Latest / Lux Radio Theater | Old Time Radio / Lux Radio Theatre - "Roughly Speaking" (Old Time Radio, 1945)
Transcript
- 0:00Speaker 1: On October 8th, 1945, Lux Radio Theater presented its 496th broadcast,
- 0:07Speaker 1: Roughly Speaking, on CBS. Rosalind Russell and Jack Carson reprised
- 0:13Speaker 1: the roles they played in the Warner Brothers film, Louise
- 0:17Speaker 1: Randall Pearson and Harold C.
- 0:19Speaker 2: Pearson.
- 0:20Speaker 1: Based on Louise Randall Pearson's autobiography, the drama follows Louise
- 0:26Speaker 1: from the early years of the century into the Depression...
- 0:29Speaker 1: after her father's death brings financial hardship and sends her
- 0:33Speaker 1: toward business training. Through two marriages, a growing family, and
- 0:38Speaker 1: changing fortunes, Louise works to hold her household together while
- 0:43Speaker 1: Harold pursues a succession of business ventures. Here is the
- 0:47Speaker 1: original broadcast.
- 0:49Speaker 2: Lux presents Hollywood. The Lux Radio Theater brings you Rosalind
- 1:06Speaker 2: Russell and Jack Carson in Roughly Speaking. Ladies and gentlemen,
- 1:12Speaker 2: your guest producer, Mr. Irving Pitchell. Greetings from Hollywood, ladies
- 1:21Speaker 2: and gentlemen. Tonight's Lux Radio Theater play is, briefly, A
- 1:25Speaker 2: Saga of America. It is the frank, exciting biography of
- 1:29Speaker 2: a real woman who, throughout two marriages and roughly two generations,
- 1:34Speaker 2: experiences the true nature of American freedom, the opportunities for
- 1:38Speaker 2: failure as well as success, the right to live by
- 1:41Speaker 2: individuality and courage. In our cast are two players admirably
- 1:45Speaker 2: fitted for their roles, not only because of their innate talents,
- 1:49Speaker 2: but because they too have experienced the ups and downs
- 1:52Speaker 2: of life. And while they landed very much on top,
- 1:56Speaker 2: their natural sympathy and good humor have made them two
- 1:58Speaker 2: of Hollywood's most popular stars, Rosalind Russell and Jack Carson,
- 2:02Speaker 2: appearing in their original screen roles in Warner Brothers, Roughly Speaking.
- 2:08Speaker 2: In planning for tonight's show, I talked at some length
- 2:10Speaker 2: with Louise Randall Pearson, who wrote the original story of
- 2:13Speaker 2: our play. She's now starting a career as a Warner
- 2:16Speaker 2: Brothers writer, proving, as she says, that life begins at 50.
- 2:20Speaker 2: I asked her, what if she had her life to
- 2:22Speaker 2: do over again? And she assured me only one thing
- 2:25Speaker 2: might make her hesitate. The dishes that she had to
- 2:28Speaker 2: wash day after day, year after year, for a family
- 2:31Speaker 2: of seven. If at the start of her tumultuous career
- 2:34Speaker 2: she had seen all those dishes piled colossally in front
- 2:37Speaker 2: of her, she might have thrown in the sponge. Fortunately, she,
- 2:40Speaker 2: like other smart and thrifty housewives, laid in a supply
- 2:44Speaker 2: of Lux Flakes and went on about each day's dishes singing.
- 2:48Speaker 2: In fact, says the resourceful Louise, Lux Flakes were standard
- 2:51Speaker 2: equipment in the Pearson home in all of its many permutations.
- 2:55Speaker 2: Here's the curtain for tonight's play on the first act
- 2:58Speaker 2: of Roughly Speaking, starring Rosalind Russell as Louise... and Jack
- 3:02Speaker 2: Carson as Harold, with George Neese as Rodney.
- 3:09Speaker 3: It may be.
- 3:17Speaker 2: A little unusual to begin a story with a boy
- 3:19Speaker 2: and a girl singing the Yale Bulldog song, but it's
- 3:22Speaker 2: a good way to introduce a young lady named Louise Ramble,
- 3:25Speaker 2: who on this crisp winter's night in 1911 is taking
- 3:28Speaker 2: a sleigh ride with Mr. Rodney Crane, On a hilltop
- 3:32Speaker 2: overlooking the university, Louise and Rodney continue their baying at
- 3:36Speaker 2: the bright December moon. Bulldog, bulldog, bow, wow, wow, our
- 3:42Speaker 2: team will never fail. When the sons of Eli break
- 3:46Speaker 2: through the line, that is the time we hail.
- 3:51Speaker 4: Bulldog, bulldog, bow, wow, wow, Eli, yeah.
- 3:58Speaker 5: Well, do you think I can make the Yale Glees up?
- 4:00Speaker 2: Oh, there's no doubt about it. Should we stop for
- 4:04Speaker 2: a while, Louise?
- 4:04Speaker 5: Let's do. Oh, oh, Louise.
- 4:08Speaker 2: How did I ever come by the marvelous good luck
- 4:10Speaker 2: to find you in New Haven?
- 4:12Speaker 5: Because Shelby and company needed a reliable secretary.
- 4:15Speaker 2: Oh, seriously, Louise?
- 4:16Speaker 5: Seriously. Because when my father died, we woke up one
- 4:19Speaker 5: morning and found we didn't have any money. So I
- 4:22Speaker 5: went to work.
- 4:23Speaker 2: I guess I shouldn't have mentioned it.
- 4:25Speaker 5: Nonsense.
- 4:26Speaker 2: Oh, look. Here's the Big Dipper.
- 4:28Speaker 5: The Big Dipper. When I was a little girl, my
- 4:31Speaker 5: father used to say if I was good, the Big
- 4:33Speaker 5: Dipper would pour down hot chocolate covered with whipped cream.
- 4:37Speaker 5: I still expected to, even when....
- 4:40Speaker 6: Oh.
- 4:41Speaker 2: I kissed you, Louise.
- 4:43Speaker 5: Yes, you did.
- 4:44Speaker 2: I want to apologize. I kissed you without your permission.
- 4:48Speaker 5: If that's all that's troubling you.
- 4:49Speaker 2: Darling, I want to take you out of all this.
- 4:51Speaker 5: All this what?
- 4:52Speaker 2: I want to give you a home, a real home,
- 4:54Speaker 2: with me coming home from the bank on the 515.
- 4:57Speaker 2: You bustling around the kitchen.
- 4:58Speaker 5: And if you get home before I do, you bustling
- 5:00Speaker 5: around the kitchen.
- 5:01Speaker 2: You get home. From where?
- 5:02Speaker 5: From work, of course. Rodney, do you know they pay
- 5:05Speaker 5: secretaries $ 25 a week in New York?
- 5:07Speaker 2: Oh, I'd never permit my wife to work.
- 5:09Speaker 5: Oh, funky doodle. Why, with your brains and my get-up-and-get,
- 5:13Speaker 5: we'll make a wonderful team.
- 5:14Speaker 2: But I want to be able to give you things,
- 5:16Speaker 2: a house and a maid. I graduate in June and
- 5:19Speaker 2: the bank's going to start me off at $ 66. 66 a month. Why,
- 5:22Speaker 2: in two years.
- 5:23Speaker 5: In two years you'll be making thousands. You mark my words. Well,
- 5:26Speaker 5: that's why I say if we only wait... Why should
- 5:29Speaker 5: we wait if we love each other? The minute you graduate,
- 5:31Speaker 5: let's whiz right down to the town clerk and be married.
- 5:33Speaker 2: But it just isn't done like that, Louise.
- 5:36Speaker 5: Oh, prunes and prisms.
- 5:38Speaker 2: You do love me.
- 5:39Speaker 5: Oh, yes. It's just that I feel so, so.
- 5:42Speaker 2: What?
- 5:43Speaker 5: Unambitious.
- 5:44Speaker 2: And you will wait for me, won't you, darling?
- 5:46Speaker 5: Only until you get the $ 66. 66. Oh, let's have it perfect.
- 5:51Speaker 5: Let's get a little apartment, all on our own, even
- 5:53Speaker 5: if it's tiny. Just the two of us, against the world.
- 5:57Speaker 2: All right.
- 5:57Speaker 5: Oh, I won't say obey, and I won't say why,
- 5:59Speaker 5: and I won't.
- 6:00Speaker 2: But, Louise.
- 6:00Speaker 5: But me, no buts. And we're going to file health certificates. Why?
- 6:04Speaker 5: Because I want all my children to be perfect. I'm
- 6:06Speaker 5: going to have nine.
- 6:07Speaker 2: Nine? Oh, now, wait a minute.
- 6:09Speaker 7: Oh, Rodney, I feel so darned for you.
- 6:17Speaker 5: Well, in June we were married and we went to
- 6:19Speaker 5: New York. Our little flat had a fine view of
- 6:22Speaker 5: the Third Avenue L, and I loved it the minute
- 6:24Speaker 5: I saw it. It was so bohemian. One night, about
- 6:28Speaker 5: a year later, Rodney was in the front room reading
- 6:31Speaker 5: the evening paper when I.
- 6:34Speaker 5: Special in the paper, Rodney.
- 6:36Speaker 2: Huh? Oh, plenty. Yes, sir, plenty.
- 6:39Speaker 5: Do you know what I did this afternoon?
- 6:41Speaker 2: You're going to put Woodrow Wilson in the White House.
- 6:43Speaker 2: You mark my words. Just listen to this.
- 6:44Speaker 5: I bought a new record for the phonograph.
- 6:46Speaker 2: This is important. Why, if Wilson's elected, our whole nation is... Louise,
- 6:51Speaker 2: do you have to play that record now?
- 6:52Speaker 5: I'm pretty sure you'll like it. I... I hope you will, Rodney.
- 6:56Speaker 2: All right, darling. It's very nice. I wish someone would
- 7:05Speaker 2: tell that Theodore Roosevelt to... Louise! Yes, dear.
- 7:12Speaker 5: That record. Oh, darling, aren't you happy?
- 7:15Speaker 2: Happy?
- 7:15Speaker 5: Well, I'm the happiest man in the world.
- 7:19Speaker 2: Louise! Here, darling, sit down. How do you feel? Oh,
- 7:22Speaker 2: for goodness sake.
- 7:23Speaker 8: Why didn't you tell me?
- 7:32Speaker 5: In November, Woodrow Wilson was elected president. And in January,
- 7:37Speaker 5: Rodney and I awaited the arrival of the little boy...
- 7:40Speaker 5: who someday also would be president. Except he turned out
- 7:44Speaker 5: to be a girl. One night when Barbara was about
- 7:47Speaker 5: a year old, I thought it would be nice to
- 7:49Speaker 5: have a musical evening. I got out our old record.
- 7:54Speaker 2: No, please.
- 7:55Speaker 5: Uh-huh. And again in 1915. And again in 1960.
- 8:09Speaker 2: Turn it off, Louise.
- 8:11Speaker 4: Turn it off.
- 8:24Speaker 5: Barbara and John. Rodney Jr. and Louise. Mama and Papa.
- 8:28Speaker 5: That was the Crane family when we moved into the
- 8:31Speaker 5: country in 1918. To Riverwood. a wonderful old house overlooking
- 8:35Speaker 5: the Hudson. Here, I said, here is where we will
- 8:39Speaker 5: settle down. In we moved with Mother's old furniture and
- 8:42Speaker 5: Rod's misgivings. Rod, he was sure it would bust the budget.
- 8:46Speaker 5: The morning of our third day, I went upstairs to
- 8:48Speaker 5: get little Louise. She still wasn't out of bed.
- 8:53Speaker 8: Did I get up, Mama? But I didn't.
- 8:56Speaker 5: Darling, your brothers and Barbara are outside playing, and just
- 8:59Speaker 5: look at you.
- 9:00Speaker 8: I want to stay in bed and watch the squirrel.
- 9:03Speaker 2: What squirrel, darling?
- 9:04Speaker 8: Right out there on the windowsill.
- 9:07Speaker 5: Oh, you wouldn't want to sit in the sun and
- 9:09Speaker 5: help Mother shell peas?
- 9:10Speaker 8: Look, Mommy, there he is, the squirrel.
- 9:14Speaker 2: All right, sweetheart.
- 9:15Speaker 5: I'll bring your breakfast up here. Louise, does anything hurt you, dear?
- 9:21Speaker 8: Just my ankles. My Johnny's ankles hurt.
- 9:25Speaker 5: What did you say, dear?
- 9:27Speaker 8: My ankles. Johnny's ankles hurt and Barbara's wrists and Ronnie's too.
- 9:31Speaker 8: They told me.
- 9:33Speaker 5: Sweetheart, if you got up right now and walked to
- 9:37Speaker 5: the window, I'd give you a nickel.
- 9:40Speaker 8: I tried before, but I can't. My feet hurt me.
- 9:45Speaker 5: Stay here, darling. I'll be back in a few minutes.
- 9:48Speaker 5: I just want to make a phone call.
- 9:51Speaker 2: When did the child first complain, Mrs.
- 9:53Speaker 5: Graham? This morning, Doctor. But she seemed all right. As
- 9:56Speaker 5: a matter of fact, they all had... things.
- 9:57Speaker 2: Where are the others?
- 9:58Speaker 5: Outside, playing.
- 9:59Speaker 2: You'd better get them in the house.
- 10:01Speaker 5: Doctor, what's wrong with Louise?
- 10:03Speaker 2: I'm not sure as yet. Forgive me, Dr.
- 10:06Speaker 5: Lewis, but I think you are sure.
- 10:09Speaker 2: I'd like to look at the other children, please.
- 10:11Speaker 5: Yes, of course. Who's the best specialist in New York
- 10:15Speaker 5: on infantile paralysis?
- 10:16Speaker 2: Infant... His name is Dr. Balditch, Mrs. Crane. I think
- 10:20Speaker 2: you can reach him now at Children's Hospital. Well, Dr.
- 10:29Speaker 5: Bowditch?
- 10:30Speaker 2: Where is your husband?
- 10:31Speaker 5: Dr. Lewis sent him to the drugstore.
- 10:33Speaker 2: Well, it can be worse, Mrs. Crane. Much worse. The
- 10:36Speaker 2: youngest had better remain in that room by herself. The others?
- 10:39Speaker 2: It's all right if they're together. The others?
- 10:42Speaker 5: They have it, too?
- 10:43Speaker 2: Yes. We'll need another nurse.
- 10:46Speaker 5: Of course.
- 10:47Speaker 2: There are a few things I can assure you. John
- 10:50Speaker 2: and Barbara and Rodney will get off lightly. Slight redness
- 10:53Speaker 2: of the throat, but no paralysis as yet evident. I'm
- 10:56Speaker 2: starting them on serum. Louise? At present, she has only
- 11:01Speaker 2: the use of her left arm. Prognosis for life? Well,
- 11:05Speaker 2: it's fair.
- 11:06Speaker 5: Life? But she doesn't even seem sick.
- 11:08Speaker 2: She's very sick. You can't breathe when paralysis reaches your lungs.
- 11:13Speaker 5: Doctor, may I speak to you, please? Oh, what is it?
- 11:15Speaker 5: Is there anything wrong?
- 11:16Speaker 2: Please, Mrs. Kane, what is it, nurse?
- 11:21Speaker 5: If you don't mind, I wish you'd talk out loud.
- 11:23Speaker 2: You'd better stay here, ma'am.
- 11:25Speaker 5: Whispering is so depressing. I don't think you realize how
- 11:27Speaker 5: serious this.
- 11:28Speaker 2: Is, Mrs. Crane.
- 11:29Speaker 5: I don't feel equal to being sad. What did you
- 11:31Speaker 5: call Dr. Bowditch for? He wanted to give the serum.
- 11:33Speaker 5: You must get hold of yourself. Mama!
- 11:36Speaker 6: Mama!
- 11:37Speaker 5: Yes, darling?
- 11:37Speaker 8: I want a cat pistol to scare the world. I
- 11:41Speaker 8: want a cat pistol right off.
- 11:43Speaker 5: Yes, darling? Cat pistol? Your child is very ill, Mrs. Crane.
- 11:48Speaker 5: I won't take the responsibility. You don't have to.
- 11:51Speaker 2: I will. Louise. Louise, what is it? What's going on?
- 11:53Speaker 5: Rodney, would you mind getting the cat pistol? It's in
- 11:55Speaker 5: the Fourth of July. Thing's in the cellar.
- 11:56Speaker 2: What on earth do you want? Louise wants it.
- 11:58Speaker 5: Please, Rodney.
- 11:59Speaker 2: Darling, she's very sick. I don't believe you really understand.
- 12:02Speaker 5: I understand everything. She'll live. She has to live.
- 12:05Speaker 2: Oh, yes, but... I know, I know.
- 12:07Speaker 5: She'll be lame.
- 12:08Speaker 2: Lame? How do you know she'll ever walk again?
- 12:10Speaker 5: Because I'll make her.
- 12:12Speaker 2: Louise, I don't see how you can take it like this.
- 12:14Speaker 2: It's almost heartless. Heartless?
- 12:15Speaker 5: Simply because I refuse to crucify Louise by allowing this
- 12:18Speaker 5: thing to consume the portions of a great sorrow.
- 12:20Speaker 2: Well, how are you going to help it?
- 12:21Speaker 5: By not crying over it, by not sentimentalizing it. For
- 12:24Speaker 5: Alice's will be just a darn nuisance, that's all. For Louise,
- 12:27Speaker 5: I mean. Rodney, she wants the cap pistol.
- 12:29Speaker 2: Oh, I'll get it.
- 12:32Speaker 8: Mama, Mama, you brought it.
- 12:34Speaker 5: Yes, sweetheart. Here's your cap pistol.
- 12:37Speaker 8: But the squirrel's gone away. He's gone to bed.
- 12:41Speaker 5: Louise, look, dear. Look out the window.
- 12:44Speaker 8: The squirrel's gone to bed.
- 12:46Speaker 5: But you can see the big dipper.
- 12:48Speaker 8: Uh-huh.
- 12:49Speaker 5: And if you're a good girl, it'll pour down hot
- 12:52Speaker 5: chocolate covered with whipped cream. And there's the great bear
- 12:55Speaker 5: and the dog star. Such a long way off.
- 12:59Speaker 8: I bet if I try hard enough, I can hit them.
- 13:03Speaker 8: Watch me, Mommy.
- 13:04Speaker 5: Oh, I'm sure you can hit them. I'm sure you can.
- 13:12Speaker 5: Long after midnight, as I lay awake, I could hear
- 13:15Speaker 5: her laughing and shooting.
- 13:17Speaker 9: Shooting, shooting, aiming for the stars.
- 13:26Speaker 5: By summertime, little Louise was playing once again with her
- 13:29Speaker 5: brothers and sister. There was a brace on her leg,
- 13:32Speaker 5: and she used a crutch, but she was alive and well.
- 13:37Speaker 5: The week after we paid the last doctor bill, Rod
- 13:39Speaker 5: came home early one day.
- 13:41Speaker 2: For heaven's sake, Louise, how can you laugh? I said
- 13:45Speaker 2: I lost my job.
- 13:46Speaker 5: Oh, don't ever frighten me like that again. I thought
- 13:49Speaker 5: the world had come to an end or you'd murdered somebody.
- 13:52Speaker 5: Maybe it strikes you as funny. It doesn't strike me
- 13:54Speaker 5: as funny. But what do you care you did a
- 13:56Speaker 5: good job? Why not try something different? And why don't
- 13:59Speaker 5: I get that job I'm always talking about? And we
- 14:01Speaker 5: can start all over again.
- 14:03Speaker 2: Great Scott, you'd think a man could get a little
- 14:04Speaker 2: sympathy when he's just lost a swell job he's worked
- 14:06Speaker 2: his heart out over. But no, no, just throw ten
- 14:09Speaker 2: years' banking experience into the ash can and try something else. Darling,
- 14:13Speaker 2: don't worry. All the banks are cutting down. There's a
- 14:16Speaker 2: recession in case you're interested. Ah, you'd been better off
- 14:19Speaker 2: if you'd never met me.
- 14:20Speaker 5: I admit I wanted you to get ahead, but love
- 14:23Speaker 5: has nothing to do with prosperity.
- 14:24Speaker 2: If you really cared, you'd be crying.
- 14:26Speaker 5: I never cry, unless I'm sure I'll be able to stop.
- 14:29Speaker 2: New England. There she stands. There is no substitute for granite.
- 14:35Speaker 2: You know, I believe if I died, you'd regard it
- 14:37Speaker 2: as just another way to develop your character.
- 14:39Speaker 5: Oh, darling, don't say a thing like that. Just because
- 14:42Speaker 5: I'm determined, I can't help that. You remember about Grandfather Randall?
- 14:46Speaker 5: He tried three times before he reached the summit of
- 14:49Speaker 5: Mont Blanc. Finally, when he did, why, he was overtaken
- 14:52Speaker 5: on the way down by an avalanche. But by George,
- 14:54Speaker 5: he made it.
- 14:55Speaker 2: Oh, well, I guess I can get another job.
- 14:58Speaker 5: Oh, come on, darling.
- 14:59Speaker 2: Let's go find the kid. Louise, how long have I
- 15:10Speaker 2: been out of work?
- 15:11Speaker 5: Five weeks, dear, but I wish you were.
- 15:13Speaker 2: Well, it's over, Louise. I start next Monday.
- 15:16Speaker 5: Rodney!
- 15:17Speaker 2: Manhattan Trust. $ 5, 000 a year.
- 15:20Speaker 5: $ 5, 000? Why? Well, we'll be able to afford the country
- 15:25Speaker 5: club and send the children to camp and... What's the matter, darling?
- 15:29Speaker 5: You have the job.
- 15:31Speaker 2: If I hadn't, I couldn't tell you this.
- 15:33Speaker 5: Tell me what? Is it a girl? Is she pretty?
- 15:40Speaker 2: Yes. No. Oh, I don't know. It isn't that.
- 15:44Speaker 5: Maybe it's an infatuation. Maybe it won't last.
- 15:48Speaker 2: No, no, that would be easy.
- 15:51Speaker 5: You want to marry her?
- 15:53Speaker 2: Yes.
- 15:55Speaker 5: But I did everything I could.
- 15:57Speaker 2: That's just it. You did everything. A man doesn't want
- 16:00Speaker 2: to be done for. He wants to be loved.
- 16:01Speaker 5: But I do love you. You're my life.
- 16:03Speaker 2: Your life? I was just something on a list. Something
- 16:06Speaker 2: that didn't get attended to. Oh, it's all so hopeless.
- 16:09Speaker 2: I don't understand you, and you don't understand me. We
- 16:11Speaker 2: never have.
- 16:12Speaker 5: A wonderful adventure. The train going nowhere.
- 16:15Speaker 2: I'm sorry, Louise, but there hasn't been a day in the.
- 16:17Speaker 5: Last ten years.
- 16:18Speaker 4: I know, I know.
- 16:18Speaker 5: Let's not go over everything and cry and scream. Let's
- 16:21Speaker 5: not destroy the past. You know, it's funny.
- 16:25Speaker 9: I thought when Johnny goes to Yale and runs the
- 16:27Speaker 9: length of the field for a touchdown... I thought you
- 16:30Speaker 9: and I would be there together.
- 16:32Speaker 5: Johnny will be disappointed.
- 16:34Speaker 2: It's no use, Louise. I'm through. Living with you and
- 16:36Speaker 2: the kids, well, it's... It's been like living with Carrie
- 16:38Speaker 2: Nation in the den of lies. Russ!
- 16:42Speaker 5: Hello there. Well, all present and accounted for. Everything all right? Oh, yes.
- 16:54Speaker 8: Everything is over here.
- 16:55Speaker 5: Now, where are the keys to the car?
- 16:57Speaker 8: What are you doing in that building, Mama? It's this
- 17:00Speaker 8: courthouse on the building.
- 17:01Speaker 5: Well, you'll have to know sometime, I suppose. I've been
- 17:05Speaker 5: getting a divorce.
- 17:06Speaker 8: What's a divorce? Where is it?
- 17:08Speaker 5: I want to see it. It's a paper that says
- 17:10Speaker 5: your father and I aren't... that he... Well, your father's
- 17:16Speaker 5: going to marry another woman. A young woman.
- 17:18Speaker 8: You can't be married to two ladies. Anyone knows that.
- 17:22Speaker 5: Well, he isn't going to be married to me anymore.
- 17:24Speaker 8: I think that's mean.
- 17:27Speaker 5: You mustn't judge people, darling.
- 17:28Speaker 2: You don't know.
- 17:30Speaker 5: Nobody knows.
- 17:32Speaker 8: Doesn't he know that when she's 33, that she'll be
- 17:35Speaker 8: just as old and holy as you are?
- 17:37Speaker 5: Turn on that ignition, Johnny. We're getting out of here.
- 17:39Speaker 8: Hey, where are we going?
- 17:42Speaker 5: I wish I knew, kid.
- 17:43Speaker 2: I wish I knew.
- 17:44Speaker 9: I wish I knew.
- 17:57Speaker 2: Rosalind Russell and Jack Carson will bring you Act Two
- 18:00Speaker 2: of Roughly Speaking in a moment. What Hollywood celebrity have
- 18:03Speaker 2: you been seeing today, Libby?
- 18:04Speaker 10: Why, Milo Anderson, top designer for Warner Brothers, who did
- 18:07Speaker 10: the clothes for Rhapsody in Blue. He got so excited
- 18:11Speaker 10: about the picture, he designed a special fabric and named
- 18:13Speaker 10: it for the Gershwin Rhapsody.
- 18:15Speaker 2: Are there lots of beautiful clothes in the picture?
- 18:17Speaker 5: Oh, yes.
- 18:18Speaker 10: Alexis Smith has some stunning outfits she's supposed to have.
- 18:20Speaker 5: Bought in Paris.
- 18:22Speaker 10: And Joan Leslie has over 20 costume changes. Although that's
- 18:26Speaker 10: not as many as Robert Alder has, who.
- 18:27Speaker 5: Plays the part of George Gershwin.
- 18:29Speaker 2: How do you account for man's having more? Could it
- 18:32Speaker 2: be because the story of Gershwin's life covers two decades?
- 18:35Speaker 2: Joan doesn't appear until he's a young man. Well, maybe
- 18:37Speaker 2: smart women need fewer things because they know how to
- 18:40Speaker 2: keep them lovely longer with luxe care. It's ever so
- 18:43Speaker 2: easy to keep colors fresh-looking with luxe. The studios know that, too.
- 18:47Speaker 2: Sometimes a scene that is supposed to take place in
- 18:49Speaker 2: just a few minutes may take days or even weeks
- 18:52Speaker 2: to shoot. Yet accessories have to stay fresh-looking. So they're
- 18:56Speaker 2: just whisked through lukewarm luxe suds. Afterwards, no one can
- 18:59Speaker 2: tell the difference, because they stay so new-looking with luxe care.
- 19:02Speaker 10: Marlo Anderson does some perfectly breathtaking clothes, and yet ever
- 19:06Speaker 10: so many are as wearable as they're wonderful.
- 19:09Speaker 5: He's practical.
- 19:10Speaker 2: There's one very practical rule the wardrobe departments of Hollywood follow.
- 19:14Speaker 2: With millions of dollars invested in costumes, they do as
- 19:17Speaker 2: millions of women in their own homes do. They trust
- 19:19Speaker 2: to gentle luck. LuxCare keeps things so lovely and new-looking,
- 19:24Speaker 2: so much longer, it actually pays in dollars and cents.
- 19:28Speaker 2: They know that anything safe in water is safe in Lux.
- 19:31Speaker 2: If your dealer is out of Lux right now, try
- 19:33Speaker 2: again soon. More is on the way. Lux is so thrifty,
- 19:37Speaker 2: it's worth waiting for. Here's our guest producer, Irving Pitchell.
- 19:43Speaker 2: Our curtain rises on the second act of Roughly Speaking,
- 19:45Speaker 2: starring Rosalind Russell as Louise and Jack Carson as Harold.
- 19:58Speaker 5: I sometimes wonder how my life would have turned out if,
- 20:01Speaker 5: a year later, I hadn't gone to the country club.
- 20:07Speaker 5: It was a masquerade party. During the evening, I saw
- 20:09Speaker 5: someone sitting by the swimming pool. He wore evening clothes,
- 20:13Speaker 5: and all.
- 20:14Speaker 6: Over his high silk hat were lighted candles.
- 20:19Speaker 5: That's a fascinating costume, Mr.
- 20:20Speaker 2: Pearson. I, uh, I don't know you, do I?
- 20:23Speaker 5: No, you were pointed out. Won't they let you in
- 20:26Speaker 5: there with those candles?
- 20:27Speaker 2: I don't know, I haven't tried. I, uh, I'm a
- 20:30Speaker 2: Christmas tree. Get it? All lit up? Were you ever
- 20:34Speaker 2: in jail? Not yet, but... Well, once when I was
- 20:38Speaker 2: in the guardhouse during the war, I read a volume
- 20:40Speaker 2: of Tennyson. Hmm?
- 20:41Speaker 5: How was it?
- 20:42Speaker 2: Fine. I shall take some savage woman. She shall rear
- 20:46Speaker 2: my dusky race. Oh.
- 20:48Speaker 5: Is that Tennyson in your pocket?
- 20:50Speaker 2: No, no, just the racing form. Now, why should you
- 20:53Speaker 2: remind me of Tennyson?
- 20:55Speaker 5: Maybe I just remind you of the guardhouse.
- 20:57Speaker 2: Come here. Sit down. Join me in my misery. Oh.
- 21:01Speaker 5: The masterful type.
- 21:02Speaker 2: Oh, I got everything. Brains, money, personality.
- 21:05Speaker 5: Then just what is your trouble?
- 21:06Speaker 2: I forgot to grow up. At least that's what my
- 21:08Speaker 2: father says.
- 21:10Speaker 5: Oh, the man who owns those big greenhouses near Briarcliff?
- 21:12Speaker 2: Yes, yes. And what's your trouble?
- 21:14Speaker 5: Nothing, nothing. Except I wanted to set.
- 21:16Speaker 2: The world on fire.
- 21:17Speaker 5: And I never amounted to a rope. Hey, your hat.
- 21:21Speaker 5: Your hat's on fire. You're on fire. Sure?
- 21:24Speaker 11: Positive.
- 21:25Speaker 2: Pardon me a second. Hey! Is the fire out?
- 21:30Speaker 5: I think so.
- 21:30Speaker 2: Give me a hand.
- 21:32Speaker 5: I can't pull you out.
- 21:33Speaker 2: Come on, try.
- 21:34Speaker 5: You see, I can't. Okay, if you can't pull me out,
- 21:37Speaker 5: I'll have to pull you in.
- 21:40Speaker 9: Steve, you're crazy.
- 21:41Speaker 2: Do you know that? We're both crazy. Isn't it.
- 21:49Speaker 4: Nice?
- 21:52Speaker 5: You may as well sit in here in the kitchen.
- 21:54Speaker 5: You can hang those wet clothes by the oven. Tell me, Mr. Pearson,
- 21:57Speaker 5: do you always keep extra clothes at the country club?
- 22:00Speaker 2: You look very striking in my golf knickers. What's in
- 22:02Speaker 2: the icebox?
- 22:03Speaker 5: Bologna.
- 22:04Speaker 2: You got any bread?
- 22:05Speaker 5: Next to the stove there. Sometime, do you think I
- 22:08Speaker 5: could visit your father's greenhouse?
- 22:10Speaker 2: Well, I don't get down that very often.
- 22:12Speaker 5: I thought you said you were vice president.
- 22:14Speaker 2: I just draw the salary. Got any pickles? No. Ridiculous,
- 22:18Speaker 2: those pickles.
- 22:19Speaker 5: But for two hours, you've been telling me how ambitious
- 22:21Speaker 5: you are.
- 22:22Speaker 2: Sure, but ambition's very tricky. You gotta watch it or
- 22:25Speaker 2: you'll end up with lines in your face and no hair. Sandwich?
- 22:28Speaker 5: Thank you. Well, I know what I'd do. I'd quit
- 22:31Speaker 5: sponging off my father, and I'd build my own greenhouse.
- 22:35Speaker 2: That's nice dreaming, but where will I get $ 125, 000? I've
- 22:36Speaker 2: never saved a dime.
- 22:39Speaker 5: My father used to say you could do anything if
- 22:42Speaker 5: you have brains and tried hard enough. Oh, I forgot
- 22:44Speaker 5: the mustache.
- 22:44Speaker 2: Sit down, sit down.
- 22:45Speaker 5: You're the bossiest man I ever met.
- 22:47Speaker 2: It's about time somebody took your hand. You're not suggesting
- 22:51Speaker 2: by any chance that... You're positively clairvoyant. You're also beautiful.
- 22:56Speaker 2: While I know you don't believe me, I'm serious.
- 22:58Speaker 5: Don't be ridiculous.
- 22:59Speaker 2: That's why I feel... Okay, I think I'll be going.
- 23:04Speaker 5: Oh, don't go. I mean, for a minute. It's fun
- 23:08Speaker 5: talking with someone... I've been so, uh.
- 23:11Speaker 2: Lonesome?
- 23:13Speaker 5: I've never talked like this in my life.
- 23:15Speaker 2: It was about time you did.
- 23:17Speaker 5: I guess it's because I've been sort of cooped up.
- 23:19Speaker 2: Marry me and see the world.
- 23:20Speaker 5: I wouldn't marry again.
- 23:21Speaker 2: Oh? As bad as that.
- 23:23Speaker 5: No, no, it wasn't bad at all. It's me. I'm dreadful. Well,
- 23:28Speaker 5: I am. I'm ambitious even if I do get lines
- 23:31Speaker 5: in my face and no hair. And I do everything
- 23:34Speaker 5: for everybody even when they don't want it done.
- 23:35Speaker 2: What are you talking about?
- 23:36Speaker 5: Not only that, I'm granite.
- 23:37Speaker 2: You what?
- 23:38Speaker 5: Granite.
- 23:38Speaker 2: Come here. Hmm? Come here, I'm going to kiss you.
- 23:43Speaker 5: Now, wasn't that pretty silly?
- 23:45Speaker 2: I'm not silly, and I'll take it back.
- 23:46Speaker 5: Two grown-up people laughing like that.
- 23:48Speaker 2: Go ahead, go ahead, say it. I will not. Come on,
- 23:50Speaker 2: come on, say it.
- 23:51Speaker 5: All right, you're not silly.
- 23:53Speaker 2: Now we're getting somewhere. Well, business is picking up, I see. I, uh,
- 24:06Speaker 2: I don't want to seem curious, Louise, but where did
- 24:08Speaker 2: you dig up the wildcat?
- 24:10Speaker 5: Brace yourself. They come with me as standard equipment.
- 24:14Speaker 2: Ready-made family, huh?
- 24:16Speaker 5: Well, Mr. Harold Pearson, it's been very nice knowing you.
- 24:20Speaker 8: Mama, are you going to get him.
- 24:22Speaker 5: For our father?
- 24:24Speaker 2: That kid could make a fortune reading tea leaves.
- 24:26Speaker 5: You run along up to bed, children. That's it. Now,
- 24:28Speaker 5: there's nothing to worry about. Good night, now. It's all
- 24:30Speaker 5: right with me. Good night. Now, maybe you can see
- 24:36Speaker 5: why I'm ambitious.
- 24:37Speaker 2: Well, if you married me, you wouldn't be struggling alone.
- 24:40Speaker 2: I'd be in there swinging with you. Oh, but... You see,
- 24:42Speaker 2: I need somebody to push me. Who could say as
- 24:44Speaker 2: you did, quit sponging off your father and get a
- 24:46Speaker 2: place of your own.
- 24:47Speaker 5: I tried once before to make a man into something
- 24:49Speaker 5: he didn't want to be.
- 24:50Speaker 2: But look at the material you've got to work with
- 24:52Speaker 2: this time. You don't have to sell me on being
- 24:54Speaker 2: president instead of vice president. I'm the kind of guy
- 24:56Speaker 2: who likes to start at the top.
- 24:58Speaker 5: Always modest and retired.
- 24:59Speaker 2: Say, listen, it'll be just as many of my friends
- 25:01Speaker 2: sorry for me marrying you with those four kids as
- 25:03Speaker 2: it'll be yours sorry for you.
- 25:05Speaker 5: You're sure you don't mind the kids?
- 25:07Speaker 2: What are you talking about? I love them. Part of you.
- 25:10Speaker 5: And my gray hairs?
- 25:12Speaker 2: I think they're wonderful. Don't you see? It's a new life.
- 25:15Speaker 2: You and I together. How can we fail? I will
- 25:17Speaker 2: knock this cockeyed world... For a loop!
- 25:26Speaker 5: Cockeyed was right. Harold and I were married just as
- 25:29Speaker 5: the era of wonderful nonsense swung into high gear. In
- 25:32Speaker 5: gold we trusted. Gang way for the millennium. Did Harold
- 25:35Speaker 5: want $ 125, 000 for a greenhouse? Okay, just sign on the
- 25:40Speaker 5: dotted line. In the year Frankie was born, the greenhouses
- 25:43Speaker 5: actually were built. And by December 1928, we paid off
- 25:48Speaker 5: all we owed the bank.
- 25:49Speaker 2: All but a paltry $ 30, 000. Look at them, Louise, darn
- 25:54Speaker 2: near as far as your eyes can see. Roses under glass,
- 25:56Speaker 2: the biggest crop we've ever had and every bud perfect.
- 25:59Speaker 5: Every time I look at them, I think they're good.
- 26:01Speaker 2: They're ours.
- 26:03Speaker 5: Or they will be after we pay off a little
- 26:04Speaker 5: matter of $ 30, 000.
- 26:05Speaker 2: And nothing to start with but a good strong shoe. Ah,
- 26:09Speaker 2: the frenzied finances. Well, don't look at me. The deal
- 26:13Speaker 2: was your brainstorm.
- 26:14Speaker 5: Oh, I still don't understand how you ever pulled it off.
- 26:16Speaker 2: Because I was willing to gamble, and I happened to
- 26:18Speaker 2: be lucky, that's all. First, let's take Frankie.
- 26:21Speaker 5: Oh, by the way, where are the children?
- 26:22Speaker 2: Can't you hear them? I've just been in town buying
- 26:23Speaker 2: a baseball mitts. How about Frankie? I wanted a boy
- 26:26Speaker 2: in Preston. Excuse me. Hi, Frankie. Hi, Papa. See what
- 26:31Speaker 2: I mean? I see what you mean. And don't tell
- 26:33Speaker 2: me I'm spoiling our kids. I... Hey... You're crying.
- 26:39Speaker 5: No, it's just the sun got in my eyes. Oh, darling,
- 26:43Speaker 5: this is just too good to be true.
- 26:45Speaker 2: I see what you mean. How could a big, carefree
- 26:48Speaker 2: guy like me load himself down with a wife, five kids,
- 26:50Speaker 2: and a flock of debts? Yeah, I must be nuts.
- 26:54Speaker 2: Why did you do it? Why? Oh, I don't know.
- 26:57Speaker 2: Unless it's because I'm reasonably fond of you. What time
- 27:01Speaker 2: is it?
- 27:02Speaker 5: Ten after eleven. Oh, holy smoke.
- 27:03Speaker 2: Listen, it may not matter to you that your two
- 27:05Speaker 2: oldest boys get home from school today, but they're my
- 27:07Speaker 2: oldest boys, too, and I'm going to the station to
- 27:08Speaker 2: meet them.
- 27:09Speaker 5: Oh, and if you think just because it's Christmas vacation
- 27:11Speaker 5: that I'm not going to put them to work around here,
- 27:13Speaker 5: you are loony.
- 27:14Speaker 2: See, you know what? It might be nice if we
- 27:15Speaker 2: had a little party Christmas Eve after we got all
- 27:17Speaker 2: the roses shipped off. Just us and the greenhouse men.
- 27:20Speaker 2: Tony and the rest. A little wine and some Christmas
- 27:23Speaker 2: carols maybe. I think they'd kind of like that.
- 27:25Speaker 5: Oh, it's the best Christmas I've ever known. Money for
- 27:27Speaker 5: the bank.
- 27:28Speaker 2: Yeah, and funny leftover. Yeah, let's. Hey, break up that
- 27:31Speaker 2: ball game, you kids. We're going to meet the boy.
- 27:40Speaker 7: Christ is born in Bethlehem, and the herald angels sing.
- 27:50Speaker 7: Glory to the newborn king.
- 27:58Speaker 2: Okay, okay, everybody. Now let's see what this wine tastes like.
- 28:01Speaker 2: Here you are, Tony. Thank you, boss.
- 28:03Speaker 5: Dino, one for you. Gus, now don't be bashful.
- 28:06Speaker 2: Come here.
- 28:07Speaker 5: There you are.
- 28:07Speaker 2: Well, boys, we've been thinking, the missus and I. How
- 28:09Speaker 2: about a little more money in your pay envelope? Can
- 28:11Speaker 2: you use it? Good, good. Thank you, Johnny.
- 28:15Speaker 5: Well, boys.
- 28:16Speaker 2: Here's to success.
- 28:18Speaker 5: Good luck to all of you.
- 28:21Speaker 2: Oh, excuse me.
- 28:21Speaker 5: Oh, quiet, everybody.
- 28:23Speaker 8: It's Jake Quindy.
- 28:24Speaker 5: It's long distance.
- 28:25Speaker 2: Hello. Hello. Merry Christmas, Jake. How's the market?
- 28:29Speaker 5: Huh?
- 28:30Speaker 2: What are you talking about? I busted it. Yeah. I
- 28:37Speaker 2: see what you mean. There's nothing else you can do. Okay, Jake. Goodbye. Well,
- 28:47Speaker 2: it was slow, but it lasted.
- 28:49Speaker 5: Harold?
- 28:50Speaker 2: All week long, roses have been pouring in from out west.
- 28:53Speaker 2: The market's glutted. Then on top of that came our 30,000.
- 28:57Speaker 2: Jake says we've busted the market.
- 28:59Speaker 5: Too many roses?
- 28:59Speaker 2: That's right. We'll get about 50 cents for the first 5,000,
- 29:03Speaker 2: a quarter for the next. Jake said about 10,000 will
- 29:07Speaker 2: have to be dumped. Boys, I think that maybe we
- 29:10Speaker 2: go home.
- 29:11Speaker 5: Good night, Tony.
- 29:12Speaker 2: Good night, Mrs. And Merry Christmas.
- 29:14Speaker 5: Yes, thank you, thank you. Same to you.
- 29:18Speaker 2: Well, what have you got in your eyes this time?
- 29:22Speaker 5: Nothing. I'm just plain bawling.
- 29:25Speaker 2: From rags to riches in ten easy lessons. Just to
- 29:28Speaker 2: fix it, that's all.
- 29:29Speaker 5: I got you into this mess. You were all right
- 29:32Speaker 5: until I got hold of you.
- 29:34Speaker 2: Who's kidding? And now, if I'm not seeing things, the
- 29:37Speaker 2: Christmas tree is still standing over there and the presents are...
- 29:40Speaker 2: still piled up around it. Sure.
- 29:43Speaker 5: Who says there ain't a Santa Claus?
- 29:45Speaker 2: Well, what are we waiting for? Hey, kids. Come on.
- 29:48Speaker 2: Come on. Let's open up the presents.
- 29:55Speaker 5: It all went. The greenhouses and our rose-covered future. Four
- 29:59Speaker 5: months later, we were in Bridgeport, our hopes pinned to
- 30:02Speaker 5: the tail of a new, tangled airplane. Harold had a friend,
- 30:06Speaker 5: and the friend had the plane. But he needed $ 1, 000
- 30:09Speaker 5: to get it in the air, so we all took jobs,
- 30:12Speaker 5: even Johnny and Rodney and Barbara. We got the $ 1, 000.
- 30:16Speaker 5: We got that plane in the air, and we got
- 30:18Speaker 5: the Wall Street backers. A million dollars to start manufacturing.
- 30:22Speaker 5: We were up in the clouds again, 1,000 revolutions per second.
- 30:26Speaker 3: If you're interested in having a custom CD produced for
- 30:29Speaker 3: you of many old-time radio shows available, then visit VintageBroadcast.com.
- 30:37Speaker 5: But the year was 1929, and the month was October,
- 30:41Speaker 5: and destiny had a date with high finance which nobody
- 30:43Speaker 5: had told us about.
- 30:49Speaker 2: Wall Street panic. Bottom drops out of stock market. Biggest
- 30:52Speaker 2: stock crash in history. Financial disasters threaten the nation. Indians
- 30:55Speaker 2: wiped out a stumble first on Wall Street.
- 30:58Speaker 5: As far as I'm concerned, they can give this country
- 31:03Speaker 5: back to the Indians.
- 31:04Speaker 2: If they're as smart as I think they are, they
- 31:06Speaker 2: won't take it. Well, this says all the aspects of
- 31:09Speaker 2: an undesirable situation. What, uh... New approach, do you suggest?
- 31:15Speaker 5: What's the matter with us, for heaven's sake? We have brains, ambition, background.
- 31:19Speaker 5: We work like dogs. Maybe Native Americans are extinct and
- 31:22Speaker 5: don't know it. Maybe they ought to put us out
- 31:24Speaker 5: on a reservation like the bison.
- 31:26Speaker 2: I'm sorry I dragged you and the kids into this thing.
- 31:28Speaker 2: I was so sure I could make a go of it.
- 31:30Speaker 5: You still love us? The five hostages and the ball
- 31:32Speaker 5: and chain?
- 31:33Speaker 2: That's why I feel so darned bad.
- 31:35Speaker 5: Isn't there an easier way to make a living than
- 31:37Speaker 5: being kicked in the teeth for it? Sometimes I think
- 31:40Speaker 5: if Plymouth Rock had landed on the Pilgrims, a lot.
- 31:42Speaker 2: Of trouble would have been saved. Say, how about moving
- 31:46Speaker 2: to New York? A place as big as that, I
- 31:48Speaker 2: certainly ought to be able to get some kind of
- 31:49Speaker 2: a job.
- 31:50Speaker 5: New vistas, bright horizons, a fresh start. Oh, heck, why not? Hey, kids,
- 31:56Speaker 5: how would you like to live in New York? And
- 32:05Speaker 5: then came the six black years. Prosperity is just around
- 32:08Speaker 5: the corner. Brother, can you spare a dime? Of course
- 32:12Speaker 5: there were bright spots. Like when John graduated from Yale
- 32:15Speaker 5: and got a scholarship in medicine. When Rodney rode in
- 32:18Speaker 5: the freshman race against Harvard. And Barbara married a man
- 32:21Speaker 5: as solid and dependable as the rock of Gibraltar. So
- 32:25Speaker 5: in 1937, the only members of our little band of
- 32:28Speaker 5: wildcats left with us were Louise and Frankie. You're all
- 32:32Speaker 5: the one-ass mother. Find anything? Oh, yes.
- 32:35Speaker 8: They want a steam fitter and a neat-appearing colored man
- 32:37Speaker 8: with a bicycle.
- 32:38Speaker 5: I can see the trouble with me is I didn't specialize.
- 32:41Speaker 12: And they're still advertising for men to sell those vacuum cleaners.
- 32:44Speaker 5: Like Pa's doing. I know that ad by heart. Mr. X,
- 32:48Speaker 5: former clergyman, made $ 174. 82 last week. What's that clergyman got
- 32:53Speaker 5: that Pa hasn't got? Pa says he's got God on
- 32:56Speaker 5: his side. Oh, well, let's sit down. What's for dinner, Ma?
- 33:00Speaker 5: Get onion sandwich. No matter how thin you slice them,
- 33:03Speaker 5: they're still onions.
- 33:04Speaker 12: Well, it's a relief after all that split-piece soup we've
- 33:07Speaker 12: been having. Mom, do you suppose he'll ever turn on
- 33:10Speaker 12: the lights and gas again?
- 33:11Speaker 5: All we need is faith, Frankie, and the money to
- 33:14Speaker 5: pay the bill.
- 33:15Speaker 12: Pop will sell one of those vacuum cleaners soon.
- 33:17Speaker 5: You just wait and see. Oh, I can't bear the
- 33:19Speaker 5: thought of your father lugging that thing miles and miles
- 33:21Speaker 5: and people slamming doors in his face. Don't even talk
- 33:23Speaker 5: about it.
- 33:24Speaker 2: Knock, knock.
- 33:25Speaker 8: Who's there?
- 33:26Speaker 1: Wolf.
- 33:27Speaker 8: Wolf who?
- 33:28Speaker 2: For heaven's sakes, if I didn't sell a vacuum cleaner. Mr.
- 33:31Speaker 2: X has nothing on me. Our worm has turned, honey.
- 33:33Speaker 5: Oh, you poor thing. I didn't think you'd sell one
- 33:35Speaker 5: of those things in a million years.
- 33:36Speaker 1: Oh, no?
- 33:37Speaker 2: Well, look, my first commission. Now, don't say I'm not
- 33:39Speaker 2: a good provider.
- 33:40Speaker 5: You're wonderful. Absolutely wonderful.
- 33:43Speaker 2: Well, what are we having for dinner tonight? Now, don't
- 33:44Speaker 2: tell me, don't tell me it's right on the tip
- 33:46Speaker 2: of my nose. Onion sandwiches. Well, eat them when we eat, family,
- 33:49Speaker 2: for the last time. You said it.
- 33:51Speaker 5: Wait till you see what I cook for you tomorrow
- 33:53Speaker 5: night after I've bought my new double boiler.
- 33:55Speaker 2: What?
- 33:56Speaker 5: Boiled onions. There was a lovely little pool room near
- 34:06Speaker 5: where we lived, and the next day as I returned
- 34:08Speaker 5: home with my double boiler, I happened to glance inside.
- 34:11Speaker 5: There amid the unfamiliar scene was a very familiar.
- 34:15Speaker 2: Now, don't complain, fellas. Just watch. Watch and you'll see
- 34:18Speaker 2: how it's done. Are you ready? Now, here we go. See? Now,
- 34:25Speaker 2: shall we have another game, or are you broke? No,
- 34:27Speaker 2: I hate you six bucks.
- 34:28Speaker 10: I'm through.
- 34:29Speaker 2: Far from me.
- 34:29Speaker 5: You're too good, Pearson.
- 34:30Speaker 2: Oh, now, boy. Here, I'll give you the rest tomorrow.
- 34:33Speaker 2: I'm busted. Well, so long, boys. I'm going to have
- 34:35Speaker 2: a beer. If you feel lonesome, just call me.
- 34:41Speaker 6: Are you the man who wants to sell me a
- 34:42Speaker 6: vacuum cleaner?
- 34:43Speaker 2: Huh? Oh, uh, I expect him any minute. Would, uh,
- 34:48Speaker 2: would you care for a beer?
- 34:49Speaker 5: Certainly. I, uh, like your office.
- 34:53Speaker 2: It'll do for a start.
- 34:55Speaker 5: These gentlemen? All customers?
- 35:00Speaker 2: Perspective.
- 35:01Speaker 5: How's business?
- 35:02Speaker 2: Picking up. I just chalked up a swell deal in there.
- 35:06Speaker 5: Much of a future in it?
- 35:07Speaker 2: Yes, yes. I think I'll knock out the wall there
- 35:10Speaker 2: and put in a bigger barn over there. I'll put
- 35:11Speaker 2: in a few more booths and when things really get going... Honey,
- 35:16Speaker 2: I just couldn't sell those darn vacuum cleaners. This was
- 35:19Speaker 2: the best thing I knew to do. Go on, ball
- 35:22Speaker 2: me out. I don't blame you. Me, the big shot.
- 35:25Speaker 2: You don't have to sell me the idea of being
- 35:26Speaker 2: president instead of vice president. I'm the kind of a
- 35:28Speaker 2: guy that likes to start at the top. Well, you
- 35:32Speaker 2: just do the best you can, and then when nothing happens, why,
- 35:36Speaker 2: you just do the best you can. I know. Have
- 35:41Speaker 2: you had any sense you're leaving? You know perfectly well
- 35:44Speaker 2: I haven't got any sense. You're hopeless. Is that bad?
- 35:49Speaker 5: No, it isn't bad.
- 35:51Speaker 9: This letter, it came to you today when I was leaving.
- 35:56Speaker 5: Harold, could I get drunk on beer?
- 36:00Speaker 2: Great Caesar's ghost.
- 36:02Speaker 5: What's the matter? What is it?
- 36:03Speaker 2: I don't believe it. What is it, silly? Just say
- 36:05Speaker 2: I'm not silly.
- 36:05Speaker 5: You're not silly.
- 36:06Speaker 2: I'll say I'm not silly. I've got a date with
- 36:08Speaker 2: a guy regarding the super-duper job I've been gunning for
- 36:10Speaker 2: for weeks. Only superintendent of planning at the New York
- 36:13Speaker 2: World's Fair.
- 36:13Speaker 5: No.
- 36:14Speaker 2: Yes.
- 36:15Speaker 5: Then hand over all that money you just won. Come on,
- 36:17Speaker 5: come on.
- 36:17Speaker 2: What's the idea?
- 36:17Speaker 5: If you've got to have a job at the World's Fair,
- 36:19Speaker 5: you're certainly going to have some decent clothes.
- 36:20Speaker 2: That's right.
- 36:21Speaker 5: There's enough here for a shirt, some shoes, a tie...
- 36:24Speaker 5: What you really need.
- 36:25Speaker 2: Is a new suit. Yeah, a new suit. Hey, sit tight, baby.
- 36:28Speaker 2: I'll be back in a few minutes. Hey, Eddie. Sam.
- 36:31Speaker 2: Count me in on the next game. Hey, where's the
- 36:33Speaker 2: cue and give me that chalk?
- 36:34Speaker 4: I'm hot.
- 36:43Speaker 2: We pause now for station identification. This is CBS, the
- 36:46Speaker 2: Columbia Broadcasting System. Before our stars Rosalind Russell and Jack
- 37:11Speaker 2: Carson return in Act Three of Roughly Speaking, here's our
- 37:15Speaker 2: producer Irving Pitchell to introduce a guest to tonight's performance,
- 37:18Speaker 2: one of Warner Brothers' bright young actresses, Angela Greene. Blonde,
- 37:23Speaker 2: she's Irish, and very ambitious. What kind of roles do
- 37:26Speaker 2: you want to play, Angela?
- 37:28Speaker 6: I'd love to do something really dramatic in the picture,
- 37:31Speaker 6: like Joan Crawford in Notre Dame. That's the picture that
- 37:34Speaker 6: Jack Coffey, who you'll play tonight, is co-starring along with
- 37:37Speaker 6: Zachary Scott. I have a small part in the picture,
- 37:40Speaker 6: and I watched Joan every chance I.
- 37:41Speaker 3: Could get so I could learn. It's her first picture
- 37:44Speaker 3: in three years because she insisted on waiting for the
- 37:47Speaker 3: right story and the right role. And in this, she's
- 37:49Speaker 3: more wonderful than ever.
- 37:51Speaker 2: You've picked an excellent model.
- 37:52Speaker 3: She always looks so glamorous, too, no matter what she wears.
- 37:56Speaker 3: And in Mildred Pierce, she wears the most wonderful, wearable
- 37:59Speaker 3: clothes you ever saw.
- 38:00Speaker 2: You sound like something of an authority on clothes yourself.
- 38:03Speaker 3: Well, I used to model for photographs back in New York.
- 38:06Speaker 3: But wearing lovely clothes in front of a camera wasn't enough.
- 38:09Speaker 3: I've always wanted to be an actress, a really good one.
- 38:12Speaker 2: Did your modeling experience help you?
- 38:14Speaker 3: In acting a little. In being thrifty a lot. When
- 38:18Speaker 3: you're a model, you're expected to look beautifully groomed every
- 38:21Speaker 3: minute of the day. Lux was a wonderful help in
- 38:24Speaker 3: keeping stockings, undies, and blouses new-looking longer, so I could
- 38:27Speaker 3: afford dramatic lessons on the side. And in saving my
- 38:31Speaker 3: pennies with Lux and studying dramatics in Hollywood, I'll be ready.
- 38:34Speaker 5: For bigger roles.
- 38:35Speaker 2: And I'm sure they'll come. Thank you, and good luck, Angela.
- 38:39Speaker 2: Lovely women all over the country depend on Lux for
- 38:42Speaker 2: exquisite grooming. It keeps pretty colors and fabrics new-looking longer.
- 38:47Speaker 2: Actual washing tests prove Lux Care keeps undies color-fresh three
- 38:51Speaker 2: times as long. slips and nighties washed in strong soaps,
- 38:54Speaker 2: hot water, and handled roughly, soon looked faded and old.
- 38:58Speaker 2: Yet identical undies, washed the same number of times with Lux,
- 39:02Speaker 2: still looked lovely. Lux is thrifty care for all washables.
- 39:07Speaker 2: We take you back to Irving Pitchell and our stars.
- 39:10Speaker 2: We hope you'll be with us after the show, when
- 39:12Speaker 2: our two stars come back for their curtain call. Here's
- 39:15Speaker 2: Act Three of Roughly Speaking, starring Rosalind Russell as Louise
- 39:19Speaker 2: and Jack Carson as Harold.
- 39:22Speaker 9: Harold got the job.
- 39:30Speaker 5: Superintendent of planting at the New York World's Fair. We
- 39:33Speaker 5: moved to Long Island, rented a house near the fair
- 39:35Speaker 5: and a vacant lot next door. Louise, her crippled foot
- 39:39Speaker 5: and all, went into business with me. We parked cars.
- 39:45Speaker 5: Park your car, folks. Always room for one more. Drive
- 39:48Speaker 5: right into the particular parking lot for the particular people.
- 39:50Speaker 5: People who don't particularly care what happens to their car.
- 39:52Speaker 5: We dent your fenders, scratch your bumpers, solve your problems.
- 39:55Speaker 5: Right this way, sir. You know a good thing when
- 39:56Speaker 5: you see it. Right this way.
- 39:58Speaker 2: We'll be back in about two hours.
- 39:59Speaker 5: Yes, sir. Thirty-five cents, please. And be sure you stop
- 40:01Speaker 5: in at the chemistry exhibit. Here are my son Frankie,
- 40:03Speaker 5: lecturer on plastics at the age of 17. Never mind that.
- 40:06Speaker 2: Just be sure to turn the motor off. Women parking.
- 40:09Speaker 5: Yes, sir.
- 40:09Speaker 2: Yes, sir.
- 40:11Speaker 5: Hey, Louise, any more room?
- 40:12Speaker 8: We're all filled up, Mom.
- 40:14Speaker 5: Here's one more. We might as well squeeze him in somewhere.
- 40:16Speaker 2: You got any room?
- 40:17Speaker 5: Right in, sir. Plenty of room. Just watch that coupe
- 40:19Speaker 5: on the left. That's it. Careful of your fender there.
- 40:21Speaker 2: Very close.
- 40:22Speaker 5: Two o'clock in the morning is the great racket. That'll
- 40:24Speaker 5: be 35 cents, sir.
- 40:25Speaker 4: Okay.
- 40:25Speaker 5: Turn right as you go out and follow your nose.
- 40:26Speaker 5: Thank you, sir. Don't forget to look at the flowers.
- 40:29Speaker 5: My husband planted every one of them. We better put
- 40:30Speaker 5: the chain up, Ma. We're sold out. Well, we got
- 40:32Speaker 5: them all in, but don't ask me how we're going
- 40:34Speaker 5: to get them all out. Oh, look, another one. Hey,
- 40:36Speaker 5: we're filled up. No more room.
- 40:38Speaker 6: Back up.
- 40:38Speaker 8: You can't get in.
- 40:39Speaker 2: We're filled.
- 40:39Speaker 5: Look out or we'll mow you down. Oh, it's John,
- 40:42Speaker 5: John and Rodney. Ah, Louise.
- 40:44Speaker 2: Well, what do you know? Look who's here.
- 40:46Speaker 5: Oh, I was never so glad to see anyone in
- 40:48Speaker 5: my life.
- 40:48Speaker 8: Oh, I knew you'd make it.
- 40:50Speaker 5: Well, don't sit there. Come on, get out.
- 40:51Speaker 2: You got any room to park this Rolls Royce?
- 40:53Speaker 5: No fine room for it. We have to put it
- 40:55Speaker 5: on the front porch. Oh, let me look at you, John. Uh-uh. No, no,
- 40:58Speaker 5: you don't look like a doctor to me.
- 40:59Speaker 2: Oh, that's because I haven't got my little black bag.
- 41:01Speaker 5: And Rodney, and you suit and everything. You look pretty spassy.
- 41:04Speaker 2: Oh, you look pretty nice yourself.
- 41:06Speaker 5: Hey, but what's with this parking racket?
- 41:07Speaker 2: I thought you were in the money.
- 41:08Speaker 5: Well, Frankie has his house set on Harvard. I thought
- 41:11Speaker 5: we might as well make hay while the sun shines.
- 41:13Speaker 2: Harvard?
- 41:13Speaker 5: What's the matter with Yale? Well, now that the boys
- 41:16Speaker 5: are here, I might as well tell you, Ma. Guess
- 41:18Speaker 5: who's at the house? Barbara.
- 41:20Speaker 7: Barbara?
- 41:20Speaker 5: When did she get here?
- 41:21Speaker 2: Oh, we just thought we'd all drop in for dinner.
- 41:23Speaker 5: But your father's at work, and Frankie... Oh, it's all fixed.
- 41:25Speaker 5: They'll be here any minute. For heaven's sake. For heaven's sake. Huh?
- 41:29Speaker 5: I just remembered. It's my birthday.
- 41:32Speaker 4: Oh, isn't it wonderful all getting together again?
- 41:40Speaker 2: Well, now that we've had dinner, leave it to me
- 41:41Speaker 2: to remember something I forgot.
- 41:43Speaker 5: Look. Champagne.
- 41:46Speaker 2: Yes, sir. Champagne. Okay. Direct from that fancy French restaurant
- 41:50Speaker 2: at the fair. Well, how about your glasses? Well, here's
- 41:54Speaker 2: to you-know-who.
- 41:55Speaker 5: Oh, my.
- 41:56Speaker 2: Fearless, intrepid, indestructible, without whose.
- 42:00Speaker 5: Say it. Go on, Harold, say it.
- 42:02Speaker 2: No. I've changed my mind. All right, kids, to the queen.
- 42:08Speaker 5: Oh, thank you. Thank you. How about a speech, Molly?
- 42:13Speaker 5: Come on, Molly. Oh, well, I'm overcome. I've eaten so
- 42:16Speaker 5: much and I've laughed so much. For once, I'm speechless.
- 42:18Speaker 2: This I gotta see. Well, may I put in a
- 42:20Speaker 2: few words, please? You will anyway, yes.
- 42:22Speaker 5: Go right ahead.
- 42:23Speaker 2: Well, when I first met Mrs. Pearson, I suffered from soft,
- 42:26Speaker 2: smooth hands. But after one application of the toe of
- 42:29Speaker 2: her boot to the seat of my pants.
- 42:32Speaker 5: Well, you carry on, Frankie. I can't make a speech
- 42:34Speaker 5: without champagne.
- 42:35Speaker 2: It's all right, Harold.
- 42:36Speaker 5: Give him some. Special occasion.
- 42:38Speaker 2: Well, all right.
- 42:39Speaker 5: Here.
- 42:40Speaker 2: Oh, that's only half a glass, Pa. Well, make half
- 42:43Speaker 2: a speech. Seriously, Ma, this is the first champagne I've
- 42:48Speaker 2: ever had. Oh, you're kidding. Officially. And I just want
- 42:53Speaker 2: to say, Ma, that I think you're swell. And I
- 42:56Speaker 2: love you. Oh, Frankie, thank you.
- 42:58Speaker 13: That's a nice speech.
- 42:59Speaker 5: Thank you. That's a lovely speech. And now the birthday cake.
- 43:02Speaker 5: Here it is, everybody. Oh, God. Oh, it's beautiful.
- 43:07Speaker 2: And only 50 candles, Louise.
- 43:09Speaker 5: Let this be a lesson to me.
- 43:10Speaker 2: Well, children, for a woman of 90, your mother is
- 43:13Speaker 2: certainly marvelously preserved.
- 43:14Speaker 5: Harold.
- 43:15Speaker 2: Come on, can I make a wish?
- 43:16Speaker 5: No, I'm not as young as I used to be.
- 43:19Speaker 5: But here goes.
- 43:20Speaker 2: What's the matter?
- 43:22Speaker 5: Look. Out the window.
- 43:24Speaker 2: Look at what?
- 43:25Speaker 5: The fair. Am I crazy, or did the lights go
- 43:29Speaker 5: out on the Polish pavilion?
- 43:30Speaker 2: Yes. Yes, the lights did go out. Well, there it goes.
- 43:36Speaker 2: The world of tomorrow. I always said we should have
- 43:40Speaker 2: marched straight into Berlin and hung the Kaiser, but nobody
- 43:42Speaker 2: would listen to me. I guess there's only one thing
- 43:45Speaker 2: to do now. Get out the old uniform.
- 43:49Speaker 5: I'm afraid not, Harold. Wars are fought by the young. Johnny.
- 43:54Speaker 11: Rodney.
- 43:55Speaker 2: Who knows, Ma? Oh, don't worry, Ma. Nothing's happened yet.
- 44:00Speaker 5: Every time... Every time I get my ship on an
- 44:03Speaker 5: even keel, something goes bang. It was a couple of
- 44:12Speaker 5: years in coming, but when it did, the something certainly
- 44:15Speaker 5: went bang. And they were both in it, of course,
- 44:18Speaker 5: John and Rodney. Just before they left for overseas, we
- 44:22Speaker 5: had a few minutes to see them off at the station.
- 44:25Speaker 5: Harold and Frankie and I.
- 44:30Speaker 2: There he is. Johnny! Hey, Johnny!
- 44:33Speaker 5: Oh, darling, we've been looking all over for you.
- 44:36Speaker 2: Hello, Ma.
- 44:37Speaker 5: You look very handsome.
- 44:38Speaker 2: Oh, it's a brass button. Hiya, Captain. Admiral.
- 44:42Speaker 5: Oh, can't seem to get this cap right.
- 44:44Speaker 2: Yeah, well, maybe if you tipped a little to the.
- 44:46Speaker 5: Side, huh?
- 44:46Speaker 2: Ma, here's Rod. Johnny! Hiya, Skeezix and Rod.
- 44:51Speaker 5: Mom, Pa and John. Oh, gosh, I was afraid I'd
- 44:54Speaker 5: miss you. Let me look at you, darling.
- 44:56Speaker 2: How are you? Oh, fine, swell.
- 44:58Speaker 5: Hey, where's Louise? On the night shift at the plant. And,
- 45:01Speaker 5: of course, you know about Barbara and the baby. If
- 45:04Speaker 5: I'd only known this in time, I would have made
- 45:06Speaker 5: some fudge or knit a sweater or something.
- 45:08Speaker 2: Well, Ron, if they give you any choice, try to
- 45:10Speaker 2: get into the tank corps. Like I said in the
- 45:12Speaker 2: last war, why walk to Berlin when you can ride?
- 45:14Speaker 2: You shoot them, Ron. We'll sink them. Yes, sir. And
- 45:16Speaker 2: Frankie here with his chemistry, he'll blow them sky high.
- 45:19Speaker 7: No, no, no.
- 45:19Speaker 5: Frankie's got a lot of work yet to do at Harvard.
- 45:23Speaker 2: That's me, I guess.
- 45:25Speaker 5: I had a million things to say to you. I
- 45:28Speaker 5: can't seem to think of any of them. Are you
- 45:30Speaker 5: sure you're going to be warm enough, darling?
- 45:31Speaker 2: Oh, sure. Well, goodbye, soldier. Goodbye, Pop. Don't do anything
- 45:35Speaker 2: I do. So long.
- 45:37Speaker 5: Goodbye, darling.
- 45:39Speaker 2: So long, Rod. Take care of yourself.
- 45:41Speaker 6: Thanks.
- 45:41Speaker 5: And you too, skeezy.
- 45:42Speaker 2: Sure, Rod. Sure.
- 45:44Speaker 8: And don't worry, all right.
- 45:47Speaker 2: Goodbye. At once? Oh, I guess that means me.
- 45:52Speaker 5: John, so soon?
- 45:53Speaker 2: Oh, I stayed over two trains already, dear. They get
- 45:56Speaker 2: annoyed if you hold up the fleets.
- 45:57Speaker 5: Where are you going? Where will he see you?
- 45:59Speaker 2: He can't tell you where he's going, honey. He doesn't
- 46:00Speaker 2: know himself. Well, give my love to Barb when you
- 46:02Speaker 2: see her and Louise. Tell her to keep the stuff coming. Sure, Johnny.
- 46:06Speaker 5: You bet we will.
- 46:07Speaker 2: You know, Pa, Rod and I never got around to
- 46:09Speaker 2: telling you. I mean, how swell you've been. Like when
- 46:12Speaker 2: we smashed up your car and I pretty near got
- 46:14Speaker 2: thrown out of school. You never said a word. I
- 46:18Speaker 2: guess we were pretty awful. And the way you put
- 46:20Speaker 2: up with Mother, too.
- 46:21Speaker 5: I like that. Now, see here, young man. Lieutenant Crane,
- 46:24Speaker 5: if you please.
- 46:25Speaker 2: You kids were never much trouble. It was your mother.
- 46:27Speaker 2: If I hadn't had a will of iron... Well, goodbye,
- 46:30Speaker 2: all of you. And, Ma, let there be no moaning
- 46:33Speaker 2: at the bar. When I put out to sea. Lord Tennyson.
- 46:36Speaker 2: Alfred Lord Tennyson.
- 46:37Speaker 5: That shows you how much Yale has it over Harvard.
- 46:40Speaker 2: Goodbye, Ma. Goodbye, darling.
- 46:43Speaker 11: Bye, Pa.
- 46:43Speaker 2: Goodbye, Johnny. Keep an eye on her while we're away.
- 46:46Speaker 2: And don't let her get any bright ideas for winning
- 46:48Speaker 2: this war. I won't.
- 46:49Speaker 5: Just you be careful now. And don't take the destroyer
- 46:51Speaker 5: in deep water.
- 46:52Speaker 2: I won't. Goodbye. Goodbye, Frankie. Bye. Bye. Well, I.
- 46:59Speaker 5: I'd like to sit down for a minute. Then we
- 47:01Speaker 5: can go.
- 47:02Speaker 2: Here's a place, Ma.
- 47:04Speaker 5: Harold, didn't you think John looked thin? No, no.
- 47:08Speaker 2: I thought he looked just about right.
- 47:10Speaker 6: Ma.
- 47:12Speaker 2: I've been waiting to tell you this all day. There's
- 47:14Speaker 2: practically nobody left in college, so I'd like you to
- 47:16Speaker 2: sign this piece of paper for me.
- 47:18Speaker 5: Let me see it. Parents, permission to enlist. Now, look here, Frankie.
- 47:23Speaker 2: Wait a second, Louise. After all, we're all entitled to
- 47:25Speaker 2: make our own decisions.
- 47:26Speaker 5: Harold, the boy is too young. How can you.
- 47:27Speaker 2: I mean, what right have we, you and I, to interfere?
- 47:30Speaker 2: I filled in some of the things to make it
- 47:32Speaker 2: easier for you, Ma.
- 47:33Speaker 5: Do I have to sign it now, this minute?
- 47:35Speaker 2: Might as well sign it now. It won't be any
- 47:36Speaker 2: easier later on. You know, Frankie, I tried to get
- 47:39Speaker 2: in myself, but they wouldn't have me. Yeah? Yeah. Too old.
- 47:42Speaker 2: It's tough, Pop. But then things have changed since your war. Listen,
- 47:46Speaker 2: young man. How long do you think it took us
- 47:47Speaker 2: to get a Vickers gun into action at Vimy Ridge, huh?
- 47:49Speaker 5: Here, it's fine. Eleven seconds.
- 47:52Speaker 2: Oh. Gee, thanks, Ma. You know what? I'm going to
- 47:55Speaker 2: try for the paratroopers.
- 47:56Speaker 5: Good grief.
- 47:57Speaker 2: Oh, don't worry. They wash them out so fast you
- 47:58Speaker 2: get to be a lieutenant in no time. Well, I'll
- 48:00Speaker 2: see you later. Where are you going?
- 48:02Speaker 5: Recruiting office before it closes. I'll see you home.
- 48:04Speaker 2: Frankie!
- 48:05Speaker 5: Frankie!
- 48:07Speaker 2: Well, I... I guess that's that. Come on, honey. Let's go.
- 48:12Speaker 2: I don't know what's the matter with me.
- 48:14Speaker 5: I was bound by wounds, and here I am.
- 48:16Speaker 2: Oh, you did fine. Don't worry. They're all chips off
- 48:19Speaker 2: of the old block. Nothing's ever going to lick them.
- 48:22Speaker 2: Poverty or sorrow or Germans or Jets.
- 48:27Speaker 5: I wanted them to have such a wonderful life. And
- 48:30Speaker 5: it seems as if that every time.
- 48:31Speaker 2: You had everything that counts. Suppose they did get it
- 48:33Speaker 2: the hard way. I mean, what if they'd had everything
- 48:36Speaker 2: handed to them in a silver platter the way you
- 48:37Speaker 2: want it? How do you know how they would have
- 48:39Speaker 2: turned out? And they had you always as an example
- 48:43Speaker 2: in front of them, knocking your head against a stone
- 48:44Speaker 2: wall and turning up grinning. They may be down, but
- 48:49Speaker 2: they'll never be out.
- 48:50Speaker 9: I can't help wishing we'd stayed in one place more
- 48:53Speaker 9: than five minutes so they'd have.
- 48:54Speaker 2: Had a home to remember.
- 48:57Speaker 5: You know, to think about while they're gone.
- 48:59Speaker 2: Honey, home is where you were. Home is a feeling, Louise,
- 49:04Speaker 2: not a place.
- 49:06Speaker 5: Still, they ought to have something solid. Something secure to
- 49:10Speaker 5: come back to.
- 49:11Speaker 4: Yeah.
- 49:11Speaker 2: I think maybe a farm is the answer. Back to
- 49:15Speaker 2: the land. Yeah.
- 49:17Speaker 5: Maybe we could get a little place somewhere, you know.
- 49:20Speaker 2: Sort of 50 acres.
- 49:21Speaker 5: Develop it gradually?
- 49:23Speaker 2: Fifty acres. If you're going to have cattle, you've got
- 49:24Speaker 2: to have at least 200 acres. Who said anything about cattle?
- 49:27Speaker 2: I was thinking of turkeys. Oh, phooey. On turkeys, now
- 49:30Speaker 2: you've got cattle and a flock of sheep.
- 49:31Speaker 5: Well, of course, if we had a garden and some chickens,
- 49:34Speaker 5: maybe the place could be self-supporting.
- 49:36Speaker 2: Self-supporting? Nothing. I just read the other day about a
- 49:38Speaker 2: guy who started out with nothing but all but cattle
- 49:40Speaker 2: and sheep, and in no time at all... He ought
- 49:41Speaker 2: to should. All right, all right. I know.
- 49:45Speaker 5: You were just dreaming.
- 49:46Speaker 2: I can't shoot you for dreaming. Not in this country,
- 49:49Speaker 2: at any rate.
- 49:50Speaker 5: That's right. America's the one place you're free to make
- 49:52Speaker 5: a million, lose a million, drunk or sober.
- 49:55Speaker 2: I thought you were the one who wanted to give
- 49:56Speaker 2: it back to the Indians.
- 49:57Speaker 5: Oh, no. Not as long as I still have my
- 50:00Speaker 5: strength and my health.
- 50:02Speaker 2: Say, honey, what would you think of our initials for
- 50:04Speaker 2: a brand? You know, an H and an L?
- 50:06Speaker 5: Harold, you don't brand turkey.
- 50:08Speaker 2: Louise and Harold.
- 50:09Speaker 5: Everybody knows that.
- 50:11Speaker 2: I know. I... Huh? Who's talking about turkeys? With turkeys,
- 50:14Speaker 2: you only get one shot, Thanksgiving. Uh-uh.
- 50:16Speaker 5: Two Thanksgivings.
- 50:17Speaker 2: All right, all right. But you eat beef the year round.
- 50:19Speaker 5: The place I heard about was over in Pennsylvania. Yeah.
- 50:22Speaker 13: Maybe this weekend we could drive out over there.
- 50:36Speaker 2: Our stars will be back for their curtain calls in
- 50:38Speaker 2: just a minute. Now, when it comes to clothes, there's
- 50:42Speaker 2: one item the end of the war brings to most
- 50:44Speaker 2: women's minds.
- 50:45Speaker 11: Nylons.
- 50:45Speaker 2: That's right, Sally. Nylon stockings are expected to be back
- 50:49Speaker 2: in the stores in two months or so.
- 50:50Speaker 5: I wish it were sooner.
- 50:52Speaker 2: Well, most stores don't want to put nylons on sale
- 50:54Speaker 2: until they have enough to go around. A few stores
- 50:56Speaker 2: that have sold small quantities recently had to call out
- 50:59Speaker 2: the police to keep order.
- 51:00Speaker 5: But I know one lucky lady who won't have to wait.
- 51:02Speaker 2: Mrs. V.G.
- 51:04Speaker 5: Linkey of New York has eight pairs of nylons, and
- 51:07Speaker 5: she bought them in August 1941.
- 51:10Speaker 2: That's over four years ago.
- 51:12Speaker 5: Yes, but they've had Lux care all that time. And
- 51:15Speaker 5: you know how Lux helps stockings wear. Here's what Mrs.
- 51:18Speaker 5: Linkey says.
- 51:19Speaker 11: I still have eight good pairs of nylons that were
- 51:22Speaker 11: bought in August 1941. I've just lived in them. In fact,
- 51:26Speaker 11: I've worn nothing else. Isn't that a wonderful record? I
- 51:30Speaker 11: give a lot of credit to Lux. My nylons are
- 51:33Speaker 11: Luxed after every wearing in lukewarm sun. Believe me, when
- 51:37Speaker 11: nylons come back.
- 51:38Speaker 14: Again, I'll stick to Lux. It certainly helps keep runs away.
- 51:42Speaker 14: And scientific strain tests back up Mrs. Linkey's remarkable record.
- 51:47Speaker 14: These tests showed stockings washed with Lux lasted twice as long.
- 51:51Speaker 14: That was true of nylon, rayon, cotton, and silk. Stockings
- 51:55Speaker 14: washed with strong soap or rubbed with a cake of
- 51:57Speaker 14: soap soon popped into runs. But the Luxed ones stayed
- 52:01Speaker 14: lovely twice as long. For nylons as well as rayons,
- 52:05Speaker 14: use Lux flakes.
- 52:07Speaker 2: Mr. Irving Pitchell returns to the microphones. A curtain call
- 52:10Speaker 2: is no new experience for troopers like Rosalind Russell and
- 52:13Speaker 2: Jack Carson. And here they are, back at the footlights
- 52:16Speaker 2: to receive our thanks. You made inspiring parents, both of you.
- 52:19Speaker 5: Thank you, Irving. Maybe having children of our own helped.
- 52:23Speaker 2: Your youngster must be growing up now, Rosalind. Have you
- 52:25Speaker 2: taught him how to talk?
- 52:26Speaker 5: Oh, yes.
- 52:27Speaker 2: Well, now you'll have to teach him how to keep still.
- 52:29Speaker 5: That's right, Jack.
- 52:30Speaker 2: How are you bringing up children, Jack? Oh, great, great, Irving.
- 52:33Speaker 2: I use psychology.
- 52:34Speaker 5: Psychology?
- 52:35Speaker 2: Yes. If I want them to go to sleep, for instance,
- 52:37Speaker 2: all I have to do is, well, just... whisper in
- 52:40Speaker 2: their ear.
- 52:40Speaker 5: That I'd like to see.
- 52:42Speaker 2: What do you whisper? Go to sleep or I'll land
- 52:44Speaker 2: the daylights out of you. I don't believe it. What's
- 52:47Speaker 2: your formula, Rosalind?
- 52:48Speaker 5: Well, I usually sing my youngster to sleep.
- 52:51Speaker 2: Oh, I do that too. You sing, Jack? Do I sing? Why,
- 52:54Speaker 2: when I first came out to Hollywood, all the studios
- 52:56Speaker 2: were after me to sing. And what happened? They were
- 52:58Speaker 2: after me.
- 52:59Speaker 5: Somehow I can't imagine you singing a lullaby, Jack.
- 53:02Speaker 2: But I do, Rosalind. I've got a lovely Russian lullaby.
- 53:04Speaker 2: Russian lullaby? Sure. Rock-a-bye, babeski, in the tree top of it.
- 53:10Speaker 2: When the bough brayski, the cradle will drop of it.
- 53:14Speaker 2: Just a minute, Jack. That's plenty. Before our audience drops
- 53:17Speaker 2: off to sleep, I want to be sure to tell
- 53:18Speaker 2: them what we have for next week.
- 53:19Speaker 5: Yes, what do you have, Irving?
- 53:21Speaker 2: The play that I have a great personal interest in
- 53:23Speaker 2: because I directed it for Paramount. It's John Steinbeck's story,
- 53:27Speaker 2: A Medal for Benny.
- 53:28Speaker 5: Oh, that was a great picture, Irving. And I hope
- 53:30Speaker 5: you've got the original screencast. They did a wonderful job
- 53:33Speaker 5: in the picture.
- 53:34Speaker 2: Yes, we have all three principals. Dorothy L'Amour, Arturo de Córdova,
- 53:38Speaker 2: and J. Carol Nash. That setup writes a medal for perpetual,
- 53:40Speaker 2: I think. Good night.
- 53:41Speaker 5: Good night. Good night, Irving.
- 53:42Speaker 2: Good night. Thanks for a great evening. Our sponsors, the
- 53:50Speaker 2: makers of Lux Flakes, joins me in inviting you to
- 53:53Speaker 2: be with us again next Monday evening when the Lux
- 53:56Speaker 2: Radio Theater presents Dorothy L'Amour, Arturo de Córdova... and J.
- 54:01Speaker 2: Carol Nash in A Medal for Benny. This is Irving
- 54:04Speaker 2: Pitchell saying goodnight to you from Hollywood. Now that victory
- 54:14Speaker 2: is won abroad, we have another victory to win at home.
- 54:17Speaker 2: The transition from wartime economy to a happy peacetime living.
- 54:22Speaker 2: That's the purpose of the National War Fund. In addition
- 54:25Speaker 2: to providing essential services to our men and allies overseas...
- 54:29Speaker 2: More than half of every dollar you contribute will be
- 54:31Speaker 2: spent in your community to determine the standard of living
- 54:35Speaker 2: that surrounds you. In these critical post-war years, the National
- 54:39Speaker 2: War Fund is an overall agency designed to keep alive
- 54:43Speaker 2: the American way of life. Give generously. Give gratefully to
- 54:47Speaker 2: your community war fund. Rosalind Russell will next be seen
- 54:51Speaker 2: in the Columbia picture, Some Call It Love. Jack Carson
- 54:55Speaker 2: is regularly heard on this network in his own program
- 54:57Speaker 2: for Campbell Soup, To most of us, motion pictures are
- 55:02Speaker 2: a popular form of entertainment. But to the sick and
- 55:04Speaker 2: wounded veterans in our hospitals, they are also medicine, a
- 55:08Speaker 2: primary factor in building morale. Thousands of films contributed to
- 55:12Speaker 2: the Red Cross by the Hollywood Motion Picture Studios have
- 55:15Speaker 2: helped brighten the hours and speed the recovery of convalescent
- 55:19Speaker 2: veterans from coast to coast, another way in which a
- 55:22Speaker 2: great industry is serving America. This program is broadcast to
- 55:26Speaker 2: our men and women overseas through cooperation with the Armed
- 55:29Speaker 2: Forces Radio Service. Our music is directed by Louis Silvers.
- 55:33Speaker 2: This is your announcer, John Milton Kennedy, reminding you to
- 55:36Speaker 2: tune in again next Monday night to hear A Medal
- 55:39Speaker 2: for Benny with Dorothy L'Amour, Arturo de Córdova, and J.
- 55:43Speaker 2: Carol Nash.
- 55:45Speaker 1: Our presentation of Lux Radio Theater's Roughly Speaking is complete.
- 55:49Speaker 1: Follow Lux Radio Theater for more classic broadcasts.