxy is like
• 54:11
  Speaker 3: one hundred thousand light years. Yeah.
• 54:13
  Speaker 5: Yeah, but it just it just when you when you
• 54:14
  Speaker 5: say a big number and then go oh, actually that's
• 54:16
  Speaker 5: pretty close. Yeah Jesus Christ. That's just I don't know.
• 54:20
  Speaker 5: I just I love being continually surprised by yeah, big
• 54:24
  Speaker 5: it always.
• 54:24
  Speaker 3: You know, we just can't weak as human beings. It's
• 54:27
  Speaker 3: almost impossible as to fathom. Yeah, those kind of distances.
• 54:30
  Speaker 5: I saw something last week. I was telling my kids
• 54:31
  Speaker 5: about it. I don't know how true it is because
• 54:34
  Speaker 5: I feel like I see these things all the time,
• 54:36
  Speaker 5: and they all they're either all the same or all different.
• 54:39
  Speaker 5: It's hard and they all get clustered him and it said,
• 54:40
  Speaker 5: I if I think if the if our sun sorry
• 54:44
  Speaker 5: was the size of a red blood cell, the milky
• 54:49
  Speaker 5: way would be the size of the continental Usa. Yes,
• 54:51
  Speaker 5: I remember hearing something like that. Fucking what like, yeah,
• 54:54
  Speaker 5: that makes sense. But at the same time, when you
• 54:57
  Speaker 5: think about.
• 54:57
  Speaker 3: That, it's like, yeah, I saw a thing that because
• 55:01
  Speaker 3: it was you know, the whole like you know, eat
• 55:02
  Speaker 3: the billionaires kind of thing. And they're saying, if you
• 55:05
  Speaker 3: had a billion dollars in American one dollar bills and
• 55:09
  Speaker 3: you laid them out end to end, they would they
• 55:13
  Speaker 3: would wrap around Earth like four and a half times. Yeah,
• 55:16
  Speaker 3: if you had a billion one dollar notes American one
• 55:18
  Speaker 3: dollar notes, Like that's insane. Imagine strippers, you get, Yeah,
• 55:25
  Speaker 3: that's making a rain. And it's like and it's like,
• 55:28
  Speaker 3: if you made a dollar every second you were alive
• 55:33
  Speaker 3: from the moment you were born, every second you would
• 55:38
  Speaker 3: be a billion. You'd have a billion dollars by the
• 55:40
  Speaker 3: time you were like thirty five or something. Yeah, yeah, yeah,
• 55:44
  Speaker 3: like that's yeah, just the fathom of a billion versus
• 55:47
  Speaker 3: you know, a million and stuff like that. It's so
• 55:49
  Speaker 3: hard to figure out billion to a trillion. Oh, I
• 55:53
  Speaker 3: couldn't say. I can't even obviously. Yeah, that's crazy. I've
• 55:59
  Speaker 3: got a few little fun bits of audio commentary. This
• 56:02
  Speaker 3: was a very loose commentary. Old mate, Louis Frera. He
• 56:06
  Speaker 3: is an animal, he is, he's crazy, he is. Here's
• 56:12
  Speaker 3: the he could possibly be the like we always said,
• 56:15
  Speaker 3: Chris Judge is the most opposite tilk. I think Louis
• 56:19
  Speaker 3: Frera has now taken the cake for the for the
• 56:21
  Speaker 3: actor most unlike their character. This was his reaction during
• 56:26
  Speaker 3: the rush Camille slash Amanda Kiss. Whoa, whoa, whoa. Oh.
• 56:34
  Speaker 3: This was in the script.
• 56:39
  Speaker 1: I'm not comfortable.
• 56:46
  Speaker 5: I'm so sorry.
• 56:51
  Speaker 4: I can't.
• 56:55
  Speaker 12: Oh, I'm uncomfortable.
• 57:01
  Speaker 3: It's here.
• 57:04
  Speaker 5: Ship.
• 57:05
  Speaker 3: Who else is in there with her? Chloe and Tits mcgae. Yeah,
• 57:11
  Speaker 3: and this McGee is the character, it's not the actress. Okay, alright,
• 57:15
  Speaker 3: Tits mcgavan. Juliet Benson. I think it's hard for me
• 57:19
  Speaker 3: because Julie Benson is no sorry, Julia Bens is Dala
• 57:24
  Speaker 3: from Buffy and they have very similar names, kind of
• 57:27
  Speaker 3: like James Masters is Spike in Buffy, but James Marsden
• 57:32
  Speaker 3: is Cyclops and the other one, which is this is
• 57:36
  Speaker 3: the most unhinged and the laugh is what does it? Yeah,
• 57:42
  Speaker 3: there's no other setup for this.
• 57:43
  Speaker 5: Got a nice little going on there. I did a
• 57:45
  Speaker 5: little Kennedy I did.
• 57:48
  Speaker 3: It's a little military thing that you do.
• 57:51
  Speaker 1: I'm noticing you've never seen scenes in movies where the
• 57:53
  Speaker 1: general puts on their uniform like perfectly quaff before they
• 57:57
  Speaker 1: blow their own brains up. Just there was a thought,
• 58:00
  Speaker 1: and that's the reason here.
• 58:02
  Speaker 8: It is.
• 58:03
  Speaker 1: It's not every day you can'template the suicide.
• 58:09
  Speaker 3: That's going on the hot but that's what That's what
• 58:14
  Speaker 3: I've got a shortened version for you, far number five.
• 58:16
  Speaker 1: It's not every day you can'template the suicide.
• 58:26
  Speaker 3: Do we need to put a you know, if you're
• 58:29
  Speaker 3: feeling alone, call beyond Blue or something. We need maybe
• 58:32
  Speaker 3: that at the end, maybe we should get it. We
• 58:34
  Speaker 3: should get another cameo from Corky to be like, you know,
• 58:37
  Speaker 3: are you okay? Day? And uh, you know, are you okay?
• 58:43
  Speaker 3: Honestly I've been depressed. I've felt that low and when
• 58:47
  Speaker 3: someone asks you are you okay? I'd rather be dead? Yeah, yeah, yeah, yeah, yeah,
• 58:52
  Speaker 3: it's the final straw. Yeah it is. Yeah, just text
• 58:56
  Speaker 3: me to depressants. Guys, they're amazing SSRI versus s NRI
• 59:01
  Speaker 3: or whatever it is.
• 59:02
  Speaker 5: I understand.
• 59:03
  Speaker 3: Get in to get you crazy crazy kids. Am a boob?
• 59:09
  Speaker 3: Did you know that I edited that because he said
• 59:11
  Speaker 3: get into the gate? Oh yeah yeah, oh so play
• 59:14
  Speaker 3: the game. I understand, get in to get you crazy crazy.
• 59:20
  Speaker 3: Oh that's seamless well done. Do we give Young a
• 59:25
  Speaker 3: little bit of credit here?
• 59:26
  Speaker 5: Because I just figured at the end when they're like, oh,
• 59:27
  Speaker 5: you know, because the stone that you know, Russia held
• 59:30
  Speaker 5: onto and that was how they did the first time
• 59:32
  Speaker 5: we had the little cross over there with with Young
• 59:34
  Speaker 5: on their ship, and that they've still got a little
• 59:36
  Speaker 5: bit And that's why, like, because of what the knocking
• 59:38
  Speaker 5: over of the table and whatever that explanation was, with
• 59:40
  Speaker 5: what happened to James, that they were able to like
• 59:43
  Speaker 5: quickly just hijack her brain for a second ago and
• 59:46
  Speaker 5: sabotage the ship. Unless I didn't see a look, I
• 59:50
  Speaker 5: didn't hear any dialogue though of looking at Rush gone,
• 59:53
  Speaker 5: you continue to focus up with your little selfish you.
• 59:57
  Speaker 8: Know what I mean?
• 59:57
  Speaker 5: Like because of this, because of what he did way
• 1:00:00
  Speaker 5: back then. Yeah, harboring that and keeping that secret. It's
• 1:00:03
  Speaker 5: like it's over a couple of times with one specific
• 1:00:06
  Speaker 5: group of aliens.
• 1:00:07
  Speaker 3: You know, it seems like they're they're giving Young like, oh,
• 1:00:09
  Speaker 3: this is his thing now, like everyone has their thing,
• 1:00:12
  Speaker 3: like Carter had Joelina and Daniel speaks girl and all
• 1:00:15
  Speaker 3: these things, and it's like, well, well, now Young is
• 1:00:18
  Speaker 3: an expert on stones. Yeah, he's an ex that's his thing.
• 1:00:20
  Speaker 3: He's a stone x. Well.
• 1:00:23
  Speaker 5: I mean he got over which is the one where
• 1:00:27
  Speaker 5: he It was last week into the pregnancy that he
• 1:00:29
  Speaker 5: found out, wasn't it. I guess he has to be
• 1:00:32
  Speaker 5: to some extent like after last week, which would even
• 1:00:34
  Speaker 5: we didn't even talk about that last week, did we
• 1:00:36
  Speaker 5: about Oh.
• 1:00:37
  Speaker 3: Yeah, because we've known for weeks. We didn't bring it
• 1:00:40
  Speaker 3: up in the podcast.
• 1:00:41
  Speaker 12: Yeah.
• 1:00:41
  Speaker 5: Yeah, like the.
• 1:00:41
  Speaker 3: Fact that now Young knows, Yeah, it's kind of a nothing.
• 1:00:44
  Speaker 5: Burger for us. He hasn't even really like subtly freaked
• 1:00:47
  Speaker 5: out about it. It was kind of just like, oh, baby
• 1:00:50
  Speaker 5: on this ship.
• 1:00:51
  Speaker 3: It wasn't like and then she's like, I'm keeping it.
• 1:00:54
  Speaker 3: I was like, I don't think that's what he meant. No,
• 1:00:56
  Speaker 3: I feel like I kind of put myself in that situation.
• 1:00:59
  Speaker 3: I'm like, it's a real tightrope to walk because it's
• 1:01:03
  Speaker 3: like you want to give the other person the support,
• 1:01:07
  Speaker 3: but it's like, how do you know how to support them?
• 1:01:09
  Speaker 3: So it's like, because abortions different is I will support
• 1:01:13
  Speaker 3: you in any way. Just let me know what support
• 1:01:15
  Speaker 3: you need. And TJ could come back and be like,
• 1:01:16
  Speaker 3: why are you making me make all the decisions so
• 1:01:19
  Speaker 3: you don't. It's it's almost like it's a no wind scenario.
• 1:01:22
  Speaker 5: It's almost like marriage.
• 1:01:27
  Speaker 3: It doesn't matter what you do. Weird that you say that.
• 1:01:30
  Speaker 3: That's why I'm happily singing. I quite enjoy my singing.
• 1:01:33
  Speaker 3: I take charge. I've taken charge. Well, my feelings aren't
• 1:01:36
  Speaker 3: being masculine. Peace. I flew down to Melbourne on the
• 1:01:40
  Speaker 3: weekend by myself, got a hotel room by myself. It's
• 1:01:43
  Speaker 3: the whole weekend by myself. It's great. I didn't have
• 1:01:45
  Speaker 3: to answer. I mean, you know, I wouldn't have to
• 1:01:46
  Speaker 3: answer anybody anyway if I was here at home, but
• 1:01:48
  Speaker 3: I just would have been on my couch instead. I
• 1:01:51
  Speaker 3: just flew down. It feels extra freedom. But keep going.
• 1:01:55
  Speaker 3: I liked what you were saying then, bitch, great cool, No, yeah,
• 1:02:02
  Speaker 3: just it's just yeah, it's there's no way, Like I mean,
• 1:02:06
  Speaker 3: I guess you could argue that if Young and TJ
• 1:02:10
  Speaker 3: have been in a sexual relationship, he should maybe know
• 1:02:12
  Speaker 3: her well enough to know how to support her. Yeah,
• 1:02:16
  Speaker 3: that too, pull that game is weak. Yeah yeah, but
• 1:02:20
  Speaker 3: it's like, yeah, I was in if I was in
• 1:02:21
  Speaker 3: that situation of like, oh, cour what what because it's
• 1:02:25
  Speaker 3: like he doesn't know whether TJ until TJ says I'm
• 1:02:28
  Speaker 3: keeping it. He doesn't know if she's going to say
• 1:02:30
  Speaker 3: I'm keeping it or on getting rid of it. Because
• 1:02:32
  Speaker 3: it's like, as men, we're just like, well, wow, whatever
• 1:02:34
  Speaker 3: you whatever you want to do in that. From from
• 1:02:36
  Speaker 3: my point of view, I mean, obviously be different for
• 1:02:38
  Speaker 3: you guys in a marriage situation because you're married to
• 1:02:40
  Speaker 3: your wives. I feel like if if one of your
• 1:02:45
  Speaker 3: wives got pregnant, you guys could almost have a say
• 1:02:48
  Speaker 3: and do we keep it do we not? It's it's
• 1:02:50
  Speaker 3: a it's a back and forward situation. Whereas with Young
• 1:02:52
  Speaker 3: and TJ, he can't demand she have an abortion if
• 1:02:55
  Speaker 3: she doesn't want one, but if she wants to have
• 1:02:58
  Speaker 3: an abortion, he he if she wants to have an abortion,
• 1:03:01
  Speaker 3: he can't demand she doesn't. So it's like, yeah, it's
• 1:03:04
  Speaker 3: a really hard path to navigate in terms of yeah,
• 1:03:08
  Speaker 3: like I want to support you, but also by me
• 1:03:10
  Speaker 3: saying whatever you want, I will, I will do whatever
• 1:03:13
  Speaker 3: you want, that could also be seen as oh, so
• 1:03:15
  Speaker 3: you're making me make all the decisions and you're just
• 1:03:16
  Speaker 3: going to go along with it. I want you to
• 1:03:18
  Speaker 3: put your input, and yeah, I would just be like, well,
• 1:03:21
  Speaker 3: your body, your choice, what do you what if you
• 1:03:23
  Speaker 3: want to do, I will support you, you know what
• 1:03:25
  Speaker 3: I mean. If you want me to take charge and
• 1:03:28
  Speaker 3: and make some decisions for you, I'm happy to do that.
• 1:03:34
  Speaker 5: Can you can I ask for you to give me
• 1:03:36
  Speaker 5: permission to make the choice, to make all the choices,
• 1:03:38
  Speaker 5: you know what I mean.
• 1:03:39
  Speaker 3: But like even trigger warning.
• 1:03:43
  Speaker 5: Married men out there, I know he hasn't got kids
• 1:03:46
  Speaker 5: back home, and so I don't know how well that
• 1:03:48
  Speaker 5: we know of But I don't know how well versity
• 1:03:50
  Speaker 5: is on the idea of children how you know, like
• 1:03:54
  Speaker 5: just pregnancy works or anything. But I didn't question the
• 1:03:58
  Speaker 5: idea of her keeping one. It's a TV show. It's
• 1:04:00
  Speaker 5: far more interesting if she does keep it, obviously, but
• 1:04:03
  Speaker 5: that's from back then, because she had already said I'm
• 1:04:06
  Speaker 5: at twenty two weeks. And then they keep talking and
• 1:04:09
  Speaker 5: he's like, wow, on this ship she is, I'm keeping it.
• 1:04:12
  Speaker 5: I'm like, that's I thought you were. It's twenty two weeks.
• 1:04:17
  Speaker 3: Like well, and I know that me young are like
• 1:04:21
  Speaker 3: thirty five weeks.
• 1:04:23
  Speaker 5: I know there are certain subsections of America that that
• 1:04:26
  Speaker 5: know definitively that they are aborting children three days after
• 1:04:29
  Speaker 5: they're born. Yeah, because that's that makes sense. But at
• 1:04:33
  Speaker 5: the same time, after twenty two weeks, I'm like.
• 1:04:35
  Speaker 3: Yeah, yeah, it can survive, we know, yeah yeah. And
• 1:04:40
  Speaker 3: then what he said, a baby on the ship. It
• 1:04:42
  Speaker 3: was just like I'm visuals ago, visualizing the future, planning
• 1:04:49
  Speaker 3: in the future. He's saying, you see a lot when
• 1:04:51
  Speaker 3: there's like shows like Love Simon, Love Victor where it's
• 1:04:54
  Speaker 3: like young you know, teenagers coming out to their parents
• 1:04:58
  Speaker 3: and their parents reacting badly to it. It's I saw
• 1:05:02
  Speaker 3: it in a podcast somewhere, and like, you've got to remember,
• 1:05:04
  Speaker 3: like the child that's coming out to their parents, they've
• 1:05:06
  Speaker 3: known for a long long time, they've lived, They've decided
• 1:05:08
  Speaker 3: to make this decision. Your parents are hearing it. For
• 1:05:11
  Speaker 3: the first time. You need to give them time to
• 1:05:14
  Speaker 3: process it. I mean, obviously, if you're if you're going
• 1:05:16
  Speaker 3: to disown your children over that, you're a piece of shit.
• 1:05:18
  Speaker 3: You're worse than Varala's dad if you're going to over
• 1:05:21
  Speaker 3: their sexual preferences. But it's like, yeah, you're a good Yeah.
• 1:05:24
  Speaker 3: Like TJ's had all the time to sit and think
• 1:05:28
  Speaker 3: like non stop. I would imagine while she was on
• 1:05:31
  Speaker 3: the planet, she's been thinking about this NonStop, how she's
• 1:05:33
  Speaker 3: going to raise a child on Destiny.
• 1:05:36
  Speaker 5: Well, she was ready to strand herself on a planet
• 1:05:40
  Speaker 5: in a galaxy, yes, so far away from the Milky Way.
• 1:05:44
  Speaker 3: She had definitely thought about shit.
• 1:05:45
  Speaker 7: So like that.
• 1:05:46
  Speaker 3: Audience have been going through that with TJ, so we
• 1:05:49
  Speaker 3: know that she's committed to doing anything it takes to
• 1:05:52
  Speaker 3: protect this child.
• 1:05:53
  Speaker 5: But I would say, even as an audience member that
• 1:05:54
  Speaker 5: has gone through it with TJ for episodes and episodes,
• 1:05:58
  Speaker 5: him going on this ship and go whoa, yeah, I.
• 1:06:02
  Speaker 3: Was like, yeah, that's what she said.
• 1:06:04
  Speaker 5: Yeah, But she's like excuse me, and then he's like, no,
• 1:06:07
  Speaker 5: I didn't think that you weren't. Thankfully she didn't hold
• 1:06:10
  Speaker 5: that against him, like she was instantly back with him,
• 1:06:12
  Speaker 5: you know what I mean, like she was. I'm like, good,
• 1:06:14
  Speaker 5: they didn't make her out to be some whiny, you know,
• 1:06:16
  Speaker 5: one dimensional person like which.
• 1:06:18
  Speaker 3: Apropos of nothing. And it's just my own head canon.
• 1:06:21
  Speaker 3: I am going to credit Elena Hufban with that, Elena
• 1:06:23
  Speaker 3: and Louis because obviously Barbara Marshall, who wrote this, is
• 1:06:27
  Speaker 3: a first time writer for the show. But that was
• 1:06:29
  Speaker 3: last week's episoid when that happened. What the oh? When
• 1:06:34
  Speaker 3: TJ told him, yes, I brought it up. We didn't
• 1:06:37
  Speaker 3: talk about it last week and it was just which
• 1:06:39
  Speaker 3: was Martin Giro Yeah, okay, yeah, yeah, because there's a
• 1:06:41
  Speaker 3: part of me that goes, Yeah, it's like whether a
• 1:06:44
  Speaker 3: man or a woman is writing that experience, because a
• 1:06:47
  Speaker 3: man writing TJ having to tell young that she's pregnant
• 1:06:51
  Speaker 3: wouldn't probably have as much insight as a woman, you know,
• 1:06:54
  Speaker 3: telling telling that story. So yeah, that's an interesting sort
• 1:06:56
  Speaker 3: of point of view. So I would that's one of things. Yeah,
• 1:06:59
  Speaker 3: we defer to the actor doing it and if they
• 1:07:01
  Speaker 3: want to bring something to because obviously Elena Hufman's pregnant
• 1:07:03
  Speaker 3: in real life as well, you know, so she I'm
• 1:07:06
  Speaker 3: sure she would have gone she's emotional. No, No, I'm
• 1:07:11
  Speaker 3: saying there's a lot to factor in, But I'm saying, like,
• 1:07:14
  Speaker 3: I'm sure Elaine's apprehension and nervousness about going to her
• 1:07:21
  Speaker 3: bosses and saying, hey, you've just signed me onto this
• 1:07:24
  Speaker 3: show and I'm pregnant on this show. Please the best
• 1:07:29
  Speaker 3: we could do. Yeah, I'm keeping It's like, I'm sure
• 1:07:32
  Speaker 3: she brought a little bit of that to having to
• 1:07:35
  Speaker 3: tell Young about it. Yes, it's a really interesting Yeah,
• 1:07:39
  Speaker 3: I don't necessarily think that I'm keeping it line was
• 1:07:42
  Speaker 3: was needed because I think even later Elena and Louis
• 1:07:47
  Speaker 3: played it like a different way to the way it
• 1:07:50
  Speaker 3: was written in that Louis how Louie sees Young is like, well,
• 1:07:54
  Speaker 3: of course she's going to keep it like it, you know. Yeah,
• 1:07:56
  Speaker 3: I think that's how he played it. And I was
• 1:07:58
  Speaker 3: thinking this time when because I had to cut that up,
• 1:08:02
  Speaker 3: I saw her reaction to kind of her facial expression
• 1:08:06
  Speaker 3: was of disgust. But I think that might have come
• 1:08:10
  Speaker 3: from she thought about it not keeping absolutely and then
• 1:08:13
  Speaker 3: was disgusted with that thought and was guilty and was
• 1:08:16
  Speaker 3: trying to project that on him. Maybe, Yeah, that's what
• 1:08:19
  Speaker 3: I read out of it eventually. Well, I was just
• 1:08:21
  Speaker 3: watching I just did a rewatch of that great Australian
• 1:08:23
  Speaker 3: show Please like me. Josh Thomas, the comedian who did that,
• 1:08:27
  Speaker 3: and Lincoln's mate Caitlin Stacey is in that And spoiler
• 1:08:31
  Speaker 3: for season three, she gets pregnant and has and goes
• 1:08:33
  Speaker 3: and gets an abortion and she has this really amazing
• 1:08:35
  Speaker 3: scene just on the street where she's breaking down and
• 1:08:37
  Speaker 3: it's just like it's the societal pressure of like she
• 1:08:40
  Speaker 3: shouldn't have to feel guilty for going and get an abortion,
• 1:08:44
  Speaker 3: but there's a small part of the back of her
• 1:08:46
  Speaker 3: brain that is telling her she should feel guilty even
• 1:08:49
  Speaker 3: though it's not a life. But society is telling her
• 1:08:52
  Speaker 3: that it is a life that she's ending. But it's like,
• 1:08:54
  Speaker 3: it's not it's a couple of cells in my body.
• 1:08:55
  Speaker 3: I shouldn't It should be no different to going and
• 1:08:57
  Speaker 3: get a vaccination. You shouldn't feel guilty when you've got
• 1:08:59
  Speaker 3: a cold and going and taking a couple of panandole
• 1:09:02
  Speaker 3: or taking getting a flu injection to get rid of
• 1:09:04
  Speaker 3: those cells in your body. But there's also the I'm
• 1:09:08
  Speaker 3: sure and you guys would know. Being being parents is
• 1:09:11
  Speaker 3: like when you find out that you're going to have
• 1:09:13
  Speaker 3: a kid. It's like, oh, this does change my life
• 1:09:15
  Speaker 3: forever because now there's this human being that I'm responsible for,
• 1:09:19
  Speaker 3: Like this human being that's going to come eventually that
• 1:09:21
  Speaker 3: I'm going to responsible for. So yeah, there'd have to
• 1:09:23
  Speaker 3: be a moment when you're deciding whether or not what you
• 1:09:25
  Speaker 3: want to keep it of how I'm making the right decision.
• 1:09:28
  Speaker 3: And yeah, it has lasting effects throughout your life. So
• 1:09:32
  Speaker 3: it's as someone who's never gotten any real pregnant, never
• 1:09:36
  Speaker 3: had to deal with an you know, a pregnancy or
• 1:09:38
  Speaker 3: anything like that. It's it's bad. It I don't know
• 1:09:40
  Speaker 3: how I would I would handle it. It would be
• 1:09:43
  Speaker 3: such a weird thing to go through. I mean for
• 1:09:45
  Speaker 3: you guys, it's different, I guess in terms of you know,
• 1:09:47
  Speaker 3: you guys were married and expecting kids and trying to
• 1:09:50
  Speaker 3: have kids and oh, Jane James was a surprise.
• 1:09:52
  Speaker 5: Well yeah we were engaged when when Sarah felt pregnant,
• 1:09:56
  Speaker 5: but that was yeah, she she she was very nervous.
• 1:10:00
  Speaker 3: And a long term, committed relationship. You're engaged, Yeah, so
• 1:10:03
  Speaker 3: it was, you know.
• 1:10:04
  Speaker 5: Kids on the table we had where the wedding booked
• 1:10:06
  Speaker 5: for the twenty seventh of October and you had to
• 1:10:11
  Speaker 5: His due.
• 1:10:12
  Speaker 3: Date was November five. I was like, oh, okay, we can't.
• 1:10:15
  Speaker 5: I mean, her religious parents were like, well, that's that's
• 1:10:17
  Speaker 5: he's due. Your wedding's a week before he's due. You
• 1:10:19
  Speaker 5: can do it. You can be married before he's born. Like, girl,
• 1:10:22
  Speaker 5: I don't think so. But I you know, I'm the
• 1:10:25
  Speaker 5: oldest child, and the family and the oldest cousin on
• 1:10:28
  Speaker 5: both sides have always been I love kids. So Sarah
• 1:10:30
  Speaker 5: is so nervous about telling me. And I was just like, oh,
• 1:10:33
  Speaker 5: this is the best thing in the world. And she
• 1:10:35
  Speaker 5: was like, yes, I know it's good. But obviously she's
• 1:10:37
  Speaker 5: like her entire life are both very lives, but she's
• 1:10:40
  Speaker 5: far more mature and smarter and whatever than I am.
• 1:10:43
  Speaker 5: So I'm like, oh, maybe you're having the better reaction.
• 1:10:45
  Speaker 5: I'm just like, what, I get a little plaything, you know, like, yeah,
• 1:10:48
  Speaker 5: it's awesome.
• 1:10:49
  Speaker 3: And also I get an action figure that looks just
• 1:10:50
  Speaker 3: like me. Yeah.
• 1:10:51
  Speaker 5: And we're clearly addicted to the to the drug of
• 1:10:53
  Speaker 5: having kids. We've had four, and we joked the other
• 1:10:56
  Speaker 5: day She's like, oh, I thought it might have been pregnant.
• 1:10:57
  Speaker 5: It's like we could have a fifth and I'm like, eh,
• 1:11:00
  Speaker 5: get why not.
• 1:11:00
  Speaker 3: At this point, you're you're the oldest child and the
• 1:11:05
  Speaker 3: oldest cousin because I'm I'm the youngest child of the
• 1:11:07
  Speaker 3: youngest child. My mum is the last of nine kids
• 1:11:11
  Speaker 3: and I'm the last of her kids. Yeah, so I'm
• 1:11:13
  Speaker 3: like the baby baby. There are no cousins and stuff like.
• 1:11:16
  Speaker 5: Young than me, certain fantasy novels that gives you superpowers,
• 1:11:19
  Speaker 5: and you're like the youngest child of the young exactly
• 1:11:22
  Speaker 5: that going on.
• 1:11:23
  Speaker 3: All I got was erasthma so and the nose like
• 1:11:27
  Speaker 3: my mum's nose and my mom's asthma. That was about it.
• 1:11:29
  Speaker 3: I got my dad's anger issues and temper so yeah. Yeah,
• 1:11:36
  Speaker 3: I didn't get any of.
• 1:11:36
  Speaker 5: The good stuff.
• 1:11:38
  Speaker 3: No, usually dad's hairline. Yeah, I got hairline. And height.
• 1:11:42
  Speaker 3: You're got a good height though, you're a good height.
• 1:11:43
  Speaker 3: And arrogance. You're not arrogant. It's arrogant to say that
• 1:11:48
  Speaker 3: you're arrogant, mate, you are not arrogant. You're the most Yeah,
• 1:11:52
  Speaker 3: it's arrogant to say that you're You're like the most
• 1:11:56
  Speaker 3: wholesome little potato, Like you're just this little You're a
• 1:11:59
  Speaker 3: little cinnamon roll. Mane, Are you are not an arrogant?
• 1:12:01
  Speaker 3: You didn't get the good side of me?
• 1:12:02
  Speaker 5: Mate?
• 1:12:02
  Speaker 3: Yeah? Five thousand over here, we've been friends.
• 1:12:17
  Speaker 5: I forgot about this ship.
• 1:12:22
  Speaker 3: Alright, this is fine. Thirty seconds on the clock. W
• 1:12:26
  Speaker 3: would it be confident? Getting gimmes from SG?
• 1:12:29
  Speaker 1: One?
• 1:12:31
  Speaker 3: Five questions here? MIT's a gimmey, that's that's part of
• 1:12:34
  Speaker 3: the game.
• 1:12:35
  Speaker 5: Oh that's true, that's true. Sorry, And if you don't.
• 1:12:37
  Speaker 3: If you haven't heard this segment before, that's because we
• 1:12:39
  Speaker 3: haven't done it in a while. We usually do five
• 1:12:42
  Speaker 3: trivia questions for the newbie. That used to be Race
• 1:12:45
  Speaker 3: my brother. Now it's Mitch because Race left and Mitch
• 1:12:47
  Speaker 3: hasn't seen SG. So these are all questions about SGU
• 1:12:52
  Speaker 3: which are absolutely gimmes. So your time. But even if
• 1:12:55
  Speaker 3: the question was like, hey, what is titmgeese cup size?
• 1:12:59
  Speaker 3: Which we don't know, it would still be a gimme.
• 1:13:01
  Speaker 3: There's no wrong answer. Yeah, what is who's the Who's
• 1:13:04
  Speaker 3: the blonde guy you hated with in charge of the
• 1:13:06
  Speaker 3: root charging station? His name right?
• 1:13:10
  Speaker 5: Right? I used to like Riley?
• 1:13:12
  Speaker 3: Yeah, if you like. I think it was the first
• 1:13:14
  Speaker 3: blonde person who came to mind. If you're like, Hey,
• 1:13:16
  Speaker 3: what's Riley's rank? Well, nobody knows because there the throwback
• 1:13:21
  Speaker 3: to the potato the spud. Yeah, shout out the spud,
• 1:13:25
  Speaker 3: not shout out just big, just an annoyed acknowledgment. Alright,
• 1:13:31
  Speaker 3: thirty seconds on the clock. Five short answer questions. They're
• 1:13:35
  Speaker 3: not multiple choice. Your time starts after the first question.
• 1:13:40
  Speaker 3: Question one? Who is the first human to get aboard
• 1:13:44
  Speaker 3: Destiny at all? Christ? Is it Scott correct? What mineral
• 1:13:53
  Speaker 3: power is the stargate at Chorus based dial Destiny? Which
• 1:13:57
  Speaker 3: version nargeter the quadrant? I don't know how correct? How
• 1:14:03
  Speaker 3: does the Destiny crew communicate with earth stones? More information
• 1:14:09
  Speaker 3: in intergalactic stones? What does FTL stand for Faster than Light?
• 1:14:14
  Speaker 3: Who was originally supposed to command Destiny instead of Colonel Young?
• 1:14:18
  Speaker 3: Unfortunately that was after the buzz. That's a shame I
• 1:14:30
  Speaker 3: got to have that. So yes, this question who was
• 1:14:33
  Speaker 3: the first human to step foot on Atlantis? Not weird?
• 1:14:36
  Speaker 3: It was no, it wasn't weird. It was no, it
• 1:14:38
  Speaker 3: wasn't It was because she remember she was working time.
• 1:14:41
  Speaker 3: I just watched it the other day before I sleep.
• 1:14:44
  Speaker 3: She went back ten thousand years to mazzle over everything.
• 1:14:47
  Speaker 3: So she was the first human to step foot on Atlantis.
• 1:14:51
  Speaker 3: That hurts, that's Cooper rewrite. That is, that's what Elizabeth
• 1:14:56
  Speaker 3: under when she put the charges EPM up a vagina
• 1:15:00
  Speaker 3: that hurts. Get it up me, John. It's like it's
• 1:15:07
  Speaker 3: like when you put your tongue on a de cel battery.
• 1:15:11
  Speaker 3: I'll take your word for that. You never put a
• 1:15:13
  Speaker 3: nine vault.
• 1:15:14
  Speaker 5: I saw a nine vault today and I'm like, you know,
• 1:15:19
  Speaker 5: I don't want to put my tongue in that.
• 1:15:20
  Speaker 3: You know what, I think? We know what Sarah has
• 1:15:22
  Speaker 3: been doing with that. She's been cpming that, she's been
• 1:15:26
  Speaker 3: booping it. Who was the first human to gateboard Destiny?
• 1:15:30
  Speaker 3: Answer was Lieutenant Matthew Scott. I wouldn't have got that.
• 1:15:33
  Speaker 3: I would have said Camille because I was thinking of weird,
• 1:15:36
  Speaker 3: there you go, Yeah, what mineral does? Which mineral powers
• 1:15:42
  Speaker 3: are stargated? Chris based the Destiny the quadri was correct.
• 1:15:46
  Speaker 3: I mean Nagada would have that. I think that that's
• 1:15:48
  Speaker 3: acceptable because that no, how does the Destiny crew communicate
• 1:15:54
  Speaker 3: with Earth's ancient stone communication stones? After see I was
• 1:16:00
  Speaker 3: gonna say, I was just about to say, yeah, that's stranger.
• 1:16:02
  Speaker 3: They've never shortened a cs because I have the ZPMs
• 1:16:05
  Speaker 3: and the aar gs and the MALP and the g
• 1:16:10
  Speaker 3: d o s, but we never have the A.
• 1:16:12
  Speaker 11: C s.
• 1:16:14
  Speaker 3: And FTL Faster than Light. Just look at it. It's
• 1:16:19
  Speaker 3: only a seven hour podcast. Who was originally supposed to
• 1:16:24
  Speaker 3: Command Destiny? You said, Colonel Young. I'll give you a
• 1:16:26
  Speaker 3: bonus point if you can tell me, sorry, Colonel Telford,
• 1:16:30
  Speaker 3: you did say Telford. Sorry, that was the buzz was
• 1:16:34
  Speaker 3: for me. I'll give you an extra point if you
• 1:16:36
  Speaker 3: can tell me his first name, Telford. It's Colonel Everett Young.
• 1:16:42
  Speaker 3: I'm still going to match, I know. I'm just I'm
• 1:16:44
  Speaker 3: just thinking out that it's a it's a it's an
• 1:16:46
  Speaker 3: audio medium. If Mitch is quiet in thinking, it's just
• 1:16:49
  Speaker 3: gonna be dead air. So I'm just kind of like
• 1:16:51
  Speaker 3: I'm just clarifying the answer. No, No, I'm not going
• 1:16:54
  Speaker 3: to say the answer. I'm not that dense today tomorrow.
• 1:16:58
  Speaker 3: Maybe I don't know that I know it. I was
• 1:17:03
  Speaker 3: surprised when I read it, so I'd be surprised if
• 1:17:05
  Speaker 3: you got it. Colonel Lionel Pendergast. They named it after
• 1:17:09
  Speaker 3: someone that we know of, Reese Lincoln, Joe's daddy Daddy Telford.
• 1:17:19
  Speaker 3: Colonel Daddy Telford. That's that's you're in the right vein vain,
• 1:17:25
  Speaker 3: the main vein the on like the Stargate fandom. Okay, Jacob,
• 1:17:31
  Speaker 3: Joe's Craig not get into Gate.
• 1:17:34
  Speaker 5: And I'm going through like writers and directors, Corky no.
• 1:17:38
  Speaker 3: Fandom fandom fandom. Yeah, I was about to what is that?
• 1:17:45
  Speaker 3: I think I've said that before. I think we've mentioned
• 1:17:47
  Speaker 3: that what is what is brown? I don't have that
• 1:17:53
  Speaker 3: sound effect, Colonel Colonel Wiki Telford. Oh, it still baffles
• 1:18:07
  Speaker 3: me that you've had a deaf sister your entire life
• 1:18:09
  Speaker 3: and that was the best kind of sign language you've
• 1:18:11
  Speaker 3: come up with.
• 1:18:12
  Speaker 5: You were just like doing these or spelling it. I
• 1:18:15
  Speaker 5: was using letters.
• 1:18:16
  Speaker 3: Yeah, but you have a deaf sister who doesn't know
• 1:18:19
  Speaker 3: sign like exactly. So what's your point? Well, you should
• 1:18:23
  Speaker 3: know it.
• 1:18:23
  Speaker 5: It's like I may as well go. You've had a
• 1:18:25
  Speaker 5: sister and you don't know it. Yeah, your sister doesn't
• 1:18:28
  Speaker 5: know it, so why would you therefore know it. My
• 1:18:30
  Speaker 5: sister doesn't know it, But your sister's deaf. You can't
• 1:18:33
  Speaker 5: say that.
• 1:18:36
  Speaker 3: Sorry, she's she's ocular in pair no oculi's eyes. She's
• 1:18:39
  Speaker 3: gonna know what's her thing called cochlear cochlear? See, I
• 1:18:43
  Speaker 3: should have known that, Yeah, because it says Mitch's sister's death.
• 1:18:47
  Speaker 3: You should know not to say that though she's cocker impaired.
• 1:18:52
  Speaker 3: I said, I should have known that because it was
• 1:18:54
  Speaker 3: cock is I was making. I was making a penis joke,
• 1:18:57
  Speaker 3: which famously, Oh my goodness, you won't like the Star
• 1:19:08
  Speaker 3: Trek Star Trek Star Trek, Star Trek, Star Trek Star
• 1:19:13
  Speaker 3: Trek Sensation, one of the great tries play the Susie
• 1:19:18
  Speaker 3: and the one next from Yeah, yeah is that?
• 1:19:23
  Speaker 5: Did that one start off with hold the phone, Freddy?
• 1:19:26
  Speaker 5: Is that that's from that clip? Was that from a
• 1:19:28
  Speaker 5: different I.
• 1:19:29
  Speaker 3: Think that was the one from that was the different one?
• 1:19:38
  Speaker 5: It was a different one because Freddy's in the middle
• 1:19:40
  Speaker 5: of the hold of fine Freddy. I thought it was
• 1:19:42
  Speaker 5: a Mullin stripe. It might have been a Mullen stroke.
• 1:19:45
  Speaker 3: There could be this one.
• 1:19:47
  Speaker 7: They come to the blind for Matthew Johns and he
• 1:19:49
  Speaker 7: keeps up low man, hold a hand out at it.
• 1:19:53
  Speaker 3: That's probably why he.
• 1:19:54
  Speaker 7: Was pretty pretty keen to go back and recover. Now
• 1:19:57
  Speaker 7: Mullin's open again, you go.
• 1:20:02
  Speaker 3: Outside.
• 1:20:03
  Speaker 7: I know what he comes again. Brett Lallan started second
• 1:20:07
  Speaker 7: like he made a try.
• 1:20:09
  Speaker 6: How goodness this bloke.
• 1:20:14
  Speaker 3: He was Ras absolutely loved Brett Mullins. Have you guys
• 1:20:18
  Speaker 3: maybe thought that football is just incredibly boring from.
• 1:20:21
  Speaker 5: Rabs Nora wasn't doing commentary.
• 1:20:26
  Speaker 3: I never been the same and it will never be this.
• 1:20:28
  Speaker 3: But that's what I mean. If you watch the game
• 1:20:31
  Speaker 3: of football without rap, I guess wearing that voice reminds
• 1:20:34
  Speaker 3: me of my child.
• 1:20:35
  Speaker 5: Yeah, and hearing you this bloke and I'm like, oh,
• 1:20:38
  Speaker 5: that's like early nineties raps late, like you know, like
• 1:20:40
  Speaker 5: that's where like where he would still say stuff like that.
• 1:20:43
  Speaker 3: You never heard him saying the word bloke. I think
• 1:20:45
  Speaker 3: I think Rabs is the reason radio for so long,
• 1:20:48
  Speaker 3: because Liver Bloody would like to talk like rap on
• 1:20:51
  Speaker 3: vague little blah blah blah blah.
• 1:20:52
  Speaker 5: And it's just like because you do interviews with him
• 1:20:55
  Speaker 5: and you realize that he talks a little bit like
• 1:21:00
  Speaker 5: Ricky Stewart was predominantly.
• 1:21:03
  Speaker 3: Throwing away.
• 1:21:06
  Speaker 5: He's away.
• 1:21:07
  Speaker 3: They will not tell he's got.
• 1:21:10
  Speaker 7: Third tries for the year.
• 1:21:12
  Speaker 3: And that's the sports in fact that my microphone gets
• 1:21:15
  Speaker 3: too long, so talking about star Trek, but this is awesome. Yeah,
• 1:21:20
  Speaker 3: so Star Trek. Stargate wouldn't exist without Star Trek. Brad
• 1:21:24
  Speaker 3: Wright wouldn't be a star sci fi fan without Star Treks.
• 1:21:27
  Speaker 3: I'm not allowed to talk about it on a science
• 1:21:30
  Speaker 3: fiction podcast. Spoken about it three hundred you can bring
• 1:21:33
  Speaker 3: as that's how long it feels like you've been playing
• 1:21:36
  Speaker 3: RABS clips. I played three RABS clips. Yeah, we've paid
• 1:21:41
  Speaker 3: three hundred and we had we had to still mid
• 1:21:44
  Speaker 3: like for like six minutes before I'm talking. Mitch's child
• 1:21:49
  Speaker 3: video chattered us in to watch the final minutes of
• 1:21:52
  Speaker 3: the Broncos, not kids, So he's doing back into line. Now,
• 1:21:58
  Speaker 3: what's your theory on that injury the Daily?
• 1:22:00
  Speaker 2: Well, well they're saying down here is it could be
• 1:22:02
  Speaker 2: springer heads just over the dead ball one.
• 1:22:04
  Speaker 7: My name you are inside for Malone. I said it
• 1:22:08
  Speaker 7: once before. They won't catch him.
• 1:22:09
  Speaker 3: But there was Peers that seers.
• 1:22:12
  Speaker 7: Today's get these seconds versus great Britt.
• 1:22:16
  Speaker 5: That was the biggest shots you, dirty Tom I've ever
• 1:22:20
  Speaker 5: heard in common.
• 1:22:22
  Speaker 3: Oh well, would you look.
• 1:22:23
  Speaker 5: Shut up there and one of the great Indigenous Australians
• 1:22:28
  Speaker 5: getting up being a dirty, dirty pumby bastard.
• 1:22:34
  Speaker 3: My last class again astraight, my it needs to be
• 1:22:40
  Speaker 3: My microphone's never allowed to be turned off daily. He's true.
• 1:22:44
  Speaker 3: Here's the winger in supper.
• 1:22:46
  Speaker 8: Yeah, Malins.
• 1:22:49
  Speaker 3: Put it in proud pleasing?
• 1:22:53
  Speaker 4: What'spadion pullback?
• 1:22:56
  Speaker 3: Why who do you play for? Why am I asking?
• 1:22:58
  Speaker 3: I don't care? State cambell Raiders? Oh okay, I had
• 1:23:02
  Speaker 3: a couple. Come on, How good was it? Just back
• 1:23:05
  Speaker 3: in the day where we had normal Nadium the Bruce
• 1:23:08
  Speaker 3: Highway party? Wait? BROOKVI is the Bruce Stadium and the
• 1:23:13
  Speaker 3: Bruce Highway named after the same Bruce? Yeah? You just
• 1:23:17
  Speaker 3: you just made that up. Bruce Trotter of bog Trotter
• 1:23:21
  Speaker 3: Springs Springsteen. You mean bog Trotter. It's weak.
• 1:23:25
  Speaker 5: Got we miss what's that episode's round in twenty six?
• 1:23:32
  Speaker 3: Get into gay? What's that mean?
• 1:23:34
  Speaker 5: We've got four episodes left of this season?
• 1:23:36
  Speaker 3: We got two episodes? Then what Incursion Part one and two?
• 1:23:39
  Speaker 5: Right?
• 1:23:40
  Speaker 3: Nineteen twenty four episodes? What one? Two? Three episodes left
• 1:23:45
  Speaker 3: for this season?
• 1:23:46
  Speaker 6: Oh?
• 1:23:46
  Speaker 3: So one and then a double part Ofsion Paine. Then
• 1:23:52
  Speaker 3: we got Subversion, then we got Incursion Part one?
• 1:23:55
  Speaker 5: Right, So it's four episodes but three three episode podcast episodes? Yeah, yeah, yeah, yeah, yeah, yeah,
• 1:24:00
  Speaker 5: yeah yeah.
• 1:24:01
  Speaker 3: And the next week's episode, Oh I thought it started differently.
• 1:24:08
  Speaker 5: Why don't you just pull up Rugby League wholights of pain?
• 1:24:10
  Speaker 5: Hass Like, how are you not doing that?
• 1:24:13
  Speaker 3: Have we met? Is this going to be our first fight? Oh?
• 1:24:20
  Speaker 3: Come on now, kick the change.
• 1:24:22
  Speaker 5: I can't bite mother.
• 1:24:28
  Speaker 7: Oh my godness, you won't say that they like that again?
• 1:24:32
  Speaker 7: This yet he's ever Oh that'll do me sensational stuff.
• 1:24:37
  Speaker 3: That just doesn't get any better than that, does it.
• 1:24:40
  Speaker 3: So you thought he was asking and he went decades back.
• 1:24:44
  Speaker 3: I hate it here. This is my and I want
• 1:24:48
  Speaker 3: to walk out right now.
• 1:24:49
  Speaker 5: This is we got.
• 1:24:51
  Speaker 3: That was rabs though, right, yeah, I know stuff.
• 1:24:54
  Speaker 5: We got hit tonight and you went to pick up
• 1:24:56
  Speaker 5: some food and you said, hey, front doors open, just
• 1:24:59
  Speaker 5: let yourselves in if you get there before I done.
• 1:25:01
  Speaker 3: And he always loves the front of the work. But
• 1:25:03
  Speaker 3: it's nothing different. I think when you guys are coming
• 1:25:05
  Speaker 3: around upstairs, I'm upstairs. It would be terrible if somebody
• 1:25:12
  Speaker 3: came and took advantage of me. I'm up here in
• 1:25:15
  Speaker 3: my bed with barely a stitch of clothing on.
• 1:25:19
  Speaker 12: I'm so I'm so delicate and already hated if someone
• 1:25:26
  Speaker 12: came up here and how then name they round with me?
• 1:25:34
  Speaker 5: Well before we knew that that's how you felt about
• 1:25:36
  Speaker 5: strange strangers walking into the house.
• 1:25:38
  Speaker 3: I love some strange We got in and and like
• 1:25:42
  Speaker 3: Brenda I pulled up at the same time we walked in,
• 1:25:44
  Speaker 3: and she did, well, sure each other handy in the
• 1:25:47
  Speaker 3: carp up. Not for years, But I said, I got here.
• 1:25:50
  Speaker 5: I actually get it, like two minutes before Brenda, I said,
• 1:25:52
  Speaker 5: I thought about going in, but I'm like, I'll wait
• 1:25:54
  Speaker 5: until someone else rocks up and souid, Well, we walked
• 1:25:57
  Speaker 5: in and manege well, and Brenda's like we should just wow,
• 1:26:01
  Speaker 5: I don't say I brought that up.
• 1:26:03
  Speaker 3: No, you're right. Actually, I'm like it's unfair because I said,
• 1:26:06
  Speaker 3: you guys going to form my couch. No, it's just
• 1:26:08
  Speaker 3: it's leather.
• 1:26:08
  Speaker 5: It wipes down pretty easy. Let's just let's take the
• 1:26:10
  Speaker 5: strides off and just go and sit in the couch
• 1:26:12
  Speaker 5: and just wait, like to really make ourselves at home.
• 1:26:14
  Speaker 3: Said it'd be funny if you came in and we're
• 1:26:15
  Speaker 3: just like undis on the couch'll at least be taking
• 1:26:21
  Speaker 3: you think you guys get the first bear ass on.
• 1:26:23
  Speaker 3: That's hairy bear us. Probably that Mitch's wicked Mitch's wicked basket.
• 1:26:30
  Speaker 5: You know, I can't take a ship anymore without thinking
• 1:26:32
  Speaker 5: of being a wicked bus.
• 1:26:34
  Speaker 3: Just because you keep you keep texting, You're leaving me
• 1:26:36
  Speaker 3: voicemails going I just took a ship, so of course
• 1:26:39
  Speaker 3: I'm going to have a shower. Stop sending me pictures
• 1:26:40
  Speaker 3: of yours. Yeah, and then stop the wicker basket. I don't
• 1:26:43
  Speaker 3: always do it when I just say that. If I
• 1:26:45
  Speaker 3: walk into my bathroom, you can hear the echo. I
• 1:26:48
  Speaker 3: tell you that I've just done a ship because I
• 1:26:49
  Speaker 3: know that. Stop wiping with a bone cone. Tell me
• 1:26:54
  Speaker 3: not to be me. Don't yuck my And after Midge
• 1:26:59
  Speaker 3: goes for a ship, Sarah comes in. This is happening.
• 1:27:02
  Speaker 9: Lock up the moth optimization called red Dash Beta, initiate.
• 1:27:06
  Speaker 7: Wild i'm.
• 1:27:12
  Speaker 4: Us, thanks sucking.
• 1:27:25
  Speaker 8: Running for you.
• 1:27:28
  Speaker 4: There's a cula me hot.
• 1:27:32
  Speaker 3: Do you see nasty.
• 1:27:35
  Speaker 8: Ramal.
• 1:27:38
  Speaker 3: It's gonna be Maddie's favorite podcast.
• 1:27:44
  Speaker 5: I hope your kids have had their fun with the
• 1:27:47
  Speaker 5: desk this week, Brenda, and then we move on to
• 1:27:49
  Speaker 5: a different effect.
• 1:27:50
  Speaker 4: Next week at a Jack and bella. What's up?
• 1:27:54
  Speaker 8: What's up?
• 1:27:56
  Speaker 6: You really really good cookies, cookies a very delicious
• 1:28:03
  Speaker 11: Get into the geek, Get into the gate, Get into
• 1:28:09
  Speaker 11: Gate Stargate, and send me some mass bring